Chapel Org.1011519
Chapel Org.2011619
Accordion1011221
Small Accrd.011321
Rotor Organ011218
Jazz Organ 1011417
Rock Organ011618
Elec. Organ011316
Organ Flutes011616
Class. Organ011319
Chapel Org.3011419
Tango Accrd.011223
Accordion2011421
Tutti Accord011521
Rotary Drive011518
Jazz Organ 2011716
Jazz Organ 3011516
Perc. Organ011517
Full Rocker011418
Theatre Org.011416
60’s Organ011317
ChapelOrgan1011519
ChapelOrgan2011619
Accordion011221
Tutti Accord011521
Rotor Organ011218
Jazz Organ 1011417
Rock Organ011618
Elec. Organ011316
Jazz Organ 2011716
Class. Organ011319
ChapelOrgan3011419
Tango Accrd.011223
Jazz Organ 3011516
Perc. Organ011517
Theatre Org.011416
60’s Organ011317
Klavier Konzert a moll op.16
(Piano Concert a minor op.16)
E.Grieg
VOICE DEMO
TitleComposer
PIANOWalzer op.70-1F.Chopin
SYNTHESIZER BruyeresC.A.Debussy
ORGAN
PERCUSSIONAir de BalletM.Moszkowski
XGTREPAK from “Nutcracker Suite” op.71aP.I.Tschaikovsky
Choralvorspiele “Ich ruf’ zu dir, Herr Jesus Christ”
J.S.Bach
CVP-109/107/105/103/700
9
Drum/key Assignment List / Verzeichnis der
Liste d’assignation instrument de batterie/
Lista de asignaciones de teclas/batería
Bank Select MSB127127127127127127127
Bank Select LSB0000000
Program # (1-128)1249172526
KeyboardMIDIKeyAlternateStandard KitStandard 2 KitHit KitRoom KitRock KitElectro KitAnalog Kit
NoteNote #Noteoffassign
C#113C#-13Surdo MuteSurdo MuteSurdo MuteSurdo MuteSurdo MuteSurdo MuteSurdo Mute
D114D-13Surdo OpenSurdo OpenSurdo OpenSurdo OpenSurdo OpenSurdo OpenSurdo Open
D#115D#-1Hi QHi QHi QHi QHi QHi QHi Q
E116E-1Whip SlapWhip SlapWhip SlapWhip SlapWhip SlapWhip SlapWhip Slap
F117F-14Scratch HScratch HScratch HScratch HScratch HScratch HScratch H
F#118F#-14Scratch LScratch LScratch LScratch LScratch LScratch LScratch L
G119G-1Finger SnapFinger SnapFinger SnapFinger SnapFinger SnapFinger SnapFinger Snap
G#120G#-1Click NoiseClick NoiseClick NoiseClick NoiseClick NoiseClick NoiseClick Noise
A121A-1Mtrnm ClickMtrnm ClickMtrnm ClickMtrnm ClickMtrnm ClickMtrnm ClickMtrnm Click
A#122A#-1Mtrnm BellMtrnm BellMtrnm BellMtrnm BellMtrnm BellMtrnm BellMtrnm Bell
B123B-1Seq Click LSeq Click LSeq Click LSeq Click LSeq Click LSeq Click LSeq Click L
C224C0Seq Click HSeq Click HSeq Click HSeq Click HSeq Click HSeq Click HSeq Click H
C#225C#0Brush TapBrush TapBrush TapBrush TapBrush TapBrush TapBrush Tap
D2 26 D0
D#227D#0Brush SlapBrush SlapBrush SlapBrush SlapBrush SlapBrush SlapBrush Slap
E2 28 E0
F2 29 F0
F#230F#0CastanetCastanetCastanetCastanetCastanetHi Q 2Hi Q 2
G231G0Snare SoftSnare Soft 2Snare ElectroSnare SoftSnare NoisySnrSnpyElctrSnareNoisy 4
G#232G#0SticksSticksSticksSticksSticksSticksSticks
A233A0Kick SoftKick SoftKick Tight LKick SoftKick Tight 2Kick 3Kick Tight 2
A#234A#0OpenRimShotRimShotHShrtSnare PitchedOpenRimShotOpenRimShotOpenRimShotOpenRimShot
B235B0Kick TightKickTghtShrtKick WetKick TightKick 2Kick GateKickAnlgShrt
C336C1KickKick ShortKick Tight HKickKick GateKckGateHeavyKick Analog
C#337C#1Side StickSide StickStick AmbientSide StickSide StickSide StickSideStickAn
D338D1SnareSnare ShortSnare AmbientSnare SnappySnare RockSnareNoisy 2SnareAnalog
D#339D#1Hand ClapHand ClapHand ClapHand ClapHand ClapHand ClapHand Clap
E340E1Snare TightSnareTight HSnare Tight 2SnrTightSnpySnareRockRimSnareNoisy 3SnareAnalog2
F341F1Floor Tom LFloor Tom LHybrid Tom 1Tom Room 1Tom Rock 1TomElectro 1Tom Analog 1
F#342F#11Hi-HatClosedHi-HatClosedHi-Hat Closed Light Hi-HatClosedHi-HatClosedHi-HatClosedHatCloseAnlg
G343G1Floor Tom HFloor Tom HHybrid Tom 2Tom Room 2Tom Rock 2TomElectro 2Tom Analog 2
G#344G#11Hi-Hat PedalHi-Hat PedalHi-Hat Pedal LightHi-Hat PedalHi-Hat PedalHi-Hat PedalHatCloseAn 2
A345A1Low TomLow TomHybrid Tom 3Tom Room 3Tom Rock 3TomElectro 3Tom Analog 3
A#346A#11Hi-Hat OpenHi-Hat OpenHi-Hat Open LightHi-Hat OpenHi-Hat OpenHi-Hat OpenHatOpen Anlg
B347B1Mid Tom LMid Tom LHybrid Tom 4Tom Room 4Tom Rock 4TomElectro 4Tom Analog 4
C448C2Mid Tom HMid Tom HHybrid Tom 5Tom Room 5Tom Rock 5TomElectro 5Tom Analog 5
C#449C#2CrashCymbal1CrashCymbal1CrashCymbal1CrashCymbal1CrashCymbal1CrashCymbal1Crash Analog
D450D2High TomHigh TomHybrid Tom 6Tom Room 6Tom Rock 6TomElectro 6Tom Analog 6
D#451D#2RideCymbal 1RideCymbal 1RideCymbal 1RideCymbal 1RideCymbal 1RideCymbal 1RideCymbal 1
E452E2Chinese CymChinese CymChinese CymChinese CymChinese CymChinese CymChinese Cym
F453F2Ride Cym CupRide Cym CupRide Cym CupRide Cym CupRide Cym CupRide Cym CupRide Cym Cup
F#454F#2TambourineTambourineTambourine LightTambourineTambourineTambourineTambourine
G455G2SplashCymbalSplashCymbalSplashCymbalSplashCymbalSplashCymbalSplashCymbalSplashCymbal
G#456G#2CowbellCowbellCowbellCowbellCowbellCowbellCowbell Anlg
A457A2CrashCymbal2CrashCymbal2CrashCymbal2CrashCymbal2CrashCymbal2CrashCymbal2CrashCymbal2
A#458A#2VibraslapVibraslapVibraslapVibraslapVibraslapVibraslapVibraslap
B459B2RideCymbal 2RideCymbal 2RideCymbal 2RideCymbal 2RideCymbal 2RideCymbal 2RideCymbal 2
C560C3Bongo HBongo HBongo HBongo HBongo HBongo HBongo H
C#561C#3Bongo LBongo LBongo LBongo LBongo LBongo LBongo L
D562D3Conga H MuteConga H MuteConga H MuteConga H MuteConga H MuteConga H MuteConga Anlg H
D#563D#3Conga H OpenConga H OpenConga H OpenConga H OpenConga H OpenConga H OpenConga Anlg M
E564E3Conga LConga LConga LConga LConga LConga LConga Anlg L
F565F3Timbale HTimbale HTimbale HTimbale HTimbale HTimbale HTimbale H
F#566F#3Timbale LTimbale LTimbale LTimbale LTimbale LTimbale LTimbale L
G567G3Agogo HAgogo HAgogo HAgogo HAgogo HAgogo HAgogo H
G#568G#3Agogo LAgogo LAgogo LAgogo LAgogo LAgogo LAgogo L
A569A3CabasaCabasaCabasaCabasaCabasaCabasaCabasa
A#570A#3MaracasMaracasMaracasMaracasMaracasMaracasMaracas 2
B5 71 B3
C6 72 C4
C#673C#4Guiro ShortGuiro ShortGuiro ShortGuiro ShortGuiro ShortGuiro ShortGuiro Short
D6 74 D4
D#675D#4ClavesClavesClavesClavesClavesClavesClaves 2
E676E4Wood Block HWood Block HWood Block HWood Block HWood Block HWood Block HWood Block H
F677F4Wood Block LWood Block LWood Block LWood Block LWood Block LWood Block LWood Block L
F#678F#4Cuica MuteCuica MuteCuica MuteCuica MuteCuica MuteScratch H 2Scratch H 2
G679G4Cuica OpenCuica OpenCuica OpenCuica OpenCuica OpenScratch L 2Scratch L 3
G#680G#42TriangleMuteTriangleMuteTriangleMuteTriangleMuteTriangleMuteTriangleMuteTriangleMute
A681A42TriangleOpenTriangleOpenTriangleOpenTriangleOpenTriangleOpenTriangleOpenTriangleOpen
A#682A#4ShakerShakerShakerShakerShakerShakerShaker
B683B4Jingle BellsJingle BellsJingle BellsJingle BellsJingle BellsJingle BellsJingle Bells
C784C5Bell TreeBell TreeBell TreeBell TreeBell TreeBell TreeBell Tree
–85C#5
–86D5
–87D#5
–88E5
–89F5
–90F#5
–91G5
• Key Off: Keys marked “O” stop sounding the instant they are released.
