Sony HDC-2400 Instruction Manual

HD COLOR CAMERA

HDC2500 HDC2400 HDC2570 HDC2550

OPERATION MANUAL [English] 1st Edition (Revised 7)

Table of Contents

Overview .....................................................................3

Features .......................................................................... 3

System Configuration...................................................... 7

Locations and Functions of Parts ..........................12

Accessory Attachments................................................. 12

Controls and Connectors............................................... 12

Preparations .............................................................19

Attaching a Lens............................................................ 19

Adjusting the Flange Focal Length................................ 19

Attaching a Viewfinder................................................... 19

Attaching the Cable Clamp Belt (Supplied)................... 21

Adjusting the Shoulder Pad Position............................. 22

Mounting the Camera to a Tripod.................................. 22

Adjustments and Settings for Shooting ................24

Adjusting the Black Balance and White Balance........... 24

Setting the Electronic Shutter........................................ 26

Setting the Focus Assist Functions ............................... 27

Setting the Focus Position Meter Function.................... 29

Setting the VF Dynamic Contract Function ................... 30

Setting the Camera Outputs....................................31

Viewfinder Screen Status Display ..........................32

Menu Operations......................................................34

Starting Menu Operations ............................................. 34

Selecting Pages ............................................................ 35

Setting the Menu Items ................................................. 35

Editing the USER Menu ................................................ 36

Menu List ..................................................................40

Menu Tree..................................................................... 40

OPERATION Menu ....................................................... 46

PAINT Menu.................................................................. 57

MAINTENANCE Menu .................................................. 62

FILE Menu..................................................................... 66

DIAGNOSIS Menu ........................................................ 69

Appendix...................................................................70

Precautions ................................................................... 70

Digital Triax Transmission (HDC2570).......................... 70

Error Messages............................................................. 71

Using a USB Drive....................................................72

Specifications...........................................................73

HDC2500....................................................................... 73

HDC2400....................................................................... 73

HDC2570....................................................................... 74

HDC2550....................................................................... 75

Optional Accessories/Related Equipment..................... 76

Dimensions.................................................................... 77

MPEG-4 Visual Patent Portfolio License................78

Overview

The HDC2500, HDC2400, HDC2570 and HDC2550 are 2/3type high-definition portable video cameras equipped with CCD for 2,200,000 pixels. The differences among the models are shown below:

HDC2500 HDC2400 HDC2570 HDC2550

CCD Progressive IT Progressive IT Progressive IT Progressive IT

Video format coverage

Built-in filters Optical ND filers (clear, 1/

* 2× slow motion format.

1080/50i, 1080/59.94i, 1080/23.98PsF, 1080/ 24PsF, 1080/25PsF, 1080/

29.97PsF, 1080/50P, 1080/

59.94P, 720/59.94P, 720/ 50P, 1080/100i*, 1080/

119.88i*, 720/100P*, 720/

119.88P*

4ND, 1/8ND, 1/16ND, 1/ 64ND)

Optical CC filters (cross, 3200K, 4300K, 6300K, 8000K)

Electric filter (5600K)

1080/59.94i, 720/59.94P, 1080/50i, 720/50P

Optical ND filters (clear, 1/ 4ND, 1/16ND, 1/64ND)

Optical cross filter

Electric filter (5600K)

1080/50i, 1080/59.94i, 720/

59.94P, 720/50P

Optical ND filers (clear, 1/ 4ND, 1/8ND, 1/16ND, 1/ 64ND)

Optical CC filters (cross, 3200K, 4300K, 6300K, 8000K)

Electric filter (5600K)

1080/59.94i, 720/59.94P, 1080/50i, 720/50P

Optical ND filers (clear, 1/ 4ND, 1/8ND, 1/16ND, 1/ 64ND)

Optical CC filters (cross, 3200K, 4300K, 6300K, 8000K)

Electric filter (5600K)

Features

High picture quality and high performance

HDC2400/2500/2570/2550 features a 2/3-type wide progressive IT CCD for 2,200,000 pixels and a signal processing LSI, both newly developed to help achieve a high level of image quality via improved S/N, high resolution, and low smear compared to previous models. A 16-bit AD converter allows for optimal picture quality and enhanced black reproduction.

Slow motion via 2× speed recording

1080/50i-59.94i and 720/50P-59.94P formats are supported, as well as 1080/23.98PsF-24PsF-25PsF-29.97PsF and 1080/ 50P-59.94P progressive formats, and 1080/100i-119.88i and 720/100P-119.88P slow-motion 2× speed recording formats.

For the models that do not support this function by default, use optional accessories to use this function. For details, see “Optional Accessories” (page 6).

Digital extender function

The central part of the viewfinder picture is digitally magnified to twice its size. The digital extender function prevents the decrease in sensitivity (F-drop) that occurs when the lens extender function is used.

Note

This function does not operate when a 2x slow motion format is selected.

This function also reduces the resolution of images to onehalf.

Aberration correction function

This camera features ALAC 2.0 (Auto Lens Aberration Compensation). When an achromatic lens is used, this function reduces chromatic aberration of magnification automatically.

For details on achromatic lenses, contact a Sony sales representative or Sony service representative.

Standard 3G optical digital transmission unit (HDC2500/2400)

3G optical digital transmission of signals between the camera and camera control unit (CCU) is included, and allows the following kinds of video signal transmission and system configurations:

• 1080/50P-59.94P progressive video signal transmission

• Transmission of 2× speed recording signals such as 1080/ 100i-119.88i for production of slow-motion video

• Transmission of HD prompter, HD TRUNK, and network TRUNK signals that utilize empty bands during 1080/50i-

59.94i and 720/50P-59.94P operation

• Dual camera system for transmitting video signals from two HDC2500/2400 cameras to two CCUs using just one optical fiber/multi-cable

• Subcamera system for transmitting video signals from both an HDC2500/2400 and another subcamera-such as the

HDC-P1-using just one optical fiber/multi-cable and outputting their signals from one CCU

Digital triax transmission (HDC2570)

HDC2570 utilizes a digital triax transmission system and supports 1080/50i-59.94i and 720/50P-59.94P formats.

Triax transmission (HDC2550)

HDC2550 utilizes a triax transmission system and supports 1080/50i-59.94i and 720/50P-59.94P formats.

