Konica Minolta Dynax 5D User Manual 2

Guide Book

INTRODUCTION

The Dynax 5D is a digital SLR equipped with state­of the-art technology. The camera combines high
image quality with versatile advanced features and
easy, intuitive operation.

6 MILLION PIXEL RESOLUTION

The ideal basis for excellent image quality is the
large, high resolution 6.1 Megapixel CCD (23.5 x

15.7mm). The high resolution provides impressive
large format prints up to a size of 30 x 50cm.

We would like to introduce the most popular
photographic topics and provide tips with regard
to camera settings and use of the Dynax system
accessories so that you can get the most out of
the Dynax 5D.

You obtain more info on Konica Minolta Cameras
and accessories on
www.konicaminoltaphotoworld.com

CONTENT..................................Page

Introduction....................................1

Features

...........................................1

Photo Subjects

Landscape ............................3

Portrait ..................................4

Sport/Action..........................6

Macro....................................8

Architecture.........................10

Night Portrait / Sunset .........11

2.5 INCH LCD MONITOR

The 2.5-inch (6.3cm) LCD monitor’s large screen
makes it easy to check the details of images you’ve
taken. Capable of simultaneous image and
histogram display, the large LCD monitor also
guides you through the intuitive camera

menu.

Photoknowledge

White Balance............................12

Zone Matching

Special lenses ............................14

Anti-Shake

...........................13

...................................16

Accessories

Lenses............................................18

Program Flashes
System Accessories

.......................22

................24

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COMPACT DESIGN AND INTUITIVE OPERATION

The Dynax 5D combines sophisticated features
and intuitive handling in a very compact camera
body. Further functions are located on the camera
back for intuitive control of the Dynax 5D.

SOPHISTICATED AUTOMATIC FUNCTIONS

In addition to extensive manual controls the

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camera also offers advanced automatic functions,
which benefit from the centuries of Konica Minolta

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experience. Automatic exposure modes enable
a novice to photography to take expressive

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portraits, impressive landscape shots and exciting
shots of sporting events.

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EXTENSIVE ACCESSORY RANGE

An extensive range of system accessories of the
Dynax series, including Program and Macro
flashes, remote cable, camera bags, angle finder
and more, expand the creativity the photographer.
All lenses
be used with the Dynax 5D and are compatible
to the Konica Minolta Anti-Shake System.

*1)

of the Konica Minolta AF series can

KONICA MINOLTA ANTI-SHAKE SYSTEM

What sets the DYNAX 5D’s Anti-Shake apart from
all other camera-shake compensation systems
is its exclusive CCD-Shift mechanism.
It’s so effective you can shoot at shutter speeds
two or three steps slower than what you could
use without it. And because the mechanism is
integrated directly into the camera’s body, it works
with virtually any Konica Minolta Dynax AF lens*1).

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1)

*

With the AF Macro Zoom 3X - 1X and some special lenses

the Anti-Shake-System is turned off.

PHOTO SUBJECTS – PORTRAIT

Portraiture is one of the classic genre of
photography. An expressive portrait is not just
beautiful to look at, knowing a few photographic
techniques will turn a photo into a masterpiece.

Aperture 2.8

The Dynax 5D is equipped with a special portrait
subject program mode. By turning the function

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wheel to the portrait mode, the camera
automatically chooses a large aperture to achieve

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a small depth of field.

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SMALL TELEPHOTO LENS

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Using a short telephoto lens (85mm or more)
narrows the angle of view and the portrait conveys

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a more flattering expression. With a longer focal
length the depth of field decreases as well.
A short focal length (smaller than 50mm) should
be avoided.

Aperture 11

1m

2m 3m 4m

The aperture determines the depth of field

LARGE APERTURE

The use of a large aperture (e.g. f/2.8) enables a
narrow depth of field, so that the person is
distinctly separated from the background. The
depth of field can be so small, that only the eyes
are perfectly sharp and the tip of the nose and
the ears are slightly defocused.