• Alternate Assign: Playing any instrument within a numbered group will imme-
diately stop the sound of any other instrument in the same group of the same
number.
Guiro LongGuiro LongGuiro LongGuiro LongGuiro LongGuiro LongGuiro Long
(CVP-109/107/700)
• Key Off: Durch “O” gekennzeichnete Klänge verstummen beim Loslassen
der Taste.
• Alternate Assign: Mit derselben Nummer gekennzeichnete Klänge werden
von demselben Instrument erzeugt und können daher nicht gleichzeitig
produziert werden. Spielt einer dieser Klänge gerade, wird er beim
Anschlagen einer anderen Taste mit derselben “Alternate Assign”-Nummer
stummgeschaltet.
10
CVP-109/107/105/103/700
Schlagzeugklänge /
touche du clavier /
○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○
Bank Select MSB127127127127126126
Bank Select LSB000000
Program # (1-128)2833414912
KeyboardMIDIKeyAlternateDance KitJazz KitBrush KitSymphony KitSFX Kit 1SFX Kit 2
NoteNote #Noteoffassign
C#113C#-13Surdo MuteSurdo MuteSurdo MuteSurdo Mute
D114D- 13Surdo OpenSurdo OpenSurdo OpenSurdo Open
D#115D#-1Hi QHi QHi QHi Q
E116E-1Whip SlapWhip SlapWhip SlapWhip Slap
F117F-14Scratch HScratch HScratch HScratch H
F#118F#-14Scratch LScratch LScratch LScratch L
G119G-1Finger SnapFinger SnapFinger SnapFinger Snap
G#120G#-1Click NoiseClick NoiseClick NoiseClick Noise
A121A-1Mtrnm ClickMtrnm ClickMtrnm ClickMtrnm Click
A#122A#-1Mtrnm BellMtrnm BellMtrnm BellMtrnm Bell
B123B-1Seq Click LSeq Click LSeq Click LSeq Click L
C224C0Seq Click HSeq Click HSeq Click HSeq Click H
C#225C#0Brush TapBrush TapBrush TapBrush Tap
D2 26 D0
D#227D#0Brush SlapBrush SlapBrush SlapBrush Slap
E2 28 E0
F2 29 F0
F#230F#0Hi Q 2CastanetCastanetCastanet
G231G0SnareTechno3Snare SoftBrush Slap 2Brush Slap 2
G#232G#0SticksSticksSticksSticks
A233A0KickTechno QKick SoftKick SoftKick Soft 2
A#234A#0Rim GateOpenRimShotOpenRimShotOpenRimShot
B235B0KickTechno LKick TightKick TightGran Cassa
C336C1KickTechno 2Kick JazzKick SmallGranCassa MuCuttingNoizPhone Call
C#337C#1SideStickAnSide StickSide StickSide StickCuttingNoiz2Door Squeak
D338D1Snare ClapSnareBrush Slap 3Band SnareDoor Slam
D#339D#1Hand ClapHand ClapHand ClapHand ClapString SlapScratch Cut
E340E1Snare Dry 2Snare TightBrush Tap 2Band Snare 2Scratch H 3
F341F1Tom Analog 1Tom Jazz 1Tom Brush 1Tom Jazz 1Wind Chime
F#342F#11HiHatClose 3Hi-HatClosedHi-HatClosedHi-HatClosedTelephone 2
G343G1Tom Analog 2Tom Jazz 2Tom Brush 2Tom Jazz 2
G#344G#11HatCloseAn 2Hi-Hat PedalHi-Hat PedalHi-Hat Pedal
A345A1Tom Analog 3Tom Jazz 3Tom Brush 3Tom Jazz 3
A#346A#11HiHat Open 3Hi-Hat OpenHi-Hat OpenHi-Hat Open
B347B1Tom Analog 4Tom Jazz 4Tom Brush 4Tom Jazz 4
C448C2Tom Analog 5Tom Jazz 5Tom Brush 5Tom Jazz 5
C#449C#2Crash AnalogCrashCymbal1CrashCymbal1Hand Cymbal
D450D2Tom Analog 6Tom Jazz 6Tom Brush 6Tom Jazz 6
D#451D#2RideCymbal 1RideCymbal 1RideCymbal 1HandCymShort
E452E2Chinese CymChinese CymChinese CymChinese CymFl.Key ClickIgnition
F453F2Ride Cym CupRide Cym CupRide Cym CupRide Cym CupSqueal
F#454F#2TambourineTambourineTambourineTambourineExhaust
G455G2SplashCymbalSplashCymbalSplashCymbalSplashCymbalCrash
G#456G#2Cowbell AnlgCowbellCowbellCowbellSiren
A457A2CrashCymbal2CrashCymbal2CrashCymbal2HandCymbal 2Train
A#458A#2VibraslapVibraslapVibraslapVibraslapJet Plane
B459B2RideCymbal 2RideCymbal 2RideCymbal 2HandCym2ShrtStarship
C560C3Bongo HBongo HBongo HBongo HBurst
C#561C#3Bongo LBongo LBongo LBongo LCoaster
D562D3Conga Anlg HConga H MuteConga H MuteConga H MuteSubmarine
D#563D#3Conga Anlg MConga H OpenConga H OpenConga H Open
E564E3Conga Anlg LConga LConga LConga L
F565F3Timbale HTimbale HTimbale HTimbale H
F#566F#3Timbale LTimbale LTimbale LTimbale L
G567G3Agogo HAgogo HAgogo HAgogo H
G#568G#3Agogo LAgogo LAgogo LAgogo LShowerLaugh
A569A3CabasaCabasaCabasaCabasaThunderScream
A#570A#3Maracas 2MaracasMaracasMaracasWindPunch
B5 71 B3
C6 72 C4
C#673C#4Guiro ShortGuiro ShortGuiro ShortGuiro ShortFeed
D6 74 D4
D#675D#4Claves 2ClavesClavesClaves
E676E4Wood Block HWood Block HWood Block HWood Block H
F677F4Wood Block LWood Block LWood Block LWood Block L
F#678F#4Scratch H 2Cuica MuteCuica MuteCuica Mute
G679G4Scratch L 3Cuica OpenCuica OpenCuica Open
G#680G#42TriangleMuteTriangleMuteTriangleMuteTriangleMute
A681A42TriangleOpenTriangleOpenTriangleOpenTriangleOpen
A#682A#4ShakerShakerShakerShaker
B683B4Jingle BellsJingle BellsJingle BellsJingle Bells
C784C5Bell TreeBell TreeBell TreeBell TreeDogMachine Gun
–85C#5HorseLaser Gun
–86D5Bird Tweet 2Explosion
–87D#5Firework
–88E5
–89F5
–90F#5Ghost
–91G5Maou
• Key off : Le son produit par les touches marquées “O” cesse à l’instant où la
touche est relâchée.
