The wires in this mains lead are
coloured in accordance with the
following code:
Blue :Neutral
Brown :Live
As the colours of the wires in the mains
lead of this apparatus may not
correspond with the coloured markings
identifying the terminals in your plug,
proceed as follows:
The wire which is coloured blue must
be connected to the terminal which is
marked with the letter N or coloured
black.
The wire which is coloured brown must
be connected to the terminal which is
marked with the letter L or coloured
red. Do not connect either wire to the
earth terminal in the plug which is
marked by the letter E or by the safety
earth symbol Y or coloured green or
green-and-yellow.
To prevent fire or shock
hazard, do not expose the unit
INFORMATION
This equipment has been tested and
found to comply with the limits for a
Class A digital device, pursuant to Part
15 of the FCC Rules. These limits are
designed to provide reasonable
protection against harmful interference
in a residential installation. This
equipment generates, uses, and can
radiate radio frequency energy and, if
not installed and used in accordance
with the instructions, may cause
harmful interference to radio
communications.
However, there is no guarantee that
interference will not occur in a
particular installation. If this equipment
does cause harmful interference to radio
or television reception, which can be
determined by turning the equipment
off and on, the user is encauraged to try
to correct the interference by one or
more of the following measures:
– Reorient or relocate the receiving
antenna.
– Increase the separation between the
equipment and receiver.
– Connect the equipment into an outlet
on a circuit different from that to
which the receiver is connected.
– Consult the dealer or an experienced
radio / TV technician for help.
On operation
If the recorder is brought directly from a
cold to a warm location, or is placed in a
very damp room, moisture may
condense on the lenses inside the
recorder. Should this occur, the
recorder may not operate properly. In
this case, remove the MD and leave the
recorder turned on for about an hour
until the moisture evaporates.
On the MiniDisc cartridge
• Do not open the shutter to expose the
MD.
• Do not place the cartridge where it
will be subject to extremes of
sunlight, temperature, moisture or
dust.
On cleaning
Clean the cabinet, panel and controls
with a soft cloth slightly moistened with
a mild detergent solution. Do not use
any type of abrasive pad, scouring
powder or solvent such as alcohol or
benzine.
If you have any questions or problems
concerning your recorder, please
consult your nearest Sony dealer.
to rain or moisture.
Welcome!
To avoid electrical shock, do
not open the cabinet. Refer
Precautions
servicing to qualified
personnel only.
This symbol is intended to alert the
user to the presence of uninsulated
“dangerous voltage” within the
product’s enclosure that may be of
sufficient magnitude to constitute a
risk of electric shock to persons.
This symbol is intended to alert the
user to the presence of important
operating and maintenance
(servicing) instructions in the
literature accompanying the
appliance.
* The location of the marking is at the rear of
the enclosure.
On safety (Rifer to the supplied
“WARNING”.)
Should any solid object or liquid fall
into the cabinet, unplug the recorder
and have it checked by qualified
personnel before operating it any
further.
On power sources
• Before operating the recorder, check
that the operating voltage of the
recorder is identical with your local
power supply. The operating voltage
is indicated on the nameplate at the
rear of the recorder.
• If you are not going to use the
recorder for a long time, be sure to
disconnect the recorder from the wall
outlet. To disconnect the AC power
cord, grasp the plug itself; never pull
the cord.
• AC power cord must be changed only
at the qualified service shop.
2
Thank you for purchasing the Sony
MiniDisc Recorder. Before operating
the recorder, please read this manual
thoroughly and retain it for future
reference.
About This Manual
Conventions
• Controls in the instructions are those
on the recorder; these may, however,
be substituted by controls on the
remote that are similarly named or,
when different, appear in the
instructions within brackets.
Index of Parts and Controls ............................................................................................ 37
Guide to the Serial Copy Management System........................................................... 38
3
Getting Started
Getting Started
Unpacking
Check that you received the following items:
• Remote commander (remote) RM-D7M (1)
• R6 (size AA) batteries (2)
Inserting batteries into the remote
You can control the recorder using the supplied
remote.
