McIntosh MC-2205 Brochure

Mclntosh engineering has advanced power amplifier technology and performance five times since 1949. Experience and knowledge are the foundation on which the
engineering superstructure is built that supports
the fact that Mclntosh is recognized as Laboratory
Standard for the world. A new level of technology and atigher level of ampli­fier performance is realized in the NEW
BIPOLAR EPITAXIAL
RESEARCH AND
TRANSISTOR TECHNOLOGY
• Mclntosh life testing of components permits com­ponent selection for trouble-free performance; added care in production engineering and manu­facturing results in long product life
HAS PRODUCED
MclNTOSH
• Mclntosh engineers developed a unique output stage circuit arrangement that is completely temperature accurate that delivers clean output power at any level without crossover distortion
• Mclntosh POWER GUARD assures maximum amplifier power without clipping distortion
• Mclntosh Output Autotransformer delivers full power output and multiple feedback loops assure lowest distortion at all power levels and all speaker impedances
• Mclntosh designed turn on/mute circuits provide positive protec­tion from "turn-on transients" and other potentially damaging noises
AMPLIFIER PERFORMANCE
NEW ADVANCES
STARTLING
SUPERIOR
IN SAFE
COOL
Shown in optional
walnut veneer cabinet
MC
2205
Higher power demands on amplifiers have presented music listeners with a form of unplesantness in listening, amplifier overload (hard clipping) that looks and acts like square waves. Clipping is caused when the amplifier is asked to produce more power output with low distortion than it can deliver. Clipping of a complex wave form is largely composed of odd order harmonics and intermodulation products. High order odd harmonics and intermodulation products are dissonant and are not musically related to the signal being amplified. They are heard as great
and disappointing discordance and distortion.
In the past years Mclntosh has
substantially improved the ability of amplifiers to deliver lower distortion within their rated power. The
improvement has removed the masking
of the unpleasant, harshly distorted sounds of clipping. Music demands high
peak power reproduction ability without
clipping.
Although we may listen to surprisingly
low average power output, the peak power requirements can be very high. Consider these graphs of the power demanded of an amplifier reproducing the pipe organ, the piano, and the bass saxophone. The charts show that the peak power demands is almost 30 dB or 1000 times the average power demand. Since it is necessary that these short interval power spikes be reproduced with low distortion, it means the average power output of the power amplifier must be limited to l/1000th of
its capability or the listener must accept
the discordant distortion of clipping.
2.0 PIANO 10 FT.
30
IN dB
AVERAGE TO
0
PEAK
PRESSURE
OF
TOTAL
RATIO
-30
20 100 1K 10K
FREQUENCY IN HERTZ
DISTANCE
2.1 PIPE ORGAN 12 FT.
30
0
-30
20 100 1K 10K
.
Amplifiers when driven to clipping are capable of delivering
up to twice the heat load to the loudspeaker. In addition, they can have more than 40% harmonic distortion. The extra heat energy content of the clipped signal will damage most speak­ers. Mclntosh leadership in engineering has developed a new circuit that ... (1) dynamically prevents power amplifiers from being overdriven into hard clipping ... (2) which reduces the heat developed in the loudspeakers ... (3) assures that the amplifier will produce its maximum output without increased distortion. That new circuit we call "POWER GUARD."
FREQUENCY IN HERTZ
causing a waveform difference of 0.5% in the output the indi­cators change from green NORMAL to red LIMIT automatically and instantaneously. You are always assured that the power of your amplifier is as clean and distortion free as it can be.
DISTANCE
4.1 BASS SAXOPHONE
30
0
-30
20 100 1K 10K
FREQUENCY IN HERTZ
DISTANCE
3.5 FT.
HOW POWER GUARD WORKS
In Power Guard, a waveform comparison circuit detects minute amounts of waveform difference between the output signal and the input signal. A sampling of the program material
at the output of the amplifier is constantly compared with the
program material at the amplifier input. You are alerted, by a
front panel indicator, to waveform differences of 0.5%. Should the differences reach 1%, Power Guard goes to work. Power Guard dynamically reduces input level to prevent amplifier overload yet permits the amplifier to deliver its absolute maxi-
mum power output without extra distortion.
In addition, the output of the "waveform comparator" activates the front panel NORMAL and LIMIT indicators. Any time that the input circuit is fed excessive amounts of signal
Oscillogram of output waveform with and without Power Guard. Input overdriven for each trace 20 dB.
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