Roland VG-99 User Manual

201b

Before using this unit, carefully read the sections entitled: “USING THE UNIT SAFELY” (p. 2–3), and “IMPORTANT NOTES” (p. 4–5). These sections provide important information concerning the proper operation of the unit. Additionally, in order to feel assured that you have gained a good grasp of every feature provided by your new unit, Handbook and Owner’s manual should be read in its entirety. The manual should be saved and kept on hand as a convenient reference.

Owner’s Manual

Thank you, and congratulations on your choice of the Roland VG-99.

202

Roland Website http://www.roland.com/

USING THE UNIT SAFELY

Used for instructions intended to alert the user to the risk of death or severe injury should the unit be used improperly.

Used for instructions intended to alert the user to the risk of injury or material damage should the unit be used improperly.

* Material damage refers to damage or

other adverse effects caused with respect to the home and all its furnishings, as well to domestic animals or pets.

001

• Before using this unit, make sure to read the instructions below, and the Owner’s Manual.

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002c

• Do not open (or modify in any way) the unit or its AC adaptor.

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003

• Do not attempt to repair the unit, or replace parts within it (except when this manual provides specific instructions directing you to do so). Refer all servicing to your retailer, the nearest Roland Service Center, or an authorized Roland distributor, as listed on the “Information” page.

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004

• Never use or store the unit in places that are:

• Subject to temperature extremes (e.g., direct

sunlight in an enclosed vehicle, near a heating duct, on top of heat-generating equipment); or are

• Damp (e.g., baths, washrooms, on wet floors);

or are

• Humid; or are

• Exposed to rain; or are

• Dusty; or are

• Subject to high levels of vibration.

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005

• This unit should be used only with a rack-mount adaptor (RAD-99) or stand (PDS-10) that is recommended by Roland. (p. 98)

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006

• When using the unit with a stand (PDS-10) recommended by Roland, the stand must be carefully placed so it is level and sure to remain stable. If not using a stand, you still need to make sure that any location you choose for placing the unit provides a level surface that will properly support the unit, and keep it from wobbling.

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The symbol alerts the user to important instructions or warnings.The specific meaning of the symbol is determined by the design contained within the triangle. In the case of the symbol at left, it is used for general cautions, warnings, or alerts to danger.

The symbol alerts the user to items that must never be carried out (are forbidden). The specific thing that must not be done is indicated by the design contained within the circle. In the case of the symbol at left, it means that the unit must never be disassembled.

The ● symbol alerts the user to things that must be carried out. The specific thing that must be done is indicated by the design contained within the circle. In the case of the symbol at left, it means that the powercord plug must be unplugged from the outlet.

008c

• Be sure to use only the AC adaptor supplied with the unit. Also, make sure the line voltage at the installation matches the input voltage specified on the AC adaptor’s body. Other AC adaptors may use a different polarity, or be designed for a different voltage, so their use could result in damage, malfunction, or electric shock.

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008d

• Connect only the specified device (FC-300) to the RRC2 IN connector (which provide a supply of power).

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008e

• Use only the attached power-supply cord. Also, the supplied power cord must not be used with any other device.

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009

• Do not excessively twist or bend the power cord, nor place heavy objects on it. Doing so can damage the cord, producing severed elements and short circuits. Damaged cords are fire and shock hazards!

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010

• This unit, either alone or in combination with an amplifier and headphones or speakers, may be capable of producing sound levels that could cause permanent hearing loss. Do not operate for a long period of time at a high volume level, or at a level that is uncomfortable. If you experience any hearing loss or ringing in the ears, you should immediately stop using the unit, and consult an audiologist.

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011

• Do not allow any objects (e.g., flammable material, coins, pins); or liquids of any kind (water, soft drinks, etc.) to penetrate the unit.

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012b

• Immediately turn the power off, remove the AC adaptor from the outlet, and request servicing by your retailer, the nearest Roland Service Center, or an authorized Roland distributor, as listed on the “Information” page when:

• The AC adaptor, the power-supply cord, or the plug

has been damaged; or

• If smoke or unusual odor occurs

• Objects have fallen into, or liquid has been spilled onto

the unit; or

• The unit has been exposed to rain (or otherwise has

become wet); or

• The unit does not appear to operate normally or

exhibits a marked change in performance.

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013

• In households with small children, an adult should provide supervision until the child is capable of following all the rules essential for the safe operation of the unit.

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014

• Protect the unit from strong impact. (Do not drop it!)

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015

• Do not force the unit’s power-supply cord to share an outlet with an unreasonable number of other devices. Be especially careful when using extension cords—the total power used by all devices you have connected to the extension cord’s outlet must never exceed the power rating (watts/amperes) for the extension cord. Excessive loads can cause the insulation on the cord to heat up and eventually melt through.

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016

• Before using the unit in a foreign country, consult with your retailer, the nearest Roland Service Center, or an authorized Roland distributor, as listed on the “Information” page.

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023

• DO NOT play a CD-ROM disc on a conventional audio CD player. The resulting sound may be of a level that could cause permanent hearing loss. Damage to speakers or other system components may result.

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101b

• The unit and the AC adaptor should be located so their location or position does not interfere with their proper ventilation.

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101c

• This VG-99 for use only with Roland rack-mount adaptor RAD-99 or Stand PDS-10. Use with other rack-mount adaptors or stands are capable of resulting in instability causing possible injury.

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102c

• Always grasp only the plug on the AC adaptor cord when plugging into, or unplugging from, an outlet or this unit.

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103b

• At regular intervals, you should unplug the AC adaptor and clean it by using a dry cloth to wipe all dust and other accumulations away from its prongs. Also, disconnect the power plug from the power outlet whenever the unit is to remain unused for an extended period of time. Any accumulation of dust between the power plug and the power outlet can result in poor insulation and lead to fire.

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104

• Try to prevent cords and cables from becoming entangled. Also, all cords and cables should be placed so they are out of the reach of children.

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106

• Never climb on top of, nor place heavy objects on the unit.

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107c

• Never handle the AC adaptor or its plugs with wet hands when plugging into, or unplugging from, an outlet or this unit.

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108d: Selection

• If you need to move the instrument, take note of the precautions listed below. It should be handled carefully, all the while keeping it level. Make sure to have a firm grip, to protect yourself from injury and the instrument from damage.

• Check to make sure the screws or the attached knob

bolts securing the unit to the stand have not become loose. Fasten them again securely whenever you notice any loosening.

• Disconnect the power cord.

• Disconnect all cords coming from external devices.

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109b

• Before cleaning the unit, turn off the power and unplug the AC adaptor from the outlet (p. 24).

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110b

• Whenever you suspect the possibility of lightning in your area, disconnect the AC adaptor from the outlet.

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118c

• Keep any screws you may remove and the included screws in a safe place out of children’s reach, so there is no chance of them being swallowed accidentally.

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IMPORTANT NOTES

291a

In addition to the items listed under “USING THE UNIT

SAFELY” on page 2–3, please read and observe the

following:

Power Supply

301

• Do not connect this unit to same electrical outlet that is being used by an electrical appliance that is controlled by an inverter (such as a refrigerator, washing machine, microwave oven, or air conditioner), or that contains a motor. Depending on the way in which the electrical appliance is used, power supply noise may cause this unit to malfunction or may produce audible noise. If it is not practical to use a separate electrical outlet, connect a power supply noise filter between this unit and the electrical outlet.

302

• The AC adaptor will begin to generate heat after long hours of consecutive use. This is normal, and is not a cause for concern.

307

• Before connecting this unit to other devices, turn off the power to all units. This will help prevent malfunctions and/or damage to speakers or other devices.

Placement

351

• Using the unit near power amplifiers (or other equipment containing large power transformers) may induce hum. To alleviate the problem, change the orientation of this unit; or move it farther away from the source of interference.

352a

• This device may interfere with radio and television reception. Do not use this device in the vicinity of such receivers.

352b

• Noise may be produced if wireless communications devices, such as cell phones, are operated in the vicinity of this unit. Such noise could occur when receiving or initiating a call, or while conversing. Should you experience such problems, you should relocate such wireless devices so they are at a greater distance from this unit, or switch them off.

354a

• Do not expose the unit to direct sunlight, place it near devices that radiate heat, leave it inside an enclosed vehicle, or otherwise subject it to temperature extremes. Excessive heat can deform or discolor the unit.

355b

• When moved from one location to another where the temperature and/or humidity is very different, water droplets (condensation) may form inside the unit. Damage or malfunction may result if you attempt to use the unit in this condition. Therefore, before using the unit, you must allow it to stand for several hours, until the condensation has completely evaporated.

360

• Depending on the material and temperature of the surface on which you place the unit, its rubber feet may discolor or mar the surface. You can place a piece of felt or cloth under the rubber feet to prevent this from happening. If you do so, please make sure that the unit will not slip or move accidentally.

Maintenance

401a

• For everyday cleaning wipe the unit with a soft, dry cloth or one that has been slightly dampened with water. To remove stubborn dirt, use a cloth impregnated with a mild, non-abrasive detergent. Afterwards, be sure to wipe the unit thoroughly with a soft, dry cloth.

402

• Never use benzine, thinners, alcohol or solvents of any kind, to avoid the possibility of discoloration and/or deformation.

Repairs and Data

452

• Please be aware that all data contained in the unit’s memory may be lost when the unit is sent for repairs. Important data should always be backed up on a another MIDI device (e.g., a sequencer), or written down on paper (when possible). During repairs, due care is taken to avoid the loss of data. However, in certain cases (such as when circuitry related to memory itself is out of order), we regret that it may not be possible to restore the data, and Roland assumes no liability concerning such loss of data.

Additional Precautions

551

• Please be aware that the contents of memory can be irretrievably lost as a result of a malfunction, or the improper operation of the unit. To protect yourself against the risk of loosing important data, we recommend that you periodically save a backup copy of important data you have stored in the unit’s memory in another MIDI device (e.g., a sequencer).

552

• Unfortunately, it may be impossible to restore the contents of data that was stored in another MIDI device (e.g., a sequencer). once it has been lost. Roland Corporation assumes no liability concerning such loss of data.

553

• Use a reasonable amount of care when using the unit’s buttons, sliders, or other controls; and when using its jacks and connectors. Rough handling can lead to malfunctions.

554

• Never strike or apply strong pressure to the display.

556

• When connecting / disconnecting all cables, grasp the connector itself—never pull on the cable. This way you will avoid causing shorts, or damage to the cable’s internal elements.

558a

• To avoid disturbing your neighbors, try to keep the unit’s volume at reasonable levels. You may prefer to use headphones, so you do not need to be concerned about those around you (especially when it is late at night).

IMPORTANT NOTES

559a

• When you need to transport the unit, package it in the box (including padding) that it came in, if possible. Otherwise, you will need to use equivalent packaging materials.

561

• Use only the specified expression pedal (Roland EV-5, BOSS FV-500L/500H with a connection cable (stereo 1/4” phone – stereo 1/4” phone); sold separately). By connecting any other expression pedals, you risk causing malfunction and/or damage to the unit.

562

• Some connection cables contain resistors. Do not use cables that incorporate resistors for connecting to this unit. The use of such cables can cause the sound level to be extremely low, or impossible to hear. For information on cable specifications, contact the manufacturer of the cable.

563

• Unauthorized duplication, reproduction, hiring, and lending prohibited.

566a

• The usable range of D Beam controller will become extremely small when used under strong direct sunlight. Please be aware of this when using the D Beam controller outside.

566b

• The sensitivity of the D Beam controller will change depending on the amount of light in the vicinity of the unit. If it does not function as you expect, adjust the sensitivity as appropriate for the brightness of your location.

801

• Avoid touching or scratching the shiny underside (encoded surface) of the disc. Damaged or dirty CD-ROM discs may not be read properly. Keep your discs clean using a commercially available CD cleaner.

962a + 962b

• In the interest of product improvement, the specifications, appearance of this unit and/or contents of this package are subject to change without prior notice.

986

• While under most conditions, a computer similar to the above will permit normal operation of the VG-99, Roland cannot guarantee compatibility solely on these factors. This is due to numerous variables that may influence the processing environment, such as differences in motherboard design and the particular combination of other devices involved.

Printing Conventions and icons in This Manual

Text or numerals

enclosed in square

brackets [ ]

(p.**)

Indicate buttons.

[WRITE]

Indicates information that you

should be aware of when

using the VG-99.

Indicates supplementary

information about an

operation.

Indicates information about a

convenient operation.

Indicates a reference page.

WRITE button

IMPORTANT NOTES ...............................................................................4

Main Features........................................................................................11

Ultimate guitar modeling system provides unlimited possibilities in creating sounds.......11

Two complete sound creation systems ...................................................................................... 11

Equipped with D-Beam, ribbon, and other new realtime controllers................................... 11

Console style accommodates a variety of usage environments............................................. 11

Combine with the FC-300 to create the perfect live system.................................................... 11

Includes pitch/MIDI conversion function ................................................................................11

Features V-LINK function............................................................................................................ 11

Names of Things and What They Do...................................................12

Top Panel ................................................................................................................................................... 12

Rear Panel.................................................................................................................................................. 14

Chapter 1 Outputting Sounds..............................................................15

Installing the Divided Pickup................................................................................................................. 15

Before Connecting .................................................................................................................................... 15

Making the Connections.......................................................................................................................... 16

Turning On the Power ............................................................................................................................. 18

About the Play Screen .................................................................................................................. 19

About the Information in the Display (Basic Operation) ........................................................ 19

Adjusting the Volume ..................................................................................................................20

Setting the Device (Amp) Connected to MAIN OUT (Output Select) ..................................20

Inputting the Divided Pickup Settings (GK Settings) ......................................................................... 21

Tuning the Guitar (TUNER) ...................................................................................................................22

Switching Tones (Patch) .......................................................................................................................... 23

About the Patch Numbers ...........................................................................................................23

Switching with the PATCH/VALUE Dial ................................................................................ 24

Turning Off the Power............................................................................................................................. 24

Chapter 2 Creating Sounds..................................................................25

Setting the COSM GUITAR Tone........................................................................................................... 25

Setting the Alternate Tuning................................................................................................................... 26

Setting AB LINK............................................................................................................................ 26

Setting TUNING............................................................................................................................ 27

Setting BEND................................................................................................................................. 27

Setting 12-STRING........................................................................................................................ 28

Setting USER TUNING ................................................................................................................29

Setting DETUNE ........................................................................................................................... 29

Setting HARMONY ......................................................................................................................30

Setting the COSM AMP Tone ................................................................................................................. 30

Setting the Effects .....................................................................................................................................31

POLY FX (Poly Effect) ..................................................................................................................31

FX (Effects) .....................................................................................................................................31

Rearranging the Effect and Amp Connection Sequence (CHAIN)................................................... 32

Specifying the tempo and key of the song to be played ..................................................................... 32

Setting the Tempo .........................................................................................................................32

Setting the Key............................................................................................................................... 33

Mixing the Normal Pickup Sound ......................................................................................................... 33

Setting the Volume Balance ......................................................................................................... 33

Setting the Point at Which the COSM Guitar is Connected.................................................... 34

Mixing Two Tones (MIXER) ................................................................................................................... 35

Setting the Volume and Panning for Each Channel................................................................. 35

Setting the Mix Balance ................................................................................................................ 35

Setting the Delay and Reverb (DELAY/REVERB)................................................................... 35

Using Picking Dynamics to Control the Mix Between the Two Channels (DYNAMIC)......36

Contents

Setting the Overall Patch Volume Level (PATCH LEVEL) .................................................... 36

Adjusting the Overall Patch Tone (TOTAL EQ)....................................................................... 36

Setting the Output Signal and Level (OUTPUT)...................................................................... 37

Naming a Patch (PATCH NAME) ......................................................................................................... 37

Saving a Patch (WRITE) .......................................................................................................................... 38

Chapter 3 Creating Your Own Effect Types (CUSTOMIZE)...............39

Customizing the Preamp......................................................................................................................... 39

Customizing the Speaker ........................................................................................................................ 40

Customizing the Overdrive/Distortion................................................................................................ 40

Customizing Pedal Wah.......................................................................................................................... 41

Chapter 4 Global Device Settings (SYSTEM) .....................................42

Inputting the Divided Pickup Settings.................................................................................................. 42

Selecting the Settings .................................................................................................................... 42

Naming GK Settings (GK NAME).............................................................................................. 42

Selecting the Divided Pickup Type ............................................................................................43

Inputting the Guitar’s Scale......................................................................................................... 43

Matching the Divided Pickup and Normal Pickup Phase...................................................... 43

Setting the Direction for the Installed Divided Pickup ...........................................................43

Setting the DOWN/S1, UP/S2 Switch Arrangement.............................................................. 44

Setting the Gap Between the Pickup and the Bridge (PICKUP ´ BRIDGE) .......................... 44

Adjusting the Sensitivity for Each String .................................................................................. 45

Setting Whether or Not the Deviced Pickup Is Used (GK CONNCT) .................................. 45

Using Different Guitar Settings in Each Patch (SET MODE).................................................. 46

Determining the Function of the GK Volume Control and DOWN/S1, UP/S2 Switches

(GK FUNC) .................................................................................................................................... 46

Adjusting Overall Tone According to the Environment (GLOBAL/OUTPUT SELECT) ............. 46

Selecting the Settings .................................................................................................................... 46

Naming the Settings (GLOBAL NAME).................................................................................... 47

Setting the Types of Connected Devices (OUTPUT SELECT)................................................ 47

Adjusting the Overall Tone (GLOBAL EQ) .............................................................................. 48

Controlling the Overall Effect of the Noise Suppressor (Total NS)....................................... 48

Controlling the Overall Reverb Level (Total REVERB)........................................................... 49

Setting the Sounds Output from SUB OUT (SUB OUT LEVEL)............................................ 49

Setting the GK VOLUME Control and Switch and the Pedal Function

(SYSTEM CONTROL ASSIGN).............................................................................................................. 49

Having Values from an External Pedal, GK VOLUME Control,

or Other Controller Carried Over When Patches are Called Up (ASSIGN HOLD) ....................... 50

Limiting the Patches That Can Be Switched (PATCH EXTENT) ...................................................... 50

Adjusting the Screen’s Contrast ............................................................................................................. 51

Setting the Output Signal and Level (SYSTEM OUTPUT)................................................................. 51

Chapter 5 Using the VG-99 in Combination with an FC-300 .............52

Connecting with the RRC2 IN Connector............................................................................................. 52

Settings Related to the FC-300 ................................................................................................................ 52

Settings for Control of the FC-300 ..............................................................................................52

Setting the Operation When Patches Are Switched................................................................. 53

Activating the VG-99’s Tuner from the FC-300 (QUICK TUNER) ................................................... 53

Setting the FC-300 Amp Control ............................................................................................................ 54

Chapter 6 Using MIDI............................................................................55

About MIDI ............................................................................................................................................... 55

What You Can Do Using MIDI ................................................................................................... 55

Main Types of MIDI Messages Handled by the VG-99........................................................... 56

About the MIDI Implementation................................................................................................ 57

Exchanging MIDI Messages ........................................................................................................57

Contents

About MIDI Channels .................................................................................................................. 57

Bank Select and Program Change............................................................................................... 58

Setting the MIDI-Related Functions ......................................................................................................58

Syncing to the MIDI CLOCK from an External Device ...................................................................... 64

Playing an External Synthesizer Sound Module (GUITAR TO MIDI)............................................. 64

Setting the GUITAR TO MIDI Function (System Parameters)............................................... 64

Setting the GUITAR TO MIDI Function (Patch Parameters).................................................. 67

Chapter 7 Using the VG-99 Connected to a Computer Via USB.......71

Before Using the USB Connection.......................................................................................................... 71

Switching the Driver Mode ......................................................................................................... 72

Setting the USB Functions....................................................................................................................... 73

Setting the Digital Audio Signal Input and Output................................................................. 73

Setting the Direct Monitor ...........................................................................................................74

Recording the VG-99’s Output with a Computer................................................................................ 75

Using the VG-99 to Add Effects to Audio Playback from a Computer............................................ 75

Chapter 8 Other Functions...................................................................76

Changing the Tone in Real Time with the D Beam and Ribbon Controllers................................... 76

Adjusting the D Beam (CALIBRATION)................................................................................... 76

Disabling the D Beam (DISABLE) .............................................................................................. 77

Controlling Sounds by Hand Motion or the Guitar Neck (D Beam Controller).................. 77

Adjusting the Ribbon Controller (CALIBRATION)................................................................. 78

Controlling the Sounds with the Movement of Your Fingertip (Ribbon Controller) ......... 79

Holding Sounds for Extended Periods (FREEZE).................................................................... 79

Changing the Pitch as with a Tremolo Arm (T-ARM)............................................................. 80

Adding Nuance to the Sound (FILTER) .................................................................................... 81

Changing the Sounds with the Knobs as You Play (DIRECT EDIT) ................................................ 82