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TIP: With the Dynax 5D it is possible to choose

individual AF sensors, so it is easy to place
one of the AF sensors right on the person's
eye.

Accessory softeners like the Konica Minolta
Portrayer P filter set provide a smooth and
harmonic reproduction of skin tones.

WIRELESS FLASH

The Program Flashes 3600HS (D) and 5600HS
(D) can be controlled by wireless with the Dynax
5D. This enables the photographer to position
the flash to the side to achieve a more natural
illumination. The flash could also be positioned
behind the person to create what's known as a
headlight.

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Program Flash 5600HS (D)

SOFT ILLUMINATION

Hard illumination, e.g. a flash coming from the
front is very unflattering. Wrinkles and little
imperfections of the skin become emphasised
by the hard illumination and the face seems
expressionless. By pointing the flash to the ceiling
or using a flash diffuser to achieve a softer light.
The results will be more pleasing, especially to
the model!

The picture on the left which was shot with direct flash, the
picture on the right was shot with indirect flash.

TIP: The Dynax 5D also offers a portrait sRGB

colour space for extra smooth and detailed
rendering of skin tones (The portrait colour
mode has to be set in the camera menu).

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PHOTO SUBJECTS – SPORT/ACTION

Taking images of fast moving subjects is a great
challenge for both the photographer and the
camera equipment. Releasing the shutter at the
right moment is crucial for capturing an expressive
image.

SPORTING EVENTS

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Filling the image area with the subject from a
distance requires lenses with a longer focal length

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(over 100mm). Telephoto lenses or zoom lenses
with a large aperture (e.g. AF 100-300mm f/4.5-

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5.6 APO (D)) are most suitable, so that shooting

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with fast shutter speeds is still possible when the
light conditions are not perfect. This enables the

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photographer to “freeze” a fast movement. The
narrow depth of field that results from the large
aperture separates the main subject from its
background for even greater emphasis.

With a slower shutter speed a very dynamic effect
can be achieved. A slower shutter speed needs to
be set on the camera (e.g. 1/60), then the
photographer has to follow the moving subject and
during this movement the shutter has to be released.

TIP: To get good results under difficult light

conditions or with lenses with smaller
apertures, a high ISO number (e.g. ISO 800)
should be set on the camera. For short or
medium distances (up to 25 m) a Program
Flash can be used.

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Lens AF 100-300mm f/4.5-5.6 APO (D)

CONTINUOUS ADVANCE

Thanks to the high speed Continuous Advance
of the Dynax 5D the decisive moment of even a
fast-moving subject can be captured easily. The
photographer can capture a sequence of pictures
of a moving subject , then select the best shot
afterwards.

TIP: The pre-flash for the "Red-Eye-Reduction"

has to be turned off, as otherwise an

unavoidable time lag occurs from pressing
the shutter release button to the picture being
taken. That makes a snapshot nearly
impossible. To reduce red eye on photos, the
use of a Program Flash is recommended (e.g.
3600HS (D)). Due to the larger distance from
the flash to the optical axis, the chance of
redeye is greatly reduced.

Lens AF 70-200mm/2.8 Apo G (D) SSM

IMAGES OF KIDS

Zoom lenses with a medium focal length – such
as the AF 28-75mm f/2.8 (D) (equivalent to 42­113mm in 35mm format) – are perfectly suited to
most shooting conditions and they allow the
photographer to adjust the magnification very
quickly. The Autofocus of the Dynax 5D should
be set to “C” (Continuous AF) to be able to release
the shutter at any time.

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The continuous auto focus mode of the Dynax 5D makes for
easy shooting of moving objects.

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PHOTO SUBJECTS – MACRO

The extensive accessory range of the Dynax 5D
is perfectly suited capturing impressive images
of tiny objects. Not only insects and flowers can
be captured in extraordinary perspectives that
are usually concealed to us in every day life. Full
frame images can be taken of nearly everything
you can think of, such as watches, jewellery,

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coins, stamps etc.

