Page 1

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TASCAM
TEAC
Professional
388
STUDIO
A
División
8
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OPERATION/MAINTENÁÑCD
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Page 2

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the
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abilities
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of
as
resulta
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at
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least
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ííndlher^
TABLE
Introduction
The
The
Recording
Setup
OF
CONTENTS
Mixer
Recorder
the
BasícTrack
Recording
Overdubbing
Remix
Ping-pongíng,
Tracks
Punch-in
The
Actual
Remote
RC-30P
Work
Methods
Planning
Apparent
How
to
A
Word
Common
Applications
Electronic
Video/Film
Features
Collapsing,
and
Insert
Punch-ln
Punch-in/out
Pedal
and
Use
Your
of
Mixing
Sense:
Music
Editing
Absolute
Equalizer
Advice
Care
Studio
Production
and
Controls
Accessories
Voltage
Note
Conversión
for
U.K.
Customers
Specifications
Pictogram
Block
Leve)
Diagram
Díagrams
or
Bouncing
using
the
Valúes
and
Maintenance ...
■
• •
■
11
12
13
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1^
1°
1°
op
21
25
26
^9
44
46
47
49
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6
7
9
9
©
Copyright
All
rights
American
This
in
parí,
without
WARNING:
TO
PREVEN?
HAZARD,
APPLIANCE
MOISTURE.
This
on
model
retain
Model
Serail
reservad
copyright
book
may
by
permission.
FIRE
DO
TO
apparatushasa
the
rear
panel.
number
them
for
number
number
1985,
TEAC
under
international
conventions.
nót
be
reproduced
mimeograph
GR
NOT
EXPOSE
RAIN
OR
serial
Please
and
serial
your
records.
SHOCK
THIS
number
record
number
or
located
Corporatíon"
and
Pan
in
any
whole
othe
H
>^|\K
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or
means,
CAUTION
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the
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A
MAINTENANCE
CAUTION:
DO
H
NOT
ABLE
SERVICE
The
lightning
tríangle,
"dangerous
sufficíent
The
exclamation
alert
the
nance
appliance.
TO
REDUCE
RÉMOVE
PARTS
PERSONNEL.
is
intended
voltage"
magnitude
user
(servicing)
COVER
INSIOE.
flash
with
to
uvithín
to
point
of
the
presence
instructíons
THE
RISK
(OR
REFER
arrowhead
aíert
the
the
constitute a risk
within
BACK).
SERVICING
symbol
user
to
product's
of
an
equilateral
of
important
in
the
literature
OF
ELECTRIC
NO
USER-SERVICE-
TO
within
the
presence
enclosure,
electric
shock
triangle
operating
accompanying-the
1-1
SHOCK.
QUALIFIEO
an
equilateral
of
unínsulated
that
may
to
persons.
Is
intended
and
mainte
be
of
to
-2-
Page 3

INTRODUCTION
Your
duction
X 2 mixer
with
fui!
SMPTE/EBU/computer
"turn
for
visión
eliminates
"patching"
audio
functions
complex
reduce
necéssary
Studio 8 is a complete
system.
It
contains a ful!
with 8 channel
an
eight
servo
key"
video,
spots,
As a complete
production.
work
to
track
recorder/reproducer
control,
production
jingles,
and
the
normally
are
operations
get
commercial
music.
system,
time
consuming
associated
The
engaged
by
reducing
things
are
done.
remote
facility
automatically
eight
track
function
monitoring;
combined
capability,
interface.
your
most
internally
the
It
is
for
off-line
radio
Studio 8 virtually
with
frequently
number
and
and
confusing
multi-track
and
wiréd
8x8
an
audio
many
of
pro-
with
and
ideal
tele
used
to
steps
THE
MIXER
The
Studio 8 mixer
the
máximum
tremendous
available
plicated
soma
cult
fundamental
to
cularly
will
ensure
ful
creativa
Your
elements
All
audio
Input,
tion
systems,
signáis
turntables,
Processed
and
tonal
converted
speakers,
number
on
your
and
intimidating.
understand.
when
combinad
that
tool
mixer
is a system, a group
working
systems
Process,
from
microphones,
tape
electrónically
qualities.
into
and
headphones.
was
designad
flexibility
mixer
and
of
features
can
make
performance.
But
principies
This
your
Studio 8 wiII
that
is
aiso
together
have
three
and
Output.
the
Input
that
understanding,
with
soma
easy
as a unified
things
In
consists
instruments,
recorders,
The
sound,
etc.
These
to
balance
resulting
Output
to
próvida
and
controls
it
seem
all
mixers
are
not
experience,
be a power-
to
use.
of
individual
in
common:
audio
produc
of
electrical
signáis
their
signáis
by
are
amplifiers,
The
com-
share
diffi-
parti-
whole.
VTRs,
are
lavéis
then
rxj
o o
/
/
Output
Process
Input
-3-
Page 4

for
audio
proL,pl°u
sends,
come
or
mixer
from
sianri'^^'°"^u^^
^
traffic
control
It
takes
center
múltiple
routpc
controk
anH
"u
'^nd
howmuch"signalgoesthere.;
múltiple
signáis
Talent
Cue
outputs.
go
to
and
So
Larga
subsystems
□□
@@
@
own
made
as
system
Output.
right.
up
submixers,
systems
—
Your
of
several
requirements
may
each
be
of
which
Studio 8 mixer
of
these
each
of
Control
and
of
Monitor
Amplifler
broken
down
is a system
Is
actually
subsystems,
which
Input,
possesses
Process
known
into
in
its
the
and
The
largest
receives
them
through
busses,
The
Main
recorder
punch-in,
mttruments
of
signáis
submixers,
to
Mix
cut
and
INPUT
from
the
is
basic
remix.
input
used
these
múltiple
channeis
outputs,
in
tracks,
The
EQUALIZER
is
the
Main
inputs
to
the
and
the
conjunction
overdub,
Main
Mix
FADER
Mix.
and
routes
program
recorder.
with
the
ping-pong,
system
ASSIGN
(Reverb.
Echo.
It
Delay,
Comp..
etc.)
could
mixer,
FADEfi
STEREO
MASTER
aiso
or
as
be
used
an
electronic
as a sound
music
mixer.
0
•)
•)
BALANCEO
-'""bvunbauanced
PGMOUTSI
reinforcp
"^^nt
S
- 4 -
FAOER
PGM
FADERS
O
O
Page 5

The
Monitor
program
These
individual
are
used
recordad
rehearsing
through
and
busses
signáis
leve!
so
and
overdubs.
the
speakers
MONITOR
Mix
takes
or
the
are
automatically
and
pan
that
the
talent
new
materia!
The
headphone
getting
their
OUTputson
its
signa!
recorder's
routed
controis.
can
hear
whüe
Monitor
jacks,
or
signáis
the
back
via
from
from
playback.
through
Monitor
mixes
previously
recording
Mix
is
heard
an
ampüfier
the
stereo
pane!.
the
or
MONITOR
R.
MONITOR
OUT
&
HEADPHONE
SELECT
SWITCH
INPUT
The
Effect
come
that
signa!
of
cessor's
your
cessor
the
use
necting
from
you
have a digital
processor
your
materia!.
effect
instrument
and
LINE
the
Studio
the
EQUALIZER
and
the
Main
that
on
one
or
piug
the
INput
of
8's
processor
FADER
Auxiüary
Mix
deiay,
you
!f
you
submixer
system.
reverb,
want
oniy
channe!,
microphone
output
the
channe!
of
mixer.
to
the
the
ACCESS
appropriate
ASSIGN
signáis
Let's
assume
or
another
to
use
on
want
you
couid
into
the
the
processor
You
couid
jacks,
some
pro-
piug
pro
into
aiso
con-
input
PGM
FADERS
channe!.
processor
But
on
simuitaneousiy.
signáis
to
back
nected
cessor's
EFFect
Stereo
of
the
EFFect
pane!.
to
output(s)
RTN
Buss
any
suppose
more
Your
combination
and
These
your
outputs
signa!
can
(return),
inputs.
that
you
want
than
one
Studio 8 is
of
AUXiiiary
can
processor,
be
connected
PGM
BUSS
to
input
abie
input
channeis
Output
then
and
the
INputs,
use
the
channe!
to
send
on
the
be
con-
pro-
to
the
or
o
AUX.
MASTER
INPUT
STEREO
®ZD
RTN
STEREO
EQUALIZER
EFFECT
OUTS
EFFECTS BUSS
BUSS
IN
L
1
BUSS
IN
R
GAIN
tN
MASTER
STEREO
MASTER
L
STEREO
OUTS
STEREO
MASTER
R
5
-
Page 6

THE
RECORDER
A
recorder's
It
records.
8's
recorder
¡nch
reels
of
sound.
with
But
other
it
also
sophisticated
of
cassette
face
connections
Picture
(European
chronizers
The
Studio 8 combines
open
cassette
that
never
what
convenience
achieved
of
panel
worid
port
to
machines
are
tronic
MIDI
to
computers,
and
SMPTE/EBU
trol
The
tion
that
reel
the
accidently
transport
the
open
"PI10
/\ccessory
of
of
control.
synchronize
also
musical
(Musical
synchronize
synthesizers
the
optional
Auto
also
job
is
Of
course,
uses
quarter-inch
to
record,
Your
Studio 8 has
reel-to-reel
differs
in
features
and
open
for
and
Televisión
Broadcast
and
editing
recorder
recorder.
tape,
while
reel
the
synchronization
Its
once
run
function
and
speed
the
is
retained.
interface
Studio 8 is
SMPTE/EBU
múltiple
during
being
transport
utilizes
the
used
by
instruments
Instrument
the
drum
Locater/Tape
machines,
during
controllers
functions
TASCAM
the
pretty
it
or
easy
also
plays.
piay
to
tape
up
to
much
muititrack
severa!
combine
reel
SMPTE
important
the
recorders,
(Society
Engineers)and
Unión)
systems
with
the
"LOAD"
it
has
off
time
are
provided.
the
flexibiüty
convenience
feature
been
threaded,
the
reels,
is
in
use.
of
the
flexibiüty
connectoron
the
gateway
and
computar
time
codes
video/film
editing
operations
Accessory
process.
the
manufactures
in
conjunction
Digital
of
signal
muititrack
can
be
used
of
your
AQ-65
Transport
is a multifunc-
jack.
understand.
Your
Studio
on
seven
eight
tracks
in
common
recorders.
ways:
advantages
and
inter-
of
Motion
EBU
code
no
Thus,
cassette
and
and
These
sequencers,
processors,
recording.
Studio
Controller
syn-
of
an
of
a
insures
will
matter
the
is
fidelity
the
back
to
the
trans
are
used
audio
codes
of
elecwith
Interface)
to
con
8.
Your
you
not
Play,
can
recorder
and
RC-30P
hand"
speed,
by
variety
thinks
a
ample,
runs
made
straints.
convenient,
The
functions
port
by
also
to
you
Studio 8 can
are
sitting
the
Studio
Stop,
be
located
Punch-out
footpedal,
in
the
The
Pitch
and
as
much
of
the
few
seconds
suppose
31.5
to
The
Studio 8 Memory
MEMORY
to
minimize
fast
forward,
use
the
in
front
8,
Fast
Forward,
up
to
using
the
can
recording
Control
thereby
as
15%
uses
from
worId
is a semi-tone
from
your
seconds. A pitch
make
the
they
handie
and
work
with
the
rewinds,
REPEAT,
create a playback
turn
it
off.
be
remotely
of
your
the
tape
transport
Rewind,
sixteen
optional
be
engaged
which
allows
the
plus
coping
your
thirty
feet
using
gives
process.
you
pitch,
or
rninus.
with a singer
program.
second
adjustment
material
fit
functions
your
RTZ
the
strain
loop
(Return
recorder's
placed
and
searches.
CUE,
and
that
controlled.
instrument
controls,
and
Record
away
from
RC-71.
you
of
sharp,
Punch-in
the
optional
an
to
adjust
the
Studio
This
to
As
"extra
has
cutting
an
commercial
can
the
time
are
not
tape
very
gently
To
Zero)
tape
trans
on
your
You
RTZ
functions
will
repeat
until
If
and
the
the
8
a
who
ex-
be
con-
oniy
tape
can
The
Studio 8 dbx
unwanted
turned
tioning,
reduction
is
provided
EBU
nizing
codes
create
tape
off
tapes
systems. A sepárate
and
FSK
codes
and
some
tracking
system
noise.
if
you
are
using
for
track
(Frequency
can
be
oider
errors
in
virtually
The
dbx
working
Dolby*
dbx
eight
recorded
model
the
so
Shift
drum
dbx
system
with,
or
similar
defeat
that
Key)
there.
machines
system.
eliminates
can
be
or
audi-
noise
switch
SMPTE/
synchro-
These
can
-6-
"'Dolby"
marks
ration.
and
of
Dolby
the
double-D
Laboratories
symbol
are
trade-
Licensing
Corpo-
Page 7

RECORDING
SETUP
1.
Llft
the
Thread a new
¡n
the
illustration
{small
and
variety,
Function
different
or
channel 1 in
the
of
earphones
"Y"
either
circuits
back
on
status.
the
The
When
to
put.
an
such
direct
level
microphone
Adjust
using
hub) 7 inch
take-up
ISOOfeet
wiii
lengths
2. With
microphone
3.
two
the
4.
5.
the
rear
6.
7.
the
instrument
NOTE:
8.
the
Plug
your
headphone
Studio
into
cords
Turn
panel.
Make
Press
tape
Set
of
these
if
you
the
top
Make
panel,
the
will
it
stops,
the
to
sure
panel
MIC
Set
it
to
Instruments
as
electric
box
to
to
use
the
Play
your
the
the
MIO
the
INPUT
position
volume
sure
watching
THE
cover
reels.
8.
do.
the
and
for
the
tape
onto
below.
reeis
Tape
(549
not
or
power
into
Studio
stereo
Never
either
connect
meters)
work
thickness.
off,
the
MIC
8's
headphones
jacks
plug
of
múltiple
jacks.
power
the
is
LOAD
run
press
on.
dbx
and
its
Track 8 dbx
on.
button
to a point
the
RESET
Selector
(left)
LINE
guitars
boost
line
the
LINE
their
input.
position
with
and
instrument
the
of
input,
turn
BASIC
tape
compartment.
the
recorder
Use
oniy
for
both
must
properiy
plug
mixer
these
You
The
is
LEDs
signal
your
the
be
in
your
or
LINE
section.
on
the
mono
jacks.
headphones
will
switch
on.
Its
will
defeat
on
past
button.
Switch
if
using
(center)
Input.
low
basses
to a sufficient
or
speak
OL
indicator
instrument
TRIM
TRACKS
as
shown
EIA
center
the
supply
the 1 mil
length.
with
instrument
into
front
Load
tapes
INput
one
panel
headphones/
Never
damage
is
switches
show
switch,
the
top
the
in
channel
the
output
should
into
use
the
on
you
panel.
leader.
MIO
if
using
levels
use
your
light.
or,
up
(clock-
of
of
of
to
the
are
its
on
In-
if
wise)
TRIM,
the
devices
theOL
tion.
are
shaded
switch
to
wise).
the
in
Make
(up).
recorder
lower
to
number
section.
start
in
EFF/LR)
the
should
if
above
panel.
the
1
the 3 o'clock
as
step
a
microphone
strument
number 1 registers a reading
Use
to a level
until
the
OL
OL
9.
Set
You
in
this
10.
Adjust
area
11.
Make
is
12.
Adjust
their
13.
Press
on
turn
stops
LED
position
it
counterclockwise
flashing.
will
have
light.
your
EQ
controls
will
feel
position.
the
Fader
between 7 and
sure
the
in
the
PRE
AUX
off
positions,
the
ASSIGN
(down).
insufficient
channel 1 fully
sure
the
other
14.
Press
right
15.
Adjust
the
blinking.
16.
the
17.
18.
PITCH
19.
so,
20.
shaded
21.
22.
the
sectión
hand
shaded
1
switch
The
LED
Make
CUE
Make
The
sure
position
is
in
three
be
in
You
may
press
the
STEREO
sure
CONTrol
the
the
Adjust
area
Put
headphones
Adjust
switch
of
córner
the
ODD
area
near
the
the
the
LR
position
FlXed
find
MONO
the
STEREO
between 7 and
MONITOR
position.
desired
19).
the
23.
if
Play
and
volume
Fader
Adjust
that
you
are
your
readjust
in
channel 1 also,
the
is
comfortable.
flashes;
then,
back
slightly
Note
that
some
output
to a 12
detents
AUX
(up)
and
fully
left
ASSIGN
the
between 7 and
in
MON
(up).
position
(center)
it
MASTER
when
in
channel 1 to
8.
PRE/POST
position.
EFF
switch
Rotate
rotary
left
(counterclock
marked
the
(counterclockwise).
switches
marked
Studio
of
the
PGM
the
the
METER
STEREO
8.
top
panel.
MASTER
REO
number 1 switch
switch
(PGM/CUE)
switch
(up).
rotary
in
the
easier
switch
switch
recorder
position.
to
work
that
Fader
MASTER
8.
on.
GAIN
Adjust
monitoring
instrument
the
until
the
control 1 to
MONITOR
in
or
speak
TRIM
TRK/PGM
between
if
necessary.
MONITOR/PHONES
off
until
line
level
to
make
o'clock
the
posi
controls
selector
controls
1—2
PAN
control
are
in
It's
in
Fader
8.
Press
FUNCTION
(AUX-
next
section
in
mono,
is
located
on
the
Fader
stereo
into
or
the
Meter
-3
and
control
the
the
to
off
the
the
the
will
is
to
top
to
PAN
(see
the
in
0.
- 7 -
Page 8

22
15
»g
n
b
17
10,
22
SETUP
m
m.
a
s
1
m
m
m
m
m
m
INITIAL
Switch
PGM/CUE
REC
FUNCTION
INSERI
SETUP
OF
THE
RECORDER
Setting
CUE
(up)
positíon.
(PGM — down — position
during
On
track(s)
Off
Ping-pong.)
(down)
to
be
(up)
position.
position
recordad.
(On - down - position
during
1
Punch-in.)
-8-
for
SECTION
the
LED
off
(turns
LED(s)
moda.
LED
off
(turns
in
on
stay
in
on
in
the
in
CUE.
PGM.)
on
the
Indicator
showing
up
position.
down
Record
position.)
Page 9

RECORDING
1.
Make
number 1 ¡s
other
in
the
2.
Whiie
into
the
you
feel
for
more
3.
When
way
you'd
in
the
FUNCTION
ly
and
will
be
4.
Play
phone,
RECORDING
sure
REC
up
position.
piaying
microphone,
are
¡nformation
your
like,
recorder's
the
on.
your
slowly
that
REC
down
FUNCTION
necessary.
with
Their
LEDs
your
instrument
make
Refer
on
EQ.
instrument
press
LED
red
instrument
count
REC
transport
will
LED
above
to
nineteen
FUNCTION
its
LED
switches
wül
any
EQ
to
"Work
or
volee
and
section.
stay
on
the
or,
if
switch
blinking.
should
be
off.
or
adjustments
All
be
speaking
Methods"
sounds
PLAY
The
continuous-
REC
using a micro-
using
the
buttons
REC
button
oniy
the
odd
numbers,
each
number.
upooming
5.
the
transport
pressed,
to
the
6.
switch,
7.
adjust
You've
not
satisfied
If
your
on
to
overdubbing.
When
in
zero
Press
turning
Press
PLAY
MONITOR/PHONES
completad
results
overdubbing.
pausing
You
finished,
section.
step 6 of
position
the
number 1 REC
it
for a fuII
will
need
press
Since
setup,
(00:00)
off
(up).
and
listen
your
with
the
results,
are
satisfactory,
count
these
the
RTZ
RESET
the
tape
and
stop.
Its
LED
to
your
level
if
first
track.
repeat
it's
between
pauses
for
the
button
has
been
will
return
FUNCTION
will
go
out.
track.
Re-
necessary.
If
you're
the
process.
time
to
move
in
1,6
OVERDUBBING
m
0-
rgoom
QOQOODO
S
You
will
recording
changas:
1.
microphone
You
your
Connect
can
continua
use
the
to
the
the
same
basic
track
new
source,
appropriate
to
use
channel 1 because
setup
as
you
with
the
instrument
channel 1 input.
did
for
following
or
the
-9-
channel's
route
recordar.
2.
down
PAN
ASSIGN
any
Make
(on)
fully
switches
channel's
sure
right,
ASSIGN
in
channel
clockwise.
signal
to
switch
1.
make
Adjust
it
any
possible
track
1—2
of
is
channel
to
the
still
1's
Page 10

3.
Press
down
will
blink.
TION
off.
4.
Raise
to
the
5.
Press
through
justments
trols.
Adjust
comfort.
6.
Adjust
instrument
proper
7.
Play
microphone.
will
aiso
use
oniy
them
used
on
8.
Adjust
TRK/PGM
9.
Rewind
button.
10.
Press
Make
switches
the
shaded
area
PLAY
headphones.
to
MONITOR 1 GAIN
the
MONITOR
or
balance
your
If
count
the
even
in
the
pauses
track
1.
the
Meter
the
It
should
REC
REC
FUNCTION
sure
all
other
are
off
(up)
with
EVEN
and
PGM
between 7 and
listen
Make
MASTERS
to
any
MONITOR/PHONES
GAIN 2 so
volee
in
on
channel
and
track 1 are
the
headphones.
instrument
you
counted
track
numbers
between
2.
It
should
tape
stop
at
and
PLAY
or
on
2.
The
to
the
Fader
1,
read
by
pressing
00:00.
at
2.
Its
LED
REC
FUNC
their
LEDs
Fader
8.
your
first
track
necessary
and
PAN
con-
level
that
your
at
speak
twenty,
while
the
into
track
objective
odd
cióse
1,
placing
numbers
watching
to
the
same
time.
0.
ad-
for
the
the
you
is
to
RTZ
REC
and
numbers
and
ti
MONO,
TOR
Adjust
desired
FUNCTION 2 LED
stay
on
continuousiy.
11.
Play
your
instrument
to
twenty.
RTZ.
12.
Press
ASSIGN
13.
Press
off
(up).
14.
PAN
REC
Its
You
LED
can
now
releasing
for 1 and 2 to
FUNCTION 2 switch,
the
MONITRO
level.
When
1-2,
will
listen
mono
GAIN
Tracks 3 through 8 can
similar
ences,
switches
correspond
controls
rotated
(4,
and
procedures
of
course,
and
to
in
any
to
match
6,
and
8)
tracks.
PAN
as
desired.
as
track 1 and
are
REC
FUNCTION
the
desired
channeis
the
ODD
Readjust
will
stop
or
count
finished,
turning
go
off.
to
mode.
the
press
it
off
both
tracks.
Adjust
desired
for 1 and 2 to
be
recorded
2.
that
the
PGM
switches
recorder
of
(3,5,
the
and
tracks.
mixer
7)
MONITOR
blinking
the
even
STOP
(up).
turning
Press
MONI
locatjon
the
using
The
differ-
ASSIGN
will
PAN
will
or
EVEN
GAIN
4^.
be
OVERDUBBING
6
4,14
9,
11
4 14
-
10
11
5
10
-
Page 11

REMIX
When
will
will
A
two
ble
22-2,
step
down
1.
puts
of
your
2.
Studio 8 to
3.
each
4.
7
to 8 position.
5.
be
switch
6.
are
off
7.
8.
PHONES,
TER
register
9.
your
want
need
track
to
the
32,
down
¡n
quantity
Connect
of
your
master!ng
Set
the
Press
of
your
Adjust
The
METER
in
the
in
the
Make
(up).
Press
PLAY
Fader
between
Adjust
another
Studio 8 ¡s
RTZto
channel
multitrack
to
convert
tape
recorder
or
equivalent).
¡n
quaüty
(number
the
XLR
Studio 8 to
recorder.
INPUT
the
RMX
(right)
the
ASSIGN
channels.
the
STEREO
switch
LR
position
up
position.
sure
all
REC
rewind
the
tape,
Faders,
for
level.
-3
and
channel
PAN
master
it
to a stereo
recorder
whose
required
quaüty
(TASCAM
You
just
because
of
tracks).
or
RCA
the
Line
Selector
switches
(AUX-EFF/LR)
the
adjusting
STEREO
switches
position.
MASTER
(up),
and
FUNCTION
tape.
the
and
STEREO
0.
controls
ís
finished,
master.
forthis
don't
STEREO
¡s
compara
your
process.
want
stepping
leve!
of
marked
Fader
should
the
MONO
switches
MONITOR/
Meters
as
should
desired.
you
You
modeis
to
GUT-
inputs
your
L-R
in
to
the
MAS
10.
Press
fresh
fifteen
your
counter
the
reference.
master
pause
pressing
same
if
Studio
Rewind
to
of
Remix,
monitor
in
hear
the
auxiliary
or
tape
seconds
mastering
and
11.
Play
the
leveis
on
The
12.
Press
deck
mode.
the
time.
13.
When
it's
in
record/pause
8.
14.
When
and
the
results,
changes
making
While
the
the
our
example,
your
MONITOR
ampiifier.
mix
or
RTZ
to
rewind
on
your
of
press
tape
your
meters
RTZ
into
mastering
tape
to
recorder.
its
zero
on
master,
should
to
rewind
its
record
Record
Record
the
and
master
is
mode),
finished,
play
the
if
you're
you'd
üke
the
Remix
stop
tape
not
to
desired
is
proceedings
or a speaker
through
OUTputs
tape
inputs
speakers
your
tape.
deck.
get
past
the
leader
Reset
return,
your
using
the
mode
Play
rolling
on
satisfied,
make
the
if
it
has
Studio
its
meters
register
Studio
mode
or
usually
buttons
(release
press
PLAY
both
the
master.
make
and
repeat
8.
-3
8.
recorders.
changes.
progressing,
using
headphones,
system.
(L
and
on
your
stereo
you
You
by
connecting
R)
Put
a
Run
off
on
master's
it.
Adjust
as
a
to
0.
Put
the
record/
entails
at
the
pause
on
the
Listen
notes
the
can
as
can
to
the
rece!ver
REMIX
(®¡
íj)'
6
5
7,
10,12
I
cacm
ooononn
O
O
OQD
11
8,
11,
13
-
Page 12

