Yamaha CLP-511, CLP-411 User Manual

SPECIAL MESSAGE SECTION

PRODUCT SAFETY MARKINGS: Yamaha electronic
products may have either labels similar to the graphics
shown below or molded/stamped facsimiles of these
graphics on the enclosure. The explanation of these graph­ics appears on this page. Please observe all cautions indi­cated on this page and those indicated in the safety in­struction section.

CAUTION

RISK OF ELECTRIC SHOCK

DO NOT OPEN

CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK.

DO NOT REMOVE COVER (OR BACK).

NO USER-SERVICEABLE PARTS INSIDE.

REFER SERVICING TO QUALIFIED SERVICE PERSONNEL.

See bottom of Keyboard enclosure for graphic symbol markings

The exclamation point within the equi­lateral triangle is intended to alert the
user to the presence of important oper­ating and maintenance (servicing) in­structions in the literature accompany­ing the product.

ENVIRONMENTAL ISSUES: Yamaha strives to pro­duce products that are both user safe and environmentally
friendly. We sincerely believe that our products and the
production methods used to produce them, meet these
goals. In keeping with both the letter and the spirit of the
law, we want you to be aware of the following:

Battery Notice: This product MAY contain a small non­rechargable battery which (if applicable) is soldered in
place. The average life span of this type of battery is ap­proximately five years. When replacement becomes nec­essary, contact a qualified service representative to per­form the replacement.

Warning: Do not attempt to recharge, disassemble, or
incinerate this type of battery. Keep all batteries away
from children. Dispose of used batteries promptly and as
regulated by applicable laws. Note: In some areas, the
servicer is required by law to return the defective parts.
However, you do have the option of having the servicer
dispose of these parts for you.

Disposal Notice: Should this product become damaged
beyond repair, or for some reason its useful life is consid­ered to be at an end, please observe all local, state, and
federal regulations that relate to the disposal of products
that contain lead, batteries, plastics, etc.

The lightning flash with arrowhead
symbol, within the equilateral triangle,
is intended to alert the user to the pres­ence of uninsulated “dangerous volt­age” within the product’s enclosure that
may be of sufficient magnitude to con­stitute a risk of electrical shock.

IMPORTANT NOTICE: All Yamaha electronic prod­ucts are tested and approved by an independent safety
testing laboratory in order that you may be sure that when
it is properly installed and used in its normal and custom­ary manner, all foreseeable risks have been eliminated.
DO NOT modify this unit or commission others to do so
unless specifically authorized by Yamaha. Product per­formance and/or safety standards may be diminished.
Claims filed under the expressed warranty may be denied
if the unit is/has been modified. Implied warranties may
also be affected.

SPECIFICATIONS SUBJECT TO CHANGE: The
information contained in this manual is believed to be
correct at the time of printing. However, Yamaha reserves
the right to change or modify any of the specifications
without notice or obligation to update existing units.

NOTICE: Service charges incurred due to lack of knowl­edge relating to how a function or effect works (when the
unit is operating as designed) are not covered by the
manufacturer’s warranty, and are therefore the owners
responsibility. Please study this manual carefully and con­sult your dealer before requesting service.

NAME PLATE LOCATION: The graphic below indi­cates the location of the name plate. The model number,
serial number, power requirements, etc., are located on
this plate. You should record the model number, serial
number, and the date of purchase in the spaces provided
below and retain this manual as a permanent record of
your purchase.

CLP-411 CLP-511

92-469 1

Model _____________________________________
Serial No. __________________________________
Purchase Date ______________________________

CLP-411
CLP-511

Owner’s Manual

Bedienungsanleitung

English

Deutsch

Mode d’emploi

Manual de instrucciones

Français

Español

Introduction

Thank you for choosing a Yamaha CLP-411/511 Clavinova. Your Clavinova is a fine musical instrument
that employs advanced Yamaha music technology. With the proper care, your Clavinova will give you many
years of musical pleasure.

● Yamaha’s AWM (Advanced Wave Memory) tone
generator system offers rich, realistic voices. Both
models feature stereo sampling of the piano
voices for unmatched realism and expressive
power.

● Piano-like touch response — adjustable in 4
stages — provides extensive expressive control
and outstanding playability.

● Dual mode allows 2 voices to be played simulta­neously.

● Split mode (CLP-511) allows different voices to be
played by the left and right hands.

● Unique Clavinova Tone voice provides a fresh
sound for new musical expression.

● Metronome feature with variable tempo facilitates
practice.

● Digital recorder lets you record and play back
anything you play on the keyboard (up to approxi­mately 4,200 notes).

● MIDI compatibility and a range of MIDI functions
make the Clavinova useful in a range of advanced
MIDI music systems.

