Roland TD-4KP operation manual

Owner’s Manual
Bedienungsanleitung
Mode d’emploi
Manuale dell’utente
Manual del usuario
Manual do proprietário
Gebruikershandleiding
Thank you, and congratulations on your choice of the Roland V-Drums Portable TD-4KP.
This document is the owner’s manual for the TD-4 Percussion Sound Module.
Before using this unit, carefully read the sections entitled: “USING THE UNIT SAFELY” and “IMPORTANT NOTES” (Owner’s manual p. 2–3; p. 4). These sections provide important information concerning the proper operation of the unit. Additionally, in order to feel assured that you have gained a good grasp of every feature of your new unit, read Setup guide 1, 2 and Owner’s manual in its entirety. This manual should be saved and kept on hand as a convenient reference.

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Copyright ©2012 ROLAND CORPORATION
All rights reserved. No part of this publication may be reproduced in any form without the written permission of ROLAND CORPORATION.
1

USING THE UNIT SAFELY

Used for instructions intended to alert the user to the risk of injury or material damage should the unit be used improperly.
* Material damage refers to damage or
other adverse eects caused with respect to the home and all its furnishings, as well to domestic animals or pets.
Used for instructions intended to alert the user to the risk of death or severe injury should the unit be used improperly.
The ● symbol alerts the user to things that must be carried out. The specic thing that must be done is indicated by the design contained within the circle. In the case of the symbol at left, it means that the power-cord plug must be unplugged from the outlet.
The symbol alerts the user to important instructions or warnings.The specic meaning of the symbol is determined by the design contained within the triangle. In the case of the symbol at left, it is used for general cautions, warnings, or alerts to danger.
The symbol alerts the user to items that must never be carried out (are forbidden). The specic thing that must not be done is indicated by the design contained within the circle. In the case of the symbol at left, it means that the unit must never be disassembled.
Concerning the Auto Off function
001-70
The power to this unit will be turned off automatically after a predetermined amount of time has passed since it was last used for playing music, or its buttons or controls were operated (Auto Off function). If you do not want the power to be turned off automatically, disengage the Auto Off function (p. 36).
....................................................................................................................
Do not disassemble or modify by yourself
002c
Do not open (or modify in any way) the unit or its AC adaptor.
....................................................................................................................
Do not repair or replace parts by yourself
003
Do not attempt to repair the unit, or replace parts within it (except when this manual provides specific instructions directing you to do so). Refer all servicing to your retailer, the nearest Roland Service Center, or an authorized Roland distributor, as listed on the “Information” page.
....................................................................................................................
Do not use or store in the following types of locations
004
Subject to temperature extremes (e.g., direct sunlight in an enclosed vehicle, near a heating duct, on top of heat-generating equipment); or are
Damp (e.g., baths, washrooms, on wet floors); or are
Exposed to steam or smoke; or are
Subject to salt exposure; or are
•Humid; or are
Exposed to rain; or are
Dusty or sandy; or are
Subject to high levels of vibration and shakiness.
....................................................................................................................
Do not place in an unstable location
007
Make sure you always have the unit placed so it is level and sure to remain stable. Never place it on stands that could wobble, or on inclined surfaces.
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2
Use only the supplied AC adaptor and the correct voltage
008c
Be sure to use only the AC adaptor supplied with the unit. Also, make sure the line voltage at the installation matches the input voltage specified on the AC adaptor’s body. Other AC adaptors may use a different polarity, or be designed for a different voltage, so their use could result in damage, malfunction, or electric shock.
....................................................................................................................
Use only the supplied power cord
008e
Use only the attached power-supply cord. Also, the supplied power cord must not be used with any other device.
....................................................................................................................
Do not bend the power cord or place heavy objects on it
009
Do not excessively twist or bend the power cord, nor place heavy objects on it. Doing so can damage the cord, producing severed elements and short circuits. Damaged cords are fire and shock hazards!
....................................................................................................................
Avoid extended use at high volume
010
This unit, either alone or in combination with an amplifier and headphones or speakers, may be capable of producing sound levels that could cause permanent hearing loss. Do not operate for a long period of time at a high volume level, or at a level that is uncomfortable. If you experience any hearing loss or ringing in the ears, you should immediately stop using the unit, and consult an audiologist.
....................................................................................................................
Don’t allow foreign objects or liquids to enter unit; never place containers with liquid on unit
011
Do not place containers containing liquid (e.g., flower vases) on this product. Never allow foreign objects (e.g., flammable objects, coins, wires) or liquids (e.g., water or juice) to enter this product. Doing so may cause short circuits, faulty operation, or other malfunc­tions.
....................................................................................................................
Turn off the unit if an abnormality or malfunction occurs
012b
Immediately turn the unit off, remove the AC adaptor from the outlet, and request servicing by your retailer, the nearest Roland Service Center, or an authorized Roland distributor, as listed on the “Information” page when:
• The AC adaptor, the power-supply cord, or the plug
has been damaged; or
• If smoke or unusual odor occurs; or
• Objects have fallen into, or liquid has been spilled
onto the unit; or
• The unit has been exposed to rain (or otherwise has
become wet); or
• The unit does not appear to operate normally or
exhibits a marked change in performance.
....................................................................................................................
Adults must provide supervision in places where children are present
013
When using the unit in locations where children are present, be careful so no mishandling of the unit can take place. An adult should always be on hand to provide supervision and guidance.
....................................................................................................................
Do not drop or subject to strong impact
014
Protect the unit from strong impact. (Do not drop it!)
....................................................................................................................
Do not share an outlet with an unreasonable number of other devices
015
Do not force the unit’s powersupply cord to share an outlet with an unreasonable number of other devices. Be especially careful when using extension cords.the total power used by all devices you have connected to the extension cord’s outlet must never exceed the power rating (watts/amperes) for the extension cord. Excessive loads can cause the insulation on the cord to heat up and eventually melt through.
....................................................................................................................
Do not use overseas
016
Before using the unit in overseas, consult with your retailer, the nearest Roland Service Center, or an authorized Roland distributor, as listed on the “Information” page.
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Place in a well ventilated location
101b
The unit and the AC adaptor should be located so their location or position does not interfere with their proper ventilation.
....................................................................................................................
When disconnecting an AC adaptor, grasp it by the plug
102c
To prevent conductor damage, always grasp the AC adaptor by its plug when disconnecting it from this unit or from a power outlet.
....................................................................................................................
Periodically clean the AC adaptor’s plug
103b
At regular intervals, you should unplug the AC adaptor and clean it by using a dry cloth to wipe all dust and other accumulations away from its prongs. Also, disconnect the power plug from the power outlet whenever the unit is to remain unused for an extended period of time. Any accumulation of dust between the power plug and the power outlet can result in poor insulation and lead to fire.
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Manage cables for safety
104
Try to prevent cords and cables from becoming entangled. Also, all cords and cables should be placed so they are out of the reach of children.
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Avoid climbing on top of the unit, or placing heavy objects on it
106
Never climb on top of, nor place heavy objects on the unit.
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Do not connect or disconnect the AC adaptor with wet hands
107c
Never handle the AC adaptor or its plugs with wet hands when plugging into, or unplugging from, an outlet or this unit.
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Disconnect everything before moving the unit
108b
Before moving the unit, disconnect the AC adaptor and all cords coming from external devices.
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Unplug the AC adaptor from the outlet before cleaning
109b
Before cleaning the unit, turn it off and unplug the AC adaptor from the outlet.
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If there is a possibility of lightning strike, disconnect the AC adaptor from the outlet
110b
Whenever you suspect the possibility of lightning in your area, disconnect the AC adaptor from the outlet.
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Take care so as not to get fingers pinched
116b
When handling the stand’s moving parts, take care so as not to get fingers, etc., pinched. An adult should always be in charge of handling these items.
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Keep small items out of the reach of children
118d
To prevent accidental ingestion of the parts listed below, always keep them out of the reach of small children.
•Removable Parts
nuts, washers, bolts
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3

