Steinberg Cubase LE - 5.0 Plug-in Reference

Plug-in Reference
Cristina Bachmann, Heiko Bischoff, Marion Bröer, Sabine Pfeifer, Heike Schilling The information in this document is subject to change without notice and does not represent a commitment on the part
of Steinberg Media Technologies GmbH. The software described by this document is subject to a License Agreement and may not be copied to other media except as specifically allowed in the License Agreement. No part of this publica­tion may be copied, reproduced or otherwise transmitted or recorded, for any purpose, without prior written permission by Steinberg Media Technologies GmbH.
All product and company names are ™ or ® trademarks of their respective owners. Windows XP is a trademark of Microsoft Corporation. Windows Vista is a registered trademark or trademark of Microsoft Corporation in the United States and/or other countries. The Mac logo is a trademark used under license. Macintosh and Power Macintosh are registered trademarks. MP3SURROUND and the MP3SURROUND logo are registered trademarks of Thomson SA, registered in the US and other countries, and are used under license from Thomson Licensing SAS.
Release Date: November 18, 2009 © Steinberg Media Technologies GmbH, 2009. All rights reserved.

Table of Contents

5 The included effect plug-ins
6 Introduction 6 Delay plug-ins – PingPongDelay 7 Distortion plug-ins 7 Dynamics plug-ins 11 Modulation plug-ins 16 Other plug-ins 17 Restoration plug-ins – Grungelizer 18 Reverb plug-ins – RoomWorks SE 18 Spatial plug-ins – MonoToStereo
19 HALionOne
20 Introduction 20 HALionOne parameters
22 Index
4
1

The included effect plug-ins

Introduction

This chapter contains descriptions of the included plug-in effects and their parameters.
In Cubase LE, the plug-in effects are arranged in a num­ber of different categories. This chapter is arranged in the same fashion, with the plug-ins listed in separate sections for each effect category.
Delay plug-ins – PingPongDelay
Ö Most of the included effects are compatible with VST3, this is indicated by an icon in front of the name of the plug­in as displayed in plug-in selection menus (for further infor­mation, see the chapter “Audio Effects” in the Operation Manual).
This is a stereo delay effect that alternates each delay re­peat between the left and right channels. The effect can either be tempo-based or use freely specified delay time settings.
The parameters are as follows:
Parameter Description
Delay This is where you specify the base note value for the delay
Tempo sync on/off
Feedback This sets the number of repeats for the delay. Spatial This parameter sets the stereo width for the left/right
Mix Sets the level balance between the dry signal and the
if tempo sync is on (1/1–1/32, straight, triplet or dotted). If tempo sync is off, it sets the delay time in milliseconds.
The button below the Delay knob is used to turn tempo sync on or off. If set to off, the delay time can be set freely with the Delay Time knob, without sync to tempo.
repeats. Turn clockwise for a more pronounced stereo “ping-pong” effect.
effect. If PingPongDelay is used as a send effect, this should be set to maximum as you can control the dry/ effect balance with the send.
6
The included effect plug-ins

Distortion plug-ins

Dynamics plug-ins

This section contains descriptions of the plug-ins in the “Distortion” category.

DaTube

This effect emulates the characteristic warm, lush sound of a tube amplifier.
The parameters are as follows:
Parameter Description
Drive Regulates the pre-gain of the “amplifier”. Use high values
Balance This controls the balance between the signal processed
Output Adjusts the post-gain, or output level, of the “amplifier”.
if you want an overdriven sound just on the verge of distortion.
by the Drive parameter and the dry input signal. For max­imum drive effect, set this to its highest value.

Distortion

Distortion will add crunch to your tracks. The parameters are as follows:
Parameter Description
Boost Increases the distortion amount. Output Raises or lowers the signal going out of the effect.
This section contains descriptions of the plug-ins in the “Dynamics” category.

MIDI Gate

Gating, in its fundamental form, silences audio signals be­low a certain set threshold level. That means, when a sig­nal rises above the set level, the Gate opens to let the signal through while signals below the set level are cut off. MIDI Gate, however, is a Gate effect that is not triggered by threshold levels, but instead by MIDI notes. Hence it needs both audio and MIDI data to function.
Setting up
MIDI Gate requires both an audio signal and a MIDI input to function.
To set it up, proceed as follows:
1. Select the audio to be affected by the MIDI Gate.
This can be audio material from any audio track, or even a live audio input (provided you have a low latency audio card).
2. Select the MIDI Gate as an insert effect for the audio track.
The MIDI Gate control panel opens.
3. Select a MIDI track to control the MIDI Gate.
This can be an empty MIDI track, or a MIDI track containing data, it doesn’t matter. However, if you wish to play the MIDI Gate in real-time – as opposed to having a recorded part playing it – the track has to be selected for the effect to receive the MIDI output.
4. Open the Output Routing pop-up menu for the MIDI track and select the MIDI Gate option.
The MIDI Output from the track is now routed to the MIDI Gate.
7
The included effect plug-ins
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