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MACRO PHOTOGRAPHY

When you are photographing small animals like

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insects, the photographer needs to keep a
distance from the subject to avoid disturbing
them or casting a shadow across the scene. A

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macro lens with a long focal length (AF 100mm
f/2.8 Macro (D) or AF 200mm f/4 Macro Apo G)

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offers a maximum magnification of 1:1

(with the Dynax 5D an area of 23,5 x 15,7 mm
can be captured full frame) whilst remaining a
distance to the subject.

Lens AF 100mm f/2.8 Macro (D)

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TIP: Due to the small depth of field in macro

shots, it is recommended to use a small

aperture (e.g. f/16). The Anti-Shake
System of the camera can effectively reduce
shake that results from the use of longer shutter
speeds.

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MACRO FLASH

To achieve the best illumination conditions at
close distances and to freeze subject movement,
two special System Flashes can assist the
photographer: the Macro Ring Flash 1200 and
the Macro Twin Flash 2400. Both flashes can be
controlled automatically by the camera in all
exposure modes.
The four separately controllable flash tubes of
the Macro Ring Flash 1200 provides a constant
illumination over the whole image without the
loss of a three-dimensional impression.

The macro flashes perfectly control the illumination of even
small objects.

Ring Flash 1200 and Twin Flash 2400

The Macro Twin Flash 2400 offers nearly unlimited
flexibility and illumination options for close
distance shots. Two independent reflectors can
be positioned anywhere around the subject.

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PHOTO SUBJECTS – ARCHITECTURE

Documenting historical, famous or modern
buildings has always been a popular subject for
ambitious photographers . The landscape mode
of the Dynax 5D is perfectly suitable for this job.
A small aperture with low ISO setting delivers
great depth of field combined with high image
quality.

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The AF 20mm f/2.8 provides a great depth of
field and an emphasized perspective.

Lenses with short to medium focal lengths,
especially fixed focal lenses, are a must-have
item for any architectural photographer. In addition
using a telephoto lens lets you capture small
details or take pictures of buildings in full from
further distance.

TIP: To avoid converging verticals (parallel

lines seeming to converge at a vanishing point)
the camera should only be tilted upwards to
a small extent when photographing tall
buildings.

Reflections on a window can be used as a creative
element, or can be minimised by employing a
polarizing filter if desired.

TIP: Photographing in the "blue hour" at dawn,

when the street lights are lit can induce

very interesting and unusual lighting
effects upon the architectural scenery or
subject. Thanks to the Anti-Shake function it
is often possible to take images in the "blue
hour" without a tripod.

- 10 -

Picture taken at the “blue hour”

PHOTO SUBJECTS – NIGHT PORTRAIT / SUNSET

SUNSET

Sunset mode provides special settings that meet
the extraordinary light conditions of landscapes
at dusk and dawn. The mode is optimised to
reproduce the rich, warm colours of sunsets.
A specific white balance is employed that
accentuates several shades of red that are
characteristic of the atmosphere of such scenes.

NIGHT PORTRAIT

The Night Portrait mode of the Dynax 5D is well
suited to taking images at night or in dark
surroundings. This program optimises the balance
between the available light and the flash light.
A slower shutter speed is automatically set to
achieve the right exposure for the background

from the available light, because it is outside of
the range of the flash light.
Effective use of the built-in flash is only possible
within its range. To illuminate a large group of
people or larger objects, a more powerful Program
Flash (2500 (D), 3600HS (D) or 5600HS (D)) is
recommended.
They are all controlled automatically by the camera,
just like the built-in flash.
For best results a tripod or at least a stable base
(like a wall) should be used. The Remote Cables
RC-1000 S or L (and also the self timer) prevent
the camera from capturing any shake.

The Anti-Shake System of the camera
enables even longer shutter speeds to be

used in low light situations.