IMPORTANT NOTES

Power Supply
301
• Do not connect this unit to same electrical outlet that is being used by an electrical appliance that is controlled by an inverter or a motor (such as a refrigerator, washing machine, microwave oven, or air conditioner). Depending on the way in which the electrical appliance is used, power supply noise may cause this unit to malfunction or may produce audible noise. If it is not practical to use a separate electrical outlet, connect a power supply noise filter between this unit and the electrical outlet.
302
• The AC adaptor will begin to generate heat after long hours of consec­utive use. This is normal, and is not a cause for concern.
307
• To prevent malfunction and equipment failure, always make sure to turn off the power on all your equipment before you make any connections.
Placement
351
• Using the unit near power amplifiers (or other equipment containing large power transformers) may induce hum. To alleviate the problem, change the orientation of this unit; or move it farther away from the source of interference.
352a
• This device may interfere with radio and television reception. Do not use this device in the vicinity of such receivers.
352b
• Noise may be produced if wireless communications devices, such as cell phones, are operated in the vicinity of this unit. Such noise could occur when receiving or initiating a call, or while conversing. Should you experience such problems, you should relocate such wireless devices so they are at a greater distance from this unit, or switch them off.
354a
• Do not expose the unit to direct sunlight, place it near devices that radiate heat, leave it inside an enclosed vehicle, or otherwise subject it to temperature extremes. Excessive heat can deform or discolor the unit.
355b
• When moved from one location to another where the temperature and/ or humidity is very different, water droplets (condensation) may form inside the unit. Damage or malfunction may result if you attempt to use the unit in this condition. Therefore, before using the unit, you must allow it to stand for several hours, until the condensation has completely evaporated.
360
• Depending on the material and temperature of the surface on which you place the unit, its rubber feet may discolor or mar the surface. You can place a V-Drums Mat (sold separately) or cloth under the rubber feet to prevent this from happening. If you do so, please make sure that the unit will not slip or move accidentally.
361
• Do not place containers or anything else containing liquid on top of this unit. Also, whenever any liquid has been spilled on the surface of this unit, be sure to promptly wipe it away using a soft, dry cloth.
Maintenance
401a
• For everyday cleaning wipe the unit with a soft, dry cloth or one that has been slightly dampened with water. To remove stubborn dirt, use a cloth impregnated with a mild, non-abrasive detergent. Afterwards, be sure to wipe the unit thoroughly with a soft, dry cloth.
402
• Never use benzine, thi nners, alcohol or solvents of any kind, to avoid the possibility of discoloration and/or deformation.
Repairs and Data
452
• Please be aware that all data contained in the unit’s memory may be lost when the unit is sent for repairs. Important data should always be written down on paper (when possible). During repairs, due care is taken to avoid the loss of data. However, in certain cases (such as when circuitry related to memory itself is out of order), we regret that it may not be possible to restore the data, and Roland assumes no liability concerning such loss of data.
Additional Precautions
551
• Please be aware that the contents of memory can be irretrievably lost as a result of a malfunction, or the improper operation of the unit. To protect yourself against the risk of loosing important data, we recommend that you periodically save a backup copy of important data you written down on paper.
552
• Unfortunately, it may be impossible to restore the contents of data that was stored in the unit’s memory once it has been lost. Roland Corpo­ration assumes no liability concerning such loss of data.
553
• Use a reasonable amount of care when using the unit’s buttons, sliders, or other controls; and when using its jacks and connectors. Rough handling can lead to malfunctions.
554
• Never strike or apply strong pressure to the display.
556
• When disconnecting all cables, grasp the connector itself—never pull on the cable. This way you will avoid causing shorts, or damage to the cable’s internal elements.
558
• To avoid disturbing others nearby, try to keep the unit’s volume at reasonable levels.
558d
• This instrument is designed to minimize the extraneous sounds produced when it’s played. However, since sound vibrations can be transmitted through floors and walls to a greater degree than expected, take care not to allow these sounds to become a nuisance others nearby.
559a
• When you need to transport the unit, package it in the box (including padding) that it came in, if possible. Otherwise, you will need to use equivalent packaging materials.
562
• Some connection cables contain resistors. Do not use cables that incor­porate resistors for connecting to this unit. The use of such cables can cause the sound level to be extremely low, or impossible to hear. For information on cable specifications, contact the manufacturer of the cable.
567
• When adjusting or folding up the stand, take due care so as not to get your fingers pinched between the movable parts and this unit. In places where small children are present, make sure that an adult provides supervision and guidance.
• The rubber portion of the striking surface is treated with a preservative to maintain its performance. With the passage of time, this preservative may appear on the surface as a white stain, or reveal how the pads were struck during product testing. This does not affect the performance or functionality of the product, and you may continue using it with confi­dence.
• Continuous playing may cause dis-coloration of the pad, but this will not affect the Pad’s function.
985
• The explanations in this manual include illustrations that depict what should typically be shown by the display. Note, however, that your unit may incorporate a newer, enhanced version of the system (e.g., includes newer sounds), so what you actually see in the display may not always match what appears in the manual.
Trademarks
3a
• Roland, V-Drums are either registered trademarks or trademarks of Roland Corporation in the United States and/ or other countries.
T-01
• Company names and product names appearing in this document are registered trademarks or trademarks of their respective owners.
4