Using the Switches, Pedals, and MIDI to Control the Sounds (CONTROL ASSIGN)................... 82

One Touch Call Up of Favorite Patches (DIRECT PATCH)............................................................... 86

Setting DIRECT PATCH ..............................................................................................................86

Managing the Patches.............................................................................................................................. 87

Copying the Current Patch to a Different Patch (PATCH COPY)......................................... 87

Exchanging the Current Patch with a Different Patch (PATCH EXCHANGE) .................. 87

Initializing User Patches (PATCH INITIALIZE)...................................................................... 88

Copying Settings Between Channel A and Channel B (A/B COPY) ....................................88

Exchanging the Channel A and Channel B Settings (A/B EXCHANGE) ............................ 88

Partially Copying Parameters in a Different Patch (MODULE COPY) ................................89

Partially Initializing Patch Parameters (MODULE INITIALIZE).......................................... 89

Separating Patches into Groups (CATEGORY) ................................................................................... 90

Using CATEGORY to Call Up Patches ...................................................................................... 90

Setting Patch Categories............................................................................................................... 90

Naming User Categories (CATEGORY NAME) ...................................................................... 91

Storing Your Preferred Settings Individually (FAVORITE SETTINGS) .......................................... 91

What are Favorite Settings? ......................................................................................................... 91

Calling Up Favorite Settings........................................................................................................ 92

Changing Tone Settings ...............................................................................................................92

Saving Changed Tones................................................................................................................. 93

Naming Favorite Settings (FAVORITE NAME)....................................................................... 94

Searching for Patches That Use the Same Favorite Settings ................................................... 94

Activating the Virtual Expression Pedal at the Start of Operations (Internal Pedal System) ....... 95

Internal Pedal................................................................................................................................. 95

Wave Pedal .................................................................................................................................... 95

Controlling Video Images with Your Guitar (V-LINK)...................................................................... 96

What is V-LINK? ........................................................................................................................... 96

Connecting the V-LINK Device ..................................................................................................96

Switching V-LINK On and Off.................................................................................................... 96

Contents

Setting V-LINK .............................................................................................................................. 97

Using the VG-99 on a Stand.................................................................................................................... 98

Using the VG-99 Mounted in a Rack ..................................................................................................... 99

Restoring the VG-99 to its Original Factory Condition (FACTORY RESET)................................. 100

Chapter 9 Parameters Guide..............................................................101

COSM GUITAR ......................................................................................................................................101

Modeling Type List..................................................................................................................... 101

ALTERNATE TUNING.............................................................................................................. 116

POLY FX (Poly Effect)............................................................................................................................ 118

FX (Effects)............................................................................................................................................... 120

Using the HOLD (Hold Delay) .................................................................................................125

PHASER........................................................................................................................................ 127

FLANGER ....................................................................................................................................128

TREML (Tremolo) ....................................................................................................................... 128

PAN............................................................................................................................................... 128

T.WAH (Touch Wah).................................................................................................................. 129

AUTO WAH ................................................................................................................................129

OCTAVE....................................................................................................................................... 129

PITCH SHIFT (Pitch Shifter) ..................................................................................................... 130

HARMONIST ..............................................................................................................................130

Creating Harmonist Scales (User Scale)................................................................................... 131

PEDAL BEND.............................................................................................................................. 132

2x2 CHORUS ...............................................................................................................................132

ROTARY....................................................................................................................................... 133

UNI-V............................................................................................................................................ 133

VIB (Vibrato)................................................................................................................................ 133

SLICER.......................................................................................................................................... 134

HUMANIZER.............................................................................................................................. 134

SLOW GEAR................................................................................................................................ 135

DEFRET ........................................................................................................................................135

FEEDBACKER............................................................................................................................. 135

RING MOD (Ring Modulator) .................................................................................................. 136

ANTI FB (Anti-feedback)........................................................................................................... 136

ADV.COMP (Advanced Compressor)..................................................................................... 136

LIMITR (Limiter)......................................................................................................................... 137

SUB EQ (Sub Equalizer) ............................................................................................................. 137

SUB DELAY (Sub Delay) ........................................................................................................... 138

COSM AMP............................................................................................................................................. 140

MIXER ...................................................................................................................................................... 146

MIXER A, B (MIXER CHANNEL A, B) ................................................................................... 146

PATCH LEVEL............................................................................................................................ 146

TOTAL EQ ................................................................................................................................... 146

OUTPUT....................................................................................................................................... 147

DELAY.......................................................................................................................................... 148

MASTER .................................................................................................................................................. 150

GK VOL (GK Volume) ............................................................................................................... 150

GK S1, S2 (DOWN/S1, UP/S2 Switch).................................................................................... 150

PANEL CTL1/CTL2 (Control Button 1/2) .............................................................................151

D BEAM........................................................................................................................................ 151

RIBBON ........................................................................................................................................153

EXP PEDAL (Expression Pedal)................................................................................................ 154

CTL3, CTL4 (Control3, Control4) .............................................................................................154

FC-300 CONTROL ...................................................................................................................... 155

ASSIGN 1–16................................................................................................................................ 155

DIRECT EDIT F1–F6................................................................................................................... 156

GUITAR TO MIDI .................................................................................................................................. 164

Contents

SYSTEM ................................................................................................................................................... 166

Parameters That Can Be Assigned to Separate Controllers.................................................. 168

V-LINK PATCH .......................................................................................................................... 174

V-LINK SYSTEM......................................................................................................................... 176

GLOBAL ..................................................................................................................................................177

TUNER..................................................................................................................................................... 178

Chapter 10 Appendices ......................................................................179

MIDI Implementation Chart................................................................................................................. 179

Signal Flow .............................................................................................................................................. 183

Specifications........................................................................................................................................... 184

VG-99: V-Guitar System............................................................................................................. 184

VG-99 Software System Requirements ............................................................................................... 185

For Windows ............................................................................................................................... 185

For Mac OS................................................................................................................................... 185

Error Messages........................................................................................................................................ 186

Troubleshooting...................................................................................................................................... 186

Problems with Sounds................................................................................................................ 186

Other Problems............................................................................................................................ 188

Index.....................................................................................................189

Main Features

Ultimate guitar modeling system provides unlimited possibilities in creating sounds

The VG-99 is the culmination of Roland’s COSM technology based

guitar modeling systems. Featuring advanced software supported by

the very latest custom DSP chips, the instrument also offers a large-

sized high-contrast LCD, top-quality AD/DA converters, balanced

XLR output connectors, digital output connectors, USB connector,

and other features that all add up to a truly pro-spec system.

About COSM (Composite Object Sound Modeling)

Composite Object Sound Modeling—or “COSM” for short—is

BOSS/Roland’s innovative and powerful technology that’s

used to digitally recreate the sound of classic musical

instruments and effects. COSM analyzes the many factors that

make up the original sound—including its electrical and

physical characteristics—and creates a digital model that

accurately reproduces the original.

Two complete sound creation systems

Combine with the FC-300 to create the perfect live system

Connecting a Roland FC-300 MIDI Foot Controller (optional) to the

VG-99 allows you to switch tones and carry out other tasks using the

FC-300’s multiple foot pedals for easy hands-free operation. These

units also feature an RRC2 connector, allowing you to connect the

VG-99 and FC-300 with a single cable. This RRC2 function enables

two-way communications between the devices, while further acting

as a power supply to the FC-300, thus reducing the number of cables

used to connect the devices.

Includes pitch/MIDI conversion function

The VG-99 can convert and output guitar performance data as MIDI

information, allowing you to connect a synthesizer sound module or

similar device and use the setup as a guitar synthesizer.

Features V-LINK function

This function enables you to use performance data and pedal

operations in controlling video.

The VG-99 features two separate guitar and COSM amp systems.

You can use two different types of modeled guitars simultaneously

and create different amp sounds to use with each guitar. What’s

more, the VG-99 comes equipped with two effects systems featuring

a huge selection of BOSS effects, including COSM effects. This all

enables you to achieve the perfect processing for each individual

guitar.

Equipped with D-Beam, ribbon, and other new realtime controllers

The VG-99 now enables new and heretofore unimaginable forms of

musical expression, including new ways of using the guitar’s neck

and your hands. Of course, you can still connect expression pedals

and control switches as well, just as with previous V-Guitar systems.

Console style accommodates a variety of usage environments

The VG-99 can be set up in a number of different ways to suit the

needs of the user—as a desktop unit for recording or when using

computer input, attached to its stand (optional) and set up right by

the performer, or placed in a rack with the (optional) rack mount

adaptor.

V-LINK

V-LINK is a function that allows music and images to be

performed together. By using MIDI to connect two or more V-

LINK compatible devices, you can easily enjoy a wide range of

visual effects that are linked to the expressive elements of a

music performance.

Names of Things and What They Do

8 9

10 11 12

13 14

20 21 22

23 24

1 2

Top Panel

fig.00-020

D BEAM

Switches the D Beam on and off. You can add a variety of

effects to your sounds by moving your hand or the guitar neck

within the range of the beam. (p. 76)

• PITCH Button

In addition to changing the pitch of the guitar, this can be

used for the Freeze function, which continuously holds

the guitar’s tone.

• FILTER Button

This changes the guitar’s tone.

• ASSIGNABLE Button

Use this to assign different parameters and functions to

the D-Beam and change the tone in real time.

LCD

Various information regarding the VG-99 is indicated here.

PATCH/VALUE Dial

Used to switch patches and change settings values.

CATEGORY Button

Used to select and change categories.

FUNCTION Knob

Changes the value of the setting for the parameter indicated in

the LCD.

FUNCTION Buttons

Used to select the parameters indicated in the LCD.

ALTERNATE TUNING Button

Sets the Alternate Tuning function. (p. 26)

MODELING TYPE Buttons

These set the COSM guitar type and tone. (p. 25)

POLY FX (Poly Effects) Buttons

These set the poly effects. (p. 31)

10.

FX (Effects) Buttons

These set the effects. (p. 31)

11.

COSM AMP Buttons

Used to make settings for the COSM amp. (p. 30)

12.

MIXER Buttons

Used to make settings for the mixer. (p. 35)

13.

DELAY/REVERB Button

Used to make settings for the mixer section’s delay and

reverb. (p. 35)

14.

DYNAMIC Button

Used for setting the dynamics. (p. 36)

15.

BALANCE Knob

Sets the mix balance. (p. 35)

16.

CHAIN Button

Used to make settings for the effect and COSM guitar/COSM

amp connection sequence. (p. 34)

17.

CONTROL ASSIGN Button

This sets the functions assigned to pedals and switches. (p. 82)

18.

NAME/KEY/BPM Button

Used to specify patch names and the tempo and key for songs

to be played. (p. 32)

19.

PATCH LEVEL Knob

Adjusts the volume of a patch.

20.

V-LINK Button

This switches the V-LINK function on and off. (p. 96)

21.

DIRECT PATCH Buttons

Use these to directly call up the patches you have assigned to

them. (p. 86)

Names of Things and What They Do

30.

RIBBON CONTROLLER

This allows you to change the tone by sliding your finger

along the ribbon. (p. 77)

You can switch a variety of effects on and off directly with the

three buttons.

• PITCH Button

Changes the guitar’s pitch.

• FILTER Button

Alters the brightness of the sound.

• ASSIGNABLE Button

Use this to assign different parameters and functions to

the ribbon controller and change the tone in real time. (p.

82)

31.

GK IN Connector

Connect the GK cable here.

32.

POWER Switch

Switches the power on and off. (p. 18) (p. 24)

33.

OUTPUT LEVEL Knob

This adjusts the volume level for the MAIN OUT jacks and

headphone jack.

22.

CONTROL Buttons

You can assign and control a variety of different functions

with these buttons. (p. 82)

23.

EXIT Button

Used to return previous screens and to undo operations.

24.

WRITE Button

Use for storing settings in patches and executing operations.

(p. 38) (p. 87)

25.

PAGE Buttons

This switches the screens displayed in the LCD.

26.

GUITAR TO MIDI Button

This sets the GUITAR TO MIDI function (the function that

converts what is played on the guitar into MIDI signals). (p.

64)

27.

SYSTEM Button

Used for making settings related to the VG-99’s operating

environment. (p. 42)

28.

GLOBAL Button

This sets the GLOBAL function (which affects the tone of all

patches). (p. 46)

29.

TUNER Button

This turns the tuning function on. (p. 22)

Names of Things and What They Do

Rear Panel

fig.00-030

7 8 9

10 11 12 13

Security Slot ( )

988

Connect a commercially available anti-theft security cable

here.

http://www.kensington.com/

GUITAR INPUT Jack

Use this jack when directly inputting a normal guitar.

GUITAR OUTPUT Jack

This outputs sounds from normal guitars connected to a GK-3

and unaltered signals from the GUITAR INPUT jack.

SUB OUT Connectors L, R

These balanced output jacks use XLR type connectors.

* The SUB OUT L and R connectors are unaffected by the OUTPUT

LEVEL knob settings; output is constant at a fixed output level (+4

dBu).

GND LIFT Switch

You can disconnect the SUB OUT connectors’ No. 1 pin from

the VG-99’s ground.

Switch this to LIFT if a ground loop or similar problem is

causing output of hum or noise. Normally, this is set to GND.

MAIN OUT Jacks L/MONO, R

These are unbalanced phone jack outputs. Use these to

connect to amps, mixers, and similar equipment.

PHONES Jack

Connect headphones here.

10.

CTL3,4 (CONTROL 3,4) Jack

An optional footswitch (such as an FS-6) can be connected

here. (p. 16)

* The patch up/down function is assigned to this jack at the factory.

11.

USB Connector

Use a USB cable to connect a computer to this connector and

enable exchange of data between the VG-99 and the computer.

(p. 71)

12.

RRC2 IN Connector

Accepts connection of an FC-300 (optional).

This connector supplies power to the FC-300 and provides for

two-way communications with it. (p. 52)

* The RRC2 IN connector is for use exclusively with the FC-300. It

cannot be used with other devices.

13.

MIDI OUT, IN Connector

Connect an external MIDI device here to transmit and receive

MIDI messages to and from the device. (p. 58)

14.

DC IN (AC Adaptor) Jack

Connect the included AC adaptor here.

To prevent damaging the VG-99, please be sure not to use any

AC adaptor other than the one included with the VG-99.

15.

Cord Hook

Fasten the AC adaptor cord using this hook to prevent the

cord from being disconnected accidentally. (p. 17)

* Disconnecting the AC adaptor while the VG-99 is in use may result

in corruption of important data.

DIGITAL OUT Connector

Digital audio signals are output here. (p. 37) (p. 147)

EXP PEDAL (EXPRESSION PEDAL) Jack

Connect an optional expression pedal (such as a Roland EV-5)

here. (p. 16)

* The VG-99 is set at the factory so that the pedal is automatically

enabled to function as a foot volume.

Chapter 1 Outputting Sounds

Chapter 1

Installing the Divided Pickup

First install the GK-3 divided pickup (optional) on the guitar to be

used. For installation instructions, refer to the GK-3 Owner’s

Manual.

The GK-3 cannot be used with the following guitars (the

pickup will not function properly even when installed).

• 12-string guitars, pedal steel guitars, and guitars with other than six strings

• Nylon-stringed or gut-stringed guitars and guitars using any non-steel strings

• Bass guitars

• Other guitars whose construction does not provide adequate space to properly attach the GK-3

About the GK-3’s GK Volume Control

With the VG-99, you can assign various different functions to the

GK-3’s GK volume control. p. 82

You may not be able to control the VG-99’s volume level with the GK

volume control another parameter is assigned to the GK volume

control.

About the GK-3’s Select Switches

As the VG-99 allows you to set the balance between the COSM guitar

and the normal guitar volume in each individual patch, we

recommend that MIX be the basic function used for the select switch.

Also note that if a parameter other than volume is assigned as the

GK volume control function, the GK-3’s select switch will stop

functioning normally.

Before Connecting

To perform with the VG-99, first set up the following devices.

• A guitar on which the GK-3 has been installed or equipped with internal GK function

• Guitar amp/speaker or headphones

Performing can be made even more convenient using the following

devices:

• MIDI foot controller (Roland FC-300; optional)

• Expression pedal (Roland EV-5 or BOSS FV-500L/500H with a connection cable (stereo 1/4” phone – stereo 1/4” phone); optional)

• Pedal switch (BOSS FS-5U or FS-6; optional)

Chapter 1 Outputting Sounds

Guitar Amp

(for Normal Guitar)

Stereo

Headphones

Normal Guitar

Digital Recorder etc.

MIDI Foot Controller

FC-300

Mixer etc.

Footswitch

(BOSS FS-6 etc.)

EXP Pedal (EV-5 etc.)

Computer

RRC2 cable

MIDI Sequencer etc.

MIDI IN MIDI OUT

AC Adaptor PSB-1U

V-LINK

Compatible Device

(EDIROL MD-P1 etc.)

Computer

MIDI IN

Synthesizer (external sound module) etc.

Making the Connections

Top Panel

GK cable

Guitar with GK-3 / GK-2A /

other GK-Compatible guitar

Rear Panel

Chapter 1 Outputting Sounds

Cord Hook

The cord of

the supplied AC Adaptor

To the Power Outlet

Chapter 1

921

• To prevent malfunction and/or damage to speakers or other devices, always turn down the volume, and turn off the power on all devices before making any connections.

922

• This instrument is equipped with balanced type jacks (TRS=CTL3,4; XLR=SUB OUT). Wiring diagrams for these jacks are shown below. Make connections after first checking the wiring diagrams of other equipment you intend to connect.

fig.XLR/TRSJack.eps

=CTL3 =CTL4

924

• To prevent the inadvertent disruption of power to your unit (should the plug be pulled out accidentally), and to avoid applying undue stress to the AC adaptor jack, anchor the power cord using the cord hook, as shown in the illustration.

fig.CordHook.e.eps

925

* Use only the specified expression pedal (Roland EV-5,

BOSS FS-500L/500H with a connection cable (stereo 1/4” phone – stereo 1/4” phone); sold separately). By connecting any other expression pedals, you risk causing malfunction and/or damage to the unit.

927

* Depending on the circumstances of a particular

setup, you may experience a discomforting sensation, or perceive that the surface feels gritty to the touch when you touch this device, microphones connected to it, or the metal portions of other objects, such as guitars. This is due to an infinitesimal electrical charge, which is absolutely harmless. However, if you are concerned about this, connect the ground terminal (see figure) with an external ground. When the unit is grounded, a slight hum may occur, depending on the particulars of your installation. If you are unsure of the connection method, contact the nearest Roland Service Center, or an authorized Roland distributor, as listed on the “Information” page.

926a

• When connection cables with resistors are used, the volume level of equipment connected to the GUITAR INPUT may be low. If this happens, use connection cables that do not contain resistors.

* Never connect anything other than the FC-300’s RRC2 OUT

connector to the VG-99’s RRC2 IN connector. Connecting to a LAN

or other devices that use modular jacks of the same size and shape

(RJ45) may result in damage to the VG-99 and/or the connected

device.

* If using a commercially available ethernet cable as the RRC2

connecting cable, be sure that the cable meets the following

specifications:

• Category 5 (Cat5) or above

• Maximum length of 15 meters

• Cable designed for straight-through connections

* Crossover cables cannot be used.

* Do not subject the ethernet cable to stress or physical shock.

* Carefully connect the RRC2 cable all the way in–until it is firmly

connected to the RRC2 IN connector.

* When outputting in mono, connect a cable only to the MAIN OUT

L/MONO jack.

* You cannot use COSM GUITAR or POLY FX with signals input

via GUITAR IN. The GT-PRO’s internal FX, COSM AMP,

MIXER, and other settings can be used fully in two channels.

* When connecting an expression pedal to the EXP PEDAL jack, use

the pedal with the minimum level at the MIN position.

* When connecting an FS-6 footswitch (optional) to the CTL3/4 jack,

set the MODE switch and POLARITY switch as shown below.

fig.01-010

BOSS FS-6

* When connecting an FS-5U footswitch (optional) to the CTL3/4

jack, set the POLARITY switch as shown below.

fig.01-020

BOSS FS-5U

Unsuitable places for connection

• Water pipes (may result in shock or electrocution)

• Gas pipes (may result in fire or explosion)

• Telephone-line ground or lightning rod (may be dangerous in the event of lightning)

Chapter 1 Outputting Sounds

• When using the VG-99 with an expression pedal connected to the EXP PEDAL jack, make the settings described on p.

154.

• When using the VG-99 with a footswitch connected to the CTL3/4 jack, make the settings described on p. 154.

* You can connect two FS-5Us using the special Roland PCS-31

connection cable (optional).

