Leica SL2-S User guide

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LEICASL2-S
Instruction manual
SL2-S/EN/2020/11/1/1.0
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EN

FOREWORD

Dear Customer, We wish you a great deal of fun and success taking photographs
Your Leica Camera AG
Foreword / Scope of delivery

SCOPE OF DELIVERY

Before using your camera for the first time, please check that the accessories supplied are complete.
– LeicaSL2-S – Lithium-ion rechargeable battery Leica BP-SCL4 – Charger Leica BC-SCL4, incl. mains cable (US, EU) – Camera bayonet cover – Carry strap – Quick Start Guide – CE flyer – Creative Cloud flyer – Test certificate
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Subject to changes in design and model type.
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REPLACEMENT PARTS / ACCESSORIES

Please contact Leica Customer Care or visit the Leica Camera AG website for information on the extensive range of Leica replace­ment parts/accessories:
en.leica-camera.com/Photography/Leica-SL/Accessories
Only the accessories specified and described in this manual or by Leica Camera AG must be used with the camera (battery, charger, mains plug, mains cable, etc.). These accessories must only be used with this product. Third-party accessories may result in malfunctions or damage to the product.
Please read the chapters “Legal information”, “Safety remarks”, and “General information” before using your camera for the first time. Knowledge of the content will prevent inadvertent damage to the product, possible injuries and other risks.
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Replacement parts / Accessories
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EN

LEGAL INFORMATION

LEGAL INFORMATION ABOUT THIS MANUAL
COPYRIGHT NOTICE
• Compliance with copyright laws is mandatory. The recording and publication of pre-recorded media like tapes, CDs or other published or broadcast material may breach copyright laws. The same applies for all software supplied in the scope of delivery.
• The following applies for all video material created with this
Legal information
camera: This product is governed by the AVC Patent Portfolio license and is meant for private use by a consumer only. The device may furthermore be used for purposes for which the consumer receives no remuneration, e.g. (i) encoding in accordance with the AVC Standard (“AVC Video”) and/or (ii) decoding of AVC Video that was encoded by a consumer in accordance with the AVC Standard within the scope of personal use and/or which the consumer has received from the provider, who is in possession of a license to offer AVC Video. No license is granted or implied for any other use. Any other use, specifical­ly the provision of AVC video in exchange for remuneration, may require a separate license agreement with MPEG LA, L.L.C. Please visit the MPEG LA, L.L.C. website at: www.mpegla.com for more information.
COPYRIGHT
All rights reserved. All text, images and graphics are subject to copyright and other
laws to protect intellectual property. They must not be copied, modified or used for any purpose including trade purposes.
TECHNICAL DATA
Product changes with regards to the product or services may have occurred after the editorial deadline. The manufacturer reserves the right to effect structural or shape changes, color deviations and changes to the scope of delivery or service, where these changes or deviations are reasonably acceptable for the customer, while taking into consideration the interests of Leica Camera AG. In that respect, Leica Camera AG reserves the right to changes and errors. The images in this manual may depict accessory, special features or other items that are not part of the standard scope of delivery or service. Some pages may contain model types and services, which are not offered in specific countries.
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BRANDS AND LOGOS
The brand names and logos used in this documented are protected trademarks. These brands or logos must not be used without prior approval by Leica Camera AG.
LICENSE RIGHTS
Leica Camera AG intends to provide you with innovative and informative documentation. Due to the amount of creativity that has gone into its design, we ask for your understanding that Leica Camera AG must protect its intellectual property, including patents, trademarks and copyrights, and that possession of the documenta­tion does not infer any licensing rights of the intellectual property of Leica Camera AG.
REGULATORY INFORMATION
You will find the manufacturing date of your camera on the stickers in the Warranty Card and/or on the packaging.
The date format is year/month/day.
COUNTRY-SPECIFIC LICENSES
Specific regional approvals for this device can be found in the camera menu.
Select Camera InformationCamera Information in the main menu
Select Regulatory InformationRegulatory Information
LICENSE INFORMATION
The device-specific license information can be found in the camera menu.
Select Camera InformationCamera Information in the main menu
Select License InformationsLicense Informations
EN
Legal information
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EN
Legal information
CE MARK
The CE mark on our products documents compliance with the fundamental requirements of applicable EU guidelines.
English
Declaration of Conformity (DoC)
Hereby, “Leica Camera AG” declares that this product is in compliance with the essential requirements and other relevant provisions of Directive 2014/53/EU.
Customers can download a copy of the original DoC to our Radio Equipment products from our DoC server:
www.cert.leica-camera.com
Please contact Leica Camera AG, Am Leitz-Park 5, 35578 Wetzlar, Germany in case of any further questions
Depending on product (see technical data)
Type
WLAN
Bluetooth® Wireless Technology
Frequency band (center frequency) Maximum output
2412–2462/5180–5240 MHz/
5260–5320/5500–5700 MHz
2402–2480 MHz 20
(dBm E.I.R.P.)
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DISPOSAL OF ELECTRICAL AND ELECTRONIC EQUIPMENT
(Applies within the EU and for other European countries with active waste separation policies.)
This device contains electric and/or electronic components which must not be disposed of in general household waste. Instead, it should be disposed of at a recycling collection point provided by your local authority.
This service is free of charge. Any standard or rechargeable batteries used in this device must be removed and disposed of separately in accordance with local regulations.
Please contact your local authorities, waste disposal collection point or the retailer, from whom you purchased the device for more information on correct waste disposal.
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IMPORTANT NOTES REGARDING THE USE OF WLAN/BLUETOOTH
• Appropriate measures must be taken to ensure security and protect against disruptions to the systems in place where devices or computer systems are in use that require more stringent security than WLAN devices.
• Leica Camera AG shall not accept liability for damages arising from the use of the camera for purposes other than as a WLAN device.
• It is assumed that the WLAN function will be used in countries where this camera is sold. There may be a risk of breaching statutory wireless communication regulations when using the camera in other countries. Leica Camera AG shall not accept liability for such breaches.
• Please note that there is a risk of unauthorized third party interception of wirelessly communicated data. We highly recommend that you activate encryption in the wireless access point settings to ensure data safety.
• Avoid using the camera in areas where it can be exposed to magnetic fields, static electricity or other interferences, e.g. near a microwave oven. RF transmissions may otherwise not reach the camera.
• Using the camera near devices like microwave ovens or wireless phones that use the 2.4 GHz RF band may negatively affect the performance of both devices.
• Do not attempt to connect to wireless networks you are not authorized to use.
• The device will automatically search for wireless networks, once the WLAN function is enabled. A list, including networks you are not authorized to access, will be displayed (SSID: Network identifier for a WLAN network). Do not attempt to connect to third party network, as this could be construed as unauthorized access.
®
• We recommend disabling the WLAN function while on an aircraft.
• The use of the WLAN-RF band between 5150MHz and 5350MHz is permitted only in enclosed spaces.
• Please read the important notes on specific functions of Leica FOTOS on p.202.
EN
Legal information
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EN

SAFETY REMARKS

GENERAL INFORMATION
• Do not use your camera in the immediate vicinity of devices that generate powerful magnetic, electrostatic or electromagnetic fields (e.g. induction ovens, microwave ovens, television sets or
Safety remarks
8
computer screens, video game consoles, cell phones, broad­casting equipment). Their electromagnetic fields can interfere with recordings.
• Strong magnetic fields, e.g. from speakers or large electric motors can damage the stored picture data or disrupt recording.
• Switch off the camera, remove the battery briefly, replace it and switch the camera back on in case of a camera malfunction due to the effects of electromagnetic fields.
• Do not use the camera in the immediate vicinity of radio transmitters or high-voltage power lines. Their electromagnetic fields may interfere with recordings.
• Always store small parts e.g. the accessory shoe cover as follows:
– out of the reach of children – in a safe location, where they will not get lost or stolen
• State-of-the-art electronic components are sensitive to static discharge. Since people can easily pick up charges of several 10 000 volts by walking on synthetic carpets, a discharge can occur when you touch the camera, and especially it is placed on a conductive surface. A static discharge on the camera housing poses no risk for the electronics. Despite built-in safety circuits, you should avoid direct contact with external camera contacts like those in the flash shoe.
• Take care not to soil or scratch the sensor for lens detection in the bayonet. You must similarly prevent direct contact of the bayonet with grains of sand or similar particles, as these could
cause irreparable damage. This component must only be cleaned with a dry cloth (in system cameras).
• Use a cotton or linen cloth instead of a microfiber cloth from an optician's (synthetic) when cleaning the contacts. Make sure to discharge any electrostatic charge by deliberately touching a heating or water pipe (conductive, grounded material). Dirt deposits and oxidation on the contacts can be avoided by storing your camera in a dry location with the lens cap and the flash shoe/viewfinder cap (in system cameras) attached.
• Only use accessories specified for this model to prevent faults, short circuits or electric shock.
• Do not attempt to remove parts of the housing (covers) yourself. Repairs must be done at authorized service centers only.
• Protect the camera against contact with insect sprays and other aggressive chemicals. Petroleum spirit, thinner and alcohol must not be used for cleaning. Some chemicals and liquids can damage the camera housing or the surface finish.
• Rubber and plastics are known to expel aggressive chemicals and should therefore not be kept in contact with the camera for extended periods of time.
• Prevent any sand or dust or water penetration into the camera, e.g. during snowfall or rain or on the beach. Be extra careful when changing the lens (in system cameras) and when inserting or removing the memory card and rechargeable battery. Sand and dust can damage the camera, the lens, the memory card and the battery. Moisture can cause malfunctions and irreparable damage to the camera and memory card.
LENS
• A camera lens can have the effect of a magnifying glass when exposed to direct frontal sunlight. The camera must therefore be protected against extended exposure to direct sunlight.
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• Attaching the lens cap and keeping the camera in the shade or ideally in its camera case, will help prevent damage to the interior of the camera.
RECHARGEABLE BATTERY
• Improper use of the batteries or the use of unapproved battery types may result in an explosion!
• Do not expose the rechargeable battery to sunlight, heat, humidity or moisture for prolonged periods of time. Likewise, the batteries must not be placed in a microwave oven or a high-pressure container as this would pose a fire or explosion hazard!
• Do not under any circumstances charge or insert a damp or wet battery into the camera!
• A safety valve in the battery ensures that any excess pressure caused by improper handling is discharged safely. It is neverthe­less important to dispose of a bloated battery immediately. It may pose an explosion hazard!
• Keep the battery contacts clean and easily accessible. Although lithium-ion batteries are secured against short circuits, they should still be protected against contact with metal objects like paper clips or jewelry. A short-circuited battery can get very hot and cause severe burns.
• When a battery is accidentally dropped, make sure to check the housing and the contacts immediately for any damage. A damaged battery can damage the camera.
• The battery must be removed from the camera or charger and must be replaced immediately in case of a strange smell, discoloration, deformation, overheating or leakage. Continued use of the battery may result in overheating, which can cause fire and/or explosion!
• Never throw batteries into a fire as they may explode.
• Keep the battery away from sources of heat in case of leakage or if you smell burning. Leaked fluid can catch fire!
• The use of other chargers not approved by Leica Camera AG can cause damage to the batteries – and in extreme cases – cause serious or life-threatening injuries.
• Make sure that the power socket is freely accessible at all times.
• Do not attempt to open the battery or the charger. Repairs must only be carried out by authorized service centers.
• Keep batteries out of the reach of children. Batteries can cause suffocation when swallowed.
FIRST AID
• Battery fluid may cause blindness if it comes into contact with the eyes. Rinse the eyes thoroughly with clean water immediately. Avoid rubbing. Seek medical attention immediately.
• Leaked battery fluid poses an injury hazard when it comes in contact with clothing or skin. Rinse the affected areas thoroughly with clean water.
CHARGER
• Using the charger in the vicinity of broadcasting receivers may interfere with reception. Ensure a distance of at least 1m (3 ft) between the charger and the receiver.
• When the charger is in use, it may emit a buzzing sound – that is normal and not a malfunction.
• Disconnect the charger from the mains when it is not in use, as it consumes electricity (a very small amount), even if no battery is inserted.
• Always keep the charger contacts clean, and never short-circuit them.
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Safety remarks
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EN
MEMORY CARD
• Never remove the memory card during a datasave or card reading process. The camera must not be switched off or be subjected to impact or vibrations while working.
• Do not open the cover/remove the memory card or the battery from the camera while the status LED is lit, which indicates
Safety remarks
memory access. Data on the card may otherwise be destroyed and camera malfunctions may occur.
• Do not drop or bend memory cards as this will cause damage and result in the loss of stored data.
• Do not touch the connections on the reverse of the memory card and keep them clean and dry.
• Keep memory cards out of the reach of children. Swallowing a memory card may cause suffocation.
SENSOR
• Cosmic radiation (e.g. during flights) may cause pixel defects.
CARRY STRAP
• Carry straps are usually made of very robust material. You should therefore keep it out of the reach of children. A carry strap is not a toy and poses a strangulation risk.
• Use the carry strap only for its intended purpose on a camera or on binoculars. Any other use poses the risk of injury and may possibly result in damage to the carry strap and is therefore not permitted.
• Carry straps should also not be used for cameras/binoculars during sports activities that pose a risk of entanglement (e.g. when mountain climbing and similar outdoor activities).
TRIPOD
• When using a tripod, make sure it is standing securely and turn the camera only by turning the tripod, not the actual camera. Ensure that the tripod screw is hand-tightened only. Avoid transporting the camera while the tripod is attached. You might injure yourself or others and the camera could get damaged.
FLASH
• The use of incompatible flash units with your LeicaSL2-S may result in irreparable damage to the camera and/or the flash unit.
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Safety remarks
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General information

