Steinberg Wavelab Pro - 10.0 Plug-in Reference

Plug-in Reference
Cristina Bachmann, Heiko Bischoff, Lillie Harris, Christina Kaboth, Insa Mingers, Matthias Obrecht, Sabine Pfeifer, Benjamin Schütte, Marita Sladek
This PDF provides improved access for vision-impaired users. Please note that due to the complexity and number of images in this document, it is not possible to include text descriptions of images.
The information in this document is subject to change without notice and does not represent a commitment on the part of Steinberg Media Technologies GmbH. The software described by this document is subject to a License Agreement and may not be copied to other media except as specically allowed in the License Agreement. No part of this publication may be copied, reproduced, or otherwise transmitted or recorded, for any purpose, without prior written permission by Steinberg Media Technologies GmbH. Registered licensees of the product described herein may print one copy of this document for their personal use.
All product and company names are ™ or ® trademarks of their respective owners. For more information, please visit www.steinberg.net/trademarks.
© Steinberg Media Technologies GmbH, 2019.
All rights reserved.
WaveLab Pro_10.0.0_en-US_2019-10-15

Table of Contents

4 WaveLab-specic Plug-ins
4 Resampler 4 Ducker 5 Leveler 6 Leveler Multi 6 MasterRig 23 Peak Master 24 RestoreRig 28 Silence 28 Stereo Expander
29 Steinberg VST 3 Plug-ins
29 AutoPan 30 Brickwall Limiter 31 Channel Extractor 31 Chorus 32 Compressor 34 CurveEQ 34 DeEsser 36 Distortion 37 DualFilter 37 EnvelopeShaper 38 Expander 40 Frequency 43 Gate 45 GEQ-10/GEQ-30 46 Limiter 47 L/R to M/S, M/S to L/R 47 Magneto II 48 Maximizer 49 Mix6to2 50 Mix8to2 51 MonoDelay 51 MonoToStereo 52 MultibandCompressor 54 MultibandEnvelopeShaper 56 MultibandExpander 58 Octaver 58 PingPongDelay 59 PostFilter 61 REVelation 63 RoomWorks 66 RoomWorks SE 66 StereoDelay 67 StereoEnhancer 68 Stereo Tools 69 StudioChorus 70 StudioEQ 72 TestGenerator 73 Tube Compressor 74 VintageCompressor
75 VSTDynamics
79 Legacy Plug-ins
80 Dithering Plug-ins
80 Internal Dithering 80 MBIT+™ Dithering 82 UV22HR
83 ASIO Plug-ins
83 External Gear 84 Audio Input
85 Batch Processing Plug-ins
85 Audio Analyzer 87 Audio Injector 87 Audio Mixer 88 DC Remover 88 Delay Next Process Activation 88 Fade In/Fade Out 89 Instructor 90 Level Normalizer 90 Loudness Meta Normalizer 91 Loudness Restorer 92 Meta Leveler 92 Resizer 92 Stereo to Mono 93 Trimmer
94 Index
3
WaveLab-specic Plug-ins
WaveLab-specic plug-ins use the plug-in format of WaveLab, and cannot be used with other applications.
WaveLab-specic plug-ins can only be used in the Master Section and in batch processes. WaveLab effects are also included as VST plug-ins, available as track or clip
You can specify which plug-ins should be available on the Effects pane and the Final

Resampler

This plug-in is a professional sample rate converter providing exceptional transparency and preservation of the frequency content. It is only available in the Master Section.
However, some effects in audio montages.
Effects/Dithering pane of the Master Section by using the Plug-in Settings dialog.
When a multichannel conguration is used in the audio montage, only certain plug-ins can be used as master effects. All channels in the Master Section are affected equally.

