Sony PXW-FS7M2 Instruction Manual

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Page 1

Solid-State Memory Camcorder

Operating Instructions

4-690-048-11 (1)

PXW-FS7M2

Page 2

0002

1. Overview

System Configuration ........................................................ 3

Location and Function of Parts .......................................... 4

Screen Display .................................................................... 9

2. Preparation

Power Supply ................................................................... 13

Attaching Devices ............................................................ 15

Setting the Clock .............................................................. 20

Configuring Basic Camcorder Operation ......................... 21

Using XQD Memory Cards ...............................................22

Using a UTILITY SD Card .................................................. 25

Using the XDCA-FS7 ........................................................ 26

Using an HXR-IFR5 and AXS-R5 ...................................... 27

Using the Infrared Remote Control ..................................28

Using Wi-Fi Remote Control ............................................29

3. Shooting

Basic Operation Procedure ............................................... 30

Changing Basic Settings .................................................. 33

Useful Functions ............................................................... 36

Connecting a Tablet or Other Devices using

Wireless LAN ............................................................ 41

Displaying the Wi-Fi Remote Control .............................43

Setup Menu Operations ................................................... 49

Setup Menu List ............................................................... 50

6. External Device Connection

Connecting External Monitors and Recording

Devices ..................................................................... 76

External Synchronization ................................................. 77

Managing/Editing Clips using a Computer ..................... 78

7. Appendix

Usage Precautions ............................................................79

ND Filter Dial .................................................................... 80

Output Formats and Limitations ..................................... 81

Error/Warning Messages ................................................. 87

Items Saved in Files ..........................................................89

Block Diagrams ................................................................ 95

Updating E-mount Lens Software ...................................97

Licenses ............................................................................ 98

Specifications .................................................................101

4. Thumbnail Screen

Thumbnail Screen ............................................................ 44

Playing Clips ..................................................................... 45

Clip Operations ................................................................. 46

5. Menu Display and Settings

Setup Menu Configuration and Hierarchy .......................47

Page 3

1. Overview

0003

System Configuration

UWP-D11 UWP-D12 Wireless Microphone Package

ECM-MS2 Microphone

URX-P03D Wireless Microphone Receiver

SMAD-P3 SMAD-P3D Multi-Interface Shoe Adaptor

LA-EA3 LA-EA4 A-mount Adaptor

E-mount lens

IFU-WLM3 (supplied) USB Wireless LAN Module

XLR-K2M XLR Adaptor Kit

PXW-FS7M2

RMT-845 (supplied) Infrared Remote Control

Grip Remote Control (supplied)

HVL-LBPC Video Light

S/N/M/H/G series XQD Memory Card

BP-U30 (supplied), BP-U60, BP-U60T, BP-U90 Battery Pack

AC Adaptor

XDCA-FS7 Extension Unit

MRW-E80 XQD Card Reader

BC-U1 (supplied), BC-U2 Battery Charger

HXR-IFR5 Interface Unit

AXS-R5 Portable Memory Recorder

RM-30BP Remote Control Unit

VCT-FS7 Shoulder Adaptor

CBK-WA100 Wireless Adaptor

Page 4

1. Overview

000

Location and Function of Parts

Left Side, Front Side, and Handle

3 4 5 6 7

15 16 17 18

8 9

10 11

12 13 14

accurately, use this hook as a reference point. You can attach the end of a tape measure to the hook to measure the distance from the subject.

12. WB SET (white balance set) button

(page 34)

13. Lens lock pin (page 17)

14. Lens lock ring (page 17)

15. Accessory shoe (page 4)

16. Handle record START/STOP button

The record button cannot be operated when the lock lever is in the lock position.

17. Handle zoom lever (page 54)

18. Multi-interface shoe

For details about accessories supported by the multi-interface shoe, contact your sales representative.

Attaching the accessory shoe

1 Lift the front edge of the shoe spring, and pull

the spring in the opposite direction to the arrow engraved on the spring.

Shoe spring

Accessory shoe

2 Position the accessory shoe on the accessory

shoe mount, aligning the protrusions on the shoe with the corresponding points on the mount, and tighten the four screws.

3 Insert the shoe spring in the direction of the

arrow so that the U-shaped portion fits onto the end of the accessory shoe.

Accessory shoe

1. Handle (page 5)

2. Viewfinder connector (page 15)

3. REMOTE connector (page 18)

4. INPUT1 (LINE/MIC/MIC+48V) switch

(page 35)

5. Shoulder pad (page 19)

6. INPUT2 (LINE/MIC/MIC+48V) switch

(page 35)

7. Grip attachment (page 18)

8. USB wireless LAN module connector

(page 41)

9. Recording indicator (page 72)

Flashes when the remaining capacity on the recording media or battery is low.

10. Lens lock ring stopper (page 17)

11. Tape measure hook

The tape measure hook is on the same plane as the image sensor. To measure the distance between the camcorder and the subject

Shoe spring

Page 5

1. Overview: Location and Function of Parts

000

Removing the accessory shoe

Remove the show spring as described in step 1 in “Attaching the accessory shoe” (page 4) unscrew the four screws, and remove the accessory shoe.

Attaching the USB wireless LAN module guard plate

1 Remove the handle attachment screw. 2 Attach the guard plate, and tighten the screw.

Removing the handle

Remove the four handle attachment screws, and remove the handle from the camcorder.

Attaching the handle connector protective cap (supplied)

When using the camcorder with the handle removed, protect the connector using the supplied protective cap.

Protecting the connector terminals

Attach the cover to unused connectors to protect the connector terminals.

Top Side

1. Extension screw holes (3/8 inch)

Compatible with 3/8-16 UNC screws (length of

10.0 mm or less).

2. Extension screw holes (1/4 inch)

Compatible with 1/4-20 UNC screws (length of 7.0 mm or less).

Page 6

1. Overview: Location and Function of Parts

000

Right Side

3 4 5

13 14

1. FULL AUTO button (page 30)

2. HOLD switch (page 72)

3. Record START/STOP button

4. ND FILTER dial (page 33)

8. ND/IRIS dial

The ND dial operates when the ND/IRIS switch is set to the ND position. The IRIS dial operates

16 17

when the ND/IRIS switch is set to the IRIS position. You can assign another function to the IRIS dial (page 36).

9. IRIS button (page 33)

18 19

10. PUSH AUTO IRIS button (page 33)

11. FOCUS switch (page 31)

27. SHUTTER button (page 33)

28. WHT BAL (white balance memory select)

switch (page 34)

29. WHT BAL (white balance) button (page 34)

30. ISO/GAIN switch (page 33)

31. ISO/GAIN button (page 33)

32. DISPLAY button (page 9)

33. STATUS CHECK button (page 11)

12. PUSH AUTO FOCUS button (page 31)

13. POWER indicator (page 30)

14. POWER switch (page 13)

15. ASSIGN (assignable) 7 to 10 buttons

(page 36)

16. CH1 LEVEL CONTROL switch (page 35)

31 30 29 27 26 25

17. CH1 INPUT LEVEL dial (page 35)

18. CH2 LEVEL CONTROL switch (page 35)

19. CH2 INPUT LEVEL dial (page 35)

20. SLOT SELECT (XQD memory card select)

button (page 23)

21. CANCEL/BACK button (page 45)

22. MENU button (page 47)

23. THUMBNAIL button (page 44)

24. Right button

Used to set numeric values and to move the cursor to the right on thumbnail screens and menus.

25. SEL/SET (select/set) dial

Turn the dial to move the cursor up/down to

5. ASSIGN (assignable) 1 to 3 buttons

(page 36)

6. PRESET/VARIABLE switch (page 33)

7. ND/IRIS switch

select menu items or settings. Press to apply the selected item.

26. Left button

Used to set numeric values and to move the cursor to the left on thumbnail screens and menus.

Page 7

1. Overview: Location and Function of Parts

000

Card Slot, Rear Side, and Terminals

2 3

4 5

6 7

11 12

13 14

15 16

17 18 19

20 21

22 23

18. Internal microphone (page 35)

Narration microphone for recording ambient sound.

19. INPUT1 (audio input 1) connector

(page 35)

20. INPUT2 (audio input 2) connector

(page 35)

21. SDI OUT 1 connector (page 76)

22. SDI OUT 2 connector (page 76)

23. HDMI OUT connector (page 76)

Bottom Side

Viewfinder

For details about attaching the viewfinder (supplied) and eyepiece, see page 15.

1 2

4 5

1. CONTRAST knob

2. PEAKING button

3. ZEBRA button

4. MIRROR switch

5. Eyepiece attachment hooks

1. Headphone jack (page 31)

2. XQD card slot A (page 22)

3. UTILITY SD card slot (page 25)

4. XQD (A) access indicator (page 23)

5. SD card access indicator (page 25)

6. XQD (B) access indicator (page 23)

7. USB connector

Connect to a computer using a USB cable to access recording media in an XQD card slot on the camcorder.

8. XQD card slot B (page 23)

9. Built-in speaker (page 31)

10. Media cover release button (page 23)

11. Extension unit connector (page 26)

12. Rear recording indicator (page 30)

13. DC IN connector (page 13)

14. BATT RELEASE button (page 13)

15. Battery (page 13)

16. Battery pack attachment (page 13)

17. Infrared remote control receiver sensor

(page 28)

1. Tripod screw holes (1/4 inch, 3/8 inch)

Attach to a tripod (option, screw length of 5.5 mm or less) that supports 1/4-20 UNC or 3/8-16 UNC screws.

Eyepiece

For details about attaching the eyepiece (supplied), see page 16.

1 2

1. Diopter adjustment knob

2. Eyecup

Page 8

1. Overview: Location and Function of Parts

000

Viewfinder Hood

For details about attaching the viewfinder hood (supplied), see page 17.

Grip Remote Control

For details about attaching the grip remote control (supplied), see page 18.

1 2

5 6

7 8

1. Zoom lever

2. ASSIGN (assignable) 4 button

3. Assignable dial

4. ASSIGN (assignable) 6 button

5. Record START/STOP button

6. Multi selector

7. Grip rotation button

8. ASSIGN (assignable) 5 button

Infrared Remote Control

1 2

3 4

5 6

1. DATA CODE button

Not used on this version.

2. TC RESET button

3. SCAN/SLOW button

4. / (PREV/NEXT) buttons

5. PLAY button

6. STOP button

7. DISPLAY button

8. Remote control transmitter

9. START/STOP button

10. Zoom lever

11. PAUSE button

12. MODE button

Not used on this version.

13. ////ENTER buttons

11 12

Extension Unit (Option)

For details about attaching an extension unit (option), see page 26.

2 3

4 5

1. BATT RELEASE button

2. Battery connector

3. GENLOCK IN connector

4. DC IN connector

5. DC OUT connector

6. Recording indicator

7. REF OUT connector

8. TC IN/OUT connector

9. TC IN/OUT switch

10. RAW OUT connector

7 8

Page 9

1. Overview

000

Screen Display

Viewfinder Screen

During shooting (recording/standby) and playback, the camcorder status and settings are superimposed on the image displayed in the viewfinder. You can show/hide the information using the DISPLAY button. You can also select to show/hide each item independently (page 63). The 17:9 aspect ratio picture captured by the image sensor is displayed in the viewfinder. In 16:9 recording formats, the dark portions on the left and right edges are not recorded.

Information displayed on the screen while shooting

1 2 3 4 5 6 7 8 9

40 39 38 37 36 35 34 33 32 31 30 29 28

1. Shutter mode/shutter speed indicator

(page 33)

2. ND filter indicator (page 33)

3. Gain indicator (page 33)

Displayed as an EI value when Base Setting (page 69) >Shooting Mode in the System menu is set to Cine EI.

4. Focus position indicator

Displays the focus position (if a lens that supports focus setting display is attached).

5. Recording mode, slot A/B icon, and status

indicators

Display Meaning

/ Rec

/ Stby

/ Rec

S&Q

/ Stby

Int

/ Rec / Stby

Int

/ Stby

10 11

12 13 14 15 16 17 18

19 20

222324

Recording

Standby

Slow & Quick Motion, High Frame Rate mode recording

Slow & Quick Motion, High Frame Rate mode standby

Interval Rec recording

Interval Rec image loading standby

Interval Rec recording standby

Display Meaning

/  / Cache

Picture cache recording

Picture cache standby

6. Slot B icon and status indicators

Display Meaning

Rec

Stby

Recording

Standby

7. External RAW recording indicator

(page 39)

8. Depth-of-field indicator

9. Color temperature indicator (page 34)

10. S&Q Motion frame rate indicator

(page 36)/Interval Rec recording interval display (page 37)

11. Remaining battery capacity/DC IN voltage

indicator (page 13)

12. Recording format (picture size) indicator

(page 21, 70)

Displays the picture size for recording on XQD memory cards. The image sensor scan mode (F: 2K Full, C: 2K Center) is displayed on the left of the picture size. Only the scan mode is displayed if Codec is set to RAW (2KF: 2K Full, 2KC: 2K Center).

13. Recording format (frame rate and scan

method) indicator

14. Recording format (codec) indicator

(page 33)

Displays the name of the format for recording on XQD memory cards.

15. Gamma/monitor LUT indicator (page 56,

61)

Displays the gamma setting. When Shooting Mode (page 69) is set to Cine EI, it displays the gamma or monitor LUT setting for recording video on XQD

memory cards.

16. External RAW output format indicator

(page 39)

17. Timecode external lock indicator

Displays “EXT-LK” when locked to the timecode of an external device.

18. Wi-Fi connection status indicator

(page 41)

Displayed when the Wi-Fi function is set to Enable. When the IFU-WLM3 is not attached to the camcorder,

is not displayed.

19. GPS status indicator (page 39)

Displays the GPS status.

20. Focus assist indicator (page 31)

Displays a detection frame (focus area marker) indicating the area for detection of focus, and a level bar (focus assist indicator) indicating the degree of focus within that area.

21. Video signal monitor

Displays a waveform, vectorscope, and histogram (page 39).

22. Slot A/B media status/remaining capacity

indicator (page 24)

Indicates recording media when the left side of the icon is orange. Indicates playback media when the green indicator on the top right of the icon is on.

23. Spirit level indicator

Displays the horizontal level and the front-to-rear slope in ±1° increments up to ±20°.

24. Audio level meter

CH3 and CH4 can be monitored on the status screen.

25. Clip name display (page 44)

26. Focus assist indicator (page 31)

27. Time data indicator (page 35)

28. UTILITY SD card indicator (page 25)

Page 10

1. Overview: Screen Display

000

29. SDI output control status indicator

(page 76)

30. White balance mode indicator (page 34)

Display Meaning

W:P Preset mode

W:A Memory mode A

W:B Memory mode B

31. AE mode indicator (page 33)

32. Auto iris indicator (page 33)

33. Auto ND filter indicator (page 33)

34. AGC indicator (page 33)

35. Auto shutter indicator (page 33)

36. Focus mode indicator

37. Image stabilization mode indicator

38. Focus area indicator

Displays the focus area for auto focus.

When push auto focus is available

During auto focus

Not displayed when Focus Area (page 52) is set to Wide.

39. Zoom position indicator

Displays the zoom position in the range 0 (wide angle) to 99 (telephoto) (if a lens that supports zoom setting display is attached). It can also be displayed as a bar graph (page 63).

40. Iris position indicator

Displays the iris position (if a lens that supports iris setting display is attached).

Information Displayed on the Screen During Playback

The following information is superimposed on the playback picture.

1 2 3

910

1. Clip number / total number of clips

2. Playback mode

3. Remaining battery capacity indicator

4. Playback format (picture size) indicator

5. Playback format (frame rate) indicator

6. Playback format (codec) indicator

7. Wi-Fi connection status indicator

(page 41)

Displayed when the Wi-Fi function is set to Enable. When the IFU-WLM3 is not attached to the camcorder,

is not displayed.

8. Media indicator

9. Audio level indicator

Displays the audio level when recording.

10. Time data indicator

When Display On/Off >Timecode in the VF menu

is set to On, it displays the time data when the DISPLAY button is pressed.

Page 11

1. Overview: Screen Display

000

Status Screen

You can check the settings and status of the camcorder on the status screen.

To display the status screen:

Push the STATUS CHECK button.



To switch to the status screen:

Turn the SEL/SET dial.



Move the multi selector up/down.



To hide the status screen:

Push the STATUS CHECK button.



Camera Status screen

Displays the electronic shutter setting of the camera and the lens status.

Display item Description

ISO/Gain<H> ISO/Gain<H> setting

ISO/Gain<M> ISO/Gain<M> setting

ISO/Gain<L> ISO/Gain<L> setting

Gamma Gamma Select setting

Matrix Matrix >Preset Select setting

ND<Preset1> Preset1 setting

ND<Preset2> Preset2 setting

ND<Preset3> Preset3 setting

Zebra1 Zebra1 On/Off setting and

level

Zebra2 Zebra2 On/Off setting and

level

AE Speed AE control speed setting

AGC Limit Maximum gain setting of the

AGC function

A.SHT Limit Fastest shutter speed of the

auto shutter function

White White balance mode and

settings

Display item Description

Focal Length Focal length value obtained

from the lens

Audio Status screen

Displays the input setting, audio level meter, and wind noise reduction filter setting for each channel.

Display item Description

CH1 level meter Channel 1 audio level meter

CH1 Source Channel 1 input source

CH1 Ref./Sens. Channel 1 input reference level

CH1 Wind Filter Channel 1 microphone wind

reduction filter setting

CH2 level meter Channel 2 audio level meter

CH2 Source Channel 2 input source

CH2 Ref./Sens. Channel 2 input reference level

CH2 Wind Filter Channel 2 microphone wind

reduction filter setting

CH3 level meter Channel 3 audio level meter

CH3 Source Channel 3 input source

CH3 Wind Filter Channel 3 microphone wind

reduction filter setting

CH4 level meter Channel 4 audio level meter

CH4 Source Channel 4 input source

CH4 Wind Filter Channel 4 microphone wind

reduction filter setting

Audio Input Level Audio input level setting

Monitor CH Monitor channel setting

HDMI Output CH HDMI output audio channel

combination setting

Headphone Out Headphone output type

setting

System Status screen

Displays the video signal settings.

Display item Description

Country NTSC or PAL region setting

Rec Format Format for recording to XQD

memory cards

Picture Size Picture size for recording to

XQD memory cards

Frame Rate Frame rate for recording to

XQD memory cards

Rec Function Enabled special recording

format and settings

Simul Rec Simul Rec On/Off status

Picture Cache Rec Picture Cache Rec On/Off

status

Video Light Set HVL-LBPC Video Light (option)

on/off indicator

Imager Scan Scan mode of the image

sensor

Video Output Status screen

Displays the SDI, HDMI, and video output settings.

Display item Description

SDI1 Output picture size

Color space

Screen display output

Gamma

SDI2 Output picture size

Color space

Screen display output

Gamma

HDMI Output picture size

Color space

Screen display output

Gamma

REF Output picture size

RAW Output picture size

Assignable Button Status screen

Displays the functions assigned to each of the assignable buttons.

Display item Description

1 Function assigned to the

ASSIGN 1 button

2 Function assigned to the

ASSIGN 2 button

3 Function assigned to the

ASSIGN 3 button

4 Function assigned to the

ASSIGN 4 button

5 Function assigned to the

ASSIGN 5 button

6 Function assigned to the

ASSIGN 6 button

7 Function assigned to the

ASSIGN 7 button

8 Function assigned to the

ASSIGN 8 button

9 Function assigned to the

ASSIGN 9 button

10 Function assigned to the

ASSIGN 10 button

IRIS Dial Function assigned to the IRIS

dial

Assignable Dial Function assigned to the

assignable dial

Page 12

1. Overview: Screen Display

000

Battery Status screen

Displays information about the battery and DC IN source.

Display item Description

Detected Battery Type of battery

Remaining Remaining capacity (%)

Charge Count Number of recharges

Capacity Remaining capacity (Ah)

Voltage Voltage (V)

Manufacture Date Date of battery manufacture

Video Light Remaining

Power Source Power supply source

Supplied Voltage Supplied power source voltage

Displays the remaining capacity of the video light battery.

Media Status screen

Displays the remaining capacity and remaining recording time of recording media (XQD memory cards A and B).

Display item Description

Media A information

Media A protection Displays the lock icon when

Media A remaining capacity meter

Displays the media icon when recording media is inserted in slot A.

the recording media inserted in slot A is protected (locked).

[Note]

XQD memory cards cannot be protected using the camcorder.

Displays the remaining capacity of recording media inserted in slot A expressed as a percentage on a bar graph.

Display item Description

Media A remaining recording time

Media B information

Media B protection Displays the lock icon when

Media B remaining capacity meter

Media B remaining recording time

SD card information

SD card protection Displays the lock icon when

SD card remaining capacity meter

SD card remaining capacity

Displays an estimate of the remaining recording time of the recording media inserted in slot A in units of minutes under the current recording conditions.

Displays the media icon when recording media is inserted in slot B.

the recording media inserted in slot B is protected (locked).

[Note]

XQD memory cards cannot be protected using the camcorder.

Displays the remaining capacity of recording media inserted in slot B expressed as a percentage on a bar graph.

Displays an estimate of the remaining recording time of the recording media inserted in slot B in units of minutes under the current recording conditions.

Displays the media icon when media is inserted in the UTILITY SD card slot.

the media inserted in the UTILITY SD card slot is protected (locked).

Displays the remaining capacity of media inserted in the UTILITY SD card slot expressed as a percentage on a bar graph.

Displays the remaining capacity of media inserted in the UTILITY SD card slot expressed in units of GB.

Rec Button Settings Screen

Displays the settings of the record START/ STOP buttons on the camcorder and handle (page 30).

Display item Description

Rec Button Displays the slots for

recording controlled by the recording START/ STOP button.

Handle Rec Button Displays the slots for

recording controlled by the recording START/ STOP button on the handle.

Page 13

2. Preparation

00013

Power Supply

You can use a battery pack or AC power supply from an AC adaptor. For safety, use only the Sony battery packs and AC adaptors listed below.

Lithium-ion battery packs

BP-U30 (supplied) BP-U60 BP-U60T BP-U90

Battery Charger

BC-U1 (supplied) BC-U2

AC adaptor (supplied)

[CAUTION]

Do not store battery packs in locations exposed to direct sunlight, flame, or high temperature.

[Notes]

The camcorder cannot be powered from the BC-U1/BC-



U2 battery charger acting as an external power source. When operating from a power outlet, use the supplied



AC adaptor. Always set the POWER switch to the Off position before



connecting a battery or AC adaptor. If it is connected with the POWER switch in the On position, the camcorder may be unable to start in some cases. If the unit cannot be started, set the POWER switch to the Off position and disconnect the battery pack or AC adaptor temporarily, then wait about 30 seconds before attempting to connect again. (If the AC adaptor is connected while the camcorder is operating from the battery pack, it can be connected with the POWER switch in the On position without problem.)

Using a Battery Pack

To attach a battery pack, plug the battery pack into the attachment (page 7) as far as it will go, and then slide it down to lock it into position.

To remove a battery pack, press and hold the BATT RELEASE button (page 7), slide the battery pack up and then pull it out of the attachment.

BATT RELEASE button

[Notes]

Before attaching a battery pack, charge the battery using



the dedicated BC-U1 or BC-U2 battery charger. Charging a battery immediately after use while it is still



warm may not fully recharge the battery.

Checking the remaining capacity

When shooting/playing using a battery pack, the remaining battery capacity is displayed in the viewfinder (page 9).

Icon Remaining capacity

91% to 100%

71% to 90%

51% to 70%

31% to 50%

11% to 30%

0% to 10%

The camcorder indicates the remaining capacity by calculating the available time with the battery pack if operation is continued at the current rate of power consumption.

When using an extension unit

When using the XDCA-FS7 Extension Unit, the battery voltage or the remaining battery capacity is displayed, depending on the battery used.

[Note]

The camcorder battery pack cannot be used when an XDCAFS7 unit is attached to the camcorder. You must attach a battery pack to the XDCA-FS7 or connect an external power supply.

If the battery pack charge becomes low

If the remaining battery charge falls below a certain level during operation (Low BATT state), a low-battery message appears, the recording indicator starts flashing, and a beep sound will warn you. If the remaining battery charge falls below the level at which operation cannot continue (BATT Empty state), a battery-empty message appears. Replace with a charged battery pack.

Changing the warning levels

The Low BATT level is set to 10% of full battery charge and the BATT Empty level is set to 3% by factory default. You can change the warning level settings using Camera Battery Alarm (page 74)

in the System menu.

Using AC Power

Connecting the camcorder to a power outlet allows use without worrying about the need to recharge the battery pack.

DC IN connector

AC adaptor

Power cord

Connect the AC adaptor to the DC IN connector on the camcorder, and connect the power cord (supplied) to a power outlet.

If the output voltage from the AC adaptor becomes low

If the output voltage from the AC adaptor falls below a certain level during operation (DC Low Voltage1 state), a message appears informing you that the AC adaptor output voltage has dropped, the recording indicator starts flashing, and a beep sound is emitted. If the output voltage from the AC adaptor falls below the level at which operation cannot continue (DC Low Voltage2 state), a message appears informing you that the AC adaptor output

Page 14

2. Preparation: Power Supply

000

voltage is too low. If this occurs, the AC adaptor may be faulty. Check the AC adaptor, as required.

Changing the warning levels

The DC Low Voltage1 level is set to 11.5 V and the DC Low Voltage2 level is set to 11.0 V by factory default. You can change the warning level settings using Camera DC IN Alarm (page 74) in the System menu.

AC adaptors

Do not connect and use an AC adaptor in a



confined space, such as between a wall and furniture. Connect the AC adaptor to the nearest power



outlet. If a problem occurs during operation, immediately disconnect the power cord from the outlet. Do not short-circuit the metal parts of the



plug of the AC adaptor. Doing so will cause a malfunction. The battery cannot be charged while attached



to the camcorder, even if the AC adaptor is connected.

Page 15

2. Preparation

000

Attaching Devices

Clamp Lever Operation

Operate the clamp levers when attaching/ removing or adjusting the position of the microphone and viewfinder. When attaching, turn the clamp lever clockwise to secure the rod. When removing or adjusting the position, turn the clamp lever counterclockwise to loosen the clamp lever. If a clamp lever is in a position that makes it difficult to turn, pull the clamp lever off and rotate it to an angle that will make operation easier. Then place the clamp lever back on.

Clamp lever

Microphone holder and microphone orientation

Attach so that the microphone holder and microphone are oriented as shown in the following diagram.

Clamp lever

2 Adjust the left/right positioning of the

viewfinder, tighten the clamp lever, and then connect the viewfinder cable to the viewfinder connector of the camcorder.

2 Withdraw the microphone rod.

[Note]

Check that the viewfinder is securely attached. The viewfinder may fall off during shooting if the clamp lever is loose.

Adjusting the Microphone Holder Position

Loosen the clamp lever, and turn the microphone holder to move it forward/backward to adjust the position.

Replacing the Microphone Rod

[Notes]

The microphone rod is attached when shipped from the



factory. Attach/remove the microphone rod while the camcorder



is turned off. Attach/remove the microphone rod with the body cap



attached so as not to damage the image sensor.

1 Loosen the screw.

3 Attach the microphone rod in the reverse

sequence.

Attaching the Viewfinder

[Note]

Attach/remove the viewfinder while the camcorder is turned off.

1 Loosen the viewfinder clamp lever, and insert

the viewfinder onto the microphone rod.

Adjusting the viewfinder orientation

Tilt the viewfinder up/down to adjust the angle of the viewfinder.

You can adjust the angle so that the viewfinder

Page 16

2. Preparation: Attaching Devices

000

is facing the subject. Setting the MIRROR switch (page 38) to the B/T position flips the left and right sides of the image on the LCD screen, but the image is recorded in the correct orientation.

Adjusting the viewfinder position

90° angle adjustment

If a square-shaped clamp spacer is attached to the rod connection joint, you can adjust the position of the viewfinder in 90° increments. Temporarily remove the viewfinder to adjust the angle, then reattach the viewfinder.

Arbitrary angle adjustment

If a circular-shaped clamp spacer is attached to the rod connection joint, you can turn the viewfinder on the rod to adjust the position of the viewfinder.

[Tip]

A circular-shaped spacer is attached by factory default.

Changing the clamp spacer

Remove the clamp spacer as shown in the following diagram, align the protrusion on the square-shaped spacer or circular-shaped spacer with the groove in the clamp, and insert the spacer.

Groove

Protrusion

[Note]

Always attach a washer. If a washer is not attached, the clamping force on the rod may be insufficient and may cause the viewfinder to fall off.

You can determine the shape of the spacer as shown in the following diagrams.

Protrusion

Groove

Square-shaped clamp spacer

Square mark

Circular-shaped clamp spacer

Circle mark

Adjusting the viewfinder contrast

Turn the CONTRAST knob to adjust the contrast.

You can adjust the brightness in the viewfinder using VF Setting >Brightness (page 62) in the VF menu.

Removing the viewfinder

Loosen the viewfinder clamp lever, and use the reverse procedure of attaching the viewfinder.

Attaching the Eyepiece

[Note]

Attach/remove the eyepiece while the camcorder is turned off.

1 Attach the hook on the top of the eyepiece to

the hook on the top of the viewfinder, and attach the metal clip on the bottom of the eyepiece to the hook on the bottom of the viewfinder.

Attachment hooks

2 Push the lock plate on the bottom of the

eyepiece in the direction of the arrow to lock the eyepiece into position.

Lock plate

[Note]

When attaching a circular-shaped clamp spacer, attach to a commercial Ø15 mm rod.

Page 17

2. Preparation: Attaching Devices

000

Opening the eyepiece

Press the button indicated by the arrow.

Open the eyepiece upwards when the lock disengages. The viewfinder is directly visible when the eyepiece is opened.

Attaching the Viewfinder Hood

[Note]

Attach/remove the viewfinder hood while the camcorder is turned off.

1 Open the metal clips on the viewfinder hood.

2 Attach the hook on the top of the viewfinder

hood to the hook on the top of the viewfinder, and attach the metal clip on the bottom of the viewfinder hood to the hook on the bottom of the viewfinder.

Lock plate

Opening the viewfinder hood

Pull the bottom center of the viewfinder hood out towards you, and then pull up to open the hood.

[Note]

Grasp the viewfinder when moving the viewfinder. Do not grasp the viewfinder hood.

Removing the viewfinder hood

Attaching a Lens

[CAUTION]

Do not leave the lens facing the sun. Direct sunlight can enter through the lens, be focused in the camcorder, and may cause a fire.

[Notes]

Attach/remove a lens while the camcorder is turned off.



A lens is a precision component. Do not place the lens



on a surface with the lens mount face down. Attach the supplied lens mount cap.

[Tip]

For details about lenses supported by the camcorder, contact your Sony service representative.

Attaching an E-mount lens

1 Remove the cover from the lens.

Removing the eyepiece

Unclip the eyepiece lock, and remove the eyepiece from the viewfinder.

Attachment hooks

3 Push the lock plate on the bottom of the

viewfinder hood in the direction of the arrow to lock the viewfinder hood into position.