* When an FS-6 is connected to the CTL3,4 jack with an optional

connection cable (stereo 1/4” phone – stereo 1/4” phone), pedal

switch B operates according to the CONTROL 3 settings, and pedal

switch A operates according to the CONTROL 4 settings.

fig.01-030

To CTL3,4 jack To CTL3,4 jack To CTL3,4 jack

PCS-31 cable

White Red White Red

BOSS FS-5U

(CTL3)

BOSS FS-5U (CTL4)

(CTL3) (CTL4)

(CTL4) (CTL3)

Turning On the Power

941

Once the connections have been completed p. 16, turn on power to

your various devices in the order specified. By turning on devices in

the wrong order, you risk causing malfunction and/or damage to

speakers and other devices.

942

• This unit is equipped with a protection circuit. A brief interval (a few seconds) after power up is required before the unit will operate normally.

943

• Always make sure to have the volume level turned down before switching on power. Even with the volume all the way down, you may still hear some sound when the power is switched on, but this is normal, and does not indicate a malfunction.

* Turning on devices in the wrong sequence may result in

malfunction and/or damage to speakers and other devices.

Switch on the POWER switch on the VG-99’s top panel.

The display changes as described below, and after several

seconds the VG-99 is ready for normal performance.

This screen is called the “Play screen.”

fig.01-060d

Unless special note is made otherwise, the operations

described in this manual are carried out with the Play screen

displayed.

* When the power to the VG-99 is turned on, the patch selected at the

time the power was last turned off is called up.

985

• The explanations in this manual include illustrations that depict what should typically be shown by the display. Note, however, that your unit may incorporate a newer, enhanced version of the system (e.g., includes newer sounds), so what you actually see in the display may not always match what appears in the manual.

Turn on the power to the guitar amp or mixer.

* Raise amp volume levels only after turning on the power to all the

devices.

Chapter 1 Outputting Sounds

Chapter 1

About the Play Screen

The VG-99 has a variety of Play screen variations, each providing

different information about the current state of the VG-99.

You can switch the information shown in the Play screen by pressing

PAGE [ ] [ ].

Screen 1:

The first nine characters of the patch name are displayed in large

type; also shown are icons for the guitars and amps in both channels.

fig.01-060d

Screen 2:

All sixteen characters of the patch name are displayed.

About the Information in the Display (Basic Operation)

Some screens may contain parameters spanning multiple pages. The

page number is indicated at the upper right of the screen.

Use PAGE [ ] [ ] to switch pages.

Use [F1]–[F6] or the F1–F6 knobs to change the values.

Pressing a FUNCTION button while SET** appears in

the lower part of the screen sets the corresponding

function to the indicated value of **.

Screen 3:

The effects used, as well as their connection sequence (CHAIN) in

both channels are indicated.

Screen 4:

The screen shows level meters for the GK IN strings 1–6, normal

pickup, MAIN OUT, and SUB OUT levels.

By assigning parameters to the F1–F6 knobs, as

described in

as You Play (DIRECT EDIT)”

to control values while in the Play screen. Additionally,

you can display a popup for the assigned parameters

and their values by pressing the [F1]–[F6] buttons.

“Changing the Sounds with the Knobs

(p. 82), you can use them

Chapter 1 Outputting Sounds

Adjusting the Volume

Turn the OUTPUT LEVEL knob to set the volume to a suitable level.

fig.01-070

* The output from the SUB OUT connector (XLR type) remains

constant, regardless of the OUTPUT LEVEL knob setting.

* You can adjust the volume level by assigning this function to the

expression pedal or GK-3 GK volume control. For details, see

“Using the Switches, Pedals, and MIDI to Control the

Sounds (CONTROL ASSIGN)”

(p. 82).

Setting the Device (Amp) Connected to MAIN OUT (Output Select)

Use this procedure to set the type of device connected to the MAIN

OUT jacks.

fig.01-071

Press [GLOBAL].

The Global screen is displayed.

fig.01-072d

Press PAGE [ ] to go to Page 1.

Press [F4] (SELECT) or turn the F4 knob to set the type of device to be connected to the MAIN OUT jacks.

Value

JC-120

SMALL AMP

COMBO AMP

STACK AMP

JC-120 Return

COMBO Return

STACK Return

LINE/PHONES

Explanation

Use this setting when connecting to Roland’s JC-120 guitar amp.

Use this setting when connecting to a small guitar amp.

Use this setting when connecting to the guitar input of a combo amp other than the JC-120 guitar amp (where the amp and speaker or speakers are combined in a single unit).

* Depending on your guitar amp, you may be

able to obtain good results with the JC-120 setting.

Use this setting when connecting to the guitar input of a stack-type guitar amp (where the amp and speaker or speakers are separated).

Use this setting when connecting to the RETURN of a JC-120.

Use this setting when connecting to the RETURN of a combo amp.

Use this setting when connecting to the RETURN of a stack amp or the input of a rack mounted power amp. Set to STACK Return also when using a guitar power amp and speaker cabinet combination.

Use this setting when using headphones or when connecting to a multi-track recorder for recording.

Press [EXIT] to return to the Play screen.

Inputting the Divided Pickup

5 6

7 9

10 11

Settings (GK Settings)

The VG-99’s sound characteristics vary greatly depending on how

the divided pickup is installed. To ensure consistent conditions for

optimal sound production, be sure to make the settings affecting the

divided pickup (the GK settings). With these settings appropriately

made, the VG-99 can then operate under optimal conditions.

* For information on parameters not described in this chapter, refer to

“GK SETTING”

When using more than one guitar with the VG-99, you

can save the settings for each guitar separately.

The GK settings are extremely important to getting

good tones from the VG-99. Be sure to input the

settings correctly.

fig.01-100

(p. 166).

Chapter 1 Outputting Sounds

Select the divided pickup type.

Use the F1 knob to set the type of divided pickup installed in

the guitar you are using.

fig.01-060d

Settings

GK-3

GK-2A Specifies the GK-2A.

PIEZO Specifies a piezo pickup.

* Piezo pickups are a type of pickup that are installed at the guitar’s

bridge and use piezoelectric elements to determine the string

vibrations.

Set the scale length.

Use the F3 knob to set the scale length (the distance from the

bridge to the nut) of the guitar you are using. Select the closest

value within the 620-660 mm range. 648 mm is corresponds to

the ST setting, 628 mm to the LP setting.

Explanation

Specifies the GK-3.

Chapter 1

fig.01-060d

Press [SYSTEM].

The System screen is displayed

Press PAGE [ ] to go to Page 1.

Press [F3] (GK).

The GK Settings screen is displayed.

Press PAGE [ ] [ ] to go to Page 2.

Press PAGE [ ] [ ] to go to Page 3.

Input the gap between the pickup and the bridge.

Set the clearance from the center of the divided pickup to the

bridge’s saddle.

* This setting is not required when piezo pickups are used.

Press PAGE [ ] [ ] to go to Page 4.

fig.01-060d

10.

Rotate the F1–F6 knobs to adjust the divided pickup sensitivity for each string.

First play the sixth string with the maximum force to be used

during actual performance, and as you play the string, set the

sensitivity with the F1 knob until the meter registers at a point

just before it crosses beyond the maximum level.

Set the sensitivity for the fifth through first strings in the same

manner.

Chapter 1 Outputting Sounds

* If the level meter registers in excess of the maximum level, it means

the level is set too high. Lower the sensitivity setting.

* Depending on the guitar you are using, the level meter may move to

the maximum level even when the sensitivity is set to the minimum

setting. If this occurs, adjust the clearance separating the divided

pickup and the strings so the distance is slightly greater than

specified.

11.

Check the volume balance of the six strings.

Play the sixth through first strings with the normal amount of

force; if any string sounds particularly loud, lower the

sensitivity setting for that string, and keep adjusting until the

differences in the strings’ volume levels are minimal.

12.

Press [EXIT] several times to return to the Play screen.

* Making these settings is necessary whenever you install the divided

pickup on a new or different guitar and when the divided pickup

height is changed. Once the settings are completed properly, they are

saved when the power is turned off. Afterwards, you need not make

the settings each time you play the instrument.

Tuning the Guitar (TUNER)

Tune the guitar using the VG-99’s tuner function.

* To get the best tone quality from the VG-99, make sure the tuning is

accurate.

fig.01-190

Press [TUNER].

The tuner function is switched on.

Set the following with the PAGE [ ] [ ] buttons.

For more information on other parameters in the GK

Settings, refer to

“GK SETTING”

(p. 166).

TUNER

MULTI MODE

SINGLE MODE

Press the function button ([F5] [F6])

Explanation

You can play and tune six strings simultaneously.

You can play one individual string to tune that string.

corresponding to the function you want to set, then rotate the knobs to select the value for the setting.

If you do not want to change these settings, proceed to Step 4.

• [F5] (PITCH: 435 Hz–445 Hz)

This sets the reference pitch.

* With the factory settings, this is set to 440 Hz.

* This reference pitch is referenced by effects controlled by the KEY

parameter.

What is the Reference Pitch?

This is the frequency at A4 (the note played with the A key at

the middle of the piano keyboard) played by the instrument

(e.g. piano) used as the reference for tuning for performances.

• [F6] (MUTE OFF, MUTE ON)

Patch Number

Patch Name

This setting determines whether sounds from the output

jacks are output or not while tuning is in progress.

Chapter 1 Outputting Sounds

Chapter 1

Switching Tones (Patch)

TUNER

MUTE OFF

MUTE ON

Play a single note, open, on the string being

Explanation

Sounds are output during tuning.

Sounds are not output during tuning.

* With the factory settings, this is set to

MUTE ON.

tuned.

Tune the string until the name of the string is shown in the display.

When you choose the MULTI MODE

fig.01-060d

When you choose the SINGLE MODE

fig.01-060d

What is a patch?

The VG-99 can store 400 configurations of tone-related

settings, including the COSM guitar, COSM amp, and

effects. Each one of these is called a patch.

Each time you switch a patch, you can instantly change to

a different tone.

About the Patch Numbers

Patch numbers (bank numbers) and patch names are indicated in the

Play screen as shown below.

fig.01-060d

Keep checking the screen, tuning until the center indicator lights up.

Repeat Steps 3-5 to tune all the strings.

* When tuning a guitar equipped with a tremolo arm, you may find

that when one string is in tune, other strings may not be. If this

occurs, first tune the string until its name is indicated in the display,

then continue to fine tune each string a number times until the

tuning is correct.

When you have finished tuning, press [TUNER] or [EXIT].

This completes the preparations for playing the instrument. Now try playing some sounds.

Patches are categorized into User patches and Preset patches.

User Patches

These include 200 preprogrammed patches. You can freely change

the tones and save the your changes.

Preset Patches

Included here are 200 preprogrammed patches. Although you can

make changes to these tones, you cannot save these changes in a

Preset Patch. If you want to save a changed tone, save it as a User

patch.

Chapter 1 Outputting Sounds

The message “NOW SHUTDOWN...” appears when

the power is switched off. The VG-99’s current

settings are saved to memory at this time. Do not

disconnect the AC adaptor until this message is no

longer displayed.

Switching with the PATCH/ VALUE Dial

You can switch patches consecutively with the PATCH/VALUE

Dial.

Confirm that the Play screen is displayed.

If a screen other than the Play screen is shown, press [EXIT]

several times until the Play screen appears.

Rotate the PATCH/VALUE dial to switch the patches.

fig.01-190

Turn the dial to the right (clockwise) to switch to the next

patch number, or to the left (counterclockwise) to switch to the

previous patch number.

Turning Off the Power

Confirm the following before turning off the power.

• Are the volume levels for the VG-99 and connected amp and other devices turned down completely?

Turn off the power to the guitar amp (power amp).

Press [POWER] to turn off the VG-99’s power.

fig.01-190

Chapter 2 Creating Sounds

First, let’s take a look at how the VG-99 is organized internally.

Setting the COSM GUITAR Tone

●

COSM Guitars

You can use COSM modeling to create the tones of a variety of

different guitars. Available sounds include not just electric and

acoustic guitar tones, but extend beyond to include the sounds of

synthesizers and other instruments and even non-existent,

imaginary guitars. Since the created sounds are based on the signals

sent by the GK-3 for each individual string, the system allows you to

play these sounds while still retaining all the flavor created by the

unique playing techniques and picking nuances that the guitar

offers.

The VG-99 allows you to make settings for two different COSM

guitar types at the same time, enabling you to instantly switch what

amounts to two actual guitars and create sounds in which two

guitars seem to be playing at the same time.

You can use the Alternate Tuning function to change the pitch of each COSM guitar string individually.

●

Poly Effects

These are original VG effects that can be applied independently to

each string. You can choose which of the two COSM guitars the

effects are applied to.

Press [MODELING TYPE].

Press PAGE [ ] several times to display Page

Use [F1] (ON/OFF) or the F1 knob to switch the COSM GUITAR ON/OFF setting.

Use [F2] (SELECT) or the F2 knob to select the Modeling type.

Use [F3] (SELECT) or the F3 knob to select the COSM GUITAR type.

Press PAGE [ ].

Chapter 2

●

COSM Amps

Since this technology models the guitar amp circuitry and speaker

characteristics, the modeled amps simulate exactly the behavior of

the actual amps, even in the way distortion is added and the way the

tone controls work.

You can configure preamps and speaker cabinets as you like—you

can even model the amp’s studio miking. The VG-99 produces two

independent COSM amp systems at the same time, which allows

you to process each of the two COSM guitars through a different

amp.

●

Effects

The VG-99 is equipped with two BOSS GT-PRO class multi-effects

systems. You can apply effects separately to each of the two COSM

guitars.

●

Mixer

In addition to having full freedom in mixing the sounds from the

two COSM guitars, you can also output the two guitars separately to

MAIN OUT and SUB OUT. The Dynamifunction further allows you

to use the force of your picking attack to switch between the two

guitar sounds or for many other functions. Furthermore, the mixer

section also includes delay/reverb and an equalizer, enabling you to

adjust the overall tone of the patches.

* Each press of PAGE [ ] takes you to the next screen in which

parameter settings are made.

Adjust the desired parameter with [F1]–[F6] or the F1–F6 knobs.

Adjust the parameters until you achieve the sound you want.

For detailed information about each of the parameters,

refer to

“COSM GUITAR”

(p. 101).

If you want to save the edited settings, perform the Write procedure (p. 38).

* If you do not want to save, press [EXIT] to return to the Play screen.

Chapter 2 Creating Sounds

Setting the Alternate Tuning

About Alternate Tuning

Maybe insert a sentence in the beginning of this:

The Alternate Tuning feature allows you to change the tuning of a

COSM guitar without changing the actual pitch of the guitar’s

strings. To accomplish this, the VG-99 analyzes the pitch of the

signals transmitted by the divided pickup for each individual string

while keeping best possible sound quality.

Alternate Tuning includes the following five functions.

TUNING

Use this to convert the tuning to open tunings such as OPEN-D and

OPEN-G, raise or lower all of the strings an octave, and achieve

various other tunings.

BEND

You can use a pedal to have pitches change from the current tuning

to the set tuning in a continuous transition, just as with a string

bender or pedal steel guitar.

12-STRING

This changes the sound of a regular six-string guitar to that of a

twelve-string guitar.

This function also gives you the freedom to set the pitch and volume

of each secondary string independently, enabling you to create 12-

string guitar models with entirely original tunings.

Setting AB LINK

Setting AB LINK to ON allows you to use the same TUNING and

BEND settings for COSM GUITAR [A] and COSM GUITAR [B].

When this is set to OFF, you can use different settings for COSM

GUITAR [A] and COSM GUITAR [B].

Press [ALTERNATE TUNING].

Press PAGE [ ] to display Page 1.

fig.01-060d

Switch AB LINK on or off with [F1] (OFF/ON) or the F1 knob.

For detailed information on all the parameters, refer to

“ALTERNATE TUNING”

(p. 116).

DETUNE

This allows you to set a subtle shift in the pitch of each individual

string.

HARMONY

This analyzes the pitch of each string, then converts the pitches into

harmonies matched to the key.

These functions can be set for each of the two COSM guitars A and B

individually, meaning you can now play six-string and twelve-string

guitars simultaneously, produce twin twin leads by creating

harmonies on your own, achieve fat unison sounds, and come up

with sounds never before possible, all with a single VG-99.

Additionally, the VG-99 includes an AB LINK function, which

allows you to set the TUNING and BEND for the two COSM guitars

(A and B) simultaneously for even quicker settings.

The pitches output with GUITAR TO MIDI (the MIDI Note messages) change according to the Channel A Alternate Tuning settings (TUNING, BEND, HARMO).

* The Channel B Alternate Tuning settings have no bearing on these

output pitches.

* If the pitch output with GUITAR TO MIDI (the MIDI Note

messages) is excessively low (or high) due to the influence of the

Channel A Alternate Tuning settings, the pitch is then

automatically set one octave higher (or lower).

Chapter 2 Creating Sounds

You can set original user tunings when USER is

selected for TYPE. (p. 29)

• Press [F3] (USER).

• Set the desired parameter with [F1]–[F6] or with the F1–F6 knobs.

• Press [EXIT].

Setting TUNING

Press [ALTERNATE TUNING].

Press PAGE [ ] to display Page 1.

fig.01-060d

Select A or B with [F2] (A/B) or the F2 knob.

* You cannot select this when AB LINK is on.

Switch the function on or off with the F3 knob.

Select the tuning TYPE with [F4] (TYPE) or the F4 knob.

Setting BEND

Press [ALTERNATE TUNING].

Press PAGE [ ] to display Page 1.

fig.01-060d

Select A or B with [F2] (A/B) or the F2 knob.

* You cannot select this when AB LINK is on.

Switch the function on or off with the F5 knob.

Press [F5] (EDIT).

fig.01-060d

Chapter 2

If you want to save the edited settings, perform the Write procedure (p. 38).

* If you do not want to save, press [EXIT] to return to the Play screen.

For detailed information on all the parameters, refer to

“ALTERNATE TUNING”

(p. 116).

Set the pitches you want the strings to bend to with the F1–F6 knobs.

Press PAGE [ ] to display Page 2.

fig.01-060d

Confirm the change in pitch with the F1 knob.

With Control Assign, set BEND as the target parameter for the pedal being used to control the pitch.

For detailed information on Control Assign, refer to

“Using the Switches, Pedals, and MIDI to Control the

Sounds (CONTROL ASSIGN)”

(p. 82).

Chapter 2 Creating Sounds

Example of BEND Parameter Settings

By making the parameter settings shown below, you can

achieve a string bender-like effect which smoothly raises the

pitch of the second string a whole step.

Values Set for the Alternate Tuning Parameter

[ALT TUNING]

AB LINK = ON

BEND SW = ON

BEND TUNING 1st = E 0

BEND TUNING 2nd = D +2

BEND TUNING 3rd = G 0

BEND TUNING 4th = D 0

BEND TUNING 5th = A 0

BEND TUNING 6th = E 0

Values Set for the Control Assign Parameter

[CONTROL ASSIGN]

SOURCE = FC-300 EXP 1 or RIBBON POS

(Set the RIBBON CONTROLLER’s ASSIGNABLE

setting to ON.)

SW = ON

TARGET PARAMETER = ALT TUNE/[A]BEND/BEND

Setting 12-STRING

Press [ALTERNATE TUNING].

Press PAGE [ ] to go to Page 2.

fig.01-060d

Switch the function on or off with the F1 or F4 knob.

* You can make separate 12 STRING settings for COSM GUITAR

[A] and COSM GUITAR [B].

If making detailed parameter settings for 12 STRINGS, press [F1] (12STR) or [F4] (12STR).

Press PAGE [ ] [ ] to display the parameter you want to set.

fig.01-060d

10.

If you want to save the edited settings, perform the Write procedure (p. 38).

* If you do not want to save, press [EXIT] to return to the Play screen.

* Although parameter assignments set with Control Assign are saved

with the Write procedure, the BEND parameter values in Step 8 are

not saved.

For detailed information on all the parameters, refer to

“ALTERNATE TUNING”

(p. 116).

Set the desired parameter with [F1]–[F6] or with the F1–F6 knobs.

If you want to save the edited settings, perform the Write procedure (p. 38).

* If you do not want to save, press [EXIT] to return to the Play screen.

For detailed information on all the parameters, refer to

“ALTERNATE TUNING”

(p. 116).

Chapter 2 Creating Sounds

Setting USER TUNING

Press [ALTERNATE TUNING].

Press PAGE [ ] to display Page 1.

fig.01-060d

Select A or B with [F2] (A/B) or the F2 knob.

* You cannot select this when AB LINK is on.

Switch the function on or off with the F3 knob.

Use [F4] (TYPE) or the F4 knob to select USER.

Press [F3] (USER).

The USER TUNING screen appears.

Set the desired key of string with [F1]–[F6] or with the F1–F6 knobs.

Setting DETUNE

Press [ALTERNATE TUNING].

Press PAGE [ ] to go to Page 2.

fig.01-060d

Switch the function on or off with the F2 or F5 knob.