Ducker

NOTE
This plug-in is very CPU consuming, especially in high quality modes.
Output Sample Rate
Denes the output sample rate while the input sample rate is determined by the sample rate of the active audio
Quality
Denes the quality of the algorithm that is used (Standard, High, Very High, Best). In
Standard mode, the CPU load is much lower than in Best mode but the sound
quality of the resulting audio is also lower.
This plug-in lets you control (modulate) the volume of clips placed on a track with the signal of one or more clips placed on the next adjacent track below it. The Ducker plug-in can only be used as a clip effect in the audio montage.
It uses the Route to options that can be found on the Track menu. You can use mono or stereo tracks for both the modulating and the upper track.
le or audio montage.
4
WaveLab-specic Plug-ins Leveler
Threshold
Sets the loudness threshold that triggers the Ducker. Clips on the modulator track with levels above the threshold will cause the level of a clip on the upper track to be lowered.
Damping
Sets the amount of level reduction that is applied to the clip on the upper track.
Fall Time
Sets the time it takes for the level to change from 0 dB to the set damping level.

Leveler

Hold Time
When the modulating signal falls below the set threshold, this setting determines how long the level will stay reduced before it starts rising to normal level again.
Rise Time
Sets the time after which the reduced level rises to the normal level when the modulating signal falls below the set threshold (after the Hold Time).
Mix Mode
If this is activated, the Ducker outputs a mix of the two tracks. This is only useful if the Route to Upper Track Only option has been activated for the modulating track. Then this feature can be used for processing several clips through the same plug-in chain if more plug-ins have been assigned after the Ducker on the upper track.
Note that the mixed output is controlled by the upper track. If this is not playing a clip, both of the tracks will be silent.
This plug-in is useful for correcting an imbalance or adjusting levels between stereo channels, or for mixing down to mono.
Volume Left/Volume Right (-48 dB to 12 dB)
Governs how much of the signal is included in the left and/or right channel of the output bus.
Stereo Link
If this option is activated, Volume Right delivers the gain that is set for Volume Left.
5
WaveLab-specic Plug-ins Leveler Multi
Mix to Mono
If this option is activated, a mono mix of the stereo channels is delivered to the output bus.

Leveler Multi

This plug-in takes multichannel input and applies a fader equally to all channels.
Volume (-48 dB to 12 dB)
Governs how much gain is applied to the signal before it is routed to the output bus.

MasterRig

MasterRig allows you to master audio material in an intuitive and creative way. It offers high-
class sound quality, accuracy, exibility, and control.

Main Layout

Module Chain
The module chain contains the mastering modules. You can add up to 8 modules.
The following settings are available for each module:
Bypass
Bypasses the module. This allows you to compare the sound of the unprocessed signal to that of the processed signal.
Solo
Solos the module. Only one module can be soloed at a time.
Remove
Removes the module from the module chain.
Scenes
You can save up to 4 MasterRig congurations as scenes. This allows you to compare different parameter settings and module combinations.
6
WaveLab-specic Plug-ins MasterRig
To copy the settings of a scene to another scene, click Copy Scene, and then click the
scene button of the scene where you want to paste the settings.
A copy of a scene is indicated by a (c) behind the scene name.
To reset the settings of the selected scene, click Reset Scene.
To rename a scene, double-click the scene name and type in another name.
Spectrum Display
The spectrum display in the upper half of the panel is where you set the width of the frequency bands. The vertical value scale to the left shows the gain level of each frequency band. The horizontal scale shows the frequency range.
To dene the frequency range of the different frequency bands, use the handles at the
sides of each frequency band.
To attenuate or boost the output level of each frequency band by ±15 dB, use the handles
on top of each frequency band.
Settings
7
WaveLab-specic Plug-ins MasterRig
Parameter Linking
Links the parameters of the same type in all bands in a module. This allows you to edit parameter values of all bands in a module simultaneously. Two link modes are available:
If Absolute Mode is activated and you edit a parameter value in one band, the
If Relative Mode is activated and you edit a parameter value in one band, the
Auto Listen for Filters
If this option is activated and you edit a parameter of a module, the corresponding lter or band is soloed. This allows you to locate unwanted frequencies in your audio and helps you to focus on a particular band or lter. Once you stop editing the parameter,
Global Settings
Allows you to make global settings for MasterRig.
Undo/Redo
Undoes/Redoes the last operation. The undo/redo history is deleted when you select another scene.
Absolute and Relative.
corresponding parameter values in the other bands are set to the same value.
corresponding parameter values in the other bands keep their relation.
Solo is deactivated.
Input/Output Meter
The input/output meter provides a combined peak level, with peak-hold functionality and RMS meter. Between the meters for input and output is the gain reduction meter for the Limiter.
The maximum values for input/output peak level, RMS, and gain reduction are displayed above the meter display. To reset all maximum values, click any of the values.
Side-Chain Settings
The Compressor module and the Dynamic EQ module support side-chain. You can set up the side-chain routing for each band separately.
To open the side-chain panel, click the SC button at the bottom left of each band section.
8
WaveLab-specic Plug-ins MasterRig
Active
Activates the internal side-chain lter. The input signal can then be shaped according to the lter parameters.
SC FREQ
Sets the frequency of the side-chain lter.
Auto (Dynamic EQ only)
Deactivates the SC Frequency knob of the side-chain panel. Instead, the settings of the Frequency knob are used.
Listen
SC Q

