Phonic Celeus 800 User’s Manual

User's Manual Manual del Usuario
CELEUS 800
ANALOG MIXERS
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CELEUS 800
1
CELEUS 800
English
INTRODUCTION......................................................................1
FEATURES...............................................................................1
BASIC SETUP...........................................................................1
USB SYSTEM REQUIREMENTS.......................................1
BLUETOOTH SETUP..................................................2
USB PLAYBACK.........................................................2
USB RECORDING...........................................................2
AUDIO INTERFACE..........................................................2
MAKING CONNECTIONS....................................................3
CONTROLS AND SETTINGS...................................................4
SPECIFICATIONS...................................................................8
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DIGITAL EFFECTS TABLE.......................................................1
APPLICATION.........................................................................2
DIMENSIONS............................................................................4
BLOCK DIAGRAM....................................................................5
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USER'S MANUAL
Phonic reserves the right to improve or alter any information within this document without prior notice.
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CELEUS 800
English
1. Read these instructions before operating this apparatus.
2. Keep these instructions for future reference.
3. Heed all warnings to ensure safe operation.
4. Follow all instructions provided in this document.
5. Do not use this apparatus near water or in locations where condensation may occur.
6. Clean only with dry cloth. Do not use aerosol or liquid cleaners. Unplug this apparatus before cleaning.
7. Do not block any of the ventilation openings. Install in accordance with the manufacturer
í
s instructions.
8. Do not install near any heat sources such as radiators, heat registers, stoves, or other apparatus (including
.
9. Do not defeat the safety purpose of the polarized or grounding-type plug. A polarized plug has two blades with one wider than the other. A grounding type plug has two blades and a third grounding prong. The wide blade or the third prong is provided for your safety. If the provided plug does not
into your outlet, consult
an electrician for replacement of the obsolete outlet.
10. Protect the power cord from being walked on or pinched particularly at plug, convenience receptacles, and the point where they exit from the apparatus.
11. Only use attachments/accessories
by the
manufacturer.
12. Use only with a cart, stand, tripod, bracket, or table
by the manufacturer, or sold with the apparatus. When a cart is used, use caution when moving the cart/apparatus combination to avoid injury from tip- over.
13. Unplug this apparatus during lighting storms or when unused for long periods of time.
14. Refer all servicing to
service personnel. Servicing is required when the apparatus has been damaged in any way, such as power-supply cord or plug is damaged, liquid has been spilled or objects have fallen into the apparatus, the apparatus has been exposed to rain or moisture, does not operate normally, or has been dropped.
IMPORTANT SAFETY INSTRUCTIONS
CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK,
DO NOT REMOVE COVER (OR BACK)
NO USER SERVICEABLE PARTS INSIDE
REFER SERVICING TO QUALIFIED PERSONNEL
The lightning flash with arrowhead symbol, within an
equilateral triangle, is intended to alert the user to the
presence of uninsulated
ì
dangerous voltageî within the
product
í
magnitude to constitute a risk of electric shock to persons.
The exclamation point within an equilateral triangle is in-
tended to alert the user to the presence of important operat-
ing and maintenance (servicing) instructions in the literature
accompanying the appliance.
WARNING: To reduce the risk of or electric shock, do
not expose this apparatus to rain or moisture.
CAUTION: Use of controls or adjustments or performance
of procedures other than those
may result in
hazardous radiation exposure.
The apparatus shall not be exposed to dripping or splashing and that no objects
with liquids, such as vases, shall be placed on the apparatus. The MAINS plug is used as the disconnect device, the disconnect device shall remain readily operable.
Warning: the user shall not place this apparatus in the
area during the operation so that the mains switch
can be easily accessible.
CAUTION
RISK OF ELECTRIC SHOCK
DO NOT OPEN
1
CELEUS 800
English
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Thank you for choosing one of Phonic’s many quality compact mixers. The CELEUS 800 compact mixers designed by the ingenious engineers that have created a variety of mixers fantastic
in style and performance in the past displays similar prociency
that previous Phonic products have shown; with more than a few
renements, of course. The CELEUS 800 features full gain ranges, amazingly low distortion levels, and incredibly wide dynamic ranges, just showing the dominance these small machines will
have on the pro audio market.
