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24-bit/96kHz recording 24-track audio recorder 48-channel digital mixer
Digital Studio Workstation
Professional Digital Recording A Fluid and Intuitive OS
Sample Rate
48/44.1/32kHz
16-tr recording 16-tr playback
16-tr recording 24-tr playback
96/88.2/64kHz
8-tr recording 8-tr playback
8-tr recording 12-tr playback
Recording Mode
M24,M16,CDR
MTP,MT1,MT2,LIV,LV2
Maximum Number of Tracks for Simultaneous Recording/Playback
Recording Modes
M24
(Mastering 24-bit)
For recording and playback in 24-bit linear format.
For recording and playback in 16-bit linear format.
Ideal for mastering, this mode enables you to record in Audio CD Image format for quick,
repeatable CD burning.
Recording time is approximately two times longer than M16 while preserving sound quality.
Suitable when doing many track bounces.
Provides more recording time than MT1 while preserving sound quality.
Provides more recording time than MT2. Suitable when there is little disk space left or for lengthy
recording applications such as live performances.
Enables the longest recording time.
For high-quality recording which compares well to the results from professional-grade digital devices
such as mixers and effect processors.
MTP (Multitrack Pro)
M16 (Mastering 16-bit)
CDR (CD Writing)
MT1 (Multitrack 1)
MT2 (Multitrack 2)
LIV (Live 1
)
LIV (Live 2
)
WITH VGA DISPLAY
Spectrum Analyzer
24 Tracks of Recording Heaven
Frustrated with the limited capabilities of a 16-track digital recorder? Then it’s time
to step up to full 24-track recording.Think about it. With 24 tracks, you’ll have
room for individually miked drums and plenty of vocals.And with 384 Virtual
Tracks, there’s always room to try new ideas.
Pristine 24-bit/96kHz Sound Quality
How does the VS-2400CD sound? In a word, phenomenal—thanks to its true 24-bit
A/D converters.These top-quality converters capture all the warmth of your inputs
and provide better headroom for recording.And if you want the absolute finest
sound quality, the VS-2400CD even supports recording at 96kHz*.
*At sampling rates of 96kHz, maximum 8-track recording is possible.
Internal CD-RW and 40GB Hard Drive
Easy CD Burning:
With a low-profile CD burner built-in, the VS-2400CD has everything needed to
take your song from idea to completion.Just mix down to an open pair of tracks
and burn a CD!
.WAV/AIFF Compatibility:
The VS-2400CD’s internal CD-RW drive can also be used to import .WAV and AIFF
files directly from CD.You can even export audio in .WAV format and burn it to disc.
WITH VGA DISPLAY
Channel View
Here you can access individual
channel parameters—
including EQ curves, compressor
settings, effects and
more —with point-and-click ease.
S olid Mixing Capabilities
A Full-Featured Digital Mixer
Impressive 48-Channel/20-Bus Design:
More than just a recorder, the VS-2400CD is a full-blown 48-channel digital
mixer.These channels consist of the 16-channel Input mixer, 24-channel
Track mixer and eight effect returns. A variety of busses, including eight
direct paths, eight aux busses, and stereo main and monitor busses, let you
route signal anywhere.
Expandable I/O via R-BUS:
Thanks to its R-BUS interface, the VS-2400CD can be expanded with up to
eight channels of analog or digital I/O. Use R-BUS to connect an additional
VS-2400CD, VS-2480CD or even Roland’s SI-24 Studio Interface–adding
another eight analog input channels.
Premium Analog Components:
A digital mixer can only sound as
good as its analog components.
That’s why Roland used the same
premium circuits found on the flagship
VS-2480CD.These carefully selected
components have been praised for their
warm sound, so you get nothing
but the best.
Automated Mixing at Your Fingertips
13 Motorized Faders:
know the importance of motorized faders. Imagine being able to press a button and
watch as your entire mix is instantly recalled! These faders also come in handy when
moving between the VS-2400CD’s Input mixer, Track mixer and effect returns.
Create and Store Multiple Automixes:
automation is key to good mixing.Fortunately, the VS-2400CD lets you create
multiple automixes for controlling important mixing parameters like track level,
panning, effects sends and more.
New RSS surround Panning:
surround Panning.Using this function, you can position a sound anywhere in a 360
degree field simply by turning a knob.The result is a surround sound mix using
conventional 2-way speakers (5.1 mixing is also available).
If you’ve ever had to work on multiple projects at once, you
Professional engineers will tell you that
The VS-2400CD is the first V-Studio to feature RSS
Use the Spectrum Analyzer to tune
your mix to room acoustics, or to
instantly view the frequency content.
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Built-in CD-RW & 40GB HD driveIntuitive drag-and-drop editing
VS-2400CD
Onboard effects
Superb Editing Functions VGA Output for Software-Style Control
For editing, the VS-2400CD offers several nondestructive commands like copy, cut, paste and move.
These functions give you the power, for example, to create the ultimate vocal or to even copy a drum loop.
Helpful markers and locators let you move around
quickly, while multiple Undo commands make accidents
a thing of the past.
Get the big picture by connecting an optional VGA monitor. Combined with the
mouse and optional keyboard, this system makes working with the VS-2400CD
feel just like software (see screenshots for details).