PING-PONGING,
COLLAPSING,or
BOUNCING
TRACKS
The
recording
not
limitad
your
recording,
you
need
more
the
recording
pong,
capability
technique
tracks
may
bouncing
material
8
PfiM
3
these
1
8 Its
TION
STEREO
Collapsing,
of
allows
onto
even
record
tracks.
For
the
recordad
of
the
Studio
1
Set
the
setting
Z
Set
the
3^
Press
and 4 Rotate
channels
4
Set
the
through 4 to
5
Press
LED
switches
6
Adjust
MASTER
capability
to
eight
tracks.
you
than
technique
or
your
you
the
remaining
additional
sake
of
on
8.
MON
(down).
METER
ASSIGN
fully
INPUT
the
RMX
REC
should
FUNCTION
should
the
EVEN
of-your
As
you
progress
may
reach
eight
tracks.
variously
Bouncing
recording
to
connbine
a
At
callad
can
equipment.
up
blank
new
material
an
example,
tracks
switch
1
(PGM/CUE)
switch
switch
the
right,
Selector
flash.
Faders
7-8
PAN
clockwise.
position
All
be
off.
PGM
to
we'll
through
to
the
L/R
in
channeis
control
switch
(right).
switch
other
REC
MASTER
the 7 to 8 posi-
Studio 8 is
with
where
this
pomt,
Ping-
expand
the
The
to
seven
track.
You
while
collapse
4
to
track
to
the
. .
position
1,
2,
in
each
of
in
channels
number
FUNC
and
tape,
watching
register
Faders 1 — 4 so
balancad.
8.
necassary
you
the
other
off
tion
to
have
track
turn
ber
00:00.
CUE
your
you
Maka
you
between
Maka
don't
EQ
controls.
9.
Adjust
MONITOR
(rotated
10.
Press
(down).
11.
Press
00:00.
12.
Press
selected
8.
13.
When
off
8.
14.
Press
15.
Reset
position
16.
Play
track
don't
sure
record
Recording
the
any
EQ
in
the
boost
MONITOR
fully
the
the
RTZ
REC
are
finished,
(up)
the
the
RTZ
the
MON
(up).
the
tape
bounce.
like
you
have
new
material
new
material
TRK 8 Meter.
—3
and
O.
that
their
adjustments
individual
the
signal
GAIN
counterclockwise).
MONO
button
and
now
REC
and
If
you
the
channels.
laval
GAIN
controls
button
PLAY.
being
STOP
FUNCTION
button
switch
listen
you
hear
can
results
on
there
Lavéis
Adjust
signal
you
too
number
can
to
the
to
rewind
The
ping-ponged
the
recorder
to
rewind
(PGM/CUE)
to
the
something
repeat
the
you
tracks 1 through
will
erase
should
channel
lavéis
Maka
much
be
tracks
switch
results
fael
sure
with
8.
turned
on
posi
your
tape
num
to
zero
to
that
ara
and
process
want
beforé
the
oíd
are
All
you
to
the
of
4
^'°7
Press
PING-PONGING
the
RESET
button
'i/i
m
»•! m
and
w
m
m\
m
Tr I híi^l
PLAY
H N [=1
your
£-1
5.13
ODOOD
D a nop
11,
14
6 10
1,15
13
7,
16
Page 13

It
¡s
possible
ponging.
used
¡n
the
add a new
1.
Set
up
you
want
same
tracks.
way
If
Any
Remix
part.
the
to
that
you
to
add
mixer
channel
¡nput
controls
use
for
the
you
followed
new
mode
for
did
our
parts
that
can
the
channel(s)
new
material
for
recording
example
while
is
not
be
for
ping-
being
usad
that
in
the
basic
ping-
to
ponging,
for
new
program
rotating
the
to
3.
procedure.
the
2.
Rabearse
previously
set
leváis
Perform
you
could
material.
Route
buss 8 by
PAN
fully
the
new
recordad
for
the
new
the
remainder
use
channeis
the
pressing
right
in
parts
ASSIGN
each
while
tracks.
material.
of
5,
6,
new
channeis
7-8
channel.
listening
Use
this
rehearsal
the
Ping-ponging
and
and
7
to
to
PUNCH-IN
The
artistic
recording
your
recordad.
last
can
aiso
its
way
Punch-in
material
so
it's
are
confident
We
will
1.
the
desired
2.
3.
CUE
4.
of
the
begins.
program
Punch-in
minute
be
used
onto
erases
in
its
wise
to
give
you
PLAY
the
edit/punch-in
Press
the
Set
the
position
Your
new
Input
ANDINSERT
process
Many
will
become
gives
ideas
to
your
to
correct a mistake
the
tape.
oíd
place.
rabearse
that
tape
RESET
MON
(up).
material
channeis
This
it
can
the
rehearsal
to
within
button.
switch
doesn't
times, a way
apparent
you a way
end
recording.
material
changa
your
be
and
is
Punch-in
performed
procedure
several
point.
(PGM/CUE)
will
be
coming
of
your
mixer.
EDITING
when
to
as
it
to
add
that
puts
permanent,
until
correctiy.
seconds
from
the
improve
is
being
those
Punch-in
made
new
you
first.
to
the
one
Press
of
the
appropriate
Faders
TION
should
the
tracks
button,
REC
editad.
material
the
again.
tape
fortable
and
5.
During
switches
6.
PLAY
be
MONITOR
using
7.
Rewind
and
8.
When
FUNCTION
You
9.
When
edit,
This
signal.
10.
Repeat
through
with
ASSIGN
PAN
controls.
this
should
your
heard
through
section.
the
MONITOR
the
PLAY
you
reach
will
now
your
the
point
press
the
will
return
the
it.
switches
rehearsal,
be
tape.
off
The
your
all
(up).
Adjust
GAIN
tape
it
by
again.
your
switch
be
pressing
edit
for
able
headphones.
comes
REC
process
to
FUNCTION
the
MONITOR
until
and
adjust
REC
reference
headphones
the
FUNC-
tracks
lavéis
of
controls.
the
point,
the
to
track
hear
press
to
the
punch-out,
switch
to
you
are
via
the
RTZ
the
be
new
end
the
com-
REHEARSING
THE
PUNCH-IN
■E 1 t
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r"T3
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ir
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Page 14

THE
ACTUAL
1.The
position
switch
tion.
2.
switch.
3.
switches
INSERT
(down).
(PGM/CUE)
Press
Make
are
actual
PUNCH-IN
PUNCH-IN
switch
Its
LED
remains
the
appropriate
sure
all
off
(up).
should
will
other
be
in
REO
REO
be
¡n
on.
The
the
CUE
FUNCTION
FUNCTION
the
MON
posi
on
4.
Press
5.
Just
REC.
6.
Perform
the
point
out,
press
record
PLAY.
before
that
STOP,
mode.
you
the
new
you'd
PLAY,
reach
the
material.
like
to
end
or
REW
edit
point,
When
the
you
edit,
turning
press
reach
punch-
off
the
REMOTE
30P
PEDAL
Rehearse
When
PLAY.
on,
1)
with
2)
you're
Start
When
PUNCH-IN/OUT
in
the
same
The
its
ready
the
REC
LED
the
to
recordar
FUNCTION
blinking.
Punch-in
way
go.. .
ííy
<^r
N H H
USING
as
your
rolling
switch
point
arrives,
THE
did
before.
by
pressing
should
step
RC-
be
on
I
coca
annoPao
1
6
the
process.
the
Recording
4
5
RC-30P
3)
When
RC-30P
process.
pedal.
the
This
Punch
pedal
again.
out
will
start
point
This
the
Recordinq
arrives
will
step
stop
on
the
14
t.
-
Page 15

WORK
As
manual,
Art
has a special
it
apart.
have
techniques
the
tool.
involve
part.
The
you
perspectives
your
notions
Planning,
Common
Planning
Valúes;
to
all
PLANNING
METHODS
we
mentioned
recording
In
order
the
proper
of
The
some
following
with
information,
regarding
Studio
upon
Apparent
Sense.
as
we
hopa
your
endeavors.
on
¡s
an
and
intangible
to
create
tools,
those
command
practice
tools.
and
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8.
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and
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as
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talk
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you
the
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page
art
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quality
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the
artist
and
command
Your
of
the
some
are
suggestions,
recording
are
three
suggestions
Absoluta
in
bring
Studio 8 is
techniques
thought
here
to
and
process
fundamental
are
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some
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and
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of
this
that
sets
must
of
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will
on
your
provide
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based:
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Sense
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intend
portant.
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couple
in
Adapter/Ground
Tester
The
both
your
(better
more
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to
use
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and
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make
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material
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of
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tools
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and
ready.
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in
the
circuit
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"Multitrack
Studio 8 is
circuit"
problems
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that
you
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Neón
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find
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can
are
have
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a
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require,
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aid
process.
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ging
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when
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or
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and
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prong
Tester
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is
very
easy
its
LEDs
is
properly
any
circumstances
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are
used
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prong
plugs
to
use,
will
circuit
when
outlets
in
order
just
signa!
wired.
use
is
plug
and
to
15
-
Page 16

reverse
AC
problems
as
that a "ground
wiring
ground
not
Ground
since
ed
be
instruments
amps
and
is
by
the
of
probé
registers
ground
polarity
amp
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polarity
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Should
phones
electric
levels.
the
cables
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used
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often
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upon
into
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necessary
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adjusted.
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piano
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when
polarity.
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of
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go
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can
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used
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aiso
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guitar
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of
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switch
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switch,
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you
and
guitars
As a result,
effects
that
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miked
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audio
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loop"
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elements
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no
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have
safety
Lamp
Tester,
check
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and
amplifiers.
of
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of
or
bass
microphone.
possibility
amplifier
or
reversing
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using
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and
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they
of
radio
are
over
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severe.
the
quality
cables
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at
the
boxes.
drum
machines,
signal
inputs
equipment
your
instruments
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guitar
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recording
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level,
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hand
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instruments
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usually
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strings?
microphones
work
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top
condition
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resort,
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or
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provide
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plug.
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signal
to
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signal.
to
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8,
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ground
amps
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hand.
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flow
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number
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controller,
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accomplish
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of
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pro-
you
the
this
-
16
-
Page 17

understanding,
types
of
shows
proper
block
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illustrations:
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unit;
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Page 18

APPARENT
Your
ear
and
program
ear
your
in
absoluta,
leads
to
your
machine's
way
material
deals
¡n
mixer
to
the
recorder
out,
to
and
meters
headphones,
too,
until
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achieved
your
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average
meter
by
means
OL
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instruments
to
mix
and
ments.
greater
transient
beginning
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instruments.
amplifiers
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meters
and
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and
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of
indicators
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and
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when
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(attack)
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control
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program
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without
sound
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apparent,
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peak
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way
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instruments,
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level.
when
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their
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quality
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TO
USE
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signal
in
are
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pitch.
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Page 19

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Page 20

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properly
You
can't
If
this,
Pul!
down
the
program
Too
high
OF
finished
the
instruments
that
so
loud
Your
and
adjusted
flx
your
then
■s
mixer's
you're
the
master
MIXING
tapes
slgnal
mastering
So
It
If
'.ú9'A
must
and
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appealing?
that
the
leveis
make
Input
sure
when
you
can't
faders
overloading
channel
faders.
"A
.-ó
a
á
ADVICE
be
balanced
volees
Are
singer
wlll
affect
process,
that
mixing
find
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end
up
faders
■.4
■_4
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8
for
leve!.
blend
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your
for
your
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together
the
bass
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looking
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the
entire
leveis
recording.
outputs.
and
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88-
and
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are
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low
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you
wish
the
precise
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do
this,
of
the
two
concentric
positlon
knob
niaxlmum
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the
In
the
the
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sweeping
almost
slowly
"'®
sweep
°"tside
from
(fully
control
signal's
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Isolated,
necessary
these
actlon
defínitely
looked
to
use,
frequency
turn
the
all
the
the
(lower)
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mini-
right)
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turnad
content.
reset
amount
changes
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wlll
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picture
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-20-
Page 21

COMMON
NANCE
Even
are
constructed
will
show
are
not
procedures
out
of
CLEANING
You
Series/TZ-261),
components
some
cotton
be
performed
session,
drummer
won't
Here's
1.DIrt
forcé
do
the
distance
noticeable
quality.
the
engineering
on
your
bit
of
with
head
SENSE:
though
the
of
excessive
treated
listed
your
Studio
need
some
some
{TEAC
swabs.
before
and
whenever
to
return
regret
the
it.
why:
or
oxide
tape
away
recording
is
all
that's
reduction
All
the
expertise
Studio 8 can
dirt
or
oxide
cleaner.
very
properiy.
here,
8.
build-up
and
money
CARE
heads
wear
you
head
cleaner
RC
Cleaning
each
from a break.
from
playing
required
in
the
AND
used
in
your
durable
materials,
much
faster
If
you
will
get
cleaner
for
Series/TZ-261),
procedures
session,
your
waiting
on
the
the
head
back. A very
to
record
you've
spent,
expended
be
on
the
wasted
by a minuscule
heads.
MAINTE-
Studio
if
follow
the
(TEAC
the
rubber
should
after
for
Do
itl
heads
gaps
produce
and
playback
and
by
TASCAM
Wipe
8
they
they
the
most
HC
and
each
the
You
will
that
smalí
a
all
it
off
Cleaning
As
we
mentioned,
chance
and a cotton
and
Wipe
swab.
the
TZ-261
capstan
been
capstan
becoming
coming
excess
Make
remaining
capstan
cotton
onto
excess
you
get.
tape
guides
off
any
Clean
the
pinch
recorder
rubber
1.
Open
the
2.
Press
PLAY,
spins,
lightiy
shaft.
tangled
3.
Clean
4.
Using a clean
it
off
onto
rubber
certain
on
shaft.
5.
Clean
the
swab
shaft.
fluid.
the
moistened
swab,
excess
is
cleaner.
tape
and
moistened
This
until
the
cleaner
that
either
Clean
this
should
Using
TEAC
clean
until
the
swab
cleaning
roller
at
used.
in
capstan
Use
compartment
move
hold a cotton
cotton
tensión
will
prevent
the
mechanism.
there
swab.
swab,
from
there
the
with
is
is
pinch
by
with
thoroughiy
be
HC
Series/TZ-261
the
heads,
comes
fluid
least
once
TEAC
door.
arms
swab
rubber
the
no
visible
wipe
the
pinch
no
foreign
roller
lightiy
head
cleaning
and
done
every
capstan,
off
clean.
with a dry
each
day
RC
Series/
so
that
that
has
cleaner
swab
from
residue
off all
pressing
roller.
matter
or
fluid
wipe
the
the
a
off
2.
Tape
and
the
sandpaper.
path
on
these
quicker
the
heads
degree,
uneven
your
tape
tape
head.
wear
wear
on
Eventual
of
the
expensive,
of
ruined
conscientious
expectancy
They
your
abrasivas
and
it
can
by
wear
will
to
This
unevenly,
the
tape
ly
the
tape
heads
particularly
tapes,
of
oxide
on
slowly
recorder.
regularly,
will
be
uneven.
be
compensated
various
"skew"
which
oniy
adjustments.
create
and
skew
will
heads.
. . A very
solution
and
tape
when
sessions,
can
more
your
tape
tape
act
like
grind
down
If
you
don't
the
wear
Uneven
for,
notches
will cause
skip
around
cause
is
the
that
more
nasty
guides.
you
and
lost
than
double
heads
and
guides.
very
fine
the
tape
clean
off
will
be
wear
on
to a certain
Eventually
will
cause
on
the
the
tape
to
uneven
business.
replacement
This
is
very
add
the
cost
time.
Being
the
life
Erase
DEMAGNETIZING
A
little
magnetism
every
time a tape
very
small
amount
a noticeable
Playing a tape
on
the
heads.
effect
ten
Gauss
Head
(DEGAUSSING)
passes
of
times
is
Rec/Repro
rubs
off
over
the
magnetism
on
performance
will
the
unit
Head
onto
the
them.
deposit
used
It
to
.2
to
heads
takes
quality,
a
have
Gauss
mesure
-21
-
Page 22

magnetism.
erasure
that
pass
erased,
TEAC
As
of
the
by
then
E-3
Degausser.
it.
Degaussing
8's
power
on,
the
will
These
will
and
transport
feet
Studio 8 and
feet
If
that
or
plástic
no
metal
scar
OFF.
current
appear
pulses
to
are
seriousiy
meters.
(2
away
you
your
them
Remove
and
meters)
turn
from
are
not
degausser
tape
ever
beyond
littie
high
demagnetize
¡s
If
pulses
the
around
damage
store
from
the
covering
touches
as
.7
frequencies
If
you
don't
always
you
done
try
it
produced
heads
10,000
the
Studio
the
tape
it
temporarily
the
on
the
degausser
Studio
using
repair.
8.
the
TEAC
has
either a plástic
the
the
regularly
with
as
unit.
tip.
tape
Gauss
on
want
with
the
by
the
an
audio
Gauss,
8's
from
the
Turn
at
E-3,
Make
heads
will
cause
the
tapes
your
tapes
with
the
the
Studio
electronics
degausser
signal.
and
they
electronics
Studio
at
off
least
be
tip
sure
as
8
least
6
your
three
certain
cover
that
it
will
TAPE
ment
cold.
and
magnetism.
vacuum
damage
transformers
ment
damage.
one
A
occur
too
forward
before
stored
long
to
print
is
HANDLING
Tapes
should
that
Your
can
won't
tapes
be
damaged
Electric
cleaners
tape
in
amplifiers
Make
is
lost
or
phenomenon
if
your
tightiy
before
or
rewind a tape
storing
"tails
time, a tails
come
off
the
through
usually
masked
AND
be
stored
be
subjected
are a magnetic
by
motors,
and
other
if
they
copies
damaged,
known
tapes
it.
out."
will
get
your
can
power
aiso
of
are
they
Reel
to
If
tapes
out
{the
reel)
reel
appear
by
the
you
as
wound
are
as
sound
STORAGE
in a dust-free
to
extreme
storage
things
too
that
the
kind
appliances,
cióse
amps
cause
your
tapes
will
"print
through"
onto
stored.
for
its
reel
tapes
are
end
is
the
will
insure
"post
on
tape.
environ-
médium
generate
found
to
and
this
kind
so
have a spare.
their
Never
entire
should
stored
first
that
echo,"
heat
or
in
will
it.
The
instru-
of
that
can
reeis
fast
length
be
for
thing
any
which
if
a
Slowly
path.
lightiy
tape
a
one-meter
it
off.
Be
gaussing.
this
the
heads
will
the
heads
them.
head
the
respect,
they
with
TASCAM
CAUTION:
alcohol,
for
the
stances
move
Move
the
the
heads
path.
Slowly
(three-foot)
sure
to
If
you
procedure,
of
put a permanent
if
it
This
charge
is a goner.
attention
deserve
the
and
excellent
expect.
Do
or
other
purpose
will
damage
the
demagnetizer
degausser
and
move
concéntrate
are
you
your
up
all
the
it
distance
not
can
recordar.
magnetic
is
turnad
cannot
So
perform
to
your
Studio 8 will
performance
NOT
use
paint
solvents
at
hand.
your
Studio
into
the
and
down,
metal
away
again
while
wide
permanently
The
touching
parts
to
at
before
awake
you
turning
are
damage
demagnetizer
charge
off
or
on
while
be
removed.
these
functions
data i I,
and
regularity
respond
both
you
thinner,
that
are
These
benzine,
not
designad
foreign
8.
tape
in
the
least
de
during
onto
near
Your
with
and
sub-
22
-
Page 23

APPLICATIONS
The
following
examples.
things.
Studio
As
8,
They
you
you
will
are
intended
are
not
become
find
oniy
the
oniy
more
familiar
altérnate
methods
to
serve
way
with
to
do
your
which
as
will
better
setup
was
chapters
diagram
without
suit
covered
of
this
your
needs.
ín
manual,
text.
The
detall
in
so
the
we
basic
recording
operational
will
show
the
■fl
Drums
.
or
Drum
Machine
n
Keyboards
and
Synthesizer
System
OPTIONAL
SUBMIXER
Electric
Guitar
DIRECT
2-T
rack
PHONES
from
Front
Panel
a
E
ectric
Bass
DIRECT
BOX
-
23
Page 24

ELECTRONIC
When
first
amplifiers
each system.
are
When
and
on
first,
and
With
to
input
LINE
any
ASSIGN
raise
Faders
setting
thing
to
¡n
their
Make
down
and
all
systems
instruments
the
system.
followed
headphone
the
faders
their
center,
selectors
on
all
synthesizer
microphone
and
REC
the
PGM
MASTERSand
to
the
MUSIC
STUDIO
up a system
do
¡s
to
put
proper
the
power
are
are
Turn
by
your
amplifiers.
still
fíat
to
the
channels.
FUNCTION
shaded
positíons.
sure
the
en
wired
connected,
on
electronic
Studio
down,
position.
appropriate
channeis
Press
area
of
this
type,
the
speakers
Then
Studio 8 faders
all
units
¡s
and
your
begin
8,
set
all
Set
the
switches,
STEREO
between 7 and
turning
Instruments
then
monitor
EQcontrols
the
channel
positions,
and
MIC
appropriate
MASTER
the
and
wire
off.
mies
on
and
8.
Play
instruments
leveis
of
indicated
channel
then
microphone,
on
leveis
resonant,
leveis
way:
Masters,
your
adjusting
Any
by
slowly
any
fader
use
of
by
the
these
the
must
TRIM
or
your
instruments.
on
percussive,
and
fast
should
Adjust
first,
aiso
any
adjusting
watching
effects
or
the
effects
devices
AUX
and
begin
raising
channels
meters
be
kept
control
turn
down
Remember
cross
attack
be
watched
or
the
any
cue
system
EFFECT
connected
Rack
Mount
Systems
setting
the
faders.
is
or
OL
below
or a less
the
volume
modulated,
patches.
closely.
EFF
mixes
channel
overload
equipment;
RTN
GAIN
to
and
the
channel
If
the
leveis
too
high,
LEDs,
and
the 5 setting,
sensitiva
controls
to
watch
your
highiy
Drunn
indicators
machine
in
the
leveis
same
and
then
controls.
the
ACCESS
as
the
on
COMPUTER
or
SEQUENCER
Drum
Machine
SMPTE/
MIDI
Synchronizer
l
TRK8
without
(or
dbx
dbx
defeated)
o
O'fO
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G'fj'
I i'Qi
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z
z
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'Q'
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PHONESfrom
Front
-24-
Panel
Page 25

SEND/RCV
closely
drive
is
located
Setting
tor
STEREO
and
TOR/PHONES)
watched.
units,
before
the
speakers
MASTER
adjust
the
jacks
¡n
the
channeis
Particularly
since
your
channel
the
ACCESS
leveis
for
the
control
is a simple
Faders
Monitor
for a comfortable
procedure.
to
Master
should
be
distortion/over-
OL
indicator
point.
room
moni
Set
the
the 7 to 8 position
control
{MONI-
listening
level
in
the
headphones
indivisual
and
MONITOR
imaging
for a comfortable
speakers.
phones
ing
sound,
phones
channel
adjust
them
PAN
and
readjust
Be
in
the
Turn
that
cause
aware
room
or
speakers,
MONITOR
Begin
GAIN
for a pleasing
controls
volume
may
off
feedback.
as
the
Monitor
level
that
any
cause
or
reposition
desired
Master
at
"open"
feedback, a howl-
raising
balance.
for
the
controls
Set
stereo
control
the
monitor
micro-
any
micro-
VIDEO/FILM
The
Studio 8 fulfills
the
video/film
facility,
and
8.
All
VTRs
Plug-in
controllers
Smith,
PRODUCTION
production
popular
will
interface
compatibility
and
Audio
Convergence,
others
bilities
trol
transport
the
of
a
pretad
knows
forward
is
track 8 as
at-7to-10VU.
further
in
the
video
The
Studio 8 motors
so
that
SMPTE
to
go
transport
accuracy,
tachometer
by
the
not
necessary
can
The
signal
SMPTE/EBU
position
and
high
long
all
the
or
off-line
brands
and
directly
with
synchronizers
Kinetics,
ISC,
enhances
Videomedia,
environment.
directly
respond
Timeline,
the
are
under
controllers
to
with a high
ACCESSORY
speed
when
as
time
whose
of
frequency
controllers
the
tape
rewinds. A guard
recording
code
leveis
audio
needs
sweetening
modelsof
with
the
SMPTE/EBU
made
by
and
Studio
cue
jack
8's
servo
can
points
aiso
so
even
time
are
recordad
of
VCRs
Studio
Adams
Cypher,
many
capa-
con
tell
the
and
degree
outputs
is
inter
that
it
in
fast-
band
code
on
2.
Dialogue
3.
Dialogue
4.
Dialogue
5.
Ambience
6.
Effects
7.
Effects
8.
Time
Or a possible
ralease
TRACK
track
1.
Narration — English
2.
Music
3.
Music
4.
Effects
5.
Ambience
6.
Narration — Spanish
7.
Narration — Japanese
8.
Time
One
Two
Three
One
Two
Code
layout
Left
Right
Code
for
eventual
multilingual
Multitrack
video/film
insert
may
of
the
máximum
source
quality
machine
audio
The
following
allocation
context.
track
through
techniques
be
recordad
individual
creativity
is
under
multitrack
without
from
mono
using
1.
Guide
masters
are
easily
conventional
or
all
eight
Studio 8 tracks
simultaneousiy.
audio
elements
in
mixdown,
independent
audio
can
the
necessity
or
two-track
are
oniy
two
the
Studio 8 in a video/film
(production)
will
control.
be
achieved
of
master
exampies
Track
created
overdub
Isolated
later
since
for
and
feeds
enable
each
High
on
one
transferring
machines.
of
track
25-
1"
C-FORMAT
TASCAM
388
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VTR
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oouo
VCR
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Page 26

