Fender Mirror Image Delay User Manual

MIRROR IMAGE DELAY
14
LEDs DRY KILL
9V DC INPUT
7
6
15
16
85 9
4
3
DEPTH RATE FEEDBACK
TIME
2
MIRROR IMAGE DELAY
1
1. Footswitch
2. Jewel Indicator
3. Output Jack
4. Time
5. Depth
6. Type Switch
7. Rate
DIGITAL
ON
1
ANALOG
2
OFF
TAPE
TYPE DOTTED
VARIATION
1/8
LEVEL
9. Feedback
10. Level
11. Dotted 1/8 Switch
12. Input Jack
13. Low Battery Indicator
14. LED Kill Switch
15. Dry Kill Switch
16. DC Power Connector
10
11
12
13
MIRROR IMAGE DELAY
Thank you for purchasing the Mirror Image Delay—a versatile, easy-to-use and richly featured digital delay. It delivers six high-quality delay models—including tape, analog and digital—plus three additional variations. It has advanced features such as a Dry Kill switch for use with amplifiers with parallel effects loops, and a dotted-eighth function in which an additional dotted-eighth-note delay can be added to the main delay. The Mirror Image also offers buffered bypass operation, in which the footswitch allows delay tails to fade out naturally when the pedal is turned off.
DESIGNED IN CALIFORNIA, U.S.A.
Time
This control adjusts delay time within the limits of the Delay Type selected (each selection may vary—see “Algorithm Descriptions” section). Lower settings produce short, metallic sounds akin to room reverb, slapback delay and other small-dimension effects. Longer echo settings are great for volume swells, ambient playing and sound-on-sound experiments. Most fundamental sounds for lead and rhythm playing—and for adding interesting rhythmic and spatial effects—are toward the middle.
Note that there’s a delay “smear” as the Delay Time control knob is turned. This is normal and is due to the delay time changing.
Level
This control adjusts how much delay is mixed with the dry signal. No delay is present in the fully counterclockwise position. In the fully clockwise position, the wet-dry mix is about 50/50. When Dry Kill is active and this control is fully counterclockwise, no output is produced. This is normal.
Feedback
This control adjusts the amount of delay fed back to the input from the output, and it affects the number of repeats (this has sometimes been called “regeneration” or “feedback”). The fully counterclockwise position provides a single delay repeat (or two if the Dotted Eighth switch is on); turning it up provides additional repeats.
Depth
This control works with the Rate control and provides pitch modulation. Turning the Depth control fully counterclockwise turns the modulation off, leaving an unaffected delay signal. Turning it fully clockwise maxes out the pitch change. Note that the Rate and Depth are coupled such that when Rate is set to maximum, Depth is reduced to compensate; otherwise, there could be too much pitch shifting. To add modulation, start with this control set at noon and adjust up or down to preference. The “Doubler” (Digital Type, Variation 2) has a
different function for this knob—Delay Randomness
Loading...
+ 8 hidden pages