Contents

USING THE UNIT SAFELY.......................... 2
IMPORTANT NOTES.................................. 4
Panel Descriptions ................................... 6
Front Panel ...........................................................................6
Side Panel .............................................................................7
Rear Panel .............................................................................7
Bottom Panel ......................................................................7
Getting Ready to Play .............................. 8
Connecting Your Audio Equipment............................8
Turning the Power On/Off..............................................9
Saving Your Settings...........................................................................9
Playing..................................................... 10
Hearing What the Kits Sound Like ............................ 10
Selecting a Drum Kit ...................................................... 10
About the “DRUM KIT” screen.......................................................10
Drum Set Elements......................................................... 11
The Basics of Playing...................................................... 12
Quickly Tuning or Muffling.......................................... 14
TUNING..................................................................................................14
MUFFLING ............................................................................................14
Playing Along with a Portable Audio Player ......... 15
Practicing ................................................ 16
Playing with the Metronome......................................16
Quick Recording and Playback (QUICK REC)......... 16
Recording............................................................................................. 16
Playback................................................................................................ 17
Using Time Check to Check Your Recorded Performance .17
Practicing in Coach Mode ............................................ 18
Selecting a Practice Menu.............................................................. 18
<1> WARM UPS..................................................................................19
<2> Correctly Playing in Time with the Beat
(TIME CHECK) ...................................................................................... 21
<3> Continuing to play at a steady tempo
(TEMPO CHECK)..................................................................................22
<4> Developing Internal Timing Sense (QUIET COUNT) .... 23
<5> Gradually raising and lowering the tempo
(AUTO UP/DOWN)............................................................................. 25
Creating a Drum Kit ................................26
Selecting the Parameters ............................................. 26
Editing Instrument Parameters (INSTRUMENT) ...27 Adjusting the volume of the pads or drum kit
(MIXER)................................................................................ 28
Using the Onboard Effects (AMBIENCE) ................. 29
Naming a Drum Kit (KIT NAME).................................. 29
Copying a Drum Kit (COPY) ......................................... 30
Exchanging Drum Kits (EXCHANGE) ........................ 31
Restoring a Drum Kit (RESTORE)................................ 32
System Settings.......................................33
Specifying How the Metronome will Sound
(METRONOME) ................................................................. 33
Editing the pad settings (PAD SETTINGS) .............. 34
Specifying the Type of Pad ............................................................ 34
Setting the Pad Sensitivity ............................................................. 34
Specifying How the CR2 Trigger Cable will be Used ............ 35
Other Settings (OPTIONS) ............................................ 35
Adjusting the Display Contrast (LCD Contrast) ...................... 36
Adjusting the Brightness of the Backlight (LCD Bright) ...... 36
Adjusting the Button Operating Sound
(Keypad Sound)..................................................................................36
Allowing the Head and Rim Settings to be Edited
Separately (Head/Rim Link) ........................................................... 36
Having the Power Turn Off Automatically (Auto Off)...........36
Restoring the Factory Settings (Factory Reset).......................36
Changing the Snare to a Mesh Pad........38
Other Settings .........................................39
MIDI Settings .................................................................... 39
MIDI-related Settings.......................................................................39
Detailed Settings for Trigger Parameters............... 40
Protecting Modified Kits and Settings
(Edit Lock) .......................................................................... 43
Troubleshooting .....................................44
Error Messages ........................................46
Drum Kit/Instrument List .......................47
MIDI Implementation Chart ...................49
Specifications ..........................................50
Index ........................................................51
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5

Panel Descriptions

1
2
354 6 8 101314
7 9 11 12
With some buttons, a sound is produced when you press them.
If you want, you can turn off this sound (p. 36).
The power to this unit will be turned off automatically after a predetermined amount of time has passed since it was last used for playing music, or its buttons or controls were operated (Auto Off function).
If you do not want the power to be turned off automatically, disengage the Auto Off function (p. 36).
To restore power, turn the power on again (p. 9).

Front Panel

fig.FrontP.eps
1. [POWER] button
Turns the power on/off (p. 9).
The backlight will automatically dim when no panel operations have been performed for a certain period of time.
7. [MENU] button
Use this when you want to make various settings for the TD­4, such as editing the settings of a drum kit or adjusting the pads.
2. [VOLUME] knob
Adjusts the volume from the OUTPUT and PHONES jacks (p.
9).
3. [TUNING] button
Use this when you want to tune each instrumental sound (p.
14).
4. [MUFFLING] button
Use this when you want to muffle (mute) each instrumental sound (p. 14).
5. DRUM KIT [<] [>] buttons
Use these to switch drum kits (p. 10). You’ll also use these buttons to return to the drum kit screen from other screens (except during recording/playback).
6. Display
During performance, this shows the drum kit name and other information. During editing, this shows the contents of the settings.
8.SEL [] [] button
Use this to select a menu item when using the Coach function, or to select parameters when making various settings for the TD-4.
9. [-/+] dial
Use this dial to edit a value. Use this to adjust a value. Turning the dial toward “+” will increase the value, and turning it toward “-” will decrease the
value.
10. [OK] button
Use this to confirm a menu item to use with the Coach function, or to confirm a value you’ve edited.
11. [COACH] button
Press this when you want to use the Coach function (p. 18).
12. [ ] (Metronome) button
This turns the metronome on (sounding) or off (silent) (p. 16).
13. QUICK REC [ ] (Rec) button
Use this to record your playing (p. 16).
14. QUICK REC [ ] (Play/Stop) button
Play back what you recorded (p. 17).
6

Side Panel

15 16 17
18 19 20
2221
fig.SideP.eps
Panel Descriptions
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15. MIDI OUT connector
Use this when you want to use the pads to play external MIDI sound sources or for recording with sequencers (p. 39).