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The ambient light and the flash light is balanced in the Night
Portrait mode. In normal flash mode the background of such
a scene would be totally black.

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PHOTOKNOWLEDGE – ZONE MATCHING

The atmosphere, character and message of an
image are quintessentially influenced by the
distribution of black and white areas in the tonal
values. In classic photography the specific
subject-related use of illumination is described
as high-key and low-key photography. In high­key images bright, finely distinguished highlight
tones dominate and soft illumination is provided.
Low-key images, consist predominantly of dark
tones and harsher light is employed, which
provides a three-dimensional feel that is rich in
contrast and shadow detail.
The zone matching mode of the Dynax 5D
optimises all camera settings for high-key or low­key images.

HIGH-KEY ZONE MATCHING

High-key mode provides fine highlight detail on
images that consist of mainly bright areas.
Exposure, sensitivity and gradation are adjusted
in the best possible way so that the hightlights
do not bleach out.

LOW-KEY ZONE MATCHING

Low-key mode achieves a wide graduation of
shadow detail – on images that predominantly
consist of dark areas – without showing noise in
the dark areas.

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PHOTOKNOWLEDGE – SIZE / QUALITY

In the camera menu you find the topics “Image
Size” and “Quality”. The result of both is similar in
one way, but the way they work differs a lot. Using
those functions means, that choosing a higher
“Quality” or a larger “Image Size” leads to fewer
images on the memory card.
But why are there two settings?

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IMAGE SIZE (RESOLUTION)

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The function of the topic „Image Size“ is pretty
simple. The CCD chip, which produces the image,

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consists of millions of tiny picture elements (pixel).

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Using the maximum image size, all pixels of the
CCD are used. Reducing the image size means

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that not every pixel gets used. Therefore the image
size can only be 3 or 1.5 million pixels instead of
the maximum 6 million pixels.

WHAT IMAGE SIZE IS THE BEST TO USE?

The maximum output size of an image (how large
it can be printed), depends on the amount of data
the file contains. An A4 size print for example
needs at least 3 million pixels. So if you already
know before shooting that you only want a small
print out of the image, or you want to display it on
the internet, you can reduce the image size in
order to save space on the memory card.

TIP: Record the image always in a higher size

than you need, because you can always re­size images on the computer later. Usually the
maximum image size is used, so that images
can be used flexibly for a lot of different
applications.

QUALITY

The topic „Quality“ determines the data format in
which the image is saved on the memory card.

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Small Resolution Medium Resolution High Resolution

RAW

Choosing RAW „Quality“, the image is always
recorded at the maximum resolution (full image
size). The RAW format saves the image data before
the actual calculations of colour, contrast, and
sharpness of the camera software start. Those
calculations have to be done afterwards on the
computer, using imaging software like the DiMAGE
Master Lite, or the optional DiMAGE Master. The
RAW format enables best image quality, but needs
some post-processing on the computer. Image
files recorded in RAW format can be very large
(approx. 8.8 MB); therefore it takes more time to
save them on the memory card.

EXTRA FINE, FINE, STANDARD

Choosing “Extra Fine”, “Fine”, or “Standard” under
the topic „Quality“, means, that images are saved
in JPEG format. In contrast to RAW, images are
compressed in JPEG format. The image size
remains the same, but the image file occupies less
space on the memory card. You can imagine
compressing an image as folding it, so that it
creases and the quality decreases.
As soon as the image is unfolded, it has its original
file size again.

„Extra Fine“, „Fine“, „Standard“ indicate how much
an image becomes folded (how much it is
compressed). The more an image is compressed,
the more image details get lost. Shooting objects
with a very fine structure, it is recommended to
use a low compression rate.

TIP: With most objects the setting “Standard”

is absolutely sufficient. The setting “Fine” or
“Extra Fine” should be used when subject
structures are very detailed.