● Built-in computer interface for direct connection to
personal computers running advanced music
software.

In order to make the most of your Clavinova’s performance potential and features, we urge you to read

this Owner’s Manual thoroughly, and keep it in a safe place for later reference.

Taking Care Of Your Clavinova

Your Clavinova is a fine musical instrument, and deserves the most careful treatment. Observe the fol-

lowing points and your Clavinova will sound and look great for many years.

1 Never open the case and touch or tamper with the

internal circuitry.

2 Always turn the POWER switch OFF after use,

and close the key cover to protect the keyboard.

3 Clean the cabinet and keys of your Clavinova only

with a clean, slightly damp cloth. A neutral
cleanser may be used if desired. Never use
abrasive cleansers, waxes, solvents or chemical
dust cloths since these can dull or damage the
finish.

4 Never place any vinyl products on your Clavinova.

Contact with vinyl can cause irreversible damage
to the finish.

5 Install your Clavinova in a place that is away from

direct sunlight, excessive humidity or heat.

6 Never apply excessive force to the controls,

connectors or other parts of your Clavinova, and
avoid scratching or bumping it with hard objects.

7 Make sure that your local AC mains voltage

matches the voltage specified on the name plate
on the bottom panel. In some areas a voltage
selector may be provided on the bottom panel of
the main keyboard unit near the power cord.
Make sure that the voltage selector is set for the
voltage in your area. The voltage selector is set at
240V when the unit is initially shipped. To change
the setting use a “minus” screwdriver to rotate the
selector dial so that the correct voltage appears
next to the pointer on the panel.

● Name Plate Location

The CLP-411/511 name plate is located on the
bottom panel.

Contents

The Control Panel ..........................................................2

Connections ................................................................... 5

Selecting & Playing Voices ............................................ 6

Playing the Demonstration Tunes .................................. 7

■

Piano Song A-B Repeat ............................................8

■

Piano Song Part Cancel (CLP-511)..........................9

●

Synchro Start....................................................... 9

●

Left Pedal Start/Stop ...........................................9

The Dual Mode ............................................................ 10

●

Other Dual Mode Functions...............................10

The Split Mode (CLP-511) ............................................11

●

Selecting the Left-hand Voice............................ 11

●

Setting the Split Point ........................................ 11

●

Other Split Mode Functions ............................... 11

Reverb ........................................................................ 12

●

Adjusting Reverb Depth.....................................12

The Chorus Effect ........................................................ 13

●

Adjusting Effect Depth ....................................... 13

The Pedals................................................................... 13

●

Soft (Left) Pedal.................................................13

●

Sostenuto (Center) Pedal ..................................13

●

Damper (Right) Pedal........................................13

Touch Sensitivity ......................................................... 14

Transposition ............................................................... 14

Tuning ......................................................................... 15

