Sony Alpha a7S III User Manual

Interchangeable-lens digital camera

©Sony Corporation July 2020

Imagination in Motion

The process of turning ideas into images that others can experience is the essence of visual content creation. Sony’s goal is to give creators the tools they need to achieve their goals as efficiently and as intuitively as possible, and with the highest possible qualit y. The incredible α7S III is an outstanding example. It refines legendary S-series sensitivity and dynamic range to unprecedented levels, while boosting speed and processing power for supreme expression and work flow efficiency. And all of this is achieved while maintaining the compac t por tability that is a cornerstone of the α series. The images, whether movies or stills, are simply stunning, with all the depth and nuance required to deliver creative ideas with maximum impact.

Bring your imagination to life with the α7S III.

* **

No. 1 image sensor manufacturer for digital cameras and video recorders. Based on Sony research – April 2019 to March 2020 (Over 50% market share).

No.1 electronic viewfinder (EVF) device manufacturer for digital still cameras which employ EVF. Based on Sony research - April 2019 to March 2020 (Over 50% market share).

ISO

12.1

*1 Standard ISO sensitivity 80-102400. Expandable to 40-409600 for stills, and 80-409600 for movies. *2 QFHD (3840 x 2160 pixels) *3 For movies

40-409600

759

Real-time

Eye AF

Real-time

Tracking

120p/100p

*2 *3 *3

(NTSC / PAL)

4:2:2

10 bit

MPEG-H

HEVC/H.265

16bit RAW

HDMI Output

Optical

SteadyShot

(Active Mode)

0.64 / 9.44

Million

Type

dots

EVF

Dual Slot

CFexpress Type A

SDXC UHS-II

Sensor & Processing

Evolved Technology for Deep Imagery

An ideal camera should be an extension of the creator’s mind and eye. With evolved devices delivering sensitivity and dynamic range that can capture the most meaningful details and subtleties, the α7S III gives the creator’s imagination new, unrestricted freedom.

High-sensitivity CMOS Exmor R™ sensor

At the heart of the α7S III is a superb image sensor that is a significant upgrade for the S series. Advanced image sensor technology has been applied in a new 35mm full-frame 12.1-megapixel* back-illuminated CMOS image sensor that delivers important advantages. The legendary sensitivity and dynamic range of Sony’s S series has been elevated to a new level with advanced light-gathering techniques that take full advantage of the sensor’s spacious full-frame 12.1-megapixel configuration, and technology that effectively optimizes output signal levels in response to the amount of incoming light. High sensitivity with low noise is ensured throughout the camera’s sensitivity range: 80 to 102400 ISO for both stills and movies, expandable to 40 to 409600 for stills or 80 to 409600 for movies. Other quality-enhancing features include a new color filter array that boosts color reproduction accuracy. The sensor’s 12.1 megapixel configuration results in larger pixels that, in combination with doubled sensor readout speed and a new BIONZ XR™ image processing engine, not only maximize sensitivity and dynamic range, but also contribute to a dramatic increase in processing speed for extraordinary autofocus performance, the ability to record 10-bit 4:2:2 4K movies at up to 120p, and significantly reduced rolling shutter distortion. The new sensor also supports fast, reliable focal plane phase-detection AF for the first time in the S series.

* Approximate. Effe cti ve mega pixels.

Extraordinary resolution

The high speed and processing capacity of the new BIONZ XR engine has made it possible to implement high-level pixel processing technology that realizes extraordinary imaging advantages. Full-pixel readout without binning ensures that full advantage is taken of every available pixel in all shooting modes, maintaining maximum subjective resolution while preventing false color and moiré. What’s more, oversampling is employed so that the information from more pixels than are normally required for 4K or Full HD recording can be used to deliver outstanding resolution and detail.

Full-frame (16:9): Oversampling from approx.10MP

Full-frame (16:9) 1.1x image crop

: 4K equivalent sampling: (approx. 8.4MP)

BIONZ XR™ boosts processing power

A revised system architecture that extends from image capture through all signal processing stages gives the α7S III eight times greater processing capacity than previous models. The BIONZ XR image processing engine is ready and able to handle imaging innovations for a long time to come. The α7S III features a totally new system architecture that consolidates real-time processing of AF, subject recognition, image quality, development, and more in a new BIONZ XR image processing engine. Processing latency is minimized while movie and still image processing power is dramatically increased. The updated architecture also distributes user interface, network, and file management processing so that fast, stress-free control response is ensured regardless of real-time processing load. Multitask processing is smoother than ever, achieving high sensitivity and natural gradations that define the S series even while simultaneously performing background data transfers or other tasks. The α7S III of fers realistic color reproduction, low noise, and numerous other image quality improvements. It also delivers faster, more precise AF/AE and face/eye detection, the ability to process the large amounts of data required for 4K recording at 60p or 120p, responsive EVF display and control, and high-speed access to new CFexpress Type A memory cards.

FHD

*1 When recording 4K 120p m ovies. *2 Numbe r of ef fec tive pixels: 142 0 x 804 a t 240 or 20 0 fps.

Full-frame (16:9): Oversampling from approx.10MP Super 35mm (16:9): Oversampling from approx.4.3MP

4 5

Movies

Supreme Sensitivity

The α7S III takes hybrid shooting to the next level in a mirrorless body that offers professional moviemaking features. Sony has really raised the bar this time, packing extraordinary sensitivity plus potential previously only available in much more specialized equipment into an accessible camera that is capable of delivering images with stunning impact.

The α7S III delivers significantly improved movie quality in a number of ways. Class-leading sensitivity with expanded 80 to 409600 ISO and 15+ stops might otherwise be lost. The colors and textures of foliage, human skin, and more are ideally and consistently reproduced without dependence on light sources. Gradations have also been refined for better looking skin tones and highlight rolloff in portraits. And of course, noise is effectively subdued at high sensitivities, so images are clear with excellent detail and resolution. Another important addition contributes to improved AWB performance: a new “Visible Light and IR Sensor” helps to achieve more precise white balance under artificial lighting, including fluorescent and LED lights that can be difficult for conventional systems. Readout speed from the new CMOS sensor is approximately twice that of previous front-illuminated sensors, providing approximately a 3x reduction in distortion of moving subjects

*1 Using S-Lo g3 for movie re cording. Sony te sts. *2 Compared to th e 7S II.

Record 4K at up to 120*1 frames per second

The α7S III offers in-camera 4K recording at up to 120 frames per second*2, providing new expressive capability with extraordinarily smooth 5x (max.) slow-motion imagery can be used with efficient Long GOP inter-frame compression or high-quality Intra-frame (All-I) compression. A maximum bit rate of 1200 Mbps (4:2:2 10-bit, H.264, All-I) in slow or quick motion in the S&Q mode

ing)

, providing fresh perspectives on dynamic sports and other types of action.

*1 NT SC. 10 0 fps PAL. *2 10% image crop, approx.. *3 Pos t proces sing is re quired for mov ies shot in S&Q mo de. *4 CFe xpres s Type A mem ory c ard requ ired fo r XAVC S-I recording at 120 fps. *5 Sou nd is not re corded in S&Q mo de. *6 NT SC. 20 0 fps PAL. *7 Sens or readout of 1,420 x 804 eff ective pix els.

10-bit 4:2:2 video reaches new levels of realism

The α7S III can record 10-bit 4:2:2 video internally when using Long GOP or All Intra compression, making it possible to grade for fuller, more natural gradations while generally providing greater editing freedom. Maximum frame rate when recording full-frame 4K is 120p.

All Intra (for XAVC S-I™ recording)

In addition to the Long GOP inter-frame compression used in previous models, the α7S III supports intra-frame (All-I) recording for the first time in an α body, allowing internal 4K recording at bitrates up to 1200 Mbps*. Intra-frame recording provides extra margin for post production and still image extraction when needed.

* SDXC memor y card (V 90 or higher) or C Fexp ress Type A memor y card (VPG2 00 or

higher) required.

Efficient MPEG-H HEVC/H.265 (XAVC HS™) coding

The α7S III adds X AVC HS format recording codec for approximately twice the efficiency of MPEG-4 AVC/H.264. You can record more detailed 10-bit 4K video at higher bit rates while keeping data volume within a manageable range. Image quality is better than XAVC S™ at a comparable bit rate, and equal to XAVC S at lower bit rates. H.265 video can be recorded internally to SDXC or CFexpress Type A memory cards

*1 XAVC HS compatible editing soft ware required. *2 SDXC memory card (V60 or higher) or CFexpress Type A memory card (VP G200 o r higher) required.

of dynamic range reach into the depths of scenes to bring out details and subtleties that

at 4K resolution. In addition to supporting 4:2:2 10-bit recording, this feature

. Up to 10x slow motion with Full HD resolution is possible at 240 fps*6 (24p record-

delivers supreme image quality when directly replaying movies

All-Intra (AII-I)

Long GOP

using the MPEG-H HEVC/H.265

Group of pictures

AVC/H.264HEVC/H.265

16-bit RAW output for the first time in the α seriesA new level of S series image quality

For applications that demand the increased quality and post-production flexibility provided by RAW output, the α7S III allows 16-bit RAW output to an external device* via HDMI. Full-frame 4264 x 2408 (16:9 aspect ratio) 16-bit image output is possible, with a choice of frame rates (60p/50p/30p/25p/24p). You can also output RAW video via HDMI while recording XAVC HS 4K, XAVC S 4K, or XAVC S-I 4K to internal card media. Proxy recording is available during RAW output.

* Atomos N inja V HD R monitor-recorder supp ort p lanned, as of July 2020.

Easy S-Log matching with professional camcorders

In many moviemaking workflows the ability to match the color of footage from multiple cameras is essential. The α7S III includes S-Log2 and S-Log3 gamma curves, the latter emphasizing shadow to midtone gradations and making it possible to achieve a dynamic range of 15+ stops*. Three color gamut settings are provided: S-Gamut, S-Gamut3, and S-Gamut3. Cine. The S-Gamut3 and S-Gamut3.Cine color gamut settings make it easy to match α7S III footage with that shot on professional camcorders equipped with S-Log3 gamma curve settings. Minimum ISO when shooting S-Log has been reduced to 640, and the 160 to 500 range of expanded ISO can be used as well. Sensitivity can be lowered by as much as 2 stops below the normal ISO range for extra-low-noise recording.

* Using S- Log3 f or movie recording. Sony test s.

Relative Stops (from 18% Gray) – Video Level (%)

18%

90%

White

1300% of

90% White

S-Log2

S-Log3

Gray

100

Video Lev el (%)

106%

94%

41% 32%

Relative S tops from 18% Gr ay

0-2 2 4 6 8-4-6-8

10-bit 4:2:2 HLG (Hybrid Log-Gamma)*

For true-to-life imagery with detailed shadows and highlights, with no need for color grading, the α7S III provides an HLG (Hybrid Log-Gamma) high-dynamic-range picture profile that supports the wide-gamut BT.2020 color space. Video recorded with this picture profile can be directly played back on an HDR (HLG) compatible Sony TV. 10-bit recordings reproduce finer gradation and detail for extraordinary realism. Gamma can be selected from four presets: HLG (corresponding to IYU-R BT.2100), HLG1, HLG2, and HLG3. These gamma settings provide varying blends of dynamic range and noise performance, generally achieving wider dynamic range that still blends well with images from previous cameras. Dif ferent gamma settings can be used as needed for different scenes.

* HLG is a h igh dynamic range T V format specified by the

High flexibility to fine-tune images as desired

(Colour grading required)

international ITU-R BT.2100 standard.