Rear Panel

fig.RearP.epss
18. DC IN jack
Connect the included AC adaptor here (p. 8).
19. TRIGGER INPUT connector
Connecting the special cable connects the pads and pedals to the TD-4.
20. OUTPUT jacks (L/MONO, R)
All sounds of the TD-4 are output here. Use for connecting to an amp or other external audio equipment.
If you’re working in mono, only use the L/MONO jack.
16. MIX IN jack
For connecting an external audio source such as MP3 or CD players (p. 15). All sound input here is also sent from the OUTPUT and PHONES jacks.
* To adjust the volume, use the controls of the external device
connected to MIX IN.
17. PHONES jack
For connecting stereo headphones (p. 8). Using the headphone jack will not mute the main OUTPUT
jacks.

Bottom Panel

fig.BottomP.eps
21. Sound module mounting plate attachment holes
Attach the TD-4 to the stand’s mounting plate.
22. Security Slot ( )
http://www.kensington.com/
7

Getting Ready to Play

MIDI IN
Stereo
1/4” phone plug
Stereo
miniature plug
Stereo
Headphones
Audio Set, etc
Powered Amp, etc
Indicator
To AC Outlet
AC Adaptor
Power Cord
Portable Audio Player
MIDI Sound Module

Connecting Your Audio Equipment

fig.Connection.eps
1. Power-off all equipment before making connections.
To prevent malfunction and equipment failure, always turn down the volume, and turn off all the units before making any connections.
2. Connect the OUTPUT jacks (L/MONO, R) to your audio system or amp.
*If you’re using headphones, connect them to the PHONES
jack.
3. Connect the included AC adaptor to the DC IN jack.
Place the AC adaptor so the side with the indicator (see illustration) faces upwards and the side with textual information faces downwards.
* The indicator will light when you plug the AC adaptor into an
AC outlet.
Using the MIX IN jack allows playing along with music from a portable audio player or other external sources (p. 15).
8
Getting Ready to Play
1
3
Caution when Turning On the Power
After you turn on the power, do NOT touch any pads or pedals until the drum kit name (the illustration below) has appeared in the display. Doing so can cause various problems.
ig.d-OpenKitNo1.eps
If you don’t hear any sound
Check the following points.
Pad and Pedal Connections
• Is the cable correctly connected to the TRIGGER INPUT connector?
• Are the cables correctly connected to each pad or pedal?
When Using an Amp or Audio System
• Are the TD-4’s OUTPUT jacks connected correctly to the input jacks of your amp/audio system?
• Are the input selections and volume settings correct on that amp/audio system?
• Possible problem with the connection cables themselves?
• Isn’t the [VOLUME] knob turned all the way to the left?
• Have the input select settings of your audio system or amp been made correctly?
• Is the amp or audio system volume setting correct?
When using headphones
• Are your headphones plugged into PHONES jack?
• Isn’t the [VOLUME] knob turned all the way to the left?

Turning the Power On/Off

Once everything is properly connected (p. 8), be sure to follow the procedure below to turn on their power. If you turn on equipment in the wrong order, you risk causing malfunction or equipment failure.
fig.P-PowerOn.eps
1. Turn the [VOLUME] knob all the way to the left.
2. Minimize the volume of the connected amp or audio system.
3. Press the [POWER] button.
* Before turning the unit on/off, always be sure to turn the
volume down. Even with the volume turned down, you might hear some sound when switching the unit on/off. However, this is normal and does not indicate a malfunction.
* This unit is equipped with a protection circuit. A brief interval
(a few seconds) after turning the unit on is required before it will operate normally.
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4. Power-on the connected amp or audio system.
5. While hitting a pad, gradually turn the [VOLUME] knob toward the right to adjust the volume.
Adjust the volume of the connected amp/ audio system to the desired level.
Turning the Power Off
1. Turn the volume down on the TD-4 and any connected equipment.
2. Power-off the connected equipment.
3. Hold down the [POWER] button until the display indicates “See you!”
Saving Your Settings
The TD-4 does not have a specific “operation” for saving your settings. Any changes you’ve made will be saved when you turn off the power.
* You must turn off the power by pressing the [POWER] button.
9

Playing

2 1, 3
1
A
B
D
C E

Hearing What the Kits Sound Like

After turning the power on, you can play the demo patterns. Here’s how you can listen to the sounds by switching drum kits while playing the demo patterns.
fig.P-Demo.eps
* All rights reserved. Unauthorized use of this material for
purposes other than private, personal enjoyment is a violation of applicable laws.
* No data for the demo patterns that is played will be output
from MIDI OUT.

Selecting a Drum Kit

A drum kit is a combination of the sounds & settings for each pad and pedal, as well as ambience.
fig.P-DrumKit.eps
1. Press the [ ] (Play/Stop) button. The demo patterns will play.
2. Press the DRUM KIT [<] [>] buttons to select drum kit.
3. To stop demo pattern playback, press the [ ] button once again.
When you press the [ ] (Rec) button to start recording your performance (p. 16), the demo patterns will temporarily be erased. The next time you turn on the power, you will again be able to play the demo patterns.
About the “DRUM KIT” screen
This is the TD-4’s basic screen.
fig.d-KitNo1.eps
1. Press the DRUM KIT [<] [>] buttons to select drum kit.
fig.d-KitScreen.eps
10
A Drum kit number B Drum kit name C This shows the metronome tempo (p. 16). D Strength of the pad strike displayed in 6 levels.
This is shown if the cross-stick technique can be
E
Regardless of the screen that is displayed, pressing the DRUM KIT [<] [>] buttons will access the “DRUM KIT” screen (except during recording/playback).
used with the snare (p. 28). (When Xstick Volume is anything other than OFF)

Drum Set Elements

Hi-Hat Pedal
Kick (Bass Drum)
Floor
Tom
Snare
Hi-hat
Tom
Crush
Ride
Kick Pedal
Hi-Hat Control Pedal
Kick Pedal
Snare
Hi-Hat
Tom 1
Tom 2
Crush
Ride
Tom 3
Playing
Here are some basic terms related to drum sets.
* The indications in parentheses ( ) show the names used on
the TD-4KP.
Bass Drum (Kick)
Played with a kick pedal, it’s the largest drum in the kit.
Snare Drum
The snare drum is the main “voice” of a drum kit.
Hi-Hat/Hi-Hat Pedal
An acoustic hi-hat uses 2 cymbals mounted on a hi-hat stand. Pressing the hi-hat pedal opens and closes it. The TD-4KP uses a single pad.
Tom (Tom 1, Tom 2)
These are usually mounted above the bass drum.
Floor Tom (Tom 3)
Sometimes called a bass tom, it either stands on it’s own legs or is mounted on a stand.
Ride Cymbal
Usually mounted on the right side of the kit, the ride cymbal is principle elements in keeping time.
Acoustic Drum
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TD-4KP
Crash Cymbal
Smaller than the ride, the crash cymbal is mainly used for accents.
11
Playing