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GENERAL INFORMATION
Please read the section about “Care/Storage” for more informa­tion about what to do in case of problems.
CAMERA/LENS (For system cameras)
• Make a note of the serial numbers of your camera (engraved in the base of the camera housing) and lenses, as this information will be extremely important in case of loss.
• Make sure to always have a lens or the camera bayonet cover attached to prevent dust or other foreign bodies penetrating the camera.
• That is why you should always replace lenses quickly and in a dust-free environment.
• Never store the camera bayonet cover or the lens back cover in a pants pocket, as they will attract lint and dust, which could then be accidentally introduced into the camera.
LCD PANEL
• Condensation may form on the LCD panel if the camera is exposed to great temperature fluctuations. Wipe the screen carefully with a soft, dry cloth.
• The screen image will initially be slightly darker than normal if the camera is very cold when it is switched on. The normal level of brightness will be reached as soon as the LCD panel warms up.
RECHARGEABLE BATTERY
• The battery must have a temperature between 0°C and +35°C for charging (otherwise the charger will not switch on or will switch off again immediately).
• Lithium-ion batteries can be charged at any time, regardless of their current charge level. A partially charged battery will charge to full capacity faster than a fully discharged one.
• The rechargeable batteries come only partly charged ex works and should therefore be charged fully before their first use.
• A new battery only reaches its full capacity after it has been fully charged and – by using it in the camera – depleted 2 to 3 times. This depletion process should be repeated roughly every 25 cycles.
• Battery and charger heat up during the charging process. That is normal and not a malfunction.
• Rapid flashing of the two LEDs (>2Hz) when charging commences indicates a charging error (e.g. maximum charging time exceeded, voltages or temperatures outside permitted ranges or a short circuit). Disconnect the charger from the mains and remove the battery. Ensure that the above tempera­ture conditions are met and then restart the charging process. Please contact your dealer, the Leica representative in your region or Leica Camera AG if the problem persists.
• Rechargeable lithium-ion batteries generate power by way of internal chemical reactions. These reactions are influenced by ambient temperature and humidity. Do not expose the battery to extreme temperatures (high or low) for extended periods of time (e.g. in a parked car in the summer or winter) to ensure a maximum service life.
• However, every battery has its limits – even in optimal condi­tions! After several hundred charging cycles, the operating times will get significantly shorter.
• The replaceable battery supplies power to a backup battery, which is permanently installed in the camera. This backup battery retains the date and time for some weeks. Once the backup battery is depleted, it must be replenished by inserting a charged main battery. The time and date will have to be set again after a full depletion of both batteries.
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• As the battery capacity deteriorates or if using an older battery, warning messages may appear and some functions may be restricted or blocked entirely.
• Always remove the battery if the camera will not be used for an extended period of time. Make sure to switch the camera off via the main switch before removing the battery. Leaving the battery in the camera will result in a deep discharge after a few weeks. Voltage levels will decrease significantly, as the camera uses a low idle current to maintain settings.
• Dispose of damaged batteries in accordance with the relevant regulations at an approved collection point for proper recycling.
• The date of manufacture can be found on the battery. The date format is week/year.
MEMORY CARD
• The range of available SD/SDHC/SDXC cards on the market is too extensive for Leica Camera AG to test for compatibility and quality. Generally, any type of memory card may be used without any damage to the camera or memory card. As some “no name” cards may not fully comply with the SD/SDHC/SDXC standards, Leica Camera AG cannot provide any guarantee of function.
• We recommend formatting memory cards from time to time, as fragmented residual data from deleted files may block some of the storage capacity.
• Generally, it is not necessary to format (initialize) memory cards that have been previously used. Formatting will, however, be necessary if you insert an unformatted memory card or a card that was formatted in another device (e.g. a computer) for the first time.
• We recommend backing up your data on a PC, because electromagnetic fields, static electricity and any damage to the memory card or camera defects may result in irretrievable damage or loss of your data.
• SD, SDHC, and SDXC memory cards come with a write protection slider to prevent accidental overwriting. This slider is located on the non-beveled side of the card. All data on the card is protected when the slider is set to its lower position, marked LOCK.
• All data stored on the memory card will be lost during format­ting. Formatting will not be prevented by the deletion protection set for individual pictures.
SENSOR
• Any dust or dirt particles stuck to the glass cover of the sensor may result in noticeable dark stains or specks on the pictures (in system cameras). Alternatively, send your camera to the Leica Customer Care department for sensor cleaning (see p. 232). This service is not part of the warranty offering and will therefore incur charges.
DATA
• All data, including personal information, may be changed or deleted due to incorrect or accidental operation, static discharge, accidents, malfunctions, repairs and other measures.
• Please note that Leica Camera AG does NOT accept liability for direct or consequential damage due to the manipulation or destruction of data and personal information.
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General information
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General information
FIRMWARE UPDATE
Leica is continuously working on the further development and optimization of Leica SL2-S. As digital cameras have many functions that are controlled electronically, improvements and enhancements to the functions can be installed on the camera retroactively. Leica releases so-called firmware updates at irregular intervals. Cameras are always supplied ex works with the latest firmware installed or you can download the latest version from our website yourself and transfer it to your camera.
You will receive a newsletter informing you of the availability of a new firmware update if you register your camera on the Leica Camera homepage.
Visit the download section or the “Customer Area” for information about how to register or how to get firmware updates for your Leica SL2-S. Additionally, you can find information about changes or additions to the manual at: club.leica-camera.com
Leica releases firmware updates for lenses at irregular intervals. You can download any new firmware version from our homepage and transfer it to your lens. Please see p.199 for more informa­tion.
Select the menu item whether your camera and lenses are running the latest firmware version.
Camera InformationCamera Information (see p. 199) to check
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WARRANTY

In addition to your statutory warranty rights regarding your dealer, you will receive an additional Leica Camera AG product warranty valid from the date of purchase at an authorized Leica retailer. Previously, the product warranty was included with the product in the packaging. From now on, the product warranty will only be available online as a new service. You will be able to review the warranty conditions for your product at any time, without having to search fr the document. Please note that this new policy applies only for products that are no longer delivered with a hardcopy product warranty included in the packaging. Any products still delivered with the warranty document in the packaging remain governed exclusively by that document. For more information regarding the warranty scope, services and limitations, please visit: warranty.leica-camera.com
Leica SL2-S comes with splash water and dust protection.
The camera was tested under controlled laboratory conditions and is classes as IP54 in accordance with DIN EN 60529. Please note: The splash water and dust protection coating is not permanent and will diminish over time. Please read the section on “Care/Storage” for detailed instructions on how to clean and dry the camera. The warranty does not cover liquid damage. Any attempt to open the camera casing by an unauthorized retailer or service partner will cause an immediate expiration of the splash water and dust warranty.
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Warranty
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TABLE OF CONTENT
FOREWORD ...................................................................................... 2
SCOPE OF DELIVERY ....................................................................... 2
REPLACEMENT PARTS/ACCESSORIES .......................................... 3
LEGAL INFORMATION ..................................................................... 4
SAFETY REMARKS ........................................................................... 8

