Page 1
Owner’s Manual
Professional Audio Equipment
Page 2
Safety InStructIonS
NOTICE FOR CUSTOMERS IF YOUR UNIT IS EQUIPPED WITH A POWER CORD.
WARNING: THIS APPLIANCE SHALL BE CONNECTED TO A MAINS SOCKET OUTLET WITH A
PROTECTIVE EARTHING CONNECTION.
The cores in the mains lead are coloured in accordance with the following code:
GREEN and YELLOW - Earth BLUE - Neutral BROWN - Live
As colours of the cores in the mains lead of this appliance may not correspond with the
coloured markings identifying the terminals in your plug, proceed as follows:
•
The core which is coloured green and yellow must be connected to the terminal in the
plug marked with the letter E, or with the earth symbol, or coloured green, or green and
yellow.
•
The core which is coloured blue must be connected to the terminal marked N or coloured
black.
•
The core which is coloured brown must be connected to the terminal marked L or coloured
red.
This equipment may require the use of a different line cord, attachment plug, or both,
depending on the available power source at installation. If the attachment plug needs to be
changed, refer servicing to qualified service personnel who should refer to the table below.
The green/yellow wire shall be connected directly to the units chassis.
CONDUCTOR
WIRE COLOR
Normal Alt
L LIVE BROWN BLACK
N NEUTRAL BLUE WHITE
E EARTH GND
GREEN/
YEL
GREEN
WARNING: If the ground is defeated, certain fault conditions in the unit or in the system to
which it is connected can result in full line voltage between chassis and earth ground. Severe
injury or death can then result if the chassis and earth ground are touched simultaneously.
The symbols shown above are internationally accepted symbols that
warn of potential hazards with electrical products. The lightning flash
with arrowpoint in an equilateral triangle means that there are dangerous
voltages present within the unit. The exclamation point in an equilateral
triangle indicates that it is necessary for the user to refer to the owner’s
manual.
These symbols warn that there are no user serviceable parts inside the unit.
Do not open the unit. Do not attempt to service the unit yourself. Refer all
servicing to qualified personnel. Opening the chassis for any reason will
void the manufacturer’s warranty. Do not get the unit wet. If liquid is spilled
on the unit, shut it off immediately and take it to a dealer for service.
Disconnect the unit during storms to prevent damage.
WarnInG for your ProtectIon
reaD tHe foLLoWInG:
KEEP THESE INSTRUCTIONS
HEED ALL WARNINGS
FOLLOW ALL INSTRUCTIONS
THE APPARATUS SHALL NOT BE EXPOSED TO DRIPPING OR SPLASHING LIQUID
AND NO OBJECT FILLED WITH LIQUID, SUCH AS VASES, SHALL BE PLACED ON THE
APPARATUS
CLEAN ONLY WITH A DRY CLOTH.
DO NOT BLOCK ANY OF THE VENTILATION OPENINGS. INSTALL IN ACCORDANCE
WITH THE MANUFACTURER’S INSTRUCTIONS.
DO NOT INSTALL NEAR ANY HEAT SOURCES SUCH AS RADIATORS, HEAT REGISTERS,
STOVES, OR OTHER APPARATUS (INCLUDING AMPLIFIERS) THAT PRODUCE HEAT.
ONLY USE ATTACHMENTS/ACCESSORIES SPECIFIED BY THE MANUFACTURER.
UNPLUG THIS APPARATUS DURING LIGHTNING STORMS OR WHEN UNUSED FOR
LONG PERIODS OF TIME.
Do not defeat the safety purpose of the polarized or grounding-type plug. A polarized
plug has two blades with one wider than the other. A grounding type plug has two blades
and a third grounding prong. The wide blade or third prong are provided for your safety.
If the provided plug does not fit your outlet, consult an electrician for replacement of the
obsolete outlet.
Protect the power cord from being walked on or pinched particularly at plugs, convenience
receptacles, and the point where they exit from the apparatus.
Use only with the cart stand, tripod bracket, or table specified by the manufacture, or sold
with the apparatus. When a cart is used, use caution when moving the cart/apparatus
combination to avoid injury from tip-over.
Refer all servicing to qualified service personnel. Servicing is required when the apparatus
has been damaged in any way, such as power-supply cord or plug is damaged, liquid has
been spilled or objects have fallen into the apparatus, the apparatus has been exposed to
rain or moisture, does not operate normally, or has been dropped.
POWER ON/OFF SWITCH: For products provided with a power switch, the power switch
DOES NOT break the connection from the mains.
MAINS DISCONNECT: The plug shall remain readily operable. For rack-mount or
installation where plug is not accessible, an all-pole mains switch with a contact separation
of at least 3 mm in each pole shall be incorporated into the electrical installation of the
rack or building.
FOR UNITS EQUIPPED WITH EXTERNALLY ACCESSIBLE FUSE RECEPTACLE: Replace
fuse with same type and rating only.
MULTIPLE-INPUT VOLTAGE: This equipment may require the use of a different line
cord, attachment plug, or both, depending on the available power source at installation.
Connect this equipment only to the power source indicated on the equipment rear panel.
To reduce the risk of fire or electric shock, refer servicing to qualified service personnel
or equivalent.
IMPORTANT SAFETY INFORMATION
Page 3
DecLaratIon of
conforMIty
Manufacturer’s Name: Harman Music Group
Manufacturer’s Address: 8760 S. Sandy Parkway
Sandy, Utah 84070, USA
declares that the product:
Product name: JamMan Delay
Product option: all (requires Class II power
adapter that conforms
to the requirements of
EN60065, EN60742, or
equivalent.)
conforms to the following Product Specifications:
Safety: IEC 60065 -01+Amd 1
EMC: EN 55022:2006
EN 55024:1998
FCC Part 15
Supplementary Information:
The product herewith complies with the requirements of the:
Low Voltage Directive 2006/95/EC
EMC Directive 2004/108/EC.
RoHS Directive 2002/95/EC
WEEE Directive 2002/96/EC
With regard to Directive 2005/32/EC and EC Regulation
1275/2008 of 17 December 2008, this product is designed,
produced, and classified as Professional Audio Equipment and
thus is exempt from this Directive.
With regard to Directive 2005/32/EC and EC Regulation
278/2009 of 6 April 2009, this regulation applies to Class
A (single output) external power supplies. The external power
supply used with this product is a multi-output power supply and
thus is exempt from this Directive.
Vice-President of Engineering
8760 S. Sandy Parkway
Sandy, Utah 84070, USA
Date: April 7, 2010
European Contact: Your local DigiTech Sales and Service Office or
Harman Music Group
8760 South Sandy Parkway
Sandy, Utah 84070, USA
Ph: (801) 566-8800
Fax: (801) 568-7583
eLectroMaGnetIc
coMPatIBILIty
This device complies with part 15 of the FCC Rules and
the Product Specifications noted on the Declaration of
Conformity. Operation is subject to the following two
conditions:
this device may not cause harmful •
interference, and
this device must accept any interference received, including •
interference that may cause undesired operation.
Operation of this unit within significant
electromagnetic fields should be avoided.
use only shielded interconnecting cables.•
u.K. MaInS PLuG WarnInG
A molded mains plug that has been cut off from the cord is
unsafe. Discard the mains plug at a suitable disposal facility.
NEVER UNDER ANY CIRCUMSTANCES SHOULD
YOU INSERT A DAMAGED OR CUT MAINS
PLUG INTO A 13 AMP POWER SOCKET.
Do not use the mains plug without the fuse cover in place.
Replacement fuse covers can be obtained from your local
retailer. Replacement fuses are 13 amps and MUST be
ASTA approved to BS1362.
If you want to dispose this product, do not mix it with general household waste. There is a
separate collection system for used electronic products i n accordance with legislation that
requires proper treatment, recovery and recycling.
Private household in the 25 member states of the EU, in Switzerland and Norway may return their used
electronic products free of charge to designated collection facilities or to a retailer (if you purchase a similar
new one).
For Countries not mentioned above, please contact your local authorities for a correct method of disposal.
By doing so you will ensure that your disposed product undergoes the necessary treatment, recovery and
recycling and thus prevent potential negative effects on the environment and human health.
