Yamaha PSR-1000, PSR-2000 User Manual

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OWNER’S MANUAL
OWNER’S MANUAL
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Introduction

SPECIAL MESSAGE SECTION
This product utilizes batteries or an external power supply (adapter). DO NOT connect this product to any power sup­ply or adapter other than one described in the manual, on the name plate, or specifically recommended by Yamaha.
WARNING:
anyone could walk on, trip over ,or roll anything over power or connecting cords of any kind. The use of an extension cord is not recommended! IF you must use an extension cord, the minimum wire size for a 25' cord (or less ) is 18 AWG. NOTE: The smaller the AWG number ,the larger the current handling capacity. For longer exten­sion cords, consult a local electrician.
This product should be used only with the components supplied or; a cart, rack, or stand that is recommended by Yamaha. If a cart, etc., is used, please observe all safety markings and instructions that accompany the accessory product.
SPECIFICATIONS SUBJECT TO CHANGE:
The information contained in this manual is believed to be correct at the time of printing. However, Yamaha reserves the right to change or modify any of the specifications without notice or obligation to update existing units.
This product, either alone or in combination with an ampli­fier and headphones or speaker/s, may be capable of pro­ducing sound levels that could cause permanent hearing loss. DO NOT operate for long periods of time at a high volume level or at a level that is uncomfortable. If you experience any hearing loss or ringing in the ears, you should consult an audiologist. IMPORTANT: The louder the sound, the shorter the time period before damage occurs.
Some Yamaha products may have benches and / or accessory mounting fixtures that are either supplied with the product or as optional accessories. Some of these items are designed to be dealer assembled or installed. Please make sure that benches are stable and any optional fixtures (where applicable) are well secured BEFORE using. Benches supplied by Yamaha are designed for seating only. No other uses are recommended.
NOTICE:
Service charges incurred due to a lack of knowledge relat­ing to how a function or effect works (when the unit is operating as designed) are not covered by the manufac­turer’s warranty, and are therefore the owners responsibil­ity. Please study this manual carefully and consult your dealer before requesting service.
Do not place this product in a position where
Battery Notice:
This product MAY contain a small non-rechargeable battery which (if applicable) is soldered in place. The average life span of this type of battery is approxi­mately five years. When replacement becomes neces­sary, contact a qualified service representative to perform the replacement.
This product may also use “household” type batteries. Some of these may be rechargeable. Make sure that the battery being charged is a rechargeable type and that the charger is intended for the battery being charged. When installing batteries, do not mix batteries with new, or with batteries of a different type. Batteries MUST be installed correctly. Mismatches or incorrect installation may result in overheating and battery case rupture.
Warning:
Do not attempt to disassemble, or incinerate any battery. Keep all batteries away from children. Dispose of used batteries promptly and as regulated by the laws in your area. Note: Check with any retailer of household type batteries in your area for battery disposal information.
Disposal Notice:
Should this product become damaged beyond repair, or for some reason its useful life is considered to be at an end, please observe all local, state, and federal reg­ulations that relate to the disposal of products that con­tain lead, batteries, plastics, etc. If your dealer is unable to assist you, please contact Yamaha directly.
NAME PLATE LOCATION:
The name plate is located on the bottom of the prod­uct. The model number, serial number, power require­ments, etc., are located on this plate. You should record the model number, serial number, and the date of purchase in the spaces provided below and retain this manual as a permanent record of your purchase.
ENVIRONMENTAL ISSUES:
Yamaha strives to produce products that are both user safe and environmentally friendly. We sincerely believe that our products and the production methods used to pro­duce them, meet these goals. In keeping with both the let­ter and the spirit of the law, we want you to be aware of the following:
92-BP (bottom)
PLEASE KEEP THIS MANUAL
Model
Serial No.
Purchase Date
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PRECAUTIONS

PLEASE READ CAREFULLY BEFORE PROCEEDING
* Please keep this manual in a safe place for future reference.
WARNING
Always follow the basic precautions listed below to avoid the possibility of serious injury or even death from electrical shock, short-circuiting, damages, fire or other hazards. These precautions include, but are not limited to, the following:
Power supply/AC power adaptor
Only use the voltage specified as correct for the instrument. The required voltage is printed on the name plate of the instrument.
Use the specified adaptor (PA-300 or an equivalent recom­mended by Yamaha) only. Using the wrong adaptor can result in damage to the instrument or overheating.
Check the electric plug periodically and remove any dirt or dust which may have accumulated on it.
Do not place the AC adaptor cord near heat sources such as heaters or radiators, and do not excessively bend or otherwise damage the cord, place heavy objects on it, or place it in a posi­tion where anyone could walk on, trip over, or roll anything over it.
Do not open
Do not open the instrument or attempt to disassemble the inter­nal parts or modify them in any way. The instrument contains no user-serviceable parts. If it should appear to be malfunctioning, discontinue use immediately and have it inspected by qualified Yamaha service personnel.
CAUTION
Water warning
Do not expose the instrument to rain, use it near water or in damp or wet conditions, or place containers on it containing liq­uids which might spill into any openings.
Never insert or remove an electric plug with wet hands.
Fire warning
Do not put burning items, such as candles, on the unit. A burning item may fall over and cause a fire.
If you notice any abnormality
If the AC adaptor cord or plug becomes frayed or damaged, or if there is a sudden loss of sound during use of the instrument, or if any unusual smells or smoke should appear to be caused by it, immediately turn off the power switch, disconnect the adaptor plug from the outlet, and have the instrument inspected by quali­fied Yamaha service personnel.
Always follow the basic precautions listed below to avoid the possibility of physical injury to you or others, or damage to the instrument or other property. These precautions include, but are not limited to, the following:
Power supply/AC power adaptor Location
When removing the electric plug from the instrument or an outlet, always hold the plug itself and not the cord.
Unplug the AC power adaptor when not using the instrument, or during electrical storms.
Do not connect the instrument to an electrical outlet using a mul­tiple-connector. Doing so can result in lower sound quality, or possibly cause overheating in the outlet.
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Do not expose the instrument to excessive dust or vibrations, or extreme cold or heat (such as in direct sunlight, near a heater, or in a car during the day) to prevent the possibility of panel disfigu­ration or damage to the internal components.
Do not use the instrument in the vicinity of a TV, radio, stereo equipment, mobile phone, or other electric devices. Otherwise, the instrument, TV, or radio may generate noise.
Do not place the instrument in an unstable position where it might accidentally fall over.
Before moving the instrument, remove all connected adaptor and other cables.
Use only the stand specified for the instrument. When attaching the stand, use the provided screws only. Failure to do so could cause damage to the internal components or result in the instru­ment falling over.
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PSR-2000/1000
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Connections
Before connecting the instrument to other electronic compo­nents, turn off the power for all components. Before turning the power on or off for all components, set all volume levels to mini­mum. Also, be sure to set the volumes of all components at their minimum levels and gradually raise the volume controls while playing the instrument to set the desired listening level.
Maintenance
When cleaning the instrument, use a soft, dry cloth. Do not use paint thinners, solvents, cleaning fluids, or chemical-impregnated wiping cloths.
Handling caution
Do not insert a finger or hand in any gaps on the instrument.
Never insert or drop paper, metallic, or other objects into the gaps on the panel or keyboard. If this happens, turn off the power immediately and unplug the power cord from the AC out­let. Then have the instrument inspected by qualified Yamaha ser­vice personnel.
Do not place vinyl, plastic or rubber objects on the instrument, since this might discolor the panel or keyboard.
Do not rest your weight on, or place heavy objects on the instru­ment, and do not use excessive force on the buttons, switches or connectors.
Do not operate the instrument for a long period of time at a high or uncomfortable volume level, since this can cause permanent hearing loss. If you experience any hearing loss or ringing in the ears, consult a physician.
Saving data
Saving and backing up your data
Current memory data (see page 39) is lost when you turn off the power to the instrument. Save the data to a floppy disk/the User Drive (see page 39). Saved data may be lost due to malfunction or incorrect opera­tion. Save important data to a floppy disk.
When you change settings in a display page and then exit from that page, System Setup data (listed in the Parameter Chart of the separate Data List booklet) is automatically stored. However, this edited data is lost if you turn off the power without properly exiting from the relevant display.
Backing up the floppy disk
To protect against data loss through media damage, we recom-
mend that you save your important data onto two floppy disks.
PSR-2000/1000
4
Yamaha cannot be held responsible for damage caused by improper use or modifications to the instrument, or data that is lost or destroyed.
Always turn the power off when the instrument is not in use.
Even when the power switch is in the “STANDBY” position, electricity is still flowing to the instrument at the minimum level. When you are not using the instrument for a long time, make sure you unplug the AC power adaptor from the wall AC outlet.
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Thank you for purchasing the Yamaha PSR-2000/1000!
We recommend that you read this manual carefully
so that you can fully take advantage of the advanced
and convenient functions of the PSR-2000/1000.
We also recommend that you keep this manual
in a safe and handy place for future reference.
PSR-2000/1000
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Accessories

):
PA-300 AC Adaptor
*
Floppy Disk [includes accompaniment style files (pages 28 and 59), and MIDI Driver (page 154)]
Music Stand (page 17)

Data List

Owner’s Manual

* May not be included in your area. Please check with your Yamaha dealer.

About this Owner’s Manual and Data List

This manual consists of four main sections: Introduction, Quick Guide, Basic Operation, and Reference. Also, a separate Data List is provided.
Introduction (page 2): Please read this section first. Quick Guide (page 20): This section explains how to use the basic functions. Basic Operation ( Reference (page 52): This section explains how to make detailed settings for the PSR-2000/1000’s various
functions.
page 38
This section explains how to use the basic operations including display-based controls.
Data List : Voice List, MIDI Data Format, etc.
* The illustrations and LCD screens as shown in this owner’s manual are for instructional purposes only, and may appear
somewhat different from those on your instrument.
* The example Operation Guide displays shown in this Manual are taken from the PSR-2000, and in English.
* This product (PSR-2000) is manufactured under license of U.S. Patents No.5231671, No.5301259, No.5428708, and
No.5567901 from IVL Technologies Ltd. * The bitmap fonts used in this instrument have been provided by and are the property of Ricoh Co., Ltd. * Unauthorized copying of copyrighted software for purposes other than the purchaser’s personal use is prohibited.
Trademarks:
• Apple and Macintosh are trademarks of Apple Computer, Inc.
• IBM-PC/AT is a trademark of International Business Machines Corporation.
• Windows is the registered trademark of Microsoft® Corporation.
• All other trademarks are the property of their respective holders.
PSR-2000/1000
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Handling the Floppy Disk Drive (FDD) and Floppy Disk

Be sure to handle floppy disks and treat the disk drive with care. Follow the important precautions below.

Compatible Disk Type

• 3.5" 2DD and 2HD type floppy disks can be used.

Inserting/Ejecting Floppy Disks

To insert a floppy disk into the disk drive:
• Hold the disk so that the label of the disk is facing upward and the sliding shutter is facing forward, towards the disk slot. Carefully insert the disk into the slot, slowly pushing it all the way in until it clicks into place and the eject button pops out.
Drive lamp
When the power is turned on, the drive lamp (at the bottom left of the drive) lights to indicate the drive can be used.
• Never attempt to remove the disk or turn the power off when the data is being written to the floppy disk. Doing so can damage the disk and possibly the disk drive. Press the eject button slowly as far as it will go; the disk will automatically pop out. When the disk is fully ejected, carefully remove it by hand.
• If the eject button is pressed too quickly, or if it is not pressed in as far as it will go, the disk may not eject properly. The eject button may become stuck in a half­pressed position with the disk extending from the drive slot by only a few millimeters. If this happens, do not attempt to pull out the partially ejected disk, since using force in this situation can damage the disk drive mechanism or the floppy disk. To remove a partially ejected disk, try pressing the eject button once again, or push the disk back into the slot and then repeat the eject procedure.
• Be sure to remove the floppy disk from the disk drive before turning off the power. A floppy disk left in the drive for extended periods can easily pick up dust and dirt that can cause data read and write errors.
To eject a floppy disk:
Before ejecting the disk, be sure to confirm that data is not being written to the floppy disk. If data is currently being written to the floppy disk in the following operations, the messages “Now executing,” “Now copying,” and “Now formatting” appears in the display.
• Moving, copying, pasting, saving, or deleting data (page 42 - 44).
• Naming files and folders (page 41); creating a new folder (page 44).
• Copying a disk to an another disk (page 150); formatting the disk (page 150).

Cleaning the Disk Drive Read/Write Head

• Clean the read/write head regularly. This instrument employs a precision magnetic read/write head which, after an extended period of use, will pick up a layer of magnetic particles from the disks used that will eventually cause read and write errors.
• To maintain the disk drive in optimum working order Yamaha recommends that you use a commercially­available dry-type head cleaning disk to clean the head about once a month. Ask your Yamaha dealer about the availability of proper head-cleaning disks.
• Never insert anything but floppy disks into the disk drive. Other objects may cause damage to the disk drive or floppy disks.
Eject button
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About the Floppy Disks

To handle floppy disks with care:
• Do not place heavy objects on a disk or bend or apply pressure to the disk in any way. Always keep floppy disks in their protective cases when they are not in use.
• Do not expose the disk to direct sunlight, extremely high or low temperatures, or excessive humidity, dust or liquids.
• Do not open the sliding shutter and touch the exposed surface of the floppy disk inside.
• Do not expose the disk to magnetic fields, such as those produced by televisions, speakers, motors, etc., since magnetic fields can partially or completely erase data on the disk, rendering it unreadable.
• Never use a floppy disk with a deformed shutter or housing.
• Do not attach anything other than the provided labels to a floppy disk. Also make sure that labels are attached in the proper location.
To protect your data (Write-protect Tab):
• To prevent accidental erasure of important data, slide the disk’s write-protect tab to the “protect” position (tab open).
write-protect tab open (protect position)
Data backup
• For maximum data security Yamaha recommends that you keep two copies of important data on separate floppy disks. This gives you a backup if one disk is lost or damaged. To make a backup disk use the Disk to Disk function on page 150.

About the Display Messages

A message (information or confirmation dialog) sometimes appears on the screen to facilitate operation. When such messages appear, simply follow the instructions as shown by pressing the corresponding button.
F
G
H
I
J
For this example, press the [G] (YES) button to execute formatting.
You can select the desired language from the Help dis­play (page 49).
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Table of Contents
Introduction ............................ 2
PRECAUTIONS.......................................................... 3
Accessories ............................................................... 6
About this Owner’s Manual and Data List .............. 6
Handling the Floppy Disk Drive (FDD)
and Floppy Disk..................................................... 7
About the Display Messages.................................... 8
Application Index................................................... 12
What can you do with the PSR-2000/1000?.......... 14
Setting Up the PSR-2000/1000.............................. 16
Panel Controls and Terminals................................ 18
Quick Guide ........................... 20
Playing the Demos ................................................. 20
Song Playback ........................................................ 21
Playback of Songs ....................................................21
Playing Voices ........................................................ 25
Playing a Voice ........................................................25
Playing Two Voices Simultaneously ..........................26
Playing Different Voices with the Left
and Right Hands...................................................27
Playing Styles ......................................................... 28
Playing a style..........................................................28
Style Sections...........................................................30
One Touch Setting...................................................32
Music Finder........................................................... 33
Using the Music Finder ............................................33
Searching the Music Finder Records.........................34
Saving and Recalling Music Finder Data...................35
Playing with the Songs .......................................... 36
Playing Along with the PSR-2000/1000....................36
Recording ................................................................37
Basic Operations
— Organizing Your Data ....... 38
Example — Open/Save display for Voice..................39
Selecting Files and Folders..................................... 40
File/Folder-related Operations .............................. 41
Naming Files/Folders ...............................................41
Moving Files/Folders ................................................42
Copying Files/Folders...............................................43
Deleting Files/Folders...............................................43
Saving Files ..............................................................44
Organizing Files by Creating a New Folder ..............44
Displaying Upper Level pages ..................................44
Entering Characters and Changing Icons .................44
Using the [DATA ENTRY] Dial................................ 46
Direct Access — Instant Selection of Displays....... 47
Help Messages ....................................................... 49
Using the Metronome............................................ 50
Adjusting the Tempo ............................................. 50
Tap Tempo ..............................................................51
Reference
Playing the Demos.................52
Voices.....................................54
Selecting a Voice .................................................... 54
Layer/Left — Playing Several Sounds
Simultaneously .................................................... 56
Layer — Layering Two Different Voices ................... 56
Left — Setting Separate Voices for the Left
and Right Sections of the Keyboard ..................... 57
Applying Voice Effects ........................................... 57
PITCH BEND Wheel & MODULATION Wheel........ 58
Adjusting the Octave setting ................................. 58
Styles......................................59
Playing a style ........................................................ 59
Playing a Style’s Rhythm Channels only .................. 61
Adjusting the Volume Balance/Channel Muting ...... 61
Chord Fingerings.................................................... 62
Arranging the Style Pattern (SECTIONS:
MAIN A/B/C/D, INTRO, ENDING, BREAK) ......... 64
Stopping the Style Playback While Releasing Keys
(SYNC. STOP) ...................................................... 65
Selecting Intro and Ending Types (INTRO/ENDING)
Playing Fill-in patterns automatically when changing
accompaniment sections — Auto Fill In................ 66
Appropriate Panel Setting for the Selected Style
(ONE TOUCH SETTING) ...................................... 67
Automatically Changing One Touch Settings
with the Sections — OTS Link .............................. 68
Registering the Panel Controls in One Touch Setting
(ONE TOUCH SETTING) ...................................... 68
Calling Up Ideal Setups for Your Music
— Music Finder.................................................... 69
Searching the Ideal Setups — Music Finder Search
Editing Records — Music Finder Record Edit ........... 71
.... 66
...... 70
The Multi Pads .......................73
Playing the Multi Pads ........................................... 73
Chord Match .......................................................... 73
Multi Pad Edit......................................................... 74
Song Playback........................75
Compatible Song Types ......................................... 75
Song Playback ........................................................ 76
Playing the Internal Songs....................................... 76
Playing Back Songs on Disk..................................... 78
Other Playback-related Operations.......................... 78
Muting Specific Parts
— Track1/Track2/Extra Tracks............................ 79
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Repeat Playback of a Specific Range ..................... 79
Displaying Music Notation
— Score (PSR-2000 only) .................................... 80
Displaying the Lyrics .............................................. 83
Saving and Recalling Custom Panel Setups
— Registration Memory ........ 84
Registering Panel Setups — Registration Memory 84
Saving Your Registration Memory Setups.................85
Recalling a Registration Memory Setup ................ 86
Editing the Channel Data...................................... 115
Making Style File Format Settings —Parameter ..... 116
Creating Multi Pad
— Multi Pad Creator ...........118
Operation ............................................................. 118
Multi Pad Realtime Recording — Record ............ 119
Start recording...................................................... 119
Stop recording...................................................... 119
Step Recording or Editing Multi Pads — Edit...... 120
Adjust the Volume Balance
Editing Voices
— Sound Creator ................... 87
Operation ............................................................... 87
Regular Voice Parameters...................................... 88
Organ Flutes (PSR-2000 only)................................ 91
Recording Your Performances and Creating Songs
— Song Creator ..................... 92
About Song Recording........................................... 92
Quick Recording..................................................... 93
Multi Recording ..................................................... 94
Recording Individual Notes — Step Record .......... 96
Operation ................................................................96
Recording Melodies — Step Record (Note) ..............98
Recording Chord Changes for the Auto
Accompaniment — Step Record (Chord)..............99
Select the Recording Options: Starting, Stopping,
Punching In/Out — Rec Mode............................101
Editing a Recorded Song ..................................... 102
Editing Channel-related Parameters — Channel.....102
Editing Note Events — 1 - 16.................................105
Editing Chord Events — CHD.................................106
Editing System Events
— SYS/EX. (System Exclusive) .............................106
Inputting and Editing Lyrics ...................................107
Customizing the Event List — Filter........................107
Creating Accompaniment Styles
— Style Creator ................... 108
About Creating Accompaniment Styles .............. 108
Style File Format .................................................. 109
Operation ............................................................. 109
Realtime Recording — Basic ................................ 110
Step Recording..................................................... 111
Assembling an Accompaniment Style
—Assembly........................................................ 112
Edit the Created Accompaniment Style .............. 113
Change the Rhythmic Feel — Groove and Dynamics ... 113
and Changing Voices
— Mixing Console ................121
Operation ............................................................. 121
Setting the Level Balance and Voice
— Volume/Voice ............................................... 122
Changing the Tone of the Voice — Filter............ 123
Changing Pitch-related Settings — Tune ............ 123
Adjusting the Effects ............................................ 124
Effect Structure ..................................................... 126
Setting the Equalizer—EQ (PSR-2000 only) ........ 127
Using a Microphone — MIC. (PSR-2000)
Selecting a Vocal Harmony Type ......................... 129
Making Settings for the Vocal Harmony
and Microphone — MICROPHONE SETTING ... 130
Adjusting the Vocal Harmony Settings
and Microphone Effects — OVERALL SETTING ... 130
Setting the Microphone Volume and Related Effects
— TALK SETTING............................................... 132
................128
Making Global and Other Important Settings
— Function...........................133
Operation ............................................................. 133
Fine Tuning the Pitch/Selecting a Scale
— Master Tune/Scale Tune............................... 135
Tuning the Overall Pitch — Master Tune............... 135
Selecting a Scale — Scale Tune ............................. 135
Setting Song-related Parameters
— Song Settings................................................ 137
Setting Auto Accompaniment-related Parameters
— Style Setting, Split Point,
and Chord Fingering......................................... 138
Setting Auto Accompaniment-related Parameters
— Style Setting and Split Point .......................... 138
Setting the Fingering Method — Chord Fingering
Making Settings for the Pedals and Keyboard
— Controller...................................................... 139
.... 139
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Making Settings for the Pedals...............................139
Changing the Touch Sensitivity Modulation
and Transpose — Keyboard/Panel ......................141
Setting the Registration Sequence, Freeze,
and Voice Set .................................................... 142
Specifying the Order for Calling Up Registration
Memory Presets — Registration Sequence ..........142
Maintaining Panel Settings — Freeze .....................142
Changing the Automatically Selected Voice Settings
— Voice Set ........................................................143
Setting Harmony and Echo.................................. 143
Setting the MIDI Parameters............................... 145
Making Overall System Settings (Local Control,
Clock, etc.) — System.........................................145
Transmitting MIDI Data — Transmit ......................146
Receiving MIDI Data — Receive .............................147
Setting Root Note Channels — Root ......................147
Setting Chord Channels — Chord Detect ..............147
Other Settings Utility ...................................... 148
Making Settings for Fade In/Out, Metronome,
Parameter Lock, and Tap — CONFIG 1...............148
Making Settings for the Display
and Voice Number Indication — CONFIG 2........149
Copying and Formatting Disks — Disk...................150
Entering Your Name and Language Preference
— Owner............................................................151
Restoring the Factory-programmed Settings
of the PSR-2000/1000 — System Reset...............151
Introduction
Quick Guide
Basic Operations - Organizing Your Data
Playing the Demos
Voices
Styles
The Multi Pad
Song Playback
Using Your PSR-2000/1000
with Other Devices.............. 152
Using the Headphones (PHONES jack)...................152
Connecting the Microphone or Guitar
(MIC./LINE IN jack) (PSR-2000 only)...................152
Playing the sounds of the PSR-2000/1000 through an
external audio system, and recording the sounds to
an external recorder (AUX OUT/OUTPUT jacks)
Using the Pedal (footswitch) or Foot Controller
(FOOT PEDAL 1/2 jack).......................................153
Connecting external MIDI devices
(MIDI terminals) .................................................153
Connecting to a Computer
(MIDI terminals/TO HOST terminal)....................154
What’s MIDI?.........................................................155
What You Can Do With MIDI.................................158
Data Compatibility.................................................158
Disk format ............................................................158
Sequence Format...................................................159
Voice Allocation Format .........................................159
......153
Troubleshooting.................. 160
Saving and Recalling Custom Panel Setups
- Registration Memory
Editing Voices - Sound Creator
Recording Your Performances and Creating Songs
- Song Creator
Creating Accompaniment Styles
- Style Creator
Creating Multi Pad - Multi Pad Creator
Adjust the Volume Balance and Changing Voices
- Mixing Console
Using a Microphone - MIC. (PSR-2000)
Making Global and Other Important Settings
- Function
Specifications ...................... 162
Index ................................... 164
Using Your PSR-2000/1000 with Other Devices
Appendix
PSR-2000/1000
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Application Index

Use this index to find reference pages that may be helpful for your particular application and situation.
Listening
Listening to the internal songs................................................................................................................ page 76
Listening to disk songs .......................................................................“Playing Back Songs on Disk” on page 78
Listening to demo songs......................................................................................................................... page 52
Listening to the demo of the selected voices ..........................................................................................page 54
Listening to songs with the special voices of the PSR-2000/1000 .........................................................page 122
Playing
Playing an accompaniment that matches pitch..................................................“Transpose Assign” on page 141
Combining two voices ...................................................... “Layer — Layering Two Different Voices” on page 56
Playing separate voices with the right and left hands
...........................“Left — Setting Separate Voices for the Left and Right Sections of the Keyboard” on page 57
Changing the sound
Enhancing the sound with touch and other effects ......................................“Applying Voice Effects” on page 57
.................................................................................................................“Adjusting the Effects” on page 124
Adjusting the Level Balance................................................................................................................. page 122
Combining two voices ...................................................... “Layer — Layering Two Different Voices” on page 56
Playing separate voices with the right and left hands
...........................“Left — Setting Separate Voices for the Left and Right Sections of the Keyboard” on page 57
Creating voices ......................................................................................................................................page 87
Playing the auto accompaniment
Playing the accompaniment automatically............................................................................................. page 59
Calling up ideal panel settings for your music........................................................................................ page 69
Practicing
Practicing with an accurate and steady tempo.............................................“Using the Metronome” on page 50
Recording
Recording your performance...........................................................................................................pages 93, 94
Creating a song by entering notes ..........................................................................................................page 96
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Creating your original settings
Creating voices ......................................................................................................................................page 87
Creating accompaniment styles............................................................................................................ page 108
Creating multi pads.............................................................................................................................. page 118
Page 13
Application Index
Using a microphone (PSR-2000 only)
Connecting the microphone.............. ”Connecting the Microphone or Guitar (MIC./LINE IN jack)” on page 152
Adding automatic harmonies to your singing .......................................................................................page 129
Settings
Registering Panel Setups......................................................................................................................... page 84
Tuning the pitch/Selecting a scale ........................................................................................................page 135
Making detailed settings for playing back songs................................................................................... page 137
Making detailed settings for the auto accompaniment.......................................................................... page 138
Making detailed settings for the keyboard voices .................................................................................page 141
Making detailed settings for MIDI ........................................................................................................page 145
Connecting the PSR-2000/1000 to other devices
Basic information on MIDI.....................................................................................“What’s MIDI?” on page 155
Recording your performance........”Playing the sounds of the PSR-2000/1000 through an external audio system,
and recording the sounds to an external recorder (AUX OUT/OUTPUT jacks)” on page 153
Raising the volume ......................”Playing the sounds of the PSR-2000/1000 through an external audio system,
and recording the sounds to an external recorder (AUX OUT/OUTPUT jacks)” on page 153
Connecting a computer. .......... .”Connecting to a Computer (MIDI terminals/TO HOST terminals)” on page 154
Quick solution
Basic functions of the PSR-2000/1000 and how you can best use it ................................................pages 12, 14
Resetting the PSR-2000/1000 to the default setting
................. “Restoring the Factory-programmed Settings of the PSR-2000/1000 — System Reset” on page 151
Displaying the Messages......................................................................“About the Display Messages” on page 8
Troubleshooting ...................................................................................................................................page 160
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What can you do with the PSR-2000/1000?

