Alto Professional OEX900 USER'S MANUAL

OEX900
User's Manual
R
LTO
www.altoproaudio.com
Version 1.3 October 2005
English
CAUTION
RISK OFELECTRIC SHOCK
DO NOTOPEN
This symbol, wherever used, alerts you to the pre­sence of un-insulated and dangerous voltages with­in the product enclosure. These are voltages that may be sufficient to constitute the risk of electric shock or death.
This symbol, wherever used, alerts you to impo­rtant operating and maintenance instructions. Please read.
Fuse
To prevent fire and damage to the product, use only the recommended fuse type as indicated in this manual. Do not short-circuit the fuse holder. Before replacing the fuse, make sure that the product is OFF and disconnected from the AC outlet.
Protective Ground
Before turning the product ON, make sure that it is connected to Ground. This is to prevent the risk of electric shock.
Never cut internal or external Ground wires. Likewise, never remove Ground wiring from the Protective Ground Terminal.
Protective Ground Terminal
AC mains (Alternating Current)
Hazardous Live Terminal
ON: Denotes the product is turned on.
OFF: Denotes the product is turned off.
WARNING
Describes precautions that should be observed to prevent the possibility of death or injury to the user.
CAUTION
Describes precautions that should be observed to prevent damage to the product.
Disposing of this product should not be placed in municipal waste and should be Separate collection.
WARNING
Power Supply
Ensure that the mains source voltage (AC outlet) matches the voltage rating of the product. Failure to do so could result in damage to the product and possibly the user.
Unplug the product before electrical storms occur and when unused for long periods of time to reduce the risk of electric shock or fire.
External Connection
Always use proper ready-made insulated mains cabling (power cord). Failure to do so could result in shock/death or fire. If in doubt, seek advice from a registered electrician.
Do Not Remove Any Covers
Within the product are areas where high voltages may present. To reduce the risk of electric shock do not remove any covers unless the AC mains power cord is removed.
Covers should be removed by qualified service personnel only.
No user serviceable parts inside.
Operating Conditions
Always install in accordance with the manufacturer's instructions.
To avoid the risk of electric shock and damage, do not subject this product to any liquid/rain or moisture. Do not use this product when in close proximity to water.
Do not install this product near any direct heat source.
Do not block areas of ventilation. Failure to do so could result in fire.
Keep product away from naked flames.
IMPORTANT SAFETY INSTRUCTIONS
Read these instructions
Follow all instructions
Keep these instructions. Do not discard.
Heed all warnings.
Only use attachments/accessories specified by the manufacturer.
Power Cord and Plug
Do not tamper with the power cord or plug. These are designed for your safety.
Do not remove Ground connections!
If the plug does not fit your AC outlet seek advice from a qualified electrician.
Protect the power cord and plug from any physical stress to avoid risk of electric shock.
Do not place heavy objects on the power cord. This could cause electric shock or fire.
Cleaning
When required, either blow off dust from the product or use a dry cloth.
Do not use any solvents such as Benzol or Alcohol. For safety, keep product clean and free from dust.
Servicing
Refer all servicing to qualified service personnel only.
Do not perform any servicing other than those instruc­tions contained within the User's Manual.
1
TABLE OF CONTENTS
1. INTRODUCTION ...................................................................................................................................3
2. ...................................................................................................................................FEATURES .........3
3. QUICK START .......................................................................................................................................5
4. CONTROL ELEMENTS .................................................8.......................................................................
5. PRESET LIST ................ ........................................................................ .............................................12
6. OEX900 WIRING GUIDE ................ ........................................................................ ............................13
7. TECHNICAL SPECIFICATIONS ........................................................................................................14
8. WARRANTY ........................................................................................................................................16
2
1. INTRODUCTION
Congratulations! Now you are the owner of the OEX900 . The OEX900 is a plastic reinforced trolley that includes a versatile mixer with DSP effects, L&R full range speaker cabinets and sub-woofer, and some essential accessories such
as power cord, signal cables, speaker cables, and speaker stands. The OEX900 adopts an optimal crossover network and advanced power amplifier technologies, which ensures its incredible versatility and excellent audio performances.
