Page 1
Operation Manual
Page 2
Copyright and Trademark
Information
This PDF provides improved access for vision-impaired users. Please
note that due to the complexity and number of images in this document,
it is not possible to include text descriptions of images.
The information in this document is subject to change without notice
and does not represent a commitment on the part of Steinberg Media
Technologies GmbH. The software described by this document is
subject to a License Agreement and may not be copied to other media
except as specifically allowed in the License Agreement. No part of this
publication may be copied, reproduced, or otherwise transmitted or
recorded, for any purpose, without prior written permission by
Steinberg Media Technologies GmbH. Registered licensees of the
product described herein may print one copy of this document for their
personal use.
All product and company names are ™ or ® trademarks of their
respective holders. For more information, please visit
www.steinberg.net/trademarks.
© Steinberg Media Technologies GmbH, 2012.
All rights reserved.
Release Date: June 22, 2012
2
Page 3
4 Introduction
4 Typographical Conventions
4 How You Can Reach Us
5 System Requirements and Installation
5 System Requirements
6 Installing the Program
7 USB-eLicenser
8 Registering Your Software
9 Setting Up Your System
11 Getting Started
11 Recording in Three Simple Steps
11 Projects
12 Recording with the Record Panel
13 Exporting Your Recording
Contents
15 Getting Into the Details
15 Projects Dialog
16 Project Window
18 Cleaning Up Your Project
18 Editing Audio Events
21 Customizing the Program
23 Settings Dialog
26 Recording MIDI Timecode Information
27 Easy Recording
28 Record Panel
30 Markers
31 Key Commands Dialog
3
Page 4
Introduction
Typographical Conventions
Many of the default key commands use modifier keys, some of which
are different depending on the operating system.
When key commands with modifier keys are described in this manual,
they are shown with the Windows modifier key first, in the following
way:
• [Win modifier key]/[Mac modifier key]-[key]
For example, [Ctrl]/[Command]-[Z] means “press [Ctrl] under Windows
or [Command] under Mac OS X, then press [Z]”.
This manual often refers to right-clicking, for example, to open context
menus. If you are using a Mac with a single-button mouse, hold down
[Ctrl] and click.
User interface controls such as menu options, buttons, or dialog titles,
are highlighted in bold:
• In the Output Mode section, select Multi track mode.
How You Can Reach Us
On the Help menu, you will find items for getting additional information
and help. The menu contains links to various Steinberg web pages.
With the Registration command, you can register your product with
Steinberg.
4
Page 5
System Requirements and
System Requirements
Windows
•Windows 7
• Intel or AMD dual-core CPU
•2 GB RAM
•2 GB of free hard disk space
Installation
Mac OS X
• Windows compatible audio hardware; ASIO compatible audio
hardware recommended for low-latency performance
• Display resolution of 1280 x 800 recommended
• USB port for USB-eLicenser (license management)
• CD/DVD-ROM dual-layer drive (when delivered on installation
media)
• Internet connection (when product is downloaded from the
Internet, and for license activation)
• Mac OS X 10.7
• Intel dual-core CPU
•2 GB RAM
•2 GB of free hard disk space
• CoreAudio compatible audio hardware
• Display resolution of 1280 x 800 recommended
• USB port for USB-eLicenser (license management)
5
Page 6
System Requirements and Installation
PROCEED AS FOLLOWS
Installing the Program
• CD/DVD-ROM dual-layer drive (when delivered on installation
media)
• Internet connection (when product is downloaded from the
Internet, and for license activation)
Installing the Program
You have two possibilities to install your program, via the Start Center
application or manually.
Installing the Program Via the Start Center
The Start Center application is an easy way to install your program and
inform yourself about news or last-minute changes. We recommend to
install your software via the Start Center.
• For Steinberg software delivered on an installation media, the Start
Center launches automatically as soon as you insert the disc in
your computer’s CD/DVD drive, provided that autorun is activated.
• For Steinberg software downloaded from the Internet, the Start
Center launches when you double-click the downloaded file.
1. In the Start Center, click Installation.
2. Follow the instructions on screen.
Installing the Program Manually
If you do not want to install the program via the Start Center, you can
install it manually.
• On Windows systems, double-click the file “Setup.exe” and follow
the instructions on screen.
• On Mac OS X systems, double-click the file “Nuendo Live.mpkg”
and follow the instructions on screen.
6
Page 7
System Requirements and Installation
NOTE
USB-eLicenser
USB-eLicenser
Operation of Steinberg software often requires a USB-eLicenser, a
hardware copy protection device (or “dongle”).