• Alternate Assign : Le fait de jouer un instrument appartenant à un groupe
ayant un numéro arrête immédiatement le son de tout autre instrument
appartenant à un groupe ayant le même numéro.
• Key Off: Las teclas marcadas con “O” dejan de sonar en el momento en
que se sueltan.
• Alternate Assign: Al tocar algún instrumento con un grupo numerado
detendrá inmediatamente el sonido de cualquier otro instrumento del mismo
grupo con el mismo número.
CVP-109/107/105/103/700
11
Style List / Style-Verzeichnis /
Liste des styles / Lista de estilos
○○○○○○○○○○○○○
CategoryStyle Name
8 BEAT8 Beat 1
8 Beat 2
8Bt Adria
8Bt Pop 1
8Bt Pop 2
British Pop
8 Beat Rock ◆
8 Beat Soft
8Beat Ballad
Light Pop
16 BEAT16 Beat 1
16 Beat 2
16 Beat 3
16 Beat 4
16 Beat 5
Soft Fusion
Groundbeat ◆
Hip Hop Pop
16Bt Funk
Funky Pop
Funky Dance
80’s Fusion
Jazz Rock
●
Funk ◆
FusionShfl.
16 Beat 6
BALLAD16-Ballad 1
16-Ballad 2
Piano Ballad
Rock Ballad
U.S. Ballad
Slow Rock 1
Slow Rock 2
Slow Ballad
Analog Pop
Modern 6/8
Pop Ballad 1
Pop Ballad 2
Cool Night
GuitarBallad
Organ Ballad
Pop Ballad 3
Pop Ballad 4 ◆
Blues Ballad ■ ◆
Epic Ballad
Pop Waltz
CategoryStyle NameCategoryStyle NameCategoryStyle Name
DANCEClubdance
Techno
SWING/JAZZ
Entrance
Eurobeat
Trance ◆
●
70’s Disco 1
80’s Disco ◆
●
*1
●
90’s Disco
Disco Soul
Cool Dance
Miami Pop
LATINSamba Rio
Disco Tropic
Disco Hands
Electro Pop
70’s Disco 2 ◆
●
ROCK/R&BRock 1
Hard Rock
R & Roll 1
●
●
*2
*3
Rock Shuffle
Gospel Shffl
R & B 1
*4
Twist 1
Motown
●
●
Soul ■ ◆
4/4 Blues
●
Rock 2
8 Beat Heat
R & Roll 2 ◆
●
COUNTRYCountry Rock
Soul Shuffle
Pop Shuffle
R & B 2
Twist 2 ■ ◆
6/8 Blues
●
SWING/JAZZ
Blues Rock ■ ◆
6/8 Rock
Swing 1
●
●
*5
Big Band 1
BigBand Bld
Jazz Ballad
Jazz Trio
Boogie 1
• Styles marked with a ■ are not available on the CVP-107/700.
• Styles marked with a
• Styles marked with a
*1 “70’s Disco” on the CVP-105/103.
*2 “Rock” on the CVP-103.
*3 “R & Roll” on the CVP-105/103.
*4 “Twist” on the CVP-107/105/103/700.
*5 “Swing” on the CVP-103.
*6 “Boogie” on the CVP-107/105/103/700.
*7 “Bossa Nova” on the CVP-103.
*8 “Pop Bossa” on the CVP-105/103.
■
markierte Styles sind auf dem CVP-107/700 nicht verfügbar.
• Mit a
◆
markierte Styles sind auf dem CVP-105 nicht verfügbar.
• Mit a
●
markierte Styles sind auf dem CVP-103 nicht verfügbar.
• Mit a
*1 “70’s Disco” auf dem CVP-105/103.
*2 “Rock” auf dem CVP-103.
*3 “R & Roll” auf dem CVP-105/103.
*4 “Twist” auf dem CVP-107/105/103/700.
*5 “Swing” auf dem CVP-103.
*6 “Boogie” auf dem CVP-107/105/103/700.
*7 “Bossa Nova” auf dem CVP-103.
*8 “Pop Bossa” auf dem CVP-105/103.
◆
are not available on the CVP-105.
●
are not available on the CVP-103.
*6
●
●
BALLROOM Vienna Waltz
●
Big Band 2
Big Band 3 ■ ◆
Jazz Club 1 ■ ◆
Jazz Club 2 ■ ◆
Boogie 2 ■ ◆
●
Dixieland 2
Swing Ballad ■ ◆
●
TRAD./U.S. March
WALTZ
●
●
●
Jazz Waltz 1
Jazz Waltz 2
Bossa Nova 1
Bossa Nova 2
Reggae ■ ◆
Swing Reggae
*7
●
●
PIANISTStride 1
GuitarRhumba
Guitar Bossa
Salsa
Mambo
Pop Samba ◆
Jazz Samba
Pop Bossa 1
Pop Bossa 2 ◆
●
●
*8
●
Spanish Paso
Pop Reggae
Pop Rhumba ◆
Pop Cha Cha ◆
●
●
Country 8Bt
Country Pop
CntryShuffle
Cntry Swing
Bluegrass
Cntry Ballad
Two Step
CowboyBoogie
●
Hoedown
CountryWaltz
Folk
Slow Waltz
Slow Fox
Quickstep 1
Tango
Cha Cha
Samba
Rhumba
Pasodoble
Jive
Orch.Waltz
Beguine
Foxtrot
Quickstep 2
■
• Les styles marqués d’un
• Les styles marqués d’un
• Les styles marqués d’un
*1 “70’s Disco” sur le CVP-105/103.
*2 “Rock” sur le CVP-103.
*3 “R & Roll” sur le CVP-105/103.
*4 “Twist” sur le CVP-107/105/103/700.
*5 “Swing” sur le CVP-103.
*6 “Boogie” sur le CVP-107/105/103/700.
*7 “Bossa Nova” sur le CVP-103.
*8 “Pop Bossa” sur le CVP-105/103.
• Estilos marcados con una
• Estilos marcados con una
• Estilos marcados con una
*1 “70’s Disco” en la CVP-105/103.
*2 “Rock” en la CVP-103.
*3 “R & Roll” en la CVP-105/103.
*4 “Twist” en la CVP-107/105/103/700.
*5 “Swing” en la CVP-103.
*6 “Boogie” en la CVP-107/105/103/700.
*7 “Bossa Nova” en la CVP-103.
*8 “Pop Bossa” en la CVP-105/103.
n’existent pas sur le CVP-107/700.
◆
n’existent pas sur le CVP-105.
●
n’existent pas sur le CVP-103.
■
no están disponibles en la CVP-107/700.
◆
no están disponibles en la CVP-105.
●
no están disponibles en la CVP-103.
German March
6/8 March 1
Showtune
Polka Pop
Ober Polka
Oberkrain.W.