Modules

Modules allow you to create a mastering chain. Some modules can be used only once and some in two instances in the module chain. You can rearrange modules in the module chain to change the processing order.
To add a module to the module chain, click Add Module in the modules section and click a
To remove a module, click the corresponding Remove button.
To bypass a module, click the corresponding Bypass button.
To solo a module, click the corresponding Solo button.
To change the order of the modules, drag a module to another position in the module

Global Settings

To open the Global Settings, click Global Settings above the spectrum display.
Allows you to solo the side-chain lter.
Sets the resonance or width of the lter.
module.
chain.
Spectrum Display
Show Spectrum
Activates/Deactivates the spectrum display.
Smooth
Determines the reaction time of the spectrum display. Lower values result in faster reaction times.
9
WaveLab-specic Plug-ins MasterRig
Peak Hold
Freezes the peak values of the spectrum display.
Slope
Tilts the spectrum display around the 1 kHz pivot.
Two Channels
If this option is activated, the spectrum of the left and right channels are displayed separately.
EQ Curve
Show Curve
Shows/Hides the EQ curve in the spectrum display.
Filled
If this option is activated, the EQ curve is lled.
RMS
AES17 (+3 dB)
If this option is activated, the RMS value is raised by 3 dB to follow the AES17 standard.

Limiter

The Limiter module makes sure that the output level never exceeds a set output level, to avoid clipping in following devices.
Band Settings
On/Off
Activates/Deactivates the corresponding section.
10
WaveLab-specic Plug-ins MasterRig
Balance
Mid/Side
Allow you to set the gain for the mid and side signal.
Solo Mid Signal/Solo Side Signal
Allow you to solo the mid or side signal.
Transients
If the Transients section is activated, you can set the following parameters:
ATT
Sets the gain of the attack phase of the signal for the corresponding band.
REL
Sets the gain of the release phase of the signal for the corresponding band.
Gain
Sets the output level for the corresponding band.
Harmonics
If the Harmonics section is activated, the Limiter module starts limiting the signal softly. At the same time, harmonics are generated, adding a warm, tube-like characteristic to the audio material.
11
WaveLab-specic Plug-ins MasterRig
2nd HARM/3rd HARM
Allow you to control the second and third harmonic independently.
Drive
Allows you to adjust the amount of gain boost for the signal to raise the amount of soft-clipping.
Brickwall
Due to its fast attack time, Brickwall Limiter can reduce even short audio level peaks without creating audible artifacts. The limiting amount is displayed between the input and the output meter.
Release
Sets the time after which the gain returns to the original level when the signal drops below the threshold. If Auto Release is activated, the plug-in automatically nds the best release setting for the audio material.
Oversample
If this option is activated, Brickwall Limiter detects and limits signal levels between two samples to prevent distortion when converting digital signals into analog signals.
Stereo Link
If this option is activated, Brickwall Limiter uses the channel with the highest level to analyze the input signal. If the button is deactivated, each channel is analyzed separately.
Output
Sets the output level.
12
WaveLab-specic Plug-ins MasterRig
Maximizer
Maximizer raises the loudness of audio material without the risk of clipping. The limiting
amount is displayed between the input and the output meter.
Optimize
Determines the loudness of the signal.
Output
Sets the output level.