The Basics of Playing

Drums are played using both hands and both feet. Here we’ll explain how to hold the sticks and use the pedals.
Holding the Sticks
The most common way to hold the sticks is called the “matched grip” as shown in the illustrations below.
Left hand
Right hand
Using the Kick Pedal
The kick pedal can be pressed in either of two ways: “heel up” or “heel down.”
Heel down
In this method, the entire bottom of your foot from heel to toe stays in contact with the pedal. Use your ankle joint to make your toes push down the pedal. This method allows more precise control of the volume, and is often used in jazz and bossa nova.
Heel up
In this method, your heel floats above the pedal. With your heel off the pedal, lower your entire foot to push down the pedal. This method applies the full weight of your foot to the pedal, making it easier for you to produce a stronger sounds than the heel down method. This is often used in rock and pop.
12
Playing
Using the hi-hat
In an acoustic drum set, the hi-hat consists of two cymbals placed facing each other vertically on a hi-hat stand. The two cymbals can be closed together by pressing the pedal.
A variety of playing techniques are possible, such as playing the cymbals with the pedal and/or playing them with sticks. When you press the pedal, the two cymbals will come together (closed). When you release the pedal, the two cymbals will separate (opened). The TD-4KP lets you use five different hi-hat performance techniques.
Closed
With the hi-hat pedal pressed firmly, strike the pad with a stick. A short “chick” sound will be heard.
Half-open
With the hi-hat pedal pressed gently, strike the pad with a stick. A slightly longer “swish” sound will be heard.
Open
With the hi-hat pedal completely released, strike the pad with a stick. An even longer “sound” than the half-open sound will be heard.
Foot closed
Just press the pedal without using a stick. This sound will be softer and shorter than the closed sound played with a stick. Useful for keeping time with this tight sound.
Foot splash
Press and immediately release the pedal without using a stick. This is equivalent to momentarily clashing the two cymbals of an acoustic hi-hat. It produces a “splash” sound that is softer than the
open strike.
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13
Playing
1, 5
3

Quickly Tuning or Muffling

You can use dedicated buttons to quickly tune or muffle the sound. When you press the button, the sound you selected will be heard.
You cannot make tuning or muffling settings for pads to which an instrument (p. 27) in the cymbal-type instrument group (HIHAT, CRASH, RIDE) is assigned. For such pads, the display will indicate “- - -.”
TUNING
fig.P-Tuning.eps
1. Press the [TUNING] button so it’s lit.
The TUNING screen appears. The selected pad will sound at this time.
fig.d-Tuning-1.eps
2. Strike the pad that you want to tune.
The pad you struck will blink in the screen.
fig.d-Tuning-2.eps
MUFFLING
fig.P-Muffling.eps
3
1, 5
1. Press the [MUFFLING] button so it’s lit.
The MUFFLING screen appears. The selected pad will sound at this time.
fig.d-Muffling-1.eps
2. Strike the pad that you want to muffle.
The pad you struck will blink in the screen.
fig.d-Muffling-2.eps
3. While striking the pad to hear the sound, turn the [­/+] dial to adjust the tuning.
Value: -600–0–+600 A negative (-) value will lower the pitch, and a positive (+)
value will raise the pitch.
4. Repeat steps 2–3 to adjust the tuning of each pad.
5. When you’ve finished tuning, press the [TUNING] button to turn it off.
14
3. While striking the pad to hear the sound, turn the [-/+] dial to adjust the muffling.
Value: 0–10 Raising this value reduces the resonance and decay (length)
of the sound.
4. Repeat steps 2–3 to adjust the muffling of each pad.
5. When you’ve finished adjusting the muffling, press the [MUFFLING] button to turn it off.
Playing
If Head/Rim Link (p. 36) is “ON,” both the HEAD and the RIM settings will be edited simultaneously. In some cases, you may see an “*” in the right side of the screen; this indicates that the tuning/muffling values specified for the
HEAD and the RIM are different.
Stereo
miniature plug
Portable Audio Player

Playing Along with a Portable Audio Player

By connecting a portable audio/CD player to the MIX IN jack you can play the TD-4 with your favorite songs.
You can connect other audio devices as well.
Connections
Lower the volume of the TD-4 and your audio player before making connections.
fig.Connect-iPod.eps
Playback
1. Start the music on your portable audio player.
For details on how to use your audio player, refer to its owner’s manual.
2. Then adjust the volume of your portable audio player.
Sounds received at the MIX IN jack are output from the OUTPUT and PHONES jacks.
* Adjust the volume on the audio player to get the right
balance between it and the TD-4.
3. Adjust the volume of the TD-4.
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* If a connection cable has built-in resistors, the volume level of
the source connected to the TD-4 (MIX IN) may be too low. If this occurs, use connection cables that do not contain resistors.
15

Practicing

1, 32

Playing with the Metronome

fig.P-Metronome.eps
1. Press the [ ] button.
The metronome starts and the screen will indicate the tempo. The button will blink in time with the metronome.
fig.d-Metro.eps
2. Turn the [-/+] dial to adjust the tempo.
Value: 40–260
3. To turn off the metronome, press the [ ] button to turn it off.

Quick Recording and Playback (QUICK REC)