IMPORTANT SAFETY INFORMATION
Page 4
We at DigiTech® are very proud of our products and back up each one we sell with the
following warranty:
1. The warranty registration card must be mailed within ten days after purchase date to
validate this warranty, or you can register via our website (www.digitech.com).
2. DigiTech warrants this product, when used solely within the U.S., to be free from defects
in materials and workmanship under normal use and service.
3. DigiTech liability under this warranty is limited to repairing or replacing defective
materials that show evidence of defect, provided the product is returned to DigiTech
WITH RETURN AUTHORIZATION, where all parts and labor will be covered up to a
period of one year (this warranty is extended to a period of six years when the product
has been properly registered by mail or through our website). A Return Authorization
number may be obtained from DigiTech by telephone. The company shall not be liable for
any consequential damage as a result of the product’s use in any circuit or assembly.
4. Proof-of-purchase is considered to be the burden of the consumer.
5. DigiTech reserves the right to make changes in design, or make additions to, or
improvements upon this product without incurring any obligation to install the same on
products previously manufactured.
6. The consumer forfeits the benefits of this warranty if the product’s main assembly is
opened and tampered with by anyone other than a certified DigiTech technician or, if the
product is used with AC voltages outside of the range suggested by the manufacturer.
7. The foregoing is in lieu of all other warranties, expressed or implied, and DigiTech neither
assumes nor authorizes any person to assume any obligation or liability in connection
with the sale of this product. In no event shall DigiTech or its dealers be liable for special
or consequential damages or from any delay in the performance of this warranty due to
causes beyond their control.
NOTE: The information contained in this manual is subject to change at any time without
notification. Some information contained in this manual may also be inaccurate due to
undocumented changes in the product or operating system since this version of the manual
was completed. The information contained in this version of the owner’s manual supersedes all
previous versions.
Warranty
Page 5
Table of Contents
Overview .........................................................................................1
Quick Start - Connections ............................................................2
Quick Start - Looper ......................................................................3
Quick Start - Delay ........................................................................8
Guided Tour - Front Panel .............................................................12
Looper Controls ...........................................................................................12
Delay Controls .............................................................................................. 15
Footswitches .................................................................................................. 17
Guided Tour - Rear Panel ...............................................................18
Making Connections ......................................................................20
Signal Path ......................................................................................24
Delay Types and Parameters .........................................................26
Storing and Recalling Delay Settings ...........................................28
Setting Delay Time with the Delay Tempo Footswitch .............30
Synchronizing Delay Tempo to Loop Tempo ...............................32
Using an Expression Pedal - Delay ................................................34
Selecting a Loop .............................................................................36
Recording a Loop ..........................................................................38
Recording Overdubs ......................................................................40
Undo, Redo, and Clear ...................................................................42
Undo an Overdub .........................................................................................42
Redo an Overdub .........................................................................................42
Clear Overdubs/Unstored Phrases .......................................................... 42
Stop Modes .....................................................................................44
Using Auto-Quantize Looping ......................................................45
Page 6
Storing/Copying Phrases ...............................................................46
Store Changes to a Loop ............................................................................46
Copy a Loop to a Different Memory Location ...................................... 46
Time Signature ...............................................................................48
Setting a Loop Tempo for Recording ...........................................50
Time Stretching a Loop ................................................................52
Time Stretch a Loop that is Stopped ....................................................... 52
Time Stretch a Loop that is Playing ..........................................................52
Loop / Single Phrases .....................................................................54
Rhythm Type ...................................................................................56
Using an Expression Pedal - Looper .............................................58
Deleting Individual Loop Phrases .................................................60
Erase All Loops - Internal Memory ..............................................62
Using Optional SD/SDHC Memory Cards ..................................64
Formatting SD Cards ................................................................................... 65
Unformatted Cards ...................................................................................... 65
Erase All Loops - Memory Card ...................................................66
Optional FS3X Footswitch ............................................................68
JamManagerTM Librarian Software ...............................................69
Specifications (Placeholder) ..........................................................70
Page 7
1
Congratulations and thank you for purchasing the JamMan® Delay! The JamMan
Delay Looper features both true stereo looping and a fully programmable stereo
delay with powerful control over both effects.
The Looper in the JamMan Delay Looper offers true stereo looping with 35
minutes of built-in memory, 99 internal loop memories, and an SD card expansion
slot for an additional 99 loops and over 16 hours of stereo loop storage! USB
connectivity provides syncing to DigiTech’s free JamManager™ looper librarian
software that organizes and saves your loops to a PC or Mac. JamManager also lets
you quickly create custom loop JamLists to take to your gig.
The JamMan Delay Looper’s delay is a powerful stereo delay with 3 fully
programmable preset memories that can be recalled instantly via dedicated
footswitches. A palette of 8 delay types offers tremendous flexibility in crafting
virtually any delay sound. With 16 seconds of delay time, a tap tempo footswitch, and
full morphing of the delay controls via the expression input, the JamMan Delay is in a
class all its own.
Features:
Store over 35 minutes of stereo, CD-Quality loops in 99 internal memories•
Optional SDHC card can store over 16 hours* of CD-quality audio in 99 •
additional memories (198 memories total)
Downloadable JamManager™ librarian for PC and Mac archives and organizes •
your loops over USB
Reverse Loop Playback•
3 Loop Stop modes (Stop, Finish, and Fade)•
Time Stretching lets you slow down or speed up loops without changing pitch•
16 seconds of true stereo delay•
3 fully programmable delay presets•
8 unique delay types including Digital, Tape, Analog, Reverse, and Modulated delay•
Expression pedal input for morphing between 2 delay settings or controlling loop •
playback level
Dry path defeat for parallel effects loops•
8 Heavy-duty metal footswitches for looping and delay control•
Optional footswitch adds additional Hands-Free functionality•
*with optional 16GB or higher SDHC memory card
Overview
Page 8
2
Before powering up your JamMan® Delay:
1. Make Connections
Connect a guitar or bass to the 1. LEFT (Mono) IN jack on the JamMan
Delay’s rear panel.
Connect the JamMan Delay’s 2. LEFT (Mono) OUT to the input of an
amplifier.
2. Connect the Power Supply
Start with your amplifier and the JamMan turned off.1.
Turn the 2. LOOP LEVEL and RHYTHM LEVEL knobs all the way down on
the JamMan Delay.
Connect the PS-0913B power supply to the 3. POWER jack on the
JamMan Delay.
Connect the other end of the PS-0913B power supply to an AC outlet.4.
Turn your amplifier on and turn up its volume to a normal playing 5.
level.
Quick Start - Connections
Page 9
3
1. Select an Empty Loop
Press the LOOP SELECT buttons or the LOOP UP/LOOP DOWN footswitches until
the LOOP and the SINGLE LEDs are off.
99
Press the Loop Select buttons...
...until these LEDs
are off.
Quick Start - Looper
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4
Quick Start - Looper
2. Adjust Loop and Rhythm Levels
Set the LOOP LEVEL knob to 12 o’clock. Set the RHYTHM LEVEL knob to the 9
o’clock position.
99
Set the LOOP LEVEL to 12 o’clock
and the RHYTHM LEVEL knob
to 9 o’clock
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5
3. Start Recording
Press the REC/PLAY/OVERDUB (lower left) footswitch to start recording. While
recording, the REC/PLAY/OVERDUB footswitch and RECORD LEDs will light red.
99
Press the
REC/PLAY/OVERDUB
footswitch.
While recording, the
RECORD and REC/PLAY/OVERDUB
LEDs light solid red.
Quick Start - Looper
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6
4. Start Loop Playback
Press the REC/PLAY/OVERDUB footswitch while recording to set the loop point
and start playing back from the beginning. The REC/PLAY/OVERDUB footswitch and
PLAY LEDs light green. Adjust the LOOP LEVEL and RHYTHM LEVEL knobs as needed.
99
During playback, the
RECORD and REC/PLAY/OVERDUB
LEDs light solid green.
Press the REC/PLAY/OVERDUB
footswitch while recording to stop
recording and start playback.
Adjust the LOOP LEVEL
and RHYTHM LEVEL knobs
as necessary .
Quick Start - Looper
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5. Stop Playback/Store the Loop
Press the TEMPO/STOP footswitch to stop playback, then press the LOOP STORE
button twice to store the loop.