Table of content

GENERAL INFORMATION ..............................................................12
WARRANTY ..................................................................................... 15
TABLE OF CONTENT ......................................................................16
PART DESIGNATIONS .................................................................... 22
DISPLAYS ........................................................................................26
PHOTO ......................................................................................................... 26
VIDEO/CINE ................................................................................................ 28
DISPLAYS IN THE TOP DISPLAY ................................................................ 30
PREPARATION ................................................................................ 32
ATTACHING THE CARRY STRAP ................................................................. 32
PREPARING THE CHARGER ........................................................................ 32
CHARGING THE BATTERY........................................................................... 33
CHARGING VIA USB .......................................................................................... 34
INSERTING/REMOVING THE BATTERY ..................................................... 34
INSERTING/REMOVING THE MEMORY CARD .......................................... 35
LENS ............................................................................................................ 37
COMPATIBLE LENSES ....................................................................................... 37
CHANGING THE LENS ....................................................................................... 39
DIOPTER SETTINGS .................................................................................... 42
MULTIFUNCTION HANDGRIP SL ............................................................... 43
CAMERA OPERATION.....................................................................48
CONTROL ELEMENTS ................................................................................. 48
MAIN SWITCH ................................................................................................... 48
SHUTTER BUTTON ............................................................................................ 49
FRONT SETTING WHEEL ................................................................................... 50
THUMBWHEEL .................................................................................................. 50
JOYSTICK ...........................................................................................................51
PLAY BUTTON/MENU BUTTON ........................................................................51
FN BUTTONS ..................................................................................................... 52
LCD PANEL (TOUCH SCREEN) ..........................................................................53
TOP DISPLAY ............................................................................................... 54
MENU CONTROL ......................................................................................... 54
CONTROL ELEMENTS ....................................................................................... 54
MENU SECTIONS .............................................................................................. 55
SWITCHING MENU SECTIONS .................................................................................. 56
STATUS SCREEN ............................................................................................... 57
MAIN MENU ...................................................................................................... 59
MENU NAVIGATION .......................................................................................... 60
SUBMENU ......................................................................................................... 62
KEYBOARD/NUMBER PAD ....................................................................................... 62
MENU BAR .............................................................................................................. 63
SCALE MENU ........................................................................................................... 63
DATE/TIME MENU ................................................................................................... 64
COMBI MENU .......................................................................................................... 64
USER-DEFINED OPERATION ...................................................................... 65
FAVORITES MENU ............................................................................................. 65
MANAGING THE FAVORITES MENU .......................................................................... 65
DIRECT ACCESS TO MENU FUNCTIONS .......................................................... 66
CHANGING AN ASSIGNMENT .................................................................................. 66
ACCESSING THE ASSIGNED MENU FUNCTION ........................................................ 66
SETTING WHEEL ASSIGNMENTS ...................................................................... 67
WHEN USING AF LENSES ........................................................................................ 67
WHEN USING MF LENSES ........................................................................................ 68
ROTATION DIRECTION OF THE SETTING WHEELS ........................................... 69
JOYSTICK FUNCTIONS ......................................................................................69
LOCKING THE OPERATING ELEMENTS ............................................................70
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CAMERA BASIC SETTINGS ............................................................ 72
MENU LANGUAGE ...................................................................................... 72
DATE/TIME .................................................................................................. 72
RECEIVING THE SETTINGS FROM A MOBILE DEVICE ...................................... 72
MANUAL SETTINGS .......................................................................................... 72
DISTANCE UNIT .......................................................................................... 73
POWER SAVE MODE (STANDBY MODE) .................................................... 74
LCD PANEL/VIEWFINDER SETTINGS........................................................ 74
LCD PANEL/EVF USE ........................................................................................75
EYE SENSOR SENSITIVITY ................................................................................ 75
BRIGHTNESS ..................................................................................................... 76
LCD PANEL .............................................................................................................. 76
EVF .......................................................................................................................... 76
COLOR RENDERING .......................................................................................... 76
LCD PANEL .............................................................................................................. 76
EVF .......................................................................................................................... 76
AUTOMATIC LCD PANEL AND EVF SHUTDOWN .............................................. 77
EVF FRAME RATE ..............................................................................................77
ACOUSTIC SIGNALS ................................................................................... 77
VOLUME ............................................................................................................ 77
ACOUSTIC SIGNALS.......................................................................................... 77
ELECTRONIC SHUTTER SOUND ....................................................................... 78
AUTOFOCUS CONFIRMATION .......................................................................... 78
SILENT PHOTOGRAPHY .................................................................................... 78
BASIC SHOOTING/RECORDING SETTINGS (PICTURE & VIDEO)
TOUCH AF ................................................................................................... 80
TOUCH AF IN EVF MODE .................................................................................. 80
FOCUS LIMIT ............................................................................................... 81
EV INCREMENT ........................................................................................... 81
AUXILIARY DISPLAYS ................................................................................. 82
INFO PROFILES ................................................................................................. 82
CHANGING THE INFO PROFILES .............................................................................. 83
DEACTIVATING INDIVIDUAL INFO PROFILES ............................................................. 83
.. 80
CUSTOMIZING THE INFO PROFILES ......................................................................... 83
SHOW AVAILABLE ............................................................................................. 84
INFO BARS .............................................................................................................. 84
GRID ........................................................................................................................ 84
CLIPPING/ZEBRA .................................................................................................... 84
FOCUS PEAKING...................................................................................................... 85
LEVEL GAUGE .......................................................................................................... 86
HISTOGRAM ............................................................................................................ 87
BASIC SHOOTING SETTINGS (PICTURE) ...................................... 88
SENSOR FORMAT ....................................................................................... 88
FILE FORMAT .............................................................................................. 89
MEMORY CARD MANAGEMENT................................................................. 90
ASPECT RATIO............................................................................................. 90
JPG SETTINGS ............................................................................................. 91
RESOLUTION ..................................................................................................... 91
IMAGE PROPERTIES .......................................................................................... 92
COLOR PROFILE ................................................................................................ 92
MONOCHROME PROFILE .................................................................................. 92
CUSTOMIZING PHOTO PROFILES .....................................................................93
NOISE REDUCTION ........................................................................................... 93
NOISE SUPPRESSION FUNCTION FOR LONG-TERM EXPOSURE ........... 94
SHUTTER TYPE ........................................................................................... 94
IMAGE STABILIZATION ............................................................................... 95
SETTING THE STABILIZATION DIRECTION ........................................................ 95
MF ASSIST FUNCTIONS ............................................................................. 96
AF ASSIST LIGHT .............................................................................................. 96
ACOUSTIC AF CONFIRMATION .........................................................................96
BASIC RECORDING SETTINGS (VIDEO) ........................................ 98
SENSOR FORMAT ....................................................................................... 98
FILE FORMAT .............................................................................................. 99
VIDEO FORMAT ........................................................................................... 99
AVAILABLE RESOLUTIONS .............................................................................100
EN
Table of content
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EN
18
AVAILABLE FRAME RATES .............................................................................. 100
SETTING THE VIDEO FORMAT ........................................................................100
IMAGE PROPERTIES .................................................................................101
MICROPHONE ........................................................................................... 102
WIND NOISE REDUCTION ........................................................................ 102
SETTING THE OUTPUT LEVEL.................................................................. 103
TIME CODE ................................................................................................ 103
Table of content
TIME CODE MODE ........................................................................................... 103
START TIME .....................................................................................................104
VIDEO GAMMA .......................................................................................... 104
HLG SETTINGS ................................................................................................104
L-LOG SETTINGS .............................................................................................105
SHARPNESS .......................................................................................................... 105
LUT PROFILES ........................................................................................................ 105
OUTPUT WITH LUT ................................................................................................. 105
VIDEO STABILIZATION ............................................................................. 106
HDMI OUTPUT .......................................................................................... 106
VIDEO AUXILIARY DISPLAYS ................................................................... 107
ASPECT RATIO DISPLAY.................................................................................. 107
SAFETY AREA .................................................................................................. 107
PICTURE MODE ............................................................................108
DRIVE MODE ............................................................................................. 108
FOCUSING ................................................................................................. 109
AF PHOTOGRAPHY ..........................................................................................109
AUTOFOCUS MODES ......................................................................................109
INTELLIGENT AF..................................................................................................... 109
AFs (single) ............................................................................................................ 109
AFc (continuous) .................................................................................................... 109
AUTOFOCUS METERING METHODS ...............................................................110
MULTI-FIELD METERING ......................................................................................... 110
SPOT/FIELD METERING ......................................................................................... 110
ZONE ..................................................................................................................... 111
TRACKING ............................................................................................................. 111
PERSON DETECTION .............................................................................................. 112
AF SETTINGS ................................................................................................... 113
AF PROFILES ......................................................................................................... 113
PRE FOCUS ........................................................................................................... 114
AF QUICK SETTING ......................................................................................... 115
ACCESSING AF QUICK SETTING............................................................................. 115
ADJUSTING THE METERING FIELD SIZE .................................................................. 115
CHANGING THE AF METERING METHOD ................................................................ 115
MF ASSIST FUNCTIONS .................................................................................. 116
ENLARGEMENT IN AF MODE .................................................................................. 116
AF ASSIST LIGHT ................................................................................................... 117
ACOUSTIC AF CONFIRMATION ............................................................................... 117
MANUAL FOCUSING (MF) ..............................................................................117
PERSONALIZED LENS SETTINGS....................................................................118
MF ASSIST FUNCTIONS .................................................................................. 118
FOCUS PEAKING.................................................................................................... 118
ENLARGEMENT IN MF MODE ................................................................................. 119
DISTANCE DISPLAY ................................................................................................ 121
USING AUTOFOCUS IN MF MODE .......................................................................... 121
ISO SENSITIVITY ....................................................................................... 122
FIXED ISO VALUES ..........................................................................................122
AUTOMATIC SETTING ...................................................................................... 122
LIMITING SETTING RANGES ................................................................................... 122
FLOATING ISO ................................................................................................. 123
WHITE BALANCE ...................................................................................... 124
AUTOMATIC CONTROL/FIXED SETTINGS ...................................................... 124
MANUAL SETTING VIA METERING .................................................................125
GRAY CARD ........................................................................................................... 125
GRAY CARD LIVE VIEW ........................................................................................... 126
DIRECT SETTING OF THE COLOR TEMPERATURE ..........................................126
EXPOSURE................................................................................................. 127
EXPOSURE METERING METHODS .................................................................. 128
SPOT METERING .................................................................................................... 128
CENTER-WEIGHTED METERING .............................................................................. 128
MULTI-FIELD METERING ......................................................................................... 128
Page 19
EXPOSURE MODES ......................................................................................... 129
SELECTING A MODE .............................................................................................. 129
FULLY AUTOMATIC EXPOSURE SETTING – P .................................................130
AUTOMATIC PROGRAM – P .................................................................................... 130
CHANGING THE PRESET SHUTTER SPEED AND APERTURE COMBINATIONS (SHIFT) 130
SEMI-AUTOMATIC EXPOSURE SETTING – A/S ..............................................131
APERTURE PRIORITY - A ......................................................................................... 131
SHUTTER SPEED PRIORITY – S .............................................................................. 131
MANUAL EXPOSURE SETTING – M ................................................................132
LONG-TERM EXPOSURE..................................................................................133
FIXED SHUTTER SPEEDS ........................................................................................ 133
B FUNCTION .......................................................................................................... 133
EXPOSURE CONTROL .....................................................................................134
EXPOSURE PREVIEW .............................................................................................. 134
EXPOSURE LOCK ................................................................................................... 134
EXPOSURE COMPENSATION .................................................................................. 137
SHOOTING MODES ................................................................................... 138
SERIAL SHOOTING ..........................................................................................138
INTERVAL SHOOTING .....................................................................................139
EXPOSURE BRACKETING ................................................................................140
MULTI SHOT SHOOTING .................................................................................142
SETTING THE DELAY TIME ...................................................................................... 142
MOTION ARTEFACTS CORRECTION ........................................................................ 142
SELF-TIMER ..................................................................................................... 143
FLASH PHOTOGRAPHY ............................................................................ 144
COMPATIBLE FLASH UNITS ............................................................................ 144
FLASH EXPOSURE METERING (TTL METERING) ............................................ 145
SETTINGS ON THE FLASH UNIT ..................................................................... 146
FLASH CONTROL ............................................................................................ 146
SYNC POINT .......................................................................................................... 146
FLASH RANGE ................................................................................................. 147
FLASH EXPOSURE COMPENSATION ..............................................................148
VIDEO MODE ................................................................................150
VIDEO MODE AND CINE MODE ............................................................... 150
START/EXIT VIDEO MODE .......................................................................151
START/END VIDEO RECORDING .............................................................152
FOCUSING ................................................................................................. 152
AUTOFOCUS MODES ......................................................................................153
CONTROLLING THE AUTOFOCUS ...................................................................153
TOUCH AF ............................................................................................................. 153
SUPPRESSING CONTINUOUS FOCUSING ............................................................... 153
AUTOFOCUS METERING METHODS ...............................................................154
TRACKING .......................................................................................................155
PERSON DETECTION .............................................................................................. 156
AF SETTINGS ................................................................................................... 156
AF QUICK SETTING ......................................................................................... 157
MF ASSIST FUNCTIONS .................................................................................. 158
MANUAL FOCUSING (MF) ..............................................................................159
PERSONALIZED LENS SETTINGS....................................................................159
MF ASSIST FUNCTIONS .................................................................................. 160
ISO SENSITIVITY ....................................................................................... 162
FIXED ISO VALUES ..........................................................................................162
AUTOMATIC SETTING ...................................................................................... 163
FLOATING ISO ................................................................................................. 164
ASA SENSITIVITY ...................................................................................... 164
WHITE BALANCE ...................................................................................... 165
AUTOMATIC CONTROL/FIXED SETTINGS ...................................................... 165
MANUAL SETTING VIA METERING .................................................................166
DIRECT SETTING OF THE COLOR TEMPERATURE ..........................................167
EXPOSURE................................................................................................. 168
EXPOSURE METERING METHODS .................................................................. 169
EXPOSURE MODES ......................................................................................... 170
FULLY AUTOMATIC EXPOSURE SETTING – P .................................................171
SEMI-AUTOMATIC EXPOSURE SETTING – A/S ..............................................172
MANUAL EXPOSURE SETTING – M ................................................................172
EXPOSURE COMPENSATION ..........................................................................173
EN
Table of content
19
Page 20
EN
20
REVIEW/PLAYBACK MODE .........................................................174
CONTROL ELEMENTS IN REVIEW/PLAYBACK MODE ...........................174
INITIATE/EXIT REVIEW/PLAYBACK MODE ............................................ 176
SELECTING/SCROLLING THROUGH RECORDINGS ............................... 177
INFO DISPLAYS IN REVIEW/PLAYBACK MODE ..................................... 178
CROPPED SECTION ZOOM ....................................................................... 179
DISPLAYING MULTIPLE RECORDINGS AT ONCE .................................... 180
Table of content
TAGGING/RATING OF RECORDINGS ....................................................... 182
DELETING RECORDINGS .......................................................................... 182
DELETING INDIVIDUAL RECORDINGS ............................................................183
DELETING MULTIPLE RECORDINGS ...............................................................183
DELETING ALL RECORDINGS ......................................................................... 184
DELETING UNRATED RECORDINGS ...............................................................185
PREVIEW OF LATEST RECORDING .......................................................... 185
SLIDE SHOW ............................................................................................. 186
VIDEO PLAYBACK .....................................................................................187
VIDEO EDITING ............................................................................................... 190
OTHER FUNCTIONS .....................................................................192
USER PROFILES ........................................................................................ 192
DATA MANAGEMENT ................................................................................ 194
DATA STRUCTURE ON THE MEMORY CARD ...................................................194
EDIT FILE NAMES ............................................................................................ 195
CREATING A NEW FOLDER .............................................................................196
ADDING COPYRIGHT INFORMATION..............................................................196
RECORDING THE IMAGE LOCATION WITH GPS ............................................. 196
FORMATTING A MEMORY CARD .....................................................................197
DATA TRANSFER.............................................................................................. 197
USING RAW DATA (DNG) .......................................................................... 198
RESETTING THE CAMERA TO FACTORY SETTINGS ................................ 198
FIRMWARE UPDATES ............................................................................... 199
UPDATING THE CAMERA FIRMWARE ............................................................. 199
UPDATING THE LENS FIRMWARE ................................................................... 200
UPDATING THE ADAPTER FIRMWARE ............................................................ 200
LEICA FOTOS ................................................................................202
CONNECTING ............................................................................................ 202
REMOTE CAMERA CONTROL ................................................................... 204
CARE/STORAGE ...........................................................................206
FAQ ................................................................................................ 208
MENU OVERVIEW ........................................................................216
INDEX ............................................................................................220
TECHNICAL DATA .........................................................................226
LEICA CUSTOMER CARE ..............................................................232
LEICA ACADEMY ..........................................................................232
Page 21
Definition of the various categories of information found in this manual
Note
Additional information
Important
Failure to comply with instructions may result in damage to the camera, the accessories or the recordings
Attention
Non-compliance may result in personal injury
EN
Table of content
21
Page 22
EN

PART DESIGNATIONS

Part Designations
15
18
16
24
25
26
*34
23
29
*33
6
8
7
5
4
2
3
1
9
10
11
13
12
15
14
*29
27
30
*21
*22
17
19
20
21
22
28
31
32
22
*2
*1
* Optional accessory: Multifunction hand grip SL, lens
Page 23
LEICASL2-S
1
Shutter button
2
Front setting wheel
3
FN button
4
FN button
5
Top display
6
Accessory shoe
7
Microphone
8
Speaker
9
FN button
10
FN button
11
Lens release button
12
Leica L bayonet
13
Contact strip
14
Self-timer LED / AF assist light / exposure metering sensor
15
Strap lugs
16
Main switch
17
Viewfinder eyepiece
18
Eye sensor
19
Diopter setting ring
20
FN button
21
Joystick
22
Thumbwheel
23
Status LED
24
PLAY button
25
FN button
26
MENU button
27
LCD panel
28
Memory card slot
29
Tripod thread
30
Contact for multifunction hand grip
31
Battery release lever
32
Battery compartment
MULTIFUNCTION HAND GRIP SL
*1
Shutter button
*2
Front setting wheel
*21
Joystick
*22
Thumbwheel
*29
Tripod thread
*33
Hand grip-integrated battery compartment
*34
Hand grip lock
EN
Part Designations
23
Page 24
EN
Part Designations
LENS*
35
37
36
41
42
38
39
38
43
40
35
Contact strip
36
Alignment points for lens replacement
37
Focus ring poss. zoom setting ring
38
Alignment point for lens hood mounting
39
Male bayonet for lens hood
40
Internal thread for filters
41
Bayonet cover
42
Lens cap
43
Lens hood
24
*
Not included in the delivery package. Representative image. Technical designs may vary depending on included features.
Page 25
EN
Part Designations
25
Page 26
EN

DISPLAYS

The images displayed on the LCD panel and in the viewfinder are identical.