●

Tuning Up ..........................................................15

●

Tuning Down...................................................... 15

●

To Restore Standard Pitch.................................15

The Metronome & Tempo Control ................................ 16

■

The Metronome .......................................................16

●

Metronome Volume ........................................... 16

●

Other Metronome Functions..............................16

■

Tempo Control.........................................................16

Using the Recorder ...................................................... 17

■

Recording ................................................................17

●

Changing the Initial Settings..............................18

●

Erasing a Single CLP-511 Track ........................ 18

●

Erasing All Recorded Data On the CLP-411......18

■

Playback ..................................................................19

●

Synchro Start (CLP-511) ...................................19

●

Left Pedal Start/Stop .........................................19

The Function Mode ...................................................... 20

●

To Select a Function … .....................................20

■

F1: Tuning ................................................................21

■

F2: Scale ..................................................................21

■

F3: Dual Mode Functions .......................................22

F3.1: Dual Balance...............................................22

F3.2: Dual Detune ................................................ 22

F3.3: 1st Voice Octave Shift .................................22

F3.4: 2nd Voice Octave Shift................................22

F3.5: 1st Voice Effect Depth ................................. 23

F3.6: 2nd Voice Effect Depth ...............................23

F3.7: (CLP-511) Slow-attack Strings ....................23

F3.7: (CLP-411), F3.8: (CLP-511) Reset ..............23

■

F4: (CLP-511) Split Mode Functions......................23

F4.1: Split Point....................................................23

F4.2: Split Balance ............................................... 24

F4.3: Right Voice Octave Shift ............................. 24

F4.4: Left Voice Octave Shift................................24

F4.5: Right Voice Effect Depth.............................24

F4.6: Left Voice Effect Depth ...............................24

F4.7: Damper Mode .............................................24

F4.8: Reset...........................................................24

■

F4: CLP-411 Metronome Functions .......................25

■

F5: CLP-511 Metronome Functions.......................25

F4.1/F5.1: Beat .................................................... 25

F4.2/F5.2: Volume ................................................25

■

F5: CLP-411 Left Pedal Mode .................................25

■

F6: CLP-511 Left Pedal Mode .................................25

■

F7: (CLP-511) Piano Song Par t Cancel Volume....25

■

F6: CLP-411 MIDI Functions...................................26

■

F8: CLP-511 MIDI Functions...................................26

●

A Brief Introduction to MIDI................................26

F6.1/F8.1: MIDI Transmit Channel Selection ....... 26

F6.2/F8.2: MIDI Receive Channel Selection ........ 26

F6.3/F8.3: Local Control ON/OFF ........................ 27

F6.4/F8.4: Program Change ON/OFF..................27

F6.5/F8.5: Control Change ON/OFF .................... 28

F6.6/F8.6: MIDI Transmit Transpose .................... 28

F6.7/F8.7: Panel/Status Transmit ......................... 28

F6.8/F8.8: Bulk Data Dump.................................. 28

■

F9: (CLP-511) Backup Functions...........................29

F9.1: Voice ...........................................................29

F9.2: MIDI ............................................................ 29

F9.3: Tuning ......................................................... 29

F9.4: Pedal...........................................................29

Connecting to a Personal Computer ............................. 30

●

Connecting to an Apple Macintosh Series

Computer...........................................................30

●

Connecting to an IBM-PC/AT Series

Computer...........................................................31

Troubleshooting ........................................................... 32

Factory Preset Recall (CLP-511) ................................. 33

Options & Expander Modules ...................................... 33

CLP-411: Keyboard Stand Assembly ...............................34

CLP-511: Keyboard Stand Assembly ...............................38

MIDI Data Format................................................................44

Specifications..................................................................... 47

Demo Song List.................................................................. 48

Default Setting List ............................................................48

MIDI Implementation Chart................................................49

1

CLP-511

The Control Panel

1

POWER

PHONES Jacks

(Bottom Panel)

CLP-411

FUNCTION

MASTER VOLUME

MIN

3

MAX

TRANSPOSE SPLIT

278456

C1 D1 E1 F1 G1 A1 B1 C2 D2 E2 F2 G2 A2 B2 C3 D3 E3 F3 G3 A3 B3 C4 D4 E4 F4 G4 A4 B4 C5 D5 E5 F5 G5 A5

B0A0G0F0E0D0C0B-1A-1

Tuning keys

(See page 15)

ROOM
HALL 1
HALL 2
STAGE

REVERB

MIN

MASTER VOLUME

HARD
MEDIUM
SOFT
FIXED

EFFECT TOUCH

MAX

FUNCTION

TRANSPOSE SPLIT

PIANO 1

PIANO 2 CLAVI.TONE E.PIANO 1 E.PIANO 2

ROOM

HARD

HALL 1

MEDIUM

HALL 2

SOFT

STAGE

FIXED

REVERB

EFFECT TOUCH

PIANO 2 CLAVI.TONE E.PIANO 1 E.PIANO 2

PIANO 1

STRINGS

PIPE

ORGAN 1

ORGAN 2

VARIATION

METRONOME

– /

HARPSI­CHORD

PIPE

9@0 !

PIANO SONG

RECORDER

DEMO

/

START

/

12

REC

STOP

STEREO SAMPLING

PIPE

PIPE

HARPSI-

ORGAN 1

ORGAN 2

STRINGS

CHORD

VARIATION

METRONOME

– /

TEMPO/
SONG

NO+ / YES

TEMPO/

SONG

NO+ / YES

CLP-

511

DEMO

PIANO SONG

/

ROOM

HARD

HALL 1

MEDIUM

HALL 2

SOFT

STAGE

MASTER VOLUME

FIXED

EFFECT TOUCH

MAX

FUNCTIONTRANSPOSE

PIANO CLAVI.TONE E.PIANO 1 E.PIANO 2

ROOM

HARD

HALL 1

MEDIUM

HALL 2

SOFT

STAGE

FIXED

REVERB

EFFECT TOUCH

PIANO CLAVI.TONE E.PIANO 1 E.PIANO 2

HARPSI­CHORD

PIPE

PIPE

HARPSI-

ORGAN 2

ORGAN 1

CHORD

VARIATION

ORGAN 1

ORGAN 2

VARIATION

METRONOME

– /

TEMPO/

SONG

NO+ / YES

PIANO SONG

DEMO

/

METRONOME

RECORDER

START

/

REC

STOP

STEREO SAMPLING

PIPE

PIPE

MASTER VOLUME

MIN

1

POWER

Tuning keys

PHONES Jacks

(Bottom Panel)

○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○

2

(See page 15)

MAX

FUNCTION TRANSPOSE

REVERB

278346 9 @0 !

