Casio AP-400 User Manual

PX-120/PX-720/AP-200/AP-400 MIDI Implementation

CASIO COMPUTER CO., LTD.

Contents

Part I MIDI Message Overview

1 Product Configuration as a MIDI Device.......................................................................................... 5

1.1 System Section.................................................................................................................................... 5

1.2 Performance Controller Section .......................................................................................................... 5

1.3 Auto Accompaniment and Auto Performance MIDI Send ................................................................... 5

1.4 Sound Generator Section.................................................................................................................... 6

1.4.1 Sound Generator Common Block .......................................................................................................... 6

1.4.2 Part Block ...............................................................................................................................................6

2 Conditions that Disable Message Send and Receive ...................................................................... 7

3 Timbre Type Specific Operation ...................................................................................................... 7

Part II Channel Message

4 Receive Channel ............................................................................................................................. 8

5 Send Channel .................................................................................................................................. 8

6 Note Off ........................................................................................................................................... 8

7 Note On ........................................................................................................................................... 8

8 Polyphonic Key Pressure................................................................................................................. 9

9 Control Change................................................................................................................................ 9

9.1 Bank Select (00H) ............................................................................................................................... 9

9.2 Modulation (01H) ............................................................................................................................... 10

9.3 Data Entry (06H, 26H) ....................................................................................................................... 10

9.4 Volume (07H) .................................................................................................................................... 10

9.5 Pan (0AH).......................................................................................................................................... 11

9.6 Expression (0BH) .............................................................................................................................. 11

9.7 General Use Controllers 1 through 8 (10H through 13H, 50H through 53H)..................................... 11

9.8 Hold1 (40H) ....................................................................................................................................... 12

9.9 Sostenuto (42H) ................................................................................................................................ 12

9.10 Soft (43H) .......................................................................................................................................... 13

9.11 Vibrato Rate (4CH) ............................................................................................................................ 13

9.12 Vibrato Depth (4DH) .......................................................................................................................... 13

9.13 Vibrato Delay (4EH)........................................................................................................................... 14

9.14 Reverb Send (5BH) ........................................................................................................................... 14

9.15 Chorus Send (5DH) ........................................................................................................................... 14

1

9.16 NRPN (62H, 63H) .............................................................................................................................. 15

9.17 RPN (64H, 65H) ................................................................................................................................ 15

9.17.1 Pitch Bend Sensitivity .......................................................................................................................... 15

9.17.2 Fine Tune.............................................................................................................................................. 16

9.17.3 Coarse Tune.......................................................................................................................................... 16

9.17.4 Modulation Depth ................................................................................................................................16

9.17.5 Null....................................................................................................................................................... 16

9.18 All Sound Off (78H) ........................................................................................................................... 17

9.19 Reset All Controllers (79H) ................................................................................................................ 17

10 Mode Message .............................................................................................................................. 17

10.1 All Notes Off (7BH) ............................................................................................................................ 17

10.2 Omni Off (7CH).................................................................................................................................. 18

10.3 Omni On (7DH).................................................................................................................................. 18

10.4 Mono (7EH) ....................................................................................................................................... 18

10.5 Poly (7FH) ......................................................................................................................................... 18

11 Program Change ........................................................................................................................... 19

11.1 About the Timbre Type ...................................................................................................................... 19

11.2 DSP Assignments During Tone Selection ......................................................................................... 19

11.2.1 DSP Line Structure............................................................................................................................... 19

11.2.2 DSP Line Assignment .......................................................................................................................... 19

11.2.3 Use of the Same DSP Line by Multiple Parts ...................................................................................... 20

12 Channel Aftertouch ........................................................................................................................ 20

13 Pitch Bend ..................................................................................................................................... 20

Part III System Messages

14 Active Sensing ............................................................................................................................... 21

15 System Exclusive Message ........................................................................................................... 21

15.1 Universal Realtime System Exclusive Message................................................................................ 21

15.1.1 Master Volume ..................................................................................................................................... 21

15.1.2 Master Balance ..................................................................................................................................... 22

15.1.3 Master Fine Tuning .............................................................................................................................. 22

15.1.4 Master Coarse Tuning .......................................................................................................................... 22

15.1.5 Reverb Parameter .................................................................................................................................23

15.1.6 Chorus Parameter .................................................................................................................................23

15.1.7 GM System Message............................................................................................................................ 25

15.1.8 GS Message.......................................................................................................................................... 25

15.2 Instrument-Specific System Exclusive Message ............................................................................... 26

2

Part IV Instrument-Specific System Exclusive Messages

16 Format ........................................................................................................................................... 27

16.1 Message Classifications .................................................................................................................... 27

16.2 Basic Message Structure................................................................................................................... 27

16.3 Format of Each Field ......................................................................................................................... 28

16.3.1 SX : System Exclusive Message Status ...............................................................................................28

16.3.2 MAN : Manufacturer's ID .................................................................................................................... 28

16.3.3 MOD : Model ID.................................................................................................................................. 28

16.3.4 dev : MIDI Device ID 00H-7FH .......................................................................................................... 28

16.3.5 act : Action ........................................................................................................................................... 28

16.3.6 cat : Category ....................................................................................................................................... 29

16.3.7 mem : Memory Area ID ....................................................................................................................... 29

16.3.8 pset : Parameter Set Number................................................................................................................29

16.3.9 blk : Block Number .............................................................................................................................. 30

16.3.10 pkt : Packet Number .............................................................................................................................30

16.3.11 prm : Parameter ID ............................................................................................................................... 30

16.3.12 idx : Data Index Number ...................................................................................................................... 30

16.3.13 len : Data Length .................................................................................................................................. 31

16.3.14 data : Parameter Data ........................................................................................................................... 31

17 Individual Parameter Operations ................................................................................................... 32

Part V Parameter List

18 System Parameters ....................................................................................................................... 33

18.1 System Information Parameter.......................................................................................................... 33

19 Setup Parameter............................................................................................................................ 34

19.1 MIDI Parameter ................................................................................................................................. 34

20 Patch Parameters .......................................................................................................................... 34

20.1 Master Tune Parameter..................................................................................................................... 34

20.2 Master Mixer Parameter .................................................................................................................... 34

20.3 System Chorus Parameter ................................................................................................................ 34

20.4 System Reverb Parameter ................................................................................................................ 35

20.5 System Acoustic Resonance Parameter ........................................................................................... 35

20.6 Brilliance Parameter .......................................................................................................................... 35

20.7 Part Parameter .................................................................................................................................. 36

21 Tone Parameters ........................................................................................................................... 36

21.1 Basic Parameters .............................................................................................................................. 36

21.2 LFO Parameter.................................................................................................................................. 37

21.3 DSP Parameter ................................................................................................................................. 38

3

Part VI DSP Parameter List

22 Tone with DSP List ........................................................................................................................ 39

23 DSP Algorithm ID Table................................................................................................................. 39

23.1 Monaural Tone DSP .......................................................................................................................... 39

23.2 Stereo Tone DSP .............................................................................................................................. 39

24 DSP Parameter Table.................................................................................................................... 40

24.1 Algorithm 0001 : Mono-Mono Tremolo Parameter ............................................................................ 40

24.2 Algorithm 0002 : Mono-Mono 3Band EQ Parameter ......................................................................... 40

24.3 Algorithm 0011 : Mono-Mono Wide 3Band EQ Parameter................................................................ 40

24.4 Algorithm 2001 : Stereo-Stereo 3Band EQ Parameter...................................................................... 40

24.5 Algorithm 2017 : Stereo-Stereo Wide 3Band EQ Parameter ............................................................ 40

24.6 Algorithm 2018 : Mix-Stereo Wide 3Band EQ Parameter ................................................................. 40

Part VII Setting Values and Send/Receive Values

25 Setting Value Tables...................................................................................................................... 41

25.1 Off/On Setting Value Table................................................................................................................ 41

25.2 Slow/Fast Setting Value Table .......................................................................................................... 41

25.3 Rotate/Brake Setting Value Table ..................................................................................................... 41

25.4 –64 - 0 - 63 Setting Value Table........................................................................................................ 41

25.5 Pan Setting Value Table.................................................................................................................... 41

25.6 –100 - 0 - 99 Setting Value Table...................................................................................................... 41

25.7 Reverb Type Setting Value Table...................................................................................................... 41

25.8 Chorus Type Setting Value Table...................................................................................................... 42

25.9 Equalizer Mid Frequency Setting Value Table .................................................................................. 42

25.10 Wide Band Equalizer Mid Frequency Value Setting Table................................................................ 42

25.11 Brilliance Gain Setting Value Table ................................................................................................... 43

25.12 DSP Equalizer Gain Setting Value Table .......................................................................................... 43

Part VIII MIDI Implementation Notation

26 Value Notation ............................................................................................................................... 44

26.1 Hexadecimal Notation ....................................................................................................................... 44

26.2 Binary Notation .................................................................................................................................. 44

4

Part I

MIDI Message Overview

1 Product Configuration as a MIDI Device

As a MIDI device, the instrument consists of the System Section, Performance Controller Section, and Sound Generator
Section described below. Each of these sections can send and receive specific MIDI Messages in accordance with its function.