Mouse-Based Editing on the LCD
The VS-2400CD’s large LCD screen makes navigation
simple with helpful icons and graphics. Using the
supplied mouse, you can copy or move phrases using
familiar “drag-and-drop” commands—just like software.
An optional ASCII keyboard can also be connected for
simplified data entry.
With the Track Mixer screen, you can use
the mouse to edit track levels, panning
and more for all 24 tracks simultaneously.
Track Mixer
This screen provides a global view of
your arrangement, plus drag-and-drop
editing of audio regions using the mouse.
Go Direct To Your PC
By installing an optional RPC-1 R-BUS card in your Mac
or PC, you can transfer up to eight channels of 2-way
audio between the computer and your VS-2400CD—all
in pristine 24-bit digital quality.Now the V-Studio is more
expandable than ever!
Waveform Editing
This screen provides the ability to edit
waveforms graphically with the
mouse just like software.
Take the mystery out of routing signal!
Simply drag a virtual audio cable from
source to destination in this helpful screen.
EZ Routing
Playlist
Pro-Quality Effects and V-LINK
A Powerhouse of Expandable Effects A Powerhouse of Expandable Effects
2 Stereo Effects Standard:
The VS-2400CD includes one of Roland’s highly
acclaimed VS8F-2 Effects Expansion Boards right
out of the box.This powerful card provides up to two
stereo or four mono effects.
36 Killer Algorithms:
With 36 algorithms from the Roland and BOSS archives, the VS-2400CD can handle
just about every type of processing you need—from smooth reverb and chorus to
delay, flanger and Lo-Fi.There’s even a 19-band vocoder and COSM®Amp Modeling.
Mic Modeling Optimized for AKG C3000B:
Roland’s COSM Mic Modeling has earned accolades for
its ability to model the characteristics of several vintage
and high-end microphones. Now you can take advantage
of this technology using one of the most popular mics
around—the AKG C3000B.
Onboard Mastering Tools:
Finish your mix with the VS-2400CD’s unique Mastering Tool Kit.This special effect
combines algorithms like multi-band compression, a limiter, enhancer and more to
give your mixes that “radio-ready” sound.
Roland’s V-LINK gives musicians an easy way to
integrate video and music. Simply connect an Edirol
DV-7PR Digital Video Workstation (sold separately),
and you can trigger video clips by creating MIDI events
in the VS-2400CD's Automix function, or even use the
V-Fader function to control video parameters like color
balance and brightness.
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Put 24 Tracks to Work for You
Specifications
Sample Rate (kHz)
Recording
96
658
1,977
988
988
1,977
2,635
3,163
3,954
M24
MTP
M16
CDR
MT1
MT2
LIV
LV2
88.2
716
2,152
1,076
1,076
2,152
2,866
3,442
4,304
64
987
2,966
1,483
1,483
2,966
3,953
4,744
5,932
48
1,316
3,954
1,977
1,977
3,954
5,271
6,326
7,909
44.1
1,433
4,305
2,152
2,152
4,304
5,732
6,885
8,609
32
1,975
5,932
2,966
2,966
5,932
7,907
9,489
11,864
* The above-listed recording times are approximate. Times may
vary slightly depending on the specifications of the disk drive
and on the number of songs that were created.
* In CDR recording mode, two tracks are always used in a pair
(channel link is on), so recording time is half the above-listed.
* Maximum recording time of VS-2400CD is approximately four
times of above recording time. (10 GB x 4 Partitions)
(0dBu=0.775Vrms)
Tracks: 24
V.Tracks: 384 (16-V.Tracks per each Track)
96.0/88.2/64.0/48.0/44.1/32.0 kHz
* Adjustable range with vari-pitch function
16.00 kHz — 98.00 kHz (at 96 kHz)
16.00 kHz — 50.00 kHz (at 48 kHz)
Mastering 24-bit (M24)
Multitrack Pro (MTP)
CD Writing (CDR)
Mastering 16-bit (M16)
Multitrack 1 (MT1)
Multitrack 2 (MT2)
Live 1 (LIV)
Live 2 (LV2)
¥ Sample Rate 48/44.1/32 kHz
16-tr. Rec / 16-tr. Play (M24, M16, CDR)
16-tr. Rec / 24-tr. Play (MTP, MT1/2, LIV, LV2)
¥ Sample Rate 96/88.2/64 kHz
8-tr. Rec / 8-tr. Play (M24, M16, CDR)
8-tr. Rec / 12-tr. Play (MTP, MT1/2, LIV, LV2)
* Depending on the organization of the song data etc., the
number of tracks which can be simultaneously recorded or
played back may be limited.