MIN

C1 D1 E1 F1 G1 A1 B1 C2 D2 E2 F2 G2 A2 B2 C3 D3 E3 F3 G3 A3 B3 C4 D4 E4 F4 G4 A4 B4 C5 D5 E5 F5 G5 A5

B0A0G0F0E0D0C0B-1A-1

TEMPO/

SONG

– /

NO+ / YES

CLP-

411

DEMO

PIANO SONG

/

The Control Panel

1 [POWER] Switch

Press the [POWER] switch once to turn the power ON, a second time

to turn the power OFF. When the power is initially turned ON, a voice
selector LED will light, and the power indicator located below the left end
of the keyboard will light.

RECORDER

START

12

$ #

B5 C6

/

STOP

D6 E6 F6 G6 A6 B6 C7

2 [MASTER VOLUME] Control

REC

The [MASTER VOLUME] control adjusts the volume (level) of

sound produced by the Clavinova’s internal stereo sound system. The
[MASTER VOLUME] control also adjusts headphone volume when a
pair of headphones is plugged into the PHONES jack (page 5).

3 [FUNCTION] Button

This button accesses a range of utility functions — including the MIDI
functions — that significantly enhance versatility and playability. See
page 20 for details.

4 [TRANSPOSE] Button

The [TRANSPOSE] button allows access to the Clavinova’s TRANS­POSE function (to shift the pitch of the entire keyboard up or down in
semitone intervals).

5 [SPLIT] Button (CLP-511)

Engages the split mode in the CLP-511, in which different voices can
be played on the left- and right-hand sections of the keyboard. See page 11
for details.

6 [REVERB] Button

The [REVERB] button selects a number of digital reverb effects that
you can use for extra depth and expressive power. See page 12 for details.

7 [EFFECT] Button

This button engages a chorus effect which can give your sound greater

START

STOP

RECORDER

/

#

REC

depth and animation.

8 [TOUCH] Button

The [TOUCH] button makes it easy to adjust the touch response of the
Clavinova to match your playing style. See page 14 for details.

9 Voice Selectors & [VARIATION] Button

The CLP-411 has seven voice selectors and a [VARIATION] button,
and the CLP-511 has nine voice selectors and a [VARIATION] button.
Simply press any of the voice selectors to select the corresponding voice.
The voice selector LED will light to indicate which voice is currently
selected. Press the [VARIATION] button so that its indicator lights to
select a variation of the currently selected voice.

B5 C6

D6 E6 F6 G6 A6 B6 C7

There is also a dual mode in which two voices can be played simulta­neously across the full range of the keyboard (see page 10 for details), and
a split mode on the CLP-511 which allows different voices to be played
by the left and right hands (see page 11 for details).

○ ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○

3

The Control Panel

0 [METRONOME] Button

Turns the metronome sound on and off. The [TEMPO/SONG] but-

tons, below, are used to set the tempo of the metronome sound, and the
volume of the metronome sound if used while the [METRONOME]
button is held — page 16.

! [TEMPO/SONG] (–/NO, +/YES) Buttons

These buttons adjust the tempo of the metronome function as well as
the playback tempo of the recorder function. The tempo range is from 32
to 280 beats per minute — page 16. These same buttons are also used to
select a piano song number for playback — page 7. The [TEMPO/
SONG] buttons are also used to adjust a range of other parameters (i.e.
their “–/NO” and “+/YES” functions).

@ [DEMO/PIANO SONG] Button

Activates the demo playback mode in which you can select playback of
different demonstration sequences for each of the Clavinova’s voices, and
a range of 30 piano songs. See page 7 for details.

%

Soft pedal

Damper pedal

Sostenuto pedal

● The Music Stand

CLP-511

# RECORDER [START/STOP] and [REC] Buttons

These buttons control the Clavinova’s recorder, letting you record and
play back just about anything you play on the keyboard — up to a maxi­mum of about 4,200 notes. See page 17 for details.

$ RECORDER [1] and [2] Buttons (CLP-511)

The CLP-511 has a 2-track recorder, and these buttons are used to
select the track(s) to be recorded or played back. See page 17 for details.

% Pedals

The soft (left), sostenuto (center) and damper (right) pedals provide a
range of expressive control capabilities similar to the pedal functions on
an acoustic piano. See page 13 for details.

If you will be using sheet music with your
Clavinova, raise the music stand built into its top
panel by lifting the rear edge of the music stand,
then flip down the music stand braces and engage
them with the corresponding recesses.

The music stand can be lowered after slightly
lifting it and folding the two brackets which sup­port it against the back of the stand.