SONG

Playback previously recorded songs (page 21, 36, 75)
Enjoy a wide variety of preset songs as well as songs on commercially available disks.

Multi Pads

Add spice to your performance with special dynamic phrases (page 73, 118)
By simply pressing one of the Multi Pads, you can play short rhythmic or melodic phrases. You can also create your original Multi Pad phrases by recording them directly from the keyboard.
SONG

STYLE

TRACK2TRACK
EXTRA TRACKS
(STYLE) (R)(L)
REC REW FF
NEW SONG SYNC. START
POP & ROCK
BALLAD USERLATIN
MASTER VOLUME
MIN MAX
1
TOP
SWING &
JAZZ
DANCE
TRANSPOSE
RESET
FADE IN/OUT
START/STOP
BALLROOM
MULTI PAD
REPEAT
TEMPO
RESET
STOP

DEMO

Explore the Demos (page 20, 52)
These not only showcase the stunning voices and styles of the instrument, they introduce you to the various functions and features — and give you hands-on experience using the PSR­2000/1000!
METRO­NOME
DIGITAL STUDIO
SOUND CREATOR
MARCH &
WALTZ
TAP TEMPO

DIGITAL RECORDING

MIXING CONSOLE
PART
MENU DEMO
HELP
FUNCTION
DIRECT
ACCESS
A
B
C
D
E
BALANCE
CHANNEL ON/OFF
PSR-2000/1000
14
STANDBY ON
STYLE CONTROL
ACMP
BREAK
INTRO
MAIN
STYLE
Back up your performance with Auto Accompaniment (page 28, 59)
Playing a chord with your left hand automatically plays the auto accompaniment backing. Select an accompaniment style — such as pop, jazz, Latin, etc. — and let the PSR-2000/1000 be your backing band!
ENDING
/ rit.
AUTO FILL IN
SYNC.
SYNC.
STOP
START OTS LINK
START/STOP
DIGITAL RECORDING
Record your performances (page 92, 108)
With the powerful and easy-to-use song recording features, you can record your own keyboard performances, and create your own complete, fully orchestrated compositions — which you can then save to the USER drive or a floppy disk for future recall.
PART
Page 15
81 2 3 4 5 6 7
LCD
The large LCD (together with the various panel buttons) provides comprehensive and easy­to-understand control of the PSR-2000/1000’s operations.
BACK NEXT

MUSIC FINDER

Call up the perfect accompaniment style (page 33, 69)
If you know what song you want to play, but you don’t know which style or voice would be right for it, let the Music Finder help you. Just select the song title, and the PSR-2000/1000 automatically calls up the most appropriate style and voice.
VOICE EFFECT
LEFT
HOLD
SUSTAIN
HARMONY/ ECHO
DSP
MONOTOUCH
VARIATION

VOICE

Enjoy a huge variety of realistic voices (page 25, 54)
The PSR-2000/1000 features a wealth of exceptionally authentic and dynamic voices — including piano, strings, woodwinds, and more!
VOICE
MAIN
F
G
H
I
J
EXIT
LAYER
LEFT
MUSIC
FINDER
DATA ENTRY
PIANO & HARPSI.
GUITAR
STRINGS CHOIR & PAD
USER
MIC.
OVER
SIGNAL
ENTER
REGISTRATION MEMORY
FREEZE MEMORY
ORGAN FLUTES
MIC.
VH TYPE
SETTING
SELECT
ONE TOUCH SETTING
E.PIANO
BASS
VOCAL HARMONY

TO HOST terminal

Make music with a computer — quickly and easily (page 154)
Dive in and take advantage of the wide world of computer music software. Connections and setup are exceptionally easy, and you can play back your computer recorded parts with different instrument sounds — all from a single PSR-2000/ 1000!
ORGAN &
ACCORDION
BRASS
SYNTH.
UPPER OCTAVE
TAL K
PERCUSSION
WOODWIND
XG

Organ Flutes (PSR-2000)

RESET
EFFECT
Craft your own organ voices (page 91)
This special function not only gives you a full set of rich and luscious organ sounds, it also lets you create your own original organ voices, just as on a traditional organ, by increasing and decreasing the flute footages, and adding percussive sounds.

Vocal Harmony (PSR-2000)

Add automatic vocal backing to your singing (page 128)
The amazing Vocal Harmony feature (on the PSR-2000) automatically produces backup vocal harmonies for lead vocals that you sing into a microphone. You can even change the gender of the harmony voices — for example, letting you add female backup to your own male voice (or vice versa).
LCD
CONTRAST
TO HOST
Mac
HOST SELECT
MIDI
PC2PC1
OUT
MIDI
FOOT PEDAL
2
INPUT
VOLUME
LINE IN
MIC./
MIC. LINEIN
LR R L/L+R
AUX OUT
(LEVEL FIXED)
OUTPUT
PSR-2000/1000
DC IN 16V
15
Page 16

Setting Up the PSR-2000/1000

MIDI master (transmitting device)
Audio equipment (first mixer, then amplifier)
12345678910111213141516LR
PSR-2000/1000 as MIDI slave (MIDI receiving device)
POWER
ON!!
Power Supply
Make sure that the PSR-2000/1000’s STANDBY/ON
1
switch is at the STANDBY (off) position.
Connect one end of the AC cable to the PA-300.
2
Connect the PA-300’s DC plug to the PSR-2000/
3
1000’s DC IN terminal on the instrument’s rear panel.
R L/L+R
OUTPUT
)
DC IN 16V
DC IN
Power-on Procedure
When you have made all the necessary connections (page 152) between your PSR-2000/1000 and any other devices, make sure that all volume settings are turned down all the way to zero. Then turn on every device in your setup in the order of MIDI masters (senders), MIDI slaves (receivers), then the audio equipment (mixers, amplifiers, speakers, etc.). This ensures smooth MIDI operation and prevents speaker damage.
When powering down the setup, first turn down the volume for each audio device, then switch off each device in the reverse order (first audio devices, then MIDI).
To electrical outlet
Connect the other end (normal AC plug) to the
4
nearest electrical outlet.
WARNING
Do not attempt to use an AC adaptor other than the Yamaha PA­300 or an equivalent recommended by Yamaha. The use of an incompatible adaptor may cause irreparable damage to the PSR­2000/1000, and may even pose a serious shock hazard! ALWAYS UNPLUG THE AC ADAPTOR FROM THE AC POWER OUTLET WHEN THE PSR-2000/1000 IS NOT IN USE.
CAUTION
Never interrupt the power supply (e.g. unplug the AC adaptor) during any PSR-2000/1000 record operation! Doing so can result in a loss of data.
CAUTION
Even when the switch is in the “STANDBY” position, electricity is still owing to the instrument at a minimum level. When not using the PSR-2000/1000 for an extended period of time, be sure to unplug the AC power adaptor from the wall AC outlet.
PSR-2000/1000
16
Page 17
Powering Up
MAIN
BACK NEXT
LEFT
MUSIC FINDER
LAYER
I
F
J
G
H
D
A
E
B
C
CAUTION
In order to avoid possible damage to the speakers or other connected electronic equipment, always switch on the power of the 2000/1000 before switching on the power of the amplied speakers or mixer and amplier. Likewise,always switch off the power of the 2000/1000 after switching off the power of the amplied speakers or mixer and ampli­er.
CAUTION
Even when the switch is in the "STANDBY" position,electricity is still owing to the instrument at a minimum level. When not using the PSR-2000/1000 for an extended period of time, be sure to unplug the AC power adaptor from the wall AC outlet.
n
Before you switch your 2000/1000 on or off, rst turn down the vol­ume of any connected audio equipment.
1 Press the [STANDBY/ON] switch.
The main display appears in the display.
Music Stand
The PSR-2000/1000 is supplied with a music stand that can be attached to the instrument by inserting it into the slot at the rear of the control panel.
The Panel Logos
The logos printed on the PSR-2000/1000 panel indicate standards/formats it supports and special features it includes.
GM System Level 1
“GM System Level 1” is an addition to the MIDI standard which guarantees that any data conforming to the standard will play accurately on any GM-compatible tone generator or synthesizer from any manufacturer.
STANDBY ON
When you’re ready to turn off the power, press the [STANDBY/ON] switch again.
Both the display and the drive lamp (at the
bottom left of the drive) will turn off.

2 Adjusting the display contrast If the LCD is difficult to read, adjust the contrast with the [LCD CONTRAST] knob on the rear panel.

3 Setting the volume Use the [MASTER VOLUME] dial to adjust the volume to an appropriate level.

CONTRAST
MASTER VOLUME
MIN MAX
LCD
FADE IN/OUT
XG Format
XG is a new Yamaha MIDI specification which significantly expands and improves on the “GM System Level 1” standard with greater voice handling capacity, expressive control, and effect capability while retaining full compatibility with GM. By using the PSR-2000/1000 XG voices, it is possible to record XG-compatible song files.
XF Format
The Yamaha XF format enhances the SMF (Standard MIDI File) standard with greater functionality and open-ended expandability for the future. The PSR-2000/1000 is capable of displaying lyrics when an XF file containing lyric data is played. (SMF is the most common format used for MIDI sequence files. The PSR-2000/1000 is compatible with SMF Formats 0 and 1, and records “song” data using SMF Format 0.)
Vocal Harmony (PSR-2000 only)
Vocal Harmony employs state-of-the-art digital signal processing technology to automatically add appropriate vocal harmony to a lead vocal line sung by the user. Vocal Harmony can even change the character and gender of the lead voice as well as the added voices to produce a wide range of vocal harmony effects.
Disk Orchestra Collection
The DOC voice allocation format provides data playback compatibility with a wide range of Yamaha instruments and MIDI devices.
Style File Format
The Style File Format (SFF) is Yamaha’s original style file format, which uses a unique conversion system to provide high-quality automatic accompaniment based on a wide range of chord types. The PSR-2000/1000 uses the SFF internally, reads optional SFF style disks, and creates SFF styles using the Style Creator feature.
PSR-2000/1000
17
Page 18

Panel Controls and Terminals

7
STANDBY ON
1
PITCH BEND MODULATION
2 3
STYLE CONTROL
ACMP
23
BREAK
24 25
55
LCD
CONTRAST
SONG
EXTRA
TRACK2TRACK
1
TRACKS
9 10
6
7 8
(STYLE) (R)(L)
REC REW FF
START/STOP
TOP
10 11 12 13 14
NEW SONG SYNC. START
STYLE
15
INTRO
MAIN
26
282930 33
27
SWING &
JAZZ
POP & ROCK
BALLAD USERLATIN
DANCE
TRANSPOSE
RESET
MASTER VOLUME
21
FADE IN/OUT
MIN MAX
19
20
ENDING
/ rit.
AUTO FILL IN
31
MULTI PAD
OTS LINK
32
BALLROOM
SYNC. STOP
REPEAT
METRO­NOME
5
9
36
MARCH &
WALTZ
37
38
TAP TEMPO
TEMPO
RESET
1716
STOP
22
SYNC. START
34
START/STOP
18
35
39 40 41
TO HOST
DIGITAL
STUDIO
SOUND CREATOR
DIGITAL RECORDING
MIXING CONSOLE
PART
MENU
DEMO
HELP
FUNCTION
Mac
HOST SELECT
DIRECT ACCESS
43
7574
PC2PC1
42
BALANCE
CHANNEL ON/OFF
MIDI
76
OUTIN
MIDI
A
B
C
D
E
44
45
PART
46
4
PHONES
C1
CLICK
POWER
[STANDBY/ON] switch .........................................................P. 17
1
WHEEL
PITCH BEND .......................................................................P. 58
2
MODULATION (PSR-2000 only) .......................................... P. 58
3
PHONES
[PHONES] jack................................................................... P. 152
4
METRONOME
[METRONOME] button ........................................................P. 50
5
SONG
[EXTRA TRACKS (STYLE)] button ......................................P. 79
6 7
[TRACK 2 (L)] button............................................................ P. 79
8
[TRACK 1 (R)] button........................................................... P. 79
9
[REPEAT] button ..................................................................P. 79
10
[REC] button......................................................................... P. 92
11
[TOP] button......................................................................... P. 78
12
[START / STOP] button ........................................................ P. 76
13
[REW] button........................................................................ P. 78
14
[FF] button............................................................................ P. 78
STYLE
STYLE buttons..................................................................... P. 59
15
TRANSPOSE
[E] [F] buttons ............................................................. P. 141
16
TEMPO
[E] [F] buttons ............................................................... P. 50
17
[TAP TEMPO] button............................................................P. 51
18
D138E1
36T37S39F141
40 46 49
G1
43
42 44A145
R
L
L
MASTER VOLUME
[MASTER VOLUME] dial...................................................... P. 17
19
[FADE IN / OUT] button........................................................ P. 65
20
MULTI PAD
[1] - [4] buttons ..................................................................... P. 73
21
[STOP] button.......................................................................P. 73
22
STYLE CONTROL
[ACMP] button...................................................................... P. 60
23
[BREAK] button.................................................................... P. 64
24 25
[INTRO] button............................................................... P. 31, 66
26
MAIN [A] button.................................................................... P. 64
27
MAIN [B] button.................................................................... P. 64
28
MAIN [C] button.................................................................... P. 64
29
MAIN [D] button.................................................................... P. 64
30
[ENDING / rit.] button ..................................................... P. 31, 66
31
[AUTO FILL IN] button..........................................................P. 66
32
[OTS LINK] button................................................................ P. 68
33
[SYNC.STOP] button............................................................P. 65
34
[SYNC.START] button.......................................................... P. 60
35
[START / STOP] button ........................................................ P. 60
DIGITAL STUDIO
[SOUND CREATOR] button ................................................. P. 87
36
[DIGITAL RECORDING] button.................................... P. 92, 108
37
[MIXING CONSOLE] button............................................... P. 121
38
MENU
[DEMO] button .....................................................................P. 52
39
[HELP] button....................................................................... P. 49
40
[FUNCTION] button............................................................ P. 133
41
D2
B1
C2
47
48
M
H
E2
F2
50
51
M
G2
52
53
5554 56A257
H
L
H
58 61
L
D3
B2
C3
59
60
M
M
L
H
E364F3
62
63
C
H
1
65R66G36
R 1
S
PSR-2000/1000
18
Page 19
77
FOOT PEDAL
78
79
72
INPUT
2
MIC. LINE
VOLUME
73
LINE IN
MIC./
(LEVEL FIXED)
LR R L/L+R
AUX OUT
80 81
OUTPUT
DC IN 16V
A3
69
67
68 70C472H73
C 2
VOICE EFFECT
LEFT
SUSTAIN
BACK NEXT
47
MAIN
42
F
G
H
LAYER
I
J
LEFT
MUSIC
FINDER
EXIT
54
DATA ENTRY
B3
D4
71
R
L
2
HOLD
53
74 75
66
49
50
51
48
E4
H
57 58
56
VOICE
PIANO & HARPSI.
GUITAR
STRINGS CHOIR & PAD
USER
MIC.
VH TYPE
SETTING
SELECT
OVER
SIGNAL
ONE TOUCH SETTING
67
ENTER
E.PIANO
BASS
ORGAN FLUTES
MIC.
63
65
52
REGISTRATION MEMORY
FREEZE MEMORY
68
69 70
F4
G4
76
77H78
L
A4
79H80
L
L
HARMONY/ ECHO
59
VOCAL HARMONY
81 82
ORGAN &
ACCORDION
BRASS
SYNTH.
MONOTOUCH
60
UPPER OCTAVE
TALK
B4
83
H
DSP
61
PERCUSSION
WOODWIND
RESET
64
EFFECT
C5
84L85S87D586
XG
VARIATION
62
71
E5
F5
G5
88
89
90
L
H
91A59392 94B595C696
L M
O
DISPLAY CONTROL
[A] - [J] buttons..................................................................... P. 40
42
[DIRECT ACCESS] button................................................... P. 47
43
[BALANCE] button ...............................................................P. 61
44
[CHANNEL ON / OFF] button ........................................P. 61, 78
45
[1▲▼] - [8▲▼] buttons .................................................P. 38 - 45
46
[BACK] button ................................................................P. 40, 46
47
[NEXT] button................................................................. P. 40, 46
48
VOICE PART ON / OFF [MAIN] button ................................P. 56
49
VOICE PART ON / OFF [LAYER] button .............................. P. 56
50
VOICE PART ON / OFF [LEFT] button................................. P. 56
51
[ENTER] button.................................................................... P. 46
52
[DATA ENTRY] dial............................................................... P. 46
53
[EXIT] button ........................................................................ P. 40
54 55
[LCD CONTRAST] knob ......................................................P. 17
VOICE EFFECT
[LEFT HOLD] button ............................................................P. 58
56
[TOUCH] button ...................................................................P. 57
57
[SUSUTAIN] button .............................................................. P. 57
58
[HARMONY / ECHO] button ................................................P. 58
59
[MONO] button..................................................................... P. 58
60
[DSP] button......................................................................... P. 57
61
[VARIATION] button ............................................................. P. 58
62
VOICE
VOICE buttons ..................................................................... P. 54
63
UPPER OCTAVE
[UPPER OCTAVE] button..................................................... P. 58
64
MIC.
MIC. buttons (PSR-2000 only)............................................ P. 128
65
MUSIC FINDER
[MUSIC FINDER] button ...................................................... P. 69
66
ONE TOUCH SETTING
[1] - [4] buttons ..................................................................... P. 67
67
REGISTRATION MEMORY
[FREEZE] button.................................................................. P. 86
68
[1] – [8] buttons ....................................................................P. 84
69
[MEMORY] button................................................................ P. 84
70
FLOPPY DISK
Floppy disk drive (3.5)........................................................... P. 7
71
Microphone (PSR-2000 only)
[INPUT VOLUME] knob...................................................... P. 152
72
[MIC. LINE IN] jack ............................................................. P. 152
73
Connectors
[TO HOST] terminal ...........................................................P. 154
74
[HOST SELECT] switch ..................................................... P. 154
75
MIDI [OUT] [IN] terminals................................................... P. 153
76
[FOOT PEDAL 1 (SWITCH) ] jack...................................... P. 153
77
[FOOT PEDAL 2] jack ........................................................ P. 153
78
AUX OUT (LEVEL FIXED) [L] [R] jacks ............................. P. 153
79
OUTPUT [L / L+R] [R] jacks...............................................P. 153
80
DC IN terminal ................................................................... P. 153
81
PSR-2000/1000
19
Page 20
Quick Guide . . . . . . . . . . . . . . . . . . . . . . . . .
81 2 3 4 5 6 7

Playing the Demos

The PSR-2000/1000 features an extensive variety of Demo songs, that showcase its rich, authentic voices and its dynamic rhythms and styles.
What’s more, there’s a special selection of Demo functions. These take you through a hands-on journey of all the important features and functions of the instrument — letting you see firsthand how to effectively use the PSR-2000/1000 in your own music.
1 Press the [DEMO] button
automatically plays back the Demo songs at random.
FUNCTION
For this example, FUNCTION is selected. Function Demos demonstrate each of the different functions on the PSR-2000/1000.
MENU DEMO
HELP
2 Press the [BACK]/[NEXT] button to select the Demo
categories.
Reference
on page 52
Demo button
BACK NEXT
Voice Demos showcase the voices of the PSR-2000/
1000. Style Demos intro­duce you to the rhythms and accompaniment styles of the PSR-2000/1000 (page 52).
3
Press any of the [A] to [J] buttons or [8] (AUTO) button (FUNCTION page only) to select the Demo songs.
For this example, press the [8] (AUTO) button. All of the function demos are played back in sequence.
MAIN
A
B
C
D
E
F
G
H
I
J
LAYER
LEFT
For details about the Demos, refer to page 52.
Press the [EXIT] button to exit from the demo mode and return to the MAIN display when you’ve finished playing the demo songs.
20
When you’re done with the Demos, you can get to know your PSR-2000/1000 even better with these functions:
• Song playback (page 21)
• Short demo playback of the selected voice (in the Voice Open display; page 26).

Quick Guide

Page 21

Song Playback

Song Playback
Reference
on page 75
Here’s where all of the amazing voices, effects, rhythms, styles and other sophisticated features of the PSR-2000/1000 come together — in songs!
Song related buttons
BALANCE and CHANNEL buttons
Floppy disk drive
The following songs are compatible for playback on the PSR-2000/1000. Refer to pages 75, 158 for more details on the logos.
Disks bearing this logo contain song data for voices dened in the GM standard.
Disks bearing this logo contain song data using the XG format, an extension of the GM standard that provides a wider variety of voices and more comprehensive sonic control.
Disks bearing this logo contain song data for voices dened in Yamahas DOC format.

Playback of Songs

1 If you want to play back a disk song, insert an appropriate disk containing song data into the disk drive.
CAUTION
Make sure to read the section Using the Floppy Disk Drive (FDD) and Floppy Disks on page 7.
Quick Guide
21
Page 22
Song Playback
2 Press the [A] button to call up the Song Open display.
If the MAIN screen is not displayed, press the [DIRECT ACCESS] button followed by the [EXIT] button.
A
B
C
D
E
From the MAIN display (the display shown when the power is turned on), you can select songs, voices, accom­paniment styles, etc.
PRESET (Songs for Demos)
FLOPPY DISK (commercially available songs, your own songs, etc.)
Press the [BACK]/[NEXT] button to select the drive. In the example display at left, the PRESET page is selected; at right, FLOPPY DISK is selected.
3 Press the [A] - [C] button to select the Voice/Style/Function folder.
A
B
C
D
E
22
Quick Guide
Page 23
4 Press one of the [A] to [J] buttons to select the song file.
81 2 3 4 5 6 781 2 3 4 5 6 7
5 Press the SONG [START/STOP] button to start playback.
Song Playback
REC
TOP
START/STOP
To rewind or fast forward to the playback point of the song, press the [REW] or [FF] button.
With song data software (Standard MIDI format 0) that includes lyrics, you can view the lyr-
NEW SONG SYNC. START
ics on the display during playback. You can also view the score (PSR-2000 only). See pages 80 and 83 for details.
6 While the song is playing, try using the Mute function to turn certain instrument channels off or on —
letting you craft dynamic arrangements on the fly!
1) Press the [CHANNEL ON/OFF] button.
2) Press the [1 - 8▲▼] button corresponding to the channel you wish to turn on or off.
CHANNEL ON/OFF
PAR T
If the STYLE tab is selected, press this button again.
Quick Guide
23
Page 24
Song Playback
81 2 3 4 5 6 7
7 Finally, take the producer’s seat and try your hand at mixing. These Balance controls let you adjust the levels
of the individual parts — the song, the style, your singing (PSR-2000 only), and your playing.
1) Press the [BALANCE] button.
2) Press the [1 - 8▲▼] button corresponding to the part of which the volume you wish to adjust.
BALANCE
You can call up a full set of mixing controls by pressing the [MIXING CONSOLE] button (page 121).
8 Press the SONG [START/STOP] button to stop playback.
REC
TOP
NEW SONG SYNC. START
START/STOP
The [FADE IN/OUT] but­ton (page 65) can be used to produce smooth fade­ins and fade-outs when starting and stopping the song, as well as the accompaniment.
24
Quick Guide
Page 25

Playing Voices

Playing Voices
The PSR-2000/1000 features a stunning variety of over 700 dynamic, rich and realistic voices. Try
Reference
on page 54
playing some of these voices now and hear what they can do for your music. Here, you’ll learn how to select individual voices, combine two voices in a layer, and split two voices between your left and right hands.
Voice related buttons

Playing a Voice

1 Press the [MAIN] button to turn the MAIN part on, then press the [F] button to call up the menu for
selecting MAIN voice.
If the MAIN screen is not displayed, press the [DIRECT ACCESS] button followed by the [EXIT] button.
Turn MAIN on.
MAIN
F
G
H
I
J
LAYER
LEFT
The voice you’re selecting here belongs to the MAIN part, and is called the MAIN voice. (See page 56 for more information.)
2 Select a voice group.
For this example, STRINGS is selected.
VOICE
PIANO & HARPSI.
GUITAR BASS
STRINGS CHOIR & PAD
USER ORGAN FLUTES
E.PIANO
ORGAN &
ACCORDION
BRASS
SYNTH.
Yo u ’ll want to hear the MAIN voice all by itself so make sure that the LAYER and LEFT parts are turned off.
Press the [BACK]/[NEXT] button to select the memory location of the voice. For this example, PRESET is selected.
PERCUSSION
WOODWIND
XG
Quick Guide
25
Page 26
Playing Voices
3 Select a voice.
For this example, Strings is selected.
4 Play the voices.
Naturally, you can play the voice yourself from the keyboard, but you can also have the PSR-2000/1000 demonstrate the voice for you. Simply press the [8] button from the display above, and a Demo of the voice plays automatically.
A
B
C
D
E
Press the corresponding buttons to select the other pages and discover even more voices.
You can instantly jump back to the Main display by “double-clicking” on one of the [A] - [J] buttons.
The voices displayed on the PSR-1000 are differ­ent from the example dis­play at left; however, the operations are identical.
Press the [8] button to start the Demo for the selected voice. To stop the Demo, press this button again. Theres more to the Demo features than just voices, though–for more information, see page 52.

