Roland VG-99 User Manual

201b

Before using this unit, carefully read the sections entitled: “USING THE UNIT SAFELY” (p. 2–3), and “IMPORTANT NOTES” (p. 4–5). These sections provide important information concerning the proper operation of the unit. Additionally, in order to feel assured that you have gained a good grasp of every feature provided by your new unit, Handbook and Owner’s manual should be read in its entirety. The manual should be saved and kept on hand as a convenient reference.

Owner’s Manual

Thank you, and congratulations on your choice of the Roland VG-99.

202

Roland Website http://www.roland.com/

USING THE UNIT SAFELY

Used for instructions intended to alert the user to the risk of death or severe injury should the unit be used improperly.

Used for instructions intended to alert the user to the risk of injury or material damage should the unit be used improperly.

* Material damage refers to damage or

other adverse effects caused with respect to the home and all its furnishings, as well to domestic animals or pets.

001

• Before using this unit, make sure to read the instructions below, and the Owner’s Manual.

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002c

• Do not open (or modify in any way) the unit or its AC adaptor.

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003

• Do not attempt to repair the unit, or replace parts within it (except when this manual provides specific instructions directing you to do so). Refer all servicing to your retailer, the nearest Roland Service Center, or an authorized Roland distributor, as listed on the “Information” page.

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004

• Never use or store the unit in places that are:

• Subject to temperature extremes (e.g., direct

sunlight in an enclosed vehicle, near a heating duct, on top of heat-generating equipment); or are

• Damp (e.g., baths, washrooms, on wet floors);

or are

• Humid; or are

• Exposed to rain; or are

• Dusty; or are

• Subject to high levels of vibration.

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005

• This unit should be used only with a rack-mount adaptor (RAD-99) or stand (PDS-10) that is recommended by Roland. (p. 98)

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006

• When using the unit with a stand (PDS-10) recommended by Roland, the stand must be carefully placed so it is level and sure to remain stable. If not using a stand, you still need to make sure that any location you choose for placing the unit provides a level surface that will properly support the unit, and keep it from wobbling.

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The symbol alerts the user to important instructions or warnings.The specific meaning of the symbol is determined by the design contained within the triangle. In the case of the symbol at left, it is used for general cautions, warnings, or alerts to danger.

The symbol alerts the user to items that must never be carried out (are forbidden). The specific thing that must not be done is indicated by the design contained within the circle. In the case of the symbol at left, it means that the unit must never be disassembled.

The ● symbol alerts the user to things that must be carried out. The specific thing that must be done is indicated by the design contained within the circle. In the case of the symbol at left, it means that the powercord plug must be unplugged from the outlet.

008c

• Be sure to use only the AC adaptor supplied with the unit. Also, make sure the line voltage at the installation matches the input voltage specified on the AC adaptor’s body. Other AC adaptors may use a different polarity, or be designed for a different voltage, so their use could result in damage, malfunction, or electric shock.

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008d

• Connect only the specified device (FC-300) to the RRC2 IN connector (which provide a supply of power).

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008e

• Use only the attached power-supply cord. Also, the supplied power cord must not be used with any other device.

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009

• Do not excessively twist or bend the power cord, nor place heavy objects on it. Doing so can damage the cord, producing severed elements and short circuits. Damaged cords are fire and shock hazards!

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010

• This unit, either alone or in combination with an amplifier and headphones or speakers, may be capable of producing sound levels that could cause permanent hearing loss. Do not operate for a long period of time at a high volume level, or at a level that is uncomfortable. If you experience any hearing loss or ringing in the ears, you should immediately stop using the unit, and consult an audiologist.

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011

• Do not allow any objects (e.g., flammable material, coins, pins); or liquids of any kind (water, soft drinks, etc.) to penetrate the unit.

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012b

• Immediately turn the power off, remove the AC adaptor from the outlet, and request servicing by your retailer, the nearest Roland Service Center, or an authorized Roland distributor, as listed on the “Information” page when:

• The AC adaptor, the power-supply cord, or the plug

has been damaged; or

• If smoke or unusual odor occurs

• Objects have fallen into, or liquid has been spilled onto

the unit; or

• The unit has been exposed to rain (or otherwise has

become wet); or

• The unit does not appear to operate normally or

exhibits a marked change in performance.

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013

• In households with small children, an adult should provide supervision until the child is capable of following all the rules essential for the safe operation of the unit.

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014

• Protect the unit from strong impact. (Do not drop it!)

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015

• Do not force the unit’s power-supply cord to share an outlet with an unreasonable number of other devices. Be especially careful when using extension cords—the total power used by all devices you have connected to the extension cord’s outlet must never exceed the power rating (watts/amperes) for the extension cord. Excessive loads can cause the insulation on the cord to heat up and eventually melt through.

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016

• Before using the unit in a foreign country, consult with your retailer, the nearest Roland Service Center, or an authorized Roland distributor, as listed on the “Information” page.

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023

• DO NOT play a CD-ROM disc on a conventional audio CD player. The resulting sound may be of a level that could cause permanent hearing loss. Damage to speakers or other system components may result.

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101b

• The unit and the AC adaptor should be located so their location or position does not interfere with their proper ventilation.

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101c

• This VG-99 for use only with Roland rack-mount adaptor RAD-99 or Stand PDS-10. Use with other rack-mount adaptors or stands are capable of resulting in instability causing possible injury.

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102c

• Always grasp only the plug on the AC adaptor cord when plugging into, or unplugging from, an outlet or this unit.

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103b

• At regular intervals, you should unplug the AC adaptor and clean it by using a dry cloth to wipe all dust and other accumulations away from its prongs. Also, disconnect the power plug from the power outlet whenever the unit is to remain unused for an extended period of time. Any accumulation of dust between the power plug and the power outlet can result in poor insulation and lead to fire.

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104

• Try to prevent cords and cables from becoming entangled. Also, all cords and cables should be placed so they are out of the reach of children.

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106

• Never climb on top of, nor place heavy objects on the unit.

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107c

• Never handle the AC adaptor or its plugs with wet hands when plugging into, or unplugging from, an outlet or this unit.

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108d: Selection

• If you need to move the instrument, take note of the precautions listed below. It should be handled carefully, all the while keeping it level. Make sure to have a firm grip, to protect yourself from injury and the instrument from damage.

• Check to make sure the screws or the attached knob

bolts securing the unit to the stand have not become loose. Fasten them again securely whenever you notice any loosening.

• Disconnect the power cord.

• Disconnect all cords coming from external devices.

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109b

• Before cleaning the unit, turn off the power and unplug the AC adaptor from the outlet (p. 24).

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110b

• Whenever you suspect the possibility of lightning in your area, disconnect the AC adaptor from the outlet.

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118c

• Keep any screws you may remove and the included screws in a safe place out of children’s reach, so there is no chance of them being swallowed accidentally.

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IMPORTANT NOTES

291a

In addition to the items listed under “USING THE UNIT

SAFELY” on page 2–3, please read and observe the

following:

Power Supply

301

• Do not connect this unit to same electrical outlet that is being used by an electrical appliance that is controlled by an inverter (such as a refrigerator, washing machine, microwave oven, or air conditioner), or that contains a motor. Depending on the way in which the electrical appliance is used, power supply noise may cause this unit to malfunction or may produce audible noise. If it is not practical to use a separate electrical outlet, connect a power supply noise filter between this unit and the electrical outlet.

302

• The AC adaptor will begin to generate heat after long hours of consecutive use. This is normal, and is not a cause for concern.

307

• Before connecting this unit to other devices, turn off the power to all units. This will help prevent malfunctions and/or damage to speakers or other devices.

Placement

351

• Using the unit near power amplifiers (or other equipment containing large power transformers) may induce hum. To alleviate the problem, change the orientation of this unit; or move it farther away from the source of interference.

352a

• This device may interfere with radio and television reception. Do not use this device in the vicinity of such receivers.

352b

• Noise may be produced if wireless communications devices, such as cell phones, are operated in the vicinity of this unit. Such noise could occur when receiving or initiating a call, or while conversing. Should you experience such problems, you should relocate such wireless devices so they are at a greater distance from this unit, or switch them off.