Unclip the viewfinder hood lock, and remove the viewfinder hood from the viewfinder.

2 Release the lens lock ring stopper, turn the

lens lock ring clockwise, and remove the body cap from the camcorder.

Lens lock ring

stopper

Page 18

2. Preparation: Attaching Devices

000

3 Align the lens mount mark (white) with the

camcorder, carefully insert the lens, and slowly turn the lens lock ring counterclockwise to secure the lens.

Mount marks (white)

[Notes]

If the lens lock ring stopper does not return to the lock



position when the lens is attached, move the stopper to the lock position manually. When attaching a lens, align the mount mark (white) on



the lens lock ring with the mount mark (white) on the camcorder.

Attaching an A-mount lens

To use an A-mount lens, attach a lens mount adaptor (option) and then attach the A-mount lens.

[Notes]

When using an A-mount lens, Iris is set to manual.



When focus is set to AF with an LA-EA2 or LA-EA4



attached, Iris is set to F3.5 or fully open.

Removing a lens

[Notes]

When removing a lens, align the mount mark on the lens



lock ring with the mount mark on the camcorder. Grasp the lens securely in your hand to prevent the lens



from falling. If another lens will not be attached immediately, always



attach the body cap.

Iris adjustments for lenses with Auto Iris switch

When the lens Auto Iris is set to AUTO, the iris is



adjusted automatically and can also be adjusted manually from the camcorder. When the lens Auto Iris is set to MANUAL, the



iris can only be adjusted using the lens ring. Iris operation from the camcorder has no effect.

Focus adjustments for lenses with focus switch

When the lens focus switch is set to AF/MF or



AF, the focus is adjusted automatically and can also be adjusted manually from the camcorder. When the lens focus switch is set to Full MF or



MF, the focus can only be adjusted using the lens ring. Focus operation from the camcorder has no effect.

Attaching to a tripod

Use the tripod screw holes on the camcorder when attaching to a tripod. Using the tripod mount on the lens may cause damage.

Attaching the Grip Remote Control

2 Connect the grip remote control cable to the

REMOTE connector on the camcorder.

[Notes]

Check that the arm is securely attached to the camcorder.



The camcorder may fall while shooting if the screw is loose. Do not support the weight of the camcorder by holding



just the grip remote control.

Adjusting the position of the grip remote control

Loosen the arm mounting screw, adjust the



angle of the arm (1), and then tighten the screw. Loosen the arm extension screw, adjust the



length of the arm (2), and then tighten the screw. Press the grip rotation button (page 8) to



adjust the angle of the grip remote control (3).

Remove a lens using the following procedure.

1 Release the lens lock ring stopper, and turn the

lens lock ring clockwise while firmly supporting the lens.

2 Pull the lens out in the forward direction.

[Note]

Attach/remove the grip remote control while the camcorder is turned off.

1 Attach the arm to the grip attachment, and

tighten the screw.

Page 19

2. Preparation: Attaching Devices

000

Attaching the grip close to the camcorder

1 Remove the arm mounting screw (1). 2 Loosen the arm extension screw (2), and

extend the arm until a hole becomes visible (3).

4 Align the protrusion on the arm with the

groove in the grip attachment point, and secure in position using the screw removed in step 1.

Removing the grip remote control

1 Remove the arm from the camcorder. 2 Disconnect the grip remote control cable from

the REMOTE connector on the camcorder.

Adjusting the Position of the Shoulder Pad

You can slide the shoulder pad forward or backward. Adjust the position of the shoulder pad so that the camcorder is easy to operate when placed on your shoulder.

Shoulder pad

1 Loosen the shoulder pad screw. 2 Slide the shoulder pad forward/backward to

the desired position.

3 Securely tighten the screw.

[Note]

After extending the arm, securely tighten the screw.

3 Connect the grip remote control cable to the

REMOTE connector on the camcorder.

Page 20

2. Preparation

000

Setting the Clock

The initial settings screen appears in the viewfinder the first time the camcorder is turned on or after the backup battery has become completely discharged. Set the date and time of the internal clock using this screen.

Time Zone

Time Zone sets the time difference from UTC (Coordinated Universal Time). Change the setting as required.

Setting the Date and Time

Turn the SEL/SET dial (page 6) to select items and settings, then press the SEL/SET dial to apply the settings and start the clock running. Once the settings screen is closed, you can change the date, time, and time zone settings using Clock Set (page 73) in the System menu.

[Notes]

If the clock setting is lost because the backup battery



becomes fully discharged due to power being disconnected for an extended period (no battery pack and no DC IN power source), the initial settings screen will be displayed when you next turn the camcorder on. While the initial settings screen is displayed, no other



operation, except turning the power off, is permitted until you finish the settings on this screen. The camcorder has a built-in rechargeable battery for



storing the date, time, and other settings even when the camcorder is turned off. For details about the built-in rechargeable battery, see page 79.

Page 21

2. Preparation

000

Configuring Basic Camcorder Operation

Before shooting, configure the basic operation of the camcorder to suit the application.

Shooting Mode

You can switch the shooting mode between “Custom mode” to create images flexibly on-site, and “Cine EI mode” (where the camcorder is operated similarly to a film camera, with footage developed in post production). You can select the mode using Base Setting (page 69) >Shooting Mode in the System menu.

Color Space

Color Space selects the base color gamut for recorded signals and output signals. When the shooting mode is set to Custom mode, Color Space is set to Matrix.

Matrix: Selects the color gamut using the Matrix



setting, similar to conventional video cameras. When the shooting mode is set to Cine EI mode, Color Space selects the color gamut of the video output with MLUT set to Off.

S-Gamut/SLog2: Wide color gamut comparable



to film cameras.

S-Gamut3.Cine/SLog3: Easy to adjust color



gamut for digital cinema (DCIP3).

S-Gamut3/SLog3: Wide color gamut, for



compatibility with future standard gamuts,

optimized using Sony image distortion

correction technology. You can select the color gamut using Base Setting (page 69) >Color Space in the System menu.

Image Sensor Scan Mode

You can set the scan mode of the image sensor. You can select the mode using Base Setting (page 69) >Imager Scan Mode in the System menu.

Normal: When not using Slow & Quick Motion



high-frame rate mode, this scans the full angleof-view of Super 35 mm size. When S&Q Motion (page 65) >High Frame Rate Mode in the Recording menu is set to Full Scan, this scans the full angle-of-view of Super 35 mm size and converts the signal to 2K data. When set to Center Scan, this scans a 2K angleof-view of half Super 35 mm size at the center of the image. 2K Full: Scans the full angle-of-view of Super 35



mm size and converts the signal to 2K. 2K Center: Scans a 2K angle-of-view of half Super



35 mm size at the center of the image.

[Note]

The recording format resolution is restricted to 2K or lower when Imager Scan Mode (page 69) is set to 2K Full or 2K Center.

Page 22

2. Preparation

000

Using XQD Memory Cards

The camcorder records audio and video on XQD memory cards (available separately) inserted in the card slots.

About XQD Memory Cards

Use the following Sony XQD memory cards in the camcorder. For details on operations with media from other manufacturers, refer to the operating instructions for the media or consult the manufacturer’s information. S-series XQD memory cards H-series XQD memory cards N-series XQD memory cards M-series XQD memory cards G-series XQD memory cards The use of memory cards other than Sony XQD memory cards is not guaranteed.

[Tip]

For details about using XQD memory cards and usage precautions, refer to the operating instructions for the XQD memory card.

Recommended Media

The guaranteed operating conditions will vary depending on the Rec Format and Recording settings. Yes: Operation supported No: Normal operation not guaranteed

Format XQD G

XQD S (EB Stream)

XAVC-I 4096×2160 – 59.94P Yes No No

50P Yes No No

29.97P Yes No No

25P Yes No No

24P Yes No No

23.98P Yes No No

XQD N XQD M

Discontinued XQD H XQD S (non EB Stream)

Format XQD G

XQD S (EB Stream)

XAVC-I 3840×2160 – 59.94P Yes No No

50P Yes No No

29.97P Yes No No

25P Yes No No

23.98P Yes No No

1920×1080 Normal mode or

S&Q (excluding

HFR

)

S&Q (HFR mode) 59.94P Yes No No

XAVC-L 3840×2160 – 59.94P Yes Yes No

1920×1080 Normal mode or

S&Q (excluding HFR)

59.94P Yes No No

59.94i Yes Yes No

50P Yes No No

50i Yes Yes No

29.97P Yes Yes No

25P Yes Yes No

23.98P Yes Yes No

50P Yes No No

29.97P Yes No No

25P Yes No No

23.98P Yes No No

50P Yes Yes No

29.97P Yes Yes No

25P Yes Yes No

23.98P Yes Yes No

59.94P Yes Yes Yes

50P Yes Yes Yes

59.94i Yes Yes Yes

50i Yes Yes Yes

29.97P Yes Yes Yes

25P Yes Yes Yes

23.98P Yes Yes Yes

XQD N XQD M

Discontinued XQD H XQD S (non EB Stream)

Page 23

2. Preparation: Using XQD Memory Cards

000

Format XQD G

XQD S (EB Stream)

XAVC-L 1920×1080 S&Q (HFR mode) 59.94P Yes Yes No

50P Yes Yes No

29.97P Yes 50 Mbps:

25P Yes No No

23.98P Yes No No

MPEG HD 422

ProRes 422 HQ

ProRes 422

*1 HFR: High Frame Rate *2 The XDCA-FS7 Extension Unit (option) is required for

ProRes recording.

1920×1080 – 59.94i Yes Yes Yes

50i Yes Yes Yes

29.97P Yes Yes Yes

25P Yes Yes Yes

23.98P Yes Yes Yes

1280×720 – 59.94P Yes Yes Yes

50P Yes Yes Yes

29.97P Yes Yes Yes

25P Yes Yes Yes

23.98P Yes Yes Yes

1920×1080 – 59.94i Yes No No

1920×1080 – 59.94i Yes Yes No

50i Yes No No

29.97P Yes No No

25P Yes No No

23.98P Yes No No

50i Yes Yes No

29.97P Yes Yes No

25P Yes Yes No

23.98P Yes Yes No

XQD N XQD M

No 35 Mbps: Yes

Discontinued XQD H XQD S (non EB Stream)

Inserting XQD Memory Cards

1 Press the media cover release button

(page 7) to open the media cover of the card slot section.

2 Insert an XQD memory card with the XQD

label facing to the left. The access indicator (page 7) is lit red, then changes to green if the card is usable.

3 Close the media cover.

[Notes]

The memory card, memory card slot, and image data on



the memory card may be damaged if the card is forced into the slot in the incorrect orientation. When recording to media inserted in both XQD card slots



A and B, insert media in both slots that is recommended for operation with the format of the recording.

Ejecting XQD Memory Cards

Press the media cover release button (page 7) to open the media cover of the card slot section, and lightly press the memory card in to eject the card.

[Notes]

If the camcorder is turned off or the memory card is



removed while the memory card is being accessed, the integrity of data on the card cannot be guaranteed. All data recorded on the card may be discarded. Always make sure the access indicator is green or off before turning off the camcorder or removing the memory card. When removing an XQD memory card immediately after



recording is finished, the XQD memory card may be hot, but this does not indicate a problem.

Switching Between XQD Memory Cards

When XQD memory cards are loaded in both card slots A and B, you can switch the card used for recording by pressing the SLOT SELECT button (page 6). If a card becomes full during recording, the camcorder automatically switches to the other card.

[Note]

The SLOT SELECT button is disabled during playback. The memory cards are not switched even if you press the button. The button is enabled while the thumbnail screen (page 44) is displayed.

Formatting (Initializing) XQD Memory Cards

If an unformatted XQD memory card or an XQD memory card that was formatted in a different specification is inserted, the message “Media Needs to be Formatted” is displayed in the viewfinder. Format the card using the following procedure.

1 Select Format Media (page 67) in the Media

menu.

2 Select Media(A) (slot A) or Media(B) (slot B),

then select Execute. A confirmation message appears.

3 Select Execute.

A message is displayed while formatting is in progress, and the access indicator is lit red. When formatting is completed, a completion message is displayed. Press the SEL/SET dial to dismiss the message.

Page 24

2. Preparation: Using XQD Memory Cards

000

If formatting fails

Protected XQD memory cards and memory cards not supported by the camcorder cannot be formatted. A warning message is displayed. Follow the instructions to replace the card with a supported XQD memory card.

[Note]

Formatting a memory card erases all data, including recorded video data and setup files.

Checking the Remaining Recording Time

When shooting (recording/standby), you can monitor the remaining capacity of the XQD memory card in each slot using the slot A/B remaining media indicators in the viewfinder (page 9). The remaining recording time is calculated from the remaining capacity of the media in each slot and the current video format (recording bit rate), and is displayed in units of minutes.

[Note]

A mark is displayed if the media is protected.

[Note]

Up to approximately 600 clips can be recorded on one XQD memory card. If the number of recorded clips reaches the limit, the remaining recording time indicator becomes “0” and the message “Media Full” is displayed.

XQD memory card replacement timing

When the total remaining recording time on



the two memory cards becomes less than 5

minutes, the message “Media Near Full” appears,

the recording indicator starts flashing, and a

beep sound (headphone output) will warn you.

Replace with media that has free space.

If you continue recording until the total



remaining recording time reaches zero, the

message changes to “Media Full” and recording

stops.

Page 25

2. Preparation

000

Using a UTILITY SD Card

You can save camera configuration data for the camcorder on an SD card (available separately). Saved data files can be imported from the SD card.

Supported SD Cards

SDHC memory cards SD memory cards

* Referred to collectively as “SD cards” in this manual.

Inserting an SD Card

1 Press the media cover release button

(page 7) to open the media cover of the card slot section.

2 Insert the SD memory card with the SD card

label facing to the left. The access indicator (page 7) is lit red, then goes off if the card is usable.

3 Close the media cover.

inserting/ejecting the card.

Formatting (Initializing) SD Cards

SD cards must be formatted the first time they are used in the camcorder. SD cards for use in the camcorder should be formatted using the format function of the camcorder.

1 Select Format Media (page 67) in the Media

menu.

2 Specify SD Card, then select Execute.

A confirmation message appears.

3 Select Execute.

A message and progress status are displayed while formatting is in progress, and the access indicator is lit red. When formatting is completed, a completion message is displayed. Press the SEL/SET dial to dismiss the message.

[Note]

Formatting an SD card erases all data on the card. The card cannot be restored.

To use an SD card formatted on the camcorder in the slot of another device

First, make a backup of the card, then reformat the card in the device to be used.

Ejecting the SD Card

Press the media cover release button (page 7) to open the media cover of the card slot section, and lightly press the SD card in to eject the card.

[Notes]

If the camcorder is turned off or the SD card is removed



while the SD card is being accessed, the integrity of data

on the card cannot be guaranteed. All data recorded

on the card may be discarded. Always make sure the

access indicator is off before turning off the camcorder or

removing the SD card.

Take caution to prevent the SD card from flying out when



Checking the Remaining Capacity

You can check the remaining capacity on an SD card on the Media Status screen (page 12).

[Note]

A mark is displayed if the SD card is protected.

Page 26

2. Preparation

000

Using the XDCA-FS7

You can add functions to the camcorder, such as a V-shoe battery or external sync signal, by attaching an XDCA-FS7 Extension Unit (option) to the camcorder.

Attaching the XDCA-FS7

[Notes]

The camcorder battery pack cannot be used when an



XDCA-FS7 unit is attached to the camcorder. You must

attach a battery pack to the XDCA-FS7 or connect an

external power supply.

Attach/remove the XDCA-FS7 while the camcorder is



turned off.

1 Remove the battery pack (page 13) attached

to the camcorder.

2 Remove the cover of the extension unit

connector section.

3 Align the protrusions of the XDCA-FS7 with

the left and right grooves of the camcorder and slide all the way in, then slide the XDCAFS7 down into the connector section.

Grooves

Protrusions

4 Tighten the two screws on the top of the

XDCA-FS7 to secure the XDCA-FS7.

Switching the Timecode Input/ Output

You can switch the timecode input/output using the TC IN/OUT switch (page 8). For details, see page 77.

Removing the XDCA-FS7

Loosen the two screws on the top of the XDCA-FS7, and remove the XDCA-FS7 from the camcorder.

Attaching the Battery Pack

The cover of the extension unit connector section can be inserted into the top of the extension unit.

Insert the battery pack into the battery pack attachment on the XDCA-FS7.

Removing the Battery Pack

Pull the battery pack out from the battery pack attachment on the XDCA-FS7 while holding down the BATT RELEASE button.

Page 27

2. Preparation

000

Using an HXR-IFR5 and AXS-R5

You can record RAW video (page 39) to an AXSR5 RAW Recorder (option) using an HXR-IFR5 Interface Unit (option) and an XDCA-FS7 (option). For details about setting up the HXR-IFR5 and AXS-R5, refer to the HXR-IFR5 operation manual.

Connecting the HXR-IFR5 to the Camcorder

1 Attach the XDCA-FS7 to the camcorder

(page 26).

2 Connect the RAW OUT connector of the

XDCA-FS7 to the SDI IN (RAW) connector of the HXR-IFR5 using an SDI cable.

HXR-IFR5

SDI cable

AXS-R5

Removing the HXR-IFR5

Disconnect the SDI cable from the RAW OUT connector of the XDCA-FS7.

Page 28

2. Preparation

000

Using the Infrared Remote Control

When Using for the First Time

Pull out the insulating sheet from the battery holder when using the supplied infrared remote control for the first time.

Insulating sheet

A CR2025 lithium-ion battery is installed in the battery holder at the factory.

Controlling the Camcorder Using the Remote Control

To use remote control, first turn on the camcorder and then enable remote control operation. Use the setup menu to enable/disable the remote control function.

To enable using the menu

Press the MENU button to switch the camcorder to menu mode, then set IR Remote (page 74) in the System menu to On.

[Notes]

Point the remote control at the remote control receiver



sensor on the camcorder.

Set up the camcorder so that the remote control receiver



sensor is not exposed to direct sunlight or strong light

from other sources. Strong light can prevent proper

remote control operation.

Other video decks may operate by mistake when using



the supplied remote control to operate the camcorder. In

this case, switch the remote control mode switch on the

video deck to DVD2, or shield the remote control receiver

sensor using black paper.

Changing the Battery of the Remote Control

The remote control uses a standard CR2025 battery. Do not use a battery other than the CR2025.

1 Push the tab in, and remove the battery holder

by placing a fingernail in the groove.

2 Insert a new battery with the + terminal facing

up.

3 Insert the battery holder until it clicks into

place.

Tab

[CAUTION]

Do not store battery packs in locations exposed to direct sunlight, flame, or high temperature.

[Note]

Replacing the battery with a non-specified battery may cause device failure. Always replace with the specified battery. Dispose of used batteries in accordance with federal and local laws.

Page 29

2. Preparation

000

Using Wi-Fi Remote Control

You can operate the camcorder from a web browser by connecting a smartphone, tablet, or other device that supports a web browser to the camcorder using a wireless LAN connection. This function is called Wi-Fi remote control. This function is useful when operating the camcorder from a remote location, for example, when the camcorder is mounted on a crane. For details about the Wi-Fi remote control setup procedure, see page 43.

Wi-Fi Remote Screen (smartphone)

Main screen

Shooting settings display



S&Q FPS, Shutter, White, Sensitivity/Gain/Exposure Index, Gamma, MLUT, Color Bars, Auto Black, Auto White, Rec Start/Stop, Lock, ND, Iris, Focus, Zoom, Auto Iris, Auto Shutter, AGC, Auto ND, ATW

Playback screen

Cursor screen

Status display



Playback control buttons



Play/Pause, Stop, F Fwd, F Rev, Next, Prev

Status display



Cursor control buttons



Up, Down, Left, Right, Set, Cancel/Back, Menu, Status, Thumbnail, User Menu

Assign screen

Status display



Assignable button display



Assignable buttons 1 to 10

Wi-Fi Remote Screen (tablet)

Main screen

Playback screen

Status display



Playback control buttons



Play/Pause, Stop, F Fwd, F Rev, Next, Prev

Cursor screen

Status display



Cursor control buttons



Up, Down, Left, Right, Set, Cancel/Back, Menu, Status, Thumbnail, User Menu

Shooting settings display



S&Q FPS, Shutter, White, Sensitivity/Gain/Exposure Index, Gamma, MLUT, Color Bars, Auto Black, Auto White, Rec Start/Stop, Lock, ND, Iris, Focus, Zoom, Auto Iris, Auto Shutter, AGC, Auto ND, ATW

Assign screen

Status display



Assignable button display



Assignable buttons 1 to 10

Page 30

3. Shooting

00030

Basic Operation Procedure

Basic shooting is conducted using the following procedure.

1 Attach the necessary devices, and check that

power is being supplied.

2 Insert the memory card(s). 3 Set the POWER switch to the on position.

The POWER indicator turns on, and the camera image appears in the viewfinder.

4 Press the record button (page 4).

The recording indicator turns on, and the camcorder starts recording.

5 To stop recording, press the record button

again. Recording stops, and the camcorder switches to STBY (standby) mode.

[Note]

If the record button is pressed within a few seconds after turning the camcorder on, the recording indicator lights up to indicate the unit is in the recording state, but recording to media may not occur for the first few seconds, depending on the selected recording format.

Shooting (Full Auto Mode)

Press the FULL AUTO button, turning the button indicator on. The Auto Iris (compatible lenses only), AGC, Auto Shutter, and ATW (auto tracing white balance) functions are set to On to control the brightness and white balance automatically (full auto mode). To control each function manually, turn full auto mode off.

[Tip]

If full auto mode is on and the ND filter dial is not set to Clear in ND filter variable mode (page 33), the ND filter is incorporated into the auto exposure adjustment.

Recording Continuously by Changing Memory Cards (Relay Rec)

When memory cards are inserted in both slots A and B, recording automatically switches to the second memory card just before the remaining capacity on the first card is reduced to zero.

[Notes]

Do not eject a memory card while recording to it is in



progress. When recording, only change memory cards in slots for which the slot access indicator is off. When the remaining capacity on the memory card being



recorded becomes less than one minute and a recordable memory card is inserted in the other slot, a “Will Switch Slots Soon” message appears. The message disappears after switching memory card slots. Relay recording may not operate if recording is started



when the remaining memory card capacity is less than one minute. For correct relay recording, check that the remaining memory card capacity is more than one minute before starting recording. Video created using the camcorder relay recording



function cannot be played back seamlessly on the camcorder. To combine video created using the camcorder relay



recording function, use “Catalyst Browse” software.

Recording to Memory Cards A and B Simultaneously (Simul Rec)

You can record to both memory card A and memory card B simultaneously by setting Simul Rec >Setting in the Recording menu to On.

[Note]

Simultaneous recording is not supported in Slow & Quick Motion mode (page 65) or Picture Cache Rec mode (page 65). Also, simultaneous recording is not supported for the following recording formats (page 70).

NTSC Area

XAVC-I

4096×2160 59.94P, 4096×2160 29.97P,

4096×2160 24.00P, 4096×2160 23.98P, 3840×2160 59.94P, 3840×2160 29.97P, 3840×2160 23.98P, 1920×1080 59.94P

XAVC-L

3840×2160 59.94P, 3840×2160 29.97P,

3840×2160 23.98P

RAW (with XDCA-FS7, HXR-IFR5, and AXS-R5

connected)

4096×2160 59.94P, 4096×2160 29.97P,

4096×2160 23.98P, 2048×1080 59.94P, 2048×1080 29.97P, 2048×1080 23.98P

RAW & XAVC-I (with XDCA-FS7, HXR-IFR5,

and AXS-R5 connected)

4096×2160 59.94P, 2048×1080 59.94P

ProRes 422 HQ, ProRes 422 (with XDCA-FS7

connected)

1920×1080 59.94i, 1920×1080 29.97P,

1920×1080 23.98P

PAL Area

XAVC-I

4096×2160 50P, 4096×2160 25P, 3840×2160

50P, 3840×2160 25P, 1920×1080 50P

XAVC-L

3840×2160 50P, 3840×2160 25P

RAW (with XDCA-FS7, HXR-IFR5, and AXS-R5

connected)

4096×2160 50P, 4096×2160 25P, 2048×1080

50P, 2048×1080 25P

RAW & XAVC-I (with XDCA-FS7, HXR-IFR5,

and AXS-R5 connected)

4096×2160 50P, 2048×1080 50P

ProRes 422 HQ, ProRes 422 (with XDCA-FS7

connected)

1920×1080 50i, 1920×1080 25P

Changing the Settings of the Record START/STOP Buttons on the Camcorder and Handle

When simultaneous recording (Simul Rec) is enabled, you can start/stop recording to each memory card independently using the record START/STOP buttons on the camcorder and the handle. By factory default, both buttons are set to start/ stop simultaneous recording to both memory cards A and B.

“Rec Button [SlotA SlotB] Handle Rec Button



[SlotA SlotB]” When the buttons are set to control recording for different memory cards, SDI/HDMI Rec Control and RAW Rec Control follow the recording state of slot A.

To change the setting

Select Simul Rec >Rec Button Set in the Recording menu.

Rec Button Set Buttons and memory

cards

“Rec Button [SlotA SlotB] Handle Rec Button [SlotA SlotB]”

“Rec Button [SlotA] Handle Rec Button [SlotB]”

Starts/stops simultaneously recording to memory cards A and B using either button.

The record START/STOP button starts/stops recording to memory card A, and the record START/ STOP button on the handle starts/stops recording to memory card B.

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Rec Button Set Buttons and memory

cards

“Rec Button [SlotB] Handle Rec Button [SlotA]”

The record START/STOP button starts/stops recording to memory card B, and the record START/ STOP button on the handle starts/stops recording to memory card A.

Adjusting the Focus Automatically

A lens that supports auto focus is required. Set the FOCUS switch (page 6) on the camcorder to the “AUTO” position. If the lens is fitted with a focus selector switch, set the switch to the “AF/MF” or “AF” position. If the switch is set to the “Full MF” or “MF” position, lens focusing cannot be operated from the camcorder (page 18).

[Note]

The LA-EA1/3 (option) supports push auto focus only.

Setting the auto focus area (Focus Area)

You can set the target area for auto focus using Focus >Focus Area (page 52) in the Camera menu.

[Note]

On the LA-EA2/4 (option), the position cannot be set.

Temporarily stopping auto focus (Focus Hold)

Press the PUSH AUTO FOCUS button (page 6) when in auto focus mode to override auto focus. This is useful, for example, when something crosses in front of the subject that you do not want to focus on, or when auto focus is lost.

Adjusting the Focus Manually

To adjust the focus manually, set the FOCUS switch (page 6) to the “MAN” position. This allows you to adjust the focus manually according to the shooting conditions. Manual focusing is useful for the following types of subjects.

Subjects on the far side of a window covered in



water droplets Subjects with low contrast against the



background Subjects further away than nearby subjects



Adjusting focus rapidly using manual focus (Push Auto Focus)

Position the subject that you want to adjust focus for in the center of the image, then press the PUSH AUTO FOCUS button (page 6). The focus returns to the previous setting when you release the button. This is useful when you want to quickly focus on a subject before starting to shoot. You can set the position for focusing using Focus >Focus Area (Push AF) (page 52) in the Camera menu.

[Notes]

The Push Auto Focus function does not operate if the lens



is set for manual focusing. During Push Auto Focus operation when using an LA-



EA2/4, full auto mode is on. During focus magnification, the focus adjusts to fit the



magnified display position.

Focus assist indicator

Indicates the focus state.

(On): Subject is in focus.



(Flashing): Subject is out of focus. Since focusing



is not automatic, change the composition and focus settings to achieve focus.

Focusing using magnified view (Focus Magnifier)

By factory default, the Focus Magnifier x4/x8 function is assigned to the ASSIGN 4 button on the grip remote control (page 36). Press the ASSIGN 4 button to switch to the focus magnifier screen, with the center magnified by approximately four times. Press the button again to increase the magnification to approximately eight times. This function is useful for checking the focus. Press the button again to return to the normal screen. You can move the position to be magnified during focus magnification using the multi selector. Pressing the multi selector returns to the center of the image. You can also control the position using the left/right buttons and SEL/SET dial on the camcorder, infrared remote controller, or Wi-Fi remote controller. If push auto focus is used during focus magnification, the focus adjusts to fit the magnified display position.

[Notes]

The recorded image or SDI/HDMI output image is not



magnified when the focus is magnified. During focus magnification, the STATUS CHECK button



and menu buttons have no effect. The magnified position returns to the center of the screen



when the camcorder is turned off.

Adjusting focus using the focus assist indicator

Focus detection window (Focus area marker)

Focus assist indicator

The focus position is indicated by the maximum reach of the bar. Adjust the focus to maximize the length of the bar.

In-focus: Position of maximum reach of the bar.

[Notes]

The focus indicator may show little or no variation when



you are shooting subjects with little surface variation or

dark scenes.

The detection range cannot be set.



Monitoring Audio

You can monitor the audio that is being recorded using headphones. Connecting a set of headphones to the headphone jack (page 7) enables you to monitor the audio being recorded. You can also monitor the playback audio (page 45) using the built-in speaker (page 7) or headphones. You can select the audio channel to monitor and adjust the volume using Audio Output (page 60) in the Audio menu.

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3. Shooting: Basic Operation Procedure

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Switching Between XQD Memory Cards

When two XQD memory cards are inserted, press the SLOT SELECT button (page 6) to switch cards.

[Note]

You cannot switch between memory cards during playback mode. Also, continuous playback of a clip spanning media in slot A and slot B is not supported.

Clips (recorded data)

When you stop recording, the video, audio, and accompanying data from the start to the end of the recording are saved as a single “clip” on an XQD memory card.

Clip names

Each clip recorded by the camcorder is automatically assigned a clip name comprising the word “Clip” and a 4-digit number. The 4-digit number automatically increments with each recording. You can change the “Clip” prefix using Clip in the Media menu.

Maximum clip duration

Up to 6 hours per clip. Multiple clips are recorded in succession during relay recording, but recording will stop automatically after approximately 13 hours.

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3. Shooting

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Changing Basic Settings

You can change the settings based on the video application or recording conditions.

Selecting the Recording Format

The formats available for selection vary depending on the Country (region of use) and Codec settings. Select a format using Rec Format >Video Format in the System menu.

Adjusting the Brightness

You can adjust the brightness by adjusting the iris, gain, shutter speed, and by adjusting the light level using ND filters. You can also make adjustments automatically. The target level for automatic brightness adjustment is set using Auto Exposure (page 52) >Level in the Camera menu. You can also assign Auto Exposure Level to an assignable button (page 36).

[Note]

The gain cannot be adjusted in Cine EI mode. Also, the brightness cannot be adjusted automatically using the iris or shutter speed. Brightness auto adjustment using the ND filter is supported.

Adjusting the iris

You can adjust the iris to adjust the brightness.

[Note]

To adjust the iris, turn full auto mode (page 30) off.

Adjusting the iris automatically

This function adjusts the brightness according to the subject. A lens that supports auto iris is required.

1 If a lens with Auto Iris switch is attached, set

the switch to AUTO.