We know how eager you are to get started getting the mixer out and hooking all your gear up is probably your number one priority
right now but before you do, we strongly urge you to take a look through this manual. Inside, you will nd important facts and gures on the set up, use and applications of your brand new mixer. If you do happen to be one of the many people who atly refuse to read user manuals, then we just urge you to at least glance at the Basic
Setup section. After glancing at or reading through the manual (we
applaud you if you do read the entire manual), please store it in a place that is easy for you to nd, because chances are there’s something you missed the rst time around.
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Audiophile-quality microphone preampliers
6 mono mic/line inputs, 2 stereo mic/line inputs and 2 stereo
line input channels
Super musical 3-band equalizers on input channels, swept mid-
frequency control on channels 1 through 6
12-segment level meter for master or solo audio levels
Bluetooth audio streaming from tablets and smartphones
USB recording module for recording/playback of digital audio les
USB connectivity for stereo streaming to and from the computer
32/40-bit digital effect processor with 16 preset programs each
with its own adjustable parameter
Channel inserts available on mono inputs
Flexible soloing of input sources for monitoring signals
Three AUX sends available on each input channel
Balanced stereo main out through XLR connectors
Stereo headphone output jack with independent level control
Stereo RCA 2T return inputs and record outputs
Smartphone and tablet stand
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Windows™ XP SP2, Vista™, 7, 8 or 10
Intel™ Pentium™ 4 processor or better
512 MB RAM (1 GB recommended)
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Apple™ Mac™ OSX 10.5 or higher
G4™ processor or better
512 MB RAM (1 GB recommended)
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J)((Ensure all power is turned off on your mixer. To totally ensure
this, the power supply should not be connected to the unit.
K)((All faders and level controls should be set at the lowest level and
all channels switched off to ensure no sound is inadvertently sent through the outputs when the device is switched on. All levels can be altered to acceptable degrees after the device is turned on using the channel setup instructions.
L)((Plug any necessary equipment into the device’s various
outputs. This could include ampliers and speakers, monitors, signal processors, and/or recording devices.
M)((Plug the supplied power cable into the inlet on the back of the
device and then into a power outlet of a suitable voltage.
N)( Turn the power switch on and follow the channel setup
instructions to get the most out of your mixer.
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J)( To ensure the correct audio level of the input channel is
selected, each of the level input controls of the mixer should be
turned counterclockwise or down as far as they will go.
K)( No input other than the one being set should have any device
plugged in. This will ensure the purest signal is used when setting channels.
L) Set the level control of the channel you are setting to the 0 dB
mark.
M)( Ensure the channel has a signal sent to it similar to the signal
that will be sent when in common use. For example, if the channel is using a microphone, then you should speak or
sing at the same level the performer normally would during a
performance; if a guitar is plugged into the channel, then the
guitar should also be strummed as it normally would be (and so on). This ensures levels are completely accurate and avoids having to reset them later.
N) Set the gain so the Level Meter indicates the audio level is
around 0 dB.
P)( This channel is now ready to be used; you can stop making the
audio signal.
Q)( You can repeat the same process for other channels.
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CELEUS 800
English
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J) Push the Bluetooth button to turn the Bluetooth on K) Enter your laptop, cell phone or tablet’s Bluetooth setup options
to nd the “Phonic.BT” Bluetooth device.
L) If requested, the password for the CELEUS 800’s Bluetooth
function is 0000. A lot of modern smartphones will enter this as the default password.
M) Audio signals received through the Bluetooth interface will be
routed to channel 11/12 on the mixer.
N) To reset the connection, turn your laptop, cell phone or tablet’s
Bluetooth connection off and then on again.
P)( When using cell phones and tablets, it may be an idea to turn
“Airplane Mode” or “Flight Mode” on to stop phone calls or push notications from interrupting your audio.
"9GHR Not all modern Bluetooth-enabled devices allow for use of external
audio playback. In the case of laptops in particular, Bluetooth may be used
for data transmission only - depending on the model. This is a limitation of these devices and you will not be able to use the CELEUS 800’s Bluetooth function with these devices.
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J)( Power on the device. K)( Insert an appropriately formatted (FAT32) USB ash drive. L)( Press the PLAY button to play the current track, or the << and
>> buttons to skip forward and backwards between tracks.
M) The CELEUS 800 can playback MP3 and WMA les. N)( Use the level control for channel 13/14 to adjust the USB
players volume.
P) Press the STOP/MENU button to access the File Browser
(Folders) and Repeat Mode functions.