354a

• Do not expose the unit to direct sunlight, place it near devices that radiate heat, leave it inside an enclosed vehicle, or otherwise subject it to temperature extremes. Excessive heat can deform or discolor the unit.

355b

• When moved from one location to another where the temperature and/or humidity is very different, water droplets (condensation) may form inside the unit. Damage or malfunction may result if you attempt to use the unit in this condition. Therefore, before using the unit, you must allow it to stand for several hours, until the condensation has completely evaporated.

360

• Depending on the material and temperature of the surface on which you place the unit, its rubber feet may discolor or mar the surface. You can place a piece of felt or cloth under the rubber feet to prevent this from happening. If you do so, please make sure that the unit will not slip or move accidentally.

Maintenance

401a

• For everyday cleaning wipe the unit with a soft, dry cloth or one that has been slightly dampened with water. To remove stubborn dirt, use a cloth impregnated with a mild, non-abrasive detergent. Afterwards, be sure to wipe the unit thoroughly with a soft, dry cloth.

402

• Never use benzine, thinners, alcohol or solvents of any kind, to avoid the possibility of discoloration and/or deformation.

Repairs and Data

452

• Please be aware that all data contained in the unit’s memory may be lost when the unit is sent for repairs. Important data should always be backed up on a another MIDI device (e.g., a sequencer), or written down on paper (when possible). During repairs, due care is taken to avoid the loss of data. However, in certain cases (such as when circuitry related to memory itself is out of order), we regret that it may not be possible to restore the data, and Roland assumes no liability concerning such loss of data.

Additional Precautions

551

• Please be aware that the contents of memory can be irretrievably lost as a result of a malfunction, or the improper operation of the unit. To protect yourself against the risk of loosing important data, we recommend that you periodically save a backup copy of important data you have stored in the unit’s memory in another MIDI device (e.g., a sequencer).

552

• Unfortunately, it may be impossible to restore the contents of data that was stored in another MIDI device (e.g., a sequencer). once it has been lost. Roland Corporation assumes no liability concerning such loss of data.

553

• Use a reasonable amount of care when using the unit’s buttons, sliders, or other controls; and when using its jacks and connectors. Rough handling can lead to malfunctions.

554

• Never strike or apply strong pressure to the display.

556

• When connecting / disconnecting all cables, grasp the connector itself—never pull on the cable. This way you will avoid causing shorts, or damage to the cable’s internal elements.

558a

• To avoid disturbing your neighbors, try to keep the unit’s volume at reasonable levels. You may prefer to use headphones, so you do not need to be concerned about those around you (especially when it is late at night).

IMPORTANT NOTES

559a

• When you need to transport the unit, package it in the box (including padding) that it came in, if possible. Otherwise, you will need to use equivalent packaging materials.

561

• Use only the specified expression pedal (Roland EV-5, BOSS FV-500L/500H with a connection cable (stereo 1/4” phone – stereo 1/4” phone); sold separately). By connecting any other expression pedals, you risk causing malfunction and/or damage to the unit.

562

• Some connection cables contain resistors. Do not use cables that incorporate resistors for connecting to this unit. The use of such cables can cause the sound level to be extremely low, or impossible to hear. For information on cable specifications, contact the manufacturer of the cable.

563

• Unauthorized duplication, reproduction, hiring, and lending prohibited.

566a

• The usable range of D Beam controller will become extremely small when used under strong direct sunlight. Please be aware of this when using the D Beam controller outside.

566b

• The sensitivity of the D Beam controller will change depending on the amount of light in the vicinity of the unit. If it does not function as you expect, adjust the sensitivity as appropriate for the brightness of your location.

801

• Avoid touching or scratching the shiny underside (encoded surface) of the disc. Damaged or dirty CD-ROM discs may not be read properly. Keep your discs clean using a commercially available CD cleaner.

962a + 962b

• In the interest of product improvement, the specifications, appearance of this unit and/or contents of this package are subject to change without prior notice.

986

• While under most conditions, a computer similar to the above will permit normal operation of the VG-99, Roland cannot guarantee compatibility solely on these factors. This is due to numerous variables that may influence the processing environment, such as differences in motherboard design and the particular combination of other devices involved.

Printing Conventions and icons in This Manual

Text or numerals

enclosed in square

brackets [ ]

(p.**)

Indicate buttons.

[WRITE]

Indicates information that you

should be aware of when

using the VG-99.

Indicates supplementary

information about an

operation.

Indicates information about a

convenient operation.

Indicates a reference page.

WRITE button

IMPORTANT NOTES ...............................................................................4

Main Features........................................................................................11

Ultimate guitar modeling system provides unlimited possibilities in creating sounds.......11

Two complete sound creation systems ...................................................................................... 11

Equipped with D-Beam, ribbon, and other new realtime controllers................................... 11

Console style accommodates a variety of usage environments............................................. 11

Combine with the FC-300 to create the perfect live system.................................................... 11

Includes pitch/MIDI conversion function ................................................................................11

Features V-LINK function............................................................................................................ 11

Names of Things and What They Do...................................................12

Top Panel ................................................................................................................................................... 12

Rear Panel.................................................................................................................................................. 14

Chapter 1 Outputting Sounds..............................................................15

Installing the Divided Pickup................................................................................................................. 15

Before Connecting .................................................................................................................................... 15

Making the Connections.......................................................................................................................... 16

Turning On the Power ............................................................................................................................. 18

About the Play Screen .................................................................................................................. 19

About the Information in the Display (Basic Operation) ........................................................ 19

Adjusting the Volume ..................................................................................................................20

Setting the Device (Amp) Connected to MAIN OUT (Output Select) ..................................20

Inputting the Divided Pickup Settings (GK Settings) ......................................................................... 21

Tuning the Guitar (TUNER) ...................................................................................................................22

Switching Tones (Patch) .......................................................................................................................... 23

About the Patch Numbers ...........................................................................................................23

Switching with the PATCH/VALUE Dial ................................................................................ 24

Turning Off the Power............................................................................................................................. 24

Chapter 2 Creating Sounds..................................................................25

Setting the COSM GUITAR Tone........................................................................................................... 25

Setting the Alternate Tuning................................................................................................................... 26

Setting AB LINK............................................................................................................................ 26

Setting TUNING............................................................................................................................ 27

Setting BEND................................................................................................................................. 27

Setting 12-STRING........................................................................................................................ 28

Setting USER TUNING ................................................................................................................29

Setting DETUNE ........................................................................................................................... 29

Setting HARMONY ......................................................................................................................30

Setting the COSM AMP Tone ................................................................................................................. 30

Setting the Effects .....................................................................................................................................31

POLY FX (Poly Effect) ..................................................................................................................31

FX (Effects) .....................................................................................................................................31

Rearranging the Effect and Amp Connection Sequence (CHAIN)................................................... 32

Specifying the tempo and key of the song to be played ..................................................................... 32

Setting the Tempo .........................................................................................................................32

Setting the Key............................................................................................................................... 33

Mixing the Normal Pickup Sound ......................................................................................................... 33

Setting the Volume Balance ......................................................................................................... 33

Setting the Point at Which the COSM Guitar is Connected.................................................... 34

Mixing Two Tones (MIXER) ................................................................................................................... 35

Setting the Volume and Panning for Each Channel................................................................. 35

Setting the Mix Balance ................................................................................................................ 35

Setting the Delay and Reverb (DELAY/REVERB)................................................................... 35

Using Picking Dynamics to Control the Mix Between the Two Channels (DYNAMIC)......36

Contents

Setting the Overall Patch Volume Level (PATCH LEVEL) .................................................... 36

Adjusting the Overall Patch Tone (TOTAL EQ)....................................................................... 36

Setting the Output Signal and Level (OUTPUT)...................................................................... 37

Naming a Patch (PATCH NAME) ......................................................................................................... 37

Saving a Patch (WRITE) .......................................................................................................................... 38

Chapter 3 Creating Your Own Effect Types (CUSTOMIZE)...............39

Customizing the Preamp......................................................................................................................... 39

Customizing the Speaker ........................................................................................................................ 40

Customizing the Overdrive/Distortion................................................................................................ 40

Customizing Pedal Wah.......................................................................................................................... 41

Chapter 4 Global Device Settings (SYSTEM) .....................................42

Inputting the Divided Pickup Settings.................................................................................................. 42