Insert two R6 (size AA) batteries by matching the +
and – on the batteries. When using the remote, point it
at the remote sensor g on the recorder.
z When to replace batteries
With normal use, the batteries should last for about six
months. When the remote no longer operates the
recorder, replace all the batteries with new ones.
Notes
• Do not leave the remote near an extremely hot or humid
place.
• Do not drop any foreign object into the remote casing,
particularly when replacing the batteries.
• Do not expose the remote sensor to direct sunlight or
lighting apparatuses. Doing so may cause a malfunction.
• If you don’t use the remote for an extended period of time,
remove the batteries to avoid possible damage from
battery leakage and corrosion.
Connection
Overview
This section describes how to hook up the MD recorder
to other components such as a mixer, CD player or
DAT recorder. Be sure to turn off the power of each
component before connection.
to a wall
outlet
PC or similar
equipment
MDS-E11
External controller
Remote controller,
or other controller
OUTIN
Mixer
DIGITAL
COAXIAL OUT
CD player, DAT
recorder, or MD
recorder, etc.
: Signal flow
DIGITAL
COAXIAL IN
OUTIN
Mixer
4
Getting Started
What cords will I need?
• Audio connecting cords (pin type)
White
(L)
Red
(R)
• Audio connecting cords (XLR type)
• Coaxial digital connecting cable
• Control-S cord (mini-jack type)
• Relay recording/playback cord (such as RK-G136)
(stereo mini-jack type)
(stereo mini-jack type)
White
(L)
Red
(R)
Connection
• Connecting the recorder to an analog device
Use the terminals and switches shown below.
Switch setting
+4dBu
–10dBu
The BALANCE I/O connector specifications are as follows:
Input terminal XLR-3-31
equivalent
Output level
Signals having a metered level of –20 dB
are generated at a +4 dBu level.
Signals having a metered level of –20 dB
are generated at a –10 dBu level.
Output terminal XLR-3-32
equivalent
1 : GND
2 : HOT
3 : COLD
1 : GND
2 : HOT
3 : COLD
• Connecting the recorder to a digital component such
as a CD player, DAT recorder, another MD recorder, or
mixer
Connect the component through the DIGITAL IN/OUT
connectors with two coaxial digital connecting cables.
MD recorderDigital component
Analog I/O terminal
UNBAL (pin type)
ANALOG INPUT switch
Switch the rear-panel ANALOG INPUT according to the
type of the input terminal used.
Analog I/O terminal
BAL (XLR type)
OUTPUT LEVEL switch
To record throughSet INPUT to
UNBAL IN (pin type)UNBAL
BAL IN (XLR type)BAL
z Regardless of the setting of the ANALOG INPUT
switch, signals are transferred to both the UNBAL
and BAL output terminals.
z If you use the BALANCE output terminal (XLR type),
you can use the OUTPUT LEVEL switch to switch the
output level.
çç
ç: Signal flow
çç
z Automatic conversion of digital sampling rates
during recording
A built-in sampling rate converter automatically
converts the sampling frequency of various digital
sources to the 44.1 kHz sampling rate of your MD
recorder.
This allows you to record sources such as 32 and
48 kHz DAT or satellite broadcasts, as well as compact
discs and other MDs.
Connecting the AC power cord
Connect the AC power cord to a wall outlet.
5
Basic Operations
Basic Operations
Recording on an MD
23
Turn on the mixer and program source.
1
Press U.
2
Insert a recordable MD.
3
54
768
Analog input
When using the analog input,
switch the rear-panel ANALOG
INPUT (BAL or UNBAL) acording
to the type of the input terminal
used.
Monitor audio during recording
Even if you set REC MODE to
MONO, the monitor signal does
not become monaural.
Recording mode
The last recording mode in effect
will be restored even when you
replace the MD or turn the
recorder off and on.
With the arrow
pointing this way
If the MD has a recorded material on it, the recorder will
automatically start recording from the end of the last recorded
track.