The TD-4 provides a Quick Rec function that lets you easily record your own performance. This is a very useful practice tool, recording and then checking your drumming.
Whenever you turn on the power, the TD-4 is prepared for the playback of its demo patterns. After you’ve made a recording, if you turn off the power, the data for the recording will be erased. Then, the next time the power is switched on, the demo patterns will once again be loaded in from internal memory.
A signal input via the MIX IN jack won’t be recorded.
Recording
fig.P-QuickRec.eps
Even without pressing the [ ] button, you can change the tempo by turning the [-/+] dial in the Drum Kit screen.
You can change the way that the metronome sounds (p. 33).
16
1, 3
* First: Please select the drum kit that you want to use for
recording.
1. Press the [ ] (Rec) button.
The [ ] (Rec) button will blink, and the TD-4 will enter recording-standby mode.
fig.d-Rec-1.eps
• To record along with the metronome, press the [ ] button to turn the metronome on, and use the [-/+] dial to adjust the tempo.
Practicing
1, 2
Loop Playback
2. Hit any pad/pedal and recording begins.
The following screen appears.
fig.d-Rec-2.eps
3. To stop recording, press the [ ] (Rec) button and the button goes dark.
* If you exceed the maximum recording time, recording stops
automatically.
fig.d-Rec-3.eps
Playback
fig.P-QuickPlay.eps
2. To stop playback, press the [ ] (Play/Stop) button and the button goes dark.
When playback has finished, the [ ] (Play/Stop) button automatically goes dark.
Using Time Check to Check Your Recorded Performance
You can use Coach mode’s “TIME CHECK” function to check whether your recorded performance was played with accurate timing.
You must play along with the metronome when recording.
1. Press the [ ] (Play/Stop) button so it’s lit; the recorded performance will play.
2. Press the [COACH] button.
The following screen appears.
fig.d-RecCheck.eps
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1. Press the [ ] (Play/Stop) button so it’s lit.
The following screen appears, and playback begins.
fig.d-RecPlay-1.eps
* The recorded performance data is not transmitted from MIDI
OUT.
By holding down the [ ] (Play/Stop) button for about one second, you can select loop playback; the recorded performance will play repeatedly.
fig.d-LoopPlay.eps
During playback, you can change the playback tempo by turning the [-/+] dial. When you stop playback, the tempo will revert to the setting at which it was recorded.
* Loop playback will automatically be selected and the
metronome will turn on.
3. To stop playback, press the [ ] (Play/Stop) button and the button goes dark.
17
Practicing
1
23