● The Key Cover

To open the CLP-511/411 key cover lift it just
enough to clear the keys (do not lift excessively)
then slide the cover back into the main unit. To
close the cover slide it forward all the way and then
lower it gently until it closes completely.

CLP-511

○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○

4

Connections

CLP-511 CLP-411

34

MIDI

IN OUT

THRU

HOST SELECT TO HOST

PC-2 PC-1

MIDI

Mac

AUX IN

AUX OUT

RL

/

L+R

RL/L+R

12

34

MIDI

IN OUT

HOST SELECT TO HOST

PC-2 PC-1

MIDI

Mac

12

AUX IN

AUX OUT

RLRL/L+R

DOU-10

IN OUT THRU

DOU-10

CLP-511

AUX IN

RL/L+R

AUX OUT

RL/L+R

Stereo System

CLP-511

MIDI

Tone Generator

HOST SELECT TO HOST

PC-2 PC-1

MIDI

Mac

CLP-411

AUX IN

RL

1 AUX IN L and R Jacks (CLP-511: L/L+R and R)

These jacks are intended for use with an external tone generator
module such as the Yamaha DOU-10 Disk Orchestra Unit. The stereo
outputs from the external tone generator module are connected to the
AUX IN L and R jacks, allowing the sound of the tone generator to be
reproduced via the Clavinova’s internal sound system and speakers. A
line-level mono source can be connected to the L/L+R jack on the CLP-

511.

NOTE

• The input signal from the AUX IN jacks is delivered to the AUX OUT jacks,
but is not affected by the Clavinova’s volume control or reverb effect.

2 AUX OUT L/L+R and R Jacks

The AUX OUT L/L+R and R jacks deliver the output of the Clavinova for
connection to an instrument amplifier, mixing console, PA system, or record­ing equipment. If you will be connecting the Clavinova to a monaural sound
system, use only the L/L+R jack. When a plug is inserted into the L/L+R jack
only , the left- and right-channel signals are combined and delivered via the L/
L+R jack so you don’t lose any of the Clavinova’ s sound.

NOTE

• The AUX OUT jack signal must never be returned to the AUX IN jacks, either
directly or through external equipment.

3 MIDI IN, THRU (CLP-511) and OUT Connectors

The MIDI IN connector receives MIDI data from an external MIDI
device (such as the DOU-10 Disk Orchestra Unit) which can be used to
control the Clavinova. The MIDI THRU connector provided on the CLP­511 re-transmits any data received at the MIDI IN connector, allowing
“chaining” of several MIDI instruments or other devices. The MIDI OUT
connector transmits MIDI data generated by the Clavinova (e.g. note and
velocity data produced by playing the Clavinova keyboard).

More details on MIDI are given in “MIDI FUNCTIONS” on page 26.

4 TO HOST Connector & HOST SELECT Switch

This jack and selector switch allow direct connection to a personal
computer for sequencing and other music applications — without the need

Personal Computer

for a separate MIDI interface. See page 30 for details.

● PHONES Jacks

(Bottom Panel)

Two pairs of standard pair of stereo headphones can be plugged in here
for private practice or late-night playing. The internal speaker system is
automatically shut off when a pair of headphones is plugged into either of
the PHONES jacks.

○ ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○

5

Selecting & Playing Voices

Turn Power On..................................................................................................

After making sure that the Clavinova’s AC cord is properly plugged

POWER

into the Clavinova itself and plugged into a convenient AC wall outlet,
press the [POWER] switch located to the left of the keyboard to turn
the power ON. In some areas a plug adaptor may be provided to match
the pin configuration of the AC wall outlets in your area.

When the power is turned ON, one of the voice selector LEDs will

light.

Set the Volume..................................................................................................

MASTER VOLUME

MIN

CLP-511

PIANO 2 CLAVI.TONE E.PIANO 1 E.PIANO 2

PIANO 1

MAX

HARPSI­CHORD

STRINGS

Initially set the [MASTER VOLUME] control about half way

between the “MIN” and “MAX” settings. Then, when you start playing,
re-adjust the [MASTER VOLUME] control for the most comfortable
listening level.

Select a Voice.....................................................................................................

Select the desired voice by pressing one of the voice selectors. Use

the [VARIATION] button to select a variation of the current voice, as
required.

CLP-411

PIPE

PIPE

PIPE

ORGAN 1

PIPE

ORGAN 2

VARIATION

PIANO CLAVI.TONE E.PIANO 1 E.PIANO 2

HARPSI-

CHORD

ORGAN 1

ORGAN 2

VARIATION

Play................................................................................................................................

The Clavinova also offers keyboard touch response, so the volume
and timbre of notes played can be controlled according to how “hard”
you play the keys. The amount of variation available depends on the
selected voice.