S-Log

Instant and High Dynamic Range

(Colour grading n ot required)

HLG

Movies

Focus that can Reshape Your Moviemaking

It may be a basic requirement, but focus can be a complex challenge that demands a great deal of attention, especially when shooting movies. It can also be a creative tool. Used with Sony’s E-mount lenses, the α7S III of fers outstanding AF performance with advanced focus and tracking technologies that allow you to concentrate more fully on shooting while maintaining full creative control.

Fast Hybrid AF in all modes Leave focusing to the camera with detailed AF settings

The α7S III makes Fast Hybrid AF available for the first time in an S series body. With both phase-detection and contrast-detection AF, focus is precisely and smoothly maintained over a wide area even when using a narrow depth of field or tracking fast-moving subjects in all movie recording modes, including 4K 120p. Focus can be reliably maintained even when the subject is briefly obscured or moves towards the perimeter of the frame.

Inherited from Sony’s professional large-format FX9 camcorder, [AF Transition Speed] and [AF Subject Shif t Sensitivity] parameters allow more detailed AF control. [AF Transition Speed] provides 7 speed settings, and is ideal for creating rack focus effects to effectively guide the viewers’ eye. [AF Subject Shift Sensitivity] provides 5 sensitivity settings that determine how “sticky” AF will be (how easily AF will switch to another subject or how tenaciously it will stay with the locked-on subject). Both of these parameters can be assigned to custom keys for fast access while shooting.

Intuitive touch control

With Touch Tracking, simply touch the desired subject on the monitor screen to initiate AF and tracking on that subject. The powerful real-time processing capabilities of the new BIONZ XR image processing engine, plus advanced AI algorithms, allows the camera to process color, pattern (brightness), distance (depth), and face and eye information to reliably track the selected subject while you concentrate on composition and shooting. This can be huge advantage when using a gimbal or shooting solo. Touch Focus can be used to temporarily engage AF when focusing manually. It is also possible to remotely control Touch Tracking during AF or Touch Focus during manual focus from the Imaging Edge Mobile application* running on a mobile device.

* Imagin g Edge Mo bile Ver. 7.4 or later requi red.

Real-time Eye AF

The superior real-time data processing capability of the new BIONZ XR image processing engine provides a 30% improvement in detection performance over previous BIONZ X systems, ensuring accurate, reliable detection even when faces are looking away at extreme angles. You can concentrate fully on shooting and take advantage of the expressive bokeh available with a full-frame sensor without having to worry about focus. When the Touch Tracking feature is used to initiate real-time tracking, Real-time Eye AF is simultaneously initiated if an eye is detected.

Advanced features augment manual focus

AF support can be useful even when primarily using manual focus. When the shutter button is half-pressed or the AF-ON button is pressed, focus is automatically acquired at full AF speed in the same way as when shooting stills. AF can also be temporarily activated via the Touch Focus feature, and Real-time Eye AF can be initiated via a custom button assignment, with AF smoothly locking on at the preset AF Transition Speed.

Shift focus from subject A to B

8 9

Movies

Creative Moviemaking Tools

Great movies are an intricate tapestry of imager y, light, motion, and sound. Every detail counts. The α7S III offers detailed control over the elements of movie production so that they can be brought together in creative, beautiful, and meaningful ways.

Active Mode*1 stabilization for handheld movie shooting Simultaneous display on external HDMI device

The α7S III features 5-axis optical in-body image stabilization that is highly effective for handheld shooting. A new high-precision stabilization unit and gyro sensors, plus optimized image stabilization algorithms, have made it possible to provide an Active Mode movie shooting in 4K and other formats

that is dedicated to

. The powerful new BIONZ XR image processing engine with advanced real-time processing capability makes it possible to precisely detect the required amount of compensation and apply optical stabilization without the need for digital upscaling, and all of this is realized without compromising the compact size and mobility of the α system. In-body image stabilization means that ef fective stabilization can be achieved with a wide range of lenses, including E-mount lenses that do not include stabilization of their own, and A-mount lenses attached via a mount adaptor.

*1 Slight imag e crop in Activ e Mode. “ Standa rd” set ting recomme nded for focal

lengths of 200mm or longer.

*2 Ac tive M ode is no t availa ble when record ing at frame rates of 120 f ps (100 fps PAL)

or higher, or when using S&Q.

Digital Audio Interface for superior sound

The camera’s Multi Interface Shoe features a built-in Digital Audio Interface for superb audio quality. Sony’s optional ECM-B1M Shotgun Microphone or XLR-K3M XLR Adaptor Kit transfers digital audio directly to the MI shoe for exceptionally high sound recording quality. The XLR-K3M XLR Adaptor Kit provides a choice of three recording formats: 48 kHz/16 bit 2 channel, 48 kHz/24 bit 2 channel, and 48 kHz/24 bit 4 channel. Like other MI shoe accessories, no cables or batteries are required, providing unrestrained freedom for α system moviemaking.

Independent still and movie settings

A subset of the camera’s shooting settings can be linked to the still and movie modes so that appropriate aperture, ISO, and other settings are automatically and instantly recalled when you shoot stills or movies. Multiple settings that will be stored independently for the still and movie modes can be selected via the [Different Set for Still/ Mv] page. The available settings are: Focus Mode, Aperture, Shutter Speed, Exposure Compensation, ISO Sensitivity, Metering Mode, White Balance, and Picture Profile.

Stereo

Mono

For maximum monitoring versatility, the α7S III simultaneously allows 4K video display on three devices: the camera monitor, an external HDMI recorder/monitor, and the Imaging Edge Mobile app connected via Wi-Fi. Output to an external monitor is also possible during proxy recording, and with appropriate settings the Real-time Eye AF frame can be displayed on the external device as well.

[HDMI Info. Display] Off

File fo rmat: A ll, Mov ie set tings: All, Proxy reco rding: ei ther On/Of f

Image OK OK OK On-screen display OK NA OK but li mited Touch operation OK NA O K but limited * Face/Eye frame display Tracking frame displayed NA NA Tracking frame display Tracking frame displayed NA NA

*Touch Tracking when shooting movies in AF m ode and Touch Focu s when shooting movie s in MF mode are available. Touch Focus, Touch Track ing, an d Touch Shutter are not available w hen sho oting s tills. Touch Focus is not availabl e when shooting movie s in AF mo de.

Camera monitor External monitor Imaging Edge Mobile

Custom zoom settings

When using a compatible powered zoom lens, you can select the zoom ring direction to suit your personal preferences and shooting style. It is also possible to assign custom buttons for W (zoom out) and T (zoom in) operation, making it easier to zoom while watching the monitor during movie recording. Eight selectable zoom speeds are provided, and the zoom speeds can be set independently for the camera’s record and standby modes so that a slow zoom speed can be set for recording, while a fast zoom is used when the camera is not recording.

White balance adjustment while recording movies

The ability to change white balance while recording video can be a huge advantage when working with mixed lighting. White balance can be adjusted to match changes in the scene while recording movies, and the adjustments can be made to occur slowly and smoothly without abrupt “jumps” (shockless WB). You can maintain natural-looking white balance when moving from indoor to outdoor situations while shooting a wedding, for example.

Top panel MOVIE button

The MOVIE record button has been moved to the top panel to improve control when shooting from the widest possible range of angles, including the waist-level position often used by moviemakers. The button’s shape, diameter, and height have also been changed to make it more easily recognizable by touch. The REC function can also be assigned to a custom button if required.

[HDMI Info. Display] On

Camera monitor External monitor Imaging Edge Mobile Image NA OK (aspect 4:3) OK On-screen display NA OK (aspect 4:3) OK but lim ited Touch operation NA NA NA Face/Eye frame display NA Trac king frame dis played NA Tracking frame display NA NA NA

Flexible Exposure Mode for movies

Aperture and shutter speed adjustments are frequently required during the moviemaking process, so the α7S III provides a Flexible Exposure Mode that allows quick switching between auto and manual aper ture and shutter speed control. This function can be assigned to a custom button for fast on-the-fly auto/manual mode switching.

Other important moviemaking aids

• Zebra display

• Peaking display (red, yellow, white, blue)

• Gamma display assist (OFF, Auto, S-Log2, S-Log3, HLG (BT.2020), HLG (709))

• TC/UB settings

10 11

Stills

Exquisitely Frozen Moments

The α7S III gives hybrid shooters the ability to capture exquisite stills as well as movies, and it is a great choice for still photographers who want superior low-light capability. With a little creativity and a refined tool like the α7S III, stills can deliver immense emotional depth and impact.

Evolved image quality all the way up to ISO 409600 10-bit HEIF* for smoother gradations

Much of the same technology that makes the α7S III a great movie camera allows it to shoot extraordinary stills too. High sensitivity is a hallmark of the S series, and in the α7S III is delivered with low noise throughout the camera’s amazing sensitivity range of ISO 80 to 102400, expandable to ISO 40 to 409600. The relatively large pixels on its capacious full-frame

12.1-megapixel

sensor provide ample resolution and, combined with advanced light-gathering techniques, contribute to the camera’s outstanding sensitivity and low noise. Technology that effectively optimizes the output signal level from the sensor in accordance with the amount of incoming light further enhances image quality under a wide range of light conditions.The sensor color filter array also features a new design that contributes to enhanced color reproduction accuracy.

* Approximate, e ffective.

In addition to the existing RAW and JPEG formats, the α7S III includes the next-generation 10-bit HEIF (High Efficiency Image File) format*. Smooth 10-bit gradations provide more realistic reproduction of skies and portrait subjects where subtle, natural gradation is essential. 4:2:2 or 4:2:0 color sampling can be selected from the image quality menu. 4:2:0 is recommended for optimum reproduction in the widest range of display environments, while 4:2:2 offers the highest possible image quality. An HLG (Hybrid Log-Gamma) mode for still images is also provided, supporting the internationally recommended ITU-R BT.2020 color space. HEIF stills shot in this mode can be played back on a compatible Sony HDR (HLG) TV via a direct HDMI connection from the α7S III, delivering true-to-life dynamic range that is difficult to achieve with photographic prints. When viewing HLG images via the camera monitor, the Gamma Display Assist function can be used to display approximately normal gamma and contrast via the monitor and viewfinder.

* Sof twar e and/or a wor king environment that support s the HEIF form at is required fo r displa y and edi ting.

ISO 128 00ISO 320 0 ISO 64 00FE 85mm F 1.4 GM (SEL85F14GM), 1/ 125 se c., F9, ISO 640 0

Consistently accurate color reproduction

The high speed and capacity of the new processing engine in the α7S III make it possible to apply more detailed, optimized processing to individual image elements, achieving outstanding color reproduction accuracy. Deep reds and fresh greens are reproduced in all their natural beauty, while skin textures and tones are smooth, realistic, and healthy looking. Consistently accurate colors are easily achieved even under different types of lighting. Another refinement that contributes to improved AWB per formance is a new “Visible Light and IR Sensor” on the front of the body. This advanced sensor helps to achieve more precise white balance under artificial lighting, including fluorescent and LED lights that sometimes confuse conventional AWB systems.

Use Creative Look to create moods in camera

A selection of new Creative Looks makes it easy to create interesting moods for stills and movies right in the camera. 10 Creative Looks are provided as presets that can be used without modification or customized by the user, based on the currently selected camera mode. The [FL] preset, for example, has clear contrast and an interesting blend of subdued but impressive colors. The [IN] preset has a soft, matte look. The presets provide a wide range of variations with different combinations of color, color depth, brightness, contrast, sharpness, and more. Eight customizable parameters including contrast, saturation, shadow and others can be adjusted while viewing the resulting image via the monitor or viewfinder. Customized Creative Looks can be stored as Custom Looks for later recall and use.