Various color-reproduction functions

Adaptive-matrix function

This function accurately controls calculation factors for performing accurate color conversion when shooting. This makes precise color conversion possible even when shooting under conditions that would otherwise exceed the color conversion range of traditional matrix functions, such as under strong monochromatic blue light sources.

Versatile detail control functions

Skin-tone detail function/Natural skin detail function

Like HDC1500R/1400R/1550R, this function allows control (emphasis or suppression) of the detail level for just a certain hue or chroma area in the image, by creating a detail gate signal from color components of your specified hue, such as skin tones. The detail levels of three hues can be adjusted independently at the same time. HDC2500/2400/2570/2550 features the natural skin detail function, which allows for adjustment of the detail gate signal, allowing even more vivid distinction of areas like skin that you want to make smooth while selectively keeping areas like eyebrows that don’t require smoothing.

Detail boost-frequency control

The boost frequency can be adjusted from 20 to 30 MHz. This allows the thickness of the detail signal to be set appropriately for the subject, thus enabling high-definition image expression.

Multimatrix color correction

In addition the standard 6-parameter matrix function, the camera has a multimatrix function that permits you to adjust the hue and chroma for color components in 16-axis directions independently. This is quite useful in color matching among multiple cameras.

Knee saturation

Change of hue and decrease in chroma that occur in highlighted areas can be compensated. This enables reproduction of natural skin tones under strong lighting.

Low key saturation

Saturation in low-key zones can be compensated. Thus, compensation for color reproduction in all zones is enabled in combination with matrix color compensation and knee saturation functions.

Selection of multiple gamma tables

Seven types of standard and 4 types of hyper gamma tables are provided with this camera. The hyper gamma values enable cinemalike image creations with wide dynamic range, which are different from those achieved with conventional video gamma.

Note

When <CAM MODE> is set to 4K/HDR MODE, only VF images will be fixed to the ITU-R 709-equivalent gamma.

H/V ratio control

The ratio between horizontal and vertical detail can be adjusted.

White/black limiter

The white and black details can be limited independently.

Focus assist functions

The VF detail function and focus assist indicator function facilitate focusing.

VF detail

Various functions are provided for the VF detail signal, which can be added only on images on the viewfinder screen in order to facilitate focusing in various situations: Functions for coloring the VF detail signal, flickering the VF detail signal by adding modulation, thickening the VF detail signal, and changing the VF detail level according to the zoom position.

Focus assist indicator

The focusing level indicator on the viewfinder screen provides a guide for focusing. The best focus setting can be easily determined by observing fluctuation of the level indicator as a guide.

VF dynamic contrast

The VF contrast signal can be added only to images on the viewfinder screen, and facilitate focusing in situations with high brightness areas and low contrast levels.

User gamma

Gamma tables created with CvpFileEditor™ can be saved to a “Memory Stick,” or registered to a camera from the MSU1000/1500 or RCP-1500 series.

For the models that do not support this function by default, use optional accessories to use this function. For details, see “Optional Accessories” (page 6).

Numerous viewfinder functions

Wide variety of viewfinder display options

Along with items such as operation messages, a zebra pattern, a safety-zone marker, and a center marker, camera settings may also be displayed on the viewfinder screen. Furthermore, there are other indicators arranged above and below the viewfinder, such as a tally lamp, battery warning indicator, and an indicator to tell you that one or more settings

are other than standard. This makes it simple to check the status of the camera.

Menu-based setting operation function

Selections and settings for viewfinder display items, a safetyzone marker or center marker, screen size marker, etc. can be made quickly and easily using setup menus displayed on the viewfinder screen or an external monitor.

PinP function

The return video signal or HD prompter picture can be displayed on the viewfinder in picture-in-picture mode.

Note

The PinP function cannot be used during stand-alone operation, and cannot be used with the HD TRUNK FRAME SYNCHRO function simultaneously.

Wide variety of input/output interfaces (HDC2500/2400)

In addition to 3G/HD/SD-SDI output and HD/SD-SDI input, HDC2500/2400 features a wide variety of input/output interfaces, including the following:

Network TRUNK function (HDC2500/2400)

The network TRUNK function (LAN port) allows for data transmission between the camera and CCU at speeds of up to 1 Gbps. This allows for a multitude of new system configurations, such as connecting several IP transmission cameras as subcameras.

Note

The network TRUNK transfer rate differs depending on the video format. Jumbo frames are not supported.

HD TRUNK function (HDC2500/2400)

The new HD TRUNK function uses 3G optical transmission supports sending HD-SDI-equivalent digital data (not an HDSDI video signal) from the HDC2500/2400 to an HDCU2000/

2500.

Note

The HD TRUNK function can only be used when a single format is selected and the network TRUNK function is set to OFF.

HD prompter function (HDC2500/2400)

The new HD prompter function on HDC2500/2400 supports sending HD-SDI-equivalent digital data (not an HD-SDI signal) separate from the return video signal from an HDCU2000/ 2500 to the HDC2500/2400.

Note

The HD prompter function can only be used when a single format is selected and the network TRUNK function is set to OFF.

User-friendly operation

Spirit level display function

HDC2500/2400/2570/2550 features a spirit level function, which enables you to display the amount of camera roll on the view finder screen and monitor. By checking the level of the camera, more stable shooting can be achieved.

Carbon-graphite outer cover

The HDC2500/2400/2570/2550 outer cover is made of carbon graphite. Much lighter and stronger than plastic, it can easily withstand intense movement under the toughest shooting conditions.

Unit-body with low center of gravity

HDC2500/2400/2570/2550, like the previous HDC1500 series, adopts a stylish appearance with low-slung design. When used in combination with the HDLA1500-series Large Lens Adaptor, it permits the viewfinder to be mounted at a low position, making the viewfinder position closer to the optical axis of the lens.

Swing handle and VF slide mechanism

A slight protrusion of the upper front part of the handle enables stable holding of the camera while you are shooting, by holding the front part of the handle. Furthermore, the movable range of a front-rear slide mechanism for the viewfinder attachment has been widened to provide the best balance for shooting with the camera on your shoulder. The swing handle mechanism allows for mounting and usage on the HDLA1500 series, making forward shifting with a large-scale viewfinder possible. This enables the same total longitudinal size as a standard studio-use camera, for operability equivalent to that of a standard studio-use camera.

Position-adjustable shoulder pad

The position of the shoulder pad can be adjusted for stable shooting according to the build of the camera operator, the type of lens in use, or the shooting style. A low-repulsion shoulder pad (position fixed) is available as an option (Part No.: A-8286-346-A).