Playing Two Voices Simultaneously

1 Press the VOICE PART ON/OFF [LAYER] button to turn
the LAYER part on.
2 Press the [G] button to select the LAYER part. 3 Select a voice group.
Here, we’ll select a lush pad to fill out the sound. Call up the “CHOIR & PAD” group.
4 Select a voice.
For example, select “Gothic Vox.”
5 Play the voices.
Now, you can play two different voices together in a rich sounding layer — the MAIN voice you selected in the previous section, plus the new LAYER voice you’ve selected here.
MAIN
LAYER
LEFT
VOICE
PIANO & HARPSI.
GUITAR BASS
STRINGS CHOIR & PAD
USER ORGAN FLUTES
E.PIANO
ORGAN &
ACCORDION
BRASS
SYNTH.
PERCUSSION
WOODWIND
XG
26
And that’s just the beginning. Check out these other voice-related features:
• Create your own original voices — quickly and easily — by changing the settings of existing voices (page 87).
• Set up your favorite panel settings — including voices, styles, and more — and call them up whenever you need them (page 84).
Quick Guide
Page 27

Playing Different Voices with the Left and Right Hands

USER ORGAN FLUTES
STRINGS CHOIR & PAD
GUITAR BASS
PIANO & HARPSI.
E.PIANO
XG
WOODWIND
PERCUSSION
SYNTH.
BRASS
ORGAN &
ACCORDION
VOICE
Split Point
LEFT
MAIN/LAYER
EXIT
Playing Voices
1 Press the VOICE PART ON/OFF [LEFT] button to turn the LEFT
MAIN
part on.
LAYER
LEFT
2 Press the [H] button to select the LEFT part. 3 Select a voice group.
Here, we’ll select the “STRINGS” group — so that you can play rich, orchestral chords with your left hand.
4 Select a voice, then press the [EXIT] button to return to the MAIN
display.
For example, select “Symphon. Str.”
5 Call up the SPLIT POINT display (page 138). From here, you can set the particular key on the keyboard that
separates the two voices — called the Split Point. To do this, simultaneously hold down the [F] or [G] button and press the desired key on the keyboard. (For more information, see page 138.)
MENU DEMO
HELP
FUNCTION
A
B
C
D
E
6 Play the voices.
The notes you play with your left hand sound one voice, while the notes you play with your right sound a different voice (or voices). MAIN and LAYER voices are meant to be played with the right hand. The LEFT voice is played with the left hand.
7 Press the [EXIT] button to return to the MAIN display.
Quick Guide
27
Page 28

Playing Styles

Playing Styles
The PSR-2000/1000 has a huge variety of musical “styles” that you can call upon to back up your own performance. They give you anything from a simple, yet effective piano backing or percussion accompaniment to a full band or orchestra.
Style related buttons

Playing a style

1 Select a style group and a style.
STYLE
POP & ROCK BALLROOM
BALLAD USERLATIN
SWING &
JAZZ
DANCE
MARCH &
WALTZ
A
B
C
D
E
Reference
on page 59
For this example, Dance is selected.
For this example, EuroTrance is selected.
Press the [BACK]/[NEXT] button to select the memory location of the style. For this example, PRESET is selected.
2 Turn ACMP on.
The specified left-hand section of the keyboard becomes the “Auto Accompaniment” section, and chords played in this section are automatically detected and used as a basis for fully automatic accompaniment with the selected style.
Split Point
ACMP
Auto Accompaniment
section
The point on the keyboard that separates the auto accompaniment section and the right-hand sec­tion of the keyboard is called the split point. Refer to page 138 for instructions on setting the split point.
28
Quick Guide
Page 29
3 Turn SYNC.START on.
SYNC. START
4 As soon as you play a chord with your left hand, the style starts.
For this example, play a C major chord (as shown below).
Split Point
Auto Accompaniment
section
5 Change the tempo by using the TEMPO[ ] [ ] buttons if necessary.
Simultaneously press the TEMPO [ ] [ ] buttons to return the tempo to its original setting. Press the [EXIT] button to leave the TEMPO display.
Playing Styles
The Tempo can also be adjusted by using the [TAP TEMPO] button (page 51).
6 Try playing other chords with your left hand.
For information on how to enter chords, see “Chord Fingerings” on page 62.
7 Press the STYLE [START/STOP] button to stop the style.
And there’s much more. Check out these other style-related features:
Easily create your own original styles (page 87).
Set up your favorite panel settings — including styles, voices, and more — and call them up whenever you need
them (page 84).
Embellish and enhance your melodies — with the automatic Harmony and Echo effects
This powerful performance feature lets you automatically add harmony notes to the melodies you play with your right hand — based on the chords you play with your left. Tremolo, Echo, and other effects are available, too.
1 Turn HARMONY/ECHO on.
2 Turn ACMP on (page 28).
LEFT
HOLD
VOICE EFFECT
SUSTAIN
HARMONY/ ECHO
DSP
MONOTOUCH
VARIATION
3 Play a chord with your left hand and play some notes in the right-hand range of the
keyboard.
The PSR-2000/1000 has various Harmony/Echo types (page 143). The Harmony/Echo type may change according to the selected MAIN voice.
• Harmony/Echo is just one of the many Voice Effects you can use. Try out some of the other effects and see how they can enhance your performance (page 57).
For details about Harmony/ Echo types, refer to the sep­arate Data List.
Quick Guide
29
Page 30
Playing Styles

Style Sections

Each style in the auto accompaniment is made up of “sections.” Since each section is a rhythmic variation of the basic style, you can use them to add spice to your performance and mix up the beats — while you’re playing. Intros, Endings, Main patterns, and Breaks — they’re all here, giving you the dynamic elements you need to create professional­sounding arrangements.
INTRO This is used for the beginning of the song. When the intro nishes playing, accompaniment shifts to the
MAIN This is used for playing the main part of the song. It plays an accompaniment pattern of several measures,
BREAK This lets you add dynamic variations and breaks in the rhythm of the accompaniment, to make your
ENDING This is used for the ending of the song. When the ending is nished, the auto accompaniment stops
main section.
and repeats indenitely until another sections button is pressed.
performance sound even more professional.
automatically.
1 - 3 Use the same operations as in “Playing a style” on pages 28 and 29.
4 Press the [INTRO] button.
BREAK
5 As soon as you play a chord with your left hand, the Intro starts.
For this example, play a C major chord (as shown below).
Split Point
INTRO
MAIN
ENDING
/ rit.
Auto Accompaniment
section
When the playback of the intro is finished, it automatically leads into main section.
6 Press any of the MAIN [A] to [D] buttons or [BREAK]
button as desired. (See the Accompaniment Structure on the next page.)
7 Press the [AUTO FILL IN] button to add a fill-in, if
necessary.
Fill-in patterns play automatically between each change in the Main sections.
8 Press the [ENDING] button.
This switches to the ending section. When the ending is finished, the style automatically stops.
BREAK
BREAK
INTRO
or
AUTO FILL IN
INTRO
OTS LINK
MAIN
MAIN
ENDING
/ rit.
ENDING
/ rit.
30
Quick Guide
Page 31
Accompaniment Structure
FADE IN/OUT
INTRO (page 66)
INTRO (page xx)
(max. four patterns)
MAIN VARIATION
INTRO A INTRO B INTRO C
via BREAK
MAIN
VARIATION
B
Playing Styles
INTRO D
via BREAK
MAIN
VARIATION
A
MAIN
VARIATION
C
via BREAK
MAIN
VARIATION
D
via BREAK
Press the [ENDING] button.
You can have the ending gradually slow
ENDING (page xx)
ENDING (page 66)
ENDING A ENDING B ENDING C
ENDING D
down (ritardando) by pressing the [ENDING] button again while the
(max. four patterns)
ending is playing back.
An Intro doesnt necessarily have to be at the beginning! If you want, you can play an Intro section in the middle of your performance by simply pressing the [INTRO] button at the desired point.
Watch your timing with the Break sections. If you press a [BREAK] button too close to the end of the measure (i.e., after the nal eighth note), the Break section starts playing from the next measure. This also applies to the Auto Fill-in.
Mix up your intros and use any of the other sections to start the style, if you want.
If you want to come back into the style right away after an Ending, simply press the [INTRO] button while the Ending section is playing.
If you press the [BREAK] button while the ending is playing, the break will immediately start playing, continuing with the main section.
Other Controls
FADE IN/OUT The [FADE IN/OUT] button can be used to produce smooth fade-ins and fade-outs (page 65)when starting and stopping
TAP TEMPO The style can be started at any tempo you desire by tapping out the tempo with the [TAP/TEMPO] button. For details,
TAP TEMPO
SYNC.STOP When Synchro Stop is on, you can stop and start the style anytime you want by simply releasing or playing the keys (in
SYNC. STOP
the style.
see page 51.
the Auto Accompaniment section of the keyboard). This is a great way to add dramatic breaks and accents to your performance. For details, see page 65.
Quick Guide
31
Page 32
Playing Styles
ONE TOUCH SETTING buttons

One Touch Setting

One Touch Setting is a powerful and convenient feature that automatically calls up the most appropriate panel settings (voice number, etc.) for the currently selected style, with the touch of a single button. This is a wonderful way to instantly reconfigure all the settings on the PSR-2000/1000 to match the style you want to play.
1 Select a style (page 28).
2 Press one of the [ONE TOUCH SETTING] buttons.
Not only does this instantly call up all the settings (voices, effects, etc.) that match the current style (see page 67) — it also automatically turns on ACMP and SYNC. START, so that you can immediately start playing the style.
3 As soon as you play a chord with your left hand, the auto
accompaniment starts.
4 Play melodies with your right hand and play various chords
with your left hand.
5 Try out other One Touch Setting setups.
You can also create your own One Touch Setting
ONE TOUCH SETTING
setups. For details, refer to page 68.
ONE TOUCH SETTING
Auto Accompaniment
Split Point
section
• Here’s another way to further automate musical changes and spice up your performance: Use the convenient OTS (One Touch Setting) Link function to automatically change One Touch Settings when you select a different Main section (page 68).
Quick Guide
32
Page 33

Music Finder

81 2 3 4 5 6 7
Music Finder
Reference
on page 69
MUSIC FINDER button
If you want to play in a certain song but don’t know which style and voice settings would be appropriate, the convenient Music Finder can help you out. Simply select the song name from the Music Finder and the PSR-2000/ 1000 automatically makes all appropriate panel settings to let you play in that music style!

Using the Music Finder

1 Press the [MUSIC FINDER] button.
MUSIC
FINDER
2 Select a record.
Select the desired record.
For this example, press the [1▲▼] - [3▲▼] buttons to select a record by song title.
3 Play along with the style playback.
Split Point
Press the [BACK]/[NEXT] button to select the desired page of records. For this example, ALL is selected.
You can also have the voice and other important settings change automatically with the style changes. To do this, turn on OTS LINK (page 68) and set the OTS LINK TIM­ING (page 138) to REAL.
Auto Accompaniment
section
Press the [EXIT] button to return to the MAIN display.
Quick Guide
33
Page 34
Music Finder
81 2 3 4 5 6 7

Searching the Music Finder Records

The Music Finder is also equipped with a convenient search function that lets you enter a song title or keyword — and instantly call up all the records that match your search criteria.
1 Press the [MUSIC FINDER] button.
MUSIC
FINDER
2 Press the [I] button to call up the MUSIC FINDER SEARCH 1 display.
The results of Search 1 and 2 appear in the correspond­ingly numbered SEARCH 1/ 2 displays.
For this example,
4
press the [A] button to call up the display for inputting the song title.
For this example, ANY is selected.
F
G
H
I
J
Refer to page 45 for instruc-
A
B
C
D
E
F
G
H
I
J
tions on entering characters.
Press the [F], [G]
3
and [H] to clear the previous conditions, if necessary.
34
Enter the song title,
5
then press the [8] (OK) button.
Quick Guide
For this example, ALL is selected.
Press the [8] (START SEARCH)
6
button.
The search function calls up all records that contain the entered word or words.
Page 35
7 Select a record (see step #2 on page 33) and play along with the style playback.
Split Point
Auto Accompaniment
section
Press the [EXIT] button to return to the MAIN display.
You can also create your own Music Finder setups and save them to floppy disk (pages 38 and 44). In this way, you can expand your Music Finder collection by exchanging them with other PSR-2000/1000 users. For details, refer to page 71.
Music Finder
Saving and Recalling Music Finder Data
To save your Music Finder data, call up the MUSIC FINDER Open/Save window from the SYSTEM RESET page (page 151) of the UTILITY display, and follow the same procedure as that in the Open/Save window for Voice (page 40, 44). To recall the saved data, execute the appropriate operation from the MUSIC FINDER’s Open/Save window.
Music Finder data is compat­ible for both the PSR-2000 and the PSR-1000.
Records can be replaced or added (page 71).
In the instructions above, all Music Finder data is handled together. Besides this, when you save or load style files, the Music Finder data that uses the relevant style file(s) is stored or added automatically. When you copy or move a style file on a floppy disk to the USER drive (page 42, 43), the record which was recorded when storing the relevant style is automatically added to the PSR-2000/1000.
In the example above, you specified a song title, but you can also look for relevant records by keyword or music
genre — for example, Latin, 8-beat, etc. (page 70).
Quick Guide
35
Page 36

Playing with the Songs

If you want to start the song right away without an intro, use the Sync Start function. To set Sync Start to standby, simultaneously hold down the [TOP] button and press the SONG [START/STOP] button. Song playback starts automatically the moment you start playing the melody.
If you can hear the PSR-2000/1000 playing the melody part as well, check the channel setting for the melody part in the song data, and change the channel assigned to Track 1 (page 137). You can also change the song channel itself per­manently (page 103).
Playing with the Songs
Reference
on page 75
Song related buttons

Playing Along with the PSR-2000/1000

In this section, try using the PSR-2000/1000’s song playback features to cancel or mute the right-hand melody while you play the part yourself. It’s like having a very talented and versatile playing partner accompany you while you perform.
1 - 4 Use the same operations as in “Song Playback” on pages 21 - 23. 5 Press the [TRACK 1] button to cancel the right hand melody part.
TRACK
1
(R)
To cancel the left hand part, press the [TRACK 2] button.
6 If you want to have the notation displayed as you play (PSR-2000 only), press the [C] button. If you want to
see the lyrics, press the [B] button.
If the MAIN screen is not displayed, press the [DIRECT ACCESS] button followed by the [EXIT] button.
7 Press the SONG [START/STOP] button and play the part.
If you want, you can adjust the tempo by pressing the TEMPO[ ] [ ] buttons.
REC
8 Press the SONG [START/STOP] button to stop playback.
REC
Quick Guide
36
TOP
NEW SONG SYNC. START
TOP
NEW SONG SYNC. START
A
B
C
D
E
START/STOP
START/STOP
If the selected song does not contain lyric data, lyrics are not displayed.
Page 37
Playing with the Songs

Recording

The PSR-2000/1000 lets you record, too — quickly and easily. Try out the Quick Recording feature now and capture your keyboard performance.
1 - 3 Select a voice for recording. Use the same operations as in “Playing a Voice” on pages 25, 26. 4 Press the [REC] and [TOP] buttons simultaneously to select “New Song” for recording.
REC REW FF
NEW SONG SYNC. START
TOP
START/STOP
5 Simultaneously hold down the [REC] button and press the [TRACK1] button.
REC
SONG
EXTRA
TRACK2TRACK
TRACKS
(STYLE) (R)(L)
1
6 Recording starts as soon as you start playing the keyboard.
7 When you’ve finished recording, press the [REC] button.
REC
8 To hear your newly recorded performance, return the song to the beginning by
using the [TOP] button and press the SONG [START/STOP] button.
REC
NEW SONG SYNC. START
TOP
START/STOP
9 Save the recorded data as required (pages 38, 44).
CAUTION
The recorded data will be lost if you turn off the power. To keep your important recordings, youll need to save them to the User drive or oppy disk.
Quick Guide
37
Page 38

Basic Operations — Organizing Your Data

The PSR-2000/1000 utilizes a variety of data types — including voices, accompaniment styles, songs, multi pads and registration memory settings. Much of this data is already programmed and contained in the PSR-2000/1000; you can also create and edit your own data with some of the functions on the instrument. All this data is stored in separate files — just as is done on a computer. Here, we’ll show you how to use the basic operations of the display controls in handling and organizing the data of the PSR-2000/1000 in files and folders. Files can be opened, saved, named, moved, or deleted in their respective Open/Save displays. You can select these displays according to their respective file types, as well: Song, Voice, Style, etc. Moreover, you can organize your data efficiently by putting various files of the same type into a single folder. The Open/Save displays for Song, Voice, Style, Multi Pad Bank and Registration Bank can be called up from the MAIN display (the display shown when the power is turned on) by pressing the appropriate [A] - [J] button.
Open/Save display for Song (page 76)
handles the Song files.
Open/Save display for Voice (page 54)
handles the Voice files.
Open/Save display for Multi Pads (page 73, 118)
handles the Multi Pad Bank files.
A
B
C
D
E
F
G
H
I
J
The following Open/Save dis­play types are also available; however, these are selected from displays other than the MAIN display (page 151
SYSTEM SETUP
MIDI SETUP
USER EFFECT
MUSIC FINDER
).
PSR-2000/1000
38
Open/Save display for Style (page 59)
handles the Style files.
Open/Save display for Registration Bank (page 85)
handles the Registration Bank files.
Page 39
Basic Operations — Organizing Your Data

Example Open/Save display for Voice

Each Open/Save display consists of PRESET, USER, and FLOPPY DISK drive pages.
PRESET drive
The files that are pre­programmed and installed internally to the PSR-2000/1000 are kept here. Preset files can be loaded but cannot be re-written. However, you can use a preset file as a basis for creating your own original file (which can be saved in the USER or FLOPPY DISK drive).
USER drive
Files kept here are those containing your own original data, created or edited using the various functions of the PSR­2000/1000. They are stored internally to the PSR-2000/1000.
FLOPPY DISK drive
You can also store your original data to floppy disk. Commercially available disk software can also be called up here. Naturally, these files are available only when the appropriate disk is inserted in the floppy disk drive.
BACK NEXT
Changes drives among
PRESET, USER and FLOPPY DISK.
File
All data, both pre­programmed and your own original, are stored as “files.”
Calls up the upper level directory page. In this example, the voice folder selection page can be called up.
Current Memory
“Current Memory” is the area where the voice is called up when you select a voice. Also it is the area where you edit your voice using the SOUND CREATOR function. Your edited voice should then be saved as a file in the USER or FLOPPY DISK drive.
The selected voice itself (un-edited) can also be saved as a le in the USER or FLOPPY DISK drive.
PSR-2000/1000
39
Page 40
Basic Operations — Organizing Your Data
81 2 3 4 5 6 7
Exiting from small pop-up windows
You can also exit from small pop-up windows (such as in the illustration below) by pressing the [EXIT] button.

Selecting Files and Folders

Select a file shown in the display. In this example, we’ll select a voice file.
First, press the VOICE [PIANO & HARPSI.] button to call up the display containing the files. This display (“Open/Save” display) is typical of those used to call up and store files (voice files). The PSR-2000/1000 already contains a variety of voices in the PRESET section. You can store your own original voices created with the Sound Creator function to the USER or FLOPPY DISK section.
Select “PRESET,” “USER,” or “FLOPPY
1
DISK” by using the [BACK][NEXT] button.
A
B
C
D
E
Use the [1] ~ [7] buttons to
2
turn the pages.
When the amount of available les or folders exceeds ten, the bottom of the display changes as shown below.
Press Next
Press Prev.(previous)
When JAPANESE is selected for the Lan­guage parameter (pages 45, 151), and you
BACK NEXT
F
G
H
I
J
DATA ENTRY
Select the file/folder.
3
There are two ways to select the le/folder:
Press the [A] - [J] button.
Press the letter button corresponding to the le/folder you wish to call up. (In the example display shown above, the voice les are shown.)
Use the [DATA ENTRY] dial and the
[ENTER] button.
When you turn the [DATA ENTRY] dial, the highlight moves among the available les/ folders. Highlight the desired le or folder (voice les are shown in the example above) and press the [ENTER] button to call up the selected item.
change this to one of the western lan­guages, the kanji and kana characters of the le name stored in the disk drive are changed to western characters. In the oppo­site case, special Latin characters and marks are changed into normal characters. Also, in the case of oppy disk data, text in the les are changed to characters that can­not be read by the instrument. Keep in mind that similar problems may occur when trying to access les originating or edited by a computer having a different language operating system. In general, be careful when switching languages you risk not being able to access the data properly.
ENTER
Double-clicking the appropriate [A] -[J] button calls up the corresponding le and returns to the MAIN display.
Highlighting the desired le and double-clicking the [ENTER] button calls up the corresponding le and returns to the MAIN display.
END
Press the [EXIT] button to go back to the MAIN display.
You can go back to the previous display by
40
pressing the [EXIT] button.
PSR-2000/1000
Page 41
Basic Operations — Organizing Your Data
81 2 3 4 5 6 7

File/Folder-related Operations

Naming Files/Folders

You can assign names to files and folders. Any file/folder in the USER and FLOPPY DISK sections can be named or renamed. Execute the following steps when there is data in the User drive. If there are Preset files/folders you wish to rename, copy them beforehand (page 43) and use them as User files/folders.
Press the [1] (NAME) button.
1
The NAME display appears.
Select the appropriate file/folder and press the [7](OK) button.
2
The currently selected le/folder is highlighted. To select another le/folder, press one of the [A] ­[J] buttons. To cancel, press the [8] (CANCEL) button.
A
B
C
D
E
F
G
H
I
J
A le/folder name can con­tain up to 50 half size letters (or 25 Hiragana and kanji let­ters), including the Icon ID (see the note below) and the extension.
The le name will appear on your computer as follows. If you change the Icon ID or the extension, the icon may change or the le may not be properly recognized.
ABCDE.S002.MID
File ID Icon ID
Extension
END
Input the new name (page 45).
Press the [8] (OK) button. To cancel, press the [8] (CANCEL) button.
PSR-2000/1000
41
Page 42
Basic Operations — Organizing Your Data

Moving Files/Folders

You can move files and folders as desired, for organizing your data. Any file/folder in the USER and FLOPPY DISK sections can be moved, using the cut-and-paste operation described below.
Press the [2] (CUT) button.
1
The CUT display appears.
Select the desired file/folder for moving.
2
Select the appropriate le/folder and press the [7](OK) button. The currently selected le/folder is highlighted. To select another le/folder, press one of the [A] ­[J] buttons. Several les/folders can be selected together, even those from other pages. To release or cancel the selection, press the button of the selected le/folder again. Press the [6] (ALL) button to select all the les/folders in the displayed page (USER/FLOPPY DISK). When the [6] (ALL) button is pressed the [6] button changes to ALL OFF button to release or cancel the selection.
Press the [7] (OK) button.
3
To stop the operation, press the [8] (CANCEL) button.
Call up the destination display.
4
Only the USER and FLOPPY DISK pages can be selected as the destination.
Press the [4] (PASTE) button.
END
The le/folder you cut is now pasted at the destination.
This operation cannot be used to directly move a le/ folder from one oppy disk to another. If you want to do this, cut and paste the le or folder from the rst oppy disk to the USER page, then change disks and paste it to the FLOPPY DISK page.
All les/folders in a oppy disk can be copied to another disk in one batch (page 150).
After being pasted, the les are automatically re-ordered in alphabetical order and displayed.
About les/folders in a oppy disk
In the FLOPPY DISK page of the Open/Save display, only the les which can be handled in that Open/Save display will appear even though a folder in a oppy disk can contain different kinds of les. In the case of a folder cut­and-paste operation (for oppy disk), an entire folder can be cut; however, only the specic les which can be handled in the current Open/ Save display will be pasted.
PSR-2000/1000
42
Page 43
Basic Operations — Organizing Your Data

Copying Files/Folders

You can also copy files and folders as desired, for organizing your data. Any file/folder in the PRESET, USER and FLOPPY DISK sections can be copied, using the copy-and-paste operation described below.
Press the [3] (COPY) button.
1
The COPY display appears.
Select the desired file/folder.
2
Select the appropriate le/folder and press the [7](OK) button. The currently selected le/folder is highlighted. To select another le/folder, press one of the [A] - [J] buttons. Several les/folders can be selected together, even those from other pages. To release or cancel the selection, press the button of the selected le/folder again. Press the [6] (ALL) button to select all the les/folders in the displayed page (PRESET/USER/ FLOPPY DISK). When the [6] (ALL) button is pressed, the [6] (ALL) button changes to ALL OFF,” letting you release or cancel the selection.
This operation cannot be used to directly copy a le/ folder from one oppy disk to another. If you want to do this, copy and paste the le or folder from the rst oppy disk to the User page, then change disks and paste it to the Floppy Disk page.
Press the [7] (OK)
3
button.
To stop the operation, press the [8] (CANCEL) button.
Call up the destination
4
display.
Only the USER and FLOPPY DISK pages can be selected as the destination.
END
Press the [4] (PASTE) button.
The le/folder you copied is now pasted at the destination.

Deleting Files/Folders

You can also delete files and folders as desired, for organizing your data. Any file/folder in the USER and FLOPPY DISK sections can be deleted, using the operation described below.
Press the [5] (DELETE) button.
1
The DELETE display appears.
Select the desired file/folder.
2
Select the appropriate le/folder and press the [7▼](OK) button. The currently selected le/folder is highlighted. To select another le/folder, press one of the [A] - [J] buttons.
Several files/folders can be selected together, even
those from other pages. To release or cancel the selection, press the button of the selected le/folder again. Press the [6] (ALL) button to select all the files/folders in the displayed page (USER/FLOPPY DISK). When the [6] (ALL) button is pressed, the [6] (ALL) button changes to ALL OFF, letting you release or cancel the selection.
END
Press the [7] (OK) button.
To cancel the operation, press the [8] (CANCEL) button.
The message Are you sure you want to delete the
****** le (or data/folder)? YES/NO appears.
YES ......... Deletes the highlighted item.
NO ........... Exits from the prompt without deleting.
When several les have been selected, the message
Are you sure you want to delete the “****** le (or data/folder)? YES/YES ALL/NO/CANCEL appears.
YES/NO......Deletes the highlighted item (YES), or
skips the highlighted item without deleting
(NO).
YES ALL ....Deletes all selected items at once.
CANCEL ....Exits from the prompt without deleting.
PSR-2000/1000
43
Page 44
Basic Operations — Organizing Your Data

Saving Files

This operation lets you save your important data in files. Files can only be stored to the
USER and FLOPPY DISK sections.
Press the [6]
1
(SAVE) button.
Enter a name for the new le (page 45).
Press the [8] (OK) button.
To stop the operation, press the [8] (CANCEL) button.

Organizing Files by Creating a New Folder

The internal memory capac­ity of the PSR-2000/1000 is about 580KB (PSR-2000) / 260KB (PSR-1000). Memory capacity for 2DD and 2HD oppy disks is about 720KB and 1440KB, respectively. When you store data to these locations, all le types of the PSR-2000/1000 (Voice, Style, Song, Registration, etc.) are stored together.
The les of commercially available DOC software and Yamaha Disklavier software, and their edited les on the PSR-2000/1000, can be stored in the USER page, but cannot be copied to another oppy disk.
This operation lets you easily organize your various files into categories by creating a new folder for each category. Folders can only be created in the USER and FLOPPY DISK sections.
Call up the page to
1
which you wish to
Enter the name of the new folder (page 45).
create a new folder and press the [7] (NEW) button.
To cancel the operation, press the [8] (CANCEL) button.
Press the [8](OK) button.
Folder directories can con­tain up to four levels. The maximum total number of les and folders which can be stored is 800 (PSR-2000) / 400 (PSR-1000), but this may differ depending on the length of the le names. The maximum number of les which can be stored in a folder will be 250.