PHOTO

Displays
STATUS SCREEN
01
05 06
07
08
09
10 11 12 13
1420152116221723182419
030204
IN REVIEW MODE
All displays/values refer to the displayed image.
15 19 20 18 14 27 28
07
08101209
30
31
32
2911
26
WHEN TAKING A PICTURE
All displays/values refer to the actual settings.
15 19 20 18 14 26 27 28 04
07
08101209
25
ACTIVATED Capture AssistantsCapture Assistants
33
0311
38
34
35
36
37
Page 27
01
Focal length
02
Memory card used
03
Remaining memory capacity
04
Battery capacity
05
Menu section PHOTOPHOTO
06
Menu sections VIDEOVIDEO
07
Light balance
08
Exposure compensation scale
09
Exposure mode
10
Exposure value
11
Shutter speed
12
ISO Sensitivity
13
Exposure compensation value
14
Picture mode (Drive ModeDrive Mode)
15
Focus mode
16
Autofocus metering method
17
Autofocus settings
18
Exposure metering method
19
White balance mode
20
File format/compression level/resolution
21
Formatting a memory card
22
User profile
23
Locking/unlocking the setting wheels
24
Leica FOTOS
25
Main menu
26
Flash sync point
27
Aspect ratio (sensor)
28
Color rendering (Film StyleFilm Style)
29
File number of the recording shown
30
Stabilization activated
31
Icon for marked picture
32
File name
33
Histogram
34
Grid lines
35
Level gauge
36
Display of cropped section size and position
(only visible for enlarged sections)
37
Focus peaking (identification of in sharp edges in the object)
38
Clipping / Zebra
EN
Displays
27
Page 28
EN

VIDEO/CINE

STATUS SCREEN
Displays
39
43 44
47
49
50 51 52 53
5459556056615762586358
45
46
414042
48
IN PLAYBACK MODE
All displays/values refer to the displayed image.
54 57 58 65 68
67
69
28
WHEN TAKING A PICTURE
All displays/values refer to the actual settings.
54 57 58 56 65 44
48
47
45
46505249
66
64
45
4648
71
7473
4151
70
72
75
Page 29
39
Focal length
40
Memory card used
41
Remaining memory capacity
42
Battery capacity
43
Menu section PHOTOPHOTO
44
Menu sections VIDEOVIDEO
45
Light balance
46
Exposure compensation scale
47
Microphone recording level
48
Recording time (time code)
49
Exposure mode
50
Exposure value
51
Shutter speed
CineCine: shutter angle)
(
52
ISO Sensitivity
CineCine: ASA indication)
(
53
Exposure compensation value
54
Focus mode
55
Autofocus metering method
56
Exposure metering method
57
White balance mode
58
File format/compression level/resolution
59
Recording level
60
Headphone volume
61
User profile
62
Locking/unlocking the setting wheels
63
Leica FOTOS
64
Main menu
65
Color rendering (Video StyleVideo Style)
66
Indicates recording in progress
67
Stabilization activated
68
Icon for marked picture
69
File name
70
File number of the recording shown
71
Video editing function
72
Exiting video playback
73
Current time of the playback
74
Playback status bar
75
Playback volume
EN
Displays
29
Page 30
EN

DISPLAYS IN THE TOP DISPLAY

Home screen
Displays
76
78 79 80
DEFAULT VIEW
82
81 83
87
89
90 91
MODE CHANGE
84
85
86
88
77
92
92
93
76
Camera name
77
Date
78
Time
79
Handgrip battery capacity
80
Camera battery capacity
81
Exposure mode
82
Set flash exposure compensation
83
Program shift
84
Exposure value
85
Shutter speed (
CineCine: shutter angle)
86
ISO Sensitivity (
CineCine: ASA indication)
87
Memory card used
88
Remaining memory capacity
89
Leica FOTOS
90
GPS
91
USB charging function
92
Depth of field threshold values
93
Sharp distance focus
30
Page 31
CHARGE STATUS INDICATOR ON THE LCD PANEL
The battery charge status is displayed in the status screen and in the header line at the top right.
Display Charge status
approx. 75 - 100%
approx. 50 - 75%
approx. 25 - 50%
approx. 0 - 25%
approx. 0%
The battery needs charging or replacing
EN
Displays
31
Page 32
EN

PREPARATION

ATTACHING THE CARRY STRAP

Preparation

PREPARING THE CHARGER

Use the mains cable with the matching regional plug to connect the charger to mains electricity.
32
1
3
Attention
• Once you have attached the carry strap, please make sure that the clips are mounted correctly to prevent the camera from falling.
2
4
Note
• The charger will automatically adapt to local mains voltage.
Page 33

CHARGING THE BATTERY

The camera is powered by a lithium-ion battery.
INSERTING THE BATTERY IN THE CHARGER
Slide the battery into the charger with the groove facing up until
the contacts meet
Press down on the battery until you can hear and feel it clicking
into place
Ensure that the battery is fully inserted into the charger
REMOVING THE BATTERY FROM THE CHARGER
Tilt the battery up and lift it out at an angle
CHARGE STATUS INDICATORS ON THE CHARGER
CHARGE
80%
The status LED indicates a correct charging process.
Display Charge status Charge time*
CHARGE flashes green
80% lights up orange
CHARGE continuous green light
Disconnect the charger from mains electricity when the charging process is complete. There is no risk of overcharging.
battery is charging
80% approx. 2 h
100% approx. 3½ h
EN
Preparation
* for a completely discharged battery
33
Page 34
EN

CHARGING VIA USB

The rechargeable battery in the camera can be automatically charged when the camera is connected to a computer or another suitable power source via USB cable.
Factory setting:
Select Camera SettingsCamera Settings in the main menu
Preparation
Select USB ChargingUSB Charging
Select OnOn/OffOff
Notes
• The camera will only charge while it is switched off. The charging process will be interrupted as soon as the camera is switched on. The camera will be displayed as a USB storage medium if an SD card is inserted (see p.197).
• Charging does start automatica.
OnOn

INSERTING/REMOVING THE BATTERY

Ensure that the camera is switched OFF (see p.48)
INSERTION
“click”
Insert the battery into the slot with the groove pointing towards
the LCD panel and gently push until you hear and feel it clicking into place
34
Page 35
REMOVAL
2
3
1
Turn the battery release lever
• Battery is pushing out slightly.
Press down on the battery lightly
• The battery unlocks and pushes out fully.
Removing the battery
Important
• Removing the battery while the camera is switched on may result in the loss of custom settings or damage to the memory card.

INSERTING/REMOVING THE MEMORY CARD

Leica SL2-S offers slots for two memory cards. There are various options for use, see p.90.
The camera will save exposures to an SD (Secure Digital), SDHC (High Capacity) or SDXC (eXtended Capacity) memory card.
Notes
• SD/SDHC/SDXC memory cards are available from various suppliers in a range of sizes and with differing read/write speeds. Memory cards with high storage capacities and high read/write speeds offer quick storage and rendering.
• The memory card may not be supported (capacity) or will have to be formated in the camera before first use (see p.197). The camera will in that case display a relevant message. Please see the section “Technical Data” for information about supported cards.
• Check the memory card for correct alignment if you are having difficulties inserting it into the camera.
• See p. 10 and p. 13 for additional information.
• Video recordings require a high write speed.
EN
Preparation
35
Page 36
EN
Ensure that the camera is switched OFF (see p.48)
OPENING THE COVER OVER THE MEMORY CARD SLOT
INSERTION
36
Preparation
2
1
Slide the cover as shown in the illustration until you hear a click
• The cover lifts automatically.
CLOSING THE COVER OVER THE MEMORY CARD SLOT
2
1
Close and hold down the cover
Slide the cover as shown in the illustration until it audibly clicks
into place
“click”
Push the memory card into the slot until you hear and feel it
clicking into place
• The beveled corner of the card must be at the top left.
REMOVAL
1
2
Push down on the card until you hear a click
• The card pushes out slightly.
Remove the memory card
Page 37

LENS

COMPATIBLE LENSES

In addition to Leica SL lenses, the LeicaSL2-S can also accommo­date Leica TL lenses with full functionality via the L bayonet. Leica M and R lenses can also be used in conjunction with Leica M/R L adapters.
L-MOUNT LENSES
Sophisticated optical systems guarantee the excellent imaging performance of the SL lenses. In the design phase for the optics, a homogeneous performance across all focal lengths, aperture and focus settings is a high priority. That is how SL lenses can be used for optimally creative results in any situation.
EXPOSURE METERING AND EXPOSURE CONTROL USING VARIO LENSES
Some Leica TL and SL Vario lenses have a variable speed, which means that the effective aperture opening depends on the configured focal length. Make sure to set the desired focal length before storing the meter value or changing the shutter speed/ aperture combination to prevent incorrect exposure. Please read the sections on “Exposure” starting on page 127 for more information. Make sure that the aperture setting on the flash unit matches the camera aperture if you are using a non-system compatible flash unit.
EN
Preparation
37
Page 38
EN
LEICA M AND R LENSES
Leica M and R lenses can be attached via Leica M or R L adapters. There are lens profiles stored in the camera, which allow the following functions:
• The flash exposure and flash reflector controls utilize the stored lens data (see “Compatible flash units”).
Preparation
• The lens data is furthermore written to the Exif data of the recordings, provided the lens is relevantly encoded. The focal length of the lens is additionally displayed when rendering the extended picture data.
The camera will automatically select the appropriate lens type settings if the Leica M lens used comes with 6 bit encoding, or the Leica R lens has an ROM contact strip. You will have to enter the lens type manually if the lenses do not have that feature.
Using automatic detection
Select Camera SettingsCamera Settings in the main menu
Select Lens ProfilesLens Profiles
Activate automatic lens detection (AutoAuto) or deactivate the
OffOff)
feature (
Setting the lens type manually
Select Camera SettingsCamera Settings in the main menu
Select Lens ProfilesLens Profiles
Select M-LensesM-Lenses or R-LensesR-Lenses
Sorting the lens type lists
Select Camera SettingsCamera Settings in the main menu
Select Lens ProfilesLens Profiles
Select M-LensesM-Lenses or R-LensesR-Lenses
Select Edit List of M -LensesEdit List of M -Lenses or Edi t List of R-LensesEdit List of R-Lenses
Activate (OnOn) or deactivate (OffOff) the lens types you will be using
38
Page 39

CHANGING THE LENS

DETACHING THE LENS
EN
Important
• Make sure to always have a lens or the camera bayonet cover attached to prevent dust or other foreign bodies penetrating the camera.
• That is why you should always replace lenses quickly and in a dust-free environment.
L-MOUNT LENSES
ATTACHING THE LENS
2
1
Ensure that the camera is switched OFF (see p.48)
Hold the lens by the fixed ring
Position the alignment points on the lens opposite the release
button on the camera housing
Attach the lens in this position
Turn the lens clockwise until you hear and feel it click into place
2
1
3
Ensure that the camera is switched OFF
Hold the lens by the fixed ring
Press and hold the release button on the camera housing
Turn the lens counter-clockwise until the alignment point is
opposite the release button
Remove the lens
Preparation
39
Page 40
EN
OTHER LENSES (e.g. Leica M lenses)
Other lenses can be used by inserting an adapter for L bayonets (e.g. Leica-M adapter L).
ATTACHING THE ADAPTER
Preparation
DETACHING THE ADAPTER
2
3
1
40
2
1
Ensure that the camera is switched OFF (see p.48)
Position the alignment point on the adapter opposite the
alignment point on the camera housing
Attach the lens in this position
Turn the adapter clockwise until you hear and feel it click into
place
Attach the lens immediately
Ensure that the camera is switched OFF
Detaching the lens
Press and hold the release button on the camera housing
Turn the adapter counter-clockwise until the alignment point is
opposite the release button
Remove the adapter
Page 41
ATTACHING THE LENS TO THE ADAPTER
DETACHING THE LENS FROM THE ADAPTER
EN
Preparation
2
1
Ensure that the camera is switched OFF (see p.48)
Hold the lens by the fixed ring
Position the alignment point on the lens opposite the alignment
point on the adapter
Attach the lens in this position
Turn the lens clockwise until you hear and feel it click into place
2
1
3
Ensure that the camera is switched OFF
Hold the lens by the fixed ring
Press and hold the release button on the adapter
Turn the lens counter-clockwise until its alignment point is
opposite the release button
Remove the lens
41
Page 42
EN