FL IN VV2

5-axis optical in-body image stabilization for a 5.5-step* shutter speed advantage

A high-precision stabilization unit and gyro sensors, plus optimized image stabilization algorithms, achieve up to a 5.5-step shutter speed advantage. Live view shows the stabilized image while the shutter button is half-pressed when shooting stills, even when the MF Assist or Focus Magnifier functions are used. A stabilized viewfinder image can make it much easier to frame and focus when using a telephoto or macro lens. In-body image stabilization is effective with a wide range of lenses, including E-mount lenses that do not include stabilization of their own, and A-mount lenses attached via a mount adaptor.

* CIPA standards. Pitch /yaw sha ke only. Pla nar T* FE 50mm F1. 4 ZA lens. Long exposure NR of f.

FE 85mm F 1.4 GM (SEL85F14GM), 1/ 125 se c., F2. 8, ISO 320 FE 24-70mm F2.8 GM (SEL2470GM), 1/1 00 sec ., F2.8, ISO 40 0

1312

Stills

Speed, Accuracy, and Reliability for Stunning Stills

Autofocus, tracking, and continuous shooting are important tools for the modern photographer, and they are all ultimately dependent on speed and accuracy. The advanced, powerful architecture and processing capabilities of the α7S III support features and performance that deliver stunning speed, accuracy, and reliability for any shooting situation.

Focal plane phase-detection for wide, fast, precise AF

The α7S III includes focal plane phase-detection AF for the first time in the S series. The camera’s new sensor and powerful processing engine have made it possible to provide a high-density array of 759* selectable phase-detection AF points that cover approximately 92% of the imaging area; even more than the 693 points provided by the α9 and α9 II. The powerful new processing engine easily processes the large amount of subject data acquired over a wide area in real time, providing precise, high-density analysis. The Fast Hybrid AF system combines the speed and tracking capability of phase-detection AF with the precision of 425-point contrast-detection AF to quickly lock onto subjects that move erratically or change speed suddenly and track them with tenacious reliability.

* When shooting full-f rame still images. T he numb er of AF points used dep ends on the shooting mode.

Phase-detection AF coverage (759 points)

Contrast-detection AF coverage (425 points)

Accurate AF in low light

Updated AF algorithms achieve high AF precision down to light levels as low as EV-6 (ISO 100 equivalent, F2.0 lens, AF-S mode). Focus can be accurately and reliably acquired in light so low that the subject would be difficult to see clearly with the naked eye.

AF Tracking Sensitivity Adjustment

When shooting stills, the sensitivity with which autofocus will follow subjects that move outside the focus area can be adjusted in 5 steps. Select “5” (Responsive) when focusing successively on subjects at varying distances, or “1” (Locked On) to keep focus on a main subject when other subjects are moving between the main

FE 24-70mm F2.8 GM (SEL2470GM), 1/1 00 sec ., F2.8, ISO 1600

subject and camera, for example.

Continuous shooting at up to 10 fps*

Both the mechanical and electronic shutters allow continuous shooting at up to 10 fps*, or at up to 8 fps* in live view mode, making it easier to capture the most photogenic moments and expressions of moving subjects. Response is excellent, with minimal viewfinder/monitor display lag for easy framing, even with intense subject motion. The smallest aperture that can be used with focal plane phase-detection AF when shooting continuously in AF-C mode is F11, and all E-mount lenses that are compatible with focal plane phase-detection AF are supported.

* Up to 10 fps in continuous “Hi+” mode, and up to 8 fps in “H” mode. CFexpre ss Type A memory card. Sony tests.

A 30% boost in Real-time Eye AF performance

Not only does the α7S III bring Real-time Eye AF to the S series for the first time, but the advanced real-time processing capacity of the new BIONZ XR image processing engine also provides a 30% boost in performance over previous BIONZ X systems. AI based recognition performance has been enhanced, and new subject recognition algorithms have been implemented to increase recognition precision when the subject is looking up, down, or sideways at even greater angles. In conjunction with Real-time Tracking, this results in more stable tracking for a wider variety of situations, including dynamic sports action. A custom button can be assigned to turn face/eye detection ON or OFF as needed.

FE 135mm F1.8 GM (SEL135F1 8GM), 1/200 se c., F2. 8, ISO 40 0

Real-time Eye AF animal mode tracks animal eyes

Sony’s advanced AI-based Real-time Eye AF feature can also track animal eyes. The “Animal” mode is currently optimized for dogs and cats, and when selected will quickly detect and precisely track their eyes, vastly increasing the photographer’s success rate when shooting pets or other animals in situations where accurate focusing has previously been a challenge.

All AF modes are supported. Used in conjunction with Real-time Tracking, this feature will tenaciously track animals that are actively moving around. A-mount lenses mounted via a compatible adapter are also supported.

A custom button can

be assigned to quickly switch between the Animal and Human modes without having to open a menu display.

*1 Stills only. *2 Accura te focus may not be a chiev ed with cert ain subj ect s in cer tain si tuati ons. *3 SSM or SAM lens es. L A-EA1/LA -EA 3 mount adapter.

Tenacious Real-time Tracking

AI-based Real-time Tracking automatically detects and tracks the subject’s eye and face with high precision while the shutter button is half-pressed. A new subject recognition algorithm uses color, pattern (brightness), and subject distance (depth) data to process spatial information in real time at high speed. The focus area will seamlessly change between face and eye according to the condition of the subject. The advanced processing capabilities of the new BIONZ XR image processing engine make it possible to track athletes even in difficult indoor arenas where spectator seating is relatively close. The subject to be tracked can also be specified by touching it on the monitor when Touch Tracking is ON.

FE 24-70mm F2.8 GM (SEL2470GM), 1/1 000 s ec., F2.8, ISO 1600

Anti-flicker shooting*

Continuous bursts of more than 1000 RAW images

The powerful new processing engine and a large buffer increase memory card write speeds so that more than 1000 uncompressed RAW or RAW&JPEG

images can be shot continuously, for extraordinary continuous shooting capacity that

will appeal to professional users. Also thanks to the high processing speed of the new engine, it is possible to change

Flicker from fluorescent lights and other artificial lighting can ruin still images if it and the shutter timing are out of sync. The α7S III automatically detects flicker and adjusts shutter timing to eliminate exposure and color variations, even when shooting continuously at up to 10 fps with AF and AE tracking.

* Mechanic al shut ter. Only 100 Hz and 120 Hz f licker is detec ted. Co ntinuous shooting sp eed may d ecrease. Anti-flicker shooting is not avail able during sil ent shooting, B ULB e xposu re,

or movie record ing.

settings via the Fn menus or main menus, and even play back images immediately after shooting, while data is being written to the memor y card.

*1 CFex press Type A memory card required *2 Some menu items cannot be edited while data is being wr itte n to the menu card.

14 15

Operation

Intuitive and Versatile

Ideally, a camera will become an extension of the user, responding intuitively and instantly to every command. The α7S III comes closer than ever with refinements and customizable features that close the gap between mercurial creative imagination and real-world workflows.

Refined operation Customizable features

Touch menu control

The α7S III is the first α series body to feature touch-responsive main and function menus. Menu tabs on the left side of the display with related parameter groups and parameters on the right make the menu structure clear. Parameters can be instantly selected by directly touching them on the display panel, and lists can be scrolled by touch for unprecedented navigation and operation efficiency.

Touch operation during review

Images to be reviewed can be selected by touch, and pinch-out/pinch-in gestures can be used to enlarge or reduce the selected image.

Touch operation while shooting

The “Touch Focus”, “Touch Tracking”, or “Off” modes can be activated or deactivated by touch while shooting. Touch the button on the shooting display to access these parameters for fast switching while shooting stills or movies.

Customizable Fn menu Reliable touch operation

Setting up a custom Fn menu couldn’t be easier: press the Fn button, then long-press the Fn icon in the display that opens to jump to the custom setup display.

Touch sensitivity can be set to “Standard” or “Sensitive” for maximum control response and reliability in a variety of shooting situations and environments.

Custom button function assignment

137 Functions are assignable to 15 custom keys. Independent function sets can be assigned for stills, movies, and playback.

Separate Fn button customization for stills and movies

Separate functions can be assigned to the Fn button for the still and movie modes.

42-item My Menu My Dial

A custom My Menu can be tailored to your shooting needs with items that can be arranged in any convenient order or erased as required. The “My Menu” star logo ( pears at the top of the display for easy identification.

) ap-

Custom function assignments can be made to the front/ rear dials and control wheel, so that frequently used functions are instantly available when needed.

Front dial

Rear dial Control wheel

Internal camera setting registration Save/load settings to/from memory card

Up to three sets of frequently used camera modes and settings can be registered for fast, easy recall via the 1, 2, and 3 settings on the mode dial.

16 17

Up to 10 camera setups can be saved to a memory card, and up to 20 setups can be saved to the Imaging Edge Mobile application*. Saved setups can be transferred to a separate body of the same model number.

* Ima ging Edg e Mobil e Ver.

7.4 or higher.

Operation

Professional Operation in Compact Mirrorless Form

The α7S III maintains the defining size and weight advantage of Sony’s α7 series while offering professional level control and features. In addition to the first vari-angle monitor in an E-mount body, it provides an electronic viewfinder with class-leading definition, compatibility with next-generation media cards for high-speed write capability, and other refinements for truly professional workflow support.

High-quality, flexible monitoring Refined for fast, efficient operation

Side-opening vari-angle monitor

Rotating sideways by as much as 176°, up by as much as 180°, and down by as much as 90°, a new side-opening vari-angle mechanism affords plenty of positioning freedom for high and low viewpoints as well as waist-level, vertical, and selfie positions, and can be a huge advantage when the camera is mounted on a rig.

High-definition 3.0 type touch-sensitive LCD panel

The large 3.0 type 1.44 million-dot (approx.) touch-panel LCD monitor has ample brightness and manual settings that provide optimum visibility even in bright outdoor conditions. In addition to supporting the Touch Tracking and Touch Focus functions, the new monitor also provides touch operation for the main and function menus.

The widest view in its class*

New high-performance Quad-XGA viewfinder

A 9.44 million-dot (approx.) Quad-XGA viewfinder with high-definition OLED display and refined optics delivers the highest resolution in its class. It also offers world-record* 0.90x viewfinder magnification, a 41° diagonal FOV (approx. 43° for the entire display area), and a 25mm high eyepoint for clear, low-distortion corner-to-corner viewing. The viewfinder unit is resistant to fogging, responsive, and has switchable modes for different subject types. Ever y aspect of this advanced viewfinder has been designed and refined to provide optimum usability in professional workflows.

* Full-f rame mi rrorless cameras, as of July 2020, Sony sur vey.

Switchable viewfinder magnification

In addition to the wide 41° FOV mentioned above, the α7S III also provides a selectable “Zoom Out” (APS-C equivalent) mode with a 33° FOV and 33mm eyepoint that provides a comfortable view for eyeglass wearers. The view finder magnification mode can be switched from the “Finder/Monitor” menu, or by using an appropriately assigned custom button when quick switching is required.