2 Press the IRIS button (E) to set Auto Iris to On.

The setting toggles between On and Off each time the IRIS button is pressed.

[Tip]

You can also assign the IRIS function to an assignable button (page 36).

[Note]

The iris cannot be adjusted automatically on an A-mount lens.

Adjusting the iris manually

1 Press the IRIS button (E) to set Auto Iris to Off.

The setting toggles between On and Off each time the IRIS button is pressed.

2 Set the ND/IRIS switch (C) to the IRIS position. 3 Turn the ND/IRIS dial (D) to adjust the iris.

[Tip]

You can also assign the IRIS function to an assignable dial (page 36).

Temporarily adjusting the iris automatically

Press and hold the PUSH AUTO IRIS button (F) to set Auto Iris to On temporarily. The iris returns to the previous setting when you release the button.

[Tip]

You can also assign PUSH AUTO IRIS to an assignable button (page 36).

[Note]

When the Auto Iris switch of the lens is set to MANUAL, the Auto Iris and Push Auto Iris functions on the camcorder have no effect. Manual iris adjustments on the camcorder also have no effect.

Adjusting the gain

You can adjust the gain to adjust the brightness.

[Note]

To adjust the gain, turn full auto mode (page 30) off.

Adjusting the gain automatically

Press the ISO/GAIN button (G) to set AGC to On. Or select Auto Exposure (page 52) >AGC in the Camera menu to set AGC to On.

Adjusting the gain manually

You can control the gain when you want to adjust the exposure while using a fixed iris setting or when you want to prevent the gain increasing due to AGC.

1 Press the ISO/GAIN button (G) to set AGC to

Off.

2 Set the ISO/GAIN switch (I) to H, M, or L.

[Tip]

You can also assign Push AGC to an assignable button, and set AGC to On temporarily by pressing and holding the button.

Controlling the gain (fine adjustment)

Turn the IRIS dial, or the assignable dial (page 36) assigned with the ISO/Gain/EI function, to adjust the gain value set by the ISO/

GAIN switch (I). This is useful when you want to adjust the exposure by one step without changing the depth of field. The adjusted gain value is canceled by switching the ISO/GAIN switch (I), setting AGC to On, or turning the power off.

Adjusting the shutter

You can adjust the shutter to adjust the brightness.

[Note]

To adjust the shutter, turn full auto mode (page 30) off.

Adjusting the shutter automatically

Press the SHUTTER button (H) to adjust the shutter speed automatically in response to the image brightness. If the settings screen is displayed, press the button again. Or set Auto Exposure (page 52) >Auto Shutter in the Camera menu to On.

Adjusting the shutter manually

You can shoot with a set shutter speed. Press the SHUTTER button (H) to display a screen with the supported shutter values, and select and set a value using the SEL/SET dial. If you press the SHUTTER button again instead of the SEL/SET dial, Auto Shutter is set to On.

[Tip]

You can also set the angle and adjust the frequency (page 53).

Adjusting the light level (ND filter)

In conditions where the lighting is too bright, you can set the appropriate brightness by changing the ND filter. The camcorder features two ND filter modes. You can switch between the two modes using the PRESET/VARIABLE switch (B).

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3. Shooting: Changing Basic Settings

000

Adjusting in preset mode

Set the PRESET/VARIABLE switch (B) to the PRESET position, and set the ND FILTER dial (A) to one of the following settings. Clear: No ND filter 1: Transmittance set by ND Filter >Preset1 (page 51) in the Camera menu. 2: Transmittance set by ND Filter >Preset2 (page 51) in the Camera menu. 3: Transmittance set by ND Filter >Preset3 (page 51) in the Camera menu.

Adjusting in variable mode

Set the PRESET/VARIABLE switch (B) to the VARIABLE position. ND FILTER dial (A) positions 1, 2, and 3 select ND filter operation, regardless of the dial position.

[Note]

To adjust the level, turn full auto mode (page 53) off.

Adjusting the light level automatically

You can set Auto ND Filter to On to enable

auto exposure adjustment using the ND filter.

1 Set the ND FILTER dial (A) to 1, 2, or 3. 2 Set Auto Exposure (page 52) >Auto ND

Filter in the Camera menu to On.

Adjusting the light level manually

1 Set the ND FILTER dial (A) to 1, 2, or 3. 2 Set Auto Exposure (page 52) >Auto ND

Filter in the Camera menu to Off.

3 Set the ND/IRIS switch (C) to the ND

position.

4 Turn the ND/IRIS dial (D) to adjust the

transmittance of the filter. The ND FILTER dial 1/2/3 position has no affect on the filter transmittance adjustment.

Temporarily adjusting the iris automatically

You can assign Push Auto ND to an assignable

button (page 36), and temporarily set Auto ND Filter to On by pressing and holding the button. Releasing the button sets Auto ND Filter back to Off.

Set the ND FILTER dial (A) to 1, 2, or 3

beforehand.

[Note]

If the ND FILTER dial setting is changed during adjustment, the video may become distorted and a noise may occur in the audio.

[Tips]

You can also assign ND Filter Position to an



assignable button (page 36), and press the button instead of using the ND FILTER dial to change the setting. Preset mode: Clear  Preset1  Preset2  Preset3  Clear… Variable mode: Clear  On  Clear… The filter returns to the setting indicated by the ND FILTER dial when the camcorder is turned off. You can also assign Auto ND Filter to an assignable



button (page 36), and press the button to switch Auto ND filter between On and Off. When shooting a brightly lit subject, closing the iris



too much may cause diffraction blur, producing an image starting to go out of focus (typical phenomena in video cameras). You can suppress this effect to obtain better shooting results using the ND filter.

Adjusting for Natural Colors (White Balance)

You can select the adjustment mode to suit the shooting conditions.

ATW (auto tracing white balance)

This function adjusts the white balance automatically to an appropriate level. The white balance is automatically adjusted when the color temperature of the light source changes. Pressing the WHT BAL button (A) switches ATW between On and Off. You can select the speed of adjustment (five steps) using White >ATW Speed (page 55) in the Paint menu. You can freeze the current white balance setting by assigning the ATW Hold function to an assignable button (page 36), and pressing the assignable button to temporarily pause ATW mode.

[Notes]

ATW cannot be used in Cine EI mode.



It may not be possible to adjust to the appropriate colors



using ATW, depending on the lighting and subject conditions.

Examples:

– When a single color dominates the subject, such as sky,

sea, ground, or flowers.

– When the color temperature is extremely high or

extremely low. If the appropriate effect cannot be obtained because the ATW auto tracking speed is slow or for other reasons, run auto white balance.

Adjusting the white balance manually

1 Turn full auto mode (page 30) off. 2 When white balance is set to ATW mode, press

the WHT BAL button (A) to set manual mode.

3 Select B, A, or PRESET using the WHT BAL

switch (B). B: Memory B mode* A: Memory A mode PRESET: Preset mode

* B can be assigned to ATW On.

Preset mode

This mode adjusts the color temperature to a preset value (factory default is 3200K).

Memory A/Memory B mode

This mode adjusts the white balance to the setting saved in memory A or B, respectively.

[Note]

The settings of the WHT BAL switch in Cine IE mode are fixed as follows. B: 5500K A: 4300K PRESET: 3200K

Running auto white balance

1 To save an adjustment value in memory, select

memory A mode or memory B mode.

Page 35

3. Shooting: Changing Basic Settings

000

2 Place white paper (or other object) in a

location with the same lighting source and conditions as the subject, then zoom in on the paper to show white on the screen.

3 Adjust the brightness.

Adjust the iris using the procedure in “Adjusting the iris manually” (page 33).

4 Press the WB SET button (page 4).

If auto white balance is run in memory



mode, the adjustment value is saved in the memory (A or B) selected in step 1. If auto white balance is run in ATW mode,



the white balance adjustment returns to the ATW mode white balance when adjustment ends.

[Notes]

Auto white balance cannot be performed in Cine EI mode.



If the adjustment is not successful, an error message is



displayed on the screen for about three seconds. If the error message persists after repeated attempts to set white balance, contact your Sony service representative.

Setting the Audio to Record

You can specify the audio to be recorded using the input connectors, switches, and dials of the camcorder.

External audio input connectors and selector switches

INPUT1 connector (page 7) INPUT2 connector (page 7) INPUT1 (LINE/MIC/MIC+48V) switch (page 4) INPUT2 (LINE/MIC/MIC+48V) switch (page 4)

Switches for setting the audio level

CH1 LEVEL CONTROL switch (page 6) CH2 LEVEL CONTROL switch (page 6) CH1 INPUT LEVEL dial (page 6) CH2 INPUT LEVEL dial (page 6)

Selecting the audio input device

1 Select the audio input connector.

Select the audio input using Audio Input >CH1 Input Select or CH2 Input Select in the Audio menu. Set to INPUT1 or INPUT2 to correspond to the connector for the connected device. If using a shoe microphone or XLR adaptor, specify Shoe 1 or Shoe 2 in the same way. For details about the XLR adaptor, see “Adding Audio Input Connectors” (page 40).

[Note]

The camcorder is equipped with an internal microphone. Although it is not suitable for final audio, it can be used for syncing with other equipment. In such cases, specify Internal MIC.

2 Select the input audio source.

Set the INPUT1/INPUT2 (LINE/MIC/MIC+48V) switches to the devices connected to the INPUT1/INPUT2 connectors, respectively.

Connected device Switch position

External audio source (e.g. mixer)

Dynamic microphone, battery-operated microphone

+48 V phantom power feed microphone

Selecting MIC+48V and connecting a



microphone that is not compatible with a +48V source may damage the connected device. Check the setting before connecting the device. If noise is a concern on connectors with no



device connected, set the corresponding INPUT1/INPUT2 (LINE/MIC/MIC+48V) switches to LINE.

LINE

MIC

MIC+48V

Adjusting the audio recording level automatically

Set the CH1/CH2 LEVEL CONTROL switches for the channels to adjust automatically to AUTO. For CH3/CH4, set Audio Input >CH3 Level Control and CH4 Level Control in the Audio menu to Auto (page 58).

Adjusting the audio recording level manually

Use the following procedure to adjust the audio recording level for CH1/CH2.

1 Set the CH1/CH2 LEVEL CONTROL switches for

the channels to adjust manually to MAN.

2 During shooting or standby, turn the INPUT

LEVEL (CH1)/(CH2) dials of the corresponding channels to adjust the audio level.

You can also adjust the recording level using



the assignable dial (page 36), assigned with the Audio Input Level function, or from the setup menu. For CH3/CH4, set Audio Input >CH3 Level



Control and CH4 Level Control in the Audio menu to Manual, and then set the audio recording level in CH3 Input Level and CH4 Input Level (page 58).

[Notes]

The Audio Input Level settings may be disabled,



depending on the combination of settings in the Audio menu. For details, see the diagram on page 95. If either Audio Input >CH1 Input Select or CH2 Input



Select in the Audio menu is set to Internal MIC, CH2 is switched to automatic/manual in conjunction with the CH1 LEVEL CONTROL switch. Also, the CH2 audio recording level is set in conjunction with the CH1 INPUT LEVEL dial (page 58). The camcorder supports combinations of various settings.



For details, see the diagram on page 95.

Specifying Time Data

Setting the timecode

Set the timecode to record using Timecode (page 64) in the TC/UB menu.

Displaying time data

Press the DISPLAY button to display time data on the screen (page 9). Set the timecode to display using TC Display (page 64) >Display Select in the TC/UB menu. Pressing an assignable button (page 36) with DURATION/TC/U-BIT assigned will switch the display between the timecode, user bits, and duration in sequence.

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3. Shooting

000

Useful Functions

Assignable Buttons/Dials

There are ten assignable buttons (page 6,

8) on the camcorder to which you can assign functions. When the ND/IRIS switch is set to the IRIS position, you can also assign functions to the ND/IRIS dial (page 6) on the camcorder and the assignable dial (page 8) on the grip remote control.

Changing the button function

Use Assignable Button (page 71) in the System menu. You can view the assigned functions on the Assignable Button Status screen (page 11).

Functions assigned to each assignable button by factory default

Button 1 S&Q Motion Button 2 Off Button 3 User Menu Button 4 Focus Magnifier x4/x8 Button 5 User Menu Button 6 Off Button 7 Off Button 8 Off Button 9 Off Button 10 Off

Assignable functions

Off



Marker



Zebra



Peaking



Video Signal Monitor



DURATION/TC/U-BIT



Focus Magnifier x4/x8



Focus Magnifier x4



Focus Magnifier x8



Push AF/Focus Hold



Focus Area



Focus Area (Push AF)



VF Mode



ND Filter Position



IRIS



AGC



Auto ND Filter



SHUTTER



Auto Exposure Level



Push Auto Iris



Push AGC



Push Auto ND



Spotlight



Backlight



ATW



ATW Hold



SteadyShot



Color Bars



User Menu



Rec Lamp



S&Q Motion



Picture Cache Rec



Rec Review



Thumbnail



Shot Mark1



Shot Mark2



Clip Flag OK



Clip Flag NG



Clip Flag Keep



High/Low Key



Changing the dial function

Use Assignable Dial (page 72) in the System menu. You can view the assigned functions on the Assignable Button Status screen (page 11). IRIS is assigned by factory default.

Assignable functions

Off



IRIS



ISO/Gain/EI



ND Filter



Focus



Audio Input Level



Slow & Quick Motion

When the video format (page 70) is set to one of the following values, you can specify a different value for the recording frame rate and playback frame rate.

NTSC Area

XAVC-I

4096×2160 59.94P, 4096×2160 29.97P,

4096×2160 24.00P, 4096×2160 23.98P, 3840×2160 59.94P, 3840×2160 29.97P, 3840×2160 23.98P, 1920×1080 59.94P, 1920×1080 29.97P, 1920×1080 23.98P

XAVC-L

3840×2160 59.94P, 3840×2160 29.97P,

3840×2160 23.98P, 1920×1080 59.94P 50, 1920×1080 59.94P 35, 1920×1080 29.97P 50, 1920×1080 29.97P 35, 1920×1080 23.98P 50, 1920×1080 23.98P 35

PAL Area

XAVC-I

4096×2160 50P, 4096×2160 25P, 3840×2160

50P, 3840×2160 25P, 1920×1080 50P, 1920×1080 25P

XAVC-L

3840×2160 50P, 3840×2160 25P, 1920×1080

50P 50, 1920×1080 50P 35, 1920×1080 25P 50, 1920×1080 25P 35

You can set the frame rate for recording by pressing and holding an assignable button to which S&Q Motion has been assigned.

[Notes]

Slow & Quick Motion cannot be set during recording,



playback, or while the thumbnail screen is displayed. Audio recording is not supported in Slow & Quick Motion



mode. The auto focus function is disabled in Slow & Quick



Motion mode. The following conditions apply when shooting at frame



rates higher than 60 fps.

– The focus assist indicator, depth of field indicator, focus

position indicator, iris position indicator, and zoom position indicator are all turned off.

NTSC Area

Format Resolution Frame rate High frame

rate

XAVC-I 2160 1 to 60 fps Not supported

(59.94P, 29.97P, 24.00P, 23.98P)

1080 1 to 60 fps 72/75/80/90/96/

100/110/120/125/ 135/144/150/160/ 168/175/180fps

(59.94P, 29.97P, 23.98P)

XAVC-L 2160 1 to 60 fps Not supported

(59.94P, 29.97P, 23.98P)

1080 1 to 60 fps 72/75/80/90/96/

100/110/120fps

(59.94P 50, 59.94P 35, 29.97P 50, 29.97P 35, 23.98P 50, 23.98P

35)

PAL Area

Format Resolution Frame rate High frame

rate

XAVC-I 2160 1 to 60 fps Not supported

(59P, 25P)

1080 1 to 60 fps 72/75/80/90/96/

100/110/120/125/ 135/144/ 150fps

(59P, 25P)

XAVC-L 2160 1 to 60 fps Not supported

(59P, 25P)

1080 1 to 60 fps 72/75/80/90/96/

100/110/120fps

(50P 50, 50P 35, 25P 50, 25P 35)

Page 37

3. Shooting: Useful Functions

000

Recording Video Intermittently (Interval Rec)

The camcorder’s Interval Rec function allows you to capture time-lapse video to the camcorder’s internal memory. This function is an effective way to shoot slow-moving subjects. When you start recording, the camcorder automatically records a specified number of frames at a specified interval time. This function is enabled when the camcorder is set to any of the following video formats (page 69).

XAVC-I

  

* 59.94i and 50i are not supported.

Number of frames in one take (Number of Frames)

When Interval Rec is enabled, the HVL-LBPC (option) video light automatically turns on before recording starts, which allows you to record pictures under stable light and color temperature conditions (pre-lighting function).

[Notes]



XAVC-L MPEG HD 422

Shooting interval (Interval Time)

Only one special recording function, such as Interval Rec recording, can be used at any one time. If another special recording mode is enabled while Interval Rec is in use, Interval Rec is automatically released.

Interval Rec mode is automatically released after changing



system settings, such as the video format. Interval Rec settings cannot be changed during recording



or playback, or when the thumbnail screen is displayed.

To set Interval Rec

Set Interval Rec (page 65) >Setting in the Recording menu to On, and set Number of Frames and Interval Time. If using the HVL-LBPC video light (option), set the time interval for turning on the video light before recording starts using Interval Rec >Pre-Lighting in the Recording menu, as required.

[Notes]

If you want to turn the video light on before the start



of recording, set the video light switch to AUTO. The video light turns on and off automatically according to the setting of Video Light Set (page 54) in the Camera menu. If you turn the video light switch on, the video light is



always lit (video light does not turn on/off automatically). If the video light is configured so that it will turn off for



a duration of 5 seconds or less, the video light does not turn off.

The camcorder exits Interval Rec mode when it is powered off, but the Number of Frames, Interval Time, and Pre-lighting settings are maintained. You do not need to set them again the next time you shoot in Interval Rec mode.

To shoot using Interval Rec

Press the record button to start recording. “Int

/ Rec” and “Int / Stby” appears

alternately in the viewfinder. If you are using the pre-lighting function, the video light turns on before recording starts.

To stop shooting

Stop the recording. When shooting ends, the video data stored in memory up to that point is written to the media.

To exit Interval Rec mode

Do one of the following.

Set the POWER switch to Off.



In recording standby mode, set Interval Rec



>Setting in the Recording menu to Off. Also, Interval Rec mode is automatically released when the camcorder is restarted.

Limitations during recording

Audio is not recorded.



Reviewing the recording (Rec Review) is not



possible.

Genlock is not applied.



If the camcorder is turned off during recording

If the POWER switch on the camcorder is set



to the Off position, the media is accessed for

several seconds to record the images stored

in memory up till that moment, and then the

power turns off automatically.

If power is lost because the battery was



removed, the DC power cord was disconnected,

or the power was turned off from the AC

adaptor, then the video and audio data shot

up to that point may be lost (maximum 10

seconds). Care should be exercised when

exchanging the battery.

Recording Cached Pictures (Picture Cache Rec)

The Picture Cache Rec function allows you to capture video retroactively when you start recording and then record it to XQD memory cards by maintaining an internal cache memory of a specified duration when shooting. The picture cache recording time is set using Picture Cache Rec >Cache Rec Time (page 65) in the

Recording menu.

Supported recording formats

Recording format

RAW 4096×2160 Not supported

XAVC

MPEG-2 1920×1080 0 to 2/2 to 4/4 to 6/6

ProRes422 1920×1080 Not supported

*1: XAVC-I 59.94P and 50P are not supported.

[Notes]

Picture Cache Rec cannot be set to On at the same time



as Interval Rec or Slow & Quick Motion. When Picture Cache Rec is set to On, these other recording modes are forcibly set to Off. Picture Cache Rec mode cannot be selected while



recording or Rec Review is in progress. When Picture Cache Rec is set to On, the timecode is



recorded in Free Run mode regardless of the setting in the TC/UB menu (page 64). The Output Format setting may not be configurable in



Picture Cache Rec mode. If this occurs, temporarily set Picture Cache Rec to Off, and then change the setting.

Resolution Cache time [sec.]

2048×1080

4096×2160 0 to 2

3840×2160

1920×1080 0 to 2/2 to 4/4 to 6/6

to 8

to 8/ 8 to 10/13 to 15

Configuring before shooting

Configure Picture Cache Rec (page 65) in the Recording menu before shooting. You can also assign the Picture Cache Rec function to an assignable button (page 36) and switch Picture Cache Rec >Setting between On and Off using the button. When configured, the  (green) indicator appears in the viewfinder (page 9).

Starting picture cache recording

When you press the record button, recording

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3. Shooting: Useful Functions

000

starts and video is written to XQD memory cards starting from the video stored in the cache memory.

To cancel Picture Cache Rec

Set Picture Cache Rec >Setting in the Recording menu to Off, or press an assignable button assigned with the Picture Cache Rec function.

[Notes]

Changing the recording format clears the video in cache



memory stored up to that point, and starts caching new video. Consequently, picture cache recording of pictures before changing format is not possible, even if you start recording immediately after changing format. If Picture Cache Rec is set to On or Off immediately after



inserting an XQD memory card, cache data may not be recorded on the card. Video is stored in cache memory when the Picture Cache



Rec function is set to On. Video prior to the function being set to On is not cached. Video is not stored in cache memory while an XQD



memory card is being accessed, such as during playback, Rec Review, or thumbnail screen display. Picture cache recording of video during that interval is not possible. You can change the cache recording time setting using



the menu while recording is in progress, but the new value does not come into effect until after recording ends.

[Note]

Rec Review is not supported if the video format is changed after recording a clip.

Self Portrait Mode

You can flip the image in the viewfinder (page 7) vertically or horizontally/vertically using the MIRROR switch. This allows you to turn the viewfinder 180° toward the lens.

OFF

The image is not inverted.

B/T

The image is flipped vertically. The information display is flipped vertically and horizontally.

Reviewing a Recording (Rec Review)

You can check the video of the most recently recorded clip on the screen. When recording is stopped, press the assignable button (page 36) with Rec Review assigned. The clip is played to the end, Rec Review ends, and the camcorder returns to STBY (standby) mode. Press and hold the button to start playback in the reverse direction. When the button is released, the clip is played to the end.

To stop Rec Review

Press the assignable button with Rec Review assigned.

ROT

The image is flipped vertically and horizontally. The information display is also flipped vertically and horizontally.

[Note]

The B/T and ROT view are displayed in the viewfinder only. The output video and recorded video remain unaffected.

Displaying Peaking

You can turn peaking display On/Off by pressing the PEAKING button on the viewfinder (page 7). You can turn peaking display On/Off, and set

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3. Shooting: Useful Functions

000

the peaking type and peaking frequency using Peaking (page 62) in the VF menu.

Displaying Zebra

You can turn zebra pattern display On/Off by pressing the ZEBRA button on the viewfinder (page 7). You can turn zebra pattern display On/Off, and set the zebra pattern type and display level using Zebra (page 62) in the VF menu.

[Note]

The camcorder measures the image in the viewfinder. In Cine EI mode, adjust the display level and other parameters in accordance with the viewfinder monitor LUT (page 61) setting.

Video Signal Monitor

You can set the type of video signal to display on the viewfinder screen to waveform, vectorscope, or histogram using Video Signal Monitor >Setting (page 64) in the VF menu. The video signal monitor of the camcorder measures the video signal in the video output stage. Accordingly, if the output video is edge cropped with respect to the recorded video, the cropped signal component will not be measured. When this occurs, “EC” is displayed at the top left of the video signal monitor.

Color space information indicator

When Matrix >Preset Select (page 58) is set to BT.2020 in Custom mode, the color space of the input image (based on the video output resolution, Output Color Space setting, and Source setting) is displayed in the top right of the video signal monitor.

Displaying monitor LUT information

When the video output is set to 2K or lower in Cine EI mode, you can measure the video signal from either the SDI1 system or SDI2 system using Video Signal Monitor >Source (page 64) in the VF menu. The monitor LUT setting (page 61) of the specified SDI system is displayed at the top right of the video signal monitor.

[Notes]

When Display On/Off >Setting (page 63) is set to Off in



the VF menu, the video signal monitor is not displayed. When the specified SDI system monitor LUT setting is set



to Off, the Color Space setting (page 69) is displayed at the top right of the video signal monitor.

Obtaining Location Information (GPS)

When GPS in the System menu is set to On, is displayed when the camcorder is seeking GPS satellites. When positioning is established, location information is recorded when shooting video.

[Notes]

The GPS setting in the System menu cannot be set to On



when the handle is not attached, as the GPS receiver is built into the handle. The icon displayed varies, depending on the signal



reception from the GPS satellites.

While using the GPS function, gripping the handle may



affect the positioning accuracy.

Positioning status

Off No

Positioning not available

Searching for satellites

Positioning

[Tips]

GPS is set to On by factory default. Location and time



information of video shot when positioning is enabled is

recorded by the camcorder.

If a positioning icon is not displayed after several minutes,



there may be a problem with signal reception. Start

shooting without location information, or move to an area

with a clear view of the sky. Shooting when a positioning

icon is not displayed means that location information will

not be recorded.

The GPS signal may not be received when indoors or near



tall structures. Move to a location with a clear view of the

sky.

The recording of location information may be interrupted,



depending on the strength of the received signal, even if

a positioning icon is displayed.

Display GPS reception state

GPS is set to Off or an error

display

occurred.

Location information could not be obtained because GPS signal could not be received. Move to a location with a clear view of the sky.

Searching for GPS satellites. Several minutes may be required to acquire satellites.

A weak GPS signal is being received.

A GPS signal is being received. Location information can be acquired.

A strong GPS signal is being received. Location information can be acquired.

Shooting in Cine EI Mode

This mode mimics the way a film camera works, and assumes “developing” occurs in postproduction.

Cine EI mode constraints

Functions that cannot be adjusted automatically



(tracking)

– White balance – Gain – Shutter – Iris

Functions that cannot be configured



– ISO sensitivity/gain – Paint menu settings – Scene File – Lens File

Functions available in Cine EI mode only

Exposure Index



Monitor LUT



High/Low Key



RAW video recording



Recording RAW Video

You can record RAW video to an AXS-R5 (option) by converting the signal output from the RAW OUT connector of an XDCA-FS7 (option) attached to the camcorder using an HXR-IFR5 (option) (page 27).

1 Set up the external RAW recorder unit

(page 27).

2 Set Base Setting >Shooting Mode in the

System menu to Cine EI.

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3. Shooting: Useful Functions

000

3 Set Codec >Select in the System menu to

RAW. Selecting RAW & XAVC-I will simultaneously record RAW video to the external RAW recorder and HD video to the XQD memory cards in the camcorder.

4 Set the resolution using Imager Scan Mode in

the System menu. When set to Normal, the RAW resolution is 4096×2160.

5 Set the frame rate in Rec Format >RAW Output

Format in the System menu.

6 Check that the external recorder is turned on,

then press the record button on the camcorder.

[Note]

When recording is started on an external recorder, without using the record button on the camcorder, clips may not be recorded properly.

The supported RAW output formats are shown below.

NTSC Area

Codec >Select setting RAW output formats

RAW / RAW & XAVC-I / RAW &XAVC-L / RAW &MPEG HD422

4096×2160 59.94P

4096×2160 29.97P

4096×2160 23.98P

2048×1080 59.94P

2048×1080 29.97P

2048×1080 23.98P

PAL Area

Codec >Select setting RAW output formats

RAW / RAW & XAVC-I / RAW &XAVC-L / RAW &MPEG HD422

4096×2160 50P

4096×2160 25P

2048×1080 50P

2048×1080 25P

Recording status indicator

If Display On/Off (page 63) >HXR-IFR5 Rec Control in the VF menu is set to On, the RAW recording status is displayed in the viewfinder using an icon.

[Note]

The RAW OUT connector of the camcorder only controls recording by transmitting a Rec Control signal to the external recorder, hence the camcorder may indicate RAW video recording is in progress when the external recorder is not actually recording. Check the indicator on the external recorder to obtain the correct operating status.

Slow & Quick Motion Recording

If S&Q Motion >Setting in the Recording menu is set to On, RAW video is recorded in Slow & Quick Motion mode. RAW output Slow & Quick Motion is supported only for 2K resolution at 120/240 fps (NTSC) and 100/200 fps (PAL).

Adding Audio Input Connectors

You can connect up to four channels of XLR audio devices to the camcorder at the same time by using an XLR-K2M XLR adaptor (not supplied). Attach the XLR adaptor to the MI shoe, and set Audio Input >CH3 Input Select to Shoe 1 and CH4 Input Select to Shoe 2 in the Audio menu. Camcorder functions that overlap will be disabled for channels on which the XLR adaptor is selected as the input. Use the switches and dials on the XLR

adaptor to perform adjustments.

[Notes]

If Audio Input >CH3 Level and CH4 Level in the Audio



menu are set to Audio Input Level, then Audio Input Level

on the camcorder will be set to match the level adjusted

on the XLR adaptor.

Audio Input Level is also enabled when the XLR adaptor

switch is set to AUTO.

When “Through” is specified, audio will be recorded at the

level adjusted with the XLR adaptor (page 95).

You can also assign to CH1 and CH2 by attaching an XLR



adaptor and setting Audio Input >CH1 Input Select and

CH2 Input Select in the Audio menu to Shoe 1 and Shoe

2, respectively. However, if input from an XLR adaptor is

assigned to both CH1 and CH2, input from the INPUT1/

INPUT2 connectors on the camcorder can no longer be

assigned to the channels.

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3. Shooting

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Connecting a Tablet or Other Devices using Wireless LAN

The camcorder can connect to smartphones, tablets, and other devices using wireless LAN connection by attaching the IFU-WLM3 USB Wireless LAN Module (supplied) or a CBK-WA100 Wireless Adaptor (option).

[Note]

USB wireless modules other than the IFU-WLM3 are not supported.

The following are supported from devices connected by wireless LAN.

Remote control



Enables remote control of the camcorder. Video monitoring (CBK-WA100 only)



Enables monitoring of the video from the camcorder. CBK-WA100 (option) and the Content Browser Mobile application are required.

[Tip]

For details about the Content Browser Mobile application, contact your Sony sales or service representative.

Compatible Devices

You can use a smartphone, tablet, or computer to configure and operate the camcorder. The supported devices, OS, and browsers are shown in the following table.

Device OS Browser

Smartphone Android 6.0 Chrome

iOS 9 Safari

Tablet Android 6.0 Chrome

iOS 9 Safari

Computer Microsoft Windows 7/

Microsoft Windows

8.1/Microsoft Windows 10

Mac OS 10.10/10.11 Safari

Chrome

Attaching the IFU-WLM3

Plug the IFU-WML3 into the USB wireless LAN module connector (page 4). After attaching the unit, set Wi-Fi >Wi-Fi (page 73) in the System menu to Enable to enable wireless LAN.

[Note]

Attach/remove the IFU-WLM3 while the camcorder is turned off.

Attaching the CBK-WA100

[Note]

Attach/remove the CBK-WA100 while the camcorder is turned off.

1 Attach the CBK-WA100 to the mounting

bracket, and tighten the two screws.

2 Attach the CBK-WA100 mounting bracket on

the camcorder, and tighten the screw.