Displaying Upper Level pages

Press the [8] (UP) button to call up the upper level pages. For example, you can call up the folder level pages from the file level pages.

Entering Characters and Changing Icons

Press the [1]
1
(NAME), [6] (SAVE), or [7] (NEW) button.
Change the type of character by using the [1] button. If you select Japanese as the Language in the
FUNCTION display (page 151), the following different types of characters and sizes can be entered:
(kana-kan)
Hiragana and kanji, marks (full size)
(kana)
Katakana (normal size), marks (full size)
(kana)
Katakana (half size), marks (half size)
A B C Alphabet (capital and small letters, full size), numbers (full size), marks (full size) ABC Alphabet (capital and small letters, half size), numbers (half size), marks (half size)
If youve selected a language other than Japanese in the FUNCTION display (page 151), the following types of characters are available:
CASE Alphabet (capital letters, half size), numbers (half size), marks (half size) case Alphabet (lowercase letters, half size), numbers (half size), marks (half size)
Call up the ICON SELECT display by pressing the [1] button. This lets you change the icon at the left of the le name.
PSR-2000/1000
44
Page 45
Basic Operations — Organizing Your Data
Entering Characters
The instructions that follow show you how to enter characters in naming your files and folders. The method is much the same as inputting names and numbers to your cell phone.
Move the cursor to the desired position by using the [DATA ENTRY] dial.
1
Press the appropriate button, [2] - [7] and [2]- [6], corresponding to the character you wish to enter.
2
Several different characters are assigned to each button, and the characters change each time you press the button. To actually enter the selected character, move the cursor or press another letter-input button. If you’ve entered a character by mistake, move the cursor to the character letter you wish to erase and press the
[7] (DELETE) button. If you want to delete all of the characters on the line at once, press and hold down the [7] (DELETE) button for a while. When the cursor appears in reverse display (highlight), only the reversed area is
deleted.
To actually enter the new name, press the [8] (OK) button.
3
To cancel the operation, press the [8] (CANCEL) button.
Converting into Kanji (Japanese language)
This applies only if you are using the “ (kana-kan)” button (in Japanese). When the input “hiragana” characters are shown in reverse display (highlighted), press the [ENTER] button one or several times to convert the characters into the appropriate kanji. The reversed area can be changed by the [DATA ENTRY] dial. The converted area can be changed back to “hiragana” by the [7] (DELETE) button. The reversed area can be cleared at once by the [8] (CANCEL) button. To actually enter the change, press the [8] (OK) button or enter the next character. To enter the “hiragana” itself (without converting it), press the [8] (OK) button.
The following half-size marks cannot be used in naming les and folders: ¥ \ / : * ? < > |
Entering special character marks (umlaut, accent, Japanese “ ” and “ ”)
Select a character to which a character mark is to be added and press the [6] button (before actual entry of the character.)
Entering miscellaneous characters (marks)
You can call up the mark list by pressing the [6] button after actual entry of a character.
Move the cursor to the desired mark by using the [DATA ENTRY] dial, then press the
] (OK) or [ENTER] button.
[8
Entering numbers
First, select one of the following: “A B C” (full-size alphabet), “ABC” “CASE” (half-size capital alphabet) and “case” (half-size lowercase alphabet). Then, press and hold down the appropriate button, [2 repeatedly until the desired number is selected.
] - [7] and [2] - [5], for a while, or press it
In the case of characters which are not accompanied by special character marks (with the exception of kana­kan and half-size katakana), you can call up the mark list by pressing the [6] button after selecting a character (before actual entry of a character).
PSR-2000/1000
45
Page 46
Basic Operations — Organizing Your Data
BACK NEXT
I
F
J
G
H
D
A
E
B
C
81 2 3 4 5 6 7
Cancels the icon selection operation.
Turns pages for icon selection.
Enters the selected icon.
Changing the Icon
You can also change the icon that appears at the left of the file name. Call up the ICON SELECT display by pressing the [1] (ICON) button from the character input display (page 45).
Select the desired icon by using the [A] - [J] buttons, or by using the [3▲▼] - [5▲▼] buttons, then enter the selected icon by pressing the [8] (OK) button.

Using the [DATA ENTRY] Dial

This convenient control lets you easily select items in the display or quickly change parameter values. The actual function of the [DATA ENTRY] dial differs depending on the selected display.

Adjusting values

You can change parameter values by rotating the [DATA ENTRY] dial. In the example [BALANCE] display, turning the dial adjusts the volume of the part in reverse display (highlight). To adjust the volume of another part, first select the part by pressing the [ corresponding to the part, then rotate the [DATA ENTRY] dial.

Selecting items

You can select the desired item or function in the display by rotating the [DATA ENTRY] dial. The selected item can then be called up or executed by using the [ENTER] button. In the example VOICE display, you can select the desired voice file with the [DATA ENTRY] dial, and call up the selected item by pressing the [ENTER] button on the panel.
▲▼] button
DATA ENTRY
DATA ENTRY
ENTER
PSR-2000/1000
46
Page 47
Basic Operations — Organizing Your Data
81 2 3 4 5 6 7

Direct Access — Instant Selection of Displays

DIRECT
ACCESS
SONG
TRACK2TRACK
EXTRA TRACKS
(STYLE) (R)(L)
REC REW FF
NEW SONG SYNC. START
STYLE
POP & ROCK
BALLAD USERLATIN
MASTER VOLUME
STYLE CONTROL
BREAK
ACMP
STANDBY ON
INTRO
MIN MAX
MAIN
ENDING
/ rit.
1 REPEAT
TOP
SWING & JAZZ
DANCE
TRANSPOSE
RESET
FADE IN/OUT
AUTO FILL IN
START/STOP
MULTI PAD
OTS LINK
BALLROOM
METRO- NOME
DIGITAL STUDIO
SOUND CREATOR
A
DIGITAL RECORDING
MARCH &
WALTZ
TAP TEMPO
TEMPO
RESET
STOP
SYNC.
SYNC.
STOP
START
START/STOP
MIXING CONSOLE
PART
MENU
DEMO
HELP
FUNCTION
B
C
D
E
BALANCE DIRECT ACCESS
CHANNEL ON/OFF
PART
BACK NEXT
F
G
H
I
J
EXIT
VOICE EFFECT
LEFT HOLD
VOICE
PIANO & HARPSI.
MAIN
GUITAR
LAYER
STRINGS CHOIR & PAD
LEFT
USER
MUSIC FINDER
MIC.
VH TYPE
SELECT OVER
SIGNAL
ENTER
REGISTRATION MEMORY
FREEZE MEMORY
DATA ENTRY
HARMONY/
SUSTAIN
ECHO
E.PIANO
BASS
ORGAN FLUTES
VOCAL
MIC.
SETTING
HARMONY
ONE TOUCH SETTING
ACCORDION
DSP
MONOTOUCH
ORGAN &
BRASS
SYNTH.
UPPER OCTAVE
RESET
TALK
EFFECT
PERCUSSION
WOODWIND
VARIATION
XG
With the convenient Direct Access function, you can instantly call up the desired display — with just a single additional button press. Press the [DIRECT ACCESS] button and a message appears in the display prompting you to press the appropriate button. Then, simply press the button corresponding to the desired setting display to instantly call up that display. In the example below, Direct Access is used to call up the display for selecting the Chord Fingering (page 139).
DIRECT
ACCESS
ACMP
Refer to the Direct Access Chart (page 48) for a list of the displays that can be called up with the Direct Access function.
Heres a convenient way to return to the MAIN display from any other display: Simply press the [DIRECT
ACCESS] button, then the [EXIT] button.
PSR-2000/1000
47
Page 48
Basic Operations — Organizing Your Data
E
E
E
Direct Access Chart
Operation: [DIRECT ACCESS] button + button listed below Corresponding LCD display and function
SONG [TRACK1]
STYLE [POP & ROCK]
TRANSPOSE [ ] CONTROLLER TRANSPOSE assignment 141
TEMPO [ ]
[TAP TEMPO] [FADE IN/OUT] FADE IN/OUT settings 148 MULTI PAD [1]
STYLE CONTROL [ACMP] FUNCTION CHORD FINGERING FINGERING TYPE selection 138
DIGITAL STUDIO [SOUND CREATOR]
MENU [DEMO]
[DIRECT ACCESS] Exit from the Direct Access mode [BALANCE] [CHANNEL ON/OFF] VOICE settings [NEXT] [BACK] VOICE PART [MAIN]
[MUSIC FINDER] MUSIC FINDER MUSIC FINDER SEARCH1 (Searching the records) 34 [EXIT] Return to the MAIN display [ENTER] VOICE EFFECT [LEFT HOLD]
VOICE [PIANO & HARPSI]
UPPER OCTAVE [ ]
MIC. (PSR-2000 only) [VH TYPE SELECT] VOCAL HARMONY VOCAL HARMONY EDIT (Editing the VOCAL HARMONY parameters) 129
ONE TOUCH SETTING [1]
REGISTRATION MEMORY [FREEZE] FUNCTION FREEZE 142
PEDAL [PEDAL1]
WHEEL [PITCH BEND] MIXING CONSOLE TUNE PITCH BEND RANGE settings 123
[TRACK2] TRACK2 CHANNEL selection 137 [EXTRA TRACKS] [REPEAT] [METRONOME] UTILITY METRONOME settings 148 [REC] [TOP] [START/STOP] [REW] [FF]
[SWING & JAZZ] [BALLROOM] [MARCH & WALTZ] [BALLAD] [DANCE] [LATIN] [USER]
E
[] MIXING CONSOLE TUNE TRANSPOSE settings 123
E
[]
[2] [3] [4] [STOP] DIGITAL RECORDING MULTI PAD CREATOR REPEAT/CHORD MATCH settings 119
[BREAK]
MAIN [A] VOLUME settings MAIN [B] MAIN [C] BRIGHTNESS settings MAIN [D]
[AUTO FILL IN] DSP settings [OTS LINK] [SYNC. STOP] SYNC. STOP WINDOW setting [SYNC. START] [START/STOP]
[DIGITAL RECORDING] SCALE TUNING setting [MIXING CONSOLE] PSR-2000
[HELP] LCD BRIGHTNESS settings 149 [FUNCTION] MIDI MIDI settings 145
[LEFT]
[TOUCH] CONTROLLER KEYBOARD TOUCH assignment 141 [SUSTAIN] MIXING CONSOLE EFFECT REVERB settings 123 [HARMONY/ECHO] FUNCTION HARMONY/ECHO 143 [MONO] [DSP] [VARIATION] EFFECT TYPE selection
[E.PIANO] [ORGAN & ACCORDION] [PERCUSSION] [GUITAR] [BASS] [BRASS] [WOODWIND] [STRINGS] [CHOIR&PAD] [SYNTH.] [XG] [USER] [ORGAN FLUTES] (PSR-2000 only)
E
[]
[MIC. SETTING]
[EFFECT] MIC. DSP setting [TALK] MIC. SETTING TALK SETTING 132
[2] [3] [4]
[1] [2] [3] [4] [5] [6] [7] [8] [MEMORY]
[PEDAL2] PEDAL2 function assignment
[MODULATION] (PSR-2000 only) FUNCTION CONTROLLER MODULATION WHEEL settings 141
FUNCTION
FUNCTION
FUNCTION
MULTI PAD MULTI PAD EDIT 74
MIXING CONSOLE (STYLE PART)
FUNCTION STYLE SETTING/SPLIT POINT 138
FUNCTION MASTER TUNE/SCALE TUNE
MIXING CONSOLE
PSR-1000
FUNCTION
MIXING CONSOLE (SONG PART) VOLUME/VOICE
MIXING CONSOLE TUNE OCTAVE settings 123[LAYER]
FUNCTION
MIXING CONSOLE
FUNCTION VOICE SET settings 143
MIXING CONSOLE EQ settings 127
MIXING CONSOLE EFFECT
REGISTRATION BANK REGISTRATION EDIT (Editing the RAGISTRATION) 85
FUNCTION
SONG SETTING
STYLE SETTING/SPLIT POINT SPLIT POINT (ACMP) setting 138
MIDI MIDI CLOCK setting 145
UTILITY
VOLUME/VOICE
FILTER
EFFECT
EQ settings 127
UTILITY
STYLE SETTING/SPLIT POINT
TUNE PORTAMENTO TIME settings 123
EFFECT
REGISTRATION SEQUENCE (Creating the REGISTRATION SEQUENCE) 142
CONTROLLER
TRACK1 CHANNEL selection 137
TAP settings 149
VOICE settings
HARMONIC CONTENT settings
REVERB settings
MASTER TUNING setting
LANGUAGE selection 151
VOLUME settings
SPLIT POINT (LEFT) setting 138
DSP settings
MIC. EFFECT TYPE selection
PEDAL1 function assignment
See pages
137
122[INTRO] PANPOT settings
123
124[ENDING/rit.] CHORUS settings
135
122
124
124[VOCAL HARMONY] MIC. REVERB setting
139
PSR-2000/1000
48
Page 49
Basic Operations — Organizing Your Data
81 2 3 4 5 6 7
81 2 3 4 5 6 7

Help Messages

The Help messages give you explanations and descriptions of all the main functions and features of the PSR-2000/1000.
HELP
1
STANDBY ON
MENU DEMO
HELP
FUNCTION
STYLE CONTROL
ACMP
SONG
EXTRA
TRACK2TRACK
TRACKS
(STYLE) (R)(L)
REC REW FF
NEW SONG SYNC. START
STYLE
POP & ROCK
BALLAD USERLATIN
MASTER VOLUME
MIN MAX
MAIN
ENDING
BREAK
INTRO
/ rit.
1 REPEAT
TOP
SWING &
JAZZ
DANCE
TRANSPOSE
RESET
FADE IN/OUT
AUTO FILL IN
START/STOP
MULTI PAD
OTS LINK
BALLROOM
METRO- NOME
DIGITAL STUDIO
SOUND CREATOR
A
DIGITAL RECORDING
MARCH & WALTZ
TAP TEMPO
TEMPO
RESET
STOP
SYNC.
SYNC.
STOP
START
START/STOP
MIXING CONSOLE
PART
MENU DEMO
HELP
FUNCTION
B
C
D
E
BALANCE
DIRECT
ACCESS
CHANNEL ON/OFF
PART
BACK NEXT
F
G
H
I
J
EXIT
2
VOICE EFFECT
LEFT HOLD
VOICE
PIANO & HARPSI.
MAIN
GUITAR
LAYER
STRINGS CHOIR & PAD
LEFT
USER
MUSIC
FINDER
MIC.
VH TYPE
SELECT OVER
SIGNAL
ENTER
REGISTRATION MEMORY
FREEZE MEMORY
DATA ENTRY
HARMONY/
SUSTAIN
ECHO
E.PIANO
BASS
ORGAN FLUTES
VOCAL
MIC.
SETTING
HARMONY
ONE TOUCH SETTING
ORGAN &
ACCORDION
DSP
MONOTOUCH
BRASS
SYNTH.
UPPER OCTAVE
RESET
TALK
EFFECT
Help messages can be displayed in any one of the following languages: ENGLISH JAPANESE GERMAN FRENCH SPANISH ITALIAN
PERCUSSION
WOODWIND
VARIATION
XG
3
2-1 Select the desired
Help topic.
Select the Language, if necessary. The language selected here are also used for various Messages shown during operations.
BACK NEXT
When two or more pages available, use this to select different pages.
2-2 Call up the
topic.
The language can also be selected in the FUNCTION LANGUAGE (page 151) display.
When JAPANESE” is selected for the Language parameter, and you change this to one of the western lan­guages, the kanji and kana charac­ters of the le name stored in the disk drive are changed to western charac­ters. In the opposite case, special Latin characters and marks are changed into normal characters. Also, in the case of oppy disk data, text in the les are changed to char­acters that cannot be read by the instrument. Keep in mind that similar problems may occur when trying to access les originating or edited by a computer having a different language operating system. In general, be careful when switching languages you risk not being able to access the data properly.
Help messages also feature links to the detailed explanation or actual setting display of the selected topic. Simply select the underlined word (using the [DATA ENTRY] dial), and press the [ENTER] button to jump to the detailed explanation or actual setting display of the selected topic.
DATA ENTRY
ENTER
END
Press this to return to the previous display.
EXIT
PSR-2000/1000
49
Page 50
Basic Operations — Organizing Your Data
81 2 3 4 5 6 7
The sound, volume level, and the beat (time signature) of the metronome can all be changed (page 148).
81 2 3 4 5 6 7

Using the Metronome

The metronome provides a click sound, giving you an accurate tempo guide when you practice, or letting you hear and check how a specific tempo sounds.
METRO­NOME
SONG
TRACK2TRACK
EXTRA TRACKS
(STYLE) (R)(L)
REC REW FF
NEW SONG SYNC. START
STYLE
POP & ROCK
BALLAD USERLATIN
MASTER VOLUME
STYLE CONTROL
BREAK
ACMP
STANDBY ON
INTRO
MIN MAX
MAIN
ENDING
/ rit.
1 REPEAT
TOP
SWING &
JAZZ
DANCE
TRANSPOSE
RESET
FADE IN/OUT
AUTO FILL IN
START/STOP
MULTI PAD
OTS LINK
BALLROOM
METRO­NOME
DIGITAL STUDIO
SOUND CREATOR
DIGITAL RECORDING
MARCH &
WALTZ
MIXING CONSOLE
PART
MENU DEMO
TAP TEMPO
TEMPO
HELP
RESET
STOP
FUNCTION
DIRECT ACCESS
SYNC.
SYNC.
STOP
START
START/STOP
The metronome starts by pressing the [METRONOME]
A
B
C
D
E
BALANCE
CHANNEL ON/OFF
PART
button. Adjust the
BACK NEXT
F
G
H
I
J
EXIT
VOICE EFFECT
LEFT HOLD
VOICE
PIANO & HARPSI.
MAIN
GUITAR
LAYER
STRINGS CHOIR & PAD
LEFT
USER
MUSIC FINDER
MIC.
VH TYPE
SELECT OVER
SIGNAL
ENTER
REGISTRATION MEMORY
FREEZE MEMORY
DATA ENTRY
HARMONY/
SUSTAIN
ECHO
E.PIANO
BASS
ORGAN FLUTES
VOCAL
MIC.
HARMONY
SETTING
ONE TOUCH SETTING
ORGAN &
ACCORDION
DSP
MONOTOUCH
BRASS
SYNTH.
UPPER OCTAVE
RESET
TALK
EFFECT
PERCUSSION
WOODWIND
VARIATION
XG
tempo by using the TEMPO[ ] [ ] buttons (see below). To stop the metronome, press the [METRONOME] button again.

Adjusting the Tempo

This section shows you to adjust the playback tempo — which not only affects the metronome, but also the playback of a song or an accompaniment style.
TEMPO
RESET
TAP TEMPO
PSR-2000/1000
50
SONG
TRACK2TRACK
EXTRA TRACKS
(STYLE) (R)(L)
REC REW FF
NEW SONG SYNC. START
STYLE
POP & ROCK
BALLAD USERLATIN
MASTER VOLUME
STYLE CONTROL
ACMP
INTRO
STANDBY ON
1 2
BREAK
TEMPO
MAIN
TAP TEMPO
MIN MAX
ENDING
/ rit.
1 REPEAT
TOP
SWING &
JAZZ
DANCE
TRANSPOSE
RESET
FADE IN/OUT
AUTO FILL IN
START/STOP
MULTI PAD
OTS LINK
BALLROOM
METRO­NOME
DIGITAL STUDIO
SOUND CREATOR
DIGITAL RECORDING
MARCH &
WALTZ
MIXING CONSOLE
PART
MENU DEMO
TAP TEMPO
TEMPO
HELP
RESET
STOP
FUNCTION
SYNC.
SYNC.
STOP
START
START/STOP
RESET
Adjust the tempo by using either the TEMPO [ ] [] buttons or the [DATA ENTRY] dial.
Press either the TEMPO [ ] button or the [] button.
The number in the display indicates how many quarter-note beats there are in one minute. The range is between 5 and 500. The higher the value, the faster the tempo.
END
Press this to close the TEMPO display.
EXIT
When you change the tempo, both tempos of the current song and style will be changed to the same tempo. To restore their respective default (initial) tempo settings, press both the TEMPO [ ] [ ] buttons simultaneously. Also refer to the “Tempo Indications MAIN display (page 51) for more about tempo.
VOICE EFFECT
LEFT HOLD
BACK NEXT
VOICE
PIANO & HARPSI.
MAIN
A
B
C
D
E
BALANCE DIRECT ACCESS
CHANNEL ON/OFF
PART
F
G
H
I
J
EXIT
GUITAR
LAYER
STRINGS CHOIR & PAD
LEFT
USER
MUSIC
FINDER
MIC.
VH TYPE
SELECT OVER
SIGNAL
ENTER
REGISTRATION MEMORY
FREEZE MEMORY
DATA ENTRY
HARMONY/
SUSTAIN
ECHO
E.PIANO
BASS
ORGAN FLUTES
VOCAL
MIC.
HARMONY
SETTING
ONE TOUCH SETTING
ORGAN &
ACCORDION
DSP
VARIATION
MONOTOUCH
PERCUSSION
WOODWIND
BRASS
XG
SYNTH.
UPPER OCTAVE
RESET
EFFECT
TALK
Songs and accompaniment styles have been given default (initial) tempo settings, designed to best suit the song/style.
Page 51
Basic Operations — Organizing Your Data

Tap Tempo

This useful feature lets you tap out the tempo for a song or an accompaniment style. Simply tap the [TAP TEMPO] button at the desired speed, and the tempo of the song or the accompaniment style changes to match your tapping.
Playback the song or the
1
accompaniment style (page 59, 76).
2
Tap the [TAP TEMPO] button twice to change the tempo.
TEMPO
RESET
Tempo Indications MAIN Display
There are three different tempo indications in the Main display, as shown below.
Indicates the default (initial) tempo setting for the currently selected song.
Indicates the current tempo for the selected song, accompaniment style or the metronome which is now playing back. When nothing is playing back (stopped), this indicates the tempo for the selected style. When the song and style are played back simultaneously, the tempo of the style is automatically changed to match the tempo of the song, and is displayed here. This tempo is used for recording when recording a song or accompaniment style.
Indicates the default (initial) tempo setting for the currently selected accompaniment style.
TAP TEMPO
Hitting the [TAP TEMPO] button produces a tapping sound. You can change this sound, if desired (page 149).
n
You can also use Tap Tempo to automatically start the song or accompaniment style at the desired tempo. While both the song and accompaniment style are stopped, tap the [TAP TEMPO] button several times, and the selected accompaniment style starts automatically at the tempo you tapped. While a song is set to Sync. Start stand-by (page 60, 76), tapping the [TAP TEMPO] button starts the song playback in the same manner. For songs and styles in 2/4 and 4/4 time, tap four times; for 3/4 time, tap three times; for 5/4 time, tap ve times.
PSR-2000/1000
51
Page 52

Playing the Demos

81 2 3 4 5 6 7
81 2 3 4 5 6 7
The PSR-2000/1000 is an extraordinarily versatile and sophisticated instrument, featuring a wide variety of dynamic voices and rhythms, plus a wealth of advanced functions. Three different types of Demo songs have been specially

Reference

prepared showcasing the stunning sound and features of the PSR-2000/1000.
MENU DEMO
SONG
EXTRA
TRACK2TRACK
TRACKS
(STYLE) (R)(L)
REC REW FF
NEW SONG SYNC. START
STYLE
POP & ROCK
BALLAD USERLATIN
FUNCTION
MASTER VOLUME
STYLE CONTROL
BREAK
ACMP
STANDBY ON
INTRO
MIN MAX
MAIN
ENDING
/ rit.
1 REPEAT
TOP
HELP
SWING &
JAZZ
DANCE
TRANSPOSE
RESET
FADE IN/OUT
AUTO FILL IN
START/STOP
MULTI PAD
OTS LINK
METRO- NOME
DIGITAL STUDIO
SOUND CREATOR
A
DIGITAL RECORDING
MARCH & WALTZ
BALLROOM
TAP TEMPO
TEMPO
RESET
STOP
SYNC.
SYNC.
STOP
START
START/STOP
MIXING CONSOLE
MENU DEMO
FUNCTION
B
C
D
PART
E
HELP
BALANCE
DIRECT
ACCESS
CHANNEL ON/OFF
PART
F
G
H
I
J
EXIT
VOICE EFFECT
LEFT
HARMONY/
MONOTOUCH
SUSTAIN
ECHO
HOLD
BACK NEXT
VOICE
ORGAN &
PIANO & HARPSI.
E.PIANO
MAIN
LAYER
LEFT
MUSIC
FINDER
DATA ENTRY
ACCORDION
BRASS
BASS
GUITAR
SYNTH.
STRINGS CHOIR & PAD
USER
ORGAN FLUTES
OVER
SIGNAL
VH TYPE
SELECT
VOCAL
MIC.
SETTING
HARMONY
ONE TOUCH SETTING
UPPER OCTAVE
TALK
MIC.
ENTER
REGISTRATION MEMORY
FREEZE MEMORY
DSP
VARIATION
PERCUSSION
WOODWIND
XG
RESET
EFFECT
Pressing the [DEMO] button
1
automatically plays back the Demo songs at random.
2
2-1 Use the [BACK][NEXT] buttons to select the desired Demo category.
Function Demos........ These demonstrate each of the different functions on the PSR-2000/1000.
Voice Demos ............. These showcase the voices of the PSR-2000/1000.
Style Demos .............. These introduce you to the rhythms and accompaniment styles of the PSR-2000/1000.
A
B
C
D
E
MENU
DEMO
HELP
FUNCTION
BACK NEXT
F
G
H
I
J
PSR-2000/1000
52
2-2 Use these to select
different display pages.
2-3 Press one of these buttons
twice once to select the desired demo, and once again to start it.
Press this to play back all Demo songs/items continuously, starting from the rst item at the top left of the display. This is available only from the FUNCTION page.
All of the available demos are played back in sequence, starting from the one at top left. The VOICE and STYLE pages do not have the [AUTO] button; however, all demo songs are played back in sequence. Pressing this button cancels the interactive features of the Function Demos (otherwise available in step 3 below).
Page 53
Playing the Demos
For the Function demos, an introduction screen appears in the display and
3
the Demo starts playing.
This example shows the Sound System in the FUNCTION demo.
F
G
H
I
J
BACK NEXT
MAIN
LAYER
LEFT
Select the desired word or item by using the [DATAENTRY] dial, then press the [ENTER] button or number buttons ([1], [2], etc.) to call it up.
Use the [BACK][NEXT] buttons in the introduction screen to call up the previ­ous or next page.
n
Press the SONG [START/ STOP] button to stop the
Demo song. To start the Demo again from the point at which it was stopped, press the SONG [START/ STOP] button again. Rewind and fast-forward can also be used with the Demo songs (page 78).
ENTER
EXIT
END
Return to the MAIN screen.
PSR-2000/1000
53
Page 54

