Poor quality or the wrong type of thread can cause poor stitches on any machine. Thread passes through
the eye of the needle approximately 37 times in a “see-saw” action before it forms a single stitch. Poor
quality thread results in crooked and looped stitches, puckered seams, frayed thread, and/or needle
breakage. To achieve quality stitches, a sewing machine needs three things: correct thread, correct size
needle, and properly adjusted thread tensions.
Several factors such as the fiber, twist, ply, finish, and size of thread must be considered for use with today’s
fabrics for fine stitches.
Staple – refers to the length of fibers used to twist together to form a single ply. Domestic thread
fiber lengths are usually 1½” to 2½” long while European threads use 5½” to 6½” lengths.
Ply – the number of single strands twisted together to make a single thread.
Roll – the tendency of thread to roll to the right or left during stitching, causing the stitch to
appearslightly crooked. Poor quality threads are more likely to roll.
Twist – the crimping of fibers which causes them to interlock firmly into a single ply. Thread should
not untwist during stitching. This will cause skipped stitches, thread breakage, crooked stitches, and
weak spots in seams.
Right twist – most American threads are twisted to the right, causing some rolling.
This gives average stitch quality.
Left twist – Most commercial and imported threads are twisted to the left, giving better
than average stitch quality. Left twist resists rolling and makes a larger loop for the hook
point to enter, reducing skipped stitches.
Wearable art embellishment has necessitated the creation and marketing of many new thread types, such
as Sulky’s rayons and metallics. Made in West Germany, these are left twist threads; Mettler and Isacord
threads are also left twist. To test the twist of a thread: while holding the spool in the left hand, roll the strand
of thread towards you with one thumb. Left twist will tighten, right twist will loosen.
Fiber – refers to the typ eof material used to produce the thread. Some commonly used threads:
• Polyester 2 ply – such as Metrosene 100. Good for clothing construction on man-made,
natural or blended fabrics. Will tolerate heat up to 450° Fahrenheit. Also Isacord
embroidery thread – excellent for embroidery, very abrasion resistant.
• Polyester 3 ply cordonnet – topstitching or buttonhole twist – such as Mettler 30/3.
• Cotton 2 ply – such as Mettler 60/2 – excellent for French Machine Sewing, delicate
machine embroidery, and darning.
• Cotton 2 ply – such as Mettler 30/2 – loose twist for a soft, shiny look in machine
embroidery, applique, and buttonholes.
• Cotton 3 ply – such as Mettler 50/3 – excellent for clothing construction on natural fibers.
Tighter twist than embroidery cotton thread and less puckering on problem fabrics. Cotton
thread stretches less than polyester.
• Rayon – a lustrous embroidery thread. Weaker than cotton, it is used for decorative work only.
Along with thread, needles are very important to stitch formation. Many “mechanical” problems and damage
to fabrics can be traced to a bent, damages, or incorrect size or type needle. Approximately 60% of all
needles made are discarded at some stage of production. When selecting the correct needle for any sewing
project, three things must be considered:
Needle system – 130/705H
Needle point – to assure stitch formation and avoid fabric damage
Needle size – small size for lightweight fabrics; larger needle for heavier fabrics
If the needle is:
Too small – the thread can’t stay in the groove to form a loop to be picked up by the hook point
Bent – thread loop forms too far away from hook point; hook can’t enter loop to form stitch
Blunt – needle won’t pierce fabric so no thread loop forms to make a stitch
Need To Know
• Needle should be changed every 4-6
hours of sewing. The needle is the most
inexpensive part in your sewing machine
but is one of the most crucial for getting
good results and keeping your machine
running well. Don’t let false economy
keep you from doing what is best for
your sewing projects and your machine.
• European needles are chrome-plated
to glide in and out of fabric easily.
• The selected thread should fit in the
groove on the front of the needle. If it
isn’t protected by the groove, a needle
with a larger groove should be used.
• Always make sure the needle is fully
inserted as high as possible when
installing a new one.