Two SD and CFexpress Type A compatible media slots

The upper (Slot 1) and lower (Slot 2) media slots both support UHS-I and UHS-II SDXC/SDHC cards as well as new CFexpress Type A cards for higher overall capacity and faster read/write speeds. CFexpress Type A cards are ideally suited to high-speed continuous still shooting as well as 4K movie recording at high bit rates, providing next-generation write speeds that can quickly clear the buffers of cameras that generate high volumes of still image and movie data. Fast, future-oriented storage contributes to smooth professional workflows. The same data can be simultaneously recorded to both cards for backup, or the user can choose to separate stills/movies and JPEG (HEIF)/RAW formats as necessary. There is also a “relay” mode in which still image or movie recording will automatically switch to the second media card when the first media card becomes full.

Rearranged menus and mode dial

The menu items displayed in the Still and Movie modes have been updated for easier access, and the mode dial sequence and some default settings have been changed to maximize efficiency for users who shoot both stills and movies. The order of the memory recall [1]-[3], Movie, and S&Q settings has been changed, and the default setting for the Movie and S&Q modes has been changed to [M] (Manual).

Improved grip hold

To minimize stress when shooting for long periods of time and/or with long telephoto lenses, the grip has been redesigned for greater comfort and a surer hold. The grip itself is longer than on the α7S II, providing ample room for the little finger. Overhang in the middle finger area has also been increased.

HDMI Type-A terminal

A reliable HDMI Type-A connector provides the type of connectivity and durability found in professional video equipment.

Exposure compensation dial lock button

An exposure dial lock button that alternately locks and unlocks the exposure compensation dial is provided at the center of the dial. A lockable dial can prevent accidental, unwanted changes while shooting.

AF-ON button

An AF-ON button features optimized tactile feedback and is positioned for easy access and operation. Smooth, intuitive control allows you to concentrate on photography, not the camera.

High-quality view with minimal lag

Viewfinder and monitor time lag have been reduced to allow more stable framing, especially during continuous shooting. The finder frame rate can be set to 60 or 120 fps, with the latter providing a smooth viewfinder image with minimum display motion blur when shooting moving subjects. There is also a “High” quality mode that takes advantage of the large amount of data read from the image sensor to provide extra fine viewfinder and monitor displays.

Rear-dial operation

The shape and position of the rear dial have been revised for easier access and operation.

Multi-selector for efficient control

A carefully designed shape and textured surface provide a solid grip and control feel. Response in all eight directions is excellent, for confident control without having to look at the selector.

1918

Reliability

Durability and Reliability Afford New Creative Freedom

Professional users need more than just refined features and performance. They also need the reliability and durability demanded of any professional tool. The α7S III features effective heat dissipation that allows extended continuous recording, dust and moisture resistance that maximizes reliability in challenging environments, and more.

Effective heat dissipation for solid 4K recording reliability

Optimized camera-wide heat dissipation

Every aspect of the camera’s design has been analyzed and refined to optimize heat dissipation and prevent overheating, even during extended continuous 4K recording sessions. The new structure keeps image sensor and image processing engine temperatures within their normal operating range, preventing overheating while maintaining compact body dimensions. This makes it possible to record 4K/60p video continuously for more than an hour, until the battery runs out*.

* Sony inter nal test. XAVC S -I 10-bit 4:2:2 , 25 deg C (ambient, camera when recording s tar ted), Au to Power O ff Temperature:

High. Actual time will depen d on shoo ting con ditions.

A graphite material that is also used in smartphones for its excellent thermal conduction properties is formed into an original Σ (sigma) shape and built into the image stabilization unit. This newly developed structure allows the image sensor, a major source of heat inside the camera body, to move freely during image stabilization while effectively conducting heat away, achieving five times better heat dissipation than previous systems.

Dependable power solutions support moviemaking

Z-series Battery

In addition to being the first S series body to use Sony’s high-capacity Z battery, the α7S III features an image processing engine, image sensor, and related circuitry that have been refined to optimize power economy in all shooting conditions. It can shoot as many as 510 the α7S III can shoot approximately 1.6 times longer than the α7S II. Shooting and recording capacity can be further increased by using the VG-C4EM vertical grip with two NP-FZ100 batteries.

*1 When usi ng the E VF. 600 images wh en using t he LCD monitor. *2 When usi ng the E VF.

still images per charge, compared to 310*2 images with the α7S II. When recording movies,

Shoot with confidence in challenging conditions

New anti-dust system increases dust-removal efficiency

The filter in front of the image sensor oscillates at an ultrasonic frequency of 70,000 cycles per second, powered by a revised drive system that effectively removes dust and particles from the filter surface. The anti-dust system is automatically activated at appropriate intervals when the camera is turned off, and can be activated manually via a menu whenever required. Effective cleaning means that lenses can be changed when shooting stills or movies without having to worry about dust that can require tedious retouching during post production.

Improved dust and moisture resistant design*New heat dissipating structure

In response to feedback from working photographers and videographers, the dust and moisture resistance* of the α7S III is a step above the α7S II thanks to refinements throughout the body. Additional sealing is provided at all body seams as well as the battery compartment cover, and the media slot now has a double sliding cover and lock lever rather than the previous hinged cover to keep water out. A redesigned lens lock button and additional cushioning around the mount are other refinements that contribute to outstanding reliability even in challenging outdoor conditions. Although the dust and moisture resistance* and therefore reliability have been significantly improved, the body dimensions remain compact.

* Not guarantee d to be 100% dust a nd mois ture proof.

Durable magnesium alloy chassis

High body durability has been achieved through the use of a lightweight, high-rigidity magnesium alloy for the top cover, front cover, internal frame, and rear cover. Additionally, the mount is attached by six screws for extra strength and rigidity that can handle heavy super-telephoto lenses.

Robust USB PD power delivery and charging High-reliability mechanical shutter

The α7S III supports USB PD (Power Delivery) via the Type C® connector, allowing higher power to be supplied from an external source so that recording can be continued for extended periods without draining the internal battery charger or mobile battery that supports USB PD charging the internal batter y at 3 to 4 times

*1 USB c hargin g and power deli very are only suppor ted via the USB Type-C® terminal. A batter y must be inst alled in the cam era whe n suppl ying USB power. The inter nal bat tery may

drain even if USB power is s upplied, depending o n the adapter use d and camera ope rating condit ions. *2 Compatibili ty is not guara nteed w ith all U SB PD dev ices. T he inter nal batter y will not be char ged whi le came ra power is ON and the camera is in use. *3 Sony test conditions.

20 21

can be connected to the camera’s USB Type C® port, supplying power or

the rate of conventional supplies.

. A USB

A shutter unit with a fast-response coreless motor reduces shutter vibration that can cause blur to a minimum while allowing high-speed continuous shooting at up to 10 frames per second. The shutter mechanism also includes a brake that subdues mechanical front and rear curtain shutter vibration. The shutter is quiet, and has been tested for durability in excess of 500,000 shutter cycles*. Additional vibration reduction is provided by dampers between the shutter unit and chassis, and refined image stabilization algorithms minimize blur when shooting stills.

* Sony internal tests w ith electronic front cur tain shutter.

Expandability

Broad Connectivity and Expandability

Photojournalists and sports shooters need to be able to deliver stills or movies as quickly as possible. The α7S III has been designed and configured to support that need with 5GHz/2.4GHz wireless LAN plus new USB to high-speed wired LAN connectivity. Remote shooting and FTP data transfer are also implemented.

Fast FTP transfersExpanded network connectivity

Data source

High-speed wireless LAN standards FTP file transfer for stills and movies

Versatile, reliable LAN functionality is provided with a 5 GHz band in addition to the conventional 2.4 GHz band*. The benefits of 5 GHz communication include less interference as well as faster, more stable data transfer. The α7S III features revised hardware that takes speed and stability to the next level, and FTP transfer of movie files is supported.

* Models sol d in some countries/regions sup por t IEEE 802.11b/g/n (2.4 GHz) only. 5GHz

commun ication may be re stricted i n some countries and regions.

USB Type-C® connector supports USB 3.2 transfer speed

A USB Type-C® connector that supports fast USB Type C® (SuperSpeed USB 5Gbps (USB 3.2)) data transfer is provided. This makes high-speed PC Remote (tethered) data transfer available for smooth handling of large image files.

USB to high-speed wired LAN connectivity

A USB-Ether wired LAN adapter* cable connected to the α7S III USB Type C® (SuperSpeed USB 5Gbps (USB 3.2)) port provides direct connectivity to 1000BASE-T Ethernet networks for fast wired FTP data transfers. This provides high-speed data transfer capability in environments where wireless LAN is not available. Movie file transfer is supported.

* Not i ncluded. A USB -Ether

conversion adaptor that utilizes the ca mera’s USB host f unctionality is required.

The α7S III can transfer still image and movie files to a specified remote FTP server via wireless LAN, high-speed wired LAN via a USB to Ethernet adapter, or a USB-tethered smartphone connection to a cellular network. Both movie files and still images can be transferred. It is also possible to specify protected files for transfer, single-file transfer via custom key assignment, a file format (JPEG or HEIF/RAW), and more. Up to nine FTP servers can be pre-registered.

FTP settings save and load

FTP transfer settings can be saved to and loaded from a memory card separately from the camera settings. This can be useful when connecting multiple cameras of the

(Cam era)

Connection

method

Data

destination

(Application)

Wired L AN

same model number to an FTP server. All FTP transfer settings are applicable. Up to 10 sets of settings can be

Versatile remote capabilities

PC Remote shooting via wireless LAN (Wi-Fi)

The α7S III can be connected to a computer via Wi-Fi for wireless PC Remote (tethered) shooting using Sony’s Imaging Edge Desktop application*, so you can set up and move around with fewer restrictions. 2.4 GHz or 5 GHz Wi-Fi bands*2 can be selected as required. In addition to wirelessly connecting the camera directly to the PC, the ability to connect via a wireless access point adds the flexibility needed to work in a variety of network environments.

*1 Ver. 3.0 or later. *2 Models sol d in some countries/regions sup por t IEEE 802.11b/g/n (2.4 GHz) only.

5GHz communic ation may be res tric ted in so me count ries and regions.

PC Remote shooting via USB

A USB Type-C® connector allows fast, stress-free wired PC Remote (tethered) shooting. This facilitates transfer of large uncompressed RAW image files for review on the computer without interrupting the flow of the session.

22 23

File storage options during PC Remote shooting

The Imaging Edge Desktop application allows captured images to be stored to a computer, with a choice of image file storage options to support a variety of workflows. “PC Only”, “PC + Camera”, and “Camera Only” settings allow still images to be automatically stored on the computer only, in the camera as well as on the computer, or in the camera only when the shutter is released. The ability to store images both in the camera and on the computer creates backups while allowing the operator to review images on the camera without having to leave the camera position.

Selectable storage size in JPEG/HEIF and RAW+JPEG/HEIF mode

It is possible to select the size of JPEG/HEIF image files to be transferred to a computer running the Imaging Edge Desktop application. The ability to transfer small 2-megapixel image files when connected via wireless LAN allows faster transfers for immediate review.

Remote control from a mobile device

The Imaging Edge Mobile application* allows a compatible mobile device to be used as a remote-control terminal and data transfer hub. This app also supports Touch Focus and Touch Tracking during movie recording.

* Ver. 7.4 or later

saved to one memory card.

Smartphone and accessory linkage

USB tethering via a smartphone

New high-speed, stable USB tethering capability allows FTP data transfers to be carried out via some smartphones.

