Table of Contents
Introduction
Required System
Recommended System
Installation Instructions
Beginning the Adventure
The Main Menu
The way of the Viking
HUD
Weapons
Shields
Food and Drink
Other Objects
Gifts from the Gods
Runestones
Rune powers
Games of Valhalla
Multiplayer Mode
Finding other Players
Multiplayer Games
Deathmatch
Team Deathmatch
Arena
Headball
The Way of the Gods
Troubleshooting and Support
Runegame.com
Tech Support
Human Head Studios
Credits
Limited Software Warranty and License Agreement
2
Long ago, in the time of gods and
myth . . .
The old man and the girl moved slowly up the narrow
and rocky pass under the watchful eyes of the sentries. “You see,
child,” the man murmured, “even here one can sense the coming
darkness. They cannot see the armies, but they watch the birds
fleeing the northern forests. They do not hear the horns, but they
listen to the crash of thunder from beyond the mountains.”
A viking clad in war leathers stepped forward to block
their path, axe held at the ready. “Who comes?” he demanded.
Behind him, another warrior wielding a short sword lifted a torch,
casting flickering shadows across the stones.
The girl stepped between the old man and the vikings.
“He is Bragi,” she said, hands on her hips. “Storyteller to king’s
stronghold and village longhouse alike, singer of the Saga of
Andhrimnir-”
The old man laid a hand on the girl’s shoulder and she
fell silent. “You must pardon Jun, warrior. She is young and prone
to youth’s impertinence. I am indeed a skald traveling the land,
and we seek only shelter from the night and its dangers.”
For a long moment, the viking stared at the pair from under a
knitted brow. Finally he stood aside. “Well met, then. Welcome to
Wotankeld.” As they passed, he brandished his axe and growled,
“No trouble, hear?” Jun glowered at the warrior, but the old man
simply smiled, nodded, and moved up the pass.
As they continued around the bend, Jun kicked at a
loose stone. Slipping into the shadows, it broke with a crack
against the walls of the pass. “Why do you let him speak to
you like that?” she complained. “And why are we here? The
eddas will be told of great battles and terrible bloodshed, not
inconsequential villages! ‘Learn the craft,’ you said. ‘Seek out the
legends!’ “
The old man smiled. “Your place for now is to watch, and
to listen. In doing so, you will come to understand our purpose.”
Wotankeld was larger than most viking villages, built in a rift
between the high cliffs that surrounded it. Enormous longhouses
sat side-by-side along the streets that took Jun and the old man
toward its center. The entire town seemed on edge. A woman
passed carrying a bucket of water, but refused to meet their eyes.
When a small boy ran up to them shouting a greeting, he was
quickly pulled away by his older sister.
They wandered through the settlement until a sudden
burst of laughter erupted from between two longhouses. “Finally,
something interesting,” Jun muttered. Following the noise, she
found a crowd of viking warriors who cheered and bellowed as
they watched two men circle in the center of the group. The first
was nearly twice Jun’s height and moved with the strange grace
born only in battle-experience further betrayed by the scars on
the mail that protected him. He wielded an enormous broadsword
pointed unwaveringly toward his opponent, a younger man wearing only a quilted tunic and carrying a short sword in one hand
while a small wooden shield covered his other arm.
As Jun watched, the young man-really little more than
a boy-slid to one side then the other, weapon at the ready, then
darted in to strike. The combatants traded a flurry of blows,
until the larger man’s broadsword came around in a sweeping
arc that cracked the boy’s shield and knocked him off his feet.
The collected vikings roared with approving laughter, and Jun
watched as the boy slowly sat up.
She shook her head and walked back to where the old
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4
man was waiting. “They may know that the darkness is coming,
but if he’s defending the village it’ll be in deep, deep trouble.”
The skald smiled again. “Perhaps,” he said, scratching his chin
thoughtfully. “Though all too soon that boy will be the one
defending not this village, but all of Midgard. . .”
REQUIRED SYSTEM
OS Windows 95/98/ME, NT (with Service Pack 3 or
higher), 2000
CPU AMD K6-2/3 or Intel Pentiu m II, or Celeron 300Mhz
or higher
RAM 64MB
Video Direct X Compatible Video Card with at least 8MB
of Video Memory
(3D Accelerator STRONGLY recommended- see supported modes below)
Sound Any Direct X Compatible Sound Card
Hard Dr ive Space 88MB Free Hard Drive Space
CD-ROM 4X
Inter net Play Halls of Valhalla is an online multiplayer game, and a
TCP/IP connection is required to play.
