Native Instruments Absynth 3 Operation Manual

ABSYNTH 3

Operation Manual

The information in this document is subject to change without notice and does not represent a commitment on the part of Native Instruments Software Synthesis GmbH. The software described by this document is subject to a License Agreement and may not be copied to other media. No part of this publication may be copied, reproduced or otherwise transmitted or recorded, for any purpose, without prior written permission by Native Instruments Software Synthesis GmbH. All product and company names are ™ or ® trademarks of their respective owners.
User’s Guide written by: Paul Sellars
© Native Instruments Software Synthesis GmbH, 2004. All rights reserved.
ABSYNTH is a trademark of Native Instruments Software Synthesis.
Germany USA
Native Instruments GmbH Native Instruments USA, Inc.
Schlesische Str. 28 5631 A Hollywood Boulevard
D-10997 Berlin Los Angeles, CA 90028
Germany USA
info@native-instruments.de info@native-instruments.com
www.native-instruments.de www.native-instruments.com

Table of Contents

Welcome to ABSYNTH! . . . . . . . . . . . . . . . . . . . . . . . . . . . .1
Product Authorization . . . . . . . . . . . . . . . . . . . . . . . . . . . . .3
What is the Product Authorization? . . . . . . . . . . . . . . . . . . . .3
Conducting the Product Authorization . . . . . . . . . . . . . . . . . .5
Registration support . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .11
Installation under Windows XP . . . . . . . . . . . . . . . . . . . . . .13
System Requirements and Recommendations . . . . . . . . . . . .13
Software Installation . . . . . . . . . . . . . . . . . . . . . . . . . . . . .13
VST plug-in Installation . . . . . . . . . . . . . . . . . . . . . . . . . . .14
DXi 2 plug-in Setup . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .14
Installation under MacOS X . . . . . . . . . . . . . . . . . . . . . . . .16
System Requirements and Recommendations . . . . . . . . . . . .16
Installing Absynth 3 OS X . . . . . . . . . . . . . . . . . . . . . . . . . .16
MacOS Audio Unit plug-in Installation . . . . . . . . . . . . . . . . .17
Mac/Windows RTAS plug-in installation . . . . . . . . . . . . . . . .17
Audio Interfaces . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .18
Stand-alone Application . . . . . . . . . . . . . . . . . . . . . . . . . . .18
Plug-In . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .19
Absynth 3 as Standalone . . . . . . . . . . . . . . . . . . . . . . . . . .22
Soundcard (Audio Interface) . . . . . . . . . . . . . . . . . . . . . . . .22
Routing . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .24
MIDI . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .25
Absynth 3 as Plug-In . . . . . . . . . . . . . . . . . . . . . . . . . . . . .26
VST 2.0 plug-in . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .26
DXi 2 Plug-in . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .32
Main window . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .35
Navigation Bar . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .35
Absynth 3
I
Patch window . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 41
Modules . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 41
Oscil module . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 42
Wavetable synthesis modes . . . . . . . . . . . . . . . . . . . . . . . . 43
Sampling modes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 49
Audio In mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 53
Filter module . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 54
Mod module . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 55
Mono/surround . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 57
Waveshape module . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 58
Effect module . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 59
More Parameter Control . . . . . . . . . . . . . . . . . . . . . . . . . . 59
Wave window . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 61
Waveform mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 62
Spectrum mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 65
Effect window . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 67
Multicomb mode (pictured above) . . . . . . . . . . . . . . . . . . . 67
Pipe mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 68
Multitap mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 69
Echos mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 69
Resonators mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 70
Envelope window . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 73
Envelope modes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 77
LFO window . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 89
LFOs and surround panning . . . . . . . . . . . . . . . . . . . . . . . 92
MIDI window . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 93
Working with Custom Tunings . . . . . . . . . . . . . . . . . . . . . . 95
Universal Library . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 97
Patch Window Library Functions . . . . . . . . . . . . . . . . . . . . 97
Envelope and Waveform Window Library Functions . . . . . . . 97
Copy and Paste . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 97
Just try it out . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 98
Record window . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 99
Global Tempo Sync . . . . . . . . . . . . . . . . . . . . . . . . . . . . 102
Absynth 3 II

Welcome to ABSYNTH!