If making detailed parameter settings for DETUNE, press [F2] (DETUNE) or [F5] (DETUNE).

fig.01-060d

Chapter 2

If you want to save the edited settings, perform the Write procedure (p. 38).

* If you do not want to save, press [EXIT] to return to the Play screen.

For detailed information on all the parameters, refer to

“ALTERNATE TUNING”

(p. 116).

Set the desired parameter with [F1]–[F6] or with the F1–F6 knobs.

If you want to save the edited settings, perform the Write procedure (p. 38).

* If you do not want to save, press [EXIT] to return to the Play screen.

For detailed information on all the parameters, refer to

“ALTERNATE TUNING”

(p. 116).

Chapter 2 Creating Sounds

Setting HARMONY

Press [ALTERNATE TUNING].

Press PAGE [ ] to go to Page 2.

fig.01-060d

Switch the function on or off with the F3 or F6 knob.

If making detailed parameter settings for HARMONY, press [F3] (HARMO) or [F6] (HARMO).

fig.01-060d

Setting the COSM AMP Tone

Press [COSM AMP].

Press PAGE [ ] several times to display Page

Use [F1] (ON/OFF) or the F1 knob to switch the COSM AMP ON/OFF setting.

fig.01-060d

Use [F2] (SELECT) or the F2 knob to select the COSM AMP type.

Press PAGE [ ].

fig.01-060d

Set the desired parameter with [F1] (SELECT), [F2] (SELECT) or with the F1–F2 knobs.

You can set the pitch for each key when the

HARMO parameter is set to USER.

Press PAGE [ ] [ ] to display the parameter you

want to set.

If you want to save the edited settings, perform the Write procedure (p. 38).

* If you do not want to save, press [EXIT] to return to the Play screen.

For detailed information on all the parameters, refer to

“ALTERNATE TUNING”

(p. 116).

* Each press of PAGE [ ] takes you to the next screen in which

parameter settings are made.

Adjust the desired parameter with [F1]–[F6] or the F1–F6 knobs.

Adjust the parameters until you achieve the sound you want.

For detailed information on all the parameters, refer to

“COSM AMP”

If you want to save the edited settings,

(p. 140).

perform the Write procedure (p. 38).

* If you do not need to save the settings, press [EXIT] to return to the

Play screen.

Chapter 2 Creating Sounds

Setting the Effects

POLY FX (Poly Effect)

* You can use POLY FX in only one channel at a time (A or B).

Press [POLY FX] for the channel, either A or B, in which you want to use it.

Press PAGE [ ] several times to display Page

fig.01-060d

Switch the function on or off with the [F1] (ON/ OFF) or the F1 knob.

Select the POLYFX TYPE with [F2] (SELECT) or the F2 knob.

FX (Effects)

Here’s how to make settings for the effects.

Press [FX].

fig.01-060d

Switch the individual effects on or off with the [F1]–[F6] (ON/OFF).

* Each press of PAGE [ ] [ ] takes you to another effect screen in

which parameter settings are made.

All effects that are on can be alternately switched off

(indicator unlit) and on (indicator lit) together by

pressing [FX].

Press [F1]–[F6] to select the effect you want to edit.

Chapter 2

Using [F3] (A/B) or the F3 knob, switch the channel to the one in which POLY FX is to be used.

Press PAGE [ ].

fig.01-060d

* Each press of PAGE [ ] takes you to the settings screen for the

next parameter.

Set the desired parameter with [F1]–[F6] or with the F1–F6 knobs.

Adjust the parameters until you achieve the desired sound.

For detailed information on all the parameters, refer to

“POLY FX (Poly Effect)”

(p. 118).

Adjust the desired parameter with [F1]–[F6] or the F1–F6 knobs.

* Each press of PAGE [ ] takes you to the settings screen for the

next parameter.

Adjust the parameters until you achieve the sound you want.

For detailed information on all the parameters, refer to

“FX (Effects)”

If you want to save the edited settings,

(p. 120).

perform the Write procedure (p. 38).

* If you do not need to save the settings, press [EXIT] to return to the

Play screen.

If you want to save the edited settings, perform the Write procedure (p. 38).

* If not saving the values, press [EXIT] to return to the Play screen.

Chapter 2 Creating Sounds

Rearranging the Effect and Amp Connection Sequence (CHAIN)

You can freely set the order in which the effects and COSM amps are

connected.

Press [CHAIN].

The Chain screen is displayed.

* If the effects and COSM amps are off, OFF is indicated.

Select the channel for which you want to change the connection sequence with [F1] (A/B).

Press [F2] ( SEL) [F3] (SEL ) to select the effect, COSM guitar, or COSM amp to be shifted in the sequence.

The output level for the selected effect is indicated in the

upper right of the screen.

Press [F4] (←MOVE) [F5] (MOVE→) to move to the position in the sequence you want the shifted item inserted.

Specifying the tempo and key of the song to be played

Here’s how to specify the tempo and key of a song you’ll be playing.

Set these when you want to specify a delay time or rate that suits a

song’s tempo (specifying it in terms of the note length) and when

using the HARMONY function.

Setting the Tempo

Press [NAME/KEY/BPM].

Press [F3] (BPM).

Tap [F1] (TAP) in time with the song tempo (quarter notes), or adjust the tempo with the F1 knob.

* If you want to control a patch parameter with the adjusted tempo, set

the corresponding effect parameter to BPM –BPM .

To make any additional changes in the connection sequence, repeat Steps 2–4.

* You can also switch effects, COSM guitars, and COSM amps on

and off while setting the connection sequence. Pressing [F6] while

the effect, COSM guitar, or COSM amp is selected switches the

function’s ON/OFF setting.

Press [EXIT] to return to the Play screen.

If you want to save the edited settings, perform the Write procedure (p. 38).

BPM stands for “beats per minute,” and represents the

number of quarter notes played in one minute.

If you want to use the MIDI SYNC function, the SYNC

CLOCK parameter must be set to AUTO (USB), AUTO

(MIDI), or AUTO (RRC2). For detailed information, refer

“Syncing to the MIDI CLOCK from an External

Device”

To use Tap Input

(p. 64).

Press [F5] (TAP) at least two times, at quarter note intervals of

the desired tempo. The tempo will be calculated

automatically, and set to the interval at which you pressed the

button.

If you want to save the edited settings, perform the Write procedure (p. 38).

* If you do not want to save, press [EXIT] to return to the Play screen.

Chapter 2 Creating Sounds

Setting the Key

Press [NAME/KEY/BPM].

Press [F2] (KEY).

Set the song’s key with [F1] (SELECT) or the F1 knob.

* The Alternate Tuning HARMONY and FX MOD 1/2

HARMONIST functions operate in accordance with the key set

here.

If you want to save the edited settings, perform the Write procedure (p. 38).

* If you do not want to save, press [EXIT] to return to the Play screen.

Mixing the Normal Pickup Sound

Creating Sounds Combining the Normal and GK Inputs.

It is possible to combine the sound of the COSM guitars and the

normal guitar pickups at the same time.

Setting the Volume Balance

Press [COSM GUITAR].

Set the COSM GTR SW to ON with [F1] or with the F1 knob.

The sounds from the normal pickup and COSM guitar are not played when COSM GTR SW is set to OFF.

Press PAGE [ ] several times to move to the screen for setting the volume balance.

Chapter 2

Use the F1 and F2 knobs to set the balance between the COSM guitar sound and the normal pickup sound.

F1 Knob

Adjusts the COSM guitar’s volume level. When POLY FX is

set to ON, it adjusts the volume level of the signal after it has

passed through POLY FX.

F2 Knob

This adjusts the volume of the normal pickup.

When the COSM guitar is connected in CHAIN at a point

other than the beginning of the effects chain, you can adjust

the volume of the sounds that have passed though effects

from the beginning of the chain up to the point where the

guitar is connected.

If you want to save the edited settings, perform the Write procedure (p. 38).

* If you do not want to save, press [EXIT] to return to the Play screen.

Chapter 2 Creating Sounds

Normal Pickup Sound

When you are using the CHAIN function and the COSM guitar

is connected at a point other than the beginning of the chain, the

normal pickup sound that is mixed using the BALANCE knob

is the sound processed from the beginning of the effects chain.

Using this function, you can combine the following two

methods to create sounds.

1. Sounds that include COMPRESSOR, WAH,

AMP, etc., with the normal pickup sound

2. Sounds that have only spacial effects

applied to the COSM section’s synthesizer or other source.

When the volume of (1) above is to be controlled independently,

the level of effects before the COSM guitar should be assigned

to the GK volume control of the GK-3 or to a similar controller.

(p. 82)

Setting the Point at Which the COSM Guitar is Connected

Press [CHAIN].

Use [F2] ( SEL) and [F3] (SEL ) to select the arrow indicating the connection point.

Use [F4] (←MOVE) and [F5] (MOVE→) to shift the COSM guitar’s connection point.

If you want to save the edited settings, perform the Write procedure (p. 38).

* If you do not need to save the settings, press [EXIT] to return to the

Play screen.

If you want to use only the normal pickup sound

without using the COSM GUITAR or POLY FX, set

the COSM guitar as shown below.

COSM GTR SW = ON

MIX LEVEL

COSM GUITAR = 0

NORMAL PU = 100

Chapter 2 Creating Sounds

Mixing Two Tones (MIXER)

For detailed about the block diagram, refer to

Flow”

(p. 183).

Setting the Volume and Panning for Each Channel

Press [MIXER].

Press PAGE [ ] to display Page 1.

Make the settings for each channel on this page.

* Page 2 and later pages contain the mixer section’s common settings.

Set the volume and panning with [F1]–[F6] or with the F1–F6 knobs.

“Signal

Setting the Mix Balance

You can set the balance in the mix of Channel A and Channel B with

the BALANCE knob. Soon after the knob is turned, the balance value

pops up in the screen.

* You can also adjust this parameter in Page 2 of the Mixer screen.

* This knob is disabled when the Dynamic function is switched on.

Setting the Delay and Reverb (DELAY/REVERB)

This sets the mixer section’s delay and reverb.

Chapter 2

If you want to save the edited settings, perform the Write procedure (p. 38).

* If not saving the settings, press [EXIT] to return to the Play screen.

When mixing two channels, you can produce a more

realistic twin guitar tone by setting a channel delay in

one of the channels, thus causing the two guitar sounds

to be output at different times.

For detailed information on all the parameters, refer to

“MIXER”

(p. 146).

Press [DELAY/REVERB].

Press PAGE [ ] to display Page 1.

Switch the delay on or off with [F1] (OFF/ON); switch the reverb on or off with [F4] (OFF/ON).

Set the parameters with [F1]–[F6] or with the F1–F6 knobs.

* Each press of PAGE [ ] takes you to the settings screen for the

next parameter.

Adjust the parameters until you achieve the desired sound.

If you want to save the edited settings, perform the Write procedure (p. 38).

* If not saving the values, press [EXIT] to return to the Play screen.

For detailed information on all the parameters, refer to

“DELAY/REVERB”

(p. 148).

Chapter 2 Creating Sounds

Using Picking Dynamics to Control the Mix Between the Two Channels (DYNAMIC)

You can control the mix between the two channels according to how

strongly the strings are picked.

Press [DYNAMIC].

Press PAGE [ ] to display Page 1.

Switch the Dynamic function on or off with [F1] (OFF/ON).

Select the Dynamic function type.

Press PAGE [ ] [ ] to display Page 2.

Setting the Overall Patch Volume Level (PATCH LEVEL)

You can set the overall patch volume level with the PATCH LEVEL

knob. Soon after the knob is turned, the patch level settings value

pops up in the screen.

* You can also adjust this parameter in Page 2 of the Mixer screen.

fig.01-060d

Adjusting the Overall Patch Tone (TOTAL EQ)

Set the parameters with the F1–F5 knobs.

For detailed information on all the parameters, refer to

“DYNAMIC”

(p. 149).

You can make separate settings in each individual patch for the

overall tone after sounds have passed through the mixer.

Press [MIXER].

Press PAGE [ ] [ ] to display Page 3 or 4.

Switch the EQ on or off with [F1] (ON/OFF) on Page 3.

Set the tonal quality with [F1]–[F6] or with the F1–F6 knobs.

If you want to save the edited settings, perform the Write procedure (p. 38).

* If not saving the settings, press [EXIT] to return to the Play screen.

For detailed information on all the parameters, refer to

“TOTAL EQ”

(p. 146).

Chapter 2 Creating Sounds

Setting the Output Signal and Level (OUTPUT)

This sets the signals and levels output for each of the VG-99’s output

jacks and connectors.

Press [MIXER].

Press PAGE [ ] to display Page 5.

Set the signal and level output to MAIN OUT, SUB OUT, and DIGITAL OUT with [F1]–[F6] or with the F1–F6 knobs.

For detailed information on the parameters that can be

set, refer to

If you want to save the edited settings, perform the Write procedure (p. 38).

* If not saving the settings, press [EXIT] to return to the Play screen.

“OUTPUT”

(p. 147).

Naming a Patch (PATCH NAME)

You can give names to the patches you create.

Press [NAME/KEY/BPM].

Press [F1] (NAME).

Press PAGE [ ] [ ] to move the cursor to the position at which you want to change a character.

Select the character with the PATCH/VALUE dial.

As you continue to rotate the PATCH/VALUE dial, the

character guide automatically switches from uppercase letters

to lowercase letters, numerals, and symbols.

You can use the following convenient operations by pressing

[F1]–[F5].

Chapter 2

You can also set the output signal and level for the entire system.

1. Press [SYSTEM].

2. Press PAGE [ ] [ ] to display Page 2.

3. Press [F1].

4. Set the OUTPUT MODE parameter to

SYSTEM with [F1] or the F1 knob.

The value in the MIXER screen is disregarded, and

instead the SYSTEM value is applied.

The value in the MIXER screen is disregarded, and instead the

value < > is applied.

Function Button

[F1] (INSERT)

[F2] (DELETE)

[F3] (SPACE) Inserts a blank space at the cursor position.

[F4] (A0!)

[F5] (A<=>a)

[F6] (CATGRY)

Repeat Steps 3 and 4 to complete the patch

Description

Inserts a blank space at the cursor position.

Deletes the character and shifts the characters that follow to the left.

Switches between letters, numerals, and symbols.

Switches between uppercase and lowercase letters.

Sets the category for the current patch. Refer to

“Setting Patch Categories”

name.

If you want to save the edited settings, perform the Write procedure (p. 38).

* If not saving the settings, press [EXIT] to return to the Play screen.

(p. 90)

Chapter 2 Creating Sounds

Saving a Patch (WRITE)

The settings made to change a sound are temporary; when you

switch to a different patch, the settings revert to the values in effect

before the changes were made.

If you want to save the changes in the settings, carry out the Write

procedure. If you do not want to save your changes, press EXIT to

return to the Play screen.

Press [WRITE].

The Write screen appears.

Rotate the PATCH/VALUE dial to select the save-destination patch number.

To save the patch, press [WRITE].

“NOW WRITING...” is displayed while the patch is being

saved, and then the Play screen returns to the display.

* If you do not want to save, press [EXIT] to return to the Play screen.

Chapter 3 Creating Your Own Effect Types (CUSTOMIZE)

The Customize function allows you to make even more detailed

changes to settings for COSM AMP (Preamp section, Speaker

section), Overdrive/Distortion, and Pedal Wah, just like designing

your own original effects processors.

Customizing the Preamp

Press [COSM AMP].

The COSM AMP Edit screen appears.

Press PAGE [ ] to display Page 1.

fig.01-060d

Select CUSTOM as the PREAMP TYPE with [F2] (SELECT) or the F2 knob.

fig.01-060d

If you want to save the edited settings, perform the Write procedure (p. 38).

* If not saving the settings, press [EXIT] to return to the Play screen.

Chapter 3

Press PAGE [ ] to display Page 2.

Select the basic preamp type to customize with [F1] (SELECT) or the F1 knob.

Press PAGE [ ] to display Page 3.

Adjust the desired parameter with [F1]–[F6] or with the F1–F6 knobs.

If there are other parameters you want to adjust, press PAGE

[].

Repeat Steps 5–7 as needed.

For detailed information on all the parameters, refer to

“COSM AMP”

(p. 140).

Chapter 3 Creating Your Own Effect Types (CUSTOMIZE)

Customizing the Speaker

* You cannot customize the speaker when BASS AMP VINTAGE or

BASS AMP MODERN is selected with PREAMP TYPE.

Press [COSM AMP].

The COSM AMP Edit screen appears.

Press PAGE [ ] [ ] to display the Speaker Type selection screen.

Select CUSTOM as the SP TYPE with [F1] (SELECT) or the F1 knob.

Press PAGE [ ] to display the speaker customization screen.

Customizing the Overdrive/ Distortion

Press [FX].

The FX Edit screen appears.

Press PAGE [ ] to display Page 1.

Press [F2] (OD/DS).

Select CUSTOM as the OD/DS TYPE with [F2] (SELECT) or the F2 knob.

Adjust the desired parameter with [F1]–[F5] or with the F1–F5 knobs.

For detailed information on all the parameters, refer to

“COSM AMP”

If you want to save the edited settings, perform the Write procedure (p. 38).

* If not saving the settings, press [EXIT] to return to the Play screen.

(p. 140).

Press PAGE [ ] to display Page 2.

Select the basic type with [F1] (SELECT) or the F1 knob.

Adjust the desired parameter with [F1]–[F5] or with the F1–F5 knobs.

If there are other parameters you want to adjust, press PAGE

[].

Repeat Steps 6 and 7 as needed.

For detailed information on all the parameters, refer to

“OD/DS (Overdrive/Distortion)”

If you want to save the edited settings, perform the Write procedure (p. 38).

* If not saving the settings, press [EXIT] to return to the Play screen.

(p. 120).

Chapter 3 Creating Your Own Effect Types (CUSTOMIZE)

Customizing Pedal Wah

Press [FX].

The FX Edit screen appears.

Press PAGE [ ] to display Page 1.

Press [F3] (WAH).

Chapter 3

Select CUSTOM as the WAH TYPE with [F2] (SELECT) or the F2 knob.

Press PAGE [ ] to display Page 2.

Select the basic type with [F1] (SELECT) or the F1 knob.

Adjust the desired parameter with [F1]–[F5] or with the F1–F5 knobs.

If there are other parameters you want to adjust, press PAGE

[].

Repeat Steps 6 and 7 as needed.

For detailed information on all the parameters, refer to

“WAH”

(p. 122).

If you want to save the edited settings, perform the Write procedure (p. 38).

* If not saving the settings, press [EXIT] to return to the Play screen.

Chapter 4 Global Device Settings (SYSTEM)

* The parameters described in this chapter are saved when the power is

turned off. There is no need to carry out the Write procedure (p. 38).

Naming GK Settings (GK NAME)

You can give names to each of the GK settings.

Inputting the Divided Pickup Settings

To ensure optimal conditions for producing sounds with the VG-99,

making the correct settings affecting the Divided pickup (the GK

settings) is required.

Selecting the Settings

The VG-99 can store ten separate sets of GK settings. If you are

playing more than one guitar using the VG-99, you can store

separate settings for each one, allowing you to be ready in moments

with the necessary settings when the guitars are switched.

After you have finished inputting the various settings, press [EXIT]

one or more times to return to the Play screen.

Press [SYSTEM].

Press PAGE [ ] to display Page 1.

Press [F3] (GK) to display the GK SETTING screen.

Press PAGE [ ] to display Page 1.

Follow Steps 1–3 in “Selecting the Settings” (p. 42) to display the GK SETTING screen.

Press PAGE [ ] to display Page 1.

Press [F6] (NAME).

Set the name using PAGE [ ] [ ], [F1]–[F5], and the PATCH/VALUE dial.

Function Button

[F1] (INSERT)

[F2] (DELETE)

[F3] (SPACE) Input a space at the cursor location.

[F4] (A0!)

[F5] (A<=>a)

* Press [EXIT] one or more times to return to the previous screen.

Explanation

Insert a space at the cursor location.

Delete a character. The characters that follow get shifted to the left.

Switch between uppercase letters and lowercase letters.

Switch between uppercase letters, lowercase letters, numbers, and characters.

Press [F4] (SELECT) or turn the F4 knob to select the GK setting (1–10).

This specifies the setting to be stored as the GK setting.

* Pressing [EXIT] at this point and returning to the Play screen

enables the selected GK setting.

* When PATCH is selected for the SETTING MODE parameter, the

GK settings specified in each patch take priority. For detailed

information, refer to

Patch (SET MODE)”

“Using Different Guitar Settings in Each

(p. 46).

The following section describes parameters related to the GK settings.

After you have finished inputting the various settings, press [EXIT]

one or more times to return to the Play screen.

Chapter 4 Global Device Settings (SYSTEM)

Selecting the Divided Pickup Type

Follow Steps 1–3 in “Selecting the Settings” (p. 42) to display the GK SETTING screen.