The USB-eLicenser is a USB device on which your Steinberg software
licenses are stored. All hardware-protected Steinberg products use the
same type of device, and you can store several licenses on one device.
Also, licenses can – within certain limits – be transferred between
USB-eLicensers.
If your Steinberg software product does not include a USB-eLicenser,
you can purchase one through the Steinberg online shop.
In the eLicenser Control Center, you can activate new licenses and
check which licenses are installed on your USB-eLicenser. After
installation of your Steinberg application, the eLicenser Control Center
can be opened via the Start menu on Windows systems or the
Applications folder on Mac OS X systems.
If you are using other copy-protected Steinberg products, you may want
to transfer all licenses for your applications to one USB-eLicenser, thus
using up only one USB port of your computer. Refer to the eLicenser
Control Center Help for information on how to transfer licenses between
USB-eLicensers.
7
Page 8
System Requirements and Installation
PROCEED AS FOLLOWS
PROCEED AS FOLLOWS
Registering Your Software
Activating Your License
You must activate your license. If your USB-eLicenser already contains
an activated license, you can skip this section.
PREREQUISITE
Connect to the Internet.
If you purchased your product via the Steinberg online shop, you also
received an e-mail with a license activation code. Use this code to
download your license to your USB-eLicenser.
If your product was delivered on an installation medium, the product
package may contain an empty USB-eLicenser and the Essential
Product License Information sheet with an activation code.
1. Plug your USB-eLicenser into a USB port of your computer.
2. Start the eLicenser Control Center software.
3. Click the Enter Activation Code button.
4. Enter your activation code and click Next.
RESULT
The license is downloaded to your USB-eLicenser and activated.
Registering Your Software
Register your product at the MySteinberg online customer portal. As a
registered user, you are entitled to technical support, gain access to
exclusive offers such as software updates and upgrades, and more.
PREREQUISITE
Connect to the Internet, and start your software.
1. Select Help > Registration.
An online registration form opens in your web browser.
2. Follow the instructions on screen to register at MySteinberg.
8
Page 9
System Requirements and Installation
PROCEED AS FOLLOWS
Setting Up Your System
Setting Up Your System
To be able to record and play back a performance, you must first
establish all physical connections between Nuendo Live and the other
components of your system, set up the audio interface, and select the
playback output mode.
Setting Up for Recording
PREREQUISITE
Set up the physical connections between the components of your
system. See the documentation of your hardware for more information.
Deactivate any power saving options on your computer, to avoid
performance issues and to keep the computer from going into sleep
mode during long recordings.
1. Start Nuendo Live, and click Settings.
2. In the Audio System section, select the ASIO driver that you want
to use.
3. Optional: Click Control Panel to make further settings for your
ASIO driver.
If you use digital connections, we recommend that you define the mixing
console as the word clock master within your setup. When Nuendo Live
receives word clock signals from the master device, it displays the
corresponding hardware sample rate.
4. In the Audio Ports list, deactivate any ports of your ASIO device
that you do not want to use.
When you create a new project, a track is added for each activated input
port.
RELATED LINKS:
Settings Dialog on page 23
9
Page 10
System Requirements and Installation
Setting Up Your System
Output Mode
The options in the Output Mode section of the Settings dialog
determine how your recording is played back.
Multi track mode
Stereo mode
RELATED LINKS:
Plays back the recorded audio tracks via a corresponding number
of ASIO ports. This allows you to make a soundcheck without
having the artists present, for example.
Tracks are mixed down to two ports. In the track list, a level and a
pan fader are displayed for each track, and a Stereo Out Level
control is displayed at the top of the track list, allowing you to
control the mixdown process. In this mode you can listen to the
recording using headphones, for example.
Settings Dialog on page 23
10
Page 11
Getting Started
PROCEED AS FOLLOWS
Recording in Three Simple Steps
Nuendo Live is a quick and easy-to-use solution for live-recording
engineers. To get ready and start recording, very few steps are
necessary.
1. Start Nuendo Live and create a new project.
2. Open the Record panel.
Projects
3. Click the Record button.
RESULT
The program starts recording on as many tracks as audio inputs are
available on your audio card.
Recordings made with Nuendo Live are saved as project files.
Projects contain all data created during a recording. A project is opened
in the Project window, which is the main window in Nuendo Live.
• The file name extension is .nlpr.
• Only one project can be open at a time.