The L&R speaker cabinets are tightly hooked on the trolley . When you operate the OEX900, take care of the setting of the L&R cabinets first. It is the development of ALTO's experience and knowledge of speaker technology, in order
to create a system which can faithfully reproduce sound for each kind of applications.
The sub-woofer is built in trolley. It contains a 15" low speaker, which delivers a natural and powerful sound and that
will bring you unprecedented low frequency emission.
Inlaid in OEX900 panel there's compact extractable 8-channel mixer, which uses 24-bit A/D&D/A converters and 24­bit DSP effects with accurate algorithms (256 presets). It also provides 6 MIC inputs with ultra low noise microphone pre-amplifiers and+48V PHANTOM power at as well as warm, natural 3-band EQ; AUX send/return and 2TK in/out
and so on.
In a word, it is ideally suited for live sound applications, small venues applications, recording and other musical purposes.
In order to get the best from your OEX900, we recommend you to thoroughly read this owner's manual before installation and
operation.
2. FEATURES
Trolley appearance 2(two-way satellites) + 1(subwoofer) + 1 (8-channel mixer super combination) Three-way full-range speaker system with 15" subwoofer
6 XLR MIC input with ultra low noise microphone pre-amplifiers and PHANTOM power+48V
2 stereo LINE input Warm, natural 3-band EQ for each channel Precision level control 24-bit DSP effects with powerful algorithms (16 presets with16 variations each) Extremely high headroom offering excellent dynamic range Plastic reinforced cabinet (polypropylene) High power output with (L&R speaker) / (subwoofer)150 *2 150 *2WW Two 7 m speaker cables Two F8 folding speaker stands Compartment for storing F8 folding stands, speaker cables, signal cable and power cord etc.
Accessory List:
Folding speaker stands 2 F8 Power cord 1 IEC power cord Signal cable 1 2m Customized Speaker Cable 2 7m
3
In following picture you see OEX900 most important components.
High quality L&R full range speaker cabinets Powerful sub-woofer Versatile multi-channel mixer
4
3. QUICK START
Though the OEX900 looks like a super formidable giant, you don't have to worry about how to carry it. As the OEX900 is equiped with two wheels, you can think of it as a trolley. Seeing is believing. Operating this unit, you will find that it is really versatile and user-friendly. Following steps will give you a guide line to set up your OEX900.
Note: Make all initial connections with the system powered off, and, in order to avoid damaging your speakers and
excessive noise, with main mix volume control of the mixer completely turned down. First of all extract the F8 folding speaker stands from their compartment, as shown in Fig.1. Then, as shown in
the L&R speaker cabinets from the trolley in the right direction, unsuitable operation may damageFig.2, unhook,
your equipment. In order to prevent equipment damage, please place the speaker stands on a solid, even surface.
Fig.1 Fig.2
Fix the L&R speaker cabinets on stands. as shown in Fig.3. Note: In order to avoid feedback, please position the speakers facing the audience and far away from the microphone.
Fig.3
Then, position the sub-woofer(trolley). Please be careful about this step, as shown in above Fig.4 proper
position will allow the sub-woofer to develop his full power and sound character.
Depending on application requirements, you can disassemble or not the mixer from the trolley. For this application 2m. signal cable is available, as shown in following Fig.5.
Fig.5
5
Fig.4
After that, set up the system.
Note: During this step too the system must be powered off, and , in order to avoid damaging your speakers and/or to produce noise the mixer main volume control should be competently turned off.
Connect one side of the speaker cable to the left/right power outputs (speakon connectors) of system, and the other side to the left/right speaker cabinets (speakon connectors), as shown in Fig.6.
Warning! Do not connect additional speakers to the powered output. The supplied system speakers provide a perfect load for the built-in amplifier.
Fig.6
Make sure that the mixer has been connected to the system by using the appropriate connector and the
customized cable, as shown in Fig.7.
Fig.7
Connect Microphone, CD, Tape or MD player (Line sources) etc. to the appropriate MIC/LINE mixer input connectors (XLRor1/4"TRS jacks), as shown in Fig.8.
Fig.8
Now you can turn on the power switch.
Turn up the volume control, use the PFL function to get the proper input level for each mixer channel, then adjust
the main mix level control to manage the output level.