Voices

81 2 3 4 5 6 7
The PSR-2000/1000 gives you an enormous selection of authentic voices, including various keyboard instruments, strings and brass — and many, many more.
VOICE
PIANO & HARPSI.
E.PIANO
GUITAR BASS
SONG
TRACK2TRACK
EXTRA TRACKS
MAIN
(STYLE) (R)(L)
TOP
REC REW FF
NEW SONG SYNC. START
STYLE
SWING &
POP & ROCK
BALLAD USERLATIN
TRANSPOSE
MASTER VOLUME
FADE IN/OUT
MIN MAX
ENDING
/ rit.
AUTO FILL IN
STRINGS CHOIR & PAD
USER ORGAN FLUTES
STYLE CONTROL
ACMP
INTRO
STANDBY ON
BREAK
1 REPEAT
START/STOP
JAZZ
DANCE
RESET
MULTI PAD
OTS LINK
BALLROOM
SYNC. STOP
ACCORDION
METRO- NOME
MARCH &
WALTZ
TAP TEMPO
TEMPO
RESET
STOP
SYNC. START
START/STOP
ORGAN &
BRASS
SYNTH.
DIGITAL STUDIO
SOUND CREATOR
DIGITAL RECORDING
MIXING CONSOLE
FUNCTION
PERCUSSION
WOODWIND
VOICE EFFECT
LEFT
SUSTAIN
HOLD
XG
A
B
C
D
PART
MENU
E
DEMO
HELP
BALANCE
DIRECT
ACCESS
CHANNEL ON/OFF
PART
BACK NEXT
VOICE
PIANO & HARPSI.
MAIN
F
LAYER
G
LEFT
H
I
J
MUSIC
FINDER
EXIT
DATA ENTRY
E.PIANO
GUITAR
BASS
STRINGS CHOIR & PAD
ORGAN FLUTES
USER
MIC.
MIC.
VH TYPE
SETTING
SELECT OVER
SIGNAL
ONE TOUCH SETTING
ENTER
REGISTRATION MEMORY
FREEZE MEMORY

Selecting a Voice

Press the [MAIN] button to turn the MAIN part on, then press [F] button to call
1
up the menu for selecting the MAIN voice.
MAIN
F
LAYER
G
H
LEFT
I
J
Turn MAIN on.
Yo u ’ll want to hear the MAIN voice all by itself so make sure that the LAYER and LEFT parts are turned off.
DSP
HARMONY/
VARIATION
MONOTOUCH
ECHO
ORGAN &
PERCUSSION
ACCORDION
WOODWIND
BRASS
XG
SYNTH.
UPPER OCTAVE
RESET
VOCAL
TALK
EFFECT
HARMONY
The voice you’re selecting here belongs to the MAIN part, and is called the MAIN voice. (See page 56 for more information.)
PSR-2000/1000
54
Select the desired voice group.
2
VOICE
PIANO & HARPSI.
E.PIANO
GUITAR BASS
STRINGS CHOIR & PAD
USER ORGAN FLUTES
ORGAN &
ACCORDION
BRASS
SYNTH.
PERCUSSION
WOODWIND
XG
When you select a voice group, the last selected voice will automatically be selected.
Page 55
Voices
81 2 3 4 5 6 7
Indicates that the display is for
3
selecting the MAIN voice (page 25).
A
B
C
D
E
3-2 Select the
various pages in the current voice group.
Press this to call up the display for selecting the voice group.
Play the keyboard to hear the
4
selected voice.
F
G
H
I
J
END
BACK NEXT
3-1 Select the
memory location of the voice (PRESET/ USER/ FLOPPY DISK).
3-3 Select the voice.
Press this to start the demo of the selected voice. To stop the demo at any time, press this button again.
Press this to return to the MAIN
EXIT
display.
Selecting a voice automati­cally selects the best-suited effect and other settings for that particular voice. You can disable this so that settings are not automatically selected (page 143).
n
You can set how much the volume of the voice changes according to your playing strength (page 141).
n
For a list of the available voices, refer to the separate Data List.
n
You can set whether the voice bank and program change numbers (MSB­LSB-Program Change num­ber at the right above the voice name) are displayed or not (page 149).
n
XG is a major enhancement of the GM System level 1 for­mat, and was developed by Yamaha specially to provide more voices and variations, as well as greater expressive control over voices and effects, and to ensure com­patibility of data well into the future.
Voice Characteristics
The voice type and its defining characteristics are indicated above the voice name.
Live! (PSR-2000 only)
These acoustic instrument sounds were sampled in stereo, to produce a truly authentic, rich sound — full of atmosphere and ambience.
Cool!
These voices capture the dynamic textures and subtle nuances of electric instruments — thanks to a huge amount of memory and some very sophisticated programming.
Sweet!
These acoustic instrument sounds also benefit from Yamaha’s sophisticated technology — and feature a sound so finely detailed and natural, you’ll swear you’re playing the real thing!
Drum
Various drum and percussion sounds are assigned to individual keys, letting you play the sounds from the keyboard.
SFX
Various special effect sounds are assigned to individual keys, letting you play the sounds from the keyboard.
Organ Flutes! (PSR-2000 only)
This authentic organ voice lets you use the Sound Creator to adjust the various footages and craft your own original organ sounds.
Keyboard Percussion
When one of the drum of SFX kits is selected in the PERCUSSION voice group, various drum, percussion, and special effect sounds are assigned to individual keys, letting you play the sounds from the keyboard. The various drums and percussion instruments of the Standard Kit are indicated by symbols below the assigned keys. Keep in mind that even though different kits feature different sounds, some same-named sounds in different kits are identical. Refer to the separate Data List (Drum/key Assignment List) for a listing of the sounds in each drum/SFX kit.
PSR-2000/1000
55
Page 56
Voices
81 2 3 4 5 6 7
LEFT part
MAIN part
Split point
Left range Right range
LEFT part
MAIN part
Split point
LAYER part
Left range Right range

Layer/Left — Playing Several Sounds Simultaneously

The PSR-2000/1000 lets you set three voices for simultaneous play: MAIN, LAYER, and LEFT. By effectively combining these three, you can create richly textured, multi-instrument setups for your performance.
MAIN
SONG
TRACK2TRACK
EXTRA
1 REPEAT
TRACKS
(STYLE) (R)(L)
START/STOP
TOP
REC REW FF
NEW SONG SYNC. START
STYLE
SWING &
BALLROOM
POP & ROCK
JAZZ
DANCE
BALLAD USERLATIN
TRANSPOSE
RESET
MASTER VOLUME
MULTI PAD
FADE IN/OUT
STYLE CONTROL
BREAK
ACMP
STANDBY ON
INTRO
MIN MAX
MAIN
ENDING
/ rit.
AUTO
OTS LINK
FILL IN
Playing a layer of two voices
Playing two voices separately — on the left and right sections of the keyboard
Playing three different voices — one on the left section of the keyboard, plus a layer of two on the right
METRO­NOME
MARCH &
WALTZ
TAP TEMPO
TEMPO
RESET
STOP
SYNC.
SYNC.
STOP
START
START/STOP
LAYER part
DIGITAL STUDIO
SOUND CREATOR
DIGITAL RECORDING
MIXING CONSOLE
PART
MENU DEMO
HELP
FUNCTION
LAYER
VOICE EFFECT
DSP
HARMONY/
LEFT HOLD
BACK NEXT
VOICE
PIANO & HARPSI.
MAIN
A
B
C
D
E
BALANCE DIRECT ACCESS
CHANNEL ON/OFF
PART
F
G
H
I
J
EXIT
GUITAR
LAYER
STRINGS CHOIR & PAD
LEFT
USER
MUSIC
FINDER
MIC.
VH TYPE
SETTING
SELECT OVER
SIGNAL
ENTER
REGISTRATION MEMORY
FREEZE MEMORY
DATA ENTRY
SUSTAIN
ECHO
E.PIANO
BASS
ORGAN FLUTES
VOCAL
MIC.
HARMONY
ONE TOUCH SETTING
ACCORDION
ORGAN &
MONOTOUCH
LEFT
BRASS
SYNTH.
UPPER OCTAVE
TALK
VARIATION
PERCUSSION
WOODWIND
XG
RESET
EFFECT
MAIN part

Layer Layering Two Different Voices

Press this to
1
turn the LAYER function on. To
turn it off, press the button again.
MAIN
LAYER
LEFT
Select Layer with the [G] button. Press the same
2
button to call up the VOICE display, from which you can select the specific voice you want to play in a layer with the Main voice. The method of selecting a
voice here is the same as that in VOICE (MAIN) display (page 54).
There is an alternate way for quickly selecting both the MAIN and LAYER voices from the panel: While hold­ing down one panel voice button, press a second voice button. The rst selected voice becomes the MAIN voice, and the second becomes the LAYER.
F
G
H
I
J
END
Press this to return to the MAIN display.
EXIT
56
PSR-2000/1000
Page 57
Voices
81 2 3 4 5 6 7

Left Setting Separate Voices for the Left and Right Sections of the Keyboard

Set the LEFT to
1
ON. Press this button again to set it to OFF.
MAIN
LAYER
LEFT
END
Press this to return to the MAIN display.
EXIT
Select LEFT with the [H] button. Press the same
2
button to call up the VOICE display, from which you can select the specific voice you want to play in a left. How to select the voice is the same as the way of VOICE (MAIN) screen (page 54).
F
G
H
I
J
The split point can be freely set to any key on the key­board. (page 138).
n
Each part (MAIN, LAYER, and LEFT) can have its own volume setting (page 61).
n
You can also use the LAYER and LEFT functions together, to create a combi­nation layer/split. To do this, set separate voices for the left and right sections of the keyboard (as indicated), and set up a layer of two different voices on the right.

Applying Voice Effects

This section of the panel lets you add a variety of effects to the voices you play on the keyboard.
VOICE EFFECT
LEFT
HOLD
SONG
EXTRA
TRACK2TRACK
TRACKS
(STYLE) (R)(L)
REC REW FF
NEW SONG SYNC. START
STYLE
POP & ROCK
BALLAD USERLATIN
MASTER VOLUME
STYLE CONTROL
BREAK
ACMP
STANDBY ON
INTRO
MIN MAX
MAIN
ENDING
/ rit.
1 REPEAT
TOP
SWING &
JAZZ
DANCE
TRANSPOSE
RESET
FADE IN/OUT
AUTO FILL IN
START/STOP
MULTI PAD
OTS LINK
METRO­NOME
DIGITAL STUDIO
SOUND CREATOR
DIGITAL RECORDING
MARCH &
BALLROOM
WALTZ
MIXING CONSOLE
PART
MENU DEMO
TAP TEMPO
TEMPO
HELP
RESET
STOP
FUNCTION
DIRECT ACCESS
SYNC.
SYNC.
STOP
START
START/STOP

SUSTAIN

A
B
C
D
E
BALANCE
CHANNEL ON/OFF
PART
HARMONY/ ECHO
Press one of the effect buttons to turn the corresponding effects on. Press it again to turn the effect off. For explanations on each of the effects, see below.

TOUCH

This button turns the touch response of the keyboard on or off. When this is set to off, the same volume is produced no matter how strongly or softly you play the keyboard.
SUSTAIN
When this Sustain feature is on, all notes played on the keyboard have a longer sustain. You can also set the Sustain depth (page 90).
DSP
MONOTOUCH
F
G
H
I
J
EXIT
VARIATION
VOICE EFFECT
LEFT
HARMONY/
MONOTOUCH
SUSTAIN
ECHO
HOLD
BACK NEXT
VOICE
ORGAN &
PIANO & HARPSI.
E.PIANO
MAIN
LAYER
LEFT
MUSIC
FINDER
DATA ENTRY
ACCORDION
BRASS
GUITAR
BASS
SYNTH.
STRINGS CHOIR & PAD
USER
ORGAN FLUTES
VH TYPE SELECT
VOCAL
MIC.
HARMONY
SETTING
ONE TOUCH SETTING
UPPER OCTAVE
TALK
MIC.
OVER
SIGNAL
ENTER
REGISTRATION MEMORY
FREEZE MEMORY
DSP
VARIATION
PERCUSSION
WOODWIND
XG
RESET
EFFECT
DSP
The PSR-2000/1000 features a variety of dynamic built-in digital effects, letting you process the sound in various ways. You can use DSP to enhance the voices in subtle ways — such as by applying chorus to add animation and depth, or using a symphonic effect to give the sound warmth and richness. DSP also has effects such as distortion that can completely change the character of the sound.
The DSP and VARIATION effect types and the their depth can be selected and adjusted in the MIXING CON- SOLE display (page 124).
PSR-2000/1000
57
Page 58
Voices
PITCH BEND
The maximum pitch bend range can be changed (page 123).
MODULATION
In order to avoid accidentally applying modulation set the depth to its minimum setting.

VARIATION

This control changes the Variation effect settings, letting you alter some aspect of the effect, depending on the selected type. For example, when the Rotary Speaker effect is selected (page 124), this lets you switch the rotor speed between slow and fast.

HARMONY/ECHO

This control adds Harmony or Echo effects to the voices played on the right hand section of the keyboard (page 143).

MONO

This control determines whether the voice is played monophonically (only one note at a time) or polyphonically for each part (MAIN/LAYER/LEFT). This is set to MONO when the lamp is lit, and set to polyphonic when the lamp is off. When set to MONO, only the last note played will sound. This lets you play wind instrument voices more realistically. Depending on the selected voice, the MONO setting also lets you effectively use the Portamento effect, when playing in legato.

LEFT HOLD

This function causes the left part voice to be held even when the keys are released — the same effect as when the sustain pedal is pressed. This function is especially effective when used with the auto accompaniment. For example, if you play and release a chord in the auto accompaniment section of the keyboard (with the left part on and the Left voice set to Strings), the strings part sustains, adding a natural richness to the overall accompaniment sound.
The Portamento effect creates a smooth pitch glide between successively played notes.
You can add special empha­sis to melody lines you play over chords by using the Layer function with a mono­phonic voice. Set the Main voice to play polyphonically and set the Layer voice to play monophonically (MONO). In this case, the melody you play including the top notes of any chords sounds monophonically. Try this using the following voices.
MAIN voice
(polyphonic) + Sweet Trump (monophonic)
: Brass Section
LAYER voice
:

PITCH BEND Wheel & MODULATION Wheel

Use the PSR-2000/1000 PITCH BEND wheel to bend notes up (roll the wheel away from you) or down (roll the wheel toward you) while playing the keyboard. The PITCH BEND wheel is self-centering and will automatically return to normal pitch when released.
The Modulation function applies a vibrato effect to notes played on the keyboard (PSR-
2000). Moving the MODULATION wheel all the way towards yourself minimizes the depth of the effect, while rotating it away from yourself increases it.

Adjusting the Octave setting

The [UPPER OCTAVE] button allows the MAIN and LAYER parts to be simultaneously transposed up or down by one octave.
PSR-2000/1000
58
UPPER OCTAVE
RESET
More detailed octave-related settings for each part can be made by using the Mixing Console function (page 123).
Page 59

Styles

81 2 3 4 5 6 7
81 2 3 4 5 6 7
81 2 3 4 5 6 7
The PSR-2000/1000 features styles (accompaniment patterns) in a variety of different musical genres including pops, jazz, Latin and dance. To use it, all you have to do is play the chords with your left hand as you perform and the selected Accompaniment Style (style) matching your music will automatically play along, instantly following the chords you play. Try selecting some of the different styles (refer to separate Data List (Style List) ) and play them.
STYLE CONTROL
ACMP INTRO
STANDBY ON
STYLE CONTROL
ACMP
BREAK
BREAK
INTRO

Playing a style

1
SONG
TRACK2TRACK
EXTRA
1 REPEAT
TRACKS
(STYLE) (R)(L)
START/STOP
TOP
REC REW FF
NEW SONG SYNC. START
STYLE
SWING &
BALLROOM
JAZZ
POP & ROCK
DANCE
BALLAD USERLATIN
TRANSPOSE
RESET
MASTER VOLUME
MULTI PAD
FADE IN/OUT
STYLE CONTROL
BREAK
ACMP
STANDBY ON
INTRO
MIN MAX
MAIN
ENDING
SYNC.
/ rit.
STOP
AUTO
OTS LINK
FILL IN
MAIN
SONG
TRACK2TRACK
EXTRA TRACKS
(STYLE) (R)(L)
REC REW FF
NEW SONG SYNC. START
STYLE
POP & ROCK
BALLAD USERLATIN
MASTER VOLUME
MIN MAX
MAIN
ENDING
/ rit.
METRO­NOME
DIGITAL STUDIO
SOUND CREATOR
DIGITAL RECORDING
MARCH &
WALTZ
MIXING CONSOLE
PART
MENU DEMO
TAP TEMPO
TEMPO
HELP
RESET
STOP
FUNCTION
DIRECT ACCESS
SYNC. START
START/STOP
TOP
SWING &
DANCE
TRANSPOSE
RESET
FADE IN/OUT
AUTO FILL IN
CHANNEL ON/OFF
JAZZ
BALANCE
METRO-
1 REPEAT
NOME
START/STOP
BALLROOM
MULTI PAD
SYNC.
STOP OTS LINK
A
B
C
D
E
PART
DIGITAL STUDIO
SOUND CREATOR
A
DIGITAL RECORDING
MARCH &
WALTZ
TAP TEMPO
TEMPO
RESET
STOP
SYNC. START
START/STOP
STYLE
POP & ROCK BALLROOM
B
MIXING CONSOLE
C
D
PART
MENU
E
DEMO
HELP
FUNCTION
BALANCE DIRECT ACCESS
CHANNEL ON/OFF
PART
F
G
H
I
J
BALLAD USERLATIN
EXIT
VOICE EFFECT
LEFT HOLD
BACK NEXT
VOICE
SWING &
PIANO & HARPSI.
MAIN
JAZZ
GUITAR
LAYER
STRINGS CHOIR & PAD
LEFT
USER
MUSIC
DANCE
FINDER
MIC.
VH TYPE
SELECT OVER
SIGNAL
ENTER
REGISTRATION MEMORY
FREEZE MEMORY
DATA ENTRY
HARMONY/
SUSTAIN
ECHO
E.PIANO
BASS
ORGAN FLUTES
VOCAL
MIC.
SETTING
HARMONY
ONE TOUCH SETTING
ENDING
/ rit.
AUTO FILL IN
VOICE EFFECT
LEFT
HARMONY/
SUSTAIN
ECHO
HOLD
BACK NEXT
VOICE
PIANO & HARPSI.
MAIN
F
LAYER
G
LEFT
H
I
J
MUSIC
FINDER
EXIT
DATA ENTRY
DSP
VARIATION
MONOTOUCH
ORGAN &
PERCUSSION
ACCORDION
BRASS
WOODWIND
XG
SYNTH.
UPPER OCTAVE
RESET
TALK
EFFECT
E.PIANO
BASS
GUITAR
STRINGS CHOIR & PAD
ORGAN FLUTES
USER
MIC.
VOCAL
MIC.
VH TYPE
SETTING
SELECT
HARMONY OVER
SIGNAL
ONE TOUCH SETTING
ENTER
REGISTRATION MEMORY
FREEZE MEMORY
MARCH &
WALTZ
ACCORDION
SYNC.
SYNC.
STOP
START OTS LINK
DSP
VARIATION
MONOTOUCH
ORGAN &
PERCUSSION
WOODWIND
BRASS
XG
SYNTH.
UPPER OCTAVE
RESET
TALK
EFFECT
START/STOP
2
BACK NEXT
For a list of the available accompaniment styles, refer to the separate Data List.
2-1 Select a location
A
B
C
D
E
F
G
H
I
J
When you've opened a lower directory's display, this button (UP) lets you call up the next higher directory, from which you can select Style groups.
(Preset, User, Floppy Disk) for saving the style.
2-2 Select a Style.
PSR-2000/1000
59
Page 60
Styles
3
accompaniment section of the keyboard. (Depending on the settings, this may be the range of the Left voice, or the entire keyboard.)
When the [ACMP] button is set to on, you can play/indicate chords from the auto
STYLE CONTROL
ACMP INTRO
BREAK
4
STYLE CONTROL
ACMP INTRO
5
The Tempo can be adjusted using the TEMPO [ ][ ] or [TAP TEMPO] button. If you tap the [TAP TEMPO] button, the tempo will adjust to the same speed that you tapped.
BREAK
As soon as you play a chord with the auto accompaniment section, the style starts.
For details about chord ngerings, refer to page 62.
MAIN
ENDING
/ rit.
AUTO FILL IN
OTS LINK
SYNC. STOP
Turn SYNC. (SYNCHRONIZED) START on.
MAIN
ENDING
/ rit.
AUTO FILL IN
OTS LINK
SYNC. STOP
Split point
Auto Accompaniment section
SYNC. START
SYNC. START
START/STOP
START/STOP
You can set the key range for auto accompaniment (page 138).
Sync. Start
Enabling this lets you start the style simply by playing the keyboard.
You can begin the rhythm channels (tracks) of the Style by pressing the [START/STOP] button.
The rhythm channels of the style can also be started by tapping the [TAP TEMPO] button. With the style stopped, tap the [TAP TEMPO] button three, four or ve times (three for 3/4 time, four for 2/4 or 4/4 time, ve for 5/4 time).
When you simultaneously play back accompaniment styles with a song, the accompaniment parts recorded to the song (chan­nels 9 - 16) are temporarily
6
Stop the style.
SYNC.
SYNC.
STOP
START
START/STOP
END
Turn ACMP off.
STYLE CONTROL
ACMP INTROBREAK
replaced by the selected accompaniment style let­ting you try out and use dif­ferent accompaniment with the song (page 77).
Accompaniment Style Characteristics
The accompaniment style type and its dening characteristics are indicated above the style name.
Session!
These styles provide even greater realism and authentic backing by mixing in original chord types and changes, as well as special riffs with chord changes, with the Main sections. These have been programmed to add spice” and a professional touch to your performances of certain songs and in certain genres. As a result, the styles may not necessarily be appropriate or even harmonically correct for all songs and for all chord playing. In some cases for example, playing a simple major triad may result in a seventh chord, or playing an on-bass chord may result in incorrect or unexpected accompaniment.
Piano Combo! (Floppy Disk)
These accompaniment styles feature a basic piano trio (piano, bass, and drums), augmented in some cases with other instruments. Since this is a small combo sound, the accompaniment backing is appropriately sparse, making it useful and effective for a wide variety of songs.
PSR-2000/1000
60
Page 61

Playing a Style’s Rhythm Channels only

Styles
Select a style (page 59).
1
2
STYLE CONTROL
ACMP INTRO
3
BREAK
Set to off.
Play along with the rhythm playback. The Tempo can be adjusted using the TEMPO [ ][ ] or [TAP TEMPO] buttons.
MAIN
ENDING
/ rit.
AUTO FILL IN
OTS LINK
Rhythm starts.
SYNC.
SYNC.
STOP
START
If you tap the [TAP TEMPO] button, the tempo will adjust to the same speed that you tapped.
START/STOP
The Rhythm channels are part of the styles. Each style has different rhythm pat­terns.
You can also start the rhythm simply by playing a key on the keyboard, if Sync Start is enabled (turn on the [SYNC.START] button).
Press the STYLE [START/STOP] button
END
again to stop the rhythm playback.