Tarantella
Musette
Guitar Waltz
6/8 March 2
Enka 1
Enka 2
Stride 2
Swing 1
Swing 2
Jazz Ballad
Blues 1
Blues 2
BoogieWoogie
Jazz Waltz
Arpeggio 1
8Bt Ballad 1
8Bt Ballad 2
8 Beat
Rock’n’ Roll
Slow Rock
2Beat Swing
Ragtime 1
Ragtime 2
March 1
6/8 March
4 Stroke
March 2
Musical
Traditional1
Traditional2
Traditional3
Arpeggio 2
Arpeggio 3
Waltz
Slow Waltz
Bossa Nova
Samba
Rhumba
Cha Cha
Beguine
12
CVP-109/107/105/103/700
Vocal Harmony Type List (CVP-109/107/700) /
Liste Stimmharmonietyp
Liste des types d’harmonie vocale
Lista de tipos Vocal Harmony
Reverb System (RIGHT1, RIGHT2, LEFT)
(109)
REVERB TOTAL DEPTH64——OOREV/CHO/EFFOREV/CHO/EFFREV/CHO/EFF
REVERB PART DEPTH (RHYTHM, ACMP)64——OOREV/CHO/EFFOREV/CHO/EFFREV/CHO/EFF
REVERB PART DEPTH (LEFT, RIGHT1, RIGHT2)Depends on voice selection.—OOOREV/CHO/EFFOREV/CHO/EFFREV/CHO/EFF
EFFECT TYPE (RIGHT1, RIGHT2, LEFT) (105/103)Depends on voice selection.—OOOREV/CHO/EFFOREV/CHO/EFFREV/CHO/EFF
EFFECT1 TYPE (109/107/700)Depends on voice selection.—OOOREV/CHO/EFFOREV/CHO/EFFREV/CHO/EFF
EFFECT2 TYPE (109/107/700)Depends on voice selection.—OOOREV/CHO/EFFOREV/CHO/EFFREV/CHO/EFF
EFFECT DEPTH (105/103)Depends on voice selection.—OOOREV/CHO/EFFOREV/CHO/EFFREV/CHO/EFF
EFFECT1 DEPTH (109/107/700)Depends on voice selection.—OOOREV/CHO/EFFOREV/CHO/EFFREV/CHO/EFF
EFFECT2 DEPTH (109/107/700)Depends on voice selection.—OOOREV/CHO/EFFOREV/CHO/EFFREV/CHO/EFF
EFFECT VARIATION (105/103)Depends on voice selection.—OOOREV/CHO/EFFOREV/CHO/EFFREV/CHO/EFF
EFFECT1 VARIATION (109/107/700)Depends on voice selection.—OOOREV/CHO/EFFOREV/CHO/EFFREV/CHO/EFF
EFFECT2 VARIATION (109/107/700)Depends on voice selection.—OOOREV/CHO/EFFOREV/CHO/EFFREV/CHO/EFF
EFFECT1 PART (109/107/700)RIGHT 1—OOOREV/CHO/EFFOREV/CHO/EFFREV/CHO/EFF
EFFECT2 PART (109/107/700)RIGHT 2—OOOREV/CHO/EFFOREV/CHO/EFFREV/CHO/EFF
CHORUS TYPEDepends on style selection.——OOREV/CHO/EFFOREV/CHO/EFFREV/CHO/EFF
CHORUS DEPTH (RIGHT1, RIGHT2, LEFT)Depends on voice selection.—OOOREV/CHO/EFFOREV/CHO/EFFREV/CHO/EFF
2
EQUALIZER TYPESTANDARD————VOICE SETTINGOVOICE S ETTING VOICE SETTING
EQUALIZER GAINDepends on equalizer type
selection.
selection.
Depends on voice selection.—OOOREV/CHO/EFFOREV/CHO/EFFREV/CHO/EFF
selection.
One Touch
Memory
——OOREV/CHO/EFFOREV/CHO/EFFREV/CHO/EFF
—OOOREV/CHO/EFFOREV/CHO/EFFREV/CHO/EFF
————VOICE SETTINGOVOICE SETTING VOICE SETTING
Setting
Music
Database
Set Up
Memory
Registration Freeze
Group
All Set Up
Backup GroupRecall Group
CVP-109/107/105/103/700
13
Parameter Chart / Parameterübersicht / Tableau des paramètres / Gráfica de parámetros
GroupContentsDefaultV. Harmony
REGISTRATIONREGISTRATION FREEZE ON /OFFO FF— ——— — —REGISTRATION REGISTRATION
1 The One Touch Setting function can only set this parameter for the RIGHT1 part. The
Registration function and All Set Up files can set this item for the RIGHT1, RIGHT2, and
LEFT parts. Parameters related to the Organ Flutes voice will be recalled with a registration, Music Database setup, or All Setup file only if the Organ Flutes voice is selected
by the recalled data.
2 The Registration function only stores the gain values for the currently selected equalizer
type. The Backup function backs up the gain values for all equalizer types.
3 When a Music Database setup or registration is recalled during Auto Accompaniment
playback, the style thereby selected will begin playing immediately if it is the same as
the style that is currently playing, or from the top of the next measure if it is a different
style.
4 REGISTRATION: ON; Others: OFF
1 Die Funktion One Touch-Einstellungen aktiviert diesen Parameter nur für den Part
RIGHT1. Die Registrierungsfunktion und die All Setup-Dateien ermöglichen das
Einstellen dieses Elements für die Parts RIGHT1, RIGHT2 und LEFT. Parameter, die
sich auf den Orgelpfeifenklang beziehen, können nur dann mit einer Registrierungs-,
Musikdatenbank-Setup- oder All Setup-Datei wieder aufgerufen werden, wenn der
Orgelpfeifenklang über die Aufrufdaten ausgewählt wurde.
2 Die Registrierungsfunktion speichert die gewonnenen Werte nur zum aktuell gewählten
Equalizertyp ab. Die Backup-Funktion speichert die gewonnenen Werte zu sämtlichen
Equalizertypen ab.
3 Bei Wiederaufruf eines Musikdatenbank-Setup oder einer Registrierung während des
Auto Accompaniment-Backup (Backup von Autom. Begleitung) wird der dabei gewählte
Style sofort abgespielt, sofern dieser derselbe ist wie der aktuell abgespielte Style, oder
ab der obersten Stelle des nächsten Taktes, falls es sich um einen anderen Style
handelt.
4 REGISTRATION: ON; Andere: OFF
FREEZE CATEGORY ON/OFF (VOICE SETTING,
REV/CHO/EFF
TUNE, PEDAL, ACMP.SETTING, VOCAL HARMONY
(109/107/700)
REGISTRATION NAME (109/107/105/700)REGIST Bank-Num.— ———Always recalled.OREGISTRATIONREGISTRATION
ALL REGISTRATION Memory Da ta (20)Factory preset data————
SOUND REPEATAUTO— ——— — OSONG SETTING SONG SETTING
PIANO ROLL DISPLAYAUTO—————OSONG SETTING SONG SETTING
GUIDE LAMP ON/ OFFON———— — OSONG SETTING SONG SETTING
LYRICS ON/O FFON————
SONG VOLUME[ACMP/SONG VOLUME]
TRANSPOSE (ALL)0— ———VOICE SETTINGOVOICE SETTING VOICE SETTING
TRANSPOSE (SONG)0—————OVOICE SETTING VOICE SETTING
VOICE SETTINGAUTO— ——— — OVOICE SETTING VOICE SETTING
KEY TOUCHNORMAL————VOICE SETTINGOVOICE SETTING VOICE SETTING
FIXED VELOCITY76— ———VOICE SETTINGOVOICE SETTING VOICE SETTING
LEFT PEDAL FUNCTIONSOFT——OOPEDALOPEDALPEDAL
RIGHT PEDAL FUNCTION (109/107/700)
LEFT PART MIDI SEND Ch.3—————OMIDI SETTINGMIDI SETTING
RIGHT 1 PART MIDI SEND Ch .1— ——— — OMIDI SETTINGMIDI SETTING
RIGHT 2 PART MIDI SEND Ch.2—————OMIDI SETTINGMIDI SETTING
LOCAL CONTROL ON/OF FON— ——— — OMIDI SETTINGMIDI SETTING
SYNC. CLOCKINT.—————OMIDI SETTINGMIDI SETTING
PROGRAM CHANGE SEND/RECEIVE ON/O FFTX&RX (ON)— ——— — OMIDI SETTINGMIDI SETTING
CONTROL CHANGE SEND/RECEIVE ON/OFFTX&RX (ON)—————OMIDI SETTINGMIDI SETTING
SYSTEM EXCLUSIVE SEND/RECEIVE ON/O FFTX&RX (ON)— ——— — OMIDI SETTINGMIDI SETTING
START/STOP SEND/RECEIVE ON/OF FOFF—————OMIDI SETTINGMIDI SETTING
MIDI FILTER ON/OFF (all channels)O N— ——— — OMIDI SETTINGMIDI SETTING
MIDI TRANSPOSE RECEIVE ON/ OFFON—————OMIDI SETTINGMIDI SETTING
ACMP & RHY SEND ON /OF FO F F———— — OMIDI SETTINGMIDI SETTING
HARMONY SEND O N/ OFFOFF—————OMIDI SETTINGMIDI SETTING
SEQUENCER SEND ON/ OFFO F F———— — OMIDI SETTINGMIDI SETTING
REMOTE KEYBOARDOFF—————OMIDI SETTINGMIDI SETTING
MICRO TUNING O N/O FFOF F— ——— — OTUNETUNE
MICRO TUNE. SETTING0—————OTUNETUNE
SCALE TUNING SELECTPRESET— ——— TUNEOTUNETUNE
PRESET SCALE SELECTEQUAL————TUNEOTUNETUNE
PRESET SCALE KEYC— ——— TUNEOTUNETUNE
USER SCALE SETTING0————TUNEOTUNETUNE
BACKUP ON/O FFSet separately for each
Video Out Screen SIZE (109/107/700)LARGE——————Always backed up.—
Video Out CHARACTER Color (109/107/700)BLUE (19)— ——— — —Always backed up.—
Video Out BACKGROUND Color (109/107/700)WHITE——————Always backed up.—
VOCAL HARMONY O N/O FFOF FO———VOCAL HARMONYOVOCAL HARMONY VOCAL HARMONY
Depends on style selection.——O—ACMP. SETTINGOACMP SETTINGACMP SETTING
slider val ue
Depends on R1 voice selection.