FEATURES
O
POWER
The
POWER
AC
valué
of
for
compatibility
See
the
Voltage
manual.
AND
switch
your
CONTROLS
¡s
Studio 8 should
with
Conversión
on
the
your
back
panel.
be
checked
courvtry's
section
of
The
AC.
this
INPUT
OI.
^
MIC
.UNE
RMX
MAIN
O
MIC
MÍX
IN
Located
connectors
signáis.
phone
standard
former.
Pin
2
low
0
LINE
High
signáis
quarter-inch
assignment
and
pin
IN
Located
inch
phone
signáis.
Electronic
equipment
connected
here.
SYSTEM
Connectors
on
the
accept
balanced
impedance,
may
be
is
as
1,
shield.
Connectors
on
the
back
jacks
accept
producing
back
panel,
microphone
unbalanced
connected
to
XLR
follows:
panel,
here
adapter/trans-
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or
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Page 27

OINPUT
These
top
of
The
switch
MIC:
INput
channel.
LINE:
IN
connector
mixer
Selector
are
each
channel
has
Allows
on
the
Allows
channel.
found
three
the
back
the
on
the
on
the
of
your
settings:
signa!
panel
signa!
back
present
to
present
panel
top
panel,
Studio
enter
to
8's
at
the
the
at
the
enter
at
'íhe
mixer.
MIC
mixQr
LINE
the
O
Input
This
signa!
submix,
MASTER
switched
©PAN
This
mixes
continuously
busses)
Channel
linear,
going
to
the
ASSIGN
Faders,
to
the
control
by
sending
variable
or
right
Fader
slide,
fader
the
and
POST
allows
your
(EVEN
varíes
PAN
control,
switches,
the
AUX
position.
you
to
channel's
degrees
busses)
to
sides
the
amount
the
the
STEREO
submix
create
signal
the
left
of
the
of
EFF
if
it
is
stereo
in
(ODD
mix.
RMX:
recorder
of
the
mixer;
0TRIM
The
signa!
coming
gister,
OL
signa!
EQ
control
0
EQualizer
The
band
you
wish
be
Allows
to
recorder
track
and
OL
is
too
MIC
continuously,
is
located
is
boosted
EQ
sweep-type
to
select
to
affect
affected,
frequency
2.5
kHz
between
has a range
OACCESS
This
to
500
access
processing
affecting
ACCESS
send
the
mixer
flow
ACCESS
RCV
the
effect
the
SEND
for a cue
through
RCV
routes
loop.
the
enter
the
goes
two
to
channel
OL
Indicator
indicator
hot.
Use
signa!
it
will
system
to a leve!
after
the
to
the
register
in
parametric
the
specific
and
the
plus
or
control
15
Hz
from
SENDand
has a range
kHz.
to 5 kHz.
50
Hz
point
to
an
individual
signa!
may
mix,
channel's
the
rest
is
not
all
the
playback
mixer
to
lets
the
TRIM
on
the
EQ
point
on
your
signa!
channel.
channel
two,
you
to
that
OL
section
of
the
Studio 8 is a three-
system.
frequency
degree
minus
The
to 1 kHz.
ACCESS
allows
to
15
mid-range
The
you
channel
in
any
aiso
be
used
or
recorder
signa!
connected.
channel's
of
aiso
the
input
from
Track
one
etc.
know
adjust
does
indicator.
so
overload
OL
indicator.
range
which
dB.
variable
bass
RCV
to
add
the
one
of
the
that
the
not
The
that
by
It
allows
you
it
The
high
from
operates
control
signa!
without
other
channel.
as
an
extra
send,
since
continúes
mixer
Using
if
ACCESS
signa!
the
in-
re-
if
a
an
will
to
the
into
©ASSIGN
These
a
signal
eight
PGM
PGM
MASTERS
inputs
of
the
junction
how
right
(EVEN)
©
L/R
These
(assign)
MASTER
the
normal
be
used
the
L/R
Switches
four
to
Busses.
of
the
recorder.
with
much
ASSIGN
are
your
Fader
condition
as a solo-in-place
switch
MONITOR,
pressed
Stereo
OUT(s).
will
Buss,
□
u
switches
any
are
one,
or a combination
The
signal
Faders,
MONITOR
These
your
PAN
signal
goes
busses.
Switches
dual
purpose
channel's
and
the
for
of a channel
the
channel
be
the
oniy
the
PHONES,
□
□
□
3-5-L
used
to
send
is
aiso
the
PGM
OUTputs,
submix,
switches
controls,
to
the
and
work
which
left
switches.
signal
to
Stereo
Remix.
the
Buss.
They
switch.
disconnects
whose
signal
4-6-R
and
L/R
present
the
(assign)
of
sent
to the
the
tracks
in
con-
decide
(ODD)
They
send
STEREO
This
can
Pressing
switch
in
MONITOR
□
3
□
□
all
the
or
is
aiso
the
is
the
2-4
J
4
-
27
-
-8-R
Page 28

®PGM
can
tape
leve!
after
AUX
from
TERS
OUTputs.
any
mixer
®
PGM
PGM
four
2,
4,
to
to
the
©PGM
These
back
different
submixer,
They
BUSS
These
connectors
connect
recorder,
controls
the
PAN,
submix,
these
inputs
Faders,
They
signáis
by
the
MASTERS
Located
after
MASTERS
PGM
the
Busses
6,
and
8).
PGM
recorder.
OUTputs
RCA
panel.
machine
these
provide a line-level
IN
are
the
Ime-level
mlxer,
at
this
Channel
and
ASSIGN
are
MONITOR
will
from
the
Studio
8's
Faders
the
ASSIGN
Faders
(ODD
From
this
OUTputs,
connectors
Should
you
or
outputs
on
the
outputs
or
effects
point.
These
Fader,
switches.
routed
to
submix,
be
recorded,
eight
channeis
recorder.
switches,
each
adjust
1,
3,
5,
point
MONITOR
are
want
use
the
supply
signal.
back
panel.
of
devíces
You
another
wlth
inputs
EFF
submíx,
Signáis
the
PGM
MAS-
and
PGM
along
the
and
the
signal
submix,
located
to
record
of
the
level
7;
EVEN
flows
on
on
with
your
two
and
the
Studio 8 as
the
access.
are
of
a
a
ESTEREO
These
STEREO
STEREO
line
level
submixers,
Before
signal
STEREO
from
the
through
©STEREO
both
It
switches
L/R
the
When
matically
control.
©MONO
This
of
the
the
(L
and
the
This
linear,
the
right
receives
or
switch
MONO
the
switched
Switch
switch
Stereo
same,
R)
STEREO
BUSS
RCA
Buss
connectors
system
MASTER
signal
and
or
effects
from
MASTER
EFF
RTN
EFF
RTN
MASTER
slide
and
its
signal
from
is
selected.
switch
Stereo
Buss
combines
Buss
combined
IN
at a point
Fader.
can
be
devices
these
Fader,
inputs
GAIN
Fader
fader
left
sides
from
the
MONITOR
The
and
the
is
used,
to
the
the
into a mono
signa!
OUTputs.
allow
They
utilizad
with
inputs
it
is
that
and
adjusts
of
the
signal
STEREO
MONITOR/PHONES
left
available
input
will
by
level
joined
have
PAN
the
the
L/R
submixer
then
the
signal
and
mix.
prior
accept
recorders,
controls.
reaches
by
aiso
controls.
Stereo
ASSIGN
OUTputs.
right
It
to
to
the
to
the
the
signáis
passed
level
Buss.
if
goes
is
auto-
sides
makes
both
a
of
no
to
®
0
EFFECT
O
o
0
UNBAL
OUT
STEREO
cpi
©
DEFE4T
TRK8
©
©
©
o
BAL
OUT
©
AUX
o)
D
(O
EFFECT
RTN
BUSS
IN
EFF O AU*
o
BUSS
(N
O
^
O
®
O
o
O'
®
O
o
o
-28-
é
Page 29

GAIN
EFFECT
©STEREO
There
back
nectors
other
unbalanced
RTN
REC
PAN
FUNCT10N
©
BALANCED/UNBALANCED
This
on!y
the
the
outputs
unbalanced
In
the
lowand
the
pin
2
and
pin 1 shield.
AUX
SUBMIX
©
PRE/POST
This
MASTER
submix
before
the
EQualizer,
Channel
OUTputs
are
two
pairs
of
panel.
The
pair
utüizing
provides a baianced
pair
uses
RCA
connectors
-10
dBV
signa!.
switch
pin
out
switch
(PRE)
located
XLR
STEREO
to
provide
line-level
baianced
1,
position,
shield.
changes
Switch
determines
gets
its
signa!
or
after
on
signa!.
In
the
as
foílows:
from
(POST)
ACCESS
Fader.
these
outputs
the
+4
dBm
and
Switch
the
back
OUTputs.
either a baianced
pin 3 is
high,
unbalanced
Pin 3 high,
whether
the
input
it
passes
SEND/
on
XLR
con-
signa!.
provides
pane!
affects
!t
aüows
The
pin 2 is
position,
the
AUX
channel
through
RCV,
and
pin
the
an
or
ASSIGN
GAIN
MONITOR
STERS
L R
PAN
EVEN
METER
(NSERT
AUX
effIl
pgmIcue
©AUX
This
rotary
signal
MASTER
r
©
that
AUX
MASTER
This
rotary
summed
of
your
mixer.
signal
that
©
AUX
OUT
There
panel.
O
line-level
The
dBu
signal.
control
will
control
be
passed
and
the
adjusts
control
AUX
signáis
will
are
two
quarter-inch
(-10
dBV)
from
It
determines
be
present
of
these
The
RCA
signal.
the
along
AUX
adjusts
al!
at
the
located
OUT.
the
the
input
the
amount
AUX
to
connector
connector
leve!
of
the
the
AUX
leve!
of
the
channeis
of
the
OUT(s).
on
the
back
provides
provides
a
a
©AUXBUSSIN
This
input
allows a line-level
the
mixer. A signal
to
the
AUX
MASTER
Studío
8's
mixer
configuration,
sends
8's
AUX
from
AUX
system
the
MASTER
of
entering
as
the
this
input
submixer
to
both
mixers.
control.
and
control
signal
here
will then
When
master
accepts
in a stacked
the
allows
the
the
to
enter
go
using
the
AUX
Studio
complete
-
29
-
Page 30

í
EFFECT
©EFF
This
signa!
channel
originates
Channe!
and
trol.
©EFFMASTER
This
the
EFF
OUTputs
®
EFFOUT
There
The
The
(-lOdBV)
to
turned
(O
dBu),
BUSS
(-lOdBV).
©EFF
These
ect
e
signa!
PAN
SUBMIX
rotary
that
wiil
into
the
at a point
Fader
is
then
routed
rotary
summed
signa!
controls.
on
the
are
two
quarter-inch
RCA
connector
signa!.
the
effects/signa!
to
the
mixer
AUX
IN
(-lOdBV),
RTN
are
the
Mix
signa!
signai
processor(s).
is
routed
controls.
SYSTEM
control
and
control
The
back
determines
be
admitted
Effect
in
before
to
the
determines
from
signa!
pane!.
of
these
jack
provides
From
processors.
at
severa!
BUSS
or
norma!
is
returned
From
to
the
the
leve!
of
from
submix.
the
channe!
the
EFF
all
of
then
goes
on
the
a O dBu
the
The
after
PAN
control
MASTER
the
leve!
the
channel's
to
the
back
input
signa!
the
con
of
EFF
pane!.
signa!.
provides a !ine-!eve!
here
the
signa!
It
can
points:
IN
(-lOdBV),
STEREO
points
EFF
at
to
the
mixer
these
RTN
which
inputs,
GAIN
goes
be
EFF
RTN
PGM
BUSS
the
from
the
and
re-
IN
ASSIGN
GAIN
GAIN
EFFECT
MONITOR
RTN
PAN
REO
MASTER
METER
INSERT
MONO
AUX
MON
FUNCTION
EFfIl
pgmIcue
R
C
GAIN
anH
controls
the
left-to-right
Effect
MactJo®
ASTER
©EFF
It
ai!,-.
with
Fader.
BUSS
control
tik^ o effect
MASTpp
of
hoi-K
looD
at
loop
•
thÍQ
(fee'X^ci;)
and
determine
placement
submix
IN
located
in
the
outputs
®
control
.
°'''9'"ated
Do
the
not
'^
PAN
(1
and
2)
the
leve!
(PAN)
signa!
sent
signal
before
to
the
before
flow
STEREO
the
sequence.
of a submixer
that
the
total
effect
return
from
your
the
EFF
(GAIN)
of
the
it
joins
EFF
used
EFF
submix
effects
GUT
-30
4TEREO
OUT
O
w
o
m
o
0
ro
0
UNOAL
OAl
y'
Page 31

MONITOR
©MONITOR
There
top
panel,
Track.
left-to-right
that
is
Fader,
TOR
L/R
Meters.
®
MONITOR/PHONES
There
near
the
are
marked:
determine
headphones
SUBMIX
GAIN
are
eight
one
They
placement
then
MONO
OUT(s),
sent
are
three
recorder's
STEREO,
what
and
for
control
switch,
PHONES
signal
OUT(s).
AND
and
PAN
sets
of
each
PGM
the
(PAN)
to
the
STEREO
Select
of
these
transport
AUX,
will
be
sent
PHONES
these
controis
Buss
level
of
STEREO
OUT(s),
jacks,
Switches
on
the
controis.
and
be
to
the
SECTION
on
or
recordar
(GAIN)
the
MASTER
MONI
and
STEREO
top
EFF.
heard
MONITOR
the
and
signal
panel
They
They
in
the
©MONITOR/PHONES
This
level
Jacks
©MONITOR
These
signal
amplifier/receiver
©PHONES
There
panel
phone
with
rotary
(volume)
and
MONITOR
OUT(s)
ROA
and
are
Jack(s)
are
two
of
the
jacks.
these
connectors.
control
that
is
OUT(s).
connectors
normally
and
monitor
of
these
Studio
8,
NEVERI
{1/4"
phone
(1/4"
phone
Level
Control
determines
sent
to
the
the
PHONES
provide a line-level
used
with a stereo
loudspeakers.
located
These
use
2-connector)
3-connector)
are
mono
3n¡>
3ni>
on
the
stereo
headphones
signal
front
head-
'V.
Monitor
NOTES:
*
**
Source
ASSIGN
L/R
Switch
Off
(n)
On ( a)
Positions
does
not
with
CUE/PGM
Switch
PGM ( a
CUE
LED
in
position.
other
than
include
MONITOR/PHONES
)
(n)
—
stays
on
PGM
STEREO
TAPE
have
signal
in
Selector
REC
FUNCTION
Switch
On ( a.)
Off
(n)
LED
flashes
the
transport
off;
and
with
the
nothlng
RMX
(Remix)
in
STEREO*
INSERI
Switch
— —
On ( ia)
Off
(n)
-
with
REC
stays
REC
to
do
mode
on
on.
with
LED
in
the
position.
the
setting
(they
pertain
-
—
stays
down
of
the
to
Transport
Mode
PLAY
REC
Other
than
REC
PLAY,REC
Other
than
on
switches
"PGM").
REC
shown
modes
PLAY
—
modes
PLAY
—
-
and
and
in
the
chart.
Monitor
PGM
tape**
PGM
(no
sound)
PGM
TAPE
(no
sound)
L/R
STEREO
Source
©-
OUNCHIM
©
OUt
©1^
®
©
J
Vs
-
31
Page 32

ff
—
\3
.31
32
33
34
35
36
\
«w
-
37
38
TASCAM
STUDIO
388
8
t
METERS
©METER
This
top
MONO,
affects
either
®
STEREO
Meters
These
gram
of
lights).
©
TRK/PGM
These
Program
on
ing
priate
during
RECORDER/REPRODUCER
©
high
the
will
SECTION
SelectSwitch
two
position
panel
above
and
the
Stereo
AUX/EFF
L/AUX
Meters
leve)
(with
peak
or
transient
Meters
Meters
Busses
PLAY
logic
or
so
that
during
signa!.
Insert
REW
Pressing
speed.
tape
rewind
Editing/Punch-in.
this
If
will
to
ACCESS
This
not
swrtch
the
STEREO
SEND/RCV.
Meters;
or
L/R
(Stereo
and
STEREO
register
the
needle)
material
1-8
register
or
the
Tracks
Remix.
they
always
switching
button
the
LOAD
rewind
the
Load
¡s
located
MASTER
it
switches
Buss).
R/EFF
both
the
and
the
(Peak
program
of
They
have a switch-
dispiay
aiso
rewinds
function
off
the
reels.
position
on
Fader,
It
them
average
occurance
indicator
leve!
of
the
recorder,
the
appro-
takes
the
tape
is
engaged,
The
and
stop.
the
oniy
to
pro-
the
place
at
tape
©PLAY
Pressing
forward
in
conjunction
REC
into
Record
©REO
Because
(Recording),
nothing.
the
REC
aiso
affected
switch.
the
Studio 8 is
button
track(s)
switches.
If
pressed,
ly
will
LED
means
mode,
a
REC
is
in
on
the
procedure
this
at
playback
FUNCTION
mode.
this
the
It
must
FUNCTION
If a REC
will
start
designated
no
REC
pressing
cause
above
but
Record-ready
the
the
recorder
no
FUNCTION
track
for
button
speed.
with
is
REO
switches
such
REC
be
used
buttons.
by
the
status
FUNCTION
in
Play
mode,
the
Recording
by
FUNCTION
REC
and
the
tape
to
REC
recording
designated.
more
is
switch
mode
on
this.
button
starts
the
Pressing
and
puts
an
important
button,
in
conjunction
of
switch
pressing
the
REC
switches
PLAY
roll
forward
will
in
the
is
taking
while
will
See
tape
this
any
the
by
itseif,
Its
operation
the
rolling
button
number
machine
function
INSERT
is
on,
the
process
on
FUNCTION
have
simultaneous-
and
blink.
Record-ready
place.
start
the
the
recorder
recording
Punch-in
Pressing
of
does
with
is
and
REC
the
been
the
This
©
F.
FWD
Pressing
at
high
speed.
the
tape
If a CUE
is
engaged,
©STOP
Pressing
motion
is
in.
no
this
button
If
the
will
stop
position
tfne
tape
the
STOP
matter
winds
LOAD
before
is
will
function
it
in
Memory
stop
there.
button
what
mode
the
tape
winds
off
and
stops
the
forward
is
engaged,
the
reel.
the
STC
the
tape's
transport
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Page 33

<DREC
Pressing
the
to
Record-ready
the
FUNCTION
track
responding
chart.
REC
Off
Off
On
On
Off
Off
On
On
®INSERT
This
PGM/CUE
its
tion
switch
punch-in
out.
When
function
regardiess
On
INSERT
FUNCTION
any
corresponding
record.
If
the
mode,
REC
A
LED
button
track
is
therefore,
Switch
PLAY
Off
On
Off
On
Off
On
Off
On
switch
off.
allows
from
and
a
on,
the
other
lets
cannot
switch
switch
Setting
REC
FUNCTION
Up
Down
switch
Pressing
the
tape
back
tape
oniy
of
the
you
(1-8)
of
these
track
eight
of
transport
recording
is
pressed.
be
recorded
designating
"safe"
is
off
LED
PLAY
REC
-
On
-
-
-
-
-
On
effect
in
the
On
has
Blinks
no
is
INSERT
Studio 8 to
to
source
to
the
is
played
the
tape
REC
hand,
the
use
the
switches
the
recorder
¡s
already
will
begin
unless
it
is
as
long
as
as
illustrated
Condition
Track
Safe
recording
possible)
Record
Recording
On
progress
the
position
to
the
automatically
-
-
-
On
-
On
REC
Blinks
unless
CUE
signáis
tape
signal
with
signáis
at
the
will be
FUNCTION
off
position
REC
FUNCTION
makes
ready
in
the
when
the
REC
on.
A
its
cor
in
the
Status
(No
ready
in
MON
with
on
posi
during
a
punch-
INSERT
heard,
settings.
of
the
switches
while
punch-ins.
<D
MON
Pressing
caus.es
present
is
in
over
position
Insert
position
When
CUE
effective.
tion
If
any
able
©TAPE
This
the
or
REW,
on
tape
material.
this
will
recorder
your
significantly
function.
to
go
playing a tape.
PGM/CUE
this
the
MONITOR
on
the
PGM
PLAY
the
or
REC.
INSERT
you
will
function.
when
using
the
MON
position,
This
for
recording
L/R
switches
to
hear
those
LIFTER
lever
retracts
tape
will
contact
allowing
to
find
When
way,
be
cautious, a high
be
sent
through
is
in
F.FWD
leveis
accordingly.
before
between
switch
not
This
tape
This
is
useful
to
the
mix
to
Busses,
switch.
the
whetherthe
This
switch
When
be
able
is
considered
mixer
PGM/CUE
the
INSERT
is
considered
basic
tracks
are
down,
channeis
the
slate
using
in
the
the
tape
the
heads
monitoring
tones
or
the
TAPE
your
electronics
or
REW
Turn
using
the
and
input
for
PGM
receive
signáis
rehearsing
position
the
signal
recorder
takes
priority
in
the
PGM
to
monitor
the
the
normal
independentiy.
switch
switch
the
and
you
stereo
lifters
during
specific
frequency
your
TAPE
is
in
the
becomes
normal
posi
overdubbing.
will
oniy
be
buss.
so
that
F.FWD
of
the
sound
program
LIFTER
when
mode.
leveis
LIFTER
in
signal
the
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down
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LIFTER
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-
Page 34

©PITCH
This
the
Studio 8 by
PLAY
to
accommodate
the
length
material.
commercial
speed
seconds.
at
which
raise
creativa
of-tune,
ing.
at
its
NOT
ment
CONTrol
knob
or
REC.
If
it
up
When
it
was
in
pitch.
way
or
to
If
you
máximum
have
the
in
that
allows
or
you're
and
enough
you
plus
or
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can
minor
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making a 30
it
runs a littie
to
tape
runs
recordad,
This
can
to
save
parts
create
record
direction
sound
with
or
minimum
ability
to
upon
to
adjust
minus
use
changas
pitch
drop
faster
the
sometimes
that
effects
the
15%
this
speed
of
your
second
long,
out
than
material
are a littie
such
PITCH
settings,
make
further
playback.
the
speed
In
necessary
of
either
control
in
program
radio
you
can
the
extra
the
speed
on
itwill
be
used
in
a
out-
as
flang-
CONTrol
you
will
adjust-
numbers
dbx
1—4,
for
switch
(turn
®
dbx
This
off
the
"OFF"
can
Key)
aiso
drum
able
effectively.
MEMORY.
correspond
1—4
turns
while
dbx
tracks
off)
be
or
useful
5—8.
found
the
DEFEAT
switch
dbx
position)
used
SMPTE
when
machines
and
thereby,
TRANSPORT
to
the
system
5—8
performs
You
on
the
back
dbx
for
track
TRK 8 (On
overrides
on
track 8 (with
even
to
record
time
code
recording
whose
difficult
the
on
are
given
panel
8.
the
dbx
if
dbx
FSK
data
some
signal
level
for
CONTROLS
recorder's
or
off
for
the
same
an
that
back
5—8.
the
5—8
function
additional
will
panel)
It
will
switch
is
on.
(Frequency
on
track
eider
is
unpredict-
the
dbx
to
tracks.
tracks
defeat
turn
in
the
This
Shift
8.
It
model
handie
is
©VARI/FIX/EXT
This
three
position
of
the
PITCH
position,
tion
In
the
be
locked
position,
will
the
SMPTE
normally
dbx
These
noise
the
PITCH
and
an
LED
FIX
position
off,
the
transport
be
controlled
ACCESSORY
Controllers
be
used
1-4
and
are
the
reduction
switch
CONTrol
function.
CONTrol
will
indícate
the
PITCH
it
will
not
function.
speed
by a device
jack
on
and
with
this
function.
dbx
5-8
on/off
system
switches
in
controls
of
the
Synchronizers
your
the
status
In
the
VARI
knob
will
that
it
is
CONTrol
In
the
the
recordar
plugged
back
for
Studio
the
EFFECT
panel.
8.
OUT
func
on.
will
EXT
into
will
dbx
The
AUX
OUT
®
TRT
RESET
The
cent
minutes
counter
computes
(15
cm/s)
high
will
indícate
time
and
59
the
tape
location.
play,
NOT
EFFECT
RTN
2
1
BUSS
IN
EFF
O
Counter
Counter
readout
and
measures
the
speed.
speed
displayed
seconds. A minus
is
The
causing
erase a CUE
POM
BUSS
IN
O o
Display
Display
that
seconds
elapsed
Even
in
either
the
correct
by
located
RESET
it
to
position
(MIN — SEO)
is a four
indicates
(Tape
linear
the
tape
time
based
if
the
tape
direction,
location.
counter
sign
at a point
button
read
will
00:00.
that
tape
Run
Time).
footage,
on 7 1/2
is
the
The
is
59
(—)
before
olear
RESET
is
in
Memory.
and
digit
location
flores-
then
wound
counter
máximum
minutes
appears
the
Zero
the
in
The
ips
at
if
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will
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Page 35