Transfer & Tagging add-on

Support for the Transfer & Tagging add-on makes it possible to transfer full-size still image files via Wi-Fi. Image transfers and uploads to an FTP ser ver can be completed with just a mobile device.

Location Information Link via Bluetooth

After the camera has been paired to the Imaging Edge

Mobile

app installed on a compatible mobile phone or tablet device, it can acquire location data from the mobile device and record that data with still images or movies The Imaging Edge application can then be used on a personal computer to organize images imported into the computer on a map.

*1 Use Imaging Edge Mobile Ver. 7.4 or later. *2 The camera’s [Loc ation I nfo Link] setting in the [Network] me nu must b e turned ON. *3 Bluetoot h connectivity is avail able wi th the following term inal devices (as of O ctob er

2019):

- Andro id, iPhone/iPad: Blue tooth 4.0 or later.

Visit t he following l ink on the web for more information: https://support.d-imaging.sony.co.jp/app/iemobile/ja/instruction/2_1_location.php

*1 USB-Ethern et adaptor required. *2 Andro id only.

Transfer files to a Smartphone

Data transfer to a mobile device is more convenient than ever. If the appropriate settings* are made in advance, files can be transferred from a memory card in the camera via Wi-Fi even if the camera power is OFF. Images to be transferred are selected via the Imaging Edge Mobile application installed on a Bluetooth paired mobile device. Movie files can also be transferred in this way.

* “Cnct. Du ring power OFF ” in the ca mera’s sma rtp hone se ttings must be turn ed ON,

and the c amera a nd smar tphone must b e paire d.

RMT-P1BT Remote Commander support

Bluetooth remote control from Sony’s RMT-P1BT Wireless Remote Commander is unaffected by obstacles or ambient light, providing greater flexibility and reliability for a variety of shooting situations. Release, REC button, zoom, and focus controls are all easily accessible while holding the grip.

NFC communication with mobile devices

NFC compatibility provides easy, one-touch connection with mobile devices when you’re on the move or on location.

USB Tethering

Mobile device

Camera

FTP server

Wireless LAN

(Wi-Fi)

Wireless LAN

(Wi-Fi)

Mobile device

Transfer & Tagging add-on

FTP server

USB

(Mass Strage)

Other Features

Productivity Boosting Details

Details make a difference when you have to work efficiently in a variety of settings and situations. The α7S III includes a number of features that may seem small on the surface, but can be real productivity boosters when needed.

Proxy Recording*

Low-bit-rate HD proxy files can be recorded* simultaneously with all recording formats, including XAVC S-I 4K. The smaller proxy video files can be used for offline editing previews prior to final 4K editing, reducing computer load and enabling a faster workflow. 10-bit XAVC HS (1920 x 1080) or 8-bit XAVC S (1280 x 720) proxy file recording can be selected as required.

* Prox y recording is n ot available in the following co nditi ons: • Nor mal movie reco rding at a [R ecord Fr ame Rate] of 100p o r higher • S&Q mov ie reco rding at a [R ecord Fr ame Rate] of

100p o r higher• S&Q movies at a [Frame Rate] of 100 f ps or higher. Prox y files cannot be played back v ia the ca mera.

All-in-one Silent Mode setting

A Silent Mode setup menu makes it possible to set all parameters related to silent operation for still images in one quick step, allowing faster setup when shooting concerts, theater, or in other situations where absolute silence is required. Silent mode switching can be assigned to a custom button for fast ON/OFF selection.

NTSC and PAL files on one memory card

The α7S III eliminates the need to separately format memory cards for NTSC and PAL format video files. Files in both formats can be stored on the same card. The format of each file can be confirmed in the index thumbnail display.

AF Frame Shift Amount setting

The distance the Spot or Expand Spot AF frame is moved by the dials and/or wheel when shooting stills can be set to “Standard” or “Large”, to ideally match different types of subjects. Separate settings can be made for the front/ rear dials and control wheel, so you can quickly select the controller assigned to the appropriate settings for the subject being shot.

Rating and protect functions facilitate on-location sorting

Star ratings (1 to 5 stars) can be applied to still images right from the camera controls. The ratings are maintained when the images are imported into Sony’s Imaging Edge software. The rating function can be assigned to a custom button so that ratings can be applied via the review playback display. There is also a protect function that can prevent accidental erasure of images. The protect function can be assigned to a custom button (C3 is the default) so that images can be quickly protected during review. Ratings and protection can be applied via the review playback display on location or while traveling to save time.

External flash settings

Compatible external flash and radio wireless commander units connected to the camera can be controlled directly from the camera interface, using the camera’s selected interface language.

Precise time setting in one-second increments

The α7S III date and time setting function allows the time to be set in one-second increments, making synchronization easier when shooting movies with multiple cameras.

Imaging Edge™ Desktop application

(Remote/Viewer/Edit)

Elevate your photography with Imaging Edge Desktop applications. Use “Remote” to control and monitor shooting live on your PC screen; “Viewer” to quickly preview, rate, and select photos from large image libraries; and “Edit” to develop RAW data into high-quality photos for delivery. Get the best from Sony RAW files, and manage your productions more efficiently

*1 Ver.3.0.0 0 or later *2 Refer to the dow nload p age for d etails: http s://www.so ny.net/disof t/d/

Remote EditViewer

Clear recording-in-progress display

A bold, clearly visible red frame is displayed when recording is in progress. This can be particularly useful when the camera is mounted on a rig or gimbal.

24 25

AF frame display during playback

This setting makes it possible to display the AF frame during playback, as it appeared during recording.

More productivity features

• Display rotation

• Interval recording

• Still extraction from movies

• Rec control

• Marker display

• XAVC S, XAVC HS file name settings

• Initial focus magnifier magnification settings

• Selectable focus frame color

• Focus area circulation

• Limited AF area and ISO displays

• AF during focus magnification

• Focal plane phase-detection AF with A-mount lenses

• Switch vertical and horizontal focus area

• Focus area registration

• Recall custom setting during hold

• Efficient multi-selector and rear dial

Lenses

E-mount lenses for endless expression

One Mount A versatile lineup of more than 50 lenses

The One Mount concept brings Sony’s most advanced imaging technology together via the E-mount platform, seamlessly connecting full frame and APS-C, stills and movies, amateurs and professionals through a versatile range of camera bodies and lenses that offer unlimited creative potential.

E-mount lenses are designed to deliver outstanding optical performance for both still photography and moviemaking. Original Sony lenses are optimized for E-mount bodies and feature industry-leading actuator technology to ensure precise, quiet focusing, and full utilization of the body’s all-around performance potential.

E-mount

G Master

E-mount

G Lens

FE 24mm F1.4 GM

(SEL24F14GM)

FE 16-35mm F2.8 GM

(SEL1635GM)

FE 600mm F4 GM 0SS

(SEL600F40GM)

FE 20mm F1.8 G

(SEL20F18G)

NEW

FE 85mm F1.4 GM

(SEL85F14GM)

FE 24-70mm F2.8 GM

(SEL2470GM)

FE 90mm F2.8 Macro G OSS

(SEL90M28G)

FE 100mm F2.8 STF GM OSS

(SEL100F28GM)

FE 70-200mm F2.8 GM OSS

(SEL70200GM)

FE 12- 24mm F4 G

(SEL1224G)

FE 135mm F1.8 GM

(SEL135F18GM)

FE 100-400mm F4.5-5.6 GM OSS

(SEL100400GM)

FE 24-105mm F4 G OSS

(SEL24105G)

NEW

FE 12-24mm F2.8 GM

(SEL1224GM)

FE 400mm F2.8 GM OSS

(SEL400F28GM)

FE PZ 28-135mm F4 G OSS

(SELP28135G)

Sony One Mount special page coming soon.

https://www.sony.net/onemount

FE 12-24mm F2.8 GM

(SEL1224GM)

FE 24-70mm F2.8 GM

(SEL200600G)

FE 135mm F1.8 GM

FE 70-200mm F4 G OSS

(SEL70200G)

(SEL2470GM)

FE 70-300mmF4.5-5.6 G OSS

(SEL70300G)

FE 200-600mm F5.6-6.3 G OSS

(SEL200600G)

FE 200-600mm F5.6-6.3 G OSS

1/320 0 sec., F6.3, ISO 5000.6 sec., F11, ISO 100 1/1000 sec., F2, ISO 4001/5 sec., F5.6, ISO 400

(SEL200600G)

26 27

Accessory

Options for expanded photographic capability

Microphone

Shotgun Microphone

ECM-B1M

• Eight mic capsules and advanced digital signal proces sing pro vide three select able direct ivit y patterns in one microphone.

• Sup er-dire ctional pickup in a com pact b ody th at is onl y

99.3mm (4 in.) long.

• Con nected to the α7 S III via i ts Multi Inte rfa ce Shoe with digital audio interface support, audio is directly trans ferred to the camera in digital form s o that th e highest possible audio quality is achieved without no ise or degradation.

• Designed to sup press mechanical noi se.

XLR Adaptor Kit

XLR-K3M

• Connected to the α7 S III via its Multi Inte rface Shoe withdigital audio interface support, audio is directly trans ferred to the camera in digital form s o that th e highest possible audio quality is achieved without no ise or degradation.

• 48 k Hz/16 bit 2 channel, 4 8 kHz/24 bit 2 ch annel, a nd 48 kHz/ 24 bit 4 cha nnel re cording forma ts wit h the α7S III.

• Two XL R/T RS com bo connectors and one 3.5mm stereomini jack for micropho ne and line inpu t.

• Flexible mounting a nd setup with e xten sion cable.

• Can be us ed wit hout separate power or cables.

* MRW-G2 is op tional

CFexpress Type A Memory Cards

CEA-G80T/CEA-G160T

• Ultra-fast wr ite speeds of up to 700MB/s* for stre ss-fre e burst and high-resolution imaging.

• VP G (Video Per form ance Guarantee) 4 00 supp orted.

• Enhanced wo rkf low with ex treme ly high r ead speeds of up to 800MB /s*.

• TOUGH & I P57-rated for professional reliability.

• Effecti ve heat dissipation for long movie shooting.

• Use w ith de dicate d MRW-G2 card reader for dramat icall y improved workflow efficiency.

* Based on So ny test ing. Ac tual performance may var y

depending on environment and usage.

