Roland TD-12 User Manual

Owner’s Manual

We’d like to take a moment to thank you for purchasing the Roland Percussion Sound Module TD-12.

201b

Before using this unit, carefully read the sections entitled: “IMPORTANT SAFETY INSTRUCTIONS” (p. 2), “USING THE UNIT SAFELY” (p. 3), and “IMPORTANT NOTES” (p. 5). These sections provide important information concerning the proper operation of the unit. Additionally, in order to feel assured that you have gained a good grasp of every feature provided by your new unit, Owner’s manual should be read in its entirety. The manual should be saved and kept on hand as a convenient reference.

202

WARNING: To reduce the risk of fire or electric shock, do not expose this apparatus to rain or moisture.

CAUTION

RISK OF ELECTRIC SHOCK

DO NOT OPEN

ATTENTION: RISQUE DE CHOC ELECTRIQUE NE PAS OUVRIR

CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK,

DO NOT REMOVE COVER (OR BACK).

NO USER-SERVICEABLE PARTS INSIDE.

REFER SERVICING TO QUALIFIED SERVICE PERSONNEL.

The lightning flash with arrowhead symbol, within an equilateral triangle, is intended to alert the user to the presence of uninsulated “dangerous voltage” within the product’s enclosure that may be of sufficient magnitude to constitute a risk of electric shock to persons.

The exclamation point within an equilateral triangle is intended to alert the user to the presence of important operating and maintenance (servicing) instructions in the literature accompanying the product.

INSTRUCTIONS PERTAINING TO A RISK OF FIRE, ELECTRIC SHOCK, OR INJURY TO PERSONS.

IMPORTANT SAFETY INSTRUCTIONS

SAVE THESE INSTRUCTIONS

WARNING - When using electric products, basic precautions should always be followed, including the following:

1. Read these instructions.

2. Keep these instructions.

3. Heed all warnings.

4. Follow all instructions.

5. Do not use this apparatus near water.

6. Clean only with a dry cloth.

7. Do not block any of the ventilation openings. Install in accordance with the manufacturers instructions.

8. Do not install near any heat sources such as radiators, heat registers, stoves, or other apparatus (including amplifiers) that produce heat.

9. Do not defeat the safety purpose of the polarized or grounding-type plug. A polarized plug has two blades with one wider than the other. A grounding type plug has two blades and a third grounding prong. The wide blade or the third prong are provided for your safety. If the provided plug does not fit into your outlet, consult an electrician for replacement of the obsolete outlet.

10. Protect the power cord from being walked on or pinched particularly at plugs, convenience receptacles, and the point where they exit from the apparatus.

11. Only use attachments/accessories specified by the manufacturer.

12. Unplug this apparatus during lightning storms or when unused for long periods of time.

13. Refer all servicing to qualified service personnel. Servicing is required when the apparatus has been damaged in any way, such as power-supply cord or plug is damaged, liquid has been spilled or objects have fallen into the apparatus, the apparatus has been exposed to rain or moisture, does not operate normally, or has been dropped.

For the U.K.

WARNING: IMPORTANT:

As the colours of the wires in the mains lead of this apparatus may not correspond with the coloured markings identifying

the terminals in your plug, proceed as follows:

The wire which is coloured GREEN-AND-YELLOW must be connected to the terminal in the plug which is marked by the

letter E or by the safety earth symbol or coloured GREEN or GREEN-AND-YELLOW.

The wire which is coloured BLUE must be connected to the terminal which is marked with the letter N or coloured BLACK. The wire which is coloured BROWN must be connected to the terminal which is marked with the letter L or coloured RED.

THIS APPARATUS MUST BE EARTHED THE WIRES IN THIS MAINS LEAD ARE COLOURED IN ACCORDANCE WITH THE FOLLOWING CODE. GREEN-AND-YELLOW: EARTH, BLUE: NEUTRAL, BROWN: LIVE

USING THE UNIT SAFELY

Used for instructions intended to alert the user to the risk of death or severe injury should the unit be used improperly.

Used for instructions intended to alert the user to the risk of injury or material damage should the unit be used improperly.

* Material damage refers to damage or

other adverse effects caused with respect to the home and all its furnishings, as well to domestic animals or pets.

001

• Before using this unit, make sure to read the instructions below, and the Owner’s Manual.

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001-50

• Connect mains plug of this model to a mains socket outlet with a protective earthing connection.

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002a

• Do not open or perform any internal modifications on the unit.

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003

• Do not attempt to repair the unit, or replace parts within it (except when this manual provides specific instructions directing you to do so). Refer all servicing to your retailer, the nearest Roland Service Center, or an authorized Roland distributor, as listed on the “Information” page.

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004

• Never use or store the unit in places that are:

• Subject to temperature extremes (e.g., direct

sunlight in an enclosed vehicle, near a heating duct, on top of heat-generating equipment); or are

• Damp (e.g., baths, washrooms, on wet floors); or

are

• Humid; or are

• Exposed to rain; or are

• Dusty; or are

• Subject to high levels of vibration.

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007

• Make sure you always have the unit placed so it is level and sure to remain stable. Never place it on stands that could wobble, or on inclined surfaces.

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The symbol alerts the user to important instructions or warnings.The specific meaning of the symbol is determined by the design contained within the triangle. In the case of the symbol at left, it is used for general cautions, warnings, or alerts to danger.

The symbol alerts the user to items that must never be carried out (are forbidden). The specific thing that must not be done is indicated by the design contained within the circle. In the case of the symbol at left, it means that the unit must never be disassembled.

The ● symbol alerts the user to things that must be carried out. The specific thing that must be done is indicated by the design contained within the circle. In the case of the symbol at left, it means that the powercord plug must be unplugged from the outlet.

008a

• The unit should be connected to a power supply only of the type described in the operating instructions, or as marked on the bottom of unit.

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008e

• Use only the attached power-supply cord. Also, the supplied power cord must not be used with any other device.

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009

• Do not excessively twist or bend the power cord, nor place heavy objects on it. Doing so can damage the cord, producing severed elements and short circuits. Damaged cords are fire and shock hazards!

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010

• This unit, either alone or in combination with an amplifier and headphones or speakers, may be capable of producing sound levels that could cause permanent hearing loss. Do not operate for a long period of time at a high volume level, or at a level that is uncomfortable. If you experience any hearing loss or ringing in the ears, you should immediately stop using the unit, and consult an audiologist.

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011

• Do not allow any objects (e.g., flammable material, coins, pins); or liquids of any kind (water, soft drinks, etc.) to penetrate the unit.

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012a

• Immediately turn the power off, remove the power cord from the outlet, and request servicing by your retailer, the nearest Roland Service Center, or an authorized Roland distributor, as listed on the “Information” page when:

• The power-supply cord, or the plug has been

damaged; or

• If smoke or unusual odor occurs

• Objects have fallen into, or liquid has been

spilled onto the unit; or

• The unit has been exposed to rain (or otherwise

has become wet); or

• The unit does not appear to operate normally or

exhibits a marked change in performance.

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013

• In households with small children, an adult should provide supervision until the child is capable of following all the rules essential for the safe operation of the unit.

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014

• Protect the unit from strong impact. (Do not drop it!)

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015

• Do not force the unit’s power-supply cord to share an outlet with an unreasonable number of other devices. Be especially careful when using extension cords—the total power used by all devices you have connected to the extension cord’s outlet must never exceed the power rating (watts/amperes) for the extension cord. Excessive loads can cause the insulation on the cord to heat up and eventually melt through.

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016

• Before using the unit in a foreign country, consult with your retailer, the nearest Roland Service Center, or an authorized Roland distributor, as listed on the “Information” page.

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026

• Do not put anything that contains water (e.g., flower vases) on this unit. Also, avoid the use of insecticides, perfumes, alcohol, nail polish, spray cans, etc., near the unit. Swiftly wipe away any liquid that spills on the unit using a dry, soft cloth.

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101a

• The unit should be located so that its location or position does not interfere with its proper ventilation.

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102b

• Always grasp only the plug on the power-supply cord when plugging into, or unplugging from, an outlet or this unit.

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103a

• At regular intervals, you should unplug the power plug and clean it by using a dry cloth to wipe all dust and other accumulations away from its prongs. Also, disconnect the power plug from the power outlet whenever the unit is to remain unused for an extended period of time. Any accumulation of dust between the power plug and the power outlet can result in poor insulation and lead to fire.