Adjusting the Volume Balance/Channel Muting

BALANCE display
Call up the BALANCE display.
BALANCE
CHANNEL ON/OFF
PAR T
Call up the
Channel ON/ OFF display.
MULTI PAD part
STYLE part (Auto Accompaniment section)
SONG part
Adjust the output level of the Part.
CHANNEL ON/OFF display
Call up the STYLE display by pressing the [CHANNEL ON/OFF] button, then turn the instrument you want to cancel off.
MIC part
Parts played from the keyboard (MAIN/LAYER/ LEFT)
Channel
Refers to the MIDI channel in the song data (page 157). The channels are assigned as shown below.
Song
1 - 16
Accompaniment Style
9 - 16
PSR-2000/1000
61
Page 62
Styles

Chord Fingerings

The style playback can be controlled by the chords you play in the keys to the left of the split point. There are 7 types of fingerings as described below. Go to the CHORD FINGERING page (page 139), and select the Chord Fingerings. The page shows how to play chords with your left hand.
SINGLE FINGER
Single Finger accompaniment makes it simple to produce beautifully orchestrated accompaniment using major, seventh, minor and minor-seventh chords by pressing a minimum number of keys on the auto accompaniment section of the keyboard. The abbreviated chord fingerings described below are used.
For a major chord, press the root key only. For a minor chord, simultaneously press the root key
and a black key to its left.
For a seventh chord, simultaneously press the root key and a white key to its left.
For a minor-seventh chord, simultaneously press the root key and both a white and black key to its left.
MULTI FINGER
The Multi Finger mode automatically detects Single Finger or Fingered chord fingerings, so you can use either type of fingering without having to switch fingering modes. If you want to play minor, seventh, or minor-seventh chords using the SINGLE FINGER operation in the MULTI FINGER Mode, always press the closest white/black key(s) to the root of the chord.
FINGERED
This mode lets you produce accompaniment by playing full chords on the auto accompaniment section of the keyboard. The Fingered mode recognizes the various chord types listed on the next page.
FINGERED ON BASS
This mode accepts the same fingerings as the FINGERED mode, but the lowest note played in the auto accompaniment section of the keyboard is used as the bass note, allowing you to play “on bass” chords. For example, to indicate a C-on-E chord, play a C major chord with E as the lowest note (E, G, C).
FULL KEYBOARD
This method detects chords in the entire key range. Chords are detected in a way similar to Fingered, even if you split the notes between your left and right hands — for example, playing a bass note with your left hand and a chord with your right, or by playing a chord with your left hand and a melody note with your right.
Chord detection in the AI Full Keyboard mode occurs at approximately 8th-note intervals. Extremely short chords less than an 8th note in length may not be detected.
In Full Keyboard mode, chords are detected based on the lowest and second lowest notes you play. If the two lowest notes fall within a single octave, those two notes determine the chord. If the lowest note and the sec­ond lowest note are sepa­rated by more than one octave, the lowest note becomes the bass and the chord is determined from the second lowest note and the other notes played in the same octave.
AI FINGERED
This mode is basically the same as FINGERED, with the exception that less than three notes can be played to indicate the chords (based on the previously played chord, etc.).
AI
Articial Intelligence
AI FULL KEYBOARD
When this advanced auto accompaniment mode is engaged, the PSR-2000/1000 will automatically create appropriate accompaniment while you play just about anything, anywhere on the keyboard using both hands. You don’t have to worry about specifying the accompaniment chords. Although the AI Full Keyboard mode is designed to work with many songs, some arrangements may not be suitable for use with this feature. This mode is similarto FULL KEYBOARD, with the exception that less than three notes can be played to indicate the chords (based on the previously played chord, etc.). 9th and 11th chords cannot be played.
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Chord Types Recognized in the Fingered Mode (Example for “C” chords)
Styles
9
C6
C
Csus4
CmM7
9
C7
C9
Caug
9
CmM7
( )
11
C7
( )
( )
C6
( )
CM7aug
( )
Cm7
5
( )
13
C7
( )
Cm
CmM7
9
C7
( )
5
( )
Chord Name [Abbreviation] Normal Voicing
CM7
Cm9
Cdim
C7
( )
5
9
CM7
( )
Cm6
Cdim7
C7aug
Display for root “C”
Major [M] 1 - 3 - 5 C
Ninth [9] 1 - 2 - 3 - 5 C9
11
CM7
( )
Cm7
C7
C7sus4 Csus2
C
5
Cm7
( )
C7
( )
Notes in parentheses can
If you play any three adja-
Sixth [6] 1 - (3) - 5 - 6 C6
Sixth ninth [69] 1 - 2 - 3 - (5) - 6 or 3 - 6 - 2* C6
9
Major seventh [M7] 1 - 3 - (5) - 7 CM7
CM7
9
11
Playing two same root
5
Major seventh ninth [M79] 1 - 2 - 3 - (5)j - 7 CM7
Major seventh add sharp eleventh [M711]
Flatted fth [ 5] 1 - 3 - 5 C 5
Major seventh atted fth [M75] 1 - 3 - 5 - 7 CM7


 
1 - (2) - 3 - 4 - 5 - 7 or 1 - 2 - 3 - 4 - (5) - 7
Suspended fourth [sus4] 1 - 4 - 5 Csus4
Augmented [aug] 1 - 3 - 5 Caug
Major seventh augmented [M7aug] 1 - (3) - 5 - 7 CM7aug
Minor [m] 1 - 3 - 5 Cm
Minor ninth [m9] 1 - 2 - 3 - 5 Cm9
Minor sixth [m6] 1 - 3 - 5 - 6 Cm6
Minor seventh [m7] 1 - 3 - (5) - 7 Cm7
9
Minor seventh ninth [m7
] 1 - 2 - 3 - (5) - 7 or 3 - 7 - 2 Cm7
Minor seventh eleventh [m711] 1 - (2) - 3 - 4 - 5 - ( 7) Cm7
Minor major seventh [mM7] 1 - 3 - (5) - 7 CmM7
Minor major seventh ninth [mM79] 1 - 2 - 3 - (5) - 7 CmM7
Minor seventh atted fth [m75] 1 - 3 - 5 - 7 Cm7 5
Minor major seventh atted fth [mM75] 1 - 3 - 5 - 7 CmM7


Diminished [dim] 1 - 3 - 5 Cdim
Diminished seventh [dim7] 1 - 3 - 5 - 6 Cdim7
Seventh [7] 1 - 3 - (5) - 7 or 1 - (3) - 5 - 7 C7
Seventh atted ninth [79] 1 - 2 - 3 - (5) - 7 C7
Seventh add atted thirteenth [713] 1 - 3 - 5 - 6 - 7 C7
 

Seventh ninth [79] 1 - 2 - 3 - (5) - 7 or 3 - 7 - 2* C7
Seventh add sharp eleventh [711]

Seventh add thirteenth [713] 1 - 3 - (5) - 6 - 7 or 3 - 6 - 7 C7
Seventh sharp ninth [79] 1 - 2 - 3 - (5) - 7 C7
Seventh atted fth [75] 1 - 3 - 5 - 7 C7

 
Seventh augmented [7aug] 1 - 3 - 5 - 7 C7aug
Seventh suspended fourth [7sus4] 1 - 4 - 5 - 7 C7sus4






1 - (2) - 3 - 4 - 5 - 7 or 1 - 2 - 3 - 4 - (5) - 7

A perfect fth (1 + 5) pro-
The auto accompaniment
9
11
You can also have the
9
5
9
13
9
11
C7
13
9
5
Suspended second [sus2] 1 - 2 - 5 Csus2
* Only this voicing (inversion) is recognized. Other chords not marked with an asterisk can be played in any inversion.
5
CM7
9
( )
9
( )
Cm7
C7
11
( )
13
be omitted.
cent keys (including black keys), the chord sound will be canceled and only the rhythm instruments will continue playing (Chord Cancel function). This let you play back only the rhythm.
keys in the adjacent octaves produces accom­paniment based only on the root.
duces accompaniment based on the root and the fth.
Style will sometimes not change when related chords are played in sequence (e.g. some minor chords followed by the minor seventh).
PSR-2000/1000 teach you how to play Fingered chords. From the CHORD FINGERING display (page 139), specify the chord you want to learn, and the notes you should press are indicated in the display.
( )
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Styles
Arranging the Style Pattern
(SECTIONS: MAIN A/B/C/D, INTRO, ENDING, BREAK)
The PSR-2000/1000 features various types of Auto Accompaniment Sections that allow you to vary the arrangement of the Style. They are: Intro, Main, Break and Ending. By switching among them as you play, you can easily produce the dynamic elements of a professional-sounding arrangement in your performance.
Select a style (page 59).
1
2
2-1 Turn the ACMP function on.
STYLE CONTROL
ACMP INTRO
BREAK
MAIN
ENDING
/ rit.
AUTO FILL IN
OTS LINK
SYNC. STOP
SYNC. START
START/STOP
2-3 Turn the SYNC. START function on.
2-2 Press the [INTRO] button. To cancel the INTRO section
before starting the style, press the [INTRO] button again.
The Intro section starts as soon as you play a key in the Auto
3
Accompaniment section of the keyboard, and changes to the Main section.
Split point
Auto Accompaniment section
4
Main sections can be shifted.
STYLE CONTROL
ACMP INTRO
BREAK
Press this button to add breaks.
MAIN
ENDING
/ rit.
AUTO FILL IN
OTS LINK
SYNC. STOP
SYNC. START
START/STOP
You can also use this func­tion to play only rhythms (page 61).
If you press the [INTRO] button, you can play back an Intro section while an accompaniment is play­ing.
Section button indications [BREAK], [INTRO],
[MAIN], [ENDING] but­tons LED is green
The section is not selected.
LED is red
The section is cur­rently selected.
LED is off
No section data; the section cannot be played.
You can dynamically con­trol the level of the accompaniment by how softly or strongly you play the keys in the Auto Accompaniment section of the keyboard (page 138).
If you press the [SYNC. START] button while an
accompaniment is play­ing, the accompaniment will stop and the PSR­2000/1000 will enter Syn­chronized Start standby status.
You can also change style sections by using the pedal (page 139).
The Break section lets you add dynamic varia­tions and breaks in the rhythm of the accompani­ment, to make your per­formance sound even more professional. If you press the [BREAK] but­ton while an accompani­ment is playing, the ll-in will play back for one measure.
The indicator of the desti­nation section (MAIN A/ B/C/D) will ash while the Break is playing.
When the [AUTO FILLIN] button is set to on and the MAIN [A][B] [C][D] but­ton is pressed after the nal half beat (eighth note) of the measure, the ll-in will begin from the next measure.
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Styles
This switches to the ending section. When the ending is nished, the Style stops
5
STYLE CONTROL
ACMP INTRO
automatically. You can have the ending gradually slow down (ritardando) by pressing the same [ENDING/rit.] button again while the ending is playing back.
BREAK
MAIN
ENDING
/ rit.
AUTO FILL IN
OTS LINK
SYNC. STOP
SYNC. START
START/STOP
Fade-in/Fade-out
The accompaniment style also include a convenient Fade-in/Fade-out function that gradually fades in and fades out the accompaniment. To start the style with a fade-in, press the [FADE IN/OUT] button, then turn SYNC. START on. To cancel the fade-in before starting the style, press the button again. To fade out and stop the Style, press this button while the style is playing. The time of the fade-in/fade-out can also be set (page 148).

Stopping the Style Playback While Releasing Keys (SYNC. STOP)

When the Synchro Stop function is engaged, accompaniment playback will stop completely when all keys in the Auto Accompaniment section of the keyboard are released. Accompaniment playback will start again as soon as the key in the Auto Accompaniment section is played.
Turn ACMP (Accompaniment) on.
1
Turn SYNC. STOP on. SYNC. START is also automatically set to on when
2
SYNC. STOP is turned on.
STYLE CONTROL
ACMP INTRO
BREAK
MAIN
ENDING
/ rit.
AUTO FILL IN
OTS LINK
SYNC. STOP
SYNC. START
START/STOP
Styles can also be started by pressing the STYLE [START/STOP] button.
You can select the Intro and Ending type by press­ing the [E] button in the MAIN window (page 66).
If you press the [INTRO] button while the ending is playing, the Intro section will begin playing after the ending is nished.
When the [AUTO FILLIN] button is set to on and you press a MAIN button while the ending is playing, fill-in accompaniment will immediately start playing, continuing with the Main section.
You can begin the accom­paniment by using the Ending instead of the Intro section. In this case, the auto accompaniment doesnt stop when the ending is nished.
If you select a different style while the style is not playing, the default tempo for that style is also selected. If the accompa­niment is playing, the same tempo is maintained even if you select a differ­ent style.
When STOP ACMP is set to on and the accompani­ment is not playing, you can play both chords and bass in the Auto Accom­paniment section in the keyboard (page 138).
As soon as you play a chord with your left hand, the auto accompaniment
3
starts.
Auto Accompaniment section
The auto accompaniment stops when you release your left hand from the keys.
4
Playing a chord with your left
5
hand automatically restarts the auto accompaniment.
Split point
END
Press the [SYNC. STOP]/ [SYNC. START] button again to stop the accompaniment.
You can also use the SYNC. STOP function by pressing the auto accompaniment section/left-hand range briey (page 138).
Synchro Stop cannot be set to on when the ngering mode is set to Full Key­board/AI Full Keyboard or the auto accompaniment on the panel is set to off.
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Styles

Selecting Intro and Ending Types (INTRO/ENDING)

1
2
Select a Intro
A
B
C
D
E
Select a Ending
To call up the [MAIN] dis­play, rst press the [DIRECT ACCESS] button, then press the [EXIT] button.
D
E
Play the style using
3
the Intro or Ending section (page 30, 31).

Playing Fill-in patterns automatically when changing accompaniment sections Auto Fill In

STYLE CONTROL
1
2
ACMP INTRO
Play the style and switch among the accompaniment sections as they play (page 30, 31).
BREAK
Fill-in patterns play automatically between each change in the Main sections.
END
To cancel the Auto Fill, press the [AUTO FILLIN] button again.
MAIN
ENDING
/ rit.
AUTO FILL IN
OTS LINK
SYNC. STOP
SYNC. START
Fill
A short phrase used to add variation to the style.
START/STOP
You can also add a ll-in by pressing the selected MAIN button again.
You can temporarily disable Auto Fill In during a perfor­mance by pressing the next Main sections button twice quickly.
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Styles
81 2 3 4 5 6 7
Appropriate Panel Setting for the Selected Style
(ONE TOUCH SETTING)
The convenient One Touch Setting function makes it easy for you to select voices and effects that are appropriate to the style you’re playing. Each preset style has four pre-programmed panel setups that you can select by pressing a single button.
SONG
EXTRA
TRACK2TRACK
TRACKS
(STYLE) (R)(L)
REC REW FF
NEW SONG SYNC. START
STYLE
POP & ROCK
BALLAD USERLATIN
MASTER VOLUME
STYLE CONTROL
ACMP
INTRO
BREAK
Select a style (page 59).
Press one of the ONE TOUCH SETTING buttons ([1] - [4]).
1
2
STANDBY ON
MIN MAX
MAIN
ENDING
/ rit.
1 REPEAT
TOP
SWING &
JAZZ
DANCE
TRANSPOSE
RESET
FADE IN/OUT
AUTO FILL IN
START/STOP
MULTI PAD
OTS LINK
METRO­NOME
DIGITAL STUDIO
SOUND CREATOR
A
DIGITAL RECORDING
MARCH &
BALLROOM
WALTZ
TAP TEMPO
TEMPO
RESET
STOP
SYNC.
SYNC.
STOP
START
START/STOP
MIXING CONSOLE
FUNCTION
B
C
D
PART
MENU
E
DEMO
HELP
BALANCE DIRECT ACCESS
CHANNEL ON/OFF
PART
LED is red The One Touch Setting is currently selected.
ONE TOUCH SETTING
F
G
H
I
J
EXIT
VOICE EFFECT
LEFT
HARMONY/
MONOTOUCH
SUSTAIN
ECHO
HOLD
BACK NEXT
VOICE
ORGAN &
PIANO & HARPSI.
E.PIANO
MAIN
LAYER
LEFT
MUSIC FINDER
DATA ENTRY
ACCORDION
BRASS
GUITAR
BASS
SYNTH.
STRINGS CHOIR & PAD
USER
ORGAN FLUTES
VH TYPE
SELECT
VOCAL
MIC.
SETTING
HARMONY
ONE TOUCH SETTING
UPPER OCTAVE
TALK
MIC.
OVER
SIGNAL
ENTER
REGISTRATION MEMORY
FREEZE MEMORY
DSP
VARIATION
PERCUSSION
WOODWIND
XG
RESET
EFFECT
ONE TOUCH SETTING
As soon as you play a
3
chord with your left hand, the auto accompaniment starts.
LED is off No One Touch Setting data. The button is not available.
LED is green The One Touch Setting is not selected.
Various settings (such as voices, effects, etc.) that match the selected style can be instantly recalled. When the style is not playing, Auto Accompaniment and Sync. Start will automatically be turned on. For details about the One Touch Setting parameters, refer to the separate Data List (Parameter Chart).
Stop the Auto Accompaniment.
4
STYLE CONTROL
ACMP INTRO
BREAK
MAIN
ENDING
/ rit.
AUTO FILL IN
OTS LINK
SYNC. STOP
SYNC. START
Split point
Auto Accompaniment section
START/STOP
Try out other One Touch Setting setups. You can also create your own One
5
Touch Setting setups (page 68).
ONE TOUCH SETTING
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Styles

Automatically Changing One Touch Settings with the Sections OTS Link

The convenient OTS (One Touch Setting) Link function lets you automatically have One Touch Settings change when you select a different Main section (A - D).
1
END
AUTO
OTS
FILL IN
LINK
To cancel the OTS Link function, press the [OTS LINK] button again.
When you switch among the Main sections (A
2
- D), the corresponding One Touch Setting will be called up automatically.
The Main sections A, B, C, and D correspond to One Touch Settings 1, 2, 3, and 4, respectively.
The One Touch Settings can be set to change with the sections in one of two different timings (page 138):
Immediately when you press a section button.
At the next measure (in an accompaniment style), after you press a section button.

Registering the Panel Controls in One Touch Setting (ONE TOUCH SETTING)

This section covers how to create your own One Touch Setting setups (four setups per style). For a list of One Touch Setting setup parameters, refer to the separate Data List (Parameter Chart).
Select a style.
1
Set up the panel controls
2
such as selecting a voice as required.
Press the [MEMORY]
3
button.
MEMORY
Press one of the ONE TOUCH SETTING buttons:[1] through [4].
4
ONE TOUCH SETTING
The items you can register in a One Touch Setting are Voice, Harmony, Multi Pad and Pedal settings.
A message prompting you to save the current style will appear. Select “YES”
END
to call up the STYLE display, then save the panel settings (page 38, 44).
Unless you store the panel settings here, the registered settings will be deleted when you select a different accompaniment style.
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Page 69

Calling Up Ideal Setups for Your Music — Music Finder

81 2 3 4 5 6 7
81 2 3 4 5 6 7
The Music Finder feature lets you instantly call up the appropriate settings for the instrument — including voice, style, and One Touch Settings — simply by selecting the desired song title. If you want to play a certain song but don’t know which style and voice settings would be appropriate, the convenient Music Finder function will help you out. The recommended settings, which together make up a “record,” can also be edited and stored. This lets you create and save your own Music Finder records for future recall.
SONG
TRACK2TRACK
1 REPEAT
TOP
SWING &
JAZZ
DANCE
TRANSPOSE
RESET
FADE IN/OUT
AUTO FILL IN
START/STOP
MULTI PAD
OTS LINK
BALLROOM
TEMPO
RESET
STOP
SYNC.
SYNC.
STOP
START
FINDER
METRO­NOME
MARCH &
WALTZ
TAP TEMPO
START/STOP
MUSIC
DIGITAL STUDIO
SOUND CREATOR
DIGITAL RECORDING
MIXING CONSOLE
PART
MENU DEMO
HELP
FUNCTION
BACK NEXT
MAIN
A
B
C
D
E
BALANCE DIRECT ACCESS
CHANNEL ON/OFF
PART
F
LAYER
G
LEFT
H
I
J
MUSIC FINDER
EXIT
DATA ENTRY
EXTRA TRACKS
(STYLE) (R)(L)
REC REW FF
NEW SONG SYNC. START
STYLE
POP & ROCK
BALLAD USERLATIN
MASTER VOLUME
STYLE CONTROL
BREAK
ACMP
STANDBY ON
INTRO
MIN MAX
MAIN
ENDING
/ rit.
1
MUSIC
VOICE EFFECT
DSP
HARMONY/
LEFT HOLD
FINDER
VOICE
PIANO & HARPSI.
GUITAR
STRINGS CHOIR & PAD
USER
MIC.
VH TYPE
SETTING
SELECT OVER
SIGNAL
ONE TOUCH SETTING
ENTER
REGISTRATION MEMORY
FREEZE MEMORY
E.PIANO
BASS
ORGAN FLUTES
MIC.
VARIATION
MONOTOUCH
SUSTAIN
ECHO
ORGAN &
PERCUSSION
ACCORDION
BRASS
WOODWIND
SYNTH.
XG
UPPER OCTAVE
RESET
VOCAL
EFFECT
TALK
HARMONY
The MUSIC FINDER records and its contents is just one example of the recom­mended panel setups. You can also create your own Music Finder settings for your favorite songs and genres.
Styles
Select a record. For example, select the top record by pressing the [1▲▼] button to call up
2
the recommended setups. The setting data shown here is referred to as a record.
Select a record by song title.
When sorting records by song title, use the [1▲▼] but­ton to skip up or down through the songs alpha­betically. Simulta­neously press the [▲▼] but­tons to move the cursor to the rst record.
Select a record by style name. When sorting the records by style name, press these buttons to move the cursor to the next /previous style. Simultaneously press the [▲▼] buttons to move the cursor to the rst record.
All...........................Show all records.
FAVORITE..............Show the records that have added to the Favorite page.
SEARCH1,2 ...........Show the results by SEARCH function (page 70).
Sorting the records
MUSIC....... The record is sorted by song title.
F
G
H
I
J
Show the number of records of each page.
STYLE....... The record is sorted by style name.
BEAT......... The record is sorted by beat.
TEMPO .....The record is sorted by tempo.
Change the order of the records (ascending or descending).
Add the selected record to “Favorite (Bookmark)” page
When you press the [H] button, the “Add selected data to the favorite list? YES/NO message will be displayed. Select [YES] to add the selected page to FAVORITE page.
Search record(s). Enter the condition of the search in the MUSIC FINDER SEARCH display (page 70). The results of SEARCH 1 or 2 appear in the SEARCH 1 or SEARCH 2
page respectively.
Call up the MUSIC FINDER RECORD EDIT (page 71) display (for editing the selected record).
Turn TEMPO LOCK on/off. TEMPO LOCK function lets you avoid
changing the Tempo during style playback when selecting another record. The on/off setting affects all pages (ALL/FAVORITE/ SEARCH 1/SEARCH 2).
Play the style (page 60).
3
Records can be selected by using the [DATA ENTRY] dial and pressing the [ENTER] button.
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Styles
81 2 3 4 5 6 7

Searching the Ideal Setups Music Finder Search

You can search the record by music title or keywords. The results appears in the display.
Press the [I]
1
(SEARCH 1) button or [J] (SEARCH 2)
button in the MUSIC FINDER display.
Enter the
2
conditions for the search (see below), then start search by using [START SEARCH] button.
Start searching the record. The results that satisfy all the conditions appear in the SEARCH page. For details about the search settings in this display, see below.
A
B
C
D
E
F
G
H
I
J
[A] MUSIC
Searches by music or song title. Press this button to call up the display for inputting the song title. When you enter the song title (page 45), the search function calls up all records that contain the entered word or words.
[B] KEYWORD
Searches by keyboard. Press this button to call up the display for inputting the keyword. When you enter the keyword (page 45), the search function calls up all records that contain the entered word or words. You can search several different keywords simultaneously by inserting a separator (comma) between each. The search function finds and displays all records that contain at least one match in the keywords.
[C] STYLE
Searches by style name. Press this button to call up the STYLE FILE SELECT display. Press the [A] through [J] button in the display to select the desired accompaniment style. This convenient function lets you find all songs that use a certain accompaniment style.
[D] BEAT
The STYLE FILE SELECT display can only be used to select the style name for searching; it cannot be used to call up the actual accom­paniment style.
Searches by beat or rhythmic feel.
[E] SEARCH AREA
Selects a specific location for searching. You can further narrow down your search by using the SEARCH 1 and 2 selections.
[F]~[H] CLEAR
Clears the entered item at left.
[1▲▼] TEMPO FROM
You can also narrow your search by specifying a tempo range. This lets you set the minimum tempo for the search. Press the [▲▼] buttons simultaneously to instantly reset the tempo value to the minimum.
[2▲▼]TEMPO TO
You can also narrow your search by specifying a tempo range. This lets you set the maximum tempo for the search. Press the [▲▼] buttons simultaneously to instantly reset the tempo value to the maximum.
[3▲▼]~[5▲▼] GENRE
Selects the specific music genre for searching. The available range includes all genres (ANY), the preset genres, and any genres you’ve entered yourself (page 69).
[8] CANCEL
Press this to cancel the operation and return to the previous display.
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Editing Records Music Finder Record Edit

You can also change/clear a preset record. To avoid chang­ing/clearing the record, register the record as a new record after editing.
81 2 3 4 5 6 7
From this display, you can call up existing records and edit them to suit your preferences. You can even use this to create your own Music Finder records.
Press the [8 ▲▼] (RECORD EDIT) button in the MUSIC FINDER display.
1
Change/clear the record data. You can also register new records. For
2
details about all settings and operations, see below.
A
B
C
D
E
F
G
H
I
J
Styles
All Music Finder records can be stored together as a single le (page 151). When calling up a stored le, a message appears prompting you to replace or append the records as desired.
Replace:
All Music Finder records cur­rently in the instrument are deleted and replaced with the records of the selected le.
Append:
The records called up are added to the vacant record numbers.
[A] MUSIC
Selects the music or song title for editing. Press the button to call up the display for inputting the music or song title, then edit the name as desired.
[B] KEYWORD
Selects the keyword for editing. Press the button to call up the display for inputting the keyword, then edit it as desired. You can enter several different keywords by inserting a separator (comma) between each.
[C] STYLE
Selects the style name for editing. Always enter the name when a new record is registered. Press the button to call up the STYLE FILE SELECT display. Press the [A] through [J] button in the display to select the desired file you want to change/clear/register.
[D] BEAT
Selects the beat (time signature) for editing. When another file is selected by pressing the [C] button, the current beat setting is replaced with the beat setting of the selected file.
[E] FAVORITE
Adds the selected record to the FAVORITE page (page 69).
[F]~[H] CLEAR
Clears the entered item at left.
[I] DELETE RECORD
Clears the selected record. The deleted record number becomes empty. When you press this button, a message appears prompting you to execute, abort or cancel the operation.
YES .................. Press this to clear the record and close the display.
NO .................. Press this to close the display without clearing the record.
CANCEL........... Press this to close the message box and return to the previous display.
The STYLE FILE SELECT display can only be used to select the style name for record editing; it cannot be used to call up the actual accompaniment style.
Keep in mind that the Beat setting made here is only for the Music Finder search function; this does not affect the actual Beat setting of the accompaniment style itself.
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Styles
[J] NEW RECORD
Registers a new record. The smallest available empty record number is used for registering. When you press this button, a message appears prompting you to execute, abort or cancel the operation.
YES .................. Press this to register the record and close the display.
NO .................. Press this to close the display without registering the record.
CANCEL........... Press this to close the message box and return to the previous display.
[1▼▲] TEMPO
Determines the tempo for the selected record. When changing the file with the [C] button, the tempo is automatically changed to that of the changed file.
[3▼▲]~[5▼▲] GENRE
Selects the specific genre for editing. The available range includes all preset genres as well as any you’ve entered yourself.
[6▼▲] GENRE NAME
For entering a genre name. Press the button to call up the display for inputting the genre name, then edit the name as desired. A maximum of 200 genre names can be stored. The genre name you input becomes effective when the current record is edited (overwritten) by pressing the [8] (OK) button, or when a new record is registered by pressing the [J] (NEW RECORD) button. If you exit from the MUSIC FINDER EDIT display without actually editing or registering a record, the input genre name is deleted.
The maximum number of records is 2500 (PSR-2000)/ 1200 (PSR-1000), including internal records.
[8] OK
Executes all editing and changes to the record. When you press this button, a message appears prompting you to execute, abort or cancel the operation.
YES .................. Press this to replace the record and close the display.
NO .................. Press this to close the display without replacing the record.
CANCEL........... Press this to close the message box and return to the previous display.
[8] CANCEL
Press this to cancel the operation and return to the MUSIC FINDER display.
PSR-2000/1000
72
Page 73

The Multi Pads

The PSR-2000/1000 Multi Pads can be used to play a number of short pre-recorded rhythmic and melodic sequences that can be used to add impact and variety to your keyboard performances.
Multi Pads

Playing the Multi Pads

Select the desired bank in the MULTI PAD Bank display (page 38).
1
Press any of the Multi Pads.
2
MULTI PAD
The corresponding phrase (in this case, for Pad 4) starts playing back in its entirety as soon as the pad is pressed. The Multi Pad function provides two different ways to stop in the middle of the phrase :
• To stop all pads, press and release the [STOP] button.
• To stop specific pads, simultaneously hold down the [STOP] button and press the pad or pads you wish to stop.
STOP
Simply tap any of the Multi Pads at any time to play back the corresponding phrase at the currently set tempo.
You can even play two, three, or four Multi Pads at the same time.
Pressing the pad during its playback will stop play­ing and begin playing from the top again.