NEW

Shotgun Microphone

ECM-B1M

Microphone

Wireless Microphone

ECM-AW4

Shotgun Microphone

ECM-CG60

Electret Condenser Microphone

ECM-MS2

Flash

HVL-F60RM

Stereo Microphone

ECM-XYST1M

Flash

HVL-F45RM

Flash

HVL-F32M

Wireless Microphone

ECM-W1M

Wireless Radio Commander

FA-WRC1M

Wireless Radio Receiver

FA-WRR1

XLR Adaptor Kit

XLR-K3M

Flash

HVL-F20M

Tripod / Commander Vertical Grip

Wireless Remote Commander

GP-VPT2BT

Remote Control Tripod

VCT-VPR1

Remote Commander

RM-VPR1

Remote Commander

RM-SPR1

Wireless Remote Commander

RMT-P1BT

Remote Commander

RMT-DSLR2

Vertical Grip for A9 II & A7R IV

VG-C4EM

Multi Battery Adaptor Kit

NPA-MQZ1K

Flash

HVL-F60RM

Rechargeable Battery Pack

NP-FZ100

Vertical Grip

VG-C4EM

Battery Charger

BC-QZ1

Eyepiece Cup

FDA-EP19

Remote Commander

RMT-P1BT

Wireless Remote Commander

GP-VPT2BT

Light

Battery Video Light

HVL-LE1

Other

Body Cap

ALC-B1EM

LCD Protect Semi Hard Sheet

PCK-LG1

Battery Video Light

HVL-LBPC

Circular PL Filters

VF-49CPAM/VF-49CPAM2 VF-55CPAM/VF-55CPAM2 VF-62CPAM/VF-62CPAM2 VF-67CPAM/VF-67CPAM2 VF-72 CPAM/VF-72 CPAM2 VF-77 CPAM/VF-77 CPAM2 VF-82CPAM/VF-82CPAM2

Eyepiece Cup

FDA-EP19

Battery Video IR Light

HVL-LEIR1

MC Protectors

VF-M405MP/VF-82MPA VF-77MPAM/VF-72MPAM/ VF-67MPAM/VF-62MPAM VF-55MPAM/VF-49MPAM

HDMI Cable

DLC-HX10

Monitor Power

Clip-on LCD Monitor

CLM-FHD5

Multi Terminal Connecting Cable

VMC-MM1

CFexpress Type A Memory Cards

CEA-G80T/CEA-G160T

Clip-on LCD Monitor

CLM-V55

Multipod

VCT-MP1

CFexpress Type A / SD Card Reader

MRW-G2

Tripod

VCT-P300

Shoe Cap

FA-SHC1M

Rechargeable battery Pack

NP-FZ100

Battery Charger

BC-QZ1

Multi Battery Adaptor Kit

NPA-MQZ1K

Sony Accessory Support Page:

https://www.sony.net/dics/acc/

Sony Photo Gallery:

http://www.sony.net/Products/di_photo_gallery/

Sony Camera Channel:

https://www.youtube.com/c/ImagingbySony

28 29

Controls

1 AF illuminator/ Self-timer lamp/ Visible light and IR sensor 2 Front dial 3 Infrared remote sensor 4 Image sensor 5 Lens contacts 6 Lens release button 7 Mounting index 8 Mount

9 Hook for shoulder strap 10 Microphone jack 11 HDMI Type A jack 12 Headphones jack 13 USB Type-C terminal 14 Charge lamp 15 Multi/Micro USB Terminal 16 Speaker

17 Image sensor position mark 18 Multi Interface Shoe 19 Microphone 20 C2 button (Custom button 2) 21 ON/OFF (Power) switch 22 MOVIE (Movie) button 23 Mode dial lock release button 24 Mode dial 25 Rear dial 26 Shutter button 27 Exposure compensation dial 28 Exposure compensation dial lock release button

7 8

1 2

29 30 3331 34 35 3632

29 C3 button (Custom button 3) 30 MENU button 31 Eyepiece Cup 32 Monitor 33 Eye sensor 34 Viewfinder 35 C1 button (Custom button 1) 36 For shooting: AF-ON (AF On) button

For viewing: Enlarge button

42 43

37 For shooting: AEL button

For viewing: Image index button

38 Multi-selector 39 For shooting: Fn (Function) button

For viewing: Send to Smartphone button

40 Control wheel 41 For shooting: C4 button (Custom button 4)

For viewing: Delete button

42 Access lamp 43 Playback button

44 Battery cover 45 Tripod socket hole

46 Diopter-adjustment dial 47 Hook for shoulder strap 48 Media slot cover 49 N mark

11 12

252423

26 2827

4519 20 2217 18

30 31

Detail

Supplementary info for movie recording

Movie formats for Slow & Quick recording Movie formats for normal recording

File format Res. Pixel Size Codec

XAVC HS 4K

XAVC S 4K

4K QFHD 3840x2160

MPEG-H HEVC/H.265

MPEG-4 AVC/H.2 64

Compression

(GOP/Intra)

Long GOP 120p (100p)

Max. recording

frame rate

( )= PAL

Frame Rate Max. Rec. Bitrate

120fps/60fps/15fps/ 8fps/4fps/2fps/1fps

(100fps/50fps/12fps/

500Mbps (5x)

6fps/3fps/2fps/1fps)

120fps/60fps/30fps/

15fps/8fps/4fps/

560Mbps (4x) 4:2:2 10bit

Record

Setting

4:2:2 10b i t * Limited playback capability

2fps/1fps

XAVC S-I 4K

XAVC S HD

XAVC S-I HD

*1 <S&Q > When f rame ra te is 120 fps, SDXC V90 ma y be necessar y. *2 When shooting slow mo, CFexpress Type A ( VPG 20 0) is mandator y. *3 Number of ef fective pi xels: 142 0 x 804 at 240 or 20 0 fps. 240 or 20 0 fps not availa ble whe n using [X AVC HS 4K], [XAVC S 4K], or [X AVC S-I 4K] f ile format s. *4 <S&Q> When frame rate is 240f ps, SDXC V 90 may be necess ary. *5 <S&Q > When frame rate is 240 fps , CF express Tye A (VP G200) is mandatory.

4K QFHD 3840x2160

FHD 1920x1080

Continuous recording time for movies

MPEG-4 AVC/H.2 64

All-Intra 60p (50p) 1200Mbps (2-5x) 4:2:2 10bit

Long GOP 120p (100p)

All-Intra 60p (50p) 890Mbps (10x) 4:2:2 10bit

Movie recording time for single media

Auto Power OFF Temp. : Standard

Ambient temperature : 2 5 °C

Continuous recording time for mov ies (HD) : approx. 30 min

Format

XAVC HS 4K

(100fps/50fps/25fps/

12fps/6fps/3fps/

2fps/1fps)

/120fps/60fps/

240fps 30fps/15fps/8fps/4fps/

2fps/1fps

/100fps/50fps/

(200 fps

500Mbps (10x) 4:2:0 8bit

25fps/12fps/6fps/3fps/

2fps/1fps)

(Hours:Minutes:Seconds, Proxy of setting)

Framerate

Bitrate (Mbps)

SD Memory Card

64GB 128GB 80GB 160GB

CFexpr ess Type A Memory Card

60p/50p 200 0:35:00 1: 10:00 0:40:00 1:25:00

Continuous recording time for movies (4K) : approx. 30 min

150 0:45:00 1:35:00 0:55:00 1:50:0 0

Ambient temperature : 4 0 °C

Continuous recording time for mov ies (HD) : approx. 30 min

Continuous recording time for movies (4K) : approx. 30 min

100 1:10:00 2:20:00 1:20:00 2:50:00

75 1:30:0 0 3:00:00 1 :40:0 0 3:40:00

45 2:20:0 0 4:50:00 2:40: 0 0 5:40:00

Auto Power OFF Temp. : High

Ambient temperature : 2 5 °C

Continuous recording time for movies (HD) : approx. 120 min

Continuous recording time for movies (4K) : approx. 90 min

XAVC S 4K

XAVC S HD

60p/50p 200 0:35:00 1:10:00 0:4 0:00 1:2 5:0 0

150 0:45:00 1:35 :00 0:55:00 1:50:0 0

60p/50p 50 2:10:00 4:3 0:00 2:30:00 5: 10 :00

25 3:50:00 8:10:00 6:30:0 0 9:10:00

Ambient temperature : 4 0 °C

Continuous recording time for movies (HD) : approx. 90 min

Continuous recording time for movies (4K) : approx. 60 min

HD: XAVC S HD (60p 5 0M 4:2:0 8bit, WiF i not conn ecte d, CFe xpres s Type A memory card, mon itor in us e) 4K: X AVC S 4K (60p 150M 4:2:0 8 bit, WiFi not connec ted, CF express Type A memory card, mon itor in us e)

XAVC S-I 4K

XAVC S-I HD

The above recording times are with [Px] (Proxy Re cording) turned OFF.

• All recording t imes tested wi th Sony brand memor y cards .

• Continuous record ing tim es will v ary according to recording mode and set tings, the memory card use d, ambient temperature, Wi-Fi co nditions, us age cond itions prior to movie recording, and b attery cha rge.

Maximum continuous m ovie re cordin g time is approxi mately 13 hours (limite d by product specif ications).

60p/50p 600/500 0:1 0:0 0 0:25:00 0:10:00 0:25:00

60p/50p 222/185 0:30:00 1:05:00 0:35:00 1: 15:00

Memor y Card

SDXC V90 or faster CFexpress Type A

SDXC V60 or faster CFexpress Type A

SDXC V90 or faster CFexpress Type A

SDXC V60 or faster CFexpress Type A

SDXC V90 or faster CFexpress Type A

Format Rec size Rec settings Framerate NTSC/PAL FF/Super35 Codec GOP/Intra Bitrate (Mbps)

120p NTSC

280

100p PAL 280

4:2:2 10bit

60p NTSC 200/100

50p PAL 200/100

XAVC HS 4K

3840x2160

(QFHD)

24p NTSC 100

120p NTSC

MPEG-H

HEVC/H.265

Long GOP

200

100p PAL 200

4:2:0 10bit

60p NTSC 150/75/45

50p PAL 150/75/45

24p NTSC 100/50/30

120p NTSC

280

100p PAL 280

60p NTSC 200

4:2:2 10bit

50p PAL 200

30p NTSC 140

25p PAL 140

XAVC S 4K

3840x2160

(QFHD)

24p NTSC 100

120p NTSC

MPEG-4

AVC/H.264

Long GOP

200

100p PAL 200

60p NTSC 150

4:2:0 8bit

50p PAL 150

30p NTSC 100/60

25p PAL 100/60

24p NTSC 100/60

120p NTSC

100/60

100p PAL 100/60

60p NTSC 50/25

50p PAL 50/25

30p NTSC 50/16

25p PAL 50/16

XAVC S HD

1920x1080

(FHD)

4:2:0 8bit

24p NTSC 50

120p NTSC

MPEG-4

AVC/H.264

Long GOP

100/60

100p PAL 100/60

60p NTSC 50/25

50p PAL 50/25

Super35

30p NTSC 50/16

25p PAL 50/16

24p NTSC 50

XAVC S-I 4K

3840x2160

(QFHD)

4:2:2 10bit

60p NTSC

50p PAL 500

30p NTSC 300

25p PAL 250

MPEG-4

AVC/H.264

All-Intra

600

24p NTSC 240

60p NTSC

222

50p PAL 185

30p NTSC 111

25p PAL 93

XAVC S-I HD

1920x1080

(FHD)

4:2:2 10bit

24p NTSC 89

60p NTSC

MPEG-4

AVC/H.264

All-Intra

222

50p PAL 185

30p NTSC 111

Super35

25p PAL 93

24p NTSC 89

32 33

Spec

Main specifications

General Camera type Interchangeable lens digital camera

Lens mount E-mount

Image sensor Type 35mm full frame (35.6×23.8mm), Exmor R CMOS sensor

Number of pixels (effective) Approx. 12.1 megapixels

Number of pixels (total) Approx. 12.9 megapixels

Aspect ratio 3:2

Color filter R, G, B primary color

Recording system (still image)

Anti-Dust function Yes (Charge protection coating on Optical Filter and ultrasonic vibration

Recording format JPEG (DCF Ver. 2.0, Exif Ver. 2.32, MPF Baseline compliant), HEIF (MPEG-A MIAF

Image

[3:2] 35mm full frame L: 4240 x 2832 (12M), M: 2768 x 1848 (5.1M), S: 2128 x 1416 size (pixels)

[4:3] 35mm full frame L: 3776 x 2832 (11M), M: 2464 x 1848 (4.6M), S: 1888 x 1416

[16:9] 35mm full frame L: 4240 x 2348 (10M), M: 2768 x 1560 (4.3M), S: 2128 x 1200