40 G bytes: 10 G bytes (Capacity) x 4 (Partition)
96.0 kHz: 20 Hz — 40 kHz (+0 dB/-2 dB)
88.2 kHz: 20 Hz — 40 kHz (+0 dB/-2 dB)
48.0 kHz: 20 Hz — 22 kHz (+0 dB/-2 dB)
44.1 kHz: 20 Hz — 20 kHz (+0 dB/-2 dB)
32.0 kHz: 20 Hz — 14 kHz (+0 dB/-2 dB)
200 projects in each partition
1000 per project
100 (10 x 10 banks) per project
100 (10 x 10 banks) per project
999 Undo / 1 Redo
Input 1—8: -50 — +14 dBu
(maximum +26dBu: balanced,
maximum +20dBu: unbalanced)
Guitar (Hi-Z): -50 — +14 dBu (maximum +20 dBu)
Input 1—8: 10 k ‰ (balanced)
Guitar (Hi-Z): 1 M ‰
Master Out: +4 dBu (balanced)
AUX A (L, R): +4 dBu (balanced)
AUX B (L, R): +4 dBu (balanced)
Monitor Out: +4 dBu (balanced)
Master Out: 600 ‰
AUX A (L, R): 600 ‰
AUX B (L, R): 600 ‰
Monitor Out: 600 ‰
Phones: 22 ‰
Master Out: 10 k ‰ or greater
AUX A (L, R): 10 k ‰ or greater
AUX B (L, R): 10 k ‰ or greater
Monitor Out: 10 k ‰ or greater
Phones: 8 — 600 ‰
4-band (2 shelving + 2 peaking)
* Useful simultaneously at up to 32ch in both Input Mixer
and Track Mixer. (at 48kHz or less.)
* Useful simultaneously at up to 16ch in both Input Mixer
and Track Mixer. (at 64kHz or above.)
Compressor, Expander
* Useful simultaneously at up to 32ch in both Input Mixer
and Track Mixer. (at 48kHz or less.)
* Useful simultaneously at up to 16ch in both Input Mixer
and Track Mixer. (at 64kHz or above.)
Maximum 4 stereo (One pre-installed + One more
optional VS8F-2)
320 x 240 dots Graphic LCD (with backlight)
Digital I/O: Coaxial, Optical (conforms to IEC60958)
VGA Out: 15-pin miniD-sub
PS/2: 6-pin miniDIN
MIDI: 5-pin DIN
R-BUS: 25-pin D-sub
IDE type 3.5 inches 40 G bytes
Reading Speed: 24x (max.)
Recording Speed: Record (CD-R) 4x correspond
Re-Write (CD-RW) 4x correspond
MIDI Connectors (5-pin DIN)
Input Jack 1—8 (XLR type [balanced, phantom power])
Input Jack 1—8 (1/4inch phone type [TRS balanced])
Guitar (Hi-Z) Jack (1/4inch phone type)
Digital In Connectors (Coaxial type, Optical type)
Digital Out Connectors (Coaxial type, Optical type)
Foot Switch Jack (1/4inch phone type)
PS/2 Mouse Connector (6-pin miniDIN)
PS/2 Keyboard Connector (6-pin miniDIN)
VGA Out Connector (15-pin miniD-sub)
R-BUS Connector (25-pin D-sub)
Master Out Jack L/R (1/4inch phone type, TRS balanced)
Monitor Out Jack L/R (1/4inch phone type, TRS balanced)
AUX A Send Jack L/R (1/4inch phone type, TRS balanced)
AUX B Send Jack L/R (1/4inch phone type, TRS balanced)
Headphones Jack (Stereo 1/4inch phone type)
AC117 V, AC230 V or AC240 V
60 W
480 (W) x 481 (D) x 136 (H) mm
18-15/16 (W) x 18-15/16 (D) x 5-3/8 (H) inches
10.5 kg
23 lbs 3 oz
Owner’s Manual English
Appendices
R-BUS Equipment Connection and Setting Guide 2
Block diagram
Demo CD
CD-R disc
PS/2 Mouse
Short Cut Seal
AC Cord
Tracks
Locator
Hard Disk Drive
CD-RW Drive
Connectors
Power Supply
Power Consumption
Dimensions
Weight
Accessories
Scene
Undo/Redo
Nominal Input Level
(variable)
Input Impedance
Nominal Output Level
Output Impedance
Recommended Load
Impedance
EQ
Dynamics Processor
Effects
Display
Interface
Sample Rate
Recording Mode
Maximum Simultaneous
Recording / play back
Tracks
Maximum Useful Capacity
Recording Time
(at 10GB Partition,
conversion in 1 track,
unit: minutes)
Frequency Response
Projects
Marker
* In the interest of product development, the specifications
for this product are subject to change without prior notice.