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104

• Try to prevent cords and cables from becoming entangled. Also, all cords and cables should be placed so they are out of the reach of children.

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106

• Never climb on top of, nor place heavy objects on the unit.

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107b

• Never handle the power cord or its plugs with wet hands when plugging into, or unplugging from, an outlet or this unit.

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108a

• Before moving the unit, disconnect the power plug from the outlet, and pull out all cords from external devices.

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109a

• Before cleaning the unit, turn off the power and unplug the power cord from the outlet.

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110a

• Whenever you suspect the possibility of lightning in your area, pull the plug on the power cord out of the outlet.

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118a

• Should you remove screws from the bottom panel of the unit (p. 16), keep them in a safe place out of children’s reach, so there is no chance of them being swallowed accidentally.

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IMPORTANT NOTES

291b

In addition to the items listed under “IMPORTANT SAFETY INSTRUCTIONS” and “USING THE UNIT SAFELY” on pages 2–4, please read and observe the following:

Power Supply

301

• Do not connect this unit to same electrical outlet that is being used by an electrical appliance that is controlled by an inverter (such as a refrigerator, washing machine, microwave oven, or air conditioner), or that contains a motor. Depending on the way in which the electrical appliance is used, power supply noise may cause this unit to malfunction or may produce audible noise. If it is not practical to use a separate electrical outlet, connect a power supply noise filter between this unit and the electrical outlet.

307

• Before connecting this unit to other devices, turn off the power to all units. This will help prevent malfunctions and/or damage to speakers or other devices.

308

• Although the LCD and LEDs are switched off when the POWER switch is switched off, this does not mean that the unit has been completely disconnected from the source of power. If you need to turn off the power completely, first turn off the POWER switch, then unplug the power cord from the power outlet. For this reason, the outlet into which you choose to connect the power cord’s plug should be one that is within easy reach and readily accessible.

Placement

351

• Using the unit near power amplifiers (or other equipment containing large power transformers) may induce hum. To alleviate the problem, change the orientation of this unit; or move it farther away from the source of interference.

352a

• This device may interfere with radio and television reception. Do not use this device in the vicinity of such receivers.

352b

• Noise may be produced if wireless communications devices, such as cell phones, are operated in the vicinity of this unit. Such noise could occur when receiving or initiating a call, or while conversing. Should you experience such problems, you should relocate such wireless devices so they are at a greater distance from this unit, or switch them off.

355b

• When moved from one location to another where the temperature and/or humidity is very different, water droplets (condensation) may form inside the unit. Damage or malfunction may result if you attempt to use the unit in this condition. Therefore, before using the unit, you must allow it to stand for several hours, until the condensation has completely evaporated.

Maintenance

401a

• For everyday cleaning wipe the unit with a soft, dry cloth or one that has been slightly dampened with water. To remove stubborn dirt, use a cloth impregnated with a mild, non-abrasive detergent. Afterwards, be sure to wipe the unit thoroughly with a soft, dry cloth.

402

• Never use benzine, thinners, alcohol or solvents of any kind, to avoid the possibility of discoloration and/or deformation.

Repairs and Data

452

• Please be aware that all data contained in the unit’s memory may be lost when the unit is sent for repairs. Important data should always be backed up in another MIDI device (e.g., a sequencer), or written down on paper (when possible). During repairs, due care is taken to avoid the loss of data. However, in certain cases (such as when circuitry related to memory itself is out of order), we regret that it may not be possible to restore the data, and Roland assumes no liability concerning such loss of data.

Memory Backup

501b

• This unit contains a battery which powers the unit’s memory circuits while the main power is off. When this battery becomes weak, the message shown below will appear in the display. Once you see this message, have the battery replaced with a fresh one as soon as possible to avoid the loss of all data in memory. To have the battery replaced, consult with your retailer, the nearest Roland Service Center, or an authorized Roland distributor, as listed on the “Information” page.

“Backup Battery Low!”

IMPORTANT NOTES

Additional Precautions

551

• Please be aware that the contents of memory can be irretrievably lost as a result of a malfunction, or the improper operation of the unit. To protect yourself against the risk of loosing important data, we recommend that you periodically save a backup copy of important data you have stored in the unit’s memory in another MIDI device (e.g., a sequencer).

552

• Unfortunately, it may be impossible to restore the contents of data that was stored in the unit’s memory or in another MIDI device (e.g., a sequencer) once it has been lost. Roland Corporation assumes no liability concerning such loss of data.

553

• Use a reasonable amount of care when using the unit’s buttons, sliders, or other controls; and when using its jacks and connectors. Rough handling can lead to malfunctions.

554

• Never strike or apply strong pressure to the display.

556

• When connecting / disconnecting all cables, grasp the connector itself—never pull on the cable. This way you will avoid causing shorts, or damage to the cable’s internal elements.

557

• A small amount of heat will radiate from the unit during normal operation.

558a

• To avoid disturbing your neighbors, try to keep the unit’s volume at reasonable levels. You may prefer to use headphones, so you do not need to be concerned about those around you (especially when it is late at night).

558c

• Since sound vibrations can be transmitted through floors and walls to a greater degree than expected, take care not to allow such sound to become a nuisance to neighbors, especially at night and when using headphones. Although the drum pads and pedals are designed so there is a minimal amount of extraneous sound produced when they’re struck, rubber heads tend to produce louder sounds compared to mesh heads. You can effectively reduce much of the unwanted sound from the pads by switching to mesh heads.

559a

• When you need to transport the unit, package it in the box (including padding) that it came in, if possible. Otherwise, you will need to use equivalent packaging materials.

562

• Use a cable from Roland to make the connection. If using some other make of connection cable, please note the following precautions.

• Some connection cables contain resistors. Do not use cables that incorporate resistors for connecting to this unit. The use of such cables can cause the sound level to be extremely low, or impossible to hear. For information on cable specifications, contact the manufacturer of the cable.

USING THE UNIT SAFELY ........................................................................3

IMPORTANT NOTES..................................................................................5

Features ...................................................................................................11

Panel Descriptions ..................................................................................13

Top Panel............................................................................................................................. 13

Rear Panel ...........................................................................................................................15

Setting Up the Kit ....................................................................................16

Mounting the TD-12 on the Stand ...................................................................................16

Connecting the Pads and Pedals...................................................................................... 17

Connecting Headphones, Audio Equipment, Amps, or Other Gear .........................18

Turning On/Off the Power ..............................................................................................19

Connecting the Hi-Hat (VH-11) and Setting the “VH Offset” ....................................20

Connecting the Hi-Hat ............................................................................................................................ 20

Adjusting the Offset................................................................................................................................. 20

Adjusting Mesh Head Tension ........................................................................................21

Adjusting the PD-105 Head Tension ..................................................................................................... 21

Adjusting the PD-85 Head Tension ....................................................................................................... 21

Playing Methods......................................................................................22

Pad (PD-105/PD-85)..........................................................................................................22

Change the Nuance of the Rim Shot...................................................................................................... 22

Brush Sweeps ............................................................................................................................................ 22

Cymbal (CY-12R/C) ..........................................................................................................22

Choke Play................................................................................................................................................. 23

Positional Sensing..................................................................................................................................... 23

Hi-Hat (VH-11/VH-12).....................................................................................................23

Button Operation and Displays..............................................................24

Saving Your Settings..........................................................................................................24

Buttons, Sliders, Dial and Knobs .....................................................................................24

Cursor ..................................................................................................................................24

Function Buttons ([F1]–[F5])............................................................................................. 24

Changing Data Values.......................................................................................................24

Choosing Pads from the TD-12’s Top Panel ..................................................................25

Convenient [PREVIEW] Functions ........................................................................................................ 25

How to Play Patterns.........................................................................................................25

How to Turn the Metronome (Click) On/Off................................................................ 25

How to Adjust the Tempo ................................................................................................26

Adjusting the Display Contrast .......................................................................................26

About the Display in the Upper Right of the Screen ....................................................26

Group Faders...................................................................................................................... 26

Listening to the Demo Song...................................................................27

Changing the Drum Kits...................................................................................................27

Changing the Volume Balance.........................................................................................27

Muting the Performance of the Backing Instruments and Drums .............................27

Turning the Metronome (Click) On/Off ........................................................................27

Contents

Useful Functions to Know ......................................................................28

About the Preset Drum Kits .............................................................................................28

Playing Patterns to Check Drum Kit Tones ...................................................................28