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Low JPEG Compression / High JPEG Compression

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PHOTOKNOWLEDGE – ANTI-SHAKE

Despite autofocus it is still possible that pictures
may be blurred. Often it is not the fault of the
autofocus system but rather the result of camera
shake. Unfortunately camera shake happens
frequently and it is a particular problem when
using slower shutter speeds and longer focal
lengths.

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However, Konica Minolta’s Anti-Shake puts things
right. The high precision CCD-shift process applies

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a unique stabilizing mechanism. A sensor detects
the degree of camera shake and the camera is

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able to compensate for this shake by shifting the
CCD.

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The Anti-Shake System instantly and precisely shifts the CCD
to compensate camera motion. (Shutterspeed example picture
1/30 sec)

THE CORRECT AMOUNT OF LIGHT

To expose a picture correctly a particular amount
of light is necessary. For that the camera has two
possibilities to control the amount of light. Either
the aperture can be changed or the exposure
time can be varied.

The Anti-Shake unit compensates
the camera shake by shifting the CCD.

WITHOUT ANTI-SHAKE

Rule of thumb to calculate the longest safe shutter
speed without Anti-Shake:

1

focal length (in mm)

s

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For example, when taking a picture with a lens
of focal length 250 mm without Anti-Shake:
the longest safe shutter speed is =
1/250 mm = 1/250 s

KONICA MINOLTA - LENSES

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MIRROR TELE LENS

Extreme telephoto capture are possible with the
AF 500 mm f/8 Reflex, the world’s first AF
telephoto mirror lens. Due to its compact and
light weight design it is extremely popular among
nature photographers.

Because of the special construction it is

equipped with a fixed aperture of f8 this
usually means a tripod is essential, but in this
case the Konica Minolta Anti-Shake System and
the high speed CCD of the Dynax 5D enable free
hand shooting in a lot of situations.

PROFESSIONAL LENSES

The SSM lenses are especially designed to fulfil
the highest quality demands of professional
photographers. The zoom lens AF 70 – 200 mm
offers a largest aperture of 2.8 over the whole
range of focal length and is the perfect tool for
a light to medium tele range.

The high speed fixed focal length tele lens AF
300mm f/2.8 is due to its high image quality
not just a dream lens for ambitioned nature or
sports photographers.

These two brilliant lenses are perfectly

supported by the Anti-Shake System of
the Dynax 5D that shows all its power when
used in combination with a tele lens.
Both lenses with SSM functions are equipped
with the new super sonic motor that guarantees
fast and quiet focussing.

TIP: The focal length of the SSM lenses

can be extended with minimal loss of quality
using the dedicated Tele Converters AF

1.4X Apo (D) and AF 2X Apo (D).
The Anti-Shake System of the Dynax 5D
compensates the loss of light with ease.

TIP: Discover the night sky and try out some

astrology photography. With the AF APO 600 mm
f/4 G for example, full format capture of the moon
are no problem with an effective focal length of
900 mm when mounted on the
Dynax 5D!

DT TECHNOLOGY

The lenses of the DT series (abbr. for Digital Technology)
are exclusively developed for the digital Dynax
cameras. The image circle of the lenses is adjusted
to the CCD´s size.

Lens AF DT 11-18mm f/4,5-5,6 (D)

G SERIES

All of the G series` lenses feature high quality
components as for instance AD glass and multilayered
coating. The lenses of the G series are at the very
peak of the Dynax lens system.

FISHEYE LENS

The typical fisheye effect is perfecty suited for creative
landscape, architecture and indoor shooting. Attached
to the Dynax 5D an effective viewing angle of
approximately 120° is achieved due to the multiplying
factor of 1.5x.

The AF 16mm f/2.8 fisheye lens creates impressive pictures
with its extreme wide angle of view,

Lens AF 16 mm f/2.8 Fisheye

TIP: Be creative and experiment with the effects

of extreme distorsion. When shooting landscape
from a straight camera position, only the
horizontal line is reproduced undistorted.