Has a rounder point. 70 for
lingerie, nylon, jersey; 80 for
T-shirt; 90 for sweatshirt fleece.
A stretch needle has a more
rounded point and a blue anticling coating which helps to
prevent skipped stitches in knits
and elastic. Sometimes used on
Ultrasuede
Two ballpoint needles on one
shank; each needle has a large
scarf. Used for hemming and for
stitching on knit fabric.
A compromise between a sharp
and a ballpoint needle; can be
used on both wovens and knits.
60 – very fine batiste
70 – broadcloth
80 – trigger and gabardine
90 – denim and twill
100 & 1 10 – canvas
Two needles attached to one
shank. Used for pintucks, hems,
and decorative work. Note: The
170 QPE can use up to a 4.0mm
and a 180 can use up to an
8.0mm.
Three needles attached to one
shank. Used to create mock
smocking and other decorative
effects.
Has a sharp point and a shaft
that is less prone to flex. The
sharpness of the needles makes
it better for use on denim and
woven fabrics where a clean
stitch is desired.
Two Jeans needles attached to
one shank. For topstitching on
denim with heavy thread; can
also be used for decorative
®
, vinyl, and plastic.
Microtex
Sharp
(Schmetz)
Microfiber
(Lammertz)
Quilting
Topstitch
Embroidery
(Schmetz)
Metafil
(Lammertz)
Metafil
Double
Wing
Double
Wing
Leather
60-90
assort’d
(75 &
90)
80-100
75-90
3.0/75
100120
100
80-90
stitching with metallic thread.
A sharp point with a thin shaft.
60-90 corresponds to the weight
of the fabric; as the fabric gets
heavier, the number is higher.
The thin, tapers point of this
needle causes less damage to
fabric when seaming and cross
seaming.
A sharp point with a large eye
and deep groove. For use with
heavier fabrics – the large
groove cradles heavier threads.
Sharp needle with a large eye
and groove; also has a coating
and a larger scarf. For use with
embroidery thread – prevents
shredding of rayon or metallic
threads. Two threads may be
used through the eye of an 80
or 90 needle.
Two Metafil needles attached to
one shaft; for double needle
work with embroidery threads.
Sharp pointed needle with a noncutting wedge of metal on each
side. Needle makes a hole in the
fabric without cutting the threads
of the fabric. Used for decorative
and heirloom work, such as
hemstitching. Works best on
natural fibers or on the bias.
One regular needle and one wing
needle attached to a single shaft.
Use the same as a Wing; makes
one large and one regular hole.
Point is a sharp cutting wedge.
Used for sewing leather only. Not
for vinyl or simulated leathers.
• Select Straight Stitch. The basic settings are displayed
on the screen. The needle position indicator is just
below the stitch width scale; the needle should be in
center position.
• Position the fold of the fabric on the 1” mark on the
right side of the stitch plate.
• Select Pattern End 3x; sew until the machine stops.
• Move the needle one position to the left.
• Sew until the machine stops.
• Repeat until all six positions have been sewn.
• Leaving the fabric under the foot – move the needle
position back to center.
• Sew until the machine stops.
• Move the needle one position to the right.
• Sew until the machine stops.
• Move the needle one more position to the right – sew
until the machine stops.
Fabric:Firm fabric – 3 pieces, 3” x 6” each
Needle:90/14 Embroidery
Thread:30 wt. cotton embroidery
Presser Foot:Reverse Pattern Foot #1/1C
Owner’s manual pg.____
• Fold each fabric piece in half to 1½” x 6”.
• Find the
• The BERNINA® 170 QPE/180 secures in three ways:
5
/8” seam line on the guide plate.
1 – Select stitch #3 and sew a few stitches. Press the Quick Reverse button located on the front
of the sewing machine and the machine will sew in reverse until the button is released. Continue
stitching the seam and secure the end in the same manner.