>92DHI4(Freely navigate songs in each folder on USB ash disc using the << and >> buttons. Press PLAY button to select, press
MENU button to go back. <H6H7G(A9DH(There 4 repeat modes available. "9(<H6H7G(Play each le in the current folder or root once. <H6H7G(-0H Continuously repeat selected song. <H6H7G(>92DHI Continuously repeat all the song in the current
folder or root directory.
( <70D9T(Enables random playback of les in current folder or
root.
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J)( Power on the device. K) Insert an appropriately formatted (FAT32) USB ash drive. L)( In the main menu, select “Recordand press the PLAY button
to enter recording mode.
M)( Select between the 128 kbit/s and 192 kbit/s WAV recording
modes and press the PLAY button.
N)( Record mode will begin in standby/pause. Push the Play/Pause
button to begin recording. The unit will save the recorded le
into the RECORD directory on the USB device.
P) Push the Play/Pause button to pause recording. Pushing
the Play/Pause button again will resume recording from the position at which it was paused.
Q) Press the MENU button at any time to save the recording. Once
the recording is saved, additional audio cannot be recorded to that le.
U) To exit record mode and return to the main menu, press and
hold MENU button for three seconds.
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By simply connecting the USB cable provided along with your
CELEUS to the device and your personal computer or laptop,
you are able to send CD quality (16-bit stereo, with a 44.1 kHz
sampling rate) signal to and from your mixer. By doing this, you are
actually turning your CELEUS 800 into a highly useful plug’n’play soundcard for your computer. The USB sends an audio stream of the Main Left and Right (record out) signal of your mixer to the computer. You can use almost any dedicated Digital Audio Workstation (DAW) software to record the signal from the CELEUS mixer. You can also set the mixer as your default audio device. The USB interface also returns the audio signal from your computer
back to the 2T Returns, the signal of which is controlled by the 2T
/ USB Return control. If there are input signals from both the USB
interface and the 2T Return, the two signals are combined and
controlled simultaneously by the 2T return control.
C30D9E4
1. Turn on both the CELEUS and the computer.
2. Connect the CELEUS mixer to the computer via the provided USB cable.
3. Let Windows nd the device and install an appropriate driver.
4. Enter the Control Panel and select Sounds and Audio Devices.
5. When here, go to the Audio tab and select the “USB Audio
Codec” as your default sound recording and playback device.
6. Depending whether you have Windows XP, Vista, 7, 8 or 10,
this may differ slightly, but the setting can always be found
within the Control Panel’s audio menu.
7. If you don’t want to use the CELEUS as your default audio
device, you can simply enter your DAW or other audio program
and select it as your default device in the program only.
8. Be sure to set your minimum buffer settings to 64 samples as to avoid clicks and pops.
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1. Turn both the CELEUS and the computer on.
2. Connect the CELEUS mixer to the computer via the provided USB cable.
3. Enter the AUDIO MIDI SETUP menu.
4. Select the “USB Audio Codec” as your input and output device.
5. The CELEUS is now your default audio device.
6. Alternatively, enter your DAW software (or other relevant audio
program) and select the “USB Audio Codec” in the device
preferences.
7. Be sure to set your minimum buffer settings to 64 samples as
to avoid clicks and pops.
3
CELEUS 800
English
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These jacks accept XLR inputs for balanced signals. They can
be used in conjunction with microphones such as professional
condenser, dynamic or ribbon microphones with standard XLR
male connectors. With low noise preampliers, these inputs serve
for crystal clear sound replication.
NB. When using an unbalanced microphone, please ensure phantom power is switched off. However, when using condenser microphones the phantom
power should be activated.
K)((XY(;<&(%06OG(V7FW4
These ¼" phone jacks are the line-level input connections for
channels 1 through 6. When the XLR inputs on their corresponding
channels are not in use, these inputs can be utilized.
L)((&GHIH9(:5700H2(%06OG4
The CELEUS 800 features 4 stereo input channels (numbered
channels 7 through to 14), the inputs of which differ slightly to the
mono channels. Each channel includes two ¼" TRS phone jacks
ideal for use with keyboards, drum machines and electric guitars.
If you wish to use a mono device on a stereo return input, simply
plug the device’s ¼” phone jack into the left (mono) stereo input
and leave the right input bare. The signal will be duplicated to the
right due to the miracle of 'jack normalizing'.