Press PAGE [ ] [ ] to display Page 2.

Use F1 (SELECT) or the F1 knob to select the pickup type.

Settings

GK-3

GK-2A

PIEZO

* Piezo pickups are a type of pickup that are installed at the guitar’s

bridge and use piezoelectric elements to determine the string

vibrations.

Explanation

Specifies the GK-3.

Specifies the GK-2A.

Specifies a piezo pickup.

Matching the Divided Pickup and Normal Pickup Phase

Certain peculiarities in the sound may appear when the COSM

guitar and normal pickup sounds are mixed. If this occurs, adjust

this parameter and switch the COSM guitar’s phase.

Follow Steps 1–3 in “Selecting the Settings” (p. 42) to display the GK SETTING screen.

Press PAGE [ ] [ ] to display Page 2.

Use [F4] (SELECT) or the F4 knob to select the phase.

Settings

NORMAL

REVRSE Invert the phase.

Explanation

Leave the phase unchanged.

Setting the Direction for the Installed Divided Pickup

* Make this setting if the divided pickup has been installed with the

first-string end and sixth-string end reversed.

Chapter 4

Inputting the Guitar’s Scale

Set the scale length (the distance from the bridge to the nut).

Follow Steps 1–3 in “Selecting the Settings” (p. 42) to display the GK SETTING screen.

Press PAGE [ ] [ ] to display Page 2.

Use the F3 knob to set the scale length of the guitar you are using. Presets include 648 mm (ST) and 628 mm (LP).

Settings

620–660 mm, ST(648 mm), LP(628 mm)

Explanation

Specifies the scale of your guitar.

Follow Steps 1–3 in “Selecting the Settings” (p. 42) to display the GK SETTING screen.

Press PAGE [ ] [ ] to display Page 2.

Use [F5] (SELECT) or the F5 knob to select the pickup direction.

Settings

NORMAL

REVRSE The cable extends from the 1st string side.

Explanation

The cable extends from the 6th string side. Ordinarily, you should use this setting.

Chapter 4 Global Device Settings (SYSTEM)

Setting the DOWN/S1, UP/S2 Switch Arrangement

On some guitars with the Divided pickup built in, the positions of

the DOWN/S1 and UP/S2 switches are reversed from those of the

Divided pickup. Set this so that the functions match.

Follow Steps 1–3 in “Selecting the Settings” (p. 42) to display the GK SETTING screen.

Press PAGE [ ] [ ] to display Page 2.

Use [F6] (SELECT) or the F6 knob to select the arrangement.

Settings

NORMAL

REVRSE

Explanation

The switches will not be reversed.

The DOWN/S1 switch and UP/S2 switch will be reversed.

Setting the Gap Between the Pickup and the Bridge (PICKUP

↔

BRIDGE)

Set the clearance from the center of the Divided pickup to the

bridge’s saddle for each string.

* This setting is not required when piezo pickups are used.

Follow Steps 1–3 in “Selecting the Settings” (p. 42) to display the GK SETTING screen.

Press PAGE [ ] [ ] to display Page 3.

Rotate the F1–F6 knobs to set the clearance for strings 1–6.

Settings

10.0–30.0 mm

Explanation

Specify the distance between the center of the Divided pickup and the center of each bridge saddle.

string 6 string 1

String

BridgePickup

Chapter 4 Global Device Settings (SYSTEM)

Adjusting the Sensitivity for Each String

Adjust the Divided pickup sensitivity for each string.

Follow Steps 1–3 in “Selecting the Settings” (p. 42) to display the GK SETTING screen.

Press PAGE [ ] to display Page 4.

Rotate the F1–F6 knobs to adjust the sensitivity.

Play each open string with the maximum force you’d use in an

actual performance, and set the sensitivity such that the meter

registers a level just before reaching the maximum level.

* If the large segments at the right end of the level meter appear, it

means the level is set too high. Lower the sensitivity setting.

* Pressing [F1]–[F6] initializes each string’s value to 65.

* Depending on the guitar you use, the level meter may move to the

maximum level even when the sensitivity is set to the minimum

setting. If this occurs, adjust the clearance separating the divided

pickup and the strings so the distance is slightly greater than

specified.

Play the sixth through first strings with the normal amount of force; if any strings sounds particularly loud, lower the sensitivity setting for that string, and keep adjusting until the differences in the strings’ volume levels are minimal.

Setting Whether or Not the Deviced Pickup Is Used (GK CONNCT)

The VG-99 comes equipped with a function that automatically

determines whether or not a GK connection exists and switches the

internal settings accordingly. This makes it possible for you to all

functions other than a COSM guitar (COSM amp, effects, tuner, etc.)

when you’ve connected only to the GUITAR INPUT.

Follow Steps 1–3 in “Selecting the Settings” (p. 42) to display the GK SETTING screen.

Press PAGE [ ] to display Page 1.

Use [F1] (SELECT) or the F1 knob to select the setting.

Settings

AUTO

OFF

* You should ordinarily use AUTO (the default setting). In cases

where the auto-detect function does not operate correctly, (for

example, when you are using a Divided pickup other than the GK-3),

pickup, use [F2] or the F2 dial to change the setting.

Explanation

The presence of a GK connection is detected automatically and the internal settings are switched accordingly.

Settings appropriate for a GK connection are always used.

Settings appropriate for a GUITAR INPUT connection are always used.

Chapter 4

Settings

0–100

Explanation

Adjust the input sensitivity of each Divided pickup.

Chapter 4 Global Device Settings (SYSTEM)

Using Different Guitar Settings in Each Patch (SET MODE)

This setting determines whether the VG-99 uses a single global GK

setting or if the GK settings can be specified individually for each

patch.

Follow Steps 1–3 in “Selecting the Settings” (p. 42) to display the GK SETTING screen.

Press PAGE [ ] to display Page 1.

Use [F3] (SELECT) or the F3 knob to select the setting.

Settings

SYSTEM

PATCH

Explanation

The GK SETTING set here is used globally for the entire VG-99. This is the default factory setting.

The GK Settings can be specified individually for each patch. Use this setting when switching among multiple guitars as you perform.

Adjusting Overall Tone According to the Environment (GLOBAL/OUTPUT SELECT)

The VG-99 includes a function for adjusting the overall tone produced

by the device. This is referred to as the Global function. You can use the

Global function to adjust the overall sound of the VG-99 to suit the

equipment being used or environment you are in without altering the

individual patches.

Selecting the Settings

The VG-99 can store ten separate Global function settings (1–10).

After you have finished inputting the various settings, press [EXIT]

one or more times to return to the Play screen.

Press [GLOBAL].

Press PAGE [ ] to display Page 1.

The Global screen appears.

Determining the Function of the GK Volume Control and DOWN/ S1, UP/S2 Switches (GK FUNC)

This sets the function for the GK-3’s GK Volume and DOWN/S1,

UP/S2 switches.

Follow Steps 1–3 in “Selecting the Settings” (p. 42) to display the GK SETTING screen.

Press PAGE [ ] to display Page 1.

Press [F2] (GKFUNC).

Set the parameter you want to assign with [F1] (SELECT), [F6] (SELECT) or the F1, F6 knob.

For detailed information on the parameters that can be

assigned, refer to

“GK S1, S2 (GK S1, S2 Switch)”

* When assigning functions to each patch for DOWN/S1 and UP/S2,

set Control Assign to ASSIGNABLE (PATCH). With other

settings, the assignment settings in the patches are disregarded.

* This is the same setting as that set with GK VOL or GK S1, S2 in

[SYSTEM] (CTL).

“GK VOL (GK Volume)”

(p. 166).

(p. 166) and

Select any setting 1–10 with [F1] (SELECT) or the F1 knob.

The following parameter settings are stored to their

corresponding areas in memory.

Chapter 4 Global Device Settings (SYSTEM)

Naming the Settings (GLOBAL NAME)

You can assign up to ten user names, each containing up to eight

characters. For example, you could create names that suggest the

gear used in a certain setting or a place where you perform.

Press [GLOBAL].

Press PAGE [ ] to display Page 1.

Press [F3] (NAME).

Set the name using PAGE [ ] [ ] and [F1]– [F5].

Function Button

[F1] (INSERT)

[F2] (DELETE)

[F3] (SPACE) Input a space at the cursor location.

[F4] (A0!)

[F5] (A<=>a)

Explanation

Insert a space at the cursor location.

Delete a character. The characters that follow get shifted to the left.

Switch between uppercase letters and lowercase letters.

Switch between uppercase letters, lowercase letters, numbers, and characters.

Setting the Types of Connected Devices (OUTPUT SELECT)

You can match the VG-99’s output response to that of the connected

device. Making this setting helps keep differences in sound qualities

respective to the connected device to a minimum.

Press [GLOBAL].

Press PAGE [ ] to display Page 1.

Use [F4] (OUTPUT SELECT) or the F4 knob to set the type of device to be connected to the MAIN OUT jacks.

Value

JC-120

SMALL AMP

COMBO AMP

STACK AMP

JC-120 Return

COMBO Return

STACK Return

LINE/PHONES

Explanation

Use this setting when connecting to Roland’s JC-120 guitar amp.

Use this setting when connecting to a small guitar amp.

Use this setting when connecting to the guitar input of a combo amp other than the JC-120 guitar amp (where the amp and speaker or speakers are combined in a single unit).

* Depending on your guitar amp, you

may be able to obtain good results with the JC-120 setting.

Use this setting when connecting to the guitar input of a stack-type guitar amp (where the amp and speaker or speakers are separated).

Use this setting when connecting to the RETURN of a JC-120.

Use this setting when connecting to the RETURN with a combo amp.

Use this setting when connecting to the RETURN of a stack amp or the INPUT of a rack mounted power amp. Set to STACK Return also when using a guitar power amp and speaker cabinet combination.

Use this setting when using headphones or when connecting to a multitrack recorder for recording.

* When using COSM Speaker cabinets,

use the LINE/PHONES setting.

Chapter 4

Chapter 4 Global Device Settings (SYSTEM)

Adjusting the Overall Tone (GLOBAL EQ)

Both MAIN OUT and SUB OUT feature four-band EQs. EQ (MAIN)

is applied to the output from MAIN OUT; EQ (SUB) is applied to the

output from SUB OUT.

Press [GLOBAL].

Press PAGE [ ][ ] to display Page 2–5.

Use [F1] – [F6] or the F1 – F6 knobs to adjust the tone.

Parameter/ Range

MAIN EQ (Main Equalizer), SUB EQ (Sub Equalizer)

A four-band equalizer with high and low ranges is provided. The sound processed by the effect can be boosted by frequency range before it is output.

MAIN EQ SW (Main Equalizer Switch), SUB EQ SW (Sub Equalizer Switch)

OFF, ON

TOTAL GAIN

-12–+12dB

LOW GAIN

-12–+12dB

HIGH GAIN

-12–+12dB

LOW MID FREQ (Low Middle Frequency)

20Hz–10.0kHz

LOW MID Q (Low Middle Q)

0.5–16

LOW MID GAIN (Low Middle Gain)

-12–+12dB

HIGH MID FREQ (High Middle Frequency)

20Hz–10.0kHz

HIGH MID Q (High Middle Q)

0.5–16

HIGH MID GAIN (High Middle Gain)

-12–+12dB

Explanation

Turns the EQ effect on/off.

Adjusts the volume before the equalizer.

Adjusts the low frequency range tone.

Adjusts the high frequency range tone.

Specifies the center of the frequency range that will be adjusted by the LOW MID GAIN.

Adjusts the width of the area affected by the EQ centered at the LOW MID FREQ. Higher values will narrow the area.

Adjusts the low-middle frequency range tone.

Specifies the center of the frequency range that will be adjusted by the HIGH MID GAIN.

Adjusts the width of the area affected by the EQ centered at the HIGH MID FREQ. Higher values will narrow the area.

Adjusts the high-middle frequency range tone.

Controlling the Overall Effect of the Noise Suppressor (Total NS)

This controls the overall threshold value for the noise suppressor

settings in the individual patches. This is an effective tool when

guitars are changed during performances and for making

adjustments in response to noise levels at the performance venue.

This is an overall setting and does not alter the individual patch

settings.

Press [GLOBAL].

Press PAGE [ ] to display Page 6.

Adjust the level with the F1 knob.

This adjusts the noise suppressor threshold levels set in each

patch.

-20 dB – +20 dB

* This adjustment has no effect on patches in which the noise

suppressor is off.

* To use the levels set in the individual patches, set this to 0 dB.

Chapter 4 Global Device Settings (SYSTEM)

Controlling the Overall Reverb Level (Total REVERB)

This controls the overall reverb level settings in the individual

patches. This is effective for adjusting to the acoustics of the

performance venue. This setting does not affect the individual patch

settings.

Press [GLOBAL].

Press PAGE [ ] to display Page 6.

Adjust the level with the F2 knob.

This adjusts the noise suppressor threshold levels set in each

patch.

0–200%

* This adjustment has no effect on patches in which reverb is switched

off.

* To use the levels set in the individual patches, set this to 100%.

Setting the GK VOLUME Control and Switch and the Pedal Function (SYSTEM CONTROL ASSIGN)

Press [SYSTEM].

Press PAGE [ ] to display Page 1.

Press [F4] (CTL).

Press PAGE [ ] to display Page 1.

Chapter 4

Setting the Sounds Output from SUB OUT (SUB OUT LEVEL)

This setting selects which signals are output from the SUB OUT

jacks.

Press [GLOBAL].

Press PAGE [ ] to display Page 6.

Adjust the setting with the F3 knob.

This adjusts the output level set in each patch.

0–200%

* To use the levels set in the individual patches, set this to 100%.

Select any setting from GK VOL to FC-300 CTL8 with [F2] (SEL) or [F3] (SEL) or the F2 or F3 knobs, then use [F5] (SELECT) or the F5 knob to select the function you want to assign.

If you want to be able to assign the functions for the

controllers on an individual patch basis, set Control

Assign to ASSIGNABLE (PATCH). With Control Assign

set to ASSIGNABLE (PATCH), the unit operates in

accordance with the assignments set in each patch, as

described in

Control the Sounds (CONTROL ASSIGN)”

* With other settings, the assignment settings in the patches are

disregarded.

For information on assigned controllers, refer to

the Switches, Pedals, and MIDI to Control the

Sounds (CONTROL ASSIGN)”

assignable parameters, refer to

Be Assigned to Separate Controllers”

“Using the Switches, Pedals, and MIDI to

(p. 82).

(p. 82) ; for more on

“Parameters That Can

(p. 168).

“Using

Chapter 4 Global Device Settings (SYSTEM)

Having Values from an External Pedal, GK VOLUME Control, or Other Controller Carried Over When Patches are Called Up (ASSIGN HOLD)

This setting determines whether or not the current settings for each

controller (the expression pedals, the FC-300’s expression pedals,

control pedals or other controllers) are applied to the patch when

patches are switched.

* Assign Hold is not performed when the SW MODE parameter in

Control Assign Source is set to LATCH. (LATCH toggles between

the minimum and maximum value each time the switch is pressed.)

Press [SYSTEM].

Press PAGE [ ] to display Page 1.

Limiting the Patches That Can Be Switched (PATCH EXTENT)

Setting upper and lower limits for the patches that can be switched

allows you to select only the patches you need.

Press [SYSTEM].

Press PAGE [ ] [ ] to display Page 2.

Press [F6] (MISC).

Press [F4] (CTL).

Press PAGE [ ] to display Page 2.

The ASSIGN HOLD screen appears.

Select ON or OFF for the Assign Hold function with [F1] (OFF/ON) or the F1 knob.

Settings

OFF

Explanation

Current values of controllers are applied when patches are called up.

Stored values (at the time of Patch Write) of controllers are used when patches are called up. (Current controller values ignored.)

Press [F3] (FROM).

Set the lower limit of the patch selection with the PATCH/VALUE dial and [F3] (FROM) or the F3 knob.

Press [F4] (TO).

Set the upper limit of the patch selection with the PATCH/VALUE dial and [F4] (TO) or the F4 knob.

* This setting applies to patches switched with the PATCH/VALUE

dial, control switches, or other such controls. Adjustments made

with a connected FC-300 or external MIDI device are not affected by

this setting.

Chapter 4 Global Device Settings (SYSTEM)

Adjusting the Screen’s Contrast

The text and icons in the LCD screen may be difficult to make out

sometimes, such as immediately after the VG-99 is turned on or after

extended use. The conditions at the place where you are using the

VG-99 can also affect visibility. Should you run into this problem, try

adjusting the contrast.

Press [SYSTEM].

Press PAGE [ ] to display Page 1.

Press [F1] (LCD).

Turn the F1 knob to adjust the contrast.

Setting the Output Signal and Level (SYSTEM OUTPUT)

This sets the signals and levels output for each of the VG-99’s output

jacks and connectors (MAIN OUT, SUB OUT, and DIGITAL OUT).

Press [SYSTEM].

Press PAGE [ ] [ ] to display Page 2.

Press [F1] (OUTPUT).

Set the OUTPUT MODE parameter to SYSTEM with [F1] (SELECT) or with the F1 knob.

* If set to PATCH, the values set under

and Level (OUTPUT)”

MIXER screen is disregarded, and instead the value < > is applied.

(p. 37) are enabled. The value in the

“Setting the Output Signal

Chapter 4

Set the signal and level output to each output with PAGE [ ] [ ] or with the F1–F6 knobs.

For detailed information on the parameters that can be

set, refer to

“OUTPUT”

(p. 147).

Chapter 5 Using the VG-99 in Combination with an FC-300

With an FC-300 (optional) connected to the VG-99, you can perform

the following operations:

• Switch patches

• Have patch names be shown in the FC-300’s display

• Control tones with the FC-300’s pedals (Control Assign)

• Show the VG-99’s tuner in the FC-300’s display when the TUNER function is used

• Switch the FC-300’s Amp Control on and off

Connecting with the RRC2 IN Connector

Connect the VG-99 and FC-300 using the RRC2 cable included with

the unit.

What is RRC2?

RRC2 is a Roland protocol that provides for the supply of

power and two-way data communications over a single cable.

Devices can also be connected using a commercially available

ethernet cable instead of the included RRC2 cable.

Settings Related to the FC300

If connecting the VG-99 with an FC-300 using an RRC2 cable, make

the settings below as needed.

Settings for Control of the FC300

This sets the method for controlling the FC-300.

Press [SYSTEM].

Press PAGE [ ] to display Page 1.

• Be sure to connect the RRC2 OUT connector to a device with an RRC2 IN connector. Use of the connection with LAN or other devices may cause generation of heat and damage to the equipment.

• Carefully connect the RRC2 cable the way in—until it is firmly to the RRC2 IN connector.

• Do not subject the RRC2 cable to stress or physical shock.

• If using commercially available ethernet cable as the RRC2 connecting cable, be sure that the cable meets the following specifications:

• Category 5 (Cat5) or above

• Maximum length of 15 meters

• Cable designed for straight-through connection.

* Ethernet cables designed for crossover connections cannot be used.

Press [F5] (FC-300).

Set the SYS EX MODE with [F1] (OFF/ON) or with the F1 knob.

Available Settings

OFF

Description

When connected to the VG-99, the FC-300 automatically changes to Exclusive mode and functions in accordance with the settings made with the VG-99. This is the setting normally selected. You can control the FC-300 even without matching the VG-99’s and FC-300’s Device IDs. Connecting an FC-300 automatically switches the FC-300 to Exclusive mode. Normally, you should select this setting.

Select OFF when using the FC-300 in a mode other than System Exclusive mode. The mode does not switch automatically.

Chapter 5 Using the VG-99 in Combination with an FC-300

Setting the Operation When Patches Are Switched

This sets the timing at which patches are switched when you press

[ ] [ ] pedals on the FC-300.

Press [SYSTEM].

Press PAGE [ ] to display Page 1.

Press [F5] (FC-300).

Set BANK CHANGE with [F2] (SELECT) or with the F2 knob.

Available Settings

IMMEDIATE

WAIT NUM

Description

The patch changes immediately when the FC-300’s

[ ] [ ] pedals are pressed.

Even after the FC-300’s [ ] [ ] pedals are pressed, the patch does not change until the NUMBER is set.

Activating the VG-99’s Tuner from the FC-300 (QUICK TUNER)

You can use the FC-300’s number pedals to switch the Tuner

function on and off.

* The Quick Tuner function is enabled only in the Play screen.

* The Quick Tuner function is enabled only when the FC-300’s

MODE is set to SYS EX.

Press [SYSTEM].

Press PAGE [ ] to display Page 1.

Press [F5] (FC-300).

Set QUICK TUNER with [F3] (SELECT) or with the F3 knob.

Available Settings

OFF

ON The QUICK TUNER function is operational.

Description

The QUICK TUNER function is not operational.

The TUNER function is alternately switched on and off each time the currently selected number pedal is pressed.