Thank you for purchasing ABSYNTH.
ABSYNTH is a unique, inimitable synthesizer, offering unparallalled possibilities. From futuristic synths to rhythmic mayhem, vintage sounds to ambient layers and completely unique, alien soundscapes – ABSYNTH seduces with its sublime sounds.
Combining subtractive synthesis, FM, ring modulation, classic and granular sampling with the most advanced envelope control ever implemented, ABSYNTH leads the way for software synthesizers. The innovative user-interface merges sophistication with simplicity, providing an unrivalled sound design experience.
Constantly moving and morphing textures can be generated with the flexible 68-breakpoint envelopes. You can carefully model new waveforms one harmonic at a time, or use the real-time waveform fractalization functions to create a host of lively, individual sounds.
With live audio input ABSYNTH becomes an extraordinary effect unit. Route other instruments through it, twisting and contorting your sounds into unimaginable sonic shapes. ABSYNTH’s compatibility with every popular plug-in format ensures seamless integration into every studio setup.
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Absynth 3
English – 1
Absynth 3 English – 2

Product Authorization

Part of the ABSYNTH installation is a Product Authorization which has to be fullfilled in order to make permanent use of the software. We rec­ommend that you take notice of this chapter first, then proceed with the software installation as described in the following chapters and fi­nally return to this chapter.

What is the Product Authorization?

The Product Authorization includes a full registration. After having completed the authorization, you can make use of all online services related to the registered product. On the Native Instruments website you can read online tutorials, get technical support, participate in the NI forums and download updates.
ABSYNTH requires the Product Authorization in order to use the software permanently. You can run ABSYNTH for 30 days without any limitations. As long as the software runs unauthorized a message at every program start reminds you that the authorization has not been completed yet and indicates how many more days the software is running without an authorization.
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The Product Authorization is performed by a small application called Registration Tool. The Registration Tool generates a so called System ID which serves as request code for receiving an Authorization Key. The
Absynth 3
English – 3
System ID is based on some hardware components of your computer system, the operating system version and the serial number you have entered at the ABSYNTH installation.
Registration Tool
Note: Exchanging your audio card, MIDI interface or external equipment will not start the request for a new Authorization Key. Only exchanging a basic hardware component in your computer or installing a new operat­ing system might produce a new Product Authorization request. In this case the Registration Tool will reflect the change by displaying a new System ID and you have to repeat the Product Authorization.
The System ID has to be sent to Native Instruments in order to receive the Authorization Key which allows the permanent use of ABSYNTH. Since the Product Authorization is part of the license agreement ABSYNTH will stop launching after 30 days if it was not authorized until
Absynth 3 English – 4
then. Of course, it is also possible to complete the Product Authorization after 30 days. In this case the software will launch again as soon as the Product Authorization has been completed.
Note: The data transfer at the online Product Authorization is done via a secure connection using 128 bit encryption. Native Instruments keeps your personal data like email and postal address in confidence. No data will be passed to a third party.

Conducting the Product Authorization

Native Instruments has set a high value on making the authorization procedure as easy and comfortable as possible. In the following sections we describe three methods of conducting the Product Authorization. We recommend Method A and Method B since these result in the easiest and fastest way of receiving the Authorization Key.