In addition to the ¼" TRS phone jacks, channels 7/8 and 9/10
include XLR inputs (as described in point 1 above). These can be used instead of the stereo TRS input connectors.
M)((&GHIH9(+=/(<HGOI0
The 1/4” TRS AUX Return inputs are for the return of audio to
the CELEUS mixer, processed by an external signal processor. If
really needed, they can also be used as additional inputs. The feed
from these inputs can be adjusted using the AUX Return controls
on the face of the mixer.
N)(+=/(&H0D4
These 1/4" TS phone jack is the nal output of the AUX SEND 1,
2 and 3 send mixes, as controlled by the individual AUX rotary
controls found on each channel. These can be used to feed any number of external signal processors. The signal can then be returned to the CELEUS 800 through the AUX Returns (point 4 above).
P)((>99G(&E3GF5(V7FW
This port is for the inclusion of a non-latching foot switch, used to
remotely switch the built-in Digital Effect processor between the on and standby modes.
Q)(('H7D6590H4(V7FW
This stereo output port is suited for use with headphones, allowing
monitoring of the mix. The audio level of this output is controlled using the Phones/Control Room control on the front panel.
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CELEUS 800
English
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U)(:5700H2(%04HIG4
Located on the rear of the CELEUS 800, the primary use for
these TRS phone jacks is for the addition of external devices, such
as dynamic processors or equalizers, to mono input channels 1
through to 6. This send and return will require a Y cord that can send (pre- fader and pre-EQ) and receive signals to and from an external processor.
Z)((:90GI92(<99T(-OG6OG4
These two 1/4” phone jack outputs are fed from the Control Room
mix as controlled by the Control Room level control. This output
has extensive use, as it can be used to feed the signal from the
mixer to an active monitor, for the monitoring of the audio signal
from within a booth, among many other possible uses.
J[)(K;(<HGOI0(\$(70D(<]
These inputs accommodate RCA cables from such devices as
tape, CD and MP3 players. The line from this feed is directed to
the Tape In mix and controlled by the 2T / USB RTN level control.
JJ)(<HF9ID(-OG(\$(70D(<]
As with the Tape In ports, these outputs will accommodate RCA
cables, able to be fed to a variety of recording devices. This may
include cassette recorders or even laptop computers. Phonic suggests the use of a y-cable. These cables include two RCA
connectors on one end and a single 1/8" mini-stereo jack on the
other end.
JK)((#I9O6(-OG
These 1/4” phone jacks output the nal feed from the Group 1 and
2 faders on the main mixer. These outputs can be used to feed
a wide range of devices, such as mixers, signal processors, and
even to connect an amplier and speakers, to be used along with
the main speakers for a more rounded audio experience.
JL)((=&?(:900HFG9I
This USB-B connection is for the USB computer interface. Use the included USB cable to connect this to your computer's USB port.
JM)((X^(A730(-OG
These two ¼” TRS phone jacks will output the nal stereo line
level signal sent from the main mix. The primary purpose of these
jacks is to send the main output to external devices, which may
include power ampliers (and in-turn, a pair of speakers), other
mixers, as well as a wide range of other possible signal processors
(equalizers, crossovers, etcetera).
JN)((/$<(-O6OG(:900HFG9I4
These balanced XLR connections will send the nal stereo
line level signal sent from the main mix. These outputs can be
connected to an amplier for sending the signal out to speakers,
or directly to active speakers.
JP)((+:(*9EHI(:900HFG9I
This port is for the addition of a power cable, allowing power to be
supplied to the mixer. Please use the power cable that is included with this mixer only.
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JQ)((*9EHI(&E3GF5
This switch is used to turn the mixer on and off. Ensure you turn all level controls down before activating. This ensures no audio is inadvertently sent through your system.
18. Phantom Power Switch
When this switch is in the on position, it activates +48V of phantom
power for all microphone inputs, allowing condenser microphones
(well, the ones that don’t use batteries) to be used on these
channels. Activating Phantom Power will be accompanied by an illuminated LED on the front panel. Before turning Phantom Power
on, turn all level controls to a minimum to avoid the possibility of a
ghastly popping sound from the speakers.
NB. Phantom Power should be used in conjunction with balanced microphones. When Phantom Power is engaged, single ended (unbalanced)
microphones and instruments should not be used on the Mic inputs.