Restoring Edited Drum Kits to the Factory Default Settings ......................................28

Restoring All Settings to the Factory Settings...................................................................................... 28

Restoring the Factory Settings to Individual Kits................................................................................ 28

Playing Back Patterns by Striking the Pads (Pad Pattern Function) ..........................29

Stopping Playback of the Pattern Being Played...................................................................................29

Disabling the Pad Pattern Function....................................................................................................... 29

Striking a Pad to Switch the Drum Kits (Pad Switch Function)..................................29

Enabling Cross Sticks ........................................................................................................29

Playing Along with Patterns ............................................................................................29

Choosing a Pattern ................................................................................................................................... 29

Muting a Specific Part.............................................................................................................................. 29

Chapter 1. Drum Kit Settings [KIT] ........................................................30

Choosing a Drum Kit.........................................................................................................30

About the “DRUM KIT” Screen ............................................................................................................. 30

Selecting a Drum Kit from the List [F1 (LIST)].............................................................. 31

Kit Parameters [F2 (FUNC)] .............................................................................................31

Adjusting the Volume [F1 (VOLUME)] ................................................................................................31

Assigning a Tempo for Each Kit [F2 (TEMPO)]................................................................................... 31

Playing Brushes [F3 (BRUSH)] ............................................................................................................... 32

Disabling the Pad Pattern Function [F4 (PAD PTN)] ......................................................................... 32

Naming a Drum Kit [F3 (NAME)]................................................................................... 32

Effects On and Off Switches [F4 (FX SW)] .....................................................................32

Playing Cross Stick [F5 (XSTICK)]...................................................................................32

Chapter 2. Drum Instrument Settings [INST] ........................................33

Choosing a Pad to Edit......................................................................................................33

Choose by Hitting a Pad.......................................................................................................................... 33

Choose with the Buttons .........................................................................................................................33

Lock the Pad You are Editing (TRIG LOCK) [SHIFT] + [RIM] ......................................................... 33

Assign an Instrument to a Pad.........................................................................................33

Selecting an Instrument from the List [F1 (LIST)].........................................................34

Editing Drum Sounds [F2 (EDIT)]................................................................................... 34

Editing an Acoustic Drum Kit (V-EDIT)............................................................................................... 34

Editing Other Instruments ...................................................................................................................... 34

Editing Procedure..................................................................................................................................... 34

Using the Compressor and EQ [F3 (COMP/EQ)]......................................................... 36

Using Pads/Pedal as Controllers [F4 (CONTROL)]..................................................... 37

Playing a Pattern by Hitting a Pad (Pad Pattern) [F1 (PATTERN)].................................................. 37

Changing the Pitch with the Hi-Hat Pedal [F2 (PDLBEND)] ............................................................ 38

MIDI Settings for Each Pad [F3 (MIDI)]................................................................................................ 38

MIDI Note Numbers transmitted by Hi-Hat [F4 (HH MIDI)]........................................................... 38

MIDI Note Number transmitted by Brush Sweep/Cross Stick [F5 (BR MIDI)] .............................38

Chapter 3. Mixer Settings .......................................................................39

Mixer Parameters [MIXER] ..............................................................................................39

Using Group Faders to Edit (MIX EDIT) ..............................................................................................39

Contents

Chapter 4. Effect Settings.......................................................................40

Effects On and Off Switches [KIT] - [F4 (FX SW)].........................................................40

Using the Compressor and EQ [INST] - [F3 (COMP/EQ)]..........................................40

Compressor (COMP) ...............................................................................................................................41

Equalizer (EQ)........................................................................................................................................... 41

Ambience [AMBIENCE] ...................................................................................................42

Multi-Effects [SHIFT] + [AMBIENCE]............................................................................ 42

Multi-Effects Parameters......................................................................................................................... 43

Chapter 5. Trigger Settings [TRIGGER].................................................44

Selecting the Pad Type [F1 (BANK)]............................................................................... 44

Trigger Inputs and Pad/Playing Methods corresponding chart ......................................................44

Setting the Pad Sensitivity [F2 (BASIC)]......................................................................... 45

Pad Sensitivity ..........................................................................................................................................45

Minimum level for the pad (Threshold) ...............................................................................................45

How Playing Dynamics Changes the Volume (Velocity Curve) ......................................................45

Hi-Hat Settings [F3 (HI-HAT)].........................................................................................46

Connecting the VH-11 and Adjusting the TD-12................................................................................. 47

Connecting the VH-12 and Adjusting the TD-12................................................................................. 48

Connecting and Setting the Hi-Hat Control Pedal (FD Series).......................................................... 48

Eliminate Crosstalk Between Pads [F4 (XTALK)]......................................................... 49

Advanced Trigger Parameters [F5 (ADVANCE)].........................................................50

Trigger Signal Detection Time (Scan Time).......................................................................................... 50

Detecting Trigger Signal Attenuation (Retrigger Cancel) .................................................................. 50

Double Triggering Prevention (Mask Time) ........................................................................................51

Rim/Edge Dynamic Response (Rim Gain)........................................................................................... 51

Rim Shots Response (Rim Shot Adjust) ................................................................................................51

Cross Stick Threshold (XStick Thrshld) ................................................................................................51

Playing Bow, Bell, and Edge (3-Way Triggering)................................................................................ 52

Naming a Trigger Bank [F5 (Name)]..................................................................................................... 52

Chapter 6. Sequencer (Playback)...........................................................53

Basic Operation ..................................................................................................................53

Choosing a Pattern [PATTERN] ......................................................................................54

About the “PATTERN” screen ............................................................................................................... 54

Select a Pattern from the List [F1 (LIST)]........................................................................54

Playing Back a Pattern [PLAY] ........................................................................................54

Tempo Adjustment ............................................................................................................ 55

Setting the Tempo by Hitting a Pad (Tap Tempo) ..............................................................................55

Synchronizing with an External MIDI Device .....................................................................................55

Part Settings [F2 (PART)].................................................................................................. 56

Make Settings for the Backing Part [F1 (BACKING)] .........................................................................56

Master Tuning........................................................................................................................................... 56

Percussion Part Settings [F2 (PERC)] .................................................................................................... 57

Percussion Set Settings ............................................................................................................................57

Volume/Pan Settings for Each Part [F3 (MIXER)] ..............................................................................59

Reverb Settings for Backing Parts [F3 (MIXER)] - [F4 (REVERB)] .................................................... 59

Muting a Specific Part [F5 (MUTE)] ......................................................................................................60

Pattern Settings [F3 (FUNC)]............................................................................................60

Time Signature/Number of Measures/Tempo Settings [F1 (SETUP)]............................................ 60

Choosing a Playback Method [F2 (TYPE)] ...........................................................................................61

Confirming the Usage Status of the TD-12’s Internal Memory [F3 (MEMORY)]........................... 61

Naming a Pattern [F5 (NAME)] .............................................................................................................62

Starting and Stopping the Metronome (Click) On/Off................................................62

Using a Indicator as a Click (Tempo Indicator)............................................................. 62

Setting the Click .................................................................................................................63

Contents

Chapter 7. Sequencer (Recording/Editing) ...........................................64

Recording a Pattern [REC]................................................................................................ 64

How to Record.......................................................................................................................................... 64

Checking the Tones and Phrases During Recording (Rehearsal)...................................................... 66

Editing a Pattern [F4 (EDIT)]............................................................................................ 67

Copying a Pattern [F1 (COPY)] .............................................................................................................. 67

Connecting Two Patterns [F2 (APPEND)]............................................................................................ 68

Erasing a pattern [F3 (ERASE)] ..............................................................................................................68

Deleting a Pattern [F4 (DELETE)] .......................................................................................................... 69

Chapter 8. Copy Function [COPY] .........................................................70

About Copied Settings............................................................................................................................. 71

Chapter 9. Settings for the Entire TD-12 [SETUP]................................72

MIDI Settings and Operations [F1 (MIDI)] ....................................................................72

Setting the MIDI Channels for Each Part [F1 (MIDI CH)].................................................................. 72

MIDI Settings for the Entire TD-12 [F2 (GLOBAL)]............................................................................ 72

MIDI Messages for Detailed Performance Expressions [F3 (CTRL)]................................................ 74

Switching Drum Kits via MIDI (Program Change) [F4 (PROG)]...................................................... 74

Saving Data to an external MIDI Device (Bulk Dump) [F5 (BULK)]................................................ 75