®
RTZ
(Return
Pressing
• •
position
aiso
when
gaged, a playback
®STC
Pressing
roll
position
Memory
will
PLAY
PLAY
¡s
pressed
into
LOAD
not
tape.
®CUE
This
point
be
RESET
be
used
is
carefully
point,
REPEAT
in
the
/nn
(00:00)
been
It
reaches
(Search
(¡n
either
that
by
stop
is
aiso
when
and
Memory,
start
in
use,
button
in
the
used
while
dees
to
the
is
process.
To
Zero)
this
button
F.FWD
where
pressed,
the
Zero.
loop
To
Cue)
this
button
F.FWD
has
been
using
when
the
it
reaches
engaged,
it
reaches
no
CUE
the
point.
the
tape
is
used
Studio 8 Memory
the
tape
NOT
cancel
automate
placed
transport
used.
The
will
cause
or
REW)
it
will
stop.
tape
will
If
REPEAT
will
be
created.
will
cause
or
REW)
entered
CUE
button.
the
the
tape
the
CUE
point
tape
the
will
If
the
LOAD
will
run
to
establish
is
stopped
CUE. A CUE
punch-out
at
the
desired
will
stop,
Record
Mode
to
the
to
the
If
PLAY
begin
in
has
REWind
to
is
the
to
the
the
Studio
The
CUE
point.
will
point.
been
function
the
end
the
system.
or
point
process.
punch-out
or
REWind
is
turned
tape
to
Zero
has
PLAY
aiso
en-
tape
to
CUE
8's
tape
If
begin
to
If
STC
entered
to
the
is
of
the
CUE
It
can
rolling.
can
If
it
if
off
®CHECK
Pressing
Position
©REPEAT
Pressing
eturn
point
gram
This
remixes.
PLAY
®
run
engaged
transport
the
caiculates
relative
for
mg
1
recommended,
ness,
erly.
(
LOAD a second
(turns
tion
8.
material
until
IS
LOAD
This
off
beginning
these
time
mil.
tape.
the
See
Set
whenever
this
button
in
minutes
this
button
To
Zero
and
then
PLAY
continuously
the
REPEAT
very
useful
Pressing
and
RTZ
turns
feature
the
position
insures
reeis
the
tape
mode
or
the
tape
at
it
end
within
calculations
using
1800
If
you
or a nonstandard
LOAD
the
Up")
it
off).
function
operations
for
more
time
We
you
will
display
and
seconds
will
cause
when
it
reaches
again;
repeating
from
function
for
rehearsing
any
transport
off
the
REPEAT
that
your
either
will
is
length
feet
use
advise
are
end.
stop,
in,
of
no
before
the
tape.
and
that
length.
is
forty
(549
5-inch
on
disengages
working
minutes
m)
reeIs,
will
section
this
feature.
using
the
the
CUE
on
the
Counter.
the
tape
the
CUE
the
pro-
Zero
to
CUE
is
turned
off
punch-ins
control
except
function.
tape
will
never
When
reaching
the
not
of
with
LOAD
matter
what
either
The
Memory
transport's
The
basis
of
play-
7-inch
reeIs
which
is
tape
thick-
work
prop-
the
manual
NOT
Pressing
the
function
LOAD
the
Studio
func
to
or
is
of
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35
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Page 36

OTHER
©
TAPE
These
the
eíther
of
the
you
tape
the
©
PUNCH
This
to
be
footpedal.
manual
(3)
REMOTE
This
connector
Unit.
F.FWD,
trolled
from
FUNCTIONS
OUT(s)
outputs
recorder/reproducer
the
RMX
Studio
are
recorder
Studio
8.
using a different
with
8's
recorder/reproducer.
IN/OUT
jack
is
found
used
with
See
the
for
more
on
Control
tweive-pin
from
It
from
the
allows
stop,
Studio
all
PLAY,
up
to 5 meters
8.
get
their
wíthout
switch
These
the
or
outputs
the
program
REMOTE
on
the
RC-30P
Punch-in
this.
Connector
connector
the
RC-71
transport
and
signáis
directíy
going
MONITOR
are
useful
mixer
or
rñaterlal
Connector
front
panel
Remote
Punch-in
section
accepts
the
Remote
functions,
REC,
(sixteen
to
feet)
from
through
section
when
another
from
and
is
of
this
cable/
Control
REW,
be
con-
away
©ACCESSORY
This
the
EBU
38-pin
TASCAM
Controller/Synchronizer.
connector
AQ-65
Synchronizers
Kinetics,
Videomedia,
Studio 8 via
AQ-65
Studio
able
complete
functions.
Timeline,
and
the
Auto
8,
offers
duration
duplication
PUKCH
IN/OUT
REMOTE
Locator,
pre-roll,
Jack
Auto
made
Cypher,
others
ACCESSORY
ten
point
by
two
of
will
accept
Locator
Controllers
Adams
Smith,
Convergence,
will
when
work
connector.
used
memory,
point
all
transport
input
from
or a SMPTE/
and
Audio
ISC,
with
The
with
the
programm-
repeat,
and
control
the
remote
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RECORD
RECORD
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PAUSE
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36
©
Page 37

'^^CESSORY"
•^ALCO
Oi
354-38
i
£
to
5
-
y]i
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6
:
Pin
"X"
4
>
PLAY
FF
REW
open
StOP
REC
LIFTER
open
UP/DOWN
CP
PLAY
FF
REW
STOP
Connector
pin
plug
(or
I
50.8
42 9 mm n 11.
IN(put)-OUT(put)
signáis
IN
IN
IN
terminal
IN
IN
CONT
IN
terminal
OUT
OUT
TALLY
TALLY
TALLY
TAI l Y
OUT
OUT
OUT
OUT
and
ELCO
mm
(2")
16")
Inputs
at L level.
Inputs
level.
Inputs
L
level.
Inputs
L
level.
Inputs
L
level.
Inputs
cancellation
L
level.
Oulputs
control
L
level.
Outputs
tor
pulse
Outputs
toi
durmg
Outputs
tor
dunng
Outputs
toi
dunng
Outputs
tor
dunng
Signáis
8016
Series)
Function
PLAY
signal
FF
signal
at
L
REW
signal
at
STOP
signal
at
REC
signal
at
LIFTER
shift
signal
at
tape
runnmg
signal
al H or
open
(6
at 7 5
open
(Low
PLAY
open
(Low
FF
open
(Low
REW
open
(Low
STOP
collec
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ips.)
collec
level
mode.)
collec
level
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collec
level
mode
collec
level
mode
)
)
signal
signal
signal
signal
signal
Pin#
V
W
X
Y
Z
AA
BB
CC
00
EE
FF
HH
JJ
KK
LL
MM
NN
PP
RR
SS
TT
S
T
U
IN(put)-OUT(put)
signáis
REC
TALLY
SHÜT-OFF
open
LOW
"REW
FF
PLAYCOMMANO
STOP
REC
RT2
STC
open
EXT
EXT
terminal
COMMANO
COMMAND
COMMAND
COMMANO
IN
IN
t
erminal
FREO
FREO
TALLY
(HIGH)
ÍÑT/EXT
open
terminal
+
15Vsupplv
voltage
0 V terminal
<•5 V supply
voltage
Main
unit
OUT
GNO
OUT
IN
GND
IN
OUT
OUT
IN
OUT
OUT
OUT
OUT
OUT
Function
Outputs
open-col-
lector
signal
level
during
mode)
Outputs
open-col-
lector
signal
level
during
stop)
Reduces
tape
to
"Low"
fast
winding.
Outputs
open-col-
lector
signal
level
when
pressed)
Outputs
open-col-
lector
signal
level
when
pressed)
Outputs
open-col-
lector
signal
level
when
pressed
Outputs
open-col-
lector
signal
level
when
is
pressed)
Outputs
open-col-
lector
signal
level
when
pressed)
Inputs
RTZ
L
level
Inputs
STC
signal
Inputs
speed
signal
at
input
of
3.0 V or
of4.8kto
Inputs
mternal/
external
speed
trol
select
Internal.
(0
External:
(3.0 V or
Máximum:
Máximum:
(Low
record
(Low
tape
speed
during
(Low
REW
(Low
F.
FWO
(Low
PLAY
(Low
STOP
(Low
REC
is
signal
at L level
control
signal
more
19.2
con
signal
LOW
level
V)
HIGH
more)
50
mA
50
mA
is
is
is
at
and
kHz
level
37
Page 38

'ACCESSORY"
Connector
Pins
and
External
Sígnal
Connectíons
+5
Vor
+5
15
Typical
"ACCESSORY"
I
Vor
15 V (LOWIN):V
^
COM!
V
External
CONNECTOR
(+5V):SS
(PAL7):A
(FF): B '
(REW):
(STOP):E
(REe):F
(RTZ):
(STC):
(LIFTER
(for
CONTROL):
optional
O
(INT/EXT):
Unit
PINS
(+15
V):
PP
C
BB
CC
/
RR
H~
AQ-65)
MM
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r
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3
+5
Vor
Vor
15
4.7K:
MORE
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V
+5
+5
V
4.7K
V
22K
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Page 39

accessories
AQ-65
The
Auto
□i-a-Q
AQ-65
locator
control
capabiüties:
Into
memory,
repeat
time
8's
transport
SPECIFICATIONS
Locator
¡s
that
allows
from a distance.
ten
(between
points)
control.
Description
Function
1
ransport:
Transport:
Cue
programming
and
location:
Counters:
Others
Connecting
Cable:
Dimensions
(W X H X D)
Weight
^
I»I
■ I ►
a
programmable
computer-precision
It
features
digit
keys
for
writing
pre-roll
{19sec.
TAPE
max.},
TIME
and a duplication
Auto
locator
PLAY,
spooling
{Spooling
with
Ten-point
cue
digit
RTZ,
2-Tape
5
second
button
8
38
ELCO
432 X 88 X 125
(17" X 3-7/16" X 4-15/16")
5
STOP,
and
the
Studio
point
keys
Return-To-Zero
Time,
digit,
hour,
read-out,
m,
34-core
pin
(MALCO
8016
kg
(11
RECORD
does
(O — 9)
setting
Series)
Ibs),
multipoint
transport
among
cue
two-point
and
LOCATE
of
the
F.
FWD,
not
function
8.)
memory,
with
Lócate
minute
with
shielded,
354
mm
including
other
times
Studio
REW,
ten
Time
and
RESET
with
or
cable
RC-30P
The
nects
on
"hands
mode.
RC-71
This
Remote
RC-30P
to
the
front
free"
Remote
unit
functions
connector
E-3
Demagnetizer
Pedal
is a durable
the
PUNCH
panel
entry
Control
makes
remote
possible.
on
the
rear
IN/OUT
of
the
and
Unit
it
of
footswitch
Studio
exit
from
control
plugs
the
into a multipm
Studio
that
REMOTE
8.
This
permits
the
record
of
the
transport
8.
con-
jack
f
J'ddd
]d]
°
["
""^1a
ELT T T T mJ
1 . r
The
E-3
is
essentíal
magnetism
as
other
magnetization
tenance,
for
the
metal
and
job.
that
is
the
builds
parts
part
for
eüminating
up
along
of
regular
TEAC
on
the
the
E-3
the
heads,
tape
path.
recorder
is
the
right
residua
as
we
De-
main-
tool
Page 40

E-2A
Bulk
Eraser
The
E-2A
allows
as
7"
and
10"
pletely.
circuit
TASCAM
Cable,
resistánce,
system.
and
the
ment.
the
Our
15
fllters
tance
the
noise
been
ty
flexible
resistant
let
possibility
when
not
It
comes
breaker
Cables
because
Is
There
performance
sound
best
cables
picofarads/foot)
cable
is
the
suddenly
quality
TASCAM
avaiíable.
feature
and
roll
is
aiso
is
or
degradad
used a while.
provided
as
foam
to
extreme
center
of
the
cable
you
reeis
with a pilot
to
protect
of
its
an
active
are
vast
that
you'll
Professíona!
very
so
off
high
consistent;
bent
or compressed.
results
Our
by a special
core
strands
shearing
is
crushed,
fail.
to
erase
cassettes,
of
tape,
quickly
light
agalnst
inherent
component
differences
have
get
low
they
frequencies.
it
cable's
overheating.
capacitance
in
in
cable
significant
from
your
Audio
capacitance
don't
act
The
doesn't
when
change
You
the
long-term
insulator
dielectrics,
coid
or
migrate.
the
but
heat,
and
It
aiso
center
so
that
as
well
and
com-
and
integral
and
an
audio
deslgn
effect
on
equip-
Cables
as
cable
that
avoidsthe
are
(under
low-pass
capaci
when
don't
get
has
stabili-
is
as
far
more
it
doesn't
conductor
cable
does
The
outer
and
is
elongate.
nickel-plated
than
jacks.
PVC
tightiy
The
most
to
The
cadmium-plated
insulating
fitted
connectors
brass
establish
includes a gentle
mating
ensure
ing,
2-radian
máximum
oval
strength
TASCAM
inches
for
TASCAM
spools.
If
TASCAM
in
cables.
performance.
TZ-261
jack
good
the
braid
soldered,
jacket
and
to
fast
channel
your
area,
It
really
Cleaning
TrRBSW—■
when
contact.
is
terminated
strength.
of
molded
make
cable
20
cable
is
feet,
is
professional
please
does
Kit
jacket
to
the
are
center
pins
good
resists
shieid
so
special,
are a bit
contact
steel
ridge'
the
not
The
the
avaiíable
or
or
aiso
make a difference
(Except
which
connector
For
máximum
inside
just
spot
plugs
plástic
in
function
try
to
ends
cables
easier
in
color-coded
avaiíable
to
find
U.S.)
burnishes
is
the
soldered,
are
ciad
further
lengths
identification.
in
are
not
the
abrasión,
it
wül
too.
Their
longer
in
all
RCA
outer
shell
twisted
RF
shield-
shell and
with
increase
to
handie.
from
sets
of
500
foot
avaiíable
next
in
best
system
not
the
to
for
an
6
8
Rather
wrapped
copper
exeludes
interference,
conductor: 4 puré
résistance
strands
crease
resistánce
creased
improves
than
braided
loosely
shieid
that
shieid
electrostatic
etc.).
We
copper
and 3 copper
for
strength.
flexibility
at
surface
transient
and
ultra
high
area
response.
braided
can
with
noise
aiso
shieid
open
up,
97 % coverage.
(buzz)
use a 7-strand
strands
weid
The
múltiple
strength
for
while
frequencies
the
"skin
or
spiral
we
use
bare
This
and
RFI
(CB
center
for
mínimum
stainless
offering
effect."
steel
strands
in-
less
due
to
in-
This
Page 41

feries
Head
Cleaner & RC
^^^MU.S.Only)
Series
Rubber
MX-80
Mixer
j-Ai
,
— 4)
#♦
-=4
«él#
^
...
il'EAC
M-l
UQBER
LEaííEI;
-riDiiioNta
the
'"Orig
head
lar
j
right
solvents
laminations
a
Beware
I '^'"oplyl,
3
heavy
is
formulated
(jg
s*
^'^ce
and
^^9ing
head
pinch
V^^Pound,
®®ded
tape
'"^juvenate
^hppage.
^^abs
for
alcohol
rollers.
no
alcohol.
oxide,
enhances
in a tape
chemicals
can
residue
desposits
of
it
aiso
film
capstans
integrity.
rollers
not
metal, a different
cleaning
can
cause
TEAC
and
other chemicals
the
rubber.
its
HC
and
^TRc.).
is
dissolve
together.
and
from
rubbing
contains
on
the
to
without
are
them.
RC
Its
special
This
ability
RC
recorder
important
the
binder
Isopropyl
is
not
always
modern
alcohol;
oil
heads.
clean
tape
leaving
made
drying
can
of
Even a mild
rubber
solvents
increases
to
pulí
be
cleaning
TEAÓjt
1
because
that
holds
alcohol
adequate
tape
formu-
while
and
water
TEAC
heads,
special
it
that
HC
head
tape
a
film
rubber
solvent
solvent
and
cracking
cleaner
in
RC
its
tape
purchased
con-
wipe
off
actually
resilency
without
with
kit
(part
is
or
is
of
lu&B])
This
is
an
a
fuily
taining
of
Rack
I\/IH-40B
functional,
an
your
system
mountable
HeadphoneAmp
[■
TigCiiM
The
MH-40B
fier
that
can
cue
headphones
EIA
rack.
PE-40
The
equalizer
frequency
program.
GE-20B
The
equalizer
the
mountable
PB-64
Parametric
PE-40
Graphic
GE-20B
tonal
Patch
8-in,
2-out
ingenious
extra
*
providing
Rack
offering
(19"
mic
will
be
(19"
-7-
1 1
Ó
c
is a headphone
be
used
and
EQ
is a 4-channel,
characteristics
mountable
EQ
¡s a 2-channel,
an
balance
EIA).
Bay
ü*
mic/line
or
considerably
EIA).
*
oüo
to
feed
can
be
precise
easy
between
mixer
submixer
line
mix.
«
distribution
four
mounted
4-band
control
of
(19"
EIA).
10-band
means
channels.
useful
for
Versatility
enhanced.
«
0
0
sets
of
in a 19"
parametric
over
any
line
lí«l
of
control
as
ob-
ampli-
studio
the
level
graphic
iing
Rack
The
M-IB
vides
creating
nionitor
Line
you
Mixer
is
an
with
an
independent
mixes.
8-in,
an
Rack
2-out
easy
and
mix
mountable
line
mixer
practical
such
(19"
that
as
EIA)
way
cue
.
pro
of
or
When
baslc,
your
system
sorting
out
begins
where
to
expand
things
go
beyond
can
take
the
much
Page 42

time
away
accessory
get
back
four
RCA
those
jacks
the
floor
your
inputs
can
reroute
quickly.
PB-32
The
PB-32
n^ost
from
wi
ll
allow
to
what
pins
to
where
and
and
your
Normalled
patch
effective
the
recording
you
you
really
on
a
panel.
you
back
to
outputs
signáis
Patch
way
Bays
bay
is
to
process.
to
speed
So
are.
recording.
to
with
today's
deal
things
want
to
do.
you
can
It
will
get
Connect
the
back,
sliort
simplest
with
the
This
up
and
Sixty-
bring
you
off
and
you
jumpers
and
ever-
all
all
increasing
recording
Instead
turning
equipment,
cable
next
to
You
can
and
wan't
might
endiess
behind
of
patching
find
more
The
PB-32
ferences
tangle
and
of
leaning
consoles,
you
ends
to
your
mixer,
label
have
be
plugging
hours
your
are
of
consolé
is
flexibility
comes
shown
of
wires
signa!
processing
over,
racks,
can
bring
one
single
and
inputs
and
to
guess
in. A few
searching
and,
made
simpler,
in
your
in
five
in
table
necessary
you
waiking
recorders
all
those
spot
in
your
get
them
under
outputs
anymore
around
as
recording
versions.
below.
on
at
cords
on
the
whole
you'll
for
the
want
to
do.
around,
and
or
other
confusing
rack,
or
control.
the
PB-32,
what
you
can
save
the
floor
process
probably
setup.
Their
dif-
Model
PB-32P
PB-32R
PB-32H
PB-32W
Type
of
1/4"
phone
(front
(front
1/4"
RCA
1/4"
(leftmost
front
RCA
(ríghtmost
front
RCA
and
rear)
jack
and
rear)
phone
jack
(rear)
phone
12
and
rear)
jack
20
and
rear)
jack
jack
jacks
jack
(front)
jacks,
jacks,
Upper
Lower
Upper
Lower
Upper
Lower
Le'^tmost
Rightmost
12
Upper
Lower
20
Upper
Internal
(FRONT)
jacks
(same
jacks
circuit
as
(same
as
connectíon
(REAR)
PB-32P)
PB-32R)
'
PB-32B
1/4"
stereo
(front
and
phone
rear)
jack
Page 43

^^LTage
volt
pack^®
r
®P®cified
"'^'"9
cartón.
This
;Poclels
•"Qlia
CONVERSION
'S
adjusted
ort
voltage
soid
or
Europe.
in
to
opereta
the
uriit,
conversión
the
U.S.A.,
on
power
is
Cañada.
cord
tag,
or
UK.
NOTE
U.K.
CUSTOMERS
Due
to
U.K.,
this
request
match
will
be
your
the
used
FOR
the
unit
mains
as
U.K.
ONLY:
vareity
dealer
is
soId
power
per
of
without
to
these
CUSTOMERS
plugs
being
an
install
the
outlet
instructions.
used
AC
piug.
correct
where
in
Please
plug
your
the
to
unit
cha
t^Pae
-^atch
?
^Haimges.
¡llustration.
•
^aing
tequirements
\
export
the
voltage
7our
ALWAYS
CORD
lócate
a
regular
selector
raqui
area
BEFORE
the
voltage
(slot
so
numeráis
of
your
units,
DISCONECT
if
¡t
''
rements
use
the
"^'^^ctndio
of
theStudio
THE
MAKING
selector
POWER
THESE
j^w/pr
ind'icates
that
the
set
m
corresponding
area.
the
8
B
turn
wQitage
The
wires
in
accordance
BLUE:
BROWN:
As
the
this
coloured
your
The
nected
letter N or
coloured
terminal
coloured
This
radio
wlth
colours
apparatus
marking
plug,
proceed
wire
which
to
the
coloured
BROVVN
which
RED.
product
interferenceof
IMPORTANT
this
mains
lead
the
following
NEUTRAL
LIVE
of
the
may
identifying
as
follows,
is
coloured
terminal
BLACK.
must
is
marked
is
manufacturad
EEC
code:
wires
in
not
correspond
BLUE
which
is
The
be
connected
with
to
directiva
are
coloured
the
mains
with
the
termináis
must
marked
wire
the
letter L or
comply
"82/499/
in
lead
of
the
in
be
con-
with
thé
which
is
to
the
43
©.
-
Page 44