Selecting the Settings .................................................................................................................... 42

Naming GK Settings (GK NAME).............................................................................................. 42

Selecting the Divided Pickup Type ............................................................................................43

Inputting the Guitar’s Scale......................................................................................................... 43

Matching the Divided Pickup and Normal Pickup Phase...................................................... 43

Setting the Direction for the Installed Divided Pickup ...........................................................43

Setting the DOWN/S1, UP/S2 Switch Arrangement.............................................................. 44

Setting the Gap Between the Pickup and the Bridge (PICKUP ´ BRIDGE) .......................... 44

Adjusting the Sensitivity for Each String .................................................................................. 45

Setting Whether or Not the Deviced Pickup Is Used (GK CONNCT) .................................. 45

Using Different Guitar Settings in Each Patch (SET MODE).................................................. 46

Determining the Function of the GK Volume Control and DOWN/S1, UP/S2 Switches

(GK FUNC) .................................................................................................................................... 46

Adjusting Overall Tone According to the Environment (GLOBAL/OUTPUT SELECT) ............. 46

Selecting the Settings .................................................................................................................... 46

Naming the Settings (GLOBAL NAME).................................................................................... 47

Setting the Types of Connected Devices (OUTPUT SELECT)................................................ 47

Adjusting the Overall Tone (GLOBAL EQ) .............................................................................. 48

Controlling the Overall Effect of the Noise Suppressor (Total NS)....................................... 48

Controlling the Overall Reverb Level (Total REVERB)........................................................... 49

Setting the Sounds Output from SUB OUT (SUB OUT LEVEL)............................................ 49

Setting the GK VOLUME Control and Switch and the Pedal Function

(SYSTEM CONTROL ASSIGN).............................................................................................................. 49

Having Values from an External Pedal, GK VOLUME Control,

or Other Controller Carried Over When Patches are Called Up (ASSIGN HOLD) ....................... 50

Limiting the Patches That Can Be Switched (PATCH EXTENT) ...................................................... 50

Adjusting the Screen’s Contrast ............................................................................................................. 51

Setting the Output Signal and Level (SYSTEM OUTPUT)................................................................. 51

Chapter 5 Using the VG-99 in Combination with an FC-300 .............52

Connecting with the RRC2 IN Connector............................................................................................. 52

Settings Related to the FC-300 ................................................................................................................ 52

Settings for Control of the FC-300 ..............................................................................................52

Setting the Operation When Patches Are Switched................................................................. 53

Activating the VG-99’s Tuner from the FC-300 (QUICK TUNER) ................................................... 53

Setting the FC-300 Amp Control ............................................................................................................ 54

Chapter 6 Using MIDI............................................................................55

About MIDI ............................................................................................................................................... 55

What You Can Do Using MIDI ................................................................................................... 55

Main Types of MIDI Messages Handled by the VG-99........................................................... 56

About the MIDI Implementation................................................................................................ 57

Exchanging MIDI Messages ........................................................................................................57

Contents

About MIDI Channels .................................................................................................................. 57

Bank Select and Program Change............................................................................................... 58

Setting the MIDI-Related Functions ......................................................................................................58

Syncing to the MIDI CLOCK from an External Device ...................................................................... 64

Playing an External Synthesizer Sound Module (GUITAR TO MIDI)............................................. 64

Setting the GUITAR TO MIDI Function (System Parameters)............................................... 64

Setting the GUITAR TO MIDI Function (Patch Parameters).................................................. 67

Chapter 7 Using the VG-99 Connected to a Computer Via USB.......71

Before Using the USB Connection.......................................................................................................... 71

Switching the Driver Mode ......................................................................................................... 72

Setting the USB Functions....................................................................................................................... 73

Setting the Digital Audio Signal Input and Output................................................................. 73

Setting the Direct Monitor ...........................................................................................................74

Recording the VG-99’s Output with a Computer................................................................................ 75

Using the VG-99 to Add Effects to Audio Playback from a Computer............................................ 75

Chapter 8 Other Functions...................................................................76

Changing the Tone in Real Time with the D Beam and Ribbon Controllers................................... 76

Adjusting the D Beam (CALIBRATION)................................................................................... 76

Disabling the D Beam (DISABLE) .............................................................................................. 77

Controlling Sounds by Hand Motion or the Guitar Neck (D Beam Controller).................. 77

Adjusting the Ribbon Controller (CALIBRATION)................................................................. 78

Controlling the Sounds with the Movement of Your Fingertip (Ribbon Controller) ......... 79

Holding Sounds for Extended Periods (FREEZE).................................................................... 79

Changing the Pitch as with a Tremolo Arm (T-ARM)............................................................. 80

Adding Nuance to the Sound (FILTER) .................................................................................... 81

Changing the Sounds with the Knobs as You Play (DIRECT EDIT) ................................................ 82

Using the Switches, Pedals, and MIDI to Control the Sounds (CONTROL ASSIGN)................... 82

One Touch Call Up of Favorite Patches (DIRECT PATCH)............................................................... 86

Setting DIRECT PATCH ..............................................................................................................86

Managing the Patches.............................................................................................................................. 87

Copying the Current Patch to a Different Patch (PATCH COPY)......................................... 87

Exchanging the Current Patch with a Different Patch (PATCH EXCHANGE) .................. 87

Initializing User Patches (PATCH INITIALIZE)...................................................................... 88

Copying Settings Between Channel A and Channel B (A/B COPY) ....................................88

Exchanging the Channel A and Channel B Settings (A/B EXCHANGE) ............................ 88

Partially Copying Parameters in a Different Patch (MODULE COPY) ................................89

Partially Initializing Patch Parameters (MODULE INITIALIZE).......................................... 89

Separating Patches into Groups (CATEGORY) ................................................................................... 90

Using CATEGORY to Call Up Patches ...................................................................................... 90

Setting Patch Categories............................................................................................................... 90

Naming User Categories (CATEGORY NAME) ...................................................................... 91

Storing Your Preferred Settings Individually (FAVORITE SETTINGS) .......................................... 91

What are Favorite Settings? ......................................................................................................... 91

Calling Up Favorite Settings........................................................................................................ 92

Changing Tone Settings ...............................................................................................................92

Saving Changed Tones................................................................................................................. 93

Naming Favorite Settings (FAVORITE NAME)....................................................................... 94

Searching for Patches That Use the Same Favorite Settings ................................................... 94

Activating the Virtual Expression Pedal at the Start of Operations (Internal Pedal System) ....... 95

Internal Pedal................................................................................................................................. 95

Wave Pedal .................................................................................................................................... 95

Controlling Video Images with Your Guitar (V-LINK)...................................................................... 96

What is V-LINK? ........................................................................................................................... 96

Connecting the V-LINK Device ..................................................................................................96

Switching V-LINK On and Off.................................................................................................... 96

Contents

Setting V-LINK .............................................................................................................................. 97

Using the VG-99 on a Stand.................................................................................................................... 98

Using the VG-99 Mounted in a Rack ..................................................................................................... 99

Restoring the VG-99 to its Original Factory Condition (FACTORY RESET)................................. 100

Chapter 9 Parameters Guide..............................................................101

COSM GUITAR ......................................................................................................................................101

Modeling Type List..................................................................................................................... 101

ALTERNATE TUNING.............................................................................................................. 116

POLY FX (Poly Effect)............................................................................................................................ 118

FX (Effects)............................................................................................................................................... 120

Using the HOLD (Hold Delay) .................................................................................................125

PHASER........................................................................................................................................ 127

FLANGER ....................................................................................................................................128

TREML (Tremolo) ....................................................................................................................... 128

PAN............................................................................................................................................... 128

T.WAH (Touch Wah).................................................................................................................. 129

AUTO WAH ................................................................................................................................129

OCTAVE....................................................................................................................................... 129

PITCH SHIFT (Pitch Shifter) ..................................................................................................... 130

HARMONIST ..............................................................................................................................130

Creating Harmonist Scales (User Scale)................................................................................... 131

PEDAL BEND.............................................................................................................................. 132

2x2 CHORUS ...............................................................................................................................132

ROTARY....................................................................................................................................... 133

UNI-V............................................................................................................................................ 133

VIB (Vibrato)................................................................................................................................ 133