Function-assignable switches

The function-assignable switches on the side panel can be assigned to your desired function, such as electronic colortemperature conversion. These switches can be synchronized with the assignable switches on viewfinder models such as HDVF-EL75, and can be used to operate the viewfinder functions such as MAGNIFICATION, etc. Also, two function-assignable switches are on the upper part of the handle, and can be used to set the viewfinder functions such as MAGNIFICATION, etc.

USB connector

Connect a USB drive to the USB connector to record and read data. Setup menu settings can also be saved to and loaded from the USB drive.

Prevention of electrical shock

When the power connection is unsafe, the power supply from the connected Camera Control Unit will be shut off.

Optional accessories

You can add new functions and compatibility with other video formats by embedding the following optional accessories.

For details on optional accessories, contact a Sony sales representative or Sony service representative.

For specifications or more detailed information on optional accessories, refer to the Operation Manual of each accessory.

HKC-DF20 Dual Optical Filter Unit

Embedding the HKC-DF20 Dual Optical Filter Unit allows for a 2-filter (a CC filter and ND filter) configuration.

HZC-UG444/UG444M/UG444W Support software for User Gamma Application

Installing the HZC-UG444 User Gamma Application Software enables the camera to support CvpFileEditor 2570/2550) and RGB4:4:4 outputs (HDC2400 only).

HZC-PSF20/PSF20M/PSF20W Support software for PsF format

Embedding HZC-PSF20 PsF format-compatible software makes creation of 1080/24PsF, 1080/23.98PsF, 1080/25PsF and 1080/29.97PsF formats possible.

HZC-PRV20/PRV20M/PRV20W Support software for progressive format

Embedding HZC-PRV20 progressive format-compatible software makes creation of 1080/50P and 1080/59.94P formats possible.

(HDC2400/

HZC-DFR20/DFR20M/DFR20W Support software for Dual-speed format

By using the HZC-DFR20 dual-speed-compatible software, 1080/100i, 1080/119.88i, 720/100P and 720/119.88P 2× slowmotion recording is available.

HKC-FB20 Optical Fiber Transmission Adaptor

Embedding HKC-FB20 into HDC2570/2550 makes optical transmission possible.

HKC-TR20 Triax Transmission Adaptor

Embedding HKC-TR20 into HDC2500/2400/2570 makes triax transmission possible.

HKC-CN20 Side Panel Attachment Kit

HKC-CN20 must be used to attach HKC-FB20 to HDC2570/ 2550, or HKC-TR20 to HDC2500/2400/2570.

HKC-TR27 HD Digital Triax Transmission Adaptor

Embedding HKC-TR27 into HDC2500/2400/2550 makes digital triax transmission possible.

System Configuration

Note

Production of some of the peripherals and related devices shown in the figures has been discontinued. For advice on choosing devices, please contact your Sony dealer or a Sony sales representative.

Connection example

HDVF-EL75/L750/L770

Zoom Lens (for ENG/EFP)

VCT-14 Tripod Attachment

Tripod

Viewfinder

BKW-401 Viewfinder Rotation Bracket

HDC2500 HDC2400

Optical Fiber Cable

USB drive

CAC-6 Return Video Selector

Intercom Headset

CAC-12 Microphone holder

Microphone

HDVF-20A HDVF-200 HDVF-EL20 HDVF-EL30 Viewfinder

HDCU2000 HD Camera Control Unit

HKCU1001

HKCU1003

HKCU2040

HKCU2007

HKCU1001

HKCU1003

CCA-5

RCP-1000-series Remote Control Panel

BNC

Picture Monitor

Waveform Monitor

Camera hangers

Zoom lens (for studio use)

V-wedge shoe (supplied with tripod)

HDVF-EL70 Viewfinder

Zoom Lens (for studio use)

HDLA1500-series Large Lens Adaptor

HDC2500 HDC2400

USB drive

CAC-6 Return Video Selector

Intercom Headset

Microphone

BKP-7911 Script Holder

Viewfinder HDVF-EL70

HDC2000

USB drive

CAC-6 Return Video Selector

Intercom Headset

LAN cable

HDCU2500 HD Camera Control Unit

MSU-1000-series Master Setup Unit

HKCU2040

HKCU2007

Hub

LAN cable

Video Router

BNC

CCA-5

RCP-1000-series Remote Control Panel

Tripod

Microphone

BKP-7911 Script Holder

a) Supplied with HDLA1500-series Large Lens Adaptor Part number: A-1128-405-A

Connection example 2 (HDC2570)

Zoom Lens (for ENG/EFP)

VCT-14 Tripod Attachment

Camera hangers

Tripod

BKW-401 Rotation Bracket

HDVF-EL75

Viewfinder

HDC2570

Triax Cable

USB drive

CAC-6 Return Video Selector

Intercom Headset

CAC-12 Microphone holder

/L750/L770

Microphone

HDC2570

Triax cable

HDVF-20A HDVF-200 HDVF-EL20 HDVF-EL30 Viewfinder

HDFX200 HD Digital Triax CCU Adaptor

Optical Fiber Cable

HKCU1001

HKCU1003

HKCU2040

HKCU2007

HDCU2000 HD Camera Control Unit

HKCU1001

HKCU1003

HKCU2040

LAN cable

HKCU2007

CCA-5

RCP-1000-series Remote Control Panel

BNC

Picture Monitor

Video Router

BNC

Waveform Monitor

HDVF-EL70

USB drive

Viewfinder

CAC-6 Return Video Selector

Intercom Headset

Microphone

HDLA1500-series Large Lens Adaptor

BKP-7911 Script Holder

Zoom Lens (for studio use)

a) The maximum Triax cable length between the HDC2570 and the

HDFX200 depends on the type of cable.