99
First press the TEMPO/STOP
footswitch to stop playback.
Then press the
LOOP STORE button twice
to store the loop.
Quick Start - Looper
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8
Quick Start - Delay
1. Select a Delay Type.
Step on a Delay footswitch to turn on the delay, then select a delay type. For
this example, set the TYPE knob to ANALOG.
99
...then set the TYPE knob
to ANALOG.
First, turn on a delay preset
by pressing a Delay footswitch...
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9
2. Adjust the Delay Level, Time, Repeats, and parameters.
Set the DELAY LEVEL, TIME, REPEATS, MODIFY 1 and MODIFY 2 knobs to 12 o’clock.
99
Set these knobs
to 12 o’clock.
Quick Start - Delay
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10
Quick Start - Delay
3. Set the delay tempo with the Delay Tempo footswitch.
Tap the DELAY TEMPO footswitch at least two times to set a new delay tempo.
The last two footswitch tap intervals set the delay tempo.
99
Tap the DELAY TEMPO footswitch
at least two times to set the Delay Tempo.
Note: You can set the delay tempo to match a loop’s tempo; see page 32 for
more information.
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11
Quick Start - Delay
4. Store the delay.
Press the DELAY STORE button, then press one of the flashing DELAY
FOOTSWITCHES
to store the delay settings to that footswitch.
99
Press the DELAY STORE button...
...then press a DELAY FOOTSWITCH to store delay settings.
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12
Looper Controls
Loop Store Button 1.
Used to store and copy recorded loops and changes to loop attributes
to the memory card. Pressing and holding this button will initiate the
deletion of the current loop memory.
Setup Button2.
Press to cycle through options to set Loop/Single phrase status, Rhythm
Type, Time Signature, or Stop Mode.
Reverse Button3.
Press to play the loop phrase in reverse. This function can also be
turned on and off via the optional FS3X footswitch.
Guided Tour - Front Panel
1
2
3
4 5 6 7 8 9 10 11 1 2 13 14 15 16 17 18 19 20 21
22
23
24
25
Page 19
Loop Level4.
Controls the output level of the loop phrase.
Rhythm Level5.
Controls the level of the Rhythm guide track.
Card Memory LED6.
This red LED is lit when you are selecting loop memories on the
optional SD/SDHC memory card. When this LED is off, loops are being
selected from the JamMan® Delay’s internal memory.
Single LED7.
This yellow LED indicates the current phrase memory is set to playback
only once when play is initiated. Single phrases can be converted to
Loop phrases and vice versa.
Loop LED 8.
This green LED indicates the current phrase memory is set to playback
continuously as a loop when play is initiated. Loop is the default setting
when a phrase is recorded; any audio that is recorded will be recorded
as a loop phrase. Loop phrases can be converted to Single phrases and
vice versa.
Looper Status LEDs9.
These three LEDS indicate the looping status: Record, Playback, and
Overdub. Each will light individually during the process of recording,
playing back, and overdubbing a loop phrase.
Display10.
The main purpose for the display is to show the currently selected
13
Guided Tour - Front Panel
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14
loop memory location. It also shows information during store/copy
procedures, during Time Signature and Rhythm Type setup, file deletion,
and card formatting procedures.
Loop Select buttons11.
The Loop Select buttons are used for selecting different loop memories
and making selections when in other modes (such as Time Signature,
Rhythm Type, and Stop Mode).
Rhythm LED12.
This red LED will light when selecting the Rhythm guide track to record
and play with. You can hear the changes as you make them if the Rhythm
Level knob is turned up.
Time Signature LED13.
This red LED will light when selecting the Time Signature for a new loop
memory location. Note that Time Signature can only be changed for a
memory location that has no phrase recorded in it. You can select from
2 to 15 beats per measure. This means if you want to record in 5/4 time,
select 5 in the display. To record in 7/8 time, select 7, and so forth.
Stop Mode LED14.
This red LED will light when selecting the Stop Mode for the current
loop. Press the Setup button until this LED lights and then use the Loop
Select Up/Down buttons to change between one of the three Stop
Modes, Stop, Finish, and Fade.
Guided Tour - Front Panel
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15
Delay Controls
Level Knob15.
The Level knob controls the delay effect’s output level. Turn this knob
clockwise to increase the output level, and counter-clockwise to
decrease the output level.
When Reverse Delay is selected, the Level knob behaves like a wet/
dry mix control. When the knob is turned fully clockwise, only delayed
signal (no dry signal) is heard. Any other position will give you a mix of
the dry and wet (delayed) signals
Time Knob16.
Controls the amount of delay time specified by the range selected with
the Type knob. The knob’s minimum position is the shortest delay time
for the given range. The knob’s maximum position is the longest delay
time for the given range (see page 26 for exact ranges). You can increase
the delay time by tapping in a longer time using the Delay Tempo
footswitch (see page 30).
Multiplier Button and LEDS17.
The tempo multiplier allows you to change the current time pattern
repeat rate by a fixed multiple or sub-multiple of the delay time. The
tempo multiplier also makes it easier to create off-beat delay patterns.
For example, by using the dotted eighth note setting with a single delay,
you can play on eighth note boundaries and get delays played back in
between your own notes.
When Delay Tempo Sync is enabled, a 6th Multiplier can be accessed (all
Multiplier LEDs lit). In this state, the delay time will try and match the
length of the loop phrase up to 16 seconds. If the loop phrase is longer
Guided Tour - Front Panel
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16
than 16 seconds, the delay time will divide in half as needed to match
the loop length.
Repeats Knob18.
The Repeats knob controls the number of delay repeats. Turn this knob
clockwise to increase the number of repeats, and counter-clockwise
to decrease the number of repeats. Turning this knob to the maximum
position engages repeat-hold in some of the delay types (see page 27).
Modify 1 Knob19.
This knob controls a delay type specific parameter. See page 27 for
more information.
Modify 2 Knob20.
This knob controls a delay type specific parameter. See page 27 for
more information.
Type Knob21.
The Type knob selects from a variety of delay types and delay time ranges.
See page 26 for a list of delay types.
Delay Store Button22.
This button is used to store delay settings to one of the 3 numbered
footswitches for instant recall.
Dry Off Button23.
This button mutes the dry signal path through the JamMan® Delay.
Enable this button when running the JamMan Delay in a parallel effects
loop where dry signal is already present. Press and hold this button for
2 seconds to enable or disable this feature.
Guided Tour - Front Panel
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17
Footswitches
Delay Footswitches 24.
These footswitches are used to turn on and off the JamMan® Delay’s
delay effect. Footswitches 1 – 3 select three different pre-programmed
delay settings. Press any of these to turn on the delay effect (LED is on).
To bypass the delay effect, press the active footswitch again (LED will
turn off).
The Tempo footswitch is used to modify the delay time by tapping in the
desired delay tempo.
Looper Footswitches25.
This row of 4 footswitches is used to control the JamMan Delay’s looper.
The Rec/Play/Overdub footswitch initiates recording (LED lights red)
and playing (LED lights green) of the loop phrase. When a phrase is
playing back, it can be used to enable overdubbing (LED lights yellow)
over the recorded phrase. During playback, this footswitch can be
pressed and held to undo or redo the last overdub take.
The Tempo/Stop footswitch is used for stopping playback of a
recorded phrase and setting the loop tempo. Pressing and holding this
footswitch will clear any unstored loop audio.
The Loop Down footswitch will select the previous loop. If a loop is
currently playing, this will cue up the next loop to play as indicated by
the flashing number in the display.
The Loop Up footswitch will select the next loop. If a loop is currently
playing, this will cue up the next loop to play as indicated by the flashing
number in the display.
Guided Tour - Front Panel
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18
Left (Mono) Input 1.
Connect your instrument, additional pedal, or an amp effects send to
this jack. Signals are heard at both outputs when only the Left (Mono)
jack is used.
2. Right Input
Connect a second input to this jack for stereo operation. Left and Right
inputs are processed separately through the stereo delay and looper
effects and then fed to the Left and Right outputs to keep true stereo
separation between channels.
Tails On/Off Switch3.