• System Section

– Device Settings

• Sound Generator Section

– Common

∗ Sound Generator Common Block
∗ System Effect Block
∗ Master Effect Block (Brilliance Function)
∗ Mixer Master Block

– Channel Independent

∗ Instrument Parts
∗ Insertion Effect Block
∗ Mixer Channel Independent Block

• Performance Controller Section

– Keyboard

– Pedal and other real-time controllers

– Auto Accompaniment and Auto Accompaniment function

1.1 System Section

The System Section is divided between a sound generator and functions that are not directly related to Instrument play.
In addition to manipulating Instrument setting parameters, this section is also used to exchange commands and information.
For example, parameters can be initialized upon receipt of a System Section MIDI message, and memory use information
can be sent.

1.2 Performance Controller Section

The Performance Controller Section consists of the keyboard, pedal and other real-time controllers, as well as blocks that
generate auto accompaniment, auto performance, and other performance information.
An operation causes the corresponding message to be transmitted to the sound generator and to be sent from MIDI OUT.
The channel number of the sent message is in accordance with Instrument's part number.

1.3 Auto Accompaniment and Auto Performance MIDI Send

This document includes information for each type of information that describes what operation causes the message to be
sent. However, since there are so many messages sent by an auto accompaniment or auto performance operation, those
messages are not covered herein.

5

1.4 Sound Generator Section

The Sound Generator Section consists of a common part that does not depend on the channel and a part that specific to
each channel. Mainly it receives performance information and performs operations.

1.4.1 Sound Generator Common Block

The common section consists of a sound generator setting blocks that do not depend on the sound generator part, such as
system effects, mixer master control, etc. These can be controlled by system exclusive messages that are basically exclusive
to this particular instrument, but several parameters also can be controlled by general universal system exclusive messages.

1.4.2 Part Block

The parts of the sound generator can be operated and their settings can be changed with Instrument-specific system exclusive
messages and channel messages. This function consists of 32 parts, but channel messages can control only Group B.
The following table shows the fixed relationships between the part numbers and channel numbers of channel messages.

Part

Number

00 A01 01 Keyboard Main

01 A02 02 Keyboard Layered

02 A03 03 Keyboard Split

03 A04 04 -

04 A05 05 Sequencer playback Keyboard track main

05 A06 06 Sequencer playback Keyboard track layered

06 A07 07 Sequencer playback Keyboard track split

07 A08 08 -

08 A09 09 Metronome/Count

09 A10 10 Auto Accompaniment Drums (PX-120 only)

10 A11 11 Auto Accompaniment Bass (PX-120 only)

11 A12 12 Auto Accompaniment Chords 1 (PX-120 only)

12 A13 13 Auto Accompaniment Chords 2 (PX-120 only)

13 A14 14 Auto Accompaniment Chords 3 (PX-120 only)

14 A15 15 Sequencer playback Solo track

15 A16 16 - -

16 B01 01 MIDI/Music Library Channel01

17 B02 02 MIDI/Music Library Channel02

18 B03 03 MIDI/Music Library Channel03 Music Library left-hand data

19 B04 04 MIDI/Music Library Channel04 Music Library right-hand data

20 B05 05 MIDI/Music Library Channel05

21 B06 06 MIDI/Music Library Channel06

22 B07 07 MIDI/Music Library Channel07

23 B08 08 MIDI/Music Library Channel08

24 B09 09 MIDI/Music Library Channel09

25 B10 10 MIDI/Music Library Channel10

26 B11 11 MIDI/Music Library Channel11

27 B12 12 MIDI/Music Library Channel12

Part
Name

MIDI

Channel

Assigned Function Description

(Right keyboard in the Duet Mode)

(Left keyboard in the Duet Mode)

6

Part

Number

28 B13 13 MIDI/Music Library Channel13

29 B14 14 MIDI/Music Library Channel14

30 B15 15 MIDI/Music Library Channel15

31 B16 16 MIDI/Music Library Channel16

Part
Name

MIDI

Channel

Assigned Function Description

2 Conditions that Disable Message Send and Receive

All MIDI message send and receive is temporarily disabled while any one of the following processes is in progress.

• Demo data performance in progress

• Music Library data performance in progress

3 Timbre Type Specific Operation

The operation that is performed for a received message depends on the current Timbre Type value (see "11.1 About the
Timbre Type"), which is the operation mode of each sound generator part. Applicable information is provided in the
explanations for each message.

7

Part II

Channel Message

4 Receive Channel

The channel number of the channel message received by each part is shown in the table under "1.4.2 Part Block".
The channel number of a channel message that changes the settings of a DSP coincides with the channel of the part that
is using the DSP.

5 Send Channel

Basically, the MIDI channel of the channel message sent when the Instrument is played coincides with the MIDI channel
of the part being played. Note, however, that the MIDI channel of the performance information that corresponds to the
keyboard main part is the Keyboard Channel setting value.

6 Note Off

Format

Message Format: 9nH kkH 00H (receive only)

8nH kkH **H

n: MIDI Channel Number

kk:

Key Number

**:

Ignored

Send

Sent when something is played on the keyboard.

Receive

Received over MIDI channels that correspond to each part. A part that is turned off by the Part Enable Parameter value
explained under "20.7 Part Parameter" is not received. The velocity value is ignored.

7Note On

Format

Message Format: 9nH kkH vvH

n: MIDI Channel Number

kk: Key Number

vv: Velocity

Send

Sent when something is played on the keyboard.

Receive

Received over MIDI channels that correspond to each part. A part that is turned off by the Part Enable Parameter value
explained under "20.7 Part Parameter" is not received.

8

8 Polyphonic Key Pressure

Format

Message Format: AnH kkH vvH

n: MIDI Channel Number

kk: Key Number

vv: Pressure Value

Send

This message is not sent by this Instrument.

Receive

This message is not received by this Instrument.

9 Control Change

Format

Message Format: BnH ccH vvH

n: MIDI Channel Number

cc: Control Number

vv: Value

Send

Sent when the Instrument's pedal is operated or when Instrument settings are changed.

Receive

Receipt changes the Instrument mode or the corresponding parameter.

9.1 Bank Select (00H)

Format

Message Format: BnH 00H vvH (MSB)

BnH 20H **H (LSB)

n: MIDI Channel Number

vv:

Value

**:

Ignored

Send

Sent when a tone is selected. See the Tone List in the Instrument's User's Guide for details.

Receive

Receipt causes a change in the tone bank number stored in Instrument memory, but the tone is not actually changed until
a Program Change message is received.
For details, see "11 Program Change" in this document, and the Tone List in the Instrument's User's Guide.

9

9.2 Modulation (01H)

Format

Message Format: BnH 01H vvH

n: MIDI Channel Number

vv: Value

Send

This message is not sent by this Instrument.

Receive

Receipt adds, to the tone being sounded, modulation of a depth specified by the value. In the case of a tone that already
has modulation applied, receipt of this message increases the modulation depth. The modulation effect differs according
to the tone being used.

9.3 Data Entry (06H, 26H)

Format

Message Format: BnH 06H vvH (MSB)

BnH 26H vvH (LSB)

n: MIDI Channel Number

vv: Value

Send

This message is not sent by this Instrument.

Receive

Receipt changes the parameter assigned to RPN. This Instrument does not have a parameter that corresponds to NRPN.

9.4 Volume (07H)

Format

Message Format: BnH 07H vvH

n: MIDI Channel Number

vv: Value

Send

Sent when the metronome volume is adjusted.

Receive

Receipt changes the volume of the corresponding part.

10

9.5 Pan (0AH)

Format

Message Format: BnH 0AH vvH

n: MIDI Channel Number

vv: Value (Note1)

Note 1:

For information about the relationship between setting values and send/receive values, see "25.5 Pan Setting Value Table"
in "Part VII Setting Values and Send/Receive Values".

