Casio CTK900 User Manual

CTK900-ES-1

GUIDELINES LAID DOWN BY FCC RULES FOR USE OF THE UNIT IN THE U.S.A. (not applicable to other areas).

NOTICE

This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential installation. This equipment generates, uses and can radiate radio frequency energy and, if not installed and used in accordance with the instructions, may cause harmful interference to radio communications. However, there is no guarantee that interference will not occur in a particular installation. If this equipment does cause harmful interference to radio or television reception, which can be determined by turning the equipment off and on, the user is encouraged to try to correct the interference by one or more of the following measures:

• Reorient or relocate the receiving antenna.

• Increase the separation between the equipment and receiver.

• Connect the equipment into an outlet on a circuit different from that to which the receiver is connected.

• Consult the dealer or an experienced radio/TV technician for help.

FCC WARNING

Changes or modifications not expressly approved by the party responsible for compliance could void the user’s authority to operate the equipment.

Important!

Please note the following important information before using this product.

•

Before using the optional AD-5 Adaptor to power the unit, be sure to check the AC Adaptor for any damage first. Carefully check the power cord for breakage, cuts, exposed wire and other serious damage. Never let children use an AC adaptor that is seriously damaged.

• Never attempt to recharge batteries.

• Do not use rechargeable batteries.

• Never mix old batteries with new ones.

• Use recommended batteries or equivalent types.

• Always make sure that positive (+) and negative (–) poles are facing correctly as indicated near the battery compartment.

• Replace batteries as soon as possible after any sign they are getting weak.

• Do not short-circuit the battery terminals.

• The product is not intended for children under 3 years.

• Use only CASIO AD-5 adaptor.

• The AC adaptor is not a toy.

• Be sure to disconnect the AC adaptor before cleaning the product.

This mark applies in EU countries only.

CASIO Europe GmbH Bornbarch 10, 22848 Norderstedt, Germany

707A-E-002A

Safety Precautions

Congratulations on your selection of the CASIO electronic musical instrument.

• Before using the instrument, be sure to carefully read through the instructions contained in this manual.

• Please keep all information for future reference.

Symbols

Various symbols are used in this user’s guide and on the product itself to ensure that the product is used safely and correctly, and to prevent injury to the user and other persons as well as damage to property. Those symbols along with their meanings are shown below.

Alkaline Batteries

Perform the following steps immediately if fluid leaking from alkaline batteries ever gets into your eyes.

1. Do not rub your eyes! Rinse them with water.

2. Contact your physician immediately.

Leaving alkaline battery fluid in your eyes can lead to loss of sight.

DANGER

This symbol indicates information that, if ignored or applied incorrectly, creates the danger of death or serious personal injury.

WARNING

This indication stipulates matters that have the risk of causing death or serious injury if the product is operated incorrectly while ignoring this indication.

CAUTION

This indication stipulates matters that have the risk of causing injury as well as matters for which there is the likelihood of occurrence of physical damage only if the product is operated incorrectly while ignoring this indication.

Symbol Examples

This triangle symbol ( ) means that the user should be careful. (The example at left indicates electrical shock caution.)

This circle with a line through it ( ) means that the indicated action must not be performed. Indications within or nearby this symbol are specifically prohibited. (The example at left indicates that disassembly is prohibited.)

The black dot ( ) means that the indicated action must be performed. Indications within this symbol are actions that are specifically instructed to be performed. (The example at left indicates that the power plug must be unplugged from the electrical socket.)

Smoke, Strange Odor, Overheating

Continued use of the product while it is emitting smoke, a strange odor, or heat creates the risk of fire and electric shock. Take the following steps immediately.

1. Turn off power.

2. If you are using the AC adaptor for power, unplug it from the wall outlet.

3. Contact your original retailer or an authorized CASIO Service Provider.

AC Adaptor

● Misuse of the AC adaptor creates the risk of

fire and electric shock. Always make sure you observe the following precautions.

• Be sure to use only the AC adaptor that is specified for this product.

• Use only a power source whose voltage is within the rating marked on the AC adaptor.

• Do not overload electrical outlets and extension cords.

● Misuse of the AC adaptor’s electric cord can damage or break it, creating the risk of fire and electric shock. Always make sure you observe the following precautions.

• Never place heavy objects on the cord or

subject it to heat.

• Never try to modify the cord or subject it to

excessive bending.

• Never twist or stretch the cord.

• Should the electric cord or plug become

damaged, contact your original retailer or authorized CASIO Service Provider.

707A-E-003A

E-1

Safety Precautions

● Never touch the AC adaptor while your hands are wet. Doing so creates the risk of electric shock.

● Use the AC adaptor where it will not be splashed with water. Water creates the risk of fire and electric shock.

● Do not place a vase or any other container filled with liquid on top of the AC adaptor. Water creates the risk of fire and electric shock.

Batteries

Misuse of batteries can cause them to leak, resulting in damage to nearby objects, or to explode, creating the risk of fire and personal injury. Always make sure you observe the following precautions.

• Never try to take batteries apart or allow them to become shorted.

• Never expose batteries to heat or dispose of them by incineration.

• Never mix old batteries with new ones.

• Never mix batteries of different types.

• Do not charge the batteries.

• Make sure the positive (+) and negative (–) ends of the batteries are facing correctly.

Do not incinerate the product.

Never throw the product into fire. Doing so can cause it to explode, creating the risk of fire and personal injury.

Water and Foreign Matter

Dropping and Impact

Continued use of this product after it has been damaged by dropping or subjecting it to strong impact creates the risk of fire and electric shock. Take the following steps immediately.

1. Turn off power.

2. If you are using the AC adaptor for power, unplug it from the wall outlet.

3. Contact your original retailer or an authorized CASIO Service Provider.

Plastic Bags

Never place the plastic bag the product comes in over your head or in your mouth. Doing so creates the risk of suffocation. Particular care concerning this precaution is required where small children are present.

Keep off of the product and stand.*

Climbing onto the product or stand can cause it to tip over or become damaged. Particular care concerning this precaution is required where small children are present.

Location

Avoid locating the product on an unstable stand, on an uneven surface, or any other unstable location. An unstable location can cause the product to fall over, creating the risk of personal injury.

Water, other liquids, and foreign matter (such as pieces of metal) getting into the product create the risk of fire and electric shock. Take the following steps immediately.

1. Turn off power.

2. If you are using the AC adaptor for power, unplug it from the wall outlet.

3. Contact your original retailer or an authorized CASIO Service Provider.

Disassembly and Modification

Never try to take this product apart or modify it in any way. Doing so creates the risk of electric shock, burn injury, or other personal injury. Leave all internal inspection, adjustment, and maintenance up to your original retailer or authorized CASIO Service Provider.

E-2

707A-E-004A

Safety Precautions

AC Adaptor

● Misuse of the AC adaptor creates the risk of

fire and electric shock. Always make sure you observe the following precautions.

• Do not locate the electric cord near a stove or other sources of heat.

• Never pull on the cord when unplugging from the electrical outlet. Always grasp the AC adaptor when unplugging.

● Misuse of the AC adaptor creates the risk of fire and electric shock. Always make sure you observe the following precautions.

• Insert the AC adaptor into the wall outlet as

far as it will go.

• Unplug the AC adaptor from the wall

outlet during lightening storms or before leaving on a trip or other long-term absence.

• At least once a year, unplug the AC

adaptor from the wall outlet and wipe away any dust that is built up in the area around the prongs of the plug.

Relocating the Product

Before relocating the product, always unplug the AC adaptor from the wall outlet and disconnect all other cables and connecting cords. Leaving cords connected creates the risk of damage to the cords, fire, and electric shock.

Cleaning

Before cleaning the product, always unplug the AC adaptor from the wall outlet first. Leaving the AC adaptor plugged in creates the risk of damage to the AC adaptor, fire, and electric shock.

Connectors

Connect only the specified devices and equipment to the product’s connectors. Connection of a non-specified device or equipment creates the risk of fire and electric shock.

Location

Avoid the following locations for this product. Such locations create the risk of fire and electric shock.

• Areas subject to high humidity or large amounts of dust

• In food preparation areas or other areas subject to oil smoke

• Near air conditioning equipment, on a heated carpet, in areas exposed to direct sunlight, inside of a vehicle parked in the sun, or any other area that subjects the product to high temperatures

Display Screen

• Never push on the display screen’s LCD panel or subject it to strong impact. Doing so can cause the LCD panel’s glass to crack, creating the risk of personal injury.

• Should the LCD panel ever crack or break, never touch the liquid inside of the panel. LCD panel liquid can cause skin irritation.

• Should LCD panel liquid ever get inside your mouth, immediately wash out your mouth with water and contact your physician.

• Should LCD panel liquid ever get into your eyes or onto your skin, rinse with clear water for at least 15 minutes, and then contact a physician.

Batteries

Misuse of batteries can cause them to leak resulting in damage to nearby objects, or to explode, creating the risk of fire and personal injury. Always make sure you observe the following precautions.

• Use only batteries that are specified for use with this product.

• Remove batteries from the product if you do not plan to use it for a long time.

707A-E-005A

Sound Volume

Do not listen to music at very loud volumes for long periods. Particular care concerning this precaution is required when using headphones. High volume settings can damage your hearing.

Heavy Objects

Never place heavy object on top of the product. Doing so can make the product top heavy, causing the product to tip over or the object to fall from it, creating the risk of personal injury.

E-3

Safety Precautions

Correct Stand* Assembly

An incorrectly assembled stand can tip over, causing the product to fall and creating the risk of personal injury. Make sure you assemble the stand correctly, following the assembly instructions that come with it. Make sure you mount the product on the stand correctly.

* Stand is available as an option.

When using batteries, be sure to replace them or shift to one of the alternate power sources whenever you notice any of the following symptoms.

• Dim power indicator

• Instrument does not turn on

• Display that is flickering, dim, or difficult to read

• Abnormally low speaker/headphone volume

• Distortion of sound output

• Occasional interruption of sound when playing at high

volumes

• Sudden power failure when playing at high volumes

• Flickering or dimming of the display when playing at high

volume

• Continued sound output even after you release a key

• A tone that is totally different from the one that is selected

• Abnormal rhythm pattern and demo tune play

• Loss of power, sound distortion, or low volume when playing

from a connected computer or MIDI device

•

E-4

707A-E-006A

Introduction

Congratulations upon your selection of this CASIO musical instrument. This keyboard provides you with the following features and functions.

JJJJ 550 Tones Include Rich Advanced Tones

A total of 332 Advanced Tones are programmed with DSP tones to make them richer and more powerful. Advanced tones like Stereo Piano and Tremolo Electric Piano enhance the Piano and Electric Piano tones to create a totally new sound.

JJJJ 50 Drawbar Organ Tones

In addition to the 550 standards tones, the keyboard also includes 50 realistic drawbar organ tones. Drawbar organ tones can be controlled using nine digital drawbars. You can also select percussion or key click, and even edit the parameters of preset tone and save up to 100 original tones in user tone memory.

JJJJ Flash Memory

Built-in Flash memory lets you expand your selection of tones and rhythms by downloading data from the CASIO MUSIC SITE, or by the CD-ROM that comes bundled with the keyboard. You can also store up to 200 SMF format music files for playback.

JJJJ PIANO SETTING Button

The press of a button optimizes the keyboard setup for piano play.

JJJJ 160 Preset Rhythms + 16 User Rhythms

A selection of 160 rhythms includes accompaniments for everything from rock to pops and jazz. You can also transfer accompaniment data from your computer and store up to 16 of them as user rhythms in keyboard memory.

JJJJ Auto Accompaniment

Simply play a chord and the corresponding rhythm, bass and chord parts play automatically. One-touch Preset instantly recalls the most suitable tone and tempo settings to match the rhythm you are using.

JJJJ Big, Information-packed Display

A big built-in display shows chord names, tempo setting, keyboard information, staff notation of notes played, and more for full support of all your keyboard play. A built-in backlight keeps the display easy to read, even in total darkness.

JJJJ Song Memory

Record up to six parts in memory, along with their tone, volume, pan position, and other parameters for later playback. Realistic ensemble play can also be created using the Auto Accompaniment function.

JJJJ Synthesizer Mode

Edit built-in sounds to produce your own original creations. Up to 120 of your own sounds can be stored in memory for recall, just like the built-in tones.

JJJJ General MIDI compatibility

The General MIDI tones of this keyboard let you connect to a personal computer to enjoy “desktop music” capabilities. This keyboard can be used as a desktop music input device or sound source, and it's just the thing for playback of commercially available pre-recorded General MIDI music software.

707A-E-007A

E-5

Introduction

JJJJ Powerful effects

A collection of powerful effects, such as DSP, reverb, chorus, and more, give you total control over the type of sound you want. You can even change the parameters of an effect to create your own, original effects. A 4-band equalizer is also included.

JJJJ Mixer

You can specify tone, volume, pan position, and other parameters for each built-in Auto Accompaniment part. You can also control the same parameters for each channel during MIDI input.

JJJJ Registration Memory

Keyboard setups can be stored in memory for later recall and instant set up whenever you need them. Up to 32 setups (4 setups × 8 banks) can be stored in registration memory.

JJJJ Data download from your computer

You can use your computer to download data from the CASIO MUSIC SITE.

E-6

707A-E-008A

Contents

Safety Precautions......... E-1

Introduction .................... E-5

General Guide................. E-9

Attaching the Score stand ...................E-10

Playing a Demo Tune..........................E-11

Power Supply ............... E-12

Using batteries ....................................E-12

Using the AC Adaptor .........................E-13

Auto Power Off....................................E-13

Turning Off the Keyboard....................E-14

Memory Contents................................E-14

Connections ................. E-15

Applying Effects to

Tones............................. E-23

Effect Blocks....................................... E-23

Selecting a DSP Type ........................ E-23

DSP Button......................................... E-25

Selecting REVERB ............................. E-25

Selecting CHORUS ............................ E-26

Using the Equalizer ............................ E-27

Auto

Accompaniment ...........E-28

About the MODE button ..................... E-28

Selecting a Rhythm ............................ E-29

Playing a Rhythm ............................... E-29

Adjusting the Tempo .......................... E-29

Using Auto Accompaniment ............... E-30

Basic Operations.......... E-16

To play the keyboard...........................E-16

Selecting a Tone .................................E-16

PIANO SETTING Button .....................E-18

Using the Drawbar

Organ Mode .................. E-19

To select a drawbar organ tone ..........E-20

To edit a drawbar organ tone ..............E-20

Parameter Details ...............................E-21

To save an edited drawbar

organ tone ...........................................E-22

Using an Intro Pattern ........................ E-32

Using a Fill-in Pattern ......................... E-32

Using a Rhythm Variation................... E-32

Synchro Starting Accompaniment

with Rhythm Play................................ E-33

Finishing with an Ending Pattern........ E-33

Using One-touch Preset ..................... E-34

Using Auto Harmonize ....................... E-34

Adjusting the Accompaniment

Volume ............................................... E-35

Mixer Function.............. E-36

What you can do with the Mixer ......... E-36

Turning Channels On and Off ............ E-36

Using the Parameter Edit Mode ......... E-37

How Parameters Work ....................... E-38

707A-E-009A

E-7

Contents

Synthesizer Mode......... E-40

Synthesizer Mode Functions...............E-40

Creating a User Tone ..........................E-43

Storing a User Tone In Memory ..........E-45

Registration Memory ... E-46

Registration Memory Features ............E-46

To Save a Setup in Registration

Memory ...............................................E-47

To Recall a Setup from Registration

Memory ...............................................E-48

Song Memory Function

Tracks .................................................E-49

Basic Song Memory operations ..........E-50

Using Real-time Recording .................E-50

Mixer Mode Settings ...........................E-51

... E-49

Using the SMF Player... E-71

Playing Back an SMF ......................... E-73

Configuring Other Settings ................. E-73

MIDI................................ E-75

What is MIDI? ..................................... E-75

General MIDI ...................................... E-75

MIDI Settings...................................... E-75

Using the Music Data Management Software (on the Bundled CD-ROM)

.. E-76

Troubleshooting ........... E-78

Specifications ............... E-80

Care of your

Instrument..................... E-82

Playing Back from Song Memory........E-52

Recording Melody and Chords

with Step Recording ............................E-52

Recording Multiple Tracks...................E-55

Correcting Mistakes While Step

Recording............................................E-57

Editing Memory Contents ....................E-58

Editing a Song.....................................E-59

Keyboard Settings ....... E-61

Using Layer .........................................E-61

Using Split ...........................................E-62

Using Layer and Split Together...........E-63

Transposing the Keyboard..................E-64

Using Touch Response .......................E-64

Tuning the Keyboard...........................E-65

Changing Other Settings.....................E-66

DSP Algorithm List....... E-83

Appendix .........................A-1

Tone List............................................... A-1

Drum Assignment List .......................... A-8

Rhythm List ........................................ A-10

Fingered Chord Chart......................... A-11

Effect List............................................ A-13

MIDI Implementation Chart

E-8

707A-E-010A

General Guide

*1 *2

707A-E-011A

E-9

General Guide

POWER button

Power indicator

SONG MEMORY button

SYNTH button

TRANSPOSE/FUNCTION button

MIXER button

EFFECT button

SMF PLAYER button

MAIN VOLUME knob

MODE button

b k

ONE TOUCH PRESET button

ACCOMP VOLUME button

b m

DATA ACCESS indicator

b n

RHYTHM button

b o

TONE button

b p

DRAWBAR ORGAN button

b q

DSP button

PIANO SETTING button

EXIT button

AUTO HARMONIZE button

c k

SPLIT button

LAYER button

c m

[ ] / [ ] / [ ] / [ ]CURSOR buttons

c n

DEMO button (*3)

c o

Speaker

c p

Rhythm list

c q

Tone list

Display

CHORD root names

Percussion instrument list

d k

Chord types name

INTRO/ENDING 1/2 buttons

d m

VARIATION/FILL-IN 1/2 buttons

d n

SYNCHRO/FILL-IN NEXT button

d o

START/STOP button

d p

TEMPO buttons

d q

REGISTRATION buttons

a) BANK button

b) STORE button

SONG MEMORY TRACK buttons

E-10

707A-E-012A

J Attaching the Score stand (*1)

Insert the score stand into the slot at the top of the keyboard as shown in the illustration.

General Guide

707A-E-013A

E-11

General Guide

Number buttons

• For input of numbers to change displayed settings.

[+]/[–] buttons (YES/NO)

• Negative values can be changed only by using [+] and [–] to

increment and decrement the displayed value.

J Playing a Demo Tune (*3)

Pr essing t he DEM O bu tton sta rts de mo tun e play. T here a re 3 de mo t unes , wh ich co ntinuou sly play in s equen ce. To stop d emo tu ne play, press either the DEMO button or the START/STOP button.

• Pressing the [+]/[–] buttons skips to the next demo tune.

• The PIANO SETTING button, Layer, and Split are disabled while a demo tune is playing.

Rear Panel

MIDI OUT terminal

MIDI IN terminal

e m

SUSTAIN/ASSIGNABLE JACK terminal

e n

PHONES/OUTPUT terminal

e o

DC 9V jack

e p

• Display examples shown in this User’s Guide are intended for illustrative purposes only. The actual text and values that appear on the display may differ from the examples shown in this User’s Guide.

• Due to LCD element characteristics, display contrast changes depending on the angle from which you view it. The initial default contrast setting is one that allows easy viewing for a musician seated directly in front of the display. You can also adjust the contrast to the level that suits your particular needs. For more information, see page E-69.

E-12

Power Supply

This keyboard can be powered by current from a standard household wall outlet (using the specified AC adaptor) or by batteries. Always make sure you turn the keyboard off whenever you are not using it.

Using batteries

Always make sure you turn off the keyboard before loading or replacing batteries.

To load batteries

1. Remove the battery compartment cover.

2. Load six D-size batteries into the battery

compartment.

• Make sure that the positive (+) and negative (–) ends

are facing correctly.

3. Insert the tabs on the battery compartment cover

into the holes provided and close the cover.

Important Battery Information

 The following shows the approximate battery life.

• Manganese batteries: Approximately 4 hours

The above value is standard battery life at normal temperature, with the keyboard volume at a medium setting. Temperature extremes or playing at very loud volume settings can shorten battery life.

• Never try to take batteries apart or allow them to become shorted.

• Never expose batteries to heat or dispose of them by incineration.

• Never mix old batteries with new ones.

• Never mix batteries of different types.

• Do not charge the batteries.

• Make sure the positive (+) and negative (–) ends of the

batteries are facing correctly.

Misuse of batteries can cause them to leak resulting in damage to nearby objects, or to explode, creating the risk of fire and personal injury. Always make sure you observe the following precautions

• Use only batteries that are specified for use with this product.

• Remove batteries from the product if you do not plan to use it for a long time.

Tab

• The keyboard may not function correctly if you load or replace batteries with power turned on. If this happens, turning the keyboard off and then back on again should return functions back to normal.

E-12

707A-E-014A

Power Supply

Using the AC Adaptor

Make sure that you use only the AC adaptor specified for this keyboard.

Specified AC Adaptor: AD-5

Rear Panel

DC 9V jack

AC adaptor AD-5

AC outlet

Note the following important precautions to avoid damage to the power cord.

● During Use

• Never pull on the cord with excessive force.

• Never repeatedly pull on the cord.

• Never twist the cord at the base of the plug or connector.

• The power cord should not be stretched tight while it is in use.

● During Movement

• Before moving the keyboard, be sure to unplug the AC adaptor from the power outlet.

● During Storage

• Loop and bundle the power cord, but never wind it around the AC adaptor.

• Make sure that the keyboard is turned off before connecting or disconnecting the AC adaptor.

• Using the AC adaptor for a long time can cause it to become warm to the touch. This is normal and does not indicate malfunction.

Auto Power Off

When you are using battery power, keyboard power turns off automatically whenever you leave it on without performing any operation for about 6 minutes. When this happens, press the POWER button to turn power back on.

• Auto Power Off is disabled (it does not function) when you are using the AC adaptor to power the keyboard.

To disable Auto Power Off

Hold down the TONE button while turning on the keyboard to disable Auto Power Off.

• When Auto Power Off is disabled, the keyboard does not turn off automatically no matter how long it is left with no operation being performed.

• Auto Power Off is automatically enabled whenever you turn on keyboard power.

Settings

Tone, rhythm, and other “main keyboard settings” in effect when you turn off the keyboard manually by pressing POWER button or when Auto Power Off turns off power are still in effect the next time you turn power back on.

Main Keyboard Settings

Tone number, layer, split, split point, drawbar organ tone settings, transpose, tuning, contrast settings, touch response, reverb, chorus, DSP, equalizer, rhythm number, tempo, keyboard channel, MIDI In Chord Judge on/off, accomp MIDI out on/off, assignable jack setting, accompaniment volume, user area tones (Synthesizer Mode), user area accompaniments, user DSP area, Auto Harmonize on/off, Auto Harmonize type, Mixer hold, DSP hold, Auto Accompaniment mode, all Mixer parameters, all Synthesizer Mode parameters, Song Memory song numbers, SMF player settings (play mode, manual play part, SMF playback volume)

707A-E-015A

E-13

Power Supply

Turning Off the Keyboard Memory Contents

• Be sure to press the POWER button to turn off power and make sure that the LCD backlight is off before disconnecting the AC adaptor or doing anything else.

• Never disconnect the AC adaptor while the keyboard is turned on or try to turn off power using any other technique besides pressing the POWER button. Doing so can cause the contents of the keyboard's Flash memory to become corrupted. Strange keyboard operation and abnormal startup when power is turned on are symptoms of corrupted Flash memory contents. See “Troubleshooting” on page E-78 for more information.

• While the following message is on the display, never turn off

the keyboard by pressing the POWER button, disconnecting the AC adaptor, etc.

(message)“Pls Wait” or “Bulk In”

Turning off the keyboard while the above message is on the display can cause user data (user tones, song memory data, etc.) currently stored in keyboard memory to become corrupted. Once corrupted, you may not be able to recall the data again.