This switch allows the delay repeats to continue being heard after the
effect is bypassed, or cuts them off immediately. When the Tails Switch
is set ON, delay repeats will continue to be heard until they decay
completely. When the Tails Switch is OFF, delay repeats are cut off
immediately when the effect is bypassed.
Left (Mono) Output4.
Connect this output to the input of a single guitar amplifier, another
pedal input, or amp effects return.
Guided Tour - Rear Panel
1 2 3 4 5 6 7 8 9 10 11
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19
Right Output5.
Connect this output to the input of a second guitar amplifier when a
second amp is being used.
Expression Input6.
Connect a mono (tip/sleeve) passive expression pedal to this input to
morph between two different delay settings or to control the output level
of loop playback. Passive volume pedals with a 25k to 250k Ohm range
work best. NOTE: TRS style expression pedals are not supported.
Expression Assign Switch7.
This switch changes whether a connected expression pedal controls the
delay parameters or the looper’s playback level.
Footswitch Jack8.
This jack is for connecting an optional 3-button FS3X footswitch for
remote selection of Undo/Redo, Loop Reverse, and Loop Tempo.
SD/SDHC Card Slot9.
The JamMan® Delay is compatible with optional SD/SDHC memory
cards up to 32GB in size for expanding the total amount of loop storage
time available. Adding an SD card also increases the number of available
loops from 99 to 198. New cards should be formatted in the JamMan
Delay before use. The JamMan Delay comes equipped with 35 minutes
of internal loop storage.
USB Jack10.
The mini USB jack provides a connection to a Windows or Mac
computer for transferring loop files to and from the JamMan Delay via
the downloadable JamManager Loop Librarian.
Power Jack11.
Connect the included PS-0913B AC power supply here. The JamMan
Delay can only be powered by using the external adapter.
Guided Tour - Rear Panel
Page 26
20
To Left (Mono) Input
To Amp Input
Mono Amp Input is the most common usage where the guitar plugs into the
JamMan® Delay’s LEFT (MONO) Input and the LEFT (MONO) Output connects to
the amp input. The DRY OFF button should be OFF for this setup.
Making Connections
Mono Amp Input
Page 27
21
Amp Loop
Making Connections
To Amp Input
From Amp FX Send
to Left (Mono) Input
From Left (Mono) Output
to Amp FX Return
The Amp Loop connection can be used if your amp has an effects loop.
Connect the guitar to the amp’s input. Connect the amp loop’s Send jack to
the JamMan® Delay’s LEFT (MONO) Input. Connect the JamMan Delay’s LEFT
(MONO)
Output to the amp loop’s Return jack.
If the amp’s effects loop is a serial effects loop (no parallel dry path) set
the DRY OFF button to OFF. If the amp’s effects loop has is a parallel loop,
(typically has a Mix control), you have two options:
Set the 1. DRY OFF button to be ON and use amp’s loop Mix control and
the JamMan Delay’s DELAY LEVEL and LOOP LEVEL knobs to balance the
effect level.
If your amp has a series effects loop the DRY OFF button should be 2.
OFF. If your amp has a parallel effects loop, the DRY OFF button should
be ON.
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22
To rst Amp Input To second Amp Input
To Left (Mono) Input
The Mono Input / Stereo Amp option provides the best stereo imaging for
the Modulation and Pong delay types. Connect the guitar to the JamMan®
Delay’s LEFT (MONO) Input and connect the LEFT (MONO) and Right outputs to
the inputs of each amp. The DRY OFF button should be OFF for this setup.
Mono Input / Stereo Amp
Making Connections
Page 29
23
To Left (Mono) Input To Right Input
To rst Amp Input To second Amp Input
To Stereo
Pedal
The Stereo Input / Stereo Amp option lets you utilize true stereo effects
prior to the JamMan® Delay in a stereo amp setup. This setup also provides
the best stereo imaging for the JamMan Delay’s Modulation and Pong delay
types. Connect the outputs of your stereo effects pedal to the JamMan
Delay’s LEFT (MONO) and RIGHT Inputs and connect the LEFT (MONO) and RIGHT
Outputs to the inputs of each amp. The DRY OFF button should be OFF for
this setup.
Stereo Input / Stereo Amp
Making Connections
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Signal Path
The JamMan® Delay has a stereo signal path with both a Left (mono) and Right
input. This signal passes through the A/D converter and into the DSP where
it then goes through the Delay and then the Looper. The signal then passes
through a D/A converter and then to the outputs.
The dry signal in the JamMan Delay is a buffered analog path. This path has a Dry
Off option for when the JamMan Delay is used in a parallel effects loop. The Dry
Off button should be set to ON to prevent an unwanted second dry path from
the JamMan Delay being mixed in with the parallel dry path of the loop. If you
are using a series effects loop or running into the front end of an amplifier, the
Dry Off button should be set to OFF to keep the analog dry path active.
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25
Signal Path
Dry Signal
Delay
Bypass
Dry Defeat
Dry Signal
Dry Defeat
Right Input
Mono In Mono Out
Right Output
Tails
On/Off
Left (Mono) Input Left (Mono) Output
DELAYA/D D/A
RHYTHM
+
+
+
++
+
+ +
LOOPER
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26
The Type knob selects from a variety of delay types and delay time ranges. As
the types are changed, default settings for all controls except Level will be loaded.
0.5 Second Digital delay. Time knob range of 15 to 500 milliseconds.
2 Seconds Digital delay. Time knob range of 0.5 seconds to 2 seconds.
4 Seconds Digital delay. Time knob range of 2 seconds to 4 seconds.
8 Seconds Digital delay. Time knob range of 4 seconds to 8 seconds.
Analog Modeled after a vintage bucket brigade analog delay circuit.
Time knob range* is 35 millseconds to 1 sec.
Modulated Delay with chorused repeats. Time knob range* is 100 ms-1 sec.
Reverse A delay where the repeats are played backwards. Time knob
range is 500 milliseconds to 4 seconds.
Slapback 50 to 150 milliseconds; uses the Tape Delay algorithm.
Lo Fi A low-fidelity delay that has limited bandwidth and reduced
bit-depth to approximate the effects of low sample rate and
8-bit signal processing used in vintage digital delays. Time knob
range* is 100 millseconds to 1 second.
Tape Modeled after a classic tube tape echo. Time knob range* is
100 millseconds to 1 second.
Pong Based on the Digital Delay, this delay alternates repeats
between the left and right outputs. Time knob range* is
500 millseconds to 2 seconds. NOTE: When both inputs are
connected (stereo in), only the left input is processed through
the delay. The dry path does maintain stereo separation.
The JamMan® Delay’s delay has a Tempo footswitch that can be used for
setting the delay time by tapping in the rhythm. Simply press the footswitch
in time with the music to adjust the delay time. Tempo works in conjunction
with the Multiplier button so you can tap in quarter notes but get variations
on the delay time depending on which Multiplier is selected.
* With MULTIPLIER at quarter note setting..
Delay Types and Parameters
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27
Delay Types and Parameters
Each delay type has a common set of controls for setting up the delay (Delay
Level, Time, and Repeats). There are also two custom controls (Modify 1, Modify
2) that offer added flexibility by controlling specific settings for each delay type.
The table below shows what each these knobs control with each delay type.
Modify 1 Modify 2
0.5 - 8 Seconds
Bass Treble
Reverse
Trigger Sensitivity Tone
Modulated
Modulation Tone
Analog
Modulation Tone
Slapback
Drive Tone
LoFi
Low Pass High Pass
Tape
Drive Wow/Flutter
Pong
Ratio Spread
The 0.5–8 second (Digital), Modulated, Reverse, and Pong delay types have a
repeat hold function when the Repeats knob is turned fully clockwise. This
means the input of the delay is shut off and the delay will repeat indefinitely
until the Repeats knob is moved off the maximum position.
Analog, Slap, LoFi, and Tape delays have an “analog” behavior (pitch shifting
sound) when the Time is changed. When the Repeats knob is set to the
maximum setting, these delays can become unstable just like the actual delays
they were modeled from do.
The Modulation parameter adds chorusing or a vibrato effect to the delay.
The first half of the knob range is chorusing with increasing depth. The
second half of the knob range is vibrato with increasing depth.