Send

This message is sent at initialization.

Receive

Receipt changes the pan setting of the corresponding part.

9.6 Expression (0BH)

Format

Message Format: BnH 0BH vvH

n: MIDI Channel Number

vv: Value

Send

This message is not sent by this Instrument.

Receive

Receipt changes the Expression value.

9.7 General Use Controllers 1 through 8 (10H through 13H, 50H through 53H)

These messages are used to control DSP operation.

Format

Message Format: BnH 10H vvH

BnH 11H vvH
BnH 12H vvH
BnH 13H vvH
BnH 50H vvH
BnH 51H vvH
BnH 52H vvH
BnH 53H vvH

n: MIDI Channel Number (Note1)

vv: Value

Send

This message is not sent by this Instrument.

DSP Parameter7[0]
DSP Parameter7[1]
DSP Parameter7[2]
DSP Parameter7[3]
DSP Parameter7[4]
DSP Parameter7[5]
DSP Parameter7[6]
DSP Parameter7[7]

Receive

Receipt change the value of Parameter7 [0-7] (7-Bit Parameter) explained under "21.3 DSP Parameter".
Any message received that corresponds to the parameter of a number not being used by the currently selected DSP is ignored.

11

Note 1: Received values and parameter setting values
The range of the value of each DSP Parameter 7 array element depends on the selected DSP or array number.
Unlike manipulation of a DSP parameter using a System Exclusive Message, a value received by this control change message
is always a value from 0 to 127, but the value is changed in accordance with the setting range of the applicable parameter
setting. Because of this, it is impossible for a value to be outside of the range of the applicable parameter setting.
Conversion from the value received with the message to the parameter setting value is performed can be represented in
general terms by the expression shown below.

Parameter

For details about Parameter 7 of each DSP, see the explanations under "Part VI DSP Parameter List".

Setting Value =

Parameter

Minimum Value + (

Parameter

Maximum Value -

Parameter

Minimum Value)

Received Value

×

127

9.8 Hold1 (40H)

Format

Message Format: BnH 40H vvH

n: MIDI Channel Number

vv: Value

Send

Sent when a pedal that has a sustain (damper) function is operated.

Receive

Receipt performs an operation equivalent to a sustain (damper) pedal operation.

Timbre Type Specific Operation
This operation differs in accordance with the Timbre Type (see "11.1 About the Timbre Type") setting.

• Timbre Type: Melody

Sustain off/on control is performed in accordance with the value of the received message. For information about
the relationship between setting values and send/receive values, see the "25.1 Off/On Setting Value Table" in "Part
VII Setting Values and Send/Receive Values" of this document.

• Timbre Type: Piano

Continuous control of the piano tone decay rate and the decay rate of Acoustic Resonance effect resonance is
performed in accordance with the value of the received message.

• Timbre Type: Drum

The received message does not affect sound source operation.

Acoustic Resonance
When a part that is using Acoustic Resonance receives this message, the resonance characteristics of Acoustic Resonance
are continually altered in accordance with the message value.

9.9 Sostenuto (42H)

Format

Message Format: BnH 42H vvH

n: MIDI Channel Number

vv: Value (Note1)

Note 1:

For information about the relationship between setting values and send/receive values, see the "25.1 Off/On Setting Value
Table" in "Part VII Setting Values and Send/Receive Values" of this document.

12

Send

Sent when a pedal that has a sostenuto function is operated.

Receive

Receipt performs an operation equivalent to a sostenuto pedal operation.

9.10 Soft (43H)

Format

Message Format: BnH 43H vvH

n: MIDI Channel Number

vv: Value (Note1)

Note 1:

For information about the relationship between setting values and send/receive values, see the "25.1 Off/On Setting Value
Table" in "Part VII Setting Values and Send/Receive Values" of this document.

Send

Sent when a pedal that has a soft function is operated.

Receive

Receipt performs an operation equivalent to a soft pedal operation.

9.11 Vibrato Rate (4CH)

Format

Message Format: BnH 4CH vvH

n: MIDI Channel Number

vv: Value (Note1)

Note 1:

For information about the relationship between setting values and send/receive values, see "25.4 –64 - 0 - 63 Setting Value
Table" in "Part VII Setting Values and Send/Receive Values" of this document.

Send

This message is not sent by this Instrument.

Receive

Receipt changes the vibrato rate of the tone that is currently selected by the applicable part.

9.12 Vibrato Depth (4DH)

Format

Message Format: BnH 4DH vvH

n: MIDI Channel Number

vv: Value (Note1)

Note 1:

For information about the relationship between setting values and send/receive values, see "25.4 –64 - 0 - 63 Setting Value
Table" in "Part VII Setting Values and Send/Receive Values" of this document.

13

Send

This message is not sent by this Instrument.

Receive

Receipt changes the vibrato auto depth of the tone that is currently selected by the applicable part.

9.13 Vibrato Delay (4EH)

Format

Message Format: BnH 4EH vvH

n: MIDI Channel Number

vv: Value (Note1)

Note 1:

For information about the relationship between setting values and send/receive values, see "25.4 –64 - 0 - 63 Setting Value
Table" in "Part VII Setting Values and Send/Receive Values" of this document.

Send

This message is not sent by this Instrument.

Receive

Receipt changes the vibrato auto delay of the tone that is currently selected by the applicable part.

9.14 Reverb Send (5BH)

Format

Message Format: BnH 5BH vvH

n: MIDI Channel Number

vv: Value (Note1)

Note 1:

The setting value matches the value that is sent and received.

Send

This message is sent at initialization and when the panel tone selection is changed.

Receive

Changes Reverb Send.

9.15 Chorus Send (5DH)

Format

Message Format: BnH 5DH vvH

n: MIDI Channel Number

vv: Value (Note1)

Note 1:

The setting value matches the value that is sent and received.

14

Send

This message is sent at initialization, when the panel tone selection is changed, and when a chorus on/off operation is
performed.

Receive

Changes Chorus Send.

9.16 NRPN (62H, 63H)

Format

Message Format: BnH 62H vvH (LSB)

BnH 63H vvH (MSB)

n: MIDI Channel Number

vv: Value

Send

This message is not sent by this Instrument.

Receive

This Instrument does not have a corresponding NRPN message.

9.17 RPN (64H, 65H)

Format

Message Format: BnH 64H vvH (LSB)

BnH 65H vvH (MSB)

n: MIDI Channel Number

vv: Value

9.17.1 Pitch Bend Sensitivity

Format

Message Format: BnH 64H 00H 65H 00H 06H mmH 26H **H

n: MIDI Channel Number

mm:

Value 0 - 24

**:

Ignored

Send

This message is not sent by this Instrument.

Receive

Receipt changes Pitch Bend Sensitivity.

15

9.17.2 Fine Tune

Format

Message Format: BnH 64H 01H 65H 00H 06H mmH 26H llH

n: MIDI Channel Number

mm: Value MSB

ll: Value LSB

Send

This message is not sent by this Instrument.

Receive

Receipt changes Channel Fine Tune.

9.17.3 Coarse Tune

Format

Message Format: BnH 64H 02H 65H 00H 06H mmH 26H 00H

n: MIDI Channel Number

mm: Value

Send

This message is not sent by this Instrument.

Receive

Receipt changes Channel Coarse Tune.

9.17.4 Modulation Depth

Format

Message Format: BnH 64H 05H 65H 00H 06H mmH 26H 00H

n: MIDI Channel Number

mm: Value (Note1)

Note 1:

The setting value matches the value that is sent and received.

Send

This message is never sent.

Receive

Receipt changes the vibrato modulation depth of the tone that is currently selected by the applicable part.

9.17.5 Null

Format

Message Format: BnH 64H 7FH 65H 7F

n: MIDI Channel Number

16

Send

This message is never sent.

Receive

Receipt deselects RPN.

9.18 All Sound Off (78H)

Format

Message Format: BnH 78H 00H

n: MIDI Channel Number

Send

This message is never sent.

Receive

Receipt stops all voices that are sounding.

9.19 Reset All Controllers (79H)

Format

Message Format: BnH 79H 00H

n: MIDI Channel Number

Send

This message is sent when the keyboard channel is changed and when the recorder function is used.

Receive

Receipt initializes each performance controller.

10 Mode Message

10.1 All Notes Off (7BH)

Format

Message Format: BnH 7BH 00H

n: MIDI Channel Number

Send

This message is sent when the keyboard channel is changed and when a Music Library or recorder operation is performed.