Video Modes Supported
Direct 3D, Glide, OpenGL, MeTal, Software
(Note that only OpenGL, Glide and Software Render
ing supported on Windows NT)
RECOMMENDED SYSTEM
OS WIN DOWS 95/98/ ME, NT (with Service Pack 3 or
higher), 2000
CPU AMD Athlon or Intel Pentium III 450Mhz or higher
RAM 128MB
Video Nvidia TNT Series/GeForce Series, ATI Rage
128/Radeon, 3dfx Voodoo5, Matrox G400
Sound DirectX Compatible Sound Card
Disk Space 650MB Free Hard Drive Space
CD-ROM 8X
Inter net Play Halls of Valhalla is an online multiplayer game, and a
TCP/IP connection is required to play.
INSTALLATION INSTRUCTIONS
Insert the RUNE CD-ROM into your CD-ROM drive. Follow the onscreen
instructions to install the game to your hard drive. Full installation is
recommended and will improve overall performance. Installation is a onetime process that will only take a few minutes.
If for some reason the installation screen doesn’t appear, or if you
have CD/CD-ROM Autoplay disabled, double-click on “My Computer”,
then locate and double-click on the icon for your CD-ROM dr ive. Locate
the RUNE directory on the CD-ROM and double-click on “SETUP.EXE” to
begin the installation process.
PART I
“Him? ” Jun said incredulously.
“His name is Ragnar,” said the old man. “And he has
only begun his walk down the path of destiny.” The pair turned
to look back at the young warrior.
Grunting as he climbed to his feet, Ragnar retrieved his
sword and threw aside his splintered shield. “Sigard!” he yelled,
and his massive opponent turned from where he was being
congratulated. “Again! ” said Ragnar. The larger man shrugged
and collected his broadsword from a friend. Shouting their
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approval, the assembled vikings crowded closer. Jun climbed
atop a nearby barrel for a better view.
The combat had already begun, Ragnar and Sigard
circling warily. Suddenly Ragnar rushed forward and brought his
blade up in a violent swing easily parried by his opponent. Ragnar
attacked again, only to be blocked by Sigard’s shield.
As Ragnar leapt back, Sigard used the flat of his blade
to clout the young warrior on his sword arm. Clutching his
forearm to his chest, Ragnar spun-and suddenly came back, his
sword arcing under Sigard’s shield and into a gap in the mail on
his side. The larger man grunted in pain, and Jun heard a cheer
from somewhere in the crowd.
Ragnar closed with a flurry of blows as Sigard kept his
shield clutched tight over his wound. Sigard finally managed to
bring his broadsword around in a clumsy one-handed swing, and
Ragnar dived under the blade and away.
Roaring with rage, Sigard threw his shield aside and
rushed forward. For the next few moments, Jun watched Ragnar
do his best to stave off a rain of hacking blows that visibly
chipped the edges of his sword.
Finally Ragnar rolled to one side and leapt to his feet.
Once again he and Sigard squared off, circling inside the ring
of vikings. Suddenly Ragnar stopped and threw his sword aside.
Sigard stood straight and grinned at the crowd. “He yields!” he
shouted-as Ragnar stepped forward drove his fist directly into
Sigard’s jaw. The massive viking’s head snapped back, and he
wobbled for a moment as his broadsword fell from his hand.
Then his eyes rolled and he slumped to the ground.
The assembled vikings fell silent as Ragnar retrieved his
short sword and wiped it clean on his leather leggings. He turned
to the crowd before speaking: “I am a viking warrior. I will never
yield.” Jun joined the crowd as it erupted in cheers, the vikings
raising their weapons in salute.
A warrior clad in both leather and mail stepped forward, longsword and dagger strapped to his hips and an enormous axe slung behind him. Boiled and stretched leather had
been formed into guards that were strapped over his shoulders
and reached almost to the edges of his helm. He raised his
hands and waited for the cheers to calm. Finally he put his hand
on Ragnar’s shoulder and spoke. “As speaker for the thane, I
declare the holmgang at an end. Ragnar has proven himself
through combat, and will be recompensed with three silver
marks. . .once his opponent awakens. With that, the closing of
this matter shall be recognized by both gods and men. So say
the Laws of Odin.”