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STANDARD LENSES

AF 50mm f/1.4 2662-110 0.45m 65.5 x 38.5mm 235g

AF 50mm f/1.7 2613-100 0.45m 65.5 x 39mm 170g

TELEPHOTO LENSES

AF 85mm f/1.4 G (D) 2677-118 0.85m 81.5 x 72.5mm 560 g

AF 100mm f/2.8 SOFT FOCUS 2648-118 0.80m 71.5 x 78mm 440 g

STF 135mm f/2.8 [T4.5]

AF 200mm f/2.8 Apo G 2612-110 1.50m 86 x 134mm 790g

AF 300mm f/2.8 Apo G (D) SSM 2674-118 2.00m 122 x 242.5mm 2480g

AF Reflex 500mm f/8 2572-118 4.00m 89 x 118mm 665g

AF 600mm f/4 Apo G 2609-136 6.00m 169 x 449mm 5500g

*3

) 2656-118 0.87m 80 x 99mm 730g

OPTICAL CONVERTERS

AF 1.4X Tele Converter Apo (D)

AF 2X Tele Converter Apo (D)

MACRO LENSES

AF 50mm f/2.8 Macro (D) 2675-100 0.20m 71.5 x 60mm 295g

AF 50mm f/3.5 Macro 2646-100 0.23m 66 x 55mm 200g

AF 100mm f/2.8 Macro (D) 2676-110 0.35m 75 x 98.5mm 510g

AF 200mm f/4 Macro Apo G 2658-118 0.50m 79 x 195mm 1130g

AF Macro Zoom 3X-1X f/1.7-2.8 2594-116 (3x): 25mm 86 x 117 x 1100g

*1)

W x D x H.

*2)

For use with AF 300/2.8 Apo G (D) SSM(1), AF 70-200/2.8 Apo G (D) SSM(1), AF 200/2.8 Apo G, AF300/2.8 Apo G, AF 300/4 Apo
G(2), AF 400/4.5 Apo G(2), AF 600/4 Apo G(2), AF 200/4 Macro Apo G(3), and STF 135/2.8 [T4.5](3) lenses only.
Autofocus can’t be used in the following combinations:

• AF 1.4X / AF 2X Tele Converter Apo (D), lenses displaying this sign (1) and camera models introduced before Dynax 7 (excluding
the up-dated Dynax 9).

• AF 2X Tele Converter Apo (D) and lenses displaying this sign (2).

• AF 1.4X / AF 2X Tele Converter Apo (D) and lenses displaying this sign (3).

*3)

Manual focus only.

Product Code Minimal Focus

Product Code Minimal Focus

Product Code Minimal Focus

*2)

2687-107 64 x 20mm 170g

*2

) 2688-107 64.5 x 43.5mm 200g

Product Code Minimal Focus

(1x): 40mm 94.5mm

Dimensions

(dia. x length)

Dimensions

(dia. x length)

Dimensions

(dia. x length)

Dimensions

(dia. x length)

*1)

Weight

Weight

Weight

Weight

Anti­Shake

Anti­Shake

Anti­Shake

Anti­Shake

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
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KONICA MINOLTA - FLASH SYSTEM

The most obvious difference between the three
Konica Minolta Program Flashes is their guide
number, which is indicated by the two first
numbers (e.g. 36 for the 3600HS (D)).
The built in flash of the Dynax 5D has a guide
number of 12.

PROGRAM FLASH 2500 (D)

This handy flash is useful for shooting subjects

within a few meters. The flash­head can be rotated up to 90
degrees, if you prefer indirect flash
illumination (for instance to
bounce off the ceiling). This leads
softer light which is favourable in
order to obtain a natural, high
definition portrait.

PROGRAM FLASH 3600HS (D)

The 3600HS (D) features good power and a lot

of functions for creative and
versatile flash photography.
wireless flash control allows
independent flash illumination. A
zoom reflector automatically
adjusts the flash coverage to the
focal length of the lens (between
24 and 85mm).