Receive

Receipt of any of this message releases the currently sounding voice (same as releasing the keyboard key).

17

10.2 Omni Off (7CH)

Format

Message Format: BnH 7CH 00H

n: MIDI Channel Number

Send

This message is never sent.

Receive

Receipt of any of this message releases the currently sounding voice (same as releasing the keyboard key).

10.3 Omni On (7DH)

Format

Message Format: BnH 7DH 00H

n: MIDI Channel Number

Send

This message is never sent.

Receive

Receipt of this message releases the currently sounding voice (same as releasing the keyboard key).

10.4 Mono (7EH)

Format

Message Format: BnH 7EH 00H

n: MIDI Channel Number

Send

This message is never sent.

Receive

Receipt of this message stops the currently sounding voice.

10.5 Poly (7FH)

Format

Message Format: BnH 7FH 00H

n: MIDI Channel Number

Send

This message is never sent.

Receive

Receipt of this message stops the currently sounding voice.

18

11 Program Change

Format

Message Format: CnH ppH

n: MIDI Channel Number

pp: Program Number

Send

Sent when a tone is selected. See the "Tone List" of the Instrument's User's Guide for details about program numbers.

Receive

Receipt of this message changes the tone of the part that corresponds to the MIDI channel.
The selected tone is determined by the program value of this message and the Bank Select message value received prior
to this message. See the Tone List in the Instrument's User's Guide for information about actually selecting tones, etc.
Also note that receipt of this message may also change the Timbre Type parameter at the same time. For more information,
see "11.1 About the Timbre Type" below.

11.1 About the Timbre Type

The tone selected by each part of this Instrument has a "Timbre Type" parameter that specifies the type of sound source
for the tone. As explained under "21.1 Basic Parameters", there are three Timbre Type settings: Melody, Piano, and Drum.
The following explains how each of these operates.

• Timbre Type: Melody

This timbre type optimizes for normal melody tones. It performs damper pedal on/off operation.

• Timbre Type: Piano

This setting optimizes for piano tones. The decay rate of the voice being sounded and Acoustic Resonance effect
characteristics are continually altered in accordance with the damper pedal position.

• Timbre Type: Drum

This setting optimizes for drum sounds. The damper pedal does not function.

11.2 DSP Assignments During Tone Selection

11.2.1 DSP Line Structure

Though the Instrument has four DSP lines that can be used simultaneously, selecting a tone that uses DSP causes the required
number of DSP lines to become reserved so the tone is configured with the requisite DSP.
Tones listed under "23.1 Monaural Tone DSP" use only one DSP line, while the tones under "23.2 Stereo Tone DSP" use
two DSP lines.
For information about tones that use DSP, see "22 Tone with DSP List".

11.2.2 DSP Line Assignment

Selecting multiple tones with DSP at the same time creates the possibility that there will not be enough DSP lines. In this
case, the last selected tone with DSP is given priority. Some DSP line(s) already being used will be released so they can
be assigned to the last selected tone.

19

11.2.3 Use of the Same DSP Line by Multiple Parts

When multiple parts that select tones that use DSP and all of the following settings are the same, the same DSP line is
assigned to all of the parts in order to maximize DSP line availability.

• Tone Number

• Part Volume

• Part Pan

• All DSP parameters

After the same DSP line is assigned to different parts as described here, Part Volume, Pan, Reverb Send, Chorus Send,
Acoustic Resonance Send, and all DSP parameter settings are common to all parts. Note that changing the settings on any
part will also affect all of the other parts that are sharing the DSP line. To assign the parts to a different DSP line, you
need to change one of the parameters listed above before selecting the tone.

12 Channel Aftertouch

Format

Message Format: DnH vvH

n: MIDI Channel Number

vv: Value

Send

These messages are never sent.

Receive

Receipt of this message adds modulation to the voice that is sounding. The modulation effect differs according to the tone
being used.

13 Pitch Bend

Format

Message Format: EnH llH mmH

n: MIDI Channel Number

ll: Value LSB

mm: Value MSB

Send

These messages are never sent.

Receive

Receipt changes the pitch of the currently sounding note. The change depends on the pitch bend sensitivity configured
with RPN.

20

Part III

System Messages

14 Active Sensing

Format

Message Format: FEH

Send

This message is never sent.

Receive

Once this message is received, the Active Sensing mode is entered. If no MIDI message is received for a specified amount
of time, voices being sounded by the Instrument's sound source are released, the controller is reset, and the Active Sensing
mode is exited.

15 System Exclusive Message

Format

Message Format: F0H....F7H

The Instrument sends and receives standard universal system exclusive messages, and system exclusive messages that have
Instrument-specific formats.

15.1 Universal Realtime System Exclusive Message

Format

Message Format: F0H 7FH....F7H

15.1.1 Master Volume

Format

Message Format: F0H 7FH 7FH 04H 01H llH mmH F7H

ll: Value LSB (Note1)

mm: Value MSB (Note1)

Note 1:

The setting value matches the value that is sent and received.

Send

This message is never sent.

Receive

Receipt changes the Master Volume parameter. Note that the Master Volume parameter cannot be changed with an Instrument
operation.

21

15.1.2 Master Balance

Format

Message Format: F0H 7FH 7FH 04H 02H llH mmH F7H

ll: Value LSB (Note1)

mm: Value MSB (Note1)

Note 1:

For information about the relationship between setting values and send/receive values, see "25.5 Pan Setting Value Table"
in "Part VII Setting Values and Send/Receive Values".

Send

This message is never sent.

Receive

Receipt changes the Master Pan parameter. Note that the Master Pan parameter cannot be changed with an Instrument
operation.

15.1.3 Master Fine Tuning

Format

Message Format: F0H 7FH 7FH 04H 03H 11H mmH F7H

mm: Value MSB(Note1)

Note 1:

For information about the relationship between setting values and send/receive values, see "25.6 –100 - 0 - 99 Setting
Value Table" in "Part VII Setting Values and Send/Receive Values" of this document.

Send

This message is sent when the tuning setting is changed.

Receive

Receipt changes the Fine Tune parameter.

Acoustic Resonance Actions
Acoustic Resonance acoustic characteristics also alter Fine Tune of the strings that simulate resonance in accordance with
the Master Fine Tune value. Because of this, receipt of this message may cause the resonance interval to change temporarily.

15.1.4 Master Coarse Tuning

Format

Message Format: F0H 7FH 7FH 04H 04H 00H mmH F7H

ll: Value LSB

mm: Value MSB

Send

Sent when Transpose is changed.

Receive

Receipt changes the Transpose parameter.

22

15.1.5 Reverb Parameter

Format

Message Format: F0H 7FH 7FH 04H 05H 01H 01H 01H

01H 01H ppH vvH F7H

pp: Parameter

vv: Value

Type Format

Message Format: F0H 7FH 7FH 04H 05H 01H 01H 01H

01H 01H 00H vvH F7H

vv: Value (Note1)

Note 1:

For information about the relationship between setting values and send/receive values, see "25.7 Reverb Type Setting Value
Table" in "Part VII Setting Values and Send/Receive Values".

Send

This message is sent when the System Reverb Type setting is changed.

Receive

Receipt changes the Reverb Type parameter.

Time Format

Message Format: F0H 7FH 7FH 04H 05H 01H 01H 01H

01H 01H 01H vvH F7H

vv: Value (Note1)

Note 1:

The setting value matches the value that is sent and received.

Send

This message is never sent.

Receive

Receipt changes the Reverb Time parameter.

15.1.6 Chorus Parameter

Format

Message Format: F0H 7FH 7FH 04H 05H 01H 01H 01H

01H 02H ppH vvH F7H

pp: Parameter

vv: Value

Type Format

Message Format: F0H 7FH 7FH 04H 05H 01H 01H 01H

01H 02H 00H vvH F7H

vv: Value (Note1)

23

Note 1:

For information about the relationship between setting values and send/receive values, see "25.8 Chorus Type Setting Value
Table" in "Part VII Setting Values and Send/Receive Values".

Send

This message is sent when the System Chorus Type setting is changed.

Receive

Receipt changes the System Chorus Type parameter.

Rate Format

Message Format: F0H 7FH 7FH 04H 05H 01H 01H 01H

01H 02H 01H vvH F7H

vv: Value (Note1)

Note 1:

The setting value matches the value that is sent and received.

Send

This message is never sent.

Receive

Receipt changes the System Chorus Rate parameter.