Method A: Absynth computer has direct access to the internet

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Important: This method requires a valid email address to complete the Product Authorization, since the registration code will be sent to you by email.
Windows: Start the Registration Tool from the start menu (Native In-
Ö
struments Absynth 3 SYNTH installation folder (default path: C:\Program Files\Native Instruments\Absynth 3\).
MacOS: Start the Registration Tool from the ABSYNTH installation folder (default path: Applications\Absynth 3\).
Absynth 3 Registration Tool) or from the AB-
Absynth 3
English – 5
• A click on the Register Now button opens the Native Instruments reg- istration webpage. Therefore your standard Internet Browser will be opened and an internet connection will be established according to your system settings. Your System ID will be automatically transmit­ted to the registration form.
• On the first online page you are asked if it is your First Registration at Native Instruments or if you want to do an Additional Registration.
• Depending on the option you have chosen on the first online page you now get a login page asking for your username and password or a form where you can fill out your address data. Please fill out all required fields and follow the instructions on the screen to complete the regis­tration.
• On the last online registration page your Authorization Key is directly shown in the browser. Please copy the full number (12 x 5 digits) and paste it to the registration tool. Within a few minutes you will also re­ceive an email from the Native Instruments registration system con­taining the Authorization key. The Authorization key is available in the email body and additionally as text attachment. This email also con­tains the password which is required for using the online services.
Absynth 3 English – 6
• Start the Registration Tool again and either copy the Authorization Key from the email and press the Paste from Clipboard button in the
Registration Tool or use the Open File button in the Registration Tool to open the email attachment which you previously have saved to hard disk.
• Click on the Complete button.
After completing the Product Authorization the Registration Tool looks like this
Now the ABSYNTH Product Authorization has been completed. The au­thorization message at every ABSYNTH start has disappeared and you can use the software permanently:
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Method B: Internet Connection on another computer

Important: This method requires a valid email address to complete the Product Authorization, since the Authorization Key will be send to you by email.
Windows: Start the Registration Tool from the start menu (Native In-
Ö
struments Absynth 3 SYNTH installation folder (default path: C:\Program Files\Native Instruments\Absynth 3\).
Absynth 3 Registration Tool) or from the AB-
English – 7
Absynth 3
MacOS: Start the Registration Tool from the ABSYNTH installation folder (default path: Applications\Absynth 3\).
• A click on the Save Registration File button opens a Save dialog for saving a HTML file. Save the HTML file to any storage medium.
• Transfer the HTML file to another computer where you have internet access (via floppy disk, CDR etc.).
• Open the HTML file in your internet browser.
• The HTML page contains a link for the registration page on the Native Instruments website. When you click on this link an internet connec­tion will be established according to your system settings.
• On the first online page you are asked if it is your First Registration at Native Instruments or if you want to do an Additional Registration.
• Depending on the option you have chosen on the first online page you now get a login page asking for your username and password or a form where you can fill out your address data. Please fill out all required fields and follow the instructions on the screen to complete the regis­tration.
• Within a few minutes you will receive an email from the Native Instru­ments registration system containing the Authorization key. The Au- thorization key is available in the email body and additionally as text attachment. This email also contains the password which is required for using the online services.
• Transfer the text attachment to the computer where you have in­stalled ABSYNTH.
Absynth 3 English – 8
• Start the Registration Tool again and use the Open File button in the Registration Tool to open the email attachment which you previously have saved to hard disk.
• Click on the Complete button.
After completing the Product Authorization the Registration Tool looks like this
Now the ABSYNTH Product Authorization has been completed. The au­thorization message at every ABSYNTH start has disappeared and you can use the software permanently:
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Method C: No Internet Connection available

Important: Following this method you will have to fill in a form which you send to Native Instruments. You will receive the Authorization Key either by email (recommended), by postal mail or by fax. If you do not provide Native Instruments with a valid email address in the form, be prepared to type in the Authorization Key manually (about 60 digits).
If you do not have access to the internet or if you do not have a work­ing email address, the Product Authorization can also be done via postal mail or fax. Although Native Instruments goes after a fast han­dling of your authorization requests, it is generally recommended that you prefer Method A or Method B for shortest return times and most comfortable operation. Please note the following instructions to fullfill the Product Authorization:
English – 9
Absynth 3
Windows: Start the Registration Tool from the Windows start menu
Ö
(Native Instruments Absynth 3 from the ABSYNTH installation folder (default path: C:\Program Files\Native Instruments\Absynth 3\).
MacOS: Start the Registration Tool from the ABSYNTH installation folder (default path: Applications\Absynth 3\).
• A click on the Fill Out Form button opens a local HTML file in the op­erating system’s standard browser or another program which you have defined as standard application for opening HTML files.
• The HTML file contains all information Native Instruments requires for completing the Product Authorization and registration. Please fill in the required data and print it out, or write a letter containing the data.
Absynth 3 Registration Tool) or
If you write a letter please attend to a legible handwriting to avoid mis­takes at the Native Instruments registration team. Not legible email or postal addresses can cause problems with the Authorization Key delivery.
• Send the form to Native Instruments using one of the following con­tact addresses:
Native Instruments GmbH
Registration
Schlesische Straße 28
Absynth 3 English – 10
10997 Berlin
Germany
Fax: +49 30 61103535
Native Instruments USA
5631 A Hollywood Boulevard
Los Angeles
CA 90028
USA
Fax: +1-323-372-3676
• You will receive the Authorization Key via email (recommended), fax or mail.
• Start the Registration Tool again and either copy the Authorization Key from the email and press the Paste from Clipboard button in the Registration Tool or use the Open File button in the Registration Tool to open the email attachment which you previously have saved to hard disk. If you have received the Authorization Key by mail or fax, type it in manually.
• Click on the Complete button.
ENGLISH DEUTSCH
Now the ABSYNTH Product Authorization has been completed. The au­thorization message at every ABSYNTH start has disappeared and you can use the software permanently:

Registration support

If you run into problems during the Product Authorization the Native Instruments registration support team will be happy to help you. In this case send a support request on the NI website using the following URL:
http://www.native-instruments.com/registersupport.info
Please describe the occurred problem as accurate as possible and provide the registration support team with the necessary details to solve the problem.
English – 11
Absynth 3
Absynth 3 English – 12

Installation under Windows XP

System Requirements and Recommendations

To use the ABSYNTH software, you need a computer with the following minimum specifications:

Hardware

• Pentium III/Athlon with 700 MHz.
• 256 MB RAM
• up to 400 MB free space on your hard disk
• A sound card compatible with Windows XP.
The audio engine in ABSYNTH has been designed to make optimum use of the available computing power in the CPU. The powerful FPUs inte­grated in modern CPUs are best suited to carrying out the complex com­putations of real-time synthesis. We recommend the following high­performance processors for using ABSYNTH : Pentium III or 4 with 1.2 GHz or faster, Athlon XP with 1.2 GHz or faster. We also recommend that you use a large amount of RAM (512 MB or more) that is optimally matched to the architecture of your processor.
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Software

•Windows XP

Software Installation

• Insert the ABSYNTH CD into the CD-ROM drive.
• Use the Windows Explorer to view the contents of the CD.
• Start the installation by double-clicking Absynth Setup.exe.
• The setup program will suggest C:\Program Files\Native Instru- ments\Absynth3 as the path for the destination folder. You may also choose another folder if you wish.
English – 13
Absynth 3

Installed Folders, Files, and Links

The setup program creates a new folder called Absynth 3\ in the installation directory (Program Files\Native Instruments). This folder contains the files required to operate the software.
If you do not choose a different program group during the installation,
á
links to ABSYNTH and a ReadMe file are added to the
Ö
under Programs
Native Instruments.
Start menu

VST plug-in Installation

• Insert the Installation CD into the CD drive.
• Use the Windows Explorer to view the contents of the CD. To start, double-click the Absynth 3 Setup.exe file.
• When the choice is given by the installer, select VST plug-in from the list of components to install.
• You can now choose to automatically search for the VST plug-in folder or manually select the VST plug-in folder of your choice. Please select the option that best suits your installation requirements.
Note: If more than one host program for VST 2.0 plug-ins is installed on your computer, the installer lets you install to multiple VST-folders by shift-clicking them. If you decide to install them at a later date, simply copy the “Absynth 3 VST.dll” file into the VST plug-ins folders of these programs. Windows: If the VST plug-in files are not visible in the Win­dows Explorer, select the Show All Files option. This option is located in
Ö
the Explorer menu View den Files. Optionally, you can set up your programs so that they all use
the same VST plug-ins folder.
Folder Options... on the View tab below Hid-

DXi 2 plug-in Setup

DXi 2 is a plug-in interface for software synthesizers and instruments based on Microsoft DXi technology. Sonar from Cakewalk and Fruity Loops are the most well known host sequencers that support DXi.
Absynth 3 English – 14