3 Connect the CBK-WA100 USB cable to the USB

wireless LAN module connector (1), and the SDI cable to the SDI OUT connector (2).

4 Turn the CBK-WA100 on, and then turn the

camcorder on.

5 Set Wi-Fi >Wi-Fi (page 73) in the System

menu to Enable to enable the wireless LAN.

[Note]

The SDI OUT output setting must be configured to use the CBK-WA100 with the camcorder. However, the camcorder cannot output a signal compatible with the CBK-WA100 when using XAVC-I 24.0P or ProRes 23.98P (page 60).

About the CBK-WA100

The CBK-WA100 has functions for low-resolution recording proxy files on an SD card, and for transferring the files to a server via a wireless LAN. For details, refer to the operation manual for the CBK-WA100.

One-touch Connection of NFCenabled Devices (Using IFU-WLM3 Only)

Devices that support NFC can be connected (onetouch connection) using NFC.

1 Attach an IFU-WLM3 to the camcorder

(page 41), and set Wi-Fi >Wi-Fi (page 73) in the System menu to Enable to enable wireless LAN.

appears on the screen.

2 Open [Settings] on the device, select [More],

and place a check mark in the NFC checkbox.

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3. Shooting: Connecting a Tablet or Other Devices using Wireless LAN

000

The various settings will vary depending on the device. For details, refer to the instruction manual for the device.

3 Touch the camcorder using the device.

The device connects to the camcorder, launches a web browser, and displays the Wi-Fi remote control. Authentication is required the first time that the device connects.

[Notes]

Disable sleep mode and screen lock beforehand.



Touch and hold the device still until the “Content Browser



Mobile” application launches (1 to 2 seconds).

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3. Shooting

000

Displaying the Wi-Fi Remote Control

The Wi-Fi Remote screen is automatically resized to match the screen size of the connected device.

1 Connect the camcorder and device using a

Wireless LAN connection (page 41).

2 Launch a browser on the device and enter

“http://IP address of camcorder (Wi-Fi >IP Address in System menu)/rm.html” in the URL bar. For example, if the IP address is 192.168.1.1, enter “http://192.168.1.1/rm.html” in the URL bar.

3 Enter the user name and password (Basic

Authentication >User Name and Password in the System menu). When connection is successful, the Wi-Fi Remote screen appears on the device. You use the Wi-Fi Remote screen to operate the camcorder. You can disable the record button operation by sliding the Lock knob to the right.

[Notes]

To display the page for a smartphone, change “rm.



html” to “rms.html” in the URL. To display the page for a tablet, change “rm.html” to “rmt.html” in the URL. When “rm.html” is entered, the page automatically switches for display on the corresponding device. However, the appropriate page may not be displayed, depending on the device. The Wi-Fi Remote screen may not match the camcorder



settings under the following circumstances. If this occurs, reload the browser window.

– If the camcorder is restarted while connected – If the camcorder is operated directly while connected – If the device has been reconnected – If the browser Forward/Back buttons have been used

The Wi-Fi remote control may not function if the wireless



signal strength becomes weak.

Page 44

4. Thumbnail Screen

00044

Thumbnail Screen

The thumbnail screen appears if you press the THUMBNAIL button (page 6). The thumbnail screen displays the clips stored on XQD memory cards as thumbnails (index pictures). You can select a clip on the thumbnail screen and start playback of that clip. The playback image can be displayed in the viewfinder and on an external monitor. Pressing the THUMBNAIL button again closes the thumbnail screen and returns to the camera image.

[Notes]

Only the clips recorded in the currently selected recording format are displayed on the thumbnail screen. If an expected recorded clip is not displayed, check the recording format. Take special note of this fact before formatting (initializing) media.



When Codec >Select in the System menu is set to one of the following, recording cannot be started during playback or when the thumbnail screen is displayed.



RAW & XAVC-I, RAW & XAVC-L, RAW & MPEG HD422

Screen Layout

Information for the clip at the cursor position is displayed at the bottom of the screen.

Currently selected XQD memory card indicator (A lock icon is displayed if the card is protected.)

Clip number/Total number of clips

Cursor (yellow)

1. Thumbnail (index picture)

Displays the index picture of a clip. When a clip is recorded, its first frame is automatically set as the index picture. Clip/frame information is displayed below the thumbnail. You change the information displayed using Customize View (page 67) >Thumbnail Caption in the Thumbnail menu.

2. Clip name

Displays the name of the selected clip.

3. Recording video format

3 4 5

Displays the file format of the selected clip.

4. Special recording information

Displays the recording mode only if the clip was recorded using a special recording mode. For Slow & Quick Motion clips, the frame rate is displayed on the right.

5. Clip duration

6. Creation date

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4. Thumbnail Screen

000

Playing Clips

Playing Recorded Clips

You can play recorded clips when the camcorder is in recording standby (Stby) mode.

1 Insert an XQD memory card for playback. 2 Press the THUMBNAIL button. 3 Turn the SEL/SET dial (page 6) to move the

cursor to the thumbnail for the clip you want to play.

4 Press the SEL/SET dial.

Playback begins from the start of the selected clip.

You can control playback by pressing the following buttons.

SEL/SET dial:

Pauses playback. Press again to return to normal playback.

Press left/right buttons:

Jumps to start of clip/start of next clip.

Press and hold left/right buttons:

Fast reverse/forward. Returns to normal playback when you release the button.

CANCEL/BACK button:

Stops playback, and returns to recording standby mode.

[Notes]

There may be momentary picture breakup or still image



display at the boundary between clips. You cannot operate the camcorder during this period. When you select a clip in the thumbnail screen and begin



playback, there may be momentary picture breakup at the start of the clip. To view the start of the clip without breakup, put the camcorder into playback mode, pause, then use the left button of the SEL/SET dial to return to the start of the clip, and start playback again. You can also control playback using the supplied remote



control.

Page 46

4. Thumbnail Screen

000

Clip Operations

On the thumbnail screen, you can operate the clips or check clip properties using the thumbnail menu. The thumbnail menu (page 66) appears when you press the MENU button and select a thumbnail.

Thumbnail Menu Operations

Turn the SEL/SET dial (page 6) to select a function, then press the SEL/SET dial. Press the CANCEL/BACK button (page 6) to return to the previous screen.

[Note]

Some items cannot be selected, depending on the state when the menu was displayed.

Thumbnail Menu Items

Display Clip Properties



Set Index Picture



Thumbnail View



Set Shot Mark



Set Clip Flag



Lock/Unlock Clip



Delete Clip



Filter Clips



Customize View



Displaying the essence mark thumbnail screen

Select Thumbnail View (page 66) >Essence Mark Thumbnail in the Thumbnail menu, and select the essence mark type to display a thumbnail view of the frames that have the specified essence mark.

Displaying the filtered clip thumbnail screen

Select Filter Clips (page 66) in the Thumbnail menu, and select a clip flag type to display only those clips that have the specified flag. To display all clips, set Thumbnail View >Essence Mark Thumbnail in the Thumbnail menu to All.

Deleting clips

You can delete clips from XQD memory cards. Select Delete Clip >Select Clip or All Clips in the Thumbnail menu.

Select Clip:

Deletes the selected clip. Multiple clip selection is supported.

All Clips:

Deletes all of the displayed clips.

Changing the information displayed on the thumbnail screen

You can change the clip/frame information displayed below the thumbnail. Select Customize View >Thumbnail Caption in the Thumbnail menu and select the information to display.

Date Time:

Displays the date and time the clip was created and last modified.

Time Code:

Displays the timecode.

Duration:

Displays the duration of the clip.

Sequential Number:

Displays a sequential number on each thumbnail.

For details about clip operation menus, see “Thumbnail Menu” (page 66).

Displaying clip properties

Select Display Clip Properties (page 66) in the Thumbnail menu to display the clip properties screen.

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5. Menu Display and Settings

00047

Setup Menu Configuration and Hierarchy

Press the MENU button to display the setup menu in the viewfinder to specify various items for shooting, recording, and playback (menu can also be displayed on an external monitor). The setup menu comprises the following menus.

Menu Configuration

User menu

Contains menu items configured by the user using Edit User Menu.

Edit User menu

Contains menu items for editing the User menu.

Camera menu

Contains settings related to shooting.

Paint menu

Contains settings related to image quality.

Audio menu

Contains settings related to audio.

Video menu

Contains settings related to video output.

VF menu

Contains settings to the viewfinder display.

TC/UB menu

Contains settings related to timecode and user bits.

Recording menu

Contains settings related to recording.

Thumbnail menu

Contains settings related to thumbnail display.

Media menu

Contains settings related to media.

File menu

Contains settings related to files.

System menu

Contains settings related to the system.

Setup Menu Hierarchy

User (Factory settings)

Edit User Add Item

Camera ISO/Gain/EI

Country

Base Setting

Rec Format

Codec

S&Q Motion

Interval Rec

Picture Cache Rec

Simul Rec

Output Format

Monitor LUT

Clip

VF Setting

Assignable Button

Assignable Dial

Format Media

Edit User Menu

Customize Reset

ND Filter

Auto Exposure

Focus

Shutter

Color Bars

Noise Suppression

Flicker Reduce

SteadyShot

Handle Zoom

Auto Black Balance

AF Micro Adjustment

Video Light Set

Paint White

Offset White

Black

Gamma

Black Gamma

Knee

White Clip

Detail

Skin Detail

Aperture

Matrix

Multi Matrix

Maintenance

Audio Audio Input

Audio Output

Video Output On/Off

Output Format

Output Setting

Monitor LUT

Output Display

VF VF Setting

Peaking

Zebra

Marker

Display On/Off

Video Signal Monitor

TC/UB Timecode

TC Display

Users Bit

HDMI TC Out

Recording S&Q Motion

Interval Rec

Picture Cache Rec

Simul Rec

SDI/HDMI Rec Control

Page 48

5. Menu Display and Settings: Setup Menu Configuration and Hierarchy

000

Thumbnail Display Clip Properties

Set Index Picture

Thumbnail View

Set Shot Mark

Set Clip Flag

Lock/Unlock Clip

Delete Clip

Filter Clips

Customize View

Media Update Media

Format Media

Clip

File All File

Scene File

User Menu Item

User Gamma

Monitor LUT

Monitor 3D LUT

Lens File

System Base Setting

Codec

Rec Format

Genlock

Assignable Button

Assignable Dial

ND Dial

Rec Lamp

Fan Control

HOLD Switch Setting

Lens

Language

Clock Set

Country

Hours Meter

System Basic Authentication

Wi-Fi

GPS

IR Remote

Camera Battery Alarm

Camera DC IN Alarm

Ext. Unit Battery Alarm

Ext. Unit DC IN Alarm

All Reset

APR

Camera Config

Version

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5. Menu Display and Settings

000

Setup Menu Operations

Press the MENU button to display the setup menu in the viewfinder to specify various items for shooting, recording, and playback (menu can also be displayed on an external monitor).

Menu Controls

MENU button (page 6)

Turns menu mode for setup menu operations on/off.

Left button/Right button (page 6)

Press the left/right button to move the cursor left/right to select menu items or settings.

SEL/SET dial (page 6)

Turn the SEL/SET dial to move the cursor



up/down to select menu items or settings. Press the SEL/SET dial to apply the selected



item.

CANCEL/BACK button (page 6)

Cancels a setting before it is applied, and moves one level up in the menu hierarchy.

[Note]

The setup menu cannot be operated when in focus magnifier mode (page 31).

Setting Menu Items

Turn the SEL/SET dial to move the cursor to the menu item to set, then press the SET/SEL dial to select the item.

The menu item selection area displays up to



eight lines. If the available options for an item cannot be displayed at the same time, scroll the display by moving the cursor up/down. If an item has a large range of available options



(for example, –99 to +99), the selection area is not displayed. The current setting is highlighted to indicate that the value can be changed. Selecting [Execute] for a function will execute



the corresponding function. Selecting an item that requires confirmation



before execution will temporarily hide the menu and display a confirmation message. Check the message, and then select whether to execute or cancel the function.

Entering a Character String

When you select an item, such as a file name, which requires character entry, the character entry screen appears.

2 3

1 Turn the SEL/SET dial to select a character type,

the press the dial. ABC: Uppercase alphabetic characters abc: Lowercase alphabetic characters 123: Numeric characters !#$: Special characters

2 Select a character from the selected character

type, then press the dial. The cursor moves to the next field. Space: Enters a space character at the cursor

position.

/: Moves the position of the cursor. BS: Deletes the character on the left of the

cursor (backspace).

3 When finished, select [Done] and press the

dial.

The character string is confirmed and the character entry screen disappears.

Page 50

5. Menu Display and Settings

000

Setup Menu List

This section describes the function and settings of the items in each menu. Factory default settings are shown in bold (for example, 18dB).

User Menu

User

Item Sub-item setting Description

Country

Region settings

Base Setting

Base settings

Rec Format

Recording format settings

Codec

Codec settings

S&Q Motion

Slow & Quick Motion mode settings

Interval Rec

Interval Rec mode settings

Picture Cache Rec

Picture cache recording mode settings

Simul Rec

Simultaneous recording settings

Output Format

Output format settings

Monitor LUT

Monitor LUT settings

Clip

Settings related to clip names

VF Setting

Viewfinder settings

Assignable Button

Assignable button settings

Assignable Dial

Assignable dial settings

See Country in the System menu.

See Base Setting in the System menu.

See Rec Format in the System menu.

See Codec in the System menu.

See S&Q Motion in the Recording menu.

See Interval Rec in the Recording menu.

See Picture Cache Rec in the Recording menu.

See Simul Rec in the Recording menu.

See Output Format in the Video menu.

See Monitor LUT in the Video menu.

See Clip in the Media menu.

See VF Setting in the VF menu.

See Assignable Button in the System menu.

See Assignable Dial in the System menu.

User

Item Sub-item setting Description

Format Media

Format (initializes) memory cards

Edit User Menu Edit the User menu items

See Format Media in the Media menu.

Edits the items in the User menu. When Edit User Menu is selected, the Edit User menu moves to the top level, and the menu items are displayed.

Edit User Menu

The Edit User menu is displayed at the top level when Edit User Menu is selected in the User menu.

Edit User

Item Sub-item setting Description

Add Item Add an item to the User menu

Customize Reset Reset the items in the User menu

Menu item selected during editing

Delete Deletes the registered menu item from

Move Rearranges the registered menu items

Edit Sub Item Deletes the registered menu sub-item

Adds a menu item to the User menu.

Restores the menu items registered in the User menu to the factory default.

the User menu.

within the User menu.

in the User menu.

Camera Menu

Camera >ISO/Gain/EI

Sets gain settings.

Item Sub-item setting Description

Mode ISO/dB Selects the gain setting mode.

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5. Menu Display and Settings: Setup Menu List

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Camera >ISO/Gain/EI

Sets gain settings.

Item Sub-item setting Description

ISO/Gain<H> When Mode is set to ISO and dynamic range is

460%:

ISO 800 / ISO 1000 / ISO 1250 / ISO 1600 / ISO 2000 / ISO 2500 / ISO 3200 / ISO 4000 / ISO 5000 / ISO 6400

Sets the <H> gain preset value.

[Tip]

The dynamic range is determined by the gamma.

Gamma Dynamic

When Mode is set to ISO and dynamic range is 800%:

ISO 1600 / ISO 2000 / ISO 2500 / ISO 3200 / ISO 4000 / ISO 5000 / ISO 6400 / ISO 8000 / ISO 10000 / ISO 12500

When Mode is set to ISO and dynamic range is

STD / HG1 / HG2 / HG3 / HG4

HG7 / HG8 / User 800%

S-Log2 / S-Log3 1300%

1300% (Gamma Category is set to S-Log2 or S-Log3):

ISO 2000 / ISO 2500 / ISO 3200 / ISO 4000 / ISO 5000 / ISO 6400 / ISO 8000 / ISO 10000 / ISO 12500 / ISO 16000

When Mode is set to dB:

–3dB / 0dB / 3dB / 6dB / 9dB / 12dB / 18dB

ISO/Gain<M> (Same settings as ISO/Gain<H>)

Sets the <M> gain preset value. The default values are given below. When Mode is set to ISO and dynamic range is 460%:

ISO1600

When Mode is set to ISO and dynamic range is 800%:

ISO3200

When Mode is set to ISO and dynamic range is 1300% (Gamma Category is set to S-Log2 or S-Log3):

ISO4000

When Mode is set to dB:

6dB

range

460%

Camera >ISO/Gain/EI

Sets gain settings.

Item Sub-item setting Description

ISO/Gain<L> (Same settings as ISO/Gain<H>)

Sets the <L> gain preset value. The default values are given below. When Mode is set to ISO and dynamic range is 460%:

ISO800

When Mode is set to ISO and dynamic range is 800%:

ISO1600

When Mode is set to ISO and dynamic range is 1300% (Gamma Category is set to S-Log2 or S-Log3):

ISO2000

When Mode is set to dB:

0dB

Exposure Index<H>

500EI / 4.0E 640EI / 4.3E

Sets the <H> exposure index value.

Available in Cine EI mode only. 800EI / 4.7E 1000EI / 5.0E 1250EI / 5.3E 1600EI / 5.7E 2000EI / 6.0E 2500EI / 6.3E

3200EI / 6.7E

4000EI / 7.0E 5000EI / 7.3E 6400EI / 7.7E 8000EI / 8.0E

Exposure Index<M>

Exposure Index<L>

(Same settings as Exposure Index<H>) The default value is 1600EI / 5.7E.

(Same settings as Exposure Index<H>) The default value is 800EI / 4.7E.

Sets the <M> exposure index value.

Sets the <L> exposure index value.

Shockless Gain On / Off Turns the shockless gain function on/off.

Camera >ND Filter

Sets the preset values for the ND filter.

Item Sub-item setting Description

Preset1 1/4 / 1/8 / 1/16 / 1/32 / 1/64 / 1/128 Sets the preset 1 value for the ND filter.

Preset2 1/4 / 1/8 / 1/16 / 1/32 / 1/64 / 1/128 Sets the preset 2 value for the ND filter.

Preset3 1/4 / 1/8 / 1/16 / 1/32 / 1/64 / 1/128 Sets the preset 3 value for the ND filter.

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5. Menu Display and Settings: Setup Menu List

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Camera >Auto Exposure

Sets automatic exposure adjustment settings.

Item Sub-item setting Description

Level –2.0 / –1.75 / –1.5 / –1.25 / –1.0 / –0.75 / –0.5 /

–0.25 / 0 / +0.25 / +0.5 / +0.75 / +1.0 / +1.25 /

Sets the brightness level for the automatically detected exposure.

+1.5 / +1.75 / +2.0

Mode Backlight / Standard / Spotlight Sets the control mode.

Backlight:

Backlight mode (mode for reduced darkening of a subject when the subject is backlit)

Standard:

Standard mode

Spotlight:

Spotlight mode (mode for reduced clipped whites when subject is lit by spotlighting)

Speed –99 to +99 (±0) Sets the adjustment speed.

AGC On / Off Turns the AGC (auto gain control) function

on/off.

AGC Limit When ISO/Gain/EI Mode is set to dB:

Sets the maximum gain of the AGC function.

3dB / 6dB / 9dB / 12dB / 15dB / 18dB When ISO/Gain/EI Mode is set to ISO and dynamic range is 460%:

ISO1000 / ISO1600 / ISO2000 / ISO3200 /

ISO4000 / ISO6400

When ISO/Gain/EI Mode is set to ISO and dynamic range is 800%:

ISO2000 / ISO3200 / ISO4000 / ISO6400 /

ISO8000 / ISO12500

When ISO/Gain/EI Mode is set to ISO and dynamic range is 1300%:

ISO2500 / ISO4000 / ISO5000 / ISO8000 /

ISO10000 / ISO16000

Auto ND Filter On / Off Turns the auto ND filter function on/off

(page 33).

Auto Shutter On / Off Turns the auto shutter control function on/

off.

A.SHT Limit 1/100 / 1/150 / 1/200 / 1/250 / 1/2000 Sets the fastest shutter speed of the auto

shutter function.

Clip High light On / Off Turns the function that ignores brightest

areas to provide a flatter reaction to high luminance on/off.

Camera >Auto Exposure

Sets automatic exposure adjustment settings.

Item Sub-item setting Description

Detect Window

1 / 2 / 3 / 4 / 5 / 6 Sets the light meter range for automatically

adjusting the exposure according to the brightness of the subject. (Not available when adjusting exposure manually)

Detect

On / Off Turns the Detect Window function on/off. Window Indication

Camera >Focus

Sets focus settings.

Item Sub-item setting Description

Focus Area Wide / Center / Flexible Spot Sets the target area for auto focus

(page 31). Wide:

Searches for a subject over a wide angle of the image when focusing.

Center:

Focuses on a subject in the center of the image.

Flexible Spot:

Focuses on a specified position in the image.

Focus Area (Push AF)

Center / Flexible Spot Sets the target area for push auto focus

(page 31). Center:

Focuses on a subject in the center of the image.

Flexible Spot:

Focuses on a specified position in the image.

[Note]

On the LA-EA2/4 (option), the position cannot be set.

AF Assist On / Off When set to On, allows you to temporarily

override auto focus and set focus manually.

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5. Menu Display and Settings: Setup Menu List

000

Camera >Shutter

Sets electronic shutter operating condition settings.

Item Sub-item setting Description

Mode Speed / Angle / ECS / Off Selects the operating mode of the electronic

shutter.

Speed/Angle (standard mode):

Used for shooting fast-moving subjects clearly. Selects the mode for setting the shutter speed in seconds (Speed) or as a shutter angle (Angle).

ECS (Extended Clear Scan):

Used for shooting without scrolling horizontal bars appearing on the monitor screen.

Shutter Speed 1/3 to 1/9000

The available settings vary depending on the frame frequency of the selected video format.

59.94P/59.94i:

Sets the shutter speed when Mode is set to Speed. 1/1 can be set when the S&Q recording

frame rate is set to 1fps. 1/4, 1/8, 1/15, 1/30, 1/60, 1/90, 1/100, 1/125, 1/180, 1/250, 1/350, 1/500, 1/725, 1/1000, 1/1500, 1/2000, 1/3000, 1/4000, 1/6000, 1/9000

50P/50i:

1/3, 1/6, 1/12, 1/25, 1/50, 1/60, 1/100, 1/120, 1/150, 1/215, 1/300, 1/425, 1/600, 1/1000, 1/1250, 1/1750, 1/2500, 1/3500, 1/6000, 1/9000

29.97P: 1/4, 1/8, 1/15, 1/30, 1/60, 1/90, 1/100, 1/125, 1/180, 1/250, 1/350, 1/500, 1/725, 1/1000, 1/1500, 1/2000, 1/3000, 1/4000, 1/6000, 1/9000

25P:

1/3, 1/6, 1/12, 1/25, 1/50, 1/60, 1/100, 1/120, 1/150, 1/215, 1/300, 1/425, 1/600, 1/1000, 1/1250, 1/1750, 1/2500, 1/3500, 1/6000, 1/9000

24P:

1/3, 1/6, 1/12, 1/24, 1/40, 1/48, 1/50, 1/60, 1/96, 1/100, 1/120, 1/144, 1/192, 1/200, 1/288, 1/400, 1/576, 1/1200, 1/2400, 1/4800, 1/9000

23.98P: 1/3, 1/6, 1/12, 1/24, 1/40, 1/48, 1/50, 1/60, 1/96, 1/100, 1/120, 1/144, 1/192, 1/200, 1/288, 1/400, 1/576, 1/1200, 1/2400, 1/4800, 1/9000

Camera >Shutter

Sets electronic shutter operating condition settings.

Item Sub-item setting Description

Shutter Angle 5.6° / 11.2° / 22.5° / 45° / 90° / 120° / 144° /

150° / 172.8° / 180° / 216° / 300°

ECS Frequency 23.99 to 8000

The available settings vary depending on the

Sets the shutter angle when Mode is set to Angle.

Sets the ECS frequency when Mode is set to

ECS. frame frequency of the selected video format. The default values are given below.

59.94P: 60.00

59.94i: 60.00 50P: 50.00 50i: 50.00

29.97P: 30.00 24P: 24.02

23.98P: 23.99 25P: 25.02

Camera >Color Bars

Sets color bar settings.

Item Sub-item setting Description

Setting On / Off Turns the color bars on/off.

[Notes]

Cannot be set to On when configured to record



RAW video. Color bars output BT.2020 color information



when Matrix >Preset Select in the Paint menu is set to BT.2020. Some colors in the color bars may appear differently in the viewfinder and video output set to BT.709 color gamut. For details about the color gamut of each video output, see Output Color Space (page 60).

Type ARIB / SMPTE / 75% / 100% Selects the color bar type.

Camera >Noise Suppression

Sets noise suppression settings.

Item Sub-item setting Description

Setting On / Off Turns the noise suppression function on/off.

[Tip]

Default value is Off if Base Setting >Shooting Mode

in the System menu is set to Cine EI.

Level Low / Mid / High Sets the noise suppression level.

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5. Menu Display and Settings: Setup Menu List

000

Camera >Flicker Reduce

Sets flicker correction settings.

Item Sub-item setting Description

Mode Auto / On / Off Sets the flicker correction mode.

Frequency 50Hz / 60Hz Sets the frequency of the power source

supplying the lighting that is causing the flicker.

Camera >SteadyShot

Sets image stabilization settings.

Item Sub-item setting Description

Setting Active SteadyShot / SteadyShot / Off Turns the image stabilization function on/off.

[Note]

Enabled when a compatible lens is attached.

Camera >Handle Zoom

Sets handle zoom settings.

Item Sub-item setting Description

Zoom Speed Type

Fix / Variable / Off Sets the mode of the zoom lever on the

handle.

[Note]

Disabled when the handle is not attached.

Zoom Speed 1 to 8 (3) Sets the speed of the handle zoom.

(Enabled when Zoom Speed Type is set to Fix)

[Note]

Disabled when the handle is not attached.

Camera >Auto Black Balance

Sets auto black balance settings.

Item Sub-item setting Description

Auto Black Balance

Execute / Cancel Runs the auto black balance function.

[Notes]

Run the auto black balance function with the



lens cap attached. Cannot be run during recording or color bar



display. Cannot be run when in Interval Rec mode or



Slow & Quick Motion mode.

Camera >AF Micro Adjustment

Sets focus position micro adjustment. (Enabled when LA-EA2/4 (option) is used)

Item Sub-item setting Description

Setting On / Off Turns the auto focus micro adjustment

function on/off.

Amount –20 to 0 to +20 Sets the auto focus micro adjustment level.

Use the following procedure to adjust

A-mount lenses.

1 Attach the lens you want to adjust using

an LA-EA2/4 (option).

2 Set Setting to On, and adjust the

Amount value. Positive values move the focus behind the subject, and negative values move the focus in front of the subject. It is recommended that you check the result using one-push AF, for example, while adjusting the focus.

Clear All Execute / Cancel Initializes the saved adjustment values.

Camera >Video Light Set

Sets the video light lighting method. Available only when using the HVL-LBPC (option).

Item Sub-item setting Description

Video Light Set

Power Link / Rec Link / Rec Link + Stby Sets the lighting control method for the

video light attached to the multi-interface

shoe.

Power Link:

Turns the video light on/off when the camcorder is turned on/off.

Rec Link:

Turns the video light on/off when the camcorder starts/stops recording.

Rec Link + Stby:

Turns the video light on/off when the camcorder is recording or in standby mode.

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5. Menu Display and Settings: Setup Menu List

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Paint Menu

Paint >White

Sets white balance settings.

Item Sub-item setting Description

Preset White 2100K to 10000K (3200K) Sets the white balance preset value.

Color Temp <A>

Color Temp. Balance <A>

R Gain <A> –99 to +99 (±0) Sets the white balance R gain value saved in

B Gain <A> –99 to +99 (±0) Sets the white balance B gain value saved in

Color Temp

Color Temp. Balance

R Gain –99 to +99 (±0) Sets the white balance R gain value saved in

B Gain –99 to +99 (±0) Sets the white balance B gain value saved in

Filter White Memory

Shockless White

White Switch

1500K to 50000K (3200K) Displays the white balance color

temperature saved in memory A.

–99 to +99 (±0) Sets the white balance gain value saved in

memory A (linked to R gain and B gain).

memory A.

1500K to 50000K (3200K) Displays the white balance color

temperature saved in memory B.

–99 to +99 (±0) Sets the white balance gain values saved in

memory B (linked R gain and B gain).

memory B.

On / Off Turns the function that sets the white

balance memory area for each ND filter on/ off. On: Sets the white balance memory for each

ND filter.

[Tip]

In preset mode, there are four settings (CLEAR / 1 / 2 / 3). In variable mode, there are two settings (CLEAR / On).

Off: Sets white balance memory common to

all ND filters.

Off / 1 / 2 / 3 Sets the white balance response speed when

switching white balance mode. Off: Switches instantaneously. 1 to 3: Switches more slowly the higher the

number.

Memory / ATW Selects the white balance adjustment mode

that is selected when the WHT BAL switch is set to B.

Paint >White

Sets white balance settings.

Item Sub-item setting Description

ATW Speed 1 / 2 / 3 / 4 / 5 Sets the response speed in ATW mode.

1: Fastest response speed

Paint >Offset White

Sets white balance offset settings.

Item Sub-item setting Description

Offset White <A>

Warm Cool <A>

Warm Cool Balance <A>

Offset White

Warm Cool

Warm Cool Balance

Offset White <ATW>

Warm Cool<ATW>

Warm Cool Balance <ATW>

Paint >Black

Sets black settings.

Item Sub-item setting Description

Setting On / Off Turns black correction on/off.

On / Off Selects whether to add (On) or not to add

(Off) an offset value to the white balance in

memory A.

–99 to +99 (±0) Sets the offset added to the white balance in

memory A as a color temperature when

Offset White <A> is set to On.

–99 to +99 (±0) Sets a more precise color temperature, for

use when a satisfactory image cannot be

obtained using Warm Cool <A>.

On / Off Selects whether to add (On) or not to add

(Off) an offset value to the white balance in

memory B.

–99 to +99 (±0) Sets the offset added to the white balance in

memory as a color temperature when

Offset White B is set to On.

–99 to +99 (±0) Sets a more precise color temperature, for

use when a satisfactory image cannot be

obtained using Warm Cool .

On / Off Selects whether to add (On) or not to add

(Off) an offset value to the ATW white

balance.

–99 to +99 (±0) Sets the offset added to the ATW white

balance as a color temperature when Offset

White <ATW> is set to On.

–99 to +99 (±0) Sets a more precise color temperature, for

use when a satisfactory image cannot be

obtained using Warm Cool<ATW>.

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5. Menu Display and Settings: Setup Menu List

000

Paint >Black

Sets black settings.

Item Sub-item setting Description

Master Black –99 to +99 (±0) Sets the master black level.

[Note]

Fine adjustment is supported by turning the SEL/ SET dial slowly. In this case, the displayed value may not change.

R Black –99 to +99 (±0) Sets the R black level.

B Black –99 to +99 (±0) Sets the B black level.

Paint >Gamma

Sets gamma correction settings.