For details, refer to the Operation Manual of the HDFX200.

b) Supplied with HDLA1500-series Large Lens Adaptor

Part number: A-1128-405-A

HDCU2500 HD Camera Control Unit

Hub

LAN cable

MSU-1000-series Master Setup Unit

CCA-5

RCP-1000-series Remote Control Panel

Connection example 3 (HDC2550)

Zoom Lens (for ENG/EFP)

VCT-14 Tripod Attachment

Camera hangers

Tripod

BKW-401 Rotation Bracket

HDVF-EL75

Viewfinder

HDC2550

Triax Cable

USB drive

CAC-6 Return Video Selector

Intercom Headset

CAC-12 Microphone holder

/L750/L770

Microphone

HDC2550

Triax cable

HDVF-20A HDVF-200 HDVF-EL20 HDVF-EL30 Viewfinder

HDFX100 HD Triax CCU Adaptor

Optical Fiber Cable

HKCU1001

HKCU1003

HKCU2040

HKCU2007

HDCU2000 HD Camera Control Unit

HKCU1001

HKCU1003

LAN cable

HKCU2040

HKCU2007

CCA-5

RCP-1000-series Remote Control Panel

BNC

Picture Monitor

Video Router

BNC

Waveform Monitor

HDVF-EL70

USB drive

Viewfinder

CAC-6 Return Video Selector

Intercom Headset

Microphone

HDLA1500-series Large Lens Adaptor

BKP-7911 Script Holder

Zoom Lens (for studio use)

a) The maximum Triax cable length between the HDC2550 and the

HDFX100 depends on the type of cable.

For details, refer to the Operation Manual of the HDFX100.

b) Supplied with HDLA1500-series Large Lens Adaptor

Part number: A-1128-405-A

HDCU2500 HD Camera Control Unit

Hub

LAN cable

MSU-1000-series Master Setup Unit

CCA-5

RCP-1000-series Remote Control Panel

Connection example 4

HDC2570 HD Color Video Camera +Large Lens Adaptor +HDVF-C730W/C950W Electronic Viewfinder

HDC2570 HD Color Video Camera

HDC2000 HD Color Video Camera

Tr i a x c ab l e

Optical fiber cable

HDFX200 HD Digital Triax CCU Adaptor

Optical fiber cable

CNU-700 Camera Command Network Unit

HDCU2000 HD Camera Control Unit

HDCU2500 HD Camera Control Unit

HDC2500/2400 HD Color Video Camera +Large Lens Adaptor

HDC2500/2400 HD Color Video Camera

VCS-700 Video Selector

Maximum cable run with Triax cable

The maximum Triax cable length between the HDC2570 and the HDFX200 depends on the type of cable.

For details, refer to the Operation Manual of the HDFX200.

RCP-1000-series Remote Control Panel

MSU-1000/1500 Master Setup Unit

Connection example 5

HDC2000 HD Color Video Camera

HDTX100 HD Triax Camera Adaptor

HDFX100 HD Triax CCU Adaptor

HDCU2000 HD Camera Control Unit

HDC2500/2400 HD Color Video Camera +Large Lens Adaptor

HDC2500/2400 HD Color Video Camera

HDC2550 HD Color Video Camera +Large Lens Adaptor +HDVF-C730W/C950W Electronic Viewfinder

HDC2550 HD Color Video Camera

Optical fiber cable

Tr i a x c ab l e

Optical fiber cable

HDCU2500 HD Camera Control Unit

CNU-700 Camera Command Network Unit

RCP-1000-series Remote Control Panel

VCS-700 Video Selector

Maximum cable run with Triax cable

The maximum Triax cable length between the HDC2500/ 2400/2550 and the HDFX100 or between the HDFX100 and the HDTX100 depends on the type of cable.

For details, refer to the Operation Manual of the HDFX100/ HDTX100.

Notes

• The viewfinders function as monochrome viewfinders when monitoring a return video using the HDFX100 and the HDTX100.

MSU-1000/1500 Master Setup Unit

1) HDC2500 with Large Lens Adaptor attached is illustrated.

2) HDC2500 is illustrated.

• The skin gate signal is superimposed on the camera video signal. When tally becomes ON, the skin gate signal is forced to OFF.

Locations and Functions of Parts

Accessory Attachments

ERIES

T S

LTI F O

a VF (viewfinder) connector (20-pin)

Connect the cable of the viewfinder (not supplied).

1 2 3

j LENS connector (12-pin)

Connect the lens cable. The camera can control the lens functions through this cable.

k Tripod mount

Attach the VCT-14 Tripod Attachment when mounting the camera on a tripod.

l Camera number

Insert the supplied camera number label. You can display the camera number.

m Shoulder pad

You can adjust the position so that you can get the best balance for shooting with the camera on your shoulder.

For details, see “Adjusting the Shoulder Pad Position” on page

22.

b Shoulder strap fitting post

Attach one end of a shoulder strap (not supplied) to this fitting post, and the other end to the fitting post on the other side of the camera.

c Accessory shoe

To attach an accessory using a 1/4-inch screw.

d Viewfinder left-right positioning ring

Loosen this ring to adjust the viewfinder position towards the left or right.

e Viewfinder front-rear positioning lever and lock knob

Loosen the lever and knob to adjust the viewfinder position towards the front or rear.

For details on adjusting the viewfinder position, see “Attaching a Viewfinder” on page 19.

f Lens cable clamp

To secure the cable of the lens (not supplied).

g Lens fixing lever

To secure the lens in the lens mount.

h Lens mount cap

The cover can be removed by moving the lens fixing lever upwards. Always keep the lens mount covered with this cap when a lens is not attached.

i Lens mount

To attach a lens.

Controls and Connectors

Front right

1 2

MULTI FORMAT SERIES

7 8

a INCOM (intercom 1) button

The intercom 1 microphone is turned ON while this button is held pressed. You can also assign other functions to this button, using the menu displayed on the viewfinder screen.

0 qa

b RET 1 (return video 1) button

The return video 1 signal from the camera control unit is monitored on the viewfinder screen while this button is pressed. It function the same as the RET 1 button on the side (page 14) and that on the operation panel on the rear of the camera (page 16 or 17). You can also assign other functions to this button, using the menu displayed on the viewfinder screen.

c Assignable switch

You can assign a function using the menu displayed on the viewfinder screen.

d Filter select buttons

HDC2500/2570/2550

You can switch the built-in ND and CC (color temperature conversion) filters by pressing the selectors while holding the FILTER LOCAL button depressed. Pressing the left button selects the available ND filters (clear, 1/4ND, 1/8ND, 1/16ND,1/64ND) in sequence. Pressing the right button selects the available CC filters (cross, 3200K, 4300K, 6300K, 8000K) in sequence.