“I thank you, Gudrek, and I thank the gods,” said
Ragnar, nodding his head solemnly.
“But there is one more matter,” said the thanesman,
and Ragnar looked up, puzzled. Reaching into a pouch on his
belt, Gudrek withdrew a medallion, a silver disk engraved with
crossed sword and hammer inside a ring of runes. Jun noticed
that both Gudrek and Sigard wore similar medallions, as did
others in the crowd. “Ragnar’s show of courage and ability
against this village’s most skilled warrior has this day earned
him the greatest honor we can bestow.” Ragnar bowed his head
and Gudrek hung the medallion around his neck. “Today he
takes his place among the greatest warriors of this tribe. Today
he joins the Odinsblade!” As the assembled Vikings cheered
again, Jun watched Sigard rise to his feet and angrily push his
way into the crowd.
7
BEGINNING THE ADVENTURE
The Main Menu
Each time you launch RUNE, you’ll be presented with the Main Menu
screen. To return to this screen at any time while playing the game, press
the Esc key. The Main Menu offers you the following options:
New Game
Begin a new adventure. You will be asked to select a level of difcultyEasy, Medium, or Hard-before the game begins.
Load Game
View games that have been previously saved. Select a game and click on
Load to return to an adventure in progress.
Save Game
Save your game in progress. Choose an empty slot or an existing slot that
you wish to over write. Name the slot, then click Save.
Multiplayer
Host, join, or observe a multiplayer game. For more information, see page
20.
Options
Change your settings to adjust and customize gameplay:
Video/Audio:
Set your video and audio preferences to adjust game perfor mance.
8
Game:
Set options that will customize the game environment.
Controls:
Customize how the game controls map to your keyboard, mouse, and
joystick.
Input:
Select your input devices, such as joysticks, mice, or keyboards.
Exit:
Lay down your weapons and leave RUNE.
PART II
Only the warriors had been allowed in the ceremony, so Jun and
Bragi resumed their wandering through Wotankeld. “I suppose
it’s not such a bad place,” Jun said. “Nice, in it’s own way.” It
certainly had a beautiful stave church, and as they studied its
many carvings of gods and creatures, Bragi told Jun the stories
and legends behind each of them.
They were just making their way back into the village
when they heard the faint peal of a war horn. It was quickly
joined by others, and Jun saw Gudrek step from a nearby
longhouse. “To the pass! ” he bellowed, and Viking warriors
spilled from alleys and longhouses and made their way towards
the gates.
The horns built and echoed off the peaks above
the village as Jun and Bragi followed behind, and when they
reached the mouth of the pass they found the warriors gathered
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10
around a dark-bearded man listening intently to a gasping runner.
Gudrek pushed his way to the front of the crowd. “What’s
happened, my thane?”
The older man held up a hand to silence the thanesman as the runner continued. “Conrack’s men . . . They side
with giant warriors . . . armed with strange, terrible weapons.
Messengers down on. . . the beach.” A viking handed the runner
a skin of water and the thane sat on his haunches for a moment,
fingering the charm that hung around his neck-a Hammer of
Thor.
Finally he stood and turned to the vikings. “The
Betrayer’s men are raiding Kopperud. Many of you were with me
in Utherby. Those of you who were not have heard the storiesvillages in ruins, men and women alike hung with spikes and
marked with strange symbols unlike any rune.”
“Now Conrack’s armies have come to our lands, and
would attack those who lie under the protection of the runestones. With this news, and accounts of his forces, I begin to
fear that he has betrayed far more than the Laws of Odin. We
cannot allow this to stand. I call upon the Odinsblade-to the
ships!”
Vikings scattered to collect their weapons and armor.
Jun turned to leave, but Bragi held her arm. She turned back
to see Gudrek still at the thane’s side. “Jurt, there’s something I
should tell you,” he began, as the thane turned and saw Ragnar
standing nearby, the silver medallion of the Odinsblade hanging
around his neck.
“When did this occur?” asked the thane quietly.
“After the holmgang,” explained Gudrek. “With only a
short sword, he nearly bested Sigard. I might have waited for
a true trial, but with Conrack’s men so near, we’ll need every
skilled warrior in the village at our side. . .”
The thane walked to where Ragnar waited and placed
his hand on his shoulder. “This will be more than a battle against
some misguided peasants, Ragnar. From the tales we’ve heard,
you could believe we are setting off to face the very forces of
darkness.”