Compressor

The Compressor module allows a signal to be split into four frequency bands. You can specify the level, bandwidth, and compressor characteristics for each band.
You can add two Compressor modules to the module chain, Compressor A and Compressor B.
Band Settings
13
WaveLab-specic Plug-ins MasterRig
On/Off
Activates/Deactivates the corresponding section.
Soloing Frequency Bands
To solo a frequency band, activate the S button in each section. Only one band can be soloed at a time.
Channel Settings
Allow you to switch between left/right, stereo, and mid/side processing. In Left/ Right or Mid/Side processing mode, you can make different settings for the two
channels.
Add/Remove Band
Allow you to add and remove bands.
Standard
Allows you to create smooth compression effects.
THRESH (-60 to 0 dB)
Signal levels above the set threshold trigger the compressor.
ATT (0.1 to 100 ms)
Determines how fast the compressor responds. If the attack time is long, more of the initial part of the signal passes through unprocessed.
REL (10 to 1000 ms)
Sets the time after which the gain returns to its original level. If Auto Release is activated, the plug-in automatically
nds a suitable release setting for the audio.
Ratio
Sets the amount of gain reduction applied to signal above the set threshold.
Mix
Sets the level balance between the dry signal and the wet signal.
Compressor curve display
Graphically illustrates the compressor curve that is shaped according to the Threshold and Ratio parameter settings.
14
WaveLab-specic Plug-ins MasterRig
Output
Sets the output gain.
Side-Chain
Opens the Side-Chain settings.
Tube
This versatile compressor with integrated tube-simulation allows you to produce smooth and warm compression effects.
Input
In combination with the Output setting, this parameter determines the compression amount. The higher the input gain setting and the lower the output gain setting, the more compression is applied.
ATT (0.1 to 100 ms)
Determines how fast the compressor responds. If the attack time is long, more of the initial part of the signal passes through unprocessed.
REL (10 to 1000 ms)
Sets the time after which the gain returns to its original level. If Auto Release is activated, the plug-in automatically nds the best release setting for the audio.
Drive
Controls the amount of tube saturation.
Mix
Sets the level balance between the dry signal and the wet signal.
Output
Sets the output gain.
Side-Chain
Opens the Side-Chain settings.
Vintage
Vintage Compressor is modeled after vintage type compressors.
15
WaveLab-specic Plug-ins MasterRig
Input
In combination with the Output setting, this parameter determines the compression amount. The higher the input gain setting and the lower the output gain setting, the more compression is applied.
ATT (0.1 to 100 ms)
Determines how fast the compressor responds. If the attack time is long, more of the initial part of the signal passes through unprocessed.
REL (10 to 1000 ms)
Sets the time after which the gain returns to its original level. If Auto Release is activated, the plug-in automatically material.
Ratio
Sets the amount of gain reduction that is applied to signals above the set threshold.
Attack Mode (Punch)
If this option is activated, the early attack phase of the signal is preserved, retaining the original punch in the audio material, even with short Attack settings.
Mix
Sets the level balance between the dry signal and the wet signal.
Output
Sets the output gain.
Side-Chain
Opens the Side-Chain settings.
nds the best release setting for the audio
Maximizer
16
WaveLab-specic Plug-ins MasterRig
Optimize
Determines the loudness of the signal.
Mix
Sets the level balance between the dry signal and the wet signal.
Output
Sets the output gain.