Item Sub-item setting Description

Setting On / Off Turns the gamma correction function on/off.

Step Gamma 0.35 to 0.45 to 0.90 Sets a gamma correction value in 0.05 steps.

Master

–99 to +99 (±0) Sets the master gamma level.

Gamma

R Gamma –99 to +99 (±0) Sets the R gamma level.

G Gamma –99 to +99 (±0) Sets the G gamma level.

B Gamma –99 to +99 (±0) Sets the B gamma level.

Gamma Category

STD / HG / User / S-Log2 / S-Log3 Selects use of standard gamma (STD),

HyperGamma (HG), user gamma (User), S-Log2, or S-Log3.

Gamma Select When Gamma Category is set to STD:

STD1 DVW / STD2 × 4.5 / STD3 × 3.5 / STD4 240M / STD5 R709 / STD6 × 5.0

When Gamma Category is set to HG:

HG1 3250G36 / HG2 4600G30 / HG3 3259G40 / HG4 4609G33 / HG7 8009G40 / HG8 8009G33

When Gamma Category is set to User:

User 1 / User 2 / User 3 / User 4 / User 5

When Gamma Category is set to SLog2:

S-Log2

When Gamma Category is set to SLog3:

S-Log3

Selects the gamma table used for gamma correction. See the table below for details about hypergamma and S-Log2/S-Log3.

Name Dynamic

range

White limit

18% gray card video output (20% video input)

HG1 3250G36 325% 100% 36%

HG2 4600G30 460% 100% 30%

HG3 3259G40 325% 109% 40%

HG4 4609G33 460% 109% 33%

HG7 8009G40 800% 109% 40%

HG8 8009G33 800% 109% 33%

S-Log2 1300% – 32%

S-Log3 1300% – 41%

Paint >Black Gamma

Sets black gamma correction settings.

Item Sub-item setting Description

Setting On / Off Turns the black gamma correction function

on/off.

(Enabled when Gamma >Gamma Category

is set to STD)

[Note]

The Black Gamma and Knee >Knee Saturation

functions cannot be used at the same time.

Range Low / Mid / High Selects the effective range of the black

gamma correction.

Master Black

–99 to +99 (±0) Sets the master black gamma level.

Gamma

Paint >Knee

Sets knee correction settings.

Item Sub-item setting Description

Setting On / Off Turns the knee correction function on/off.

(Enabled when Gamma >Gamma Category

is set to STD)

Auto Knee On / Off Turns the auto knee correction function on/

off.

Point 75% to 109% (90%) Sets the knee point.

Slope –99 to +99 (±0) Sets the knee slope.

Knee Saturation

On / Off Enables/disables knee saturation adjustment

(adjusts coloring above the knee point).

[Note]

The Black Gamma and Knee >Knee Saturation

functions cannot be used at the same time.

–99 to +99 (±0) Sets the level for adjusting the coloring

above the knee point (knee saturation).

Level

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5. Menu Display and Settings: Setup Menu List

000

Paint >White Clip

Sets white clip adjustment settings.

Item Sub-item setting Description

Setting On / Off Turns the white clip adjustment function on/

off.

[Notes]

The setting is reset to On when the camcorder



is turned off. To set to Off permanently, set Level to 109%. Cannot be set when Gamma >Gamma Category



is set to S-Log2 or S-Log3.

Level 90.0% to 109.0%

Sets the white clip level. The default setting varies depending on the country of purchase.

NTSC Area: 108.0% PAL Area: 105.0%

Paint >Detail

Sets detail adjustment settings.

Item Sub-item setting Description

Setting On / Off Turns the detail adjustment function on/off.

Level –99 to +99 (±0) Sets the detail level.

H/V Ratio –99 to +99 (±0) Sets the mix ratio between the H detail level

and the V detail level.

Crispening –99 to +99 (±0) Sets the crispening level.

Level Depend On / Off Turns the level dependence adjustment

function on/off.

Level Depend

–99 to +99 (±0) Sets the level dependence level.

Level

Frequency –99 to +99 (±0) Sets the center frequency of the detail (detail

thickness).

The detail is thinner the higher the center

frequency, and thicker the lower the center

frequency.

Knee Aperture On / Off Turns the knee aperture correction function

on/off.

Knee Aperture

–99 to +99 (±0) Sets the knee aperture level.

Level

Limit –99 to +99 (±0) Sets the detail limiter for both the white-side

and black-side directions.

White Limit –99 to +99 (±0) Sets the white-side detail limiter.

Black Limit –99 to +99 (±0) Sets the black-side detail limiter.

Paint >Detail

Sets detail adjustment settings.

Item Sub-item setting Description

V Black Limit –99 to +99 (±0) Sets the black-side V detail limiter.

V Detail Creation

NAM / Y / G / G+R Sets the signal source for creating the V

detail to NAM (G or R, whichever is higher), Y, G, or G+R.

Paint >Skin Detail

Sets skin detail correction settings.

Item Sub-item setting Description

Setting On / Off Turns the skin detail correction function on/

off.

Area Detection Execute / Cancel Detects the color used for skin detail

correction. Execute: Run detection

Area Indication On / Off Turns the function that displays zebra in

areas of the color used for skin detail correction on/off.

Level –99 to +99 (±0) Sets the skin detail level.

Saturation –99 to +99 (±0) Sets the saturation of the color targeted for

skin detail correction.

Hue 0 to 359 Sets the hue of the color targeted for skin

detail correction.

Width 0 to 90 (40) Sets the range for the hue of the color

targeted for skin detail correction.

Paint >Aperture

Sets aperture correction settings.

Item Sub-item setting Description

Setting On / Off Enables/disables aperture correction

(processing that improves resolution by adding a high-frequency aperture signal to the video signal to correct deterioration due to high-frequency characteristics).

Level –99 to +99 (±0) Sets the aperture correction level.

Paint >Matrix

Sets matrix correction settings.

Item Sub-item setting Description

Setting On / Off Turns the matrix correction function on/off.

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5. Menu Display and Settings: Setup Menu List

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Paint >Matrix

Sets matrix correction settings.

Item Sub-item setting Description

Adaptive

On / Off Turns the adaptive matrix function on/off.

Matrix

Preset Matrix On / Off Turns the preset matrix function on/off.

Preset Select Standard

High Saturation FL Light Cinema F55 709 Like BT.2020

Selects a preset matrix.

[Notes]

BT.2020 can be selected only when the



recording format is 4K or QFHD. For details about the color gamut of each video



output when BT.2020 is selected, see “Output Menu Settings and Video Output Color Space when Preset Select is BT.2020” (page 86). The following two types of signals have BT.2020



matrix correction enabled when BT.2020 is selected.

– BT.2020 output signals described in “Output

Menu Settings and Video Output Color Space when Preset Select is BT.2020” (page 86).

– Video recorded in 4K or QFHD ITU-R BT.709 equivalent matrix correction is invoked for BT.709 output signals in “Output Menu Settings and Video Output Color Space when Preset Select is BT.2020” (page 86).

User Matrix On / Off Turns the user matrix correction function on/

off.

Level –99 to +99 (±0) Adjusts the color saturation of the entire

image.

Phase –99 to +99 (±0) Adjusts the color tone (phase) of the entire

image.

User Matrix

–99 to +99 (±0) Sets a user-defined R-G user matrix.

R-G

User Matrix R-B –99 to +99 (±0) Sets a user-defined R-B user matrix.

User Matrix

–99 to +99 (±0) Sets a user-defined G-R user matrix.

G-R

User Matrix

–99 to +99 (±0) Sets a user-defined G-B user matrix.

G-B

User Matrix B-R –99 to +99 (±0) Sets a user-defined B-R user matrix.

User Matrix

–99 to +99 (±0) Sets a user-defined B-G user matrix.

B-G

Paint >Multi Matrix

Sets multi matrix correction settings.

Item Sub-item setting Description

Setting On / Off Turns the multi matrix correction function

on/off.

Area Indication On / Off Turns the area indication function on/off.

Color Detection

Axis B / B+ / MG– / MG / MG+ / R / R+ / YL– / YL /

Execute / Cancel Detects the color used for multi matrix

correction.

Selects the axis.

YL+ / G– / G / G+ / CY / CY+ / B–

Hue –99 to +99 (±0) Sets the hue of the color used for multi

matrix correction.

Saturation –99 to +99 (±0) Sets the saturation of the color used for multi

matrix correction.

Paint >Maintenance

Sets maintenance settings.

Item Sub-item setting Description

Test Saw On / Off Turns the test signal on/off.

Audio Menu

Refer to “Block Diagrams” (page 95).

Audio >Audio Input

Sets audio input settings.

Item Sub-item setting Description

CH1 Input Select

CH2 Input Select

CH3 Input Select

CH4 Input Select

INPUT1 MIC Reference

INPUT1 / Internal MIC / Shoe 1 Switches the input source for recording on

channel 1.

INPUT1 / INPUT2 / Internal MIC / Shoe 2 Switches the input source for recording on

channel 2.

Off / Internal MIC / Shoe 1 Switches the input source for recording on

channel 3.

Off / Internal MIC / Shoe 2 Switches the input source for recording on

channel 4.

–60dB / –50dB / –40dB Sets the reference recording level for XLR

microphone input from INPUT1.

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Audio >Audio Input

Sets audio input settings.

Item Sub-item setting Description

INPUT2 MIC Reference

CH1 Wind Filter

CH2 Wind Filter

CH3 Wind Filter

CH4 Wind Filter

CH3 Level Control

–60dB / –50dB / –40dB Sets the reference recording level for XLR

microphone input from INPUT2.

On / Off Enables/disables the wind reduction filter for

channel 1 recording.

On / Off Enables/disables the wind reduction filter for

channel 2 recording.

On / Off Enables/disables the wind reduction filter for

channel 3 recording.

On / Off Enables/disables the wind reduction filter for

channel 4 recording.

Auto / Manual Selects automatic audio input level

adjustment or manual adjustment for recording channel 3.

[Note]

If both CH3 Input Select and CH4 Input Select are set to Internal MIC, CH4 is switched to automatic/ manual in conjunction with this setting.

CH4 Level Control

Auto / Manual Selects automatic audio input level

adjustment or manual adjustment for recording channel 4.

[Note]

If both CH3 Input Select and CH4 Input Select are set to Internal MIC, CH4 is switched to automatic/ manual in conjunction with the CH3 Level Control setting.

CH3 Input Level

CH4 Input Level

0 to 99 (49) Sets the audio input level for recording

channel 3.

[Note]

If both CH3 Input Select and CH4 Input Select are set to Internal MIC, the CH4 Input Level is switched in conjunction with this setting.

0 to 99 (49) Sets the audio input level for recording

channel 4.

[Note]

If both CH3 Input Select and CH4 Input Select are set to Internal MIC, the CH4 Input Level is switched in conjunction with the CH3 Input Level setting.

Audio >Audio Input

Sets audio input settings.

Item Sub-item setting Description

Audio Input Level

0 to 99 Sets the audio input level.

Can be used as the master volume, according to the settings of CH1 Level to CH4 Level.

Limiter Mode Off / –6dB / –9dB / –12dB / –15dB / –17dB Selects the limiter characteristic for large

input signals when adjusting the audio input level manually.

CH1&2 AGC Mode

CH3&4 AGC Mode

AGC Spec –6dB / –9dB / –12dB / –15dB /

Mono / Stereo Sets the auto level adjustment mode for

recording channel 1 and channel 2.

Mono / Stereo Sets the auto level adjustment mode for

recording channel 3 and channel 4.

Selects the AGC characteristic.

–17dB

1kHz Tone on Color Bars

CH1 Level Input without XLR adaptor

CH2 Level Input without XLR adaptor

On / Off Turns the 1 kHz reference tone signal on/off

when displaying color bars.

[Note]

When set to On, the 1 kHz reference tone signal is set for recording on channel 3 and channel 4, even if CH3 Input Select and CH4 Input Select are set to Off.

Sets the combination of audio input level

Audio Input Level / Side / Level+Side

Input with XLR adaptor (page 40)

Audio Input Level / Through

adjustments enabled for recording channel

[Note]

“Side” refers to the CH1 INPUT LEVEL dial on the side of the camcorder. When Level+Side is selected, the audio recording level is determined by the combination of the Audio Input Level and dial settings (page 95).

Sets the combination of audio input level

Audio Input Level / Side / Level+Side

Input with XLR adaptor (page 40)

Audio Input Level / Through

adjustments enabled for recording channel

[Note]

“Side” refers to the CH2 INPUT LEVEL dial on the side of the camcorder. When Level+Side is selected, the audio recording level is determined by the combination of the Audio Input Level and dial settings (page 95).

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Audio >Audio Input

Sets audio input settings.

Item Sub-item setting Description

CH3 Level Input without XLR adaptor

Audio Input Level / CH3 Input Level /

Level+CH3 Input Level

Input with XLR adaptor (page 40)

Audio Input Level / Through

CH4 Level Input without XLR adaptor

Audio Input Level / CH4 Input Level /

Level+CH4 Input Level

Input with XLR adaptor (page 40)

Audio Input Level / Through

Sets the combination of audio input level adjustments enabled for recording channel

[Note]

When Level+CH3 Input Level is selected, the audio recording level is determined by the combination of the Audio Input Level and CH3 Input Level settings (page 95).

Sets the combination of audio input level adjustments enabled for recording channel

[Note]

When Level+CH4 Input Level is selected, the audio recording level is determined by the combination of the Audio Input Level and CH4 Input Level settings (page 95).

Audio >Audio Output

Sets audio output settings.

Item Sub-item setting Description

Monitor CH CH1/CH2 / CH3/CH4 / MIX ALL / CH1 / CH2 /

CH3 / CH4

Monitor

0 to 15 (7) Adjusts the monitor audio level output to

Volume

Headphone

Mono / Stereo Selects whether the headphone jack output

Out

Selects the audio channel output to the headphone jack and built-in speaker.

[Note]

If audio for multiple channels is set for simultaneous output, the output level for each channel is reduced for output to prevent clipping.

the headphone jack and built-in speaker.

is monaural (Mono) or stereo (Stereo).

Alarm Volume 0 to 7 (4) Adjusts the volume of the alarm.

Output Limiter On / Off Turns the audio output limiter on/off.

HDMI Output CHCH1/CH2 / CH3/CH4 Sets the combination of audio channels on

the HDMI output.

Video Menu

Video >Output On/Off

Sets video output settings.

Item Sub-item setting Description

SDI On / Off Turns SDI output on/off.

HDMI On / Off Turns HDMI output on/off.

Video >Output Format

Sets output format settings.

Item Sub-item setting Description

SDI For details about settings, see “Output Formats

HDMI

and Limitations” (page 81).

REF

Video >Output Setting

Sets output conversion mode settings.

Item Sub-item setting Description

HDMI Target

Recorder / Monitor Sets the type of HDMI input device

Device

Output Color Space

When Matrix >Preset Select in the Paint menu is BT.2020 and Output Format in the Video menu is 2K or lower:

SDI2 BT.709 / SDI2 BT.2020 / All BT.709

Not configurable for settings other than the above. Displays the output color space.

4K/2K to HD

Edge Crop / Letter Box Sets the conversion mode for HD video

Conv.

Sets the SDI and HDMI output resolution.

[Note]

The Output Format setting may not be configurable in Picture Cache Rec mode. If this occurs, temporarily set Picture Cache Rec to Off, and then change the setting.

connected to the HDMI output. Recorder:

Outputs the same video as SDI1 to HDMI when in Cine EI mode.

Monitor:

Outputs the same video as SDI2 to HDMI when in Cine EI mode.

Sets the output color space.

[Tip]

For details about the color gamut of each video output when BT.2020 is selected, see “Output Menu Settings and Video Output Color Space when Preset Select is BT.2020” (page 86).

[Note]

When S&Q Motion is set to On, this is temporarily set to All BT.709.

output of 17:9 video.

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Video >Monitor LUT

Sets monitor LUT settings. Available only when shooting in Cine EI mode.

Item Sub-item setting Description

Category LUT / Look Profile / User 3D LUT Sets the type of Look applied as a monitor

LUT. LUT:

Outputs video with applied preset LUT or user LUT.

Look Profile:

Outputs video close to print film or video which is suitable as the start point of color grading, by selecting a Look number.

User 3D LUT:

Outputs video with applied user 3D LUT.

[Notes]

Monitor LUT may not be able to be set



independently for each system (page 85). User 3D LUT cannot be selected if Base Setting



>Color Space is set to S-Gamut/S-Log2 in the System menu.

Video >Monitor LUT

Sets monitor LUT settings. Available only when shooting in Cine EI mode.

Item Sub-item setting Description

LUT Select P1: 709 (800%)

P2: HG8009G40 P3: HG8009G33 P4: S-Log2 P5: S-Log3 U1 U2 U3 U4 U5 U6

Selects the LUT type, when Monitor LUT >Category is set to LUT. 709(800%):

Signal with ITU-R709 base curve with extended dynamic range up to 800%.

HG8009G40:

Signal using HyperGamma with 800% dynamic range, 109% white limit, and 18% gray card video output of 40%.

HG8009G33:

Signal using HyperGamma with 800% dynamic range, 109% white limit, and 18% gray card video output of 33%.

S-Log2:

Log signal with 1300% dynamic range that takes visibility on a video monitor into account, with footage developed in post production. (Enabled when Base Setting >Color Space in the System menu is set to S-Gamut/SLog2)

S-Log3:

Log signal with 1300% dynamic range that mimics film characteristics, close to Cineon Log curve. (Enabled when Base Setting >Color Space in the System menu is set to S-Gamut3.Cine/SLog3 or S-Gamut3/ SLog3)

U1 to U6:

User LUT signals imported from an SD card.

[Note]

When creating a LUT using RAW Viewer, select F55/F5 as the output format. Create the following folder on the SD card and store LUT files in the folder. \PRIVATE\SONY\PRO\CAMERA\PMWF55_F5

Look Profile Select

1: LC-709 2: LC-709typeA

Selects the type of Look profile, when

Monitor LUT >Category is set to Look Profile. 3: SLog2-709 4: Cine+709

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Video >Monitor LUT

Sets monitor LUT settings. Available only when shooting in Cine EI mode.

Item Sub-item setting Description

User 3D LUT Select

SDI1 & Internal Rec

SDI2 MLUT On / MLUT Off Selects whether to apply monitor LUT to the

HDMI MLUT On / MLUT Off Displays whether monitor LUT is applied to

Viewfinder MLUT On / MLUT Off Selects whether to apply monitor LUT to the

Video >Output Display

Sets output signal settings.

Item Sub-item setting Description

SDI2 On / Off Selects whether to superimpose menus and

HDMI On / Off

User 3D-1

User 3D-2 User 3D-3 User 3D-4

MLUT On / MLUT Off Selects whether to apply monitor LUT to the

Selects the type of user 3D LUT.

SDI OUT1 output video and the video recorded on XQD memory cards.

SDI OUT2 output video.

the HDMI output video.

[Tip]

This setting follows the HDMI Target Device setting (page 85).

viewfinder output video.

status on the SDI output signal and HDMI output signal.

VF Menu

VF >VF Setting

Sets viewfinder settings.

Item Sub-item setting Description

Brightness –99 to +99 (±0) Adjusts the brightness of the viewfinder

image.

Color Mode Color / B&W Selects the display mode of the viewfinder in

E-E/recording mode.

VF >Peaking

Sets peaking settings.

Item Sub-item setting Description

Setting On / Off Turns the peaking function on/off.

Peaking Type Normal / Color Selects the peaking type.

Normal: Normal peaking

Color: Color peaking

Frequency Normal / High Selects the peaking frequency.

Normal Peaking Level

Color B&W / Red / Yellow / Blue Selects the color of the color peaking signal.

Color Peaking Level

VF >Zebra

Sets zebra pattern settings.

Item Sub-item setting Description

Setting On / Off Turns the Zebra function on/off.

Zebra Select 1 / 2 / Both Selects the zebra pattern type (Zebra 1,

Zebra1 Level 0% to 107% (70%) Sets the Zebra 1 display level.

Zebra1 Aperture Level

Zebra2 Level 0% to 109% (100%) Sets the Zebra 2 display level.

VF >Marker

Sets marker display settings.

Item Sub-item setting Description

Setting On / Off Turns the display of all markers on/off.

Color White / Yellow / Cyan / Green / Magenta / Red

Center Marker 1 / 2 / 3 / 4 / Off Turns the center marker on/off.

Safety Zone On / Off Turns the safety zone marker on/off.

Safety Area 80% / 90% / 92.5% / 95% Selects the size of the safety zone marker (as

Aspect Marker Line / Mask / Off Selects the type of aspect marker.

Aspect Mask 0 to 15 (12) Sets the level of the video signal outside the

Aspect Safety Zone

0 to 99 (50) Sets the normal peaking level.

0 to 99 (50) Sets the color peaking level.

Zebra 2, Both).

1% to 20% (10%) Sets the Zebra 1 aperture level.

Selects the marker signal color. / Blue

a percentage of total screen size).

marker.

On / Off Turns the aspect safety zone marker on/off.

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VF >Marker

Sets marker display settings.

Item Sub-item setting Description

Aspect Safety Area

Aspect Select 4:3 / 1.66:1 / 1.85:1 / 2.35:1 / 2.4:1 Sets the mode when displaying the aspect

User Box On / Off Turns the box cursor display on/off.

User Box Width

User Box Height

User Box H Position

User Box V Position

100% Marker On / Off Turns the 100% marker on/off.

Guide Frame On / Off Turns the guide frame display on/off.

VF >Display On/Off

Sets display item settings.

Item Sub-item setting Description

Setting On / Off Selects the items to display in the viewfinder.

Shutter Setting On / Off

ND Filter Value On / Off

Gain Setting On / Off

Rec/Play Status

HXR-IFR5 Rec Control

Color Temp. On / Off

Frame Rate / Interval

Battery Remain On / Off

Timecode On / Off

Audio Manual On / Off

Audio Level Meter

Media Status On / Off

80% / 90% / 92.5% / 95% Selects the size of the aspect safety zone

marker (as a percentage of total screen size).

marker.

3 to 479 (240) Sets the box cursor width (distance from the

center to the left and right edges).

3 to 269 (135) Sets the box cursor height (distance from the

center to the top and bottom edges).

–476 to +476 (0) Sets the horizontal position of the box cursor

center.

–266 to +266 (0) Sets the vertical position of the box cursor

center.

On / Off

VF >Display On/Off

Sets display item settings.

Item Sub-item setting Description

Focus Position Meter / Feet / Off Selects the items to display in the viewfinder.

Iris Position On / Off

Zoom Position Number / Bar / Off

SteadyShot On / Off

Focus Mode On / Off

Focus Area Indicator

Focus Area Ind. (Push AF)

Focus Indicator

Auto Shutter On / Off

AGC On / Off

Auto ND Filter On / Off

Auto Iris On / Off

AE Mode On / Off

Auto Exposure Level

White Balance Mode

SDI/HDMI Rec Control

Rec Format On / Off

Gamma On / Off

Timecode Lock

Wi-Fi Condition

Clip Name On / Off

Focus Assist Indicator

Focus Area Marker

Video Level Warning

Clip Number On / Off

On / Off

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VF >Display On/Off

Sets display item settings.

Item Sub-item setting Description

GPS On / Off Selects the items to display in the viewfinder.

Level Gauge On / Off

Lens Info Meter / Feet / Off

Notice Message

VF >Video Signal Monitor

Sets video signal monitor settings (page 39).

Item Sub-item setting Description

Setting Off / Waveform / Vector / Histogram Sets the type of video signal monitor.

Source In Custom mode, when Preset Select is set to

On / Off

BT.2020, video output resolution is 2K or lower, and Color Output Space is set to SDI2 BT.709: or In Cine EI mode with video output resolution 2K or lower:

SDI1 & Internal Rec / SDI2

[Tip]

Not displayed when Display On/Off >Setting is set to Off.

Sets the measurement target of the video signal monitor. Displays the measurement target if not configurable.

TC/UB Menu

TC/UB >Timecode

Sets timecode settings.

Item Sub-item setting Description

Mode Preset / Regen / Clock Sets the timecode running mode.

Preset:

Starts running from a preset value.

Regen:

Starts running from the timecode of the end of the previous clip.

Clock:

Uses the internal clock as the timecode.

TC/UB >Timecode

Sets timecode settings.

Item Sub-item setting Description

Run Rec Run / Free Run Rec Run: Runs only when recording.

Free Run: Always running, regardless of

camcorder operation.

Setting Sets the timecode to an arbitrary value.

SET: Set the value.

Reset Execute / Cancel Resets the timecode to 00:00:00:00.

Execute: Reset timecode

TC Format DF / NDF Sets the timecode format.

DF: Drop Frame

NDF: Non-Drop Frame

TC/UB >TC Display

Sets time data display settings.

Item Sub-item setting Description

Display Select Timecode / Users Bit / Duration Switches the time data display.

TC/UB >Users Bit

Sets settings related to user bits.

Item Sub-item setting Description

Mode Fix / Time Sets the user bit mode.

Fix: Uses an arbitrary fixed value in user bits.

Time: Uses the current time in user bits.

Setting Sets the user bits to an arbitrary value.

TC/UB >HDMI TC Out

Sets settings related to timecode output when using HDMI.

Item Sub-item setting Description

Setting On / Off Sets whether to output the timecode to

devices for other purposes, using HDMI.

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Recording Menu

Recording >S&Q Motion

Sets Slow & Quick Motion mode settings (page 36).

Item Sub-item setting Description

Setting On / Off Turns Slow & Quick Motion on/off.

When set to On, the following functions are disabled.

 Auto iris  Auto focus

High Frame Rate Mode

Frame Rate Up to 240fps Sets the frame rate for Slow & Quick Motion

Recording >Interval Rec

Sets Interval Rec settings (page 37).

Item Sub-item setting Description

Setting On / Off Turns the interval recording mode on/off.

Interval Time 1 / 2 / 3 / 4 / 5 / 6 / 7 / 8 / 9 / 10 / 15 / 20 / 30 /

Off / Full Scan / Center Scan Enables higher speed imaging than 60P.

Off:

Higher speed imaging than 60P is disabled.

Full Scan:

Enables high-speed imaging at Super 35 mm frame size.

Center Scan:

High-speed imaging of half the Super 35 mm size angle-of-view at the center of the image.

[Note]

This setting cannot be set to conform with Imager Scan Mode when Imager Scan Mode is set to 2K Full or 2K Center.

shooting.

[Note]

The initial value varies depending on the Codec, Country, Video Format, and RAW Output Format settings.

(Setting this mode to On will set all other special modes to Off.)

Sets the interval between recordings in 40 / 50 (sec) 1 / 2 / 3 / 4 / 5 / 6 / 7 / 8 / 9 / 10 / 15 / 20 / 30 /

Interval Rec recording mode (when Interval

Rec is set to On). 40 / 50 / (min) 1 / 2 / 3 / 4 / 6 / 12 / 24 (hour)

Recording >Interval Rec

Sets Interval Rec settings (page 37).

Item Sub-item setting Description

Number of Frames

1frame / 2frames / 3frames / 6frames / 9frames / 12frames The available settings vary depending on the

Sets the number of frames to record per take in Interval Rec recording mode (when

Interval Rec is set to On). frame frequency of the selected video format. 50P/59.94P:

2frames / 6frames / 12frames

23.98P/25P/29.97P/50i/59.94i:

1frame / 3frames / 6frames / 9frames

Pre-Lighting Off / 2sec / 5sec / 10sec Sets the number of seconds that the video

light turns on before recording starts in

Interval Rec recording mode.

[Tip]

Available only when using the HVL-LBPC (option).

Recording >Picture Cache Rec

Sets Picture Cache Rec mode settings (page 37).

Item Sub-item setting Description

Setting On / Off Turns the picture cache recording function

on/off.

Cache Rec Time

0-2sec / 2-4sec / 4-6sec / 6-8sec / 8-10sec /

10-12sec / 12-14sec / 13-15sec

Sets the picture cache recording time, when

Picture Cache Rec is set to On.

Recording >Simul Rec

Sets Simul Rec settings (page 30).

Item Sub-item setting Description

Setting On / Off Turns the simultaneous recording function

on/off and sets the recording destination

media.

Rec Button Set “Rec Button [SlotA SlotB] Handle Rec Button

[SlotA SlotB]” / “Rec Button [SlotA] Handle Rec

Assigns the record buttons used to control

each recording media. Button [SlotB]” / “Rec Button [SlotB] Handle Rec Button [SlotA]”

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Recording >SDI/HDMI Rec Control

Sets SDI/HDMI recording control settings.

Item Sub-item setting Description

Setting On / Off Turns recording start/stop control for an

external connected device, using SDI/HDMI signals, on/off. When different buttons are assigned using Rec Button Set, the recording control signal follows the recording state of slot A.

[Tip]

When set to On, this starts/stops recording on an external connected device, even if no XQD card is currently inserted.

Thumbnail Menu

Thumbnail

Item Sub-item setting Description

Display Clip Properties

Set Index Picture

Thumbnail >Thumbnail View

Sets thumbnail screen display format settings.

Item Sub-item setting Description

Essence Mark Thumbnail

Clip Thumbnail

Thumbnail >Set Shot Mark

Sets shot mark settings.

Item Sub-item setting Description

Add Shot Mark1

All / Rec Start / Shot Mark1 / Shot Mark2 / Shot

Mark3 / Shot Mark4 / Shot Mark5 / Shot Mark6 / Shot Mark7 / Shot Mark8 / Shot Mark9 / Shot Mark0

Displays the clip properties screen.

Sets the index picture of a clip.

Displays thumbnails of frames with essence marks.

Displays thumbnails of recorded clips.

Adds Shot Mark1.

Thumbnail >Set Shot Mark

Sets shot mark settings.

Item Sub-item setting Description

Delete Shot Mark1

Add Shot Mark2

Delete Shot Mark2

Thumbnail >Set Clip Flag

Sets clip flag settings.

Item Sub-item setting Description

Add OK Adds an OK flag.

Add NG Adds an NG flag.

Add KEEP Adds a Keep flag.

Delete Clip Flag

Thumbnail >Lock/Unlock Clip

Sets clip protection settings.

Item Sub-item setting Description

Select Clip Selects and locks/unlocks a clip.

Lock All Clips Locks all clips.

Unlock All Clips

Thumbnail >Delete Clip

Deletes clips.

Item Sub-item setting Description

Select Clip Deletes the selected clip.

All Clips Deletes all of the displayed clips.

Thumbnail >Filter Clips

Sets settings of clips to display.

Item Sub-item setting Description

OK Display only clips that have an OK flag.

NG Display only clips that have an NG flag.

KEEP Display only clips that have a Keep flag.

None Display only clips that have no flag.

Deletes Shot Mark1.

Adds Shot Mark2.

Deletes Shot Mark2.

Deletes all flags.

Unlocks all clips.

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Thumbnail >Customize View

Switches the thumbnail screen view.

Item Sub-item setting Description

Thumbnail Caption

Date Time / Time Code / Duration / Sequential Number

Switches the information displayed below thumbnails.

Media Menu

Media >Update Media

Updates the management file on memory cards.