Phantom Power will not cause damage to most dynamic microphones, however if unsure, the microphone’s user manual should be consulted.
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CELEUS 800
English
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JZ)(($9E(:OG(>32GHI(\QN('_]
This button will activate a high-pass lter
that reduces all frequencies below 75 Hz
at 18 dB per Octave, helping to remove
any unwanted ground noise or stage rumble.
K[)((#730(:90GI92(
This controls the sensitivity of the input signal of the Line/Microphone input of mono channels. The gain should
be adjusted to a level that allows the maximum use of the audio, while still
maintaining the quality of the feed. This
can be accomplished by adjusting it to
a level that will allow the peak indicator occasionally illuminate.
KJ)(('%#'(\'315(>IH`OH0Fa](:90GI92(
This control is used to give a shelving boost or cut of ±15 dB to high frequency
(12 kHz) sounds. This will adjust the
amount of treble included in the audio
of the channel, adding strength and crispness to sounds such as guitars,
cymbals and synthesizers.
KK)((A%.(\A3DD2H(>IH`OH0Fa](:90GI92
This control is used to provide a peaking style of boost and cut to the level of middle frequency sounds at a range of ±15 dB. These mixers also provide a
sweep control, allowing you to select a
center frequency between 100 Hz and 8 kHz. Changing middle frequencies of an
audio feed can be rather difcult when used in a professional audio mix, as it is
sometimes more desirable to cut middle
frequency sounds rather than boost them, soothing overly harsh
vocal and instrument sounds in the audio. Stereo channels of the CELEUS 800 mixers feature a High-Mid
and Low-Mid control instead of the typical controls described above. They provide a peaking style of boost and cut to middle
frequencies, where the frequencies are set at 3 kHz and 800 Hz
(High-Mid is set at 3 kHz and Low-Mid is set at 800 Hz)
KL)(($-C(\$9E(>IH`OH0Fa](:90GI92
This control is used to give a shelving boost or cut of ±15 dB to
low frequency (80 Hz) sounds. This will adjust the amount of bass included in the audio of the channel, and bring more warmth and
punch to drums and bass guitars.
KM)((+=/(:90GI92(70D(*IHb*94G(
These controls alter the signal level that is being sent to the AUX
1 and 2 mixes, the signal of which is suitable for connecting stage monitors, allowing artists to listen to the music that is being playing. Also included on AUX 2 is a Pre/Post button, which alternates the
feed to the AUX 2 mix between a post- and pre-fader feed.
KN)((!>/(:90GI92
This control alters the signal level that is sent to the AUX 3 send output and the built-in digital effect processor. The EFX send
signal can be used in conjunction with external signal processors
(this signal of which can be returned to mixer via the AUX return
input), or simply as an additional auxiliary output.
KP)((*70(b(?7270FH(:90GI924
This alternates the degree or level of audio that the left and right
side of the main mix should receive. On mono channels, the PAN control will adjust the level that the left and right should receive (pan), where as on a stereo channel, adjusting the BAL control
will attenuate the left or right audio signals accordingly (balance).
KQ)((-0(?OGG90(70D(%0D3F7G9I
This turns the channel on, allowing the user to use the feed from the channel’s inputs to supply the MAIN L/R, GROUP 1/2, AUX
and EFX mixes. The corresponding indicator will be illuminated when turned on.
KU)(JcK(70D($b<(?OGG904
These handy buttons allow you to decide the audio path of the
corresponding channel. Pushing the “1-2” button allows the signal to be sent to the Group 1-2 mix, where the “L/R” allows it to be sent
to the Main L/R mix.
KZ)((*H7W(%0D3F7G9I
This LED indicator will illuminate when the channel hits high
peaks, 6 dB before overload occurs. It is best to adjust the channel
level control so as to allow the PEAK indicator to light up on regular intervals only. This will ensure a greater dynamic range of audio.
This doubles as the SOLO indicator, lighting up when the channel's
SOLO is activated.
L[)((&929(?OGG90
The Solo button is pushed to allow the signal of a corresponding channel to be sent to the Control Room / Phones control (pre or
post fader, depending on the properties selected by the pre / post button, located by the Control Room / Phones control), for use
with either headphones or studio monitors. This also allows easier setting of the input gain and tracking of audio by sound engineers.