HDC2400

You can switch the built-in optical filters (clear, 1/4ND, 1/16ND,1/64ND, cross) by pressing either of these buttons while holding the FILTER LOCAL button depressed.

e FILTER LOCAL button

While holding this button depressed, press either of the filter select buttons to select the built-in optical filters.

f AUTO W/B BAL (white and black balance automatic

adjustment) switch

To automatically adjust white and black balance when the camera is used in standalone status without connecting to the camera control unit.

WHT: Automatically adjust white balance. BLK: Automatically adjust black balance.

g GAIN switch

To select the gain of the video amplifier based on lighting conditions when the camera is used in standalone status without connecting a camera control unit. When shipped from the factory, the values set are L = 0 dB, M = 6 dB, and H = 12 dB.

i WHITE BAL (white balance memory selection) switch

To select the white balance adjustment method or the memory used to store the adjusted value when the camera is used in standalone status without connecting a camera control unit. PRST (preset): White balance is adjusted to a preset value

corresponding to a color temperature of 3200K.

A or B: Selects memory A or B.

j DISPLAY switch

The functions of the DISPLAY switch are as follows: DISPLAY: Characters and messages showing the camera

settings and operating status may be displayed on the viewfinder screen.

OFF: Status messages will not appear on the viewfinder

screen.

MENU: Menus for camera settings will be displayed on the

viewfinder screen.

k STATUS/CANCEL switch STATUS: When no menu is displayed on the viewfinder

screen, the status information of this camera is displayed.

CANCEL: When a menu is displayed on the viewfinder

screen, you can cancel any changed settings or return the display to the previous menu.

l MENU SEL (menu select) knob/ENTER button (rotary

encoder)

To select settings from menus displayed on the viewfinder screen (by rotating the knob) and to confirm settings (by pushing the button). You can change the ECS frequency by pushing the ENTER button when no menu is displayed on the viewfinder screen. Make sure that the camera is used in standalone status without connecting a camera control unit, and the shutter mode is set to ECS. When the camera is used in standalone status and the shutter mode is set to other than ECS, the VF DETAIL function can be adjusted.

Note

When a camera control unit or a remote control device, such as an MSU or RCP-series Remote Control Panel, is connected, the functions of 6 to 9 are controlled from the external control device and the controls on the camera are disabled.

h OUTPUT (output signal selection)/AUTO KNEE switch

To select the signal (color bar signal or camera’s video signal) to be used as output to a VTR, the viewfinder or a video monitor when the camera is used in standalone status without connecting a camera control unit. When the camera’s video signal is being used as output, the auto knee function may be used. The relationship between the switch setting and the output signal and auto knee function is shown in the table below.

OUTPUT AUTO KNEE Function

BARS OFF Output is a color bar signal.

CAM OFF Output is the camera’s video signal.

The auto knee circuit is disabled.

CAM ON Output is the camera’s video signal.

The auto knee circuit is enabled.

Front left

European-type operation panel, page 17) on the rear of the camera are set to “FRONT.”

g RET 2 (return video 2) button

When this button is pressed, the picture on the viewfinder screen changes to the return video signal selected with the RET 2 select switch (page 15 or 16) on the operation panel on the rear of the camera. You can also assign other functions to this button, using the

TI FORM

menu displayed on the viewfinder screen.

Rear

a NETWORK TRUNK connector (RJ-45 8-pin) (HDC2500/

2400)

Connects a device connected to the CCU’s NETWORK TRUNK connector to the network.

b RET 1 (return video 1) button

The return video 1 signal from the camera control unit is monitored on the viewfinder screen while this button is pressed. It function the same as the RET 1 buttons on the handle (page 13) and that on the operation panel on the rear of the camera (page 16 or 17). You can also assign other functions to this button, using the menu displayed on the viewfinder screen.

c MIC 1 IN (microphone 1 input) connector (XLR 3-pin)

Connect a microphone. This connector and the AUDIO IN CH-1 connector (page 18) on the operation panel on the rear of the camera are alternately activated with the CH1 audio input select switch (page 18).

Shoulder strap fitting post (page 12)

Operation panel (page 15)

5 6

Connector panel (page 17)

a DC power supply out connector (2-pin)

Supplies power to an external device up to 2.5 A.

b CAMERA POWER switch CCU: Power is supplied from the camera control unit.

EXT: Power is supplied through the DC IN connector.

d MIC (microphone) power switch +48V: To supply a power of +48 V to the connected

microphone.

OFF: Not to supply a power to the connected microphone.

e SHUTTER switch

For setting the electronic shutter functions when the camera is used in standalone status without connecting a camera control unit.

OFF: The electronic shutter does not function. ON: The electronic shutter is activated. SEL: The shutter speed and shutter mode change each time

the switch is set to this position.

For details, see “Setting the Electronic Shutter” on page 26.

f INTERCOM LEVEL control

To adjust the intercom/earphone volume level. The intercom level adjustment is enabled when the INTERCOM 1 and 2 LEVEL/MIC switches (on the SY-type operation panel, page 15) or the LEVEL switch (on the

Note

For HDC2570 or optional HKC-TR27 installed

In standby mode, the intercom cannot be used.

c Tally lamp and switch ON: The tally lamp lights when a tally signal is input to the

connected camera control unit or a call signal is generated in response to pressing of a CALL button.

OFF: The tally lamp is prevented from lighting.

d CCU (Camera Control Unit) connector (optical/

electrical multi-connector) (HDC2500/2400)

Connect a camera control unit using an optical electrocomposite cable.

d HDFX (HD Triax CCU) connector (Triax connector)

(HDC2570/2550)

Connect the HDC2570 to the HDFX200 HD Digital Triax CCU Adaptor, or the HDC2550 to the HDFX100 HD Triax CCU Adaptor, using Triax cable. A camera control unit can be connected via the HDFX200/100.

e SDI 1 (serial digital interface 1) connector (BNC-type)

(HDC2500/2400)

For 3G-SDI, HD-SDI or HD PROMPTER signal output.

Note

HD PROMPTER signal output only when <CAM MODE> is set to 4K/HDR MODE. Set <CAM MODE> to NORMAL as necessary.

For details on the output signals, see “Setting the Camera Outputs” (page 31).

f SDI 2 (serial digital interface 2) connector (BNC-type)

(HDC2500/2400)

For HD-SDI signal output or HD TRUNK signal input. During stand-alone operation, also used for inputting an HD-SDI return signal. When RET (return) is set to 1, this is displayed in the viewfinder.

Note

This connector is disabled when <CAM MODE> is set to 4K/ HDR MODE. Set <CAM MODE> to NORMAL as necessary.