No. Patch Name No. Patch Name No. Patch Name No. Patch Name No. Patch Name No. Patch Name No. Patch Name No. Patch Name No. Patch Name No. Patch Name No. Patch Name
Algorithm 36 presets
P000
P001
P002
P003
P004
P005
P006
P007
P008
P009
P010
P011
P012
P013
P014
P015
P016
P017
P018
P019
P020
P021
P022
P023
P024
P025
P026
P027
P028
P029
P030
P031
P032
P033
P034
P035
Reverb 18 presets
P036
P037
P038
P039
P040
P041
P042
P043
P044
P045
P046
P047
P048
P049
P050
P051
P052
P053
Reverb2 20 presets
P054
P055
P056
P057
P058
P059
P060
P061
P062
P063
P064
P065
P066
P067
P068
P069
P070
P071
P072
P073
Gate Reverb 4 presets
P074
P075
P076
P077
Delay 9 presets
P078
P079
P080
P081
P082
P083
P084
P085
P086
Tape Echo 201 4 presets
P087
P088
P089
P090
Chorus 6 presets
P091
P092
P093
P094
P095
P096
Phaser 3 presets
P097
P098
P099
Flanger 3 presets
P100
P101
P102
Pitch Shifter 7 presets
P103
P104
P105
P106
P107
P108
P109
Mic Modeling 29 presets
P110
P111
P112
P113
P114
P115
P116
P117
P118
P119
P120
P121
P122
P123
P124
P125
P126
P127
P128
P129
P130
P131
P132
P133
P134
P135
P136
P137
P138
Vocal 10 presets
P139
P140
P141
P142
P143
P144
P145
P146
P147
P148
Guitar 11 presets
P149
P150
P151
P152
P153
P154
P155
P156
P157
P158
P159
Guitar Amp Modeling 9 presets
P160
P161
P162
P163
P164
P165
P166
P167
P168
Bass 6 presets
P169
P170
P171
P172
P173
P174
Special Effects 11 presets
P175
P176
P177
P178
P179
P180
P181
P182
P183
P184
P185
Parametric Equalizer 26 presets
P186
P187
P188
P189
P190
P191
P192
P193
P194
P195
P196
P197
P198
P199
P200
P201
P202
P203
P204
P205
P206
P207
P208
P209
P210
P211
Graphic Equalizer 3 presets
P212
P213
P214
Stereo Multi 5 presets
P215
P216
P217
P218
P219
Speaker Modeling 11 presets
P220
P221
P222
P223
P224
P225
P226
P227
P228
P229
P230
Mastering Tool Kit 19 presets
P231
P232
P233
P234
P235
P236
P237
P238
P239
P240
P241
P242
P243
P244
P245
P246
P247
P248
P249
* Please use with sample rates of 48kHz or less.
Preset Effect Patch List
Reverb*
Reverb2
Gate Reverb*
Delay
StPS-Delay
Delay RSS
TapeEcho201
MultiTapDly
StDly-Chorus
Chorus RSS
Space Chorus
St Phaser
AnalogPhaser
St Flanger
AnalogFlnger
Rotary
2ch RSS
MicModeling*
GuitarMulti1
GuitarMulti2
GuitarMulti3
GuitarAmpMdl
Vocal Multi
Voice Trans*
Vocal Cancel
Vocoder
Vocoder2 (19)*
Lo-Fi Proces
3BndIsolator
DualComp/Lim
Parametric EQ
Graphic EQ
Hum Canceler
Stereo Multi
Speaker Mdl*
MastringTool*
RV:LargeHall*
RV:SmallHall*
RV:Strings*
RV:PianoHall*
RV:Orch Room*
RV:VocalRoom*
RV:MediumRm*
RV:LargeRoom*
RV:CoolPlate*
RV:Short Plt*
RV:Vocal Plt*
RV:Soft Amb.*
RV:Room Amb.*
RV:Cathedral*
RV:Long Cave*
RV:GarageDr.*
RV:Rock Kick*
RV:RockSnare*
R2:LargeHall
R2:SmallHall
R2:Strings
R2:PianoHall
R2:Orch Room
R2:VocalRoom
R2:MediumRm
R2:LargeRoom
R2:CoolPlate
R2:Short Plt
R2:Vocal Plt
R2:Soft Amb.
R2:Room Amb.
R2:Cathedral
R2:Long Cave
R2:GarageDr.
R2:Rock Kick
R2:RockSnare
R2:BriteGte2
R2:Fat Gate2
RV:BriteGate*
RV:Fat Gate*
RV:ReverseGt*
RV:PanningGt*
DL:Short Dly
DL:MediumDly
DL:LongDelay
DL:AnalogDly
DL:Tape Echo
DL:Karaoke
DL:Multi-Tap
DL:MltTapAmb
DL:Ping Pong
TE:ShortEcho
TE:LongEcho
TE:OldTape
TE:PanEcho
CH:Lt Chorus
CH:Deep Cho
CH:DetuneCho
SPCHO:MODE 1
SPCHO:MODE 2
SPCHO:MODE 3
PH:Lt Phaser
PH:DeepPhase
AP:FB-Phaser
FL:LtFlanger
FL:Deep Fl
AF:SBF-325
PS:-4thVoice
PS:ShimmerUD
VT:M to Fm*
VT:Fm to M*
VT:Male Duo*
VT:FemaleDuo*
VT:Robot*
MM:57→58*
MM:57→421*
MM:57→451*
MM87*
MM:57→47*
MM:57→Line*
MM:DR20→421*
MM:DR20→451*
MM:DR20→87*
MM:10→58*
MM:10→87*
MM:Mini→57*
MM:Mini→87*
MM:C3KB→57*
MM:C3KB→58*
MM:C3KB→421*
MM:C3KB→451*
MM:C3KB→87*
MM:C3KB→47*
MM:C3KB→Line*
MM:Kick&Snr1*
MM:Kick&Snr2*
MM:H.Hat&Tom*
MM:Dr.OvrTop*
MM:Dr.OvrAll*
MM:Ac.Guitar*
MM:StudioVcl*
MM:StereoMic*
MM:Ambience*
VO:Vocal Efx
VO:JazzVocal
VO:RockVocal
VO:Narration
VO:BigChorus
VO:Club DJ
VO:AM-Radio
VO:PlusTwo
VO:Robot Efx
VO:Bull Horn
GT:Rock Lead
GT:LA Lead
GT:MetalLead
GT:Metal Jet
GT:CleanRthm
GT:DledClean
GT:Delay Rif
GT:Acoustic
GT:BluesDrv.