Depth Format

Message Format: F0H 7FH 7FH 04H 05H 01H 01H 01H

01H 02H 02H vvH F7H

vv: Value (Note1)

Note 1:

The setting value matches the value that is sent and received.

Send

This message is never sent.

Receive

Receipt changes the System Chorus Depth parameter.

Feedback Format

Message Format: F0H 7FH 7FH 04H 05H 01H 01H 01H

01H 02H 03H vvH F7H

vv: Value (Note1)

Note 1:

The setting value is the same as the value that is received.

Send

This message is never sent.

Receive

Receipt changes the System Chorus Feedback parameter.

24

Send To Reverb Format

Message Format: F0H 7FH 7FH 04H 05H 01H 01H 01H

01H 02H 04H vvH F7H

vv: Value (Note1)

Note 1:

The setting value is the same as the value that is received.

Send

This message is never sent.

Receive

Receipt changes the Chorus Send To Reverb parameter.

15.1.7 GM System Message

GM System On Format

Message Format: F0H 7EH 7FH 09H 01H F7H

Send

This message is never sent.

Receive

Receipt configures the Instrument's sound as a partial GM sound source. Note that this Instrument does not provide full
GM compatibility.

GM System Off Format

Message Format: F0H 7EH 7FH 09H 02H F7H

Send

This message is never sent.

Receive

Receipt returns the Instrument's sound source to its power on default settings.

GM2 System On Format

Message Format: F0H 7EH 7FH 09H 03H F7H

Send

This message is never sent.

Receive

Though the Instrument does not support GM2, receipt of the GM2 System On message has the same result as receipt of
the GM System On message.

15.1.8 GS Message

Message Format: F0H 41H ddH 42H 12H 40H 00H 7FH 00H 41H F7H

Note: dd (Device ID) is ignored.

Send

This message is never sent.

25

Receive

Receipt performs the same operation as when the GM System On message is received.

15.2 Instrument-Specific System Exclusive Message

Format

Message Format: F0H 44H 15H 01H....F7H

Most Instrument parameters and user data, and some operation commands can be controlled using this message.

For more information, see "Part IV Instrument-Specific System Exclusive Messages".

26

Part IV

Instrument-Specific System Exclusive Messages

16 Format

16.1 Message Classifications

The SysEx operation of this Instrument is basically a parameter data transfer operation. The following operations can be
performed from an external device using this parameter transfer message.

• Change of a specific Instrument parameter value

• Import of a specific Instrument parameter value

Parameters can be used for more than just device setting values. There are parameters when writing data that operate as
commands, and parameters when reading data that indicate the status of the Instrument. The following table shows the
parameter category for each type of transfer.

Function Section Parameter Category Description

System System Commands, Instrument status

Setup Instrument basic settings

Sound Generator Patch Sound source common settings

(system effects, master settings, etc.)
Sound source part settings
(tone selection, mixing, tuning, etc.)

Tone Tone parameter, DSP settings

16.2 Basic Message Structure

System Exclusive messages that are exclusive to this Instrument are sent and received using Individual Parameter Transfer,
which gets its name from the fact that individual parameters are sent and received. A number of different messages are
provided to cover each particular operation. The field in the SysEx message that specifies the message type is the action
(act) field. The format of the "body" part of the message depends on the "act" value.

The table below shows the body format for each action of Instrument-specific system exclusive messages. An actual message
consists of the items indicated by "Y", from left to right.

act SX MAN MOD dev act body (Depends on act) EOX

cat mem pset blk pkt prm idx len data img sum

IPRYYYYYYYYY-YYY---Y

IPSYYYYYYYYY-YYYY--Y

27

16.3 Format of Each Field

16.3.1 SX : System Exclusive Message Status

Format: 11110000B

System Exclusive message Status = F0H

16.3.2 MAN : Manufacturer's ID

Format: 01000100B

Manufacturer's ID = 44H (CASIO)

16.3.3 MOD : Model ID

Format: 00010101B (MSB) 00000001B (LSB)

The Model ID of the series to which the Instrument belongs is shown by two consecutive bytes (MSB, LSB).
(PX-120/PX-200/PX-320/PX-720/PX-800/AP-200/AP-400/AP-500 Model ID MSB = 15H, LSB = 01H)

16.3.4 dev : MIDI Device ID 00H-7FH

Format: 0dddddddB

The contents of this field in a received message are compared with the Model's MIDI Device ID, and receipt of the incoming
message is allowed only when the two IDs match. The default value for this field is 10H. When a message containing
7FH is received, receipt of the message is always allowed, regardless of the Instrument's ID setting.
MIDI Device ID is a Patch Parameter, and it can be changed with a System Exclusive Message. In this case, the Device
ID of the MIDI System Exclusive Message must be set to 7FH before it is sent.

16.3.5 act : Action

Format: 0aaaaaaaB

aaaaaaaB = Action
This field indicates the operation of the Instrument-specific System Exclusive Message.

aaaaaaaB Action Function

01H IPR Individual Parameter Request

02H IPS Individual Parameter Send

IPR: Individual Parameter Request
Indicates an individual parameter value send request message. When the Instrument receives this action, it uses an IPS
message to return the specified parameter value.

IPS: Individual Parameter Send
Indicates an individual parameter value send message. When the Instrument receives this action, it rewrites the value specified
by the data field with the specified parameter value.

28

16.3.6 cat : Category

Format: 0cccccccB

0cccccccB = Category (7bit)
The category indicates the categories of data handled by the System Exclusive Message. The ID number (ID) of the Category
is indicated on the left, while the communication operation (Action) is indicated on the right.

Category Transfer

ID (c) Parameter Set Individual Parameter

00H System A

01H Setup A

02H Patch A

03H Tone A

A ..... Available (Also including when only some parameters are available.)

-...... Not Available

16.3.7 mem : Memory Area ID

Format: 0mmmmmmmB

Specifies the memory area that is the object of the parameter transfer. The following are defined for this Instrument.

Mem Type

0 User area (rewriting allowed)

1 Preset area (rewriting not allowed)

16.3.8 pset : Parameter Set Number

Format: 0nnnnnnnB (LSB) 0mmmmmmmB (MSB)

This field is a 2-byte (LSB, MSB) value indicating the number of the parameter set (mmmmmmmnnnnnnnB, Binary)
being transferred.

29

16.3.9 blk : Block Number

This supplementary number specifies which block is the object when there are multiple blocks within the same parameter set.

Format: 0iiiiiiiB (LSB) 0jjjjjjjB 0kkkkkkkB (MSB)

In the cases when there are multiple parameters in a category with the same ID (such as the mixer channel volume setting),
for example, the block number required in order to specify the block where the data belongs is indicated as
kkkkkkkjjjjjjjiiiiiiiB (Binary).

When the parameter block has a multi-dimensional array structure, bit 21 of the block number is divided into prescribed
bit fields based on the rules explained below.

Block Bit Field Division

• Case 1

When an array has three or fewer nesting levels and the number of arrays in each dimension is 128 or less, they are assigned
below the three 7-bit fields. Unused regions are filled will zeros.

Example:
parameter [A][B][C]
With a 3-dimensional array parameter that consists of A=8 (3 bits), B=5 (3 bits) and C=10 (4 bits), the block bit fields are
allocated as: Block = 0000aaa 000bbb ccccccc (Binary).

• Case 2

When Case 1 conditions are not satisfied, the minimal number of fields required for each number of arrays is reserved from
the lower bit of the block. Unused regions are filled will zeros.

Example 1:
parameter [A][B][C][D]
With a 4-dimensional array parameter that consists of A=3 (2 bits), B=4 (2 bits), C=3 (2 bits) and D=4 (2 bits) like the one
shown above, the block bit fields are allocated as: Block = 0000000 00000a abbccdd (Binary).

Example 2:

parameter [A][B]

A=3 (2 bits), B=200 (8 bits)
With a 2-dimensional array parameter like the one shown above, the block bit fields are allocated as: Block = 0000000
000aab bbbbbbb (Binary).

16.3.10 pkt : Packet Number

Format: 0iiiiiiiB (LSB) 0jjjjjjjB 0kkkkkkkB (MSB)

This is the divided packet number kkkkkkkjjjjjjjiiiiiiiB (Binary) for transferring a single parameter set.

16.3.11 prm : Parameter ID

Format: 0pppppppB (LSB) 0qqqqqqqB (MSB)

The Parameter ID indicates the parameter type. When transferring parameters (see "Part V Parameter List" below)
individually, this field is used to identify the parameter being transferred by its parameter ID.