2 – Select stitch #5 and stitch. The machine will automatically reverse after five stitches, then
continue in a forward motion. Stitch to the end of the seam, then press and release the Quick
Reverse button. The machine will stitch backward five stitches, and then continue forward again
five stitches and stop.
3 – Select stitch #332. Engage the Securing function to put a securing stitch at the beginning and the
end of each pattern repeat. In regular sewing, turn the Securing function off after the first stitch and
back on again after the last stitch is taken.
Fabric:Firm fabric – 3 pieces, 3” x 6” each
Needle:90/14 Embroidery
Thread:30 wt. Cotton Embroidery
Presser Foot:Reverse Pattern Foot #1/1C
Owner’s manual pg.____
• Fold fabric in half to 3” x 6”. Use stabilizer as needed.
• Select Stitch #2. Change the stitch length to satin stitch and the stitch width to the maximum setting.
• Thread the bobbin thread through the hole in the finger of the bobbin case (170 QPE only).
• Move the needle position all the way to the left.
• Position the raw edge of the fabric on the 3/8” line (on the right side of the stitch plate).
• Sew down this edge about 1”. While continuing to sew, turn the stitch width knob to taper the stitch to
0mm. Then widen the stitch back to maximum. Repeat until the stitching reaches the end of the fabric.
• Position the fold of the fabric on the 3/8” line (on the left side of the stitch plate).
• Move the needle position all the way to the right and stitch along the right side of the fabric, tapering
and widening the stitching while sewing.
• Move the needle position to the center and stitch down the center of the fabric, tapering and widening
the satin stitch while sewing.
• use to seam curved edges that receive a
lot of stress such as the crotch area of pants.
Vari-Overlock – SL1mmSW4mm NP right
Owner’s manual pg. ____
• Can be used with double needle for a
decorative hem on knits
• Overlock Foot #2 (optional for 170 QPE) or
#2A (included with 180) prevents the seam
from rolling as it is being sewn
• Engage the Needle Down function
SECTION B
Reinforced Overlock – SL2mm SW5mm
Owner’s manual pg. ____
• The artista has several seaming stitches
from which to choose, depending on the
type of fabric being used. With the Creative
Consultant, you can specify the type of fabric
you want to use, and the computer will
suggest the appropriate stitch.
Stitching Corners
• Utilize the FHS system to raise and lower
the presser foot when turning corners.
• Use the 5/8” markings on stitch plate
• Engage the Needle Down function
• Press heel on foot control to lower needle
Oversewing Edges
Blind Hem – Owner’s manual pg.____
• The Blind Hem Foot #5, along with the
blindstitch, produces a superior blind hem.
The zigzag part of the stitch is formed over
the guide on the foot, causing the stitch to
be slightly loose, so that the blind hem will
not pucker and does not form a tuck in the
fabric.
Hand Picked – Feet-ures, Unit B pg.____
Double Overlock – SL2mmSW5mm
Owner’s manual pg. ____
Knit Overlock – as programmed
Owner’s manual pg. ____
• Use Overlock Foot #2 (optional for 170 QPE)
or #2A (included with 180)
Stretch Overlock – SL2mmSW4mm
Owner’s manual pg. ____
Flat Joining – SL2mmSW4mm
Owner’s manual pg. ____
• Good for thick fabrics such as terry cloth
which would be stretched by a straight stitch
• Turn up a 1” hem along one of the 6” edges and press.
• Turn up the depth of the hem again and press.
• Fold the entire hem toward the right side of the garment, so that the garment fold is
almost even with the top edge of the hem. A scant 1/8” to 1/16” of hem edge should
be visible. This will ensure that both folds are caught by the blind hem pick.
• Place the fabric under the foot just as a traditional blind hem would be placed.
• Sew the hem with Blindstitch #9, making sure that the zigzag pick catches both folds
while the straight stitch falls off the edge and stitches in air forming a chain along the
upper hem edge.
• Press and mount the sample.