GT:Liverpool
GT:Country
GA:JazChorus
GA:CleanTwin
GA:Vin.Tweed
GA:BluesDrv.
GA:MatchLead
GA:StudioCmb
GA:JMP-Stack
GA:SLDN Lead
GA:5150 Lead
BS:DI’edBass
BS:MikedBass
BS:CompBass
BS:Fat Bass*
BS:Auto Wah
BS:FX Bass
LFP:BreakBts
LFP:1bitDist
LFP:TeknoFlt
LFP:Reso Flt
LFP:FatBotom
VOC2:M19Band*
VOC2:S19Band*
HC:Quiet60Hz
HC:Quiet50Hz
VC:Vocal Cnl
VC:CenterCnl
PEQ:BassDrum
PEQ:RockBD
PEQ:RockSD
PEQ:RimShot
PEQ:Toms
PEQ:Hi Hat
PEQ:Cymbals
PEQ:Overhead
PEQ:Bass 1
PEQ:Bass 2
PEQ:SlapBass
PEQ:Sax
PEQ:Bari.Sax
PEQ:ElecGtr
PEQ:NylonGtr
PEQ:BluesGtr
PEQ:SlideGtr
PEQ:LineGtr
PEQ:Male
PEQ:RockMale
PEQ:Female
PEQ:RockFeml
PEQ:Narrator
PEQ:Organ
PEQ:St.Piano
PEQ:SmallCho
GEQ:TotalEQ1
GEQ:TotalEQ2
GEQ:Space EQ
CL:Comp
CL:Limiter
EQ:Loudness
EQ:Fat Dance
EQ:ThinJingl
SPM:SuperFlt*
SPM:P.GenBlk*
SPM:P.E-Bs*
SPM:P.Mack*
SPM:SmalCube*
SPM:WhiteCon*
SPM:W.C+tiss*
SPM:S.Radio*
SPM:SmallTV*
SPM:BoomBox*
SPM:BB.LowBs*
MTK:Mixdown*
MTK:PreMastr*
MTK:LiveMix*
MTK:PopMix*
MTK:DanceMix*
MTK:JinglMix*
MTK:HardComp*
MTK:SoftComp*
MTK:ClnComp*
MTK:DnceComp*
MTK:OrchComp*
MTK:VocalCmp*
MTK:Acoustic*
MTK:RockBand*
MTK:Orchestr*
MTK:LoBoost*
MTK:Brighten*
MTK:DJsVoice*
MTK:PhoneVox*
Options
EFFECT EXPANSION BOARD
CHANNEL EDIT CONTROLLER
R-BUS INTERFACE CARD
DYNAMIC MICROPHONE MIC MODELING PREAMP
10CH DIGITAL LINE MIXER
24-BIT DIGITAL REFERENCE MONITOR
PEDAL SWITCH
R-BUS CABLE
FOOTSWITCH
Roland Corporation U.S.
5100 S.Eastern Avenue P.O BOX 910921
Los Angeles, CA 90091-0921
Phone: (323) 890.3700 Fax: (323) 890.3701
Visit us online at www.RolandUS.com
All specifications and appearances are subject to change.
All trademarks are the property of their respective companies.
Printed in Japan Jan. ’03 RAM-3679 C-4 ERK-UPR-SE
The VS-2400CD Digital Studio Workstation brings professional 24-track recording
and CD burning to a new low price, while adding impressive new features
®
like RSS
• Self-contained 24-track/24-bit/96kHz recording workstation with onboard effects, CD-RW drive and 40GB hard disk
• 24-track playback; 16-track simultaneous recording with 384 V-Tracks
• 48-channel, fully automated digital mixer with 13 motorized faders
• 8 XLR/TRS balanced inputs and Hi-Z input; 8 analog outputs including 5.1 Surround output; R-BUS and digital I/O
• Intuitive software-style control via included mouse and VGA monitor output
• New RSS surround panning creates a 3-Dimensional sound field for mixing
• Import .WAV/AIFF files direct from CD-ROM; export files in .WAV format
• V-LINK function for synchronizing or controlling Edirol video equipment
surround panning and V-LINK video control.
Page 6
Specifications
Sample Rate (kHz)
Recording
96
658
1,977
988
988
1,977
2,635
3,163
3,954
M24
MTP
M16
CDR
MT1
MT2
LIV
LV2
88.2
716
2,152
1,076
1,076
2,152
2,866
3,442
4,304
64
987
2,966
1,483
1,483
2,966
3,953
4,744
5,932
48
1,316
3,954
1,977
1,977
3,954
5,271
6,326
7,909
44.1
1,433
4,305
2,152
2,152
4,304
5,732
6,885
8,609
32
1,975
5,932
2,966
2,966
5,932
7,907
9,489
11,864
* The above-listed recording times are approximate. Times may
vary slightly depending on the specifications of the disk drive
and on the number of songs that were created.
* In CDR recording mode, two tracks are always used in a pair
(channel link is on), so recording time is half the above-listed.