4
group.
type.
type.
type.
type.
One Touch
Memory
——————REGISTRATIONREGISTRATION
———SONG SETTING
——OOVOICE SETTINGOVOICE SETTING VOICE SETTING
O———VOCAL HARMON YOVOCAL HARMONY VOCAL HARMONY
O———VOCAL HARMONYOVOCAL HARMONY VOCAL HARMONY
O———VOCAL HARMONYOVOCAL HARMONY VOCAL HARMONY
O———VOCAL HARMONYOVOCAL HARMONY VOCAL HARMONY
1 La fonction One Touch Setting ne peut définir ce paramètre que pour la partie RIGHT1.
2 La fonction Registration ne conserve les valeurs de gain que pour le type d’égaliseur
3 Si une configuration de Music Database ou une registration est rappelée au cours de
4 REGISTRATION : ON ; Autres : OFF
1 La función One Touch Setting sólo puede ajustar este parámetro para la parte RIGHT1.
2 La función Registration sólo almaneca los valores de ganancia para el tipo de
3 Cuando un registro o los ajustes Music Database están llamados durante una
4 REGISTRATION: ON; Otros: OFF
Music
Set Up
Setting
Database
———
La fonction Registration et les fichiers All Set Up peuvent définir ce paramètre pour les
parties RIGHT1, RIGHT2, et LEFT. Les paramètres liés à la voix Organ Flute ne seront
rappelés avec une registration, une configuration de Music Database, ou un fichier All
Setup que si la voix Organ Flutes est sélectionnée par les données rappelées.
sélectionné. La fonction Backup sauvegarde les valeurs de gain pour tous les types
d’égaliseur.
l’accompagnement automatique, le style ainsi sélectionné sera joué immédiatement s’il
est identique au style en cours de lecture, ou au début de la mesure suivante s’il s’agit
d’un style différent.
La función Registration y los archivos All Set Up pueden ajustar este ítem para las
partes RIGHT1, RIGHT2 y LEFT. Los parámetros relacionados con la voz Organ Flutes
estarán llamados por un registro, los ajustes Music Database o un archivo All Setup
sólo si la voz Organ Flutes se selecciona por los datos llamados.
ecualizador seleccionado. La función Backup respalda los valores de ganancia para
todos los tipos de ecualizador.
reproducción Auto Accompaniment, el estilo seleccionado reproducirá inmediatamente
si es el mismo que el estilo que se está reproduciendo o desde el principio del compás
siguiente si es un estilo diferente.
Memory
—
Registration Freeze
Group
—OREGISTRATIONREGISTRATION
—OSONG SETTING SONG SETTING
All Set Up
Backup GroupRecall Group
———
—
Always backed up.
14
CVP-109/107/105/103/700
Fingering Chart/Akkordliste/
Tablature / Gráfica de digitado
* All fingerings shown are simple root-position types.
* Die hier gezeigten Akkorde sind jeweils die Grundakkorde.
* Tous les doigtés indiqués sont du type à position fondamentale simple.
* Todos los digitados se muestran como tipos de posición de raíz sencilla.
Example for “C” chords
Beispiele für “C”-Akkorde
Exemples d’accords en “C”
Ejemplo de acordes “C”
○○○○○○○○○○○○○○○○
C
Cadd
(#5)
C
7
Cm
CmM
C
6
( )
(9)
9
(b5)
7
7
CM
7
(#5)
CM
7
( )
Cmadd
CmM
( )
9
(9)
7
CM
C
Cm
Cm
Cm
7
( )
(9)
6
( )
(9)
7
( )
(b5)
CM
(b5)
C
Cm
Cm
( )
Cdim
(b5)
7
6
(11)
7
( )
7
CM
Caug
Cm
CmM
C
7
7
7
(#11)
( )
( )
(b5)
7
C sus
7
(b9)
C
7
( )
4
( )
( )
( )
(9)
C
7
( )
(b13)
C
7
(#11)
C
7
( )
(#9)
C
7
( )
C
7
Csus
(13)
( )
4
CVP-109/107/105/103/700
( )
(b5)
C
7
15
MIDI Data Format / MIDI-Datenformat /
Format des données MIDI / Formato de datos MIDI
○○○○○○○
Many MIDI messages listed in the MIDI Data Format are expressed in decimal
numbers, binary numbers and hexadecimal numbers. Hexadecimal numbers
may include the letter “H” as a suffix. Also, “n” can freely be defined as any
whole number.
To enter data/values, refer to the table below.
PITCH BEND SENS.BnH,65H,00H,64H,00H,06H,mmH
FINE TUNINGBnH,65H,00H,64H,01H,06H,mmH,
COARSE TUNINGBnH,65H,00H,64H,02H,06H,mmH
NULLBnH,65H,7FH,64H,7FH
ALL SOUND OFFBnH,78H,00H
RESET ALL CONTROLLERSBnH,79H,00H
ALL NOTES OFFBnH,7BH,00H
OMNI OFFBnH,7CH,00H
OMNI ONBnH,7DH,00H
MONOBnH,7EH
POLYBnH,7FH
STATUS1000nnnn(8nH) n = 0 - 15 VOICE CHANNEL NUMBER
NOTE NUMBER0kkkkkkkk = 0 (C-2) - 127 (G8)
VELOCITY0vvvvvvvv: ignored
(3-1-2) KEY ON/OFF
STATUS1001nnnn(9nH) n = 0 - 15 VOICE CHANNEL NUMBER
NOTE NUMBER0kkkkkkkk = 0 (C-2) - 127 (G8)
VELOCITY0vvvvvvv(v ≠ 0) NOTE ON
(3-1-3) PROGRAM CHANGE
STATUS1100nnnn(CnH) n = 0 - 15 VOICE CHANNEL NUMBER
PROGRAM NUMBER0pppppppp = 0 - 127
* PROGRAM NUMBER: XG DRUM VOICE number correspondence
P = 0Standard Kit
P = 1Standard2 Kit
P = 4Hit Kit (CVP-109/107/700)
P = 8Room Kit
P = 16Rock Kit
P = 24Electro Kit
P = 25Analog Kit
P = 27Dance Kit
P = 32Jazz Kit
P = 40Brush Kit
P = 48Classic Kit
* PROGRAM NUMBER: XG SFX KIT number correspondence
P = 0SFX1 Kit
P = 1SFX2 Kit
When DRUM VOICE is selected and program change data for a different DRUM VOICE is
received, the currently selected Drum Setup data will be replaced with the new DRUM
VOICE DATA.