Chapter 5

Chapter 5 Using the VG-99 in Combination with an FC-300

Setting the FC-300 Amp Control

This switches the FC-300’s AMP CTL 1 and AMP CTL 2 parameters

on and off.

When the guitar amp’s channel switch jack is connected to the FC-

300’s AMP CONTROL 1 jack (or AMP CONTROL 2 jack), you can

then switch the guitar amp channels with the VG-99’s AMP CTL1 (or

AMP CTL2) parameter.

Use the PATCH/VALUE dial to select the patch you want to set.

Press [NAME/KEY/BPM].

Press [F4] (AMPCTL).

Use [F1] and [F2] or the F1 and F2 knobs to set AMP CTL1 and AMP CTL2 to ON or OFF.

Available Settings

OFF

Description

The FC-300’s AMP CTL1 and AMP CTL2 parameters are set to OFF.

The FC-300’s AMP CTL1 and AMP CTL2 parameters are set to ON.

Chapter 6 Using MIDI

About MIDI

MIDI, an abbreviation for Musical Instrument Digital Interface, is a

universal standard that enables musical instruments to exchange

musical performance data, messages concerning changes in the

sounds, and other information. Any device that conforms to the

MIDI specifications can communicate (to the extent that is relevant

to both devices) with any other MIDI device, even those that were

made by a different manufacturer or that belong to a different

category of instrument.

Under the MIDI specifications, performance data produced by such

actions as playing a keyboard or pressing a pedal is handled as MIDI

messages.

What You Can Do Using MIDI

Using MIDI, you can carry out the following operations with the

VG-99.

If using the VG-99 with an FC-300 connected, also refer to

5 Using the VG-99 in Combination with an FC-300”

* Use of MIDI requires that the MIDI channels of connected devices

be matched.

Data cannot be transmitted to or received from other MIDI devices

unless the MIDI channels are set correctly.

Operating from the VG-99

Outputting Program Change Messages

When a patch is selected with the VG-99, the VG-99 simultaneously

transmits a Program Change message corresponding to the selected

number. The external MIDI device switches its settings in response

to the received Program Change message.

“Chapter

(p. 52).

Outputting Performance Data

The guitar’s performance data can be output as Note messages and

Bend messages, allowing you to perform through synthesizer sound

modules and other devices connected to the VG-99. For more

detailed information, refer to

Sound Module (GUITAR TO MIDI)”

“Playing an External Synthesizer

(p. 64).

Transmitting Data

You can use Exclusive messages to transmit settings for effect

sounds and other data stored in the VG-99 to other MIDI devices.

This allows you to give another VG-99 the identical settings and to

save effect sound settings to MIDI sequencers and other such

devices.

Controlling the VG-99 from an External MIDI Device

Switching Patch Numbers

The VG-99’s patches switch immediately in response to Program

Change messages received from external MIDI devices.

You can set the correspondence between MIDI Program

Change messages and the VG-99’s patches with the

PC MAP (RECEIVE PROGRAM CHANGE MAP)”

61). Set this to ensure correspondence of the VG-99’s

effect sounds with those of other MIDI devices.

The connections shown in the diagram below are used when playing

your guitar backed by an automatic sequencer performance. The

VG-99’s patches change automatically when a Program number is

entered with the performance data at the point where you want the

VG-99’s patches to change.

“RX

(p.

Chapter 6

MIDI IN

MIDI OUT

Outputting Control Change Messages

Data describing the action of an external device (expression pedal or

footswitch) connected to the VG-99 is output as Control Change

messages. These messages can be used for such tasks as adjusting

external MIDI devices’ parameters.

MIDI OUT

MIDI IN

Chapter 6 Using MIDI

Receiving Control Change Messages

The VG-99 can receive Control Change messages to

control specified parameters while a performance is in

progress. Set the parameters to be controlled with

“Using the Switches, Pedals, and MIDI to Control the

Sounds (CONTROL ASSIGN)”

Receiving Data

The VG-99 can receive data transmitted from other VG-99’s and data

saved to MIDI sequencers.

(p. 82).

Main Types of MIDI Messages Handled by the VG-99

In order to be able to convey the full range of expression that is

possible during performance, MIDI provides for different types of

MIDI messages. MIDI messages can be categorized broadly into two

groups; messages handled on an individual MIDI channel basis

(Channel messages), and those handled independently of MIDI

channels (System messages).

Channel Messages

These are messages used for conveying the events that take place

during performance. Normally, you can control most performances

using only these messages. The action controlled with each MIDI

message is determined by the receiving device’s settings.

Program Change Messages

These message are generally used for switching sounds; sounds are

switched with Program Change numbers 1–128. Furthermore, with

the VG-99, you can also use Control Change Bank Select messages

together with the Program Change messages, allowing you to switch

400 different patch numbers.

Control Change Messages

Control Change messages are used for enhancing performance

expression. Functions are distinguished from one another with

Control numbers; the particular functions that can be controlled

varies with the MIDI device. With the VG-99, you can control

specified parameters.

Note On Messages

These messages convey to the device the pitches and volumes at

which sounds are played.

Note Off Messages

These messages instruct the device to stop sounds currently being

played.

Bend Messages

These messages are sent to produce continuous changes in the pitch.

System Messages

System messages include Exclusive messages, messages required for

synchronized performances, and messages designed to prevent

problems with operation.

Exclusive Messages

Exclusive messages are used for handling sounds unique to a

particular device and other such messages. Basically, you can

exchange messages between devices of the same type from the same

manufacturer. Using Exclusive messages, you can store parameter

settings to sequencers and transmit parameter settings to other VG-

99s.

To exchange Exclusive messages, the Device ID numbers for each of

the instruments must match.

Chapter 6 Using MIDI

TransmitFunction

Fold here

MIDI Device A MIDI Device B

Recognized

Remarks

About the MIDI Implementation

While the use of MIDI allows various devices to communicate with

each other, this does not mean that it enables exchanges of all

information. The data that can be exchanged between any two

connected devices is limited to the messages common to both

devices.

Therefore, MIDI device owner’s manuals always contain a MIDI

Implementation chart, which allows the user to determine quickly

what MIDI messages the particular device supports. Comparing the

MIDI Implementation charts for each device allows you to confirm

what information can be exchanged and how to accomplish this.

Since these charts are uniform in size, you can overlay the charts for

the transmitting and receiving devices when checking the

information.

Exchanging MIDI Messages

This section provides a simple description of how MIDI messages

are exchanged.

About MIDI Connectors

MIDI messages are exchanged via the connectors described below.

Connect MIDI cables to these connectors according to the use.

MIDI Connector

MIDI IN

MIDI OUT Messages from the VG-99 are transmitted here.

Description

Messages from other MIDI devices are received here.

A separate publication titled “MIDI Implementation” is also

available. It provides complete details concerning the way MIDI

has been implemented on this unit. If you should require this

publication (such as when you intend to carry out byte-level

programming), please access the Roland web site.

http://www.roland.com/

About MIDI Channels

MIDI allows various different messages to be sent separately to

multiple MIDI devices over a single MIDI cable. This is possible

thanks to the concept of MIDI channels.

MIDI channels use an approach similar to that of television channels.

Switching channels on the TV allows the viewer to watch programs

from a variety of broadcasters. This is because information is

transferred over the channel to which both the transmitter and

receiver are tuned.

TV information from many different broadcasting

Broadcasting

Station A

Broadcasting

Station B

Broadcasting

Station C

MIDI includes channels numbered 1–16; MIDI messages are

transmitted to (receiving) instruments set to the same channel as the

transmitting device’s.

station is sent through an antenna.

Select the channel of the broadcasting station you wish to watch.

Chapter 6

Chapter 6 Using MIDI

Bank Select and Program Change

Bank Select and Program Change are MIDI messages generally used

for switching patches.

Normally, patches are switched using Program Change messages.

However, if Program Changes alone are used, you’ll only be able to

select up to a maximum of 128 different patches. Because of this,

some devices also employ the Bank Select, expanding the number of

selectable patches.

Patches for these devices are assigned numbers combining Bank

Select MSB, LSB numbers 0–127 and Program numbers 1–128.

* The VG-99 disregards the Bank Select LSB.

Setting the MIDI-Related Functions

This section describes the VG-99’s MIDI-related functions. Set these

according to how they are to be used.

Press [SYSTEM].

The System screen appears.

Press PAGE [ ] to display Page 1.

Press [F6] (MIDI).

The MIDI settings screen appears.

The following section describes the settings used with MIDI.

MIDI Channel

This sets the channel used for transmitting and receiving MIDI

messages corresponding to the VG-99’s patches and operations.

Also refer to

(GUITAR TO MIDI)”

function, and refer to

(V-LINK)”

“Playing an External Synthesizer Sound Module

(p. 64) if you are using the GUITAR TO MIDI

“Controlling Video Images with Your Guitar

(p. 96) if you are using the V-LINK function.

Follow Steps 1–3 in “Setting the MIDI-Related Functions” (p. 58) to display the MIDI screen.

Press PAGE [ ] to display Page 1.

Rotate the F1 knob to set the MIDI channel (1–

16).

Be sure not to set the same MIDI channel as the channel

used for the GUITAR TO MIDI or V-LINK functions.

Chapter 6 Using MIDI

MIDI Omni Mode

When set to MIDI Omni mode, the VG-99 receives messages on all

MIDI channels, regardless of the MIDI channel settings. You can use

Omni mode whenever you do not need to use specific MIDI

channels in controlling the VG-99.

Follow Steps 1–3 in “Setting the MIDI-Related Functions” (p. 58) to display the MIDI screen.

Press PAGE [ ] to display Page 1.

Set Omni mode on or off with [F2] or the F2 knob.

Even with Omni mode set to ON, the only Exclusive

messages received will be those carrying the Device ID

set for Device ID.

Omni mode is set to ON at the factory.

MIDI Device ID

This sets the Device ID to be used for the transmission and reception

of Exclusive messages.

SYNC CLOCK

You can synchronize the VG-99 to the MIDI Clock (tempo)

transmitted from a MIDI sequencer or other external MIDI device.

Follow Steps 1–3 in “Setting the MIDI-Related Functions” (p. 58) to display the MIDI screen.

Press PAGE [ ] to display Page 1.

Use [F6] (SELECT) or the F6 knob to select the MIDI Clock to use as the tempo reference.

For detailed information on the parameters that can be

set, refer to

External Device”

“Syncing to the MIDI CLOCK from an

(p. 64).

MIDI ROUTING

Set the VG-99’s control signal path.

The VG-99 features three types of connectors for data input and

output: the MIDI connectors (IN/OUT), a USB connector, and the

RRC2 IN connector. When connecting the VG-99 to devices other

than the FC-300, you need to consider the routing of the control

signals.

Check the display as you set the necessary connections.

You can make the settings for MIDI IN and OUT on Page 2, for the

USB connector on Page 3, and for the RRC2 IN connector on Page 4.

Follow Steps 1–3 in “Setting the MIDI-Related Functions” (p. 58) to display the MIDI screen.

Chapter 6

Device ID is set to 1 at the factory.

Follow Steps 1–3 in “Setting the MIDI-Related Functions” (p. 58) to display the MIDI screen.

Press PAGE [ ] to display Page 1.

Rotate the F3 knob to set the Device ID (1–32).

Press PAGE [ ] [ ] to display Pages 2–4.

Set the connections with [F1]–[F3] or the F1– F3 knobs.

Chapter 6 Using MIDI

MIDI PC OUT

This setting determines whether or not Program Change messages

are output when the VG-99’s patches are switched.

Follow Steps 1–3 in “Setting the MIDI-Related Functions” (p. 58) to display the MIDI screen.

Press PAGE [ ] [ ] to display Page 5.

Set PC OUT ON/OFF with [F1] or the F1 knob.

When outputting Program Change messages, the VG-99

simultaneously outputs MIDI Bank Select messages.

TX PC MAP (TRANSMIT PROGRAM CHANGE MAP)

This setting determines the sequence of Program Change messages

output when the VG-99’s patches are changed.

You can select whether to output Program Change messages set for

the patches in advance or the Program Change messages

programmed in each patch.

Follow Steps 1–3 in “Setting the MIDI-Related Functions” (p. 58) to display the MIDI screen.

Press PAGE [ ] [ ] to display Page 5.

Use [F2] or the F2 knob to set whether or not the Transmit Program channel is used.

Available Settings

FIX

PROG

The table below shows the correspondence between the patches and

Program Change messages when TX PC MAP is set to FIX.

Description

Regardless of the patch settings, Program Change messages predetermined for each patch number are output.

The Program Change messages programmed in each patch are output.

Patch Number

001

: : :

100 0 100

101 1 1

: : :

200 1 100

201 2 1

: : :

400 3 100

Bank Select Program

Number

0 1

Chapter 6 Using MIDI

Setting the TX PC MAP

To set Program Change messages to be transmitted with individual

patches, make the settings described below.

Patch parameters are settings made individually for each

patch.

The Write procedure is required to save changes in the

settings.

Select the patch to which you want to assign the predetermined Program Change message to be transmitted.

Press [NAME/KEY/BPM].

Press [F5] (TX PC).

Use [F1] – [F3] or F1 – F3 knob to set the Program Change Number and the Bank Select.

If you want to save the edited settings, perform the Write procedure (p. 38).

* If not saving the settings, press [EXIT] to return to the Play screen.

RX PC MAP (RECEIVE PROGRAM CHANGE MAP)

You can select whether to use a fixed or freely set correspondence

between program numbers received and the patches switched to

when the VG-99’s patches are switched by Program Change

messages transmitted by an external MIDI device.

Follow Steps 1–3 in “Setting the MIDI-Related Functions” (p. 58) to display the MIDI screen.

Press PAGE [ ] [ ] to display Page 5.

Use [F3] or the F3 knob to set whether or not the Receive Program Change Map is used.

Available Settings

FIX

PROG

To change the patch assigned to a received Program Number, press [LEFT] [RIGHT] to display Page 6.

The RX PC MAP screen appears.

Description

The VG-99 switches to the patches predetermined for the corresponding received Program Change messages, regardless of the Receive Program Change Map settings.

The VG-99 switches to the patches set in the Receive Program Change Map.

Chapter 6

Assign the patch to a received Program Number.

• [F1] (BANK)/F1 Knob Selects the Bank number.

• [F2] (SEL ) or [F3] (SEL )/F2 or F3 Knob Selects the Program number.

• [F5] (SELECT)/F5 Knob Selects the patch.

When the combination of the Bank number and Program

number selected with F1, F2, and F3 is received, the VG-99

switches to the patch selected with F5.

Chapter 6 Using MIDI

MIDI IN

MIDI OUT

The table below shows the correspondence between the factory

default Program change Map and the Program Change messages

received when RX PC MAP is set to FIX.

Bank Select

Program Number

: : :

0 128 128

1 1 101

: : :

3 1 301

: : :

3 100 400

: : :

3 128 400

* When setting

“MIDI CH (MIDI Channel)”

transmit channel beforehand.

1 001

128 328

“OMNI MODE”

Patch Number

(p. 170) to OFF, be sure to match

(p. 170) to the external MIDI device’s

Setting the MIDI Output Control Change Number

This sets the Control Change numbers output when the VG-99’s

pedals and external pedals or the FC-300’s pedals and external

pedals are operated.

Bulk Dump

With the VG-99, you can use Exclusive messages to set another VG-

99 to the same settings or to save effect sound settings to MIDI

sequencers and other such devices.

This transmission of data is referred to as bulk dump.

Data that can be transmitted is described below.

Displayed

ALL

SYSTEM SYSTEM parameters.

GK SETTING Settings content for GK SETTING

GLOBAL GLOBAL function settings

PATCH Settings for patch numbers 001–200

FAVORITE SETTING

Data Transmitted

All transmittable data (SYSTEM, GK SETTING, GLOBAL, PATCH 001–200, FAVORITE SETTING)

Settings content in FAVORITE SETTINGS 01– 10 for all effects

How to Transmit the Data

When Saving Data to a MIDI Sequencer

Connect the devices as shown below, then place the MIDI sequencer

in standby mode, so it is ready to receive Exclusive messages.

Follow Steps 1–3 in “Setting the MIDI-Related Functions” (p. 58) to display the MIDI screen.

Press PAGE [ ] [ ] to display Page 7.

The TX CC screen appears.

Use [F2] (SEL ) or [F3] (SEL ), the F2 or F3 knobs to select the controller you want to set.

Use [F5] or the F5 knob to assign the Control Change number to be transmitted when the controller is adjusted.

When the controller selected with F2 or F3 is operated, the

Control Change message selected with F5 is transmitted.

* Control Changes message cannot be output if OFF is selected.

For information on how to operate the sequencer you are

using, refer to the owner’s manual that came with it.

Chapter 6 Using MIDI

MIDI IN

MIDI OUT

When Transmitting Data to Another VG-99

Connect the devices as shown below, then match the Device IDs for

the transmitting and receiving devices.

MIDI OUT

MIDI IN

Bulk Load

Reception of VG-99 data saved to MIDI sequencers and other

devices is referred to as bulk load.

When Receiving Data Saved to a MIDI Sequencer

Connect the devices as shown below. Set the VG-99’s Device ID to the same one used when the data was transmitted to the MIDI sequencer.

Follow Steps 1–3 in “Setting the MIDI-Related Functions” (p. 58) to display the MIDI screen.

Press PAGE [ ] [ ] to display Page 8.

Use [F2] (SEL) or [F3] (SEL) to select the data you want to transmit.

Press [F1] (CHECK).

Only the types of data with a check mark are transmitted.

When selecting PATCH FROM/TO, you can use the

PATCH/VALUE dial to specify the range of patch

numbers to be transmitted

Repeat Steps 2 and 3 as needed.

Press [F6] (DUMP).

Transmission begins. Once the transmission is complete,

you’re returned to the screen you were in prior to

transmission.

Transmit the bulk data from the MIDI sequencer.

The message “SYSTEM EXCLUSIVE MESSAGE

RECEIVING...” is displayed while the data is being received.

Once the reception is complete, you’re returned to the screen

you were in prior to reception.

In this state, the VG-99 can then receive further data.

If the message “MIDI BUFFER FULL” appears, check the

connections and reduce the tempo of the transmitting

MIDI device.

Chapter 6

You can cancel the procedure in progress by pressing

[EXIT].

Chapter 6 Using MIDI

Syncing to the MIDI CLOCK from an External Device

Follow Steps 1–3 in “Setting the MIDI-Related Functions” (p. 58) to display the MIDI screen.

Press PAGE [ ] to display Page 1.

Use [F6] (SELECT) or the F6 knob to select the synchronizing signal.

This specifies the setting to be stored as the SYNC CLOCK

setting.

• INTERNAL The VG-99 operates independently.

• AUTO (USB) The VG-99 is synchronized to the MIDI Clock received via

USB. However, operations are automatically synchronized to

the VG-99’s internal Clock if the VG-99 is unable to receive the

external Clock.

• AUTO (MIDI) The VG-99 is synchronized to the MIDI Clock received via

MIDI. However, operations are automatically synchronized to

the VG-99’s internal Clock if the VG-99 is unable to receive the

external Clock.

• AUTO (RRC2) The VG-99 is synchronized to the MIDI Clock received via

RRC2. However, operations are automatically synchronized to

the VG-99’s internal Clock if the VG-99 is unable to receive the

external Clock.

Playing an External Synthesizer Sound Module (GUITAR TO MIDI)

The VG-99 can convert performance data to MIDI Note and Bend

messages and output these messages. Using this function allows you

to record performances to sequencers and play sounds through

external sequencer sound modules.

The GUITAR TO MIDI function features system parameters, whose

settings affect the overall functionality of the device, and patch

parameters, which are set on an individual patch basis.

Pitches output with GUITAR TO MIDI (the MIDI Note

messages) are affected by the Channel A Alternate

Tuning settings (TUNING, BEND, HARMO) and the D

Beam/ribbon controller settings (T-ARM).

* The Channel B Alternate Tuning settings have no bearing on these

output pitches.

* If the pitch output with GUITAR TO MIDI (the MIDI Note

messages) is excessively low (or high) due to the influence of the

Channel A Alternate Tuning settings, the pitch is then

automatically set one octave higher (or lower).

Setting the GUITAR TO MIDI Function (System Parameters)

These procedures are used for making settings for the device as a

whole. Changes are saved at the same time they are changed. The

Write procedure is not required.

After entering these parameters, press [EXIT] several times to return

to the Play screen.

Switching the GUITAR TO MIDI Function On and Off

Press [GUITAR TO MIDI].

The GUITAR TO MIDI screen appears.

Set GTR TO MIDI to ON with [F1] (OFF/ON) or the F1 knob.

Setting this to OFF prevents the output of all MIDI messages

related to the GUITAR TO MIDI function.

Chapter 6 Using MIDI

Selecting the Controller Used to Control the Hold Function (HOLD CTL)

Press [GUITAR TO MIDI].