16.3.12 idx : Data Index Number

Format: 0iiiiiiiB

The data index number indicates the first array number of the array from which transfer starts.

30

16.3.13 len : Data Length

Format: 0lllllllB

Data length indicates the transfer array length minus 1 for individual parameter transfer when the parameter contains a
character string or other similar array structure.

16.3.14 data : Parameter Data

Format: 0dddddddB (0eeeeeeeB) (0fffffffB) (0gggggggB) (0hhhhhhhB)

:
:

Parameter data indicates the parameter value. Data that is the size of the number of arrays equivalent to len + 1 follows.
For the structure of one data item, the length depends on the data bit width, as shown below.

dddddB + 1 Number of Data

1 - 71

8 - 14 2

15 - 21 3

22 - 28 4

29 - 32 5

Each block of data is packed from the lowest order byte first. In the case of multiple-byte data, the lowest weighted bit
is the LSB of the first "data" block, and the highest weighted bit is the MSB of the final "data" block. The following
shows an example of how data would be divided for transfer in the case of 32-bit data.

76543210

data0: 0 [bit06] [bit05] [bit04] [bit03] [bit02] [bit01] [bit00]

data1: 0 [bit13] [bit12] [bit11] [bit10] [bit09] [bit08] [bit07]

data2: 0 [bit20] [bit19] [bit18] [bit17] [bit16] [bit15] [bit14]

data3: 0 [bit27] [bit26] [bit25] [bit24] [bit23] [bit22] [bit21]

data4: 0 0 0 0 [bit31] [bit30] [bit29] [bit28]

31

17 Individual Parameter Operations

There are two parameter unit operations: Individual Parameter Transfer and Individual Parameter Request.

For one session, in response to an IPR (Individual Parameter Request) from an external device, this Instrument returns an
IPS (Individual Parameter Send) or the session is concluded when the external device or this Instrument spontaneously
sends an IPS. If this Instrument received an IPS, the value of the applicable parameter is changed.

An Individual Parameter Send can also be used to issue some command to the Instrument, and the Individual Parameter
Request can be used to check Instrument status information.

Data Receiver Data Sender Operation

IPR → Send Request (Optional)

← IPS Data Transfer

See "Part V Parameter List" for information about how parameters can actually be sent.

32

Part V

Parameter List

How to Read the Tables

Number Base Notation
"Size" indicates the parameter value bit width as a decimal value.
The bit field position of "Block" as a decimal value.
Values used in the explanations under "Description" are all decimal values, unless specified otherwise.
Values other than those described above are all hexadecimal.

R/W Field
The R/W field indicates whether an IPR (Individual Parameter Request) read operation or IPS (Individual Parameter Send)
write operation is enabled.

18 System Parameters

These parameters make it possible for an external device to check the status of the Instrument and for an external device
to command some operation of the Instrument.

18.1 System Information Parameter

This parameter is a container for system information.

Parameter ID R/W Block Size Array Min-Def-Max Description

Model

Version
Internal Timestamp
External Timestamp

0000

0001
0002
0003

R

R
R/W
R/W

000000

000000
000000
000000

7

01

7

01

7

10

7

10

00-00-7F

00-00-7F
00-20-7F
00-20-7F

0...reserved

1...PX-200/PX-320

2...PX-800

3...AP-500

4...PX-120

5...PX-720/AP-200/
AP-400

Version Number
Ascii Character
Ascii Character

33

19 Setup Parameter

Setup Parameters put a device into the setup mode.

19.1 MIDI Parameter

Parameter ID R/W Block Size Array Min-Def-Max Description

Midi Device Id 0023 R/W 000000 7 01 00-7F-7F 0 - 127

20 Patch Parameters

20.1 Master Tune Parameter

These parameters configure Master Tuning settings.

Parameter ID R/W Block Size Array Min-Def-Max Description

Master Fine Tune
Master Fine Tune8
Master Coarse Tune

20.2 Master Mixer Parameter

These parameters configure the Master settings of the mixer.

Parameter ID R/W Block Size Array Min-Def-Max Description

Master Volume
Master Pan
Acou Reso To Chorus
Acou Reso To Reverb
Acou Reso Return
Chorus To Reverb
Chorus Return
Reverb Return
Dsp Cancel

0000
0080
0001

0004
0005
0008
000A
000B
000F
0010
0017
001A

R/W
R/W
R/W

R/W
R/W
R/W
R/W
R/W
R/W
R/W
R/W
R/W

000000
000000
000000

000000
000000
000000
000000
000000
000000
000000
000000
000000

7

01

8

01

7

01

7

01

7

01

7

01

7

01

7

01

7

01

7

01

7

01

1

01

00-40-7F
00-80-FF
00-40-7F

00-7F-7F
00-40-7F
00-00-7F
00-00-7F
00-40-7F
00-00-7F
00-40-7F
00-40-7F
00-00-01

-100 - 0 - +99(cent)

-100 - 0 - +99(cent)

-24 - 0 - +24(semitone)

0 - 127

-64 - 0 - +63
0 - 127
0 - 127
0 - 127
0 - 127
0 - 127
0 - 127

0...Normal

1...Cancel

20.3 System Chorus Parameter

Parameter ID R/W Block Size Array Min-Def-Max Description

Cancel

Type
Rate
Depth
Feedback
Tone

Note 1:

Selects the System Chorus preset type. Receipt of GM/GS Reset selects Chorus3.
The value of this type is also linked to System Chorus parameters, and to the Chorus Send to Reverb and System Chorus
Return Level parameters, and its setting causes these parameters to change to prescribed values.
For details about the preset type list, see "25.8 Chorus Type Setting Value Table".

002A

002B
002C
002D
002E
002F

R/W

R/W
R/W
R/W
R/W
R/W

000000

000000
000000
000000
000000
000000

1

01

7

01

7

01

7

01

7

01

7

01

00-00-01

00-02-0F
00-03-7F
00-13-7F
00-00-7F
00-7F-7F

0...Normal

1...Cancel
1 - 16 (Note1)
0 - 127
0 - 127
0 - 127
0 - 127

34

20.4 System Reverb Parameter

Parameter ID R/W Block Size Array Min-Def-Max Description

Cancel

Type
Feedback
Er Level
Damp
Tone

Note 1:

Selects the System Reverb preset type. Receipt of GM/GS Reset selects Hall2.
This type is also linked to System Reverb parameters, and to the System Reverb Return Level parameter, and its setting
causes these parameters to change to prescribed values.
For details about the preset type list, see "25.7 Reverb Type Setting Value Table".

003C

003D
003E
003F
0040
0041

R/W

R/W
R/W
R/W
R/W
R/W

000000

000000
000000
000000
000000
000000

1

01

7

01

7

01

7

01

7

01

7

01

00-00-01

00-04-0F
00-40-7F
00-40-7F
00-40-7F
00-7F-7F

0...Normal

1...Cancel
1 - 16 (Note1)
0 - 127
0 - 127
0 - 127
0 - 127

20.5 System Acoustic Resonance Parameter

Parameter ID R/W Block Size Array Min-Def-Max Description

Cancel

Tuning
Damper Pedal
Wet Level Min
Wet Level Max
Low Boost Freq
Low Boost Level
High Cut Freq

001B

001C
001D
0025
0026
0027
0028
0029

R/W

R/W
R/W
R/W
R/W
R/W
R/W
R/W

000000

000000
000000
000000
000000
000000
000000
000000

16
16
16
16
16

1

7
7

01

01
01
01
01
01
01
01

00-00-01

00-40-7F

00-00-7F
0000-1333-7FFF
0000-5800-7FFF
0000-2000-4000
0000-4000-7FFF
0000-4000-7FFF

0...Normal

1...Cancel
100 - 0 - +99(cent)(Note1)

-

0 - 127 (Note2)
0x0000 - 0x7FFF (Note3)
0x0000 - 0x7FFF (Note4)
0x0000 - 0x4000
0x0000 - 0x7FFF
0x0000 - 0x7FFF

Note 1:

Changing this parameter configures the Tuning setting of System Acoustic Resonance.
When the Instrument's Master Fine Tune setting is changed, this parameter is reset to the Master Fine Tune value.

Note 2:

Changing this parameter performs a Damper Pedal operation on System Acoustic Resonance.
When the Damper Pedal parameter of the part being used by System Acoustic Resonance is manipulated, this parameter
is reset to the manipulated Damper Pedal depth.