In addition to the above settings, data stored in the Registration Mode and Song Memory Mode is also retained when keyboard power is turned off.

Saving Setups and Memory Contents

J About Flash memory

Your keyboard comes with built-in Flash memory, which can continue to hold data even when electrical power is totally cut off. This means that even after batteries go completely dead, you can attach the AC adaptor, turn on power, and still recall data stored in memory.

• When running under battery power, be sure to replace batteries as soon as possible after the first signs of low battery power (dim power indicator lamp, dim display characters, etc.) Though the keyboard’s Flash memory is non-volatile (which means that data is not lost when power is interrupted), data can be lost if power suddenly fails while data is being written to flash memory*. * While storing or deleting user data, while recording with

the synthesizer, while transferring data from a computer, etc.

J Backing Up Data to a Computer

You can use a MIDI connection to back up keyboard settings and memory contents on a computer’s hard disk. See “MIDI”on page E-75 for more information.

E-14

Initializing the Keyboard

Initialization can be used to return keyboard parameters to their initial factory default settings, or to delete all data currently in keyboard memory. See page E-70 for more information about initialization.

 Returning the keyboard to its initial factory defaults

You can use the CD-ROM that comes with the keyboard and your computer to return the keyboard’s flash memory and all of its parameters to their initial factory default settings. See “Bundled CD-ROM Data” on page E-76 for details.

707A-E-016A

Connections

Phones/Output Terminal

Before connecting phones or other external equipment, be sure to first turn down the volume settings of the keyboard and the connected equipment. You can then adjust volume to the desired level after connections are complete.

Rear Panel

Audio connection

PHONES/OUTPUT jack

Stereo standard plug

• You can also connect the keyboard to a computer or sequencer. See “MIDI” on page E-75 for details.

Sustain/Assignable jack Terminal

You can connect an optional sustain pedal (SP-3 or SP-20) to the SUSTAIN/ASSIGNABLE JACK terminal to enable the capabilities described below.

For details on how to select the pedal function you want, see “Changing Other Settings” on page E-66.

Keyboard amp, guitar amp, etc.

White

AUX IN or similar terminal

of audio amplifier

LEFT

RIGHT

Red

PIN plug

J Connecting Phones 1

Connecting phones cuts off output from the keyboard’s builtin speakers, so you can play even late at night without disturbing anyone.

J Audio Equipment 2

Connect the keyboard to a audio equipment using a commercially available connecting cord with a standard plug on one end and two PIN plugs on the other end. Note that the standard plug you connect to the keyboard must be a stereo plug, otherwise you will be able to output only one of stereo channels. In this configuration, you normally set the input selector of the audio equipment to the terminal (usually marked AUX IN or something similar) where the cord from the keyboard is connected. See the user documentation that comes with your audio equipment for full details.

J Musical Instrument Amplifier 3

Use a commercially available connecting cord to connect the keyboard to a musical instrument amplifier.

• Be sure to use a connecting cord that has a stereo standard plug on the end you connect to the keyboard, and a connector that provides dual channel (left and right) input to the amplifier to which you are connecting. The wrong type of connector at either end can cause one of the stereo channels to be lost.

• When connected to a musical instrument amplifier, set the volume of the keyboard to a relatively low level and make output volume adjustments using the amplifier’s controls.

Connection Example

SP-20

SUSTAIN/ASSIGNABLE JACK Terminal

J Sustain Pedal

• With piano tones, depressing the pedal causes notes to linger, much like a piano’s damper pedal.

• With organ tones, depressing the pedal causes notes to continue to sound until the pedal is released.

J Sostenuto Pedal

• As with the sustain pedal function described above, depressing the sostenuto pedal causes notes to be sustained.

• This difference between a sostenuto pedal and sustain pedal is the timing.

• With a sostenuto pedal, you press the keys and then depress the pedal before you release the keys. Only the notes that are sounding when the pedal is depressed are sustained.

J Soft Pedal

Depressing the pedal softens the sound of the notes being played.

J Rhythm Start/Stop Pedal

In this case, the pedal performs the same functions as the START/STOP button.

Accessories and Options

Use only the accessories and options specified for this keyboard. Use of non-authorized items creates the danger of fire, electrical shock, and personal injury.

707A-E-017A

E-15

Basic Operations

1 2

MAIN VOLUME

DSP

Number buttons

This section provides information on performing basic keyboard operations.

POWER

PIANO SETTING

[+]/[–]

To play the keyboard

1. Press the POWER button to turn the keyboard on.

• This causes the power indicator to light.

2. Use the MAIN VOLUME knob to set the volume to

a relatively low level.

3. Play something on the keyboard.

43 5

TONE

START/STOP

Selecting a Tone

This keyboard comes with tones built-in, as shown below. A partial list of the available tone names is printed on the keyboard console. See the “Tone List” on page A-1 of this manual for a complete list. “Advanced Tones” are variations of standard tones, which are created by programming in effects (DSP) and other settings. For details about drawbar organ tones, see “Using the Drawbar Organ Mode” on page E-19.

Tone Types

E-16

Standard Tones: 550 Preset Tones + 124 User Tones

Number

000-331 332 Advanced Tones On

400-599 200 Preset Tones Off

600-617 18 Drum Sets Off

700-799 100 User Tones (*2) On/Off (*3)

800-819 20

900-903 4

Number of

Tones

Tone Type

User Tones with Waves (*4)

User Drum Sets with Waves (*4)

DSP Line On/Off

(*1)

On/Off (*3)

On/Off (*5)

707A-E-018A

Basic Operations

Drawbar Organ Tones: 50 Preset Tones + 100 User Tones

Number

000-049 50 Preset Tones On/Off (*5)

100-199 100 User Tones (*6) On/Off (*3)

*1 See “Changing Tones and Configuring DSP Effect

Settings” on page E-18.

*2 Memory area for tones created by you. See “Synthesizer

Mode” on page E-40. User tone areas 700 through 799 initially contain the same data as DSP types 000 through

099.

*3 Depends on source tone or user setting. See “Synthesizer

Mode” on page E-40 for more information.

*4 Area for data transferred from a computer. See “Using the

Music Data Management Software (on the Bundled CDROM)” on page E-76 for more information. For information about waveforms, see “Creating a User Tone” on page E-43.

*5 Depends on tone. This status can be checked by viewing

the DSP button. See “DSP Button” on page E-25 for more information.

*6 Memory area for tones created by you. See “To edit a

drawbar organ tone” on page E-20. User drawbar organ tone areas initially contain two sets of the same data as drawbar organ tones types 000 through 049.

Number of

Tones

Tone Type

DSP Line On/Off

(*1)

To select a tone

1. Find the tone you want to use in the tone list and

note its tone number.

2. Press the TONE button.

3. Use the number buttons to input the three digit

tone number for the tone you want to select.

Example:

To select “432 GM ACOUSTIC BASS”, input 4, 3 and then 2.

AuBsGsoc

• Always input all three digits for the tone number, including

leading zeros (if any).

• You can also increment the displayed tone number by

pressing [+] and decrement it by pressing [–].

• When one of the drum sets is selected (tone numbers 600

through 617), each keyboard key is assigned a different percussion sound. See page A-8 for details.

• You cannot select tone numbers not included in the above ranges (standard tones 332 through 399, 618 through 699 and 820 through 899, and drawbar organ tones from 050 to

099). When you use the [+] and [–] buttons to scroll through tone numbers, scrolling jumps across the unused numbers. Pressing [+] when 617 is selected, for example, jumps to

700.

707A-E-019A

Polyphony

The term polyphony refers to the maximum number of notes you can play at the same time. The keyboard has 32-note polyphony, which includes the notes you play as well as the rhythms and auto-accompaniment patterns that are played by the keyboard. This means that when a rhythm or autoaccompaniment pattern is being played by the keyboard, the number of notes (polyphony) available for keyboard play is reduced. Also note that some of the tones offer only 10-note polyphony.

E-17

Basic Operations

Changing Tones and Configuring DSP

Effect Settings

This keyboard has only a single DSP sound source. Because of this, selecting tones for which DSP is enabled for multiple parts when layering or splitting tones (page E-61, E-62) can cause conflicts. To avoid conflicts, DSP is allocated to the last DSP enabled tone, and DSP is disabled (DSP line OFF) for all other parts. DSP line is a parameter that controls whether or not the currently selected DSP effect is applied to a part.* Each tone has a DSP line parameter. Selecting a tone for a part applies the tone’s DSP line parameter setting to all parts. * The DSP line parameter is turned on (DSP effect is applied)

for the 332 Advanced Tones numbered 000 through 331, and turned off (DSP effect not applied) for the 200 preset tones from 400 to 599. For information about other tones, see “Tone Types” on page E-16.

PIANO SETTING Button

Pressing this button changes the setup of the keyboard to optimize it for piano play.

Settings

Tone number: “000” Rhythm number: “140” Accompaniment Mode: Normal Layer: Off Split: Off Auto Harmonize: Off Transpose: 0 Touch Response: Off: Returns to initial default

On: No change Assignable Jack: SUS Local Control: On Mixer Channel 1 Parameter Setup:

Depends on tone

• Pressing the PIANO SETTING button while a rhythm is playing stops rhythm play and then changes the keyboard setup.

• Pressing the PIANO SETTING button while the keyboard is in the Synthesizer Mode or other mode exits the current mode and then changes the keyboard setup.

• The setup of the keyboard does not change if you press the PIANO SETTING button when any one of the following exists.

* During real-time recording, step recording, or while using

the editing function of the Song Memory

* While the data save or overwrite message is on the

display

* During demo tune play

J To optimize keyboard settings for piano play

1. Press the PIANO SETTING button.

2. Now try playing something on the keyboard.

• The notes you play will sound with a piano tone.

3. If you want to play with rhythm accompaniment,

press the START/STOP button

• This causes a rhythm that is optimized for piano will start to play.

• To stop rhythm play, press the START/STOP button again.

E-18

707A-E-020A

Using the Drawbar Organ Mode

DRAWBAR ORGAN

Number buttons

Your keyboard has built-in “drawbar organ tones” that can be altered using nine digital drawbars whose operations are similar to the controls on a drawbar organ. You can also select percussion or key click. There is room in memory for storage of up to 100 usercreated drawbar tone variations.

Drawbar Organ Mode Operational Flow

[ ]/[ ]/[ ]/[ ] CURSOR

[+]/[–]

EXIT

* You can also display the drawbar organ tone selection screen from the Song Memory Mode or SMF Playback Mode screen. In

this case, however, the Drawbar Organ Tone Editing Screen does not appear.

707A-E-021A

E-19

Using the Drawbar Organ Mode

1 2

To select a drawbar organ tone

1. Find the drawbar organ tone you want to use in the

tone list and note its tone number.

2. Press the DRAWBAR ORGAN button.

• This causes the drawbar organ tone selection screen to appear.

Dwar1bar

• While the “More?” screen is on the display, you can advance to the synthesizer and DSP effect editing screens by pressing the [ ] CURSOR button or the [+] button.

3. Use the [ ] and [ ] CURSOR buttons or the [

and [–] buttons to change the setting of the currently displayed parameter.

• You can also change a parameter setting by entering a value with the number buttons.

• You can monitor the changes in a tone by playing notes on the keyboard as you adjust parameter settings.

]

Tone Number

Tone Name

3. Use the number buttons to input the three digit

tone number for the tone you want to select.

• Always input all three digits for the tone number, including leading zeros (if any).

• You can also increment the displayed tone number by pressing [+] and decrement it by pressing [–].

To edit a drawbar organ tone

1. Select the drawbar organ tone (000 to 049, 100 to

199) you want to edit.

Use the [ ] and [ ] CURSOR buttons to display the drawbar organ tone editing screen. Select the parameter whose setting you want to change

Example:

Selecting the “Ft16’” parameter

F6’1t

• Selecting a different tone after you edit parameters replaces parameter settings with those of the newly selected tone.

• If you have drawbar organ tones assigned to more than one channel, changing the drawbar organ tone setting for one of the channels causes the same setting to be applied to all of the other channels as well.

• See “To save an edited drawbar organ tone” on page E-22 for information about saving your edits.

Editing Synthesizer Mode Parameters and

DSP Parameters of Drawbar Organ Tones

As with standard (non-drawbar) tones, you can edit the Synthesizer Mode parameters and DSP parameters of drawbar organ tones (See “Drawbar Organ Mode Operational Flow” on page E-19).

1. Use the [ ] and [ ] CURSOR buttons to display

“More?”, and then press the [ ] CURSOR button.

• This enters the Synthesizer Mode, which is indicated

by the pointer next to SYNTH on the display screen.

• For the remainder of this procedure, perform the steps

starting from step 3 under “Creating a User Tone” on page E-43.

Parameter Setting

Parameter Name

• There are a total of 13 parameters. You can use the [ ] and [ ] CURSOR buttons to cycle through them. See “Parameter Details” on page E-21 for more information.

E-20

707A-E-022A

Using the Drawbar Organ Mode

Parameter Details

The following provides details about the parameters you can configure using the drawbar organ tone editing screen.

Drawbar Position

This parameter defines the position of each drawbar, and the volume of each overtone. The larger the value, the greater the corresponding overtone’s volume.

Parameter Name

Drawbar 16’ Ft16’ 0 to 3

Drawbar 5 1/3’ Ft 5 1/3’ 0 to 3

Drawbar 8’ Ft 8’ 0 to 3

Drawbar 4’ Ft 4’ 0 to 3

Drawbar 2 2/3’ Ft 2 2/3’ 0 to 3

Drawbar 2’ Ft 2’ 0 to 3

Drawbar 1 3/5’ Ft 1 3/5’ 0 to 3

Drawbar 1 1/3’ Ft 1 1/3’ 0 to 3

Drawbar 1’ Ft 1’ 0 to 3

(Ft: Feet)

Click

The parameter determines whether or not a key click is added when a sustained tone configured using the drawbars is played.

Parameter Name

Click Click

Percussion

This parameter lets you add percussion sound, which provides modulation to sustained tones that you create. When you hold down a key on the keyboard, the sound produced decays until it is no longer audible. Pressing the key again sounds the note again at a louder volume. Percussion has “2nd Percussion” (2nd overtone pitch) and “3rd Percussion” (3rd overtone pitch) settings, each of which can be turned on or off. You can also specify the percussion decay time, which controls how long it takes for the percussion sound to decay.

Parameter Display

Indication

Parameter Display

Indication

oFF: on:

Settings

Click Off Click On

Parameter Name

2nd Percussion Second

3rd Percussion Third

Percussion Decay Time Decay 000 to 127

Parameter Display

Indication

Settings

oFF: on:

Off On

J Display Contents in the Drawbar Organ Mode

In the Drawbar Organ Mode, the current status of the drawbar positions, key click, and percussion parameters are indicated on the display’s bar graph as shown in the illustrations below. There is one line for each parameter, and the bottom segment of the selected parameter line flashes. The bottom segment of the bar graph column that represents the currently selected parameter flashes to indicate that it is selected. None of the channel numbers (1 to 16) are displayed in the drawbar organ tone selection mode and editing mode.

Drawbar Position Graph

Setting Value 0 1 2 3

Display

Off

Flash

Click and Percussion On/Off Graph

Setting Value Off On

Display

Percussion Decay Time Graph

Setting Value 0-31 32-63 64-95 96-127

Display

707A-E-023A

E-21

Using the Drawbar Organ Mode

To save an edited drawbar organ tone

1. After editing parameters, use the [ ] and [ ]

CURSOR buttons to display “More?”.

2. Press the [ ] CURSOR button three times to

display the screen for inputting a tone name and assigning a tone number.

3. Use the [

• You can select a tone number in the range of 100 to 199.

] and [–] buttons to select a tone number.

4. After the tone name is the way you want, press the

[ ] CURSOR button to store the tone.

•Use the [+] and [–] buttons to scroll through letters at the current cursor location.

• Use the [ ] and [ ] CURSOR buttons to move the cursor left and right.

• See the page E-45 for information about inputting text.

5. After everything is the way you want, press the

[ ] CURSOR button to store the tone.

• This will display a confirmation message asking whether you really want to save the data. Press the YES button to save the data.

• After the save operation is complete, the message “Complete” appears and then the display returns to the tone selection screen.

• To cancel save, press the EXIT button.

E-22

707A-E-024A

Applying Effects to Tones

EFFECT

[ ]/[ ]/[ ]/[ ] CURSOR

This keyboard provides you with a selection of effects that you can apply to tones. The built-in effects include a wide variety of variations that give you access to a selection of general digital effects.

EXIT

Number buttons

Effect Blocks

The following shows how the effects of this keyboard are organized.

2 3

DSP

[+]/[–]

J CHORUS

The chorus effect gives sound greater depth by causing it to vibrate. You can choose from among 16 different chorus effects, including “Chorus” and “Flanger.”

The equalizer is another type of effect that you can use to make adjustments in tone quality. Frequencies are divided among a number of bands, and raising and lowering the level of each frequency band alters the sound. You can reproduce the optimal acoustics for the type of music you are playing (classics, for example) by selecting the applicable equalizer setting.

J DSP

DSP effects are applied to the connection between the sound source and output. You can select distortion and modulation effects. You can create DSP effect setups and also transfer downloaded DSP data from your computer. The keyboard has memory that lets you store up to 100 DSP effect setups. See “Using the Music Data Management Software (on the Bundled CD-ROM)” on page E-76 and “Saving the Settings of DSP Parameters” on page E-25 for more information.

J REVERB

Reverb simulates the acoustics of specific types of environments. You can choose from among 16 different reverb effects, including “Room” and “Hall.”

707A-E-025A

Selecting a DSP Type

In addition to the 100 built-in effect types, you can also edit effect types to create your own and store them in user memory. You can have up to 100 effect types in user memory at one time. You can also select the DSP type of the last DSP enabled tone that you used. This means you always have access to the DSP type of Advanced Tones and tones you download over the Internet. To select the DSP type of the last DSP enabled tone that you used, select “ton” in step 3 of the procedure below.

Perform the following steps to select a DSP type.

• When using a DSP effect, you should use the Mixer to confirm that the DSP lines of the required parts are turned on. See “Mixer Function” on page E-36 for more information.

1. Press the EFFECT button so the pointer appears

next to EFFECT on the display.

• The DSP type setting screen (step 3) will appear

automatically about fives seconds after you press the button.

E-23

Applying Effects to Tones

2. Press the [ ] CURSOR button.

3. Use the [+] and [–] buttons or the number buttons

to select the type of DSP you want.

• See the “Effect List” on page A-13 for information about the DSP types that can be selected.

• Here you could also change the parameters of the effect you selected, if you want. See “Changing the Settings of DSP Parameters” for more information.

• The DSP type display area shows the DSP number (000 to

199) or “ton” (user tone created using DSP).

Changing the Settings of DSP Parameters

You can control the relative strength of a DSP and how it is applied. See the following section titled “DSP Parameters” for more information.

1. After selecting the DSP type you want, use the

[ ] and [ ] CURSOR buttons to display the parameter whose setting you want to change.

• This displays the parameter setting screen.

2. Use the [

] and [–] buttons or the number buttons

to make the parameter setting you want.

•Pressing the [+] and [–] buttons at the same time returns the parameter to its recommended setting.

3. Press the EFFECT or EXIT button.

• This exits the tone or ryhthm setting screen.

z DSP Reverb Send (Range: 000 to 127)

Specifies how much of the post-DSP sound should be sent to reverb.

z DSP Chorus Send (Range: 000 to 127)

Specifies how much of the post-DSP sound should be sent to chorus.

• Whether or not an effect is applied to the parts that are sounding also depends on Mixer Mode Reverb Send, Chorus Send, and DSP on/off settings. See “Mixer Function” on page E-36 for more information.

• Playing a demo tune (page E-11) automatically changes the effect to the one that is assigned to the tune. You cannot change or cancel a demo tune effect.

• Changing the effect setting while sound is being output by the keyboard causes a slight break in the sound when the effect changes.

• A number of tones, called “Advanced Tones,” automatically turn on the DSP line for richer, higher quality sound. If you assign an Advanced Tone to a keyboard part (Channels 1 through 4), the DSP line turns on automatically and the DSP selection changes in accordance with the settings of the Advanced Tone. Also, the Mixer Mode DSP line on/off setting for the keyboard part to which the Advanced Tone is assigned is turned on.* * The Mixer DSP line setting is automatically turned off for

each part that does not have an Advanced Tone assigned. Because of this, DSP effects previously applied to these parts are cancelled, which can make their tone sound different. In this case, display the Mixer screen and turn DSP back on.

DSP Parameters

The following describes the parameters for each DSP.

J DSP

z Parameter 0 to 7

These parameters differ in accordance with the algorithm* of the selected DSP type. See the “Effect List” on page A-13 and the “DSP Algorithm List” on page E-83 for more information.

* Effector structure and operation type

E-24

707A-E-026A

Applying Effects to Tones

Saving the Settings of DSP Parameters

You can save up to 100 modified DSPs in the user area for later recall when you need them.

• User DSP areas 100 through 199 initially contain the same data as DSP types 000 through 099.

1. After making the DSP parameter settings you

want, press the [ ] CURSOR button.

• This causes the DSP number of the user area where the

DSP will be saved to flash on the display.

2. Use the [

area number where you want to save the new DSP.

• You can select a user DSP area number in the range of

] and [–] buttons to select the user DSP

100 to 199 only.

3. After the user DSP area number you want is

selected, press the [ ] CURSOR button.

•Use the [+] and [–] buttons to scroll through letters at

the current cursor location.

• Use the [ ] and [ ] CURSOR buttons to move the

cursor left and right.

• See the page E-45 for information about inputting text.

4. After everything is the way you want, press the

[ ] CURSOR button to store the effect.

• This will display a confirmation message asking

whether you really want to save the data. Press the YES button to save the data.

• The message “Complete” appears momentarily on the

display, followed by the tone or rhythm selection screen.

DSP Button

Checking the DSP button will tell you whether or not DSP is enabled for the tone that is currently selected for a part. The DSP button will be lit for a tone that is DSP enabled (DSP line ON), and unlit for a tone that is D SP disabled (DSP line OFF). For example, when you move each part while using the split/ layer function, the DSP button lights or goes out in accordance with that parts setting.

Pressing the DSP button toggles the tone of the part you are currently playing on the keyboard between enabled (DSP line ON) and disabled (DSP line OFF).

To turn DSP line on and off

1. Press the DSP button to toggle DSP line for the

currently selected part on and off.

Selecting REVERB

Perform the following steps to select REVERB.

1. Press the EFFECT button, so the pointer appears

next to EFFECT on the display screen.

Pointer

2. Press the [ ] CURSOR button once.

• This displays the reverb editing screen.

• The reverb type setting screen (step 4) will appear automatically about fives seconds after you press the button.

3. Press the [ ] CURSOR button.

4. Use the [

to scroll through the reverb types until the one you want is displayed, or use the number buttons to input the reverb number you want to select.

• See the list on page A-13 for information about the

• Here you could also change the parameters of the

] and [–] buttons or the number buttons

types of REVERB effects that are available.

effect you selected, if you want. See “Changing the Settings of REVERB Parameters” on page E-26 for more information.

707A-E-027A

E-25

Applying Effects to Tones

Changing the Settings of REVERB

Parameters

You can control the relative strength of a reverb and how it is applied. See the following section titled “REVERB Parameters” for more information.

1. After selecting the reverb type you want, use the

[ ] and [ ] CURSOR buttons to display the parameter whose setting you want to change.

• This displays the parameter setting screen.

Example:

To set the Reverb Time parameter

SimeTvR

2. Use the [+] and [–] buttons or the number buttons

to input the parameter setting you want.

3. Press the EFFECT or EXIT button.

• This returns to the tone or rhythm selection screen.

REVERB Parameters

Reverb effects are associated with either a reverb type or delay type. Parameter settings depend upon the associated type.