®
BERNINA® artista 170 QPE/180
HAND PICKED HEM
Fabric:Lightweight broadcloth – 6” x 7”
Needle:80/12 Universal
Thread:All-purpose
Presser Foot:Blind Hem Foot #5
• Turn up a 2” hem along one of the 6” edges and press.
• Insert a 3.0/80 double needle.
• Thread the needles with two different colors of thread.
• Place the folded edge of the fabric along the 1” guideline on the right side of the stitch plate.
• Select stitch #1; sew half of the hem.
Note: To be sure the needles will not strike the foot, turn the handwheel to “walk” the
machine through the first stitch. Narrow the width as needed to avoid breaking needles.
• Select stitch #9 or experiment with similar stitches; stitch the remainder of the seam.
• Trim excess fabric from the wrong side of the hem.
• Check Feet-ures, Unit A for detailed information on working with Double and Triple needles.
Note: This is a good stitch to use when hemming T-shirts and pajamas. You can use
other stitches with a double needle for other types of fabrics.
• Cut a curve to simulate a neck edge in one corner.
• Sew a line of stay-stitching, 3/8” in from the neck edge using the straight stitch and the Long
Stitch function; disengage te Long Stitch function after staystitching.
• Turn the raw edge under and press or baste in place.
• Select the Honeycomb Stitch #8.
• Sew from the right side ¼” from the folded edge.
• Trim surplus fabric from wrong side, close to the stitching.
Notes: - If the hem stretches, add a strip of Stitch Witchery® to the edge as it is
stay-stitched.
- Using the Needle Stop Down function will keep the fabric in place when
sewing curves.
- The Balance function can be used to make the stitches closer together or
farther apart.
Fabric:Denim – 5” x 7”
Needle:100/16 or 110/18 Jeans
Thread:All-purpose
Presser Foot:Jeans Foot #8 (optional accessory)
Note: Specially designed to sew over heavy seams and fabrics, the Jeans Foot #8 guides the
needle through heavy thicknesses and helps to eliminate needle breakage. It is also effective
for topstitching with buttonhole twist or cordonnet threads.
Owner’s manual pg.___
• Cut fabric in two pieces, 5” x 3½” each.
• Insert a Jeans needle and select stitch #1.
• Sew a 5/8” seam with right sides together.
• Press the seam to one side.
• Topstitch, using the edge of the foot along the seam as a guide, and stitching through the seam
allowances.
• Turn up the lower edge twice, about 3/8” each time.
• Topstitch the hem in place, about 1/8” from the upper edge of the hem.
Buttonhole Foot #3B with the electronic sensor of the
older Automatic Buttonhole Feet #3A and #3C.
Works with models 135 PE/145 and 150-180.
Page 41
MASTERING
YOUR
BERNINA
®
BERNINA® artista 170 QPE/180
STABILIZERS
Tear-Away Stabilizer: The most commonly used type of stabilizer, designed to provide
temporary support of stitching. Placed on the wrong side of the project and carefully
pulled away once stitching is complete. Available in three weights – heavy, medium, and
light. Multiple lightweight layers may be preferable to one heavy layer, as they are easier
to remove.
Cut-Away Stabilizer: The most widely used stabilizer in the commercial market. Does
not break down under dense stitching, due to the high fiber – rather than paper – content.
Excess stabilizer is trimmed away after stitching (leave approximately ¼” of stabilizer
around the edges).
Web/Poly-Mesh Type Stabilizer: A specially formulated cut-away stabilizer developed
for use behind lightweight or light-colored fabrics.
Water-Soluble Stabilizer: Used for backing and topping, in single or multiple layers.
Available in two weights. Excellent for decorative stitching and cutwork as there are
no remnants of stabilizer left after removal (it dissolves). As a topping, it keeps stitches
from being lost in heavily napped fabrics such as velvet and corduroy.
Knit Fusible Interfacing: A very lightweight, flexible interfacing sometimes used as a
stabilizer, it gives permanent support (as an underlining) to a fabric. Perfect for plackets,
garment edges, under buttonholes, and anywhere extra body and stability are needed.