• Project files from Nuendo Live can be opened in Nuendo
(Nuendo 5.5.4 or higher).
11
Page 12
Getting Started
PROCEED AS FOLLOWS
PROCEED AS FOLLOWS
Recording with the Record Panel
Creating a New Project
PREREQUISITE
Set up the parameters in the Settings dialog according to the
requirements of your project.
1. Start Nuendo Live, and in the Projects dialog, select New Project.
You can also select File > New Project.
2. Navigate to the folder in which you want to save the new project,
and click OK.
The folder name is used as the project name. You can rename a project
by selecting File > Save as.
RELATED LINKS:
Settings Dialog on page 23
Recording with the Record Panel
In the Record panel, you can make recording-related settings and start
recording.
1. Click the Record Panel button to open the Record panel.
2. Click Arm All Tracks.
All tracks that are connected to an input port are now ready for recording.
3. Optional: Click Locate End.
This moves the project cursor to the end of the last recording.
4. Click RECORD.
Recording starts and audio events are created in the Project window.
5. Optional: Click the Lock button to prevent you from inadvertendly
interrupting the recording.
6. To stop recording, click RECORD again.
RELATED LINKS:
Record Panel on page 28
12
Page 13
Getting Started
PROCEED AS FOLLOWS
PROCEED AS FOLLOWS
Exporting Your Recording
Playing Back Your Recording
You can verify the quality of your recording by going back to the
beginning and listening to it.
1. On the toolbar, click the Go to Previous Marker/Zero button to
move the project cursor to the beginning of the project.
2. Click the Start button.
Exporting Your Recording
You can export your recordings as an audio mixdown, or as an AAF file.
Exporting an Audio Mixdown
You can create a rough stereo mix of your recording and export it as a
single file.
PREREQUISITE
You have selected Stereo mode in the Settings dialog.
1. Use the level and pan faders of your tracks to balance the mix.
2. Use the Stereo Out Level fader at the top of the track list to set
the master level.
3. To export a particular section of your project, set the locators on
the ruler so that they encompass this section.
4. Select File > Audio Export.
5. In the Mixdown dialog, select the target file format, MP3 or WAV.
13
Page 14
Getting Started
PROCEED AS FOLLOWS
IMPORTANTIMPORTANTIMPORTANTIMPORTANT
Exporting Your Recording
6. Specify whether you want to export the entire project or only a
7. Click OK.
RESULT
A single file is exported to the project folder. The mixdown file is given
the name of the project.
Exporting to AAF
If you want to edit your recordings in DAW software other than Nuendo,
you can export the project as an AAF file. This format is compatible with
various DAW formats.
PREREQUISITE
section of the project.
The audio files are recorded in Broadcast Wave format.
• Select File > Export AAF File.
RESULT
The project is exported to the project folder as a single AAF file.
The AAF file contains only references to the audio files within the
project. When you want to export your project for further editing, you
have to include both the AAF file and all audio files belonging to the
original project.
14
Page 15
Getting Into the Details
This section contains detailed descriptions of the functions of Nuendo
Live.
Projects Dialog
The Projects dialog is displayed when you open Nuendo Live. It allows
you to open an existing project or to create a new project.
Open Selection
Opens the project that is selected in the list on the left. Select
New Project to open a new empty project.
Open Other
Opens a file dialog where you can navigate to a project.
Settings
Opens the Settings dialog.
Quit
Quits the program.
RELATED LINKS:
Settings Dialog on page 23
15
Page 16
Getting Into the Details
Project Window
Project Window
A project is always displayed in its own Project window.
Toolbar
Info Line
Meters View
The toolbar provides access to the main dialogs, menus, a number of
editing tools and options, and the transport controls.
The info line displays project-related information. You can change some
of these parameters in the Settings dialog.
During playback, the meters are displayed in the meters view. The
number of meters that are displayed depends on the number of tracks.
16
Page 17
Getting Into the Details
Project Window
Track List
The track list shows all tracks of the project and provides a number of
controls for each track.
Global Controls
At the top of the track list, you can find the global controls. The
leftmost number corresponds to the tracks of the project. The
Mute and Solo buttons allow you to unmute all tracks or deactivate
all solo. To the right, the number of record-enabled tracks is
displayed next to the button that record-enables all tracks.
Track controls
The controls on a track allow you to mute, solo, and record-enable
this track. In Multitrack mode, the names of the input and output
ports used by the track are displayed. In Stereo mode, you can set
the volume and the pan position for the track in the stereo mix.