 Reverb Type (No. 0 to 5, 8 to 13)

z Reverb Level (Range: 000 to 127)

Controls the reverb size. A larger number produces larger reverb.

z Reverb Time (Range: 000 to 127)

Controls how long reverb continues. A larger number produces longer reverb.

z ER Level (Initial Echo Sound) (Range: 000 to 127)

This parameter controls the initial reverb volume. The initial echo sound is the first sound reflected from the walls and ceiling when a sound is output by this keyboard. A larger value specifies a larger echo sound.

z High Damp (Range: 000 to 127)

Adjusts the damping of high frequency reverberation (high sound). A smaller value damps high sounds, creating a dark reverb. A larger value does not damp high sounds, for a brighter reverb.

 Delay Type (No. 6, 7, 14, 15)

z Delay Level (Range: 000 to 127)

Specifies the size of the delay sound. A higher value produces a larger delay sound.

z Delay Feedback (Range: 000 to 127)

Adjusts delay repeat. A higher value produces a greater number of repeats.

z ER Level

Same as Reverb Type

z High Damp

Same as Reverb Type

Selecting CHORUS

Perform the following steps to select CHORUS.

1. Press the EFFECT button, so the pointer appears

next to EFFECT on the display screen.

2. Press the [ ] CURSOR button twice.

• This displays the chorus editing screen.

• The chorus type setting screen (step 4) will appear

automatically about fives seconds after you press the button.

3. Press the [ ] CURSOR button.

4. Use the [

to scroll through the chorus types until the one you want is displayed, or use the number buttons to input the chorus number you want to select.

• See the list on page A-13 for information about the

• Here you could also change the parameters of the

Changing the Settings of CHORUS

Parameters

You can control the relative strength of an effect and how it is applied. The parameters you can control depend on the effect. See the following section titled “CHORUS Parameters” for more information.

] and [–] buttons or the number buttons

types of CHORUS effects that are available.

effect you selected, if you want. See “Changing the Settings of CHORUS Parameters” for more information.

1. After selecting the chorus type you want, use the

[ ] and [ ] CURSOR buttons to display the parameter whose setting you want to change.

2. Use the [

to input the parameter setting you want.

] and [–] buttons or the number buttons

3. Press the EFFECT or EXIT button.

• This returns to the tone or rhythm selection screen.

E-26

707A-E-028A

Applying Effects to Tones

CHORUS Parameters

 Chorus Level (Range: 000 to 127)

Specifies the size of the chorus sound.

 Chorus Rate (Range: 000 to 127)

Specifies the undulation speed of the chorus sound. A higher value produces faster undulation.

 Chorus Depth (Range: 000 to 127)

Specifies the undulation depth of the chorus sound. A higher value produces deeper undulation.

Using the Equalizer

This keyboard has a built-in four-band equalizer and 10 different settings from which you can choose. You can adjust the gain (volume) of all four equalizer bands within the range of –12 to 0 to +12.

To select the equalizer type

1. Press the EFFECT button so the pointer appears

next to EFFECT on the display screen.

2. Press the [ ] CURSOR button three times.

• This displays the equalizer editing screen.

• The equalizer type setting (step 4) screen will appear

automatically about fives seconds after you press the button.

3. Press the [ ] CURSOR button.

4. Use the [

to select the equalizer type you want.

• See the list on page A-13 for information about the

] and [–] buttons or the number buttons

equalizer types that are available.

Example:

To select Jazz

To adjust the gain (volume) of a band

1. After selecting the equalizer type you want, use the

[ ] and [ ] CURSOR buttons to select the band whose gain you want to adjust.

Example:

To adjust the HIGH band

M i

2. Use the [

to adjust the band gain.

] and [–] buttons or the number buttons

Example:

To adjust the gain to 10

M i

• Pressing the EXIT or EFFECT button exits the equalizer setting screen.

• Changing to another equalizer type causes the band gain settings to change to the initial settings for the newly selected equalizer type automatically.

Jzza

• Pressing the EXIT or EFFECT button exits the equalizer setting screen.

707A-E-029A

E-27

Auto Accompaniment

421 3 5

9 bl

bk86 7

MODE

RHYTHM

VARIATION/FILL-IN 1/2

TEMPO

[+]/[–]

This keyboard automatically plays bass and chord parts in accordance with the chords you finger. The bass and chord parts are played using sounds and tones that are automatically selected to select the rhythm you are using. All of this means that you get full, realistic accompaniments for the melody notes you play with your right hand, creating the mood of a one-person ensemble.

ONE TOUCH PRESET

EXIT

SYNCHRO/FILL-IN NEXT

AUTO HARMONIZE

ACCOMP VOLUME

INTRO/ENDING 1/2

START/STOP

Number buttons

About the MODE button

Use the MODE button to select the accompaniment mode you want to use. Each press of the MODE button cycles through the available accompaniment modes as shown in the illustration below.

• Only rhythm sounds are produced when all accompaniment mode lamps are off.

• The currently selected accompaniment mode is shown by the mode lamps above the MODE button. Information on using each of these modes starts from page E-30.

E-28

707A-E-030A

Auto Accompaniment

Selecting a Rhythm

This keyboard provides you with 160 exciting rhythms that you can select using the following procedure. You can also transfer accompaniment data from your computer and store up to 16 of them as user rhythms in keyboard memory. See “Using the Music Data Management Software (on the Bundled CD-ROM)” on page E-76 for more information.

To select a rhythm

1. Find the rhythm you want to use in the rhythm list

and note its rhythm number.

•

Not all of the available rhythms are shown on the rhythm list printed on the keyboard console. For a complete list, see the “Rhythm List” on page A-

10.

2. Press the RHYTHM button.

8a1teB

Appears when RHYTHM button is pressed

Number and name of selected rhythm

3. Use the number buttons to input the three digit

rhythm number for the rhythm you want to select.

Example:

To select “052 ROCK 2”, input 0, 5 and then 2.

Playing a Rhythm

To play a rhythm

1. Press VARIATION/FILL-IN button 1 or 2.

• This starts the play of the selected rhythm.

• To stop rhythm play, press the START/STOP button.

• Chords will sound along with the rhythm if any of the three

accompaniment mode lamps above the MODE button is lit. if you want to play the rhythm pattern without chords, press the MODE button until all of the lamps are off.

Adjusting the Tempo

You can adjust the tempo of rhythm play within a range of 30 to 255 beats per minute. The tempo setting is used for Auto Accompaniment chord play, and song memory operations.

To adjust the tempo

Press one of the TEMPO buttons ( or ).

: Increments displayed value (increases tempo)

: Decrements displayed value (decreases tempo)

Rk2co

• You can also increment the displayed rhythm number by pressing [+] and decrement it by pressing [–].

707A-E-031A

• Pressing both TEMPO buttons ( and ) at the same time resets the tempo to the default value of the currently selected rhythm.

E-29

Auto Accompaniment

1 2

Using Auto Accompaniment

The following procedure describes how to use the keyboard’s Auto Accompaniment feature. Before starting, you should first select the rhythm you want to use and set the tempo of the rhythm to the value you want.

To use Auto Accompaniment

1. Use the MODE button to select FULL RANGE

CHORD, FINGERED, or CASIO CHORD as the accompaniment mode.

2. Press the START/STOP button to start play of the

currently selected rhythm.

3. Play a chord.

• The actual procedure you should use to play a chord depends on the currently selected accompaniment mode. Refer to the following pages for details on chord play.

CASIO CHORD : Page E-30

FINGERED : Page E-31

FULL RANGE CHORD : Page E-31

Rk2co

Chord name

Current measure number and beat number

Basic fingering of current chord

(May be different from chord actually being played on the keyboard.)

4. To stop Auto Accompaniment play, press the

START/STOP button again.

• If you press the SYNCHRO/FILL-IN NEXT button and then the VARIATION/FILL-IN 1/2 buttons in place of the START/ STOP button in step 2, accompaniment will start with an intro pattern when you perform the operation in step 3. For details about these buttons, see pages E-32 and E-33.

• If you press the VARIATION/FILL-IN 1/2 buttons in place of the START/STOP button in step 4, an ending pattern will play before accompaniment play is ended. For details about this button, see page E-33.

• You can adjust the accompaniment part volume level independently of the main volume. For details, see “Adjusting the Accompaniment Volume” on page E-35.

CASIO CHORD

This method of chord play makes it possible for anyone to easily play chords, regardless of previous musical knowledge and experience. The following describes the CASIO CHORD “accompaniment keyboard” and “melody keyboard,” and tells you how to play CASIO CHORDs.

J CASIO CHORD Accompaniment Keyboard and

Melody Keyboard

• The accompaniment keyboard can be used for playing chords only. No sound will be produced if you try playing single melody notes on the accompaniment keyboard.

J Chord Types

CASIO CHORD accompaniment lets you play four types of chords with minimal fingering.

Chord Types

Major chords

Major chord names are marked above the keys of the accompaniment keyboard. Note that the chord produced when you press an accompaniment keyboard does not change octave, regardless of which key you use to play it.

Minor chords (m)

To play a minor chord, keep the major chord key depressed and press any other accompaniment keyboard key located to the right of the major chord key.

Seventh chords (7)

To play a seventh chord, keep the major chord key depressed and press any other two accompaniment keyboard keys located to the right of the major chord key.

Minor seventh chords (m7)

To play a minor seventh chord, keep the major chord key depressed and press any other three accompaniment keyboard keys located to the right of the major chord key.

C Major (C)

C minor (Cm)

C seventh (C7)

C minor seventh (Cm7)

Example

E-30

707A-E-032A

Auto Accompaniment

• It makes no difference whether you press black or white keys to the right of a major chord key when playing minor and seventh chords.

FINGERED

FINGERED provides you with a total of 15 different chord types. The following describes the FINGERED “accompaniment keyboard” and “melody keyboard”, and tells you how to play a C-root chord using FINGERED.

J FINGERED Accompaniment Keyboard and Melody

Keyboard

• The accompaniment keyboard can be used for playing chords only. No sound will be produced if you try playing single melody notes on the accompaniment keyboard.

• Except for the chords specified in note*1above, inverted fingerings (i.e. playing E-G-C or G-C-E instead of C-E-G) will produce the same chords as the standard fingering.

• Except for the exception specified in note* keys that make up a chord must be pressed. Failure to press even a single key will not play the desired FINGERED chord.

above, all of the

FULL RANGE CHORD

This accompaniment method provides a total of 38 different chord types: the 15 chord types available with FINGERED plus 23 additional types. The keyboard interprets any input of three or more keys that matches a FULL RANGE CHORD pattern to be a chord. Any other input (that is not a FULL RANGE CHORD pattern) is interpreted as melody play. Because of this, there is no need for a separate accompaniment keyboard, so the entire keyboard, from end to end, functions as a melody keyboard that can be used for both melody and chords.

J FULL RANGE CHORD Accompaniment Keyboard

and Melody Keyboard

See the “Fingered Chord Chart” on page A-11 for details on playing chords with other roots.

*1 Inverted fingerings cannot be used. The lowest note is the

root.

*2 The same chord can be played without pressing the 5th G.

Chords Recognized by This Keyboard

The following table identifies patterns that are recognized as chords by FULL RANGE CHORD.

Pattern Type Number of Variations

The 15 chord patterns shown under

FINGERED

Standard

Fingerings

FINGERED on page E-31. See the “Fingered Chord Chart” on page A-11 for details on playing chords with other roots.

23 standard chord fingerings. The following are examples of the 23 chords available with C as the bass note.

707A-E-033A

E-31

Auto Accompaniment

Example:

To play the chord C major.

Any of the fingerings shown in the illustration below will produce C major.

• As with the FINGERED mode (page E-31), you can play the notes that form a chord in any combination (1).

• When the lowest note of a chord is separated from its neighboring note by six or more semitones, the lowest note becomes the bass note (2).

Using a Fill-in Pattern

Fill-in patterns let you momentarily change the rhythm pattern to add some interesting variation to your performances.

The following procedure describes how to use the Fill-in feature.

To insert a fill-in

1. Press the START/STOP button to start rhythm

play.

2. Select the fill-in variation you want.

• To insert Fill-in 1, press the VARIATION/FILL-IN 1 button while Variation 1 of the rhythm is playing.

• To insert Fill-in 2, press the VARIATION/FILL-IN 2 button while Variation 2 of the rhythm is playing.

Using an Intro Pattern

This keyboard lets you insert a short intro into a rhythm pattern to make startup smoother and more natural.

The following procedure describes how to use the Intro feature. Before starting , you should first selec t the rhythm you want to use, set the tempo, and use the MODE button to select the chord play method you want to use (NORMAL, CASIO CHORD, FINGERED, FULL RANGE CHORD).

To insert an intro

1. Press INTRO/ENDING button 1 or 2.

• With the above setup, the intro pattern is played and the auto accompaniment with intro pattern starts as soon as you play chords on the accompaniment keyboard.

• The standard rhythm pattern starts to play after the intro pattern is complete.

• Only the SYNCHRO/FILL-IN NEXT button is operational while an intro is playing.

• Holding down the SYNCHRO/FILL-IN NEXT or VARIATION/ FILL-IN 1/2 buttons causes the fill-in pattern to repeat.

Using a Rhythm Variation

In addition to the standard rhythm pattern, you can also switch to a secondary “variation” rhythm pattern for a bit of variety.

To insert the variation rhythm pattern

1. Press the START/STOP button to start rhythm

play.

2. Press the SYNCHRO/FILL-IN NEXT button.

• If a Variation 1 rhythm is currently playing, this plays

Fill-in 1, followed by Fill-in 2, and then switches to the Variation 2 rhythm.

• If a Variation 2 rhythm is currently playing, this plays

Fill-in 2, followed by Fill-in 1, and then switches to the Variation 1 rhythm.

• Holding down the SYNCHRO/FILL-IN NEXT button

causes the fill-in pattern to repeat.

E-32

707A-E-034A

Auto Accompaniment

Synchro Starting Accompaniment with Rhythm Play

You can set up the keyboard to start rhythm play at the same time you play the accompaniment on the keyboard.

The following procedure describes how to use synchro start. Before starting, you should first select the rhythm you want to use, set the tempo, and use the MODE button to select the chord play method you want to use (NORMAL, CASIO CHORD, FINGERED, FULL RANGE CHORD).

To use synchro start

1. Press the SYNCHRO/FILL-IN NEXT button to put

the keyboard into synchro start standby.

2. Play a chord and the rhythm pattern starts to play

automatically.

• If the MODE button is set to NORMAL, only the rhythm plays (without a chord) when you play on the accompaniment keyboard.

• If you press the INTRO/ENDING button 1 or 2 before playing anything on the keyboard, the rhythm starts automatically with an intro pattern when you play something on the accompaniment keyboard.

• To cancel synchro start standby, press the SYNCHRO/FILLIN NEXT button one more time.

Finishing with an Ending Pattern

You can end your performances with an ending pattern that brings the rhythm pattern you are using to a naturalsounding conclusion. The following procedure describes how to insert an ending pattern. Note that the actual ending pattern played depends on the rhythm pattern you are using.

To finish with an ending pattern

1. While the rhythm is playing, press INTRO/

ENDING button 1 or 2.

• The timing when the ending pattern starts depends on when you press the INTRO/ENDING button 1 or 2. If you press the button before the second beat of the current measure, the ending pattern starts playing immediately.

• Pressing the INTRO/ENDING button prior to the first half beat at the beginning of a measure plays the ending immediately. Pressing the button after the first half beat of a measure causes the ending to be played from the beginning of the following measure.

707A-E-035A

E-33

Auto Accompaniment

Using One-touch Preset

One-touch preset automatically makes the main settings listed below in accordance with the rhythm pattern you are using.

•Keyboard tone

•Layer on/off

•Split on/off

• Auto Harmonize on/off

• Auto Harmonize type

• Accompaniment volume level

•Tempo

• Effect settings

To use one-touch preset

1. Select the rhythm you want to use.

2. Use the MODE button to select the

accompaniment mode you want to use.

3. Press the ONE TOUCH PRESET button.

• This automatically makes the one-touch preset settings in accordance with the rhythm you selected.

• The keyboard automatically enters synchro standby at this time.

4. Start rhythm and Auto Accompaniment, and play

something on the keyboard.

• Accompaniment is played using the one-touch preset settings.

Using Auto Harmonize

When you are using Auto Accompaniment, Auto Harmonize automatically adds additional notes to your melody in accordance with the chord that is being played. The result is a harmony effect that makes your melody line richer and fuller.

To use Auto Harmonize

1. Use the MODE button to select FINGERED or

CASIO CHORD as the accompaniment mode.

• The currently selected accompaniment mode is the one whose lamp is lit. See “About the MODE button” on page E-28 for details.

2. Press AUTO HARMONIZE to turn on Auto

Harmonize.

• This causes a pointer to appear next to AUTO HARMONIZE on the display.

E-34

3. Start Auto Accompaniment play, and play

something on the keyboard.

4. To turn off Auto Harmonize, press AUTO

HARMONIZE once.

• This causes the pointer next to AUTO HARMONIZE to disappear.

• Auto Harmonize turns off temporarily whenever you start demo tune play. It turns back on as soon as the operation or function that caused it to turn off is finished.

• Auto Harmonize is enabled only when the Auto Accompaniment mode is FINGERED or CASIO CHORD.

707A-E-036A

Auto Accompaniment

Auto Harmonize Types

Auto Harmonize lets you select from among the 10 Auto Harmonize types. Type changing is performed by the setting item using the TRANSPOSE/FUNCTION button. See “Changing Other Settings” on page E-66 for more information.

About Auto Harmonize notes and tones

The notes you play on the keyboard are called “melody notes,” while the notes added to the melody by Auto Harmonize is called the “harmonize notes.” Auto Harmonize normally uses the tone you selected for the melody notes as the tone for the harmonize notes, but you can use the Mixer (page E-36) to specify a different tone for the harmonize notes. The harmonize note tone is assigned to Mixer Channel 5, so change Channel 5 to the tone you want to use for the harmonize notes. In addition to the tone, you can also use the Mixer to change a number of other parameters, such as volume balance. See “Using the Parameter Edit Mode” on page E-37 for details on these procedures.

• The default harmonize note tone when you first turn on Auto Harmonize is the same tone as the melody note tone.

• Changing the melody tone setting automatically changes the harmonize note tone to the same setting.

Adjusting the Accompaniment Volume

You can adjust the volume of the accompaniment parts as a value in the range of 000 (minimum) to 127 (maximum).

1. Press the ACCOMP VOLUME button.

AmVol

Current accompaniment volume setting

2. Use the number buttons or the [+]/[–] buttons to

change the current volume setting value.

Example: 110

AmVol

• Pressing the ACCOMP VOLUME button or EXIT button returns to the tone or rhythm setting screen.

• Any channel balance settings you make with the Mixer are maintained when you change the accompaniment volume setting.

• Pressing [+] and [–] buttons at the same time automatically sets an accompaniment volume of 100.

707A-E-037A

E-35

Mixer Function

1 2 3

MIXER

EXIT

[+]/[–]

DRAWBAR ORGAN

[ ]/[ ]/[ ]/[ ] CURSOR

What you can do with the Mixer

This keyboard lets you play multiple different musical instrument parts at the same time during auto-accompaniment play, song memory playback, receipt of data through the MIDI terminal, etc. The Mixer assigns each part to a separate channel (1 through 16) and lets you control the channel on/off, volume, and pan pot parameters of each channel.

In addition to channels 1 through 16, the Mixer also has a DSP channel that you can use to adjust the DSP level, DSP pan, and other DSP parameters.

Channel Assignments

The following shows the parts that are assigned to each of the 16 channels.

Channel Number

Channel 1 Main tone Channel 2 Layered tone Channel 3 Split tone Channel 4 Layered/split tone Channel 5 Harmonize Tone Channel 6 Auto Accompaniment chord part 1 Channel 7 Auto Accompaniment chord part 2 Channel 8 Auto Accompaniment chord part 3

Channel 9 Auto Accompaniment bass part Channel 10 Auto Accompaniment rhythm part Channel 11 Song Memory track 1 Channel 12 Song Memory track 2 Channel 13 Song Memory track 3 Channel 14 Song Memory track 4 Channel 15 Song Memory track 5 Channel 16 Song Memory track 6

Part

TONE

Number buttons

See pages E-61 to E-63 for information on layered, split, and layered/split tones. See page E-49 for information on the song memory.

• Normally, keyboard play is assigned to Channel 1. When Auto Accompaniment is being used, each part of the accompaniment is assigned to Channels 6 through 10.

• When this keyboard is being used as the sound source for an externally connected computer or other MIDI device, all 16 channels are assigned musical instrument parts. The notes played over the channel selected by steps 1 and 2 under “Turning Channels On and Off” on page E-36 are shown on the displayed keyboard and staff.

Turning Channels On and Off

Turning a channel off mutes any instrument recorded in the channel.

To turn channels on and off

1. Press the MIXER button.

• This causes a pointer to appear on the display next to

MIXER.

2. Use the [ ]/[ ] CURSOR buttons to select a

channel.

Example:

To select Channel 1.

Flash

• This causes the upper three segments of the selected

channel's level meter to flash.

E-36

707A-E-038A

3. Press the [ ]/[ ] CURSOR buttons to display

the on/off selection screen.

Mixer Function

Using the Parameter Edit Mode

Cnelnah

4. Use the [

]/[–] buttons to select on or off.

Example:

To turn the channel off.

Cnelnah

• Press the [ ] CURSOR button to return to the channel selection screen.

• Pressing the MIXER button returns to the Tone Screen.

• The MIDI data display shows only the data for the channels selected with the Mixer.

How Channel On/Off Works

The following describes what happens and what appears on the display when you turn a channel on or off.

z On (on)

This setting turns on the currently selected channel, which is indicated by a bar appearing at the bottom of the level meter for that chann el. This is also the defa ult setting for all cha nnels when the keyboard is turned on.

z Off (oFF)

This setting turns off the currently selected channel, which is indicated by the absence of the bar at the bottom of the level meter for that channel.

Editing the Parameters for Channels 1

through 16

In the Parameter Edit Mode, you can change the settings of ten different parameters (including tone, volume, and pan pot) for the channel you selected on the Mixer screen.

To change parameters

1. Press the MIXER button.

• This causes a pointer to appear on the display next to MIXER.

2. Use the [ ] and [ ] CURSOR buttons to select

the channel you want.

3. Use the [ ] and [ ] CURSOR buttons to select

the parameter whose setting you want to change.

Example:

Select volume setting by displaying “Volume”.

• Each press of the [ ] or [ ] CURSOR buttons cycles through the parameters.

• You can use the [ ] and [ ] CURSOR buttons to change to another channel at any time during this procedure.

Vuemlo

Indicates channel volume of 127

4. Use the number buttons or [

the parameter setting.

Example:

Change the setting to “060”.

] and [–] to change

707A-E-039A

Off

• Pressing the MIXER or EXIT button exits the parameter edit mode.

Vuemlo

E-37

Mixer Function

Editing DSP Channel Parameters

1. While Channel 16 is selected, press the [ ]

CURSOR button.

• This selects the DSP channel.

• Pressing the [ ] CURSOR button while the DSP channel is selected returns to Channel 16.

How Parameters Work

The following are the parameters whose settings can be changed in the Parameter Edit Mode.

Tone Parameters

z Tone (Range: 000 to 903, Drawbar organ tones 000 to 199)

This parameter controls the tones assigned to each part. Anytime the tone is on the display, you can use the TONE button or DRAWBAR ORGAN button and then select a different tone, if you want.

SGPnor.t

z Octave Shift (Range: –2 to 0 to +2)

You can use octave shift to shift the range of the tone up or down. When using the piccolo tone, there may be cases when very high notes you want to play are not included within the range of the keyboard. When this happens, you can use octave shift to shift the keyboard range one octave up.

OSifthtc

–2 :Range shifted two octaves down.

–1 :Range shifted one octave down.

0 :No shift

+1 :Range shifted one octave up.