Woven Fusible Interfacing: This interfacing is sometimes used as a stabilizer and is
generally cut on the bias to provide better drape. Gives a firmer hand or finish than knit
or non-woven interfacings. Used for lapels, facings, and anywhere a great deal of extra
body and stability are needed.
Iron-On Stabilizer: A non-woven product similar to paper. Perfect for knits, this tearaway stabilizer is temporarily bonded to the fabric, inhibiting the tendency of the material
to stretch.
Heat Removable Stabilizer: Woven from strands of fiber that are burned away at a low
temperature, heat removable stabilizers are perfect for heirloom stitchery.
Liquid/Spray Stabilizers: Wonderful for sheer fabrics from which all stabilizer must be
removed after stitching, these products are painted or sprayed onto the fabric. Several
light applications of spray stabilizer are preferable to one heavy application.
Stabilizer:1 piece, 3” x 6”
Needle:90/14 Embroidery
Thread:30 weight cotton embroidery
Presser Foot:Standard Buttonhole Foot #3/3C and
Automatic Buttonhole Foot #3A/3C
Owner’s manual pg.____
• Fold the fabric in half to 3” x 6”. Press and insert the stabilizer.
• Mark a line 1½” from the fold and running the length of the fabric.
• Mark two horizontal lines between the fold and the line, spaced about 2” apart.
• Select the Standard Buttonhole #51.
• Place the fold so it is on the 5/8” line behind the presser foot.
• Lower the needle (using the foot control) into the fabric on the first line.
• Fold one piece of cord in half; place loop around prong of the Auto Buttonhole Foot #3A or #3C.
Note: The cord strengthens the buttonhole on wovens and prevents it from stretching on knits.
The thickness of the cord depends on the fabric to be sewn. Suitable cords are perle cord #8,
thick hand sewing thread, gimp cord, or crochet cotton.
• Sew the buttonhole.
• Pull the loop of gimp cord snug and cut tails close to bartack.
Note: On knits, pull to back and tie a knot.
• Select MAN from the function bar.
• Sew another corded buttonhole using the Buttonhole Foot #3/3C on the second line.
• The cord may come away from the prong of this foot. Therefore it is advisable to hold the loop of the gimp
down lightly with the finger.
• Pull the cord ends to the back with a large hand sewing needle and tie.
• Mark two lines perpendicular to the fold, spacing them about 2” apart.
• Select buttonhole #54.
• Position the foot over the first line, aligning the fold of the fabric with the
the foot.
• Touch the symbol on the function bar that is the buttonhole with a question mark.
• When the length screen appears, program in the buttonhole length of 22 mm.
• Touch OK to confirm; the screen changes automatically. The word auto below the buttonhole
symbol on the screen indicates that the buttonhole is programmed.
• Sew the buttonhole.
• Move the fabric to position the needle over the second line and sew a duplicate buttonhole.
Stabilizer:1 piece, 3” x 6”
Needle:90/14 Embroidery
Thread:30 weight cotton embroidery
Presser Foot:Standard Buttonhole Foot #3/3C and
Automatic Buttonhole Foot #3A or #3C
Owner’s manual pg.____
• Fold the fabric in half to 3” x 6”.
• Mark two lines perpendicular to the fold, spacing them about 2” apart.
• Position the foot over the first line, aligning the fold of the fabric with the 5/8” marking behind the foot.
• Select the Standard Buttonhole #57.
• Open the button measuring screen by touching the button symbol on the function bar; a scale appears
on the screen.
• Hold a button against the scale at the bottom left corner of the screen.
• Use the external stitch width knob to move the vertical line on the screen; the line should be exactly at
the right edge of the button. The buttonhle size is shown in mm above the horizontal line.
Note: 2mm are added automatically to accommodate thickness of the button.