Selecting Output Destinations [F2 (OUTPUT)] .............................................................76

Output Destination for the Drum Instruments.................................................................................... 76

Output Destination for the Sequencer Parts/Metronome Click/

Sound Input from MIX IN [F2 (OTHER)]............................................................................................. 76

Setting the Switches [F3 (CONTROL)] ...........................................................................76

Using Pads as Switches [F1 (PAD SW)] ................................................................................................76

PREVIEW Button Velocity [F2 (PREVIEW)] ........................................................................................77

Adjusting the Display Contrast [F3 (LCD)].......................................................................................... 77

Checking the TD-12’s Internal Program Version [F5 (VERSION)] ................................................... 77

Synchronizing Images to a TD-12 Performance [F4 (V-LINK)] ..................................78

What is V-LINK? ......................................................................................................................................78

Connection Examples ..............................................................................................................................78

Using V-LINK ........................................................................................................................................... 78

Restoring the Factory Settings [F5 (F RESET)]............................................................... 79

Chapter 10. Drum Kit Chain [CHAIN].....................................................80

Creating a Drum Kit Chain ..............................................................................................80

Naming a Drum Kit Chain [F5 (NAME)] .............................................................................................81

Playing with a Drum Kit Chain .......................................................................................81

Messages and Error Messages..............................................................82

Preset Drum Kit List................................................................................84

Preset Pattern List...................................................................................86

Drum Instrument List ..............................................................................88

Preset Percussion Set List .....................................................................92

Backing Instrument List..........................................................................94

MIDI Implementation Chart.....................................................................96

Specifications ..........................................................................................98

Block Diagram .......................................................................................100

Index .......................................................................................................102

Features

Everything Is New! Module— Stand—V-Hi-Hat—Pads

The TD-12 follows in the foot steps of the TD-20, taking

advantage of Roland’s powerful COSM technology. Velocity,

position, and interval of each hit are detected precisely,

providing real and natural dynamics. The new, dual trigger

PD-105/85 pads give you superior feel, response and control

of the sound. You can play both shallow and deep rim shots.

12 trigger inputs let you use lots of pads, leaving room for

advanced Pad Switch applications. (p. 76)

* COSM (Composite Object Sound Modeling) is a Roland

technology combining multiple sound modeling processes to

create new sounds.

* Positional detection is possible on snare drums (head/rim),

toms (rim) and ride cymbals (bow).

560 New Drum Sounds Expanded V-Editing

The onboard sound library was created for the TD-12, and

designed to work with enhanced V-Editing. Besides being able

to change heads, muffling types, shell depth, etc. you can also

place sizzles on any cymbal, and add snare buzz to the toms

or kick.

High-speed triggering

Overview

Advances in trigger technology combined with new pad

designs and V-Hi-Hat pads, provide natural response and

feel. Even playing with brushes (plastic only) has improved

(p. 32).

Audio Signal Routing Stage or Studio

Flexibility of audio routing is important in the professional

environment. The TD-12 lets you use all of the outputs in a

very efficient way. Each sound of the drum kit can be assigned

to one of the 4 individual outs. (Master out can be used as an

individual pair. The Effects, Ambience, Backing parts, Click

and even audio coming in the MIX input, can be assigned to

individual outputs. Perfect for any situation.

V-Hi-Hat Compatibility

By including the VH-11 V-Hi-Hat, which features a single-

piece construction, you can perform with a natural feel. Using

the VH-12 two-piece hi-hat, you can use pressure on the pedal

when the hi-hat is closed to create further changes in the

nuance and/or pitch of the sound (p. 23).

An Easy User Interface

The interface is very easy to navigate. With the many buttons

on the top panel, you won’t lose time searching for functions.

Clear graphics, icons and menus guide you through the

simple and complex operations. No matter where you are

inside the TD-12, pushing the KIT button always brings you

back to the main kit page. Even still, please read this manual.

Cables Are Easy To Organize

The MDS-12 stand allows you to pass the cables through the

pipes, making easy to transport and set up again. It

streamlines the look as well.

Features

Top Quality Signal Processing

Each instrument assigned to trigger 1–12 head and rim inputs

has an individual three-band equalizer and compressor (p.

40). There is also a multi-effects unit with delays, flanger,

chorus, and phaser (p. 42). There’s also Ambience, with a new

room “shape” feature in addition to being able to change wall

materials, size, etc. (p. 42) All effects are simple to understand

and use. Via the top panel, you can also turn all the effects on

or off individually.

Functions For Stage

The group faders on the top panel let you make quick changes

as needed during performance (p. 26). You can play drum kits

in any desired order (Drum Kit Chain, p. 80). The +/- buttons

are large enough to be pressed with a drum stick. (Don’t HIT

them!) Another very useful function allows you to send the

click sound ONLY to the headphones if desired (p. 76). An

audio input (stereo) for custom monitoring (MIX IN jack, p.

18) is also provided. The MIX EDIT function allows immediate

editing of volume, Ambience send level, and MFX send level

using the group faders (p. 39).

Sequencer

Advanced Tempo Functions

Each KIT can have it’s own tempo setting. The visual indicator

helps you count off the tempo of a song without needing to

hear the click (p. 62). Tap Tempo function allows you to set

tempo from all trigger inputs or the preview button (p. 55).

MIDI Sound Module Potentials

Percussion sets are accessed on a different MIDI channel than

the drums. They can be played from the internal sequencer or

external MIDI source (SPD type pad etc.) and feature a 128

note map. And with 262 backing instruments available, there

are sounds for all types of music (p. 94).

V-LINK function

V-LINK ( ) is a function that allows music and

images to be performed together. By using MIDI to connect

two or more V-LINK compatible devices, you can easily enjoy

performing a wide range of visual effects that are linked to the

expressive elements of a music performance. By using the TD-

12 and Edirol DV-7PR together, connected pads can be used to

switch the Edirol DV-7PR’s images (clips/palettes) (p. 78).

Recording and playing back patterns is very easy. The 6 part

backing section, (including drums) can be used for live or

recording performances. Recording directly from the pads to

the percussion part is a great new feature, too (p. 73).

Panel Descriptions

Top Panel

fig.top

Overview

3 14 15 16

Trigger Indicator

This lights up each time a trigger signal is received from a

pad. It monitors the pad connection and is helpful when

customizing trigger parameters.

LED Display

Displays the Kit number (currently selected drum kit).

Graphic Display

During normal performance, you see the kit name and

other information. When editing, relative graphics and

text will appear depending on the edit mode you are in.

* In this owner’s manual, this will be referred to as “the display.”

CHAIN Button

A Chain allows you to set up a customized order for

playing your kits. There are 16 Chains (32 steps each).

Chains can be named also (p. 80).

SETUP (COPY) Button

For access to functions that affect the TD-12 globally,

such as MIDI parameters etc. (p. 72)

You can copy drum kit, instrument, and other settings by

pressing this button together with the SHIFT button (p.

70).

Panel Descriptions

TRIGGER Button

For access to trigger parameters (p. 44).

EXIT Button

Press this to return to the previous screen. Repeated

pressing takes you back to the “DRUM KIT” screen.

F1–F5 Buttons (Function Buttons)

These buttons change their function depending on the

contents of the display. The lower part of the display will

indicate the function of each button (p. 24).

SHIFT Button

Used in combination with other buttons. How this

functions is explained in respective parts of this manual.

10.

GROUP FADERS

The faders are switchable, allowing you to adjust the

volume of the kick, snare, toms, hi-hat, cymbals,

percussion and backing instruments, and the click sound

(p. 26).

11.

SEQUENCER

These provide access to and control of sequencer

functions (pattern playback/recording, Percussion set)

etc. (p. 53, p. 64)

12.

DRUM KIT

These buttons take you to the screens for creating or

editing a drum kit. (p. 33, p. 39, p. 40).

13.

KIT Button

One touch brings you back to the basic display screen. It

works from any Edit mode as well.

14.

MIX IN Knob

Adjusts the level of the audio source connected to the

MIX IN jack. This sound is output from the MASTER

OUT jacks and/or the PHONES jack. Other possibilities

(p. 76).

17.

CURSOR (TRIG) Buttons

Used to move the cursor in the display (p. 24).

You can select the pad (trigger number) you want to

make settings for by pressing this button together with

the SHIFT button. You can also use the PREVIEW button

to check the sound of the instrument assigned to the

selected pad.

* When you connect a pad to the TD-12, you can then tap the

pad to select it as the pad for which settings are made.