[1:1] 35mm full frame L: 2832 x 2832 (8M), M: 1840 x 1840 (3.4M), S: 1408 x 1408

Image size (pixels) [Sweep Panorama]

Image quality modes RAW (Compressed / Uncompressed), JPEG (Extra fine / Fine / Standard),

mechanism)

compliant), RAW (Sony ARW 4.0 format compliant)

(3.0M) APS-C L: 2768 x 1848 (5.1M), M: 2128 x 1416 (3.0M), S: 1376 x 920 (1.3M)

(2.7M) APS-C L: 2464 x 1848 (4.6M), M: 1888 x 1416 (2.7M), S: 1232 x 920 (1.1M)

(2.6M) APS-C L: 2768 x 1560 (4.3M), M: 2128 x 1200 (2.6M), S: 1376 x 776 (1.1M)

(2.0M) APS-C L: 1840 x 1840 (3.4M), M: 1408 x 1408 (2.0M), S: 912 x 912 (0.8M)

HEIF (4:2:0 / 4:2:2) (Extra fine / Fine / Standard), RAW & JPEG, RAW & HEIF

14bit RAW Yes

Picture Effect -

Creative Style -

Creative Look ST, PT, NT, VV, VV2, FL, IN, SH, BW, SE, Custom Look (1-6)

Picture Profile Yes (Off / PP1-PP10) Parameters: Black level, Gamma (Movie, Still, Cine1-4,

ITU709, ITU709 [800%], S-Log2, S-Log3, HLG, HLG1-3), Black Gamma, Knee, Color Mode, Saturation, Color Phase, Color Depth, Detail, Copy, Reset

Dynamic Range functions Off, Dynamic Range Optimizer

Recording system (movie)

Color space sRGB standard (with sYCC gamut) and Adobe RGB standard compatible with

TRILUMINOS Color. BT.2020 standard.

Recording format XAVC S, XAVC HS

Video compression XAVC S: MPEG-4 AVC/H.264, XAVC HS: MPEG-H HEVC/H.265

Audio recording format XAVC S: LPCM 2ch, LPCM 2ch (48kHz 16bit), LPCM 2ch (48kHz 24bit)

(48kHz 24bit)*2, MPEG-4 AAC-LC 2ch

Picture Effect -

Creative Style -

Creative Look ST, PT, NT, VV, VV2, FL, IN, SH, BW, SE, Custom Look (1-6)

Picture Profile Yes (Off / PP1-PP10) Parameters: Black level, Gamma (Movie, Still, Cine1-4,

ITU709, ITU709 [800%], S-Log2, S-Log3, HLG, HLG1-3), Black Gamma, Knee, Color Mode, Saturation, Color Phase, Color Depth, Detail, Copy, Reset

Color space BT.2020 standard compatible with TRILUMINOS Color

Movie recording system (XAVC HS 4K)

Movie recording system (XAVC S 4K)

Movie recording system (XAVC S HD)

Movie recording system (XAVC S-I 4K)

Movie recording system (XAVC S-I HD)

3840 x 2160 (4:2:0, 10bit, NTSC) (Approx.)

3840 x 2160 (4:2:0, 10bit, PAL) (Approx.)

3840 x 2160 (4:2:2, 10bit, NTSC) (Approx.)

3840 x 2160 (4:2:2, 10bit, PAL) (Approx.)

3840 x 2160 (4:2:0, 8bit, NTSC) (Approx.)

3840 x 2160 (4:2:0, 8bit, PAL) (Approx.)

3840 x 2160 (4:2:2, 10bit, NTSC) (Approx.)

3840 x 2160 (4:2:2, 10bit, PAL) (Approx.)

1920 x 1080 (4:2:0, 8bit, NTSC) (Approx.)

1920 x 1080 (4:2:0, 8bit, PAL) (Approx.)

1920 x 1080 (4:2:2, 10bit, NTSC) (Approx.)

1920 x 1080 (4:2:2, 10bit, PAL) (Approx.)

3840 x 2160 (4:2:2, 10bit, NTSC) (Approx.)

3840 x 2160 (4:2:2, 10bit, PAL) (Approx.)

1920 x 1080 (4:2:2, 10bit, NTSC) (Approx.)

1920 x 1080 (4:2:2, 10bit, PAL) (Approx.)

120p (200Mbps), 60p (150Mbps / 75Mbps / 45Mbps), 24p (100Mbps / 50Mbps / 30Mbps)

100p (200Mbps), 50p (150Mbps / 75Mbps / 45Mbps)

120p (280Mbps), 60p (200Mbps / 100Mbps), 24p (100Mbps / 50Mbps)

100p (280Mbps), 50p (200Mbps / 100Mbps)

120p (200Mbps), 60p (150Mbps), 30p (100Mbps / 60Mbps), 24p (100Mbps / 60Mbps)

100p (200Mbps), 50p (150Mbps), 25p (100Mbps / 60Mbps)

120p (280Mbps), 60p (200Mbps), 30p (140Mbps), 24p (100Mbps)

100p (280Mbps), 50p (200Mbps), 25p (140Mbps)

120p (100Mbps / 60Mbps), 60p (50Mbps / 25Mbps), 30p (50Mbps / 16Mbps), 24p (50Mbps)

100p (100Mbps / 60Mbps), 50p (50Mbps / 25Mbps), 25p (50Mbps / 16Mbps)

60p (50Mbps), 30p (50Mbps), 24p (50Mbps)

50p (50Mbps), 25p (50Mbps)

60p (600Mbps), 30p (300Mbps), 24p (240Mbps)

50p (500Mbps), 25p (250Mbps)

60p (222Mbps), 30p (111Mbps), 24p (89Mbps)

50p (185Mbps), 25p (93Mbps)

, LPCM 4ch

Slow & Quick Motion (S&Q)

Image frame rate NTSC mode: 1fps,2fps,4fps,8fps,15fps,30fps,60fps,120fps, 240fps

PAL mode: 1fps,2fps,3fps,6fps,12fps,25fps,50fps,100fps, 200fps

Movie function Audio Level Display Ye s

Audio Rec Level Yes

PAL/NTSC Selector Yes

Proxy Recording Yes (1280 x 720 (Approx. 6Mbps), 1920 x 1080 (Approx. 9Mbps), 1920 x 1080

(Approx. 16Mbps))

TC/UB Yes

Auto Slow Shutter Yes

Gamma Disp. Assist Yes

RAW Output Yes(HDMI)

Recording system Location information Link

from smartphone

Media SD memory card, SDHC memory card (UHS-I/II compliant),

Memory card slot SLOT1: Multi slot for SD (UHS-I/II compliant) memory card/CFexpress Type A card

Recording mode on 2 memory cards

Yes

SDXC memory card (UHS-I/II compliant), CFexpress Type A memory card

SLOT2: Multi slot for SD (UHS-I/II compliant) memory card/CFexpress Type A card

Simult. Rec, Sort, Auto Switch Media, Copy

File system FAT12, 16, 32, exFAT

Noise reduction Long exposure NR: On/Off, available at shutter speeds longer than 1 sec.

White balance Modes Auto / Daylight / Shade / Cloudy / Incandescent / Fluorescent / Flash /

High ISO NR: Normal / Low / Off

Underwater / Color Temperature (2500 to 9900K) & color filter / Custom

Shutter AWB Lock Yes (Shut. Halfway Down / Cont. Shooting / Off)

Focus system Type Fast Hybrid AF (phase-detection AF / contrast-detection AF)

Focus sensor Exmor R CMOS sensor

Focus point 35mm full frame: 759 points (phase-detection AF), APS-C mode with FF lens: 345

points (phase-detection AF), with APS-C lens: 285 points (phase-detection AF) / 425 points (contrast-detection AF)

Sensitivity range EV-6 to EV20 (ISO100 equivalent with F2.0 lens attached)

AF mode AF-A (Automatic AF), AF-S (Single-shot AF), AF-C (Continuous AF),

DMF (Direct Manual Focus), Manual Focus

Focus area Wide / Zone / Center / Flexible Spot / Expanded Flexible Spot / Tracking

Eye AF [Still images] Human (Right/Left Eye Select) / Animal, [Movie] Human (Right/

Other features Predictive control, Focus lock, AF Track Sens. (Still), AF Subj. Shift Sensitivity

Left Eye Select)

(Movie), AF Transition Speed (Movie), Switch V/H AF Area, AF Area Regist., Circ. of Focus Point

AF illuminator Yes (with Built-in LED type)

AF illuminator range Approx. 0.3m - approx. 3.0m (with FE 28-70mm F3.5-5.6 OSS lens attached)

Focus Type with LA-EA1 or LA-EA3 (Sold separately)

Phase-detection

Exposure control Metering type 1200-zone evaluative metering

Metering sensor Exmor R CMOS sensor

Metering sensitivity EV-3 to EV20 (at ISO100 equivalent with F2.0 lens attached)

Modes Multi-segment, Center-weighted, Spot (Standard/Large), Spot, Entire Screen

Exposure modes AUTO(iAuto), Programmed AE (P), Aperture priority (A), Shutter-speed priority

Exposure compensation +/- 5.0EV (1/3 EV, 1/2 EV steps selectable) (with exposure compensation dial:

Avg., Highlight

(S), Manual (M), Movie (Programmed AE (P) / Aperture priority (A) / Shutter-speed priority (S) / Manual (M) / Flexible Exp. Mode), Slow & Quick Motion (Programmed AE (P) / Aperture priority (A) / Shutter-speed priority (S) / Manual (M) / Flexible Exp. Mode)

+/- 3EV (1/3 EV steps))

Bracketing Bracket: Cont., Bracket: Single, 3/5/9 frames selectable. (Ambient light, Flash light)

AE Lock Locked when shutter button is pressed halfway. Available with AE lock button.

ISO sensitivity (Recommended Exposure Index)

Anti-flicker Shoot. Ye s

(On/Off/Auto)

Still images: ISO 80-102400 (ISO numbers up from ISO 40 to ISO 409600 can be set as expanded ISO range.), AUTO (ISO 80-12800, selectable lower limit and upper limit), Movies: ISO 80-102400 equivalent (ISO numbers up to ISO 409600 can be set as expanded ISO range.), AUTO (ISO 80-12800, selectable lower limit and upper limit)

Viewfinder Type 1.6 cm (0.64 type) electronic viewfinder (Quad-XGA OLED)

Number of dots 9,437,184,dots

Control function Brightness, Color temperature, Magnifi.

Field coverage 100%

Magnification Approx. 0.90 x (with 50mm lens at infinity, -1m

Diopter adjustment -4.0 to +3.0m

Eye point Approx. 25mm from the eyepiece lens, 21mm from the eyepiece frame at -1m-1

Display function Histogram, Real-time image-adjustment display, Digital level gauge, Grid line,

-1

(CIPA standard)

Focus check, Peaking MF, Zebra, Movie marker, Emphasezed display during REC

-1

)

Finder Frame Rate selection NTSC mode: STD 60fps / HI 120fps, PAL mode: STD 50fps / HI 100fps

LCD screen Type 7.5cm (3.0-type) type TFT

Touch panel Yes

Number of dots (total) 1,440,000 dots

Brightness control Manual (5 steps between -2 and +2), Sunny Weather mode

Display function Histogram, Real-time image-adjustment display, Digital level gauge, Grid line,

Focus check, Peaking MF, Zebra, Movie marker, For viewfinder, Monitor Off, Emph disp dur REC

LCD screen Adjustable angle Opening Angle:Approx. 176 deg., Rotation Angle:Approx. 270 deg.