Fabric:Linen, 6” x 6”
Stabilizer:1 piece, 3” x 6”
Needle:90/14 Embroidery
Thread:30 weight cotton embroidery
Presser Foot:Standard Buttonhole Foot #3/3C and
Automatic Buttonhole Foot #3A/3C
Owner’s manual page___
• Attach Automatic Buttonhole Foot #3A/3C to the machine.
• Select stitch #59.
• Use any one of the available methods to make a 29mm buttonhole.
• Mark three lines perpendicular to the fold, spacing them about 2” apart.
• Position the beginning of the buttonhole on the line closest to the fold, aligning the fold with
the 5/8” marking behind the foot.
• Stitch the buttonhole on the first line - Do not remove the fabric.
• Select stitch #51 - sew this buttonhole (the same 29mm size) on top of the straight stitch buttonhole.
• Select stitch #59 again and sew another buttonhole on the second line, making it 27mm this time.
• Change to foot #3/3C - adjust the width of the buttonhole to 5mm (170 QPE) or 9mm (180).
• Sew a second buttonhole about 1” long on the third line.
Notes:
- Straight stitch buttonholes can be used to pre-sew and reinforce buttonholes on fabrics
which fray easily. The buttonhole beads and bartacks will cover the stitching. Any of the
methods for determining the buttonhole lengths can be used.
- Straight stitch buttonholes can be used as a buttonhole on imitation suede and leather.
- The distance between the prestitched lines can be adjusted with the stitch width.
Fabric:Lightweight single knit cotton, 6” x 4”
Needle:80/12 Universal
Thread:All-purpose sewing thread
Presser Foot:Reverse Pattern Foot #1/1C
Owner’s manual pg.____
• Select the Vari-Overlock stitch #3 - SW 4-5mm and SL 1.5mm.
• Fold under one 6” edge about ¼” and press.
• Place fabric to the left and position it under the foot so that when the stitch swings to the right, it
will just pass over the folded edge.
• On knit fabrics the surplus can be trimmed from the wrong side close to the stitch.
• On woven fabrics it is advisable to first sew a row of small zigzag stitches about ¼” from where
the picot edge will be. Then you will be able to trim close to these stitches after the picot has
been stitched.
• Trim and mount the sample.
This stitch is suitable only for fine, soft fabrics and is ideal for lingerie and nightwear.
• Select the Blind stitch #9 - SW 2.5-5mm and SL 1.5-2mm. The longer the stitch length, the
larger the shells.
• Engage the mirror image function.
• Fold under one 6” edge about ½” and press.
• Place fabric to the left and position it under the foot so that when the stitch swings to the
right, it will just pass over the folded edge.
• On knit fabrics the surplus can be trimmed from the wrong side close to the stitch.
• On woven fabrics it is advisable to first sew a row of small zigzag stitches about ¼” from
where the shell edge will be. Then you will be able to trim close to these stitches after the
edge is finished.
• Trim and mount the sample.
This stitch is suitable for fine, lightweight fabrics and is ideal for lingerie and nightwear.
• Select the ZigZag stitch #2 - SW 2mm and SL 2mm.
• Position the elastic on the wrong side of the fabric, along one 6” edge.
• Allow a 2” tail of elastic to extend beyond the fabric.
• Using the tail of elastic at the back of the presser foot for a “handle”, stretch the elastic
a bit to simulate the leg of an exercise leotard or swimsuit.
Note: This is the same procedure used to do a turned waistband, using wider elastic.
• Sew the elastic to the fabric keeping the edge of the elastic and the edge of the fabric together.
• If stopping midway, use the Needle Down function to hold the elastic and fabric in place.
• Fold the elastic to the wrong side and overstitch the elastic from the right side using Stitch #16
or #17 with a length of 1mm.
• Adjust presser foot pressure and/or stitch length if elastic stretches out as it is sewn.
• Trim fabric with wavy rotary cutter before sewing.
• Select stitch #1 - SL 1mm-5mm. The longer the stitch length, the deeper the pleat.
• Needle position is center.