“I know, father,” said Ragnar. “But you know I have
trained with every weapon in this village since long before I was
bearded.” The young warrior dropped to one knee and held his
sword before him. “In battle I will earn this honor. This you know,
and this I swear.”
Jun watched as the thane considered Ragnar for a long
moment and then said, “Very well. Go collect my weapons and
armor, and arm yourself with anything else you can find. Gudrek
will not be able to command Conrack’s men to grant you mercy.”
Thane and thanesman watched as Ragnar dashed off.
“He cannot be a true member of the Odinsblade until he passes
the trial, Gudrek,” said the thane. “Do you understand what you’ve
done? If my son is lost in battle today, he will not be recorded
on the stones.”
“He will be on the stones, Jurt,” Gudrek said. “He is
young, but one of the most skilled warriors I’ve ever seen. It will
be his deeds recorded, not his death.”
The thane began his walk down the pass. “I only hope
the gods agree.”
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12
THE WAY OF THE VIKING
HUD: Heads-Up Display
As you journey through the world of RUNE, gauges along the edges of
the screen will provide you with information about Ragnar’s health and
abilities:
Bloodlust (red bar
Breath (left side,
blue bar)
Shield (right side,
thin gray bar)
Health (left side,
red bar)
across bottom)
Rune power
(right side, large
yellow bar)
Health:
Indicates Rag nar’s physical condition; the lower the bar, the closer Ragnar
is to death.
Shield:
How much more damage Ragnar’s shield can take before it shatters.
Rune power:
The amou nt of rune power Ragnar can call upon. See page 20 for more
information.
Breath:
Ragnar has the mighty lungs of a viking, but if he doesn’t surface or nd a
pocket of air before this bar empties, he may suffer the ignominious death
of drowning. . .
Bloodlust:
As Ragnar kills his enemies, his bloodlust will rise. When the bar lls,
Ragnar will go beserk. While beserk, any damage Ragnar takes will come
off his bloodlust rather than his health.
Weapons:
Ragnar will discover many weapons that he can pick up and use throughout
his jour ney-more than a dozen in all. They will fall into three categories:
Bashing Weapons, Swords, and Axes. Each category has its own assigned
control key, and pressing the key will draw the weapon of that category that
Ragnar is wearing at the ready. Pressing the control key again will cycle
through all weapons Ragnar possesses of that type. To empty his hands,
hit the Stow Weapons key.
13
Attacking:
When Ragnar is wielding a weapon, pressing the Attack key will cause
Ragnar to make a single swipe with the weapon. Properly timing a
second use of the Attack key will allow Ragnar to make a double
swipe with the weapon. Smaller weapons-and practice-will even allow
for triple- and quadr uple-strokes!
Throwing weapons:
Weapons can also be thrown, if Ragnar wants to attack from a distance.
But beware-his enemies may pick up the weapons and use them against
him.
Running attacks:
Ragnar’s movement affects how he uses his weapons. Practice moving
Ragnar forward, backward, from side to side, and even jumping in various directions while using his full array of weaponry-combinations of
timing and movement will allow for the optimum use of weaponry.
If Ragnar is swift and sure in his attack, he’ll even be able to cleave
off the limbs of his enemies. Strike an opponent in the same location
repeatedly and you’ll see damage accu mulate in that area.
Shields:
Ragnar is also able to pick up and use shields dropped by his enemies.
Whenever he has a shield, he will carry it in his left hand. As Ragnar
approaches an enemy, he may hold his shield before him to ward off any
attacks that are aimed at him. But as a shield absorbs attacks, the Shield
bar on the H UD will drop; when it is gone, the shield will shatter.
14
Food and Drink
If Ragnar has been injured, consuming food and d rink of all sorts
will rell the Health bar on the HUD. The resourcef ul viking will also
hunt for animals and fruit along his path that will help him rebuild his
strength.
Other Objects
Ragnar can interact with many of the other objects he will nd in his
journey. Torches will help him nd the way through dark caverns-and be
relit off any thing that’s burning. Chains and barrels can be broken. Ropes
and vines can be climbed. Switches and plungers will activate ear thworks
and dwar ven machinery, allowing Ragnar to control the environment for
his benet-and his enemies’detriment.
Some objects can be used as weapons or thrown. Others will be the key to
puzzles Ragnar will encounter. Experiment with every thing!
