TC electronic G Card User Guide

CONGRATULATIONS
CONGRATULATIONS ON THE PURCHASE OF YOUR NEW G-CARD.
WE HOPE THAT YOU HAVE AS MUCH PLEASURE USING IT AS WE HAD MAKING IT.
1
BEFORE YOU START USING THE G-CARD
The G-Card requires that the G-Force has a
current software version of 1.13 or later
This is what you do to check your
software version and load the new software:
- POWER OFF YOUR G-FORCE.
- INSERT THE G-CARD.
- POWER UP.
If the G-Force card prompts “Card Accepted”,
you have the right software and you can start
using the card right away. If the G-Force
prompts “New Card”, you will need to update
the G-Force software.
- POWER OFF.
- POWER ON IMMEDIATELY WHILE PRESSING
AND HOLDING THE ENTER KEY.
- PRESS THE ENTER KEY TO LOAD THE
NEW SOFTWARE.
After a brief pause, the G-Force will begin
loading the new software.
When the G-Force reads “Load PCMCIA”
again, dial the Value wheel to “Start” and
press Enter.
The G-Force now starts up. Note that the
software version number during the start up
sequence has now changed to 1.13.
HOW TO USE THE G-CARD
The G-Card contains 245 presets partitioned
into three banks. When you want to load the
presets, insert the G-Card and press the
Recall key.
You can now choose between the three
banks of the G-Card by placing the cursor on
the “bank” selector and dialing the Value
wheel. Banks 1 & 2 contain 100 presets each
and bank 3 contains the last 45 presets.
Select the bank you want to recall, and
move the cursor back to the “preset”
parameter. Now use the Value wheel to scroll
through the presets and press the Enter key
to load the new preset.
NOTE: THE G-CARD IS A READ-ONLY TYPE CARD.
THIS MEANS THAT YOUR CHANGES MUST BE
STORED IN THE G-FORCE USER BANK.
2
CHANGES FROM SOFTWARE V1.12 TO V1.13.
SOFTWARE VERSION 1.13 CONTAINS THE FOLLOWING CHANGES:
MIDI PROGRAM CHANGE RE-TRANSMIT
The G-Force is now capable of re-
transmitting an incoming MIDI prg. change.
This feature has been added to the Custom
map on the I/O Setup, MIDI page. This
enables the user to not only remap an
incoming prg. change but also to determine
whether the current prg. change should be re-
transmitted to other devices receiving MIDI
information from the G-Force MIDI output.
NOTE: A PRG. CHANGE IS RE-TRANSMITTED ON
THE G-FORCE MIDI OUT CONNECTOR, WHILE THE
MIDI THRU CONNECTOR TRANSMITS A COPY OF
THE SIGNALS RECEIVED ON MIDI IN CONNECTOR.
BLOCK STATUS ON/OFF
SENT OUT AT PRESET CHANGE
The G-Force now sends out the block bypass
state at preset change. The bypass state is
sent out according to the MIDI controller
numbers set up in the I/O Setup, Control
page, e.g. the Compressor block’s bypass is
set up to be controlled by MIDI Basic ch,
controller #25, the bypass state will be
transmitted on this particular controller at
each preset change.
This feature can be used in conjunction
with some of the foot controllers on the
market that do not have the ability to update
bypass switches state at preset change. By
connecting the G-Force MIDI Out to the foot
controller MIDI In, the G-Force can now
update the foot controller’s bypass switch
state at each preset change.
PARAMETER DIAL DIRECTION
This parameter enables you to change the
cursor direction when dialing the Parameter
wheel. Choose whether the cursor should
move up or down when dialing the parameter
wheel clockwise.
The Parameter Dial Direction parameter
has been added in the Utility page.
MULTIPLE CARD BANKS
The G-Force is now capable of addressing
multiple preset banks on cards.
Store to card banks: Insert card. To store
a preset to a particular bank, press the Store
key and scroll the storing spaces using the
Value wheel until you see the desired card
bank and storing number. Press Enter to
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confirm. The total number of banks depends
on the card size, e.g. a 512kb card can hold
up to 9 banks of 100 user presets.
Recall from card banks: Insert card. Press the
Recall key. Move the cursor to the "bank"
selector and dial the Value wheel to select the
desired bank. Move the cursor back to the
"Preset" parameter. Scroll to the desired
preset and press Enter to load the new
preset.