• Set the adjustment lever on the attachment at 1.
• Place the fabric to be ruffled between the two blades, snugging it against the edge of the
seam guide slot, making sure it is slightly beyond the needle.
• Lower the foot and begin sewing.
• If gathers are too deep, turn the adjusting screw counter clockwise; if too shallow, turn the
screw clockwise.
Note: Loosening the needle tension to 3-4 will allow some subsequent
adjustment of the fullness.
• Starting at the left edge and working across the 8” width, draw 4 lines for folding and
pressing. The first 2 lines are 2” apart, second 2 lines are 1¼” apart.
Note: By placing the fold even with the right edge of the foot and placing the needle
position all the way to the left to start, it is possible to get 9 different size pleats/tucks.
• Select Straight Stitch #1.
• Sew the first tuck, on the first line, with needle position all the way to the left.
• Second tuck, on second line, with needle position all the way to the right.
- Each position makes about a 1mm difference.
Edgestitch Foot #10/10C:
• Place the fold of the third pleat to the left of the center blade - right next to it.
• Move the needle position all the way to the left and sew.
• Position the fold of the last pleat in the same manner. Move the needle position to half left
and sew.
- Very small tucks/pleats are possible with this foot.
• Place fabrics right sides together; sew with a 5/8” seam on a 5” side.
• Sew slowly - adjust motor to ½ speed.
• When finished sewing the seam, pull the two layers firmly apart and press open.
• Change to Open Embroidery Foot #20/20C for better visibility - may need to stabilize the
stitching area to prevent tunneling.
• From the right side, anchor the fagoting to the fabric on either side with a decorative stitch
through the seam allowance. (Stitch #414 and #334 are used in the illustration.) Adjust width
and length as desired; engage Mirror Image as needed.
• Place fabrics right sides together; sew with a 5/8” seam on a 5” side.
• Sew slowly - adjust motor to ½ speed.
• When finished sewing the seam, pull the two layers firmly apart and press open.
• Change to Open Embroidery Foot #20/20C for better visibility - may need to stabilize the
stitching area to prevent tunneling.
• From the right side, anchor the fagoting to the fabric on either side with a decorative stitch
through the seam allowance. (Stitch #337 and #413 are used in the illustration.) Adjust width
and length as desired; engage Mirror Image as needed.
• Trim any excess seam allowance if needed.
• To “bundle” the fagoting stitches into groups: Select the Triple Straight Stitch #6 - change to
Reverse Pattern Foot #1/1C; center the foot over the fagoting stitches and sew down the
middle.
• Select stitch #1 - SL 1.5mm-2mm with the needle position set at half left.
• Place the edge of the lace to the left edge of the guide on the foot and sew.
• Sew the right side in a like manner using the needle position set at half right.
• From the back, carefully cut through the fabric, in the middle of the two
rows of stitching.
• Press the fabric back against the straight stitch.
Second Run:
• Select stitch #2 - SW 1.5mm-2mm and SL 0.75mm-1mm with the needle position set at half left.
• Place edge of lace first to the left of the blade, with the needle in the half left position, and sew the
zigzag stitch over the edge of the lace and the previously sewn straight stitch.
• Sew the right side in a like manner using the needle position set at half right.
Fabric:Cheater block or fabric with large design
Backing:1 piece coordinating fabric, same size as fabric
Batting:1 piece low-loft, same size as fabric
Needle:90/14 Quilting
Thread:Cotton embroidery for bobbin
• Foot #55 allows for easy maneuvering of curves and tight areas.
• Select stitch #1 - SL 2.5mm-3.5mm - tension is loosened to about 3-4 - needle position is to the
left, depending on the desired look.
• Engage the Needle Stop Down function.
• Sandwich the batting between the top fabric and the backing. Pin or baste in place.
• Bring the bobbin thread to the top of the fabric and select the Securing function to secure the
beginning stitch. Sew; turn the Securing function off. Clip the thread tails.