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28
The JamMan® Delay’s delay settings can be stored to any of the numbered
footswitches allowing instant recall of these settings during performance. When
delay settings are modified by turning the knobs, the DELAY STORE button will
light. To store modified settings to the footswitches, follow these steps:
Press the 1. DELAY STORE button. This button will now be lit and the DELAY
FOOTSWITCHES
will begin flashing.
Press any flashing 2. DELAY FOOTSWITCH to store the settings to that
footswitch (or press the DELAY STORE button again to store the settings
to the currently active DELAY FOOTSWITCH).
The 3. DELAY STORE button will turn off and the active footswitch will
stop flashing and light solid to indicate the new settings have now been
stored to this location.
To recall stored delay settings, press the DELAY FOOTSWITCH they were stored to.
You can also store delay settings during live performance (such as a new
tapped tempo) by pressing and holding the active delay memory footswitch
for 3 seconds.
NOTE: Delay settings cannot be edited or stored when the delay effect is
bypassed.
Storing and Recalling Delay Settings
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29
Storing and Recalling Delay Settings
1
2
99
Page 36
30
The JamMan® Delay’s delay has a Tempo footswitch that can be used for
setting the delay time by tapping in the rhythm.
Step on a 1. DELAY FOOTSWITCH to enable a delay preset.
Press the 2. DELAY TEMPO footswitch in time with the music to adjust the
delay time. Tempo works in conjunction with the Multiplier button
so you can tap in quarter notes but get variations on the delay time
depending on which Multiplier is selected.
Setting Delay Time with the
Delay Tempo Footswitch
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31
Setting Delay Time with the
Delay Tempo Footswitch
99
1 2
Page 38
32
The JamMan® Delay’s delay time can be synchronized with the Looper’s
tempo. This is an extremely useful feature that allows the delay time to be
automatically set based on the tempo of any loop that is playing.
To enable Delay Tempo synchronization, follow these steps:
Press and hold the 1. DELAY TEMPO footswitch for 2 seconds until its LED
stops flashing and lights solid red (this indicates Delay Tempo Sync
mode).
You can now use the looper’s 2. TEMPO/STOP footswitch to tap in the
tempo for both the loop and the delay.
When Delay Tempo Sync mode is active, you can change loops and the delay
Tempo will automatically be set to the loop’s tempo. This ensures your delay
time will always be synced with the loop that is playing. To exit Delay Tempo
Sync mode, simply tap the delay Tempo footswitch once or turn the Time knob.
Another feature that can be used when Delay Tempo Sync is enabled is a
6th Multiplier. While Sync is enabled, press the MULTIPLIER button until all
MULTIPLIER LEDs light. In this state, the delay time will match the length
of the loop phrase up to 16 seconds. If the loop phrase is longer than 16
seconds, the delay time will divide in half as needed to match the loop length.
NOTE: Delay Tempo Sync only works with the active delay memory. If a
different delay memory is selected, Delay Tempo Sync will be defeated and
need to be re-enabled.
Synchronizing Delay Tempo to
Loop Tempo
Page 39
33
Synchronizing Delay Tempo to
Loop Tempo
1
2
99
Page 40
34
Using an expression pedal with the JamMan® Delay is an easy way to unlock
a whole new set of time-varying delay effects. An expression pedal lets you
morph between different settings for a given delay type, allowing control
over Delay Level, Repeats, Time, and the Modify 1/2 settings.
To use an expression pedal with the JamMan Delay’s delay, follow these steps:
Begin with the JamMan Delay power disconnected.1.
Plug your expression pedal’s mono Tip/Sleeve 1/4” connector into the 2.
EXPRESSION PEDAL input on the back panel and apply power.
Set the 3. EXPRESSION ASSIGN switch to the In position (Delay).
Rock the expression pedal back and forth 2-3 times to calibrate the 4.
pedal with the JamMan Delay.
Rock the pedal forward to the toe down position.5.
Adjust one or more of the 6. DELAY LEVEL, TIME, REPEATS, MODIFY 1, MODIFY 2
knobs, and the MULTIPLIER setting to get the sound that you like.
Rock the expression pedal back to the toe up position. 7.
Adjust the delay controls again to get a starting sound that you like. 8.
NOTE: You cannot change delay types while using this expression pedal.
Changing types will reset the toe and heel settings.
Move the pedal from the heel to the toe position while you’re playing 9.
and listen to the delay morph between these two settings.
Store your changes to a delay footswitch.10.
When you store your changes to a footswitch, both the heel and toe settings
are stored. If you don’t have an expression pedal connected when that
footswitch is selected, you’ll hear the last stored settings.
To set the same settings for the heel and toe positions, follow these steps:
Rock the pedal to the toe down position.1.
Adjust the delay controls and multiplier to the desired settings.2.
Press and hold the 3. MULTIPLIER button until the selected multiplier LED flashes.
Now both the heel and toe positions will have the same settings.
Using an Expression Pedal - Delay
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35
Using an Expression Pedal - Delay
99
3 1
2
4
5
9
7
1 0
6
8
Page 42
36
Selecting a Loop
The JamMan® Delay has two banks of loop memory, internal and optional card
memory. There are 99 memory locations available in each of these banks for
a total of 198 memories when an optional SD/SDHC memory card is installed.
The card memory bank is only available when a memory card is installed.
To select loops, Press either the LOOP UP or LOOP DOWN footswitches or use
the LOOP SELECT buttons next to the DISPLAY.
Pressing the LOOP UP footswitch will select the next loop above the current
loop. Pressing the LOOP DOWN footswitch will select the previous loop below.
Pressing and holding either of these footswitches will scroll through the loop
memories in its respective direction. The DISPLAY will show the memory
location number as these buttons are pressed.
When Loop 99 is reached, pressing the
LOOP UP footswitch will return to the
first memory location (1 will be shown in the display). Likewise, if Loop 1 is
reached, pressing the LOOP DOWN footswitch will return to the last memory
location (99 will be shown in the DISPLAY). If an optional memory card
is installed, pressing the LOOP UP or LOOP DOWN footswitches will alternate
through one bank of memories and then the next (1-99 internal and then
1-99 card). The
CARD MEM LED will light when memories are selected on the
optional external card.
As loops are selected, the LOOP or SINGLE LED will flash as the loop is loaded
from internal or optional card memory. Trying to store, copy, or change the
loop tempo during this time is ignored (bu will be displayed indicating the
JamMan Delay is busy loading a loop from memory).
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37
Selecting a Loop
Loop Select
buttons
Loop Down
footswitch
Loop Up
footswitch
99
Page 44
38
The JamMan® Delay is designed to be very simple to use right out of the box.
This section explains how to record a phrase and play it back as a continuous
loop. You should have an instrument or audio device connected to the 1/4”
inputs before proceeding.
NOTE: The maximum loop time the JamMan Delay can record or play is
10 minutes.
Select an empty memory location using the 1. LOOP SELECT buttons or the
LOOP UP/LOOP DOWN footswitches (the LOOP and SINGLE LEDs will be off).
(Optional) If you would like to perform to a guide track, you must set 2.
a tempo. The rhythm guide track will not be heard until a tempo has
been set. You can set a tempo by tapping the TEMPO/STOP footswitch
(see page 50). Adjust the RHYTHM LEVEL knob to a suitable volume. The
TEMPO/STOP footswitch will now be flashing at the set tempo.
(Optional) Set the Time Signature to something other than 4/4, if desired 3.
(see page 48).
Press the 4. REC/PLAY/OVERDUB footswitch and begin playing to start
recording. If a tempo has been set, there will be a single measure count-
in indicated by the TEMPO footswitch before recording begins. The
REC/PLAY/OVERDUB footswitch will then light solid red, the LOOP LED will
light, and recording will start. If no tempo has been set, recording will
begin instantly after the REC/PLAY/OVERDUB footswitch is pressed and you
begin playing.
When you are ready to set the loop point for your phrase, press the 5.
REC/PLAY/OVERDUB footswitch to set the loop point and have the phrase
play back in a repeating loop. The REC/PLAY/OVERDUB footswitch and
PLAY status LEDs will light solid green.
Press the 6. TEMPO/STOP footswitch to stop the loop playback.
Once you are finished recording, the STORE button will be lit indicating the
phrase must be stored to memory to be recalled later.