SLICER.......................................................................................................................................... 134

HUMANIZER.............................................................................................................................. 134

SLOW GEAR................................................................................................................................ 135

DEFRET ........................................................................................................................................135

FEEDBACKER............................................................................................................................. 135

RING MOD (Ring Modulator) .................................................................................................. 136

ANTI FB (Anti-feedback)........................................................................................................... 136

ADV.COMP (Advanced Compressor)..................................................................................... 136

LIMITR (Limiter)......................................................................................................................... 137

SUB EQ (Sub Equalizer) ............................................................................................................. 137

SUB DELAY (Sub Delay) ........................................................................................................... 138

COSM AMP............................................................................................................................................. 140

MIXER ...................................................................................................................................................... 146

MIXER A, B (MIXER CHANNEL A, B) ................................................................................... 146

PATCH LEVEL............................................................................................................................ 146

TOTAL EQ ................................................................................................................................... 146

OUTPUT....................................................................................................................................... 147

DELAY.......................................................................................................................................... 148

MASTER .................................................................................................................................................. 150

GK VOL (GK Volume) ............................................................................................................... 150

GK S1, S2 (DOWN/S1, UP/S2 Switch).................................................................................... 150

PANEL CTL1/CTL2 (Control Button 1/2) .............................................................................151

D BEAM........................................................................................................................................ 151

RIBBON ........................................................................................................................................153

EXP PEDAL (Expression Pedal)................................................................................................ 154

CTL3, CTL4 (Control3, Control4) .............................................................................................154

FC-300 CONTROL ...................................................................................................................... 155

ASSIGN 1–16................................................................................................................................ 155

DIRECT EDIT F1–F6................................................................................................................... 156

GUITAR TO MIDI .................................................................................................................................. 164

Contents

SYSTEM ................................................................................................................................................... 166

Parameters That Can Be Assigned to Separate Controllers.................................................. 168

V-LINK PATCH .......................................................................................................................... 174

V-LINK SYSTEM......................................................................................................................... 176

GLOBAL ..................................................................................................................................................177

TUNER..................................................................................................................................................... 178

Chapter 10 Appendices ......................................................................179

MIDI Implementation Chart................................................................................................................. 179

Signal Flow .............................................................................................................................................. 183

Specifications........................................................................................................................................... 184

VG-99: V-Guitar System............................................................................................................. 184

VG-99 Software System Requirements ............................................................................................... 185

For Windows ............................................................................................................................... 185

For Mac OS................................................................................................................................... 185

Error Messages........................................................................................................................................ 186

Troubleshooting...................................................................................................................................... 186

Problems with Sounds................................................................................................................ 186

Other Problems............................................................................................................................ 188

Index.....................................................................................................189

Main Features

Ultimate guitar modeling system provides unlimited possibilities in creating sounds

The VG-99 is the culmination of Roland’s COSM technology based

guitar modeling systems. Featuring advanced software supported by

the very latest custom DSP chips, the instrument also offers a large-

sized high-contrast LCD, top-quality AD/DA converters, balanced

XLR output connectors, digital output connectors, USB connector,

and other features that all add up to a truly pro-spec system.

About COSM (Composite Object Sound Modeling)

Composite Object Sound Modeling—or “COSM” for short—is

BOSS/Roland’s innovative and powerful technology that’s

used to digitally recreate the sound of classic musical

instruments and effects. COSM analyzes the many factors that

make up the original sound—including its electrical and

physical characteristics—and creates a digital model that

accurately reproduces the original.

Two complete sound creation systems

Combine with the FC-300 to create the perfect live system

Connecting a Roland FC-300 MIDI Foot Controller (optional) to the

VG-99 allows you to switch tones and carry out other tasks using the

FC-300’s multiple foot pedals for easy hands-free operation. These

units also feature an RRC2 connector, allowing you to connect the

VG-99 and FC-300 with a single cable. This RRC2 function enables

two-way communications between the devices, while further acting

as a power supply to the FC-300, thus reducing the number of cables

used to connect the devices.

Includes pitch/MIDI conversion function

The VG-99 can convert and output guitar performance data as MIDI

information, allowing you to connect a synthesizer sound module or

similar device and use the setup as a guitar synthesizer.

Features V-LINK function

This function enables you to use performance data and pedal

operations in controlling video.

The VG-99 features two separate guitar and COSM amp systems.

You can use two different types of modeled guitars simultaneously

and create different amp sounds to use with each guitar. What’s

more, the VG-99 comes equipped with two effects systems featuring

a huge selection of BOSS effects, including COSM effects. This all

enables you to achieve the perfect processing for each individual

guitar.

Equipped with D-Beam, ribbon, and other new realtime controllers

The VG-99 now enables new and heretofore unimaginable forms of

musical expression, including new ways of using the guitar’s neck

and your hands. Of course, you can still connect expression pedals

and control switches as well, just as with previous V-Guitar systems.

Console style accommodates a variety of usage environments

The VG-99 can be set up in a number of different ways to suit the

needs of the user—as a desktop unit for recording or when using

computer input, attached to its stand (optional) and set up right by

the performer, or placed in a rack with the (optional) rack mount

adaptor.

V-LINK

V-LINK is a function that allows music and images to be

performed together. By using MIDI to connect two or more V-

LINK compatible devices, you can easily enjoy a wide range of

visual effects that are linked to the expressive elements of a

music performance.

Names of Things and What They Do

8 9

10 11 12

13 14

20 21 22

23 24

1 2

Top Panel

fig.00-020

D BEAM

Switches the D Beam on and off. You can add a variety of

effects to your sounds by moving your hand or the guitar neck

within the range of the beam. (p. 76)

• PITCH Button

In addition to changing the pitch of the guitar, this can be

used for the Freeze function, which continuously holds

the guitar’s tone.

• FILTER Button

This changes the guitar’s tone.

• ASSIGNABLE Button

Use this to assign different parameters and functions to

the D-Beam and change the tone in real time.

LCD

Various information regarding the VG-99 is indicated here.

PATCH/VALUE Dial

Used to switch patches and change settings values.

CATEGORY Button

Used to select and change categories.

FUNCTION Knob

Changes the value of the setting for the parameter indicated in

the LCD.

FUNCTION Buttons

Used to select the parameters indicated in the LCD.

ALTERNATE TUNING Button

Sets the Alternate Tuning function. (p. 26)

MODELING TYPE Buttons

These set the COSM guitar type and tone. (p. 25)

POLY FX (Poly Effects) Buttons

These set the poly effects. (p. 31)

10.

FX (Effects) Buttons

These set the effects. (p. 31)

11.

COSM AMP Buttons

Used to make settings for the COSM amp. (p. 30)

12.

MIXER Buttons

Used to make settings for the mixer. (p. 35)

13.

DELAY/REVERB Button

Used to make settings for the mixer section’s delay and

reverb. (p. 35)

14.

DYNAMIC Button

Used for setting the dynamics. (p. 36)

15.

BALANCE Knob

Sets the mix balance. (p. 35)

16.

CHAIN Button

Used to make settings for the effect and COSM guitar/COSM

amp connection sequence. (p. 34)

17.

CONTROL ASSIGN Button

This sets the functions assigned to pedals and switches. (p. 82)

18.

NAME/KEY/BPM Button

Used to specify patch names and the tempo and key for songs

to be played. (p. 32)

19.

PATCH LEVEL Knob

Adjusts the volume of a patch.

20.

V-LINK Button

This switches the V-LINK function on and off. (p. 96)

21.

DIRECT PATCH Buttons

Use these to directly call up the patches you have assigned to

them. (p. 86)

Names of Things and What They Do

30.

RIBBON CONTROLLER

This allows you to change the tone by sliding your finger

along the ribbon. (p. 77)

You can switch a variety of effects on and off directly with the

three buttons.

• PITCH Button

Changes the guitar’s pitch.

• FILTER Button

Alters the brightness of the sound.

• ASSIGNABLE Button

Use this to assign different parameters and functions to

the ribbon controller and change the tone in real time. (p.

82)

31.

GK IN Connector

Connect the GK cable here.

32.

POWER Switch

Switches the power on and off. (p. 18) (p. 24)

33.

OUTPUT LEVEL Knob

This adjusts the volume level for the MAIN OUT jacks and

headphone jack.