Set INPUT to the corresponding input connector.
With the label side up
4
To record throughSet INPUT to
DIGITAL IN
ANALOG IN
Select a recording mode from the Set up Menu.
5
1 Press EDIT/NO twice to display “Setup Menu.”
2 Wait until “Rec Mode” appears in the display, when press AMS.
3 Turn AMS to the desired recording mode (STEREO or MONO) and press
AMS.
4 Press EDIT/NO..
Monaural recording will last about two times longer than stereo recording.
COAXIAL
BAL or UNBAL
DIGITAL
ANALOG
6
Basic Operations
Press r.
6
The recorder stands by for record.
When recording the analog input signal, adjust the recording
7
level with REC LEVEL.
The fourth dot is satisfactory for most purposes. For details,
refer to “Adjusting the Recording Level” on page 11.
Press · or P.
8
Recording starts.
Start playing the program source.
9
When ”TOC“ indicator flashes in
the display
The recorder is currently updating
the Table Of Contents (TOC).
Do not turn off the power, move
the recorder, or pull out the AC
power cord, while “TOC”
indicator is flashing. Changes to an
MD made through recording are
saved only when you update the
TOC by ejecting the MD.
Do not turn off the power or disconnect the recorder from the power source
immediately after recording.
If you do, recorded material may not be saved to the MD. To save the
material, after recording, press § EJECT to take out the MD. “TOC” indicator
will flash in the display at this time.
After “TOC” indicator stops flashing and is unlit, you can turn off the power
or pull out the AC power cord.
To
Stop recording
Pause recording*P. Press the button again or press · to
Take out the MD
* Whenever you pause recording, the track number increases by one. For example, if
you paused recording while recording on track 4, the track number increases by
one and recording continues on the new track when restarted.
To protect an MD against accidental erasure
To make it impossible to record on an MD, slide the tab in the direction of
arrow, opening the slot. To allow recording, close the slot.
Rear of the disc
Press
p
resume recording.
§ EJECT after stopping recording
Record-protect tab
Basic Operations
Slide the tab in
the direction of arrow
7
Basic Operations
Playing an MD
234
Turn on the mixer and adjust the fader or level control of the
1
corresponding channel.
z You can locate and play back
a track while the recorder is
stopped
1 Turn AMS (or press =
or + on the remote)
until the number of the
desired track appears.
2 Press AMS or ·.
z To use headphones
Connect them to PHONES
jack. Use PHONE LEVEL to
adjust the volume.
Press U.
2
Insert an MD.
3
With the arrow
pointing this way
Press ·.
4
The recorder starts playing.
To
Stop playing
Pause playing
Go to the next track
Go to the preceding track
Take out the MD
With the label side up
Do the following:
Press p.
Press P. Press the button again or press
· to resume playing.
Turn AMS clockwise (or press + on
the remote).
Turn AMS counterclockwise (or press
= on the remote).
Press § EJECT.
8
Recording on MDs
Notes on Recording
If “Protected” appears in the display
The MD is record-protected. Close the slot to record on the
disc (see “To protect an MD against accidental erasure” on
page 7).
If “Din Unlock” flashes in the display
• The digital program source which you set with INPUT in
Step 4 on page 6, is not connected.
To continue, connect the program source properly.
• The program source is not on.
Turn on the program source.
Depending on the source being recorded, track numbers
are marked in the following ways:
• When recording from a CD or MD with INPUT set to
DIGITAL and the source connected through DIGITAL IN:
The recorder automatically marks track numbers in the
same sequence as the original. If, however, a track is
repeated two or more times (e.g. by single-track repeat
play) or two or more tracks with the same track number
(e.g. from different MDs or CDs) are played, the track or
tracks are recorded as a single, continuous track with a
single track number.
If the source is an MD, track numbers may not be marked
for tracks of less than 4 seconds.
• When recording from DAT or satellite broadcasts with
INPUT set to DIGITAL, the recorder automatically marks
a track number whenever the sampling frequency of the
input signal changes.