SPECIFICATIONS
MECHANICAL
Tape
Track
Format
Reel
Size
Head
Configuration
Motors
Tape
SpeedS)
Pitch
Control
Fast
WInd
Dimensions
Weight
(net)
ELECTRICAL
MIXER
MiC
Input
Mic
Nominal
Mínimum
Máximum
LINE
_ Input
Nominal
Máximum
BUSS
(PGM/STEREO/AUX/
EFFECT)
Input
Nominal
Máximum
EFFECT
Input
Nominal
Máximum
ACCESS
Input
Nominal
Máximum
PGM/MONITOR
Output
Nominal
Minimum
Nominal
Máximum
STEREO
XLR
Output
Nominal
Minimum
Nominal
SECTION
input
impedance
impedance
Input
Impedance
Input
Impedance
Impedance
Impedance
CHARACTERISTICS
(max.)
Time
(WxHxD)
CHARACTERISTICS
Input
Level
Input
Level
Input
Level
Input
Level
Input
Level
Input
Level
Input
Level
RETURN
Input
Level
Input
Level
RCV
Input
Level
Input
Level
Output
Impedance
Load
Impedance
Load
Impedance
Output
Output
Impedance
Load
Output
Level
Output
Level
Impedance
Load
Impedance
Level
1/4
inch, 1 mil
8-track,
7"
1
produce
1
motor
2
7-1/2
deviation
±15%
Less
reel,
8-channel
Erase, 1 Record/Re
FG
servo
DC
capstan
DC
servo
reel
motors
ips
(19
cm/s)
than
100
seconds
1,800
feet
837 X 220 X 641
(32-15/16"
X
8-11/16"
25-4/16")
38
kg
(83.6
Ibs)
XLR,
ba
ianced
2.4 k ohms
Less
than
600
ohms
-60dBV
-70dBV
O
dBV
1/4"
unbalanced
50 k ohms
-10
+14
ROA
22 k ohm
-10
+14
1/4"
22 k ohms
OdBu
+16
1/4"
10 k ohms
-10
+14
RCA
100
10 k ohms
2 k ohms
-10
+14
XLR & RCA
100
10 k ohms
2 k ohms
+4
(1
(0.3
(0.3
phone,
dBV
(0.3
dBV
(5
dBV
(0.3
dBV
(5
phone
(0.775
dBu
(5
phone
dBV
(0.3
dBV
ohms
dBV
(0.3
dBV
ohms
dBm
(1.2
V)
s
(5
(5
mV)
mV)
V)
V)
V)
V)
V)
V)
V)
V)
V)
V)
V)
^
mm
I
±1
%
for
+24
dBm
(12
(0.3
(5
(0.3
(5
(10
(5
50
Hz
to 5 kHz
2.5
25
18
V)
dbx
V)
phone
V)
V)
V)
V)
V)
V)
mW,
Hz
kHz
dB
dB
V)
AS
I,
V)
V)
to 1 kHz
to
above
above
f
r
Máximum
RCA
Output
Nominal
Minimum
Nominal
Máximum
EFFECT/AUX
RCA
Output
Nominal
Minimum
7'
X
Nominal
Máximum
1/4"
Output
Nominal
Minimum
Nominal
Máximum
ACCESS
Output
Nominal
Minimum
Nominal
Máximum
HEADPHONES
Nominal
Máximum
Equalizer
Type
Frequencies
Output
Impedance
Load
Impedance
Load
Impadance
Output
Impedance
Load
Load
Output
Output
Impedance
Load
Load
Output
Output
SENO
Impedance
Load
Load
Output
Output
Load
Output
Level
Output
Output
Impedance
Impedance
Level
Impedance
Impedance
Level
Impedance
Impedance
Level
Output
Impedance
Level
Level
Level
Level
Level
Power
100
ohms
10
kohms
2 k ohms
-10
dBV
+14
dBV
RCA & 1/4"
100
ohms
10 k ohms
2 k ohms
-10
dBV
+14
dBV
100
ohms
10 k ohms
2 k ohms
OdBu
(0.775
+22
dBu
1/4"
phone
100
ohms
10 k ohms
2 k ohms
-10
dBV
(0.3
+14
dBV
1/4"
stereophone
8
ohms,
stereophone
100
mW-i-100
8
ohms
3-band,
sweepable
Low/Mid;
Mid;500
peak/dip,
Mid/High;
15
kHz
Boost/Cut
Input
Meter
RECORDER
Tape
Oüt
Output
Nominal
Minimum
Nominal
Máximum
Bias
Frequency
Equalization
Record
Noise
Power
Range
Overload
Peak
Level
Reduction
Consumption
Indicator
Indicator
SECTION
Impedance
Load
Impedance
Load
Impedance
Output
Output
Calibration
Level
Level
±15dB
Activates
nominal
Activates
nominal
RCA
100
ohms
10 k ohms
2 k ohms
-lOdBV
+14
100
3,180
(NAB)
250
(O
8-Channel,
dual
120
dBV
kHz
AS + 50
nWb/m
VU
reference)
process
W
(0.3
(5
at
at
-
44
-
Page 45

ly.
>
Requirements
^pA/CANADA
E^JROPE
J:¡k/australia
general
^Vpic/^L
^*xer
^requency
^ine
Line
^'flnal-to-Noise
1
Mic
8
Mic
1
Une
8
Une
Total
1
Micto
1
Line
Crosstalk
RECORDER
Wow
equency
export
performance
section
Response
to
PGM
Out
to
STEREO
to
PGM
to
PGM
to
PGM
to
PGM
Harmonio
PGM
to
PGM
4)
and
Flutter
Out
Ratio
Out
Out
Out
Out
Distortion
Out"")
Out
section
5)
Responso
2)
(Record/Reproduce)
120 V AC,
220 V AC.
240 V AC,
60
50
50
HZ
Hz
Hz
100/120/220/240 V AC,
50/60
Hz
characteristics
20
Hz - 30
20
Hz - 30
IHF A WTD/UNWTD
(20 - 20
70
dB/68
60
dB/58dB
80dB/76dB
77
dB/73dB
0.03
0.03
-60
dB
0.05 % (NAB
±0.10 % peak
ANSI
30
Hz - 16
kHz!2
kHz!2,5
kHz)
dB
%
%
weighted)
weighted)
(DIN/lEC/
kHz,
±3dB
Signal-to-Noise
Total
Harmonio
Ratio3l.
Distortion^)»
6)
IHF A WTD/UNWTD
(20-20
95
dB/90
59
dB/56
6)
0.5
%, O VU.with
1 O %, O VU,
3^0
%!
with
Adjacent
ErasureS),
Test
(1)
(2)
(3)
(4) 1 kHz.
(5)
(6)
In
rms;
voltage
Changas
without
*dbx
•
Channel
Crosstalk^i»
6)
Conditions:
50dBabovenominal
inputlevel,1
LPF.
Nominal
Referenced
TEAC
TEAC
these
OdBu/OdBm
is a registered
Tape
UD-35.
input
level,
1
kHz,
to 3 %
THD
Test
Tape
YTT-2003.
Test
Tape
YTT-8013.
specifications,
leveis
are
in
Specifications
notice
or
OdBV
is
referenced
aiso
given
in
obligation.
trademark
recommended
for
6)
75dB, O VU,
55
dB, O VU,
dbx
70
dB
with
level.
is
parenthesis.
and
features
of
dbx
use
with
kHz)
dB
with
dbx
dB
without
dbx
dbx
without
dbx
15dBaboveO
dbx
with
dbx
without
at 1 kHz
on
kHz.wi
u I PF
30
kHz
Actual
to
0.77b
v
rnade
m
Incorpora
u
tne
IVIA^BLÍ-
VU,
Hz
'V.
EXTERNAL
DIMENSIONS
791
mm
833
mm
(32"
837
mm
(32"
□onDoao
amcD
OV
13/16)
15/16)
"
1/8)
I I I n I
tD
11
185
minl?"
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163.5
«Tim
(6"
7/16)
□□
cKxi
-
45
-
Page 46

PICTOGRAM
PGM
BUSS
IN
o
INPUT
Select
Q
Equaliier
uverload
Indícator
SENO
ACCESS
RCV
©
Input
Fader
BUSS
ASSIGN0
PGM
0
MASTER
(S>
PGM
OUT
lOdBV
LINE
STEREO
BUSS
EFFect
AUX
BUSS
IN
&
O
{(0
L
IN
EFFect I //
PRE/POST
Switch
0
EFFect
AUX
MASTER
MONITOR
Select
MASTER
MONITOR/
PHONES
Leve!
m)
OdBu
n -lOdBV
AUX
ffi) O
a
-lOdBV
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OUT
f
©MON'™"
GAIN
©
0
STEREO
OUT
Head
phones
OdBm
r
CUE/PGM
Switch
"^SERT
Switch
6°^
MONITOR
Monitor
Logic
Control
STEREO/
monitor
LOGIC
GA
Monitor
Logic
Control
í)
-lOdBV
STEREO
MASTER
N
METER
Swtich
46
-
MONO
Swtich
UNBAL/BAL
Swtich
O
A
-lOdBV
STEREO
AUX
STEREO
EFFECT
PGM/TRK
Meter
©TAPE
í)
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dBtn
L
R
OUT
RECORO
FUNCTION
Swítchet
©
Page 47

BLOCK
DIAGRAM
MIO
IN
UNE
JN
-lóoav
TAP_E_OyT_;
otfBv
NPUT
Leo
i®
SENO
ACCESS
BUSS
I.N
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prr
PGM
BUSSJN
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;
RCV
PCM
MASTERS
|
assignI
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EFFECT
IN
EFFECT
RTÍTI
PAN
RTN
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OUT
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INPUT
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5
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r
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0
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MONITOR
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0
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OUT
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TRK
TRK
TRK
TRK
TRK
TRK
i
2
3
TRK
ROM
TRK
PCM
TRK
PCM
TRK
PCM
2
PHONES
3
4
S
METER
STEREO
/AUX
1
L
O
STEREO
TRK
PCM
a
4
6
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D
TRK
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7
5
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6
6
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7
7
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e
o
, db*5-0
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OFF
dbx
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eiAs
BIAS
£1
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ose
AMP
hiGh
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rur
I
REC
functToñI
control
FROM
m»Om
lo-n
CONTROL
REC
other
signal
PCB
PLAY
MOOES
<D
-
47
-48
-
-
Page 48

LEVEL
DIAGRAMS
mk:
in
_¡
~ ( -so
ffl
V )
LINEAN ; i
T-iodavi
TAP^qUT
l-iOdBv
j ' @
l-IOiJBV)
I OL
1
INPUT
OWER
LOSO
INO
+
15«BV
I
I INPUT
1
^ic
LINE
SENO
(^lOdBVI
MXE^
RCV
>
INPUT
FAOER IPAN
ASSI6N
I
PGM
MASTERS
000
BUSSIN.^
|
I
-lOdev)
EFF
(®
STCREÓjyáj;^
EFFECT
i-ionevi R @
RTN
i
OiSBu
)
J
EFFECT
RTN
I
4
MASTER
(-«CSVI
@ i-ioeavi
■"aux
OUT
EFFECT
OUT
l-IOdBVI
LCTERKLQUT
STEREO
PRE
H.
INPUT
PCB
(CH I)
I
MONITOR
L
I
MONITOR
PAN
6AIN
TRK
MASTER
I MON
BAL/UNBAL
I
IMONITOR / PHOES
STEREO^
—0-—r-[^
I
monitor
OUT
l-lOdSEI
I
PHONES
^(1
(lOOmW/eQMiXI
TRK
I
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PEAK
METER
—¡>—ra
I db»
1-4
+10
-
LINE
IN
MIC
IN
TRIM
MIN
MIC
IN
60
dBV
MIC
IN
TRIM
MAX4
(dBV
SOa.
SOO-v»
SkHl
POST
2.5II-V,
l9tH>
SENO
ACCESS
RCV
l-iBdSV
FAOER
PGM
BUSS
IN
I
PGM
MASTERS
IkHl
)
PRE.
Peh-vBch
Zcn-v
BUSS
AUX/EFF
(-lOdBv
EFFECT
RTN
MONITOR
PAN
FJLLT
CW/CCW
MONITOR
SAIN
(MAX
IN
I
1 leúBv
1
EFFECT
6AIN
EFFECT
STEREO
BUSS
IN
RTN
PAN
FULLY
CW/CCVY
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STEREO
MASTER
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/
y—
r • lOdBv}
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dBV>
1
1
i
1
1
1
1
1
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i
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STEREO
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OUT
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OUT
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L
OUT
(MAX
AUX
49
/EFF
OPERATIONAL
MASTER
AUX / EFF
-
-
50
-
OdBV = I
OdBu' O 775
OdBm" O 775
Vrms
LEVEL
Vrms
Vrms
-lOdBV
Page 49

MAINTENANCE
INSTRUCTIONS
BEFORE
CUSTOMER,
RESISTANCE
THAT
INSULATED
All
resistores
othervvise.
ohms,
Capacitor
picofarads).
A
Parts
components.
with
Parts
O
dB
otherwise
PC
boards
Because
production
diagram
circuitry.
RETURNING
MAKE
MEASUREMENTS
EXPOSED
FROM
are
Resistor
M=
1,000,000
valúes
marked
They
indentical
List
is
referenced
of
components — refer
and
ensure
specified.
shown
the
improvements
modeis,
may
no
FOR
SERViCE
APPLIANCE
LEAKAGE-CURRENT
PARTS
THE
NOTES
1/4
valúes
ARE
SUPPLY
watts,
are
ohms).
are
in
microfarads,
wtih
this
sign
must
exact
to 1 V
viewed
always
replacement.
in
from
some
longer
confirm
PERSONNEL
TO
TO
DETERMINE
ACCEPTABLY
CIRCUIT.
5%,
unless
in
ohms
(K=
are
safety
be
to
theTEAC
this
manual
component
made
to
the
parts
of
the
to
the
THE
OR
marked
1,000-
_
UF(PF
-
critic^
replaced
unless
side.
recent
circuí
actúa
Effective:
"CAUTION
QUALIFIED
PERFORM
OPERATING
REFER
March,
1986:
Q50154
-
PERSONNEL
ANY
INSTRUCTIONS
ALL
SERVICING
THESE
SERVICING
SERVICE
ONLY.
OTMER
UNLilSS
TO
QUALIFIED
INSTRUCTI®ísl|
TO ft.V®ID
JHAN
YOU
SERVICE
ELECTRIL-
THAT
ARE
AR|
CUInim
QUAuri
PERSONIN
USE
qq
NOT
-pnE
gQ
Page 50

TABLE
OF
CONTENTS
OF
THE
MAINTENANCE
SECTION
1
CHECKSAND
1-1.
ESSENTIAL
1-2.
REMOVAL
1-2-1.
1-2-2.
1-2-3.
1-3.
1-3-1.
1-3-2.
1-3-3.
1-3-4.
1-3-5.
1-3-6.
1-3-7.
1-3-8.
1-3-9.
1-3-10.
1-4.
1-4-1.
1-4-2.
1-4-3.
1-4-4.
1-4-5.
Top
Reel
Capstan
MECHANICAL
Capstan
Brake
BrakeTorque
Pinch
Reel
Head
Tape
Fast
Wowand
Tape
MIXER
MIC
LINE
STEREO
EFFECT
BUSS
BUSS
1-4-6.
1-4-7.
1-4-8.
PGM
LINE
LINE
ADJUSTMENTS
TEST
OF
Panel
of
Motor
Motor
Thrust
Mechanism
Rollar
Tabla
Height
Alignment
Tensión
Wind
Speed
Flutter
Speed
SECTION
IN—^ACCESS
IN—ACCESS
BUSS
RTN—STEREO
IN
AUX—^AUX
IN
EFF—EFFECT
BUSS
IN—PGM
IN-r^AUX
•-^EFFECT
1-4-9.
1-4-10.
1-4-11.S/N
1-5.
1-5-1.
1-5-2.
1-5-3.
1-5-4.
1-5-5.
1-5-6.
1-5-7.
1-5-8.
1-5-9.
1-5-10.
1-5-11.
1-5-12.
1-5-13.
1-6.
1
-6-1.
1-6-2.
1-6-3.
1-6-4.
1-6-5.
2.
MECHANICS-EXPLODED
2-1.
2-2.
2-3.
2-4.
2-5.
2-6.
Frequency
T.H.D.
Ratio
RECORDER/REPRODUCER
Reproduce
Reproduce
Blas
Tuning
Recording
Recording
OveraII
Overall
Overall
Erasing
Crosstalk
Sync
Location
Service
DBX
PCB
Location
DBX
Adjustment
VCA
Symmetry
Decoder
Encoder
EXPLODED
EXPLODED
EXPLODED
EXPLODED
EXPLODED
EXPLODED
Rasponee
Frequency
Blas
Level
Frequency
S/N
Distortion
Ratio
Between
Crosstalk
of
Chart
ADJUSTMENT
of
VIEW-1
VIEW-2
VIEW-3
VIEW-4
VIEW-5
VIEW-6
EQUIPMENT
THE
MAIN
the
Deck
Section
ADJUSTMENT
Adjustment
Pressure
Adjustment
Check
CHECK
AND
SEND.
SEND
IN-pSTEREÓ
'-^MONITOR
IN—PGM
OUT.
OUT
OUT
..
OUT
Level
Response. ....
and
Blas
Trap
Adjustment
Response
Ratio
Channeis
Electrical
the
DBX
Adjustment
PCB
Connection
Adjustment
VIEWS
REQUIRED
PARTS
ADJÜSTMEÑT
.
ÓUT
OUT
OUT
OUT
SECTION
Adjustment
Adjustment
OUT
. . .
Waveform
AND
PARTS
.
.
! !
1
'
.! .
!
'
^
'
^
ADJUSTMENT
LISTS
3
3
4
4
5
5
6
6
6
6
7
8
8
9
10
10
11
12
12
13
13
13
14
16
18
20
22
22
22
23
23
23
23
24
24
24
24
25
25
25
26
-28
-
29
-30
-
30
-
31
32
1
2
-
1
2
-
3
2
-
5
2
-
7
2
-
9
2
-
11
2
4
1 -
1
Page 51

3.
PC
BOARD
3-1.
3-2.
3-3.
3-4.
3-5.
3-6.
3-7.-3-19.
3-20.
REO
DBX
PLAY
PCB
MONITOR
INPUT
BUSS
BUSS
PCB
PCB
1/0
MOTHER
3-21. M BUSS
3-22.
3-23.
3-24.
3-25.
3-26.
3-27.
3-38. - 3-29.
3-30.-3-31.
3-32.
3-33.
3-34.
3-35.
3-36.
3-37.
3-38.
3-39.
3-40.
3-41.
3-42.
3-43.
3-44.
3-45.
3-46.
3-47.3-48.
3-49.
4.
4-1.
4-2.
4-3.
4-4.
4-5.
4-6.
4-7.
4-8.
4-9.
4-10.
4-11.
4-12.
4-13.
4-14.
4-15.
4-16.
4-17.
MOTHER
OPERATION
PWR
REEL
METER
CAP
PHONE
MECHA
BAL
COUNTER
RE
DEFEAT
P.G.
BALANCE
SHUT
CONTROL
MONITOR
DBX
HEAD
BIAS
TR
PHONE
SCHEMATIC
REC
DBX
MONITOR
MIXER
BUSS A PCB
BUSS B PCB
MOTHER
M.
MOTHER
POWER
REEL
METER
CAP.
BALANCE
CONTROL
BIAS
HEAD
4-18.
4-19.
4-20.
MONITOR
DEFEAT
VR
SPLY
SERVO
PCB
MOTE
PCB
SW
PCB
PCB
FUSE
PLAY
PCB
BUSS
SERVO
PCB
AND
PARTS
AMP
ASSY
PCB
PCB
ASSY
ASSY
ASSY(B)
PCB
PCB
PCB
PCB
PCB
PCB
SERVO
AMP
PCB
SENSOR
LED
PCB
JACK
JOINT
ASSY
PCB
PCB
SW
ASSY
SW
OFF
PCB
PCB
PCB
SW
PCB
CONNECT
ASSY
ASSY
PCB
AMP
DIAGRAMS
AMP
PCB
INPUT
(1)
PCB,
(2)
SUPPLY
SERVO
AMP
AMP
PCB
ASSY
SW,
SW
PCB
PCB
LISTS
PCB
ASSY
ASSY
(A)
ASSY(I) - 1/0
ASSY
(1)
PCB
ASSY
ASSY
PCB
PCB
PCB
ASSY
PCB
PCB
PCB
ASSY
PCB
OPERATION
PCB
PCB
PCB
MECHA
PCB
(2)
ASSY
ASSY
ASSY
ASSY
ASSY
PCB
ASSY
ASSY
ASSY
ASSY ...
ASSY
ASSY
ASSY
ASSY
PCB
ASSY
ASSY
PCB
SECTION
PCB
DBX
SW,
ASSY
(L),
(R)
. .
. .
ASSY
. .
.
JOINT
PHONE
(L),
PCB,
ASSY
(13)
ACCESSORY
PCB
AMP,
1/0
PCB
^.V.McrTnR
CONNtu 1 un
3
-1
3
-1
3-2
3-3
3
-^
3 - o
i
'^
L
%
q
^
3
%
o.
3
.
3-
3-
3-
333-
3-
33-
333333-
4
-
4
4
4
4
4
4
4-7
'
•
4-8
4-9
4
4
444
4-
4-
4-
4
4
4
10
-
11
-
12
13
14
-
15
16
17
18
19
-
20
-
1 -2
Page 52

1.
CHECKS
1-1.
ESSENTIAL
AND
TEST
ADJUSTMENTS
EQUIPMENT
REQUIRED
(/n
Wow & Flutter
Audío
Digital
Band-Pass-Filter
AF
Distortion
Oscilloscope
Attenuator
Function
Tools
Cleaning
Mead
Test
Osciliator
Frequency
Leve!
Demagnetizer
Tapes
Extensión
Meter
Meter
Meter
Generator
Fluid
Cards
Counter
Meguro
or
Hewlett
Range:OHz~ 1 MHz;
imp.: > 1
1
Ranga;
(example—HP
General
General
General
TEAC
Tape
Spring
Hex
Plástic
TEAC
TEAC
TEAC
Tape
Reproduce
Blank
For
For
For
Ass'y
For
Ass'y
Monitor
Denpa
Mincom
Packard,
kHz
narrow
-80
purpose
purpose
purpose
FG-1
tensión
scale: O ~ 8 Ibs
head
alignment
TZ-261
Spindie
E-3
Sokki
División,
Mí2,<
band
K.K.,
3M
Model
25
pF
pass
dB ~ +40
400GL)
(400
gauge:
0~
Alien
or
equivalent
TENTELO
or
2.2
wrenches.
tool
or
equivalent
Oil
TZ-255
Speed/Wow-Flutter
TEAC
YTT-2003
(for
Alignment
TEAC
Equalization
Reference
level
fluxivity.
Calibration
refers O VU
TEAC
TEAC
TEAC
TEAC
TEAC
YTT-1003
3180 + 50
fluxivity
is
2.6
dB
lower
level
as
Test
Tape
(Recording)
YTT-8013
Rec/Play
Bias
Input
P709
Input
P909
Amp
Part
number
PCB
Ass'y
Part
number
PCB
Ass'y
(P101)
Part
number
PCB
Ass'y
(P102),
PCB
Ass'y
Part
number
(for
under
250
PCB
and
Buss B PCB
P911
Modal
Co,
204C
sensitivity;
type
dB;
imp.: > 1
Hz, 1 kHz)
MK-668C
Modal
8155
or
equivalent
0.1
Mí2, < 25
Model
Tensión
(O ~ 4
Ibs
(O - 1
tape
Test
is
185
compared
nWb/m.
Ass'y
52001773-00
Power
52001774-00
P701 ~ P708
5200193700
P901 ~ P908
analyzer
kg)
kg)
or
equivalent
Test
Tape
speed
7-1/2
Tape
tape
speed
Msec.)
nWb/m;
with
"Reproduce
and
DBX
Supply
(P104)
(P105),
Ass'y
(P115)
5200193900
(JARAN),
(U.S.A)
Vrms;
pF
T-2-H20-1
(preferred)
ips)
7-1/2ips,
reference
250
NAB
output
nWb/m
Calibration"
PCB
Ass'y
PCB
Ass'y
and
Buss
Buss A PCB
P910
(P102)
n
B
and
1 -3
Page 53

I
1-2.
REMOVAL
OF
THE
MAIN
PARTS
1-2-1.
1.
2.
3.
4.
Top
See
the
Remove
Remove
Remove
Panel
illustration
the
the
the
Escutcheon
of
control
left
pinch
the
Deck
and
remove
panel.
and
right
rollercap
L
Section
the
dust
cover.
escutcheons.
and
pinch
rollen
5.
Remove
6.
Remove
7.
Now
Pinch
Rollar
Pinch
Rollar
the
the
the
top
Dust
Cap
houslng
left
panel
Cover
base.
and
right
can
tensión
be
removed.
rol
le
rs.
Tensión
V
Control
Panal
Rollar
Housing
Tensión
Basa
Escutcheon
Bottom
Plaí®
R
1 -4
1-2-1.
Top
Panel
Renrioving
Page 54

1-2-2.
Reel
Motor
1-2-3.
Capstan
Motor
1.After
píate,
in
ing
2.
Finally,
JOINT
removing
remove
Fig.
the
the
1-2-2,
reel
undo
PCB
and
motor.
the
with
the
top
reel
table
remove
wire
running
the
use
panel
thefour
of a soldering
and
assembly
to
as
screws
the
Reel
bottom
shown
MECHA
iron.
hold
Table
1.
Remove
Motor.
2.
Remove
Bracket.
3.
Remove
Motor.
4.
Unsolder
PCB.
the
Motor
the
four
the
four
the
wire
Pulley
screws @ from
screws
from
from
(b)
holding
the
MECHA
the
th®
Capstan
otor
the
Reel
JOINT
Reel
Motor
Capstan
Motor
Screw
Screw(b)
Motor
Set
Screw
Motor
Bracket
(i)
Pulley
Fig.
1-2-2.
Reel
Motor
Removing
1 5
Fig.
1-2-3.
Capstan
Motor
Removing
/
Page 55

1-3.
MECHANICAL
ADJUSTMENT
l)
1-3-1.
I.There
between
píate.
within
screws
and
Capstan
must
Check
retighten
Thrust
be a clearance
the
this
on
the
Clearance
capstan
to
see
range.
fiywheel,
the
If
screws.
of
shaft
that
not,
adjust
0.1
to
and
the
clearance
loosen
the
0.3
mm
the
trust
¡s
the
two
clearance,
Fiywheel
1-3-2.
Note:
I.Screw
2.
1-3-3.
Note:
1.
2.
Brake
IVIechanísm
Be
su
re
prior
to
brdkss
(A)'for
frotn
lever
Screw
ocrew
justed
0.5
See
When
solenoid
distance
washer)
Mount
table
a
Smoothly
under
the
front)
(C)
is
parallel
(A)
for
so
that
mm
between
Fig.
1-3-2.
there
is
housing
between
is 3 mm.
Brake
string.
Torque
Before
measurements,
and
test
making a y
an
empty
attach
See
Fig-
pu"
and
that
the
power
making
the
tnere
any
the
left
must
to
be
brake
right
¡ a clearance
levar
(C)
«+
contact
the
. 7"
'
a
sprmg
1-3-3-
/
note
«t ( h
p
make
reel
scale
^^gy
le
torque
the
is
turned
adjustments
brake
(as
off
to
the
vlewed
adjusted
solenoid.
brake
^
s
.
must
(a)
position
be
(a)
.p.
the
of
P
®
and
solenoid
adjustments
onto
either
the
reel
from
valué
when
The
or
¡j
red
with
the
reel
the
proper
l
Thrust
Forward
Directiorí
Plata
Capstan
Screw
Shaft
Fig.
Spring
(A)
Adjust
Adjust
Alien
1-3-1
Hanger
(D)
two
screws
two
screws
wrench
Reverse
DIrection
wlth
wlth
0.1 - 0.3
(f) 3 mm
mm
Lever
(C)
(a)
0.5
Adjust
reading
torque
next
page.
mm
Brake
Solenoid
Solenoid
Position
Screw
on
the
sea
valúes
are
Lever
g
e
^
Hanger
on
Screw
the
(A)
Fig.
1-3-2
1 -6
Page 56