Equalizer

The Equalizer module is a high-quality 8-band parametric stereo equalizer with 8 fully parametric mid-range bands. The low and high bands can act as either shelving lter, as peak lter (band-pass), or as cut lter (low-pass/high-pass, band 1 and 8 only).
You can add two Equalizer modules to the module chain, Equalizer A and Equalizer B.
Band Settings
On/Off
Activates/Deactivates the corresponding section.
Channel Settings
Allow you to switch between left/right, stereo, and mid/side processing. In Left/ Right or Mid/Side processing mode, you can make different settings for the two
channels.
IMPORTANT
When using Mid/Side processing mode, we recommend that you activate Linear Phase in order to avoid unwanted sound colorization.
17
WaveLab-specic Plug-ins MasterRig
Linear Phase
Activates/Deactivates linear phase mode for the corresponding band.
Linear phase mode avoids unwanted frequency dependent phase shifts of the audio signal that might occur with standard minimum phase equalizing.
NOTE
Linear phase mode leads to an increase in latency.
In rare cases, for example, when using low cut ltering with a high slope for
Equalizer Section
bass signals, also an unwanted pre-ringing effect may be audible.
Type
You can choose between the EQ types Low Shelf, Peak, High Shelf, and Notch. For band 1 and 8, you can also select the types Cut 12, Cut 24, and Cut 48.
Low Shelf boosts or attenuates frequencies below the cutoff frequency by the specied amount.
High Shelf boosts or attenuates frequencies above the cutoff frequency by the specied amount.
Peak boosts or attenuates frequencies at the set frequency value with a bell shaped lter.
Notch boosts or attenuates frequencies at the set frequency value with a very narrow
Cut attenuates frequencies below (band 1) or above (band 8) the set frequency. You can choose between different slopes: 6  dB, 12  dB, 24  dB, 48   dB, or 96  dB per octave.
FREQ (20 to 20000 Hz)
Sets the frequency of the corresponding band.
Q
Controls the width of the corresponding band.
Gain (-15 to +15 dB)
Sets the amount of attenuation/boost for the corresponding band.
lter.

Dynamic EQ

Dynamic EQ allows you to adjust frequencies and lets you determine when and how the EQ is
applied depending on the dynamics of the audio material.
You can add two Dynamic EQ modules to the module chain, Dynamic EQ A and Dynamic EQ B.
18
WaveLab-specic Plug-ins MasterRig
Band Settings
On/Off
Activates/Deactivates the corresponding section.
Channel Settings
Allow you to switch between left/right, stereo, and mid/side processing. In Left/ Right or Mid/Side processing mode, you can make different settings for the two
channels.
Equalizer Section
Type pop-up menu
Allows you to select the EQ types.
Low Shelf boosts or attenuates frequencies below the cutoff frequency by the specied amount.
19
WaveLab-specic Plug-ins MasterRig
Peak boosts or attenuates frequencies at the set frequency value with a bell
High Shelf boosts or attenuates frequencies above the cutoff frequency by the
FREQ (20 to 20000 Hz)
Sets the frequency of the corresponding band.
Q
Controls the width of the corresponding band.
Gain (-15 to +15 dB)
Sets the amount of attenuation/boost for the corresponding band.
THRESH (-50 to 0 dB)
Determines the threshold level. Only signal levels above the threshold are processed.
ATT (0.1 to 100 ms)
Determines how fast Dynamic EQ responds to signals above the threshold. If the attack time is long, more of the early part of the signal passes through unprocessed.
REL (10 to 1000 ms)
Sets the time after which Dynamic EQ returns to its original level when the signal drops below the threshold.
shaped lter.
specied amount.