Event Display
The event display to the right of the track list shows the audio events and
markers if the marker track is displayed. A ruler, zoom controls, and the
project cursor help you to navigate and locate positions.
Ruler
Above the display, the ruler shows the timeline. The two triangular
markers on the ruler are the locators. They define the cycle area.
Zoom Controls
The horizontal and vertical zoom sliders zoom in or out of the main
display. When you click the triangle above the vertical zoom slider,
the zoom pop-up menu opens, from which you can select a zoom
preset.
Project Cursor
The white vertical line is the project cursor. It indicates the
playback position. When playback is stopped, this is where the
editing is performed.
RELATED LINKS:
Settings Dialog on page 23
17
Page 18
Getting Into the Details
PROCEED AS FOLLOWS
Cleaning Up Your Project
Cleaning Up Your Project
Before moving your project to a different DAW for further editing, you
should clean up your recording.
Nuendo Live provides a number of editing options and tools that allow
you to make your project more manageable, for example, by removing
tracks or events that are no longer required.
Editing Audio Events
You can use the editing functions to prepare the recorded audio events
for post-production or mixing.
Global Editing
You can decide whether you want to apply your editing operations to
one track or to all tracks.
Normally, editing is applied to the selected event or the event on which
you click with a tool. When you select Edit > Global Editing (All
Tracks), the editing is performed on all tracks.
Duplicating Events
You can duplicate events to use the same recordings in several different
places.
1. Select one or more audio events.
2. Select Edit > Duplicate.
RESULT
The event is duplicated, and the duplicated event is inserted to the right
of the original event.
18
Page 19
Getting Into the Details
PROCEED AS FOLLOWS
PROCEED AS FOLLOWS
Editing Audio Events
Copying Events
Splitting Events
You can copy events by selecting Edit > Copy or by holding down
[Alt]/[Option] and dragging events to the position where you want to
insert them.
Splitting events is useful to remove unwanted sections of the recorded
audio, or to move sections of events to other positions.
1. You can split events using two methods:
• Place the project cursor at the position where you want to split the
events and select
the project cursor on all tracks.
• Press [Alt]/[Option], and click on an event at the position where
you want to create a split.
Edit > Split at Cursor. This splits all events at
Trimming the Event Start and End
You can drag the event borders to hide sections of the recording or
reveal them again.
1. Position the mouse on the lower right or left border of an event so
that a double arrow is shown.
2. Click and drag.
How much you can drag depends on the length of the recording. An
event cannot be extended beyond the start or end of the audio recording.
When you release the mouse button, a fade of 10 ms is added, to create
smoother transitions.
RELATED LINKS:
Settings Dialog on page 23
19
Page 20
Getting Into the Details
PROCEED AS FOLLOWS
PROCEED AS FOLLOWS
PROCEED AS FOLLOWS
Editing Audio Events
Changing the Track Routing
You can change the routing by rearranging tracks in the track list. This
can become necessary if an instrument is connected to another input on
the console, for example.
1. Click on a track and drag it up or down in the track list.
The tracks are always routed to the available inputs from top to bottom.
Selecting Ranges
The Range Selection tool allows you to create selection ranges that
span any number of tracks in the project.
1. On the toolbar, select the Range Selection tool.
2. Click and drag in the Project window until the selection
encompasses the range that you want to select.
Moving Event Sections
You can drag a section of an event to another position within the project.
1. Create a selection range.
2. Drag the selection to a new position.
RESULT
Events are cut at the range selection borders. The selected section is
moved to the new position.
20
Page 21
Getting Into the Details
PROCEED AS FOLLOWS
PROCEED AS FOLLOWS
Customizing the Program
Selecting All Events Under the Cursor
You can select all events in the project that reside at the same time
position. This makes it easy to apply the same editing to all events that
belong together.
1. Place the cursor at the position in the project where you want to
select the events.
2. Select Edit > Select Under Cursor.
All audio events and markers that are touched by the position cursor are
selected.
Customizing the Program
By customizing the program, you can speed up or facilitate your
workflow.
Coloring Tracks and Events
Colors can help you identify elements that belong together, for example,
instruments, or artists.
1. Do one of the following:
• To color a track, select the track and make sure that no event is
selected.
• To color an event, select the event.
2. On the toolbar, open the Colors pop-up menu and select a color.
21
Page 22
Getting Into the Details
PROCEED AS FOLLOWS
PROCEED AS FOLLOWS
PROCEED AS FOLLOWS
Customizing the Program
Renaming Tracks
It is easier to keep an overview of your project if you give meaningful
names to the tracks, for example, by naming them according to the
instruments that you want to record.