+2 :Range shifted two octaves up.

Tuning Parameters

You can use these parameters to tune each of the parts individually.

z Coarse Tune (Range: –24 to 00 to +24)

This parameter controls the coarse tuning of the selected channel’s pitch in semitone units.

z Part On/Off (Settings: on, oFF)

This parameter can be used to turn ea ch par t on (sounds) and off (does not sound). The current on/off status of each part is indicated on the display as described below.

Cnelnah

z Volume (Range: 000 to 127)

This is the parameter that controls the volume of the selected channel.

Vuemlo

z Pan Pot (Range: –64 to 00 to +63)

This parameter controls the pan pot, which is the center point of the left and right stereo channels. Setting “00” specifies center, a value less than “00” moves the point left, and a value greater than “00” moves it right.

Pna

CuenT.

z Fine Tune (Range: –99 to 00 to +99)

This parameter controls the fine tuning of the selected channel’s pitch in cent units.

FeuneTni

Effect Parameters

The Mixer lets you control the effects applied to each individual part, making it different from the Effect Mode, whose settings are applied to all parts in general.

z Reverb Send (Range: 000 to 127)

This parameter controls how much reverb is applied to a part. A setting of “000” turns reverb off, while a setting of 127 applies maximum reverb.

• “Reverb Send” does not work with some drum sounds.

RendSbv

E-38

707A-E-040A

z Chorus Send (Range: 000 to 127)

This parameter controls how much chorus send is applied to a part. A setting “000” turns chorus send off, while a setting of 127 applies maximum chorus send.

• “Chorus Send” does not work with drum sounds.

CendSoh

z DSP Line (Settings: on, oFF)

You can use this parameter to turn DSP line off for a particular channel, or to turn it on.

DineLPS

DSP Part Parameters

z DSP Level (Range: 0 to 127)

Sets the post-DSP volume.

Mixer Function

• Changing the tone, volume, pan pot, coarse tune, fine tune, reverb send, or chorus send setting causes the corresponding MIDI message to be output from the MIDI terminal.

• Changing the tone settings changes the tone, octave shift, reverb send, chorus send, and DSP line* parameter settings.

* When DSP is off (See the note on page E-24).

• Turning on the Mixer’s DSP line parameter (page E-24) causes the settings of the DSP Pan, DSP System Reverb Send, and DSP System Chorus parameters to be used in place of the Pan Pot, Reverb Send, and Chorus Send parameter’s settings.

DLvelePS

z DSP Pan (Range: –64 to 0 to 63)

Sets the post-DSP stereo pan.

DanPPS

z DSP System Reverb Send (Range: 000 to 127)

This parameter adjusts how much reverb is applied to all parts.

DvSndbR.

z DSP System Chorus Send (Range: 000 to 127)

This parameter adjusts chorus.

DhSndoC.

707A-E-041A

E-39

Synthesizer Mode

SYNTH

Number buttons

The Synthesizer Mode of this keyboard provides the tools for creating your own original tones. Simply select one of the built-in tones and change its parameters to create your own original sound. You can even store your sounds in memory and select it using the same procedure as that used to select a preset tone.

EXIT

[+]/[–]

Synthesizer Mode Functions

The following describes how to use each of the functions available in the Synthesizer Mode.

[ ]/[ ]/[ ]/[ ] CURSOR

Synthesizer Mode Parameters

The preset tones that are built into this keyboard consist of a number of parameters. To create a user tone, you first recall an advanced tone (000 to 331) or a preset tone (400 to 599) and then change its parameters to change it to your own tone. Note that drum set tones (600 through 617) cannot be used as the basis of a user tone. The illustration nearby shows the parameters that make up the preset tones and what each parameter does. As can be seen in the illustration, parameters can be divided into four groups, each of which is described in detail below.

• Note that the tone whose parameter you can edit is the one assigned to the channel (1 through 4) that is currently selected with the Synthesizer Mode.

E-40

707A-E-042A

Synthesizer Mode

J Tone Characteristic Waveform

z Tone Setting

Specifies which of the preset tones should be used as the original tone.

J Volume Characteristic Parameters

These parameters control how the tone changes over time, from when the keyboard key is pressed until the tone decays. You can specify changes in volume and sound characteristics.

z Attack time

This is the rate or time it takes for the tone to reach its highest volume level. You can specify a fast rate, where the tone reaches its highest volume level immediately, a slow rate where it gradually rises, or something in between.

z Release time

z Cutoff Frequency

The cutoff frequency is a parameter for adjusting timbre by cutting any frequency that is higher than a specific frequency. A larger cutoff frequency produces a brighter (harder) timbre, while a smaller frequency produces a darker (softer) timbre.

z Resonance

Resonance enhances the harmonic components in the vicinity of the cutoff frequency, which creates a distinctive sound. A larger resonance value enhances the sound as shown in the figure.

• With some tones, a large resonance value can cause distortion or noise during the attack part of the tone.

J Tone Pitch Parameters

z Vibrato Type, Vibrato Delay, Vibrato Rate, Vibrato Depth

These parameters adjust the vibrato effect, which causes periodic changes in the tone.

z Octave Shift

This parameter controls the octave of all tones.

J Tone Characteristic Setting Parameters

z Level

This parameter controls the overall volume of the tone.

z Touch Sense

This parameter controls changes in volume and timbre in accordance with the relative amount of pressure applied to the keyboard keys. You can specify more volume for stronger pressure and less volume or a lighter pressure, or you can specify the same volume regardless of how much pressure is applied to the keys.

z Reverb Send, Chorus Send, DSP Line , DSP Type, DSP

Parameter

These parameters control the effects applied to tones.

707A-E-043A

E-41

Synthesizer Mode

Saving User Tones

The group of tone numbers from 700 through 799 (User 001 through User 100) is called the “user area” because they are reserved for storage of user tones. After you recall a preset tone and change its parameters to create your own user tone, you can store it in the user area for later recall. You can recall your tones using the same procedure that you use when selecting a preset tone.

*1: You can select any Advanced Tone, preset tone, or user tone. User tone areas 700 through 799 initially contain the same data

as advanced tones 000 through 099.

*2: Area where data transferred from computer is stored (see “Using the Music Data Management Software (on the Bundled CD-

ROM)” on page E-76). After transfer, you can use the keyboard to edit parameters, but you can only overwrite existing parameters. You cannot save the data to another number.

*3: Area where data transferred from computer is stored (see “Using the Music Data Management Software (on the Bundled CD-

ROM)” on page E-76). Transfer only is allowed, and no parameter editing is allowed.

*4: User tones created by modifying parameters of one of the preset tones (000 to 049). User drawbar organ tone areas initially

contain two sets of the same data as drawbar organ tones types 000 through 049.

• You can create an original tone using a user tone that includes a waveform (tone number 800 to 819). In this case, the storage area is the same as the source tone area. For example, an original tone created using tone number 800 as a source tone is stored in user area number 800.

E-42

707A-E-044A

Synthesizer Mode

Creating a User Tone

Use the following procedure to select a preset tone and change its parameters to create a user tone.

1. First, select the preset tone you want to use as a

basis for your user tone.

2. Press the SYNTH button.

• This enters the Synthesizer Mode, which is indicated

by the pointer next to SYNTH on the display screen.

AimeTkt

1 2

Parameter setting value

Currently selected parameter

3. Use the [ ] and [ ] CURSOR buttons to display

the parameter whose setting you want to change.

VDla

• Each press of the [ ] or [ ] CURSOR buttons

changes to the next parameter. See “Parameters and Their Settings” on page E-43 for information on setting range for each parameter.

4. Use [

] and [–] to change the setting of the

currently selected parameter.

• You can also use the number buttons to input a value

to change a parameter setting. See “Parameters and Their Settings” on page E-43 for information on setting range for each parameter.

ebi

5. After you are finished editing the sound, press the

SYNTH button to exit the Synthesizer Mode.

Parameters and Their Settings

The following describes the function of each parameter and provides its setting range.

z Attack Time (Range: –64 to 00 to +63)

Time it takes before the tone sounds after a key is pressed

AimeTkt

z Release Time (Range: –64 to 00 to +63)

Time the tone continues to sound after a key is released

R.imeTle

z Cutoff Frequency

(Range: –64 to 00 to +63)

High-band cutoff for the harmonic components of the tone

eTbi

CfFr

z Resonance (Range: –64 to 00 to +63)

Resonance of the tone

Roan

z Vibrato Waveform (Range: See below.)

Specifies the vibrato waveform.

fo-

nse

• See “Storing a User Tone In Memory” on page E-45 for details on saving user tone data to memory so it is not deleted.

707A-E-045A

Value Meaning Waveform

Sin Sine Wave

tri Triangle Wave

SAU Sawtooth Wave

Sqr Square Wave

E-43

Synthesizer Mode

z Vibrato Delay (Range: –64 to 00 to +63)

Specifies the amount of time before vibrato starts.

VDla

z Vibrato Rate (Range: –64 to 00 to +63)

Rate (speed) of the vibrato effect

ebi

V . ateRbi

z Vibrato Depth (Range: –64 to 00 to +63)

Depth of the vibrato effect

z Octave Shift (Range: –2 to 0 to +2)

Up/down octave shift

thebi

OSifthtc

z Level (Range: 000 to 127)

This parameter controls the overall volume of the tone. The greater the value, the greater the volume. Setting a level of zero means that the tone does not sound at all.

Lelve

 Touch Sensitivity (Range: –64 to 00 to +63)

This parameter controls changes in the volume of the tone in accordance with the pressure applied to the keyboard keys. A greater positive value increases the volume of the output as pressure increases, while a negative value decreases volume with increased keyboard pressure. A setting of zero specifies no change in output volume in accordance with keyboard pressure.

z Reverb Send (Range: 000 to 127)

This parameter adjusts reverb.

R endSbv

z Chorus Send (Range: 000 to 127)

This parameter adjusts chorus.

C endSoh

z DSP Line (Settings: on, oFF)

This parameter controls whether or not the DSP effect is used.

D ineLPS

DSP Settings

Use the DSP editing screen to select the DSP type and to edit parameters.

1. Select a tone, press the SYNTH button, and then

configure parameter settings.

2. After everything is the way you want, press the

[ ] CURSOR button once. This advances to the DSP parameter editing screen.

Pressing the [ ] CURSOR button returns to the Synthesizer Mode parameter screen.

This setting specifies DSP parameters. See “DSP Parameters” on page E-24, “Effect List” on page A-13, and “DSP Algorithm List” on page E-83 for more information.

• If you store an original tone with the DSP line turned on (see next page), simply recalling the tone automatically changes the DSP line, DSP type, and DSP parameter settings. This simplifies the recall of original tones that include a DSP effect.

• An indicator appears next to DSP on the display while you are making DSP type or DSP parameter settings.

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T S nseehc

707A-E-046A

Synthesizer Mode

User Tone Creation Hints

The following hints provide helpful advice on making user tone creation a bit quicker and easier.

Use a preset tone that is similar to the one you are trying to create. Whenever you already have a rough idea of the tone you are trying to create, it is always a good idea to start with a preset tone that is similar.

z Experiment with various different settings.

There are no real rules about what a tone should sound like. Let your imagination run free and experiment with different combinations. You may be surprised at what you can achieve.

Storing a User Tone In Memory

The following procedure shows how to store a user tone in memory. Once a tone is stored, you can call it up just as you do with a preset tone.

To name a user tone and store it in memory

1. Select a preset tone to use as the basis for the

user tone, press the SYNTH button to enter the Synthesizer Mode, and make the parameter settings you want.

2. After making parameter settings to create the user

tone, press the [ ] CURSOR button twice.

3. Use [+] and [–] to change the user area tone

number on the display until the one where you want to store the tone is shown.

• You can select any tone number from 700 to 799.

5. Press the [ ] CURSOR button to save the user

tone.

• This will display a confirmation message asking

whether you really want to save the data. Press the YES button to save the data.

• The message “Complete” appears momentarily on the

display, followed by the tone or rhythm selection screen.

• To abort the save operation at any time, press the

SYNTH button or the EXIT button to exit the Synthesizer Mode. Pressing the SYNTH button again (before selecting another tone) returns to the Synthesizer Mode with all of your parameter settings still in place.

Inputting Characters

The following are the types of characters you can input when saving data to the user area.

4. After the tone name is the way you want, press the

[ ] CURSOR button to store the tone.

•Use the [+] and [–] buttons to scroll through letters at the current cursor location.

• Use the [ ] and [ ] CURSOR buttons to move the cursor left and right.

• See “Inputting Characters” for information about inputting text.

707A-E-047A

E-45

Registration Memory

2 43

MODE

STORE

BANK

Number buttons

Registration Memory Features

Registration memory lets you store up to 32 keyboard setups (4 sets × 8 banks) for instant recall whenever you need them. The following is a list of settings that are saved in registration memory.

Registration Memory Settings

•Tone

•Rhythm

•Tempo

•Layer on/off

•Split on/off

• Split point

• Auto Harmonize on/off

• Mixer settings (Channels 1 to 10)

• Effect settings

• Touch Response settings

• Assignable jack setting

•Transpose

•Tuning

• Accompaniment volume setting

• Auto Harmonize type

• MODE button setting

• Synchro standby state

•Mixer Hold

•DSP Hold

• Synthesizer Mode parameters (Vibrato Waveform, Vibrato Delay, Vibrato Rate, and Vibrato Depth only)

REGISTRATION

• Each bank of registration memory initially contains data when you first use the keyboard. Simple replace the existing data with your own data.

• Registration memory functions are disabled while you are using the SMF Player, Song Memory or demo tune function.

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707A-E-048A

Registration Memory

Setup Names

You can assign setups into one of 32 areas, which you can select using BANK buttons 1 through 4 and the four REGISTRATION buttons. Area names range from 1-1 through 8-4 as shown below.

Use the BANK button to select the bank. Each press of

BANK cycles through the bank numbers from 1 to 8.

Pressing one of the REGISTRATION buttons (1 to 4)

selects the corresponding area in the currently selected bank.

• Whenever you save a setup and assign it a setup name, any setup data previously assigned to that name is replaced with the new data.

• You can use the keyboard’s MIDI capabilities to save your setup data to a computer or other external storage device. See “Using the Music Data Management Software (on the Bundled CD-ROM)” on page E-76 for details.

To Save a Setup in Registration Memory

1. Select a tone and rhythm, and otherwise set up the

keyboard the way you want it.

• See “Registration Memory Features” on page E-46 for details on what data is stored in the registration memory.

2. Use the BANK button or the number buttons to

select the bank you want.

• If you do not perform any operation for about five seconds after pressing the BANK button, the display returns to the contents in step 1, above.

• Bank 1 selected.

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3. While holding down the STORE button, press a

REGISTRATION button (1 to 4).

• The following display appears when you press the 2 button.

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4. Release the STORE and REGISTRATION

buttons.

• The setup is saved as soon as you press a REGISTRATION button in step 3, above.

707A-E-049A

E-47

Registration Memory

To Recall a Setup from Registration Memory

1. Use the BANK button or the number buttons to

select the bank.

• If you do not perform any operation for about five seconds after pressing the BANK button, the keyboard automatically clears the registration memory recall screen.

Bkna

2. Press the REGISTRATION button (1 to 4) for the

area whose setup you want to recall.

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• The setup name along with the message “Recall” appears on the display.

• If you press a REGISTRATION button without using the BANK button to select a bank first, the last bank number selected is used.

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707A-E-050A

Song Memo ry Functio n

Song Memory Function

2 41

9 bk86 7

MODE

DRAWBAR ORGAN

VARIATION/FILL-IN 1/2

TEMPO

[+]/[–], YES/NO

This keyboard lets you record up to five separate songs in song memory for later playback. There are two methods you can use to record a song: real-time recording where you record the notes as you play them on the keyboard, and step recording where you input chords and notes one-by-one.

• Layer and split cannot be used while standing by for recording or while recording is being performed in the Song Memory Mode. Also, layer and split are automatically turned off whenever the keyboard goes into record standby or starts recording.

SONG MEMORY

[ ]/[ ]/[ ]/[ ] CURSOR

SYNCHRO/FILL-IN NEXT

SONG MEMORY TRACK

3 5

TONE

INTRO/ENDING 1/2

START/STOP

Number buttons

Tracks

Keyboard song memory records and plays back much like a standard tape recorder. There are a total of six tracks, each of which can be recorded separately. Besides notes, each track can have its own tone number. Then when you play back the tracks together, it sounds like an entire six-piece band. During playback, you can adjust the tempo to change the speed of playback.

707A-E-051A

• With this keyboard, Track 1 is the basic track, which can be used to record keyboard play, along with Auto Accompaniment. Tracks 2 through 6 can be used for keyboard play, so they are called melody tracks. Tracks 2 through 6 are used to add other parts to what is recorded in Track 1.

• Note that each track is independent of the others. This means that even if you make a mistake while recording, you only need to re-record the track where the mistake was made.

• You can use different Mixer settings for each track (page E-36).

E-49

Song Memory Function

1 2 4 63 5

Selecting a Track

Use the SONG MEMORY TRACK buttons marked CHORD/ TR1 through TR6 to select the track you want.

J SONG MEMORY TRACK Buttons

Track 1

Track 2

Track 3

Track 4

Track 5

Track 6

Basic Song Memory operations

The status of the Song Memory changes each time you press the SONG MEMORY button.

Using Real-time Recording

With real-time recording, the notes you play on the keyboard are recorded as you play them.

To record with real-time recording

1. Press the SONG MEMORY button twice to enter

real-time record standby.

• Perform step 2, below, within five seconds after

entering record standby.

• The level meters for tracks 11 through 16 are shown on

the display while the keyboard is in record standby, so you can easily check which tracks are already recorded. See “Level Meter Contents During Record/ Edit Standby” on page E-57 for details.

2. Use the number buttons to select a song number

(0 to 4).

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E-50

Song number

• The above song number screen remains on the display

for about five seconds. If it disappears before you have a chance to select a song number, use the [ ] CURSOR button to re-display it.

3. Make the following settings.

•Tone number

• Rhythm number

•Tempo

•MODE button

4. Press the START/STOP button to start recording.

•

Real-time recording without a rhythm starts. If you want to record with a rhythm, press the INTRO/ENDING 1/2 or VARIATION/FILL-IN 1/2

• When recording starts, the REC indicator flashes on

the display. After a few moments the indicator stops flashing, and remains on the display.

707A-E-052A

5. Play something on the keyboard.

• You can also record Auto Accompaniment chords by selecting the applicable mode with the MODE button.

• Optional pedal operation is also recorded. See “Track 1 Contents After Real-time Recording”.

6. Press the START/STOP button to end recording

when you are finish playing.

• If you make a mistake while recording, you can stop the record operation and begin over again from step 1, or you can use the editing function (page E-58) to make corrections.

• Using real-time recording to record to a track that already contains recorded data replaces the previous recording with the new one.

Song Memory Function

Mixer Mode Settings

Channel 1 Mixer parameters (page E-36) are automatically recorded to Track 1. You can use the Mixer to change each of the parameters.

Memory Capacity

The keyboard has memory for approximately 10,000 notes.

• The measure number and note number flash on the display whenever remaining memory is less than 100 notes.

• Recording automatically stops (and auto-accompaniment and rhythm stops playing if they are being used) whenever memory becomes full.

• Initially, nothing is stored in song memory.

Track 1 Contents After Real-time Recording

In addition to keyboard notes and accompaniment chords, the following data is also recorded to Track 1 during real-time recording. This data is applied whenever Track 1 is played back.

• Tone number

• Rhythm number

• INTRO/ENDING 1 button, INTRO/ENDING 2 button, VARIATION/FILL-IN 1 button, VARIATION/FILL-IN 2 button, SYNCHRO/FILL-IN NEXT button operations

• Pedal operations (option)

The following data is recorded in the header whenever you start a recording of a track.

• Mixer settings of other tracks

• Effect type

• Accompaniment volume

• Reverb Level

•Chorus Level

• DSP Hold On/Off

• Mixer Hold On/Off

Memory Data Storage

• Whenever you make a new recording, anything previously stored in memory is replaced.

• Turning off the keyboard while a record operation is in progress causes the contents of the track your are currently recording to be lost.

• Remember that you can dump memory contents to another MIDI device using the procedure described under “Using the Music Data Management Software (on the Bundled CD-ROM)” on page E-76.

Track 1 Real-time Recording Variations

The following describes a number of different variations you can use when recording to Track 1 using real-time recording. All of these variations are based upon the procedure described under “To record with real-time recording” on page E-50.

J To start recording with synchro start

In place of step 4, press the SYNCHRO/FILL-IN NEXT button. Auto-accompaniment and recording will both start when you play a chord on the accompaniment keyboard.

J To record using an intro, ending, or fill-in

During recording, the INTRO/ENDING 1/2, SYNCHRO/ FILL-IN NEXT, and VARIATION/FILL-IN 1/2 buttons (pages E-32 to E-33) can all be used as they normally are.

707A-E-053A

J To synchro start Auto Accompaniment with an intro

pattern

In place of step 4, press the SYNCHRO/FILL-IN NEXT button and then INTRO/ENDING 1 or INTRO/ENDING 2 button. Auto-accompaniment will start with the intro pattern when you play a chord on the accompaniment keyboard.

E-51

Song Memory Function

J To start Auto Accompaniment part way into a

recording

In place of step 4, press the SYNCHRO/FILL-IN NEXT button and then play something on the melody keyboard to start recording without Auto Accompaniment. When you reach the point where you want accompaniment to start, play a chord on the accompaniment keyboard to start Auto Accompaniment.

Playing Back from Song Memory

Once you record tracks to song memory, you can play them back to see what they sound like.

To play back from song memory

1. Use the SONG MEMORY button to enter playback

standby, and then use the number buttons to select a song number (0 to 4).

Pyal

1 2

Song number

Playback standby

• The above song number screen remains on the display for about five seconds. If it disappears before you have a chance to select a song number, use the [ ] CURSOR button to re-display it.

2. Press the START/STOP button to playback the

song you selected.

• You can use the TEMPO buttons to adjust the playback tempo.

• Press the START/STOP button again to stop playback.

• You can play along on the keyboard using layer (page E-61) and split (page E-62) during playback.

• Pressing the START/STOP button to start playback from song memory always starts from the beginning of the song.

• The entire keyboard functions as a melody keyboard, regardless of the accompaniment mode setting.

To turn off a specific track

Press the SONG MEMORY TRACK button of the track you want to turn off, or use the Mixer (Page E-36) to turn off the channel of the track.

Recording Melody and Chords with Step Recording

With step recording, you can record Auto-Accompaniment chords and notes, and even specify note lengths one by one. Even those who find it difficult to play along on the keyboard with an Auto-Accompaniment can create AutoAccompaniments based on their own original chord progressions. The following shows the type of data that can be recorded in Tracks 1 through 6.

Track 1 : Chords and Auto-Accompaniment

Tracks 2 through 6 : Keyboard play

With step recording, first record the chords and AutoAccompaniment in Track 1. Next, record the melody in Tracks 2 through 6.

• Use the procedure under “To record to Tracks 2 through 6 using real-time recording” on page E-55 for details on how to record to Tracks 2 through 6.

E-52

707A-E-054A

Song Memory Function

To record chords with step recording

1. Press the SONG MEMORY button three times to

enter step recording standby, and then use the number buttons to select the song number (0 to 4).

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2. Make the following settings.

• Rhythm number

•MODE button

3. Press the CHORD/TR1 button, which is one of the

SONG MEMORY TRACK buttons, to select Track1.

• When recording starts, the REC indicator flashes on the display. After a few moments the indicator stops flashing, and remains on the display.

4. Press the SYNCHRO/FILL-IN NEXT button.

5. Play a chord.

• Use the chord play method that is specified by the current MODE setting (FINGERED, CASIO CHORD, etc.).

• When the accompaniment mode is set to NORMAL, specify the chord using the root input keyboard and chord type input keyboard. See “Specifying Chords in the Normal Mode” on page E-54 for details.