DIOPTER SETTINGS

The viewfinder has a diopter setting function with a range between
-4 and +2 diopter to allow glasses wearers the use of the camera without eyeglasses (diopter adjustment).
Preparation
Look through the viewfinder
Aim at and focusing on an object
Turn the diopter setting wheel until you see the image in the
viewfinder and the displays in perfect focus
42
Page 43
MULTIFUNCTION HANDGRIP SL (optional accessory)
The Multifunction HandgripSL is an optional accessory and comes with additional operating elements (shutter button, joystick, thumbwheel and front setting wheel) positioned specifically for easy portrait photography. The handgrip is therefore particularly useful for one-handed photography. It also offers space for a second rechargeable battery.
PHOTOGRAPHY WITH THE HANDGRIP
The operating elements of the handgrip are positioned is such a way as to be in easy reach when using the camera for portrait photography.
EN
Preparation
43
Page 44
EN
ATTACHING THE HANDGRIP
Preparation
B
A
L
I
A
Locking toggle
B
Tripod thread
C
Attachment screw
D
Interface with the camera
E
Storage compartment for the contact cover of the handgrip
F
Storage compartment for the contact cover of the camera
G
Front setting wheel
H
Shutter button
I
Strap lug
J
Thumbwheel
K
Joystick
L
Handgrip lock
K
J
D
E
F
H
G
1 2
C
Squeeze the contact cover of the handgrip on the two sides
marked with triangles and lift it off
Store the contact cover in its designated compartment in the
handgrip
Remove the contact cover in the base of the camera housing
Store the contact cover in its designated compartment in the
handgrip
44
Page 45
2
1
Align the handgrip with the base of the camera
• Make sure not to damage the contacts.
Turn the handgrip lock to the right and hand tighten
Important
• Make sure to check regularly whether the connection is still tight when using the camera with the handgrip attached and re-tighten it as needed.
DETACHING THE HANDGRIP
Turn the handgrip to the left to unlock the connection
• Make sure to hold the camera and the handgrip securely while doing so.
Replace both cover caps over the connections
Important
• Make sure that the contact covers are securely in place on the camera and on the handgrip whenever the handgrip is not attached to the camera. The highly sensitive contacts could otherwise easily be damaged.
EN
Preparation
45
Page 46
EN
MOUNTING THE WRIST LOOP/CARRY STRAP ON THE MULTIFUNCTION HANDGRIP
The high quality wrist loop is available as an optional ergonomic accessory for the handgrip to ensure more stability for the camera. The hand loop is recommended in particular for landscape photography.
Preparation
When using the handgrip for portrait photography for extended periods of time, we recommend attaching the carry strap on the strap lug of the camera on the right-hand side and on the strap lug of the handgrip. This will always maintain the camera in the correct position. See p.32 for instructions on how to attach the carry strap.
CHANGING THE BATTERY
The multifunction handgrip offers space for a second rechargeable battery. This will significantly increase operating time.
Click up the locking toggle
Turn the locking toggle in anti-clockwise direction
• The battery cover lifts automatically.
46
Page 47
REMOVING THE BATTERY
1
2
3
INSERTING THE BATTERY
1
2
EN
Preparation
Push down the ejector pin
• Battery is pushing out slightly.
Press down on the battery lightly
• The battery unlocks and pushes out fully.
Removing the battery
Insert the battery into the slot with the groove pointing towards
until you hear and feel it clicking into place
CLOSE THE BATTERY COMPARTMENT
Close the cover over the battery compartment
• It will click to signify it is locked.
Click down the locking toggle
Note
• The camera must have a battery with at least minimal charge inserted to utilize a rechargeable battery in the handgrip.
47
Page 48
EN

CAMERA OPERATION

CONTROL ELEMENTS

MAIN SWITCH

The main switch switches the camera on and off.
SWITCHING THE CAMERA ON
Camera operation
Notes
• Once switched on, the camera will be ready to use after approx. 1s.
• The LED lights up briefly and the displays in the viewfinder appear.
SWITCHING THE CAMERA OFF
Note
• The function camera automatically if no operation occurs within a preset time. Use the main switch to deactivate the camera if this function is discharge when the camera is not in use.
Auto Power O ffAuto Power O ff (see p.74) deactivates the
OffOff to prevent inadvertent exposures and battery
48
Page 49

SHUTTER BUTTON

The shutter button works in two stages.
1. Tapping (= Pressing the shutter button to the 1st pressure
point)
– Activating the camera electronics and displays – Metering memory lock (metering & saving):
– AF mode: range measurement (AF-L) – (semi) automatic exposure mode: exposure metering
(AE-L) – Canceling a running self-timer delay time – Return to shooting mode
– from review/playback mode – from menu control – from standby mode
2.  Press down fully
– Shutter release
• The data is then transferred to the memory card. – Starting a video recording – Starting a preselected self-timer delay time – Starting a picture series or interval shooting
Notes
• Press down the shutter button in a smooth motion until you hear the click of the shutter to prevent camera shake.
• The shutter button remains locked:
– if the memory card inserted and/or the internal buffer
memory are (temporarily) full
– if the battery has exceeded its performance limits (capacity,
temperature, age) – if the memory card is write-protected or damaged – if the sensor is too hot
EN
Camera operation
49
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EN

FRONT SETTING WHEEL

Camera operation

THUMBWHEEL

50
– Menu navigation – Setting the shutter speeds – Exposure compensation value selection – Enlarging/reducing viewed pictures
– Menu navigation – Accessing the submenu – Applying menu settings – Setting selected menu items/functions – Setting the exposure value – Exposure compensation value selection – Setting the program shift – Scrolling through the picture memory – Playback of video recordings – Confirming the prompts
Page 51

JOYSTICK

PLAY BUTTON/MENU BUTTON

EN
Camera operation
– Menu navigation – Accessing the submenu – Applying menu settings – Setting selected menu items/functions – Scrolling through the picture memory – Shifting the metering field – Exposure lock – Playback of video recordings – Confirming the prompts
PLAY BUTTON
– Activation and deactivation of the (continuous) review/playback
mode
– Return to full-screen display
MENU BUTTON
– Accessing the menu (incl. status screen) – Accessing the review/playback menu – Exiting the currently displayed (sub) menu
51
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EN

FN BUTTONS

PLAY
FN
25
Camera operation
Direct access to various menus and functions. All FN buttons can be custom configured (see p.66).
MENU
4 3
FACTORY SETTINGS
in shooting/recording mode in review/playback mode
FN button 25
Toggle info profiles
FN button 20
20
LCD panel/EVF switchover
FN button 4
Mode change (photo/video) Marking/rating a recording
FN button 3
– Photo: ISOISO
– Video: ISOISO
9
10
– (Cine: Exposure IndexExposure Index)
FN button 9
– Photo: Magnification
Microphone GainMicrophone Gain
– Video:
FN button 10
Autofocus metering method
52
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LCD PANEL (TOUCH SCREEN)

EN
TOUCH CONTROL* in shooting/recording mode in review/playback mode
“tap briefly” Shifting the AF metering field and focusing
Selecting recordings
(while Touch AF is activated)
“double tap” Reseting the AF metering field
Enlarging/reducing viewed pictures
(while Touch AF is activated)
“swipe” Scrolling through the picture memory
Shifts the enlarged image section
“horizontal swipe”
Mode change (photo/video) Scrolling through the picture memory
(full length)
“vertical swipe”
Switch to review/playback mode Switch to shooting/recording mode
(full length)
“touch and hold” Accessing the AF quick setting
“two-finger pinch” “two-finger spread”
“swipe and hold”
Changing the size of the AF metering field (using the AF modes
Face/Body DetectionFace/Body Detection)
FieldField and
Enlarging/reducing viewed pictures
Continuous scrolling
“hold and swipe”
Camera operation
* A light touch is enough, don't apply pressure.
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EN

TOP DISPLAY

Camera operation

MENU CONTROL

CONTROL ELEMENTS

The following elements are used for menu control.
2
21
22
54
– Display of the active mode – Display of recording data – Display of camera information
26
21 Joystick 2 Front setting wheel
26  MENU button 22 Thumbwheel
Page 55

MENU SECTIONS

The following menu sections are available: Status Screen,
Main MenuMain Menu and FavoritesFavorites. At this top level, the menu sections in
picture and video mode are easily recognizable by their color.
Status screen:
– quick access to the most important settings
FavoritesFavorites:
– your custom list (see p.65 for details on how to manage this
list)
Main MenuMain Menu:
– offers access to all menu items – contains various submenus
Note
• The favorites menu can only be displayed if it has at least one menu item assigned.
Section PHOTO VIDEO
Status screen dark background bright background
Favorites
Main menu (top level)
Main menu (Submenus)
dark header line bright header line
black header line
STATUS SCREEN
Photo Video
 FAVORITES
MAIN MENU
EN
Camera operation
55
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EN
SWITCHING MENU SECTIONS
The status screen will always be displayed as the first menu section. The top menu level is organized into pages, which are displayed in the header line: Status Screen, Favorites Menu (up to 2 pages) and six subsections of the main menu. You can switch between menu sections by scrolling through the pages. Alternative­ly, the status screen and the favorites menu offer access to the main menu as their respectively last menu item.
Camera operation
To scroll forward
Press the MENU button
or
Turn the front setting wheel in clockwise direction
• The status screen will appear again after the last page of the main menu.
To scroll backward
Turn the front setting wheel in anti-clockwise direction
• The last page of the main menu will appear again after the status screen.
56
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STATUS SCREEN

The status screen offers an overview of the most important information regarding the current camera status and active settings.
It furthermore allows direct access to important settings. The status screen is optimized for touch control.
A
B
Notes
• Where touch control is not possible or not desirable (e.g. in EVF mode), the status screen can alternatively be controlled via the joystick and/or the thumbwheel.
• The settings become effective immediately.
• The framed control panels can be selected. Unframed values are added in automatically (depending on the active exposure mode).
• The available menu items in picture and video mode differ (see p.26 and p.28).
EN
Camera operation
C
A
Mode: picture/video (see p.151)
B
Exposure settings (see p.124 and p.168)
C
Menu items
D
Access to the main menu
D
57
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EN
SELECTING SETTINGS
Settings can be selected in various ways from within the status screen. The setting types vary from menu to menu.
Briefly touch the desired control panel
• The relevant menu appears.
DIRECT SETTINGS
A version of the menu bar appears in the lower area of the status
Camera operation
screen (see p.63).
Select the desired function directly or swipe
ACCESSING A STANDARD SUBMENU
These menus behave as if they were accessed from within the main menu (see p.60). Touch control is therefore unavailable. From there, you return to the status screen and not to the next higher menu item.
Select the desired setting
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FAVORITES MENU
The favorites menu offers quick access to the most frequently used menu items. It can contain up to 11 menu items. These can be assigned individually (see p.65).
SUBMENU
There are various types of submenus available. The following pages describe their operation.
A
B
A
EN
Camera operation

MAIN MENU

The main menu offers access to all settings. Most of these are organized in submenus.
A
B
A
Menu sections: Main MenuMain Menu and FavoritesFavorites
B
Menu item name
C
Menu item setting
D
Submenu reference
C
D
D
A
Current menu item
B
Submenu item
C
References to other submenus
D
Scrollbar
B
C
59
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EN

MENU NAVIGATION

SCREEN BY SCREEN NAVIGATION
To scroll forward
Press the MENU button (repeatedly if needed)
or
Turn the front setting wheel in clockwise direction
Camera operation
• The status screen will appear again after page 6 of the main menu.
To scroll backward
Turn the front setting wheel in anti-clockwise direction
• Page 6 of the main menu will appear again after the status screen.
LINE BY LINE NAVIGATION
(Function/function option selection)
Press the joystick up/down
or
Turn the thumbwheel
(to the right = down, to the left = up)
• Once the last menu item has been reached scrolling up or down, the display will automatically jump to the previous or next screen. The currently active menu section (Favorites, Main Menu) is not exited.
Note
• Some menu items can only be accessed under specific circumstances. The text in the relevant line is displayed in gray to signify the existence of a submenu.
60
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SHOW SUBMENU
Press the joystick/thumbwheel
or
Press the joystick to the right
GO BACK ONE STEP
(Return to the superordinate menu item)
Press the joystick to the left
• This option is only available for list-type submenus.
EN
Camera operation
CONFIRM SELECTION
Press the joystick/thumbwheel
• The screen image changes back to the active menu item. The set function variant is shown on the right in the relevant menu line.
Note
• No confirmation is needed for the selection of
OnOn or OffOff. An
automatic save is done.
GO BACK TO TOP MENU LEVEL
Press the MENU button 1x
• The top level of the currently selected menu section is displayed.
EXITING THE MENU
You can exit the menus and submenus at any time – with/without applying the settings selected there.
Go to shooting/recording mode
Tap the shutter button
Go to review/playback mode
Press the PLAY button
61
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EN