Note 3:

The value is set when the damper pedal is completely released.

Note 4:

The value is set when the damper pedal is completely depressed.

20.6 Brilliance Parameter

Parameter ID R/W Block Size Array Min-Def-Max Description

Type

Mid6 Gain

Note 1:

Selects Master EQ mid 6 (Brilliance) gain. See "25.11 Brilliance Gain Setting Value Table".

0047

0055

R/W

R/W

000000

00000077

01

01

00-00-01

00-0C-18

0...For Speaker

1...For Phones
12 - 0 - +12(Brilliance)(Note1)

-

35

20.7 Part Parameter

Parameter ID R/W Block Size Array Min-Def-Max Description

Part Enable

Tone Num
Fine Tune
Coarse Tune
Volume
Acmp Volume
Pan
Cho Send
Rev Send
Acou Reso Send
Bend Range

0068

0069
006A
006B
006C
006D
006E
006F
0070
0071
0073

R/W

4-0: Part Number

R/W
R/W
R/W
R/W
R/W
R/W
R/W
R/W
R/W
R/W

1

01

↑
↑
↑
↑
↑
↑
↑
↑
↑
↑

14

7
7
7
7
7
7
7
7
7

01
01
01
01
01
01
01
01
01
01

00-01-01

0000-0000-3FFF

00-40-7F
28-40-58
00-64-7F
00-7F-7F
00-40-7F
00-00-7F
00-28-7F
00-00-7F
00-02-18

0...Off

1...On
0 - 16383

100 - 0 - +99(cent)

-

-24 - 0 - +24(semitone)
0 - 127
0 - 127

-64 - 0 - +63
0 - 127
0 - 127
0 - 127
0 - 24

21 Tone Parameters

21.1 Basic Parameters

Parameter ID R/W Block Size Array Min-Def-Max Description

Name
Timbre Type

Timbre Num
Oct Shift
Line Select

Level
Touch Sens
Sys Fx Send Override

Cho Send
Rev Send
Acou Reso Send

0000
0001

0002
0003
0004

0005
0006
0007

0008
0009
000A

R/W
R/W

R/W
R/W
R/W

R/W
R/W
R/W

R/W
R/W
R/W

000000
000000

000000
000000
000000

000000
000000
000000

000000
000000
000000

14

7

10

4

01

01

3

01

1

01

7

01

7

01

1

01

7

01

7

01

7

01

00-20-7F
00-00-0F

0000-0000-3FFF

02-04-06
00-00-01

00-7F-7F
00-7F-7F
00-00-01

00-00-7F
00-28-7F
00-00-7F

Ascii Character

0...Melody

1...Piano

2...Drum
0 - 16383

-2 - 0 - +2

0...Direct

1...DSP
0 - 127

-64 - 0 - +63

0...No (Note1)

1...Yes
0 - 127
0 - 127
0 - 127

Note 1:

When a tone is selected whose Sys Fx Send Override parameter setting is "Yes", the send level setting value to the System
Chorus, System Reverb, and System Acoustic Resonance of the part assigned to this tone is rewritten to the value that is
stored by this tone.

36

21.2 LFO Parameter

Parameter ID R/W Block Size Array Min-Def-Max Description

Vib Wave

Vib Rate
Vib Auto Delay
Vib Auto Rise
Vib Auto Depth
Vib Mod Depth
Vib After Depth
Lfo Wave

Lfo Rate
Lfo Fil Auto Delay
Lfo Fil Auto Rise
Lfo Fil Auto Depth
Lfo Fil Mod Depth
Lfo Fil After Depth
Lfo Amp Auto Delay
Lfo Amp Auto Rise
Lfo Amp Auto Depth
Lfo Amp Mod Depth
Lfo Amp After Depth

000C

000D
000E
000F
0010
0011
0012
0013

0014
0015
0016
0017
0018
0019
001A
001B
001C
001D
001E

R/W

R/W
R/W
R/W
R/W
R/W
R/W
R/W

R/W
R/W
R/W
R/W
R/W
R/W
R/W
R/W
R/W
R/W
R/W

000000

000000
000000
000000
000000
000000
000000
000000

000000
000000
000000
000000
000000
000000
000000
000000
000000
000000
000000

4

01

7

01

7

01

7

01

7

01

7

01

7

01

4

01

7

01

7

01

7

01

7

01

7

01

7

01

7

01

7

01

7

01

7

01

7

01

00-00-0F

00-40-7F
00-40-7F
00-40-7F
00-40-7F
00-40-7F
00-40-7F
00-00-0F

00-40-7F
00-40-7F
00-40-7F
00-40-7F
00-40-7F
00-40-7F
00-40-7F
00-40-7F
00-40-7F
00-40-7F
00-40-7F

0...Sin

1...Tri

2...Saw Up

3...Saw Down

4...Pulse 1:3

5...Pulse 2:2

6...Pulse 3:1
Depends on original

15..

-64 - 0 - +63 (Note1)

-64 - 0 - +63 (Note1)

-64 - 0 - +63 (Note1)

-64 - 0 - +63 (Note1)

-64 - 0 - +63 (Note1)

-64 - 0 - +63 (Note1)

0...Sin

1...Tri

2...Saw Up

3...Saw Down

4...Pulse 1:3

5...Pulse 2:2

6...Pulse 3:1
Depends on original

15..

-64 - 0 - +63 (Note1)

-64 - 0 - +63 (Note1)

-64 - 0 - +63 (Note1)

-64 - 0 - +63 (Note1)

-64 - 0 - +63 (Note1)

-64 - 0 - +63 (Note1)

-64 - 0 - +63 (Note1)

-64 - 0 - +63 (Note1)

-64 - 0 - +63 (Note1)

-64 - 0 - +63 (Note1)

-64 - 0 - +63 (Note1)

Note 1:

The function of this parameter is to relatively change the original setting value of the tone. The parameter is set to the
maximum value when the maximum is exceeded, and to the minimum when the minimum is exceeded.

37

21.3 DSP Parameter

Parameter ID R/W Block Size Array Min-Def-Max Description

Name
Algorithm

Cho Send
Rev Send
Acou Reso Send
Parameter7
Parameter16

Note 1:

This value is the DSP algorithm ID, which cannot be changed directly at the user level. Changing the DSP Type or Tone
Number causes the algorithm ID of the original DSP to be copied automatically to this area. See "23 DSP Algorithm ID
Table".

002C
002D

002E
002F
0030
0032
0033

R/W
R/W

R/W
R/W
R/W
R/W
R/W

000000
000000

000000
000000
000000
000000
000000

14

16

7

10
01

7

01

7

01

7

01

7

20
10

00-20-7F

0000-0000-3FFF

00-00-7F
00-28-7F
00-00-7F
00-40-7F

0000-8000-FFFF

Ascii Character
Serial Number
(Note1)
0 - 127
0 - 127
0 - 127
0 - 127
0x0000 - 0xFFFF

38

Part VI

DSP Parameter List

22 Tone with DSP List

This is a list of tones that use DSP.

Tone Number Tone Name Mono/Stereo DSP Algorithm

01 Panel GRAND PIANO MODERN Stereo Wide 3Band EQ

02 Panel GRAND PIANO CLASSIC Stereo Wide 3Band EQ

07 Panel VIBRAPHONE Mono Tremoro

23 DSP Algorithm ID Table

The lists in this section show the DSP algorithms that are used in the Instrument.

23.1 Monaural Tone DSP

ID Algorithm Input Output

0001 Tremolo Mono Mono

0002 3Band EQ Mono Mono

0011 Wide 3Band EQ Mono Mono

23.2 Stereo Tone DSP

ID Algorithm Input Output

2001 3Band EQ Stereo Stereo

2017 Wide 3Band EQ Stereo Stereo

2018 Wide 3Band EQ Mix Stereo

39

24 DSP Parameter Table

The lists in this section show the parameters of each DSP algorithm.

24.1 Algorithm 0001 : Mono-Mono Tremolo Parameter

Parameter Number Parameter Name Value Notes

Parameter7[00] Rate 00 ～ 7F

Parameter7[01] Depth 00～7F

24.2 Algorithm 0002 : Mono-Mono 3Band EQ Parameter

Parameter Number Parameter Name Value Notes

Parameter7[00] Low Freq 00 - 07 Note1

Parameter7[01] Low Gain 34 - 4C Note2

Parameter7[02] Mid Freq 00 - 07 Note1

Parameter7[03] Mid Gain 34 - 4C Note2

Parameter7[04] High Freq 00 - 07 Note1

Parameter7[05] High Gain 34 - 4C Note2

Note 1: See "25.9 Equalizer Mid Frequency Setting Value Table".