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6. Input the length of the chord (how long it should be

played until the next chord is played).

• Use the number buttons to specify the length of the chord. See “Specifying the Length of a Note” on page E-54 for details.

• The specified chord and its length are stored in memory and the keyboard stands by for input of the next chord.

• Repeat steps 5 and 6 to input more chords.

7. After you are finished recording, press the

START/STOP button.

• This enters playback standby for the song you have just recorded.

• To play back the song at this time, press the START/ STOP button.

• Use the procedure under “Correcting Mistakes While Step Recording” on page E-57 to correct input mistakes you make during step recording.

• You can add on to a track that already contains recorded data by selecting that track in step 3 of the above procedure. Doing so automatically locates the step recording start point at the first beat immediately following the previously recorded data.

• Inputting “0” as the chord length in steps 5 and 6 of the above procedure specifies a rest, but the rest is not reflected in the accompaniment contents when the accompaniment is played.

Track 1 Contents After Step Recording

In addition to chords, the following data is also recorded to Track 1 during step recording. This data is applied whenever Track 1 is played back.

• Rhythm number

• INTRO/ENDING 1 button, INTRO/ENDING 2 button, VARIATION/FILL-IN 1 button, VARIATION/FILL-IN 2 button, SYNCHRO/FILL-IN NEXT button operations

1 2

* 96 clocks = 1 beat

707A-E-055A

Chord name

Measure, beat, and clock at current location*

• You can also use number buttons 1 through 7, and button 9

to specify the button release timing for the VARIATION/FILLIN 1, VARIATION/FILL-IN 2, and SYNCHRO/FILL-IN NEXT buttons. For more information, see “Specifying the Length of a Note” on page E-54. Specifying release timing specifies that the applicable button remains depressed for a particular amount of time. If you do not specify the release timing, it is assumed that the button is pressed and then immediately released.

E-53

Song Memory Function

Specifying Chords in the Normal Mode

When the accompaniment mode is set to NORMAL during step recording, you can specify chords using a method that is different from CASIO CHORD and FINGERED fingerings. This chord specification method can be used to input 18 different chord types using only two keyboard keys, so chords can be specified even if you don’t know how to actually play them.

Major

Minor

Augmented

Diminished

Suspended four

Seventh

Minor seventh

Major seventh

Minor major seventh

Seventh flat five

Minor seventh flat five

Seventh suspended four

b m

Diminished seventh

Minor add ninth

Add ninth

Minor sixth

Sixth

Six ninth

To specify a chord, hold down the key on the root input keyboard that specifies the root, and press the key in the chord type input keyboard to specify the chord type. When inputting a chord with a specified bass note, pressing two keys of the root input keyboard causes the lower note to be specified as a bass note.

Example 1:

To input Gm7, hold down G on the root input keyboard and press the m7 key on the chord type input keyboard.

chord root.

Press key to specify chord.Hold down key to specify

E-54

707A-E-056A

Song Memory Function

Example 2:

To input Gm/C, hold down C and G on the root input keyboard and press the m key on the chord type input keyboard.

and chord root.

Press key to specify chord.Hold down key to specify on bass

Specifying the Length of a Note

During step recording, the number buttons are used to specify the length of each note.

J Note lengths

Use number buttons [1] through [6] to specify whole notes ( ), half notes ( ), quarter notes ( ), eighth notes ( ), 16th notes ( ), and 32nd notes ( ).

Example:

To specify a quarter note ( ), press [3].

J Dots ( ) and triplicates ( )

While holding down the [7] (dot) or [9] (triplicate), use buttons [1] through [6] to input the lengths of the notes.

Example:

To input a dotted eighth notes ( ), hold down [7] and press [4].

J Ties

Input the first and then the second note.

Example:

To input , press [4] and then [8]. Next, press [5]. This note will be tied to the next note you input (16th note in this example).

J Rest

Hold down [0] and then use number buttons [1] through [9] to specify the length of the rest.

Example:

To input an eighth note rest, hold down [0] and press [4].

• Pressing the [ ] CURSOR button inputs rests up to the beginning of the next measure.

Track 1 Step Recording Variations

The following describes a number of different variations you can use when recording to Track 1 using step recording. All of these variations are based upon the procedure described under “To record chords with step recording” on page E-53.

J To start accompaniment with an intro pattern

In step 4, press INTRO/ENDING 1 or INTRO/ENDING 2 button after the SYNCHRO/FILL-IN NEXT button.

J To switch to a rhythm variation

In step 5, press VARIATION/FILL-IN 1 or VARIATION/ FILL-IN 2 button immediately before inputting the chord.

J To insert a fill in

In step 5, press VARIATION/FILL-IN 1 or VARIATION/ FILL-IN 2 button at the measure or beat immediately before the chord or beat where you want to insert the fill in.

J To insert an ending

In step 5, press INTRO/ENDING 1 or INTRO/ENDING 2 button at the measure or beat immediately before the chord where you want to insert the ending.

• The length of the ending depends on the rhythm you are using. Check the length of the pattern you are using and set the length of the chord accordingly in step 6. Making the chord too short in step 6 can result in the ending pattern being cut off.

J To step record chords without rhythm

Skip step 4. The specified chord of the length specified by the number buttons is recorded. A rest can be specified here, so an original chord pattern can be created.

J To add chord accompaniment part way through

rhythm play

In place of step 4 at the start of the recording, press VARIATION/FILL-IN 1 or VARIATION/FILL-IN 2 button and input rests. Then in step 5, input the chords. Only rhythm is played where you input the rests, and then chord play starts after the rests.

707A-E-057A

E-55

Song Memory Function

Recording Multiple Tracks

Track 1 of the keyboard’s song memory records Auto Accompaniment and keyboard play. In addition, there are five other melody tracks that you can use to record melody parts only. You can record different tones to the melody tracks and build a full ensemble of instruments for your recordings. The procedure you use for recording to Tracks 2 through 6 is identical to the one you use when recording to Track 1.

To record to Tracks 2 through 6 using real-

time recording

You can record to Tracks 2 through 6 while playing back what you originally recorded on Track 1 and any other tracks that are already recorded.

1. Press the SONG MEMORY button twice to enter

record standby, and then use the number buttons to select a song number (0 to 4).

• The song number you select should be the one where you previously input Track 1.

2. Use the SONG MEMORY TRACK buttons to

select the track you want to record to (2 through 6).

• While the keyboard is in record standby, the display shows the level meters for channels 11 through 16, so you can check which tracks have already been recorded. See “Level Meter Contents During Record/ Edit Standby” on page E-57 for details.

3. Make the following settings.

• Tone number

•Tempo

4. Press the START/STOP button to start recording.

• At this time, the contents of any tracks that are already recorded start to play back.

• Optional pedal operation you perform is also recorded.

5. Use the keyboard to play what you want to record

the track you selected.

6. Press the START/STOP button to end recording

when you are finished.

Track Contents After Real-time Recording

In addition to keyboard notes, the following data is also recorded to the selected track during real-time recording. This data is applied whenever the track is played back.

• Tone number

• Optional pedal operations

The following data is recorded in the header whenever you start a recording of a track.

• Mixer settings of other tracks

• Effect type

• Accompaniment volume

•Reverb Level

•Chorus Level

•DSP Hold On/Off

•Mixer Hold On/Off

To record to Tracks 2 through 6 using step

recording

This procedure describes how to input notes one-by-one, specifying each note’s pitch and length.

1. Press the SONG MEMORY button three times to

enter real-time record standby, and then use the number buttons to select a song number (0 to 4).

• The song number you select should be the one where you previously input Track 1.

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2. Use the SONG MEMORY TRACK buttons to

select the track you want to record to (2 through 6).

Example:

Select Track 2.

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E-56

707A-E-058A

Song Memory Function

3. Specify a tone number.

• Pressing a TONE button or the DRAWBAR ORGAN button displays the tone number and name on the display. You can then use the number buttons, or the [+] (increase) and [–] (decrease) buttons to change the tone.

• After changing the tone number, press any keyboard key to clear the tone number and name screen, and return to the note input screen.

4. Use the keyboard keys to input notes, or the [0]

button to input rests.

• At this time, the display shows the keyboard pressure (velocity). Use the [+] (increase) and [–] (decrease) buttons to change the velocity.

• You can also input a chord.

5. Use the number buttons to input the length of the

note or rest (page E-54).

6. Repeat steps 4 and 5 to input more notes.

7. Press the START/STOP button to end recording

when you are finished.

• Use the procedure under “Correcting Mistakes While Step Recording” on page E-57 to correct input mistakes you make during step recording.

• You can add on to a track that already contains recorded data by selecting that track in step 2 of the above procedure. Doing so automatically locates the step recording start point at the first beat immediately following the previously recorded data.

• Whenever you are recording to Tracks 2 through 6, the entire keyboard functions as a melody keyboard, regardless of the current MODE button setting.

• When playing back data recorded with Advanced Tones at the beginning of multiple tracks, the keyboard uses the DSP type of the Advanced Tone that is recorded in the track with the largest track number.

• When playing back a track that was recorded with an Advanced Tone selected, they may be a slight delay before the first note of the track sounds. If this happens, try to insert a very short rest at the beginning of the track.

Level Meter Contents During Record/Edit

Standby

Channels 11 through 16 correspond to Tracks 1 through 6. Whenever the keyboard is in record or edit (page E-58) standby, the level meter display shows which tracks already contain recorded data and which are still empty. Tracks with four lit segments already contained recorded data, while tracks with one lit segment are not yet recorded.

1 2

Recording track

Not recording track

Correcting Mistakes While Step Recording

Memory data can be thought of as a musical score that progresses from left to right, with the input point normally at the far right of the recorded data. The procedure described here lets you move the input point to the left in order to make changes in data you have already input. Note, however, that moving the input point to the left and changing data automatically deletes all of the data recorded to the right of the input point.

To correct mistakes while step recording

1. Without exiting step recording, use the [ ]

CURSOR button to move the input point to the left.

• The REC indicator disappears from the display, and the STEP indicator flashes.

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Track Contents After Step Recording

In addition to notes and rests, the following data is also recorded to the track during step recording. This data is applied whenever the track is played back.

• Tone number

707A-E-059A

E-57

Song Memory Function

2. Monitoring the data on the display, use the [ ]

and [ ] CURSOR buttons to move the input point to the data you want to change.

Example:

To re-record all note data following the note A3 located at Measure 120, Beat 1, Clock 0.

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3. Press the [ ] CURSOR button.

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To delete specific note data

1. Perform steps 1 and 2 under “To correct mistakes

while step recording” above to display the note you want to delete.

2. Press the [ ] CURSOR button twice.

3. In response to the “Delete?” message that

appears on the screen, press the YES button to delete the displayed note.

Editing Memory Contents

After you record to keyboard memory, you can recall individual notes and parameter settings (such as tone number) and make any changes you want. This means you can correct misplayed notes, make changes in tone selections, etc.

The following types of data can be edited.

• Note intensity

•Notes

•Chords

• Tone numbers

• Rhythm number

• INTRO/ENDING 1 button, INTRO/ENDING 2 button, VARIATION/FILL-IN 1 button, VARIATION/FILL-IN 2 button, SYNCHRO/FILL-IN NEXT button operations

4. Press the YES button.

• This deletes all data from the location you specified and enters step record standby.

• Pressing the [ ] CURSOR button or the NO button cancels deleting the data.

• When you reach the end of the recording by pressing the [ ] CURSOR button, the REC indicator appears and the STEP indicator flashes on the display, indicating that you can add more data using step recording.

E-58

To edit memory contents

1. Press the SONG MEMORY button three times to

enter step recording standby, and then use the [+] and [–] buttons to select a song number (0 to 4).

1 Flash

Recet

2. Use the SONG MEMORY TRACK buttons to

select the recorded track that you want to edit.

3. Press the [ ] CURSOR button to enter the editing

mode.

• The REC indicator disappears from the display, and the STEP indicator flashes.

707A-E-060A

Song Memory Function

1 2

4. Use the [ ] and [ ] CURSOR buttons to move

to the location in track where the note or parameter you want to change is located.

Note editing example

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Velocity

Pitch

5. Make any changes in the value that you want.

• The actual procedures you use to change a parameter depend on the type of data it contains. See “Editing Techniques and Display Contents” on page E-59 for details.

• Repeat steps 4 and 5 to edit other parameters.

6. Press the START/STOP button to end editing

when you are finished.

• The only parameters that can be editted for Tracks 2 through 6 are notes and tone numbers.

• In the case of real-time recording, you later can change tone numbers you specified while recording to Tracks 1 through 6 is in progress.

• You can only change tone numbers that were originally set for Tracks 2 through 6 using step recording.

• In the case of real-time recording, you later can change rhythm numbers you specified while recording to Track 1 is in progress.

• You can only change rhythm numbers that were originally set for Track 1 using step recording.

• You cannot use the edit procedure to add more data to a recording.

• You cannot move portions of a recording to a different location within the recording.

• Note lengths cannot be changed.

Editing Techniques and Display Contents

The following describes the editing techniques you can use to change the various parameters stored in memory.

J To change the key pressure (velocity) of a note

Use the number buttons or [+] and [–] to adjust the key pressure.

NeG4to

J To change the pitch of a note

Input a new note on the keyboard to change the pitch of a note. The pitch you specify here is reflected in the keyboard and the notes shown in the staff on the display.

NeG4to

• Whenever editing memory contents, never change a note so it is identical to the note before or after it. Doing so may alter the length of the changed note and the note before or after it. Should this happen, you will have to re-record the entire track.

J To change a chord

Use the chord fingering method selected by the MODE button (FINGERED, CASIO CHORD, etc.) to input a chord.

Crdoh

707A-E-061A

J To change a tone number

Use the number buttons or [+] and [–] buttons to change a tone number.

SGPnor.t

• In the case of real-time recording, you later can change tone numbers you specified while recording to Tracks 1 through 6 is in progress.

E-59

Song Memory Function

1 2

• You can only change tone numbers that were originally set for Tracks 2 through 6 using step recording.

J To change a rhythm number

Use the number buttons or [+] and [–] buttons to change a rhythm number.

• In the case of real-time recording, you later can change rhythm numbers you specified while recording to Track 1 is in progress.

• You can only change rhythm numbers that were originally set for Track 1 using step recording.

J To change a rhythm controller operation *

* INTRO/ENDING 1 button, INTRO/ENDING 2 button,

VARIATION/FILL IN 1 button, VARIATION/FILL IN 2 button, SYNCHRO/FILL IN NEXT button operations

Press the rhythm controller button you want to change to.

I/nd1Etn

5. Press the YES button to delete the song and return

to playback standby.

To delete a specific track

1. Press the SONG MEMORY button once to enter

playback standby.

2. Use the [+] and [–] buttons to select the number of

the song that contains the track you want to delete.

3. Press the [ ] CURSOR button. If there is no song

number on the display, press the [ ] CURSOR button three times.

• This displays the song delete screen.

TDl.?e.r

1 2

Number of the song that contains the track (cannot

be changed)

Track delete standby

4. Use the SONG MEMORY TRACK buttons to

select the recorded track or tracks whose data you want to delete.

Track delete standby

Editing a Song

You can perform the following operations in the song editing mode.

• Delete a song

• Delete a track

• Song header data rewrite (Panel Record)

To delete a song

1. Press the SONG MEMORY button once to enter

playback standby.

2. Use the [

the song you want to delete.

] and [–] buttons to select the number of

3. Press the [ ] CURSOR button. If there is no song

number on the display, press the [ ] CURSOR button twice.

• This displays the song delete screen.

4. Press the YES button.

• This causes the message “Sure?” to appear,

confirming whether you really want to delete the song.

E-60

Recorded track

Track being deleted (Multiple tracks can be

specified.)

• You can specify more than one track for deletion by pressing more than one track select button.

• To deselect a track, simply press its track select button again.

5. Press the YES button.

• This causes the message “Sure?” to appear, confirming whether you really want to delete the track.

6. Press the YES button to delete the track.

• You cannot change the song number while in track delete standby.

• Pressing the SONG MEMORY button while in track delete standby returns to record standby.

707A-E-062A

To rewrite song header data (Panel Record)

You can use a procedure called “Panel Record” to change the initial Mixer, tempo and other settings stored in the song header.

1. Press the SONG MEMORY button once to enter

playback standby.

2. Use the [

the song that contains the header data you want to rewrite.

] and [–] buttons to select the number of

3. Make the changes you want to the header data.

4. Press the [ ] CURSOR button three times.

• This displays the song delete screen.

• This causes the message “Pnel Rec?” to appear on the display.

5. Press the YES button to rewrite the header data.

Song Memory Function

E-61

Keyboard Settings

MODE

EXIT

LAYER

[+]/[–], YES/NO

TRANSPOSE/FUNCTION 3 TONE

DSP 6 SPLIT

[ ]/[ ]/[ ]/[ ] CURSOR 9 Number buttons

Parts

Up to four parts (numbered 1 through 4) can be used simultaneously during keyboard play. These parts can be used by the layer and split functions explained below.

Part 1: Main tone part

Part 2: Layered tone part

Part 3: Split tone part

Part 4: Layered and split tone part

543

6 7 8

To layer tones

1. First select the main tone.

Example:

To select “461 GM BRASS” as the main tone, press the TONE button and then use the number buttons to input 4, 6 and then 1.

Bs Gsar

Using Layer

Layer lets you assign two different tones (a main tone and a layered tone) to the keyboard, both of which play whenever you press a key. For example, you could layer the GM FRENCH HORN tone on the GM BRASS tone to produce a rich and brassy sound.

J LAYER

707A-E-063A

2. Press the LAYER button.

Selected layer tone

Pointer

1Gnrt

3. Select the layered tone.

Example:

To select “460 GM FRENCH HORN” as the layered tone, use the number buttons to input 4, 6 and then 0.

FonGrHr

4. Now try playing something on the keyboard.

• Both tones are played at the same time.

E-61

Keyboard Settings

5. Press the LAYER button again to unlayer the tones

and return the keyboard to normal.

• Turning on layering switches the currently selected part from Part 1 to Part 2, and displays the layered tone. At that time, you can use the [ ] and [ ] CURSOR buttons to switch between parts. Turning off layering returns to Part 1.

• The main tone sounds over Channel 1, while the layered tone sounds over Channel 2. You can also use the Mixer to change the tone and volume settings for these channels.

• Note that layering is not possible during record standby or recording in the Song Memory Mode, or while you are using the SMF Player Mode.

Using Split

With split you can assign two different tones (a main tone and a split tone) to either end of the keyboard, which lets you play one tone with your left hand and another tone with your right hand. For example, you could select GM STRINGS 1 as the main (high range) tone and GM PIZZICATO as the split (low range) tone, putting an entire string ensemble at your fingertips. Split also lets you specify the split point, which is the location on the keyboard where the changeover between the two tones occurs.

To split the keyboard

1. First select the main tone.

Example:

To select “448 GM STRINGS 1” as the main tone, press the TONE button and then use the number buttons to input 4, 4 and then 8.

2. Press the SPLIT button.

AuBsGsoc

Selected split tone

Pointer

3. Select the split tone.

Example:

To s el ec t “ 44 5 G M P I ZZ IC AT O” as th e sp li t t on e, use the number buttons to input 4, 4 and then 5.

1Gnrt

• Leave the MODE button in the NORMAL or FULL RANGE CHORD position.

J SPLIT

PzatGczi

4. Specify the split point. While holding down the

SPLIT button, press the keyboard key where you want the leftmost key of the high end range to be.

Example:

To specify G3 as the split point, press the G3 key.

5. Now try playing something on the keyboard.

• Every key from F#3 and below is assigned the GM PIZZICATO tone, while every key from G3 and above is assigned the GM STRINGS 1 tone.

6. Press the SPLIT button again to unsplit the

keyboard and return it to normal.

E-62

707A-E-064A

• Turning on split switches the currently selected part to Part 3, and displays the split tone. At that time, you can use the [ ] and [ ] CURSOR buttons to switch between parts. Turning off split returns to Part 1.

• The main tone sounds over Channel 1, while the split tone sounds over Channel 3. You can also use the Mixer to change the tone and volume settings for these channels.

• Note that split is not possible during record standby or recording in the Song Memory Mode, or while you are using the SMF Player Mode.

• When the accompaniment mode is set to CASIO CHORD or FINGERED, the accompaniment keyboard range is in accordance with the split point you specify with the above procedure.

Using Layer and Split Together

You can use layer and split together to create a layered split keyboard. It makes no difference whether you layer tones first and then split the keyboard, or split the keyboard and then layer tones. When you use layer and split in combination, the high range of the keyboard is assigned two tones (main tone + layered tone), and the low range two tones (split tone + layered split tone).

J LAYER SPLIT

Keyboard Settings

2. Press the SPLIT button and then input the number

of the split tone.

Example:

To set “445 GM PIZZICATO” as the split tone.

PzatGczi

• After specifying the split tone, press the SPLIT button to unsplit the keyboard.

3. Press the LAYER button and then input the

number of the layered tone.

Example:

To set “460 GM FRENCH HORN” as the layered tone.

Fon GrHr

4. Press the SPLIT button or the LAYER button so

both of the SPLIT and LAYER indicators are displayed.

5. Input the number of the layered split tone.

Example:

To specify the “448 GM STRINGS 1” tone, enter 4, 4, 8.

To split the keyboard and then layer tones

1. Press the TONE button and then input the tone

number of the main tone.

Example:

To set “461 GM BRASS” as the main tone.

Bs Gsar

707A-E-065A

1Gnrt

6. While holding down the SPLIT button, press the

keyboard key where you want the lowest note (the leftmost key) of the upper range (right side range) to be.

7. Play something on the keyboard.

• Press the LAYER button to unlayer the keyboard, and the SPLIT button to unsplit it.

• Turning on layer+split switches the currently selected part to Part 4, and displays the layered tone. At that time, you can use the [ ] and [ ] CURSOR buttons to switch between parts. Turning off layer returns to Part 3, while turning off split returns to Part 2. Turning off both layer and split returns to Part 1.

• The main tone sounds over Channel 1, the layer tone over Channel 2, the split tone over Channel 3, and the layer/split tone over Channel 4. You can also use the Mixer to change the tone and volume settings for these channels.

E-63

Keyboard Settings

Transposing the Keyboard

Transpose lets you raise and lower the overall key of the keyboard in semitone units. If you want to play an accompaniment for a vocalist who sings in a key that’s different from the keyboard, for example, simply use transpose to change the key of the keyboard.

To transpose the keyboard

1. Press the TRANSPOSE/FUNCTION button.

• This causes a pointer to appear on the display next to TRANSPOSE/FUNCTION, and displays the transpose setting screen.

Tn.sar

2. Use [+] and [–] to change the transpose setting of

the keyboard.

Example:

To transpose the keyboard five semitones upwards.

Tn.sar

• Pressing the TRANSPOSE/FUNCTION button exits the transpose screen.

• The keyboard can be transposed within a range of –24 (two octave downwards) to +24 (two octave upwards).

• The transpose setting also affects playback from song memory and Auto Accompaniment.

• The allowable pitch range you can transpose within depends on the tone you are using. If a transpose operation causes a note to be outside of the pitch range for the tone being used, the keyboard automatically plays the same note in the nearest octave that falls within the pitch range of the tone you are using.

Using Touch Response

When touch response is turned on, the relative volume of sound output by the keyboard is varied in accordance with the amount of pressure applied, just like an acoustic piano.

To turn touch response on and off

1. Press the TRANSPOSE/FUNCTION button.

• This causes a pointer to appear on the display next to TRANSPOSE/FUNCTION.

2. Use the [ ] and [ ] CURSOR buttons to display

the touch response setting screen.

Tchuo

3. Use the [

response sensitivity level.

• “1” outputs powerful sound even with light key pressure, while “3” requires very heavy key pressure to output powerful sound.

• Pressing [+] and [–] at the same time returns sensitivity to the “2” setting.