SUBMENU

SELECTING A BUTTON (ICON/FUNCTION BUTTON)
KEYBOARD/NUMBER PAD
A
F
Camera operation
G
E
A
E
A
Entry line
B
Keyboard/Number pad
C
“Delete” button (deletes the last character entered)
D
“Confirm” button (to apply individual values and existing settings)
E
Return to previous menu level
F
Shift key (toggles between upper and lower case letters)
G
Changing the character type
Using button control
Press the joystick in the relevant direction
A
• The currently active button will be highlighted.
Press the joystick/thumbwheel
B
G
C
G
E
D
B
C
D
or
Turn the thumbwheel
• The currently active button will be highlighted.
• There will be an automatic jump to the next/previous line
when the end/beginning of the line is reached.
Press the joystick/thumbwheel
B
C
D
Using touch control
Press the button of your choice
SAVE
Select button D
CANCEL
Select button E
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MENU BAR
SCALE MENU
EN
Camera operation
Using button control
Press the joystick left/right
or
Turn the thumbwheel
Using touch control
Select the desired function directly or swipe
Notes
• The currently active setting displayed in the center is highlighted in red.
• The set value is displayed above the scale/below the menu bar.
• The following applies for direct access: The selected function requires no additional confirmation and will be active immediately.
Using button control
Press the joystick left/right
or
Turn the thumbwheel
Using touch control
Select the desired setting directly or swipe
Notes
• The currently active setting displayed in the center is highlighted in red.
• The set value is displayed above the scale/below the menu bar.
63
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EN
DATE/TIME MENU
Camera operation
COMBI MENU
64
To move to the next settings field
Press the joystick left/right
or
Turn the thumbwheel
To set values
Press the joystick up/down
To save and return to superordinate menu item
Press the joystick/thumbwheel
The setting of the individual menu items is done via a setting bar in the lower display area.
To access individual menu items
Press the joystick in the relevant direction
or
Turn the thumbwheel
To set individual items
Press the joystick/thumbwheel
• The set value displayed next to the menu item is highlighted.
Press the joystick left/right
or
Turn the thumbwheel
To apply the setting
Press the joystick/thumbwheel
To return to the superordinate menu item
Press the joystick to the left
Page 65

USER-DEFINED OPERATION

FAVORITES MENU

Assign your most frequently used menu items to a favorites menu (up to 11 items) for quick and easy access. The available functions are shown in the list on p.216.
As there are separate menu sections for picture and video mode, the associated favorite menus can also be assigned individually. The favorites menu in video mode applies for both video modes (Video and Cine). The menu item associated
Exposure IndexExposure Index function.
The favorites menu will be represented by an asterisk in the header line, provided it contains at least one menu item.
ISOISO in Cine mode accesses the
MANAGING THE FAVORITES MENU
Switch to the desired mode (picture or video)
Select Customize ControlCustomize Control in the main menu
Select Edit FavoritesEdit Favorites
Select the desired menu item
Select OnOn/OffOff
• A warning message appears when the favorites menu has reached the maximum of 11 menu items and no further items can be added.
Note
• The favorites menu will be deleted completely if all menu items are set to
OffOff.
EN
Camera operation
65
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EN

DIRECT ACCESS TO MENU FUNCTIONS

You can assign specific menu functions to the FN buttons for extra quick direct access to menu items in recording mode. The assignments in picture and video mode are completely indepen­dent of each other. The available functions are shown in the list on p.216. For factory settings see p.52.
CHANGING AN ASSIGNMENT
All FN buttons permit a quick and easy reassignment in addition to
Camera operation
access to their currently assigned menu function.
Switch to the desired mode (picture or video)
Press the desired FN button longer
• The direct access appears on the LCD panel.
Select the desired menu item
ACCESSING THE ASSIGNED MENU FUNCTION
Press the desired FN button briefly
• The assigned function is accessed, or a submenu appears on screen.
Notes
• The submenus accessed via direct access may look differently than when they are accessed via the main menu. Specifically, they often appear as menu bars to allow quick settings.
• The settings can be done via key control or using touch control on the LCD panel. The operating mode depends on the type of submenu.
66
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SETTING WHEEL ASSIGNMENTS (IN SHOOTING/RECORDING MODE)
The function of the two setting wheels depends on the active exposure mode. Wheel assignments can be specified independently for picture and video mode and for every exposure mode.
WHEN USING AF LENSES
FACTORY SETTINGS
Picture mode
Thumbwheel Front setting wheel
Program shift Exposure compensation
P
Exposure compensation Shutter speed
S
Aperture Exposure compensation
A
Aperture Shutter speed
M
Video mode
Thumbwheel Front setting wheel
Exposure compensation Microphone Gain
P
Exposure compensation Shutter speed
S
Aperture Exposure compensation
A
Aperture Shutter speed
M
CUSTOMIZING THE SETTING WHEELS
The functions of the two setting wheels can be swapped.
Picture mode
Video mode
Switch to the desired mode (picture or video)
Select Customize ControlCustomize Control in the main menu
Select Wheel Assignment (AF-lens)Wheel Assignment (AF-lens)
Select the desired setting
EN
Camera operation
67
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EN
WHEN USING MF LENSES
FACTORY SETTINGS
Picture mode
Thumbwheel Front setting wheel
Magnification Exposure compensation
A
Magnification Shutter speed
M
Camera operation
CUSTOMIZING THE SETTING WHEELS
The functions of the two setting wheels can be swapped.
68
Video mode
Thumbwheel Front setting wheel
Magnification Exposure compensation
A
Magnification Shutter speed
M
Switch to the desired mode (picture or video)
Select Customize ControlCustomize Control in the main menu
Select Wheel Assignment (MF-lens)Wheel Assignment (MF-lens)
Select the desired setting
Page 69

ROTATION DIRECTION OF THE SETTING WHEELS

You can specify any rotation direction for exposure settings via the setting wheels. You specify the rotation direction, which will result in an exposure reduction (shorter shutter times/smaller aperture).
The assignments for the two setting wheels are done separately independent of each other in picture and video mode.
THUMBWHEEL
Factory setting:
Switch to the desired mode (picture or video)
Select Customize ControlCustomize Control in the main menu
Select Thumbwheel DirectionThumbwheel Direction
Select Stop DownStop Down → or Stop Do wnStop Down
FRONT SETTING WHEEL
Factory setting: Stop DownStop Down
Switch to the desired mode (picture or video)
Select Customize ControlCustomize Control in the main menu
Select Front Wheel DirectionFront Wheel Direction
Select Stop DownStop Down → or Stop Do wnStop Down
Stop DownStop Down
JOYSTICK FUNCTIONS (IN SHOOTING MODE)
You can assign various functions to the joystick in shooting/ recording mode. The settings for AF and MF mode are done separately. See p.116, p.121 and p.134 for the various functions.
AF MODE
Select Customize ControlCustomize Control in the main menu
Select JoystickJoystick
Select AF ModeAF Mode
Select the desired setting
(
AF-LAF-L , AE-LAE-L, AF-L + AE-LA F-L + AE-L)
MF MODE
Select Customize ControlCustomize Control in the main menu
Select JoystickJoystick
Select MF ModeMF Mode
Select the desired setting
AFsAFs, AFs + AE-LAFs + AE-L, AFcAFc, AFc + AE-LAFc + AE-L, AE-LA E-L, ZoomZoom)
(
EN
Camera operation
69
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EN

LOCKING THE OPERATING ELEMENTS

Various operating elements can optionally be locked in shooting/ recording mode.
Note
Appears on screen when a operating element is used while
the lock is active.
LOCKING THE SETTING WHEELS
Camera operation
Select Dial LockDial Lock in the main menu
Select OnOn/OffOff
LOCKING THE JOYSTICK
Select Joystick LockJoystick Lock in the main menu
Select OnOn/OffOff
70
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EN
Camera operation
71
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EN

CAMERA BASIC SETTINGS

The settings described in this chapter apply for picture and video mode alike. They are therefore available in the picture and video menu (see chapter “Camera Operation” under “Menu Control”). A setting selected in one of the modes will also apply to the other.
• The two menu items cally when switching the camera on for the first time, after a reset to factory settings (see p.198), or after a firmware update.
Camera basic settings

MENU LANGUAGE

Factory setting: English Available menu languages: German, French, Italian, Spanish,
Russian, Japanese, Korean, Traditional or Simplified Chinese
Select LanguageLanguage in the main menu
Select your language
• Aside from a few exceptions, the language will be changed for
all information.
LanguageLanguage and Date & TimeDate & Time appear automati-

DATE/TIME

RECEIVING THE SETTINGS FROM A MOBILE DEVICE

The date and time settings can be automatically received from the mobile device.
Factory setting:
Select Camera SettingsCamera Settings in the main menu
Select Date & T imeDate & Time
Select via Smartphonevia Smartphone
• The settings will be re-synched each time the device is paired again. The pairing process is described in the chapter “Leica FOTOS” (see p.202).

MANUAL SETTINGS

DATE
You can choose one of 3 options for the display sequence.
Select Camera SettingsCamera Settings in the main menu
Select Date & T imeDate & Time
Select Date SettingDate Setting
Select the desired date format
Day/Month/YearDay/Month/Year, Month/Day/YearMonth/Day/Year, Year/Month/DayYear/Month /Day)
(
Set the date
OnOn
72
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TIME
Select Camera SettingsCamera Settings in the main menu
Select Date & T imeDate & Time
Select Time SettingTime Setting
Select the desired brightness
12 Hou rs12 Hou rs, 2 4 Hours2 4 Hours)
(
Set the time
amam or pmpm for the 12-hour format)
(Select
TIME ZONE
Select Camera SettingsCamera Settings in the main menu
Select Date & T imeDate & Time
Select Time ZoneTime Zone
Select your time zone/current location
– The Greenwich Mean Time offset is shown on the left of the
line
– Major cities in the relevant time zones are shown on the right
DAYLIGHT SAVING TIME
Select Camera SettingsCamera Settings in the main menu
Select Date & T imeDate & Time
Select Daylight S avin g TimeDaylight S avin g Time
Select OnOn/OffOff

DISTANCE UNIT

The distance can be displayed in meters or in feet (see p.121). Factory setting:
Select Camera SettingsCamera Settings in the main menu
Select Distance UnitDistance Unit
Select the desired setting
(
Meter (m)Meter (m), Feet (f t)Feet (ft))
Meter (m)Meter (m)
EN
Camera basic settings
73
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EN

POWER SAVE MODE (STANDBY MODE)

The camera will switch to the power-saving standby mode after a preset time to extend battery life if this function is activated.
The device has two power save levels.
– Activates device standby mode in
3s/5s/10s/2min/5min/10min
– Automatic LCD panel shutdown (see p.77)
Factory setting:
Select Camera SettingsCamera Settings in the main menu
Camera basic settings
Select Power SavingPower Saving
Select Auto Power O ffAuto Power O ff
Select the desired setting
OffOff, 3 s3 s, 5 s5 s, 10 s10 s, 2 min2 min, 5 min5 min, 10 min10 min)
(
Note
• The camera can be woken from standby mode at any time by pressing the shutter button or by switching the main switch off and on again.
2 min2 min

LCD PANEL/VIEWFINDER SETTINGS

The camera comes equipped with a 3.2” liquid crystal color panel, which is protected by a glass cover made of extremely hard and scratch-resistant Gorilla® glass.
The following functions can be configured and used individually:
– Use of the LCD panel and EVF (electronic viewfinder) – Eye sensor sensitivity – Brightness – Color rendering – EVF Frame Rate – Automatic LCD panel and EVF shutdown
74
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LCD PANEL/EVF USE

You can preset the situations in which EVF and LCD panel should be used. The displays appearing on screen and in the viewfinder are identical.
Factory setting:
Auto
LCD
EVF
EVF
extended
AutoAuto
EVF LCD panel
The eye sensor in the viewfinder automatically toggles the camera between LCD panel and EVF.
• Recording
• Review/Playback
• Menu control
• Recording
• Peview/Playback
• Menu control
• Recording
• Review/Playback
• Menu control
Only EVF is used for shooting/recording mode. The eye sensor in the viewfinder automatically toggles the camera between LCD panel and EVF for playback and menu control.
• Recording
• Review/Playback
• Menu control
Select Display SettingsDisplay Settings in the main menu
Select EVF-LCDEVF-LCD
Select the desired setting
Note
• Select
EVFEVF if you want to keep the LCD panel switched off (e.g.
on dark environments).