6
At the end of your session, put all your levels to zero, turn off your system, then collect all the cables and put them back in their places all accessories into assigned storage compartment. Finally, lay the speakers face down on top of trolley and secure the six latches. Now the OEX900 is ready to be carried everywhere.
OEX900
Stand
VOCAL
Fig.9
Stereo program source
Such as CD player, MD Player or other Line sources...
Stand
7
4.CONTROL ELEMENTS
(3) (17)
(20) (19)
(23)
(21)
(22)
(24) (27)
(25)
(26)
CH 1
CH 2
CH 3
CH 4
CH 5-6
CH 7-8
MIC IN (bal.)MIC IN (bal.)
MIC IN (bal.)
MIC IN (bal.)
MIC IN (bal.)
MIC IN (bal.)
MIC IN (bal.)
TAPE
OUT
2
J.T.
J.T.
3
1
2
J.T.
J.T.
3
1
2
J.T.
J.T.
3
1
2
J.T.
J.T.
3
1
2
J.T.
J.T.
3
1
2
J.T.
J.T.
3
1
RTN
IN
OUT
RIGHT
MAIN OUT
RIGHT
HEADPHONE
R
E
A
M
P
R
E
A
M
P
R
E
A
M
P
R
E
A
M
P
R
E
A
M
P
R
E
A
M
P
STEREO
MONITOR OUT
(8)
-
+10dB
(7)
Left
-
8
dB
0
Right
PAN
Left
dB
0
Right
PAN
Left
dB
0
Right
PAN
Left
dB
0
Right
PAN
Left
dB
0
Right
BAL
Left
dB
0
Right
BAL
12. FLANGER
13. CHORUS
15. FLANGERREV.+
14. REV.+ DELAY
16. REV.+ CHORUS
0
10
15
9
63
0
0dB
+10dB
DSP/FX
POST
AUX2
-
8
0dB
+10dB
DSP/FX
POST
AUX2
-
8
0dB
+10dB
DSP/FX
POST
AUX2
-
8
0dB
+10dB
DSP/FX
POST
AUX2
-
8
0dB
+10dB
DSP/FX
POST
AUX2
-
8
0dB
+10dB
DSP/FX
POST
AUX2
11.STEREO DELAY
10. MONO DELAY
2. VOCAL2
1. VOCAL1
3. LARGE HALL
4. SMALLHALL
6. SMALLROOM
7. PLATE
8. TAPEREVERB
9. SPRING REVERB
5. LARGE ROOM
15
9
160
400
1K
2.5K
6.3K
16K
15
9
8
dB
0
-30
LEVEL
15
9
0
-10
10
0
-
+10dB
-
+10dB
-
+10dB
-
+10dB
-
+10dB
-
+10dB
8
8
8
8
8
8
DFX MUTE
PEAK
MONITOR
-
8
+10dB
-15dB
0dB
+15dB
MON
AUX1
PRE
-15dB
0dB
+15dB
MON
AUX1
PRE
-15dB
0dB
+15dB
MON
AUX1
PRE
-15dB
0dB
+15dB
MON
AUX1
PRE
-15dB
0dB
+15dB
MON
AUX1
PRE
-15dB
0dB
+15dB
MON
AUX1
PRE
VARIATIONS
10
9
8
15
63
160
400
1K
2.5K
6.3K
16K
15
dB
0
LEVEL
(4)(2)(1)
LINE IN
(bal.)
L
O
W
N
O
I
S
E
P
LINE IN
(bal.)
L
O
W
N
O
I
S
E
P
LINE IN
(bal.)
L
O
W
N
O
I
S
E
P
LINE IN
(bal.)
L
O
W
N
O
I
S
E
P
PAD
L
O
W
N
O
I
S
E
P
R
PAD
L
O
W
N
O
I
S
E
P
R
AUX2
OUT
-
8
2TK IN
MAX
LEFT
LEFT
-20 dB
(MONO)
L
-20 dB
(MONO)
L
CH7-8
MAIN
OFF
ON
-
LEVEL
8
-20 dB
+10dB
PAD
-
LEVEL
8
-20 dB
+10dB
PAD
-
LEVEL
8
-20 dB
+10dB
PAD
-
LEVEL
8
-20 dB
+10dB
PAD
-
LEVEL
8
+10dB
-
LEVEL
8
+10dB
AUX/DFX RET
FOOT
SW.