22.

CONTROL Buttons

You can assign and control a variety of different functions

with these buttons. (p. 82)

23.

EXIT Button

Used to return previous screens and to undo operations.

24.

WRITE Button

Use for storing settings in patches and executing operations.

(p. 38) (p. 87)

25.

PAGE Buttons

This switches the screens displayed in the LCD.

26.

GUITAR TO MIDI Button

This sets the GUITAR TO MIDI function (the function that

converts what is played on the guitar into MIDI signals). (p.

64)

27.

SYSTEM Button

Used for making settings related to the VG-99’s operating

environment. (p. 42)

28.

GLOBAL Button

This sets the GLOBAL function (which affects the tone of all

patches). (p. 46)

29.

TUNER Button

This turns the tuning function on. (p. 22)

Names of Things and What They Do

Rear Panel

fig.00-030

7 8 9

10 11 12 13

Security Slot ( )

988

Connect a commercially available anti-theft security cable

here.

http://www.kensington.com/

GUITAR INPUT Jack

Use this jack when directly inputting a normal guitar.

GUITAR OUTPUT Jack

This outputs sounds from normal guitars connected to a GK-3

and unaltered signals from the GUITAR INPUT jack.

SUB OUT Connectors L, R

These balanced output jacks use XLR type connectors.

* The SUB OUT L and R connectors are unaffected by the OUTPUT

LEVEL knob settings; output is constant at a fixed output level (+4

dBu).

GND LIFT Switch

You can disconnect the SUB OUT connectors’ No. 1 pin from

the VG-99’s ground.

Switch this to LIFT if a ground loop or similar problem is

causing output of hum or noise. Normally, this is set to GND.

MAIN OUT Jacks L/MONO, R

These are unbalanced phone jack outputs. Use these to

connect to amps, mixers, and similar equipment.

PHONES Jack

Connect headphones here.

10.

CTL3,4 (CONTROL 3,4) Jack

An optional footswitch (such as an FS-6) can be connected

here. (p. 16)

* The patch up/down function is assigned to this jack at the factory.

11.

USB Connector

Use a USB cable to connect a computer to this connector and

enable exchange of data between the VG-99 and the computer.

(p. 71)

12.

RRC2 IN Connector

Accepts connection of an FC-300 (optional).

This connector supplies power to the FC-300 and provides for

two-way communications with it. (p. 52)

* The RRC2 IN connector is for use exclusively with the FC-300. It

cannot be used with other devices.

13.

MIDI OUT, IN Connector

Connect an external MIDI device here to transmit and receive

MIDI messages to and from the device. (p. 58)

14.

DC IN (AC Adaptor) Jack

Connect the included AC adaptor here.

To prevent damaging the VG-99, please be sure not to use any

AC adaptor other than the one included with the VG-99.

15.

Cord Hook

Fasten the AC adaptor cord using this hook to prevent the

cord from being disconnected accidentally. (p. 17)

* Disconnecting the AC adaptor while the VG-99 is in use may result

in corruption of important data.

DIGITAL OUT Connector

Digital audio signals are output here. (p. 37) (p. 147)

EXP PEDAL (EXPRESSION PEDAL) Jack

Connect an optional expression pedal (such as a Roland EV-5)

here. (p. 16)

* The VG-99 is set at the factory so that the pedal is automatically

enabled to function as a foot volume.

Chapter 1 Outputting Sounds

Chapter 1

Installing the Divided Pickup

First install the GK-3 divided pickup (optional) on the guitar to be

used. For installation instructions, refer to the GK-3 Owner’s

Manual.

The GK-3 cannot be used with the following guitars (the

pickup will not function properly even when installed).

• 12-string guitars, pedal steel guitars, and guitars with other than six strings

• Nylon-stringed or gut-stringed guitars and guitars using any non-steel strings

• Bass guitars

• Other guitars whose construction does not provide adequate space to properly attach the GK-3

About the GK-3’s GK Volume Control

With the VG-99, you can assign various different functions to the

GK-3’s GK volume control. p. 82

You may not be able to control the VG-99’s volume level with the GK

volume control another parameter is assigned to the GK volume

control.

About the GK-3’s Select Switches

As the VG-99 allows you to set the balance between the COSM guitar

and the normal guitar volume in each individual patch, we

recommend that MIX be the basic function used for the select switch.

Also note that if a parameter other than volume is assigned as the

GK volume control function, the GK-3’s select switch will stop

functioning normally.

Before Connecting

To perform with the VG-99, first set up the following devices.

• A guitar on which the GK-3 has been installed or equipped with internal GK function

• Guitar amp/speaker or headphones

Performing can be made even more convenient using the following

devices:

• MIDI foot controller (Roland FC-300; optional)

• Expression pedal (Roland EV-5 or BOSS FV-500L/500H with a connection cable (stereo 1/4” phone – stereo 1/4” phone); optional)

• Pedal switch (BOSS FS-5U or FS-6; optional)

Chapter 1 Outputting Sounds

Guitar Amp

(for Normal Guitar)

Stereo

Headphones

Normal Guitar

Digital Recorder etc.

MIDI Foot Controller

FC-300

Mixer etc.

Footswitch

(BOSS FS-6 etc.)

EXP Pedal (EV-5 etc.)

Computer

RRC2 cable

MIDI Sequencer etc.

MIDI IN MIDI OUT

AC Adaptor PSB-1U

V-LINK

Compatible Device

(EDIROL MD-P1 etc.)

Computer

MIDI IN

Synthesizer (external sound module) etc.

Making the Connections

Top Panel

GK cable

Guitar with GK-3 / GK-2A /

other GK-Compatible guitar

Rear Panel

Chapter 1 Outputting Sounds

Cord Hook

The cord of

the supplied AC Adaptor

To the Power Outlet

Chapter 1

921

• To prevent malfunction and/or damage to speakers or other devices, always turn down the volume, and turn off the power on all devices before making any connections.

922

• This instrument is equipped with balanced type jacks (TRS=CTL3,4; XLR=SUB OUT). Wiring diagrams for these jacks are shown below. Make connections after first checking the wiring diagrams of other equipment you intend to connect.

fig.XLR/TRSJack.eps

=CTL3 =CTL4

924

• To prevent the inadvertent disruption of power to your unit (should the plug be pulled out accidentally), and to avoid applying undue stress to the AC adaptor jack, anchor the power cord using the cord hook, as shown in the illustration.

fig.CordHook.e.eps

925

* Use only the specified expression pedal (Roland EV-5,

BOSS FS-500L/500H with a connection cable (stereo 1/4” phone – stereo 1/4” phone); sold separately). By connecting any other expression pedals, you risk causing malfunction and/or damage to the unit.

927

* Depending on the circumstances of a particular

setup, you may experience a discomforting sensation, or perceive that the surface feels gritty to the touch when you touch this device, microphones connected to it, or the metal portions of other objects, such as guitars. This is due to an infinitesimal electrical charge, which is absolutely harmless. However, if you are concerned about this, connect the ground terminal (see figure) with an external ground. When the unit is grounded, a slight hum may occur, depending on the particulars of your installation. If you are unsure of the connection method, contact the nearest Roland Service Center, or an authorized Roland distributor, as listed on the “Information” page.

926a

• When connection cables with resistors are used, the volume level of equipment connected to the GUITAR INPUT may be low. If this happens, use connection cables that do not contain resistors.

* Never connect anything other than the FC-300’s RRC2 OUT

connector to the VG-99’s RRC2 IN connector. Connecting to a LAN

or other devices that use modular jacks of the same size and shape

(RJ45) may result in damage to the VG-99 and/or the connected

device.

* If using a commercially available ethernet cable as the RRC2

connecting cable, be sure that the cable meets the following

specifications:

• Category 5 (Cat5) or above

• Maximum length of 15 meters

• Cable designed for straight-through connections

* Crossover cables cannot be used.

* Do not subject the ethernet cable to stress or physical shock.

* Carefully connect the RRC2 cable all the way in–until it is firmly

connected to the RRC2 IN connector.

* When outputting in mono, connect a cable only to the MAIN OUT

L/MONO jack.

* You cannot use COSM GUITAR or POLY FX with signals input

via GUITAR IN. The GT-PRO’s internal FX, COSM AMP,

MIXER, and other settings can be used fully in two channels.