18.

VALUE Dial

This dial functions like the + and - buttons. Use it to scroll

quickly or make large changes in edited values (p. 24).

19.

RIM (TRIG LOCK) Button

Press this to select the rim of a pad. (RIM button lights.)

(p. 25).

By pressing this button together with the SHIFT button,

you can prevent the screen from being switched

inadvertently even if you hit another pad when editing

instruments (Trigger Lock; p. 33).

20.

PREVIEW Button

This button allows you to audition an instrument after

you have chosen it with the CURSOR (TRIG) buttons or

after you have played a pad/pedal (p. 25).

21.

+ Button, - Button

These buttons are used to switch drum kits or to change

values when editing. The + button increases the value,

and the - button decreases it (p. 24). You can also use the

tip of your drum stick to press them.

* Never hit them with a stick as this can cause malfunctions.

22.

PHONES Jack

A pair of stereo headphones can be connected to this jack.

Connecting the headphones will not mute the output

from the MASTER OUT jacks (p. 18).

15.

PHONES Knob

Adjusts the headphone volume. Plugging in headphones

does not affect the master output (like other audio

device.)

16.

MASTER Knob

Adjusts the volume of the MASTER OUT jacks.

Rear Panel

fig.rear_50

POWER Switch

This switch turns the power on/off.

* If you need to turn off the power completely, first turn off the

POWER switch, then unplug the power cord from the power

outlet. Refer to

AC Inlet

Connect the included AC power cable to this inlet.

* For details on the power consumption, refer to p. 99.

TRIGGER INPUT Jacks

Here is where you plug in pads, kick triggers, or acoustic

triggers. With dual trigger pads (PD-125/105/85/8),

cymbals (CY series), and a hi-hat (VH-11/12), use a stereo

(TRS) cable (p. 17).

Power Supply

The unit should be connected to a power source only of the type marked on the bottom of the unit.

(p. 5).

Panel Descriptions

83 4 5 7 96

MIX IN Jack

Used for connecting any external audio source (p. 18).

This audio signal will be output from the MASTER OUT

jacks and/or PHONES jack. Other signal routing

possibilities (p. 76).

DIRECT OUT Jacks

Individual outputs have a variety of uses. The TD-12

offers many options. See the SETUP screen (p. 76).

MASTER OUT Jacks

For connecting to your amp/audio system. For monaural

output, use the MASTER OUT L (MONO) jack.

Security Slot ( )

For retail store use.

http://www.kensington.com/

Overview

MIDI OUT/THRU Connector

For using the TD-12/pads to play sounds in an external

MIDI sound module, or recording/saving data to an

external MIDI sequencer (pp. 72–75).

MIDI IN Connector

To connect an external MIDI source (sequencer, pad

controller, keyboard, computer, etc.) to play the TD-12’s

sounds, or to load data (pp. 72–75).

Setting Up the Kit

Mounting the TD-12 on the Stand

Attach the stand holder (included with the optional drum stand) to the TD-12.

Using the screws attached to the bottom panel, attach the holder so the unit is oriented as shown in the diagram.

* ONLY use the 12 mm screws (M5 x 12) provided with the TD-12. Other screws may damage the unit.

fig.StandHolder.e

Wide

Narrow

928, 929

• When turning the unit upside-down, get a bunch of newspapers or magazines, and place them under the

four corners or at both ends to prevent damage to the buttons and controls. Also, you should try to orient

the unit so no buttons or controls get damaged.

• When turning the unit upside-down, handle with care to avoid dropping it, or allowing it to fall or tip over.

Attach the TD-12 and stand holder to the drum stand (such as the optional MDS-12).

See the owner’s manual for the stand for details on assembling the drum stand and attaching the TD-12.

005

006

101c

This unit should be used only with a stand that is recommended by Roland.

When using the unit with a stand recommended by Roland, the rack or stand must be carefully placed so it is level and sure to remain stable. If not using a rack or stand, you still need to make sure that any location you choose for placing the unit provides a level surface that will properly support the unit, and keep it from wobbling.

This TD-12 for use only with Roland stand MDS series. Use with other stands is capable of resulting in instability causing possible injury.

The optional APC-33 All Purpose Clamp can be attached to a pipe of 10.5–28.6 mm radius in case you

want to mount the TD-12 on a cymbal stand or other such stand.

Connecting the Pads and Pedals

Setting Up the Kit

Using the provided cables, connect the pads, cymbals, hi-hat, and kick trigger pad.

* When mounting a TD-12 on an MDS-12 drum stand, use the built-in connection cables.

Set Up Example

fig.Kit.e

TD-12 Rear Panel

7 / CRASH 1 (BOW/EDGE)

CY-12R/CCY-12R/C

6 / HI-HAT (TRIGGER OUT)

HH CTRL (CTRL OUT)

VH-11VH-11

TD-12

3 / TOM 1

PD-85

9 / RIDE (BOW/BELL)

10 / EDGE (BOW/EDGE)

4 / TOM 2

PD-85

CY-12R/CCY-12R/C

Overview

PD-105

The HI-HAT and RIDE cymbal use two cables each. See p. 20 and p. 52.

2 / SNARE

KD-85

1 / KICK

5 / TOM 3

PD-85

Setting Up the Kit

Connecting Headphones, Audio Equipment, Amps, or Other Gear

fig.Connect.e

Speakers with built-in amp etc.

CD/MD player etc.

TD-12 Rear Panel

Stereo phone type

Stereo set etc.

Phone type

Stereo phone type

TD-12 Front Panel

Turn off the power of all devices before you make connections.

921

* To prevent malfunction and/or damage to speakers or other

devices, always turn down the volume, and turn off the power on all devices before making any connections.

Connect the MASTER OUT L (MONO) and R jacks on the rear panel to your audio system or amp. Headphones should ONLY be connected to the PHONES jack.

Connect the supplied power cord to the AC inlet.

Plug the power cord plug into a power outlet.

The TD-12’s MIX IN jack allows you to play along with a

CD or other audio sources.

• To adjust the volume of the device connected to the MIX

IN jack, turn the [MIX IN] knob on the TD-12’s top panel.

• The sound input from the MIX IN jack can be output

from the MASTER OUT, PHONES, or DIRECT OUT 1/2

jacks (p. 76).

926a

* When connection cables with resistors are used, the volume

level of equipment connected to the MIX IN jack may be low. If this happens, use connection cables that do not contain resistors, such as those from the Roland PCS series.

Setting Up the Kit

Turning On/Off the Power

941

* Once the connections have been completed (p. 17, p. 18), turn

on power to your various devices in the order specified. By

turning on devices in the wrong order, you risk causing

malfunction and/or damage to speakers and other devices.

fig.VolMin

Turn the [MASTER] and [PHONES] completely to the left to lower the volume to “0.”

Turn down the volume control on the connected amp or audio system.

Push the [POWER] switch on the TD-12’s rear panel to turn on the power.

fig.PowerOn.e

Lower Position

942

* This unit is equipped with a protection circuit. A brief interval

(a few seconds) after power up is required before the unit will

operate normally.

Precautions When Turning on the Power

After the power is turned on, do NOT hit any pads or

step on the pedals until the drum kit name (following

figure) appears in the display. Doing so can cause

triggering problems.

fig.00-006

No Sound When Hitting the Pads or Using the Pedals?

Check the following points.

When Using an Amp or Audio System

• Is the amp or audio system connected to the TD-12’s

MASTER OUT jacks?

• Is the input of the amp or audio system properly

connected?

• Is there a problem with any connection cables?

• Is the volume turned down in the [GROUP

FADERS] sliders?

• Is [MASTER] turned completely to the left?

• Have the input select settings of your audio system

or amp been made correctly?

• Is the amp or audio system volume setting correct?

When Using Headphones

• Are the headphones connected to the PHONES jack?

• Is [PHONES] turned completely to the left?

Turning Off the Power

Completely turn down the volume of the TD-12 and any connected external devices.

Turn off the power to all external devices.

Push the [POWER] switch on the TD-12’s rear panel to turn off the power.

945

* If you need to turn off the power completely, first turn off the

POWER switch, then unplug the power cord from the power

outlet. Refer to

Power Supply

(p. 5).

Overview

Turn on the power to the connected amp or audio system.

While hitting a pad, gradually turn [MASTER] (or [PHONES]) to the right to adjust the volume level.