Recording a Loop
Page 45
Recording a Loop
39
13
2 6
4
5
99
Page 46
40
Recording Overdubs
Once a loop phrase is recorded, you can add overdubs over the top of it.
Overdubs can only be recorded to Loop phrases and not to Single phrases.
Use the 1. LOOP SELECT butons or the LOOP UP/LOOP DOWN footswitches
to select a previously recorded Loop phrase, or use a newly recorded
phrase that has not yet been stored. The LOOP LED must be lit if a
previously recorded phrase is selected. If the CARD MEM LED is lit, you
have selected a loop on the optional memory card.
Press the 2. REC/PLAY/OVERDUB footswitch. This footswitch and the PLAY
status LEDs will light solid green and the phrase will begin playing.
Press and release the 3. REC/PLAY/OVERDUB footswitch again to begin
overdub recording. This footswitch and the OVERDUB status LEDs will
now light solid yellow and any audio introduced on the selected input
will be added to the audio playback.
When you have an overdub you are happy with, press the 4.
REC/PLAY/OVERDUB footswitch to disable overdubbing and continue
playback (this footswitch and the PLAY status LEDs will light solid green).
You can continue adding overdubs by continuing to press the REC/PLAY/
OVERDUB
footswitch. Each time an overdub is added, the last overdub is
merged with the original loop and it can no longer be undone using the
Undo functions (see page 42).
Once you are finished with overdubbing, press the TEMPO/STOP footswitch to
stop playback/overdubbing.
NOTE: Changing loops discards any overdubs that have not been stored to
memory. Storing overdubs will remove the ability to undo or clear overdubs.
Page 47
Recording Overdubs
41
2
3
4
99
1
Page 48
42
You can undo or redo an overdub anytime you remain in the current
memory where the overdub was recorded. You can also use a footswitch to
clear all unstored loop phrase audio.
Note: Changing loops discards any unstored overdubs. Storing the overdubs
will also remove the ability to undo or clear overdubs.
Undo an Overdub
Press and hold the REC/PLAY/OVERDUB footswitch for two seconds to undo
your last overdub. The REC/PLAY/OVERDUB and OVERDUB status LEDs flash
yellow and the display briefly shows ud when the undo takes place.
Redo an Overdub
Press and hold the REC/PLAY/OVERDUB footswitch to redo the last undone
overdub; the REC/PLAY/OVERDUB and OVERDUB status LEDs flash yellow and the
display briefly shows rd to indicate a redo has been performed.
Clear Overdubs/Unstored Phrases
Press and hold the TEMPO/STOP footswitch for two seconds to clear the
unstored recording/overdubs. The RECORD status LED will flash and the
display will show CL to confirm the clearing. If the loop had been previously
stored, the clear action will only clear unstored phrases and overdubs but
leave the original loop that had been stored untouched.
Changing to a different loop also clears any unstored phrases and overdubs.
Undo, Redo, and Clear
Page 49
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Undo, Redo, and Clear
Press and hold
to undo or redo
an overdub.
Press and hold to
clear overdubs and
unstored phrases.
99
Page 50
44
Stop Modes
321
99
Loop Phrases can be stopped in three ways after the TEMPO/STOP footswitch
is pressed:
• Stop ( St ): Stops the phrase immediately when Stop is pressed.
• Finish ( Fi ): Finishes playing to the end of the phrase and stops after Stop is
pressed.
• Fade ( FA ): Fades the phrase volume to 0 and then stops after Stop is
pressed.
To change Stop Modes, follow these steps:
Press the 1. SETUP button until the STOP MODE LED is lit.
Press the up or down 2. LOOP SELECT buttons to select the Stop Mode
you want to use. The Stop Mode names appear in the DISPLAY.
Press the 3. LOOP STORE button twice to store the changes, if desired.
NOTE: Stop modes must be stored with each phrase individually.
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Using Auto-Quantize Looping
There are two ways you can record loops using the JamMan® Delay, freeform looping or using the JamMan Delay’s Auto-Quantize feature.
Free-form looping (see page 38) is the standard way loopers have been
used since their inception. You initiate recording, play, and then set the loop
point when you reach the end of your passage. The loop point is set exactly
when you press the pedal and the tempo for the loop is then calculated and
displayed. Getting an accurately timed and seamless loop takes practice but
offers the flexibility experienced loopers need.
Auto-Quantized looping makes getting accurately timed loop points easy.
Begin by first setting the Tempo you want before recording the loop’s first
pass. This is done by using the TEMPO/STOP footswitch (see page 50). Once
the tempo is established, initiate record, play in time with the set tempo, and
then set the loop point at the end of a measure.
If your timing was a little early or late when setting the loop point, not to
worry. The JamMan Delay automatically adjusts the loop length exactly to
the measure length set by the Tempo and Time Signature.
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46
Anytime a change is made to a loop memory location (Rhythm Type, Tempo,
Time Signature, Record, Overdubs etc.) the LOOP STORE button will immediately
light. This indicates that the changes will be lost unless a store procedure is
performed before selecting a new loop memory location, turning off the power.
Store Changes to a Loop
Stop any recording activity using the 1. TEMPO/STOP footswitch.
Press the 2. LOOP STORE button. The LOOP STORE button and the DISPLAY
will begin to flash (the DISPLAY shows the current loop memory
location).
(Optional) Use the 3. SELECT buttons to select an empty loop memory
location to store the loop with its changes (the LOOP or SINGLE LEDs
are off), or press SETUP to abort.
Press the 4. LOOP STORE button again. The changes are now saved and
the LOOP STORE button turns off.
Copy a Loop to a Different Memory Location
Stop any playback or record activity using the 1. TEMPO/STOP footswitch.
Use the 2. SELECT buttons to select a memory location that contains a
loop (either the LOOP or SINGLE LED is lit).
Press the 3. LOOP STORE button. The DISPLAY and the LOOP STORE button
will begin to flash.
Use the 4. SELECT buttons until an empty memory location is selected
(the LOOP and SINGLE LEDs are off), or press SETUP to abort.
Press the 5. LOOP STORE button again. The loop is now copied to the
new memory location.
Note: The Clear and Overdub Undo/Redo functions cannot be performed
to the loop after a Store/Copy procedure.
Storing/Copying Phrases
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Storing/Copying Phrases
4
2
3
99
1
5
3
4
2
99
1
Store Changes
to a Loop
Copy a Loop
to a Different
Memory
Location
Page 54
48
The JamMan® Delay is capable of recording in different Time Signatures. A
Time Signature must be set up prior to recording in a memory location.
Once a phrase has been recorded, Time Signature cannot be changed. To set
the Time Signature, follow these steps:
Use the 1. SELECT buttons or LOOP UP/DOWN footswitches to select a
new memory location. (The LOOP LED and SINGLE LED will be off.)
Press the2. SETUP button until the TIME SIG LED is lit. The TIME SIG LED
will now be lit, and th e DISPLAY will show the number 4 indicating the
default Time Signature of four beats per measure.
Use the 3. SELECT buttons to change the Time Signature. You can select
from two to 15 beats per measure. This means if you want to record
in 5/4 time, select 5. To record in 7/8 time, select 7, and so forth.
Press the 4. LOOP STORE button twice to store the changes, if desired, or
press the SETUP button twice to exit Setup mode.
The LOOP STORE button will light when Time Signature is changed but you can
immediately begin recording without having to store this change first. If a
tempo has been set up the TEMPO/STOP footswitch LED will light red for the
downbeat and then green for the rest of the beats of the measure.
When accessing the Time Signature setting of a loop (newly recorded or stored),
the loop’s Time Signature appears in the DISPLAY, but it cannot be changed.
Time Signature
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Time Signature
3
1
2
99
4
Page 56
50
Before you begin recording a phrase, you may want to set a tempo at which
you want to record the loop at. Setting the tempo in an empty loop memory
location automatically starts playing the rhythm guide track (Rhythm Level
must be turned up to hear the guide track). You can use the rhythm guide
track as a metronome for recording against to help keep a consistent tempo
of your performance. To set the tempo for recording, follow these steps:
Use the 1. SELECT buttons to select a new memory location. (The LOOP
LED and SINGLE LED will be off.)