* Maximum recording time of VS-2400CD is approximately four
times of above recording time. (10 GB x 4 Partitions)
(0dBu=0.775Vrms)
Tracks: 24
V.Tracks: 384 (16-V.Tracks per each Track)
96.0/88.2/64.0/48.0/44.1/32.0 kHz
* Adjustable range with vari-pitch function
16.00 kHz — 98.00 kHz (at 96 kHz)
16.00 kHz — 50.00 kHz (at 48 kHz)
Mastering 24-bit (M24)
Multitrack Pro (MTP)
CD Writing (CDR)
Mastering 16-bit (M16)
Multitrack 1 (MT1)
Multitrack 2 (MT2)
Live 1 (LIV)
Live 2 (LV2)
¥ Sample Rate 48/44.1/32 kHz
16-tr. Rec / 16-tr. Play (M24, M16, CDR)
16-tr. Rec / 24-tr. Play (MTP, MT1/2, LIV, LV2)
¥ Sample Rate 96/88.2/64 kHz
8-tr. Rec / 8-tr. Play (M24, M16, CDR)
8-tr. Rec / 12-tr. Play (MTP, MT1/2, LIV, LV2)
* Depending on the organization of the song data etc., the
number of tracks which can be simultaneously recorded or
played back may be limited.
40 G bytes: 10 G bytes (Capacity) x 4 (Partition)
96.0 kHz: 20 Hz — 40 kHz (+0 dB/-2 dB)
88.2 kHz: 20 Hz — 40 kHz (+0 dB/-2 dB)
48.0 kHz: 20 Hz — 22 kHz (+0 dB/-2 dB)
44.1 kHz: 20 Hz — 20 kHz (+0 dB/-2 dB)
32.0 kHz: 20 Hz — 14 kHz (+0 dB/-2 dB)
200 projects in each partition
1000 per project
100 (10 x 10 banks) per project
100 (10 x 10 banks) per project
999 Undo / 1 Redo
Input 1—8: -50 — +14 dBu
(maximum +26dBu: balanced,
maximum +20dBu: unbalanced)
Guitar (Hi-Z): -50 — +14 dBu (maximum +20 dBu)
Input 1—8: 10 k ‰ (balanced)
Guitar (Hi-Z): 1 M ‰
Master Out: +4 dBu (balanced)
AUX A (L, R): +4 dBu (balanced)
AUX B (L, R): +4 dBu (balanced)
Monitor Out: +4 dBu (balanced)
Master Out: 600 ‰
AUX A (L, R): 600 ‰
AUX B (L, R): 600 ‰
Monitor Out: 600 ‰
Phones: 22 ‰
Master Out: 10 k ‰ or greater
AUX A (L, R): 10 k ‰ or greater
AUX B (L, R): 10 k ‰ or greater
Monitor Out: 10 k ‰ or greater
Phones: 8 — 600 ‰
4-band (2 shelving + 2 peaking)
* Useful simultaneously at up to 32ch in both Input Mixer
and Track Mixer. (at 48kHz or less.)
* Useful simultaneously at up to 16ch in both Input Mixer
and Track Mixer. (at 64kHz or above.)
Compressor, Expander
* Useful simultaneously at up to 32ch in both Input Mixer
and Track Mixer. (at 48kHz or less.)
* Useful simultaneously at up to 16ch in both Input Mixer
and Track Mixer. (at 64kHz or above.)
Maximum 4 stereo (One pre-installed + One more
optional VS8F-2)
320 x 240 dots Graphic LCD (with backlight)
Digital I/O: Coaxial, Optical (conforms to IEC60958)
VGA Out: 15-pin miniD-sub
PS/2: 6-pin miniDIN
MIDI: 5-pin DIN
R-BUS: 25-pin D-sub
IDE type 3.5 inches 40 G bytes
Reading Speed: 24x (max.)
Recording Speed: Record (CD-R) 4x correspond
Re-Write (CD-RW) 4x correspond
MIDI Connectors (5-pin DIN)
Input Jack 1—8 (XLR type [balanced, phantom power])
Input Jack 1—8 (1/4inch phone type [TRS balanced])
Guitar (Hi-Z) Jack (1/4inch phone type)
Digital In Connectors (Coaxial type, Optical type)
Digital Out Connectors (Coaxial type, Optical type)
Foot Switch Jack (1/4inch phone type)
PS/2 Mouse Connector (6-pin miniDIN)
PS/2 Keyboard Connector (6-pin miniDIN)
VGA Out Connector (15-pin miniD-sub)
R-BUS Connector (25-pin D-sub)
Master Out Jack L/R (1/4inch phone type, TRS balanced)
Monitor Out Jack L/R (1/4inch phone type, TRS balanced)
AUX A Send Jack L/R (1/4inch phone type, TRS balanced)
AUX B Send Jack L/R (1/4inch phone type, TRS balanced)
Headphones Jack (Stereo 1/4inch phone type)
AC117 V, AC230 V or AC240 V
60 W
480 (W) x 481 (D) x 136 (H) mm
18-15/16 (W) x 18-15/16 (D) x 5-3/8 (H) inches
10.5 kg
23 lbs 3 oz
Owner’s Manual English
Appendices
R-BUS Equipment Connection and Setting Guide 2
Block diagram
Demo CD
CD-R disc
PS/2 Mouse
Short Cut Seal
AC Cord
Tracks
Locator
Hard Disk Drive
CD-RW Drive
Connectors
Power Supply
Power Consumption
Dimensions
Weight
Accessories
Scene
Undo/Redo
Nominal Input Level
(variable)
Input Impedance
Nominal Output Level
Output Impedance
Recommended Load
Impedance
EQ
Dynamics Processor
Effects
Display
Interface
Sample Rate
Recording Mode
Maximum Simultaneous
Recording / play back
Tracks
Maximum Useful Capacity
Recording Time
(at 10GB Partition,
conversion in 1 track,
unit: minutes)
Frequency Response
Projects
Marker
* In the interest of product development, the specifications
for this product are subject to change without prior notice.