Chord Match

Turn ACMP on (page 60).
1
Play a chord with your left hand and press any of the Multi Pads.
2
Split Point
The Chord Match on/off sta­tus depends on the selected Multi Pad Bank.
Auto Accompaniment
section
MULTI PAD
In this example, the phrase for Pad 1 will be transposed into F major before playing back. Try playing other chords and pressing the pads. Keep in mind that you can also change chords while a pad is playing back.
STOP
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73
Page 74
The Multi Pad
81 2 3 4 5 6 7

Multi Pad Edit

This function lets you copy individual Multi Pad settings from one Multi Pad bank to another.
Open/Save display for Multi Pads (page 38)
Select the desired Multi Pad(s).
A
B
C
D
E
The same as the Open/Save display on pages 41 and 44.
F
G
H
I
J
Calls up the upper level directory page.
PSR-2000/1000
74
Page 75

Song Playback

81 2 3 4 5 6 7
Commercially available music data is subject to copyright restrictions, and is intended only for your own personal use.
For more information on the song le types compatible with the PSR-2000/1000, see page 159.
Here you’ll learn how to play back songs. Songs include the internal songs of the instrument, performances you’ve recorded yourself using the recording functions (page 92), and commercially available song data. You can use this highly versatile feature in a variety of ways — playing along on the keyboard with the recorded song. You can also display the music notation (PSR-2000 only) and lyrics in the LCD. If you connect a microphone to the PSR-2000, you can sing along with the song or auto accompaniment and have vocal harmony parts added automatically (page 128).
SONG
EXTRA
TRACK2TRACK
TRACKS
(STYLE) (R)(L)
REC REW FF
NEW SONG SYNC. START
STYLE
POP & ROCK
BALLAD USERLATIN
MASTER VOLUME
SONG
STYLE CONTROL
BREAK
ACMP
STANDBY ON
INTRO
EXTRA
MAIN
TRACKS
MIN MAX
TRACK2TRACK
ENDING
/ rit.
METRO­NOME
1 REPEAT
START/STOP
TOP
MARCH &
SWING &
WALTZ
JAZZ
BALLROOM
DANCE
TAP TEMPO
TRANSPOSE
TEMPO
RESET
RESET
STOP
MULTI PAD
FADE IN/OUT
SYNC.
SYNC.
STOP
START
START/STOP
1 REPEAT
AUTO
OTS
FILL IN
LINK
DIGITAL STUDIO
SOUND CREATOR
DIGITAL RECORDING
MIXING CONSOLE
PART
MENU DEMO
HELP
FUNCTION
BACK NEXT
MAIN
METRO­NOME
F
LAYER
G
LEFT
H
I
J
MUSIC FINDER
EXIT
DATA ENTRY
A
B
C
D
E
BALANCE DIRECT ACCESS
CHANNEL ON/OFF
PART
(STYLE) (R)(L)
REC REW FF
TOP
START/STOP
NEW SONG SYNC. START

Compatible Song Types

Disks having this logo mark feature song data compatible with GM (General MIDI).
Disks having this logo mark feature song data compatible with Yamaha’s XG format. XG is a significant enhancement of the “GM system level 1” standard, providing more voices, greater editing control, and support for multiple effect sections and effect types.
VOICE EFFECT
LEFT
HOLD
VOICE
PIANO & HARPSI.
GUITAR
STRINGS CHOIR & PAD
USER
MIC.
VH TYPE
SELECT OVER
SIGNAL
ENTER
REGISTRATION MEMORY
FREEZE MEMORY
HARMONY/
SUSTAIN
ECHO
E.PIANO
BASS
ORGAN FLUTES
VOCAL
MIC.
HARMONY
SETTING
ONE TOUCH SETTING
ACCORDION
DSP
VARIATION
MONOTOUCH
ORGAN &
PERCUSSION
BRASS
WOODWIND
SYNTH.
XG
UPPER OCTAVE
RESET
EFFECT
TALK
Disks having this logo mark feature song data compatible with Yamaha’s DOC (Disk Orchestra Collection) format.
Disks having this logo mark feature song data compatible with Yamaha’s original MIDI file format.
PSR-2000/1000
75
Page 76

Song Playback

Song Playback

Playing the Internal Songs

1
2
2-2 Open a folder and
select a song to be played back.
A
B
C
D
E
2-1 Select the PRESET tab with the
[BACK] button.
A
B
C
D
E
BACK NEXT
If the MAIN screen (at left) is not displayed, press the [DIRECT ACCESS] button followed by the [EXIT] button.
F
G
H
I
J
n
You can also make a variety of other settings (such as tempo, voice selection, etc.) and have them automati­cally called up when you play back the song (page 104).
You can enable the Synchro Start for the song by simul­taneously pressing the
[TOP] button and the
BACK NEXT
SONG [START/STOP] but-
ton. The song starts as soon as you play the key­board. You can also use this function along with the
F
G
H
I
J
Styles Synchro Start func­tion (page 60).
n
You can have the volume automatically fade in and fade out at the beginning and end of the song. Simply press the [FADEIN/OUT] button at the start of song playback to fade in the song, and press it again at the end of the song to fade out.
PSR-2000/1000
76
The song starts.
3
SONG
EXTRA
TRACK2TRACK
TRACKS
(STYLE) (R)(L)
REC REW FF
NEW SONG SYNC. START
1 REPEAT
START/STOP
TOP
METRO­NOME
Adjust the tempo by using the TEMPO [ ][ ] buttons (page 50) or the [TAP TEMPO] button. You can even change the playback speed by tapping out the tempo simply tap the [TAP TEMPO] button twice.
END
START/STOP
To stop the song immediately, press the button again.
EXIT
Press the button in order to go back to the previous screen.
Page 77
Song Playback
Simultaneously Playing a Song and an Accompaniment Style
When playing back a song and an accompaniment style at the same time, channels 9 ­16 of the song data are replaced with accompaniment style channels — allowing you to use the auto accompaniment styles and features in place of the accompaniment parts of the song. Make the settings below and play your own chord substitutions in place of the song’s chord data.
• [ACMP] button .................. ...ON
• [AUTO FILL IN] button ..... ...ON
Select the song and start playback by pressing the SONG [START/STOP] button.
1
Select the desired accompaniment style.
2
Start the style by pressing the STYLE [START/STOP] button.
3
While the song is playing, insert a break or change sections (with the STYLE
4
section buttons.) Fill-in patterns play when you switch sections.
END
The accompaniment stops when you stop the song. If the accompaniment style is playing and you start the song, the accompaniment automatically stops.
The style automatically stops when the song finishes or is stopped.
PSR-2000/1000
77
Page 78
Song Playback

Playing Back Songs on Disk

Insert the disk into the drive.
Insert the disk shutter side rst and label face up.
The method for playing back is the same as in the “Playing the Internal Songs” instructions (page 76), except that you should select FLOPPY DISK page in the SONG display.

Other Playback-related Operations

Repeat / Rewind / Fast forward
During playback, you can have the song return to the top and play back again from the beginning by pressing this button. When playback is stopped, pressing this button returns the song to the beginning.
Before proceeding, make sure to read the section Handling the Floppy Disk Drive (FDD) and Floppy Disk (page 7).
n
You can set whether or not the PSR-2000/1000 auto­matically calls up the rst disk song when a disk is inserted (page 150).
n
Some song data for the PSR-2000/1000 has been recorded with special free tempo settings. During play­back of such song data, the measure numbers shown in the display will not corre­spond to the actual measure; this only serves as a refer­ence as to how much of the song has been played back.
REC REW FF
NEW SONG SYNC. START
TOP
START/STOP
Press this button to call up the SONG POSITION display (see below). To return to the SONG display, press the [EXIT] button.
SONG POSITION display
When BAR is selected, you can specify a measure number (counted from the beginning of the song) by using the [REW] and [FF] buttons. When PHRASE MARK is selected, specify the phrase mark number by using the [REW] and [FF] buttons.
PHRASE MARK is shown only when the song contains phrase marks. Press the [J] button to toggle between BAR and PHRASE MARK, then use the [REW] and [FF] buttons to select the desired measure or phrase mark.
Adjusting the Volume Balance / Muting Specic Channels
BALANCE
CHANNEL ON/OFF
Press this button to call up the BALANCE display (page 61).
Phrase Mark
This data species a certain location in the song data.
PAR T
Press this button to call up the CHANNEL ON/OFF display (see below).
CHANNEL ON/OFF display
Select the [SONG] tab with the [CHANNEL ON/OFF] button, and mute the desired channel by setting it to [OFF]. To solo a channel (only that channel will sound), hold down the appropriate button corresponding to the channel. To release the solo for the channel, press that channel’s button again.
PSR-2000/1000
78
Channel
Refers to the MIDI channel in the song data. The chan­nels are assigned as shown below for the PSR-2000/
1000.
Song
1 - 16
Accompaniment Style
9 - 16
Page 79
Song Playback
Muting Specific Parts — Track1/Track2/Extra Tracks
This feature lets you mute certain parts of the song (Track1, Track2, Extra Tracks), and play back only those parts you want to hear. For example, if you want to practice the melody of a song, you can mute just the right-hand part and play that part yourself.
Select the song to be played back (page 75).
1
2
Use this button to turn on/off the additional performance parts (all but the right hand/left hand).
SONG
EXTRA
TRACK2TRACK
TRACKS
(STYLE) (R)(L)
1
Use this button to turn on/off the left-hand part.
METRO­NOMEREPEAT
Use this button to turn on/off the right-hand part.
You can change the channel assignments for Track 1 and Track 2 (page 137), letting you specify which parts are muted when pressing the
[TRACK 1]/[TRACK 2]/ [EXTRA TRACKS] buttons.
All tracks are automatically set to on when selecting a different song.
Start the song.
3
Adjust the tempo by using the TEMPO [ ][ ] buttons (page 50).
REC REW FF
TOP
START/STOP
END
START/STOP
To stop the song, press the
NEW SONG SYNC. START
button again.
Repeat Playback of a Specific Range
This feature allows you to specify a certain range of the song (between Point A and Point B), and play it back repeatedly.
Play back the song (page 76, 78).
1
SONG
2
After an automatic lead-in (to help guide you into the phrase), the range from
3
point A to point B is played back repeatedly.
EXTRA
TRACK2TRACK
TRACKS
(STYLE) (R)(L)
1
Regardless of whether the song is playing back or is stopped, pressing the [TOP] button returns to point A.
Stop the song.
4
START/STOP
END
To cancel the Repeat function, press the button again.
You can also specify Points A and B when the song is stopped. Set Point A by pressing the [REPEAT] button, then use the [FF] button to move to the desired end location, then set Point B by pressing the [REPEAT] button again.
METRO­NOMEREPEAT
Press this button at the point you want the repeating phrase to start (Point A). Press this button at the point you want the repeating phrase to end (Point B).
Point B cannot be selected unless Point A has been selected rst.
n
Specifying only Point A results in repeat playback between Point A and the end of the song.
n
The specied A and B points will be erased when selecting a different song number, cancelling the Repeat function, or select­ing a different repeat mode
REPEAT
such as Phrase Repeat or repeat in Song Chain Play (page 133).
PSR-2000/1000
79
Page 80
Song Playback
81 2 3 4 5 6 7

Displaying Music Notation — Score (PSR-2000 only)

With this feature, you can have the notation automatically shown on the display as the song plays. This can be used with your own recordings as well as the internal Demo songs.
Select the
1
desired song
2
(page 76, 78).
3
Enables/disables display of the left-hand key range. Depending on other settings, this parameter may be unavailable and may appear grayed out. If this is the case, go to the detailed setting display (shown below; use the [8▲▼] buttons) and set the LEFT CH. parameter to any channel except AUTO.” Or, go to the SONG SETTING display in the Function menu (page 133) and set the TRACK 2 parameter to any channel except OFF.
If the MAIN screen (at left)
A
B
C
D
E
is not displayed, press the [DIRECT ACCESS] button followed by the [EXIT] but­ton.
The displayed notation is generated by the PSR­2000/1000 based on the song data. As a result, it may not be exactly the same as commercially available sheet music of the same song especially when displaying notation of complicated passages or many short notes.
n
Some song data for the PSR-2000/1000 has been recorded with special "free tempo" settings. For such song data, the tempo, beat, measure and music notation will not displayed correctly.
n
[RIGHT] and [LEFT] cannot be turned off at the same time.
Enables/disables display of the right-hand key range. Channel 1 is automatically selected when [TRACK1] is set to [OFF] from the SONG SETTING display (page 137).
Enables/disables display of the lyrics. If the selected song does not contain lyric data, lyrics are not displayed.
Enables/disables display of the chords. If the selected song does not contain chord data, chords are not displayed.
Enables/disables display of the note name (pitch).
Determines the display resolution (or zoom level) of the notation.
SMALL...... Notation is shown in small size.
LARGE ..... Notation is shown in large size.
This calls up the detailed setting display for notation. For details, see the next page.
n
The note name is indicated at the left of the note. When the space between the notes is too small, the indi­cation may be moved to the top left of the note.
n
You can increase the num­ber of measures that will be displayed by decreasing the other items to be displayed (parts, lyrics, chords, etc.).
n
When accidentals (sharp and ats) and notes cannot be displayed on one line, they are displayed in the next line from the middle of the measure.
n
The notation functions can­not be used to create song data by inputting notes. For information on creating song data, see page 96.
PSR-2000/1000
80
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Song Playback
81 2 3 4 5 6 7
Detailed Settings for Notation
When LEFT and RIGHT are set to the same channel, the notation of the right-hand notes and left-hand notes are displayed in piano format (two connected staves).
[1▲▼] LEFT CH/[2▲▼] RIGHT CH
This determines the Left channel (channel for the left-hand part) and Right channel (channel for the right-hand part). This setting returns to AUTO when a different song is selected.
AUTO .........................The channels for the right- and left-hand parts are assigned automatically — setting the parts
to the same channel as the channel which is specified in the SONG SETTING display of the
Function menu (page 137).
1-16............................Assigns the part to the specified channel, 1- 16.
OFF (LEFT CH only)....No channel assignment.
[3▲▼], [4▲▼] KEY SIGNATURE
This lets you enter key signature changes in the middle of a song, at the stopped position, allowing you to transpose key at any point within a song. For a list of the key signatures, with their relative minor keys and accidentals, see the chart below.
Key Signatures and Accidentals
C Maj (A min) G Maj (E min) D Maj (B min) A Maj (F min) E Maj (C min) B Maj (G min) F Maj (D min) C Maj (A min)
C Maj (A min) G Maj (E min) D Maj (B min) A Maj (F min) E Maj (C min) B Maj (G min) F Maj (D min)
The note indicates the root note of the major key, and the note indicates the root of the relative minor.
[5▲▼] QUANTIZE
This gives you control over the note resolution in the notation, letting you shift or correct the timing of all displayed notes so that they line up to a particular note value. Make sure to select the smallest note value which is used in the song.
Note resolution:
1/4 note, 1/8 note, 1/16 note, 1/32 note, 1/4 note triplet, 1/8 note triplet, 1/16 note triplet, 1/32 note triplet
Short notes and ornamented notes (such as trills and grace notes) which are shorter than the Note resolu­tion will not be displayed in the notation.
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81
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Song Playback
[6▲▼] NOTE NAME
When [NOTE NAME] is set to ON, the note name and solfeggio name (do, re, mi, etc.) are indicated.
ABC ................. Note names are indicated as letters (C, D, E, F, G, A, B).
Fixed Do.......... Note names are indicated in solfeggio and differ depending on the selected language (page 49).
English.............. Do Re Mi Fa Sol La Ti
French..............Ut Re Mi Fa Sol La Si
Italian............... Do Re Mi Fa Sol La Si
German............Do Re Mi Fa Sol La Si
Spanish............. Do re Mi Fa Sol La Si
Japanese...........
Movable Do..... Note names are indicated in solfeggio according to the scale intervals, and as such are relative to
the key. The root note is indicated as Do. For example, in the key of G major the root note of Sol would be indicated as Do. As with “Fixed Do,” the indication differs depending on the selected language.
[8] OK
This closes the detailed setting display and starts generating the notation. You can also execute this by pressing the [ENTER] button on the panel.
[8] CANCEL
This closes the detailed setting display without changing the settings. You can also execute this by pressing the [EXIT] button or [RECORD] button on the panel.
You can select the display pages (one before and after) by the using the [BACK]/ [NEXT] buttons or the pedal (page 139).
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Song Playback

Displaying the Lyrics

This function lets you display the lyrics while the song is playing back — making it easy to sing along with your performance or song playback.
* Microphone input is available only on the PSR-2000.
Select the
1
desired song (page 76, 78).
3
2
The language used for lyr­ics display depends on the
A
B
C
D
E
particular lyric data. If the lyrics are garbled or unreadable, you can rem­edy this by changing the LYRICS LANGUAGE” set- ting from the SONG SET- TING display (page 137).
If the selected song does not contain lyric data, lyrics are not displayed.
In this example, select Lyrics in the Function folder of the PRESET (SONG) page.
4
The lyrics are
5
in reverse display along with song playback.
Start the song.
SONG
SONG
END
EXTRA
TRACK2TRACK
TRACKS
(STYLE) (R)(L)
REC REW FF
NEW SONG SYNC. START
EXTRA TRACKS
(STYLE) (R)(L)
REC REW FF
NEW SONG SYNC. START
1 REPEAT
TOP
TRACK2TRACK
1 REPEAT
TOP
START/STOP
START/STOP
EXIT
Stop the song.
To return to the previous page, press the button.
METRO­NOME
METRO­NOME
If the selected song contains chord data, chord names are displayed with the lyrics.
The lyrics can be changed (page 107).
PSR-2000/1000
83
Page 84

Saving and Recalling Custom Panel Setups — Registration Memory

81 2 3 4 5 6 7
81 2 3 4 5 6 7
Registration Memory is a powerful feature that lets you set up the PSR-2000/1000 just as you want — selecting specific voices, styles, effect settings etc. — and save your custom panel setup for future recall. Then, when you need those settings, simply press the appropriate REGISTRATION MEMORY button.
SONG
STYLE
MASTER VOLUME
REGISTRATION MEMORY
FREEZE MEMORY
STYLE CONTROL
INTRO
BREAK
ACMP
STANDBY
ON
MIN MAX
MAIN
EXTRA
TRACK2TRACK
TRACKS
1 REPEAT
(STYLE) (R)(L)
START/STOP
TOP
REC REW FF
NEW SONG SYNC. START
SWING &
BALLROOM
POP & ROCK
JAZZ
DANCE
BALLAD USERLATIN
TRANSPOSE
RESET
MULTI PAD
FADE IN/OUT
SYNC.
ENDING
STOP
/ rit.
OTS
AUTO
LINK
FILL IN
METRO­NOME
DIGITAL STUDIO
SOUND CREATOR
A
DIGITAL RECORDING
MARCH &
WALTZ
TEMPO
RESET
STOP
SYNC. START
START/STOP
B
MIXING CONSOLE
C
D
PART
MENU
E
DEMO
TAP TEMPO
HELP
FUNCTION
BALANCE DIRECT ACCESS
CHANNEL ON/OFF
PART
F
G
H
I
J
EXIT
VOICE EFFECT
HARMONY/
LEFT
MONOTOUCH
SUSTAIN
ECHO
HOLD
BACK NEXT
VOICE
ORGAN &
PIANO & HARPSI.
E.PIANO
MAIN
LAYER
LEFT
MUSIC FINDER
DATA ENTRY
ACCORDION
GUITAR
BRASS
BASS
STRINGS CHOIR & PAD
SYNTH.
ORGAN FLUTES
USER
MIC.
VOCAL
MIC.
VH TYPE
TALK
HARMONY
SETTING
SELECT OVER
SIGNAL
ONE TOUCH SETTING
ENTER
REGISTRATION MEMORY
FREEZE MEMORY
UPPER OCTAVE
DSP
VARIATION
PERCUSSION
WOODWIND
XG
RESET
EFFECT

Registering Panel Setups — Registration Memory

This shows you how to register your custom panel settings to the REGISTRATION MEMORY buttons. Make all the settings you want with the panel controls, and Registration Memory will “remember” them for you.
Set up the panel controls as desired.
1
For a list of the settings that can be registered, refer to the separate Data List (Parameter Chart).
REGISTRATION MEMORY
FREEZE MEMORY
Keep in mind that songs or styles on disk cannot registered to Registration Memory. If you want to register a disk-based song or style, copy the relevant data to USER in the SONG/STYLE display (page 38) and register the data separately.
2
3
Select the desired parameter groups for the settings you want to register. You can also use the [DATA ENTRY] dial to navigate in this display. To
register a parameter group, checkmark the corresponding box. Groups left without checkmarks will not be included in the Registration Memory setting. This allows you to maintain certain settings, even when switching among Registration Memory presets. You can also use the Freeze function (page 86) to override the Registration Memory changes letting you prevent certain panel settings from being changed.
Press the desired number button for registering the settings.
END
REGISTRATION MEMORY
FREEZE MEMORY
Indicator is green......The panel setting is registered, but not selected.
Indicator is red .........The panel setting is registered and is currently selected.
Indicator is off ..........The panel setting is not registered.
F
G
H
Cancels the registration and returns to the MAIN display. You can also use the [EXIT] button.
I
J
Enters a checkmark to the selected box. You can also use the [ENTER] button.
Removes the checkmark from the selected box. You can also
use the [ENTER] button.
Any data that was previ­ously registered to the selected REGISTRATION MEMORY button (indicator is green or red) will be erased and replaced by the new settings.
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84
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Saving and Recalling Custom Panel Setups — Registration Memory
81 2 3 4 5 6 7

Saving Your Registration Memory Setups

The settings registered to the REGISTRATION MEMORY [1]-[8] buttons are saved as a single file.
Keep in mind that the size of the Registration bank les and the memory space they occupy depends on the amount of functions set in each.
Press the [DIRECT ACCESS] button and [EXIT] button to call up the MAIN display.
1
BANK 01
All settings registered to buttons [1]­[8] are referred to as a “bank.” The
banks can be saved to USER or FLOPPY DISK as Registration
bank les.
F
G
H
I
J
Save the settings you’ve made to the Registration Memory
2
buttons as a single Registration bank file (page 44).
The REGISTRATION EDIT display appears. For details on this display, see below.
REGISTRATION EDIT display
The contents of the current Registration Memory bank (REGIST.) are listed in the REGISTRATION EDIT screen. The names of the stored Registration Memory presets are shown in the display and the indicators of the relevant REGISTRATION MEMORY buttons are lit in green. From this screen, you can select, name, or delete the Registration Memory presets.
Select ...............Press the [A] - [J] buttons. The REGIST. display is linked to the REGISTRATION MEMORY [1] - [8]
buttons. When you select the Registration Memory preset in the display, the related button turns on (indicator is red).
Name ...............This operation is the same as that in “Naming Files and Folders” (page 41) in “Basic Operations
— Organizing Your Data.”
Delete ..............This operation is the same as that in “Deleting Files/Folders” (page 43) in “Basic Operations —
Organizing Your Data.”
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85
Page 86
Saving and Recalling Custom Panel Setups — Registration Memory
81 2 3 4 5 6 7

Recalling a Registration Memory Setup

You can recall all of the panel settings you’ve made — or only those you specifically want or need. For example, if you de-select “STYLE” in the REGISTRATION MEMORY display, you can keep the currently selected style even when you change the Registration Memory preset.

Recalling the Registered Settings

Press the appropriate REGISTRATION MEMORY button (any whose indicators are green) to recall the desired settings.
REGISTRATION MEMORY
FREEZE MEMORY

Selecting the Freeze Settings

Select the desired bank in the REGISTRATION BANK display (page 85).
You can program your Registration Memory presets to be called up in sequence, in any order you desire. Once programmed, the presets 1 - 8 can be selected in sequence with the [BACK][NEXT] buttons or the pedal (page 142).
1
MENU DEMO
HELP
FUNCTION
2
Call up the “FREEZE” page from the REGIST.SEQUENCE/ FREEZE/VOICE SET
Enters a checkmark to the selected box.
screen (page 142).
Removes the
Select the Freeze settings.
Press the [FREEZE] button. When Freeze is active (lamp is lit), the settings you specified in the Freeze
3
page will be maintained or left unchanged, even when changing Registration Memory presets.
REGISTRATION MEMORY
FREEZE MEMORY
checkmark from the selected box.
PSR-2000/1000
86
Press the appropriate REGISTRATION MEMORY button (any whose indicators are green) to recall the
4
desired settings.
REGISTRATION MEMORY
FREEZE MEMORY
Page 87

Editing Voices — Sound Creator

81 2 3 4 5 6 7
The PSR-2000/1000 has a Sound Creator feature that allows you to create your own voices by editing some parameters of the existing voices. Once you’ve created a voice, you can save it as a USER voice for future recall.
SONG
STYLE CONTROL
BREAK
ACMP
STANDBY ON
MAIN
INTRO

Operation

EXTRA
TRACK2TRACK
TRACKS
1 REPEAT
(STYLE) (R)(L)
REC REW FF
START/STOP
TOP
NEW SONG SYNC. START
STYLE
SWING &
POP & ROCK
JAZZ
BALLAD USERLATIN
DANCE
TRANSPOSE
RESET
MASTER VOLUME
MULTI PAD
FADE IN/OUT
MIN MAX
ENDING
/ rit.
OTS
AUTO
LINK
FILL IN
METRO­NOME
DIGITAL RECORDING
MARCH &
BALLROOM
WALTZ
TAP TEMPO
TEMPO
RESET
STOP
DIGITAL
SYNC.
SYNC.
STUDIO
STOP
START
START/STOP
SOUND CREATOR
DIGITAL STUDIO
SOUND CREATOR
MIXING CONSOLE
PART
MENU
DEMO
HELP
FUNCTION
A
B
C
D
E
BALANCE
DIRECT
ACCESS
CHANNEL ON/OFF
PART
F
G
H
I
J
EXIT
VOICE EFFECT
HARMONY/
LEFT
MONOTOUCH
SUSTAIN
ECHO
HOLD
BACK NEXT
VOICE
ORGAN &
PIANO & HARPSI.
E.PIANO
MAIN
LAYER
LEFT
MUSIC
FINDER
DATA ENTRY
ACCORDION
BASS
BRASS
GUITAR
SYNTH.
STRINGS CHOIR & PAD
USER
ORGAN FLUTES
VH TYPE SELECT
VOCAL
MIC.
SETTING
HARMONY
ONE TOUCH SETTING
UPPER OCTAVE
TALK
MIC.
OVER
SIGNAL
ENTER
REGISTRATION MEMORY
FREEZE MEMORY
DSP
VARIATION
PERCUSSION
WOODWIND
XG
RESET
EFFECT
The Voice can be edited in realtime while playing back a song/style.
Keep in mind that adjust­ments made to the param­eters may not make much change in the actual sound depending on the original settings of the voice.
Press the [F], [G] or [H] button to select the
1
Part (MAIN, LAYER or LEFT) containing the voice you wish to edit.
2
Press the [SOUND CREATOR]
The voice can also be selected in the SOUND CREATOR display.
button.
DIGITAL
F
G
H
I
J
Edit the voice parameters.
3
The operations for each function selected in this step are covered in detail, starting on page 89 (Regular
STUDIO
SOUND CREATOR
DIGITAL RECORDING
MIXING CONSOLE
PAR T
CAUTION
The settings are lost if the edited part's voice is switched to another voice. Important data should be saved to User Drive or floppy disk.
Voice), and page 91 (Organ Flutes).
Select the desired menu by
REGULAR VOICE
pressing the [NEXT]/ [BACK] button.
Indicates the parameters available for editing in this display. These correspond to the parameters/values shown at the bottom of the display.
ORGAN FLUTES (PSR-2000 only)
A
B
C
D
E
F
G
H
I
J
Can be used during editing to compare the sound of the original voice with the edited voice.
Select the desired menu. The selected menu is highlighted.
Save the edited voice to the USER drive
4
(Flash ROM) as a USER voice (page 44).
Select or adjust the parameters.
Opens the Save (Voice) display for saving the edited voice as a User voice (page 44).
Press the [USER] button to select the
5
edited voice, and play the keyboard.
PSR-2000/1000
87
Page 88
Editing the voice -SOUND CREATOR-
81 2 3 4 5 6 7

Regular Voice Parameters

COMMON Determines the common settings such as voice volume or octave.
SOUND Determines the timbre/EG (Envelope Generator)/vibrato of the voice.
EFFECT/EQ (PSR-2000) EFFECT (PSR-1000)
HARMONY Determines the Harmony/Echo settings.
Determines the effect depth/type and equalizer settings.
The following parameters are linked to the ones in each display.
Common parameter Other location
MONO VOICE EFFECT (TOP PANEL) page 58
PORTAMENTO TIME MIXING CONSOLE page 123
FILTER BRIGHTNESS MIXING CONSOLE page 123
FILTER HARMONIC CONTENT MIXING CONSOLE page 123
REVERB DEPTH MIXING CONSOLE page 124
CHORUS DEPTH MIXING CONSOLE page 124
DSP ON/OFF VOICE EFFECT (TOP PANEL) page 57
DSP DEPTH MIXING CONSOLE page 124
DSP TYPE/VARIATION MIXING CONSOLE/VOICE EFFECT (TOP PANEL) page 58,124
EQ LOW/GAIN MIXING CONSOLE page 121
EQ HIGH/GAIN MIXING CONSOLE page 121
HARMONY/ECHO TYPE HARMONY/ECHO (FUNCTION) page 143
HARMONY/ECHO VOLUME HARMONY/ECHO (FUNCTION) page 143
HARMONY/ECHO SPEED HARMONY/ECHO (FUNCTION) page 143
HARMONY/ECHO ASSIGN HARMONY/ECHO (FUNCTION) page 143
HARMONY/ECHO CHORD NOTE ONLY HARMONY/ECHO (FUNCTION) page 143
HARMONY/ECHO TOUCH LIMIT HARMONY/ECHO (FUNCTION) page 143
Keep in mind that there are certain parameters whose Sound Creator settings affect only the Main parts voice.