Item Sub-item setting Description

Media (A) Execute / Cancel Updates the management file on the XQD

memory card in slot A. Execute: Update card

Media (B) Execute / Cancel Updates the management file on the XQD

memory card in slot B. Execute: Update card

Media >Format Media

Initializes memory cards.

Item Sub-item setting Description

Media (A) Execute / Cancel Initializes the XQD memory card in slot A.

Execute: Initialize card

Media (B) Execute / Cancel Initializes the XQD memory card in slot B.

Execute: Initialize card

Media >Clip

Sets settings related to clip names.

Item Sub-item setting Description

Auto Naming Cam ID + Reel# / Title Sets the method for naming clips.

Cam ID + Reel#:

Camera ID + Reel Number + Shot Number + Date + random string

Title:

String set using Title Prefix + Clip Number

[Note]

When Simul Rec is set to On, Cam ID + Reel#

cannot be configured.

Camera ID A to Z Sets the camera ID when Auto Naming is set

to Cam ID + Reel#.

Reel Number 001 to 999 Sets the numeric part of Reel Number when

Auto Naming is set to Cam ID + Reel#.

Camera Position

Title Prefix Initial value is a model-specific ID.

Number Set 0001 to 9999 Sets the numeric portion of the clip name

C / L / R Sets the Shot Number prefix when Auto

Naming is set to Cam ID + Reel#.

Sets the title portion of the clip name when Model-specific ID comprises the last three digits of the serial number.

Auto Naming is set to Title.

[Tip]

The value is entered using the character entry

screen (page 49).

when Auto Naming is set to Title.

SD Card Execute / Cancel Initializes the UTIILITY SD card.

Execute: Initialize card

File Menu

File >All File

Sets settings related to ALL files.

Item Sub-item setting Description

Load SD Card Execute / Cancel Loads an ALL file.

Execute: Load file

Save SD Card Execute / Cancel Saves an ALL file.

Execute: Save file

File ID Assigns a name to the file.

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File >Scene File

Sets settings related to scene files.

Item Sub-item setting Description

Recall Internal Memory

Store Internal Memory

Load SD Card Execute / Cancel Loads a scene file from an SD card.

Save SD Card Execute / Cancel Saves a scene file to an SD card.

File ID Assigns a name to the file.

Scene White Data

File >User Menu Item

Sets settings related to User menu items.

Item Sub-item setting Description

Load SD Card Execute / Cancel Loads User menu settings on an SD card into

Save SD Card Execute / Cancel Saves User menu settings on an SD card.

File ID Displays the File ID specified for the file

File >User Gamma

Sets settings related to user gamma files.

Item Sub-item setting Description

Current Settings

Load SD Card Execute / Cancel Loads user gamma settings on an SD card

Execute / Cancel Loads a scene file from internal memory.

Execute: Load file

Execute / Cancel Saves a scene file in internal memory.

Execute: Save file

Execute: Load file

Execute: Save file

On / Off Sets whether to apply the white balance

data when loading scene files.

internal memory. Execute: Load settings

Execute: Save settings

loaded using Load SD Card. Also sets (edits) the File ID when saving a file using this menu.

Displays a list of the current user gamma file settings (file names).

into internal memory. Execute: Load gamma To use user gamma files created using CvpFileEditor™ V4.2 with the camcorder, save files in the following folder on the SD card. PRIVATE\SONY\PRO\CAMERA\HD_CAM

File >User Gamma

Sets settings related to user gamma files.

Item Sub-item setting Description

Reset 1 / 2 / 3 / 4 / 5 / All

Initial value: 709(800%)

File >Monitor LUT

Sets settings related to monitor LUT files.

Item Sub-item setting Description

Current Settings

Load SD Card Execute / Cancel Loads monitor LUT settings on an SD card

Reset 1 / 2 / 3 / 4 / 5 / 6 / All Resets the monitor LUT data in internal

File >Monitor 3D LUT

Sets settings related to monitor 3D LUT files.

Item Sub-item setting Description

Current Settings

Resets the user gamma files in internal

memory to default values.

1 to 5: Reset individual user gamma

All: Reset all user gammas

Displays a list of the current monitor LUT file

settings (file names).

into internal memory.

Execute: Load LUT settings

Save user LUT files generated using RAW

Viewer in the following folder on the SD

card.

PRIVATE\SONY\PRO\CAMERA\PMWF55_F5

memory to default values.

1 to 6: Reset individual monitor LUT

All: Reset all monitor LUTs

Displays a list of the current monitor 3D LUT

file settings (file names).

Page 69

5. Menu Display and Settings: Setup Menu List

000

File >Monitor 3D LUT

Sets settings related to monitor 3D LUT files.

Item Sub-item setting Description

Load SD Card Execute / Cancel Loads monitor 3D LUT settings on an SD

card into internal memory. Execute: Load 3D LUT settings You can import CUBE files (*.cube) with lattice resolution of 17 or 33 created using Catalyst Browse, RAW Viewer, or BMD Da Vinci Resolve*.

* Verified with Resolve V9.0, V10.0, and V11.0.

If creating a CUBE file using Catalyst Browse and RAW Viewer, set the Source setting in Catalyst Browse and the Input setting in RAW Viewer to S-Gamut3.Cine/S-Log3. Set Format to Resolve when exporting the CUBE file. Save the created 3D LUT data (user 3D LUT file) in the following folder on the SD card. PRIVATE\SONY\PRO\CAMERA\PMWF55_F5

[Note]

The monitor 3D LUT function cannot be used if Base Setting >Color Space is set to S-Gamut/SLog2 in the System menu on the camcorder.

Reset 1 / 2 / 3 / 4 / All Resets the monitor 3D LUT data in internal

memory to default values. 1 to 4: Reset individual monitor 3D LUT All: Reset all monitor 3D LUTs

File >Lens File

Sets settings related to lens files.

Item Sub-item setting Description

White Offset R –99 to +99 (±0)

Sets the white balance offset R channel correction value for the lens in the lens file.

White Offset B –99 to +99 (±0)

Sets the white balance offset B channel correction value for the lens in the lens file.

System Menu

System >Base Setting

Sets base settings.

Item Sub-item setting Description

Shooting Mode

Color Space S-Gamut/SLog2 /

Imager Scan Mode

System >Codec

Sets codec settings.

Item Sub-item setting Description

Select RAW / RAW & XAVC-I / RAW & XAVC-L / RAW &

Custom / Cine EI Sets the shooting mode.

Sets the color space. S-Gamut3.Cine/SLog3 / S-Gamut3/SLog3 /

Matrix

Normal / 2K Full / 2K Center Sets the scan mode for capturing

information by the image sensor

(page 21).

Sets the recording/playback mode. MPEG HD 422 / XAVC-I / XAVC-L / MPEG HD 422 / ProRes 422 HQ / ProRes 422

[Notes]

RAW / RAW & XAVC-I / RAW & XAVC-L / RAW &



MPEG HD 422 are available when an XDCA-FS7 is connected and Base Setting >Shooting Mode is set to Cine EI. ProRes 422 HQ / ProRes 422 are available only



when an XDCA-FS7 is connected.

[Note]

Place files in the following folders on the SD card. ALL files, Scene files, User Menu Item:

\PRIVATE\Sony\PRO\CAMERA\PXW-FS7M2

User gamma files:

\PRIVATE\Sony\PRO\CAMERA\HD_CAM

Monitor LUT files, monitor 3D LUT files:

\PRIVATE\Sony\PRO\CAMERA\PMWF55_F5

Page 70

5. Menu Display and Settings: Setup Menu List

000

System >Rec Format

Sets recording format settings.

Item Sub-item setting Description

Video Format

 For NTSC systems:

When Codec >Select is set to XAVC-I:

4096×2160 59.94P 4096×2160 29.97P 4096×2160 24.00P 4096×2160 23.98P

3840×2160 59.94P

3840×2160 29.97P 3840×2160 23.98P 1920×1080 59.94P 1920×1080 59.94i 1920×1080 29.97P 1920×1080 23.98P

When Codec >Select is set to XAVC-L:

3840×2160 59.94P

3840×2160 29.97P 3840×2160 23.98P 1920×1080 59.94P 50 1920×1080 59.94P 35 1920×1080 59.94i 50 1920×1080 59.94i 35 1920×1080 59.94i 25 1920×1080 29.97P 50 1920×1080 29.97P 35 1920×1080 23.98P 50 1920×1080 23.98P 35

When Codec >Select is set to MPEG HD422:

1920×1080 59.94i 50

1920×1080 29.97P 50 1920×1080 23.98P 50 1280×720 59.94P 50 1280×720 29.97P 50

1280×720 23.98P 50 When Codec >Select is set to ProRes 422 HQ or ProRes 422:

1920×1080 59.94i

1920×1080 29.97P

Sets the recording format.

 For PAL systems:

When Codec >Select is set to XAVC-I:

4096×2160 50P 4096×2160 25P

3840×2160 50P

3840×2160 25P 1920×1080 50P 1920×1080 50i 1920×1080 25P

When Codec >Select is set to XAVC-L:

3840×2160 50P

3840×2160 25P 1920×1080 50P 50 1920×1080 50P 35 1920×1080 50i 50 1920×1080 50i 35 1920×1080 50i 25 1920×1080 50P 25 1920×1080 25P 35

When Codec >Select is set to MPEG HD422:

1920×1080 50i 50

1920×1080 25P 50 1280×720 50P 50

1280×720 50P 25 When Codec >Select is set to ProRes 422 HQ or ProRes 422:

1920×1080 50i

1920×1080 25P

[Notes]

“---” is grayed out when Codec >Select is set



to RAW. The fixed values are grayed out when Codec



>Select is set to RAW & XAVC-I, RAW & XAVC-L, or RAW & MPEG HD 422. The recording format cannot be set to



4096×2160 or 3840×2160 when Imager Scan Mode is set to 2K Full or 2K Center.

1920×1080 23.98P

System >Rec Format

Sets recording format settings.

Item Sub-item setting Description

RAW Output Format

 For NTSC systems:

When Codec >Select is set to an item that includes RAW, and Imager Scan Mode is set to Normal:

4096×2160 59.94P

4096×2160 29.97P

4096×2160 23.98P When Codec >Select is set to an item that includes RAW, and Imager Scan Mode is set to 2K Full or 2K Center:

2048×1080 59.94P

Sets the recording format for an external RAW recorder.

 For PAL systems:

When Codec >Select is set to an item that includes RAW, and Imager Scan Mode is set to Normal:

4096×2160 50P

4096×2160 25P When Codec >Select is set to an item that includes RAW, and Imager Scan Mode is set to 2K Full or 2K Center:

2048×1080 50P

2048×1080 25P

2048×1080 29.97P 2048×1080 23.98P

System >Genlock

Sets genlock settings.

Item Sub-item setting Description

Reference Internal / External (HD) / External (SD) Displays the genlock state. It displays the

signal type if genlock is applied. Internal: External genlock not applied. External (HD): Genlock to HD signal. External (SD): Genlock to SD signal.

Page 71

5. Menu Display and Settings: Setup Menu List

000

System >Assignable Button

Sets function assignments to assignable buttons.

Item Sub-item setting Description

<1> to <10> Off / Marker / Zebra / Peaking / Video Signal

Monitor / DURATION/TC/U-BIT / Focus Magnifier x4/x8 / Focus Magnifier x4 / Focus Magnifier x8 / Push AF/Focus Hold / Focus Area / Focus Area (Push AF) / VF Mode / ND Filter Position / IRIS / AGC / Auto ND Filter / SHUTTER / Auto Exposure Level / Push Auto Iris / Push AGC / Push Auto ND / Spotlight / Backlight / ATW / ATW Hold / SteadyShot / Color Bars / User Menu / Rec Lamp / S&Q Motion / Picture Cache Rec / Rec Review / Thumbnail / Shot Mark1 / Shot Mark2 / Clip Flag OK / Clip Flag NG / Clip Flag Keep / High/ Low Key

Assigns functions to assignable buttons. Marker:

Turns the marker function on/off.

Zebra:

Turns the Zebra function on/off.

Peaking:

Turns the peaking function on/off.

Video Signal Monitor:

Switches the video signal monitor (such as a waveform monitor).

DURATION/TC/U-BIT:

Switches between Time Code, Users Bit,

and Duration. Focus Magnifier x4/x8: Focus Magnifier x4: Focus Magnifier x8:

Turns the focus magnifier function on/

off. Push AF/Focus Hold:

Runs the push auto focus function or

focus hold function. Focus Area: Focus Area (Push AF):

Opens the Focus Area setup screen. VF Mode:

Switches the viewfinder display between

color and B&W. ND Filter Position

Switches ND filters. IRIS:

Switches the iris function between Auto

and Manual. AGC:

Turns the AGC function on/off. Auto ND Filter

Turns the Auto ND Filter function on/off. SHUTTER:

Switches the shutter between Auto and

Manual. Auto Exposure Level:

Opens the Auto Exposure Level screen.

System >Assignable Button

Sets function assignments to assignable buttons.

Item Sub-item setting Description

<1> to <10> Push Auto Iris:

Enables the auto iris function while the button is pressed.

Push AGC:

Enables the AGC function while the button is pressed.

Push Auto ND

Enables the Auto ND Filter function while the button is pressed.

Spotlight:

Switches between Spotlight and Standard.

Backlight:

Switches between Backlight and Standard.

ATW:

Turns the ATW function on/off.

ATW Hold:

Pauses ATW function operation.

SteadyShot:

Switches between Active SteadyShot, SteadyShot, and Off.

Color Bars:

Turns the color bars on/off.

User Menu:

Opens/closes the User menu.

Rec Lamp:

Turns the recording indicator on/off.

S&Q Motion:

Turns Slow & Quick Motion on/off. Sets the recording frame rate if pressed and held.

Picture Cache Rec:

Turns picture cache recording mode on/ off.

Rec Review:

Turns the Rec Review function on/off.

Thumbnail:

Opens/closes the thumbnail screen.

Shot Mark1:

Runs the Add Shot Mark1 function.

Shot Mark2:

Runs the Add Shot Mark2 function.

Page 72

5. Menu Display and Settings: Setup Menu List

000

System >Assignable Button

Sets function assignments to assignable buttons.

Item Sub-item setting Description

<1> to <10> Clip Flag OK:

Runs the Add OK function.

Press twice to execute Delete Clip Flag. Clip Flag NG:

Runs the Add NG function.

Press twice to execute Delete Clip Flag. Clip Flag Keep:

Runs the Add Keep function.

Press twice to execute Delete Clip Flag. High/Low Key:

Switches between High Key (display for

checking for blown-out whites), Low Key

(display for checking for underexposed

areas), and Off (normal display) in that

order.

Applicable for systems where Monitor

LUT is set to On.

System >Assignable Dial

Sets function assignments for assignable dial and sets rotation direction.

Item Sub-item setting Description

Assignable Dial

Off / IRIS / ISO/Gain/EI / ND Filter / Focus / Audio Input Level

Assigns functions to the assignable dial on the grip remote control. ISO/Gain/EI: Adjusts the gain or EI. IRIS: Adjusts the iris. ND Filter: Adjusts the light level. Focus: Adjusts the focus. Audio Input Level: Adjusts the audio level.

IRIS Dial (Same settings as Assignable Dial) When the ND/IRIS switch is set to the IRIS

position, this assigns functions to the ND/IRIS dial.

Assignable Dial Direction

Normal / Opposite Sets the direction of rotation of the

assignable dial on the grip remote control. Normal: Turn in forward direction. Opposite: Turn in opposite direction.

IRIS Dial Direction

Normal / Opposite Sets the direction of rotation of the IRIS dial

when the ND/IRIS switch is set to IRIS. Normal: Turn in forward direction. Opposite: Turn in opposite direction.

System >ND Dial

Sets the direction of rotation of the ND dial.

Item Sub-item setting Description

ND Dial Direction

Normal / Opposite Sets the direction of rotation of the ND dial

when the ND/IRIS switch is set to ND. Normal: Turn in forward direction. Opposite: Turn in opposite direction.

System >Rec Lamp

Sets recording indicator settings.

Item Sub-item setting Description

Rec Lamp On / Off Turns the recording indicator on/off.

System >Fan Control

Sets fan control mode settings.

Item Sub-item setting Description

Setting Auto / Minimum / Off in Rec Sets the control mode of the camcorder fan.

[Note]

Even when Off in Rec is selected, the fan will operate if the internal temperature of the camcorder rises above a certain value.

System >HOLD Switch Setting

Sets hold switch settings.

Item Sub-item setting Description

with Rec

On / Off Sets whether to lock the recording button.

Button

with Hand Grip Remote

On / Off Sets whether to lock operation of the grip

remote control.

System >Lens

Sets settings related to lenses.

Item Sub-item setting Description

Zoom Ring Direction

Shading

Left (W) / Right (T) / Right (W) / Left (T) Sets the direction of zoom ring operation.

[Note]

Enabled only when using an E-mount lens that supports zoom ring direction switching.

Auto / Off Turns shading compensation on/off.

Compensation

Chroma Aberration

Auto / Off Turns chrome aberration compensation on/

off.

Comp.

Page 73

5. Menu Display and Settings: Setup Menu List

000

System >Lens

Sets settings related to lenses.

Item Sub-item setting Description

Distortion Comp.

Auto / Off Turns automatic distortion compensation

on/off.

[Notes]

Not available in picture cache recording mode



or when recording. Distortion compensation is not applied during



4K or QFHD recording. When Auto is selected, there are some



restrictions on Monitor LUT (page 85).

System >Language

Sets the display language.

Item Sub-item setting Description

Select Sets the display language.

SET: Set language.

System >Clock Set

Sets internal clock settings.

Item Sub-item setting Description

Time Zone UTC – 12:00 to UTC + 14:00 Sets the time difference from UTC in

30-minute units.

Date Mode YYMMDD / MMDDYY / DDMMYY Selects the display format for dates.

YYMMDD: Year, month, day MMDDYY: Month, day, year DDMMYY: Day, month, year

12H/24H 12H / 24H Selects the clock display format.

12H: 12-hour mode 24H: 24-hour mode

Date Sets the current date.

SET: Set the value.

Time Sets the current time.

SET: Set the value.

System >Country

Sets the region of use.

Item Sub-item setting Description

NTSC/PAL Area

NTSC Area / PAL Area The default setting varies depending on the

Sets the region of use.

country of purchase.

System >Hours Meter

Displays the accumulated running time.

Item Sub-item setting Description

Hours (System) Displays the accumulated hours of use

(cannot be reset).

Hours (Reset) Displays the accumulated hours of use (can

be reset).

Reset Execute / Cancel Resets the Hours (Reset) display to 0.

Execute: Reset

System >Basic Authentication

Sets basic network authentication settings.

Item Sub-item setting Description

User Name User name

(admin)

Sets a desired user name (1 to 16 alphanumeric characters). SET: Set the value.

Password Password

(pxw-fs7m2)

Sets a password (1 to 16 alphanumeric characters). SET: Set the value.

System >Wi-Fi

Sets wireless LAN connection settings.

Item Sub-item setting Description

Wi-Fi Enable / Disable Enables/disables Wi-Fi.

SSID &

Displays the SSID and password.

Password

Wi-Fi Direct Connection

Execute / Cancel Starts a Wi-Fi Direct network connection.

Execute: Connect

Client Displays information about the connected

client device (model name and MAC address).

IP Address 192.168.1.1 Displays the IP address of the camcorder.

[Note]

Not displayed when using the CBK-WA100.

Subnet Mask 255.255.0.0 Displays the subnet mask.

[Note]

Not displayed when using the CBK-WA100.

MAC Address Displays the MAC address of the Wi-Fi

module attached to the camcorder.

Regenerate Password

Execute / Cancel Creates a new password.

Execute: Regenerate

Page 74

5. Menu Display and Settings: Setup Menu List

000

System >GPS

Sets GPS settings.

Item Sub-item setting Description

GPS On / Off Turns the GPS function on/off.

[Note]

The GPS module is built into the handle.

System >IR Remote

Sets infrared remote control settings.

Item Sub-item setting Description

Setting On / Off Enables/disables control from the supplied

infrared remote control.

System >Camera Battery Alarm

Sets battery low-voltage alarm settings.

Item Sub-item setting Description

Low BATT 5% / 10% / 15% / … / 45% / 50% Sets the remaining battery level to display a

battery low-voltage alarm (5% increments).

BATT Empty 3% to 7% Sets the remaining battery level to display a

battery empty alarm.

System >Camera DC IN Alarm

Sets input voltage alarm settings.

Item Sub-item setting Description

DC Low Voltage1

DC Low Voltage2

11.5V to 17V Sets the voltage to display a DC IN low input

voltage alarm.

11.0V to 14.0V Sets the voltage to display a DC IN

insufficient input voltage alarm.

System >Ext. Unit Battery Alarm

Sets XDCA-FS7 battery settings.

Item Sub-item setting Description

Near End:Info Battery

5% to 100% Sets the remaining battery level to display a

Info-Lithium battery low-voltage alarm (5% increments).

End:Info Battery

0% to 5% Sets the remaining battery level to display a

Info-Lithium battery end alarm and to stop media access.

Near End:Sony Battery

11.5V to 17V Sets the remaining battery level to display a

battery low-voltage alarm for a non InfoLithium battery.

System >Ext. Unit Battery Alarm

Sets XDCA-FS7 battery settings.

Item Sub-item setting Description

End:Sony Battery

11.0V to 11.5V Sets the remaining battery level to display a

battery end alarm for a non Info-Lithium battery and to stop media access.

Near End:Other Battery

End:Other Battery

11.5V to 17V (11.8V) Sets the remaining battery level to display a battery low-voltage alarm for an Anton/ Bauer battery.

11.0V to 14.0V Sets the remaining battery level to display a

battery end alarm for an Anton/Bauer battery and to stop media access.

Detected Battery

Displays the type of battery connected to the XDCA-FS7. If a battery is connected to the XDCA-FS7, “Info Battery,” “Sony Battery,” or “Other Battery” is displayed. If a DC source is connected, “DC IN” is displayed. If powered by a battery or DC source connected to the camcorder, “---” is displayed.

System >Ext. Unit DC IN Alarm

Sets XDCA-FS7 input voltage alarm settings.

Item Sub-item setting Description

DC Low Voltage1

DC Low Voltage2

11.5V to 17V Sets the voltage to display a DC IN low input

voltage alarm.

11.0V to 14.0V Sets the voltage to display a DC IN

insufficient input voltage alarm.

System >All Reset

Resets settings to factory defaults.

Item Sub-item setting Description

Reset Execute / Cancel Resets all settings to their factory defaults.

Execute: Reset

Page 75

5. Menu Display and Settings: Setup Menu List

000

System >APR

Executes APR.

Item Sub-item setting Description

APR Execute / Cancel Runs APR (Automatic Pixel Restoration) for

image sensor auto adjustment. Execute: Run

[Note]

Always attach the lens cap before running APR.

System >Camera Config

Sets down-converter output settings.

Item Sub-item setting Description

HD/2K Modulation

High / Low Sets the down-converter output bandwidth

for conversion to HD and 2K.

System >Version

Displays version information.

Item Sub-item setting Description

Number x.xx Displays the software version of the

camcorder.

Version Up Execute / Cancel Upgrades the camcorder.*

Execute: Upgrade

* Upgrading updates the camcorder software.

Lens Version

xx Displays the version of an E-mount lens.

Number

Lens Version UpExecute / Cancel Updates the E-mount lens software

(page 97). Execute: Upgrade

Ext. Unit Version

x.xx Displays the software version of the XDCA-

FS7.

Number

Ext. Unit Version Up

Execute / Cancel Upgrades the XDCA-FS7.*

Execute: Upgrade

* Upgrading updates the XDCA-FS7 software.

Page 76

6. External Device Connection

00076

Connecting External Monitors and Recording Devices

To display recorded/playback pictures on an external monitor, select the camcorder output signal and use an appropriate cable for the monitor to be connected. You can also connect recording devices, such as a VTR, and record the output signal from the camcorder. You can display the same information that is visible in the viewfinder, such as status information and menus, on an external monitor. Set Output Display (page 62) in the Video menu to On for the corresponding type of signal to output to the monitor.

SDI OUT Connector (BNC type)

Turn the output on/off and set the output format using the Video menu (page 60). Use a commercially available 75 Ω coaxial cable for connection.

[Note]

Check that the connection between the camcorder and the external device is grounded before turning the devices on.

[Notes]

If a connected external device does not support a REC



trigger signal, the device cannot be operated. When the record START/STOP button and the handle



record START/STOP are set to control different media, the REC trigger signal is output in accordance with the operation of slot A. Only the REC trigger signal is output when there is no



media currently inserted.

HDMI OUT Connector (Type A connector)

Turn the output on/off and set the output format using the Video menu (page 60). Use a commercially available high-speed HDMI cable for connection. Select the type of the connected device using HDMI Target Device (page 60) in the Video menu.

RAW OUT Connector (BNC type)

(It is recommended that the camcorder and external device be turned on after connecting the 75 Ω coaxial cable.) If the external device must be connected to the camcorder while the camcorder is on, connect the 75 Ω coaxial cable to the external device first and then connect it to the camcorder.

To start recording on the camcorder and external device simultaneously

With SDI signal output enabled, set SDI/HDMI Rec Control (page 66) >Setting in the Recording menu to On to enable output of a REC trigger signal to the external device connected to the SDI OUT connector. This will synchronize recording on the external device with the camcorder.

Attaching an XDCA-FS7 Extension Unit to the camcorder provides support for an external RAW recorder, such as the AXS-R5, to be connected to the RAW OUT connector of the XDCA-FS7 (page 27).

Page 77

6. External Device Connection

000

External Synchronization

When shooting using multiple camcorder units, the camcorders can be synchronized to a specific reference signal or timecodes synchronized via the Genlock connector of the XDCA-FS7 units (page 8) attached to the camcorders.

[Note]

The camcorder battery pack cannot be used when an XDCAFS7 unit is attached to the camcorder. You must attach a battery pack to the XDCA-FS7 or connect an external power supply.

Synchronizing the Phase of the Video Signals (Genlock)

Enable genlock by supplying a reference signal to the GENLOCK IN connector (page 8) of the XDCA-FS7 units connected to the camcorders. The reference signals that can be used vary depending on the frame rate of the selected recording format.

For NTSC Area

Frame rate of recording format

59.94P 1920×1080 59.94i

29.97P 1920×1080 59.94i

24.0P 1920×1080 48i (24PsF)

23.98P 1920×1080 47.95i (23.98PsF)

59.94i 1920×1080 59.94i

Supported input reference signals

720×486 59.94i 1280×720 59.94P

720×486 59.94i

For PAL Area

Frame rate of recording format

50P 1920×1080 50i

25P 1920×1080 50i

50i 1920×1080 50i

[Notes]

If the selected recording format is 1280×720 60P, you



must supply both a video signal and a time signal. If the reference signal is unstable, genlock cannot be



achieved. The subcarrier is not synchronized.



Supported input reference signals

720×576 50i 1280×720 50P

720×576 50i

Locking the Timecode to Other Devices

Set the unit that supplies the timecode to a mode in which the timecode output keeps running (such as Free Run or Clock).

1 Set Timecode (page 64) in the TC/UB menu

as follows. Mode: Preset Run: Free Run

2 Press the assignable button (page 36)

assigned with the DURATION/TC/UBIT function to display the timecode on the screen.

3 Check that the TC IN/OUT switch (page 8)

on the XDCA-FS7 is set to the IN position, and supply an HD or SD reference video signal and a timecode synchronized to the video signal to the Genlock and TC IN/OUT connectors, respectively.

The timecode generator of the camcorder acquires lock with the reference timecode, and “EXT-LK” appears on the screen. Once about ten seconds have elapsed after the timecode locks, the external lock state is maintained even if the external reference timecode source is disconnected.

[Notes]

Check that the supplied reference timecode and the



reference video signal are in a phase relationship that complies with the SMPTE timecode standard. When operating with external lock, the timecode instantly



acquires lock with the external timecode and the external timecode value appears in the data display area. However, do not start recording immediately. Wait for a few seconds until the timecode generator stabilizes before recording. If the frequency of the reference video signal and the



frame frequency on the camcorder are not the same, lock cannot be acquired and the camcorder will not operate properly. If this occurs, the timecode will not acquire successful lock with the external timecode. If the external timecode source is disconnected, the



timecode may shift by one frame per hour with respect to the reference timecode.

To release external lock

Change the Timecode setting in the TC/UB menu, or turn the camcorder off. External lock is also released if you start recording in Slow & Quick Motion mode.

Synchronizing the Timecode of Another Device with the Timecode of the Camcorder

Set the unit that supplies the timecode to a mode in which the timecode output keeps running (such as Free Run or Clock).

1 Set the timecode of the camcorder using

Timecode (page 64) in the TC/UB menu.

2 Check that the TC IN/OUT switch (page 8)

of the XDCA-FS7 is set to the OUT position, and connect the TC IN/OUT connector and GENLOCK IN connector (page 8) to the timecode input and reference signal input, respectively, of the device you want to synchronize.

Page 78

6. External Device Connection

000

Managing/Editing Clips using a Computer

– Disconnecting the USB cable

Connecting Using a USB Cable

Operation is not guaranteed to work on all computers.



Using nonlinear editing systems

Using an XQD card reader (option)

Connect an MRW-E80 XQD Card Reader (option) using a USB cable, and insert a memory card in the slot. The memory card is recognized as a computer extension drive.

Using mass storage mode

Connect the camcorder using a USB cable, and insert a memory card in the slot. The memory card is recognized as a computer extension drive.

1 Turn the camcorder POWER switch to the ON

position. A message appears on the screen or viewfinder asking whether to enable USB connection.

[Note]

The USB connection confirmation message is not displayed while another confirmation message or progress message is displayed, for example, when formatting or restoring an XQD memory card. The confirmation message is displayed when the formatting or restoring execution ends. The USB confirmation message is also not displayed when the clip properties screen is displayed. The message is displayed when processing ends or when you return to the thumbnail screen.

In a nonlinear editing system, editing software (option) that supports the formats recorded by the camcorder is required. Use dedicated application software to save the clips you want to edit on the HDD of the computer beforehand.

2 Turn the SEL/SET dial and select Execute. 3 On Windows, check that the card is added as a

removable disk in the “My Computer” window. On Macintosh, check that a folder called “NO NAME” or “Untitled” (editable) is created on the Desktop.

[Notes]

Do not perform the following operations if the access



lamp is lit red.

– Turning the power off or disconnecting the power cord – Removing the XQD memory card

Page 79

7. Appendix

00079

Usage Precautions

The fan is a consumable part that will need periodic replacement. When operating at room temperature, a normal replacement cycle will be about 5 years. However, this replacement cycle represents only a general guideline and does not imply that the life expectancy of this part is guaranteed. For details on parts replacement, contact your dealer.

If the unit is suddenly taken from a cold to a warm location, or if ambient temperature suddenly rises, moisture may form on the outer surface of the unit and/or inside of the unit. This is known as condensation. If condensation occurs, turn off the unit and wait until the condensation clears before operating the unit. Operating the unit while condensation is present may damage the unit.