The GUITAR TO MIDI screen appears.

Press [F5] (SYSTEM).

Use [F1] (SELECT) or the F1 knob to select the controller you want to set.

HOLD CTL Controller

GK S1, S2 GK-3 DOWN/S1, UP/S2 switch

CTL 1–4

FC-300 CTL1–8

VG-99’s CONTROL 1, 2 buttons or foot switch connected to CTL 3,4 jack

FC-300’s CTL 1, 2 pedals or foot switch connected to CTL jacks 3–8

Thinning Out Bend Messages (BEND THIN)

Vibrato, slides, and other such data in guitar performances are

output as Pitch Bend messages.

For this reason, the receiving MIDI device may encounter problems

with operation when Pitch Bend messages containing large amounts

of data are included.

You can use the BEND THIN function to thin out the Pitch Bend

messages and control the volume of MIDI data.

Follow Steps 1–2 in “Selecting the Controller Used to Control the Hold Function (HOLD CTL)” (p. 65) to display the GTR TO MIDI screen.

Set the function to ON with [F2] (OFF/ON) or the F2 knob.

Select OFF when you do not want to reduce the amount of

data transmitted in the Pitch Bend messages.

Chapter 6

Controllers to which HOLD CTL is assigned are enabled

simultaneously with parameters set in the SYSTEM

CONTROL ASSIGN settings (p. 167). Set CONTROL

ASSIGN to OFF if you want to use only the Hold

function.

You can select the way the Hold function operates. For

more details, refer to

Functions (HOLD TYPE)”

“Selecting How the Hold

(p. 69).

Chapter 6 Using MIDI

Setting the MIDI Transmit Channel (BASIC CH)

This sets the MIDI channel used for output of string performance

data from the VG-99.

Set the MIDI channels according to the POLY/MONO mode as

shown below.

• When set to POLY mode The performance data for all of the strings is transmitted over

the basic channel.

• When set to MONO mode 1st string: Transmitted over the basic channel.

2nd string: Transmitted over the channel number one higher

than the basic channel.

6th string: Transmitted over the channel number five higher

than the basic channel.

For more details about the mode, refer to

Transmission Mode (MODE)”

Follow Steps 1–2 in “Selecting the Controller

(p. 67).

Used to Control the Hold Function (HOLD CTL)” (p. 65) to display the GTR TO MIDI screen.

“Setting the

Preventing Transmission of Program Change Messages (PC MASK)

You can prevent transmission of Program Change messages that can

be set in

Simultaneously When Switching Patches (PC)”

“Outputting Program Change Messages

(p. 70).

* This does not affect such Program Changes as those set in

OUT”

(p. 60).

“MIDI PC

Follow Steps 1–2 in “Selecting the Controller Used to Control the Hold Function (HOLD CTL)” (p. 65) to display the GTR TO MIDI screen.

Set the function to ON with [F4] (OFF/ON) or the F4 knob.

When PC MASK is set to ON, the Program Change messages

set with the PC parameter (p. 70) in GUITAR TO MIDI are not

transmitted.

Set the channel with [F3] (SELECT) or the F3 knob.

Setting the GUITAR TO MIDI Function (Patch Parameters)

Patch parameters are settings made individually for each

patch. The Write procedure is required to save changes

in the settings. Carry out the Write procedure as needed.

Setting the Transmission Mode (MODE)

Press [GUITAR TO MIDI].

The GTR TO MIDI screen appears.

Chapter 6 Using MIDI

used, it does impose certain limitations; for example,

permitting only one tone to be selected for all of the strings.

All patches are set to MONO mode at the factory.

When chords are played in POLY mode, pitch bends and

glides change in semitone increments, while vibrato

cannot be used. Pitch bends and glides work normally in

POLY Mode when playing single notes.

Press [F3] (PATCH).

Press PAGE [ ] to display Page 1.

Set the mode with [F1] (SELECT) or the F1 knob.

• MONO (MONO Mode)

In this mode, one channel per string is used, thus using a total

of six channels.

Since each string uses a different MIDI channel, you can select

a different tone for each string, using string bending or

continuously varying the pitch on a specific string; however,

this requires use of a multitimbral sound module.

• POLY (POLY Mode)

Chapter 6

In this mode, the messages for all six strings are transmitted

over a single channel.

While transmitting the MIDI messages for all of the strings

over one channel does simplify the settings needed for the

sound module and reduces the number of MIDI channels

Chapter 6 Using MIDI

Adjusting the Feel Produced in Playing the Guitar (PLAY FEEL)

This selects the response of the synth sound relative to the picking

dynamics.

Changing this setting depending on the performance style used with

the guitar or the tone allows you to express dynamics more

naturally.

Follow Steps 1–2 in “Setting the Transmission Mode (MODE)” (p. 67) to display the GTR TO MIDI screen.

Press PAGE [ ] to display Page 1.

Adjust the setting with [F2] (SELECT) or the F2 knob.

• FEEL1–FEEL4 FEEL1 is the mode that gives sounds the broadest variation in

volume based on the picking dynamics. As the setting number

is increased, it becomes easier to produce high volume sounds

even with weaker picking.

This allows you to play with consistent volume, whether you

tap the strings or use rough picking.

• NO DYNA In this mode, sounds are played at a fixed volume regardless

of the picking strength.

• STRUM This suppresses the output of sounds from weaker picking.

This setting allows you to prevent undesired sounds

produced when playing rhythm or due to incidental contact

with strings from incorrect picking.

Changing the Pitch in Semitone Units (CHROMATIC)

When using string bending or other such techniques to gradually

change the pitch with the guitar or bass, you can set the VG-99 so

that the pitch of the MIDI messages being output changes in

semitone increments.

Follow Steps 1–2 in “Setting the Transmission Mode (MODE)” (p. 67) to display the GTR TO MIDI screen.

Press PAGE [ ] to display Page 1.

Adjust the setting with [F3] (SELECT) or the F3 knob.

• OFF Normal Pitch Bend messages are output. The pitch varies

continuously in keeping with the string bending or vibrato.

• TYPE 1 When the pitch changes, this setting applies the results of the

pitch change information without stopping the note that is

playing.

This produces a unique effect, whereby there is no attack

sound when the pitches change, similar to slurring on a

recorder.

• TYPE 2 When the pitch changes, the VG-99 retriggers (replays) the

sound at the changed pitch, producing pitch changes only at

the semitone increments.

As a result, the attack sound plays each time the pitch

changes. The attenuation of the string vibration following the

moment the string is played is reflected in the gradual fading

of the retriggered sound.

• TYPE 3 As with TYPE 2, sounds are retriggered at the changed pitch,

expressing the pitch changes only in semitones.

However, instead of reflecting the attenuation of the string

vibration, the retriggered sound is the same as that when the

string was initially played.

Chapter 6 Using MIDI

Selecting How the Hold Functions (HOLD TYPE)

This selects the Hold function type when the controller set with the

HOLD CTL parameter (p. 65) is adjusted.

Follow Steps 1–2 in “Setting the Transmission Mode (MODE)” (p. 67) to display the GTR TO MIDI screen.

Press PAGE [ ] to display Page 1.

Use [F1] (SELECT) or the F1 knob to select MONO.

Adjust the setting with [F4] (SELECT) or the F4 knob.

• HOLD 1 The Note On messages are held when the Hold function is

switched on with the controller.

If the Hold function remains on as you continue to play the

strings, each successive Note On message is held, and when a

Note message is already being played from the same string,

the previous Note message is cancelled, and the next Note On

message is held. This allows you to prevent any interruption

in the sounds, even sounds from releasing the strings over the

frets.

• HOLD 2 The Note On messages are held when the Hold function is

switched on with the controller.

However, subsequent Note On messages are not output if you

continue to play the instrument with the Hold effect left on.

• HOLD 3 The Note On messages are held when the Hold function is

switched on with the controller.

If the Hold function remains on as you continue to play the

strings, Note On messages for strings other than the one

already being held can be output, but they are not held.

Outputting Control Changes by Operating the Controllers (CC)

You can operate the panel knobs and pedals to output Control

Change messages.

There are two different settings.

Follow Steps 1–2 in “Setting the Transmission Mode (MODE)” (p. 67) to display the GTR TO MIDI screen.

Press PAGE [ ] [ ] to display Page 2.

Use [F1] (SELECT) or the F1 knob, or [F4] (SELECT) or the F4 knob, to select the controller you want to set.

SRC

GK VOL

GK S1 GK-3 DOWN/S1 Switch

GK S2 GK-3 UP/S2 Switch

CTL1 Control Button 1

CTL2 Control Button 2

EXP PEDAL External Expression Pedal

CTL3 External Footswitch 3

CTL4 External Footswitch 4

D BEAM V D BEAM Height

D BEAM H D BEAM Left-Right

RIBBON ACT Ribbon Controller Touch

RIBBON POS Ribbon Controller Touch Position

FC-300 EXP1 FC-300’s EXP PEDAL 1

FC-300 EXPSW1 FC-300’s EXP PEDAL SW1

FC-300 EXP2 FC-300’s EXP PEDAL 2

FC-300 EXPSW2 FC-300’s EXP PEDAL SW2

FC-300 CTL1 FC-300’s CTL1

FC-300 CTL2 FC-300’s CTL2

FC-300 E3/C3

FC-300 CTL4 FC-300’s External Footswitch 4

FC-300 E4/C5

FC-300 CTL6 FC-300’s External Footswitch 6

FC-300 E5/C7

FC-300 CTL8 FC-300’s External Footswitch 8

Controller

GK-3 Volume knob

FC-300’s External Expression Pedal 3, External Footswitch 3

FC-300’s External Expression Pedal 4, External Footswitch 5

FC-300’s External Expression Pedal 5, External Footswitch 7

Chapter 6

Use [F2] (SELECT) or the F2 knob, or [F5] (SELECT) or the F5 knob, to select the Control Change number you want to output.

Off, CC #1–#31, CC #64–#95

Chapter 6 Using MIDI

The MIDI channel over which the messages are output in

POLY mode is only the basic channel. In MONO mode,

the messages are output over the six channels spanning

from the basic channel up to the channel numbered five

above the basic channel.

Outputting Program Change Messages Simultaneously When Switching Patches (PC)

This sets the Program Change messages that are output when the

VG-99’s patches are switched.

* Program Change messages are not output while PC MASK (p. 66) is

set to ON.

Follow Steps 1–2 in “Setting the Transmission Mode (MODE)” (p. 67) to display the GTR TO MIDI screen.

Press PAGE [ ] [ ] to display Pages 3–5.

When MODE (p. 67) is set to MONO, you can make settings

individually for each of the six strings of STRING 1–6.

Make the settings with [F1]–[F6] or the F1–F6 knobs.

Set the following parameters.

BANK MSB

OFF, 0–127

BANK LSB Explanation

OFF, 0–127

OFF, 1–128

The MIDI channel over which the messages are output in

POLY mode is only the basic channel. In MONO mode,

the messages are output over the six channels spanning

from the basic channel up to the channel numbered five

above the basic channel.

Explanation

This sets the Bank Select (MSB).

This sets the Bank Select (LSB).

Explanation

This sets the Program Number.

Chapter 7 Using the VG-99 Connected

What is a USB Driver?

A USB driver is software that acts as a go-between in

transferring data between computer applications (such as

recording software and sequencer software) and the USB device

when the computer and USB device are connected using a USB

cable.

The USB driver transmits data from the applications to the USB

device, and conversely, passes messages from the USB device to

the applications.

Application

USB

Driver

Computer

VG-99

USB Cable

USB Connector

to a Computer Via USB

Before Using the USB Connection

By using USB with the VG-99, you’ll be able to exchange digital

audio signals and MIDI messages with your computer.

Installing and Setting the USB Driver

Use of the VG-99’s USB functionality requires that the USB driver

first be installed on the computer.

The dedicated VG-99 driver is contained on the “VG-99 Software

CD-ROM” included with the VG-99.

As the program and procedures used in installing the driver vary

according to the operating environment, carefully read the following

Readme file contained on the “VG-99 Software CD-ROM” before

use.

Using OS

Windows XP

Windows Vista

Mac OS X

Contained location

\Driver\XP\Readme_E.htm

\Driver\Vista\Readme_E.htm

\Driver\Readme_E.htm

Chapter 7

Chapter 7 Using the VG-99 Connected to a Computer Via USB

About the Included Software

In addition to the USB drivers, the included “VG-99 Software CD-

ROM” also contains special software that can be used when the VG-

99 is connected with a computer. The CD-ROM contains different

versions for use with Windows and Macintosh operating systems.

VG-99 Editor

You can use this to make settings for the VG-99 from your computer.

You can also save tone setting (patch) data you have created as files

on the computer.

VG-99 Librarian

You can manage the VG-99’s settings and patches all together using

your computer.

Switching the Driver Mode

Press [SYSTEM].

Press PAGE [ ] [ ] to go to Page 2.

Press [F2] (USB).

Press PAGE [ ] to go to Page 2.

Driver Mode

The VG-99 features two operational modes, one which uses the

special driver contained on the included CD-ROM, and one in which

the OS’s (Windows/Mac OS) standard driver is used.

Using the specialized driver, you can record, play back, and edit

audio with high-quality sound and stable timing.

It also allows you to control the VG-99 using MIDI messages.

Set the DRIVER MODE with [F1] (SELECT) or the F1 knob.

Setting Explanation

STNDRD

ADVANC

* When using VG-99 Editor/Librarian, set this to ADVANC.

* The message “PLEASE RESTART” appears when DRIVER

MODE is switched.

Press [EXIT] one or more times to return to the

This mode uses the OS’s standard USB driver.

This mode uses the dedicated driver contained on the CD-ROM.

Play screen.

* If you have not yet installed the driver for the mode you have set,

turn off the power to the VG-99 in this condition and install the

driver.

Quit all sequencer software and other applications on the computer that are using the VG-99.

Turn on the power to the VG-99 again.

* The functions of a mode won’t become available until after the power

has been turned off, then on again.

About MIDI in Standard Driver Mode

You cannot use MIDI when STNDRD is selected as the driver mode.

If you want to use MIDI with the USB connection, set the VG-99 to

the advanced driver mode.

Chapter 7 Using the VG-99 Connected to a Computer Via USB

Setting the USB Functions

The following section describes the VG-99’s USB-related functions.

Make these settings in accordance with how you plan to use the VG-

99.

Setting the Digital Audio Signal Input and Output

Press [SYSTEM].

Press PAGE [ ] to go to Page 2.

Press [F2] (USB).

Press PAGE [ ] to go to Page 1.

Change the setting’s value with [F1]–[F4] or the F1–F4 knobs.

Press [EXIT] one or more times to return to the Play screen.

Parameter/ Range

USB IN

This sets the point at which digital audio signals received via USB (from your computer) are connected within the VG-99.

* Unless this is set to OFF, make sure the software is not set to thru for

audio signals.

* If the USB IN parameter is set to COSM GTR A, COSM GTR B, or

NORMAL PU, the setting automatically changes to MAIN & SUB the next time the VG-99 is powered up. If you plan to use COSM GTR A, COSM GTR B, or NORMAL PU, make the setting each time you turn on the power to the VG-99.

OFF

COSM GTR A The signals are connected at the point where

Explanation

The signals are not connected at any point.

the COSM GUITAR A is output. The audio output from the computer, instead of the COSM guitar sounds played by the connected guitar, is input to the effects.

* POLY FX are not applied.

Parameter/ Range

COSM GTR B

NORMAL PU

MAIN OUT The signals are connected at the point where

SUB OUT The signals are connected at the point where

MAIN&SUB The signals are connected at the point where

Explanation

The signals are connected at the point where the COSM GUITAR B is output. The audio output from the computer, instead of the COSM guitar sounds played by the connected guitar, is input to the effects.

* POLY FX are not applied.

The signals are connected at the normal pickup input. The audio output from the computer, instead of the normal sounds played by the connected guitar, is input to the effects.

MAIN OUT is output. The signals from the VG-99’s MAIN OUT and the audio output from the computer are mixed and output.

SUB OUT is output. The signals from the VG-99’s SUB OUT and the audio output from the computer are mixed and output.

both MAIN OUT and SUB OUT are output. Each of the signals from the VG-99’s MAIN OUT and the audio output from the computer are mixed, SUB OUT and the audio output from the computer are mixed from the output.

IN LEVEL

0–200

Adjusts the volume level of the digital audio received via USB (from the computer).

USB OUT

This sets the point internally within the VG-99 from which signals are output via USB (to the computer).

COSM GTR A The output from COSM GUITAR A is out-

put.

COSM GTR B The output from COSM GUITAR B is out-

put.

NORMAL PU The normal pickup input is output.

CH A The output from Channel A is output.

CH B The output from Channel B is output.

MIXER (DRY) The signals that have been mixed with the

mixer, but before application of DELAY/ REVERB, are output.

MIXER The signals that have been mixed with the

mixer and have DELAY/REVERB applied are output.

MAIN OUT The same signals as those from MAIN OUT

are output.

SUB OUT The same signals as those from SUB OUT

are output.

OUT LEVEL

0–200

Adjusts the volume level of the digital audio output via USB (to the computer).

Chapter 7

Chapter 7 Using the VG-99 Connected to a Computer Via USB

Audio signal

DIRECT MON

MAIN or SUB

USB OUT USB IN

Audio OUT

Audio IN

VG-99 sound

Computer

Headphones

Guitar Amp

Mixer

Setting the Direct Monitor

Press [SYSTEM].

Press PAGE [ ] [ ] to go to Page 2.

Press [F2] (USB).

Press PAGE [ ] to go to Page 2.

Change the setting’s value with [F2] (SELECT), [F3] (OFF/ON) or the F2, F3 knobs.

Parameter/ Range

Explanation

MON CMD (Monitor Command)

This setting determines whether or not the command (the Direct Monitor command) controlling the Direct Monitor (described later) setting is enabled.

DISABL The Direct Monitor command is disabled,

maintaining the Direct Monitor mode set by the VG-99.

ENABLE The Direct Monitor command is enabled, al-

lowing the Direct Monitor mode to be switched from an external device.

DIRECT MON (Direct Monitor)

Switches the output of the VG-99 sound to the PHONES jack, MAIN OUT jacks, or SUB OUT jacks.

For more information on signal paths set by the Direct

Monitor parameter settings, refer to

“Signal Flow”

183).

Press [EXIT] one or more times to return to the Play screen.

(p.

OFF Set this to Off if transmitting audio data in-

ternally through a computer (Thru).

ON The VG-99 sound is output. Set this to On

when using the VG-99 as a standalone device, without connecting to a computer (only USB IN input sound will be output if this is set to Off).

* This setting cannot be saved. It is set to ON when the power is turned

on.

* If you are using the special driver, you can control DIRECT MON On/

Off from ASIO 2.0-compatible application.

Chapter 7 Using the VG-99 Connected to a Computer Via USB

Recording the VG-99’s Output with a Computer

In the computer application, set the audio input port to the VG-99.

You can freely set the point at which signals are sent to the computer

with

“USB OUT”

For example, by selecting COSM GTR A or COSM GTR B, you can

listen to the performance with the effects applied, while recording it

without the effects.

* If passing audio data through the software you’re using, switch the

direct monitor off.

(p. 73)

Using the VG-99 to Add Effects to Audio Playback from a Computer

In the computer application, set the audio output port to the VG-99.

You can use the VG-99 to apply effects to the audio data played by

the computer, then record the data again with the computer.

Use this process when, for example, you want to add effects to

existing audio data.

* Set the software so audio is not passed through it.

Press [SYSTEM].

Press PAGE [ ] [ ] to go to Page 2.

Press [F2] (USB).

Press PAGE [ ] to go to Page 1.

Use [F1] or the F1 knob to set the point within the VG at which you want the connection to be made.

Here, set either COSM GTR A, COSM GTR B, or NORMAL

PU.

For more information about the USB IN parameter

settings, refer to

Input and Output”

Use [F2] or the F2 knob to adjust the level of

“Setting the Digital Audio Signal

(p. 73).

the digital audio from the USB (computer).

Press [EXIT] one or more times to return to the Play screen.

Chapter 7

Chapter 8 Other Functions

Changing the Tone in Real Time with the D Beam and Ribbon Controllers

Adjusting the D Beam (CALIBRATION)

The sensitivity of the D Beam controller can vary depending on the

amount of light in the vicinity of the controller and the object (e.g.,

hand, guitar neck) used to operate it. Perform this adjustment so you

can control the tone in the intended range.

Press [SYSTEM].

Press PAGE [ ] [ ] to go to Page 2.

• Be sure to adjust the CALIBRATION directly above the D Beam controller.

• When the message “MISSING THE TARGET!” appears, it indicates that the calibration is not being performed correctly.

• The CALIBRATION setting is a system parameter, so the Write procedure is not required.

OK!

Press [F5] (CALIB).

Press PAGE [ ] to go to Page 1.