Note 2: See "25.12 DSP Equalizer Gain Setting Value Table".

24.3 Algorithm 0011 : Mono-Mono Wide 3Band EQ Parameter

Parameter Number Parameter Name Value Notes

Parameter7[00] Low Freq 00～0F Note1

Parameter7[01] Low Gain 34～4C Note2

Parameter7[02] Mid Freq 00～0F Note1

Parameter7[03] Mid Gain 34～4C Note2

Parameter7[04] High Freq 00～0F Note1

Parameter7[05] High Gain 34～4C Note2

Note 1: See "25.10 Wide Band Equalizer Mid Frequency Value Setting Table".

Note 2: See "25.12 DSP Equalizer Gain Setting Value Table".

24.4 Algorithm 2001 : Stereo-Stereo 3Band EQ Parameter

Same as "24.2 Algorithm 0002 : Mono-Mono 3Band EQ Parameter".

24.5 Algorithm 2017 : Stereo-Stereo Wide 3Band EQ Parameter

Same as "24.3 Algorithm 0011 : Mono-Mono Wide 3Band EQ Parameter".

24.6 Algorithm 2018 : Mix-Stereo Wide 3Band EQ Parameter

Same as "24.3 Algorithm 0011 : Mono-Mono Wide 3Band EQ Parameter".

40

Part VII

25.5 Pan Setting Value Table

Setting Values and Send

/

Receive Values

25 Setting Value Tables

25.1 Off/On Setting Value Table

Transmit

Value

00H 00H～3FH Off

7FH 40H～7FH On

25.2 Slow/Fast Setting Value Table

Transmit

Value

00H 00H～3FH Slow

7FH 40H～7FH Fast

25.3 Rotate/Brake Setting Value Table

Transmit

Value

00H 00H～3FH Rotate

7FH 40H～7FH Brake

25.4 –64 - 0 - 63 Setting Value Table

Transmit/Receive

Value

00H -64

01H -63

::

40H 0

::

7EH 62

7FH 63

Receive

Value

Receive

Value

Receive

Value

Parameter

Parameter

Parameter

Parameter

Transmit/Receive

Value

00H Left

::

40H Center

::

7FH Right

Parameter

25.6 –100 - 0 - 99 Setting Value Table

Transmit/Receive

Value

(MSB-LSB)

00H-00H -100

::

40H-00H 0

::

7FH-7FH 99

Parameter

25.7 Reverb Type Setting Value Table

Transmit/Receive

Value

00H Room1

01H Room2

02H Room3

03H Hall1

04H Hall2

05H Plate1

06H Delay

07H Panning Delay

08H Plate2

09H Plate3

0AH Large Room1

0BH Large Room2

0CH Stadium1

0DH Stadium2

0EH Long Delay

0FH

Parameter

Long Panning Delay

41

25.8 Chorus Type Setting Value Table

Transmit/

Receive Value

00H Chorus1

01H Chorus2

02H Chorus3

03H Chorus4

04H Feedback Chorus

05H Flanger1

06H Short Delay

07H Short Delay FB

08H Soft Chorus

09H Bright Chorus

0AH Deep Chorus

0BH Flanger2

0CH Flanger3

0DH Flanger4

0EH Short Delay Modulation

0FH

Short Delay Modulation FB

Parameter

25.10 Wide Band Equalizer Mid
Frequency Value Setting Table

Parameter Value Frequency

00H 100Hz

01H 130Hz

02H 160Hz

03H 200Hz

04H 300Hz

05H 400Hz

06H 600Hz

07H 800Hz

08H 1.0KHz

09H 1.3KHz

0AH 1.6KHz

0BH 2.0KHz

0CH 3.0KHz

0DH 4.0KHz

0EH 6.0KHz

0FH 8.0KHz

25.9 Equalizer Mid Frequency Setting
Valu e Table

Parameter Value Frequency

00H 1.0KHz

01H 1.3KHz

02H 1.6KHz

03H 2.0KHz

04H 3.0KHz

05H 4.0KHz

06H 6.0KHz

07H 8.0KHz

42

25.11 Brilliance Gain Setting Value Table

Parameter Value Gain

00H -12

01H -11

02H -10

03H - 9

04H - 8

05H - 7

06H - 6

07H - 5

08H - 4

09H - 3

0AH - 2

0BH - 1

0CH 0

0DH + 1

0EH + 2

0FH + 3

10H + 4

11H + 5

12H + 6

13H + 7

14H + 8

15H + 9

16H +10

17H +11

18H +12

Note: The gain value does not exactly correspond to

decibels (dB).

25.12 DSP Equalizer Gain Setting Value
Table

Parameter Value Gain

34H -12

35H -11

36H -10

37H - 9

38H - 8

39H - 7

3AH - 6

3BH - 5

3CH - 4

3DH - 3

3EH - 2

3FH - 1

40H 0

41H + 1

42H + 2

43H + 3

44H + 4

45H + 5

46H + 6

47H + 7

48H + 8

49H + 9

4AH +10

4BH +11

4CH +12

Note: The gain value does not exactly correspond to

decibels (dB).

43

Part VIII

MIDI Implementation
Notation

26 Value Notation

26.1 Hexadecimal Notation

MIDI implementation sometimes requires that data be
expressed in hexadecimal format. Hexadecimal values are
indicated by the letter "H" after the value. The hexadecimal
equivalents of decimal values 10 through 15 are expressed
as the letters A through F. The table below shows the
hexadecimal equivalents for the decimal values 0 through
127, which are often used for settings.

Decimal

Hexadecimal

0 00H 32 20H 64 40H 96 60H

1 01H 33 21H 65 41H 97 61H

2 02H 34 22H 66 42H 98 62H

3 03H 35 23H 67 43H 99 63H

4 04H 36 24H 68 44H 100 64H

5 05H 37 25H 69 45H 101 65H

6 06H 38 26H 70 46H 102 66H

7 07H 39 27H 71 47H 103 67H

8 08H 40 28H 72 48H 104 68H

9 09H 41 29H 73 49H 105 69H

10 0AH 42 2AH 74 4AH 106 6AH

11 0BH 43 2BH 75 4BH 107 6BH

12 0CH 44 2CH 76 4CH 108 6CH

13 0DH 45 2DH 77 4DH 109 6DH

14 0EH 46 2EH 78 4EH 110 6EH

15 0FH 47 2FH 79 4FH 111 6FH

16 10H 48 30H 80 50H 112 70H

17 11H 49 31H 81 51H 113 71H

18 12H 50 32H 82 52H 114 72H

19 13H 51 33H 83 53H 115 73H

20 14H 52 34H 84 54H 116 74H

21 15H 53 35H 85 55H 117 75H

22 16H 54 36H 86 56H 118 76H

23 17H 55 37H 87 57H 119 77H

24 18H 56 38H 88 58H 120 78H

25 19H 57 39H 89 59H 121 79H

26 1AH 58 3AH 90 5AH 122 7AH

27 1BH 59 3BH 91 5BH 123 7BH

28 1CH 60 3CH 92 5CH 124 7CH

Decimal

Hexadecimal

Decimal

Hexadecimal

Decimal

Hexadecimal

Decimal

Hexadecimal

Decimal

Hexadecimal

Decimal

Hexadecimal

Decimal

Hexadecimal

29 1DH 61 3DH 93 5DH 125 7DH

30 1EH 62 3EH 94 5EH 126 7EH

31 1FH 63 3FH 95 5FH 127 7FH

26.2 Binary Notation

When a MIDI implementation data value is expressed in
binary, the letter "B" (for "binary") is affixed at the end of
the value. The table below shows the binary equivalents for
the decimal values 0 through 127, which are often used for
settings.

Decimal

125 7DH 01111101B

126 7EH 01111110B

127 7FH 01111111B

Hexadecimal

0 00H 00000000B

1 01H 00000001B

2 02H 00000010B

3 03H 00000011B

4 04H 00000100B

5 05H 00000101B

6 06H 00000110B

7 07H 00000111B

8 08H 00001000B

9 09H 00001001B

10 0AH 00001010B

11 0BH 00001011B

12 0CH 00001100B

13 0DH 00001101B

14 0EH 00001110B

15 0FH 00001111B

16 10H 00010000B

::

Binary

44

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