EYE SENSOR SENSITIVITY

You can adjust the eye sensor sensitivity to ensure that the changeover functions reliably if you wear eyeglasses.
Factory setting:
Select Display SettingsDisplay Settings in the main menu
Select Eye Sensor SensitivityEye Sensor Sensitivity
Select the desired setting
HighHigh
EN
Camera basic settings
75
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EN

BRIGHTNESS

You can adjust brightness for best visibility in various lighting conditions. Brightness is set individually for the LCD panel and the viewfinder. Selection occurs via key control or touch control.
Camera basic settings

COLOR RENDERING

Color rendering can also be adjusted. Brightness is set individually for the LCD panel and the viewfinder. Selection occurs via key control or touch control.
76
LCD PANEL
Select Display SettingsDisplay Settings in the main menu
Select LCD BrightnessLCD Brightness
Select the desired brightness or AutoAuto
Confirm selection
EVF
Select Display SettingsDisplay Settings in the main menu
Select EVF BrightnessEVF Brightness
Look through the viewfinder
Select the desired brightness
Confirm selection
Note
• The setting
AutoAuto is not available here.
LCD PANEL
Select Display SettingsDisplay Settings in the main menu
Select LCD Color AdjustmentLCD Color Adjustment
Select the desired color setting
Confirm selection
EVF
Select Display SettingsDisplay Settings in the main menu
Select EVF Color AdjustmentEVF Color Adjustment
Look through the viewfinder
Select the desired color setting
Confirm selection
Page 77

AUTOMATIC LCD PANEL AND EVF SHUTDOWN

The LCD panel and EVF deactivate automatically to save power. Factory setting:
1 min1 min
Select Camera SettingsCamera Settings in the main menu
Select Power SavingPower Saving
Select All Displays Auto OffAll Displays Auto Off
Select the desired setting
(
30 s30 s, 1 min1 min, 5 min5 min)
Note
• The top display is not affected by the automatic shutdown.

EVF FRAME RATE

The image frequency of the EVF can be set. Factory setting:
Select Display SettingsDisplay Settings in the main menu
Select EVF Frame RateEVF Frame Rate
Select the desired setting
60 fps60 fp s, 120 fps120 fps)
(
60 fps60 fp s

ACOUSTIC SIGNALS

Some functions can be acknowledged with acoustic signals. The following special functions can be configured separately:
– Electronic shutter sound – AF confirmation

VOLUME

The volume of active signals can be set. Factory setting:
Select Camera SettingsCamera Settings in the main menu
Select Acoustic SignalAcoustic Signal
Select VolumeVolume
Select LowLow/HighHigh

ACOUSTIC SIGNALS

This setting specifies, whether the camera shout output general notification signals, e.g. during the delay time of the self-timer or as a warning signal, when the memory card is full.
Factory setting:
Select Camera SettingsCamera Settings in the main menu
Select Acoustic SignalAcoustic Signal
Select Acoustic SignalsAcoustic Signals
Select OnOn
LowLow
OffOff
EN
Camera basic settings
77
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EN

ELECTRONIC SHUTTER SOUND

Factory setting:
Select Camera SettingsCamera Settings in the main menu
Select Acoustic SignalAcoustic Signal
Select Electronic Shutter SoundElectronic Shutter Sound
Select OnOn
OffOff

AUTOFOCUS CONFIRMATION

Camera basic settings
A signal sound can be selected for successful AF settings. Factory setting:
OffOff
Select Camera SettingsCamera Settings in the main menu
Select Acoustic SignalAcoustic Signal
Select AF ConfirmationAF Confirmation
Select OnOn

SILENT PHOTOGRAPHY

When pictures should be taken as quietly as possible.
Select Camera SettingsCamera Settings in the main menu
Select Acoustic SignalAcoustic Signal
Select Electronic Shutter SoundElectronic Shutter Sound/AF ConfirmationAF Confirmation/Acoustic SignalsAcoustic Signals
Select OffOff for each of these menu items
78
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EN
Camera basic settings
79
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EN

Basic shooting/recording settings (picture & video)

BASIC SHOOTING/RECORDING SETTINGS (PICTURE & VIDEO)
The settings described in this chapter apply for picture and video mode alike. They are therefore available in the picture and video menu (see chapter “Camera Operation” under “Menu Control”). A setting selected in one of the modes will also apply to the other.

TOUCH AF

Touch AF allows a direct placement of the AF metering field. Factory setting:
Select Camera SettingsCamera Settings in the main menu
Select Tou ch A FTou c h A F
Select OnOn/OffOff
Positioning the AF Metering Field
Briefly tap the LCD panel in the desired position
OnOn
Notes
• This function is available in conjunction with the following AF metering methods:
Face/Body DetectionFace/Body Detection.
SpotSpot, FieldField, ZoneZone or Face/Body DetectionFace/Body Detection metering selected,
• With
SpotSpot, FieldField, ZoneZone, TrackingTracking and
the camera will immediately focus again automatically. If the metering method
TrackingTracking is selected, the metering field will
remain at the selected position and autofocus commences when the shutter button is tapped.

TOUCH AF IN EVF MODE

Touch AF is deactivated by default when EVF is in use to prevent any inadvertent altering of the AF metering field. Touch AF can, however, also be used in EVF mode.
Factory setting:
Select Camera SettingsCamera Settings in the main menu
Select Touch AF in E VFTouch AF in E VF
Select OnOn/OffOff
OffOff
80
To move the metering field back to the center of the screen
Double tap the LCD panel
Page 81

FOCUS LIMIT

The focusing range can be limited by excluding the macro range. This will speed up automatic focusing considerably.
Factory setting:
Select Camera SettingsCamera Settings in the main menu
Select Focus Limit (Macro)Focus Limit (Macro)
Select OnOn/OffOff
Notes
• The focusing range differs depending on the lens used (see relevant instructions).
• This function is not available for specific lenses:
– lenses mounted via an adapter (e.g. Leica M lenses with L
adapter M)
– specific Leica SL lenses
OffOff

EV INCREMENT

You can choose between 1⁄2 EV or 1⁄3 EV graduations. This will allow you to choose between stronger or more subtle effects for your relevant settings.
This setting doesn't just apply for exposure compensation settings. It also specifies the sensitivity of the setting wheels in standard recording mode, i.e. the increment width with which the shutter speeds and the aperture will be set. A setting to shutter speeds and aperture values that much faster each time the setting wheel is moved one click further and the correct setting is achieved quicker. A setting to
Factory setting:
1/31/3
1/31/3 facilitates a more precise setting.
Select Camera SettingsCamera Settings in the main menu
Select EV IncrementEV Increment
Select the desired setting
1/21/2, 1/31/3)
(
1/21/2 will change the
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Basic shooting/recording settings (picture & video)

AUXILIARY DISPLAYS

The Leica SL2-S has 4 independent info profiles, which contain differing combinations of the available auxiliary displays. The following functions are available:
– Info Bars (see p. 84) – Grid (only picture mode, see p.84) – Focus Peaking (see p. 85) – Clipping / Zebra (see p. 84) – Level Gauge (only picture mode, see p.86) – Histogram (see p.87)
A
F
B
E
D
A
A
Info Bars (= header and footer line)
B
Grid
C
Focus peaking
D
Clipping / Zebra
E
Level gauge
F
Histogram
C

INFO PROFILES

Up to 4 independent profiles can be used. The desired function can be selected and adjusted individually for each profile. During operation, the switch between info profiles is done via direct access (see p.52). In factory settings, that will be the FN button at the back left, next to the LCD panel ( switches between various views.
The following profiles are predefined in the factory settings:
Profile Factory settings
Only info Bars (header and footer lines)
Full screen view (all auxiliary displays OffOff)
Info BarsInfo Bars, Clipping / ZebraClipping / Zebra, Focus PeakingFocus Peaking, HistogramHistogram
Info BarsInfo Bars, Clipping / ZebraClipping / Zebra, GridGrid, Level GaugeLevel Gauge
25). It allows quick
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CHANGING THE INFO PROFILES
Press the FN button with the function assignment
Toggle Info LevelsToggle Info Levels
• In factory settings, that will be the FN button at the back left,
next to the LCD panel (25).
Note
• The same info profiles are available in review/playback mode as in recording mode. The actual info profile currently in use, however, is saved separately.
DEACTIVATING INDIVIDUAL INFO PROFILES
You can limit the number of info profiles by activating/deactivating individual profiles. At least one profile must always be active, but that can be an “empty” profile.
Select Camera SettingsCamera Settings in the main menu
Select Capture AssistantsCapture Assistants
Select a profile
Select OnOn/OffOff
CUSTOMIZING THE INFO PROFILES
Select Camera SettingsCamera Settings in the main menu
Select Capture AssistantsCapture Assistants
Select SettingSetting
Select a profile
Select the desired function
Select the desired setting
Function Available settings
Info BarsInfo Bars OnOn, OffOff
GridGrid 3 x 33 x 3, 6 x 46 x 4, OffOff
Clipping / ZebraClipping / Zebra OffOff, Upper limitUpper limit (value between 200 and 255)
Focus PeakingFocus Peaking OnOn, OffOff
Color (RedRed, BlueBlue, GreenGreen, WhiteWhite) & sensitivity (settings apply to all info profiles)
Level GaugeLevel Gauge OnOn, OffOff
HistogramHistogram OnOn, OffOff
Note
• It is advisable to reserve one info profile as “empty”, in which all functions are set to
OffOff. It allows you to temporarily hide all
displays. In effect, you get an unobstructed view of the full screen image.
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SHOW AVAILABLE

INFO BARS
The header and footer lines show the currently active settings and exposure values. See chapter “Displays” for a full list of the various displays (see p.26).
CLIPPING/ZEBRA
The Clipping/Zebra display marks very bright image areas. This function is a very easy and exact tool for checking the correct exposure setting. The two displays differ as follows:
– In picture mode: Clipping (flashes black) – In video mode: Zebra (black/white striped pattern)
Basic shooting/recording settings (picture & video)
84
GRID
The grids divide the image frame into multiple fields. They facilitate picture composition and an exact camera orientation. The grid line distribution can be adjusted to fit the object.
You can choose one of two grid displays. They divide the image field into 3x3 or 6x4 fields.
SETTING THE LIMIT VALUE
You can set a threshold value for these displays, i.e. define a value at what degree of overexposure they will appear, so that you can adjust these displays to specific conditions or in line with your own composition ideas.
Select Camera SettingsCamera Settings in the main menu
Select Capture AssistantsCapture Assistants
Select SettingSetting
Select a profile
Select Clipping / ZebraClipping / Zebra
Select Upper limitUpper limit
Select the desired value
200200 to 255255)
(
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FOCUS PEAKING
This assist function highlights the edges of in focus subject elements in color.
When Focus Peaking is activated, will appear to the right of the frame with a display of the color used.
TAG COLOR
The color can be user-specified. This setting will apply for all info profiles.
Factory setting:
RedRed
Select FocusingFocusing in the main menu
Select Focus AssistFocus Assist
Select Focus PeakingFocus Peaking
Select the desired setting
(
RedRed, GreenGreen, BlueBlue, WhiteWhite)
ISO SENSITIVITY
The sensitivity can be additionally adjusted. This setting will apply for all info profiles.
Factory setting:
HighHigh
Select FocusingFocusing in the main menu
Select Focus AssistFocus Assist
Select Peaking SensitivityPeaking Sensitivity
Select the desired setting
(
LowLow, HighHigh)
Note
• Focus peaking is based on subject contrast, i.e. differences between light and dark. As a result, high contrast subject elements could be marked, even if they are not completely in focus.
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LEVEL GAUGE
The integrated sensors of the camera show its orientation. These indicators ensure exact camera orientation along the longitudinal and transverse axes of critical objects, e.g. architecture.
Two long lines to the left and right of the image center indicate the transverse axis on screen.
– in zero position = green – in tilted position = red
The longitudinal axis is indicated in level position by two green double-lines immediately left and right of the image center. When the camera is tilted, these lines are white, and a short red line appears above or below them.
Note
• The camera will switch the aspect of the level gauge autono-
mously for pictures taken in portrait format.
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HISTOGRAM
Histogram represents the brightness distribution in the recording. The horizontal axis shows the graduated values from black (left) through gray to white (right). The vertical axis corresponds to the number of pixels at each brightness level.
This type of rendering allows an additional quick and easy assessment of the exposure setting.
Notes
• The histogram is always based on the brightness displayed; depending on the settings used, it may not represent the final exposure.
• In shooting mode, the histogram should be regarded as a “trend indicator”.
• The histogram during rendering may differ slightly from the one during exposure.
• The Histogram always refers to the currently displayed cropped section of the recording.
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BASIC SHOOTING SETTINGS (PICTURE)

The settings described in this chapter only apply for picture mode. They are therefore part of the picture menu and must always be accessed and configured from within picture mode (see chapter “Camera operation” in the section “Menu Control”). Any menu items of the same name in the video menu are entirely indepen­dent of these.
Full-frame (35mm)
APS-C
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SENSOR FORMAT

The picture data of the entire 35mm sensor can be used or only a cropped section, which corresponds to the APS-C format. This can be helpful, e.g. when only limited storage capacity remains or a lens developed specifically for APS-C is used.
Basic shooting settings (picture)
The max. available resolution is dependent on the setting of the sensor format.
Sensor format DNG Resolution
35mm 6000x4000pixels (24MP)
APS-C 3963x2624pixels (10.3MP)
Crop factor 1:1.6
Aspect ratio 3:2
16mm
24mm
24mm
36mm
Image section used
Factory setting: 35 mm35 mm
Select Sensor FormatSensor Format in the main menu
Select the desired setting
35 mm35 mm, APS-CAPS-C)
(
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The set sensor format is shown in the header line.
Note
• The setting switches automatically to APS-C when an APS-C-specific lens is mounted.