• When you select “oFF”, the tone does not change regardless of how much pressure you apply to the keyboard.

• Touch response not only affects the keyboard’s internal sound source, it also is output as MIDI data.

• Song Memory playback, accompaniment, and external MIDI note data do not affect the touch response setting.

] and [–] buttons to select the touch

E-64

707A-E-066A

Tuning the Keyboard

The tuning feature lets you fine tune the keyboard to match the tuning of another musical instrument.

To tune the keyboard

1. Press the TRANSPOSE/FUNCTION button.

2. Use the [ ] and [ ] CURSOR buttons to display

the tuning screen.

Tenu

3. Use [+] and [–] to change the tuning setting of the

keyboard.

Example:

To lower the tuning by 20.

Keyboard Settings

Tenu

• Pressing the TRANSPOSE/FUNCTION button exits the transpose screen.

• The keyboard can be tuned within a range of –99 cents to +99 cents. * 100 cents is equivalent to one semitone.

• The tuning setting also affects playback from song memory and Auto Accompaniment.

707A-E-067A

E-65

Keyboard Settings

Changing Other Settings

Setting Types

The table below shows the parameters whose settings you can change.

Setting menu Description Page

Transpose (Trans.)

Auto Harmonize (AutoHarm)

Touch Response (Touch)

Tune (Tune)

Contrast (Contrast)

Assignable Jack (Jack)

Mixer Hold (MixHold)

DSP Hold (DSP Hold)

MIDI (MIDI)

Delete/Initialize (Del/Init)

Adjusts overall keyboard tuning by semitone units. E-64

Selects the Auto Harmonize Type. E-69

Specifies how sound should change with keyboard pressure. E-64

Fine adjustment of overall keyboard tuning. E-65

Adjusts display brightness. E-69

Assigns effects to pedals. E-69

Turns mixer hold on or off. E-69

Turns DSP hold on or off. E-69

MIDI settings E-70

Initialization can be used to return keyboard parameters to their initial factory default settings, or to delete all data currently in keyboard memory.

E-70

• The above settings are all saved whenever you turn off the keyboard. For details, see “Memory Contents” on page E-14.

• MIDI settings and Delete/Initialize settings are disabled while you are using the SMF Player or Song Memory function.

E-66

707A-E-068A

Keyboard Settings

To use the keyboard settings menu

1. Press the TRANSPOSE/FUNCTION button.

• This causes a pointer to appear on the display next to TRANSPOSE/FUNCTION.

2. Use the [ ] and [ ] CURSOR buttons, and the [ ] and [ ] CURSOR buttons to recall the items whose

settings you want to change.

707A-E-069A

E-67

Keyboard Settings

3. Use the [

• Settings you make are applied even if you do not press the EXIT button.

• See the following section titled “Setting Menu Items” for details on each setting.

• After making the settings you want, press the TRANSPOSE/FUNCTION button or EXIT button to return to the tone or

rhythm selection screen.

z In case of a delete or initialize procedure

] and [–] buttons or the number buttons to change the values.

4. Press the YES button.

• This displays the user area number and data name of the data to be deleted.

• The data size value represents kilobyte units.

5. Now use the number buttons, or the [

] (increase) and [–] (decrease) buttons to select the data you want.

6. Press the [ ] CURSOR button.

• This causes the message “Sure?” to appear, confirming whether you really want to perform the delete or initialize operation.

7. Press the YES button to complete the operation.

• This performs the delete or initialize operation and returns to the step 5 screen.

8. After making the settings you want, press the TRANSPOSE/FUNCTION button or EXIT button to return to the

tone or rhythm selection screen.

• It can take about 40 seconds to perform a delete or initialize procedure after you pressing the YES button in step 7 above. The message “Pls Wait” will remain on the display to indicate that a procedure is being performed. Never try to perform any operation while “Pls Wait” is displayed. Performing any operation can damage the keyboard’s memory and cause it to malfunction.

E-68

707A-E-070A

Keyboard Settings

Setting Menu Items

J Auto Harmonize Types

You can select from among the 10 different types of auto harmonize listed below.

No. Type Description

0 Duet1 Adds a 1-part harmony to keyboard play.

1 Duet2 Adds a 1-part harmony to keyboard play. Duet2 harmony is more open than Duet1.

2 Country Adds a country-flavor harmony to keyboard play.

3 Octave Adds notes one octave below notes played on the keyboard.

4 5th Adds fifth notes above notes played on the keyboard.

5 3-Way Open Adds two open harmony parts to notes played on the keyboard (creating three-part harmony).

6 3-Way Close Adds two close harmony parts to notes played on the keyboard (creating three-part harmony).

7 Strings Adds harmony suitable for strings.

8 Block Adds block chord notes.

9 Big Band Adds harmony suitable for big band play.

J Other Settings

Setting menu Range Default Description

Contrast (Contrast)

Assignable Jack (Jack)

Mixer Hold (MixHold)

DSP Hold (DSP Hold)

00 to 15 07 Adjusts display contrast.

SUS SUS Assigns the sustain pedal effect to a pedal.

SoS — Assigns the sostenuto pedal effect to a pedal.

SFt — Assigns the soft pedal effect to a pedal.

rhy — Assigns the START/STOP button function to a pedal.

on/oFF oFF

When Mixer Hold is turned on, the parameters of accompaniment parts (Part 6 through Part 10) cannot be modified by accompaniment data.

on: Current DSP line setting is maintained, even when the tone is

changed.

oFF: Changing the tone switches to the DSP line setting of the new

tone.

707A-E-071A

E-69

Keyboard Settings

J MIDI Settings

Setting menu Range Default Description

Keyboard Channel (Keybd Ch)

MIDI In Chord Judge (Chord)

Accomp/Song MIDI Out (Ac/sg Out)

Local Control Setting (Local)

01 to 16 01 Specifies the send channel for main tone play.

on/oFF oFF

on/oFF on Specifies whether the keyboard should sound the parts played on it.

Specifies whether accompaniment range MIDI Note On messages received from an external device should be interpreted as auto accompaniment chords.

Specifies whether this keyboard’s auto accompaniment or song memory is sent as MIDI messages.

J Delete/Initialize Settings

Setting menu Range Default Description

SMF Delete — — Deletes selected SMF data.

User Rhythm Delete — — Deletes selected user rhythm data.

User Tone Delete — — Deletes selected user tone data.

Mixer Reset (InitMix?)

Parameter Reset (InitPar?)

System Reset (InitSys?)

— —

— — Initializes all parameters, except for the display contrast setting.

— —

Initializes parameters assigned by the Mixer or by input from an external sequencer.

Initializes the keyboard’s parameters and registration data, and deletes all data stored in the keyboard’s user area.

E-70

707A-E-072A

Using the SMF Player

5 64

SMF PLAYER

ACCOMP VOLUME

Number buttons

The letters “SMF” stand for Standard MIDI File, which is a file format that allows MIDI data to be shared between different software and sequencers. There are actually three SMF formats, named SMF 0, SMF 1, and SMF 2. This keyboard supports the SMF 0 format, which is the one that is most widely used today, and so all mentions of “SMF data” in this manual refer to SMF 0 format data.

The Flash Memory built into your keyboard lets you store SMF format music data for playback whenever you want. You can have up to 200 music files* in Flash Memory at one time. You can use your computer to transfer SMFs from the bundled CD-ROM to keyboard flash memory, or SMFs you have downloaded from the CASIO MUSIC SITE. See “Using the Music Data Management Software (on the Bundled CD-ROM)” on page E-76 for more information.

* Note that the number of files you can store in memory also depends on the size of each file. If your files are very large, you may

be able to store fewer than 200.

* Initially, your keyboard comes with three sample SMF tunes in memory.

MIXER

START/STOP

[+]/[–]

EXIT

[ ]/[ ]/[ ]/[ ] CURSOR

• Note that CASIO COMPUTER CO., LTD. shall not be held liable for any loss of data stored in this keyboard’s Flash Memory.

707A-E-073A

E-71

Using the SMF Player

SMF Player Mode Operational Flow

Tone/Rhythm Selection Screen

SMF PLAYER button

Select file.

File Number

000

001

008

Direct input using number buttons is also possible.

File Name

ABC1

[]*, [+]

ABC2

ABC3

[], [+] [], [

Select play along part.

Part Number

EXIT button

Direct input using number buttons is also possible.

[], [+]

Select play back mode.

Playback Mode

EXIT button

Direct input using number buttons is also possible.

[], [+]

Select output mode.

EXIT button

Output Mode

int

out

[], [+]

[] : [] CURSOR button

[] : [] CURSOR button

[] : [] CURSOR button

[] : [] CURSOR button

[]*, [–]

[], [

Key Ch

PlayMode

–

][], [+]

–

]

[]*[]*

[][]

Output

[], [

[], [–][], [+]

[], [

[], [–]

[], [–][], [+]

[], [

–

][], [+]

–

]

–

]

–

]

–

]

–

]

START/STOP button

Display Screen

Number Area

Text Area

During SMF playback

File NameFile Number

001 ABC 2

You can use the [] and [] CURSOR buttons or [+] and [

–] buttons to change the SMF.

Direct input using number buttons is also possible.

Playback stopped.

Error (Other errors may also occur.)

Data is not an SMF 0 format

Err Not SMF0

Data is not correct SMF

Err WrongDat

START/STOP button, Playback complete.

EXIT button

E-72

707A-E-074A

Using the SMF Player

Playing Back an SMF

To play back an SMF

1. Press the SMF PLAYER button to display the file

selection screen.

• This causes the SMF player pointer to appear on the

display.

• SMF are those whose file names end with the

extension “MID”. An error message appears at this time if there are no SMF files currently in Flash Memory.

2. Use the number buttons to input the three-digit file

number of the file you want to play.

• The name of the currently selected file will appear in

the text area of the display. The file number is shown in the number area of the display. The Tempo/ Measure area of the display shows the size of the file in kilobytes.

• You can also use the [ ] and [ ] CURSOR buttons

or [+] and [–] buttons to change the file.

3. Press the START/STOP button.

• This starts playback of the selected file.

• You can use the TEMPO buttons to adjust the tempo

within the range of 30 to 255.

• You can turn channels 1 through 16 on and off,

regardless of whether file playback is in progress or stopped. For more information, see “Turning Channels On and Off” on page E-36.

4. To stop file playback, press the START/STOP

button again.

Adjusting SMF Playback Volume

The following procedure explains how to control the overall volume of SMF data playback. You can adjust volume while playback is stopped or ongoing.

1. Press the ACCOMP VOLUME button.

• This causes the “SMF Vol.” indicator to appear on the

display, along with a value that indicates the current SMF volume setting.

2. Use the [

to adjust the SMF volume.

• You can specify a setting in the range of 000 (minimum) to 127 (maximum).

• Pressing [+] and [–] at the same time returns the SMF volume setting to 100.

• Note that this setting does not affect the volume of the notes you play on the keyboard.

] and [–] buttons or the number buttons

Configuring Other Settings

To configure other settings

1. While playback is stopped, select the file you want

to play back.

• Perform steps 1 through 2 under “To play back an SMF” to select a file.

2. Press the [ ] CURSOR button to display a

screen for selecting the part you want to play on the keyboard (play along part).

• Use the [ ] and [ ] CURSOR buttons or the [+] and [–] buttons to select the play along part.

• Press the MIXER button to enter the Mixer Mode.

• Turn off the channel that corresponds to the play along part you selected above. See “Turning Channels On and Off” on page E-36 for more information. Performing this step turns off the applicable part so you can play it on the keyboard along with the rest of the SMF playback.

• Entering the SMF Player Mode initializes all parts by turning on all Mixer Mode channels.

• After configuring Mixer Mode settings, press the MIXER button or EXIT button to return to the SMF Player Mode.

3. Press the [ ] CURSOR button to display the

playback mode selection screen.

• Use the [ ] and [ ] CURSOR buttons or the [+] and

[–] buttons to select the playback mode.

• You can select from among the following four

playback modes.

S1: One file, one time

SL: One file, repeat

A1: All files, one time

AL: All files, repeat

707A-E-075A

E-73

Using the SMF Player

4. Press the [ ] CURSOR button to display the

output mode selection screen.

• Use the [ ] and [ ] CURSOR buttons or the [+] and [–] buttons to select the output mode.

• You can select from among the following two output types.

int: Keyboard’s built-in speakers

out: MIDI OUT

• Layer, split, and Auto Harmonize are automatically turned off in the SMF Player Mode.

SMF Player Error Messages

The following explains what you should do when an error message appears in the SMF Player Mode.

Error

Message

Err Not SMF0

Err WrongDat

Cause Action

You are attempting to play SMF data that is not F ormat 0.

There is a problem with the SMF data you are trying to play or the data is corrupted.

Use only Format 0 SMF data.

Use different data.

E-74

707A-E-076A

MIDI

What is MIDI?

MIDI Settings

MIDI is a standard for digital signals and connectors that allows musical instruments, computers, and other devices, regardless of manufacturer, to exchange data with each other.

MIDI Connections

To use a computer or other MIDI device to record and pl ay bac k t he M ID I dat a p rod uc ed b y t his ke ybo ar d, y ou mus t co nn ect th e MI DI IN a nd MIDI OU T te rm ina ls of b ot h de vi ces in order to send and receive data.

Rear Panel

MIDI cable: MK-5

If a MIDI THRU function provided by the software is being run on a connected computer or other MIDI device, be sure to turn this keyboard’s “Local Control Setting” off (page E-70).

General MIDI

You can change the settings of a number of parameters that control how MIDI messages are sent and received.

MIDI Parameters

You can use the parameter setting procedure (page E-67) to change the settings of the MIDI parameters described below. See page E-70 for details about the setting menu and procedure.

z MIDI In Chord Judge

This parameter determines whether note data received from an external device should be interpreted as an auto accompaniment chord fingering. Turn on this parameter when you want to control auto accompaniment chords from a computer or other external device.

•on : Causes note data input through MIDI IN to be interpreted as auto accompaniment chord fingerings. The channel specified by the keyboard channel is used for specifying chords.

•oFF : Turns off “MIDI In Chord Judge”.

z Accomp/Song MIDI Out (Accompaniment/Song MIDI

Out)

Turn on this parameter when you want sound auto accompaniment or Song Memory on an external devices sound source.

•on : Outputs auto accompaniment or Song Memory as MIDI messages through the keyboard’s MIDI OUT terminal.

•oFF : Does not output auto accompaniment or Song Memory.

This keyboard supports General MIDI, so it can be used to play commercially available pre-recorded General MIDI data and General MIDI data send to it from a personal computer.

See the “Tone List” on page A-1 for details about the tones that are available with GM tones numbered 000 to 127.

707A-E-077A

• For details about MIDI specifications, visit the CASIO Website. http://world.casio.com

E-75

MIDI

Using the Music Data Management Software (on the Bundled CD-ROM)

The Music Data Management Software application on the CD-ROM that comes bundled with the keyboard lets you transfer data you downloaded from the CASIO MUSIC SITE from your computer to keyboard memory. You can also use it to save keyboard data to your computer’s hard disk. Music Data Management Software supports transfer of the following type of data.

•SMF

• Rhythm Patterns

•Registrations

• User songs created in the Song Memory Mode

• Drum sounds with waveform

• Drawbar organ tones

•Tone

• Tones with waveforms

•DSP

• Package file

• All user data

1. To install the Music Data Management Software, navigate to the CD-ROM on your computer and double-click “wk3-30.exe”. Next, follow the instructions that appear on your computer screen.

* An English-language manual with detailed explanations

about Music Data Management Software operations is located in the English folder on the CD-ROM. You can access the manual by opening its HTML named “index.html” using one of the following types of web browser applications. Other language versions of this manual are available for free download from the CASIO MUSIC SITE.

Internet Explorer 4 or higher

Netscape Navigator 4.04 or higher

 Supported Computer Operating Systems

The Music Data Management Software will run under the following operating systems.

Windows 98SE

Windows Me

Windows 2000

Windows XP

CASIO MUSIC SITE

http://music.casio.com/

Music Data Management Software

Music Data Management Software makes it possible for your computer to transfer data you downloaded from the CASIO Music Site to keyboard memory, and to transfer keyboard memory data to your computer’s hard disk for storage. After starting up the Music Data Management Software, you can access the following three converter applications.

 Wave Converter

Wave Converter creates keyboard Tone With Wave data from tone data files (.wav) stored on your computer's hard disk.

 Rhythm Converter

Rhythm Converter creates keyboard Rhythm data from SMF format rhythm data stored on your computer's hard disk.

 Parameter Editor

Parameter Editor makes it possible to use your computer to edit keyboard parameters.

 To install the Music Data Management Software

• Before installing the Music Data Management Software, be sure to read the contents of the applicable readme.txt file. You can find the readme.txt file inside the same language folder where the Music Data Management Software you are installing is located.

• Though Music Data Management Software is designed to run under the standard configurations of the above operating systems, note that it may not be able to run correctly under certain software and hardware environments.

• Music Data Management Software does not support operation on a Macintosh.

Downloading Data

Visit the CASIO MUSIC SITE for information about downloading data.

When you arrive at the CASIO MUSIC SITE, select a geographic area or country. Next, select an Internet Data Expansion System data download service.

Note that the services that are available at the CASIO MUSIC SITE depend on the area or country you select.

Bundled CD-ROM Data

The CD-ROM that comes bundled with the keyboard has a folder named “Data”, which contains various data folders. For details about the data contained in the data folders, see the “list.txt” file inside of each folder.

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707A-E-078A

Returning the keyboard to its initial factory defaults

The “Data” folder on the CD-ROM that comes bundled with the keyboard includes a file named “alldata.ckf”, which contains factory default setup data. Transferring the “alldata.ckf” data to the keyboard’s flash memory will return

all settings to their initial factory defaults.

• For information about transferring data to the keyboard’s flash memory, see the application software manual.

MIDI

• When using the application software, make sure that the tone setting screen (the screen that appears after turning on power) is on the keyboard’s display screen.

• Performing a keyboard operation while transferring data between it and a computer may interrupt the data transfer. Do not perform any keyboard operations while data transfer is in progress.

To connect to a computer

Be sure to turn off the keyboard and your computer before connecting them. You should also set the volume controller of the keyboard to a relatively low volume.

1. Connect the keyboard’s MIDI interface to your

computer’s MIDI interface.

DATA ACCESS Lamp

• The DATA ACCESS lamp lights whenever the keyboard is exchanging data with a connected computer over a MIDI cable connection. Never disconnect the MIDI cable while the DATA ACCESS lamp is lit.

CTK-900

2. Turn on the keyboard, and then turn on your

computer or other connected device.

3. Start up the software you want to use on your

computer.

707A-E-079A

E-77

Troubleshooting

Problem Possible Cause Action See page

No keyboard Sound 1. Power supply problem.

2. Power is not turned on.

3. Volume setting is too low.

4. Playing in the accompaniment keyboard area while the MODE button setting is CASIO CHORD or FINGERED.

5. Local Control is off.

6. Mixer channel 1 is turned off.

7. Mixer channel 1 volume setting is too low.

Any of the following symptoms while using battery power.

Low battery power Replace the batteries with a set of

1. Correctly attach the AC adaptor, make sure that batteries poles (+/–) are facing correctly, and check to make sure that batteries are not dead.

2. Press the POWER button to turn on power.

3. Use the MAIN VOLUME knob to increase volume.

4. None of the accompaniment mode indicators are lit, which means Auto Acc ompaniment is turned off.

5. Turn on Local Control.

6. Use the Mixer to turn channel 1 on.

7. Use the Mixer to raise the volume setting for channel 1.

new ones or use the AC adaptor.

E-12, 13

E-16

E-28

E-70 E-36

E-37, 38

E-12, 13

• Dim power indicator

• Instrument does not turn on.

• Display that is flickering, dim, or difficult to read

• Abnormally low speaker/headphone volume

• Distortion of sound output

Auto Accompaniment does not sound.

Sound output does not change when key pressure is varied.

Playing the keyboard sounds two tones.

Different tones sound when keys in different keyboard ranges are pressed.

The key or tuning does not match when playing along with another MIDI machine.

Parts suddenly drop out during song memory playback.

Some parts do not play at all during song memory playback.

Touch response is turned off. Press the TRANSPOSE/

Layer is turned on. Press the LAYER button to turn off

Split is turned on. Press the SPLIT button to turn off

The number of tones being played at the same time exceeds the keyboard’s limitation.

• Occasional interruption of sound when playing at high volumes

• Sudden power failure when playing at high volumes

• Flickering or dimming of the display when playing at high volume

• Continued sound output even after you release a key

1. Accompaniment volume is set to 000.

2. Auto Accompaniment part Channels 6 through 10 are turned off.

3. Auto Accompaniment part Channels 6 through 10 volume setting is too low.

1. The tuning or transpose parameter is set to a value other than 00.

2. Mixer coarse tune, fine tune, and/or octave shift settings are values other than 00.

1. Channels are turned off.

2. Volume setting is too low.

• A tone that is totally different from the one that is selected.

• Abnormal rhythm pattern and demo tune play

• Loss of power, sound distortion, or low volume when playing from a connected computer or MIDI device

1. Use the ACCOMP VOLUME button to increase the volume.

2. Use the Mixer to turn the channels on.

3. Use the Mixer to raise the volume setting for the applicable channel.

FUNCTION button to turn it on.

layering.

split.

1. Change the transpo se or tuning parameter value to 00.

2. Use the Mixer to change the coarse tune, fine tune, and/or octave shift settings to 00.

Use the Mixer to turn unneeded channels off and decrease the number of parts being played.

1. Use the Mixer to turn channels on.

2. Use the Mixer to check the volume setting.

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E-36

E-37, 38

E-64

E-61

E-62

E-64, 65

E-38

E-36

E-37, 38

E-78

707A-E-080A

Problem Possible Cause Action See page

Nothing happens when the LAYER or SPLIT button is pressed.

No sound is produced when playing MIDI data from a computer.

Playing on the keyboard produces an unnatural sound when connected to a computer.

Cannot record chord accompaniment data on a computer.

The keyboard starts up abnormally when it is turned on.

A downloaded tone with waveform contains noise or keyboard operations become abnormal when user data is selected.

A tone’s quality and volume sounds slightly different depending where it is played on the keyboard.

Troubleshooting

1. One or more of the melody channels (2 through 4) is turned off.

2. The volume setting of one or more of the melody channels (2 through 4) is too low.

3. The keyboard is in record standby.

4. The SMF Player Mode is currently being use.

1. MIDI cables are not connected properly.

2. Channel is turned off, or volume setting is too low.

The computer’s MIDI Thru function is turned on.

Accomp/Song MIDI Out is turned off. Turn on Accomp/Song MIDI Out. E-70

1. Flash memory is corrupted.

2. The keyboard detected abnormal flash memory data and is automatically resetting the keyboard system.

Someone may have turned off the keyboard while data was being stored in Flash memory or something else has caused Flash memory contents to become corrupted for some reason.

This is an unavoidable result of the digital sampling process,* and does not indicate malfunction. * Multiple digital samples are taken for the low range, middle range, and high

range of the original musical instrument. Because of this, there may be a very slight difference in tonal quality and volume between sample ranges.

1. Use the Mixer to turn on Channels 2 through 4.

2. Use the Mixer to raise the volume setting of Channels 2 through 4.

3. The LAYER and SPLIT buttons are disabled during recording and record standby.

4. Turn off the SMF Player Mode. LAYER and SPLIT are not available while the SMF Player Mode is in use.

1. Connect MIDI cables properly.

2. Use the Mixer to turn the channel on, or raise the volume setting.

Turn off the MIDI Thru function on the computer or turn off Local Control on the keyboard.

1. a. Remove the batteries from the keyboard and disconnect the AC adaptor and press the POWER button.

b. Reload the batteries and/or

reconnect the AC adaptor, and then press the POWER button again to turn on power

c. Use the TRANSPOSE/

FUNCTION button to perform the system reset operation

• If this does not solve the

problem, contact your nearest authorized CASIO Service Provider to request repair.