LESSONS OF THE THANE
The following are suggestions that may help you navigate Ragnar through
the trials and dangers that await him:
Pay attention to what Ragnar is looking at, and you’ll nd him glancing
toward anything that might be potentially interesting or dangerous in his
general vicinity. If you get stuck, or don’t know how to make it past an
area or puzzle, follow Ragnar’s instincts.
Vikings know that the best way to survive a ght is not to be str uck by
their opponents. Be sure to circle for position before closing in to strike.
Remember that plants, animals, and the environment around Ragnar may
be just as dangerous as his enemies.
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A strong viking may be able to break down walls and wooden barriers, but
he will nd those bound or made with cold iron to be impassable.
Different opponents will have different tactics when they attack-and will
require different tactics to defeat. Simpler creatures might be conquered
by wading into their mass, but larger and smarter enemies will require
more savvy.
Ragnar can use his shield to defend himself as he closes on his opponents,
but he cannot attack while hiding behind his shield.
Beware the many traps of the under world: if Ragnar isn’t wary, he might
nd himself caught in a cage, a pitfall, or worse. . .
Some creatures have a natural hatred for one another. In some cases,
Ragnar may be able to avoid combat by manipulating his enemies into
ghting one another.
PART III
“We’re following the vikings, right?” said Jun, though
she knew Bragi led them toward the heart of the village.
“Many others will be taking that path,” said the old
man, as a group of children hurried past them carrying sheaves
of oats. “For now our place is here. There is still much you
must see.”
“But what about Ragnar?” she complained. “Shouldn’t
we find out what happens to him? ” The old man paused.
Concentrating, he reached out and placed his hand on Jun’s
forehead. She felt a sudden chill and closed her eyes-
Ragnar settled into a place at the oars. Two rows before
him, his friend Alric mounted his shield over the gunwales and
took up his own oar. Throughout the longship the village’s bravest warriors checked their weapons and tightened their armor.
Mindful of his oath, Ragnar vowed that he would fight to the
death against Conrack’s raiders to prove his courage- to earn the
medal of the Odinsblade and a place in the halls of Valhalla.
On the shore sat the tiny boat that had carried the
messengers from Kopperud. Only one had survived, and he
looked to be mumbling incoherently as a woman treated his
wounds. Ragnar’s father and Gudrek stood nearby, until the
woman turned and shook her head.
Walking down the beach, Gudrek helped the thane
aboard the longship. The thane took his place at the ship’s prow,
while the thanesman made his way to the rear of the boat and
the steering board and barked, “Ready oars!”
Alric looked back at Ragnar and grinned. “Ready, warrior?”
The thane raised his axe. “To glory! ” he cried. Pushing the
ships through the crashing surf, the last warriors clambered over
the sides. Then fourscore warriors pulled as one and the ships
moved out to sea-
Jun’s eyes snapped open. She was still in the village,
near an amused Bragi. “I . . .” she stammered. “I could hear his
thoughts like the waves on the shore! I could smell the sweat
on his leathers, feel the planking beneath his feet! What. . .” The
skald simply put a finger to her lips and continued to smile.
They walked in silence to where the villagers had gathered
together around a roaring fire in the center of the village.
Shielding her eyes from the flames, Jun looked past the fire
and through a set of open gates. Beyond them was a small lake
surrounding an island of rock, on which sat a circle of enormous
stones covered with runes. And in the center of that circle was
an even larger stone.
17
“The Runestone of Odin,” whispered Bragi. “Cast down
by Odin himself and a holy artifact to the people of this village
and the surrounding land. Its wisdom has shaped viking law
for generations. Around it the people have gathered stones
to record their own history, to remember great deeds and to
dedicate them to the Aesir.”
An older man raised his arms and the murmuring
crowd fell silent. “We call on the Aesir-on Odin, on Tyr. We
call on Thor and Njord. Protect the warriors of this village as
they enter your spheres, knowing their triumph is your glory.”
Villagers throughout the crowd whispered private prayers, then
stepped forward with offerings to the gods-barley, oats, rye, a
slaughtered goat-and cast them into the flames.