FILE FORMAT

Choose the JPG format
DNGDNG (= digital negative). Both can be used individually or simultane-
ously. Factory setting:
Select Photo File FormatPhoto File Form at in the main menu
Select a format
DNGDNG, DNG + JPGDNG + JPG, JPGJPG)
(
Notes
• The standardized DNG (Digital Negative) format is used for the storage of raw picture data.
• When picture data is saved in ously, then the camera will use the resolution setting for the format is used for the JPG file.
• The
DNGDNG format always uses the highest resolution, no matter
JPGJPG setting is selected.
what
• The remaining number of frames shown in the LCD panel will not necessarily change after every shooting. That very much depends on the object; very fine image structures result in higher data quantities, while homogeneous surfaces mean less data.
JPGJPG or the standardized raw data format
DNG + JPGDNG + JP G
DNGDNG and in JPGJPG format simultane-
JPGJPG
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MEMORY CARD MANAGEMENT

There are a number of options for saving data when two memory cards are inserted.
–  
DNG + JPG on SD1 = SD2 (Backup)DNG + JPG on SD1 = SD2 (Backup)
–  DNG + JPG on SD1 + SD2 (St andard)DNG + JPG on SD1 + SD2 (St andard) –  DNG on SD1 / JPG on SD2 (S plit)DNG on SD1 / JPG on SD2 (S plit)
SD1=SD2 (Backup)
SD1+SD2 (Standard)
Basic shooting settings (picture)
SD1/SD2 (Split)
An icon in the status screen denotes the selected setting. Factory setting:
Select Storage OptionsStorage Options in the main menu
Select the desired setting
SD1=SD2SD1=SD2, SD1+SD2SD1+SD2, SD1/SD2SD1/SD2)
(
All files are saved to SD1 and SD2. One of the cards therefore serves as backup.
Files are saved to SD1 first, until its capacity is reached. Subsequent files will then be saved to SD2.
Files are saved separately depending on their format: JPG files are saved to SD1 and DNG files to SD2.
DNG + JPG on SD1 + SD2 (St andard)DNG + JPG on SD1 + SD2 (St andard)

ASPECT RATIO

You have a choice of aspect ratios to select in addition to the basic 3:2 (e.g. 1:1). The relevant cropped section will be displayed. Recordings made in JPG format are saved with the relevant aspect ratio. DNG recordings will always have the natural sensor format (3:2), the set aspect ratio is only in aid of the image composition. In review mode, DNG recordings will be displayed with horizontal or vertical auxiliary lines showing the cropped section seen when shooting.
Factory setting:
Select Photo Aspect RatioPhoto Aspect Ratio in the main menu
Select the desired setting
3:23:2, 7:57:5, 4:34:3 , 1:11:1 , 3:13:1 , 16:916:9)
(
3:23:2
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JPG SETTINGS

The functions and settings described in this section apply for pictures taken in
JPGJPG format only.

RESOLUTION

The
JPGJPG format setting offers 3 image resolution (number of pixels)
options. The following file formats are available:
S-JPGS-JPG. You can therefore adjust your settings to the intended use
and available memory card capacity. Factory setting:
L-JPGL-JPG
Select JPG SettingsJPG Settings in the main menu
Select JPG ResolutionJPG Resolution
Select the desired resolution
The resolution also depends on the selected sensor format. The set sensor format is shown in the header line.
RESOLUTION Sensor format
35mm APS-C
L-JPGL-JPG
M-JPGM-JPG
S-JPGS-JPG
24MP 10.3MP
12.2MP 5MP
5.9MP 2.5MP
L-JPGL-JPG, M-JPGM-JPG and
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IMAGE PROPERTIES

One of the many advantages of digital photography is that it is very easy to change key image properties.
You can manipulate contrast, sharpness and color saturation before shooting.
CONTRAST
The contrast setting, i.e. the difference between light and dark image sections, determines whether an image comes across as “flat” or “brilliant”. Increasing or decreasing this difference impacts on contrast, meaning that some image sections are rendered with more or less light.
SHARPNESS
Basic shooting settings (picture)
The impression of sharpness in a picture is largely determined by edge sharpness, i.e. by how slight the transition area between light and dark is at edges in the picture. Expanding or reducing these areas will therefore change the impression of sharpness.
COLOR SATURATION
The saturation factor in color images determines, whether colors in the picture appear “pale” and pastel-like or “bright” and colorful. While lighting conditions and weather (e.g. foggy/clear) are a given in terms of shooting conditions, their rendering can be influenced.

COLOR PROFILE

3 pre-configured color profiles are available: Factory setting:
StandardStandard VividVivid NaturalNatural
Select JPG SettingsJPG Settings in the main menu
Select Film StyleFilm Style
Select a profile
StandardStandard

MONOCHROME PROFILE

Two pre-configured monochrome profiles are available:
MonochromeMonochrome
Monochrome High ContrastMonochrome High Contrast
Select JPG SettingsJPG Settings in the main menu
Select Film StyleFilm Style
Select a profile
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CUSTOMIZING PHOTO PROFILES

Additionally, you can adjust the values for contrast, sharpness and saturation (saturation only for color pictures) for each profile separately.
Select JPG SettingsJPG Settings in the main menu
Select Film StyleFilm Style
Select Film Style SettingsFilm Style Settin gs
Select a profile
ContrastContrast, SharpnessSharpness, SaturationSaturation
Select the desired level
-2-2, -1-1 , 00 , +1+1, +2+2)
(

NOISE REDUCTION

In digital photography, the appearance of flawed pixels that can be white, red, blue or green is referred to as "noise". Except when high sensitivities are used, noise is luckily negligible. Nevertheless, noise reduction is a component of data processing when JPG files are generated. On the other hand, since it also has an effect on the focus review, you can optionally weaken or strengthen this noise reduction in comparison to the standard setting.
Factory setting:
Select JPG SettingsJPG Settings in the main menu
Select Noise ReductionNoise Reduction
Select the desired setting
LowLow, MediumMedium, HighHigh)
(
LowLow
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NOISE SUPPRESSION FUNCTION FOR LONG-TERM EXPOSURE

Image noise becomes more apparent when using higher sensitivi­ties, particularly on uniform dark areas. Long exposure times may cause severe image noise. In order to reduce this annoying phenomenon, the camera will take a second “black picture” (taken with the shutter closed) automatically after a shooting with slow shutter speed and high ISO value. The noise metered in this parallel picture is then digitally “subtracted” from the data for the actual picture. In such cases the message appear with a relevant time value. The doubling of the “exposure” time must be taken into account for long-term exposure times. The camera must not be switched off during that time.
Basic shooting settings (picture)
Factory setting:
OnOn
Select Long exposure noise reductionLong exposure noise reduction in the main menu
Select OnOn/OffOff
Noise reduction in progressNoise reduction in progress will

SHUTTER TYPE

The LeicaSL2-S comes equipped with a mechanical shutter and a purely electronic shutter function. The electronic shutter expands the available shutter area and functions completely noiseless, which may be important in some work environments.
Factory setting:
Select Shutter TypeShutter Type in the main menu
Select the desired setting
MechanicalMechanical, ElectronicElectronic, HybridHybrid)
(
MechanicalMechanical Only the mechanical shutter is used.
ElectronicElectronic Only the electronic shutter function is used.
HybridHybrid You can add in the electronic shutter functions if
Note
• The electronic shutter function does not allow flash photography.
HybridHybrid
Working range: 30min to 1⁄8000s.
Working range: 60s to 1⁄16000s.
you need faster shutter speeds than can be achieved with the mechanical shutter.
Working range: 30min to 1⁄8000s + 1⁄8000s to 1⁄16000s.
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IMAGE STABILIZATION

The less favorable the lighting conditions during shooting, the slower will be the required shutter speeds for correct exposure. Visual image stabilization is a great tool for preventing out-of-focus images due to blurring.
Factory setting:
Select Image StabilizationImage Stabilization in the main menu
Select OnOn/OffOff
Note
• The settings described in this chapter apply for both picture and video mode.
OnOn

SETTING THE STABILIZATION DIRECTION

For camera pans it can be useful to only correct camera shake in specific directions.
Factory setting:
Normal Camera shake in all directions (horizontal,
Automatic The camera recognizes the panning
Vertical panning Only horizontal camera shake will be
Horizontal panning Only vertical camera shake will be
Select Panning ModePanning Mode in the main menu
Select the desired setting
NormalNormal, Auto PanningAuto Panning, Vertical PanningVertical Panning, Horizontal PanningHorizontal Panning)
(
NormalNormal
vertical, rotational) will be corrected automatically.
direction automatically and corrects orthogonal camera shake autonomously.
corrected.
corrected.
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MF ASSIST FUNCTIONS

AF ASSIST LIGHT

The integrated AF assist light allows operation of the AF system in unfavorable lighting conditions. This light comes on while metering is performed, provided the function is activated.
Factory setting:
Select Camera SettingsCamera Settings in the main menu
Select AF Assist LampAF Assist Lamp
Select OnOn/OffOff
Notes
• The AF assist light illuminates an area of up to approx. 5m.
Basic shooting settings (picture)
• The AF assist light switches off automatically, once focusing was
successful (AF metering field is green) or has failed (AF metering field is red).
OnOn

ACOUSTIC AF CONFIRMATION

You can set an acoustic confirmation signal for successful focus metering in AF mode.
Factory setting:
Select Camera SettingsCamera Settings in the main menu
Select Acoustic SignalAcoustic Signal
Select AF ConfirmationAF Confirmation
Select OnOn
Select VolumeVolume
Select LowLow/HighHigh
OffOff
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Full-frame image circle

Basic recording settings (video)

BASIC RECORDING SETTINGS (VIDEO)
The settings described in this chapter only apply for video operations. They are therefore part of the video menu and must always be accessed and configured from within video mode (see chapter “Camera operation” in the section “Menu Control”). Any menu items of the same name in the picture menu are entirely independent of these.

SENSOR FORMAT

The picture data of the entire 35mm sensor can be used or only a cropped section, which corresponds to the APS-C format. This can be helpful, e.g. when only limited storage capacity remains or a lens developed specifically for APS-C is used.
Factory setting:
Select Sensor FormatSensor Format in the main menu
Select the desired setting
35 mm35 mm, APS-CAPS-C)
(
35 mm35 mm
APS-C image circle
98
Full-frame Still 3:2
6000 x 4000
Full-frame C4K 17:9
4096 x 2160
Full-frame 4K 16:9
3840 x 2160
Full-frame FHD 16:9
1920 x 1080
APS-C Still 3:2
3963 x 2624
APS-C C4K 17:9
4096 x 2160
APS-C 4K 16:9
3840 x 2160
APS-C FHD 16:9
1920 x 1080
Note
• The setting switches automatically to APS-C when an APS-C-specific lens is mounted.
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FILE FORMAT

Video can be recorded in the file formats MOV or MP4. Various combinations of resolution and frame rate can be
configured depending on the file format chosen. The settings are done separately. You could therefore select the combination
C4KC4K/29.9 7 fps2 9.97 fps for the MOV format or FHDFHD/59.94 fps59.94 fps for MP4. The
preset video format settings are then accessed automatically, when one of the two file formats is selected.
Note
• You can toggle between video file formats via the status screen without having to (re)configure the settings.

VIDEO FORMAT

The following combinations of resolution and frame rate are available:
Frame rate Resolution (file format)
C4K 4K FHD
23.98fps
25 fps MOV MOV + MP4 MOV + MP4
29.97fps MOV MOV + MP4 MOV + MP4
50 fps MOV MOV + MP4 MOV + MP4
59.94fps MOV MOV + MP4 MOV + MP4
100 fps MOV + MP4
120 fps MOV + MP4
150 fps MOV + MP4
180 fps MOV + MP4
MOV MOV + MP4 MOV + MP4
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Basic recording settings (video)

AVAILABLE RESOLUTIONS

You can choose from up to 4 resolutions with the associated aspect ratios (depending on file format and recording mode).
Sensor format
35mm MOV C4K 4096x2160
APS-C MOV C4K 4096x2160
File Format Available resolutions
MOV + MP4 4K 3840x2160
FHD 1920x1080
MOV + MP4 4K 3840x2160
FHD 1920x1080

AVAILABLE FRAME RATES

Up to 9 different frame rates between 23.98fps and 180fps are available depending on the selected resolution. The frame rates 100fps to 180fps allow slow motion recordings in varying speeds.

SETTING THE VIDEO FORMAT

Factory setting: file format MOV, resolution FHD, frame rate
29.97fps
MOV
Select Video Format / ResolutionVideo Fo rmat / Resolution in the main menu
Select MOVMOV
Select the desired resolution
C4KC4K, 4K4K, FHDFHD)
(
Select the desired frame rate
MP4
Select Video Format / ResolutionVideo Fo rmat / Resolution in the main menu
Select MP4MP4
Choose the desired combination of resolution and frame rate
Note
• The list of available resolutions for this camera also contains additional information, e.g. on video compression.
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