TAPE TO
MAIN
PHANTOM
48V
(5)(6)
-15dB
-15dB
0dB
0dB
+15dB
2.5KHz
LOW
80Hz
80Hz
80Hz
80Hz
80Hz
80Hz
13
12
11
7
6
5
9
LOW
LOW
LOW
LOW
LOW
14
4
MID
-15dB
0dB
+15dB
2.5KHz
MID
-15dB
0dB
+15dB
2.5KHz
MID
-15dB
0dB
+15dB
2.5KHz
MID
-15dB
0dB
+15dB
2.5KHz
MID
-15dB
0dB
+15dB
2.5KHz
MID
15
11
PRESETS
16
10
1
9
8
2
7
3
15
9
0
0dB
+15dB
12KHz
HIGH
-15dB
0dB
0dB
+15dB
12KHz
HIGH
-15dB
0dB
0dB
+15dB
12KHz
HIGH
-15dB
0dB
0dB
+15dB
12KHz
HIGH
-15dB
0dB
0dB
+15dB
12KHz
HIGH
-15dB
0dB
0dB
+15dB
12KHz
HIGH
13
14
12
15
16
DSP
1
2
3
6
4
5
(16) (14)
(13) (15) (18)
LTO
15
9
9
0
-10
-30
10
0
OPERATING
R
(12)
(10)
(11)
(9)
8
(1). MIC IN
These electronically balanced XLR sockets have been designed to accept microphone signals, providing low noise microphone pre-amplifier, as well as phantom power for condenser microphone by pressing the PHANTOM
power switch.
Note: You shall never connect an unbalanced microphone to the XLR socket if you don't want to damage both the microphone and mixer.
(2). LINE IN
These balanced 1/4"TRS jacks have been designed to accept line level inputs such as keyboards outputs, CD, players, MD/tape outputs, etc...
(3). Stereo Input
This channel is equipped with two 1/4" TRS jacks for stereo input. Connecting the left input jack only, the input will operate in mono mode. Furthermore, it also provides the XLR connector for MIC input. The OEX900 is provided with two stereo channels.
(4). 20dB PAD
Pressing this button the input signal will be attenuated by 20dB. In such way you'll obtain increased headroom and you"ll reduce the risk of distortion due to input level peaks with too high input signal.
(5). Equalizer
Each channel is equipped with 3-band warm, natural EQ: HI, MID and LOW bands will allows you to shape the sound of program material in a very efficient way. HI Treble control. You can use it to get rid of high frequency noises or to boost the sound of cymbals and human voice higher harmonics. The gain range can be varied from -15dB to +15dB with a center frequency of 12kHz. MID Midrange control. It can affect most fundamental frequencies of all musical instruments and human voice. A careful use of this control will give you a very wide panorama of sound effects. The gain range can be varied from
-15dB to +15dB with a center frequency of 2.5kHz. LOW Bass control. It can boost male voice or kick-drum and bass guitar. Your system will seem much bigger than it really is. The gain range can be varied from -15dB to +15dB with a center frequency of 80Hz.
(6). AUX Sends
Both these controls are used to adjust the level of signal sent to AUX buses. These sends contrals are adjus­table in - to +15dB.The MON (AUX1) control is configured PRE-FADER, it means that its signal is independent by channel fader setting. It is suited to be used as monitor mix in a live sound mixing, or for a headphone mix in recording application. The(AUX2) control is configured as POST-FADER, it means that the audio signal will be affected by channel fader settings. This signal is assigned to onboard DSP(digital effects module). Via AUX2 OUT connector the AUX2 signal can be sent to an external effect device.
(7). PAN/BAL Control
The pot controls the channel's position between left and right in the stereo bus. Of course you can use it to"move" the channel signal in stereo front to create spatial effects as well as.
(8). LEVEL Control
This pot provides smooth control over levels.
(9). OPERATING LED Display
The LED indicates when OEX900 power is switched ON.
(10). Graphic EQ
OEX900 is provided with two graphic EQs, one for MAIN MIX, the other for MONITOR MIX. These graphic EQ have 7-band fader controls. Via these faders, you can boost or attenuate the selected frequency by 15dB at a preset bandwidth. frequency "contour" of sound, to adapt it to your musical taste andThey are used to modify the
ambient characteristics. When all faders are at the center position, the equalizer has flat response.