Setting Up the Kit

Connecting the Hi-Hat (VH-11) and Setting the “VH Offset”

When using the VH-12, the “VH Offset” needs to be set up.

Press [F3 (HI-HAT)].

The “TRIGGER HI-HAT” screen appears.

fig.05-VH11-Offset2

Connecting the Hi-Hat

fig.VH-Connect.e

CONTROL

OUT jack

to the

TD-12’s

HH CTRL jack

TRIGGER

OUT jack

to the

TD-12’s

TRIGGER INPUT

HI-HAT jack

Adjusting the Offset

Confirm that the VH-11 and TD-12 are connected properly.

After making the hi-hat settings, release your foot from the pedal, and while keeping your foot off the pedal, turn on the power to the TD-12.

* The offset cannot be adjusted correctly if the hi-hat is making

contact with the motion sensor unit when the power is turned on.

Loosen the clutch screw and let the hi-hat rest naturally on the motion sensor unit.

Press [TRIGGER] - [F1 (BANK)].

[TRIGGER] lights, and the “TRIGGER BANK” screen

appears.

Press [CURSOR] to move the cursor to the trigger type for TRIGGER INPUT 6.

Confirm the TD-12’s settings.

Parameter Value

Hi-Hat Type VH11/FD CC Max 90 CC Resolution NORMAL

While reading the meter displayed on the right side of the TD-12’s screen, adjust the offset with the VH-11’s VH offset adjustment screw.

Adjust the offset so that a black appears in the

meter.

fig.05-VH11-Offset3

fig.Offset.e

VH Offset Adjustment Screw

OPEN CLOSE

VH Offset Adjustment Points

If the closed hi-hat sound is difficult to attain, rotate the VH offset adjustment screw towards “CLOSE.” If the open hi-hat sound is difficult to attain, rotate the screw towards “OPEN.”

If the sound cuts off when you strike the hi-hat forcefully, rotate the VH Offset adjustment screw towards “OPEN.”

Use [+/-] or [VALUE] to select “VH11.”

fig.05-VH11-Offset1

If you need, make further adjustments to the parameters.

Hi-Hat Settings [F3 (HI-HAT)]

If you do not make VH-11’s setting correctly, it may cause malfunction. For details, refer to the VH-11 owner’s manual.

(p. 46)

The band has a width of 7 mm. Use this for adjusting the head tension.

7 mm

Setting Up the Kit

Adjusting Mesh Head Tension

Heads MUST BE TUNED BEFORE PLAYING.

When adjusting, use a tuning key.

Like with an acoustic drum, accurate and equal head tension

is needed for correct triggering response.

On the PD-105/85, adjusting the head tension affects only

the head response, and not the pitch of the sound, as it

would on an acoustic drum.

Adjusting the PD-105 Head Tension

Loosen the tuning bolts until a slight gap is produced.

Tighten all tuning bolts by fingers, as tightly as you can.

fig.PD105-Nut.e

Tuning bolt

Washer

Using the tuning key, turn the tuning bolts two full revolutions each, thus tightening them.

Tighten each tuning bolt one by one, observing the

numerical order shown in the figure.

fig.PD105-BoltOrder

Slight gap

Hoop

Adjusting the PD-85 Head Tension

Use the included tuning key to tighten the tuning bolts.

Tighten the bolts until there is a space of approximately 7

mm between the frame and the hoop.

* The setup includes a lock bushing (to prevent loosening), so the

bolt should be tightened fairly securely.

fig.PD85-Adjust.e

Hoop

7mm

Frame

A black, 7 mm strip is printed at the edge of this page.

Use this as a reference when making the adjustment.

Tighten each tuning bolt one by one, observing the

numerical order shown in the diagram. Do not firmly

tighten a single tuning bolt by itself. Doing so will make

it impossible to tension the head evenly, and will cause

malfunctions.

fig.PD85-Bolt

Overview

HEAD MADE BY REMO U.S.A.

Fine-tune the adjustment while continuing to check the pad feel and response.

Playing Methods

Pad (PD-105/PD-85)

fig.Play-Head.e

Head Shot

Hit only the head of the pad.

With certain snare sounds,

playing position will change

the nuance of the sound.

* Select an instrument from the Drum Instrument List (p. 88)

with “*P” appended to the name.

fig.Play-Rim.e

Rim Shot

Strike the head and the rim of

the pad simultaneously.

fig.Play-Cross.e

Cross Stick

Only strike the rim of the pad.

Depending on the instrument

assigned to the rim you can

play rim shots and/or cross

stick sounds.

* Select an instrument from the Drum Instrument List (p. 88)

with “*X” appended to the name.

* Enable cross sticks with the drum kit (press [KIT] - [F5

(XSTICK)]; p. 32).

* To play the cross stick, be sure that you only strike the rim of

the pad. Placing your hand on the head of the pad might

prevent the cross stick sound from being played properly.

Head

Rim

fig.Play-Shallow.e

Shallow Rim Shot

Simultaneously strike the head near

the rim and the rim itself.

* Select an instrument from the

Drum Instrument List (p. 88) with “*P” appended to the name.

Head

Rim

Brush Sweeps

You can express a sweep sound using brushes (brush sweeps).

* Select an instrument from the Drum Instrument List (p. 88)

with “*BRUSH” appended to the name.

* Enable brush performances with the drum kit (press [KIT] - [F2

(FUNC)] - [F3 (BRUSH)], Brush Switch = ON; p. 32).

* Brush sweeps can be used only on SNARE.

When using brushes, be sure to use nylon brushes. Using metal brushes will not only scratch the head, but can also be hazardous, since the tip of the brush may catch in the mesh of the net.

Cymbal (CY-12R/C)

Bow Shot

This is the most common playing method, playing the middle

area of the cymbal. It corresponds to the sound of the “head-

side” of the connected trigger input.

fig.Play-CYBow

Change the Nuance of the Rim Shot

With certain snare and tom sounds, slight changes in the way

you play rim shots changes the nuance.

fig.Play-Rim.e

Normal Rim Shot (Open Rim Shot)

Strike the head and rim

simultaneously.

Head

Rim

Edge Shot

This playing method involves striking the edge with the

shoulder of the stick. When played as shown in the figure, the

“rim-side” sound of the connected input is triggered.

fig.Play-CYEdge.e

Edge sensor

Bell Shot

This playing method involves striking the bell. When played

as shown in the figure, the “rim-side” sound of the connected

input is triggered.

fig.Play-Bell

Playing Methods

Hi-Hat (VH-11/VH-12)

Open/Closed

The hi-hat tone changes smoothly and continuously from open to closed in response to how far the pedal is pressed.

You can also play the foot closed sound (playing the hi-hat with the pedal completely pressed down) and foot splash sound (playing the hi-hat with the pedal fully pressed and then instantly opening it).

Overview

* Strike the bell somewhat strongly with the shoulder of the stick.

Choke Play

Choking (pinching) the cymbal’s edge with the hand

immediately after hitting the cymbal makes the sound stop.

Choke the location of the edge sensor shown in the figure. If

you choke an area where there is no sensor, the sound does

not stop.

fig.Play-Choke.e

Roland logo

Edge sensor

Positional Sensing

fig.Play-CYPosi

Pressure (VH-12 Only)

When you strike the hi-hat while pressing on the pedal with the hi-hat closed, you can then change the closed tone in response to the pressure you place on the pedal.

Bow Shot

This playing method involves striking the middle area of the top hi-hat. It corresponds to the sound of the “head-side” of the connected trigger input.

fig.Play-VHBow

Edge Shot

This playing method involves striking the edge of the top hihat with the shoulder of the stick. When played as shown in the figure, the “rim-side” sound of the connected trigger input is triggered.

fig.Play-VHEdge.e

With certain ride sounds, playing position will change the

nuance of the sound.

* Only TRIGGER INPUT 9 RIDE corresponds to the positional

sensing.

* Select an instrument from the Drum Instrument List (p. 88)

with “*P” appended to the name.

Edge Sensor

* Do not strike the bottom hi-hat or the underside of the top hi-

hat.

Button Operation and Displays

Operations common to all aspects TD-12 operations.

Changing Data Values

Saving Your Settings

Every time you change a value during the editing process, it’s

automatically stored in the TD-12’s memory. There’s no

“write/save” process.

fig.00-004_40

Buttons, Sliders, Dial and Knobs

References for top panel buttons, sliders, dial and knobs will

be printed in square brackets [ ]; e.g., [SETUP].