For details on the output signals, see “Setting the Camera Outputs” (page 31).

g PROMPTER2 connector (BNC-type) (HDC2500/2400)

For prompter 2 signal output Available only when connecting a camera control unit with a prompter 2 input connecter. During stand-alone operation, also used for inputting a VBS return signal. When RET (return) is set to 2, this is displayed in the viewfinder.

g SDI 1 (serial digital interface 1) connector (BNC-type)

(HDC2570)

For 3G-SDI or HD-SDI signal output.

h CALL button

When this button is pressed, the red tally lamp of the RCP1000-series Remote Control Panel or the MSU-1000-series Master Setup Unit will light. Use to call the operator of the RCP or MSU.

Operation panel

SY type: For JN/SY/UC (USA, Canada, East Asia and other

countries) models (for NTSC areas)

For details on the differences among models, see “Overview” on page 3.

234

2 3

RET1

PGM1 PGM2

LEVEL

MIC

PROD

INCOM

REAR

FRONT

OFF ENG

INTERCOM 1

PGM1 control

PGM2 control

PGM1 PGM2

LEVEL

MIC

PROD

INCOM

REAR

FRONT

OFF ENG

INTERCOM 1

Line select switch

INCOM level control

LEVEL/MIC switch

a INTERCOM1 and INTERCOM2 controls and switches

There are PGM1 and 2 controls incorporated with a line select switch, a LEVEL/MIC switch, and INCOM level control each for intercom line 1 and 2.

PGM1 (program 1) control

Adjust the audio listening level of program 1.

2 3

RET2

PGM1 PGM2

LEVEL

MIC

REAR

FRONT

OFF ENG

INTERCOM 2

PGM1 PGM2

LEVEL

MIC

REAR

FRONT

OFF ENG

INTERCOM 2

INCOM

LIGHT

OFF

PROD

PGM2 (program 2) control

Adjust the audio listening level of program 2.

LEVEL/MIC switch REAR/ON: The intercom headset microphone is turned on.

The intercom audio listening level is adjusted with the INCOM level control.

REAR/OFF: The intercom headset microphone is turned off.

The intercom audio listening level is adjusted with the INCOM level control.

FRONT/OFF: The intercom headset microphone is turned off.

The intercom audio listening level is adjusted with the INCOM level control and the INTERCOM LEVEL control on the front of the camera (page 14).

INCOM level control

Adjust the intercom audio listening level.

Line select switch

Select the intercom line.

PROD: Producer line ENG: Engineer line

b RET 1 (return video 1) button and select switch

Press the button to display the return video signal selected with the switch on the viewfinder screen.

European type: For CE (Europe) and E (China and South

Asia) models (for PAL areas)

For details on the differences among models, see “Overview” on page 3.

234

2 3

RET1

ENG PROD

2 3

RET2

PGM1 PGM2

LIGHT

OFF

c RET 2 (return video 2) button and select switch

If you use an additional return video system in addition to return video 1, press the button to display the return video signal selected with the switch on the viewfinder screen.

Note

The RET 1 button has priority over the RET 2 button if both buttons are pressed. If RET 1 and RET 2 buttons are pressed at the same time, the two buttons function as the RET 3 button when setting <RETURN> 12 of the OPERATION menu.

d LIGHT switch

Set to ON to illuminate the operation panel.

MIC LINE1

PROD

OFF

ENG

INTERCOM 1

MIC

PROD

LINE2

ENG

INTERCOM 2

LEVEL

TRACKER

REAR

OFF

FRT

PGM2 control

PGM1 control

PROD control

ENG control

ENG PROD

MIC

PROD

LINE1

OFF

ENG

INTERCOM 1

PGM1 PGM2

MIC

TRACKER

PROD

LINE2

OFF

ENG

INTERCOM 2

LEVEL REAR

FRT

MIC LINE1 switch

MIC LINE2 switch

TRACKER control

LEVEL switch

a INTERCOM1 and INTERCOM2 controls and switches

The reception level controls are common to intercom 1 and intercom 2. The talk lines can be set independently for intercom 1 and intercom 2.

ENG (engineer line) control:

Adjust the intercom audio listening level of the engineer line.

PROD (producer line) control

Adjust the intercom audio listening level of the producer line.

PGM1 (program 1) control

Adjust the audio listening level of program 1.

PGM2 (program 2) control

Adjust the audio listening level of program 2.

TRACKER control

Adjust the intercom audio listening level at the TRACKER connector (page 17) on the connector panel when using the connector for intercom.

MIC LINE1 (intercom microphone line 1) switch

Select the talk line for intercom 1. PROD: To talk over the producer line

OFF: To turn off the headset microphone for intercom line 1.

OFF

+48V

MIC

FRONT MIC

PROMPTER /GEN LOCK

RET CTRL

AUDIO IN

CH1 CH2

TEST

OUT

SDI MONI

DC IN 10.5-17V

LINE

OFF

+48V

MIC

AES/EBU

LINE

EARPHONE

REMOTE

DC OUT

CRANETRACKER

ENG: To talk over the engineer line

MIC LINE2 (intercom microphone line 2) switch

Select the talk line for intercom 2.

PROD: To talk over the producer line OFF: To turn off the headset microphone for intercom line 2. ENG: To talk over the engineer line

LEVEL switch REAR: The intercom audio listening level is adjusted with the

controls on this panel.

FRT: The intercom audio listening level is adjusted with the

INTERCOM LEVEL control on the front of the camera.

b RET 1 (return video 1) button and select switch

The return video signal selected with the switch is displayed on the viewfinder screen while the button is pressed.

c RET 2 (return video 2) button and select switch

When other return video systems are used in addition to return video 1, you can monitor the signal selected with the switch on the viewfinder screen while pressing the button.

Note

d LIGHT switch

Set to ON to illuminate the operation panel.

Connector panel

2 3

4 5

a EARPHONE jack (stereo minijack)

For connecting an earphone or headset to hear the intercom audio.

b DC OUT (DC power supply output) connector (4-pin)

To supply power to devices such as a wireless receiver (optional) (max. 0.5 A).

c CRANE connector (12-pin)

For external interface, such as viewfinder (and external data with HDC2500/2400).

d USB connector (for connecting a USB drive)

Connect a USB drive to save or load the settings data file.