Add Effects As Required.......................................................................

ROOM
HALL 1
HALL 2
STAGE

REVERB

EFFECT

○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○

6

You can also change add reverb and/or a chorus effect as desired by
using the [REVERB] and [EFFECT] buttons (see page 12 for [RE-
VERB] button operation, and page 13 for [EFFECT] button opera­tion).

Playing the Demonstration Tunes

Demonstration tunes are provided that effectively demonstrate each of the
Clavinova’s voices. There are also 30 piano songs that you can play individually,
all in sequence, or in random order. Here’s how you can select and play the
demo tunes.

CLP-511

PIANO 2 CLAVI.TONE E.PIANO 1 E.PIANO 2

PIANO 1

CLP-411

PIANO CLAVI.TONE E.PIANO 1 E.PIANO 2

DEMO

/

PIANO SONG

HARPSI­CHORD

START

STOP

HARPSI-

CHORD

PIPE

ORGAN 1

TEMPO/

– /

NO+ / YES

/

STRINGS

PIPE

ORGAN 2

SONG

PIPE

ORGAN 1

VARIATION

PIPE

ORGAN 2

VARIATION

Engage the Demo Mode .........................................................................

Press the [DEMO/PIANO SONG] button to engage the demo mode

— the voice selector indicators will flash in sequence.

Play a Voice Demo or Piano Song...............................................

● Voice Demo Playback

Press one of the voice selectors to start playback of the correspond­ing voice demo tune — featuring the voice normally selected by that
voice selector button. The indicator of the selected voice selector
button will flash during playback, and “---” (relative tempo) will
appear on the LED display. You can start playback of any other voice
demo tune during playback by simply pressing the corresponding
voice selector. You can stop playback at any time by pressing the
[START/STOP] button, the voice selector of the currently playing
demo.

● Piano Song Playback

To play any of the 30 piano songs provided, use the [TEMPO/SONG]
buttons to select the number of the tune you want to play (the number will
appear on the LED display), then press the [START/STOP] button.
Playback will stop automatically when playback of the selected piano
song has finished. To randomly select and play one of the piano songs
press the [VARIATION] button while playback is stopped.
Select “ALL” instead of a number to play all piano songs and voice
demo tunes in sequence, or select “rnd” to continuously play all
piano songs and voice demo tunes in random order. The [VARIA-

TION] button indicator will flash during playback. Press the [START/
STOP] button to stop playback. If a voice selector is pressed while

“ALL” is showing on the display, playback will begin from the corre­sponding song.

• While a voice demo or piano song is playing, you can use the [TEMPO/

NOTE

SONG] buttons to adjust the playback tempo as required. This produces
a relative tempo variation, with a range from “-99” through “---” to “99”.

• Use the [MASTER VOLUME] control to adjust the volume.

• The demo mode cannot be engaged while the recorder (page 17) is in

use.

• The default tempo is automatically selected whenever a new song is
selected, or playback of a new song begins during “

ALL

” or “

rnd

playback.

• No MIDI reception occurs in the demo mode.

• The demo/piano song data is not transmitted via the MIDI connectors.

* See page 48 for a complete listing of the demo tunes.

DEMO

/

PIANO SONG

Exit From the Demo Mode ...................................................................

After stopping demo playback, press the [DEMO/PIANO SONG]

button to exit from the demo mode and return to the normal play mode.

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7

Playing the Demonstration Tunes

Piano Song A-B Repeat

specified phrase within a piano song. Combined with the Part Cancel
function described below, this provides an excellent way to practice
difficult phrases.

Specify the Beginning (A) of the Phrase..............................

The A-B Repeat function can be used to continuously repeat a

RECORDER

START

STOP

FUNCTION

the beginning of the phrase you want to repeat. This sets the “A” point
(“A-” will appear on the display).

To set the “A” point at the very beginning of the song, press the

[FUNCTION] button before starting playback.

Specify the End (B) of the Phrase ...............................................

Select and play a piano song, then press the [FUNCTION] button at

FUNCTION

Press the [FUNCTION] button a second time at the end of the

phrase. This sets the “B” point (“A-b” will appear on the display). At
this point repeat playback will begin between the specified A and B
points.

Stop Playback....................................................................................................

Press the [START/STOP] button to stop playback while retaining

/

REC

the specified A and B points. A-B repeat playback will resume if the
[START/STOP] button is then pressed again.

To cancel the A and B points press the [FUNCTION] button once.

NOTE

• The A and B points are automatically canceled when a new song is
selected.

• The A-B Repeat function cannot be used during “
back.