00000000(v = 0) NOTE OFF
26H,llH
.....ddH F7H
(3-1-4) CHANNEL AFTER TOUCH (Receive only)
STATUS1101nnnn(DnH) n = 0 - 15 VOICE CHANNEL NUMBER
VALUE0vvvvvvvv = 0 - 127 AFTER TOUCH VALUE
(3-1-5) PITCH BEND CHANGE
STATUS1110nnnn(EnH) n = 0 - 15 VOICE CHANNEL NUMBER
LSB0vvvvvvvPITCH BEND CHANGE LSB
MSB0vvvvvvvPITCH BEND CHANGE MSB
(3-1-6) CONTROL CHANGE
STATUS1011nnnn(BnH) n = 0 - 15 VOICE CHANNEL NUMBER
CONTROL NUMBER0ccccccc
CONTROL VALUE0vvvvvvv
* Transmit CONTROL NUMBER.
c = 0BANK SELECT MSB; v = 0:XG NORMAL,
c = 32BANK SELECT LSB; v = 0 - 127
c = 6DATA ENTRY MSB; v = 0 - 127*1
c = 38DATA ENTRY LSB; v = 0 - 127*1
c = 7MAIN VOLUME; v = 0 - 127
c = 10PANPOT; v = 0 - 127
c = 11EXPRESSION; v = 0 - 127
c = 64SUSTAIN; v = 0-63:OFF , 64-127:ON *2
c = 66SOSTENUTO; v = 0-63:OFF , 64-127:ON *2
c = 67SOFT PEDAL; v = 0-63:OFF , 64-127:ON *2
c = 84PORTAMENTO CONTROL ; v = 0 - 127
c = 91REVERB SEND LEVEL; v = 0 - 127
c = 93CHORUS SEND LEVEL; v = 0 - 127
c = 94
c = 100RPN LSB; v = 0 - 127
c = 101RPN MSB; v = 0 - 127
* Receive CONTROL NUMBER.
c = 0BANK SELECT MSB; v = 0:XG NORMAL,
c = 32BANK SELECT LSB; v = 0 - 127
c = 1MODULATION; v = 0 - 127*2
c = 5PORTAMENTO TIME; v = 0 - 127*2
c = 6DATA ENTRY MSB; v = 0 - 127*1
c = 38DATA ENTRY LSB; v = 0 - 127*1
c = 7MAIN VOLUME; v = 0 - 127
c = 10PANPOT; v = 0 - 127
c = 11EXPRESSION; v = 0 - 127
c = 64SUSTAIN; v = 0-63:OFF , 64-127:ON *2
c = 65PORTAMENTO; v = 0-63:OFF , 64-127:ON *2
c = 66SOSTENUTO; v = 0-63:OFF , 64-127:ON *2
c = 67SOFT PEDAL; v = 0-63:OFF , 64-127:ON *2
c = 71HARMONIC CONTENT;
c = 72RELEASE TIME;
c = 73ATTACK TIME;
c = 74BRIGHTNESS;
c = 84PORTAMENT CONTROL; v = 0 - 127*2
c = 91REVERB SEND LEVEL; v = 0 - 127
c = 93CHORUS SEND LEVEL; v = 0 - 127
c = 94
c = 96DATA INCREMENT; v = 0 - 127*1
c = 97DATA DECREMENT; v = 0 - 127*1
*1 Only when setting the appointed parameter with RPN, NRPN.
*2 Does not effect Rhythm Voice.
VARIATION SEND LEVEL
VARIATION SEND LEVEL
RPN MSB/LSB, NRPN MSB/LSB
64:SFX NORMAL,
126:XG SFX KIT,
127:XG DRUM
; v = 0 - 127
(When only Connection = 1[System])
64:SFX NORMAL,
126:XG SFX KIT,
127:XG DRUM
v = 0:-64 - 64:0 - 127:+63 *2
v = 0:-64 - 64:0 - 127:+63 *2
v = 0:-64 - 64:0 - 127:+63 *2
v = 0:-64 - 64:0 - 127:+63 *2
; v = 0 - 127
(When only Connection = 1[System])
• Until a PROGRAM CHANGE message is received, the BANK SELECT
operation will be suspended. When a Voice, including VOICE BANK, is
changed, set the BANK SELECT and Program Change Message, and
transmit in the following order, BANK SELECT MSB, LSB, PROGRAM
CHANGE.
• MODULATION controls the Vibrato Depth.
• PORTAMENTO TIME controls the Pitch Change Speed when the
Portamento Switch = ON. 0 being the shortest time, and 127 being the
longest.
• PANPOT changes the value for the melody voice and rhythm voice in
relation to the preset value.
• Portamento time is fixed to 0 when the PORTAMENTO CONTROL is
used.
CVP-109/107/105/103/700
17
MIDI Data Format / MIDI-Datenformat / Format des données MIDI / Formato de datos MIDI
○○
• HARMONIC CONTENT applies adjustment to the resonance value that
is set by the voice. This parameter specifies relative change with the
value of 64 producing 0 adjustment. As values get higher the sound
becomes increasingly eccentric. Note that for some voices the effective
parameter range is narrower than the legal parameter range.
• RELEASE TIME applies adjustment to the envelope release time set by
the voice. This parameter specifies relative change with the value of 64
producing 0 adjustment.
• ATTACK TIME applies adjustment to the envelope attack time set by the
voice. This parameter specifies relative change with the value of 64
producing 0 adjustment.
• BRIGHTNESS applies adjustment to the cut-off frequency set by the
voice. This parameter specifies relative change with the value of 64
producing 0 adjustment. Lower voices produce a softer sound. For some
voices the effective parameter range is narrower than the legal
parameter range.
(3-2) CHANNEL MODE MESSAGES
STATUS1011nnnn(BnH) n = 0 - 15 VOICE CHANNEL NUMBER
CONTROL NUMBER0cccccccc = CONTROL NUMBER
CONTROL VALUE0vvvvvvvv = DATA VALUE
(3-2-1) ALL SOUND OFF (Receive only)
(CONTROL NUMBER = 78H , DATA VALUE = 0)
Switches off all sound from the channel. Reset Note On and Hold On conditions established
by Channel Messages.
(3-2-2) RESET ALL CONTROLLERS (Receive only)
(CONTROL NUMBER = 79H , DATA VALUE = 0)
Resets controllers as follows.
PITCH BEND CHANGE0 (Center)
AFTER TOUCH0 (min.)
MODULATION0 (min.)
EXPRESSION127 (max.)
SUSTAIN0 (off)
SOSTENUTO0 (off)
SOFT PEDAL0 (off)
NRPNSets number to null. (Internal data remains unchanged)
RPNSets number to null. (Internal data remains unchanged)
PORTAMENT CONTROLResets portamento source note number
PORTAMENTO0 (off)
(3-2-3) ALL NOTES OFF (Receive only)
(CONTROL NUMBER = 7BH , DATA VALUE = 0)
Switches off all of the channel’s “on” notes. However, any notes being held by SUSTAIN or
SOSTENUTO continue to sound until SUSTAIN/SOSTENUTO goes off.
(3-2-4)
OMNI OFF (Receive only) (CONTROL NUMBER = 7CH , DATA VALUE = 0)
Same processing as for All Notes Off.
(3-2-5) OMNI ON (Receive only)
Same processing as for All Notes Off. Omni On is not executed.
(3-2-6) MONO (Receive only)
Same processing as for All Notes Off. If the 3rd byte is in a range of 0-16 the corresponding
channel will be changed to Mode 4 (m=1).