Cursor

fig.00-001e_70

Cursor

Cursor refers to the highlighted characters indicating an on-

screen parameter that can be set. When there is more than one

possibility within the screen, use the [CURSOR] buttons to

move it.

fig.00-002_50

[+] and [-] (referred to in this manual as [+/-]) and the

[VALUE] dial are both used to change the values of settings.

Both methods have advantages.

[+/-]

• Each time [+] is pressed, the value increases. Each time [-]

is pressed, the value decreases. This is convenient for fine

adjustments.

• When making an on/off setting, [+] will turn the setting

on and [-] will turn it off.

• If you hold down [+] and press [-], the value will increase

rapidly. If you hold down [-] and press [+], the value will

decrease rapidly.

[VALUE] dial

The dial allows you to make major changes to the value

quickly. If you hold down [SHIFT] and turn [VALUE], the

value will change even more rapidly.

Function Buttons ([F1]–[F5])

fig.00-003_50

The [F1]–[F5] buttons are called “function buttons.” The

bottom part of the display will show the names of the

functions available for [F1]–[F5]. For example, if this owner’s

manual makes reference to [INST] - [F2 (EDIT)], press [INST],

and then press [F2] (in this case, “EDIT” is displayed above

[F2]).

Choosing Pads from the TD12’s Top Panel

fig.00-007_70

The [CURSOR] (TRIG) buttons can be used to select the pad/

trigger input to be edited without needing to hit a pad.

• Holding down [SHIFT] and pressing [CURSOR (left)]:

The next lower-numbered trigger will be selected.

• Holding down [SHIFT] and pressing [CURSOR (right)]:

The next higher-numbered trigger will be selected.

Button Operation and Displays

Changing the Tone Through the Strike Position and Rim Shot Nuance and Confirming the Closed Hi-Hat Tone

You can change the tone by changing the strike position and

rim shot nuance and confirm the closed hi-hat tone by holding

down [SHIFT] and pressing [PREVIEW].

Corresponding Inputs and Tone Changes That Can Be Checked

INPUT Effect

2 SNARE Head Tone Change from Strike Position

Rim Rim Shot Nuance

3 TOM 1– 5 TOM 3

6 HI-HAT Head Closed Hi-Hat Tone

9 RIDE Head

11 AUX 1, 12 AUX 2

Rim Rim Shot Nuance

Rim Closed Hi-Hat Tone

Tone Change from Strike Position

(Bow) Rim Rim Shot Nuance

How to Play Patterns

fig.06-003_70

Overview

If you are using a rim-capable pad, [RIM] selects whether the

settings being made are for the head or the rim. When [RIM] is

lit, it indicates that the rim is selected.

Holding down [SHIFT] as you press [RIM] locks the pad

(trigger) being set, so that the pad being set is not switched

even if another pad is touched. [RIM] flashes when a pad is

locked. To cancel the lock, hold down [SHIFT] and press

[RIM] once again.

* You can switch between the head and rim of the pad being set,

even when [RIM] is flashing, by holding down [SHIFT] and

pressing [CURSOR (left/right)].

By using these functions together with [PREVIEW], you can

edit the TD-12 only.

Convenient [PREVIEW] Functions

Checking the Tone While Changing the Velocity

You can toggle between three velocity (volume) levels by

holding down [KIT] and pressing [PREVIEW].

Set the three velocity levels by pressing [SETUP] - F3

(CONTROL)] - [F2 (PREVIEW)] (p. 77).

Pressing [PATTERN]. The basic screen for the sequencer

appears.

Press [+/-] or turn [VALUE] in this screen to choose a pattern.

Or press [F1 (LIST)] to choose from the pattern list.

fig.06-001

Press [PLAY] to start playback of the pattern.

Press [STOP] to stop playback.

Press [STOP] again to return to the top of the pattern.

How to Turn the Metronome (Click) On/Off

Hold down [SHIFT] and press [TEMPO] to turn ON and OFF.

* The [TEMPO] indicator can also be used as a visual

metronome (p. 62).

Button Operation and Displays

How to Adjust the Tempo

fig.06-Tempo1_70

To adjust the tempo of the sequencer and click, use [+/-] or

[VALUE] in the screen displayed by pressing [TEMPO].

Adjusting the Display Contrast

Display contrast can be influenced by location and lighting.

When needed, adjust the display contrast by:

holding down [KIT] and turning [VALUE]

* You can also adjust it in the screen displayed by pressing

[SETUP] - [F3 (CONTROL)] - [F3 (LCD)] (p. 77).

About the Display in the Upper Right of the Screen

fig.00-005_70

Group Faders

fig.00-009

Use [GROUP FADERS] sliders to adjust the volume.

If you press the [FADER] button, the function of the faders

will change as is explained in the chart below. An LED will

light up at the upper and lower right of the faders to indicate

which set of sounds is active.

• When upper indicator is lit, you can adjust the volume of

following trigger inputs.

KICK SNARE TOMS HI-HAT CRASH RIDE

1 (KICK) 2 (SNARE) 3 (TOM 1), 4 (TOM 2), 5 (TOM 3) 6 (HI-HAT) 7 (CRASH 1), 8 (CRASH 2) 9 (RIDE), 10 (EDGE)

Many edit screens require you to hit a pad or press the

[PREVIEW] button to access the parameters you want. The

upper right of the display will show the number and trigger

input jack name of the corresponding pad. The first character

(“H” or “R”) stands for Head or Rim. ([RIM] lights up when

played.)

You can use the CURSOR (TRIG) buttons and [PREVIEW] to

get the same results. In cases where settings for the head and

rim can be edited separately, the following characters will also

be displayed.

fig.00-006_70

• When lower indicator is lit, you can adjust the volume of

following trigger inputs and sequencer parts.

AUX 1 AUX 2 (none) PERC BACKING CLICK

Example: Adjusting the Snare Volume

Press [FADER] so the upper indicator is lit.

Move the [GROUP FADERS] [SNARE] slider.

The slider position shows the current snare volume.

* After switching with [FADER], the values for the [GROUP

FADERS] sliders may not reflect the actual volume of the

sound assigned to that fader. So after switching, be sure to

move the faders a bit before making your setting.

* This will NOT affect the independent volume balance for each

kit in: Mixer Settings (p. 39).

11 (AUX 1) 12 (AUX 2) – Percussion part (p. 57) Backing part (p. 56) Metronome click (p. 62)

Listening to the Demo Song

The internal demo song features the TD-12’s expressive

capabilities and top quality sounds. The drums on this song

were recorded from the TD-12 system to a sequencer in real

time.

Hold down [SHIFT] and press [CHAIN].

The “DEMONSTRATION” screen appears.

fig.Demo_70

Use [+/-] or [VALUE] to select a song.

Press [F5 (PLAY)].

Playback begins; the three demo songs are played back

repeatedly.

Press [F4 (STOP)] to stop the demo song.

Press [EXIT] or [KIT] to return to the “DRUM KIT” screen.

Caution Concerning Volume

When playing back the demo song, turn [MASTER] and

[PHONES] to the left (counterclockwise) to bring the

volume level down. The sound levels (volume) of the

instruments may be louder when the demo song is

played back.

Changing the Drum Kits

You can change the drum kit used to play the demo songs.

Press [CURSOR (down)] to move the cursor to “Kit.”

Use [+/-] or [VALUE] to select a drum kit.

* Demo songs are normally played using factory preset drum

kits.

Changing the Volume Balance

You can change the volume balance with [GROUP FADERS]

(p. 26).

Muting the Performance of the Backing Instruments and Drums

As drums are used to play the demo songs, you can mute

drum parts.

[F1 (DRUMS)]

You can MUTE the entire drum track.

[F2 (BACKING)]

You can MUTE all the backing instruments.

Overview

Demo Song

981a

purposes other than private, personal enjoyment is a violation

of applicable laws.

982

* No data for the music that is played will be output from MIDI

OUT.

Turning the Metronome (Click) On/Off

You can have the metronome click sound in time with the

demo songs.

Start by setting the click instrument and count (p. 63).

Hold down [SHIFT] and press [CHAIN].

The “DEMONSTRATION” screen appears.

Hold down [SHIFT] and press [TEMPO] to turn the metronome click (p. 62) on/off.

Useful Functions to Know

About the Preset Drum Kits

The TD-12 is shipped from the factory with 50 pre-loaded

drum kits. These drum kits are referred to as

Kits

The features of each preset drum kit, pad pattern function

settings, and other information is listed in the

Kit List

(p. 84). Look through this list to find the kit you want

to use.