No. Patch Name No. Patch Name No. Patch Name No. Patch Name No. Patch Name No. Patch Name No. Patch Name No. Patch Name No. Patch Name No. Patch Name No. Patch Name
Algorithm 36 presets
P000
P001
P002
P003
P004
P005
P006
P007
P008
P009
P010
P011
P012
P013
P014
P015
P016
P017
P018
P019
P020
P021
P022
P023
P024
P025
P026
P027
P028
P029
P030
P031
P032
P033
P034
P035
Reverb 18 presets
P036
P037
P038
P039
P040
P041
P042
P043
P044
P045
P046
P047
P048
P049
P050
P051
P052
P053
Reverb2 20 presets
P054
P055
P056
P057
P058
P059
P060
P061
P062
P063
P064
P065
P066
P067
P068
P069
P070
P071
P072
P073
Gate Reverb 4 presets
P074
P075
P076
P077
Delay 9 presets
P078
P079
P080
P081
P082
P083
P084
P085
P086
Tape Echo 201 4 presets
P087
P088
P089
P090
Chorus 6 presets
P091
P092
P093
P094
P095
P096
Phaser 3 presets
P097
P098
P099
Flanger 3 presets
P100
P101
P102
Pitch Shifter 7 presets
P103
P104
P105
P106
P107
P108
P109
Mic Modeling 29 presets
P110
P111
P112
P113
P114
P115
P116
P117
P118
P119
P120
P121
P122
P123
P124
P125
P126
P127
P128
P129
P130
P131
P132
P133
P134
P135
P136
P137
P138
Vocal 10 presets
P139
P140
P141
P142
P143
P144
P145
P146
P147
P148
Guitar 11 presets
P149
P150
P151
P152
P153
P154
P155
P156
P157
P158
P159
Guitar Amp Modeling 9 presets
P160
P161
P162
P163
P164
P165
P166
P167
P168
Bass 6 presets
P169
P170
P171
P172
P173
P174
Special Effects 11 presets
P175
P176
P177
P178
P179
P180
P181
P182
P183
P184
P185
Parametric Equalizer 26 presets
P186
P187
P188
P189
P190
P191
P192
P193
P194
P195
P196
P197
P198
P199
P200
P201
P202
P203
P204
P205
P206
P207
P208
P209
P210
P211
Graphic Equalizer 3 presets
P212
P213
P214
Stereo Multi 5 presets
P215
P216
P217
P218
P219
Speaker Modeling 11 presets
P220
P221
P222
P223
P224
P225
P226
P227
P228
P229
P230
Mastering Tool Kit 19 presets
P231
P232
P233
P234
P235
P236
P237
P238
P239
P240
P241
P242
P243
P244
P245
P246
P247
P248
P249
* Please use with sample rates of 48kHz or less.
Preset Effect Patch List
Reverb*
Reverb2
Gate Reverb*
Delay
StPS-Delay
Delay RSS
TapeEcho201
MultiTapDly
StDly-Chorus
Chorus RSS
Space Chorus
St Phaser
AnalogPhaser
St Flanger
AnalogFlnger
Rotary
2ch RSS
MicModeling*
GuitarMulti1
GuitarMulti2
GuitarMulti3
GuitarAmpMdl
Vocal Multi
Voice Trans*
Vocal Cancel
Vocoder
Vocoder2 (19)*
Lo-Fi Proces
3BndIsolator
DualComp/Lim
Parametric EQ
Graphic EQ
Hum Canceler
Stereo Multi
Speaker Mdl*
MastringTool*
RV:LargeHall*
RV:SmallHall*
RV:Strings*
RV:PianoHall*
RV:Orch Room*
RV:VocalRoom*
RV:MediumRm*
RV:LargeRoom*
RV:CoolPlate*
RV:Short Plt*
RV:Vocal Plt*
RV:Soft Amb.*
RV:Room Amb.*
RV:Cathedral*
RV:Long Cave*
RV:GarageDr.*
RV:Rock Kick*
RV:RockSnare*
R2:LargeHall
R2:SmallHall
R2:Strings
R2:PianoHall
R2:Orch Room
R2:VocalRoom
R2:MediumRm
R2:LargeRoom
R2:CoolPlate
R2:Short Plt
R2:Vocal Plt
R2:Soft Amb.
R2:Room Amb.
R2:Cathedral
R2:Long Cave
R2:GarageDr.