The crowd stood silently, and Jun joined them as they bowed
their heads and closed their eyes Rowing to the rhythm of a war chant, Ragnar glanced
over his shoulder at the horizon. Flashes of lightning illuminated
dark clouds that rode across the surface of the ocean. Yet Kopperud lay on the far side of the storm, and to reach the village
before Conrack’s army had razed it to the ground meant traveling through the storm’s center. The breeze that had propelled
them out from shore rose to a steady wind, and several men left
their positions at the oars to tend the woolen sail that stretched
above the ship. Strange, Ragnar thought. Usually the wind blew
away from storms . . .
18
GIFTS FROM THE GODS
The gods show their favor for warr iors who have earned Valhalla with
the gift of runestones scattered throughout its halls and battleelds. These
runestones are much more than mere symbols-they are vessels of power
that imbue the warrior who obtains them with a wide range of powerful
abilities.
RUNESTONES
There are ve types of runestones:
Lesser Runestone: Grants raw rune power to the warrior-the
level of rune power in the r une power bar on the HUD will rise.
Greater Runestone: G rants full rune power and expands the
warrior’s ability to absorb r une power; the rune power bar on
the HUD will become larger.
Rune of Health: Not only restores your character to full health,
but raises their ability to soak up damage; the health bar on the
HUD will become larger.
Rune of Lesser Strength: Raises your warrior’s level of blood
lust, bringing them closer to going berserk.
Rune of Greater Strength: Causes your character to automat
cally go berserk; the bloodlust bar on the HUD will ll, and
while beserk, any damage your character takes will come off of
the bloodlust bar rather than the health bar.
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20
RUNE POWERS
Every weapon that your character wields can be imbued with rune power
to invoke powerful abilities, from the abilit y to th row an unlimited nu mber
of axes for a short period to the power to slam a mace into the grou nd and
damage every enemy in your vicinity.
When wielding a weapon, you’ll see an icon at the bottom of the rune power
bar that hints at it’s unique rune power. You’ll also see an arrow on the
side of the rune bar that indicates the minimum amount of raw ru ne power
required to activate the weapon’s ability.
Simply press the Activate Rune Power key to invoke the rune power of the
weapon your warr ior is currently wielding. Your stored rune power will
begin to be drained and the power will remain active until your character
either runs out of rune power or sheathes their weapon. If your character
sheathes or throws a weapon while using a rune power, the weapon will be
unpowered when red rawn or retr ieved, even if done so immediately.
GAMES OF VALHALLA
MULTIPLAYER MODE
Whenever you’re ready for battle against hordes of vikings from around
Earth and across the Nine Worlds, simply select Multiplayer from the main
menu and step onto the battleelds of Valhalla-via the Internet.
Finding Other Players
The multiplayer games of Halls of Valhalla are TCP/IP based, so multiplayer matches can be played across Local Area Networks, modem connections (56K minimum recommended) or via the Internet. Click the Servers
tab on the Join menu to see what Rune games can be automatically
detected.
If none are detected, set up your own arena. Multiplayer games can
be hosted on the computer of any participating player, or for better
perfor mance, on a dedicated computer. On the computer you want to host
the game, select the Host menu and customize the arena, such as selecting
the map and the rules mutators you want in play. Then wait for players
to come join the battle!
MULTIPLAYER GAMES
Halls of Valhalla offers four distinct t ypes of gameplay:
Deathmatch
A free-for-all battle to the death--and beyond. Points are awarded to players for each k ill made on the battleeld. Depending on the rules chosen by
the server, win ners can be determined either by the rst warrior to score
a particular number of points or whichever warrior scores the most points
in a set amount of time.
Team Deathmatch
Team Deathmatch remains a battle to the death, but you’ll have a band of
brave companions at your side.
In the “Player” section of the Multiplayer menu, select a team (in Rune,
teams are named after four colors--Red, Blue, Green, and Gold). Then, in
the “Join” section, click on the Team Deathmatch tab to see a list of all
available Team Deathmatch games.
Points are scored in Team Deathmatch when you kill members of the
opposing team and count toward a team total. As in free-for-all Deathmatch games, a winner is deter mined either by the rst team to reach a set
score or the team who racks up the most points in a set time period.
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Arena
A new multiplayer game in Halls of Valhalla¸ Arena pits war riors against
one another in a test of their combat skills until only one remains standing.
Basic Arena play is one-on-one dueling, but some maps and servers allow
for larger teams--2-on-2, 3-on-3, etc.