ALL

” or “

rnd

” play-

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Playing the Demonstration Tunes

Piano Song Part Cancel (CLP-511)

The 30 piano songs provided on the CLP-511 have separate left- and
right-hand parts that can be turned on and off as required so you can
practice the corresponding part on the keyboard. The right-hand part is
played by the recorder’s [1] track, and the left-hand part is played by
recorder’s [2] track.

Turn the Desired Part Off ......................................................................

RECORDER

12

12

12

START

RECORDER

START

RECORDER

STOP

STOP

START

STOP

/

REC

part off — the corresponding indicator will go out (these buttons
alternately toggle the corresponding part on and off).

Press the RECORDER [1] or [2] button to turn the corresponding

NOTE

• The parts can be turned on or off even during playback.

• The Piano Song Part Cancel function cannot be used during “
“

rnd

” playback.

• The “Piano Song Part Cancel Volume” function described on page 25 can

be used to set the canceled part so that it plays at a volume from “0” (no
sound) to “20”. The default setting is “5”.

• Both parts are automatically turned ON whenever a new song is selected.

ALL

” or

Start/Stop Playback.....................................................................................

/

REC

Press the [START/STOP] button to start and stop playback as

required.

Synchro Start .....................................................................................................

/

REC

When the Synchro Start function is engaged, playback of the se­lected piano song will begin automatically as soon as you start playing
on the keyboard.

To engage the Synchro Start function press the [START/STOP]
button while holding the part button corresponding to the part which is
ON. The rightmost dot on the display will light. Playback will then start
as soon as you begin playing on the keyboard.

NOTE

• If you hold a track button which is OFF while pressing the [START/STOP]
button, that track will be turned ON and the Synchro Start mode will be
engaged.

Left Pedal Start/Stop..................................................................................

The left pedal can be assigned to start and stop piano song playback

via the “Left Pedal Mode” function described on page 25.

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The Dual Mode

The dual mode makes it possible to play two voices simultaneously across

the entire range of the keyboard.

IANO 1 E.PIANO 2

HARPSI-

CHORD

To activate the dual mode simply press two voice selectors at the
same time (or press one voice selector while holding another). The
voice indicators of both selected voices will light when the dual mode
is active. To return to the normal single-voice play mode, press any
single voice selector.

NOTE

• The dual and split modes (CLP-511) cannot be engaged at the same
time.

• The [VARIATION] button indicator will light if the variation is engaged for
either or both of the dual-mode voices. While the dual mode is engaged
the [VARIATION] button can be used to turn the variation for both voices
on or off. To use the variation for only one of the voices the setting must
be made prior to engaging the dual mode.

• The chorus effect will apply to both the dual mode voices as specified
after engaging the dual mode (the default effect on/off and depth settings
are different for each voice combination). The effect depth for the dual
mode voices can be individually set via the Dual Mode “1st Voice Effect
Depth” and “2nd Voice Effect Depth” functions described on page 23.

Other Dual Mode Functions ...............................................................

The CLP-411/CLP-511 Function mode provides access to a number
of other dual-mode functions, listed below. See the corresponding pages
for details.

• Dual Balance..........................................22

• Dual Detune ........................................... 22

• 1st Voice Octave Shift............................22

• 2nd Voice Octave Shift........................... 22

• 1st Voice Effect Depth............................23

• 2nd Voice Effect Depth........................... 23

• Slow-attack Strings (CLP-511) ...............23

• Reset......................................................23

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The Split Mode (CLP-511)

The split mode makes it possible to play two different voices on the keyboard
— one with the left hand and another with the right hand. The left-hand voice is
played on all keys to the left of (and including) a specified “split point” key, while
the right-hand voice is played on all keys to the right of the split point key.

SPLIT

SPLIT

To activate the split mode simply press the [SPLIT] button so thats

indicator lights. The split mode can be turned off at any time by press­ing the [SPLIT] button again so that its indicator goes out.

NOTE

• The dual and split modes cannot be engaged at the same time.

Selecting the Left-hand Voice ..........................................................

HARPSI-

O 2

CHORD

STRINGS

The voice that was selected before the split mode was engaged

becomes the right-hand voice in the split mode. To select a left-hand
voice press the corresponding voice selector while holding the [SPLIT]
button. The indicator of the left-hand voice selector will light while it is
pressed, then only the right-hand voice selector and [SPLIT] button
indicators will remain lit.

NOTE

• The variation can be individually turned on and off for the split mode
voices. Normally the voice indicator of the right-hand voice lights in the
split mode. The [VARIATION] can be used to turn the variation for the
right-hand voice on or off as required. While the [SPLIT] button is held,
however, the voice indicator of the left-hand voice lights, and in this state
the [VARIATION] button can be used to turn the variation for the left-hand
voice on or off as required.