* When connecting an expression pedal to the EXP PEDAL jack, use

the pedal with the minimum level at the MIN position.

* When connecting an FS-6 footswitch (optional) to the CTL3/4 jack,

set the MODE switch and POLARITY switch as shown below.

fig.01-010

BOSS FS-6

* When connecting an FS-5U footswitch (optional) to the CTL3/4

jack, set the POLARITY switch as shown below.

fig.01-020

BOSS FS-5U

Unsuitable places for connection

• Water pipes (may result in shock or electrocution)

• Gas pipes (may result in fire or explosion)

• Telephone-line ground or lightning rod (may be dangerous in the event of lightning)

Chapter 1 Outputting Sounds

• When using the VG-99 with an expression pedal connected to the EXP PEDAL jack, make the settings described on p.

154.

• When using the VG-99 with a footswitch connected to the CTL3/4 jack, make the settings described on p. 154.

* You can connect two FS-5Us using the special Roland PCS-31

connection cable (optional).

* When an FS-6 is connected to the CTL3,4 jack with an optional

connection cable (stereo 1/4” phone – stereo 1/4” phone), pedal

switch B operates according to the CONTROL 3 settings, and pedal

switch A operates according to the CONTROL 4 settings.

fig.01-030

To CTL3,4 jack To CTL3,4 jack To CTL3,4 jack

PCS-31 cable

White Red White Red

BOSS FS-5U

(CTL3)

BOSS FS-5U (CTL4)

(CTL3) (CTL4)

(CTL4) (CTL3)

Turning On the Power

941

Once the connections have been completed p. 16, turn on power to

your various devices in the order specified. By turning on devices in

the wrong order, you risk causing malfunction and/or damage to

speakers and other devices.

942

• This unit is equipped with a protection circuit. A brief interval (a few seconds) after power up is required before the unit will operate normally.

943

• Always make sure to have the volume level turned down before switching on power. Even with the volume all the way down, you may still hear some sound when the power is switched on, but this is normal, and does not indicate a malfunction.

* Turning on devices in the wrong sequence may result in

malfunction and/or damage to speakers and other devices.

Switch on the POWER switch on the VG-99’s top panel.

The display changes as described below, and after several

seconds the VG-99 is ready for normal performance.

This screen is called the “Play screen.”

fig.01-060d

Unless special note is made otherwise, the operations

described in this manual are carried out with the Play screen

displayed.

* When the power to the VG-99 is turned on, the patch selected at the

time the power was last turned off is called up.

985

• The explanations in this manual include illustrations that depict what should typically be shown by the display. Note, however, that your unit may incorporate a newer, enhanced version of the system (e.g., includes newer sounds), so what you actually see in the display may not always match what appears in the manual.

Turn on the power to the guitar amp or mixer.

* Raise amp volume levels only after turning on the power to all the

devices.

Chapter 1 Outputting Sounds

Chapter 1

About the Play Screen

The VG-99 has a variety of Play screen variations, each providing

different information about the current state of the VG-99.

You can switch the information shown in the Play screen by pressing

PAGE [ ] [ ].

Screen 1:

The first nine characters of the patch name are displayed in large

type; also shown are icons for the guitars and amps in both channels.

fig.01-060d

Screen 2:

All sixteen characters of the patch name are displayed.

About the Information in the Display (Basic Operation)

Some screens may contain parameters spanning multiple pages. The

page number is indicated at the upper right of the screen.

Use PAGE [ ] [ ] to switch pages.

Use [F1]–[F6] or the F1–F6 knobs to change the values.

Pressing a FUNCTION button while SET** appears in

the lower part of the screen sets the corresponding

function to the indicated value of **.

Screen 3:

The effects used, as well as their connection sequence (CHAIN) in

both channels are indicated.

Screen 4:

The screen shows level meters for the GK IN strings 1–6, normal

pickup, MAIN OUT, and SUB OUT levels.

By assigning parameters to the F1–F6 knobs, as

described in

as You Play (DIRECT EDIT)”

to control values while in the Play screen. Additionally,

you can display a popup for the assigned parameters

and their values by pressing the [F1]–[F6] buttons.

“Changing the Sounds with the Knobs

(p. 82), you can use them

Chapter 1 Outputting Sounds

Adjusting the Volume

Turn the OUTPUT LEVEL knob to set the volume to a suitable level.

fig.01-070

* The output from the SUB OUT connector (XLR type) remains

constant, regardless of the OUTPUT LEVEL knob setting.

* You can adjust the volume level by assigning this function to the

expression pedal or GK-3 GK volume control. For details, see

“Using the Switches, Pedals, and MIDI to Control the

Sounds (CONTROL ASSIGN)”

(p. 82).

Setting the Device (Amp) Connected to MAIN OUT (Output Select)

Use this procedure to set the type of device connected to the MAIN

OUT jacks.

fig.01-071

Press [GLOBAL].

The Global screen is displayed.

fig.01-072d

Press PAGE [ ] to go to Page 1.

Press [F4] (SELECT) or turn the F4 knob to set the type of device to be connected to the MAIN OUT jacks.

Value

JC-120

SMALL AMP

COMBO AMP

STACK AMP

JC-120 Return

COMBO Return

STACK Return

LINE/PHONES

Explanation

Use this setting when connecting to Roland’s JC-120 guitar amp.

Use this setting when connecting to a small guitar amp.

Use this setting when connecting to the guitar input of a combo amp other than the JC-120 guitar amp (where the amp and speaker or speakers are combined in a single unit).

* Depending on your guitar amp, you may be

able to obtain good results with the JC-120 setting.

Use this setting when connecting to the guitar input of a stack-type guitar amp (where the amp and speaker or speakers are separated).

Use this setting when connecting to the RETURN of a JC-120.

Use this setting when connecting to the RETURN of a combo amp.

Use this setting when connecting to the RETURN of a stack amp or the input of a rack mounted power amp. Set to STACK Return also when using a guitar power amp and speaker cabinet combination.

Use this setting when using headphones or when connecting to a multi-track recorder for recording.

Press [EXIT] to return to the Play screen.

Inputting the Divided Pickup

5 6

7 9

10 11

Settings (GK Settings)

The VG-99’s sound characteristics vary greatly depending on how

the divided pickup is installed. To ensure consistent conditions for

optimal sound production, be sure to make the settings affecting the

divided pickup (the GK settings). With these settings appropriately

made, the VG-99 can then operate under optimal conditions.

* For information on parameters not described in this chapter, refer to

“GK SETTING”

When using more than one guitar with the VG-99, you

can save the settings for each guitar separately.

The GK settings are extremely important to getting

good tones from the VG-99. Be sure to input the

settings correctly.

fig.01-100

(p. 166).

Chapter 1 Outputting Sounds

Select the divided pickup type.

Use the F1 knob to set the type of divided pickup installed in

the guitar you are using.

fig.01-060d

Settings

GK-3

GK-2A Specifies the GK-2A.

PIEZO Specifies a piezo pickup.

* Piezo pickups are a type of pickup that are installed at the guitar’s

bridge and use piezoelectric elements to determine the string

vibrations.

Set the scale length.

Use the F3 knob to set the scale length (the distance from the

bridge to the nut) of the guitar you are using. Select the closest

value within the 620-660 mm range. 648 mm is corresponds to

the ST setting, 628 mm to the LP setting.

Explanation

Specifies the GK-3.

Chapter 1

fig.01-060d

Press [SYSTEM].

The System screen is displayed

Press PAGE [ ] to go to Page 1.

Press [F3] (GK).

The GK Settings screen is displayed.

Press PAGE [ ] [ ] to go to Page 2.

Press PAGE [ ] [ ] to go to Page 3.

Input the gap between the pickup and the bridge.

Set the clearance from the center of the divided pickup to the

bridge’s saddle.

* This setting is not required when piezo pickups are used.

Press PAGE [ ] [ ] to go to Page 4.

fig.01-060d

10.

Rotate the F1–F6 knobs to adjust the divided pickup sensitivity for each string.

First play the sixth string with the maximum force to be used

during actual performance, and as you play the string, set the

sensitivity with the F1 knob until the meter registers at a point

just before it crosses beyond the maximum level.