9
(11). MONITOR LEVEL Control
This control adjusts the level of monitor output by a range of - to +10dB.
(12). MAIN LEVEL Control
By rotating this pot you'll simultaneously adjust the overall volume of the left and right main mix outputs in
to +10dB.-
(13). PRESETS Control (DSP Section)
Adjust this knob to select the effect you wish to perform. There are 16 options available: several kinds of reverb, mono and stereo delay, modulation effects, and versatile two-effect combinations.
(14). VARIATIONS Control
This control provides 16 variations for each preset, each variation has been designed modifying several parameters. For further details, please refer to chapter 5.
(15). PEAK LED
This LED is lit when the DSP input signal is too strong. This LED is lit when the DSP is muted too.
(16). DSP MUTE Switch
This switch serves to activate/deactivate the built-in effect section. For your convenience you can also use the FOOT SW for this operation.
(17). FOOT SW. Jack
This 1/4" phone jack can be used to connect an external foot-switch to turn on/off the built-in effect module.
(18). AUX/DFX RET
This pot adjusts the internal/external effect from 0 to 10.
(19). AUX2 OUT
This 1/4" phone jack outputs AUX2 bus line signal.
(20). STEREO RTN
This1/4" phone jack is used to return the signal of external unit to the main mix. You can also use it as an extra auxiliary input.
(21). TAPE IN/OUT
These RCA connectors are useful to connect the output/input of a DAT, cassette or taper recorder.
(22). TAPE TO Switch
Pushing this switch to left, TAPE IN signal will be routed to CH7-8 path, so the signal will be controlled by
channel level control and main level control. Pushing this switch to right, the TAPE IN signal will be derectly
routed to main mix bus, and its signal will be affected by main level control only.
(23). 2TK IN Control
This pot adjusts the level of 2TK IN signal in - to MAX range.
(24). MAIN OUT
These left and right main mix. You can use these connectors to output the main mixconnectors output signal to external PA system or active speakers.
(25). MONITOR OUT
This1/4" phone jack outputs the signal from MON (AUX1) bus to the input of external monitor amplifier or active monitor speaker.
(26). HEADPHONE OUT
This1/4" stereo phone jack can be used to connect stereo headphones.
(27). PHANTOM Switch
Via this switch, you can turn on/off the +48V phantom power for all microphone pre-amps.
10
(28). AC INLET with FUSE HOLDER
Standard IEC receptacle, connect your OEX900 to mains with the supplied power cord.
(29). POWER Switch
It switches on/off the OEX900 main power.
(30). Powered Output Connectors
These 4-way speakon type connectors are used to output the powered signal to L&R speaker cabinets. Note: in order to avoid damaging your built-in amplifier, please pay attention to speaker impedance. Lower load impedance is not permitted.
(29) (30)(28)
11
5. PRESET LIST
No.
1
VOCAL 1
2
VOCAL 2
3
4
5
6
7
PLATE
TAPE REVERB
8
Preset
Description
Simulate a room with small delay time.
Simulate a small space with slight decay time.
Simulate a large acoustic space of the sound.LARGE HALL
Simulate a small acoustic space of the sound.SMALL HALL
Simulate a studio room with many early reflections.LARGE ROOM
Simulate a bright studio room.SMALL ROOM
Simulate the transducers sound like classic bright vocal plate.
Simulate a record head and multiple playback heads
at intervals along the tape.
Controllable parameter
Parameter Variable range
Decay time Pre-delay
Decay time Pre-delay
Decay time Pre-delay
Decay time Pre-delay
Decay time Pre-delay
Decay time Pre-delay
Decay time Pre-delay
Decay time Pre-delay
0.8~1.1s 0~79ms
0.8~2.5s 0~79ms
3.6~5.4s 23~55ms
1.0~2.9s 20~45ms
2.9~4.5s 23~55ms
0.7~2.1s 20~45ms
0.6~6.1s 10ms
1.3~5.4s 0~84ms
9
SPRING REVERB Simulate the analog transducers' springs lightly
stretched sound.
10
MONO DELAY
11
STEREO DELAY
12
FLANGER
13
CHORUS
REV.+DELAY
14
15
REV.+FLANGER
16
REV.+CHORUS
Reproduce the sound input on the outputafter a lapse of time.