2. Wait (about 40 seconds) until the

“Pls Wait” message disappears from the display.

Use the TRANSPOSE/FUNCTION button to perform the system reset operation. If this does not correct the problem, contact your nearest authorized CASIO Service Provider to request maintenance.

E-36

E-37, 38

E-61, 62

E-71

E-75

E-36, 38

E-70

707A-E-081A

E-79

Specifications

Model: CTK-900

Keyboard: 61 standard-size keys, 5 octaves with touch response (Off / 1 / 2 / 3)

Tones: 332 Advanced Tones + 200 Preset Tones + 18 Drum Sets + 100 standard user tones +

20 user tones with waves* + 4 user drum sets with waves* + 50 drawbar organ tones + 100 user drawbar organ tones (824 tones total); layer/split

Polyphony: 32 notes maximum (10 for certain tones)

Effects: DSP (200 types: internal, 100 user areas) + Reverb (16 types) + Chorus (16 types) +

Equalizer (10 types, 4 bands)

Auto Accompaniment

• Rhythm Patterns:

•Tempo:

•Chords:

• Rhythm Controller:

176 (internal, 16 user areas*) Variable (226 steps, = 30 to 255) 3 fingering methods (CASIO CHORD, FINGERED, FULL RANGE CHORD) START/STOP, INTRO/ENDING 1 and 2, VARIATION/FILL-IN 1 and 2, SYNCHRO/FILL-IN NEXT

•Accomp Volume:

•One-touch Presets:

0 to 127 (128 steps) Recalls settings for tone, tempo, layer on/off, and harmonize on/off in accordance with rhythm.

• Auto Harmonize:

10 types : Auto matic addi tion o f no tes t hat harm oni ze wit h melo dy note i n acco rdanc e with specified Auto Accompaniment chords.

Memory Function

•Songs:

•Recording Tracks:

• Recording Methods:

•Memory Capacity:

• Edit Function:

5 6 (2 through 6 are melody tracks) Real-time, step Approximately 10,000 notes (total for 5 songs) Equipped

Demo Tunes: 3

Street Beatz

Wind from the South

Serendipity Waltz

TECH-NOTE INTERNATIONAL LTD.

Synthesizer Function

• Parameters:

Attack time; release time; resonance; cutoff frequency; vibrato type; vibrato delay; vibrato depth; vibrato rate; octave shift; level; touch sense; reverb send; chorus send; DSP line; DSP type and DSP parameter, DSP level.

Registration Memory

•Number of Setups:

• Memory Contents:

32 (4 setups x 8 banks) Tone, Rhythm, Tempo, Layer on/off, Split on/off, Split point, Harmonize on/off, Mixer settings (Channels 1 to 10), Effect settings, Touch Response settings, Assignable jack setting, Transpose, Tuning, Accompaniment volume setting, Auto Harmonize type, MODE button setting, Synchro standby state, Mixer Hold, DSP Hold, Synthesizer Mode parameters

Mixer Function

• Channels:

• Parameters:

16 Tone; part on/off; volume; pan pot; octave shift; coarse tune; fine tune; reverb send; chorus send; DSP line; DSP level; DSP pan; DSP system reverb send; DSP system chorus send

MIDI: 16 multi-timbre receive, GM Level 1 standard

E-80

Steve Turner

Hage Software

2:10

2:30

1:52

707A-E-082A

Specifications

Other Functions

• Transpose:

• Tuning:

• LCD:

SMF Player Flash memory storage for up to 200 files*

Flash Memory Capacity: 4MB

Terminals

• MIDI Terminals:

• Sustain/Assignable Terminal:

• Headphone/Output Terminal:

• Power Supply Terminal:

Power Supply

• Batteries:

• Battery Life:

• AC Adaptor:

• Auto Power Off:

Speaker Output: 3W + 3W

Power consumption: 9V 7.7W

49 steps (–24 semitones to +24 semitones) Variable (A4 = approximately 440Hz ±100 cents) Adjustable contrast

• Supported Format: SMF0

Shared Area: Approximately 3.5MB (waveform data, accompaniment data, SMF data)

• Further storage of waveform, accompaniment, and SMF data becomes impossible after the total of such data reaches approximately 3.5MB.

IN, OUT Standard jack (sustain, sostenuto, soft, rhythm start/stop) Stereo standard jack Output Impedance: 140Ω Output Voltage: 4.5V (RMS) MAX 9V DC

Dual power supply system 6 D-size batteries Approximately 4 hours continuous operation on manganese batteries AD-5 Turns power off approximately six minutes after last key operation. Enabled under battery power only, can be disabled manually.

Dimensions: 96.0 × 37.5 × 14.6 cm (37 13/16 × 14 3/4 × 5 3/4 inch)

Weight: Approximately 5.6 kg (12.3lbs) (without batteries)

* The same memory area is used to store waveform data, accompaniment data, and SMF data.

707A-E-083A

E-81

Care of your Instrument

Care of your Instrum ent

J Avoid heat, humidity or direct sunlight.

Do not overexpose the instrument to direct sunlight, or place it near an air conditioner, or in any extremely hot place.

J Do not use near a TV or radio.

This instrument can cause video or audio interference with TV and radio reception. If this happens, move the instrument away from the TV or radio.

J Do not use lacquer, thinner or similar chemicals for cleaning.

Clean the instrument with a soft cloth dampened in a weak solution of water and a neutral detergent. Soak the cloth in the solution and squeeze until it is almost dry.

J Avoid use in areas subjected to temperature extremes.

Extremely high or low temperature can cause figures on the LCD screen to become dim and difficult to read. This condition should correct itself when the instrument is brought back to normal temperature.

• You may notice lines in the finish of the case of this instrument. These lines are a result of the molding process used to shape the plastic of the case. They are not cracks or breaks in the plastic, and are no cause for concern.

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707A-E-084A

DSP Algorithm List

J 00 :Auto Pan

• Function

Continually performs left-right panning of the input signal in accordance with an LFO.

• Parameters

0 : Rate (Range: 0 to 127)

Adjusts the panning rate.

1 : Depth (Range: 0 to 127)

Adjusts the panning depth.

J 01 :Tremolo

• Function

Adjusts volume of input signal in accordance with an LFO.

• Parameters

0 : Rate (Range: 0 to 127)

Adjusts the tremolo rate.

1 : Depth (Range: 0 to 127)

Adjusts the tremolo depth.

J 02 :2BandEQ

• Function

This is a two-band equalizer.

• Parameters

0 : Low Frequency (Range: 0 (200Hz), 1 (400Hz), 2 (800Hz))

Adjusts the cutoff frequency of the low-band equalizer.

1 : Low Gain (Range: –12, –11, –10 to 0 to +10, +11, +12)

Adjusts the gain of the low-band equalizer.

2 : High Frequency (Range: 0 (6.0KHz), 1 (8.0KHz), 2 (10KHz))

Adjusts the cutoff frequency of the high-band equalizer.

3 : High Gain (Range: –12, –11, –10 to 0 to +10, +11, +12)

Adjusts the gain of the high-band equalizer.

J 03 :3BandEQ

• Function

This is a three-band equalizer.

• Parameters

0 : Low Frequency (Range: 0 (200Hz), 1 (400Hz), 2 (800Hz))

Adjusts the cutoff frequency of the low-band equalizer.

1: Low Gain (Range: –12, –11, –10 to 0 to +10, +11, +12)

Adjusts the gain of the low-band equalizer.

2: Mid Frequency (Range: 0 (1.0KHz), 1 (1.3KHz), 2 (1.6KHz),

3 (2.0KHz), 4 (3.0KHz), 5 (4.0KHz), 6 (6.0KHz), 7 (8.0KHz)) Adjusts the center frequency of the mid-band equalizer.

3: Mid Gain (Range: –12, –11, –10 to 0 to +10, +11, +12)

Adjusts the gain of the mid-band equalizer.

4: High Frequency (Range: 0 (6.0KHz), 1 (8.0KHz), 2 (10KHz))

Adjusts the cutoff frequency of the high-band equalizer.

5: High Gain (Range: –12, –11, –10 to 0 to +10, +11, +12)

Adjusts the gain of the high-band equalizer.

J 04 :LFO Wah

• Function

This is a “wah” effect that can automatically affect the frequency in accordance with an LFO.

• Parameters

0: Input Level (Range: 0 to 127)

Adjusts the input level. The input signal can become distorted when the level of the sound being input, the number of chords, or the Resonance value is large. Adjust this parameter to eliminate such distortion.

1: Resonance (Range: 0 to 127)

Adjusts the resonance of the sound.

2: Manual (Range: 0 to 127)

Adjusts the frequency used as the basis for the wah filter.

3: LFO Rate (Range: 0 to 127)

Adjusts the rate of the LFO.

4: LFO Depth (Range: 0 to 127)

Adjusts the depth of the LFO.

J 05 :Auto Wah

• Function

This is a “wah” effect that can automatically affect the frequency in accordance with the level of the input signal.

• Parameters

0: Input Level (Range: 0 to 127)

1: Resonance (Range: 0 to 127)

Adjusts the resonance of the sound.

2: Manual (Range: 0 to 127)

Adjusts the frequency used as the basis for the wah filter.

3: Depth(Range: –64 to 0 to +63)

Adjusts the depth of the wah in accordance with the level of the input signal. Setting a positive value causes the wah filter to open in direct proportion with the size of the input signal, producing a bright sound. Setting a negative value causes the Wah filter to close in accordance with the size of the input signal, which produces a dark tone quality. However, large input re-opens the Wah filter, even if it is closed.

J 06 :Compressor

• Function

Compresses the input signal, which can have the effect of suppressing level variation and making it possible to sustain dampened sounds longer.

• Parameters

0: Depth (Range: 0 to 127)

Adjusts compression of the audio signal.

1: Attack (Range: 0 to 127)

Adjusts the attack amount of the input signal. A smaller value causes prompt compressor operation, which suppresses the attack of the input signal. A larger values delays compressor operation, which causes attack to be output as-is.

2: Release (Range: 0 to 127)

Adjusts the time from the point when the input signal drops below a certain level until the compression operation is stopped. When an attack feeling is desired (no compression at the onset of the sound), set this parameter to as low a value as possible. To have compression applied at all times, set a high value.

3: Level (Range: 0 to 127)

Adjusts the output level. The output volume changes in accordance with the Depth setting and the characteristics of the input tone. Use this parameter to correct for such changes.

J 07 :Limiter

• Function

This is an effector that you can use to set an upper limit value on the level of the input signal.

• Parameters

0: Limit (Range: 0 to 127)

Adjusts the volume level from which the limit is applied.

1: Attack (Range: 0 to 127)

Adjusts the attack amount of the input signal.

2: Release (Range: 0 to 127)

Adjusts the time from when the input signal drops below a certain level until the limit operation stops.

3: Level (Range: 0 to 127)

Adjusts the level being output. The output volume changes in accordance with the Limit setting and the characteristics of the input tone. Use this parameter to correct for such changes.

J 08 :Distortion

• Function

This effect provides Distortion + AmpSimulator.

• Parameters

0 : Gain (Range: 0 to 127)

Adjusts the input gain.

707A-E-085A

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DSP Algorithm List

1: Low (Range: 0 to 127)

Adjusts the low-band gain. The cutoff frequency differs according to the preset DSP.

2: High (Range: 0 to 127)

Adjusts the high-band gain. The cutoff frequency differs according to the preset DSP.

3: Level (Range: 0 to 127)

Adjusts the output level.

J 09 :Stereo Phaser

• Function

This is a stereo phaser that modulates the phase in accordance with a sine wave LFO.

• Parameters

0 : Resonance (Range: 0 to 127)

Adjusts the resonance of the sound.

1: Manual (Range: –64 to 0 to +63)

Adjusts the phaser shift volume, which is used for reference.

2: Rate (Range: 0 to 127)

Adjusts the rate of the LFO.

3: Depth (Range: 0 to 127)

Adjusts the depth of the LFO.

4: Wet Level (Range: 0 to 127)

Adjusts the volume level of the effect.

J 10 :Phaser

• Function

This is a monaural phaser that modulates the phase in accordance with a sine wave LFO.

• Parameters

0: Resonance (Range: 0 to 127)

Adjusts the resonance of the sound.

1: Manual (Range: –64 to 0 to +63)

Adjusts the phaser shift volume, which is used for reference.

2: Rate (Range: 0 to 127)

Adjusts the rate of the LFO.

3: Depth (Range: 0 to 127)

Adjusts the depth of the LFO.

4: Wet Level (Range: 0 to 127)

Adjusts the level of the effect sound.

J 11 :Rotary

• Function

This is a rotary speaker simulator.

• Parameters

0: Speed (Range: Slow, Fast)

Switches the speed mode between fast and slow.

1: Break (Range: Rotate, Stop)

Stops speaker rotation.

2: Fall Accel (Range: 0 to 127)

Adjusts acceleration when the speed mode is switched from fast to slow.

3: Rise Accel (Range: 0 to 127)

Adjusts acceleration when the speed mode is switched from slow to fast.

4: Slow Rate (Range: 0 to 127)

Adjusts speaker rotation speed of the slow speed mode.

5: Fast Rate (Range: 0 to 127)

Adjusts speaker rotation speed of the fast speed mode.

J 12 :Drive Rotary

• Function

This is an overdrive - rotary speaker simulator.

• Parameters

0: Overdrive Gain (Range: 0 to 127)

Adjusts overdrive gain.

1: Overdrive Level (Range: 0 to 127)

Adjusts the output level of the overdrive.

2: Speed(Range: Slow, Fast)

Switches the speed mode between fast and slow.

3: Break (Range: Rotate, Stop)

Stops speaker rotation.

4: Fall Accel (Range: 0 to 127)

Adjusts acceleration when the speed mode is switched from fast to slow.

5: Rise Accel (Range: 0 to 127)

Adjusts acceleration when the speed mode is switched from slow to fast.

6: Slow Rate (Range: 0 to 127)

Adjusts speaker rotation speed of the slow speed mode.

7: Fast Rate (Range: 0 to 127)

Adjusts speaker rotation speed of the fast speed mode.

J 13 :Enhancer

• Function

Enhances the outlines of the low range and high range of the input signal.

• Parameters

0: Low Frequency (Range: 0 to 127)

Adjusts the low range enhancer frequency.

1: Low Gain (Range: 0 to 127)

Adjusts the low range enhancer gain.

2: High Frequency (Range: 0 to 127)

Adjusts the high range enhancer frequency.

3: High Gain (Range: 0 to 127)

Adjusts the high range enhancer gain.

J 14 :Ring Modulator

• Function

This is a ring modulator (AM modulator) that makes it possible to modulate the frequency of internal oscillator (OSC) in accordance with an internal LFO.

• Parameters

0: OSC Frequency (Range: 0 to 127)

Sets the reference frequency of the internal OSC.

1: LFO Rate (Range: 0 to 127)

Adjusts the rate of the LFO.

2: LFO Depth (Range: 0 to 127)

Adjusts the depth of the LFO.

3: Wet Level (Range: 0 to 127)

Adjusts the level of the effect sound.

4: Dry Level (Range: 0 to 127)

Adjusts the level of the original sound.

J 15 :Lo-Fi

• Function

This is an effector that reproduces a retro-type Lo-Fi sound using Noise Generator 1 (phonograph record player type scratch noise generator) and Noise Generator 2 (FM radio type white noise and pink noise continuous noise generator), and by noise modulation (amplitude modulation = AM) and distortion of frequency characteristics.

• Parameters

0: Noise Level 1 (Range: 0 to 127)

Adjusts the level of Noise Generator 1.

1: Noise Density 1 (Range: 0 to 127)

Adjusts the noise density of Noise Generator 1.

2: Noise Level 2 (Range: 0 to 127)

Adjusts the level of Noise Generator 2.

3: Noise Density 2 (Range: 0 to 127)

Adjusts the noise density of Noise Generator 2.

4: Tone (Range: 0 to 127)

Adjusts the tone.

5: Resonance (Range: 0 to 127)

Adjusts the resonance of the sound.

6: Bass(Range: –64 to 0 to +63)

Adjusts the volume of low sounds.

7: Level (Range: 0 to 127)

Adjusts the output level.

J 16 :1-Phase Chorus

• Function

This is monaural chorus in accordance with a sine wave LFO.

• Parameters

0: LFO Rate (Range: 0 to 127)

Adjusts the rate of the LFO.

1: LFO Depth (Range: 0 to 127)

Adjusts the depth of the LFO.

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707A-E-086A

DSP Algorithm List

2: Feedback (Range: –64 to 0 to +63)

Adjusts the feedback of the sound.

3: Wet Level (Range: 0 to 127)

Adjusts the level of the effect sound.

J 17 :Sin 2-Phase Chorus

• Function

This is stereo chorus in accordance with a sine wave LFO.

• Parameters

0: LFO Rate (Range: 0 to 127)

Adjusts the rate of the LFO.

1: LFO Depth (Range: 0 to 127)

Adjusts the depth of the LFO.

2: Feedback (Range: –64 to 0 to +63)

Adjusts the feedback of the sound.

3: Wet Level (Range: 0 to 127)

Adjusts the level of the effect sound.

J 18 :3-Phase Chorus

• Function

This is 3-phase chorus in accordance with two LFOs of with different sine wave rates.

• Parameters

0: Rate1 (Fast LFO Rate) (Range: 0 to 127)

Adjusts the rate of LFO1.

1: Depth1 (Fast LFO Depth) (Range: 0 to 127)

Adjusts the depth of LFO1.

2: Rate2 (Slow LFO Rate) (Range: 0 to 127)

Adjusts the rate of LFO2.

3: Depth2 (Slow LFO Depth) (Range: 0 to 127)

Adjusts the depth of LFO2.

4: Wet Level (Range: 0 to 127)

Adjusts the level of the effect sound.

J 19 :Tri 2-Phase Chorus

• Function

This is stereo chorus in accordance with triangular wave LFO.

• Parameters

0: LFO Rate (Range: 0 to 127)

Adjusts the rate of the LFO.

1: LFO Depth (Range: 0 to 127)

Adjusts the depth of the LFO.

2: Feedback(Range: –64 to 0 to +63)

Adjusts the feedback of the sound.

3: Wet Level (Range: 0 to 127)

Adjusts the level of the effect sound.

J 20 :Stereo Delay 1

• Function

This is delay of stereo input and output.

• Parameters

0: Delay Time (Range: 0 to 127)

Adjusts the delay time.

1: Wet Level (Range: 0 to 127)

Adjusts the level of the effect sound.

2: Feedback (Range: 0 to 127)

Adjusts the repeat of the delay.

3: High Damp (Range: 0 to 127)

Adjusts damping of the high-range delay sound. The smaller the value, the greater the damping of high-range delay sound.

4: Ratio L (Range: 0 to 127)

Adjusts the delay time of the left channel. Proportional to the value set for Delay Time.

5: Ratio R (Range: 0 to 127)

Adjusts the delay time of the right channel. Proportional to the value set for Delay Time.

J 21 :Stereo Delay 2

• Function

This is cross feedback delay of stereo input and output.

• Parameters

0: Delay Time (Range: 0 to 127)

Adjusts the delay time.

1: Wet Level (Range: 0 to 127)

Adjusts the level of the effect sound.

2: Feedback (Range: 0 to 127)

Adjusts the repeat of the delay.

3: High Damp (Range: 0 to 127)

Adjusts damping of the high-range delay sound. The smaller the value, the greater the damping of high-range delay sound.

4: Ratio L (Range: 0 to 127)

Adjusts the delay time of the left channel. Proportional to the value set for Delay Time.

5: Ratio R (Range: 0 to 127)

Adjusts the delay time of the right channel. Proportional to the value set for Delay Time.

J 22 :3-Tap Delay

• Function

This is left/center/right 3-tap delay.

• Parameters

0: Delay Time (Range: 0 to 127)

Adjusts the delay time.

1: Wet Level (Range: 0 to 127)

Adjusts the level of the effect sound.

2: Feedback (Range: 0 to 127)

Adjusts the repeat of the delay.

3: High Damp (Range: 0 to 127)

Adjusts damping of the high-range delay sound. The smaller the value, the greater the damping of high-range delay sound.

4: Ratio L (Range: 0 to 127)

Adjusts the delay time of the left channel. Proportional to the value set for Delay Time.

5: Ratio C (Range: 0 to 127)

Adjusts the delay time of the center channel. Proportional to the value set for Delay Time.

6: Ratio R (Range: 0 to 127)

Adjusts the delay time of the right channel. Proportional to the value set for Delay Time.

J 23 :Gate Reverb

• Function

This is a fader that creates artificial reverb that sounds like it is being cut with a gate.

• Parameters

0: LPF (Range: 0 to 127)

Adjusts the cutoff frequency of the low-pass filter. A smaller value cuts the high range.

1: HPF (Range: 0 to 127)

Adjusts the cutoff frequency of the high-pass filter. A larger value cuts the low range.

2: Feedback (Range: 0 to 127)

Adjusts the repeat of the reverb.

3: High Damp (Range: 0 to 127)

Adjusts damping of the high-range delay sound. The smaller the value, the greater the damping of high-range delay sound.

4: Diffusion (Range: 0 to 127)

Provides fine adjustment of the reverb.

5: Wet Level (Range: 0 to 127)

Adjusts the level of the effect sound.

6: Dry Level (Range: 0 to 127)

Adjusts the level of the original sound.

J 24 :Reverse Gate Reverb

• Function

This is gate reverb with a reverse rotation effect.

• Parameters

0: LPF (Range: 0 to 127)

Adjusts the cutoff frequency of the low-pass filter. A smaller value cuts the high range.

1: HPF (Range: 0 to 127)

Adjusts the cutoff frequency of the high-pass filter. A larger value cuts the low range.

707A-E-087A

E-85

DSP Algorithm List

2: Feedback (Range: 0 to 127)

Adjusts the repeat of the reverb.

3: High Damp (Range: 0 to 127)

Adjusts damping of the high-range reverb sound. The smaller the value, the greater the damping of high-range reverb sound.

4: Diffusion (Range: 0 to 127)

Provides fine adjustment of the reverb.

5: Wet Level (Range: 0 to 127)

Adjusts the level of the effect sound.

6: Dry Level (Range: 0 to 127)

Adjusts the level of the original sound.

J 25 :Reflection

• Function

This is an effector that extracts the first reflected sound from a reverb sound.

• Parameters

0: Type (Range: 0 to 7)

Selects from among the eight available reflection patterns.

1: Wet Level (Range: 0 to 127)

Adjusts the level of the effect sound.

2: Feedback (Range: 0 to 127)

Adjusts the repeat of the reflected sound.

3: Tone (Range: 0 to 127)

Adjusts the tone of the reflected sound.

J 26 :Flanger

• Function

This is a flanger in accordance with a sine wave LFO.

• Parameters

0: LFO Rate (Range: 0 to 127)

Adjusts the rate of the LFO.

1: LFO Depth (Range: 0 to 127)

Adjusts the depth of the LFO.

2: Feedback (Range: –64 to 0 to +63)

Adjusts the feedback of the sound.

3: Wet Level (Range: 0 to 127)

Adjusts the level of the effect sound.

J 27 :Reverb

• Function

This is an effector that preserves the breadth of a sound by adding a reverb sound.

• Parameters

0: Tone (Range: 0 to 127)

Adjusts the tone of the reverb sound.

1: Time (Range: 0 to 127)

Adjusts the reverb time.

2: High Damp (Range: 0 to 127)

Adjusts damping of the high-range reverb sound. The smaller the value, the greater the damping of high-range reverb sound.

3: ER Level (Range: 0 to 127)

Adjusts the level of the initial reflection.

4: Wet Level (Range: 0 to 127)

Adjusts the level of the effect sound.

J 28 :2-Tap Delay

• Function

This is left/right 2-tap delay.

• Parameters

0: Delay Time (Range: 0 to 127)

Adjusts the delay time.