CARD TYPES USED FOR MULTIPLE BANKS
S-RAM Type 1 PCMCIA cards, with minimum
64kbytes, maximum 2Mbytes.
If the card has been used with earlier version
of the G-Force software, the card has to be
formatted in order to be able to address
multiple banks. This is done by “dumping” a
copy of the internal user bank to the card.
- PRESS UTILITY.
- SELECT "USER BANK TO CARD" AND
PRESS ENTER.
The User bank will now be copied to the card
and the card will be formatted during this
action.
WARNING: THIS ACTION WILL DESTROY ALL DATA
ON THE CARD.
CHANGES FROM SOFTWARE V1.12 TO V1.13.
4
TC Electronic would like to thank all of the artists involved with this project.
Additional G-Force presets were provided by:
Andrew Schlesinger, Michael James & Keith Wechsler, Craig Anderton, Blues
Saraceno, Brian Swerdfeger, Bernie Chiaravalle, Matthew Nelson, Gunner Nelson,
Guy Defazio, and Tomo at Rudy’s Music Center, NYC.
DAVID ‘FUZE’ FIUCZYNSKI
David ‘Fuze’ Fiuczynski has been twice hailed by Guitar Player magazine as an
important guitarist to watch. He has also been enthusiastically reviewed by
Musician, Pulse, Interview, Downbeat, Jazz Times, JazzIs and numerous other
magazines worldwide. For the past twelve years, he has been the band leader and
primary writer for the eclectic and highly acclaimed group, Screaming Headless
Torsos, touring worldwide supporting two album releases. He also has two other
current projects: David Fiuczynski Fuzetet and Strawberry Acid Lab. ‘Fuze’ has
performed, toured and/or recorded with the artists Me’Shell NdegeOcello, Bernie
Worrell, The Brecker Bros., Vernon Reid, Don Pullen, John Zorn, Lonnie Smith, Bob
Moses and many others. Fiuczynski was born in the United States and raised in
Germany. He returned to the U.S. for college, and was awarded a Bachelor of Music
degree from the New England Conservatory in 1989.
‘Fuze’ currently lives in the New York City area.
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C1 33 PSYCHEDELIC S WEEPER 2
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C1 35 FLANGED C RY BABY
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KERRY MARX
Kerry Marx is a Nashville, Tennessee based “first call” session guitarist. He is
currently the house “picker” on The Nashville Network’s “Prime Time Country” daily
television show. Kerry’s session career varies from major record label releases for
Bob Dylan and Johnny Cash to Stage, TV and Recording performances with Shania
Twain, Amy Grant, Keith Richard, John Fogerty, Neil Young, Santana and many
other major artists and acts. Kerry has also played on many Live TV appearances
and sessions as well as on a plethora of advertising jingles. He has also toured the
U.S., Europe & Japan with country music artists like Johnny Cash, Ronnie Milsap,
Jerry Reed and Ray Price.
C1 43 TELE S OMETHING G OOD
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ADAM ROGERS
Adam Rogers lives and works in the New York City area as a session and performing
guitarist. Adam’s live playing and record date experience includes gigs and
recording sessions with artists such as The Brecker Bros., Gil Evans Orchestra, Bill
Evans Band, Walter Becker(Steely Dan), Lost Tribe(co-leader), Gil Goldstein, Jack
McDuff, Groove Collective, Tango Kings, Mike Maineri and others.
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C1 12 BASIE E NVELOPES
C1 13 REVWAPANIC
C1 14 HIGH L IFE D ELAY
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RANSWAH
O RGAN
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INFX PRODUCTIONS
INFX Productions is comprised of two individuals, Roey Shamir and Angela Piva,
who both function in a variety of creative and technical modes. Serving as album and
movie soundtrack mixing and recording engineers; as well as also functioning as
songwriters, producers and remixers for other album productions. Additionally,
INFX’s in-house audio lab and studio serve as official alpha/beta test site to several
Computer Hardware/Software, Musical Instrument, Pro Audio and Internet
companies. Projects include remixes for Robert Palmer, Rod Stewart, Ashford &
Simpson, LL Cool J, Sting, Roberta Flack(Quincy Jones) and Yoko Ono. Recent
recording projects included Mary J. Blige, Naughty By Nature, Robin S, Next, Zhane,
Groove Theory, Changing Faces and Az Yet.