(CONTROL NUMBER = 7DH , DATA VALUE = 0)
(CONTROL NUMBER = 7EH , DATA VALUE = 0)
(3-2-7) POLY (Receive only) (CONTROL NUMBER = 7FH , DATA VALUE = 0)
Same processing as for All Sounds Off and the corresponding channel will be changed to
Mode 3.
(3-3) REGISTERED PARAMETER NUMBER(RPN)
STATUS1011nnnn(BnH) n = 0 - 15 VOICE CHANNEL NUMBER
RPN LSB01100100(64H)
RPN LSB NUMBER0pppppppp = RPN LSB (refer to the list below)
RPN MSB01100101(65H)
RPN MSB NUMBER0qqqqqqqq = RPN MSB (refer to the list below)
DATA ENTRY MSB00000110(06H)
DATA VALUE0mmmmmmmm = Data Value
DATA ENTRY LSB00100110(26H)
DATA VALUE0llllllll = Data Value
First appoints the parameter for RPN MSB/LSB, then sets the parameter value for data entry
MSB/LSB.
RPND.ENTRY
LSB MSB MSB LSB PARAMETER NAMEDATA RANGE
00H 00H mmH —
01H 00H mmH llH FINE TUNE
02H 00H mmH —COARSE TUNE
7FH 7FH ——NULLClears the current RPN number setting.
STATUS1011nnnn(BnH) n = 0 - 15 VOICE CHANNEL NUMBER
NRPN LSB01100010(62H)
NRPN LSB NUMBER 0pppppppp = NRPN LSB (refer to the list below)
NRPN MSB01100011(63H)
NRPN MSB NUMBER 0qqqqqqqq = NRPN MSB (refer to the list below)
DATA ENTRY MSB00000110(06H)
DATA VALUE0mmmmmmmm = Data Value
First appoints the parameter for NRPN MSB/LSB, then sets the parameter value for data entry
MSB/LSB.
Transmission: 96 clocks per measure are transmitted.
Reception: If the instrument’s clock is set to external, after FAH is received from the external
device the instrument’s clock will sync with the 96 beats per measure received from the external
device.
Decides whether the internal clock, or Timing Clocks received via the MIDI IN will be used.
(3-5-2) START
STATUS11111010 (FAH)
Transmission: Transmitted when instrument’s Rhythm or Song playback is started.
Reception: Depending upon the condition, Rhythm, Song Playback, or Song Rec will start.
(3-5-3) STOP
STATUS11111100 (FCH)
Transmission: Transmitted when instrument’s Rhythm or Song playback is stopped.
Reception: Depending upon the condition, Rhythm, Song Playback, or Song Rec will stop.
(3-5-4) ACTIVE SENSING
STATUS11111110 (FEH)
Transmission: Transmitted approximately once every 200msec.
Reception: Sensing is started once this Code is received. If Status or Data is not received within
400ms, the MIDI Receive Buffer will be cleared, and all notes, including those being sustained,
will be cut OFF. Also, all control values will be reset to their factory defaults.
binaryhexadecimal
11110000F0Exclusive status
0100001143YAMAHA ID
011111107EStyle
0000000000
0sssssssSSSwitch No.
0dddddddDDSwitch On/Off: 00H(Off),7FH(On)
11110111F7End of Exclusive
When an ON code is received, the appointed section will be changed.
(3-6-1-2) TEMPO CONTROL
binaryhexadecimal
11110000F0Exclusive status
0100001143YAMAHA ID
011111107EStyle
0000000001
0tttttttTTTempo4
0tttttttTTTempo3
0tttttttTTTempo2
0tttttttTTTempo1
11110111F7End of Exclusive
The internal clock will be set to the received Tempo value.
Tempo Meta Event is a large data block (24-bit), it is divided into 4 groups with 7-bits going
into each of the Tempos 1-4 (4 receives the remaining 3 bits).
(3-6-1-3) CHORD CONTROL type1
binaryhexadecimal
11110000F0Exclusive status
0100001143YAMAHA ID
011111107EStyle
0000001002type 1
0dddddddddchord root(cr)
0dddddddddchord type(ct)
0dddddddddbass note(bn)
0dddddddddbass type(bt)
11111110F7End of Exclusive
00H : INTRO A
01H : INTRO B
02H : INTRO C/D
03H~07H : INTRO C/D
08H : MAIN A
09H : MAIN B
0AH : MAIN C
0BH~0FH : MAIN D
10H : FILL IN A
11H : FILL IN B
12H : FILL IN C
13H~17H : FILL IN D
18H : BREAK FILL
19H : BREAK FILL
1AH : BREAK FILL
1BH~1FH : BREAK FILL
20H : ENDING A
21H : ENDING B
22H : ENDING C/D
23H~27H : ENDING C/D
binaryhexadecimal
11110000F0Exclusive status
011111107FUniversal Realtime
011111117FID of target Device
0000100104Sub-ID #1=Device Control Message
0000000101Sub-ID #2=Master Volume
0sssssssSSVolume LSB
0tttttttTTVolume MSB
11110111F7End of Exclusive
or
11110000F0Exclusive status
011111107FUniversal Realtime
0xxxnnnnXN
0000100104Sub-ID #1=Device Control Message
0000000101Sub-ID #2=Master Volume
0sssssssSSVolume LSB
0tttttttTTVolume MSB
11110111F7End of Exclusive
The volume for all channels will be changed simultaneously.
The TT value is used as the MIDI Master Volume value. (the SS value is ignored.)
When N is received N=0-F, whichever is received.
When N is transmitted N always=0.
X = don’t care
(3-6-2-2) UNIVERSAL NON REALTIME MESSAGE
(3-6-2-2-1) GENERAL MIDI SYSTEM ON
binaryhexadecimal
11110000F0Exclusive status
011111107EUniversal Non-Realtime
011111117FID of target Device
0000100109Sub-ID #1=General MIDI Message
0000000101Sub-ID #2=General MIDI On
11110111F7End of Exclusive
or
11110000F0Exclusive status
011111107EUniversal Non-Realtime
0xxxnnnnXN
0000100109Sub-ID #1=General MIDI Message
0000000101Sub-ID #2=General MIDI On
11110111F7End of Exclusive
Depending upon the received ON message, the System Mode will be changed to XG.
Except MIDI Master Tuning, all control data be reset to default values.
This message requires approximately 50ms to execute, so sufficient time should be allowed
before the next message is sent.
After the GM System ON message is received, message reception of the following will be
limited.
• Bank Select MSB-LSB in channel 10 will be ignored and the drum voice will be fixed.
• Bank Select MSB-LSB except in channel 10 will be ignored except 127/0.
• NRPN is not received.
When XG SYSTEM ON is received, these restrictions will be cancelled.
When N is received N=0-F, whichever is received.
When N is transmitted N always=0.
X = don’t care
CVP-109/107/105/103/700
19
MIDI Data Format / MIDI-Datenformat / Format des données MIDI / Formato de datos MIDI
○○
(3-6-3) XG STANDARD
(3-6-3-1) XG PARAMETER CHANGE
(3-6-3-1-1) XG SYSTEM ON
binaryhexadecimal
11110000F0Exclusive status
0100001143YAMAHA ID
0001nnnn1NDevice Number
010011004CModel ID
0000000000Address High
0000000000Address Mid
011111107EAddress Low
0000000000Data
11110111F7End of Exclusive
Depending upon the received ON message, the SYSTEM MODE will be changed to
XG.Controllers will be reset, all values of Multi Part and Effect, and All System values
denoted by “XG” data within All System will be reset to default values in the table.
This message requires approximately 50ms to execute, so sufficient time should be allowed
before the next message is sent.
(3-6-3-1-2) XG PARMETER CHANGE
binaryhexadecimal
11110000F0Exclusive status
0100001143YAMAHA ID
0001nnnn1NDevice Number
010011004CModel ID
0aaaaaaaAAAddress High
0aaaaaaaAAAddress Mid
0aaaaaaaAAAddress Low
0dddddddDDData
||
11110111F7End of Exclusive
For parameters with data size of 2 or 4, transmit the appropriate number of data bytes.