Focus Check Yes, Focus Magnifier (35mm full frame: 2.1x / 4.1x, APS-C: 1.5x / 3.0x)

LCD panel Top panel -

Face detection Modes Face Priority in AF, Face Priority in Multi Metering, Regist. Faces Priority

Other features Interval recording Yes

ISO AUTO Min. SS Yes

Interface Multi Interface Shoe

Mic Terminal Yes (3.5 mm Stereo minijack)

Headphone Terminal Yes (3.5 mm Stereo minijack)

Remote Control (Wireless) Yes (IR remote control / Bluetooth remote control)

Vertical Grip Connector Yes

Functions FTP Transfer Func.(Wired LAN(USB-LAN), USB Tethering, Wi-Fi), View on

Bright Monitoring Yes

Set File Name Ye s

Save/Import Settings Yes

Help guide Yes

Video Light Mode Yes

Zoom Ring Rotate Yes

Clear Image Zoom Still images Approx. 2x

Movies Approx. 1.5x (4K), Approx. 2x (HD)

Digital zoom Smart zoom (Still images) 35mm full frame: M:approx. 1.5x, S:approx. 2x

Digital zoom (Still images) 35mm full frame: L:approx. 4x, M:approx. 6.1x, S:approx. 8x

Digital zoom (Movie) 35mm full frame: approx. 4x

APS-C: M:approx. 1.3x, S:approx. 2x

APS-C: L:approx. 4x, M:approx. 5.2x, S:approx. 8x

APS-C: approx. 4x

Shutter Type Electronically-controlled, vertical-traverse, focal-plane type

Shutter Type Mechanical shutter / Electronic shutter

Shutter speed Still images: 1/8000 to 30 sec, Bulb, Movies: 1/8000 to 1/4 (1/3 steps), up to 1/60

Flash sync. speed

Electronic Front Shutter Curtain

in AUTO mode (up to 1/30 in Auto slow shutter mode)

1/250 sec.

Yes (ON/OFF)

Silent Shooting Yes (ON/OFF)

SteadyShot INSIDE (image stabilization)

Flash Control Pre-flash TTL

Type Image Sensor-Shift mechanism with 5-axis compensation (Compensation

Compensation effect 5.5 stops (based on CIPA standard. Pitch/yaw shake only. With Planar T* FE

Mode [Still images] On / Off, [Movie] Active / Standard / Off

depends on lens specifications)

50mm F1.4 ZA lens mounted. Long exposure NR off.)

Flash compensation +/- 3.0 EV (switchable between 1/3 and 1/2 EV steps)

Flash modes Flash off, Autoflash, Fill-flash, Slow Sync., Rear Sync., Red-eye reduction (on/off

External flash Sony α System Flash compatible with Multi Interface Shoe, attach the shoe

selectable), Wireless

adaptor for flash compatible with Auto-lock accessory shoe

, Hi-speed sync.

FE level lock Ye s

Wireless control Yes (Light signal: Available with Fill-flash, Slow Sync., Hi-speed sync. / Radio

Drive Drive modes Single Shooting, Continuous shooting (Hi+/Hi/Mid/Lo selectable), Self-timer,

Self-timer 10 sec. delay / 5 sec. delay / 2 sec. delay / Continuous self-time / Bracketing self-

Pixel Shift Multi Shooting -

Speed (approx., max.)

No. of frame recordable*

(approx.)

Playback Modes Single (with or without shooting information Y RGB histogram & highlight /

signal: Available with Fill-flash, Rear Sync., Slow Sync., Hi-speed sync.)

Self-timer (Cont.), Bracket: Single, Bracket: Cont., White Balance bracket, DRO bracket

timer

Continuous shooting: Hi+: 10 fps, Hi: 8 fps, Mid: 6 fps, Lo: 3 fps

JPEG Extra fine L: over 1000 frames, JPEG Fine L: over 1000 frames, JPEG Standard L: over 1000 frames, RAW: over 1000 frames, RAW & JPG: over 1000 frames, RAW (Uncompressed): over 1000 frames, RAW (Uncompressed) & JPG: over 1000 frames

shadow warning), Index view, Enlarged display mode (L: 10.6x, M: 6.92x, S:

5.32x), Auto Review, Image orientation, Folder selection (Date / Still / Movie), Protect, Rating, Display as Group

Playback Photo Capture Ye s

Interface PC interface Mass-storage / MTP

Multi / Micro USB Terminal

*10

Yes

USB Type-C® Terminal Yes (SuperSpeed USB 5Gbps(USB 3.2) compatible)

NFC Yes (NFC forum Type 3 Tag compatible)

Wireless LAN(built-in) Yes (Wi-Fi Compatible, IEEE 802.11a/b/g/n/ac (2.4GHz band/5GHz band))

Bluetooth Yes (Bluetooth Standard Ver. 5.0 (2.4GHz band))

HDMI connector HDMI connector (Type-A), 3840 x 2160 (60p / 50p / 30p / 25p / 24p) / 1920 x

Trademarks & Remarks

", " " , " ", "Exmor", "Exmor R", "BIONZ X", "BIONZ XR", "BRAVIA", "SteadyShot", "InfoLithium", "Imaging Edge", "TRILUMINOS", "TRILUMINOS Color", "TRILUMINOS Display", "XAVC S", "XAVC S-I" and "XAVCS HS" are trademarks or registered trademarks of Sony Corporation.

•

• "Xperia" is a trademark or registered trademark of Sony Mobile Communications AB. • The SD Logo, SDHC Logo and SDXC Logo are trademarks of SD-3C, LLC. • CFexpress is a trademark of the Association CompactFlash. • The terms HDMI and HDMI High-Definition Multimedia Interface, and the HDMI Logo are trademarks or registered trademarks of HDMI Licensing Administrator, Inc. in the United States and other countries. • The Wi-Fi Protected Setup Identifier Mark is a mark of the Wi-Fi Alliance.

•The Bluetooth word mark and logos are registered trademarks owned by Bluetooth SIG, INC. • N-Mark is a registered trademark of the NFC Forum. • Dolby is a trademark of Dolby Laboratories. • USB Type-C is a trademark of USM Implementers Forum. • App Store is a service mark of Apple Inc.

• Android, Google Play and Google Play logo are trademarks or registered trademarks of Google Inc. • iPhone and iPad are trademarks of Apple Inc., registered in the U.S. and other countries. • All other company and product names mentioned herein are used for identification purposes only and may be the trademarks or registered trademarks of their respective owners. • "InfoLithium" is a lithium battery pack which can exchange data with compatible electronic equipment about its energy consumption. • Sony recommends that you use the battery pack with electronic equipment bearing the "InfoLithium" mark. • Screen displays and effects used to illustrate some functions are simulated. • For use of other companies’ services and software, 1) other conditions for use may be applied. 2) updating of services and software may be stopped/terminated without prior notice. 3) the contents of services and software may be changed without prior notice. 4) other registrations or payments of other fees may be required.

1080 (60p / 50p / 24p) / 1920 x 1080 (60i / 50i), YCbCr 4:2:2 10bit / RGB 8bit, 4264 x 2408 (60p / 50p / 30p / 25p / 24p), Raw 16bit

Audio Microphone Built-in, stereo

Speaker Built-in, monaural

Print Compatible standards Exif Print, Print Image Matching III

Custom function Custom key settings Yes

My Menu Ye s

My Dial Settings Ye s

Reg Cust Shoot Set Ye s

Programmable Setting Yes (Body 3 sets /memory card 4 sets)

Lens compensation Lens compensation Peripheral Shading, Chromatic Aberration, Distortion

Power Battery One rechargeable battery pack NP-FZ100

Still images

Movies (actual recording)

Movies (continuous recording)

Internal battery charge Yes (Available with USB Type-C Terminal. USB Power Delivery compatible)

USB power supply Yes (Available with USB Type-C Terminal. USB Power Delivery compatible)

External power (AC Adapor) -

Power consumption With Viewfinder Still images: approx. 4.3W (with FE 28-70mm F3.5-5.6 OSS lens attached),

With LCD screen Still images: approx. 3.3W (with FE 28-70mm F3.5-5.6 OSS lens attached),

Weight With battery and memory

Card included

oz. With battery and memory card included

Body only Approx. 614 g

oz Body only Approx. 1 lb 5.7 oz

Dimensions Dimensions (W x H x D) Approx. 128.9mm x 96.9mm x 80.8mm, Approx. 128.9mm x 96.9mm x 69.7mm

inches. Dimensions

Operating Temperature

(W x H x D)

Operating temperature 32 - 104 °F / 0 - 40 °C

What’s in the box Rechargeable Battery NP-FZ100, Battery Charger BC-QZ1, Power cord, Cable

Specifications and features are subject to change without notice.

*1 When [HLG Still Image] setting is set to [On]. *2 When using accessories that support 4ch output / 24 bits with the Multi Interface Shoe. *3 Proxy movies. *4 Number of effective pixels: 1420 x 804 at 240 or 200 fps. 240 or 200 fps not available when using [XAVC HS 4K], [XAVC S 4K], or [XAVC S-I 4K] file

formats. *5 Anti-flicker Shooting is not available when the [Shutter Type] setting is set to [Electronic Shutter]. *6 With compatible Sony external flash. *7 A flash cannot be used when [Shutter Type] is set to [Electronic Shutter]. *8 With compatible external flash. *9 Varies according to shooting conditions or memory card used. *10 Supports Micro USB compatible device.

*11 *12

*11 (Configuration method/Access method) WPS or manually /infrastructure mode. When connecting to smartphones, the camera can always work as

a base without a wireless access point. (Security: WEP/WPA-PSK/WPA2-PSK) *12 Models sold in some countries/regions support IEEE 802.11b/g/n (2.4GHz) wireless LAN only. *13 Sony accessories for the Accessory Shoe can be attached. *14 The LCD screen is turned on, shot once every 30 seconds, operate zoom alternately between W and T ends, flash strobe once every two times, turn

power off and on once every ten times. *15 Indication recording time, which is defined by repeating the cycle: Power on, start recording, zoom , stand-by and power off.

*13

Yes (with Digital Audio Interface)

Smartphone, Remote control via Smartphone, NFC One-touch remote, PC Remote, BRAVIA Sync (Control for HDMI), PhotoTV HD, NFC One-touch sharing

*14

Approx. 510 shots (Viewfinder) / Approx. 600 shots (LCD monitor), (CIPA standard)

*15

Approx. 80 min (Viewfinder) / Approx. 95 min (LCD monitor), (CIPA standard)

Approx. 130 min (Viewfinder) / Approx. 135 min (LCD monitor), (CIPA standard)

Movies: approx. 7.6W (with FE 28-70mm F3.5-5.6 OSS lens attached)

Movies: approx. 7.3W (with FE 28-70mm F3.5-5.6 OSS lens attached)

Approx. 699 g

Approx. 1 lb 8.7 oz

(FROM GRIP TO MONITOR)

Approx. 5 1/8 x 3 7/8 x 3 1/4 inches, Approx. 5 1/8 x 3 7/8 x 2 3/4 inches (FROM GRIP TO MONITOR)

Protector, Shoulder strap, Body cap, Accessory shoe cap, Eyepiece cup, USB-A to USB-C cable (USB 3.2)

34 35

Sony Alpha a7S III User Manual

Specifications and Main Features

Frequently Asked Questions

User Manual