The LCD panel fitted to this unit is manufactured with high precision technology, giving a functioning pixel ratio of at least 99.99%. Thus a very small proportion of pixels may be “stuck,” either always off (black), always on (red, green, or blue), or flashing. In addition, over a long period of use, because of the physical characteristics of the liquid crystal display, such “stuck” pixels may appear spontaneously. These problems are not a malfunction. Note that any such problems have no effect on recorded data.

About the built-in rechargeable battery

The camcorder has a built-in rechargeable battery for storing the date, time, and other settings even when the camcorder is turned off. The built-in rechargeable battery will become charged after 24 hours have elapsed if the unit is connected to a power outlet using the AC adaptor or if a fully charged battery pack is attached, regardless of whether the camcorder is turned on/off. The rechargeable battery will be fully discharged in about 3 months if the AC adaptor is not connected or the camcorder is used without the battery pack attached. Use your camcorder after charging the battery. However, even if the built-in rechargeable battery is not charged, the camcorder operation will not be affected as long as you are not recording the time and date.

The battery terminal of this unit (the connector for battery packs and AC adaptors) is a consumable part. Power may not be supplied to the unit properly if the pins of the battery terminal are bent or deformed by shock or vibrations, or if they become corroded due to prolonged outdoor use. Periodic inspections are recommended to keep the unit working properly and to prolong its usable lifetime. Contact a Sony service or sales representative for more information about inspections.

Page 80

7. Appendix

000

ND Filter Dial

If the ND filter will not move, you can move the filter to the Clear position manually using the following procedure.

1 Turn the camcorder POWER switch to the off

position.

2 Remove the round cap on the bottom side. 3 Insert a screwdriver in the hole and turn it

counterclockwise.

The ND filter moves to the Clear position by



turning counterclockwise. Continue turning until reaching the Clear position. Use a screwdriver with Ø2.4 mm diameter



or smaller. The insertion depth of the screwdriver is about 3.2 cm (1 5/16 in.).

Screwdriver hole (with cap removed)

4 Set the PRESET/VARIABLE switch (page 6)

to the PRESET position, and set the ND FILTER dial (page 6) to Clear.

[Notes]

Do not use the procedure above during normal operation.



Only use this procedure if the ND filter will not move. The ND filter may become damaged if this procedure is used during normal operation. After the procedure above is used, consult a Sony service



center to have the camcorder repaired. If an error message still appears after performing the



procedure above, shooting is still possible.

Page 81

7. Appendix

000

Output Formats and Limitations

Factory default settings are shown in bold (for example, 2048×1080P (Level A)).

[Notes]

The resolution of the recording format is limited by the Base Setting >Imager Scan Mode setting in the System menu



(page 69). No playback picture is output if the video output resolution is higher than the resolution of the picture.



SDI OUT/HDMI OUT Connector Output Formats

When Country >NTSC/PAL Area in the System menu is set to NTSC Area

When using basic configuration (XAVC-I / XAVC-L / MPEG HD)

Recording format settings (Rec Format >Video Format in the System menu)

4096×2160 59.94P – 4096×2160P No output 4096×2160 59.94P

4096×2160 29.97P – 4096×2160P No output 4096×2160 29.97P

4096×2160 24.00P – 4096×2160P No output 4096×2160 24P

4096×2160 23.98P – 4096×2160P No output 4096×2160 23.98P

SDI/HDMI output settings (Output Format >SDI and HDMI in the Video menu)

SDI HDMI

– 3840×2160P No output 3840×2160 59.94P

1920×1080P (Level A)

1920×1080P (Level B)

1920×1080i 1920×1080i 1920×1080 59.94i 1920×1080 59.94i

– 3840×2160P No output 3840×2160 29.97P

1920×1080PsF 1920×1080i 1920×1080 29.97PsF 1920×1080 29.97PsF

–

1920×1080PsF – 1920×1080 24PsF No output

– 1920×1080P No output 1920×1080 24P (Pure)

– 3840×2160P No output 3840×2160 23.98P

1920×1080PsF – 1920×1080 23.98PsF No output

– 1920×1080P No output 1920×1080 23.98P

1920×1080P 1920×1080 59.94P

– 1920×1080 59.94P

3840×2160P No output 3840×2160 24P

SDI output signal HDMI output signal

1920×1080 59.94P

Level-A

No output

Level-B

(Pure)

Recording format settings (Rec Format >Video Format in the System menu)

3840×2160 59.94P – 4096×2160P No output 4096×2160 59.94P

3840×2160 29.97P – 4096×2160P No output 4096×2160 29.97P

3840×2160 23.98P – 4096×2160P No output 4096×2160 23.98P

1920×1080 59.94P 2048×1080P

1920×1080 59.94i 1920×1080i 1920×1080i 1920×1080 59.94i 1920×1080 59.94i

1920×1080 29.97P 2048×1080PsF – 2048×1080 29.97PsF No output

SDI/HDMI output settings (Output Format >SDI and HDMI in the Video menu)

SDI HDMI

– 3840×2160P No output 3840×2160 59.94P

1920×1080P (Level A)

1920×1080P (Level B)

1920×1080i 1920×1080i 1920×1080 59.94i 1920×1080 59.94i

– 3840×2160P No output 3840×2160 29.97P

1920×1080PsF 1920×1080i 1920×1080 29.97PsF 1920×1080 29.97PsF

– 3840×2160P No output 3840×2160 23.98P

1920×1080PsF – 1920×1080 23.98PsF No output

– 1920×1080P No output 1920×1080 23.98P

(Level A)

2048×1080P (Level B)

1920×1080P (Level A)

1920×1080P (Level B)

1920×1080i 1920×1080i 1920×1080 59.94i 1920×1080 59.94i

– 720×480i No output 720×480 59.94i

– 720×480P No output 720×480 59.94P

– 720×480i No output 720×480 59.94i

– 720×480P No output 720×480 59.94P

1920×1080PsF 1920×1080i 1920×1080 29.97PsF 1920×1080 29.97PsF

– 720×480i No output 720×480 59.94i (PsF)

1920×1080P 1920×1080 59.94P

– 1920×1080 59.94P

– 2048×1080 59.94P

1920×1080P 1920×1080 59.94P

– 1920×1080 59.94P

SDI output signal HDMI output signal

1920×1080 59.94P

Level-A

No output

Level-B

(Pure)

No output

Level-A

No output

Level-B

1920×1080 59.94P

Level-A

No output

Level-B

Page 82

7. Appendix: Output Formats and Limitations

000

Recording format settings (Rec Format >Video Format in the System menu)

1920×1080 23.98P 2048×1080PsF – 2048×1080 23.98PsF No output

1280×720 59.94P 1280×720P 1280×720P 1280×720 59.94P 1280×720 59.94P

1280×720 29.97P 1280×720P 1280×720P 1280×720 59.94P

1280×720 23.98P 1280×720P

SDI/HDMI output settings (Output Format >SDI and HDMI in the Video menu)

SDI HDMI

1920×1080PsF – 1920×1080 23.98PsF No output

– 1920×1080P No output 1920×1080 23.98P

1920×1080i (2-3PD)

– 720×480i

– 720×480i No output 720×480 59.94i

– 720×480P No output 720×480 59.94P

– 720×480i No output 720×480 59.94i (PsF)

(2-3PD)

– 720×480i

1920×1080i (2-3PD)

(2-3PD)

1280×720P (2-3PD)

(2-3PD)

SDI output signal HDMI output signal

(Pure)

1920×1080 59.94i (2-3PD)

No output 720×480 59.94i

(2-2RP)

1280×720 59.94P (2-3PD)

No output 720×480 59.94i

1920×1080 59.94i (2-3PD)

(2-3PD)

1280×720 59.94P (2-2RP)

1280×720 59.94P (2-3PD)

When using extension unit (RAW)

Recording format settings (Rec Format >RAW Output Format and Video Format in the System menu)

RAW Output Format

4096×2160 59.94P Video Format (fixed value)

1920×1080 59.94P

SDI/HDMI output settings (Output Format >SDI and HDMI in the Video menu)

SDI HDMI

2048×1080P (Level A)

2048×1080P (Level B)

1920×1080P (Level A)

1920×1080P (Level B)

1920×1080i 1920×1080i 1920×1080 59.94i 1920×1080 59.94i

– 2048×1080 59.94P

1920×1080P 1920×1080 59.94P

– 1920×1080 59.94P

SDI output signal HDMI output signal

No output

Level-A

No output

Level-B

1920×1080 59.94P

Level-A

No output

Level-B

Recording format settings (Rec Format >RAW Output Format and Video Format in the System menu)

RAW Output Format

4096×2160 59.94P Video Format (fixed value)

1280×720 59.94P

RAW Output Format

2048×1080 59.94P Video Format (fixed value)

1920×1080 59.94P

RAW Output Format

2048×1080 59.94P Video Format (fixed value)

1280×720 59.94P

RAW Output Format

4096×2160 29.97P Video Format (fixed value)

1920×1080 29.97P

SDI/HDMI output settings (Output Format >SDI and HDMI in the Video menu)

SDI HDMI

2048×1080P (Level A)

2048×1080P (Level B)

1920×1080P (Level A)

1920×1080P (Level B)

1280×720P 1280×720P 1280×720 59.94P 1280×720 59.94P

2048×1080P (Level A)

2048×1080P (Level B)

1920×1080P (Level A)

1920×1080P (Level B)

1920×1080i 1920×1080i 1920×1080 59.94i 1920×1080 59.94i

2048×1080P (Level A)

2048×1080P (Level B)

1920×1080P (Level A)

1920×1080P (Level B)

1280×720P 1280×720P 1280×720 59.94P 1280×720 59.94P

2048×1080PsF – 2048×1080 29.97PsF No output

1920×1080PsF 1920×1080i 1920×1080 29.97PsF 1920×1080 29.97PsF

– 2048×1080 59.94P

1920×1080P 1920×1080 59.94P

– 1920×1080 59.94P

– 2048×1080 59.94P

1920×1080P 1920×1080 59.94P

– 1920×1080 59.94P

– 2048×1080 59.94P

1920×1080P 1920×1080 59.94P

– 1920×1080 59.94P

SDI output signal HDMI output signal

No output

Level-A

No output

Level-B

1920×1080 59.94P

Level-A

No output

Level-B

No output

Level-A

No output

Level-B

1920×1080 59.94P

Level-A

No output

Level-B

No output

Level-A

No output

Level-B

1920×1080 59.94P

Level-A

No output

Level-B

Page 83

7. Appendix: Output Formats and Limitations

000

Recording format settings (Rec Format >RAW Output Format and Video Format in the System menu)

RAW Output Format

2048×1080 29.97P Video Format (fixed value)

1920×1080 29.97P

RAW Output Format

4096×2160 23.98P Video Format (fixed value)

1920×1080 23.98P

RAW Output Format

2048×1080 23.98P Video Format (fixed value)

1920×1080 23.98P

SDI/HDMI output settings (Output Format >SDI and HDMI in the Video menu)

SDI HDMI

2048×1080PsF – 2048×1080 29.97PsF No output

1920×1080PsF 1920×1080i 1920×1080 29.97PsF 1920×1080 29.97PsF

2048×1080PsF – 2048×1080 23.98PsF No output

1920×1080PsF – 1920×1080 23.98PsF No output

– 1920×1080P No output 1920×1080 23.98P

2048×1080PsF – 2048×1080 23.98PsF No output

1920×1080PsF – 1920×1080 23.98PsF No output

– 1920×1080P No output 1920×1080 23.98P

SDI output signal HDMI output signal

(Pure)

When using extension unit (ProRes 422)

Recording format settings (Rec Format >Video Format in the System menu)

1920×1080 59.94i 1920×1080i 1920×1080i 1920×1080 59.94i 1920×1080 59.94i

1920×1080 29.97P 1920×1080PsF 1920×1080i SDI OUT 1

1920×1080 23.98P 1920×1080P 1920×1080P 1920×1080 23.98P

SDI/HDMI output settings (Output Format >SDI and HDMI in the Video menu)

SDI HDMI

SDI output signal HDMI output signal

1920×1080 29.97PsF 1920×1080 29.97P SDI OUT 2 1920×1080 29.97PsF

1920×1080 23.98P

(Pure)

When Country >NTSC/PAL Area in the System menu is set to PAL Area

When using basic configuration (XAVC-I / XAVC-L / MPEG HD)

Recording format settings (Rec Format >Video Format in the System menu)

4096×2160 50P – 4096×2160P No output 4096×2160 50P

4096×2160 25P – 4096×2160P No output 4096×2160 25P

3840×2160 50P – 4096×2160P No output 4096×2160 50P

3840×2160 25P – 4096×2160P No output 4096×2160 25P

SDI/HDMI output settings (Output Format >SDI and HDMI in the Video menu)

SDI HDMI

– 3840×2160P No output 3840×2160 50P

1920×1080P (Level A)

1920×1080P (Level B)

1920×1080i 1920×1080i 1920×1080 50i 1920×1080 50i

– 3840×2160P No output 3840×2160 25P

1920×1080PsF 1920×1080i 1920×1080 25PsF 1920×1080 25PsF

– 3840×2160P No output 3840×2160 50P

1920×1080P (Level A)

1920×1080P (Level B)

1920×1080i 1920×1080i 1920×1080 50i 1920×1080 50i

– 3840×2160P No output 3840×2160 25P

1920×1080PsF 1920×1080i 1920×1080 25PsF 1920×1080 25PsF

1920×1080P 1920×1080 50P

– 1920×1080 50P

1920×1080P 1920×1080 50P

– 1920×1080 50P

SDI output signal HDMI output signal

1920×1080 50P

Level-A

No output

Level-B

1920×1080 50P

Level-A

No output

Level-B

*1 Cannot output a signal compatible with the CBK-WA100.

Page 84

7. Appendix: Output Formats and Limitations

000

Recording format settings (Rec Format >Video Format in the System menu)

1920×1080 50P 2048×1080P

1920×1080 50i 1920×1080i 1920×1080i 1920×1080 50i 1920×1080 50i

1920×1080 25P 2048×1080PsF – 2048×1080 25PsF No output

1280×720 50P 1280×720P 1280×720P 1280×720 50P 1280×720 50P

1280×720 25P 1280×720P 1280×720P 1280×720 50P (2-2RP) 1280×720 50P (2-2RP)

SDI/HDMI output settings (Output Format >SDI and HDMI in the Video menu)

SDI HDMI

– 2048×1080 50P

(Level A)

2048×1080P (Level B)

1920×1080P (Level A)

1920×1080P (Level B)

1920×1080i 1920×1080i 1920×1080 50i 1920×1080 50i

– 720×576i No output 720×576 50i

– 720×576P No output 720×576 50P

– 720×576i No output 720×576 50i

– 720×576P No output 720×576 50P

1920×1080PsF 1920×1080i 1920×1080 25PsF 1920×1080 50i (PsF)

– 720×576i No output 720×576 50i (PsF)

– 720×576i No output 720×576 50i

– 720×576P No output 720×576 50P

– 720×576i No output 720×576 50i (PsF)

– 2048×1080 50P

1920×1080P 1920×1080 50P

– 1920×1080 50P

SDI output signal HDMI output signal

No output Level-A

No output Level-B

1920×1080 50P Level-A

No output Level-B

When using extension unit (RAW)

Recording format settings (Rec Format >RAW Output Format and Video Format in the System menu)

RAW Output Format

4096×2160 50P Video Format (fixed value)

1920×1080 50P

RAW Output Format

4096×2160 50P Video Format (fixed value)

1280×720 50P

RAW Output Format

2048×1080 50P Video Format (fixed value)

1920×1080 50P

SDI/HDMI output settings (Output Format >SDI and HDMI in the Video menu)

SDI HDMI

2048×1080P (Level A)

2048×1080P (Level B)

1920×1080P (Level A)

1920×1080P (Level B)

1920×1080i 1920×1080i 1920×1080 50i 1920×1080 50i

2048×1080P (Level A)

2048×1080P (Level B)

1920×1080P (Level A)

1920×1080P (Level B)

1280×720P 1280×720P 1280×720 50P 1280×720 50P

2048×1080P (Level A)

2048×1080P (Level B)

1920×1080P (Level A)

1920×1080P (Level B)

1920×1080i 1920×1080i 1920×1080 50i 1920×1080 50i

SDI output signal HDMI output signal

– 2048×1080 50P

Level-A

– 2048×1080 50P

Level-B

1920×1080P 1920×1080 50P

Level-A

– 1920×1080 50P

Level-B

– 2048×1080 50P

Level-A

– 2048×1080 50P

Level-B

1920×1080P 1920×1080 50P

Level-A

– 1920×1080 50P

Level-B

– 2048×1080 50P

Level-A

– 2048×1080 50P

Level-B

1920×1080P 1920×1080 50P

Level-A

– 1920×1080 50P

Level-B

No output

1920×1080 50P

No output

1920×1080 50P

No output

1920×1080 50P

No output

Page 85

7. Appendix: Output Formats and Limitations

000

Recording format settings (Rec Format >RAW Output Format and Video Format in the System menu)

RAW Output Format

2048×1080 50P Video Format (fixed value)

1280×720 50P

RAW Output Format

4096×2160 25P Video Format (fixed value)

1920×1080 25P

RAW Output Format

2048×1080 25P Video Format (fixed value)

1920×1080 25P

SDI/HDMI output settings (Output Format >SDI and HDMI in the Video menu)

SDI HDMI

2048×1080P (Level A)

2048×1080P (Level B)

1920×1080P (Level A)

1920×1080P (Level B)

1280×720P 1280×720P 1280×720 50P 1280×720 50P

2048×1080PsF – 2048×1080 25PsF No output

1920×1080PsF 1920×1080i 1920×1080 25PsF 1920×1080 25PsF

2048×1080PsF – 2048×1080 25PsF No output

1920×1080PsF 1920×1080i 1920×1080 25PsF 1920×1080 25PsF

– 2048×1080 50P

1920×1080P 1920×1080 50P

– 1920×1080 50P

SDI output signal HDMI output signal

No output

Level-A

No output

Level-B

1920×1080 50P

Level-A

No output

Level-B

HDMI Output Settings for HDMI Target Devices

Output Setting >HDMI Target Device in the Video menu

Recorder (default) SDI=On, HDMI=On (default)

Monitor SDI=On, HDMI=On (default) On Follows SDI2

[Notes]

If the current Output Display setting becomes unavailable for selection after changing HDMI Target Device, the Output



Display setting changes as follows.

– Forcibly changes to the default value. – If the default value is not available for selection, forcibly changes to “SDI=On, HDMI=On.”

HDMI Target Device cannot be set to Recorder if Codec is set to ProRes.



Output Display >SDI/HDMI in the Video menu HDMI output

OSD On/Off MLUT On/Off

* Grayed out, cannot be selected.

SDI=On, HDMI=Off Off

SDI=Off, HDMI=Off Off

SDI=On, HDMI=Off

* Grayed out, cannot be selected.

SDI=Off, HDMI=Off Off

– Follows SDI1

–

States When Monitor LUT Cannot be Configured Independently

When using extension unit (ProRes 422)

Recording format settings (Rec Format >Video Format in the System menu)

1920×1080 50i 1920×1080i 1920×1080i 1920×1080 50i 1920×1080 50i

1920×1080 25P 1920×1080PsF

SDI/HDMI output settings (Output Format >SDI and HDMI in the Video menu)

SDI HDMI

1920×1080PsF

SDI output signal HDMI output signal

SDI OUT 1 1920×1080 25P SDI OUT 2 1920×1080 25PsF

1920×1080 50i (PsF)

In the following cases, Monitor LUT >SDI2, HDMI, and Viewfinder in the Video menu cannot be set individually. They are synced with the SDI1 & Internal Rec setting.

When Output Format >HDMI in the Video menu is set to 4096×2160 or 3840×2160



When S&Q Motion >Setting in the Recording menu is set to On



When Lens >Distortion Comp. in the System menu is set to Auto



Page 86

7. Appendix: Output Formats and Limitations

000

Output Menu Settings and Video Output Color Space when Preset Select is BT.2020

The color space of recorded video is BT.2020 when Matrix >Preset Select in the Paint menu is set to BT.2020. The color space of the video output varies as follows, depending on the Output Format and Output Color Space settings.

Output Format in the Video menu Output Setting >Output Color

HDMI SDI

4K/QFHD – BT.2020 BT.2020 – –

HD 2K/HD SDI2 BT.709

*1 The color space is BT.2020 when HDMI Target Device is set to Recorder, and BT.709 when set to Monitor.

[Note]

When playing clips recorded in BT.20202 color gamut and video is output on a video output set to BT.709 color gamut, the color space is not converted and some colors may appear differently.

Space in the Video menu

SDI2 BT.2020 BT.2020 BT.2020 BT.2020

All BT.709 BT.709 BT.709 BT.709

HDMI SDI1 SDI2

BT.2020 BT.709

Page 87

7. Appendix

000

Error/Warning Messages

If a warning, caution, or operating condition that requires confirmation occurs on the camcorder, a message is displayed in the viewfinder, the recording indicators start flashing, and a warning sound is emitted. The warning sound is emitted from the built-in speaker and headphones connected to the headphone connector.

Error Messages

The camcorder will stop operation when the following kind of display occurs.

Viewfinder message

E + error code Continuous High-speed

Warning sound

Recording indicator

flashing

Cause and Solution

Indicates an abnormality in the camcorder. Recording stops, even if REC is displayed in the viewfinder. Turn off the camcorder, and check for any problem with connected devices, cables, or media. If the error persists when the camcorder is turned on again, contact your Sony service representative. (If the camcorder does not turn off when the POWER switch is set to OFF, remove the battery or disconnect the DC IN supply.)

Warning Messages

Follow the instructions provided if the following display occurs.

Viewfinder message

Media Near Full Intermittent Flashing The remaining capacity on the XQD memory card is

Media Full Continuous High-speed

Battery Near End Intermittent Flashing The remaining capacity of the battery pack is getting

Warning sound

Recording indicator

flashing

Cause and Solution

getting low. Replace at the earliest convenience.

Clips could not be recorded, copied, or split because there is no remaining capacity on the XQD memory card. Replace immediately.

low. Recharge at the earliest convenience.

Viewfinder message

Battery End Continuous High-speed

Temperature High Intermittent Flashing The internal temperature is high.

Voltage Low Intermittent Flashing The DC IN voltage is low (level 1). Check the power

Insufficient Voltage Continuous High-speed

Warning sound

Recording indicator

flashing

Cause and Solution

The battery pack is empty. Recording is disabled. Stop operation and replace the battery pack.

Turn off the camcorder and allow it to cool down before operating it again.

source.

The DC IN voltage is too low (level 2). Recording is disabled. Connect a different power source.

Caution and Operation Messages

The following caution and operation messages may appear in the center of the screen. Follow the instructions provided to resolve the issue.

Display message Cause and Solution

Battery Error Please Change Battery

Backup Battery End Please Change

Unknown Media (A) Please Change

Cannot Use Media (A) Unsupported File System

Media Error Media (A)

Media Error Cannot Record to Media (A)

Needs to be Restored

An error was detected in the battery pack. Replace with a normal battery pack.

The remaining capacity of the backup battery is insufficient. Charge the backup battery.

A memory card that has been partitioned or a memory card containing more clips that can be handled by the camcorder was inserted. The card cannot be used in the camcorder, and must be replaced.

A card using a different file system or an unformatted card was inserted. The card cannot be used in the camcorder, and must be replaced or formatted using the camcorder.

An error occurred on the memory card, and the card must be restored. Restore the memory card.

The memory card may be damaged, and can no longer be used for recording. Playback is possible, so making a copy and replacing the memory card is recommended.

Page 88

7. Appendix: Error/Warning Messages

000

Display message Cause and Solution

Media Error Cannot Use Media (A)

The memory card may be damaged, and can no longer be used for recording or playback. The card cannot be used in the camcorder, and must be replaced.

Media (A)

Error Recording Halted Playback Halted

Media Reached Rewriting Limit Change Media (A)

Recording and playback was stopped because an error occurred while using the memory card. If the problem persists, replace the memory card.

The memory card has reached the end of its life. Make a backup, and replace the card immediately. If you continue using the card, the card may not be able to record or play. For details, refer to the operating instructions for the memory card.

Fan Stopped The built-in fan stopped.

Avoid use at high temperatures, disconnect the power, and contact your Sony service representative.

Invalid setting value was reset: Media/Clip Naming/Camera Position Please save All File again

The Clip Naming format setting was reset because an invalid ALL file was loaded. Configure the desired format settings, and try to save the ALL file again.

1) “(B)” is displayed for the card in slot B.

Page 89

7. Appendix

000

Items Saved in Files

Yes: Item is saved. No: Item is not saved.

LEVEL 1 LEVEL 2 LEVEL 3 All File Scene File

Camera ISO/Gain/EI Mode Yes Yes

ISO/Gain<H> Yes Yes

ISO/Gain<M> Yes Yes

ISO/Gain<L> Yes Yes

Exposure Index<H> Yes Yes

Exposure Index<M> Yes Yes

Exposure Index<L> Yes Yes

Shockless Gain Yes Yes

ND Filter Preset1 Yes Yes

Preset2 Yes Yes

Preset3 Yes Yes

Auto Exposure Level Yes Yes

Mode Yes Yes

Speed Yes Yes

AGC Yes Yes

AGC Limit Yes Yes

Auto ND Filter Yes Yes

Auto Shutter Yes Yes

A.SHT Limit Yes Yes

Clip High light Yes Yes

Detect Window Yes Yes

Detect Window Indication Yes Yes

Focus Focus Area Yes No

Focus Area (Push AF) Yes No

AF Assist Yes No

Shutter Mode Yes Yes

Shutter Speed Yes Yes

Shutter Angle Yes Yes

ECS Frequency Yes Yes

Color Bars Setting No No

Type Yes No

Noise Suppression Setting Yes Yes

Level Yes Yes

LEVEL 1 LEVEL 2 LEVEL 3 All File Scene File

Camera Flicker Reduce Mode Yes No

Frequency Yes No

SteadyShot Setting Yes No

Handle Zoom Zoom Speed Type Yes No

Zoom Speed Yes No

Auto Black Balance Auto Black Balance – –

AF Micro Adjustment Setting No No

Amount No No

Clear All – –

Video Light Set Video Light Set Yes No

Paint White Preset White Yes Yes

Color Temp <A> Yes Yes

Color Temp Balance <A> Yes Yes

R Gain <A> Yes Yes

B Gain <A> Yes Yes

Color Temp Yes Yes

Color Temp Balance Yes Yes

R Gain Yes Yes

B Gain Yes Yes

Filter White Memory Yes No

Shockless White Yes Yes

White Switch Yes No

ATW Speed Yes Yes

Offset White Offset White <A> Yes Yes

Warm Cool <A> Yes Yes

Warm Cool Balance <A> Yes Yes

Offset White Yes Yes

Warm Cool Yes Yes

Warm Cool Balance Yes Yes

Offset White<ATW> Yes Yes

Warm Cool<ATW> Yes Yes

Warm Cool Balance<ATW> Yes Yes

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LEVEL 1 LEVEL 2 LEVEL 3 All File Scene File

Paint Black Setting Yes Yes

Master Black Yes Yes

R Black Yes Yes

B Black Yes Yes

Gamma Setting Yes Yes

Step Gamma Yes Yes

Master Gamma Yes Yes

R Gamma Yes Yes

G Gamma Yes Yes

B Gamma Yes Yes

Gamma Category Yes Yes

Gamma Select Yes Yes

Black Gamma Setting Yes Yes

Range Yes Yes

Master Black Gamma Yes Yes

Knee Setting Yes Yes

Auto Knee Yes Yes

Point Yes Yes

Slope Yes Yes

Knee Saturation Yes Yes

Knee Saturation Level Yes Yes

White Clip Setting Yes Yes

Level Yes Yes

Detail Setting Yes Yes

Level Yes Yes

H/V Ratio Yes Yes

Crispening Yes Yes

Level Depend Yes Yes

Level Depend Level Yes Yes

Frequency Yes Yes

Knee Aperture Yes Yes

Knee Aperture Level Yes Yes

Limit Yes Yes

White Limit Yes Yes

Black Limit Yes Yes

V Black Limit Yes Yes

V Detail Creation Yes Yes

LEVEL 1 LEVEL 2 LEVEL 3 All File Scene File

Paint Skin Detail Setting Yes Yes

Area Detection – –

Area Indication No No

Level Yes Yes

Saturation Yes Yes

Hue Yes Yes

Width Yes Yes

Aperture Setting Yes Yes

Level Yes Yes

Matrix Setting Yes Yes

Adaptive Matrix Yes Yes

Preset Matrix Yes Yes

Preset Select Yes Yes

User Matrix Yes Yes

Level Yes Yes

Phase Yes Yes

User Matrix R-G Yes Yes

User Matrix R-B Yes Yes

User Matrix G-R Yes Yes

User Matrix G-B Yes Yes

User Matrix B-R Yes Yes

User Matrix B-G Yes Yes

Multi Matrix Setting Yes Yes

Area Indication No No

Color Detection – –

Axis No No

Hue Yes Yes

Saturation Yes Yes

Maintenance Test Saw Yes No

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LEVEL 1 LEVEL 2 LEVEL 3 All File Scene File

Audio Audio Input CH1 Input Select Yes No

CH2 Input Select Yes No

CH3 Input Select Yes No

CH4 Input Select Yes No

INPUT1 MIC Reference Yes No

INPUT2 MIC Reference Yes No

CH1 Wind Filter Yes No

CH2 Wind Filter Yes No

CH3 Wind Filter Yes No

CH4 Wind Filter Yes No

CH3 Level Control Yes No

CH4 Level Control Yes No

CH3 Input Level Yes No

CH4 Input Level Yes No

Audio Input Level Yes No

Limiter Mode Yes No

CH1&2 AGC Mode Yes No

CH3&4 AGC Mode Yes No

AGC Spec Yes No

1kHz Tone on Color Bars Yes No

CH1 Level Yes No

CH2 Level Yes No

CH3 Level Yes No

CH4 Level Yes No

Audio Output Monitor CH Yes No

Monitor Volume Yes No

Headphone Out Yes No

Alarm Volume Yes No

Output Limiter Yes No

HDMI Output CH Yes No

LEVEL 1 LEVEL 2 LEVEL 3 All File Scene File

Video Output On/Off SDI Yes No

HDMI Yes No

Output Format SDI Yes No

HDMI Yes No

REF No No

Output Setting HDMI Target Device Yes No

Output Color Space Yes No

4K/2K to HD Conv. Yes No

Monitor LUT Category Yes No

LUT Select Yes No

Look Profile Select Yes No

User 3D LUT Select Yes No

SDI1 & Internal Rec Yes No

SDI2 Yes No

HDMI Yes No

Viewfinder Yes No

Output Display SDI2 Yes No

HDMI Yes No

VF VF Setting Brightness Yes No

Color Mode Yes No

Peaking Setting Yes No

Peaking Type Yes No

Frequency Yes No

Normal Peaking Level Yes No

Color Yes No

Color Peaking Level Yes No

Zebra Setting Yes No

Zebra Select Yes No

Zebra1 Level Yes No

Zebra1 Aperture Level Yes No

Zebra2 Level Yes No

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7. Appendix: Items Saved in Files