When “TOC” indicator flashes in the display
The recorder is currently updating the Table Of Contents
(TOC). Do not turn off the power, move the recorder, or pull
out the AC power cord. Changes to an MD made through
recording are saved when you update the TOC by ejecting
the MD.
Recording on MDs
If “Cannot Copy” appears in the display
The recorder uses the SCMS (Serial Copy Management
System).
MDs recorded through digital input connector cannot be
copied onto other MDs or DAT tapes through the digital
output connector (see page 38).
When recording digital signals that have been emphasized
(in the higher frequencies)
The signal is automatically de-emphasized (with attenuation
proportional to the degree of emphasis) and the level of the
de-emphasized signal is indicated on the peak level meters.
When the recorder is recording or in recording pause,
digital signals input through DIGITAL IN are output to
DIGITAL OUT with the same sampling rate.
To change the digital input signal to another sampling rate
for output (without recording it to an MD), use Input
Monitor Function (see page 10).
Basic Operations
Useful Tips for Recording Z
Checking the remaining recordable time on
the MD
• When you press DISPLAY repeatedly while
recording, the display changes as follows: elapsed
recording time, remaining recordable time on the
MD, track name.
• When you press DISPLAY repeatedly while the
recorder is stopped, the display changes as follows:
total recorded time, remaining recordable time on
the MD, disc name (see page 16).
When the program mode is set to PROGRAM or SHUFFLE
(see pages 19 and 20)
It is automatically switched to CONTINUE and the
equipment enters the recording standby state.
(Continued)
9
Recording on MDs
Monitoring the input signal (Input Monitor)
Before starting recording, you can monitor the selected
input signal through the recorder’s output connectors.
1 Press §EJECT to remove the MD.
2 Set INPUT according to the input signal you want
to monitor.
When INPUT is set to ANALOG
The analog signal input through LINE (ANALOG) IN is
output to DIGITAL OUT after A/D conversion, and
then to the LINE (ANALOG) OUT connectors and
PHONES jack after D/A conversion.
When INPUT is set to DIGITAL
The digital signal input through DIGITAL IN is output
to DIGITAL OUT, and then to the LINE (ANALOG)
OUT connectors and PHONES jack after D/A
conversion.
Note
Even if you set REC MODE to MONO, the monitor
signal does not become monaural.
3 Press r.
If INPUT is set to ANALOG, “AD-DA” appears in
the display.
If INPUT is set to DIGITAL, “-DA”appears in the
display.
If “Smart Space” appears in the display
(Smart Space)
When there has been an extended silence of up to 30
seconds in length, and the signal is input again, the
silence is replaced by a blank of about 3 seconds and
the recorder continues recording.
Note
However, if you begin recording during such an extended
silent portion, the smart space function will not be activated.
To turn off the Smart Space Function and Auto Cut
Function
1 While the recorder is stopped, press EDIT/NO twice to
display “Setup Menu”.
2 Turn AMS until “Smart Space” menu appears in the
display, then press AMS.
3 Turn AMS until “S.Space OFF” appears in the display,
then press AMS.
4 Press EDIT/NO.
To turn on the Smart Space Function and Auto Cut
Function again
1 Carry out Steps 1 and 2 in “To turn off the Smart Space
Function and Auto Cut Function” above.
2 Turn AMS until “S.Space ON” appears in the display, then
press AMS.
3 Press EDIT/NO.
If “Auto Cut” appears in the display
(Auto Cut)
There has been no sound input for 30 seconds while
INPUT is set to DIGITAL and the source is connected
through DIGITAL IN. The 30 seconds of silence are
replaced by a blank of about 3 seconds and the
recorder changes to recording pause.
z You can turn off the Auto Cut Function
For details, see “If “Smart Space” appears in the
display” below.
Notes
• When you turn off the Smart Space Function, the Auto Cut
Function is also turned off automatically.
• The Smart Space Function and Auto Cut Function are
factory set to on.