1. Double-click the first track name in the track list and type a new
2. Press [Tab] on your computer keyboard to select the next track
Adding Tracks
name.
name, and continue naming the tracks in your project.
Recorded events are named according to the track name. The names of
existing events and files do not change when you rename a track.
You can add tracks to the project manually, so that you do not have to
rely only on the automatically created project setup.
1. Select Project > Add Audio Tracks.
2. Specify the number of audio tracks that you want to add and click
OK.
Switching the Program Language
The user interface of Nuendo Live is available in several languages.
1. Select File > Language and select another language from the
submenu.
2. Restart the application for the language change to take effect.
22
Page 23
Getting Into the Details
NOTE
Settings Dialog
Settings Dialog
In the Settings dialog, you can make project-specific settings, establish
the connections between Nuendo Live and the audio device of your
computer, and select an output mode for your recording.
To open the dialog, select File > Settings.
Project Section
This section is only displayed if a project is open.
Project Start Time
The start time of the project. The value you specify here is
displayed as the start value of the ruler.
Project Length
The length of the timeline when you create a new project.
When your recording exceeds this length, the project length is
automatically extended. No recorded data is lost.
23
Page 24
Getting Into the Details
NOTE
Settings Dialog
Sample Rate
The sample rate of the recording.
The sample rate must correspond to the hardware sample rate.
Record File Type
The file type used in your recordings.
• Broadcast Wave is the most commonly used format. It can store
meta data, such as timecode position or artist, without loss in
quality.
• Choose the Wave format if you want to use the recorded files in a
system that does not support Broadcast Wave files. Note that in
the Wave format, you cannot record files larger than 4 hours at
48 kHz.
• Wave 64 supports recordings larger than 4 GB. This format is not
widely supported. You can use it if you want to use the recording
in an older Nuendo system.
• For recordings larger than 4 GB, the EBU RIFF 64 standard is
used. If a FAT 32 disk is used (not recommended), audio files are
split automatically.
Record Bit Resolution
The bit resolution used in your recordings.
• The most common resolution is 24 Bit.
•16 Bit allows for smaller file sizes. However, when recording audio
with very low levels, this can have an impact on the quality.
• 32 Bit Float offers the best quality for postproduction. Use this
setting when you want to process the recorded files in a Nuendo
system.
Project Frame Rate
The frame rate of the project. If you want to synchronize your
recordings to video during postproduction, select a compatible
frame rate. If Nuendo Live receives timecode information during
your recording, this value is set automatically.
Restore Default Setup
This function makes sure that for each activated input port, an
audio track is available and assigned to that port. If necessary, new
tracks are created, or surplus tracks are removed.
24
Page 25
Getting Into the Details
NOTE
NOTE
Settings Dialog
Audio System Section
ASIO driver
Here, you select which ASIO driver is used.
Control Panel
Opens the control panel for the selected ASIO driver. Which
options are available depends on your audio hardware.
Reset
Resets the ASIO driver. This reestablishes the communication
between the audio card and Nuendo Live. This function can be
used to solve problems with your audio system.
ASIO State
When the ASIO driver is not working properly, an error message is
displayed here.
Input Latency
The input latency of your audio system.
Output Latency
The output latency of your audio system.
HW Sample Rate
The sample rate of the hardware.
Pre-Record Time
When you record-enable a track, all incoming audio is
automatically recorded to a buffer. This parameter defines the size
of that buffer. This means that once your tracks are armed, even
when you start recording a little too late and miss the beginning of
a performance, some or all of the missed material will have been
recorded to the buffer.
The pre-record function takes up RAM for every input. At high sample
rates (96
computer. As a general rule, a pre-record time of 1
per track at 48 kHz, and 16 MB at 96 kHz.
kHz, 192 kHz), this may exceed the memory available on your
minute takes up 8 MB
When recording a large number of tracks (more than 64), high
pre-record settings can result in the screen redraw becoming sluggish.
25
Page 26
Getting Into the Details
NOTE
NOTE
NOTE
PROCEED AS FOLLOWS
Recording MIDI Timecode Information
Audio Ports
The Use column defines which ports are used for recording and
playback.
When you create a new project, a track is created for each activated
input port.
When opening a project in the full version of Nuendo, the routing of
tracks to busses from Nuendo Live is not reestablished in Nuendo.