• Stitch in a continuous line around the outside edge of the design or pattern in the fabric. Move the
fabric in any direction to follow the design.
Fabric:2 pieces solid cotton - 4” x 6” each
Batting:1 piece, low-loft - 4” x 6”
Needle:90/14 Quilting
Thread:Cotton embroidery for bobbin
Monofilament for needle
Presser Foot:Reverse Pattern Foot #1/1C
Owner’s manual page___
Note: When using the hand Look Quilt Stitch, the cotton embroidery bobbin thread is pulled to the top
of the quilt while the monofilament thread “disappears”, simulating the look of a hand-sewn running
stitch.
• Select the Hand Look Quilt Stitch #328.
• Depending on the fabric you may need to increase the upper tension to 6-9.
• Balance can be used to adjust the stitch as needed.
• This stitch can be sewn in any needle position.
• If monofilament thread breaks, decrease the tension.
Fabric:Firmly woven - 6” x 5”
Stabilizer:Firm Tear-away or Cutaway - 6” x 5”
Needle:Triple
Thread:Embroidery, 3 different colors
Presser Foot:Reverse Pattern Foot #1/1C or
Open Embroidery Foot #20/20C
• Thread each needle with a different color thread.
• Select 5 different stitches and sew across the fabric randomly.
• When doing decorative needle work you must sew slowly - change motor to ½ speed.
Note:To be sure the needles will not strike the foot, turn the handwheel to
“walk” the machine through the first stitch. Narrow the width as neede to
avoid breaking needles.
• Trim threads, then trim sample edges, and mount below.
Fabric:Firmly woven - 6” x 6”
Stabilizer:Firm Tear-away or Cutaway - 2 pieces, 6” x 5” each
Needle:90/14 Embroidery
Thread:Assorted decorative threads
Presser Feet:Cording Foot #22 - 3 groove (optional accessory) and
• Select the thread used according to the look that is desired.
• Load the feet by moving the black latch away from the top of the foot and placing the cords in
the slots. Cords should feed in from the top and go into theg rooves on the bottom of the foot.
Load all cords in the same manner.
• Secure the latch across the top of the foot to hold the cords in place.
• To stabilize the fabric you may need more than one layer of stabilizer.
• Try using different colors of cording in each groove.
• Select stitches #414, #405, #417, and 2 other stitches of your choice.
Fabric:Firmly woven - 6” x 4”
Stabilizer:Iron-on, 6” x 4”
Needle:90/14 Universal
Thread:Pearl Crown Rayon and
Monofilament
Presser Foot:Embroidery Foot #6 (optional accessory) or
Open Embroidery Foot #20/20C
Secondary Bobbincase (optional accessory)
• Press the stabilizer onto the wrong side of the fabric.
• Wind the decorative thread on the bobbin and insert it into the case.
• Thread the needle with monofilament; upper tension may need to be loosened for certain
decorative threads.
•Sew from the wrong side of the fabric for this technique.
•Select stitch #332 and sew randomly across the fabric.
Notes: - When using heavier threads the stitch length should be longer.
- Never use the sewing bobbin case when using heavier threads, as it may
cause the tension spring to stretch and affect regular sewing; use a Black Latch
or secondary bobbin case
• Fabric strips should be cut 1¼” plus the circumference of the cord being used.
• Trim the 2” strip, if needed, to work with the cording being used. This should result in
5
a
/8” seam, once the piping is made.
Note: Strips should be cut on the bias; however, crosswise and lengthwise
strips may be used if there are no corners to be turned or curves to maneuver.
• Fold the wrong side of the fabric around the filler cord and position it under the presser
foot with the folded edge to the left and the cord under the center of the foot so it rides
in the large groove.
• Using a straight stitch and with the needle in one of the right positions, begin stitching. The
stitches will be alongside the cord, creating a 5/8” seam.
• Once the piping is made, it is ready to be inserted into a seam.
• Cut the other fabric piece in half, making two 2” x 6” pieces.