Saturator

Ratio
The higher the level of the input signal is above the threshold, the more ltering occurs. Low ratio values mean that the lter starts to boost or attenuate smoothly above the threshold. High ratio values mean that the lter starts to work almost immediately.
Side-Chain
Opens the Side-Chain settings.
RELATED LINKS
Side-Chain Settings on page 8
The Saturator module allows you to simulate the sound of analog tubes, and the saturation and compression effect when recording on analog tape machines.
You can add two Saturator modules to the module chain, Saturator A and Saturator B.
20
WaveLab-specic Plug-ins MasterRig
Band Settings
On/Off
Activates/Deactivates the corresponding section.
Soloing Frequency Bands
To solo a frequency band, activate the S button in each section. Only one band can be soloed at a time.
Channel Settings
Allow you to switch between left/right, stereo, and mid/side processing. In Left/ Right or Mid/Side processing mode, you can make different settings for the two
channels.
Add/Remove Band
Allow you to add and remove bands.
21
WaveLab-specic Plug-ins MasterRig
Saturator Section
Tape/Tube
Allows you to switch between tube saturation and tape saturation.
Tube saturation simulates the saturation of analog tube compressors.
Tape saturation simulates the saturation and compression effect of analog
Drive
Controls the amount of saturation.
tape machine recordings.

Imager

Mix
Sets the level balance between the dry signal and the wet signal.
Output
Sets the output gain.
The Imager module allows you to expand or reduce the stereo width of your audio in up to four bands. This way you can independently adjust the stereo image in dened frequency domains.
22
WaveLab-specic Plug-ins Peak Master
Band Settings
On/Off
Activates/Deactivates the corresponding section.
Soloing Frequency Bands
To solo a frequency band, activate the S button in each section. Only one band can be soloed at a time.
Add/Remove Band
Allow you to add and remove bands.
Imager Section
Width
Pan
Output

Peak Master

This is a basic plug-in that minimizes peaks in your audio le, allowing a louder mix without clipping. It is useful in taming dynamic instruments.
It is primarily used as a brickwall limiter. For example, you can limit audio peaks without altering the rest of the audio signal. In this case, set Input Gain to 0 dB and Out Ceiling to 0 dB, to achieve a clip-free audio signal. When used in this way, Peak Master is an excellent plug-in to succeed a resampler plug-in, and to proceed a dithering plug-in.
Allows you to control the stereo width per band.
Allows you to pan the signal left/right.
Sets the output level for each band.
Input Gain
Values range from -12 dB to 24 dB.
23
WaveLab-specic Plug-ins RestoreRig
Out Ceiling
This is the maximum level of the output signal. Values range from -18 dB to 0 dB.
Softness
This governs the speed at which the signal becomes unaffected after limiting has been triggered on some samples. Values range from -5 to +5.

RestoreRig

RestoreRig allows you to remove noise from an audio recording with different restoration
modules. The noise can be an impulsive noise (DeClicker), an ambient noise (DeNoiser), or a low tonal noise (DeBuzzer)

Main Layout

Input Signal/Output Signal
Displays the input signal and the output signal of the restored signal. The vertical value scale to the left shows the gain level of the input and output signals. The horizontal scale shows the frequency range.
24
WaveLab-specic Plug-ins RestoreRig
Master
The input/output meter provides a peak level meter.
The maximum values for input/output peak level are displayed above the meter display. To reset all maximum values, click any of the values.
Settings

Modules

Filled Curve
Allows you to ll the curves of the input signal and the output signal.
Smooth Metering
Determines the reaction time of the display. Lower values result in faster reaction times.
Gain Control
The Gain Control allows you to set the master gain for the modules.
The modules DeClicker, DeNoiser, and DeBuzzer allow you to remove different kinds of noises.
To activate or deactivate a module, click Activate/Deactivate on the left of the module
● name.
25
WaveLab-specic Plug-ins RestoreRig
To only listen to the sound that has been removed from the audio, click the Noise
Listening Mode button of the module that you want to hear.

DeClicker

DeClicker allows you to remove clicks from audio material.
Activate/Deactivate DeClicker
Activates/Deactivates the module.