Output Mode Section
Multi track mode
When this option is activated, each audio track is sent to a
separate output on your audio card.
Stereo mode
When this option is activated, all audio tracks are output as a
stereo downmix.
When opening a project in the full version of Nuendo, any level and pan
settings made in Stereo mode are assigned to Aux Send 1.
Recording MIDI Timecode Information
In productions that contain video, usually one central timecode is
distributed. You can save timecode information in your recordings to
make it easier to place them on the timeline during post-production.
1. On the toolbar, activate the MTC button.
2. Click in the field to the right of the button, and select the input
source for the MIDI timecode.
3. Start recording.
26
Page 27
Getting Into the Details
PROCEED AS FOLLOWS
Easy Recording
Easy Recording
Nuendo Live provides a function to start recording immediately, without
having to arm tracks as a separate step. This is helpful in situations in
which the artists begin performing without waiting for the recording
preparations to complete.
• Press [Ctrl]/[Command]-[*].
RESULT
• All tracks are armed.
• Recording starts.
• The Lock option in the Record panel is activated.
RELATED LINKS:
Record Panel on page 28
Settings Dialog on page 23
Trimming the Event Start and End on page 19
27
Page 28
Getting Into the Details
Record Panel
Record Panel
The Record panel combines all recording-related parameters and
controls.
Metadata Section
The data in the section at the top left are saved with Broadcast Wave
files.
Date/Time
Production
Displays the current date and time.
The name of the production.
Activate the Include production in file name checkbox if you
want the name to be added to the file name automatically.
28
Page 29
Getting Into the Details
Record Panel
Artist
The name of the artist.
Activate the Include artist in file name checkbox if you want the
name to be added to the file name automatically. Activate Create
subfolder for artist if you want to save the recording in a subfolder
of the project folder, named after the artist.
Engineer
The sound engineer of the project.
Director
The director of the project.
Record Folder
The folder in which your recordings are saved. Click on the path to
open the folder.
Record Buttons Section
Arm All Tracks
Click this button to record-enable all audio tracks that are
assigned to an audio input.
Locate End
Click this button to position the project cursor at the end of the last
recording.
Record
Click this button to start recording.
Lock
Click this button to lock recording. When this button is active, you
cannot stop recording or change the track arming.
Time Displays Section
Project Time
The current position of the project cursor.
Record Time Max
The time that you have left for recording, depending on the project
settings and the available harddisk space.
Current Recording
The length of the current recording.
29
Page 30
Getting Into the Details
Markers
Markers Section
Total Recorded
The total length of the recorded audio in the current project. Only
the time of the actual recordings is taken into account, not the
pauses between recordings.
Add Marker
Click this button to add a marker at the project cursor position.
Remove Marker
Click this button to remove the selected marker.
Markers list
In the first column, a symbol is displayed to indicate which marker
is active. The second column shows the marker ID. The third
column shows the marker position. You can change this value to
move the marker in the project. In the fourth column, you can enter
a description for the marker. This makes it easier to structure your
project.
Markers
Markers identify particular positions within your recording.
You can add markers to determine the start and end of a song in a
longer recording, mark a position for editing, etc. You can view and
move markers using the marker track in the Project window. The Record
panel allows you to add markers on-the-fly and to name them.
Showing the Marker Track
The marker track can be shown or hidden. This does not have any
impact on the marker functions. Existing markers can be used even if you
cannot see them in the Project window.
To open the marker track, select Project > Show Marker Track. This
opens the marker track above the audio tracks in the Project window.
30
Page 31
Getting Into the Details
PROCEED AS FOLLOWS
NOTE
Key Commands Dialog
Creating Markers
You can create markers using the marker functions on the Record
panel.
PREREQUISITE
Open the Record panel.
1. Click the Add Marker button.
2. Enter a meaningful name for the marker.
RESULT
The marker is inserted at the cursor position.
Locating to Markers
You can locate to markers using one of the following ways:
• In the track list, open the pop-up menu on the marker track, and
select a marker .
• Click on a marker on the marker track.
• On the toolbar, click the Locate Markers button and select a
marker from the list. If the list of markers is very long, you can use
the text search function to narrow down the list.
•On the Record panel, click in the leftmost column for a marker.
Key Commands Dialog
You can control many of the functions in Nuendo Live through key
commands. The available commands are listed in the Key Commands
dialog.
To open the dialog, select File > Key Commands.
You cannot add key commands or change any of the key commands
listed in this dialog.
31
Loading...