Installation

• Insert the Installation CD into the CD drive of your computer.
• Use the Windows Explorer to view the contents of the CD and double­click the Absynth 3 Setup.exe file to start the installation.
• Continue the ABSYNTH installation until you come to the Choose plug-ins page. Tick the checkbox DXi plug-in.
The installation program copies the ABSYNTH plug-in to your hard disk and registers it as a DXi 2 plug-in for use in DXi 2-compatible host pro­grams. After the installation, ABSYNTH appears as a plug-in in the host program.
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Absynth 3
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Installation under MacOS X

System Requirements and Recommendations

To use the ABSYNTH software, you need a computer with the following minimum specifications:

Hardware

• Apple PowerMac G3 500MHz or faster (OS X)
• 512 MB RAM (OS X)
• Audio interface compatible with Core Audio
• CoreMIDI compatible MIDI interface for connecting a MIDI keyboard or an external sequencer (only for the stand-alone version)
• up to 400 MB free space for the library.
The audio engine in ABSYNTH has been designed to make optimum use of the available computing power in the CPU. The parallel data process­ing expansions and powerful FPUs integrated in modern CPUs are best suited to carrying out the complex computations of real-time synthesis. ABSYNTH makes extensive use of these expansions in order to achieve optimum performance. As a minimum requirement, we recommend us­ing a G4 1.0 GHz or faster with 512 MB RAM.

Software

MacOS 10.2.6

Installing Absynth 3 OS X

• Insert the Installation CD into the CD drive of your computer.
• Double-click the installation program Install Absynth 3 to start it.
• The start screen appears first. After clicking Continue and confirming the license agreement, a dialog opens where you can select the in­stallation location and the destination folder.
Absynth 3 English – 16
The installation program suggests a path for the ABSYNTH folder; if you do not select a different destination, the ABSYNTH folder is created on the first hard disk. You can choose between Easy Install, where both the stand-alone and plug-in versions are installed, or Custom Install, where you can select which versions you want to install.

MacOS Audio Unit plug-in Installation

• Launch the ABSYNTH Installer from the CD
• Select the Custom installation type.
• Select only Audio Unit from the list of components to install.

Mac/Windows RTAS plug-in installation

• Launch the ABSYNTH Installer from the CD
• Select the Custom installation type.
• Select only RTAS from the list of components to install.
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Absynth 3
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Audio Interfaces

Audio interfaces, which include software routines called drivers, allow ABSYNTH (and other programs you have installed, if present) to communicate with your computer’s audio hardware. This section describes how to use various audio interfaces with ABSYNTH.
There are two main ways to implement ABSYNTH:
• As a "stand-alone" device that requires no host software. ABSYNTH's audio and MIDI connections interact directly with your computer's audio/MIDI hardware interface.
• As a plug-in that works in conjunction with a "host" program, such as sequencing or hard disk recording software. In this case, the host pro­gram interacts directly with the computer's hardware interface. AB­SYNTH connects to the host program via "virtual patch cords." ABSYNTH's audio outputs appear as signals in the host's mixer, and the host passes MIDI data to ABSYNTH.
We'll describe each mode in detail, but first let's look at the various in­terface drivers and plug-in formats used by different operating systems and programs.

Stand-alone Application

ABSYNTH works in stand-alone mode with ASIO, MME, DirectSound, and Core Audio. The ABSYNTH/computer combination acts as an instrument, similar to a hardware digital synthesizer. For example, you can connect MIDI drum pads to your interface's MIDI input and trigger ABSYNTH's sounds, then run its outputs to an amplification system - instant electronic drums.
Absynth 3 English – 18
Interface/driver Windows MacOS X
ASIO 2.0
DirectSound
MME
Core Audio
z
z
z
z