For details, see “Using a USB drive” (page 72).

e TRACKER connector (10-pin)

For external interface, such as intercom and tally.

f RET CTRL (return control) connector (6-pin)

For connection to a CAC-6 Return Video Selector.

g DC IN (DC power supply input) connector (XLR 4-pin)

Used for connection to the AC-DN10 AC Adaptor to supply power to the camera.

h INTERCOM1 and 2 (intercom 1 and 2) connectors (XLR

5-pin)

Used for input and output of intercom audio signals if an XLR 5-pin headset is connected. The INTERCOM 1 connector can be used for communication over the engineer line even when the power is off, as long as the power LED is lit in red.

i REMOTE connector (8-pin)

For connection to an RCP-1000/1500-series Remote Control Panel, or MSU-1000/1500 Master Setup Unit.

Note

When the camera is connected to a CCU, do not connect any remote control device, such as RCP and MSU, to this connector.

j PROMPTER/GENLOCK (prompter 1 signal output/

external gen-lock signal input) connector (BNC-type)

The PROMPTER function is available only when a camera control unit is connected.

The GENLOCK IN function and RET IN function are available when a camera control unit is not connected. GENLOCK IN: For input of an external gen-lock signal (VBS

or 3-level sync) during stand-alone operation.

RET IN: For input of the return video signal during stand-alone

operation. The connector accepts analog HD signals only. SDI signals are not acceptable. Supply a signal of 1080i (720P is not acceptable). The signal supplied to this connector cannot be fed as RET OUT from the TEST OUT or SDI OUT connector. This is displayed in the viewfinder regardless of which RET is selected. CHARACTER will not be overlapped for the displayed RET 3 signal.

PROMPTER: For output of the prompter 1 signal (valid only

when a camera control unit is connected). When a camera control unit having two prompter inputs is connected, the signal of input 1 is output from this connector.

k TEST OUT connector (BNC-type)

To output the analog signal. This also supplies the VBS signal, an HD signal nearly equal to the signal output from the VF connector, an HD-SYNC signal, or an SD-SYNC signal depending on which of these you have selected on the menu.

For details on the output signals, see “Setting the Camera Outputs” (page 31).

l SDI-MONI (serial digital interface) connector (BNC-

type)

For HD-SDI or SD-SDI signal output.

For details on the output signals, see “Setting the Camera Outputs” (page 31).

m AUDIO IN CH1 and CH2 connectors (XLR 3-pin) and

switches

Connect audio signals. An input select switch and microphone power switch are provided for each channel.

CH1 audio input select switch

Microphone power switches

CH2 audio input select switch

Note

To supply +12 V power, contact a Sony sales representative or Sony service representative.

LINE

FRONT MIC

MIC

48V OFF

AUDIO IN

CH 1

LINE

AES/EBU

MIC

48V OFF

CH 2

AUDIO IN CH1 connector AUDIO IN CH2 connector

CH1 audio input select switch

Set to the appropriate position according to the equipment connected to the AUDIO IN CH1 connector.

LINE: When a line-level (0 dBu) signal source is connected FRONT MIC: When using the microphone connected to the

MIC 1 IN connector

MIC: When an external microphone is connected

CH2 audio input select switch

Set to the appropriate position according to the equipment connected to the AUDIO IN CH2 connector.

LINE: When a line-level (0 dBu) signal source is connected AES/EBU: When a digital audio signal is connected (The

signal must be in synchronization with the camera output). With HDC2550, the signal will not be transmitted to CCU.

MIC: When an external microphone is connected

Microphone power switches

When a microphone is connected to the corresponding AUDIO IN connector, set whether or not to supply a power to the microphone.

+48V: To supply a power of +48 V OFF: Not to supply a power

(No function has been assigned to the lowermost position. No power is supplied to the microphone.)

Preparations

Note

The various parts of the lens used in adjusting the flange focal length are in different positions on different lenses. Refer to the operation manual for the particular lens.

Attaching a Lens

For information on handling lenses, refer to the lens’ operation manual.

Attaching procedure

1,3425

1 Push the lens fixing lever upwards and remove the

lens mount cap from the lens mount.

2 Align the lens’ alignment pin with the notch in the

upper part of the lens mount and insert the lens into the mount.

Adjusting procedure

1 Set the iris control to manual, and open the iris fully. 2 Place a flange focal length adjustment chart

approximately 3 meters from the camera and adjust the lighting to get an appropriate video output level.

3 Loosen the Ff (flange focal length) ring lock screw. 4 With either manual or power zoom, set the zoom ring

to telephoto.

5 Aim at the flange focal length adjustment chart and

turn the focus ring to focus the image.

About 3 meters (10 ft)

6 Set the zoom ring to wide angle. 7 Turn the Ff ring to bring the chart into focus. Take

care not to move the distance ring.

8 Repeat steps 4 through 7 until the image is in focus at

both telephoto and wide angle.

3 While supporting the lens, push the lens fixing lever

downwards to secure the lens.

4 Connect the lens cable to the LENS connector. 5 Secure the lens cable with the cable clamp.

Adjusting the Flange Focal Length

Adjustment of the flange focal length (the distance between the lens mount attachment plane and the imaging plane) is necessary in the following situations:

• The first time a lens is attached

• When changing lenses

• If the focus is not sharp at both telephoto and wide angle when zooming

The flange focal length can be more precisely adjusted by using the focus assist indicators.

See “Displaying the focus assist indicators” on page 28 for the focus assist indicators.

9 Tighten the Ff ring lock screw.

Attaching a Viewfinder

Caution

When the viewfinder is attached, do not leave the camera with the eyepiece facing the sun. Direct sunlight can enter through the eyepiece, be focused in the viewfinder and cause fire.

Attaching a viewfinder

The instructions are made using the HDVF-20A/200 viewfinder as an example.

For details on the viewfinder, refer to the instruction manual of the viewfinder.

VF connector

Viewfinder stopper

RIES

T SE

LTI F O

MIC 1 IN connector

1 Slide the viewfinder in the direction of the arrow.

The viewfinder stopper automatically pops down.

2 Slide the viewfinder left or right to move it into a good

viewing position.

3 Tighten the viewfinder left-right positioning ring.

To adjust the position forward or backward

Viewfinder front-rear

LOCK knob

positioning lever

2 Loosen the viewfinder left-right positioning ring, slide

the viewfinder side to side to the most convenient position and tighten the ring. (See “To adjust the position to the left or right” below.)