When you enter an Arena game, equip yourself with weapons and shield
and then get in the queue to enter the arena. A number oating above your
head will signify your place in line, and as warriors enter the arena you’ll
see it count down toward 1. When you reach the front of the line -- 1
for 1-on-1 matches, 1 and 2 for 2-on-2 matches, etc.--there will be a short
countdown, af ter which you will be transported into the arena to challenge
the champions of the previous bat tle.
Winners of Arena battles receive full health, and all equipment they
brought into the arena is restored to them before the next battle.
Headball
A sport truly t for viking warriors! Headball teams have only one goal:
to score points by tossing the heads of their opponents through the arena’s
goals.
A Headball game begins with each team announcing that they are ready
using a switch placed in the map for each team. Once all teams have
checked in, a countdown beings, during which the players may move to
wherever they believe will allow them the best starting advantage-though
they can not do damage to each other. However, once the starting gong has
sounded, the melee begins! Combat can be used ‘defensively’ to simply
slow the progress of the opposing team, or players can t ur n to ‘offense’
and aggressively go after their opponents, hoping for the killing blow of
decapitation.
When a head is severed, any player can pick it up and make a run for goals
placed around the map. Some maps have goals that can be used by any
player to score, while others have team-specic goals. Variant maps have
multiple goals where each scores a different number of points per head,
with difcult to score goals (distant, or requiring trick shots) worth more
points. Those who set up Headball ser vers can also select whether or not
to throw limb scoring into the mix, where each limb tossed into a goal
scores one point.
ENTERING THE ARENA
Players
When joining a multiplayer battle, enter the name you want to be identied
by in the arena, the skin you want to wear, and if playing a team-based
game, which team you would like to join. Then pick an arena from the list
of connected ser vers and join the ght!
Spectators
Another option is to observe others as they battle. Select the spectator
character in the multiplayer menu and you will be able to enter the arena
as an invisible, intangible observer. You will even be able to select the
best perspective by ying around the arena. (Those hosting the multiplayer
match may choose to limit the number of spectators that may enter a match,
as spectators require the same amou nt of system resources as warr iors
participating in the battle.)
THE WAY OF THE GODS:
PLAYING GAMES ON THE INTERNET
Though Rune and Halls of Valhalla portray combat between viking war-
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riors, behind each sword is another person somewhere out on the Internet, a person playing a game. Games have rules, and Rune provides
those basic rules in the for m of the game loaded onto your computer.
As these ‘r ules’ are xed, in the end they are the only ones that can be
truly enforced.
However, the Internet is as varied as its innumerable users, and games
played on the Internet are no different. When a Rune server is set up, a
server administrator immediately begins to make alterations to the basic
game-deciding how many kills win a deathmatch, for example. Other
rule changes may be put into play via mutators or user-created maps.
These r ules changes, though they may have loopholes, are still xed and
difcult to break.
Yet a nal type of rule change are those that exist only because they
have been ag reed upon by the server administrator and the players on
the server, and these are “house rules”. Whether it be an agreement to
only use Bone Clubs in a particular deathmatch, or the decision that a
particular section of a map is off limits, these r ules are utterly unenforceable -- at any time they can be broken. But so long as all players abide by
them, they become another rule of gameplay.
Common courtesy when rst entering a Rune Gold server is to ask which
rules and mutators are being used, and whether or not any house rules
are in play. If a rule is being used with which you disagree, further
courtesy is to either spectate (using Spectator mode; see above) until the
rule is no longer in effect, or to leave and nd another server with more
agreeable rules.
House rules can be a complicated matter-for example, on many servers it
is considered bad for m to kill a player who is ‘chatting’ and has a word
balloon oating over their head, but it is also considered a foul to begin
chatting in the midst of combat as it can sometimes be construed as an
attempt to unfairly escape an opponent. A feel for what is ‘fair play’ in a
particular match or on a particular ser ver can only be found by open and
friendly discussion with the server administ rator and other players.
In the basic play of Rune, chaotic combat with no r ule but that of the
sword, Human Head St udios hopes to have created a game that is great
fun. But the ability to experiment with gameplay-to change the game by
instituting basic r ules changes and house r ules-is the ability to tailor the
experience of gameplay and make the world over in your own image. In
playing the game, each player can r ule their own world-and that’s the
way of the gods.
TROUBLESHOOTING
RuneGame.com
The rst place to look for patches, game mods, and answers to your
questions is the ofcial Rune website at
http://www.runegame.com
Visit the site’s message boards to nd other online warriors and share
your tales of Viking glory!