PROGRAM FLASH 5600HS (D)

The Program Flash 5600HS (D) provides all
possibilities for ambitious flash photography. With
its high power you can even illuminate subjects
at long distances.
With manual flash control and creative features
like strobe flash the 5600HS (D) covers all kinds
of flash photography.
The flash-head of the Program Flash 5600HS (D)
can not only be tilted up and downwards but also
be swivelled 180°.

With a flash sync to rear curtain you can create dynamic
images.

HIGH-SPEED SYNC (HSS)

The 3600HS (D) and the 5600HS (D) offer HSS.
HSS enables you to use faster camera shutter
speeds than the flash sync speed. This function
can especially be used for portraits that are
captured outdoors, since the fill flash lets the face
stands clearly out from the background.

WIRELESS

The Program Flash 3600HS (D) and 5600HS (D)
can be used off the camera. In this way you can
generate a perfect illumination where the flash
light illuminates the subject from the side for
instance.

SYNC TO REAR CURTAIN

Normally the flash is released at the beginning of
the exposure. If you set the camera to sync to
rear curtain the flash is released at the end of the
exposure. In the image the start of the movement
is blurred and the end of the movement is frozen
by the flash.

MACRO RING FLASH 1200

With macro photography the lens is very close
to the subject and a standard flash is not able to
Illumination small subjects at close range. The
macro ring flash is directly attached to the lens.
The Ring Flash 1200 delivers a controlled
illumination for e.g. medical images.

MACRO TWIN FLASH 2400

Macro Twin Flash 2400 has two light tubes which
are attached to the lens with flexible holders.
Since the light tubes are arranged further from to
the optical axis - in contrast to the Macro Ring
Flash tubes- the Twin Flash creates a more three­dimensional illumination which is desired e.g.
with the photography of flowers or insects.

The Macro Twin Flash gives complete control over the light
for macro photography.

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FLASH COMPATIBILITY

ADI flash-metering • • •
P-TTL flash-metering • • • • •
Manual flash control • • •
Auto Zoom • •
HSS • •
Wireless • •
Multiple flash •

*1. Macro-flash controller unit in option is necessary.
*2. When the camera is set to the M mode in manual flash control, the power level of the two flashtubes can be individually controlled.

5600HS (D) 3600HS (D) 2500 (D) Twin 2400 Ring 1200

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KONICA MINOLTA - SYSTEM ACCESSORIES

REMOTE CORDS RC-1000S/L

Enables remote control of

the shutter release when on
a tripod to avoid camera shake or in a self portrait.
Autofocus is maintained.

SD-COMPACT FLASH CARD ADAPTOR SD-CF1

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With this adaptor, an SD (Secure
Digital) Memory Card can be
used with the Dynax 5D.

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PC FLASH ADAPTOR PCT-100

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camera with the necessary PC sync socket.

AC-ADAPTOR AC-11

This ensures constant power without having to
replace batteries. N.B. This does not charge the
batteries in camera.

To use external flash units, such
as studio systems. The attachment
of the PCT-100 provides the

Using this mains adaptor,
your Dynax 5D can easily
be connected to the
mains supply.

LITHIUM-ION ACCU NP-400

When travelling, where recharging
would be impossible, you should

consider taking second NP-400 with
you, to always have one fully charged, ready for
unexpected subjects.

ANGLE FINDER VN

The Angle Finder Vn turns the image of
the viewfinder through 90° thus you can
look into the viewfinder from a more
comfortable position.

SOFTWARE (DIMAGE MASTER)

The Konica Minolta DiMAGE Master is a sophisticated
software for editing and optimising images. It improves
the creative workflow and is the perfect tool to obtain
the best out of your pictures. Image files can be placed
easily by “drag & drop” in four different customisable
categories. With just one click on any desired spot in
the image, its area will be magnified to allow for control
of sharpness. The colour management system uses
ICC profiles, which have been developed specifically
for perfect colour matching.

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