COMMON

The explanations here apply to step #3 on page 87.
Set the volume of the current edited voice.
Determines the touch sensitivity, or how greatly the volume responds to your playing strength. 0 —– – Produces more dramatic
level drops, the more softly you play.
Normal response.
64 127Produces high volume for
any playing strength (xed)
Set the portamento time of each part (MAIN/LAYER/VOICE) (page 123).
This determines whether the voice is played monophonically (page 58).
Shift the octave range of the selected voice up or down in octaves. When the Main or Layer parts voice is used, the M/LYR parameter is available; when the Left parts voice is used, the LEFT parameter is available.
PSR-2000/1000
88
Page 89
Editing the voice -SOUND CREATOR-
81 2 3 4 5 6 7
Time
Level
Key on
Key off
ATTACK RELEASE
DECAY

SOUND

The explanations here apply to step #3 on page 87.
FILTER
FILTER settings determine the overall timbre of the sound by boosting or cutting a certain frequency range.
• BRIGHTNESS
Determines the cutoff frequency or effective frequency (resonance) range of the filter (see diagram). Higher values result in a brighter sound.
Volume
Cutoff frequency
Determines the lter, EG, and vibrato settings (see below).
In addition to making the sound either brighter or more mellow, Filter can be used to produce electronic, synthesizer-like effects.
Frequency (pitch)
Resonance
Resonance
• Harmonic Content
Determines the emphasis given to the
These frequencies are
passed by the filter.
Volume
Cutoff range
cutoff frequency, set in BRIGHTNESS above (see diagram). Higher values result in a more pronounced effect.
Frequency (pitch)
EG
The EG (Envelope Generator) settings determine how the level of the sound changes in time. This lets you reproduce many sound characteristics of natural acoustic instruments — such as the quick attack and decay of percussion sounds, or the long release of a sustained piano tone.
• ATTACK ...... Determines how quickly the sound reaches its maximum
level after the key is played. The higher the value, the slower the attack.
• DECAY........ Determines how quickly the sound reaches its sustain
level (a slightly lower level than maximum). The higher the value, the slower the decay.
• RELEASE ..... Determines how quickly the sound decays to silence after
the key is released. The higher the value, the slower the release.
If RELEASE is set to a large value, the sustain becomes long.
PSR-2000/1000
89
Page 90
Editing the voice -SOUND CREATOR-
DEPTH
SPEED
DELAY
Time
Level
81 2 3 4 5 6 7
VIBRATO
• DEPTH........ Determines the intensity of the Vibrato effect (see diagram). Higher
settings result in a more pronounced Vibrato.
• SPEED......... Determines the speed of the Vibrato effect (see diagram).
• DELAY ........ Determines the amount of time that elapses between the
playing of a key and the start of the Vibrato effect (see diagram). Higher settings increase the delay of the Vibrato onset.

EFFECT/EQ

The explanations here apply to step #3 on page 87.
Determines the DSP type. For information on the effect structure, see page 126; for a list of available effect types, refer to the separate Data List.
VIBRATO
Creates a wavering in the sound by periodically chang­ing the pitch.
Determines the Frequency and Gain of the Low and High EQ bands (PSR-2000 only).
The same as the Mixing Console on page 124.

HARMONY

The explanations here apply to step #3 on page 87.
Determines the Sustain depth of each voice when the [SUSTAIN] button is set to on.
PSR-2000/1000
90
The parameters are the same as for HARMONY/ECHO display of FUNCTION. For details, see page 144.
Page 91
Editing the voice -SOUND CREATOR-

Organ Flutes (PSR-2000 only)

In addition to the many organ voices in the ORGAN voice category, the PSR-2000/1000 has an ORGAN FLUTES voice. The explanations here apply to step #3 on page 87.
Adjust the Footage.

Parameters

Organ Type This parameter species the type of organ tone generation to be simulated: Sine or Vintage.
Rotary SP Speed The Rotary SP Speed ([C]) button alternately switches between the slow and fast rotary speaker
Vibrato On/Off This ([G]) button alternately turns the vibrato effect for the Organ Flutes voice ON or OFF.
Vibrato Depth Can be set to any of three levels via the Vibrato Depth ([H]) button. The button sequentially selects a
Footage The footage settings determine the basic sound of the organ utes.
Volume (VOL) Adjusts the overall volume of the Organ Flutes. The longer the graphic bar, the greater the volume.
Response (RESP) The Response control affects both the attack and sustain portion of the sound, increasing or
Vibrato Speed (VIB. SPEED) Determines the speed of the vibrato effect controlled by the Vibrato On/Off and Vibrato Depth above.
Mode The MODE control selects between two modes: FIRST and EACH. In the FIRST mode, attack is
Attack (4, 2 2/3, 2) The ATTACK controls adjust the attack sound of the ORGAN FLUTE voice. The 4, 2 2/3 and 2
Length (LENG) The LENGTH control affects the attack portion of the sound producing a longer or shorter decay
Reverb Depth Chorus Depth DSP on/off DSP Depth
DSP Type Determines the DSP effect type to be applied to the Organ Flutes voice. Normally this will be one of the
Variation Variation Determines whether the DSP variation will be set to Slow or Fast when the Organ Flutes voice is
Value Sets the DSP variation parameter value (e.g., LFO Freq for a Rotary Speaker effect) when the DSP
EQ Low EQ High
speeds when a rotary speaker effect is selected for the Organ Flutes (see DSP Type” below), and the VOICE EFFECT [DSP] button is turned on (the Rotary SP Speed button has the same effect as the VOICE EFFECT [VARIATION] button).
depth of 1, 2, or “3”.
The term “footage” is a reference to the sound generation of traditional pipe organs, in which the sound is produced by pipes of different lengths (in feet). The longer the pipe, the lower the pitch of the sound. Hence, the 16’ setting determines the lowest pitched component of the voice, while the 1’ setting determines the highest pitched component. The higher the value of the setting, the greater the volume of the corresponding footage. Mixing various volumes of the footages lets you create your own distinctive organ sounds.
decreasing the response time of the initial swell and release, based on the FOOTAGE controls. The higher the value the slower the swell and release.
applied only to the rst notes played and held simultaneously; while the rst notes are held, any subsequently played notes have no attack applied. In the EACH mode, attack is applied equally to all notes.
controls increase or reduce the amount of attack sound at the corresponding footages. The longer the graphic bar the greater the attack sound.
immediately after the initial attack. The longer the graphic bar the longer the decay.
For details about the digital effects, see pages 57, 124.
seven available Rotary Speaker effects. If any other type of effect is selected the Rotary SP Speed ([C]) button in the FOOTAGE/VOL/ATTACK display will not control rotary speaker speed. Instead, it will have the same effect as the VOICE EFFECT [VARIATION] button.
selected (when the Voice Set function is ON page 143).
variation is turned on.
The EQ parameters determine the Frequency and Gain of the Low and High EQ bands.
PSR-2000/1000
91
Page 92
Recording Your Performances and Creating Songs
81 2 3 4 5 6 7
— Song Creator
With these powerful yet easy-to-use song creating features, you can record your own keyboard performances and store them for future recall. Several different recording methods are available: Quick Recording (page 93), which lets you record easily and quickly; Multi Recording (page 94), which lets you record several different parts; and Step Recording (page 96), which lets you enter notes one by one. Songs can include not only the voice settings for the keyboard performance (Main, Layer, Left), but also the effects, vocal harmony and auto accompaniment parts. The recorded song can be stored to internal memory or floppy disk (page 38, 44).
SONG
TRACK2TRACK
1 REPEAT
START/STOP
TOP
SWING &
JAZZ
BALLROOM
DANCE
TRANSPOSE
TEMPO
RESET
RESET
STOP
MULTI PAD
FADE IN/OUT
SYNC.
SYNC.
STOP
START
AUTO
OTS LINK
FILL IN
START/STOP
METRO­NOME
DIGITAL STUDIO
SOUND CREATOR
A
DIGITAL RECORDING
MARCH &
WALTZ
TAP TEMPO
START/STOP
MIXING CONSOLE
MENU DEMO
FUNCTION
B
C
D
PART
E
HELP
BALANCE DIRECT ACCESS
CHANNEL ON/OFF
PART
METRO­NOME
F
G
H
I
J
EXIT
LEFT HOLD
BACK NEXT
VOICE
PIANO & HARPSI.
MAIN
LAYER
LEFT
MUSIC FINDER
MIC.
OVER
SIGNAL
ENTER
REGISTRATION MEMORY
FREEZE MEMORY
DATA ENTRY
STANDBY ON
SONG
EXTRA TRACKS
(STYLE) (R)(L)
REC REW FF
NEW SONG SYNC. START
STYLE
POP & ROCK
BALLAD USERLATIN
MASTER VOLUME
STYLE CONTROL
BREAK
ACMP
INTRO
EXTRA TRACKS
(STYLE) (R)(L)
REC REW FF
NEW SONG SYNC. START
MIN MAX
MAIN
ENDING
TRACK2TRACK
1 REPEAT
TOP
/ rit.

About Song Recording

Quick Recording (page 93)
This is the easiest recording method, and lets you quickly record the piano song you are practicing. You can select from four parts: right hand, left hand and auto accompaniment/multi pad. For example, you can record only your right hand performance, or you can simultaneously record both your right hand and the auto accompaniment.
Multi Recording (page 94)
This lets you record a song with several different instrument sounds, and create the sound of a full band or orchestra. Record the performance of each instrument individually and create fully orchestrated compositions. You can also record over an existing part on an internal song or a song on disk with your own performance.
Step Recording (page 96)
This method is like writing music notation on paper. It lets you enter each note individually, by specifying the pitch and length. This is ideal for making precise recordings, or for recording parts that are difficult to play.
Song Editing (page 102)
The PSR-2000/1000 also lets you edit the songs you’ve recorded by the Quick Recording, Multi Recording and Step Recording methods.
VOICE EFFECT
GUITAR
STRINGS CHOIR & PAD
USER
ORGAN FLUTES
MIC.
VH TYPE
SETTING
SELECT
ONE TOUCH SETTING
DSP
HARMONY/
VARIATION
MONOTOUCH
SUSTAIN
ECHO
ORGAN &
E.PIANO
PERCUSSION
ACCORDION
WOODWIND
BRASS
BASS
XG
SYNTH.
UPPER OCTAVE
RESET
VOCAL
TALK
EFFECT
HARMONY
DIGITAL RECORDING
The internal memory capacity of the PSR-2000/1000 is about 580KB (PSR-2000) / 260KB (PSR-
1000) . Memory capacity for 2DD and 2HD floppy disks is about 720KB and 1.44MB, respectively. When you store data to these loca­tions, all le types of the PSR-2000/ 1000 (Voice, Style, Song, Registra­tion, etc.) are stored together.
The microphone input signal (PSR­2000 only) cannot be recorded.
Songs recorded on the PSR-2000/ 1000 are automatically recorded as SMF (Standard MIDI File format 0) data. For details on SMF, see page 159.
Playback of the recorded song data can be transmitted from MIDI OUT, letting you play the sounds of a connected external tone generator (page 146).
The volume level of each channel of the song can be adjusted from the Mixing Console and the set­tings can be saved. Moreover, even after youve set a voice for your keyboard play during recording, you can record voice selections, so that the voice changes automati­cally during playback (page 104).
PSR-2000/1000
92
Page 93
Recording Your Performances and Creating Songs — Song Creator

Quick Recording

This is the easiest recording method — perfect for quickly recording and playing back a piano song you’re practicing, so you can check your progress.
When creating a new song:
REC REW FF
TOP
START/STOP
1
NEW SONG SYNC. START
Select the voice and accompaniment style you want to use in the song.
2
If you want to record to the MAIN/Layer/Left voices, make sure to set the [MAIN]/[LAYER]/[LEFT] buttons to ON. Make any other desired settings (Reverb, Chorus, etc.) as well.
Simultaneously hold down the [REC] button and press the button
3
corresponding to the track you want to record.
You can select TRACK 1 or TRACK 2 and the EXTRA TRACKS for recording at the same time.
To record your keyboard performance: Press either the [TRACK 1] or [TRACK 2] button. To record the auto accompaniment and multi pad performance:
Press the [EXTRA TRACKS] button.
To stop recording, press the [REC] button again.
Recording starts as soon as you play the keyboard.
4
You can also start recording by pressing the SONG/STYLE [START/STOP] button. Recording can also be started by pressing down the foot pedal, if the song start/stop function is properly assigned to the pedal (page 139).
REC
When recording over the part of an internal song or a song on disk with your own performance:
Select the desired song (page 76, 78).
1
If the "LAYER" or "LEFT" but- ton is on before pressing the REC button, the correspond­ing Layer and Left parts are automatically recorded to dif­ferent channels.
The performance of track 1/2
EXTRA
TRACK2TRACK
TRACKS
(STYLE) (R)(L)
1
is recorded to the channel specied in the SONG SET­TING display (page 137).
You can overdub a second right-hand performance onto Track 2 after recording the rst right-hand performance (including the layer voices) on Track 1. To do this, set the [LEFT] button to OFF and repeat steps 2 and 3.
To pause, press the SONG [START/STOP] button. To resume recording, press the SONG [START/STOP] but- ton again.
To stop recording, press the [RECORD] button again.
END
Recording can also be stopped by pressing down the foot pedal, if the song start/stop function is properly assigned to the pedal (page 139).
Play back your new song
To play back the performance you just recorded, return the song to the beginning by using the [TOP] button and press the SONG [START/STOP] button. Playback stops automatically at the end of the song, and returns to the beginning of the song.
You can edit the recorded song data from the SONG CREATOR (1 - 16) displays (page 105).
Press the [6] button from the SONG display to store the recorded data (page 38, 44).
You can also use the metro­nome click as a guide while recording. The sound of the metronome is not recorded.
CAUTION
Turning off the power auto­matically deletes your recorded performance. If you wish to save the recording, make sure to store it to inter­nal memory or oppy disk (page 38, 44).
PSR-2000/1000
93
Page 94
Recording Your Performances and Creating Songs — Song Creator
81 2 3 4 5 6 7

Multi Recording

This lets you record a song with several different instrument sounds on up to sixteen channels, and create the sound of a full band or orchestra. The structure of the channels and parts are shown in the chart below.
Channels
About the accompaniment style parts
Rhythm .....This is the basis for the accompaniment, containing the drum and percussion rhythm patterns. Usually one of the drum kits is used.
Bass..........The Bass part uses various appropriate instrument sounds to match the style, such as acoustic bass, synth bass, and others.
Chord........This is the rhythmic chord backing, commonly used with piano or guitar voices.
Pad ............This part features sustained chords and commonly uses lush sounds such as strings, organ, and choir.
Phrase ......This part is used for various embellishments and riffs that enhance the song, such as brass section accents and chord arpeggios.
When creating a new song:
Parts (default settings)
1 Voice MAIN
2 Voice MAIN 10
3 Voice MAIN 11
4 Voice MAIN 12
5 Voice MAIN 13
6 Voice MAIN 14
7 Voice MAIN 15
8 Voice MAIN 16
Available parts Channels
Voice MAIN, LAYER, LEFT Multi Pad1 Multi Pad2 Multi Pad3 Multi Pad4 Accompaniment style RHYTHM 1 Accompaniment style RHYTHM 2 Accompaniment style BASS Accompaniment style CHORD1 Accompaniment style CHORD2 Accompaniment style PAD Accompaniment style PHRASE1 Accompaniment style PHRASE2 MIDI
When recording over the part of an internal
Parts (default settings)
Accompaniment style
9
RHYTHM 1 Accompaniment style
RHYTHM 2 Accompaniment style
BASS Accompaniment style
CHORD1 Accompaniment style
CHORD2 Accompaniment style
PA D Accompaniment style
PHRASE1 Accompaniment style
PHRASE2
Available parts
Voice MAIN, LAYER, LEFT Multi Pad1 Multi Pad2 Multi Pad3 Multi Pad4 Accompaniment style RHYTHM 1 Accompaniment style RHYTHM 2 Accompaniment style BASS Accompaniment style CHORD1 Accompaniment style CHORD2 Accompaniment style PAD Accompaniment style PHRASE1 Accompaniment style PHRASE2 MIDI
song or a song on disk with your own performance:
1
REC REW FF
NEW SONG SYNC. START
TOP
START/STOP
Select the desired song (page 76, 78).
1
PSR-2000/1000
94
Select the desired channel for recording (set it to “REC”) simultaneously
2
holding down the [REC] button and pressing the appropriate button [1▲▼] ­[8▲▼]. Several channels can be selected at the same time.
REC......................... Enables recording for the channel
ON ......................... Enables playback of the channel
OFF......................... Mutes the channel
To cancel or disable recording, press the
REC
[REC] button once again.
The part is automatically selected when setting the several channels to “REC” at the same time.
Page 95
Recording Your Performances and Creating Songs — Song Creator
Select the part you want to assign to the channel to be recorded.
3
This determines which of the keyboard-played parts (Main/Layer/Left) and the accompaniment style parts (RHYTHM 1/2, BASS, etc.) are recorded to the recording channels selected in step #2. For a list of the initial default assignments, see page 94.
C
D
Recording starts as soon as you play the keyboard.
4
You can also start recording by pressing the SONG/STYLE [START/STOP] button. The recording can be started/stopped by pressing the foot pedal if the recording punch in/out function is set to the pedal (page 101).
When selecting the MIDI part
Setting a single channel to MIDI
All incoming data received via any of the MIDI chan­nels 1 - 16 is recorded. When using an external MIDI keyboard or control­ler to record, this lets you record without having to set the MIDI transmit channel on the external device.
Setting several channels to MIDI
When using an external MIDI keyboard or control­ler to record, this records data only over the set MIDI channel meaning the external device must also be set to the same channel.
A single part (with the exception of MIDI parts) can­not be assigned to several channels.
To stop recording, press the [REC] button again.
5
You can also use the foot pedal to stop recording by releasing it, if the recording punch in/out function has been assigned to the pedal (page 101).
Play back your new song.
6
To play back the performance you just recorded, return the song to the beginning by using the [TOP] button and press the SONG [START/STOP] button. Playback stops automatically at the end of the song, and returns to the beginning of the song.
To record a new part, repeat steps 2 - 6 above.
END
You can set previously recorded parts to play back, and monitor them while you record a new part. Continue in this way until you have a finished song. You can edit the recorded song data from the SONG CREATOR (1 - 16) displays (page 105). Press the [6] button from the SONG display to store the recorded data (page 38, 44).
The settings of the recorded parts is stored temporarily until you execute Quick Recording, select a song, or turn the power off.
To pause, press the SONG [START/STOP] button. To resume recording, press the SONG [START/STOP] but- ton again.
You can also use the metro­nome click as a guide while recording. The sound of the metronome is not recorded.
CAUTION
Turning off the power auto­matically deletes your recorded performance. If you wish to save the recording, make sure to store it to inter­nal memory or oppy disk (page 38, 44).
PSR-2000/1000
95
Page 96
Recording Your Performances and Creating Songs — Song Creator

Recording Individual Notes — Step Record

This method lets you create a song by entering notes one by one, without having to perform them in real time. This is also convenient for recording the chords and the melody separately.
Operation
Select an existing song (page 76, 78) to
1
which you want to add parts or re-record.
Press the [DIGITAL RECORDING] button.
2
Using the [BACK]/[NEXT]
4
buttons, select the “1 -16”
DIGITAL
STUDIO
SOUND CREATOR
DIGITAL RECORDING
MIXING CONSOLE
PAR T
tab for recording melodies and other parts, or select the “CHD” (Chord) tab for recording chords, and after selecting the “1 - 16” tab, select a record channel with the [F] (CH) button.
Press the [A] button to call up the Song Creator
3
display.
A
B
C
D
E
BACK NEXT
F
G
H
I
J
PSR-2000/1000
96
Call up the Step Record
5
display by pressing the [G] button.
Any voice, effect and other settings you make in the Mixing Console are automat­ically cancelled when you
F
G
H
I
J
call up the CHD (Chord) page.
The voices in the USER and FLOPPY DISK pages can­not be selected for Step recording. You can select voices from the PRESET page; however, these may sound slightly different from the original voice.
Page 97
Recording Your Performances and Creating Songs — Song Creator
81 2 3 4 5 6 7
To enter the note, first specify the length and loudness in this display, then enter the pitch by actually
6
playing the note on the keyboard.
Moves the cursor position up and down.
Returns the cursor to the beginning of the song (the rst note of the rst measure).
Use these to move the selected event, in units of measures (BAR), beat, and clocks. For information on measure/beat/clock settings, see below.
To close the STEP RECORD display, press the [EXIT] button. Make sure to store the recorded
END
data by pressing the [I] (SAVE) button (page 44).
A
B
C
D
E
Species the type of note to be input next. (Sixteenth notes are available only when recording the melody.) This also determines the position to which the pointer will advance after a note has been entered.
F
G
H
I
J
Determines the velocity (loudness) of the note to be entered (only when recording the melody). For information on velocity settings, see below.
Determines the length of the note (as a percentage) from the position at which it is to be entered. (This is available only when recording the melody.) For information on gate time settings, see below.
Each press of this button toggles among the three basic note selectors at the bottom of the display: normal, dotted, and triplet. (This is available only when recording the melody.)
Deletes the event at the cursor.
Measure/Beat/Clock
Measure
Beat
Clock
1
1
000­1919
2
000­1919
3
000­1919
4
000­1919
2
1
000­1919
2
000­1919
3
000­1919
4
000­1919
Velocity
The table below shows the available settings and the corresponding velocity values.
Kbd. Vel fff ff f mf mp p pp ppp
Actual
playing
strength
127 111 95 79 63 47 31 15
Gate Time
The following settings are available:
Normal ....................... 80%
Tenuto ........................ 99%
Staccato...................... 40%
Staccatissimo.............. 20%
Manual ....................... The gate time (note length) can be specified as a percentage.
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Recording Your Performances and Creating Songs — Song Creator
Recording Melodies Step Record (Note)
In this section, we’ll show you how to use Step Recording by guiding you through this actual music example, shown at right. The operations here apply to step 6 on page 97.
1
2
1-2 While holding down this note...
1-3 ...press this.
1-1 Select this note.
2-2
2-3
2-4
2-1 Select this note.
3
3-2 Select this note.
4
4-2 Select this note.
Play back the newly created melody
Use the [C] ( ) button to move the cursor to the beginning of the song, and press the SONG [START/STOP] button to hear the newly entered notes. To actually enter the recorded data, press the [EXIT] button. The entered data can be edited from the SONG CREATOR (1 - 16) display (page 105).
3-1 Press this button to
display the dotted notes.
3-3
4-1 Call up the normal notes
by pressing this button.
4-3
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Recording Your Performances and Creating Songs — Song Creator
Recording Chord Changes for the Auto Accompaniment Step Record (Chord)
The Chord Step recording feature makes it possible to record auto accompaniment chord changes one at a time with precise timing. Since the changes don’t have to be played in real time, you can easily create complex, tight chord changes — over which you can record the melody in normal fashion. The operations here apply to step 6 on page 97.
Entering Chords and Sections (Chord Step)
For example, you can input the following chord progression by the procedure described below.
MAIN A BREAK MAIN B
C F G F G7 C
Press the MAIN [A] button to specify the section, and enter the chords as shown at right.
1
MAIN A
MAIN
C F G
C
F
Select this note value and play the chords indicated at right.
Press the [BREAK] button to specify the Break section, and enter the chords as shown at right.
2
G
MAIN A BREAK
C F G F G7
F
INTROBREAK
001:1:000
001:3:000
002:1:000
002:3:000
Select this note value and play the chords indicated at right.
G7
002:4:000
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Recording Your Performances and Creating Songs — Song Creator
Press the MAIN [B] button to specify the section and enter the chord indicated at right.
3
MAIN
MAIN A BREAK MAIN B
C F G F G7 C
C
Select this note value and play the chords indicated at right.
Play back the newly created chord progression
Use the [C] ( ) button to move the cursor to the beginning of the song, and press the SONG [START/STOP] button to hear the newly entered notes. To actually enter the recorded data, press the [EXIT] button. The entered data can be edited from the SONG
CREATOR (CHD) display (page 106). Finally, press the [F] (EXPAND) button from the SONG CREATOR (CHD) display in order to convert the input data into song data.
003:1:000
To enter a ll-in, press the [AUTO FILL IN] button and press one of the MAIN [A]–
[D] buttons.
END Mark
An END mark is shown in the display, indicating the end of the song data.
The actual position of the End mark differs depending on the section that is input at the end of the song. When an Ending section is input, the End mark automatically follows the Ending data. When a section other than Ending is input, the End mark is set two measures after the nal section.
The End mark can be freely set to any position desired.
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