Plug-In

Used as a plug-in, ABSYNTH is not a stand-alone program but rather a program “module” that can be integrated into a “host” program such as a sequencer. plug-in mode allows you to integrate it seamlessly with the sequencer. Furthermore, it has many other uses as a plug-in:
• MIDI sequencing of ABSYNTH and audio mix-down of the MIDI tracks within a single program
• Comfortable automation of ABSYNTH parameters in the sequencer
• Further processing of ABSYNTH signals using additional plug-ins
• Sample-accurate timing with MIDI controllers (when used as VST 2.0 plug-in)
• Restoring of all plug-in settings when the host document (such as a song file of the sequencer) is loaded
• Integration with other instruments into a “virtual studio”
The shortcuts / key commands do not work in sequencers. This is due to the fact that the host capture keys for themselves and do not pass them on the the plug-in.
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This table provides you with an overview of which interfaces are sup­ported by which host programs:
Interface/pilote Programmes hôtes Windows Mac
Plug-in VST 2.0 Cubase, Nuendo
Cakewalk DXi Sonar
Audio Units Logic 6.x
RTAS Pro Tools 6.x, LE
zz
z
z
zz
Absynth 3
English – 19

Overview of Operating Systems Interfaces and plug-ins

The interfaces described below are effectively different ways in which ABSYNTH can communicate with your sound card. The interfaces that are available on your computer depend on the sound card you are using as well as your computer platform (Windows or MacOS).
ASIO ("Audio Streaming Input Output") is a sound card driver architecture developed by Steinberg. ASIO is available for MacOS and Windows computers. It offers low latency and supports multichannel audio cards. With its high performance and low latency, the ASIO driver interface is highly recommendable.
DirectSound is an interface developed by Microsoft and is a component of DirectX 5.0 or higher for Windows 98/ME/2000/XP. Whether or not DirectX works well depends on the sound card you are using. If the audio buffer size that you set is too small with DirectSound, glitches and clicks may occur in the audio.
Important: The interfaces DirectSound and MME are not recommended. These have extremely high latencies.
MME is the standard “Wave” driver in Windows. Most sound cards support this interface and work with it quite well. However, MME is even less suitable than DirectSound for real-time applications. This is noticeable by a comparatively high latency.
DXI 2 is a plug-in interface for software synthesizers and instruments based on Microsoft DXi technology. Sonar from Cakewalk and Fruity Loops are the most well known host sequencers that support DXi.
VST is the plug-in format of the company Steinberg. It is a cross platform format and can be used in many hosts.
Core Audio is a new audio interface available with MacOS X that allows you to use external audio hardware as well as the integrated audio output of the Mac.
Audio Units is an OS X plug-in format developed by Apple. Audio Units plug-ins work similar like VST plug-ins.
RTAS is based on an interface protocol from DigiDesign that allows you to use plug-ins with ProTools (or other software that is compatible with DigiDesign). RTAS plug-ins function independently from additional TDM
Absynth 3 English – 20
hardware and are nonetheless able to offer the widest range of features. In this case, the host processor alone performs all of the computations for the plug-in.
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Absynth 3
English – 21

Absynth 3 as Standalone

When used as a plug-in, the host program has already set up its audio and MIDI connections, and ABSYNTH simply "plugs in" to these. However, with stand-alone operation ABSYNTH communicates directly with your audio interface. It’s therefore necessary to specify audio and MIDI settings, as well as the preferred driver protocol (of course, plug-in format is not an issue).
Setup for Mac and Windows machines is essentially identical, except where indicated. Note that if you change your audio interface, you will almost certainly need to re-adjust these settings.
Call up the Audio + MIDI Settings setup dialog from the Setup menu. You’ll see three tabs for SoundCard, Routing (audio output patching), and MIDI.

Soundcard (Audio Interface)