Set the sensitivity for the fifth through first strings in the same

manner.

Chapter 1 Outputting Sounds

* If the level meter registers in excess of the maximum level, it means

the level is set too high. Lower the sensitivity setting.

* Depending on the guitar you are using, the level meter may move to

the maximum level even when the sensitivity is set to the minimum

setting. If this occurs, adjust the clearance separating the divided

pickup and the strings so the distance is slightly greater than

specified.

11.

Check the volume balance of the six strings.

Play the sixth through first strings with the normal amount of

force; if any string sounds particularly loud, lower the

sensitivity setting for that string, and keep adjusting until the

differences in the strings’ volume levels are minimal.

12.

Press [EXIT] several times to return to the Play screen.

* Making these settings is necessary whenever you install the divided

pickup on a new or different guitar and when the divided pickup

height is changed. Once the settings are completed properly, they are

saved when the power is turned off. Afterwards, you need not make

the settings each time you play the instrument.

Tuning the Guitar (TUNER)

Tune the guitar using the VG-99’s tuner function.

* To get the best tone quality from the VG-99, make sure the tuning is

accurate.

fig.01-190

Press [TUNER].

The tuner function is switched on.

Set the following with the PAGE [ ] [ ] buttons.

For more information on other parameters in the GK

Settings, refer to

“GK SETTING”

(p. 166).

TUNER

MULTI MODE

SINGLE MODE

Press the function button ([F5] [F6])

Explanation

You can play and tune six strings simultaneously.

You can play one individual string to tune that string.

corresponding to the function you want to set, then rotate the knobs to select the value for the setting.

If you do not want to change these settings, proceed to Step 4.

• [F5] (PITCH: 435 Hz–445 Hz)

This sets the reference pitch.

* With the factory settings, this is set to 440 Hz.

* This reference pitch is referenced by effects controlled by the KEY

parameter.

What is the Reference Pitch?

This is the frequency at A4 (the note played with the A key at

the middle of the piano keyboard) played by the instrument

(e.g. piano) used as the reference for tuning for performances.

• [F6] (MUTE OFF, MUTE ON)

Patch Number

Patch Name

This setting determines whether sounds from the output

jacks are output or not while tuning is in progress.

Chapter 1 Outputting Sounds

Chapter 1

Switching Tones (Patch)

TUNER

MUTE OFF

MUTE ON

Play a single note, open, on the string being

Explanation

Sounds are output during tuning.

Sounds are not output during tuning.

* With the factory settings, this is set to

MUTE ON.

tuned.

Tune the string until the name of the string is shown in the display.

When you choose the MULTI MODE

fig.01-060d

When you choose the SINGLE MODE

fig.01-060d

What is a patch?

The VG-99 can store 400 configurations of tone-related

settings, including the COSM guitar, COSM amp, and

effects. Each one of these is called a patch.

Each time you switch a patch, you can instantly change to

a different tone.

About the Patch Numbers

Patch numbers (bank numbers) and patch names are indicated in the

Play screen as shown below.

fig.01-060d

Keep checking the screen, tuning until the center indicator lights up.

Repeat Steps 3-5 to tune all the strings.

* When tuning a guitar equipped with a tremolo arm, you may find

that when one string is in tune, other strings may not be. If this

occurs, first tune the string until its name is indicated in the display,

then continue to fine tune each string a number times until the

tuning is correct.

When you have finished tuning, press [TUNER] or [EXIT].

This completes the preparations for playing the instrument. Now try playing some sounds.

Patches are categorized into User patches and Preset patches.

User Patches

These include 200 preprogrammed patches. You can freely change

the tones and save the your changes.

Preset Patches

Included here are 200 preprogrammed patches. Although you can

make changes to these tones, you cannot save these changes in a

Preset Patch. If you want to save a changed tone, save it as a User

patch.

Chapter 1 Outputting Sounds

The message “NOW SHUTDOWN...” appears when

the power is switched off. The VG-99’s current

settings are saved to memory at this time. Do not

disconnect the AC adaptor until this message is no

longer displayed.

Switching with the PATCH/ VALUE Dial

You can switch patches consecutively with the PATCH/VALUE

Dial.

Confirm that the Play screen is displayed.

If a screen other than the Play screen is shown, press [EXIT]

several times until the Play screen appears.

Rotate the PATCH/VALUE dial to switch the patches.

fig.01-190

Turn the dial to the right (clockwise) to switch to the next

patch number, or to the left (counterclockwise) to switch to the

previous patch number.

Turning Off the Power

Confirm the following before turning off the power.

• Are the volume levels for the VG-99 and connected amp and other devices turned down completely?

Turn off the power to the guitar amp (power amp).

Press [POWER] to turn off the VG-99’s power.

fig.01-190

Chapter 2 Creating Sounds

First, let’s take a look at how the VG-99 is organized internally.

Setting the COSM GUITAR Tone

●

COSM Guitars

You can use COSM modeling to create the tones of a variety of

different guitars. Available sounds include not just electric and

acoustic guitar tones, but extend beyond to include the sounds of

synthesizers and other instruments and even non-existent,

imaginary guitars. Since the created sounds are based on the signals

sent by the GK-3 for each individual string, the system allows you to

play these sounds while still retaining all the flavor created by the

unique playing techniques and picking nuances that the guitar

offers.

The VG-99 allows you to make settings for two different COSM

guitar types at the same time, enabling you to instantly switch what

amounts to two actual guitars and create sounds in which two

guitars seem to be playing at the same time.

You can use the Alternate Tuning function to change the pitch of each COSM guitar string individually.

●

Poly Effects

These are original VG effects that can be applied independently to

each string. You can choose which of the two COSM guitars the

effects are applied to.

Press [MODELING TYPE].

Press PAGE [ ] several times to display Page

Use [F1] (ON/OFF) or the F1 knob to switch the COSM GUITAR ON/OFF setting.

Use [F2] (SELECT) or the F2 knob to select the Modeling type.

Use [F3] (SELECT) or the F3 knob to select the COSM GUITAR type.

Press PAGE [ ].

Chapter 2

●

COSM Amps

Since this technology models the guitar amp circuitry and speaker

characteristics, the modeled amps simulate exactly the behavior of

the actual amps, even in the way distortion is added and the way the

tone controls work.

You can configure preamps and speaker cabinets as you like—you

can even model the amp’s studio miking. The VG-99 produces two

independent COSM amp systems at the same time, which allows

you to process each of the two COSM guitars through a different

amp.

●

Effects

The VG-99 is equipped with two BOSS GT-PRO class multi-effects

systems. You can apply effects separately to each of the two COSM

guitars.

●

Mixer

In addition to having full freedom in mixing the sounds from the

two COSM guitars, you can also output the two guitars separately to

MAIN OUT and SUB OUT. The Dynamifunction further allows you

to use the force of your picking attack to switch between the two

guitar sounds or for many other functions. Furthermore, the mixer

section also includes delay/reverb and an equalizer, enabling you to

adjust the overall tone of the patches.

* Each press of PAGE [ ] takes you to the next screen in which

parameter settings are made.

Adjust the desired parameter with [F1]–[F6] or the F1–F6 knobs.

Adjust the parameters until you achieve the sound you want.

For detailed information about each of the parameters,

refer to

“COSM GUITAR”

(p. 101).

If you want to save the edited settings, perform the Write procedure (p. 38).

* If you do not want to save, press [EXIT] to return to the Play screen.

Chapter 2 Creating Sounds

Setting the Alternate Tuning

About Alternate Tuning

Maybe insert a sentence in the beginning of this:

The Alternate Tuning feature allows you to change the tuning of a

COSM guitar without changing the actual pitch of the guitar’s

strings. To accomplish this, the VG-99 analyzes the pitch of the

signals transmitted by the divided pickup for each individual string

while keeping best possible sound quality.

Alternate Tuning includes the following five functions.

TUNING

Use this to convert the tuning to open tunings such as OPEN-D and

OPEN-G, raise or lower all of the strings an octave, and achieve

various other tunings.

BEND

You can use a pedal to have pitches change from the current tuning

to the set tuning in a continuous transition, just as with a string

bender or pedal steel guitar.

12-STRING

This changes the sound of a regular six-string guitar to that of a

twelve-string guitar.