3.
Follow
dition;
4.
If
change
hanger
steps 1 and 2 foreach
i.e.,
(A)
the
forward-direction
the
(reference
corresponding
after
the
forward-direction
properly
is
torque
feit
inner
alcohol,
anism
Section
sary,
adjusted,
not
correct,
is
stiii
pad
with a new
side
and
is
1-3-2,
replace
of
properly
through
hooking
position
(D)
brake
not
the
aiso
the
requiring
the
reverse-direction
or
correct,
brake
check
aligned
"Brake
entire
measuring
(D)
in
Fig.
1-3-3.
torque
in
is
of
Fig.
1-3-2)
not
the
adjustment.
torque
the
forward-direction
replace
one
after
band
with a cleaning
that
the
as
Mechanism".
reel
table.
has
the
cleaning
brake
explained
con-
correct,
spring
for
the
If,
been
torque
brake
the
mech-
in
If
neces-
1-3-4.
Note:
Pinch
Pinch
pinch
Roller
roller
roller
important
fully
measu
1.
Hold
band,
2.
Place
threading
3.
Attach a spring
shown
4.
Pulí
the
shaft
The
scale
{2.9
Ibsto
5.
If
you
be
indicated,
through
bottomed
remen
the
right
string,
the
deck
the
in
Fig.
pinch
until
the
should
3.74
get a reading
the
Pressure
pressure
spring
that
t.
tensión
etc.
in
the
tape.
scale
1-3-4.
roller
pinch
then
Ibs).
make
adjust
screws.
is
supplied
arm
and
the
solenoid
before
arm
taking
up
reproduce
to
the
pinch
away
roller
be
other
the
from
just
read
1.3
than
necessary
by
the
it
is
most
plunger
be
pressure
with a rubber
mode
stops
without
roller
the
rotating.
kg
to
what
adjustments
as
capstan
1.7
kg
should
Spring
Scale
Forward
(B)
Reverse
(D)
Left/Right
direction
(C)
direction
(Referencevalúes)
deviation
Fig.
1-3-3
(A)
Forcé
AO
1,000 — 1,500
(13.9 — 20.9
500 — 700
(6.9 — 9.7
500
g-cm
(6.95
oz-inch)
Radius
g-cm
oz-inch)
g-cm
oz-inch)
1.0 — 2.0
Pinch
mm
Roller
Adjust
—•
:
Fig.
B
1-3-4
0
screws
Torque
1.
2.
calculating
Torque
=
Conversión
g-cm X 0.0139 = oz-inch
Forcé
(in
cm
(in
or
or
formulas:
g-cm
or
Weight
inch)
of
g-cm
oz-inch)
(in g or
to
oz-inch:
oz) x Radius
1 ■
7
Page 57

1-3-5.
Reel
motor
sively
Adjustment
reel
motor
Remove
the
table
reels.
tion
Be
is
Reel
height
has
been
against
set
screws
shaft
the
set
screws
should
With a tape
the
reel
sure
to
tighten
made.
Set
Screws
Table
adjustment
the
is
as
top
be
table
Height
replaced
reel
accomplished
and
shown
panel
(2)
adjusted
the
Adjustment
is
requlred
or
flanges.
moving
¡n
Fig.
of
the
in
the
reel
using
loaded
height
on
forsmooth
set
screws
if
by
the
1-3-5.
unit
motor
standard
the
only
If a reel
tape
rubs
exces-
loosening
reel
table
on
for
access
shaft.
NAB
machine,
tapetravel.
after
adjustment
Tape
should
wind
evenly
on
reel
the
the
to
Reel
7"
posi-
5.
Siightiy
hold
adjust
for
output
screws.
6.
Reproduce
scope
7.
Adjust
record/reproduce
máximum
A
picture
both
channeis
as
the
scope
out
of
meter
showing
for
both
ERASE
loosen
the
tangency
is
attained,
the
showing
will
shown
the
repro
dlsplay
phase
at
channels.
HEAD
the
mounting
using
output.
10-kHz
in
approximately
When
retighten
signal
phase
be
obtained
Fig.
1-3-7.
head
shows
10
kHz
screws
head
in
adjustment
the
both
on
the
relations
on
azimuth
less
than
with
the
máximum
REC/REPRO
which
place
the
screw
and
screw,
máximum
mounting
test
tape.
between
oscillo-
until
90
degree
AF
valué
HEAD
level
1-3-6.
There
justments
the
fixed).
Head
1.
2.
3.
Head
1.
2.
3.
4.
Head
Alignment
is
no
because
388
is a semi-fixed
Mounting
Refer
to
Fig. 1 -3-6.
Mount
screw
Mount
Connect
the
an
Connect
the
the
Connect
jack(s).
Load
1003/400
head
and
azimuth
Azimuth
the
deck
oscilloscope.
the
deck
to
oscilloscope.
an
the
Fig.
1-3-5
need
for
head
height
the
record/reproduce
type
{erase
(Record/Reproduce
to
head
mount
to
reproduce
Hz)
tangency
adjustment
Adjustmsent
TAPE
the
TAPE
the
horizontal
AF
level
to
reproduce.
base
adjustment
screws.
OUT
jack
vertical
OUT
alignment
input
jack
meter
input
to
Reel
and
head
Head)
using
mounting
for
TRK 2 of
termináis
for
TRK 7 of
termináis
the
TAPE
test
tape
Motor
tilt
ad-
head
of
fully-
screw.
of
of
OUT
{YTT-
(¥)
TANGENCY
©
AZIMUTH
FiXED
Trace
for
2
alone
If
the
each
Track
Unes
track
ADJ.
ADJ.
SCREW
are
alone,
tracksarenot
Adjust
If
down
^—
(Asman
30
with
the
the
playback
you
willseethiskindoT
m,salignn.ent
out
of
phase)
0
(Perlect
O' .inphitsel
SCREW
SCREWS
Fig.
1-3-6
Trace
for
Track
7
alone
not
the
same
it
indicates
putting
scope
head
out
controls.
is
not
=0
Note.
azimuth
pnas
the
Unequal
levels-
One
track
or
the
other
is
dommant.
length
that
same
the
ght
strai
picture:
(A
180
Somescüpes
d.aqonal
left
for
the
2
level.
up
and
bit)
one.
olh
of
pbase)
show
pomtmq
-n
to
Page 58

1-3-7.
NOTES
I.Since
Tape
these
adjusted,
adjusted.
special
Tentelo
2.
For
reel
3.
Before
C-3),
actívate
a.
b.
c.
A. m PLAY
1.
Place a reel
on
right
2.
Let
both
diameter.
3.
During
A
4.
Adjust
(for
of
outer
as
5.
Adjust
and
so
(1.2
50 g ±5g
sión
meter
meter:
the
reels
tables,
ai!
perform
the
Thread
shut-off
Set
the
Leave
the
the
left
reel
the-
reels
play,
and
8.
R112
right
the
tensión
edge
shown
R103
R203
that
the
02
are
obtained.
Tensión
settings
In
general
If
it
ís
needed.
Model
mounted
use
the
the
foiiowing
next
relevant
the
tape
arms.
POWER
deck
MODE
loadíng
reel
table
table,
tape
then
run
have
nearly
measure
(for
tensión
rollers
of
the
in
Fig.
(for
(for
specified
~
1.6
oz)
(1.6
oz ~ 2.0
are
precisely
they
should
is
specifically
T2-H20-1
on
same
size
orT2-H15-UI\/1.
both
ones.
adjustments
¡nstructions
circuit.
to
lift
up
switch
as
in
left
arm)
innertia
1-3-8.
take-up
to
it
is
for 5 to
TEAC
and
an
YTT-8013
thread
fast
froward
the
same
tape
tensión
so
that
aligns
and
back
tensión
tensión
tape
tensión
for
back
oz)
ON.
empty
the
tape.
tensión
arm)
the
with
footage
for
factory
not
be
re-
required,
left
and
right
(A-1
~
in
order
both
10
minutes.
reel
mode
tape
at
and
topcenter
the
at
point
at
point
of
40 g ±5
tensión
take-up
to
tensión/
test
tape
on
the
until
windíng
points
R212
forward
roollers
B)
A)
and
ten
B.
IN
FAST
1.
Load
reel
table
table,
2.
Stop
fast
a
3.
C.
1.
forward
Adjust
~
3.2
2.8
oz
IN
REWIND
Load
right
reel
table,
2.
Stop
in
the
3.
Adjust
^
3.2
2.8
oz
Reel
Servo
REF.
R112
R206
R150
R212
R105
R103
R203
g
TEAC
and
then
the
left
R206
oz)
valué
TEAC
reel
table
then
the
right
rewind
R105
oz)
as
far
Ajustment
NO.
FORWARD
YTT-8013
an
empty
thread
valué
valué
the
reel
by
mode.
to
obtain a 80 g to
at
point A (Obtain a 80 g or
as
far
as
MODE
YTT-8013
and
an
thread
reel
by
mode.
to
obtain a 80 g to
at
point B (Obtain a 80 g or
as
possible).
FUNCTÍON
Tensión
F. F Tape
Fast
Winding
Tensión
Rewind
Play
Tape
Play
Tape
MODE
test
tape
reel
on
tape.
hand
and
possible).
test
empty
the
hand
Arm
Tensión
Arm
Tape
Tensión
Tensión
reel
tape.
and
Position
Speed
Position
Tensión
R2I2
RÍI2
R206
on
the
the
right
set
the
deck
90 g (2.8
tape
on
set
on
the
the
90 g 12.8
(Left)
(Right)
(Back
(Take-up)
Tensión)
TP3
TP2
left
reel
in
oz
the
left
deck
oz
C
Tentelo-
meter
PLAY,
REW
Tensión
Rolíer
Innertia
Roller
Fig.
Footage
1-3-8
Roller
Tente
meter
PLAY
Tensión
Roller
1 9
o
TPI
Fig.
1-3-9
J
Page 59

1
1-3-8.
1*
2.
Fast
Connect
on
the
REEL
Thread
case,
both
During
R150
TEAC
use
left
fast
(see
displayed
rnsec.
satisfied
4-
Check
speed
rewind
(Fig.
at
that
is
modes.
Windíng
oscílloscope
of
and
on
any
obtained
Speed
between
SERVO
YTT-8013
7-¡nch
right
forward
Fig.
1-3-10).
almost
2.5msec.
reel
reeis
or
1-3-9)
the
oscílloscope
tape
windíng
equal
between
PCB
and
test
¡s
permitted
are
the
rewind
so
that
Adjustment
position.
valué
fast
TP1
test
point
ground.
tape.
In
this
provided
same
size.
mode,
adjust
wavelength
becomes
shouid
of
fast
windíng
forward
and
2.5
be
1-3-9.
1
2.
3.
4.
Valúes
Wow-And-Flutter
(Reproduce
Check
Method)
Connect a Wow-and-Flutter
shown
These
valué
switch
Playback
If
read,
"Weighted"
the
As
to
surement
the
shouid
differences
according
used.
in
Fig.
meters
or
the
NAB
selection
the
the
peak
set
the
readings
meter
is
properly
the
measured
the
location
is
taken,
beginning
be
checked.
to
shouid
be
1-3-11.
will
measure
rms
valué
depending
on
the
meter.
TEAC
or
YTT-2003
rms
weighted
Wow-and-Flutter
and
aiso
calibrated.
results
on
and
in
absolute
the
as
shown:
may
the
tape
at
least
near
the
There
brand
vary
at
two
end
may
valúes
of
the
to
the
deck
the
ANSI
on
test
tape.
valué
is
Meter
make
which
for
sure
with
respect
the
locations — at
of
the
tape
aiso
be
measured
meter
as
peak
the
to
be
the
that
mea-
—
slight
being
Fig.
1-3-10
DIN/IEC/ANSi
(peak
Weighted
±0.10%
UNIT
under
TEST
valué)
FREQUENCV
OUTPUT
Fig.
1-3-11
NAB
Weighted
0.05
COUNTER
WOW/FLUTTER
METER
o o
(rms
%
valué)
1 10
Page 60

1-3-10.
1.Connect a digital
2.
3.
4.
5.
Tape
Speed
one
of
the
TAPE
Set
the
speed
Reproduce
YTT-2003
speed
of
Playing
end,
vary
the
total
the
Set
trimmer
untíl
the
3,000
the
check
any
specifications,
deviation
beginning
the
Speed
knob
the
(3,000
frequency
Hz.
tape
that
more
and
Knob
frequency
OUT
to
middie
Hz)
R815
counterindicatesa
at
both
the
than
of
more
end.
FIX.
on
the
so
to
counter
jacks.
of
the
TEAC
and
tape
that
EXT.
adjust
the
CAP
the
beginning
speed
limits
there
than
15
to
any
test
tape
the
FIX
SERVO
PCB
reading
and
the
does
not
prescribed
is
Hz
in
never
a
between
6.
Apply a + 5 V
the
ACCESSORY
kHz
rectangular
7.
Play
the
EXT
speed
PCB
for a reading
(H)
signal
connector
pulses
middie
trimmer
aCCESSOPY
of
of
CONNECTOR
Fig.
the
R807
3,000
1-3-12
to
to
KK
tape
on
Hz.
and
and
the
CAP
9.6
app
y
the
p^cRVO
frequewcy
^NTER
O
O O
„
J'.
Fig.
1-3-13
CAP
SERVO
R807
R815
PCB
(EXT)
(FIX)
Page 61

1-4.
MIXER
SECTION
CHECK
AND
ADJUSTMEIMT
1-4-1.
1.Plug
SEND
2.
Set
the
knobs
3.
Apply a 1
MiC
4.
Adjust
reading
5.
Check
manner.
MIC
an
jack.
to
IN
the
INPUT
center
XLR
on
all
■■inTTil
IN—^ACCESS
AC
voltmeter
switch
position.
kHz,
-60
connector
MIO
TRIM
the
voltmeter.
remaining
SEND
into
the
to
MIC
dB
(1
mV)
on
the
back
for a -lOdBV
channeis
in
-FCM8V
LlÁKfSS
SEND
ACCESS
and
the
signa!
to
panel.
{0.3
the
same
RCV
EQ
the
V)
1-4-2.
1.
Apply a 1
LINE
2.
Measure
It
should
3.
Check
±1
dB
-10
4.
Confirm
to
rted.
MIC
IN'í
LINE
!N
that
(5 V to
dBV
lL.
IN—i-ACCESS
kHz,
-10
jack.
the
leve!
be
-10
dBV
the
OverLoad
6.3
V)
(0.3
V)
at
that
the
output
SEND
dBV
(0.3
V)
at
ACCESS
(0.3
V).
LED
above
ASSESSSEND.
nominal
signa!
SENO
■
signa!
SEND
lights
at
leve!
is
not
RCV
to
the
jack.
25
dis
I
dB
of
Fig.
1-4-1
Meter
(INPUT
Adjustment
PC0I I CH
8CH
_TAP_E_pyT^
-
lOflev
REF.
R101
R121
R141
R161
R261
R281
(NPJT
PCB) I CH
5
NO.
FUNCTION
TRK/PGM
TRK/PGM
TRK/PGM
TRK/PGM
TRK/PGM
TRK/PGM
TRK/PGM
TRK/PGM
STEREO
STEREO
1
2
3
4
5
6
7
8
L/AUX
R/EFFECT
8CH
Page 62

1-4-3.
STEREO
1.
Plug
an
AC
L
(R)
jack.
2.
Apply a 1
STEREO
3.
Set
4.
Set
STEREO.
5.
Adjust
-10
OUT
6.
STEREO
the
BUSS
the
METER
the
the
dBV
RCA
shaded
BUSS
IN—p-e^STEREO
'-oMONITOR
voltmeter
kHz,
-10
IN
switch
MONITOR/PHONES
STEREO
(0.3
V)
jacks
(at
MASTER
area
between 7 and
into
dBV
(0.3
L(R)
jack.
to
L/R.
MASTER
reading
XLR
connectors:
fader
the
STEREO
V)
signal
switch
fader
at
the
should
then
8.
OUT
OUT
OUT
to
the
to
for
STEREO
+4
dB).
be
in
7.
Adjust
-1()
8.
Confirm
dícate O VU.
O
L
METER
1-4-4.
1.
a
Apply a 1kHz,
the
2.Turn
left
(0.3
3.
Turn
at
the
dBV
reading
that
VU,
adjust
channel
and
AMP
EFFECT
EFFECT
the
EFFECT
and
adjust
V)
reading
the
PAN
STEREO
MONITOR/PHONES
at
the
MONITOR
the
STEREO
If
the
VU
meters
the
calibrating
R281
PCB.
for R channel,
(Fig.
RTN—^STEREO
OdBu
RTN
1/4"
phone
RTN
the
GAIN
at
the
STEREO
fully
right
OUT
R.
VU
do
not
pots,
1-4-1,
(0.775
page
V)
jack.
PAN
knob
for a -10
OUT.
and
check
OUT
knob
knob
for
OUT
jack.
meters
in
indícate
R261
for
o"
1-12)
signal
fully
dBV
the
level
a
to
STEREO
EFfECT
STtBEO
BUSS
JN
1008V
RTN
j
Oo9y
rMÁSTER]
BVSS
f
L
R
rFFFECT
RTÑ"]
.,
pan
GAIN
-•OdQv
r
aüx"óüt"
-[>
-OdBv
[e>fect1>^"_
CdBu
^
L
.
LmonoJ
' ¡,
p.
l>
"
STEREO
J>yT_
L
GAIN
rSTEREOMASTER]
[
I
PE'K
INO
«SOBV
MONITOR/PHONES
BAL
O
UNBAl
BÁL¿UN|Arj
Í>-
=?©
L
;_MONlTOPPy.Tli
-lOSBv
1
-13
4>
rMÉTER
tíS=aoaB¡^
rrr ^ V
-O
PEAK
INO
oasv
STEREO
L
/AUX
STEREO
R
/EFFECT
Page 63

1-4-5.
1.
Apply a 1
BUSS
2.
Set
the
3.
Set
(EFF).
4.
Adjust
BUSS
BUSS
the
IN
AUX
IN
EFF
kHz,
-10
ÍN
AUX
(EFF)
METER
switch
MONITOR/PHONES
the
MASTER
MIC
|N
"«0¿v
UNE
IN
AUX
EFFECT
dBV
jack.
to
AUX
OUT
OUT
(0.3
V)
signal
AUX/EFF.
switch
(EFF)
NPUT
(gf(gf0
to
to
knob
SENO
the
AUX
for
-K^
ACCESS
RCV
a
INPUT
FADER
PGM
BUSS
-10
dBV
(EFF
5.
OUT).
Confirm
indicates O VU
TOR
OUT.
IN
lóaav
ASSIGN
(0.3
that
the
V)
reading
AUX
and
at
(EFFECT)
check
the
L_BySSiN_
PGM
MASTERS
the
level
¡ AUX
'O'®'
EFF@^
AUX
VU
at
@=
OUT
meter
MONI
r»
I
EFFECT
RTNl
LfCyjWTj
-roaav
AUX
OUT
^
-lOÍBV
^EFFECT
0(t8u
OUT
TAPE
TRK
TRK
TRK
D.
.
MASTErI
^AK
INO
Lmon^
-^0
dBV
—p"
TRK
PCM
TRK
PGM
TRK
PGM
TRK
PGM
TRK
PGM
STEREO
OUT
L
BAL/UNBAL^
MONITOR/PHONES
t
2
3
5
6
METER
gT
I
L^ONITOR
pUTj
-lOflBV
=í@
R
PKONES
STEREO
L
/AUX
STEREO
R
nQWtTO**
L
SUSSL
{INRUT
PCB) I CH
'V/
OUT
oaev
5
BCH
mONITQW
BUSS
r
R
IsTEREO
WONITOR
I
GAIN
TRK
I
I
[7dbx_r4~]
I TRK
2
3
TRK
TRK
2
3
4
1 -
14
1 -
15
Page 64

1-4-6.
1.
2.
3.
4.
PGM
Depress
Apply a 1
PGM
BUSS
Adjust
(0.3
V)
PGM
shaded
5.
Confirm
O
VU.
adjust
6.
Connect
channel
to
adjustment
jüsting:
R121:
R161:
R201:
R241:
7.
The
PEAK
18
dB
level
BUSS
the
the
PGM
reading
MASTER
area
that
If
the
calibrating
the
outputs
IN
REC
FUNCTION
kHz,
IN
-lOdBV
jack.
MASTER
at
the
fader
between 7 and
the
VU
pot
leve!
(PGM 2 to
in
(Fig.
1-4-1,
for
PGM
2,
for
PGM
4,
for
PGM
6,
for
PGM
8,
leve!
±1
dB
(2.2 V to
of
-lOdBV
—PGM
switches
{0.3
fader
PGM
OUT,
should
8.
PGM
meters
VU
R101
meter
not
for
to
8)
the
on
same
page
manner,
1-12)
R141:forPGM3
R181
R221
LED
(0.3
for
for
should
2.8
V)
V)
at
PGM
PGM
OUT
to
ON.
V)
signal
fora-lOdBV
then
be
¡n
the
meters
indícate
indícate O VU,
PGM
1.
the
remaining
and
proceed
by
5
7
light
above
PGM
nominal
BUSS
TRK
I
up
to
ad-
at
IN.
L-ÁCCESS
_]
SENO
RCV
>
INPUT
FADER
INPUT
PCB) I CH-v,
PGM
eCH
BUSS
, L
rOúBV
ppp
IN
0«BV
PGM
ASSiGN]
MASTERS
EVEN
steheo
EFFECT
cott
STEREOBUSSIN
EFFECT
RTN
@
EFFECT
RTN
OdBu
(2^
MONITOR
I
STEREO
LmonoJ
r—\
MASTER
1>
r
mónitor/phonEs
STEBEO
BAL/UNBAL
^OUT
-lOdBV
-lOÍBV
AUX
OUT
^ffFECT^
STEREO
OUT
r-r>
MONITOR
OUTj
TRK
TRK
TRK
TRK
TRK
TRK
TRK
PGM
2
PGM
POM
m'Gm
TRK
PGM
1 'S'GNAi
ON
PE<
MH^PMOfífS
Tgoi
3
»eAK
1N0
OdBV
STEREO
L
/AUX
STEREO
R
/EFFECT
e
PftB
a>
2
3
4
5
L_
db;>
5*8
6
7
8
I INSERT
FUNCTION
db*
OEFEAT
-J
TRK0
O
ON
OfF
BiS
S
ose
AMP
REC
1 -
16
1
17
Page 65

1-4-7.
LINE
IN—•►PGM
OUT
1.With a 1kHz,
nected
switch
2.
Set
CCW).
3.
Depress
4.
Adjust
reading
jacks.
5.
Input
between 7 and
to
the
the
Fader
to
the
LINE.
¡nput
the
ASSIGN 1 and L switches
Input
at
PGM
should
MIC
¿N
éóisv
LINEJNj
lOdSV
-lOdBV
LINE
PAN
8.
IN
to
position
Fader
OUT 1 and
then
TRlffl
(0.3
V)
jack,
set
for a -10
STEREO
be
in
the
I OL
INPUT
signal
the
INPUT
L/ODD
to
dBV
(0.3
shaded
I
con-
(fully
on.
V)
OUT
area
-lOd^
wSíss
SENO
HCV
INPUT
FADER
PGM
BUSS
6.
Confirm
7.
The
be
PAN
EVEN
8.
Set
Output
should
IN
odsv
that
remaining
checked
knob
turned
PGM
the
PAN
level
be
-12.5
ASSIGN
the
VU
meters
indícate O VU.
channeis 2 to 8 should
in
the
same
manner,
fully
CW
for
assignment
busses.
knob
to
the
center
at
each
dB
ASSIGNed
±1
dB.
I
PGM
PGM
MASTERS
aiso
with
the
to
position.
busses
jraEOBU^JN
EFFECT
RTN
I
MASTER
L
@
J
-10^
R
EFFECT
RTN
MBu
L
PGM-Pyl.
-lOíBV
@ -lOíav
-
ÁUX-OUT
EFFECT
OUT
I
TRK
TRK
TRK
TRK
TAPE
STEREO
OUT
f
rNPUT
OUT
0(jBv
5
I
TRK
TRK
TRK
2
3
4
2
€>
3
I
4
PCB) I CH
eCH
ISTEREO
MASTER
L
0AL/UNBAL_j
PEAriND
*6
<BV
PGM
I
TRK
PGM
2
TRK
PGM
3
TRK
PGM
4
TRK
PGM
5
TRK
PGM
6
MONITOR/PHONES
MONjTOR
-lOtfBv
[PHQNES
OOnM/Gfl
STEREO
STEREO
/EFFECT
OUT
L
R
TRK
TRK
5
dbxS-a
6
1 18
TRK
PGM
7
1 -
19
Page 66

