Tascam 2488 Brochure

2488
2488 Integrated 24-Track Recording Workstation
˘ 24-track recording at 44.1kHz/
24-bit
˘ 36-channel mixer
inputs and tone generator with high and low sweepable shelving bands and full parametric mid band
˘ Three aux sends on all input, track
and tone generator channels
˘ Loop effect provides reverb, delay,
chorus and more
˘ Up to eight assignable dynamics
processors for compression during recording or mixdown
˘ Assignable Guitar multieffects
processor for distortion, fl ange and more
˘ Dedicated Stereo Compressor on
the stereo output
˘ Eight inputs: 4 XLR with phantom
power, four 1/4” mic/line inputs
˘ Twenty 45mm faders including
master fader
˘ Large LCD display for viewing
meters and edit parameters
˘ CD-RW drive to record mixdown,
import/export WAV fi les and backup hard drive
˘ 64-voice General MIDI sound
module
˘ Standard MIDI File player
˘ High-speed USB 2.0 jack connects
to PC for data backup and SMF/ WAV fi le transfer
* HD Size subject to change
Applications Guide
he TASCAM 2488 brings the hit-
T
making power of 24-track record­ing and mixing home to musicians everywhere. With an incredible 24 tracks of recording – the same format used by professional studios and big­name rock bands – artists can create the full arrangements listeners are used to hearing. And with its built-in 36-channel mixing console, MIDI tone generator, great-sounding effects and built-in CD-RW, the 2488 provides all of the tools you need to create pro-quality CDs.
For many artists, 8 or 16 tracks isn’t enough. Popular music these days is layered with dozens of loops, guitar overdubs, synths and effects. The 2488’s 24 recording tracks give you the fl ex­ibility to layer guitars or experiment with new sounds. And since all 24 tracks record at full 24-bit resolution, you don’t need to trade off your track count for the best sound quality.
The 2488 can record 8 inputs simul­taneously to its 40GB* hard disk. The four XLR jacks with phantom power welcome high-quality condenser mi­crophones, and four additional 1/4" TRS mic/line inputs are also provided. The 2488 also has a pair of digital inputs and outputs for connecting to comput­ers and digital effects.
When even 24 tracks isn’t enough, like when you want to try a vocal per­formance over and over, the 2488 has 250 virtual tracks so you don’t need to record over previous takes.
A 16-part, 64-voice MIDI tone genera­tor is provided for adding synths and
drums to your arrangements. A MIDI sequence player is also included so you can import Standard MIDI Files.
The extensive 36-channel mixer allows you to mixdown all 24 tracks, the tone generator, the effects, and the eight inputs. A 3-band EQ and three aux sends are available on all input, track and tone generator channels. The inter­nal processor adds effects like reverb, delay, chorus and more to polish your tracks. Up to eight dynamics insert ef-
fects are provided to add compression while recording or mixing, and guitar FX and stereo mix compression are also available.
When your mix is complete, the built­in CD-RW drive writes your mix to a CD. Premastering and fi nalize functions help you to ensure that your mixes sound their best before burning. The 2488’s high-speed USB 2.0 port – backwards compatible with standard USB 1.1 – can also be used to import and export WAV fi les or transfer your tracks and mixes to a computer without using a CD, so that your fi nal mixes can be mastered on computer or uploaded for distribution.
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2488
Home Recording
The 2488 does everything you need to record, mix and master your own CDs. It features 8 mic inputs – four with phantom power – for connecting high-quality microphones. There’s even an instru­ment-level input for connecting a guitar or bass. Since it records at 24-bit resolution, you’re sure to capture every detail of your performance. Even if you only have one or two mics, you can build up an arrangement, track-by-track, until you have a 24-track arrangement. For example, use the Loop Paste function to automatically paste a drum loop through your song.
The 2488 has a 36-channel mixer, which allows you to mix all 24 tracks plus the eight inputs and built-in MIDI tone generator. Each of these channels has three aux sends and three-band parametric EQ for shaping your mix. An internal loop effect send and return are also provided to add effects like reverb, delay, chorus and more. You even get compression and guitar effects which can be as-
Applications Guide
Microphones
Mic
Inputs
1-2
Guitar
signed to any mixer channel, and a dedicated ste­reo compressor on the master output bus. When you’ve perfected your mix, you can capture it to the drive for mastering, then burn it to a CD or transfer it to a computer using USB or USB 2.0 for MP3 encoding and sharing.
Monitors
Monitor Outs
Instrument-Level Input 8
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Live Recording
The eight low-noise mic preamps on the 2488 are ideal for capturing a dynamic live performance. For a great live mix, fi rst get a stereo output from the live sound board. Since drums and guitars are usually loud enough without going through the PA, the sound board mix usually doesn’t have much of these instruments. Take four mics and put them on the drums and guitar so you can mix these in later. Finally, put a pair of mics (or stereo mic) in the middle of the crowd to record the audience and the sound of the room. A fl exible, easy-to-use digi­tal patchbay lets you route any input to any track while you monitor levels with the large, backlit LCD display. There’s even a loud headphone output so you can monitor during the gig.
After the performance, you can mix down the eight tracks to create a stereo mix. Use the internal effects or bring in a pair of effects processors to polish your sound. You can even punch in over the live recording to replace a wrong note after the fact. Use the 2488’s eight dynamics processors to
keep your volume levels steady and add punch to the bass and drums. When you have a mix you like, you can burn CDs to sell at your next gig, make a demo to get into better clubs, or transfer the mix to your computer for uploading to your band’s website. The 2488 is even compact enough to bring along to band rehearsals, so you can record every practice.
Microphones
PA Monitor
Mic
Inputs
1-6
Inputs
7-8
Line or
Aux Out
Headphones
PA Mixer
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