R2:Rock Kick
R2:RockSnare
R2:BriteGte2
R2:Fat Gate2
RV:BriteGate*
RV:Fat Gate*
RV:ReverseGt*
RV:PanningGt*
DL:Short Dly
DL:MediumDly
DL:LongDelay
DL:AnalogDly
DL:Tape Echo
DL:Karaoke
DL:Multi-Tap
DL:MltTapAmb
DL:Ping Pong
TE:ShortEcho
TE:LongEcho
TE:OldTape
TE:PanEcho
CH:Lt Chorus
CH:Deep Cho
CH:DetuneCho
SPCHO:MODE 1
SPCHO:MODE 2
SPCHO:MODE 3
PH:Lt Phaser
PH:DeepPhase
AP:FB-Phaser
FL:LtFlanger
FL:Deep Fl
AF:SBF-325
PS:-4thVoice
PS:ShimmerUD
VT:M to Fm*
VT:Fm to M*
VT:Male Duo*
VT:FemaleDuo*
VT:Robot*
MM:57→58*
MM:57→421*
MM:57→451*
MM87*
MM:57→47*
MM:57→Line*
MM:DR20→421*
MM:DR20→451*
MM:DR20→87*
MM:10→58*
MM:10→87*
MM:Mini→57*
MM:Mini→87*
MM:C3KB→57*
MM:C3KB→58*
MM:C3KB→421*
MM:C3KB→451*
MM:C3KB→87*
MM:C3KB→47*
MM:C3KB→Line*
MM:Kick&Snr1*
MM:Kick&Snr2*
MM:H.Hat&Tom*
MM:Dr.OvrTop*
MM:Dr.OvrAll*
MM:Ac.Guitar*
MM:StudioVcl*
MM:StereoMic*
MM:Ambience*
VO:Vocal Efx
VO:JazzVocal
VO:RockVocal
VO:Narration
VO:BigChorus
VO:Club DJ
VO:AM-Radio
VO:PlusTwo
VO:Robot Efx
VO:Bull Horn
GT:Rock Lead
GT:LA Lead
GT:MetalLead
GT:Metal Jet
GT:CleanRthm
GT:DledClean
GT:Delay Rif
GT:Acoustic
GT:BluesDrv.
GT:Liverpool
GT:Country
GA:JazChorus
GA:CleanTwin
GA:Vin.Tweed
GA:BluesDrv.
GA:MatchLead
GA:StudioCmb
GA:JMP-Stack
GA:SLDN Lead
GA:5150 Lead
BS:DI’edBass
BS:MikedBass
BS:CompBass
BS:Fat Bass*
BS:Auto Wah
BS:FX Bass
LFP:BreakBts
LFP:1bitDist
LFP:TeknoFlt
LFP:Reso Flt
LFP:FatBotom
VOC2:M19Band*
VOC2:S19Band*
HC:Quiet60Hz
HC:Quiet50Hz
VC:Vocal Cnl
VC:CenterCnl
PEQ:BassDrum
PEQ:RockBD
PEQ:RockSD
PEQ:RimShot
PEQ:Toms
PEQ:Hi Hat
PEQ:Cymbals
PEQ:Overhead
PEQ:Bass 1
PEQ:Bass 2
PEQ:SlapBass
PEQ:Sax
PEQ:Bari.Sax
PEQ:ElecGtr
PEQ:NylonGtr
PEQ:BluesGtr
PEQ:SlideGtr
PEQ:LineGtr
PEQ:Male
PEQ:RockMale
PEQ:Female
PEQ:RockFeml
PEQ:Narrator
PEQ:Organ
PEQ:St.Piano
PEQ:SmallCho
GEQ:TotalEQ1
GEQ:TotalEQ2
GEQ:Space EQ
CL:Comp
CL:Limiter
EQ:Loudness
EQ:Fat Dance
EQ:ThinJingl
SPM:SuperFlt*
SPM:P.GenBlk*
SPM:P.E-Bs*
SPM:P.Mack*
SPM:SmalCube*
SPM:WhiteCon*
SPM:W.C+tiss*
SPM:S.Radio*
SPM:SmallTV*
SPM:BoomBox*
SPM:BB.LowBs*
MTK:Mixdown*
MTK:PreMastr*
MTK:LiveMix*
MTK:PopMix*
MTK:DanceMix*
MTK:JinglMix*
MTK:HardComp*
MTK:SoftComp*
MTK:ClnComp*
MTK:DnceComp*
MTK:OrchComp*
MTK:VocalCmp*
MTK:Acoustic*
MTK:RockBand*
MTK:Orchestr*
MTK:LoBoost*
MTK:Brighten*
MTK:DJsVoice*
MTK:PhoneVox*
Options
EFFECT EXPANSION BOARD
CHANNEL EDIT CONTROLLER
R-BUS INTERFACE CARD
DYNAMIC MICROPHONE MIC MODELING PREAMP
10CH DIGITAL LINE MIXER
24-BIT DIGITAL REFERENCE MONITOR
PEDAL SWITCH
R-BUS CABLE
FOOTSWITCH
Roland Corporation U.S.
5100 S.Eastern Avenue P.O BOX 910921
Los Angeles, CA 90091-0921
Phone: (323) 890.3700 Fax: (323) 890.3701
Visit us online at www.RolandUS.com
All specifications and appearances are subject to change.
All trademarks are the property of their respective companies.
Printed in Japan Jan. ’03 RAM-3679 C-4 ERK-UPR-SE
The flagship VS-2480CD offers several
enhancements for professional users like
16 analog inputs, 17 motorized faders,
SMPTE sync and more.
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