1-4-8.
1.
Apply a 1
LINE
2.
Set
the
switch
3.
Adjust
(0.3
jacks.
LINE
IN
INPUT
to
the
V)
at
IN
kHz,
jack.
PRE.
AUX
the
AUX
EFFECT
-10
dBV
switch
and
AUX
OUT
OUT
OUT
(0.3
V)
to
LINE
EFF
knobsfor a -lOdBV
and
and
EFFECT
signal
to
the
AUX
OUT
the
PGM
BUSSiN
-lOdBV
^
BUSS
L
-®MSSÍN_
IN
"!
j
-rooBV
ppp
@
JTCREO^iSJN
lOdSv
J
R
EFFECT
HTN
PGM
OUT
MJC m j
LINE
TAPE
TRK
-60<lév
I
OUT
-
Od0v
I
;__flCCESs__j
SENO
RCV
PGM
ASSIGN
rTRIM
5
NPUT
I
(INPUT
INPUT
FADER
PC0) I CH
'V
8CH
MASTERS
EVEN
^FECT
STCREO
RTNJ
MASTER
SU5S
OUBu
@ -lOÍBV
''
AUX
OUT
-IOMV
rEFFECT
OUT
STEREO
^
MONITOR
-'OdBv
OUT
pUT
/
LMOMJ
[v.
/ 1
H
[STEREO
MASTE^
MONITOR
GAIN
TRK
RGM
2
L>
LMONITOR/PHONES
STEREO
^
BAL/UNBAL
.
TRK
TRK
TRK
TRK
PGM
3
TRK
2
2
TRK
3
3
TRK
4
4
PGM
PGM
TRK
PGM
TRK
TRK
4
5
6
LMETER
R
n
1
PHONES
I STEREO
J /EFFECT
R
O
TRK
5
<íb«5-8
1 \ " TBK
L
í POM
TRK
6
1 -
20
8
1 21
Page 67

1-4-9.
Set
in
to
100
Frequency
the
previous
the
input
kHz)
Response
¡nput
and
paragraphs
jack
íevel
meter
output
and a wide
to
leveis
and
connect
the
output
ranga
to
nominal
an
osciliator
(more
jack.
as
than
1-4-11.
S/N
outupt
described
nected
S/N
ratio
should
lavéis
to
Ratio
be
measured
set
to
nominal
and a 150-ohm
the
MIC
IN
connector.
with
as
dummy
the
input
previously
load
and
con-
fe
Frequency
MIC
IN—PGM
Other
1-4-10.
T.H.D.
put
leváis
response
Inputs
T.H.D.
is
aiso
set
—Other
to
Connect a low
jack,
meter
output
Specs
1
1
and a 30-kHz
to
the
to 1 kHz
are
as
follows:
MIC
IN
line
in
rangas
OUT
measured
nominal
distortion
20
Hz-30
Outputs
20
Hz-30kHz
with
as
osciliator
L.P.F.
output
and
PGM
PGM
jack.
read
the
OUT
OUT
are
as
follows:
kHz
^2
_+^5dB
the
input
and
out
previously
and a distortion
Set
distortion
0.03 % or
0.03 % or
described.
to
the
input
the
osciliator
meter.
less
less
Specs
are
1
MIC
TO 1 PGM
8 2 MIC
(150Í2SOURCE)
1
LINE
8 2 LINE
given
in
TO 1 PGM
TO 1 PGM
TO 1 PGM
the
______
OUT
OUT
OUT
tabla
OUT
below.
IHF-A
70
dB
60
dB
80
dB
77
dB
DIN
68
58
76
73
dB
dB
dB
dB
? 1
1 22
Page 68

1-5.
RECORDER/REPRODUCER
ADJUSTMENT
1-6-1.
1)
2)
3)
Reproduce
Connect a level
jack
on
the
Level
rear
Reproduce a TEAC
400
Hz
and
adjust
-12.6
(If
tape,
Connect
channel
adjustment
R128:
R228:
1-5-2.
1)
2)
3)
4)
(
OBI
+
6
+
+ 2 H
-2
dB
(230
you
use
adjust
outputs
for
for
OSCILLATOR
9
o
ATTENUATOR
r
1-5-1.
Reproduce
Connect a level
jack
on
the
Reproduce a test
the
output
following
If
the
output
the
trim
For
the
proceed
manner.
R124:
R224:
4
o
-
Fig.
1-5-2.
mV)
Reference
the
trim
the
level
in
the
channel
channel
n iNPuT
Reproduce
rear
level;
limits.
level
pot
R124.
remaining
the
check
channeM,
channel
Reproduce
meter
panel.
to
test
the
readingon
Fluxivity
for
-10
meter
(2
to
8)
same
manner
1,
2,
3,
4,1,
OSCILLOSCOPE
UNIT
under
TEST
Level
Frequency
meter
panel.
to
tape
YTT-1003
it
should
is
out
channeis
and
adjustment
2,
3,4,
Frequency
SECTION
the
TAPE
tape
trim
pot
the
dB
reading.)
to
the
and
proceed
by
5,
6
8
OUTPUT
Caiibration
Response
the
TAPE
be
of
the
(2
5,
6
7,
8
Response
OUT
"1"
YTT-1003,
R128
level
250
for
meter.
nWb/m
remaining
to
the
adjusting.
AMP
SPKR
AC
VOLTMETER
IvH
o
o
OUT
"1"
and
reads
within
limits,
to
in
adjust
8),
the
the
aiso
same
1-6-3.
These
factory
except
♦
*
Use
A.BIAS
1.
2.
Bias
Tuning
adjustments
and
realignment
for
the
following
When
and/or
When
Place
to
CORD
the
REC/REPRO
Bias
amplifier
the
MASTER
the
following
TUNING
all
channel
ON
and
mode.
set
Connect a DO
(TP02,
TP14)
L101
(1)
reading
TP03,
by
using
(L201,
and
BIAS
on
the
non-conductive
etc.).
CAUTION:
Do
reading
which
amount
B
BIAS
1.
Connect
and
2.
Place
ON
mode.
3.
Adjust
reading
1-5-4.
1)
Connect
ón
2)
Adjust
120
Trim
1-5-5.
This
completion
1)
Connect
Connect
IN
Connect
PGM
(If
TRAP
ground
all
and
on
Record
the
REC/PLAY
trim
mV
pots
C103
C203
C303
C403
Record
alignment
jacks.
OUT
two
meter
alternately.)
an
"AC"
on
the
set
L104/L204
the
ing
AC
Voltmeter
reading
to
channel
channel
channel
channel
ing
of
the
test
an
AF
level
jacks.
meters
and
Bias
Trap
have
will
circurnstanc . . .
head
is
replaced. , .
BIAS
procedures
REC
the
volt-meter
TP04)
an
insólate
L301,
PCB
(2)
DC
screwdriver
not
try
on
would
of
level
the
REC/PLAY
REC
the
deck
level
pots
be
equipment
meter.
Bias
Adjustment
AMP
on
on
the
adjusted:
Level
should
bias
signal
meters
are
unit
FUNCTION
tape
and
TP11
L401)
to
meter.
to
the
occasion
Bias
Amp
meter
FUNCTION
into
to
obtain a minimum
between
PCB.
the
AC
1,
5
2,
6
3,
7
4,
8
be
adjustment.
as
generator
to
both
not
necessarv
to
adjus
ERASE
is
repiacea.
head
u
switches
deck
mto
the
between
RE-
-i-oi-.-
TPOI
'^.13.
n®""'
on
the
BIAS
obtain a mínimum
Be
sure
(i.e.
wood,
obtain
DC
máximum
volt-meter,
an
output
between
AMP
switches
the
BIAS
Voltmeter.
performed
shown
TAPE
available,
RECORD
TP 2 and
PCB
in
to
PGM
PCB
to
use
plástic,
extreme
load.
TP1
PCB.
TPG
for
after
Fig. 1 -5-1.
BUSS
OUT
use
and
one
^
a
to
a
1 -
23
Page 69

2)
Load
the
3)
Adjust
-10
4)
Record
-10
just
TAPE
If
PCB
Trim
the
dBV
dBV
recorded;
OUT
not,
adjust
for
pots
R143:
R243:
1-5-6.
1)
2)
3)
Overall
Adjust
"1-5-5
the
Recording
Decrease
the
reference
Vary
the
óf
30
Hz
quencies,
just
recorded.
leveis
make
within
4)
If
at
sure
the
the
specified
obtained
and/or
L203,
vvithin
"1-5-4.
bias
leve!
adjustment
recording
in
"1-5-5.
deck
with a blank
signal
{0.3
reference
(0.3V)
the
to
Channel
Channel
the i nput
input
generator
V)
reference
¡nput
and
the
playback
jack
should
the
trim
channel
be
adjusted:
1,
3,
Frequency
test
set-up
Level"
signal
level
or
signal
to
16
kHz
and
then
to
2,
4,
set
Measure
the
proper
that
the frequency
specified
limit
frequency
by
adjusting
readjust
its
specified
Recording
is
will
level
Recording
Bias
readjusted,
be
adjustment
Level
test
tape
YTT-8013.
to
provide
400
¡nput.
signal
then
output
be
pot
on
be
adjusted.
5,
6
7,
8
Response
as
(Items 1 through
level
it
to
frequency
and
reproduce
the
reproduced
test
of
400
playback
the
level
-10
dBV
(0.3
the
REC
mentioned
by
10
dB
-20
dB
(0.1
over a range
record
the
the
frequencies,
response
shown.
response
the
REC
the
Bias
range
cannot
EQ
coil
Level
by
refering
Adjustment".
the
recording
upset,
so
repeat
again
as
described
Adjustment".
Hz,
Hz,
tape
at
the
V).
PLAY
under
5).
from
V).
fre-
signáis
output
and
is
be
L103
Setting
to
If
the
level
the
4)
The
dirrerence
50
dB
through a 20
5)
If
the
S/N
*
Erase,
with a tape
*Check
*
Readjust
*Recheck
1-5-8.
1)
2)
3)
4)
Overall
Set
and
under
Vary
the
"1-5-6.
the
put
signal
frequency.
Measure
1
%.
If
not:
*
Readjust
*Try
to
produce
OSCILLATOR
ATTENUATOR
O
(S/N)
for
each
Hz
to
is
out
of
record/reproduce
eraser.
for
normal
the
bais
the
S/N
Distortion
adjust
the
Overall
signal
the
erase
o
frequency
to 1 kHz,
distortion;
the
bias
the
head
or
DISTORTION
ANALYZER
•
• •
under
should
channel,
20
kHz
filter.
the
limit;
head
erasing
traps.
by
test
ratio.
using
another
setup
Frequency
of
and
record
it
should
voitage.
erase
replace
UNIT
head
the
OSCILLOSCOPE
TEST
be
when
and
the
and
and
head(s).
higher
than
measured
tape
path
test
tape.
as
mentioned
Response".
reference
reproduce
be
less
record/re
AMP
AC
VOLTMETER
in
than
SPKR
(<101
+ 6 -]
+
4
+
2
O
-2
-
-4
-
1-6-7.
1)
2)
3)
Overall
Set
under
Record
remove
cording
Reproduce
signal
ference
and
adjust
"1-5-6.
the
the
with
just
between
)(
S/N
Ratio
the
test
Overall
reference
¡nput
no
both
recorded
plug
signal
the
the
set-up
Frequency
input
applied.
reference
and
outputs.
signal,
and
continué
read
as
mentioned
Response".
and
then
the
signal
the
and
level
re
no
dif-
1 -
24
FIg.
1-5-9.
1)
2)
3)
Erasing
Connect
and
adjust
tioned
Response".
Adjust
O
dB
just
level.
Rewind
tape
P(3M
on
the
4)
Rewind
signal
with
1-5-3.
Distortion
Ratio
test
equipment
the
under
the
signal
(1
V)
and
recorded
just
BUSS
tape
and
the
and
the
tape
recorded.
IN
just
the
tape
reproduce
level
meter
Measurement
as
controls
"1-5-6.
generator
record
up
it.
read
to
and
and
the
Remove
jack
and
then
recorded
just
it.
Read
sensitivity
Set-Up
shown
Overall
Playback
in
Fig.
switches
Frequency
to
provide 1 kHz,
note
the
beginning
the
plug
record
with 1 kHz
recorded
the
output
increased.
1-5-1.
as
men
the
signal
output
of
from
no
signal
signal.
with
level
the
the
no
Page 70

5)
Compare
steps 2 and
higher
6)
If
not:
*
Olean
*Check
OSCILLATOR
the
than
70
the
tape
the
tape
output
4;
the
dB
for
transport
transport
leveis
level
difference
each
channel.
path.
mechanism.
OSOLUOSCOPE
obtained
¡n
should
AMP
the
be
SPKR
signa!
to
3)
Check
track
the
leve!.
4)
Adjust
5)
Repeat
of
to
RECORD
how
#1
leve!
R507
adjustment
tracks
PGM
BUSS
mode.
much
leaks
into
difference
for
minimum
by
referring
of
for
IN
jacks.
the
signa!
the
track
against
al!
to
the
Set
applied
#2,
the
reading.
other
combinations
table
the
and
reference
below.
deck
to
read
the
ATTENUATOR
Fig.
1-5-10.
1)Set
Crosstalk
and
tioned
Response".
2)
Record
(0.3
V)
just
recordad
leakage
through a 1
against
3)
The
ratio
each
channe!.
ATTENUATOR
UNIT
under
1-5-5.
Erase
Between
adjust
under
the
reference
on
the
and
output
the
CH?
leveis
kHz
reference
should
UNIT
under
TEST
Ratio
Test
Channeis
the
test
equipment
"1-5-6.
Overa!!
signa!
channe!
1.
reproduce
to
the
füter,
TEST
leve!.
be
higher
OSOLUOSCOPE
and
CH?
AC
VOLTMETER
FlUTER
Set-Up
as
Frequency
of 1 kHz,
Rewind
it.
adjacent
measure
than
FILTER
-10
the
Measure
channeis
ratio(s)
55dB
AMP
AC
VOLTMETER
men-
dB
tape
the
for
SPKR
RECORD
Track
1
2
3
4
5
6
7
8
7
6
5
4
3
2
*R508
are
Crosstalk
Put
(Ch.
not
used.
track
watching
R101
so
minimum.
binations
below.
REPRO.
(TAPE
1, 3 PCB)
between
#1
into
the
leve!
that
leakage
Repeat
of
tracks
Track
GUTCh.)
2
3
4
5
6
7
8
7
6
5
4
3
2
1
and
R607
Track
#1
and
record
at
TAPE
into
adjustment
by
referring
Adj.
(REC/PLAY
R507
(Ch
R507
(Ch
R607
(Ch
R607
(Ch
R507
(Ch
R507
(Ch
R607
(Ch
R608
(Ch
R608
(Ch
R508
(Ch
R508
(Ch
R608
(Ch
R608
(Ch
R508
(Ch
(Oh.
#3
mode
OUT
track
for
#3
al!
to
Pot
PCB)
1,3
PCB)
2, 4 PCB)
1,3
PCB)
2, 4 PCB)
5, 7 PCB)
6, 8 PCB)
5, 7 PCB)
6, 8 PCB)
5, 7 PCB)
6, 8 PCB)
5, 7 PCB)
2, 4 PCB)
1,3
PCB)
2, 4 PCB)
6, 8 PCB)
and,
#3,
while
adjust
becomes
other
the
com
table
Fig.
1-5-6.
1-5-11.
This
tracks
words,
adjacent
track.
Syno
refers
to
when a SYNC
it
refers
track
Measurement
as
mentioned
Response".
The
foüowing
al!
pairs
of
tracks
Crosstalk
1)
Place
in
2)App!y
the
"ON"
between
the
15
Crosstalk
Crosstalk
the
crosstalk
recording
to
the
degree
of a bias
setting
is
under
made
"1-5-6.
procedure
listad
Track
TRK#1
position.
kHz,
-10
Measurement
between
is
made.
of
leakage
signa!
from a recording
in
the
same
Overa!!
should
in
tables.
#1
REO
dB
be
and
#2
FUNCTION
(0.3
Set-Up
adjacent
!n
other
into
manner
Frequency
repeated
switch
V)
reference
an
for
1 ■
25
RECORD
Track
1
2
3
4
5
6
8
7
6
5
4
3
REPRO.
(TAPE
OUT
3
4
5
6
7
8
6
5
4
3
2
1
Track
Ch.)
Adj.
R101
R102
R203
R204
R205
R206
R208
R207
R106
R105
R104
R103
Pot
Page 71

1-5-12.
Location
REC
of
Electrical
PLAY
PCB
Adjustment
{Ch
1,
3)
REC
PLAY
PCB
(Ch
2.
4)
REC
PLAY
PCB
{Ch
REC
5,
7)
PLAY
PCB
(Ch
6,
8)
CAP
I
SERVO
PCB
FUSE
PCB
BIAS
PCB
(1) & (2)
REEL
SERVO
PCB
REC
VR
•
DBX
PLAY
PCB
I
TP2 ] R508 1 LI03
TPG
R507
R143
PCB
üirsiís
•
PCB
'
(Ch
1,
LI04 | LI02
TPI
2,
3,
raí
•
o
4)
Ri28
R101
•
m
RI24 | TP2 | R608 | L203
TPG
R607
R103
R104
<
DBX
R243
PCB
R105
(Ch
5,
6.
7,
L204 j L202
TPl
R106
I R102 1 R203 I R204 I R205 I R206 I R2'
8)
R207
1 BIAS
BIAS
PCB
R228
R224
PCB
(1)
(2)
POWER
SERVO
SUPPLY
PCB
REC
PLAY
REF.
R124/R224
R128/R228
R143/R243
R5Q7/R607
R508/R6Q8
L102/L202
L103/L203
L104/L204
DBX
PCB
NO.
(for
PCB
PCB
Adjustment
FUNCTION
Reproduce
Reproduce
Recording
Crosstaik
Crosstalk
Bias
Trap
(Tape
Record
Bias
EQ
Trap
Location
EQ
Level
Level
see
Out)
page
1-
29)
BIAS
PCB
REF.
NO.
C103/C203/C303/C403
L101/C201/C301/C401
REEL
SERVO
REF.
NO. I I
R112
R105
R150
R212
R206
R103
R203
PCB
FUNCTION
Tensión
F.F,
Fast
Tensión
Re\A/ind
I
Piay
Play
I
Arm
Tape
Winding
Arm
Tape
Tape
Tape
FUNCTION
Recording
Bias
Tuning
Posltion
Tensión
Speed
Position
Tensión
Tensión
Tensión
Bias
(Left)
(Right)
(Back
Tensión)
(Take-up)
VR
PCB
REF.
NO.
R107/R207/R307/R408
R108/R208/R308/R4Q8
R118/
R21Q/H
R135/R235/R335/R435
318/R418
FUNCTION
Decoding
Encoding
VCA
Symmetry
RMS
Symmetry
Level
Level
CAP
SERVO
page 1 ■
REF.
R807
R815
9)
NO.
PCB
(for
Adjustment
FUNCTION
Tape
Speed
Tape
Speed
(EXT)
(FIX)
Location
see
Page 72

1-5-13.
ServiceChart
ADJUST
STEP
1
2*
2*
4*
5*
6*
1*
S*
9*
WHAT
CALLEO
Reproduce
Aíignment
Reproduce
REPRO
LINE
INPUT
Level
Blas
Trap
justment
Blas
Level
justment.
Record
Record/Re
produce
quency
ponce.
Overall
to-Noise
IS
IT
Head
Level
EQ
Ad-
Ad-
Level
Fre-
Res-
Signal-
Ratio
SIGNALSOU
ANO
AMOUNT
TEAC
Playback
ment
Test
400
Hz
TEAC
playback
ment
Test
16
kHz
the
tape.
400
Hz
-10
dB
lator
connected
to
LINE
No
input
Same
as
400
Hz
-10
dB
VU
meters)
nected
to
IN
jack
30
Hz
to
signal
at
connected
Input
termináis
No
input
YTT-1003
Aíign
Tape
signal
YTT-1003
Aíign
Tape
signal
signal
from
IN
jack
signal
above
signal
(0
VU
con
LINE
16
kHz
-20
to
signal
RCE
on
on
at
oscili-
at
on
dB
WHAT
loscope
cal
inputs
to
tracks 2 and
to
GEAR
VTVM
TAPE
VTVM
TAPE
and
connected
TEST
TO
and
with
horizontal
connected
jack
Same
as
above
Same
as
above
VTVM
Bias
point
lead
VTVM
G.
VTVM
TAPE
or
VTVM
TAPE
connected
Trap
TP-1,
to
test
connected
connected
use
as
above
connected
to
positiva
TP2
GUT
GUT
to
tive
ground,
lead
between
TP
to
jack
meters
Same
to
GUT
GUT
VU
USE
Oscil-
verti
7.
test
nega-
point.
&
jack
WHAT
CGRDER
Reproduce
Same
as
Same
as
Record
Record
input
signal
Same
as
Record
Same
as
Same
as
IS
THE
DGING?
mode.
above
above
mode.
mode,
above
mode.
above
above
no
RE-
PGINT
ADJUST
Repro
head
azimuth
ing
screw.
Trim
pot
R128/R228
Trim
pot
R124/R224
Input
Fader
Inductor
L104
Trim
capacitor
C103/C203/
C303/C403
Trim
pot
R143/R243
Inductor
L103
TG
adjust-
WHAT
Adjust
output
of
than
(at
-12.6
VTVM
Same
Adjust
on
-lOdBat
GUT.
Adjust
minimum
Trap
While
trim
indicates
Set
at
0
Same
Check
better
READING
ADJUST
tracks 2 and 7 less
90°
10
dB
as
VU
test
FGR
for
máximum
and
for
out
kHz)
(0.23
above
to
read 0 VU
meters
PGM
Inductor
output
point
recording
pot
until
120
fo
-10
on
as
for
dB
GUT
VU
above
50
TAPE
VU
output
of
V)
or
TP-1.
adjust
VTVM
mV.
(0.3
jacks
meters
dB
TG
phase.
on
for
at
Bias
V)
or
or
REPEAT
THE
CIRCUIT
DEPENDING
STEP
MARKED
BOARD
ON
THE
WITH
LOCATION.
CHANNEL.
AN
ASTERISK
INPUT/OUTPUT
FOR
EACH
TERMINAL
CHANNEL.
1 -
28
THE
NUMBERS.
ADJUSTMENT
VU
METERS,
NUMBERS
ETC.,
ARE
WILL
THE
BE
DÍFFERENT
SAME
BUT
Page 73

1-6.
DBX
NOTES:
*This
unless
PCB
sectíon
an
adjustment
adjustor{s)
component(s)
sustained
been
*Turn
damage
board.
1.
Apply
on
the
2.
Apply
to
turn
3.
Set
damage,
precisely
the
deck
when
+12 V to
DBX
PCB.
Low
DBX
on.
all
trim
pots
ADJUSTMENT
is
have
on
the
DBX
sincethe
adjusted
OFF
removing
signal
to
¡n
to
or
J112-2
and
to
the
center
not
usually
been
changad
PC
board
DBX
the
PC
factory.
prevent
repiacing
-12 V to
J211-1
and
position.
needed
or
a
have
board
accidental
DBX
has
PC
J112-4
J411-1
Adjustment
R107/R207/R307/R408
R108/R208/R308/R408
R118/R218/R318/R418
R135/R235/R335/R435
Point
REF.
NO.
FUNCTION
Decoding
Encoding
VCASymmetry
RMS
Level
Level
Symmetry
1-6-1.
Location
ROS
of
RI07
the
RIOS
W
I20
\"
TPOI
DBX
(©)
RII8
PCB
Adjustments
(g)
R2I8
/
TP02
R20e
R207
cvi
O
CVI
3
R235
R335
R307
R308
\
TP03
(©)
R3I8
TP04
(g)
R4I8
R40e
/
R407
R435
JI
IO
I
JIM
6 1
J2I0
4
1
6
J2I
I
Fig.
1-6-1
DBX
J3I0
I 6
PCB
Adjustment
1 29
J3Í
1
Í
4
Point
J4I0
1
J4I
I
JI
6
1
I2
f
1
4
Page 74

1-6-2
Low
dttrorrion
flF OSCILLATOR
Oistortion
OuTpul
(
RELEASE
LOW
AF
Oisrorfion
Output
DBX
Adjustment
factor
level
3V
RATE
disrorlton
OSCILLATOR
OUIPUTO
Gmo'
foctor
level
3V
ATTENUATOR
0.02%
or
lett
or
more
CHECK
)
ATTENUATOR
IOOO^lJ
002 X or
less
or
more
Connection
INPUT
Fig.
Í-P
FUNCTION
1-6-2
FUNCTION
F6-I
GENERATOR
FUNCTION
CONTINue
F6-I
GENERATOR
FUNCTION
ana
Apply L sigoal
DBX
Apply L signal
Decode
for
®-
output
RMS
Symmetry
Apply L signal
DBX
Apply L signal
Decode
for
IITDIIT
for
NR
IM
mode.
or H signal
Encodemodc. ^ !—o
w
for
j
I
*0
Adj. & Level
NR
IN
mode.
or H signal
Encode
mode.
for
I—
J
for I j-o
I
-O
-O
J2H-1
J411-1
Jin-2
J110-1
J110-2
J211-1
..
J411-1
J'
J110-1
J110-2
oex
Adj.
DBX
PCB
PCB
J"2-2€
JII2-3C
JII2-4C
piia6
pno-6
JII2-2
JII2-3
JM2-4
TP01
GND
♦
I2V
GND
AC
VOLTMETER
\H
O-
o-
O-
o-
/^OOT
° O "
CMD
-12V
OSCILLOSCOPE
OSCILLOSCOPE
I
VCA
Low
AF
1-6-3
VCA
SYM
distoriion
OSCILLATOR
ADJUSTMENT
)
ATTENUATOR
OO^lJ
Symmetry
vw.
V
Adjustment
INPUT
Waveform
Fig.
F6
FUNCTION
Fig.
1-6-3
-1
GENERATOR
rOOGX
NR
1-6-4
VCA
Release
Rate
Apply
Lsignal
DBX
NR
IN
Apply L signal
Decode
or H signal
for
Encode
INPUT
thorting
r/v\
lOmtecU—«J
♦
iv
-w-AA
Symmetry
for
mode.
for
mode.
A
Check
A
Adj.
DBX
PCB
J211-t
J111-2
Lavoi
J110-I
J110-2
o
TP01
GNO
pno-6
P110-6
5mV
variation
or
Isss
*
GNO
GNO
O
:
f
Fig.
1-6-5
RMS
Symmetry
Adjustment
(Incorrect)
Fig.
1-6-6
RMS
Symmetry
Adjustment
(Correct)
1 -30
Page 75