This function also gives you the freedom to set the pitch and volume

of each secondary string independently, enabling you to create 12-

string guitar models with entirely original tunings.

Setting AB LINK

Setting AB LINK to ON allows you to use the same TUNING and

BEND settings for COSM GUITAR [A] and COSM GUITAR [B].

When this is set to OFF, you can use different settings for COSM

GUITAR [A] and COSM GUITAR [B].

Press [ALTERNATE TUNING].

Press PAGE [ ] to display Page 1.

fig.01-060d

Switch AB LINK on or off with [F1] (OFF/ON) or the F1 knob.

For detailed information on all the parameters, refer to

“ALTERNATE TUNING”

(p. 116).

DETUNE

This allows you to set a subtle shift in the pitch of each individual

string.

HARMONY

This analyzes the pitch of each string, then converts the pitches into

harmonies matched to the key.

These functions can be set for each of the two COSM guitars A and B

individually, meaning you can now play six-string and twelve-string

guitars simultaneously, produce twin twin leads by creating

harmonies on your own, achieve fat unison sounds, and come up

with sounds never before possible, all with a single VG-99.

Additionally, the VG-99 includes an AB LINK function, which

allows you to set the TUNING and BEND for the two COSM guitars

(A and B) simultaneously for even quicker settings.

The pitches output with GUITAR TO MIDI (the MIDI Note messages) change according to the Channel A Alternate Tuning settings (TUNING, BEND, HARMO).

* The Channel B Alternate Tuning settings have no bearing on these

output pitches.

* If the pitch output with GUITAR TO MIDI (the MIDI Note

messages) is excessively low (or high) due to the influence of the

Channel A Alternate Tuning settings, the pitch is then

automatically set one octave higher (or lower).

Chapter 2 Creating Sounds

You can set original user tunings when USER is

selected for TYPE. (p. 29)

• Press [F3] (USER).

• Set the desired parameter with [F1]–[F6] or with the F1–F6 knobs.

• Press [EXIT].

Setting TUNING

Press [ALTERNATE TUNING].

Press PAGE [ ] to display Page 1.

fig.01-060d

Select A or B with [F2] (A/B) or the F2 knob.

* You cannot select this when AB LINK is on.

Switch the function on or off with the F3 knob.

Select the tuning TYPE with [F4] (TYPE) or the F4 knob.

Setting BEND

Press [ALTERNATE TUNING].

Press PAGE [ ] to display Page 1.

fig.01-060d

Select A or B with [F2] (A/B) or the F2 knob.

* You cannot select this when AB LINK is on.

Switch the function on or off with the F5 knob.

Press [F5] (EDIT).

fig.01-060d

Chapter 2

If you want to save the edited settings, perform the Write procedure (p. 38).

* If you do not want to save, press [EXIT] to return to the Play screen.

For detailed information on all the parameters, refer to

“ALTERNATE TUNING”

(p. 116).

Set the pitches you want the strings to bend to with the F1–F6 knobs.

Press PAGE [ ] to display Page 2.

fig.01-060d

Confirm the change in pitch with the F1 knob.

With Control Assign, set BEND as the target parameter for the pedal being used to control the pitch.

For detailed information on Control Assign, refer to

“Using the Switches, Pedals, and MIDI to Control the

Sounds (CONTROL ASSIGN)”

(p. 82).

Chapter 2 Creating Sounds

Example of BEND Parameter Settings

By making the parameter settings shown below, you can

achieve a string bender-like effect which smoothly raises the

pitch of the second string a whole step.

Values Set for the Alternate Tuning Parameter

[ALT TUNING]

AB LINK = ON

BEND SW = ON

BEND TUNING 1st = E 0

BEND TUNING 2nd = D +2

BEND TUNING 3rd = G 0

BEND TUNING 4th = D 0

BEND TUNING 5th = A 0

BEND TUNING 6th = E 0

Values Set for the Control Assign Parameter

[CONTROL ASSIGN]

SOURCE = FC-300 EXP 1 or RIBBON POS

(Set the RIBBON CONTROLLER’s ASSIGNABLE

setting to ON.)

SW = ON

TARGET PARAMETER = ALT TUNE/[A]BEND/BEND

Setting 12-STRING

Press [ALTERNATE TUNING].

Press PAGE [ ] to go to Page 2.

fig.01-060d

Switch the function on or off with the F1 or F4 knob.

* You can make separate 12 STRING settings for COSM GUITAR

[A] and COSM GUITAR [B].

If making detailed parameter settings for 12 STRINGS, press [F1] (12STR) or [F4] (12STR).

Press PAGE [ ] [ ] to display the parameter you want to set.

fig.01-060d

10.

If you want to save the edited settings, perform the Write procedure (p. 38).

* If you do not want to save, press [EXIT] to return to the Play screen.

* Although parameter assignments set with Control Assign are saved

with the Write procedure, the BEND parameter values in Step 8 are

not saved.

For detailed information on all the parameters, refer to

“ALTERNATE TUNING”

(p. 116).

Set the desired parameter with [F1]–[F6] or with the F1–F6 knobs.

If you want to save the edited settings, perform the Write procedure (p. 38).

* If you do not want to save, press [EXIT] to return to the Play screen.

For detailed information on all the parameters, refer to

“ALTERNATE TUNING”

(p. 116).

Chapter 2 Creating Sounds

Setting USER TUNING

Press [ALTERNATE TUNING].

Press PAGE [ ] to display Page 1.

fig.01-060d

Select A or B with [F2] (A/B) or the F2 knob.

* You cannot select this when AB LINK is on.

Switch the function on or off with the F3 knob.

Use [F4] (TYPE) or the F4 knob to select USER.

Press [F3] (USER).

The USER TUNING screen appears.

Set the desired key of string with [F1]–[F6] or with the F1–F6 knobs.

Setting DETUNE

Press [ALTERNATE TUNING].

Press PAGE [ ] to go to Page 2.

fig.01-060d

Switch the function on or off with the F2 or F5 knob.

If making detailed parameter settings for DETUNE, press [F2] (DETUNE) or [F5] (DETUNE).

fig.01-060d

Chapter 2

If you want to save the edited settings, perform the Write procedure (p. 38).

* If you do not want to save, press [EXIT] to return to the Play screen.

For detailed information on all the parameters, refer to

“ALTERNATE TUNING”

(p. 116).

Set the desired parameter with [F1]–[F6] or with the F1–F6 knobs.

If you want to save the edited settings, perform the Write procedure (p. 38).

* If you do not want to save, press [EXIT] to return to the Play screen.

For detailed information on all the parameters, refer to

“ALTERNATE TUNING”

(p. 116).

Chapter 2 Creating Sounds

Setting HARMONY

Press [ALTERNATE TUNING].

Press PAGE [ ] to go to Page 2.

fig.01-060d

Switch the function on or off with the F3 or F6 knob.

If making detailed parameter settings for HARMONY, press [F3] (HARMO) or [F6] (HARMO).

fig.01-060d

Setting the COSM AMP Tone

Press [COSM AMP].

Press PAGE [ ] several times to display Page

Use [F1] (ON/OFF) or the F1 knob to switch the COSM AMP ON/OFF setting.

fig.01-060d

Use [F2] (SELECT) or the F2 knob to select the COSM AMP type.

Press PAGE [ ].

fig.01-060d

Set the desired parameter with [F1] (SELECT), [F2] (SELECT) or with the F1–F2 knobs.

You can set the pitch for each key when the

HARMO parameter is set to USER.

Press PAGE [ ] [ ] to display the parameter you

want to set.

If you want to save the edited settings, perform the Write procedure (p. 38).

* If you do not want to save, press [EXIT] to return to the Play screen.

For detailed information on all the parameters, refer to

“ALTERNATE TUNING”

(p. 116).

* Each press of PAGE [ ] takes you to the next screen in which

parameter settings are made.

Adjust the desired parameter with [F1]–[F6] or the F1–F6 knobs.

Adjust the parameters until you achieve the sound you want.

For detailed information on all the parameters, refer to

“COSM AMP”

If you want to save the edited settings,

(p. 140).

perform the Write procedure (p. 38).

* If you do not need to save the settings, press [EXIT] to return to the

Play screen.

+ 174 hidden pages