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LEVEL 1 LEVEL 2 LEVEL 3 All File Scene File

VF Marker Setting Yes No

Color Yes No

Center Marker Yes No

Safety Zone Yes No

Safety Area Yes No

Aspect Marker Yes No

Aspect Mask Yes No

Aspect Safety Zone Yes No

Aspect Safety Area Yes No

Aspect Select Yes No

User Box Yes No

User Box Width Yes No

User Box Height Yes No

User Box H Position Yes No

User Box V Position Yes No

100% Marker Yes No

Guide Frame Yes No

Display On/Off Setting Yes No

Shutter Setting Yes No

ND Filter Value Yes No

Gain Setting Yes No

Rec/Play Status Yes No

HXR-IFR5 Rec Control Yes No

Color Temp. Yes No

Frame Rate / Interval Yes No

Battery Remain Yes No

Timecode Yes No

Audio Manual Yes No

Audio Level Meter Yes No

Media Status Yes No

Focus Position Yes No

Iris Position Yes No

Zoom Position Yes No

SteadyShot Yes No

LEVEL 1 LEVEL 2 LEVEL 3 All File Scene File

VF Display On/Off Focus Mode Yes No

Focus Area Indicator Yes No

Focus Area Ind. (Push AF) Yes No

Focus Indicator Yes No

Auto Shutter Yes No

AGC Yes No

Auto ND Filter Yes No

Auto Iris Yes No

AE Mode Yes No

Auto Exposure Level Yes No

White Balance Mode Yes No

SDI/HDMI Rec Control Yes No

Rec Format Yes No

Gamma Yes No

Timecode Lock Yes No

Wi-Fi Condition Yes No

Clip Name Yes No

Focus Assist Indicator Yes No

Focus Area Marker Yes No

Video Level Warning Yes No

Clip Number Yes No

GPS Yes No

Level Gauge Yes No

Lens Info Yes No

Notice Message Yes No

Video Signal Monitor Setting Yes No

Source Yes No

TC/UB Timecode Mode Yes No

Run Yes No

Setting No No

Reset – –

TC Format Yes No

TC Display Display Select Yes No

Users Bit Mode Yes No

Setting No No

HDMI TC Out Setting Yes No

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LEVEL 1 LEVEL 2 LEVEL 3 All File Scene File

Recording S&Q Motion Setting Yes No

High Frame Rate Mode Yes No

Frame Rate Yes No

Interval Rec Setting No No

Interval Time Yes No

Number of Frames Yes No

Pre-Lighting Yes No

Picture Cache Rec Setting Yes No

Cache Rec Time Yes No

Simul Rec Setting Yes No

Rec Button Set Yes No

SDI/HDMI Rec Control Setting Yes No

Thumbnail Display Clip Properties – –

Set Index Picture – –

Thumbnail View Essence Mark Thumbnail – –

Clip Thumbnail – –

Set Shot Mark Add Shot Mark1 – –

Delete Shot Mark1 – –

Add Shot Mark2 – –

Delete Shot Mark2 – –

Set Clip Flag Add OK – –

Add NG – –

Add KEEP – –

Delete Clip Flag – –

Lock/Unlock Clip Select Clip – –

Lock All Clips – –

Unlock All Clips – –

Delete Clip Select Clip – –

All Clips – –

Filter Clips OK – –

NG – –

KEEP – –

None – –

Customize View Thumbnail Caption Yes Yes

LEVEL 1 LEVEL 2 LEVEL 3 All File Scene File

Media Update Media Media(A) – –

Media(B) – –

Format Media Media(A) – –

Media(B) – –

SD Card – –

Clip Auto Naming Yes No

Camera ID Yes No

Reel Number Yes No

Camera Position Yes No

Title Prefix Yes No

Number Set No No

File All File Load SD Card – –

Save SD Card – –

File ID Yes No

Scene File Recall Internal Memory – –

Store Internal Memory – –

Load SD Card – –

Save SD Card – –

File ID No Yes

Scene White Data Yes No

User Menu Item Load SD Card – –

Save SD Card – –

File ID No No

User Gamma Current Settings – –

Load SD Card – –

Reset – –

Monitor LUT Current Settings – –

Load SD Card – –

Reset – –

Monitor 3D LUT Current Settings – –

Load SD Card – –

Reset – –

Lens File White Offset R No No

White Offset B No No

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LEVEL 1 LEVEL 2 LEVEL 3 All File Scene File

System Base Setting Shooting Mode Yes No

Color Space Yes No

Imager Scan Mode Yes No

Codec Select Yes No

Rec Format Video Format Yes No

RAW Output Format Yes No

Genlock Reference – –

Assignable Button <1> Yes No

<2> Yes No

<3> Yes No

<4> Yes No

<5> Yes No

<6> Yes No

<7> Yes No

<8> Yes No

<9> Yes No

<10> Yes No

Assignable Dial Assignable Dial Yes No

IRIS Dial Yes No

Assignable Dial Direction Yes No

IRIS Dial Direction Yes No

ND Dial ND Dial Direction Yes No

Rec Lamp Rec Lamp Yes No

Fan Control Setting Yes No

HOLD Switch Setting with Rec Button Yes No

with Hand Grip Remote Yes No

Lens Zoom Ring Direction Yes No

Distortion Comp. Yes No

Language Select Yes No

Clock Set Time Zone Yes No

Date Mode Yes No

12H/24H Yes No

Date No No

Time No No

Country NTSC/PAL Area Yes No

LEVEL 1 LEVEL 2 LEVEL 3 All File Scene File

System Hours Meter Hours (System) – –

Hours (Reset) – –

Reset – –

Basic Authentication User Name No No

Password No No

Wi-Fi Wi-Fi Yes No

SSID & Password – –

Wi-Fi Direct Connection – –

Client – –

IP Address – –

Subnet Mask – –

MAC Address – –

Regenerate Password – –

GPS GPS Yes No

IR Remote Setting Yes No

Camera Battery Alarm Low BATT Yes No

BATT Empty Yes No

Camera DC IN Alarm DC Low Voltage1 Yes No

DC Low Voltage2 Yes No

Ext. Unit Battery Alarm Near End:Info Battery Yes No

End:Info Battery Yes No

Near End:Sony Battery Yes No

End:Sony Battery Yes No

Near End:Other Battery Yes No

End:Other Battery Yes No

Detected Battery No No

Ext. Unit DC IN Alarm DC Low Voltage1 Yes No

DC Low Voltage2 Yes No

All Reset Reset – –

APR APR – –

Camera Config HD/2K Modulation Yes No

Version Number – –

Version Up – –

Lens Version Number – –

Lens Version Up – –

Ext. Unit Version Number – –

Ext. Unit Version Up – –

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7. Appendix

000

Block Diagrams

See related items in “Setting the Audio to Record” (page 35) and “Setup Menu List” (page 50).

Audio Input (CH1&CH2)

INPUT1

CH1

Internal MIC

Shoe2

Level + Side

Through

−15dB, −17dB

[CH2 Input Select]

INPUT1

INPUT2

[CH2 Wind Filter]

Off

CH2 LEVEL CONTROL

AUTO

MAN

Audio Input Level

[CH2 Level]

Side

CH2 INPUT

LEVEL

0~10

[Audio Input Level]

0~99

[Limiter Mode]

−9dB, −12dB Off, −6dB

[CH1&2 AGC Mode]

Stereo

Mono

Shoe2

CH2

Shoe1

Level + Side

Through

Internal

MIC

[CH1 Input Select]

Internal MIC

INPUT1

[CH1 Wind Filter]

Off

CH1 LEVEL CONTROL

AUTO

MAN

Audio Input Level

[CH1 Level]

Side

CH1 INPUT

LEVEL

0~10

INPUT2

Audio Input (CH3&CH4)

Shoe1

Shoe2

[CH4 Input Select]

Internal MIC

Shoe2

Off

[CH4 Wind Filter]

Off

[CH4 Level Control]

Manual

Auto

Level + CH4 Input Level

Audio Input Level

CH4 Input Level

[CH4 Level]

Through

[CH4 Input Level]

0~99

[Audio Input Level]

0~99

−15dB, −17dB

[Limiter Mode]

−9dB, −12dB Off, −6dB

[CH3&4 AGC Mode]

Stereo

Mono

CH4

* Set to Manual when audio is input from XLR adaptor.

Shoe1

Level + CH3 Input Level

Through

Internal

MIC

[CH3 Input Select]

Internal MIC

Off

[CH3 Wind Filter]

Off

[CH3 Level Control]*

Manual

Auto

Audio Input Level

CH3 Input Level

[CH3 Level]

[CH3 Input Level]

0~99

Off

CH3

* Set to MAN when audio is input from XLR adaptor.

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7. Appendix: Block Diagrams

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Audio Output

Alarm

CH1, CH2, CH3, CH4,

CH1/CH2, CH3/CH4,

[Monitor CH]

MIX ALL

Ch MIX

CH1/CH2, CH3/CH4

[HDMI Output CH]

CH4

CH3

CH2

CH1

0~7

[Alarm Volume]

[Output Limiter]

On/Off

HDMI OUT

[Monitor Volume]

0~15

[Headphone Out]

Mono/Stereo

Speaker

Internal

Headphone

SDI OUT

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Updating E-mount Lens Software

You can update the software of an E-mount lens using the camcorder. Refer to the web site for the lens for lenses that can be updated and the corresponding firmware.

Checking the Version

1 Attach an E-mount lens to the camcorder

(page 17).

2 Select Version in the System menu to display

Lens Version Number (page 75). The version number of the E-mount lens is displayed on the side.

Updating Software

1 Connect the AC adaptor (page 13).

[Note]

The use with a fully-charged battery is recommended.

6 Select Execute.

The version update preparation begins. When preparation is completed, a confirmation message appears.

7 Select Execute.

The version update is executed. When the version update is completed, “Lens Version Up OK” is displayed.

8 Turn the camcorder off.

[Notes]

Do not perform the following tasks until after the update



has finished.

– Ejecting the SD card – Removing a lens – Turning the power off

If “Lens Version Up NG” is displayed, check the contents of



the displayed message, and then try updating again.

2 Attach an E-mount lens to the camcorder

(page 17).

3 Format an SD card using the camcorder

(page 25).

4 Copy the Windows update software (“.exe” file

name extension) to the root folder of the SD card, and insert the SD card in the UTILITY SD card slot of the camcorder (page 25).

5 Select Execute in Version >Lens Version Up in

the System menu (page 75). A confirmation message appears.

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7. Appendix

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Licenses

MPEG-4 AVC Patent Portfolio License

THIS PRODUCT IS LICENSED UNDER THE AVC PATENT PORTFOLIO LICENSE FOR THE PERSONAL USE OF A CONSUMER OR OTHER USES IN WHICH IT DOES NOT RECEIVE REMUNERATION TO (i) ENCODE VIDEO IN COMPLIANCE WITH THE AVC

STANDARD (“AVC VIDEO”) AND/OR

(ii) DECODE AVC VIDEO THAT WAS ENCODED

BY A CONSUMER ENGAGED IN A PERSONAL ACTIVITY AND/OR WAS OBTAINED FROM A VIDEO PROVIDER LICENSED TO PROVIDE AVC VIDEO.

NO LICENSE IS GRANTED OR SHALL BE IMPLIED FOR ANY OTHER USE. ADDITIONAL INFORMATION MAY BE OBTAINED FROM MPEG LA, L.L.C. SEE HTTP://WWW.MPEGLA.COM

Obtaining Software Under the GPL/ LGPL License

This product uses software to which the GPL/ LGPL applies. This informs you that you have a right to have access to, modify, and redistribute source code for these software programs under the conditions of the GPL/LGPL. The source code is provided on the internet. Use the following URL and follow the download instructions. http://www.sony.net/Products/Linux/common/ search.html

We would prefer that you do not contact us about the contents of the source code.

For the content of these licenses, see “License1. pdf” in the “License” folder of the supplied CDROM.

Adobe Reader must be installed on your computer to view PDF files. If Adobe Reader is not installed on your computer, you can download it by accessing the following URL. http://get.adobe.com/reader/

END USER LICENSE AGREEMENT

IMPORTANT:

BEFORE USING THE SOFTWARE CONTAINED IN THE SOLID STATE MEMORY CAMCORDER, PLEASE READ THIS END USER LICENSE AGREEMENT (“EULA”) CAREFULLY. BY USING THE SOFTWARE YOU ARE ACCEPTING THE TERMS OF THIS EULA. IF YOU DO NOT ACCEPT THE TERMS OF THIS EULA, YOU MAY NOT USE THE SOFTWARE.

This EULA is a legal agreement between you and Sony Corporation (“SONY”). This EULA governs your rights and obligations regarding the software of SONY and/or its third party licensors (including SONY’s affiliates) and their respective affiliates (collectively, the “ THIRD-PARTY SUPPLIERS”) contained in the wireless adapter, together with any updates/ upgrades provided by SONY, any printed, on-line or other electronic documentation for such software, and any data files created by operation of such software (collectively, the “SOFTWARE”).

Notwithstanding the foregoing, any software in the SOFTWARE having a separate end user license agreement (including, but not limited to, GNU General Public license and Lesser/Library General Public License) shall be covered by such applicable separate end user license agreement in lieu of the terms of this EULA to the extent required by such separate end user license agreement (“EXCLUDED SOFTWARE”).

SOFTWARE LICENSE

The SOFTWARE is licensed, not sold. The SOFTWARE is protected by copyright and other intellectual property laws and international treaties.

All right and title in and to the SOFTWARE (including, but not limited to, any images, photographs, animation, video, audio, music, text and “applets” incorporated into the SOFTWARE) is owned by SONY or one or more of the THIRD-PARTY SUPPLIERS.

GRANT OF LICENSE

SONY grants you a limited license to use the SOFTWARE solely in connection with the wireless adapter and only for your individual use. SONY and the THIRD-PARTY SUPPLIERS expressly reserve all rights, title and interest (including, but not limited to, all intellectual property rights) in and to the SOFTWARE that this EULA does not specifically grant to you.

REQUIREMENTS AND LIMITATIONS

You may not copy, publish, adapt, redistribute, attempt to derive source code, modify, reverse engineer, decompile, or disassemble any of the SOFTWARE, whether in whole or in part, or create any derivative works from or of the SOFTWARE unless such derivative works are intentionally facilitated by the SOFTWARE. You may not modify or tamper with any digital rights management functionality of the SOFTWARE. You may not bypass, modify, defeat or circumvent any of the functions or protections of the SOFTWARE or any mechanisms operatively linked to the SOFTWARE. You may not separate any individual component of the SOFTWARE for use on more than one wireless adapter unless expressly authorized to do so by SONY. You may not remove, alter, cover or deface any trademarks or notices on the SOFTWARE. You may not share, distribute, rent, lease, sublicense, assign, transfer or sell the SOFTWARE. The software, network services or other products other than SOFTWARE upon which the SOFTWARE’S performance depends might be interrupted or discontinued at the discretion of the suppliers (software suppliers, service suppliers, or SONY). SONY and such suppliers do not warrant that the SOFTWARE, network services, contents or other products will continue to be available, or will operate without interruption or modification.

EXCLUDED SOFTWARE AND OPEN SOURCE COMPONENTS

Notwithstanding the foregoing limited license grant, you acknowledge that the SOFTWARE may include EXCLUDED SOFTWARE. Certain EXCLUDED SOFTWARE may be covered by open source software licenses (“Open Source Components”), which means any software licenses approved as open source licenses by the Open Source Initiative or any substantially similar licenses, including but not limited to any license that, as a condition of distribution of the software licensed under such license, requires that the distributor make the software available in source code format. If and to the extent disclosure is required, please visit www. sony.com/linux or other SONY-designated web site for a list of applicable OPEN SOURCE COMPONENTS included in the SOFTWARE from time to time, and the applicable terms and conditions governing its use. Such terms and conditions may be changed by the applicable third party at any time without liability to you. To the extent required by the licenses covering EXCLUDED SOFTWARE, the terms of such licenses will apply in lieu of the terms of this EULA. To the extent the terms of the licenses applicable to EXCLUDED SOFTWARE prohibit any of the restrictions in this EULA with respect to such EXCLUDED SOFTWARE, such restrictions will not apply to such EXCLUDED SOFTWARE. To the extent the terms of the licenses applicable to Open Source Components require SONY to make an offer to provide source code in connection with the SOFTWARE, such offer is hereby made.

USE OF SOFTWARE WITH COPYRIGHTED MATERIALS

The SOFTWARE may be capable of being used by you to view, store, process and/or use content created by you and/or third parties. Such content may be protected by copyright, other intellectual property laws, and/or agreements. You agree to use the SOFTWARE only in compliance with all such laws and agreements that apply to such content. You acknowledge and agree that SONY may take appropriate measures to protect the copyright of content stored, processed or used by the SOFTWARE. Such measures include, but are not

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7. Appendix: Licenses

000

limited to, counting the frequency of your backup and restoration through certain SOFTWARE features, refusal to accept your request to enable restoration of data, and termination of this EULA in the event of your illegitimate use of the SOFTWARE.

CONTENT SERVICE

PLEASE ALSO NOTE THAT THE SOFTWARE MAY BE DESIGNED TO BE USED WITH CONTENT AVAILABLE THROUGH ONE OR MORE CONTENT SERVICES (“CONTENT SERVICE”). USE OF THE SERVICE AND THAT CONTENT IS SUBJECT TO THE TERMS OF SERVICE OF THAT CONTENT SERVICE. IF YOU DECLINE TO ACCEPT THOSE TERMS, YOUR USE OF THE SOFT WARE WILL BE LIMITED. You acknowledge and agree that certain content and services available through the SOFTWARE may be provided by third parties over which SONY has no control. USE OF THE CONTENT SERVICE REQUIRES AN INTERNET CONNECTION. THE CONTENT SERVICE MAY BE DISCONTINUED AT ANY TIME.

INTERNET CONNECTIVITY AND THIRD PARTY SERVICES

You acknowledge and agree that access to certain SOFTWARE features may require an Internet connection for which you are solely responsible. Further, you are solely responsible for payment of any third party fees associated with your Internet connection, including but not limited to Internet service provider or airtime charges. Operation of the SOFTWARE may be limited or restricted depending on the capabilities, bandwidth or technical limitations of your Internet connection and service. The provision, quality and security of such Internet connectivity are the sole responsibility of the third party providing such service.

EXPORT AND OTHER REGULATIONS

You agree to comply with all applicable export and re-export restrictions and regulations of the area or country in which you reside, and not to transfer, or authorize the transfer, of the SOFTWARE to a prohibited country or otherwise in violation of any such restrictions or regulations.

HIGH RISK ACTIVITIES

The SOFTWARE is not fault-tolerant and is not designed, manufactured or intended for use or resale as on-line control equipment in hazardous environments requiring fail-safe performance, such as in the operation of nuclear facilities, aircraft navigation or communication systems, air traffic control, direct life support machines, or weapons systems, in which the failure of the SOFTWARE could lead to death, personal injury, or severe physical or environmental damage (“HIGH RISK ACTIVITIES”). SONY, each of the THIRD-PARTY SUPPLIERS, and each of their respective affiliates specifically disclaim any express or implied warranty, duty or condition of fitness for HIGH RISK ACTIVITIES.

EXCLUSION OF WARRANTY ON SOFTWARE

You acknowledge and agree that use of the SOFTWARE is at your sole risk and that you are responsible for use of the SOFTWARE. The SOFTWARE is provided “AS IS,” without warranty, duty or condition of any kind.

SONY AND EACH OF THE THIRD-PARTY SUPPLIERS (for purposes of this Section, SONY and each of the THIRD-PARTY SUPPLIERS shall be collectively referred to as “SONY”) EXPRESSLY DISCLAIM ALL WARRANTIES, DUTIES OR CONDITIONS, EXPRESS OR IMPLIED, INCLUDING, BUT NOT LIMITED TO, THE IMPLIED WARRANTIES OF MERCHANTABILITY, NONINFRINGEMENT AND FITNESS FOR A PARTICULAR PURPOSE. SONY DOES NOT WARRANT OR MAKE ANY CONDITIONS OR REPRESENTATIONS (A) THAT THE FUNCTIONS CONTAINED IN ANY OF THE SOFTWARE WILL MEET YOUR REQUIREMENTS OR THAT THEY WILL BE UPDATED, (B) THAT THE OPERATION OF ANY OF THE SOFTWARE WILL BE CORRECT OR ERRORFREE OR THAT ANY DEFECTS WILL BE CORRECTED, (C) THAT THE SOFTWARE WILL NOT DAMAGE ANY OTHER SOFTWARE, HARDWARE OR DATA, (D) THAT ANY SOFTWARE, NETWORK SERVICES (INCLUDING THE INTERNET) OR PRODUCTS (OTHER THAN THE SOFTWARE) UPON WHICH THE SOFTWARE’S PERFORMANCE DEPENDS WILL CONTINUE TO BE AVAILABLE, UNINTERRUPTED OR UNMODIFIED, AND (E) REGARDING THE USE OR THE RESULTS OF THE USE OF THE SOFTWARE IN TERMS OF ITS CORRECTNESS, ACCURACY, RELIABILITY, OR OTHERWISE.

NO ORAL OR WRITTEN INFORMATION OR ADVICE GIVEN BY SONY OR AN AUTHORIZED REPRESENTATIVE OF SONY SHALL CREATE A WARRANTY, DUTY OR CONDITION OR IN ANY WAY INCREASE THE SCOPE OF THIS WARRANTY. SHOULD THE SOFTWARE PROVE DEFECTIVE YOU ASSUME THE ENTIRE COST OF ALL NECESSARY SERVICING, REPAIR OR CORRECTION. SOME JURISDICTIONS DO NOT ALLOW THE EXCLUSION OF IMPLIED WARRANTIES, SO THESE EXCLUSIONS MAY NOT APPLY TO YOU.

LIMITATION OF LIABILITY

SONY AND EACH OF THE THIRD-PARTY SUPPLIERS (for purposes of this Section, SONY and each of the THIRD-PARTY SUPPLIERS shall be collectively referred to as “SONY”) SHALL NOT BE LIABLE FOR ANY INCIDENTAL OR CONSEQUENTIAL DAMAGES FOR BREACH OF ANY EXPRESS OR IMPLIED WARRANTY, BREACH OF CONTRACT, NEGLIGENCE, STRICT LIABILITY OR UNDER ANY OTHER LEGAL THEORY RELATED TO THE SOFTWARE, INCLUDING, BUT NOT LIMITED TO, ANY DAMAGES ARISING OUT OF LOSS OF PROFITS, LOSS OF REVENUE, LOSS OF DATA, LOSS OF USE OF THE SOFTWARE OR ANY ASSOCIATED HARDWARE, DOWN TIME AND USER’ S TIME, EVEN IF ANY OF THEM HAVE BEEN ADVISED OF THE POSSIBILITY OF SUCH DAMAGES. IN ANY CASE, EACH AND ALL OF THEIR AGGREGATE LIABILITY UNDER ANY PROVISION OF THIS EULA SHALL BE LIMITED TO THE AMOUNT ACTUALLY PAID FOR THE PRODUCT. SOME JURISDICTIONS DO NOT ALLOW THE EXCLUSION OR LIMITATION OF INCIDENTAL OR CONSEQUENTIAL DAMAGES, SO THE ABOVE EXCLUSION OR LIMITATION MAY NOT APPLY TO YOU.

CONSENT TO USE OF NON-PERSONAL INFORMATION, LOCATION DATA, DATA SECURITY

You acknowledge and agree that SONY and its affiliates, partners and agents may read, collect, transfer, process and store certain information collected from the SOFTWARE, including but not limited to information about (i) the SOFTWARE and (ii) the software applications, contents and peripheral devices that interact with your wireless adapter and the SOFTWARE (“Information”). Information includes,

but is not limited to: (1) unique identifiers relating to your wireless adapter and its components; (2) performance of the wireless adapter, the SOFTWARE and their components; (3) configurations of your wireless adapter, the SOFTWARE and the software applications, contents and peripheral devices that interact with the wireless adapter and the SOFTWARE; (4) use and frequency of use of the functions of (x) the SOFTWARE, and (y) the software applications, contents and peripheral devices that interact with the SOFTWARE; and (5) location data, as indicated below. SONY and its affiliates, partners and agents may use and disclose Information subject to applicable laws in order to improve its products and services or to provide products or services to you. Such uses include, but are not limited to: (a) administering the functionalities of the SOFTWARE; (b) to improve, service, update or upgrade the SOFTWARE; (c) improving, developing and enhancing the current and future products and services of SONY and other parties; (d) to provide you with information about the products and services offered by SONY and other parties; (e) complying with applicable laws or regulations; and (f) to the extent offered, providing you with location-based services of SONY and other parties, as indicated below. In addition, SONY retains the right to use Information to protect itself and third parties from illegal, criminal or harmful conduct.

Certain services available through the SOFTWARE may rely upon location information, including, but not limited to, the geographic location of the wireless adapter. You acknowledge that for the purpose of providing such services, SONY, the THIRDPARTY SUPPLIERS or their partners may collect, archive, process and use such location data, and that such services are governed by the privacy policies of SONY or such third party. By reviewed the privacy policies applicable to such services and consent to such activities.

SONY, its affiliates, partners and agents will not intentionally use Information to personally identify the owner or user of the SOFTWARE without your knowledge or consent. Any use of Information will be in accordance with the privacy policies of SONY or such third party.

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100

Please contact applicable contact address of each area or country for SONY’ s current privacy policy. Please contact applicable third parties for privacy policies relating to personally identifiable and other information you provide when you use or access third party software or services.

Information may be processed, stored or transferred to SONY, its affiliates or agents which are located in countries outside of your country of residence. Data protection and information privacy laws in certain countries may not offer the same level of protection as your country of residence and you may have fewer legal rights in relation to Information processed and stored in, or transferred to, such countries. SONY will use reasonable efforts to take appropriate technical and organizational steps to prevent unauthorized access to or disclosure of Information, but does not warrant it will eliminate all risk of misuse of such Information.

AUTOMATIC UPDATE FEATURE

From time to time, SONY or the THIRD-PARTY SUPPLIERS may automatically update or otherwise modify the SOFTWARE, including, but not limited to, for purposes of enhancement of security functions, error correction and improvement of functions, at such time as you interact with SONY’ s or third parties’ servers, or otherwise. Such updates or modifications may delete or change the nature of features or other aspects of the SOFTWARE, including, but not limited to, functions you may rely upon. You acknowledge and agree that such activities may occur at SONY’ s sole discretion and that SONY may condition continued use of the SOFTWARE upon your complete installation or acceptance of such update or modifications. Any updates/modifications shall be deemed to be, and shall constitute part of, the SOFTWARE for purposes of this EULA. By acceptance of this EULA, you consent to such update/modification.

ENTIRE AGREEMENT, WAIVER, SEVERABILITY

This EULA and SONY’ s privacy policy, each as amended and modified from time to time, together constitute the entire agreement between you and

SONY with respect to the SOFTWARE. The failure of SONY to exercise or enforce any right or provision of this EULA shall not constitute a waiver of such right or provision. If any part of this EULA is held invalid, illegal, or unenforceable, that provision shall be enforced to the maximum extent permissible so as to maintain the intent of this EULA, and the other parts will remain in full force and effect.

GOVERNING LAW AND JURISDICTION

The United Nations Convention on Contracts for the International Sale of Goods shall not apply to this EULA. This EULA shall be governed by the laws of Japan, without regards to conflict of laws provisions. Any dispute arising out of this EULA shall be subject to the exclusive venue of the Tokyo District Court in Japan, and the parties hereby consent to the venue and jurisdiction of such courts.

EQUITABLE REMEDIES

Notwithstanding anything contained in this EULA to the contrary, you acknowledge and agree that any violation of or noncompliance with this EULA by you will cause irreparable harm to SONY, for which monetary damages would be inadequate, and you consent to SONY obtaining any injunctive or equitable relief that SONY deems necessary or appropriate in such circumstances. SONY may also take any legal and technical remedies to prevent violation of and/or to enforce this EULA, including, but not limited to, immediate termination of your use of the SOFTWARE, if SONY believes in its sole discretion that you are violating or intend to violate this EULA. These remedies are in addition to any other remedies SONY may have at law, in equity or under contract.

TERMINATION

Without prejudice to any of its other rights, SONY may terminate this EULA if you fail to comply with any of its terms. In case of such termination, you must: (i) cease all use, and destroy any copies, of the SOFTWARE; (ii) comply with the requirements in the section below entitled “Your Account Responsibilities”.

AMENDMENT

SONY RESERVES THE RIGHT TO AMEND ANY OF THE

TERMS OF THIS EULA AT ITS SOLE DISCRETION BY POSTING NOTICE ON A SONY DESIGNATED WEB SITE, BY EMAIL NOTIFICATION TO AN EMAIL ADDRESS PROVIDED BY YOU, BY PROVIDING NOTICE AS PART OF THE PROCESS IN WHICH YOU OBTAIN UPGRADES/ UPDATES OR BY ANY OTHER LEGALLY RECOGNIZABLE FORM OF NOTICE. If you do not agree to the amendment, you should promptly contact SONY for instructions. Your continued use of the SOFTWARE after the effective date of any such notice shall be deemed your agreement to be bound by such amendment.

THIRD-PARTY BENEFICIARIES

Each THIRD-PARTY SUPPLIER is an express intended thirdparty beneficiary of, and shall have the right to enforce, each provision of this EULA with respect to the SOFTWARE of such party.

Should you have any questions concerning this EULA, you may contact SONY by writing to SONY at applicable contact address of each area or country.

Open Software Licenses

On the basis of license contracts between Sony and the software copyright holders, this product uses open software. To meet the requirements of the software copyright holders, Sony is obligated to inform you of the content of these licenses. For the content of these licenses, see “License1. pdf” in the “License” folder of the supplied CDROM.

Sony PXW-FS7M2 Instruction Manual

Specifications and Main Features

Frequently Asked Questions

User Manual

Table of Contents

1. Overview

System Configuration

Location and Function of Parts

Screen Display

2. Preparation

Power Supply

Attaching Devices

Setting the Clock

Configuring Basic Camcorder Operation

Using XQD Memory Cards

Using a UTILITY SD Card

Using the XDCA-FS7

Using an HXR-IFR5 and AXS-R5

Using the Infrared Remote Control

Using Wi-Fi Remote Control

3. Shooting

Basic Operation Procedure

Changing Basic Settings

Useful Functions

Connecting a Tablet or Other Devices using Wireless LAN

Displaying the Wi-Fi Remote Control

4. Thumbnail Screen

Thumbnail Screen

Playing Clips

Clip Operations

5. Menu Display and Settings

Setup Menu Configuration and Hierarchy

Setup Menu Operations

Setup Menu List

6. External Device Connection

Connecting External Monitors and Recording Devices

External Synchronization

Managing/Editing Clips using a Computer

7. Appendix

Usage Precautions

ND Filter Dial

Output Formats and Limitations

Error/Warning Messages

Items Saved in Files

Block Diagrams

Updating E-mount Lens Software

Licenses