Recreate the input sound on the stereo output with different time.
Simulate to play with another person carryingout sam e the notes on the same instrument
Recreate the illusion of more than one instrument from a single instrument sound
Delay with room effect
Stereo chorus and large room reverb
Simulate the sound effect achieved by rotating horn speakers and a bass cylinder
Decay time Pre-delay
Period
Period Feedback
Rate
Rate
Delay period
Rev. decay time
Flanger Rate Rev. decay time
Chorus rate Rev. decay time
1.3~5.4s 0~35ms
60~650ms
210~400ms 37~73%
0.16~2.79Hz
0.5~5Hz
211~375ms
1.0~2.9s
0.16~2.52Hz
1.5~2.9s
0.5~4.74Hz
1.5~2.9s
12
6. OEX900 WIRING GUIDE
Defective wiring may degrade the performance of OEX900 product so, please, use good quality screened audio cable. Please follow the descriptions below to connect the OEX900 with external equipment, without experiencing any noise or signal loss.
Model
Mixer
Section
Input/Output
Connector
MIC IN
LINE IN
AUX SEND
TAPE IN
TAPE OUT
Type
XLR
1/4" jack TRS
1/4" jack TS
RCA
RCA
Description
PIN1 = Screen / Ground PIN2 = Hot Signal PIN3 = Cold Signal
TIP = Hot RING = Cold SLEEVE = Screen
TIP = Hot SLEEVE = Screen
TIP = Hot SLEEVE = Screen
TIP = Hot SLEEVE = Screen
Diagram
1/4" jack
Ring
TRS Type Balanced
Ring
TRS Type Unbalanced
Tip
Sleeve
TS Type Unbalanced
Tip
Sleeve
Tip
Sleeve
+
+
-
+
Speaker
Section
Main Output
Section
MIX OUT
HEADPHONE
POWER CONNECTOR
SPEAKER IN
POWERED OUTPUT
1/4" jack TRS
1/4" jack TRS
SCM
4-way speaker
connector
4-way speaker
connector
TIP = Hot RING = Cold SLEEVE = Screen
TIP = Hot RING = Cold SLEEVE = Screen
PIN1= AC IN (+18V) PIN2= PGND PIN3= AC IN (-18V) PIN4= OUT - GND PIN5= SUB OUT PIN6= L OUT HI PIN7= R OUT HI PIN8=C-GND
1+,1-,2+,2-
1+,1-,2+,2-
RCA Connector
SCM
XLR connector
Pin3 (-)
Pin1 ( )
XLR Type alancedB
Pin2 (+) Pin3 (-)
(Linked to Pin1 manually, )
Pin1 ( )
XLR Type Unbalanced
+
Pin2 (+)
13
7. TECHNICAL SPECIFICATIONS
Mixer Section
Mono input channels
Stereo input channels
Impedances
Equalization
DSP Section
Main Mix Section
Microphone Input
Frequency response Distortion(THD&N)
Gain SNR(Signal to Noise Ratio)
Line input Frequency response Distortion(THD&N)
Gain
Line input
Frequency response
Distortion(THD&N)
Microphone Input
Channel Insert return All other inputs
Tape out All other outputs Hi shelving Mid bell Low shelving A/D and D/A converters DSP resolution Type of effects
Presets Controls
Noise(Bus noise)
Max output
Controls AUX Sends max out
Electronically balanced, discrete input configuration
10Hz to 55kHz,+/- 3dB
0.04% at +4dBu,1kHz 30dB >94dB Electronically balanced 10Hz to 55kHz,+/- 3dB
0.04% at +4dBu,1kHz 10dB
Unbalanced 10Hz to 55kHz,+/- 3dB
0.04% at +4dBu,1kHz
1.4kOhm
2.5kOhm 10kOhm or greater 1kOhm 120Ohm +/-15dB@12kHz +/-15dB@2.5kHz +/-15dB@80Hz
24bit 24bit Hall,Room,Vocal&Plate REVERBS Mono & Stereo DELAY (max DELAY TIME 650ms) Chorus,Flanger & Reverb MODULATIONS REVERB+DELAY,REVERB+CHORUS, REVERB+FLANGER combinations
256 16-position PRESET selector 16-position VARIATION selector
CLIP LED MUTE SWITCH with LED indicator Fader 0 dB,channels muted:-85dBr (ref.:+4dBu) Fader 0 dB,all input channels assigned and set to UNITY gain:-81dBr(ref.:+4dBu)
+27dBu balanced +22dBu unbalanced, 1/4" jacks
+22dBu
14
Speaker Section
Speaker Section
3-Way Powered System
Low Output Power MID-HIGH Output Power
Peak Power Rating
Max SPL at 1mt Frequency response
Impedance Low-Mid/High Crossover Frequencies
Amplifier Protections Low-Mid/High
Low Frequency Device Mid Frequency Device High Frequency Device
Horn Coverage H x V Plastic Reinforced Cabinet
Physical
Bi-Amp plus passive crossover into Satellite
250W RMS Class H 150W+150W RMS Class AB
1200W Peak
119.5dB Continuous - 122.5dB Peak ( calculated ) 45Hz- 20kHz @ -10dB Low 4ohm - Mid/High 8ohm
Active 125Hz at 12dB/Oct - Passive 3000Hz at 12dB/Oct with Electronic Dynamic Protections.