Preset Drum

Playing Patterns to Check Drum Kit Tones

The preset patterns offer a convenient way to check the drum

kit sounds.

By selecting instruments and then playing back patterns with

these instruments, you can confirm the sounds of instrument

combinations; for example, kick and snare or snare and tom.

Name Use

No.

DrumPreview1 To check the kick, snare, and hi-

2 DrumPreview2 To check the kick, snare, and ride

3 DrumFill 1 To check the tom and crash cym-

4 DrumFill 2 To check the tom and crash cym-

* You can use the [GROUP FADERS] to change the volume

balance and mute any unneeded instrument sounds.

hat sounds

cymbal sounds

bal sounds

Restoring Edited Drum Kits to the Factory Default Settings

Restoring All Settings to the Factory Settings

This restores the TD-12 to the original factory settings (

Factory Reset

All data and settings stored in the TD-12 are lost in carrying out this operation. So if necessary, save your data to an external MIDI device before executing the factory reset. (Bulk Dump; [SETUP] - [F1 (MIDI)] -[F5 (BULK)]; p. 75)

Press [SETUP] - [F5 (F RESET)].

[SETUP] lights, and the “FACTORY RESET” screen appears.

Press [F5 (RESET)].

The confirmation screen appears.

* To cancel, press [F1 (CANCEL)].

Press [F5 (EXECUTE)] to execute Factory Reset.

When Factory Reset is finished, the “DRUM KIT” screen appears.

Restoring the Factory Settings to Individual Kits

When resetting individual drum kits whose instrument and/

or effect settings have been changed to the original factory

settings, use the Copy function (p. 70).

Hold down [SHIFT] and press [SETUP].

[SETUP] lights, and the “COPY” screen appears.

Press [F1 (KIT)].

fig.00-CopyKit_70

copy-source type (PRESET or USER)

copy-source

copy-destination

Use [+/-] or [VALUE] to select “PRESET” for the copy-source type.

Use [CURSOR], [+/-], or [VALUE] to select the copy-source kit and the copy-destination kit.

Press [F5 (COPY)].

The confirmation screen appears.

* To cancel, press [F1 (CANCEL)].

Press [F5 (EXECUTE)] to carry out.

Useful Functions to Know

Striking a Pad to Switch the Drum Kits

Overview

(Pad Switch Function)

You can switch drum kits and patterns by striking the pads

connected to AUX 1 and AUX 2 (press [SETUP] - [F3

(CONTROL)] - [F1 (PAD SW)]; p. 76).

Playing Back Patterns by Striking the Pads (Pad Pattern Function)

You can set up a pattern beforehand and then strike a pad to

start the performance of the pattern (press [INST] - [F4

(CONTROL)] - [F1 (PATTERN)]; p. 37).

Some factory set drum kits (Preset drum kits) have this

function set.

* When playing back patterns with recorded drum kit

performances or demo songs, the patterns assigned to the pads

are not played back, even if the Pad Pattern function is enabled

for the selected drum kit.

* Performances using the Pad Pattern function cannot be

recorded to sequencers.

* With Pad Pattern, performance of the pattern starts only when

the pad is struck with sufficient force.

If the pad is struck weakly, only the instrument sound assigned

to the pad is played; the pattern is not played back.

Stopping Playback of the Pattern Being Played

Press [STOP].

Disabling the Pad Pattern Function

Enabling Cross Sticks

Press [KIT].

Press [F5 (XSTICK)].

The cross-stick sound is alternately switched on and off

each time you press this.

* Select an instrument from the Drum Instrument List (p. 88)

with “*X” appended to the name.

Playing Along with Patterns

Choosing a Pattern

Press [PATTERN].

[PATTERN] lights, and the “PATTERN” screen appears.

Use [+/-] or [VALUE] to select the pattern.

Press [PLAY].

[PLAY] lights, and playback of the pattern begins.

Muting a Specific Part

Press [PATTERN] - [F2 (PART)] - [F5 (MUTE)].

The “PART MUTE” screen appears.

Press [F1]–[F5] to turn each part muted or played.

You can switch off the Pad Pattern function for the entire kit,

without having to individually change the settings for each

pad.

Set PadPtn Master Sw (press [KIT] - [F2 (FUNC)] - [F4 (PAD

PTN)]; p. 32) to “ALL PADS OFF.”

Chapter 1. Drum Kit Settings [KIT]

A “

drum kit

the sounds played with each pad, the hi-hat used, effect

settings, and so on.

fig.01-KitParam.e

Drum Kit 1

” refers to a configuration of settings that include

Drum Kit 50

Pad settings

KICK

Head 1

Rim 1

SNARE

Head 2

Rim 2

TOM1

Head 3

Rim 3

TOM2

Head 4

Rim 4

Choosing a Drum Kit

Press [KIT].

[KIT] lights, and the “DRUM KIT” screen appears.

fig.01-001*_70

Use [+/-] or [VALUE] to select drum kits.

TOM3

Head 5

Rim 5

RIDE

Head 9

Rim 9

Instrument settings

Instrument, V-EDIT/EDIT

Mixer settings

Volume, Pan, Minimum Volume

Effects settings

Compressor, Equalizer settings Ambience/Multi-Effects Send Level

Various Function Settings

Pad Pattern setttings Pitch Control function settings, MIDI settings

Ambience settings

ON/OFF, Room Type, Wall Type, etc.

Multi-Effects settings

ON/OFF, Type, effect level, etc.

Settings Affecting the Entire Drum Kit

Volume, Drum Kit Name, MIDI settings, etc.

HI-HAT

Head 6

Rim 6

EDGE

Head 10

Rim 10

CRASH1

Head 7

Rim 7

AUX1

Head 11

Rim 11

CRASH2

Head 8

Rim 8

AUX2

Head 12

Rim 12

Pads can be programmed to make selections (p. 76).

The selected or current kit number is indicated at all

times in the LED display at the left of the LCD display.

About the “DRUM KIT” Screen

fig.01-001_70

Drum Kit Name

Overall Kit Effects On/Off status (p. 40)

Pressing [KIT] always takes you back to the “DRUM KIT”

screen, from any Edit mode in the TD-12.

+ 78 hidden pages

Roland TD-12 User Manual

Specifications and Main Features

Frequently Asked Questions

User Manual

USING THE UNIT SAFELY

IMPORTANT NOTES

Contents

Features

Panel Descriptions

Top Panel

Rear Panel

Setting Up the Kit

Mounting the TD-12 on the Stand

Connecting the Pads and Pedals

Connecting Headphones, Audio Equipment, Amps, or Other Gear

Turning On/Off the Power

Connecting the Hi-Hat (VH-11) and Setting the “VH Offset”

Connecting the Hi-Hat

Adjusting the Offset

Adjusting Mesh Head Tension

Adjusting the PD-105 Head Tension

Adjusting the PD-85 Head Tension

Playing Methods

Pad (PD-105/PD-85)

Brush Sweeps

Cymbal (CY-12R/C)

Change the Nuance of the Rim Shot

Hi-Hat (VH-11/VH-12)

Choke Play

Positional Sensing

Button Operation and Displays

Changing Data Values

Saving Your Settings

Buttons, Sliders, Dial and Knobs

Cursor

Function Buttons ([F1]–[F5])

How to Play Patterns

Convenient [PREVIEW] Functions

How to Turn the Metronome (Click) On/Off

How to Adjust the Tempo

Adjusting the Display Contrast

About the Display in the Upper Right of the Screen

Group Faders

Listening to the Demo Song

Changing the Drum Kits

Changing the Volume Balance

Muting the Performance of the Backing Instruments and Drums

Turning the Metronome (Click) On/Off

Useful Functions to Know

About the Preset Drum Kits

Playing Patterns to Check Drum Kit Tones

Restoring Edited Drum Kits to the Factory Default Settings

Restoring All Settings to the Factory Settings

Restoring the Factory Settings to Individual Kits

Playing Back Patterns by Striking the Pads (Pad Pattern Function)

Stopping Playback of the Pattern Being Played

Disabling the Pad Pattern Function

Enabling Cross Sticks

Playing Along with Patterns

Choosing a Pattern

Muting a Specific Part

Chapter 1. Drum Kit Settings [KIT]

Choosing a Drum Kit

About the “DRUM KIT” Screen