For more information on Address and Parameters, refer to < Table 1-2 > (page 23) and
< Table 1-4 > ~ < Table 1-10 > (pages 23-29).
The following Parameter Changes are handled.
XG System Data
Multi Effect 1 Data
Multi EQ Data (CVP-109/107/700)
Multi Effect 2 Data (CVP-109/107/700)
Special Effect Data (CVP-109/107/700)
Multi Part Data
A/D Part Data (CVP-109/107/700)
Drums Setup Data
(3-6-3-2) XG BULK DUMP
binaryhexadecimal
11110000F0Exclusive status
0100001143YAMAHA ID
0000nnnn0NDevice Number
010011004CModel ID
0bbbbbbbBBByteCount
0bbbbbbbBBByteCount
0aaaaaaaAAAddress High
0aaaaaaaAAAddress Mid
0aaaaaaaAAAddress Low
0dddddddDDData
||
0cccccccCCCheck sum
11110111F7End of Exclusive
For more information on Address and Byte Count, refer to < Table 1-2 > ~ < Table 1-10 >
(pages 23-29).
The Check Sum value is set such that the sum of Byte Count, Address, Data, and Check Sum
has value zero in its seven least significant bits.
If the top of the block is appointed to the Address the XG Bulk Dump, Bulk Request will be
received.
The Block is a unit that consists of the data, arranged in the list, as the Total Size.
The following Bulk Dumps are handled.
XG System Data
Multi Effect 1 Data(Individual effect unit)
Multi EQ Data (CVP-109/107/700)
Multi Effect 2 Data (CVP-109/107/700)
Special Effect Data (CVP-109/107/700)
Multi Part Data(Individual part unit)
A/D Part Data (CVP-109/107/700)
Drums Setup Data(Individual note unit)
System Information(Transmit only)
(3-6-3-3) XG PARAMETER REQUEST (Receive only)
binaryhexadecimal
11110000F0Exclusive status
0100001143YAMAHA ID
0011nnnn3nDevice Number
010011004CModel ID
0aaaaaaaAAAddress High
0aaaaaaaAAAddress Mid
0aaaaaaaAAAddress Low
11110111F7End of Exclusive
For more information on Address and Byte Count refer to < Table 1-2 > (page 23) and
< Table 1-4 > ~ < Table 1-10 > (pages 23-29).
The following Parameter Requests are handled.
XG System Data
Multi Effect 1 Data
Multi EQ Data (CVP-109/107/700)
Multi Effect 2 Data (CVP-109/107/700)
Special Effect Data (CVP-109/107/700)
Multi Part Data
A/D Part Data (CVP-109/107/700)
Drums Setup Data
(3-6-3-4) XG DUMP REQUEST (Receive only)
binaryhexadecimal
11110000F0Exclusive status
0100001143YAMAHA ID
0010nnnn2nDevice Number
010011004CModel ID
0aaaaaaaAAAddress High
0aaaaaaaAAAddress Mid
0aaaaaaaAAAddress Low
11110111F7End of Exclusive
For more information on Address and Byte Count refer to
(pages 23-29).
The following Dump Requests are handled.
XG System Data
Multi Effect 1 Data(Individual module unit)
Multi EQ Data (CVP-109/107/700)
Multi Effect 2 Data (CVP-109/107/700)
Special Effect Data (CVP-109/107/700)
Multi Part Data(Individual part unit)
A/D Part Data (CVP-109/107/700)
Drums Setup Data(Individual note unit)
System Information
binaryhexadecimal
11110000F0Exclusive status
0100001143YAMAHA ID
0111001173Clavinova ID
0000000101Clavinova common ID
0000001n0N
11110111F7End of Exclusive
(3-6-4-2) BULK DUMP ORGAN FLUTE DATA (CVP-109/107/700)
binaryhexadecimal
11110000F0 Exclusive status
0100001143YAMAHA
0111001173CLAVINOVA ID
0000000101Model ID (Clavinova common ID)
0000011006Bulk ID
000010110BBulk No.(ORGAN FLUTE Bulk Dump DATA)
0000nnnn0nData Length
0000nnnn0nData Length
0000nnnn0nData Length
0000nnnn0nData Length (Data Length=nnnnH bytes)
0ddddddddd1Bulk Data
(3-6-4-3) DOC MULTI TIMBRE ON / OFF (Receive only)
binaryhexadecimal
11110000F0Exclusive status
0100001143YAMAHA ID
0111001173Clavinova ID
0000000101Clavinova commmon ID
000001101N
11110111F7End of Exclusive
(3-6-4-4) PANEL LED ON / OFF (Receive only)
binaryhexadecimal
11110000F0Exclusive status
0100001143YAMAHA ID
0111001173Clavinova ID
0000000101Clavinova commmon ID
000110101APANEL LED On/Off
0mmmmmmmMM
0000000000
0nnnnnnnNNLED No.
11110111F7End of Exclusive
Remotely switches the Panel LED On/Off.
(3-6-4-5) PANEL VOICE SETTING (Receive only)
binaryhexadecimal
11110000F0Exclusive status
0100001143YAMAHA ID
0111001173Clavinova ID
0100010101Clavinova common ID
0010001022Piano Live Exclusive Substatus
0000000000Panel Voice Setting Substatus
0000nnnn0nPanel Part No.
binaryhexadecimal
11110000F0Exclusive status
0100001143YAMAHA ID
0111001173Clavinova ID
0100010101Clavinova common ID
0010001022Piano Live Exclusive Substatus
0000000101Panel Voice Volume Setting Substatus
0000nnnn0nPanel Part No.
0vvvvvvvvvValue (0 - 7FH)
11110111F7End of Exclusive
binaryhexadecimal
11110000F0Exclusive status
0100001143YAMAHA ID
0111001173Clavinova ID
0100010101Clavinova common ID
0010001022Piano Live Exclusive Substatus
0000001002
0000nnnn0nPanel Part No.
0vvvvvvvvvValue (0 - 7FH)
11110111F7End of Exclusive
binaryhexadecimal
11110000F0Exclusive status
0100001143YAMAHA ID
0111001173Clavinova ID
0100010101Clavinova common ID
0010001022Piano Live Exclusive Substatus
0000001103
0000nnnn0nPanel Part No.
0vvvvvvvvvValue (0 - 7FH)
11110111F7End of Exclusive
Panel Voice Effect Depth Setting Substatus
00H (RIGHT 1)
01H (RIGHT 2)
02H (LEFT)
(3-6-4-9) MIDI FA CANCEL (Receive only)
binaryhexadecimal
11110000F0Exclusive status
0100001143YAMAHA ID
0111001173Clavinova ID
0100010101Clavinova common ID
0110000161MIDI FA Cancel
11110111F7End of Exclusive
If this message is received, even if FAH is received the Rhythm will not start.
(3-6-5) SPECIAL OPERATORS
(3-6-5-1) SPLIT POINT
binaryhexadecimal
11110000F0Exclusive status
0100001143YAMAHA ID
0111001173Clavinova ID
0100010101Clavinova common ID
0001000111Sub ID
0000000000
0001010014Split Point
0dddddddDDSplit Key No.
11110111F7End of Exclusive
(3-6-5-2) STYLE NUMBER
binaryhexadecimal
11110000F0Exclusive status
0100001143YAMAHA ID
0111001173Clavinova ID
010110105ECVP-103/105/107/109/700 ID
0001000111Sub ID
0000000000Channel No. (always 00)
0001011016Style No. Control No.
0mmmmmmmmmStyle No. MSB
0lllllllllStyle No. LSB
11110111F7End of Exclusive
(3-6-5-3) FINGERING
binaryhexadecimal
11110000F0Exclusive status
0100001143YAMAHA ID
0111001173Clavinova ID
0100010101Clavinova common ID
0001000111Sub ID
0000000000
0100000040Fingering
0000dddd0D0D: 00H(Off),01H(Single Finger),