Soft Start - Short Circuit - DC output voltage
-Thermal Protection - Subsonic Filter at 30Hz - 24dB/Oct. - Limiter / Compressor.
15" / 385mm - 2.5" Voice Coil 2 x 6.5" / 165mm - 1.5" Voice Coil 1" Compression Driver - 1" Voice Coil
80Hx80V Polypropilene
Dimension(W*D*H)
Net Weight Gross Weight
1060*700*700mm
43.04kg
60.04kg
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8. WARRANTY
7.1 WARRANTY REGISTRATION CARD
To obtain Warranty Service, the buyer should first fill out and return the enclosed Warranty Registration Card within 10 days of the Purchase Date. All the information presented in this Warranty Registration Card gives the manufacturer a better understanding of the sales status, so as to purport a more effective and efficient after-sales warranty service. Please fill out all the information carefully and genuinely, miswriting or absence of this card will void your warranty
service.
7.2 RETURN NOTICE
a. In case of return for any warranty service, please make sure that the product is well packed in its original shipping
carton, and it can protect your unit from any other extra damage.
b. Please provide a copy of your sales receipt or other proof of purchase with the returned machine, and give detail
information about your return address and contact telephone number.
c. A brief description of the defect will be appreciated.
d. Please prepay all the costs involved in the return shipping, handling and insurance.
3. TERMS AND CONDITIONS
a. warrants that this product will be free from any defects in materials and/or workmanship for a period
LTO
of 1 year from the purchase date if you have completed the Warranty Registration Card in time.
b. The warranty service is only available to the original consumer, who purchased this product directly from the
retail dealer, and it can not be transferred.
c. During the warranty service, may repair or replace this product at its own option at no charge to you for
LTO
parts or for labor in accordance with the right side of this limited warranty.
d. This warranty does not apply to the damages to this product that occurred as the following conditions:
Instead of operating in accordance with the user's manual thoroughly, any abuse or misuse of this product.
Normal tear and wear.
The product has been altered or modified in any way.
Damage which may have been caused either directly or indirectly by another product / force / etc.
Abnormal service or repairing by anyone other than the qualified personnel or technician.
And in such cases, all the expenses will be charged to the buyer.
e. In no event shall be liable for any incidental or consequential damages. Some states do not allow the exclu-
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sion or limitation of incidental or consequential damages, so the above exclusion or limitation may not apply to you.
f. This warranty gives you the specific rights, and these rights are compatible with the state laws, you may also
have other statutory rights that may vary from state to state.
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SEIKAKU TECHNICAL GROUP LIMITED
No. 1, Lane 17, Sec. 2, Han Shi West Road, Taichung 40151, Taiwan
http://www.altoproaudio.com Tel: 886-4-22313737
email: alto@altoproaudio.com Fax: 886-4-22346757
All rights reserved to ALTO. All features and content might be changed
without prior notice. Any photocopy, translation, or reproduction of part of this
manual without written permission is forbidden. Copyright 2005 SEIKAKU GROUP
c
NF02057-1.3
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