LJ)((:5700H2(>7DHI
This control will alter the signal level that is sent from the corresponding channel to the main mix.
LK)((dM(b(cJ[(?OGG904
These buttons, located on stereo channels,
are used adjust the input sensitivity of the
corresponding channel, which will adapt the
mixer to external devices which may use different operating levels. If the input source is
-10 dBu (consumer audio standard), it is best
to engage the switch, allowing the signal to be heard. If the input
source is +4 dbV (professional audio standard) the corresponding
input channel’s button should be disengaged. If you are unsure of
the source’s operating level, leave the switch disengaged until you
test the source’s signal.
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CELEUS 800
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MJ)((:90GI92(<99T(b(*590H4(:90GI924
This control is used to adjust the audio level of the phones feed,
as well as the signal sent to the Control Room output. This is for
use in monitoring, as side ll, or for the addition of additional audio
gear. The Pre/Post buttons alternates the Control Room / Phones source signals between those of post-fader and pre-fader feeds.
The main mix will typically be sent to the Control Room / Phones
mix unless any SOLO buttons are pressed. In this instance, the
SOLO signal(s) will be sent to the Control Room / Phones mix.
MK)((+=/(&H0D(A74GHI(:90GI924
These controls adjust the nal level of the AUX mixes (as taken from the AUX level controls on each channel strip), the audio of
which is sent to corresponding AUX send outputs. The SOLO button that accompanies these controls allows you to send the AUX Send signal to the Control Room / Phones mix. The AUX 1 send control is a fader while the AUX 2 send is a rotary control.
ML)((!>/(&H0D(A74GHI(:90GI92
This control adjusts the nal level of the EFX mix (as taken from the EFX level controls on each channel strip), the audio of which is sent to the AUX Send 3 outputs, as well as the built-in digital effect
processor. The corresponding SOLO button allows you to send the signal to the Control Room / Phones mix.
MM)(+=/(<;"(:90GI924
This control adjusts the signal level of audio fed through to the stereo AUX Return inputs, which will be added to the main mix. The “To AUX 1” control adjusts the pre-fader level of the signal
from the AUX Return control to the AUX 1 mix (also known as "EFX to Monitor").
.313G72(!eeHFG(*I9FH449I
LL)((*I91I7T(:90GI92
This control will allow users to select one of the 16 built-in digital effects of the CELEUS. The effect names that correspond with the
numbers can be found on the top of the mixers face, or in the
digital effect table.
LM)((!eeHFG4(-0(?OGG90(f($!.
Pushing this button will turn the built-in effect processor on and off.
When the effect processor is activated, the corresponding LED will
light up to indicate so.
LN)((*7I7THGHI(:90GI92
Turning this control will adjust the one main parameter of the
selected effect. Each effect’s parameter can be found on the digital effect table.
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LP)((K;(<HGOI0b=&?(:90GI92
This control adjusts the incoming signal from both the RCA "2T RTN" jacks and the onboard USB interface. The signals are then
sent to the main mix. The "To CTRL RM" button allows the signal to be sent to the Control Room / Phones mix.
LQ)((#I7653F(!`O723_HI
This graphic equalizer allows you to adjust the frequency response of your main signal, with a maximum of ±12 dB of signal boost or
cut for each of the 9 frequency bands. The button provided along with the Graphic EQ allows it to be activated and deactivated.
LU)((dMUg(%0D3F7G9I
This LED indicator will light up when Phantom Power is activated on microphone inputs.
LZ)((*9EHI(%0D3F7G9I
This LED indicator illuminates when power of your CELEUS 800 mixer is activated.
M[)(($HhH2(AHGHI
These dual 12-segment level meters give an accurate indication of when audio levels of the Main L/R output signals reach certain levels. The 0 dB indicator illuminates is approximately equal to an
output level of +4 dBu, and the PEAK indicator illuminates about 6
dB before the signal is dynamically clipped. It is suggested for the maximum use of audio to set the various levels controls so that it
sits steadily between 0 and 8 dB to make full use of audio, while
still maintaining fantastic clarity.
When any of the solo buttons are pushed in, the level meter will
then display the audio properties of the Control Room / Phones mix. This is especially helpful when setting the levels of each
individual channel, as is shown in the Channel Setup section of this manual. The “Solo” LED will illuminate when the Level Meter
displays the audio properties of the Control Room / Phones signal.
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