• If you turn off the recorder or disconnect the AC power
cord, the recorder will recall the last setting (on or off) of
the Smart Space and Auto Cut Functions the next time you
turn on the recorder.
10
Recording on MDs
Recording Over Existing Tracks
Follow the procedure below to record over existing
material just as you would on an analog cassette tape.
≠ AMS ±
=/+
1 Carry out Steps 1 to 5 in “Recording on an MD”
on page 6.
2 Turn AMS (or press = or +) until the
number of the track to be recorded over appears.
3 To record from the start of the track, continue
from Step 6 in “Recording on an MD” on page 7.
z To record from the middle of the track
1 After Step 2 above, press · to start playback.
2 Press P where you want to start recording.
3 Continue from Step 6 in “Recording on an MD” on
page 7.
6
pP·
r
+=
)0
Adjusting the Recording Level
When recording with INPUT set to ANALOG and the
signal input through LINE (ANALOG) IN jacks, use
REC LEVEL to adjust the recording level before
starting recording.
You cannot adjust the recording level during digital
recording.
REC LEVEL
1 Carry out Steps 1 to 6 in “Recording on an MD”
on pages 6 and 7.
2 Play the portion of the program source with the
strongest signal level.
3 While monitoring the sound, turn REC LEVEL to
adjust the recording level so that the peak level
meters reach their highest point without turning
on the OVER indication. Occasional lighting of
“OVER” is acceptable.
Note
You cannot record from the middle of the track during
“PROGRAM”or “SHUFFLE”play.
4 Stop playing the program source.
5 To start recording, follow the procedure starting
from Step 8 in “Recording on an MD” on page 7.
11
Recording on MDs
Marking T rack Numbers While
Recording (Track Marking)
You can mark track numbers either manually or
automatically. By marking track numbers at specific
points, you can quickly locate the points later using the
AMS Function or Editing Functions.
You can mark track numbers at any time while
recording on an MD.
Press r at the place you want to add a track mark
while recording.
YES
r
To Cancel Auto Track Marking
1 While the recorder is stopped, press EDIT/NO twice to
display “Set up Menu”.
2 Turn AMS until “Level Sync” appears in the display, then
press AMS.
3 Turn AMS until “Level Sync OFF” appears in the display,
then press AMS.
4 Press EDIT/NO.
To Turn on Auto Track Marking
1 Carry out Steps 1 and 2 in “To Cancel Auto Track
Marking” above.
2 Turn AMS until “Level Sync ON” appears in the display,
then press AMS.
3 Press EDIT/NO.
z When you want to mark track numbers after you‘ve
finished recording
Use the Divide Function (see “Dividing Recorded
Tracks” on page 24.)
Note
If you turn off the recorder or disconnect the AC power cord,
the recorder will recall the last setting (Level Sync ON or
OFF) of the Automatic Track Marking Function the next time
you turn on the recorder.
The recorder adds track marks differently in the
following cases:
• When recording from CDs or MDs with INPUT set
to DIGITAL and the source connected through
DIGITAL IN:
The recorder marks track numbers automatically.
When you record from a CD or MD, the track
numbers are marked as they are found on the
original.
• In the case other than the above
The LEVEL-SYNC function assigns a track number
automatically each time the input signal of the
source falls to a given level or below and a new input
signal exceeding that level is received.
Starting Recording With
6 Seconds of Prestored Audio
Data (Time Machine Recording)
When recording from an FM or satellite broadcast, the
first few seconds of material are often lost due to the
time it takes you to ascertain the contents and press the
record button. To prevent the loss of this material, the
Time Machine Recording Function constantly stores 6
seconds of the most recent audio data in the buffer
memory so that when you begin recording the
program source, the recording actually begins with the
6 seconds of audio data stored in the buffer memory in
advance, as shown in the illustration below:
When you press
AMS in Step 3
Audio data in 6-second buffer memory
End of the program
source to be recorded
Time
Recorded
portion
12
Beginning of the program
source to be recorded
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