1
1-6-4.
Apply
Decode
A.
1.
2.
B.VCA
1.
2.
3.
C.
1.
2.
Decoder
Low
signal
moda.
RMS
Symmetry
1-6-2)
Apply a 100
terminal.
Adjust
wave
R135
on
TP01
Hz,
to
(sea
Symmetry
Fig.
1-6-4)
Apply a staircase
traingle
terminal
Shortcircüit
Adjust
zontal
(Leve!
Decoding
Apply a 1
terminal.
Adjust
terminal.
wave
signa!
on
the
between
R118
lina
deviation: 5 mV
for a relatively
display
Leve!
kHz,
R107
for a 300
to
J111-2
Adjustment
300
obtain a olean
Figs.
Adjustment
wave
to
oscilloscope.
J110-1
to
actívate
(Connectlon:
mV
signa!
200
1-6-5 & 1-6-6).
(Connection:
signa!
to
TP01 , and
the
horizontal
and
J110-2.
straight
on
the
oscilloscope.
or
less)
(Connection:
300
mV
Fig.
signa!
mV
reading
1-6-2)
to
to
J110-1
Hz
sine-
input
hori
J110-1
atJ
110-5
DBX
Fig.
2.
Confirm
-300
(300
3.
Apply a 1
4.
Confirm
+10
(300
G.Other
Repeat
8
using
input/output
that
dB
±0.5
mV)
reference
kHz, O dB
that
dB
±0.5
dB
mV)
reference
Channeis
procedures
the
following
termináis.
the
dB
the
(i.e.,
leve!
at
(i.e.,
-20
level).
signa!
level
at
+20
level).
for
channeis
adjustment
J110-5
d8
against
to
J110-1
J110-5
dB
against
terminal
-10
dB
terminal.
terminal
-10
dB
2 through
points
and
is
is
a
Channel
ch1/ch5
ch2/ch6
ch3/ch7
ch4/ch8
Decode
L
J111-2
J2n-2
J311
J4n-2
mode
signal
2
Input
J110-1
J210-1
J3101
J410-1
Output
J110-5
J210
J310-5
J410-5
Test
Point
TP01
5
TP02
TP03
TP04
Adjustment
RMS
R135
R235
R335
R435
VCA
R118
R218
R318
R438
Point
Level
R107
R207
R307
R407
D.Frequency
1.
Vary
and
then
2.
Read
for
each
be
within
to
leve!
50
Hz:
10
kHz:
5.
Ralease
Q
o
cycles
■
+
?n
F.
Decode
'•^PP'y a 1kHz,
terminal
Response
the
signa!
to
the
frequency
10
kHz
output
leve!
frequency.
the
following
at 1 kHz.
+5
dB ± 1
+9.4
Rata
^ ^
on
and
dB
dB ± 1
Check
128
ralease
Effect
Check
-20dB
(300
dB
(Connection:
cycles
(Connection:
(Connection:
to
mV).
at
the
The
output
limits
(447
mV
(793
burst
wave
off.
rata
is
less
signa!
Fig.
50
Hz
(300
J110-5
terminal
leve!
with
reference
to
602
mV
to
997
Fig.
1-6-3)
signa!
than
750
Fig.
to
J110-1
1-6-2)
mV)
should
mV)
mV)
with
mV
1-6-2)
1 31
Page 76

1"6-5.
Encoder
Apply
Encode
A.
RMS
1
1.
Apply a 100
terminal.
2.
Check
Fjg.s
B.
VCA
1-6-4)
1.
Apply a staircase
traingle
terminal
2.
Shortcircuit
3.
Confirm
(leve!
C.Encoding
1.
Apply a 1kHz,
terminal.
2.
Adjust
terminal.
High
mode.
Symmetry
-0-2)
for
olean
1-6-5&
Symmetry
wave
on
that
horizontal
deviation:
Leve!
R108
signal
to
Adjustment
Hz,
200
1-6-6).
Adjustment
wave
signal
the
oscilloscope.
between
J110-5
10
(Connection:
300
for a -10
J111-2
to
actívate
(Connection:
300
mV
signa!
Hz
sinewave
(Connection:
signa!
to
the
J111-3
line
mV
and
supplies a relatively
on
or
less).
mV
signal
dB
reading
to
J111-3
at
TP01
to
TP01,
horizontal
J111-4.
the
oscilloscope
Fig.
1-6-2)
to
J111-3
at
J110-3
DBX
Fig.
,
(see
Fig.
and
a
input
F.
Encode
1
Apply
terminal.
Confirm
-40
(300
Apply a 1kHz,
terminal.
Confirm
O
reference
G.Other
Repeat
using
EffectCheck
a
that
dB
±0.5
mV)
reference
that
dB
±1
level).
Channeis
procedures
the
1
dB
following
input/output
Decode
Channel
ch1/ch5
ch2/ch6
ch3/ch7
ch4/ch8
mode
H
signal
jni-2
J211
2
J311 2J311-3
J411-2
(Connection;
kHz,
-70
dB
the
level
at
dB
(i.e.,
-30
level)
-HOdB
the
level
at
(i.e.,
-t-10
for
channeis 2 through
adjustment
termináis.
Input
Output
Jlll-3
jno-3
J2133
J210-3
J310-3
J410-3
J411-3
signal
J110-3
dB
signal
J110-3
dB
Test
Point
TP01
TP02
TP03
TP04
Fig
to
terminal
against
to
terminal
against
points
Adjustment
VCA
RMS
-
-
-
-10
-
1-6-2)
J111-3
-10
dB
J111-3
dB
and
Point
Level
R108
-
R208
-
R308
R408
-
is
is
8
D.Frequency
1.
Vary
the
and
then
2.
Read
for
each
be
within
to
level
50
Hz
10
kHz:
E.
Release
1.
Apply a 1
8
cycles
2.
Confirm
±10%.
Response
signal
to
10
kHz
the
output
frequency.
the
following
at 1 kHz.
:-2.5
dB
-4.8
Rate
kHz
on
and
that
dB
Check
release
(Connection:
frequency
(300
level
±1
dB
±1
tone
128
to
50
mV).
at
the
J110-5
The
output
limits
(213
mV
dB
(166
mV
(Conenction:
burst
wave
cycles
rate
is
off.
less
Fig.
Hz
(300
terminal
level
with
reference
to
240
to
186
Fig.
signal
than
1-6-2)
mV)
should
mV)
mV)
1-6-3)
with
750
mV
1 32
Page 77

2.
MECHANtCS
2-1.
EXPLODED
-
VIEW-1
EXPLODED
VIEWS
AND
PARTS
LISTS
2-
1
Page 78

EXPLODED
REF.
1-
1
1-
2
1-
3
1-
4
1-
5
1-
6
1-
7
1-
8
1-
9
1-10
NO.
VIEW-1
PARTS
NO.
*5504549000
*5800711200
*5800711000
*5800705801
*5800708202
*5800705600
5800700400
5014175100
*5800701300
*5800701001
DESCRIPTION
SCREW
C
BIDE
BOARDjSL
SIDE
BOARD,L
COVER
ASS'Y,DUST
PCB
COVER
SIDE
SASH,L
CAP.PF
PINCH
ROLLER
ROLLER
BASE.HOUSING
PANEL,TAPE
ASSY
TRANSPORT
PARTS
MARKED
WITH
*REQUIRE
REMARES
LONGER
DELIVERY
TIME.
1-11
1-12
1-13
1-14
1-15
1-16
1-17
1-21
1-22
1-23
1-24
1-25
1-26
1-27
1-28
1-29
1-30
1-31
INCLUDED
REF.
ACCESSORIES
NO.
*5800705700.
5800700800
5800700600
*5800711300
*5800711100
*5800708000
*5800707902
*5780023015
*5780023008
*5781713008
*5785315000
*5785313000
*5780423006
*5780134008
*5781703035
*5780144008
*5780143006
*5780104006
PARTS
NO.
*5700070700
*5700070800
SIDE
SASH,R
CAP,T
ROLLER
ROLLER
SIDE
SIDE
FOOT
ASS'Y
BOARD.SR
BOARD,R
TENSION
COVER,BOTTOM
SCREW,BIND;M3X15(BLK
SCREW,BIND
M3X8
SCREW,CAP;M3X8
NI
B
(BLK
NI)
NI)
WASHER,POLY;5X8X0.5T
WASHER,POLY.;
SCREW,TRUSS;M3X6
SCREW,PAN
SCREW,CAP;M3X35
SCREW,PAN
SCREW,PAN
SEMS
SEMS
SEMS
3X6X0.5T
(BLK
A;M4X8
(Ni)
B;M4X8
B;M3X6
SCREW,PAN;M4X6
DESCRIPTION
388
388
OWNER'S
OWNER'S
MANUAL
MANUAL
[j]
(ALL
NI)
EXCEPT
REMARKS
J]
[J]:JAPAN
[GE]:GENERAL
[UK]:U.K.
*5085008300
[US]:U.S.A.
EXPORT
[E]:EUROPE
[A]:AUSTRALIA
REEL, 7 INCH
[CliCANADA
2-2
Page 79

2-2.
EXPLODED
VIEW-2
2
-3
Page 80

EXPLODED
VIEW-2
PARTS
MARKED
WITH
*REQUIRE
LONGER
DELIVERY
TIME.
REF.
22-
2-
2-
2-
2-
2-
2-
2-
2-10
2-11
2-12
2-13
2-14
2-15
2-16
2-21
2-22
2-23
2-24
2-23
NO.
1
2
3
4
5
6
7
8
9
PARTS
*5800707200
*5800707600
*5800708100
*5200175000
*5800704100
*5800704000
*5800704200
*5800703900
*5200176700
A
5320036500
5320036400
A
5320036600
A
A
5320036700
*5800705100
*5800703200
NO.
A*5302101700
*5200174500
*5200185400
*5200174400
Vacant
*5800707300
*5780134008
*5780133006
*5783003006
*5780024008
*5780023006
DESCRIPTION
FRAME,SIDE;L
PAD
ASSY
COVER,FRONT
CONTROL
BRACKET.CONTOL
PCB
ASSY
PCB;B
BRACKET,CONTROL;A
BRACKET,CONTROL
PCB;C
BRACKET,JACK
PHONE
JACK
PCB
ASSY
TRANSFORMER;[US,C]
TRANSFORMER;iJ]
TRANSFORMER;[GE]
TRANSFORMER;¡E,UK,A]
BRACKET,TRANSFORMER
BRACKET,CONTROL
SW..VOLTAGE
FUSE
PCB
FUSE
FUSE
ASSY(2)
PCB
ASSY(l)
PCB
ASSY(1)-A
FRAME,SIDE;R
SCREW,PAN
SCREW,PAN
SCREW.PAN
SCREW,BIND;
SCREW,BIND;M3X6(BLK
CHASSIS
SELECT
SEMS
A;M4X8
SEMS
A;M3X6
TAP;M3X6
M4X8
FS907G
[E,UK,A]
[GE]
[J,US,C]
(BLK
NI)
Ni)
[GE]
REMARES
2-26
2-27
2-28
2-29
2-30
(J]:JAPAN
i
ge]:GENERAL
[UK]
:U.K.
[USl:U.S.A.
EXPORT
[AlrAUSTRALIA
*5780143006
*5783073006
*5780133008
*5780144008
*5780003006
SCREW.PAN
SCREW.WASHER
SCREW.PAN
SCREW.PAN
SCREW.BIND;M3x6
[C]iCANADA
[E]:EUROPE
SEMS
TAP;M3X6
SEMS
SEMS
B;M3X6
A;M3X8
B;M4X8
2-4
Page 81

2-3.
EXPLODED
VIEW-3
2 - 5
a
Page 82

EXPLODED
VIEW-3
PARTS
MARKED
WITH
*REQUIRE
LONGER
DELIVERY
TIME.
REF.
3-
3333-
3-
3-
3-
33-10
3-11
3-12
3-13
3-14
3-15
3-16
3-17
3-18
3-19
3-20
3-21
3-22
3-23
3-24
3-25
NO.
1
2
3
4
5
6
7
8
9
PARTS
•^5200176900
■*5200177000
*5200174300
*5200174200
*5800704800
*5800704400
*5800704700
*5800704600
*5800703000
*5800704500
NO.
*5800705400
*5200177100
*5200180400
*5200174000
*5200173900
*5800704301
*5800705201
*5800705300
*5200174100
Vacant
*5200177500
*5800707500
*5800702500
*5800707400
*5800703200
DESCRIPTION
R/P
PCB
ASSY
DBX
PCB
AMP
ASSY
PCB
ASSY
PCB
BAL.AMP
METER
COVER.PCB
BRACKET.MOTHER
PLATE,PCB
CUIDE
BRACKET,PCB;B
STUD.REAR
BRACKET,PCB;A
BRACKET.PCB
BIAS
PCB
BIAS
PCB
REEL
SERVO
PWR
SPLY
BRACKET.PCB
HOLDER;A
ASSY(l)
ASSY(2)
PCB
PCB
ASSY
HOLDER
BRACKET.MOTHER
BRACKET.MOTHER
MOTHER
MOTHER
PCB
PCB
ASSY(2)
ASSY(l)
FRAME.JOINT
HOLDER.PCB;M
ERAME.SIDE;M
BRACKET.CONTROL
ASSY
PCB;A
ASSY
PCB;B
PCB;C
CHASSIS
REMARES
3-26
3-27
3-28
3-29
3-30
3-31
3-32
3-33
3-34
3-35
3-36
3-41
3-42
3-43
3-44
3-45
3-46
3-47
3-48
3-49
3-50
*5800708700
*5800287500
5296007300
*5800704900
*5210093700
5225011400
*5210111600
5225012900
*5800705000
5296006600
*5800566200
*5783073006
*5783003006
*5783073006
*5780134008
*5780103006
*5781013006
*5786713000
*5780143006
*5780133006
*5200186101
COVER
ASS'Y
METER
ESCUTCHEON.VU
METER.VU
BRACKET.METER;S
PCB.METER
LED.SLP144B
METER
PCB
LED.SLC-26UR5
BRACKET.METER;L
METER.VU
ESCUTCHEON
ASY.METER
SCREW.WASHER
SCREW.PAN
TAP;M3X6
SCREW.WASHER
SCREW.PAN
SEMS
SCREW.PAN;M3X6
SCREW.PAN
TAP;M3X6
CLIP.HARNEES
SCREW.PAN
SCREW.PAN
VR
PCB
SEMS
SEMS
ASSY
TAP;M3X6
TAP;M3X6
A.M4X8
B;M3x6
A;M3x6
2
6
Page 83

2-4.
EXPLODED
VIEW-4
2 7
Page 84

EXFLODED
VIEW-4
PARTS
MARKED
WITH
*REQÜIRE
LONGER
DELIVERY
TIME.
REF.
4-
4-
4-
44-
4-
4-
4-
44-10
4-11
4-12
4-13
4-14
4-15
4-16
4-17
4-18
4-19
4-20
4-21
4-22
4-23
4-24
4-25
NO
1
2
3
4
5
6
7
8
9
PARTS
5800611400
5800662300
5800645801
5800611700
5800611300
5800724700
*5800702301
5800611600
5800677200
5800677300
*5800702600
5800702800
5800429600
5800429200
5800429400
5800429300
*5200173800
*5200173600
*5200173400
NO.
5800429500
*5200173200
*5800762300
5284009700
5284009900
5284009800
DESCRIPTION
KNOB
KNOB
ASSY,
ASSY, C 2
B
KNOB.B
KNOB
KNOB
ASSY,
ASSY,
E
A
KNOB,FADER;N(ORG)
PANEL
KNOB
KNOB,FADER
KNOB,FADER
BRACKET,FADER
KNOB,LEVER
ASS'Y,MIXER
ASSY,
D
H(ORG)
j(ORG)
BUTTON,PUSH
BUTTON,PUSH
BUTTON,PUSH
BUTTON,PUSH
BÜTTON.PUSH
MONITOR
BUSS
PCB
BUSS
PCB
INPUT
SHAFT,SUPPORT;SW
SLIDE
SLIDE
SLIDE
PCB
VR
VR
VR
PCB
ASSY(B)
ASSY(A)
ASSY
lOKA
10KAX4
10KAX2
E(GRN)
A
C(YEL)
B
D(BLU)
ASSY
REMARKS
SHAFT
S6011
S6041
S6023
4-26
4-27
4-28
4-29
4-30
4-31
4-32
4-33
4-34
4-35
4-36
4-37
4-38
4-39
4-40
4-41
4-42
4-43
4-44
4-45
4-46
4-47
4-51
4-52
4-53
4-54
4-55
*5200174800
Vacant
5800475501
5800475901
5800476001
5800476101
5300033900
*5800703400
*5800474900
*5200176500
5800703500
*5200175800
5800288100
5800475100
*5800703600
*5581056000
5301455500
*5800703800
*5800703700
*5200176600
*5200175200
*5200176800
*5780423006
*5780133006
*5781012006
*5781013006
*5780102010
M.BUSS
PCB
ASSY
BUTTON,OPERATION;A
BUTTON,OPERATION;B
BUTTON,OPERATION;G
BUTTON,OPERATION;D
SW.,PUSH
1-1
PANEL,CONTROL
LENS.COUNTER
COUNTER
PCB
ASSY
BUTTON(A)
OPERATION
PCB
ASSY
KNOB,CUE
SPEED
MODE
KNOB
CHASSIS,CONTROL
SHAFT,A
SW..MICRO
SS5GL13-F
SPRING.CUE
LEVER.CUE
DBX
SW
PCB
ASSY
PHONE
MONITOR
AMP
SW
PCB
PCB
ASSY
ASSY
SCREW,TRUSS;M3X6(BLK
SCTEW.PAN
SCREW.PAN
SCREW.PAN
SEMS
A;M3X6
TAP;M2X6
TAP;M3X6
SCREW,PAN;M2X10
NI)
4-56
4-57
*5781014008
*5785123000
SCREW.PAN
TAP;M4X8
WASHER,L0CK;M3
2-8
Page 85

2-5.
EXPLODED
O
VIEW-5
o
o
2-9
I
Page 86

EXPLODED
REF.
NO.
VIEW-5
PARTS
NO.
DESCRIPTION
PARTS
MARKED
WITH
*REQUIRE
LONGER
REMARKS
DELIVERY
TIME.
555-
5-
5-
55-
5-
5-
5-10
5-11
5-12
5-13
5-14
5-15
5-16
5-17
5-18
1
2
3
4
5
6
7
*5800702901
*5534878000
*5800703100
*5033291000
*5200175500
*5033295000
A*5534663000
A*5534660000
A*5317001700
8
A*5350008300
A*5128047000
A*5350010800
A*5350008200
A*5350012200
A*5350010700
A*5128027000
9
*5200171600
*5200171700
*5200171800
*5200171900
*5200172600
*5200172900
*5200175100
*5800705500
A
5300025100
A
5300025000
A
5300024900
A*5292002500
A*5292002600
A*5052910000
A*5267702500
PANEL,REAR
RIVET.PUSH
HEATSINK
PLATE,INSULATOR
TR
PCB
ASSY
TUBE,INSULATOR
STRAIN
BUSHING.CORD;
BUSHING,CORD;
CORD,AC
CORD.AC
CORD.AC
CORD,AC
CORD.AC
CORD.AC
CORD.AC
I/O
I/O
I/O
I/O
I/O
DEFEAT
CAP
HOLDER,SERVO
SW.,POWER
SW..POWER
SW.,POWER
CR,
CR,
CR.,0.033+1200HM
C.,4700PF
RELIEF
ASS
6W-1
4N-4
4N-5
[A]
[Cl
[J,GE,E,A]
[US.UK]
ÍUK]
UL
SPT-1
[GE]
EUR
CSA
UL
[E]
id
SPT-2
¡US]
Íj]
PCB
ASSY(l)
PCB
ASSY(2)
PCB
ASSY(3)
PCB
ASSY(4)
PCB
ASSY(ll)
SW
PCB
ASSY
SERVO
0.01MF+1200HM
0.033MF+1200HM
PCB
ASSY
PCB
SDE3S
SDE3S
CLASS2
TV3
SDE3S
M-15B
M-15B
300VAC
125V
TCA
250VAC
[E.UK.A]
ÍUS,C,GE]
[jl
ÍJ.GE]
[C]
¡US]
¡E.UK.A]
'V.
5-19
5-20
5-21
5-22
5-23
5-24
5-25
5-26
5-27
5-28
5-29
5-30
5-31
5-32
5-33
5-34
5-41
5-42
5-43
5-44
5-45
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:JAPAN
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ÍUK):U.K.
*5800194101
*5210175400
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I/O
CONNECTOR
PCB
PCB
PCB
PCB
PCB
PCB
PCB
PCB
PCB
ASSY(5)
ASSY(6)
ASSY(9)
ASSY(IO)
ASSY(12)
ASSY(7)
ASSY(8)
SW
ASSY(13)
S0CKET,12P
PCB
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LUG,GND;SRA-21T-3
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2 10
Page 87

2-6.
EXPLODED
VIEW-6
i®
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11
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Page 88

EXPLODED
VIEW-6
PARTS
MARKED
WITH
*REQUIRE
LONGER
DELIVERY
TIME
REF.
6-
6-
666-
66-
6-
6-
6-10
6-11
6-12
6-13
6-14
6-15
6-16
6-17
6-18
6-19
6-20
6-21
6-22
6-23
6-24
6-25
NO.
1
2
3
4
5
6
7
8
9
PARTS
*5800701200
*5800701800
*5800700900
*5800699201
5200176200
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5200176000
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5800698600
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5378306100
5378306000
*5800698700
*5800701600
*5200177200
*5800698800
*5800695400
NO.
DESCRIPTION
BRACKET,PANEL
SPRING.TA
RETURN
SPRING.TA
ARM
ASS'Y,TENSION;L
LED
PCB
ASSY(L)
CUSHI0N,ST0PPER
SPRING,ARM
SHAFT.TA
CAP.PF
ROLLER
ROLLER
ASS'Y,Z
SHAFT,ROLLER
BASE
PLATE,TA;L
SENSOR
PCB
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BRACKET,SENSOR;L
PLATE.HEAD
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CUIDE,A
CUIDE,B
HEAD,ERASE(1/4"
8CH)
HEAD,REC/PLAY(l/4"
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STUD,PCB
PCB
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BRAKET.HEAD
PLATE
BASE
CONNECT
PCB
ASS'Y,CAPSTAN
8CH)
BASE
REMARKS
6-26
6-27
6-28
6-29
6-30
6-31
6-32
6-33
6-34
6-35
7
6-36
6-37
6-38
6-39
6-40
6-41
6-42
6-43
6-44
6-45
6-46
6-47
6-48
6-49
6-50
*5800702000
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5313003200
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PLATE
ASS'Y.LIFTER
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PLATE,JOINT
PLATE,ARM
TABLE
ASSY,REEL
SPRINC,BRAKE
H00K,SPRINC
BAND
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BAND
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SOLENOID,BRAKE
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ARM,CUE
SPRING,CUE
PLATE,CUE
SOLENOID,LIFTER
ROLLER
BASE
ROLLER
SOLENOID
SOLENOID
ROLLER
BASE
RETURN
RETURN
STOPPER
6-51
6-52
6-53
6-54
6-55
*5800171000
*5800693601
*5012390000
5800698000
5800697800
BRACKET,SOLENOID
CHASSIS
ASS'Y.MECHANISM
STOPPER,OIL
SHIFT,CAPSTAN
HOLDER
ASSY,METAL
2 12
Page 89

EXPLODED
REF.
NO.
VIEW-6
PARTS
NO.
DESCRIPTION
PARTS
MARKED
WITH
*REQUIRE
REMARKS
LONGER
DELIVERY
TIME,
6-56
6-57
6-58
6-59
6-60
6-61
6-62
6-63
6-64
6-65
6-66
6-67
6-68
6-69
6-70
6-71
6-72
6-73
6-74
6-75
6-81
6-82
6-83
6-84
6-85
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5800698201
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5800697600
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MOTOR,CAPSTAN;DC
BRACKET,MOTER
PULLEY,MOTER
BRACKET,CONTROL
PCB
ASS'Y,MECHANISM
ARM
LED
SHUT
ASS'Y
PCB
OFF
TENSION;R
ASSY(R)
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JOINT
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PCB
6-86
6-87
6-88
6-89
6-90
6-91
6-92
6-93
6-94
6-95
6-96
6-97
6-98
6-99
6-100
6-101
6-102
6-103
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