Audio + MIDI Settings dialog
Interface: Choose the fastest interface protocol supported by your interface, which will be ASIO or Core Audio. For Windows, you can also use DirectSound and Multimedia (also called MME), but expect a significant delay between the time you play a note and the time you hear it.
Absynth 3 English – 22
Windows only: Avoid using any drivers listed as "emulated," as they pro­vide poorer performance than other drivers. For example, although Di­rectSound drivers generally outperform MME drivers, MME drivers will outperform emulated DirectSound drivers.
Sample rate: The drop-down menu will display compatible sample rates for your audio interface. 44.1kHz is the same sample rate used for CDs, and is the most “universal” choice. However, some audio interfaces offer 48kHz and 96kHz (ABSYNTH accepts up to 96kHz sample rates). These higher rates stress your computer more, but offer somewhat better high frequency response. If you are using ABSYNTH standalone, choose whichever rate you prefer. When used as a plug-in with a host program (e.g., Cubase, Digital Performer, Logic, Sonar, etc.), the host will determine the sample rate.
Output Device: Use ASIO written specifically for your audio interface (not “ASIO DirectX” or “ASIO Multimedia,” unless no other choices are available), or for the Mac, Core Audio.
Output Latency: This field displays the output latency. For some drivers you can adjust the latency individually using a fader.
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Adjust latency for the fastest possible setting that gives consistent audio performance. The CPU may not be able to keep up with fast settings, resulting in possible crackles or pops in the audio. Slower settings will give more consistent audio performance, but the amount of delay may be musically unsatisfying.
Experiment with the latency setting until you find the best compromise between consistent audio performance and fast response. A quick way to adjust latency is as follows:
• Select any drum kit and play it while moving the Latency slider.
• Move the Latency slider to the left until you start to hear clicks in the audio output.
• Now move the slider to the right until the clicks disappear. This is the optimum setting.
Absynth 3
English – 23

Routing

Using the drop-down menu, Absynth’s Output 2 is being assigned to an output from a multi-output sound card.
If your sound card offers multiple inputs and outputs, you can choose which ones connect to ABSYNTH 3. Click on Inputs to choose the desired inputs from the drop-down menus, and click on Outputs to select the outputs, also from drop-down menus. Note that the right and left channels are independent and can be as­signed to any inputs/outputs – not just stereo pairs – as well as dis­connected from audio ins and outs.
ABSYNTH provides up to 8 monophonic outs. Using all of these in stand­alone mode requires an audio interface with eight output channels.
However, it is not necessary to have this many channels. For example, if a notebook computer has built-in audio and offers only a single stereo output (two channels), you can assign all the ABSYNTH sounds to the stereo output.
Each drop-down list shows what outputs are available from the driver/ audio interface selected under the Interface tab. Assign each ABSYNTH "software" audio out (Channel 1/2 Left, Channel 1/2 Right, Channel 3/4 Left, Channel 3/4 Right, Channel 5, Channel 6, Channel 7, and Channel
8) to the desired hardware output.
Absynth 3 English – 24
Windows only: The audio interface’s overall level may be determined by a mixer applet included with your interface hardware, or the built-in Win­dows mixer. If you encounter excessively low or high levels, please check the Windows volume control by going Start > Programs > Accessories > Entertainment > Volume Control. Then check the Wave volume slider, and adjust its level as needed.

MIDI

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If your MIDI interface offers multiple ins and outs, you can choose which one connects to ABSYNTH. When you click on the MIDI tab you’ll see a list of MIDI I/O. Initially, each one will be Off. This field is a toggle – click on Off to turn an input or output On, click on On to turn an input or output Off.
• If you enable more than one input, they will be merged.
Absynth 3
English – 25

Absynth 3 as Plug-In

VST 2.0 plug-in

In addition to the stand-alone version, ABSYNTH can also be used as a VST Audio Effect plug-in. The advantages of the VST 2.0 format allow us to provide you with a powerful plug-in.
For more information on the VST 2.0 format, refer to the user guide provided with your VST host program.

Using the Absynth plug-in in Cubase SX 3

• Launch Cubase, go to the Devices menu option and select the VST In­struments menu option or press F11 on your keyboard.
• A window showing the instrument rack appears. Click on an empty slot and choose ABSYNTH from the available list of instrument plug­ins.
• The plug-in will now appear in your list and automatically be turned on. It will also create a set of audio channels in your VST mixer that will be used for mixdown within your project. This will allow you to mix, pan, and process ABSYNTH's output just like any other existing audio track in your Cubase song.
• Click on the Edit button to call up the ABSYNTH interface. Here you can control and edit all the features and functions that ABSYNTH has to offer.
• Now go to the "Project" page and add a MIDI track (if you do not have one already created).
• Go to the Output parameter section for this MIDI Track and click on the field. This will create a list of available MIDI out ports to assign to this MIDI track. Choose Absynth from the list.
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