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DAVID TORN
David Torn hails from the upstate New York area. He was twice voted by Guitar
Player Magazine Reader’s Poll, Best Experimental Guitarist in 1995 & 1997. David
has played guitar on sessions for artists of k.d. Lang, Andy Summers, Jewel, Mark
sham, Ryuichi Sakamoto, Jack Bruce, Bill Bruford and others. David has provided
guitar textures as a soloist on film projects for: Conspiracy Theory, Kalifornia,
Airheads, A Dangerous Woman, The Chamber, Storyville, Reversal of Fortune, Short
Cuts, Kiss The Girls, Romeo Is Bleeding and many other major film soundtracks. He
has also produced numerous recording projects.
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MICHAEL BRADFORD
Michael Bradford is a musician(guitar, bass, keyboards, drums), recording engineer,
MIDI programmer and sound designer, living in the Los Angeles area. His
discography credits include Terence Trent D’arby, Madonna, Anita Baker, Spice
Girls, Soul Asylum, Brownstone, Keith Washington and Jennifer Holiday amongst
many others. Michael has also worked with composer Hans Zimmer on the Robert
Deniro film “The Fan”, as well as with arranger/conductor Paul Buckmaster on
numerous television and film projects.
C2 35 DIS-ORIENT
C2 36 SHIMMERING
C2 37 ECM AFTER D ARK
C2 38 MELLOW B LUE
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JERRY MCPHERSON
Jerry McPherson currently resides in Nashville, TN where he has done guitar
session work for over 20 years.
For the last 14 years, Jerry has toured worldwide and recorded with Amy Grant
as well as appearing live on the Grammy Awards Show, The Tonight Show starring
Jay Leno, and Late Night w/ David Letterman. Other session work includes:
Hank Williams Jr., Barry Manilow, Michael Bolton, Reba McIntire, Bruce
Springsteen, Vanessa Williams, Peter Cetera, Kenny Rogers, Take 6, Michael W.
Smith, DC Talk and BeBe & CeCe Winans. Jerry stays busy doing sessions,
songwriting, producing, gear programming, collecting vintage guitar gear and film
scoring.
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C2 58 WOW AND F LUTTER
C2 59 COWBOYS
C2 60 HEAD-EAST
C2 61 SWINGPHASE
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FRANK GAMBALE
Anybody who keeps up with developments in modern guitar styles and techniques
needs no introduction to Frank Gambale. From his days as guitarist with Chick
Corea’s Elektric Band, through his eight solo releases, Gambale has displayed his
style and guitar virtuosity in a variety of musical setttings. Although Frank acheived
terrific notoriety as a result of his years in Corea’s groundbreaking jazz fusion group,
the popularization of his guitar technique known as “sweep picking” has made him
an influential player to both metalheads and jazzers alike. Frank, who originally hails
from Australia, currently resides in Los Angeles where he is Head of the Guitar
Department at the L.A. Music Academy.
Frank also spends a great deal of time touring and giving guitar seminars worldwide.
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DWEEZIL ZAPPA
Dweezil is the prodigal son of the late rock iconoclast, Frank Zappa. Dweezil carries
on his father’s legacy as a rock guitar pioneer. Besides his famous dad, Dweezil’s
guitar playing influences include Edward Van Halen, Randy Rhoads, Jimmy Page,
Angus Young and Warren DiMartini. In addition to three solo releases and a
collaborative project with his brother Ahmet, Dweezil has played guitar on projects
for Tim Pierce, Blues Saraceno, Spinal Tap, Extreme, Sam Kinison, The Vandals,
and Winger as well as playing on various movie scores. Dweezil currently lives in the
Hollywood Hills where he continues to play, record and collect an impressive array
of vintage guitar equipment, including a Fender Stratocaster that Jimi Hendrix set on
during a concert in Miami, Florida.
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JOHN JORGENSON
John Jorgenson is a guitar player’s player. John is the founder and leader of the
Hellecasters, a trio of virtuoso guitarists which includes the talents of Jerry Donahue
and Will Ray. John is also known for his participation in the legendary country-rock
group The Desert Rose Band, which included original Byrds member Chris Hillman.
John is currently on a worldwide tour as one of the two guitarists in the Elton John
Band. John currently resides in Los Angeles and lists his musical influences as The
Beatles, The Rolling Stones, The Byrds, Santana and The Cream, among others.
Born in Madison, Wisconsin in 1956, the multi-talented Jorgenson has been playing
piano since age 5, clarinet since age 8, and guitar since he was twelve years old.
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