Tap the 2. TEMPO/STOP footswitch at least 2 times (4 or more times is
recommended). The TEMPO/STOP footswitch LED will begin flashing
at the tempo that has been tapped in. The first downbeat of the
measure flashes red and the other beats flash green.
Turn up the 3. RHYTHM LEVEL knob (if it hasn’t been already) to hear the
rhythm guide track.
To begin recording, press the 4. REC/PLAY/OVERDUB footswitch, wait for
the one-measure count-in and begin playing.
If you want to set up a memory location with a tempo but not record to it, you
can just follow steps 1 and 2, but you must then store the new tempo using the
Store procedure. When you return to the empty loop location, the tempo will
already be set as indicated by the TEMPO/STOP footswitch LED flashing.
Setting a Loop Tempo for Recording
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Setting a Loop Tempo for Recording
3
1
24
99
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52
Once a loop phrase is recorded, you can change the playback tempo which speeds up
or slows down the playback of the phrase without changing its pitch (Time Stretch).
Time Stretching a loop is a very useful feature in case the band is playing slightly
slower or faster than normal or you just want to change the pace of a backing track
slightly. You can Time Stretch a loop while stopped or during playback. To Time
Stretch a loop, follow these steps:
Time Stretch a Loop that is Stopped
Select a previously recorded Loop phrase (1. LOOP or SINGLE LED is lit) using
the LOOP UP/DOWN footswitches or LOOP SELECT buttons. The TEMPO/STOP
footswitch LED will begin flashing at the phrase’s stored tempo.
Tap the 2. TEMPO/STOP footswitch two or more times. Tapping quicker than the
stored tempo rate will speed up playback while tapping slower than the stored
tempo rate will slow down playback.
To return to the original tempo, press and hold the 3. TEMPO/STOP footswitch for
two seconds and the phrase will return to the original stored tempo.
Time Stretch a Loop that is Playing
To time stretch a loop while it is playing requires an optional FS3X footswitch to be
connected to the footswitch jack on the rear panel of the JamMan® Delay.
Press the 1. REC/PLAY/OVERDUB footswitch to begin playback.
Tap in a new tempo using the 2. UP footswitch on the FS3X. You will hear the tempo
changes in real time. To return to the original tempo, press and hold the UP
footswitch for two seconds and the phrase will return to the original stored tempo.
Press the LOOP STORE
button twice to store the changes if desired. You can play
along with the adjusted playback speed and still be in tune since the pitch does not
change based on playback speed.
NOTE: Restoring the tempo by pressing and holding the TEMPO/STOP footswitch
will also clear any newly recorded audio and overdubs.
Time Stretching a Loop
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53
Time Stretching a Loop
1
2
3
99
99
1
2
Time Stretch a Loop that is
Stopped
Time Stretch a Loop that is Playing
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54
Any phrase recorded into the JamMan® Delay can be played in two ways:
Either as a continuous Loop, or as a Single “one-shot” sample.
Single phrases are designed to play the recorded phrase only once and stop.
All phrases are recorded as loops by default but they can be changed to a
Single phrase if desired. You can always change Single phrases back to Loops
later without harming the phrase. To change between Single and Loop, follow
these steps:
Select a previously recorded Loop phrase (1. LOOP LED is lit) using the
LOOP UP/LOOP DOWN footswitches or SELECT buttons. If the CARD MEM LED
is lit, you have selected a memory location on the optional memory
card.
Press the2. SETUP button once. The LOOP or SINGLE LED will now be lit,
and th e DISPLAY will show Lo (loop) or Si (single).
Use the 3. SELECT buttons to select LOOP or SINGLE.
The 4. LOOP STORE button will light to indicate this change must be stored if
it is to be recalled later. Press the LOOP STORE button twice to store the
changes, if desired, or press the SETUP button four times to exit Setup
mode.
Single phrases cannot have overdubs added to them. Repeated presses of
the REC/PLAY/OVERDUB footswitch will just restart the Single phrase playback
from the beginning.
Loop / Single Phrases
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Loop / Single Phrases
99
2
3
1
4
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56
The JamMan® Delay’s guide track has 9 rhythm types to select from. These range
from a simple click metronome to various drum samples as the rhythm guide (a
tempo must be defined and the RHYTHM LEVEL knob must be turned up to hear
the guide track). To change the Rhythm Type, follow these steps:
Select a memory location using the 1. SELECT buttons.
If the memory location is empty (2. LOOP and SINGLE LEDs are off), set
a tempo using the TEMPO/STOP footswitch. If the memory location
contains a loop (LOOP or SINGLE LED is on), press the REC/PLAY/
OVERDUB
footswitch to start playback.
Turn up the 3. RHYTHM LEVEL knob to hear the guide track.
Press the 4. SETUP button until the RHYTHM LED is lit. The DISPLAY will
now show r5 indicating the default RHYTHM TYPE.
Use the 5. SELECT buttons to choose your desired rhythm sound
(designated by oF (off), and r1 – r9 in the DISPLAY). Selecting oF
turns the rhythm sound off even if the RHYTHM LEVEL knob is turned up.
The 6. LOOP STORE button will light to indicate this change must be
stored if it is to be recalled later. Press the LOOP STORE button twice
to store the changes, if desired, or press the SETUP button three
times to exit setup mode.
Rhythm Type
Rhythm Types are:
oF – Off
r1 – Wood Blocks
r2 – Sticks
r3 – Click
r4 – Alternative Kick / High Hat
r5 – Studio Kick / High Hat
r6 – Techno Kick / High Hat
r7 – Cowbell
r8 – Conga
r9 – Tambourine
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Rhythm Type
99
3 4
1 5
2
6
Page 64
58
You can also use an expression pedal to control the Looper’s level during
performance. To do this, follow these steps:
Begin with the 1. JamMan® Delay power disconnected.
Plug your expression pedal’s standard 1/4” connector into the 2.
EXPRESSION PEDAL input on the back panel and apply power.
Set the 3. EXPRESSION ASSIGN switch to the Out position (Looper).
Rock the expression pedal back and forth 2-3 times to calibrate the 4.
pedal with the JamMan Delay.
Start playback of the looper by pressing the 5. REC/PLAY/OVERDUB
footswitch.
Adjust the 6. LOOP LEVEL knob to the maximum output level you want the
loop to playback at.
Rock the expression pedal forward (toe down) and back (toe up) at 7.
least 2 times.
The expression pedal is now calibrated to give you the maximum level set
by the LOOP LEVEL knob in the toe down position and silence in the toe up
position. This way you can add overdubs to your loops and bring back the
mix back a bit during performance as needed.
Using an Expression Pedal - Looper
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Using an Expression Pedal - Looper
99
3 1
2
7
4
6
5
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The JamMan® Delay has 99 memory locations and at some time you may need
to delete the contents of a memory location so it may be reused or to free up
memory. To delete a loop from a memory location, follow these steps:
Select the phrase you want to delete using the 1. LOOP SELECT buttons.
If the CARD MEM LED is lit, you have selected a loop on the optional
memory card.
Press and hold the 2. LOOP STORE button for 2 seconds until the DISPLAY
shows EL and release. The LOOP STORE button will begin flashing
waiting for a delete confirmation.
NOTE: If the DISPLAY shows Ei or EC, you have held the LOOP STORE
button too long and need to abort this procedure and start over.
Press the SETUP button at this point to abort the Delete procedure.
Press the 3. LOOP STORE button again. The display reads E? (Erase
Loop?). The LOOP STORE button will continue to flash. To abort this
procedure at any time, press the SETUP button at any time.
If you want to delete the contents from this memory location and 4.
return it to its default state, press and hold the LOOP STORE button
for two seconds. The DISPLAY will briefly read dE when the delete
procedure is complete and then return to the memory number.
Warning: Deleting a memory location is irreversible and will
erase any recorded information that resides here. Use the Delete
function with caution.
Deleting Individual Loop Phrases
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Deleting Individual Loop Phrases
99
2
3
4
1
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Erase All Loops - Internal Memory
The JamMan® Delay uses both internal memory and optional external
memory for the storage of loop files. You can delete all loops from internal
memory or from external memory without having to delete them one at a
time.