• The chorus effect will apply to both the split mode voices as specified
after engaging the split mode (the default effect on/off and depth settings
are different for each voice combination). The effect depth for the split
mode voices can be individually set via the Split Mode “Left Voice Effect
Depth” and “Right Voice Effect Depth” functions described on page 24.

SPLIT

Example:

A-1 b=1 C 2 F~2

A-1 Bb-1 C2 F#2

Setting the Split Point...............................................................................

The split point is initially set at the F#2 key by default. You can reset

the split point to any other key by pressing the key while holding the
[SPLIT] button (the name of the current split-point key appears on the
LED display while the [SPLIT] button is held). The split point can also
be set via the Function mode (see below).

Other Split Mode Functions...............................................................

The CLP-511 Function mode provides access to a number of other
split-mode functions, listed below. See the corresponding pages for
details.

• Split Point ............................................... 23

• Split Balance .......................................... 24

• Right Voice Octave Shift ........................ 24

• Left Voice Octave Shift........................... 24

• Right Voice Effect Depth ........................24

• Left Voice Effect Depth........................... 24

• Damper Mode ........................................24

• Reset......................................................24

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11

Reverb

The [REVERB] button selects a number of digital reverb effects that you can

use for extra depth and expressive power.

ROOM
HALL 1
HALL 2
STAGE

REVERB

To select a reverb type press the [REVERB] button a few times

until the indicator corresponding to the desired type lights (the indica­tors light in sequence each time the [REVERB] button is pressed). No
reverb is produced when all indicators are off.

OFF

No reverb effect is selected when no REVERB indicator is lit.

ROOM

This setting add a continuous reverb effect to the sound that is similar
to the type of acoustic reverberation you would hear in a medium-size
room. This is the default reverb setting.

HALL 1

For a “bigger” reverb sound, use the HALL 1 setting. This effect
simulates the natural reverberation of a medium-size concert hall.

HALL 2

For a really spacious reverb sound, use the HALL 2 setting. This effect
simulates the natural reverberation of a large concert hall.

STAGE

A simulation of the type of reverb produced in a stage environment.

ROOM
HALL 1
HALL 2
STAGE

REVERB

TEMPO/

SONG

– /

NO+ / YES

Adjusting Reverb Depth.........................................................................

The depth of the selected reverb effect can be adjusted for the

current voice by using the [–/NO] and [+/YES] buttons while holding
the [REVERB] button. The depth range is from 0 through 20 (the
current depth setting appears on the LED display while the [REVERB]
button is held). A setting of “0” produces no effect, while a setting of
“20” produces maximum reverb depth. Press the [–/NO] and [+/YES]
buttons simultaneously while holding the [REVERB] button to recall
the default setting: “10”.

• The reverb type and depth settings affect all voices.

NOTE

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12

The Chorus Effect

The [EFFECT] button engages a chorus effect that can give your sound

greater depth and animation.

EFFECT

TEMPO/

EFFECT

SONG

– /

NO+ / YES

The Pedals

The [EFFECT] button turns the chorus effect on (indicator lit) and
off (indicator off).

NOTE

• The default effect on/off settings are different for each voice.

Adjusting Effect Depth.............................................................................

While the chorus effect is on the effect depth can be individually
adjusted for the selected voice by using the [–/NO] and [+/YES]
buttons while holding the [EFFECT] button. The depth range is from 0
through 20 (the current depth setting appears on the LED display while
the [EFFECT] button is held). A setting of “0” produces no effect,
while a setting of “20” produces maximum effect depth. Press the

[–/NO] and [+/YES] buttons simultaneously while holding the [EF­FECT] button to recall the default setting for the current voice (the

default depth settings are different for each voice).

Soft pedal

Sostenuto pedal

The CLP-411 and CLP-511 have three foot pedals that produce a range of

expressive effects similar to those produced by the pedals on an acoustic piano.

Soft (Left) Pedal...............................................................................................

The soft pedal reduces the volume and slightly changes the timbre of
notes played while the pedal is pressed. The soft pedal will not affect
notes which are already playing when it is pressed.

The left pedal can also be assigned to song start/stop operation via
the “Left Pedal Mode” described on page 25.

Sostenuto (Center) Pedal......................................................................

Damper pedal

If you play a note or chord on the keyboard and press the sostenuto
pedal while the note(s) are held, those notes will be sustained as long as
the pedal is held (as if the damper pedal had been pressed) but all
subsequently played notes will not be sustained. This makes it possible
to sustain a chord, for example, while other notes are played “staccato.”

Damper (Right) Pedal................................................................................

The damper pedal functions in the same way as a damper pedal on
an acoustic piano. When the damper pedal is pressed notes played have
a long sustain. Releasing the pedal immediately stops (damps) any
sustained notes.

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