DeNoiser

Noise Listening Mode
Allows you to listen to the signal that has been removed from the original audio material.
Meters
Allow you to monitor the quantity of impulsive noise that is removed from the signal.
NOTE
Avoid letting the meter reach the red region, as this can produce destructive artifacts.
Crackle
Allows you to remove very short impulsive noise from the audio signal.
Click
Allows you to remove medium-sized impulsive noise from the audio signal.
Pop
Allows you to remove long impulsive noise from the audio signal.
DeNoiser allows you to remove noise from the audio material.
26
WaveLab-specic Plug-ins RestoreRig
Activate/Deactivate DeNoiser
Activates/Deactivates the module.
Noise Listening Mode
Allows you to listen to the signal that has been removed from the original audio material.
Dynamic Level
Allows you to remove noise that evolves over time from the audio signal.
Static Level
Allows you to remove noise that does not evolve over time from the audio signal. The
Learn option allows you to dene the stationary noise.
Noise
The Noise options allow you to dene a section in an audio le that contains a static noise that you want to remove. When you then render the audio le, you can remove the recorded static noise from the audio signal.
1. Play back the audio section that contains the noise that you want to remove
2. Use the Static Level dial to set the level.
3. To remove the recorded static noise in the audio le, render the audio le.
and click Learn.
RestoreRig records the audio for a few seconds to detect the static noise.

DeBuzzer

If you want to record the static noise at another audio section, click Reset, play back another audio section, and click Learn again.
Algorithm
Allows you to select different DeNoiser algorithms. Depending on the audio material, different modes can affect the DeNoiser quality.
Smooth is sucient for most uses.
Use Musical for harmonic content with low rhythmic or transient components.
Use Rhythmic for drum and percussive content.
Use Strong if the noise level reduction is more important than the accuracy of
the noise reduction.
Use Speech for vocal content.
DeBuzzer allows you to remove harmonic noise with a fundamental frequency that should be around 50 to 60  Hz.
Activate/Deactivate DeBuzzer
Activates/Deactivates the module.
27
WaveLab-specic Plug-ins Silence
Noise Listening Mode
Allows you to listen to the signal that has been removed from the original audio material.
Level
Allows you to dene the reduction of the noise in dB.
Sensitivity
Allows you to dene how sensitive the reduction will be to the current audio level. At 0  %, sensitivity values, the level is dynamically dened in a range between 0  dB and the Level value. This reduces the buzz when the audio level is low and does not affect the audio when the audio level is high.
Frequency
Allows you to dene the value of the fundamental frequency.
Auto
If this option is activated, DeBuzzer automatically detects the fundamental frequency of the current most prominent harmonic tone.
NOTE
DeBuzzer reduces the current harmonic noise with the Level value. At higher
Once you have detected the frequency that you want to remove, deactivate Auto.

Silence

This plug-in provides a simple way of inserting a precise period of silence at the start or at the end of an audio le. Use this plug-in to add silence at the end of a le, so that the tail of a reverb plug-in does not cut immediately at the end of the
Start
Use the slider to insert from 0 to 60,000 ms of silence at the start of the le.
End
Use the slider to insert from 0 to 60,000 ms of silence at the end of the le.

Stereo Expander

This plug-in is a stereo width enhancer that makes a stereo signal sound wider. It gives better results from real stereo material, as opposed to mono channels panned to different positions in the stereo image.
le.
Width
Higher values result in a greater stereo width. Usually, you set Width to values between 0 % and 20 %. Higher values can be used for special effects.
28

Steinberg VST 3 Plug-ins

In WaveLab there is no limitation to the use of VST plug-ins. They can be used wherever plug-ins can be inserted.
You can specify which VST plug-ins should be available in the Effects pane and Final Processing/Dithering pane of the Master Section by using the Plug-in Settings dialog.
VST plug-ins have their own preset handling. You can save or load effect programs (presets).

AutoPan

This auto-pan effect provides several parameters to modulate the left/right stereo position. You can use presets or create individual curves for the modulation waveform. AutoPan also allows for chopping effects by linking the modulation of left and right channel.
NOTE
The panning effect of this plug-in works only on stereo tracks.
Waveform display
Shows the shape of the modulation waveform and allows you to manually adjust it. To draw an individual curve, click a node and move the mouse. To draw a straight line, Shift-click a node and move the mouse.
29
Loading...
+ 66 hidden pages