To delete all loops from internal memory, follow these steps:
Select a loop memory location that does not light the 1. CARD MEM LED.
Press and hold the 2. LOOP STORE button for four seconds until Ei
(Erase Internal Memory Loops) appears in the Display and release
(EL will show briefly first but keep holding the button). The LOOP
STORE
button will now be flashing.
Press the 3. LOOP STORE button again. The DISPLAY will now read E?
(Erase Loops?) and the button will continue to flash. To abort this
procedure, press the LOOP UP or LOOP DOWN footswitch at any time.
To erase all loop data, press and hold the 4. LOOP STORE button again for
two more seconds. The DISPLAY will show BU indicating the card is
being erased.
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Erase All Loops - Internal Memory
99
1
3
4
2
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64
The JamMan® Delay offers 35 minutes of total built-in loop memory storage.
You can increase the loop memory by installing an optional SD/SDHC
memory card in the memory card slot on the rear panel. The JamMan Delay
is compatible with SD/SDHC card sizes up to 32GB for over 16 hours of
total loop memory.
The first time a memory card is inserted into the JamMan Delay, it is
recommended that you format the card using the JamMan Delay’s format
procedure (see page 65).
To install an optional SD/SDHC memory card into the JamMan Delay, insert
the card into the Memory Card slot on the back panel with the label face up
and the angled part of the card pointing toward the chassis.
Using Optional SD/SDHC Memory Cards
99
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65
Formatting SD Cards
Although it may not be mandatory, it is recommended any memory card that is
inserted into the JamMan
®
Delay for the first time should be formatted using the
JamMan Delay’s format procedure. To format an SD/SDHC Card in the JamMan
Delay, follow these steps:
Insert an optional SD/SDHC card in the 1. MEMORY CARD slot on the
rear panel.
Press and hold the 2. LOOP STORE button for six seconds. The display will show
FO (Format) and the LOOP STORE button will begin flashing.
Press the 3. LOOP STORE button again. The DISPLAY will read F? (Format ?) and
the LOOP STORE button will continue to flash. To abort this procedure, press
the SETUP button.
To initiate the card formatting procedure, press and hold the 4. LOOP STORE
button for two seconds. The DISPLAY will show Bu indicating the card is
being formatted.
NOTE: When using a new SD/SDHC card, it is recommended that you
format it using the procedure outlined above before using it with the
JamMan Delay.
Unformatted Cards
If a memory card is inserted into the JamMan Delay that does not have a valid format,
the JamMan Delay will not recognize it and the DISPLAY will read nF. The card must be
formatted before the JamMan Delay can use it. To format the card, follow these steps:
While the 1. DISPLAY reads nF, the STORE button will begin flashing prompting
for a format confirmation.
Press the flashing 2. LOOP STORE button. The DISPLAY will read F? and the
LOOP STORE button will continue to flash. You can press the SETUP button
to abort the procedure.
To initiate the card formatting procedure, press and hold the 3. LOOP STORE
button for two seconds. The DISPLAY will show Bu indicating the card is
being formatted. Once completed, the DISPLAY will read 1 and the card is
now ready for recording.
Using Optional SD/SDHC Memory Cards
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The Erase Loops procedure only erases JamMan® Delay loop data from a
memory card. All other data and files on the card are left untouched.
To erase all loops from an optional SD/SDHC memory card, follow these steps:
Install an optional SD/SDHC memory card in the JamMan Delay’s 1.
memory card slot.
Select a loop memory location that lights the 2. CARD MEM LED.
Press and hold the 3. LOOP STORE button for four seconds until EC
(Erase Card Memory Loops) appears in the DISPLAY and release (EL
will show briefly first but keep holding the button). The LOOP STORE
button will now be flashing.
Press the 4. LOOP STORE button again. The DISPLAY will now read E?
(Erase Loops?) and the button will continue to flash. To abort this
procedure, press the SETUP button at any time.
To erase all loop data, press and hold the 5. LOOP STORE button again for
two more seconds. The DISPLAY will show Bu indicating the card is
being erased.
Erase All Loops - Memory Card
Locked
Unlocked
SD
Card
NOTE: If when you try to delete a loop from
SD card the display flashes CP, the SD copy
protection switch is in the “Locked” position.
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Erase All Loops - Memory Card
99
2
4
5
3
1
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68
Optional FS3X Footswitch
The optional FS3X Footswitch gives you hands-free control over loop
selection, tempo, and stop functions.
Mode Switch
This footswitch is used for immediately undoing and redoing the last
recorded overdub.
Down Switch
This footswitch is used to play the recorded phrase in reverse.
Up Switch
This footswitch can be used to set the tempo of a new loop or change the
tempo (Time Stretch) of a stored loop. Playback Tempo can be changed even
while the loop is playing using this footswitch.
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JamManager
TM
Librarian Software
The JamManagerTM loop librarian software is available as a free download
from the DigiTech website. This application runs on both Windows XP/
Vista/7 and Mac OS X computer systems, and lets you archive and
transfer loops between the JamMan® Delay and your computer. For more
information, visit www.digitech.com.
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Digital
A/D/A Conversion: 24-bit
Sampling Frequency: 44.1 kHz
Loop File Format: 44.1 kHz, 16-bit (stereo), uncompressed
WAV file
USB: 2.0 High Speed (USB 1.1 compatible)
Connector Type: 4-pin Type B
Max. Individual Loop Time: 10 minutes
Internal Memory Capacity: Over 35 minutes total loop time (up to
99 loops total)
External Memory Type: SD/SDHC up to 32GB (optional)
External Memory Capacity: Over 16 hours (10.6MB/minute) of
recording time, when using 16GB or
larger SDHC card (up to 99 loops total)
Inputs/Outputs
Left(Mono)/Right Inputs
Connector Type: 1/4” Unbalanced (Tip-Sleeve)
Input Impedance: 500 kΩ Mono/1 MΩ Stereo
Unity Gain Input to Output: 4 dBu DFS
Left(Mono)/Right Outputs
Connector Type: 1/4” Unbalanced (Tip-Sleeve)/Balanced
(Tip-Ring-Sleeve)
Output Impedance: 1 kΩ Unbalanced/ 2 kΩ Balanced
Maximum Output Level: 10 dBu DFS
Playback Unity Gain: Loop Level knob set to 12 o’clock position
Expression Input
Connector Type: 1/4” Stereo (Tip-Sleeve) – compatible with a
(Tip-Sleeve) Expression / passive Volume Pedal
Footswitch Input
Connector Type: 1/4” Stereo (Tip-Ring-Sleeve), compatible
with optional DigiTech
®
FS3X 3-button
footswitch
Specifications
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Line Inputs to Outputs
Dynamic Range: 108 dB A-weighted
Frequency Response: +0/-2 dB 20-20 kHz
Voltage Rails +/-14 V
General
Power: < 6 Watts
Current Draw: < 0.6 A
Adaptor: PS0913B (Included), Output 9 VAC 1.3 A
US and Canada: PS0913B – 120
Japan: PS0913B – 100
Europe: PS0913B – 230
UK: PS0913B – 240
Dimensions: 6.83” (L) x 11.0” (W) x 2.88” (H)
173.5 mm (L) x 279.4 mm (W) x 73.2 mm (H)
Weight: 3.42 lbs, 1.55 kg
JamManager
TM
Librarian Software System Requirements
Windows XP Home/Pro (32-bit), Vista (32/64-bit), 7 (32/64-bit)
Pentium•
®
/Athlon XP processor
1GB RAM (2GB RAM recommended)•
USB Port•
Mac
OS X 10.5 or later•
Intel Core processor•
1GB RAM (2GB RAM recommended)•
USB Port•
DigiTech® engineers are constantly working to improve the quality of our products.
Specifications are therefore subject to change without notice.
Specifications
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DigiTech
®
8760 South Sandy Parkway
Sandy, Utah 84070
PH (801) 566-8800
FAX (801) 566-7005
www.digitech.com
JamMan
®
Delay Owner’s Manual 18-0687-A
Printed in the USA
DigiTech and JamMan Delay are registered trademarks of HARMAN. All other product name
and trademarks are the property of their respective owners, which are in no way associated
with DigiTech.
©2010 HARMAN
All rights reserved
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