Practicing in Coach Mode

The TD-4’s Coach mode is a unique set of exercises specifically designed to help build speed, accuracy and stamina, as well as develop better timing skills. Throughout the Coach modes, you will discover that some of them have programmable parameters, allowing you to adapt the functions to your specific needs.
Selecting a Practice Menu
fig.P-CoachMenu.ep s
1. Press the [COACH] button so it’s lit.
The Coach mode menu screen will appear.
fig.d-Tr-Menu-1.eps
Menu Explanation
Warm Ups
p. 19
When you want to get w ar m e d u p b e fo r e yo u begin practicing.
Time Check
p. 21
Strengthens your ability to play accurate rhythms.
Tempo Check
p. 22
2. Use the SEL [ ] [ ] buttons to select the desired practice menu item (shown at right).
3. When you’ve selected a practice menu item, press the [OK] button.
You’ll proceed to the start screen of the selected practice menu item.
Or you can just press the [ ] button to immediately start practicing without calling up the start screen.
In the start screen of the Practice menu, you can press the [MENU] button and make settings for each menu item.
Strengthens your ability to play at a consistent speed.
Quiet Count
p. 23
Strengthens your ability to maintain the tempo internally.
Auto Up/Down
p. 25
Strengthens your endurance.
18
Practicing
Remaining time
Current note value
Tempo lower limit Tempo upper limit
<1> WARM UPS
In this mode you’ll successively practice steps 1–3, be graded on your performance at each step, and then receive a final evaluation. You can choose one of three courses, ranging from easy to difficult. You can also adjust the tempo according to your level of skill.
Start practicing
fig.WarmUp-1.eps
In the WARM UPS start screen, press the [ ] button to start practicing.
After you’ve started WARM UPS, you can press the [ ] button to pause the WARM UPS.
fig.WarmUp-6.eps
To resume practicing, press the [ ] button once again. If you’re finished with WARM UPS, press the [OK] button.
Here you can press the SEL [ ] button to move to the previous step, or press the SEL [ ] button to move to the
next step.
You can turn the [-/+] dial to adjust the tempo even while practicing.
Step 2: AutoUpDown
The tempo will gradually be raised and lowered. The tempo will increase by 1BPM (beat-per-minute) for each beat until the metronome reaches the upper limit; then the tempo will
continue slowing down by 1BPM until it reaches the initial tempo.
* AutoUpDown will be executed if Duration (p. 20) is 10 MINS
or 15 MINS.
fig.d-WarmUp-3.eps
* The current tempo value will be the lower tempo limit.
While practicing, you can press the SEL [ ] button to specify the current tempo as the upper limit; if you press the
SEL [ ] button, the upper tempo limit will return to 260.
Step 3: TimeCheck
At this step, the accuracy of your playing will be checked against the metronome. You can see in the screen if you are ahead, behind or on the beat.
fig.WarmUp-4.eps
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Step 1: Change-up
In this step, the rhythm type will change every two measures. Starting from half notes, the note values will gradually become
shorter, and will then return to half notes; this change in rhythms will be repeated.
fig.WarmUp-2.eps
Lagging Correct Rushing
Overall evaluation
This grades your performance at each step, and displays the overall evaluation.
fig.WarmUp-5.eps
Evaluation (display) EXCELLENT!, VERY GOOD!, GOOD, AVERAGE, START OVER
19
Practicing
When you’ve finished practicing
Press the [OK] button to return to the Coach mode menu screen.
Select a course and make settings
1. From the WARM UPS start screen, press the [MENU] button so it’s lit.
fig.WarmUp-Op1.eps
2. Use the SEL [ ] [ ] buttons to select a parameter.
3. Turn the [-/+] dial to edit the value.
4. Press the [MENU] button to return to the WARM UPS start screen.
Duration (time selection):
fig.WarmUp-Op1.eps
Change-up:
Step 1: Selects the pattern by which the rhythm will vary during Change-up.
fig.WarmUp-Op3.eps
Value Explanation
MaxTempo:
Step 2: Specifies the upper tempo limit during step 2: AutoUpDown.
fig.WarmUp-Op4.eps
Value Explanation
5 MINS
10 MINS
15 MINS
Time required: 5 minutes Change-up: 2 minutes, TimeCheck: 3 minutes
Time required: 10 minutes Change-up: 3 minutes, AutoUpDown: 3 min­utes, TimeCheck: 4 minutes
Time required: 15 minutes Change-up: 5 minutes, AutoUpDown: 5 min­utes, TimeCheck: 5 minutes
Grade:
This selects how strictly you will be graded and how TimeCheck will evaluate your accuracy.
fig.WarmUp-Op2.eps
Value Explanation EASY Normal setting HARD Grading (evaluation) will be stricter.
20
Value Explanation
40–260
* You can also use Tap input (p. 33) to specify
the tempo.
Tempo:
This specifies the tempo.
fig.WarmUp-Op5.eps
Value Explanation
40–260
* You can also use Tap input (p. 33) to
specify the tempo.
<2> Correctly Playing in Time with the Beat (TIME CHECK)
This mode lets you practice playing accurately along with the metronome.
Practicing
Start practicing
fig.TimeCheck-1.eps
1. In the TIME CHECK start screen, press the [ ] button to start practicing.
You can use the [-/+] dial to adjust the tempo even while you practice.
2. Strike the pad in time with the metronome.
fig.TimeCheck-2.eps
Lagging Rushing
• The screen will indicate whether your pad strikes match the beat sounded by the metronome.
• The percentage of your strikes that were played with accurate timing is displayed as a “%” value.
Settings
1. In the TIME CHECK start screen, press the [MENU] button so it’s lit.
fig.TimeCheck-Op1.eps
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2. Use the SEL[ ] [ ]buttons to select a parameter.
3. Use the [-/+] dial to edit the value.
4. Press the [MENU] button to return to the TIME CHECK start screen.
Score:
Specifies whether the score will be shown in the screen.
fig.TimeCheck-Op1.eps
Scoring
If Score (shown at right) is “ON,” the Time Check will automatically end when you’ve finished practicing the specified number of measures. Then your performance will be scored, and the results will appear in the screen.
fig.TimeCheck-Op4.eps
When you’ve finished practicing
3. Press the [OK] button to return to the Coach mode menu screen.
Value Explanation
OFF
ON (4, 8, 16, 32 meas)
Your performance will not be scored. Only the timing will be checked.
The score will be shown in the screen. You can also specify the number of mea­sures you’ll practice before being scored.
Grade:
Specifies the strictness of scoring.
fig.TimeCheck-Op2.eps
Value Explanation EASY Normal HARD Timing will be checked more strictly.
21
Practicing
Signicant inaccuracy
Moderate inaccuracy
Slight inaccuracy
Perfect timing
Tempo:
Specifies the tempo.
fig.TimeCheck-Op5.eps
Value Explanation
40–260
* You can also set the tempo by using Tap
input (p. 33).
<3> Continuing to play at a steady tempo (TEMPO CHECK)
This mode lets you practice playing at a steady tempo without relying on the tempo sounded by the metronome.
Start practicing
fig.TempoKeep-1.eps
1. In the TEMPO CHECK start screen, press the [ ] button to start practicing.
fig.TempoKeep-2.eps
You can turn the [-/+] dial to adjust the tempo even while you’re practicing.
2. Strike the pads in time with the metronome.
Strike the pads at a constant tempo.
• The more your tempo becomes accurate, the softer the metronome volume will become.
• The metronome volume will increase if the tempo of your pad strikes begins to drift. The more your tempo drifts, the louder the metronome will become. Strike the pads with an accurate timing that matches the tempo of the metronome.
fig.TempoKeep-3.eps
• The accuracy of your striking tempo is shown as a “%” value.
When you’ve finished practicing
3. Press the [OK] button to return to the Coach mode menu screen.
If the tempo of your strikes is significantly inaccurate, it may be impossible to precisely determine the amount of inaccuracy.
22
Practicing
Settings
1. In the TEMPO CHECK start screen, press the [MENU] button so it’s lit.
fig.TempoKeep-Op2.eps
2. Use the SEL[ ] [ ]buttons to select a parameter.
3. Use the [-/+] dial to edit the value.
4. Press the [MENU] button to return to the TEMPO CHECK start screen.
Grade:
Specifies the strictness with which your tempo will be graded.
fig.TempoKeep-Op2.eps
Value Explanation EASY Normal HARD Your tempo will be graded more strictly.
Tempo:
Specifies the tempo.
fig.TempoKeep-Op3.eps
Value Explanation
40–260
* You can also set the tempo by using Tap input
(p. 33).
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<4> Developing Internal Timing Sense (QUIET COUNT)
This mode will help you develop a good sense of time/tempo. The metronome will alternate between “sounding and quiet” at selected intervals (see p. 24).
The selected cycle will repeat until you press the [ ] button to stop.
Start practicing
fig.Quiet-1.eps
1. In the QUIET COUNT start screen, press the [ ] button to start practicing.
2. Strike the pads in time with the metronome.
You can turn the [-/+] dial to adjust the tempo even while you’re practicing.
• The metronome will sound during the first few measures. When you reach the last measure during which the metronome will sound, the screen will indicate “Ready.”
fig.Quiet-2.eps
• When the metronome stops sounding, the screen indication will change to “Quiet.” Continue striking the pads during this time.
fig.d-Quiet-3.eps
23
Practicing
• The “%” value indicates the percentage by which you played at an accurate tempo during the “Quiet” indication.
fig.d-Quiet-4.eps
3. Repeat step 2 to continue practicing.
When you’ve finished practicing
4. Press the [OK] button to return to the Coach mode menu screen.
Settings
1. In the QUIET COUNT start screen, press the [MENU] button so it’s lit.
fig.Quiet-Op1.eps
Quiet:
Of the measures specified by “Meas,” this setting specifies the length of the measures that will be “Quiet.”
fig.Quiet-Op2.eps
Value Explanation
RANDOM
1, 2, 4
The length of the Quiet interval will randomly change each time.
Specifies the length (number of measures) of the Quiet interval.
* This setting cannot be longer than half of
the Measures value.
Tempo:
Specifies the tempo.
fig.Quiet-Op3.eps
2. Use the SEL[ ] [ ]buttons to select a parameter.
3. Use the [-/+] dial to edit the value.
4. Press the [MENU] button to return to the QUIET COUNT start screen.
Measures:
Specify the length (measures) of the interval for which the metronome will alternate between “sounding” and “quiet.”
fig.Quiet-Op1.eps
Value 2, 4, 8, 16 (Measures)
Value Explanation
40–260
* You can also set the tempo by using Tap input
(p. 33).
24
<5> Gradually raising and lowering the tempo (AUTO UP/DOWN)
Tempo lower limit Tempo upper limit
The metronome increases and decreases tempo over time, to help develop stamina and endurance.
Practicing
Start practicing
fig.d-AutoUD-1.eps
1. In the AUTO UP/DOWN start screen, press the [ ] button to start practicing.
fig.d-AutoUD-2.eps
2. Play the pads in time with the metronome.
• Starting at the lower tempo limit, the metronome speed will increase in steps according to the “rate” you have selected. When the metronome reaches the upper limit; then the tempo will slow down at the same rate. This cycle will be repeated.
• While practicing, you can press the SEL [ ] button to specify the current tempo as the upper limit; if you press the
SEL [ ] button, the upper tempo limit will return to 260.
3. Use the [-/+] dial to edit the value.
4. Press the [MENU] button to return to the AUTO UP/ DOWN start screen.
Rate:
Specifies the speed at which the metronome tempo will increase (decrease).
fig.d-AutoUD-Op1.eps
Value Explanation
SLOW
MEDIUM
FAST
The tempo will increment (decrement) by one BPM every four beats.
The tempo will increment (decrement) by one BPM every two beats.
The tempo will increment (decrement) by one BPM every beat.
MaxTempo:
Specifies the upper tempo limit.
fig.d-AutoUD-Op2.eps
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When you’ve finished practicing
3. Press the [OK] button to return to the Coach mode menu screen.
Settings
1. In the AUTO UP/DOWN start screen, press the [MENU] button so it’s lit.
fig.d-AutoUD-Op1.eps
2. Use the SEL[ ] [ ]buttons to select a parameter.
Value Explanation
* You can also use Tap input (p. 33) to specify
40–260
the tempo.
* This cannot be set lower than MinTempo.
MinTempo:
Specifies the lower tempo limit.
fig.d-AutoUD-Op3.eps
Value Explanation
40–260
* You can also use Tap input (p. 33) to specify
the tempo.
25