TECHNICAL SUPPORT
If you have a technical problem concerning the operation of Rune Gold,
please contact our technical support staff. When you call or write, be at
your computer if possible and have the following information ready: type
of computer, available hard drive space, total RAM, type of video card,
and a list of the options you selected when you installed the game.
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26
RUNE TECHNICAL SUPPORT
(410) 933-9191
9 AM - 5 PM EST, Monday - Friday
TalonSoft, PO Box 43730, White Marsh, MD 21236
http://www.talonsoft.com
talon @talonsoft.com
Note: These contacts are for technical suppor t only. Representatives cannot
provide game hints or suggestions.
Human Head Studios
For more infor mation on the team behind Rune and their other
projects, visit the ofcial Human Head Studios website at: http://
www.humanhead.com
RUNE - HALLS OF VALHALLA CREDITS
Projec t Lead / Lea d Programmer:
Chris R hineha rt
Art Le ad:
Rowan Ata lla
Projec t Manager:
Timothy S . Gerr itsen
Progra mmers :
Chris R hineha rt
Mike Crad dick
Ben Gokey
Paul Mac Art hur
Level Designers :
Rowan Ata lla
Mick Be ard
Mike Flynn
Brian Fra nk
Dave Halsted
Ted Halsted
Jean- Paul Le Breton
Jim Sumwa lt
Design A ssist ant:
Seth Joh nson
Modelers /Skinners
Tim Bowm an
David Gulisano
Shane Gu rno
Brett H awkins
Animat ors:
Jeff D eWitt
Nathan iel Alb right
Environmental Textu res:
Greg Ma rshall
Eli Quinn
Sound Ef fect s:
Mike Lar son
Music :
Mike Lar son
Romulus M ars Pr iscus
Jim B- Reay
Manual :
Seth Joh nson and Ben Condit
A long over due spec ial tha nks to Terry
Nagy for h is assistanc e on Rune.
Published By GodGames:
Andrea V illar eal
Ben Condit
Benjam in Lippe rt
Bill Nad alini
Damon Brown
Dave Cash
David Eddings
Dianne Vau ghn
Doug My res
Jeff Smith
Jenny Jem ison
Jim Bloom
Josh Galloway
Kirk Br own
Russell Hughes
Scott Dudley
Scott Farrell
Willia m Haskins
Special thanks t o Epic Gam es for th eir
suppor t and as sistance.
RUNE CREDITS
Progra mming Le ad
Paul Mac Art hur
Art M anager
Ted Halsted
Busine ss Dire ctor
Timothy S . Gerr itsen
Progra mmers
Paul Mac Art hur
Chris R hineha rt
Additi onal Pro gramming
Mike Crad dick
Ben Gokey
Design
Human He ad Studi os, Inc orpo rated
Level Design
Mick Be ard
Dave Halsted
Ted Halsted
Jim Sumwa lt
Additi onal Level D esign
Greg Ma rshall
Animat ion
Jeff D ewitt
Nathan iel Alb right
Environmental Textu res
Greg Ma rshall
Charac ter Textures
Tim Bowm an
3D Mode ling
Shane Gu rno
Conce pt Art
Tim Bowm an
Jeff D eWitt
Shane Gu rno
Ted Halsted
Greg Ma rshall
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28
Jim Sumwa lt
Loregu ide
Seth Joh nson
Origi nal Concept
Ted Halsted
PR and Mar keting Suppor t
Tim Ger ritse n
Trish ‘Kaz i Wren’ Har ris
Chad Savag e
Histor ical Advisor
Laurie Wise
Viking Ship Model By:
John Falg ate
Additi onal Animatio n
Mike Werckle
Audio Credits
Direc tion and Produc tion :
Michae l Larson
Sound Ef fect s
Michae l Larson
Music
Michae l Larson
Jim B- Reay
Romulus M ars Pr iscus
Voice Over s
Lee Ernst
Ted Halsted
Michae l Larson
Tejumola F Ol ogboni
Sue Quin n
Nick Sk rowaczewski
Dialog
Ted Halsted
Seth Joh nson
Thanks
Kenny Stol l
Sean Wip i
Larr y Hill
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Rune, Rune- -Halls of Valha lla, the Rune logo, H uman Head Studio s, Incorporat ed and the Human Hea d logo are tradem arks
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U.S. Govern ment Restricte d Rights
Manufac tured in the U.S. A.
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