1: Wet Level (Range: 0 to 127)

Adjusts the level of the effect sound.

2: Feedback (Range: 0 to 127)

Adjusts the repeat of the delay.

3: High Damp (Range: 0 to 127)

Adjusts damping of the high-range delay sound. The smaller the value, the greater the damping of high-range delay sound.

4: Ratio L (Range: 0 to 127)

Adjusts the delay time of the left channel. Proportional to the value set for Delay Time.

5: Ratio R (Range: 0 to 127)

Adjusts the delay time of the right channel. Proportional to the value set for Delay Time.

 The following “Multi” algorithms are used in combination with the

algorithms described above. Parameters are shared by both types of algorithms.

J M00 :Multi00 (Sin 2-Phase Chorus – 2-Tap Delay)

• Function

This is a multi effector that is related to Sin 2-Phase Chorus – 2-Tap Delay.

• Parameters

0: Chorus LFO Rate 1: Chorus LFO Depth 2: Chorus Feedback 3: Chorus Wet Level 4: Delay Time 5: Delay Wet Level 6: Delay Feedback 7: Delay High Damp

J M01 :Multi01 (3-Phase Chorus – 3-Tap Delay)

• Function

This is a multi effector that is related to 3-Phase Chorus – 3-Tap Delay.

• Parameters

0: Chorus Rate 1 1: Chorus Depth 1 2: Chorus Rate 2 3: Chorus Depth 2 4: Chorus Wet Level 5: Delay Time 6: Delay Wet Level 7: Delay Feedback

J M02 : Multi02 (Phaser – 3-Phase Chorus)

• Function

This is a multi effector that is related to Phaser – 3-Phase Chorus.

• Parameters

0: Phaser Resonance 1: Phaser Manual 2: Phaser Rate 3: Phaser Depth 4: Chorus Rate 1 5: Chorus Depth 1 6: Chorus Rate 2 7: Chorus Depth 2

J M03 : Multi03 (Flanger – 2-Tap Delay)

• Function

This is a multi effector that is related to Flanger – 2-Tap Delay.

• Parameters

0: Flanger LFO Rate 1: Flanger LFO Depth 2: Flanger Feedback 3: Flanger Wet Level 4: Delay Time 5: Delay Wet Level 6: Delay Feedback 7: Delay High Damp

J M04 : Multi04 (Stereo Phaser – Stereo Delay 1)

• Function

This is a multi effector that is related to Stereo Phaser – Stereo Delay 1.

• Parameters

0: Phaser Resonance 1: Phaser Manual 2: Phaser Rate 3: Phaser Depth 4: Phaser Wet Level 5: Delay Time 6: Delay Wet Level 7: Delay Feedback

E-86

707A-E-088A

DSP Algorithm List

J M05 :Multi05 (Enhancer – 1-Phase Chorus)

• Function

This is a multi effector related to Enhancer – 1-Phase Chorus.

• Parameters

0: Enhancer Low Frequency 1: Enhancer Low Gain 2: Enhancer High Frequency 3: Enhancer High Gain 4: Chorus LFO Rate 5: Chorus LFO Depth 6: Chorus Feedback 7: Chorus Wet Level

J M06 : Multi06 (Enhancer – 2-Tap Delay)

• Function

This is a multi effector that is related to Enhancer – 2-Tap Delay.

• Parameters

0: Enhancer Low Frequency 1: Enhancer Low Gain 2: Enhancer High Frequency 3: Enhancer High Gain 4: Delay Time 5: Delay Wet Level 6: Delay Feedback 7: Delay High Damp

J M07 : Multi07 (Enhancer – Flanger)

• Function

This is a multi effector related to Enhancer – Flanger.

• Parameters

0: Enhancer Low Frequency 1: Enhancer Low Gain 2: Enhancer High Frequency 3: Enhancer High Gain 4: Flanger LFO Rate 5: Flanger LFO Depth 6: Flanger Feedback 7: Flanger Wet Level

J M08: Multi08 (Sin 2-Phase Chorus – Flanger)

• Function

This is a multi effector that is related to Sin 2-Phase Chorus – Flanger.

• Parameters

0: Chorus LFO Rate 1: Chorus LFO Depth 2: Chorus Feedback 3: Chorus Wet Level 4: Flanger LFO Rate 5: Flanger LFO Depth 6: Flanger Feedback 7: Flanger Wet Level

J M09 :Multi09 (Sin 2-Phase Chorus – Tremolo)

• Function

This is a multi effector that is related to Sin 2-Phase Chorus – Tremolo.

• Parameters

0: Chorus LFO Rate 1: Chorus LFO Depth 2: Chorus Feedback 3: Chorus Wet Level 4: Tremolo Rate 5: Tremolo Depth

J M10 : Multi10 (Stereo Phaser – Auto Pan)

• Function

This is a multi effector that is related to Stereo Phaser – Auto Pan.

• Parameters

0: Phaser Resonance 1: Phaser Manual 2: Phaser Rate 3: Phaser Depth

4: Phaser Wet Level 5: Auto Pan Rate 6: Auto Pan Depth

J M11 : Multi11 (Compressor – Lo-Fi)

• Function

This is a multi effector related to Compressor – Lo-Fi.

• Parameters

0: Compressor Depth 1: Compressor Attack 2: Compressor Level 3: Lo-Fi Noise 1 4: Lo-Fi Noise 2 5: Lo-Fi Tone 6: Lo-Fi Resonance 7: Lo-Fi Bass

J M12 :Multi12 (Ring Modulator – Sin 2-Phase Chorus –

2-Tap Delay)

• Function

This is a multi effector that is related to Ring Modulator – Sin 2Phase Chorus.

• Parameters

0: Ring OSC Frequency 1: Ring LFO Rate 2: Ring LFO Depth 3: Ring Wet Level 4: Ring Dry Level 5: Chorus LFO Depth 6: Delay Time 7: Delay Wet Level

J M13 : Multi13 (Ring Modulator – Distortion)

• Function

This is a multi effector related to Ring Modulator – Distortion.

• Parameters

0: Ring OSC Frequency 1: Ring LFO Rate 2: Ring LFO Depth 3: Ring Wet Level 4: Ring Dry Level 5: Distortion Gain 6: Distortion Tone 7: Distortion Level

J M14 :Multi14 (Lo-Fi – Reflection)

• Function

This is a multi effector related to Lo-Fi – Reflection.

• Parameters

0: Lo-Fi Noise1 1: Lo-Fi Noise2 2: Lo-Fi Tone 3: Lo-Fi Resonance 4: Reflection Type 5: Reflection Wet Level 6: Reflection Feedback 7: Reflection Tone

J M15 : Multi15 (Distortion – Lo-Fi)

• Function

This is a multi effector related to Distortion – Lo-Fi.

• Parameters

0: Distortion Gain 1: Distortion Low 2: Distortion High 3: Distortion Level 4: Lo-Fi Noise1 5: Lo-Fi Noise2 6: Lo-Fi Tone 7: Lo-Fi Resonance

J M16 : Multi16 (Drive Rotary – Reflection)

• Function

707A-E-089A

E-87

DSP Algorithm List

This is a multi effector related to Drive Rotary – Reflection.

• Parameters

0: Drive Rotary Gain 1: Drive Rotary Level 2: Drive Rotary Speed 3: Drive Rotary Slow Rate 4: Drive Rotary Fast Rate 5: Reflection Wet Level 6: Reflection Feedback 7: Reflection Tone

J M17 : Multi17 (Rotary – Reflection)

• Function

This is a multi effector related to Rotary – Reflection.

• Parameters

0: Rotary Speed 1: Rotary Break 2: Rotary Slow Rate 3: Rotary Fast Rate 4: Reflection Wet Level 5: Reflection Feedback 6: Reflection Tone

J M18 :Multi18 (Compressor – Enhancer – 2-Tap Delay)

• Function

This is a multi effector that is related to Compressor – Enhancer – 2- Tap Delay.

• Parameters

0: Compressor Depth 1: Compressor Attack 2: Compressor Level 3: Enhancer Low Gain 4: Enhancer High Gain 5: Delay Time 6: Delay Wet Level 7: Delay Feedback

J M19 : Multi19 (Compressor – Stereo Delay 1)

• Function

This is a multi effector related to Compressor – Stereo Delay 1.

• Parameters

0: Compressor Depth 1: Compressor Attack 2: Compressor Release 3: Compressor Level 4: Delay Time 5: Delay Wet Level 6: Delay Feedback 7: Delay High Damp

J M20 :Multi20 (Phaser – 1-Phase Chorus – Auto Pan)

• Function

This is a multi effector that is related to Phaser – 1-Phase Chorus – Auto Pan.

• Parameters

0: Phaser Resonance 1: Phaser Manual 2: Phaser Rate 3: Phaser Depth 4: Chorus LFO Rate 5: Chorus LFO Depth 6: Auto Pan Rate 7: Auto Pan Depth

J M21 :Multi21 (Auto Wah – Tri 2-Phase Chorus – 2-Tap

Delay)

• Function

This is a multi effector that is related to Auto Wah – Tri 2-Phase Chorus – 2-Tap Delay.

• Parameters

0: Wah Resonance 1: Wah Manual 2: Wah Depth

3: Chorus LFO Rate 4: Chorus LFO Depth 5: Delay Time 6: Delay Wet Level 7: Delay Feedback

J M22 :Multi22 (LFO Wah – Tri 2-Phase Chorus – 2-Tap

Delay)

• Function

This is a multi effector that is related to LFO Wah – Tri 2-Phase Chorus – 2-Tap Delay.

• Parameters

0: Wah Resonance 1: Wah Manual 2: Wah LFO Rate 3: Wah LFO Depth 4: Chorus LFO Depth 5: Delay Time 6: Delay Wet Level 7: Delay Feedback

J M23 :Multi23 (Compressor – Sin 2-Phase Chorus –

Reflection)

• Function

This is a multi effector that is related to Compressor – Sin 2-Phase Chorus – Reflection.

• Parameters

0: Compressor Depth 1: Compressor Attack 2: Compressor Level 3: Chorus LFO Rate 4: Chorus LFO Depth 5: Reflection Wet Level 6: Reflection Feedback 7: Reflection Tone

J M24 :Multi24 (Distortion – 1-Phase Chorus – 2-Tap

Delay)

• Function

This is a multi effector that is related to Distortion – 1-Phase Chorus – 2-Tap Delay.

• Parameters

0: Distortion Gain 1: Distortion Low 2: Distortion High 3: Distortion Level 4: Chorus LFO Depth 5: Delay Time 6: Delay Wet Level 7: Delay Feedback

J M25 :Multi25 (Compressor – Distortion – 2-Tap Delay)

• Function

This is a multi effector that is related to Compressor – Distortion – 2Tap Delay.

• Parameters

0: Compressor Depth 1: Distortion Gain 2: Distortion Low 3: Distortion High 4: Distortion Level 5: Delay Time 6: Delay Wet Level 7: Delay Feedback

J M26 :Multi26 (Auto Wah – Distortion – 2-Tap Delay)

• Function

This is a multi effector that is related to Auto Wah – Distortion – 2- Tap Delay.

• Parameters

0: Wah Manual 1: Wah Depth 2: Distortion Gain

E-88

707A-E-090A

3: Distortion Tone 4: Distortion Level 5: Delay Time 6: Delay Wet Level 7: Delay Feedback

J M27 :Multi27 (LFO Wah – Distortion – 2-Tap Delay)

• Function

This is a multi effector that is related to LFO Wah – Distortion – 2- Tap Delay.

• Parameters

0: Wah Manual 1: Wah LFO Rate 2: Wah LFO Depth 3: Distortion Gain 4: Distortion Level 5: Delay Time 6: Delay Wet Level 7: Delay Feedback

J M28 : Multi28 (Distortion – 3-Tap Delay)

• Function

This is a multi effector that is related to Distortion – 3-Tap Delay.

• Parameters

0: Distortion Gain 1: Distortion Low 2: Distortion High 3: Distortion Level 4: Delay Time 5: Delay Wet Level 6: Delay Feedback 7: Delay High Damp

DSP Algorithm List

J M29 : Multi29 (Distortion – Phaser)

• Function

This is a multi effector related to Distortion – Phaser.

• Parameters

0: Distortion Gain 1: Distortion Low 2: Distortion High 3: Distortion Level 4: Phaser Resonance 5: Phaser Manual 6: Phaser Rate 7: Phaser Depth

J M30 :Multi30 (Distortion – Sin 2-Phase Chorus)

• Function

This is a multi effector that is related to Distortion – Sin 2-Phase Chorus.

• Parameters

0: Distortion Gain 1: Distortion Low 2: Distortion High 3: Distortion Level 4: Chorus LFO Rate 5: Chorus LFO Depth 6: Chorus Feedback 7: Chorus Wet Level

J M31 : Multi31 (Distortion – Flanger)

• Function

This is a multi effector related to Distortion – Flanger.

• Parameters

0: Distortion Gain 1: Distortion Low 2: Distortion High 3: Distortion Level 4: Flanger LFO Rate 5: Flanger LFO Depth 6: Flanger Feedback 7: Flanger Wet Level

707A-E-091A

E-89

707A-E-196A

707A-E-197A

707A-E-198A

707A-E-199A

707A-E-200A

707A-E-201A

Appendix/Apéndice

Tone List/Lista de sonidos

1 No./Nº 4 Program Change/Cambio de programa 5

2 Tone Group/Grupo de Sonido 3 Tone Name/Nombre de sonido

Bank Select MSB/MSB de selección de banco

7 Range Type/Tipo de gama 8 DSP Type/Tipo DSP

Advanced Tones/Sonidos avanzados

12 3 45678

0 PIANO STEREO GRAND PIANO 0 51 16 N RvbHall1 1 PIANO STEREO MELLOW PIANO 0 52 16 N GateRvb2 2 PIANO STEREO BRIGHT PIANO 1 50 16 N Equalize 3 PIANO GRAND PIANO 0 48 32 N RvbHall1 4 PIANO ROCK PIANO 1 49 32 N Equalize 5 PIANO MODERN PIANO 1 51 16 N Equalize 6 PIANO DANCE PIANO 1 53 16 N Enha Dly 7 PIANO MELLOW PIANO 0 50 32 N Equalize 8 PIANO BRIGHT PIANO 1 48 32 N Enhancer

9 PIANO SYNTH-STR PIANO 0 54 16 N Cho Flan 10 PIANO STRINGS PIANO 1 52 16 N RvbHall1 11 PIANO VOICE PIANO 0 53 16 N Reflect 12 PIANO ELEC .GRAND PIANO 2 48 32 N Equalize 13 PIANO HARPSICHORD 6 51 32 N CmpChoRf 14 PIANO GRAND PIANO WIDE 0 49 32 N Reflect 15 PIANO AMBIENT PIANO 0 55 16 N St.Delay 16 PIANO 1 OCTAVE PIANO 3 51 16 N Equalize 17 PIANO 2 OCTAVE PIANO 3 50 16 N RvbRoom2 18 PIANO MODERN E.G.PIANO 2 50 16 N ChoDly 1 19 PIANO COMP.PIANO 0 56 32 N CmpEnDly 20 PIANO HONKY-TONK 1 3 48 16 N Enhancer 21 PIANO BRIGHT HARPSICHORD 6 52 32 N CmpChoRf 22 PIANO COUPLED HARPSICHORD 6 49 16 N CmpChoRf 23 E.PIANO ELEC.PIANO 1 4 48 32 N Chorus 3 24 E.PIANO ELEC.PIANO 2 5 49 16 N Chorus 3 25 E.PIANO FM ELEC.PIANO 5 48 16 N Chorus 3 26 E.PIANO DYNO ELEC.PIANO 4 49 32 N Chorus 3 27 E.PIANO 60'S ELEC.PIAN O 4 52 32 N Auto Pan 28 E.PIANO MELLOW E.PIANO 4 53 16 N CmpChoRf 29 E.PIANO POP ELEC.PIANO 4 50 16 N Equalize 30 E.PIANO TREMOLO E.PIANO 4 56 32 N Cho Trem 31 E.PIANO SOFT E.PIANO 5 51 16 N Equalize 32 E.PIANO GLASS E.PIANO 4 51 16 N Equalize 33 E.PIANO SYNTH-STR E.PIANO 1 4 55 16 N Equalize 34 E.PIANO CLAVI 7 48 32 N Dist 1 35 E.PIANO AUTO WAH E.PIANO 4 57 32 N Auto Wah 36 E.PIANO PHASER E.PIANO 4 58 32 N PhaAPan1 37 E.PIANO MODERN E.PIANO 5 50 16 N Enha Dly 38 E.PIANO WARM ELEC.PIANO 4 59 32 N Cho Trem 39 E.PIANO ELEC.PIANO PAD 4 54 16 N StPhaser 40 E.PIANO SYNTH-STR E.PIANO 2 5 53 16 N Equalize 41 E.PIANO STRINGS E.PIANO 5 54 16 N ChoDly 1 42 E.PIANO RESONANCE CLAVI 7 50 32 N Auto Wah 43 E.PIANO PULSE CLAVI 7 49 32 N CmpEnDly 44 E.PIANO LA CLAVI 7 51 32 N Cho Dly4 45

CHROM.PERC

CHROM.PERC 53 ORGAN ROTARY DRAWBAR 16 52 16 N Rotary 2 54 ORGAN ROTARY PERC.ORGAN 1 17 52 16 N Rotary 2 55 ORGAN ROTARY PERC.ORGAN 2 17 54 16 N RotRef 1 56 ORGAN 70'S ORGAN 17 49 32 N Rotary 1 57 ORGAN TREMOLO ORGAN 16 49 32 N Cho Trem 58 ORGAN JAZZ DRAWBAR 17 53 16 N RotRef 1 59 ORGAN ROCK ORGAN 18 48 16 N Rotary 2 60 ORGAN OVD ROTARY ORGAN 16 54 32 N Od Rot 2 61 ORGAN ROTARY ELEC.ORGAN 16 53 32 N Rotary 2 62 ORGAN CHURCH ORGAN 1 19 48 16 N RvbHall2

TREMOLO VIBRAPHONE 11 48 32 N Cho Trem MARIMBA 12 48 32 N Reflect GLOCKENSPIEL 9 48 32 +1 Reflect CELESTA 8 48 32 N Reflect VIBRAPHONE 11 50 32 N Reflect PHASER MARIMBA 12 50 32 N PhaDly 2 DELAY GLOCKENSPIEL 9 49 32 +1 ChoDly 2 ROTARY CELESTA 8 49 32 N RotRef 2

6 Maximum Polyphony/Polifonía máxima

12 3 45678

63 ORGAN CHAPEL ORGAN 19 51 32 N GateRvb2 64 ORGAN ACCORDION 21 48 16 N Reflect 65 ORGAN BANDONEON 23 48 16 N Reflect 66 ORGAN HARMONICA 22 48 32 N Reflect 67 ORGAN DRAWBAR ORGAN 1 16 48 32 N Reflect 68 ORGAN DRAWBAR ORGAN 2 16 50 32 N Rotary 1 69 ORGAN ELEC.ORGAN 16 51 32 N Reflect 70 ORGAN PERC.ORGAN 1 17 48 16 N Reflect 71 ORGAN PERC.ORGAN 2 17 51 16 N Rotary 2 72 ORGAN JAZZ ORGAN 17 50 16 N Reflect 73 ORGAN OVD ROCK ORGAN 18 49 16 N OdRtRef1 74 ORGAN TAPE ORG AN 20 50 16 N Cho Dly4 75 ORGAN CHURCH ORGAN 2 19 49 16 N GateRvb2 76 ORGAN OCTAVE ACCORDION 21 49 16 N CmpChoRf 77 ORGAN NEO BANDONEON 23 49 16 N ChoDly 4 78 ORGAN SLOW HARMONICA 22 49 32 N RvbRoom2 79 ORGAN WAH HARMONICA 22 50 32 N LWh DsD ly 80 GUITAR PURE ACOUSTIC GUITAR 25 49 32 –1 Equalize 81 GUITAR NYLON STR.GUITAR 24 48 32 –1 Equalize 82 GUITAR STEEL STR.GUITAR 25 48 32 –1 Equalize 83 GUITAR JAZZ GUITAR 26 48 32 –1 CmpChoRf 84 GUITAR CHORUS CLEAN GUITAR 27 53 32 –1 CmpE nDly 85 GUITAR ROTARY GUITAR 27 54 32 –1 RotRef 1 86 GUITAR CRUNCH ELEC.GUITAR 27 52 32 –1 CrnDelay 87 GUITAR OVD FRONT GUITAR 29 49 32 –1 CmpOdDly 88 GUITAR FEEDBACK DIST.GT 30 52 16 –1 Di stDly1 89 GUITAR MUTE DIST.GUITAR 28 49 32 –1 MetalDly 90 GUITAR MELLOW NYLON GUITAR 24 51 16 –1 ChoDly 3 91 GUITAR 12 STRING GUITAR 25 50 16 –1 Equalize 92 GUITAR 93 GUITAR CHORUS STEEL GUITAR 25 51 16 –1 ChoDly 4 94 GUITAR UKULELE 24 49 32 N CmpChoRf 95 GUITAR BANJO 105 48 32 N Equalize 96 GUITAR OCTAVE JAZZ GUITAR 26 50 16 –1 RvbRoom3 97 GUITAR CHORUS JAZZ GUITAR 26 51 32 –1 OdChorus 98 GUITAR CLEAN GUITAR 27 48 32 –1 Equalize

99 GUITAR ELEC.GUITAR FRONT 27 51 32 –1 Equalize 100 GUITAR ELEC.GUITAR REAR 27 50 32 –1 Equalize 101 GUITAR TREMOLO GUITAR 29 55 32 –1 Cho Trem 102 GUITAR MUTE GUITAR 28 48 32 –1 Equalize 103 GUITAR OVERDRIVE GUITAR 29 48 16 –1 CmpDelay 104 GUITAR OVD REAR GUITAR 29 50 32 –1 Ovrdrive 105 GUITAR DISTORTION FRONT GT 30 50 32 –1 DistDly2 106 GUITAR MORE DISTORTION GT 30 51 16 –1 DistDly2 107 GUITAR TOUC H WAH OVD GT 30 54 16 –1 AWh CrD ly 108 GUITAR DISTORTION GUITAR 30 48 16 –1 CmpDelay 109 GUITAR FEEDBACK GUITAR 30 49 16 –1 CmpCrDly

110 GUITAR DISTORTION CLEAN GT 30 53 32 –1 CmpCrDly 111 BASS ACOUSTIC BASS 1 32 48 32 –1 Limiter 112 BASS AC OUSTIC BASS 2 32 49 32 –1 Reflect 113 BASS RIDE BASS 32 50 16 –1 RvbRoom1 114 BASS FINGERED BASS 1 33 48 32 –1 Limiter 115 BASS FINGERED BASS 2 33 49 32 –1 Limiter 116 BASS PICKED BASS 34 48 32 –1 CmpEnDly 117 BASS FRETLESS BASS 35 48 32 –1 ChoDly 1 118 BASS SLAP BASS 37 48 32 –1 Comp 2

119 BASS SAW SYNTH-BASS 1 38 48 16 –1 Chorus 1 120 BASS ANALOG SYNTH-BASS 38 52 32 –1 PhaCho 1 121 BASS CHORUS FINGERED BASS 33 50 16 –1 Crn Cho 122 BASS ROCK PICKED BASS 34 49 32 –1 OdChorus 123 BASS FLAN.FRETLESS BASS 35 49 16 –1 Cho Flan 124 BASS FUNKY SLAP BASS 37 49 32 –1 AWh CrD ly 125 BASS SQR SYNTH-BASS 1 39 48 32 –1 Od Rot 1

BRIGHT ACOUSTIC GUITAR

25 52 32 –1 Enha Dly

A-1

707A-E-182A

Casio CTK900 User Manual

Specifications and Main Features

Frequently Asked Questions

User Manual