Creating a Drum Kit

2
134
All sounds assigned to a drum kit can be edited for your specific purposes.

Selecting the Parameters

fig.P-KitMenu.eps
1. Use the DRUM KIT [<] [>] buttons to select the drum kit that you want to edit.
2. Press the [MENU] button so it’s lit.
The drum kit settings menu screen will appear.
fig.d-KitMenu-1.eps
Menu Parameter
p. 27
•Instrument
•Tuning
• Muffling
p. 28
• Volume of each pad
• Pan position of each pad
• Volume of the entire drum kit
• Cross stick volume
p. 29
•Ambience Type
•Depth of ambience
3. Use the SEL[ ] [ ]buttons to select the desired menu (shown at right).
4. When you’ve selected the desired menu, press the [OK] button.
You’ll move to the edit screen for the selected menu.
You can turn the [-/+] dial to select the pad whose settings you want to edit.
5. When you’ve finished making settings, press the [MENU] button to turn off its illumination; you’ll return to the DRUM KIT screen.
p. 29
• Naming a drum kit
•Kit Copy (p. 30)
•Kit Exchange (p. 31)
• Kit Restore (p. 32)
26
Creating a Drum Kit
Instrument Number Instrument Group
Instrument

Editing Instrument Parameters (INSTRUMENT)

On the TD-4, each of the instruments in the drum kit (e.g., kick drum or snare drum) are called an “instrument (INST).”
1. In the menu screen, choose “1 INSTRUMENT” and press the [OK] button.
The “Instrument” screen will appear.
fig.d-Kit-Inst-1.eps
2. Use the SEL[ ] [ ]buttons to select a parameter.
3. Strike a pad to select the pad whose settings you want to edit.
The pad you struck will blink in the screen.
4. Use the [-/+] dial to edit the setting.
5. Press the [OK] button to return to the “MENU” screen.
Screen Parameter Value Explanation
Instrument group
Instrument Instrument of the selected pad
Tuning -600–0–+600
See Drum Kit/ Instrument List (p. 47)
Instrument type
Head Tuning * The tuning can edited only for pads to which an
instrument from the KICK, SNARE, TOM, or PERC instrument groups has been assigned.
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Muffling (Mute)
Muffling 0–10
• Tuning and Muffling can also be adjusted by pressing the [TUNING] button or [MUFFLING] button in the Drum Kit screen.
• If Head/Rim Link (p. 36) is “ON,” Head and Rim (or for a cymbal, the bow and edge) settings will be edited simultaneously for SNARE, HH, CRASH, and RIDE. If the instrumental sounds assigned to the HEAD and RIM differ from the recommended combination specified at the factory, an “*” will appear at the right side of the screen.
• If Head/Rim Link (p. 36) is ON and the instruments assigned to the head and rim (or for a cymbal, the bow and edge) differ from the recommended combination, an “*” will appear at the right side of the screen.
• If the Head/Rim Link setting (p. 36) is on, an “*” will appear in the right side of the screen if different tuning or muffling values are specified for the head and rim (or in the case of a cymbal, the bow and the edge).
* Muffling can be edited only for pads to which an
instrument from the KICK, SNARE, TOM, or PERC instrument groups has been assigned.
27
Creating a Drum Kit

Adjusting the volume of the pads or drum kit (MIXER)

Adjusting the volume and pan (stereo position) of individual pads/pedals.
1. In the menu screen, choose “2 MIXER” and press the [OK] button.
The “Mixer” screen will appear.
fig.
2. Use the SEL[ ] [ ]buttons to select a parameter.
3. If the parameter is “Pad Volume” or “Pan,” strike a pad to select the pad whose setting you want to edit.
The pad you struck will blink in the screen.
4. Use the [-/+] dial to edit the setting.
5. Press the [OK] button to return to the “MENU” screen.
Screen Parameter Value Explanation
Volume of each pad
Pad Volume 0–100
Pan L10–CENTER–10R Pan position of each pad
* Use the HH Pedal Sens setting (p. 35) to
adjust the sensitivity of the hi-hat pedal.
Kit Volume 0–10 Volume of the entire drum kit
Cross stick volume Raising this value will increase the volume of the cross stick. For a value of 1–3, the Drum Kit screen will indi­cate “Xstick.”
Xstick Volume OFF, 1–3
• If Head/Rim Link (p. 36) is ON, the Pad Volume and Pan settings of the Head and Rim (or for a cymbal, the bow and edge) will be edited simultaneously for SNARE, HH, CRASH, and RIDE. The screen will indicate the value of the setting for the head (or for a cymbal, the bow). If Head/Rim Link is OFF, strike the pad’s head or rim (or for a cymbal, the bow or edge) to select the setting you want to edit.
• If Head/Rim Link (p. 36) is ON, and the Pad Volume and Pan of the head and rim (or for a cymbal, the bow and edge) have different values, an “*” will appear at the right side of the screen.
When set to “OFF,” playing cross stick will pro­duce the open rim shot sound.
* Use the Xstick Adjust setting (p. 35) to adjust
the level of the striking force at which the switch between the cross stick sound and the open rim shot sound will be made.
28
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