3 Connect the viewfinder cable to the VF connector of

the camera.

4 Connect the microphone cable to the MIC 1 IN

connector of the camera.

Adjusting the viewfinder position

The viewfinder position may be adjusted towards the front and rear and to the left and right to make it easy to see into it.

To adjust the position to the left or right

Viewfinder left-right positioning ring

1 Loosen the viewfinder front-rear positioning lever

and LOCK knob.

2 Slide the viewfinder towards the front or rear of the

camera to move it into a good viewing position.

3 Tighten the viewfinder front-rear positioning lever

and LOCK knob.

Detaching the viewfinder

Loosen the viewfinder left-right positioning ring, pull the viewfinder stopper, then pull out the viewfinder by sliding it in the direction opposite to that when attached.

Keeping the viewfinder from hitting your leg (using BKW-401)

To keep the viewfinder from bumping your leg when carrying the camera, install the BKW-401 Viewfinder Rotation Bracket (optional) and rotate the viewfinder upwards.

1 Loosen the viewfinder left-right positioning ring.

Note

Lock the viewfinder in a slightly forward position before rotating it upwards. If the viewfinder is in its rearmost position, the arm of the viewfinder rotation bracket will strike the grip.

Attaching procedure of the BKW-401

1 Turn the arm of the rotation mechanism assembly of

the BKW-401 in the direction of the arrow in the following illustration. Next, using a hexagonal wrench 3 mm across flats, remove the bolts (M4 × 8) together with the washers, to separate the rotation mechanism assembly from the viewfinder front-back positioning mechanism assembly.

4 Adjust the front-rear position so that the camera

handle does not interfere when you rotate the BKW401 arm upwards.

Not to interfere

Attaching the Cable Clamp Belt (Supplied)

2 In the same manner as step 1, remove the viewfinder

shoe of the camera from the front-rear positioning mechanism.

3 Using the two bolts (M4 × 8) and the washers removed

from the camera in step 2, attach the rotation mechanism assembly of the BKW-401 to the camera.

Hexagon socket bolts (M4 × 8)

You can secure the camera cable to the camera by attaching the supplied cable clamp belt.

1 Insert the belt bracket into hole A or B of the cable

clamp belt.

Belt bracket

2 Remove two +B3×5 screws and a blind screw shown

in the figure below from the camera.

Blind screw

×5 screws

+B3

3 Secure the cable clamp belt to the camera, using the

two supplied +B3×8 screws.

+B3×8 screws

4 1 Release the buckle, 2 bundle the cable with the

belt, 3 then lock the buckle again.

Adjusting the Shoulder Pad Position

You can shift the shoulder pad from its center position (factory setting) backward by up to 10 mm (3/8 inch) or forward by up to 25 mm (1 inch). This adjustment helps you get the best balance for shooting with the camera on your shoulder.

Adjusting procedure

Shoulder pad lock lever

1,3

Camera cable

5 Adjust the length by pulling down the end of the belt.

Bottom of the camera

Shoulder pad

1 Raise the lever in the center of the shoulder pad to

unlock the shoulder pad.

2 Slide the shoulder pad backward or forward until it is

in the most convenient position.

3 Move the lever down to lock the shoulder pad in the

selected position.

Mounting the Camera to a Tripod

Mount the camera to a tripod using a VCT-14 Tripod Attachment.

Caution

• Select an appropriate hole from among those at the bottom of the tripod attachment considering the balance of the weight of the camera and the tripod attachment. If an inappropriate hole is selected, the camera may fall over.

• Check that the size of the selected hole matches that of the screw of the tripod. If they do not match, the tripod attachment cannot be attached to the tripod securely.

Mounting procedure

1 Attach the tripod attachment to the tripod and secure

it with the screw.

Tripod attachment

If the pin of the tripod attachment does not return to its original position

After removing the camera, if the pin of the tripod attachment does not return to its original position, hold down the red button and move the lever in the direction of the arrow to return the pin to its original position. It is not possible to mount a camera with the pin not seated.

Platform of the tripod

2 Place the camera on the tripod attachment, and slide

forward it along the groove of the tripod attachment until it clicks.

Original position

3 Make sure that the camera is securely attached by

moving it back and forth.

To remove the camera from the tripod attachment

Hold down the red button and pull the lever in the direction of the arrow.

Lever

Red button

Adjustments and

Automatic adjustment of black balance begins. In automatic adjustment of black balance, both the black set and black balance are adjusted.

Settings for Shooting

Adjusting the Black Balance and White Balance

In order to maintain high picture quality, it is necessary to set the black balance and white balance appropriately for the conditions.

Note

When a camera control unit or a remote control device-such as the MSU or RCP series-is connected, control is performed from the RCP/MSU, and the switches on the camera are disabled.

Black balance adjustment

The black balance needs adjustment in situations like the following:

• The first time the camera is used

• When the camera is used after a long period of disuse

• When the surrounding temperature changes greatly

• When the gain value is changed using the setup menus Normally, there is no need to adjust the black balance every time the camera is turned on.

White balance adjustment

Always readjust the white balance when lighting conditions change.

About the viewfinder screen

After the process of adjusting the black balance or white balance begins, messages about the progress and results of the adjustment will be displayed on the viewfinder screen.

During adjustment, a message like the one in the figure below will be displayed on the viewfinder screen.

ABB:EXECUTING

When the adjustment process is completed, the message “ABB: OK” will be displayed. The adjusted value is automatically stored in memory.

Notes

• During black balance adjustment, the iris will be automatically closed.

• During black balance adjustment, the gain switching circuit will work automatically, and the viewfinder screen will flicker several times. This is not a malfunction.

When automatic black balance adjustment fails

If the automatic black balance adjustment process does not end successfully, the error message “ABB: NG” will be displayed on the viewfinder screen for approximately three seconds. If this error message is displayed, try black balance adjustment again. If the error message continues to be displayed after several attempts, the camera requires internal inspection.

About black balance memory

The black balance values stored in memory will be preserved even when the camera power is turned off.

Note

Adjusted values set through automatic adjustment, and other settings, are stored in the camera’s memory and preserved even when the camera power is turned off.

Adjusting the black balance

Push the AUTO W/B BAL switch toward BLK (downward).

AUTO W/B BAL switch

Adjusting the white balance

1 Set the WHITE BAL switch to A or B.

WHITE BAL switch

2 Select the filter setting according to the lighting

conditions.

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