Set the beam’s responsive range as you actually operate the D Beam controller.

• First, hold the object you will use to activate the controller (your hand, guitar neck, etc.) at the point farthest from the VG-99 in the range you want the controller to respond, and press [F1] (SetMIN).

• Next, hold the object at the closest point in the range you want the controller to respond, and press [F4] (SetMAX).

Press [EXIT] several times to return to the Play screen.

• The D Beam controller’s response may also vary with the stage lighting used. Confirm operation of the controller by testing it onstage under the actual illumination.

• If the set range is too narrow or if the positioning is not suitable, the message “OUT OF RANGE! SET AGAIN.” appears. To keep this message from appearing, change the range or position and recalibrate.

• The controller may not function properly with spot lights or other such lighting shining directly on it.

Chapter 8 Other Functions

Disabling the D Beam (DISABLE)

You can disable the D Beam controller for the entire device.

If you are using the VG-99 rack-mounted or otherwise not using the

D Beam controller, we recommend disabling the D Beam controller

by setting D BEAM DISAB to OFF.

Press [SYSTEM].

Press PAGE [ ] [ ] to go to Page 2.

Press [F5] (CALIB).

Press PAGE [ ] to go to Page 1.

The D BEAM CALIB screen appears.

Switch the controller on or off with [F6] (OFF/ ON).

Available Settings

OFF

Press [EXIT] several times to return to the Play screen.

Explanation

The D Beam is enabled.

The D Beam is disabled.

* Pressing the D BEAM [PITCH], [FILTER],

or [ASSIGNABLE] button to switch the D Beam controller on will have no effect.

Controlling Sounds by Hand Motion or the Guitar Neck (D Beam Controller)

The D Beam controller allows you to change the sounds played by

moving your hand or guitar neck over it. You can apply various

effects to the sound by changing the functions assigned to this

controller.

Before using the D Beam controller, you need to adjust

its sensitivity

(CALIBRATION)”

Press the D BEAM [PITCH], [FILTER], or [ASSIGNABLE] button to switch the D Beam controller on.

The D Beam controller ON/OFF setting is a patch

parameter. Carry out the Write procedure as required.

(p. 38)

Available Settings

PITCH

FILTER

ASSIGNABLE

“Adjusting the D Beam

(p. 76).

Explanation

You can use the T-Arm function to control the guitar’s pitch, and the Freeze function to hold guitar sounds.

* The PITCH effect is applied only to

COSM guitars. Use this with the COSM guitar volume raised. (p. 33)

You can change the tone using the D Beam controller.

The D Beam controller controls the function assigned to it. You can assign a variety of functions to the controller.

The DISABLE setting is a system parameter, so the Write

procedure is not required.

For instructions on how to set these functions and tones, please

read

“Using the Switches, Pedals, and MIDI to Control the

Sounds (CONTROL ASSIGN)”

While you play the guitar to produce sound,

(p. 82).

place your hand or guitar neck above the D Beam controller and move it slowly up and down.

Use of the D Beam ASSIGNABLE setting also enables

detection horizontally (left to right).

The effect is applied to the sound in accordance with the function assigned to the D Beam controller.

The blue indicator under the D Beam controller lights while the

D Beam effect is being applied.

Chapter 8

Chapter 8 Other Functions

Effective Range of the D Beam Controller

The D Beam controller’s effective range is shown in the figure

below. Moving your hand outside this effective range produces

no effect.

The effective range of the D Beam controller will be

extremely limited when used under strong, direct

sunlight. Please be aware of this when using the D

Beam controller outdoors.

The sensitivity of the D Beam controller can vary

depending on the amount of light in the vicinity of

the unit. If it does not function as you expect, adjust

the D Beam.(p. 76)

The parameter values set by holding your hand or

other object over the D Beam controller change as

shown below.

D BEAM vertical movements

Explanation

Closer to the D Beam The value approaches the MAX value.

Farther from the D Beam

The value approaches the MIN value.

D BEAM horizontal movements

Explanation

To the right of the D Beam

The value approaches the MAX value.

To the left of the D Beam

The value approaches the MIN value.

To turn off the D Beam controller, press the button you pressed in Step 1 again so the indicator goes off.

Adjusting the Ribbon Controller (CALIBRATION)

While the ribbon controller has been adjusted at the factory for

optimum performance, the responsive range may vary with the

width of the finger used to activate the controller.

If this occurs, use the procedure below to readjust the range.

Press [SYSTEM].

Press PAGE [ ] [ ] to go to Page 2.

Press [F5] (CALIB).

Press PAGE [ ] to go to Page 2.

The RIBBON CALIB screen appears.

Set the responsive range as you actually operate the ribbon controller.

• First, while holding your finger against the near end of the ribbon controller, press [F1] (SetMIN).

• Next, hold your finger against the far end and press [F4] (SetMAX).

If the message “OUT OF RANGE! SET AGAIN.” is displayed,

carry out the calibration process once more. If the message

continues to appear even after the calibration is correctly

performed, it may indicate damage or malfunction. Consult

your Roland dealer or contact Roland Service.

Press [EXIT] several times to return to the Play screen.

The CALIBRATION setting is a system parameter, so the

Write procedure is not required.

Chapter 8 Other Functions

Controlling the Sounds with the Movement of Your Fingertip (Ribbon Controller)

The ribbon controller allows you to change sounds by “scratching”

or tracing your finger along the ribbon. You can apply various effects

to the sound by changing the functions assigned to this controller.

Press the RIBBON CONTROLLER [PITCH], [FILTER], or [ASSIGNABLE] button to switch on the ribbon controller.

Available Settings

PITCH

FILTER

ASSIGNABLE

Explanation

You can use the T-Arm function to control

the guitar’s pitch, and the Freeze function

to hold guitar sounds.

* The PITCH effect is applied only to

COSM guitars. Use this with the

COSM guitar volume raised. (p. 33)

You can change the tone using the ribbon

controller.

The ribbon controller controls the function

assigned to it. You can assign a variety of

functions to the controller.

Holding Sounds for Extended Periods (FREEZE)

You can press the D BEAM [PITCH] button to use the FREEZE

effect, which allows you to hold sounds indefinitely.

Press [CONTROL ASSIGN]

Press PAGE [ ] [ ] to go to Page 2.

Press [F1] (PITCH).

Select FREEZE with [F1] (SELECT) or the F1 knob.

The D BEAM FREEZE screen appears.

For more on how to set functions and tones, please read

the Switches, Pedals, and MIDI to Control the Sounds

(CONTROL ASSIGN)”

While you play the guitar to produce sound,

(p. 82).

scratch your finger along the ribbon controller.

The effect is applied to the sound in accordance with the function assigned to the ribbon controller.

To turn off the ribbon controller, press the button you pressed in Step 1 again so the indicator goes off.

The setting switching the ribbon controller on and off is

a patch parameter. Carry out the Write procedure as

required.

A light touch is sufficient when operating the ribbon

controller.Never press the ribbon controller forcefully or with a

hard object or a pointed object.

“Using

Use [F2] (SELECT) or the F2 knob to select the channel with the sounds you want to freeze.

Set each of the FREEZE parameters on Page 1 or Page 2

For more detailed information on the parameters that can be set,

refer to (p. 151).

Press [EXIT] several times to return to the Play screen.

Press the D BEAM [PITCH] button, causing the indicator to light.

Play the guitar, and while the sounds are playing, cut across the D Beam with your hand or guitar neck.

10.

The FREEZE function switches on and the same sound continues to hold, while the D Beam controller’s blue indicator lights up.

11.

To switch FREEZE off, swipe your hand or guitar neck across the D Beam controller’s beam.

* With D BEAM:FREEZE:SW set as the target in Control Assign,

you can control the FREEZE effect ON/OFF using an external

Chapter 8

Chapter 8 Other Functions

pedal, MIDI device, or any of a variety of other controllers.

Changing the Pitch as with a Tremolo Arm (T-ARM)

You can press the D BEAM or RIBBON CONTROLLER [PITCH]

button to use T-ARM, which changes the pitch of the COSM guitar

like a tremolo arm.

Press [CONTROL ASSIGN]

Press PAGE [ ] [ ] to go to Page 2 for the D Beam, or Page 3 for the ribbon controller.

For more detailed information on the parameters that can be set,

refer to

“PITCH”

Press [EXIT] several times to return to the Play

(p. 151), (p. 153).

screen.

Press the D BEAM or RIBBON CONTROLLER [PITCH] button, causing the indicator to light.

10.

Use the D Beam or ribbon controller like a tremolo arm to change the pitch.

* With D BEAM:T-ARM:SW or RIBBON:T-ARM:SW and “

BEAM:T-ARM:CONTROL and RIBBON:T-ARM:CONTROL set

as the target in Control Assign, you can control the T-ARM effect

using an external pedal, MIDI device, or any of a variety of other

controllers.

Press [F1] (PITCH).

Press PAGE [ ] to go to Page 1.

Select T-ARM with [F1] (SELECT) or the F1 knob.

The D BEAM T-ARM or the RIBBON T-ARM screen appears.

* This step is not necessary if you are using the ribbon controller. In

this case, proceed to Step 5.

Use [F2] (SELECT) or the F2 knob in the D Beam screen or [F1] (SELECT) or the F1 knob in the Ribbon Controller screen to select the channel to which you want to apply the effect.

Set each of the T-ARM parameters on Page 1 or Page 2

Adding Nuance to the Sound (FILTER)

You can press the D BEAM or RIBBON CONTROLLER [FILTER]

button to apply the FILTER effect and add nuance to the tone in

Channel A or B, or both channels.

Press [CONTROL ASSIGN]

Press PAGE [ ] [ ] to go to Page 2 for the D Beam, or Page 3 for the ribbon controller.

Chapter 8 Other Functions

Use the D Beam or ribbon controller to apply the filter and add nuance to the sound.

* With D BEAM:FILTER:SW or RIBBON:FILTER:SW and D

BEAM:FILTER:CONTROL and RIBBON:FILTER:CONTROL set

as the target in Control Assign, you can control

FILTER:CONTROL using an external pedal, MIDI device, or any

of a variety of other controllers.

Press [F2] (FILTER).

Press PAGE [ ] to go to Page 1.

The D BEAM FILTER or the RIBBON FILTER screen appears.

Use [F1] (SELECT) or the F1 knob to select the channel to which you want the effect to be applied.

Set each of the FILTER parameters on Page 1.

For more detailed information on the parameters that can be set,

refer to

“FILTER”

(p. 152), (p. 153).

Chapter 8

Press [EXIT] several times to return to the Play screen.

Press the D BEAM or RIBBON CONTROLLER [FILTER] button, causing the indicator to light.

Chapter 8 Other Functions

Changing the Sounds with the Knobs as You Play (DIRECT EDIT)

You can assign parameters to the F1–F6 knobs to control the

parameters as you play.

Additionally, you can check (display) the assigned parameters by

pressing [F1]–[F6].

Press [CONTROL ASSIGN]

Press PAGE [ ] to go to the last page.

Press [F6] (F1–F6) to enter the DIRECT EDIT screen.

The DIRECT EDIT screen appears.

Using the Switches, Pedals, and MIDI to Control the Sounds (CONTROL ASSIGN)

These settings are made when parameters are to be controlled with

the GK-3 VOLUME knob or DOWN/S1, UP/S2 switches, the VG-

99’s CONTROL buttons, an external pedal or other connected

controller, or a connected MIDI device.

In addition to settings already assigned to controllers, the VG-99 also

features sixteen prepared general-purpose control assigns that let

you freely assign settings to controllers as you like.

* If you intend to control the parameters of effects and the like, be sure to

set the effect to ON beforehand.

* For more detailed information on the parameters, refer to

“CONTROL ASSIGN”

* Enabling the settings requires setting each of the controller

assignments to ASSIGNABLE in the SYSTEM CONTROL ASSIGN screen. For detailed information, refer to

Control and Switch and the Pedal Function (SYSTEM CONTROL ASSIGN)”

Press [CONTROL ASSIGN]

Select the controller you want to set with

PAGE [ ] [ ] and [F1]–[F6].

The various controllers’ setting screens appear.

* The following section describes the controllers you can set.

(p. 150),

“Setting the GK VOLUME

(p. 49).

Press Page [ ] [ ] to go to the page for the knob you want to set.

Use the [F1]–[F6] or F1–F6 knobs to select the parameters you want to assign to the knob.

If you want to save the edited settings, perform the Write procedure (p. 38).

* If not saving the settings, press [EXIT] to return to the Play screen.

GK VOL

S1, S2

CTL1

CTL2

Displayed screen

GK VOL

GK S1, S2

CONTROL1

CONTROL2

Controller

Settings for the volume knob on the GK-3.

Settings for the switches on the GK-3.

Settings for the CONTROL 1 Button on the VG-99’s top panel.

Settings for the CONTROL 2 Button on the VG-99’s top panel.

Chapter 8 Other Functions

PITCH

FILTER

DBM V

DBM H

PITCH

FILTER

RB POS

RB ACT

EXP

CTL3

CTL4

Displayed screen

D BEAM T-ARM/ D BEAM FREEZE

D BEAM FILTER

D BEAM V

D BEAM H

Displayed screen

RIBBON PITCH

RIBBON FILTER

RIBBON POS

RIBBON ACT

Displayed screen

EXP PEDAL

CTL3

CTL4

Controller

Control of TREMOLO ARM/ FREEZE with the D Beam controller

Control of FILTER with the D Beam controller

D Beam controller vertical sensor

D Beam controller horizontal sensor

Controller

Control of PITCH with the Ribbon controller

Control of FILTER with the Ribbon controller

Ribbon controller position sensor

Ribbon controller touch sensor

Controller

Settings for the expression pedal connected to the EXP PEDAL jack on the VG-99’s rear panel.

Settings for the footswitch connected to the CTL3 jack on the VG-99’s rear panel.

Settings for the footswitch connected to the CTL4 jack on the VG-99’s rear panel.

EXP1

EXPSW1

EXP2

EXSW2

CTL1

CTL2

E3/C3

CTL4

E4/C5

CTL6

E5/C7

CTL8

Displayed screen

FC EXP1

FC EXPSW1

FC EXP2

FC EXPSW2

FC CTL1

FC CTL2

Displayed screen

FC E3/C3

FC CTL4

FC E4/C5

FC CTL6

FC E5/C7

FC CTL8

Controller

Settings for the expression pedal 1 on the FC-300 connected to the VG-

99.

Settings for the expression pedal switch 1 on the FC-300 connected to the VG-99.

Settings for the expression pedal 2 on the FC-300 connected to the VG-

99.

Settings for the expression pedal switch 2 on the FC-300 connected to the VG-99.

Settings for the CTL1 on the FC-300 connected to the VG-99.

Settings for the CTL2 on the FC-300 connected to the VG-99.

Controller

Settings for the expression pedal 3 or footswitch 3 connected to the FC-300’s rear panel.

Settings for the footswitch 4 connected to the FC-300’s rear panel.

Settings for the expression pedal 4 or footswitch 5 connected to the FC-300’s rear panel.

Settings for the footswitch 6 connected to the FC-300’s rear panel.

Settings for the expression pedal 5 or footswitch 7 connected to the FC-300’s rear panel.

Settings for the footswitch 8 connected to the FC-300’s rear panel.

Chapter 8

Chapter 8 Other Functions

ASGN 1 : ASGN16

F1–F6

Displayed screen

ASSIGN1 : ASSIGN16

DIRECT EDIT

Controller

Settings for general purpose assigns you can set freely as controllers for MIDI messages and other controllers in addition to those described above.

Settings for the function knobs arranged below the VG-99’s LCD.

The following section describes the parameters you can set on each page.

* The screen shown in the example is for ASSIGN1.

Page 1, 3

F1: SOURCE (ASSIGN1–16 only)

This selects the controller assigned to the function.

F3: SW (ON/OFF)

Setting this to ON enables the controller.

F4–F6: TARGET PARAMETER

Use these to select the parameter you want to assign.

You can quickly locate and select the desired parameter by first

narrowing down the parameter type with F4, then using F5 and

then F6 to reach the right parameter.

Select the function you want to assign with

PAGE [ ] [ ], [F1]–[F6], and the F1–F6 knobs.

You can assign two different functions to one controller.

For example, you can assign separate functions to the

GK VOL (1) and GK VOL (2) displayed in the screen.

For more on PITCH and FILTER of the D BEAM controller,

refer to

“Controlling Sounds by Hand Motion or the Guitar

Neck (D Beam Controller)”

FILTER of the Ribbon controller, refer to

Sounds with the Movement of Your Fingertip (Ribbon

Controller)”

(p. 79).

(p. 77). For more on PITCH and

“Controlling the

For more details on the parameters, refer to

ASSIGN”

(p. 150).

“CONTROL

Page 2, 4

F2: MIN

This sets the minimum value for the target’s controllable range.

F3: MAX

This sets the maximum value for the target’s controllable range.

F4: SW MODE (only when a switch type controller is selected for

SOURCE)

This specifies how the switches function.

Available Settings

MOMENT

LATCH

Explanation

The parameter switches to the maximum value only while the switch is held down, and switches to the minimum value when the switch is released.

The value alternately switches between maximum and minimum each time the switch is pressed.

F4: MODE (GK S1, S2 only)

About the Range of Targets’ Change

The target’s value changes between MIN (the minimum value)

and MAX (the maximum value).

When a foot switch or other controller that switches settings on

and off is used, OFF sets the minimum value and ON sets the

maximum value.

When an expression pedal or other controller that changes

values in a consecutive manner is used, the value changes

within the range between MIN and MAX.

When an expression pedal or other controller that changes

values in a consecutive manner is used to control a two-value

(On/Off) parameter, the controller functions as shown below.

127

Degree to

Which Expression

Pedal Is Depressed

EXP Pedal

When the pedal

is fully raised

When the pedal

is fully advanced

200%

MIN

MAX

Value

127

EXP Pedal

When the pedal

is fully raised

When the pedal

is fully advanced

When the pedal

is advanced halfway

OFF

Value

Degree to

Which Expression

Pedal Is Depressed

This specifies how the switches function.

* Combinations of the actions below are possible.

S1: DEC / S2: INC S1: INC / S2: DEC S1: MIN / S2: MAX S1: MAX / S2: MIN

Available Settings

INC

DEC

MIN

MAX

F5: RANGE LOW (only when an expression pedal or other controller

that changes values in a continuous, non-discrete way is set as

the source)

This sets the minimum for the range in which the value of the

setting can be changed.

F6: RANGE HIGH (only when an expression pedal or other

controller that changes values in a continuous, non-discrete way

is set as the source)

This sets the maximum for the range in which the value of the

setting can be changed.

Explanation

The value increases.

The value decreases.

The value is set to the minimum.

The value is set to the maximum.

Chapter 8 Other Functions

Value

200%

MAX

MIN

Off On

Footswitch

Chapter 8

Chapter 8 Other Functions

About the Range of Controllers’ Change

This sets the operational range (range in which the value

actually changes) for an expression pedal, or similar controller

that changes the value of a setting in a continuous fashion,

when it has been set as the source.

If the controller adjustment moves beyond the enabled range of

operation, the value of the setting remains at the maximum

value or minimum value, without changing any further.

Value

200%

MAX

MIN

RANGE

LOW

RANGE

HIGH

Which Expression

Pedal Is Depressed

127

Degree to

One Touch Call Up of Favorite Patches (DIRECT PATCH)

You can assign your favorite patches to the [DIRECT PATCH 1] –

[DIRECT PATCH 5] buttons, then call up these patches just by

pressing the buttons.

Setting DIRECT PATCH

Press [SYSTEM].

Press PAGE [ ] to go to Page 1.

Press [F2] (DIRECT).

The DIRECT PATCH screen appears.

If you want to save the edited settings, perform the Write procedure (p. 38).

* If you do not want to save, press [EXIT] to return to the Play screen.

Use the F1–F5 knobs to select the patches to be assigned to [DIRECT PATCH 1]– [DIRECT PATCH 5].

The numbers correspond, with DIR. PATCH 1 assigned with

the F1 knob, DIR. PATCH 2 assigned with the F2 knob, and so

on.

Press [EXIT] several times to return to the Play screen.

Chapter 8 Other Functions

Managing the Patches

Copying the Current Patch to a Different Patch (PATCH COPY)

Confirm that the Play screen is displayed.

Press [WRITE].

The PATCH WRITE screen appears.

“WRITE TO” is displayed, and the write-destination patch

number and name are indicated.

Use the PATCH/VALUE dial to select the copydestination patch.

Press [WRITE] again.

The message “NOW WRITING...” is displayed as the patch is

copied, and the VG-99 changes to the copy-destination patch

number.

Exchanging the Current Patch with a Different Patch (PATCH EXCHANGE)

This exchanges the user patch with the different patch.

* You cannot exchange tones in preset patches.

Confirm that the Play screen for a user patch is displayed.

Press [WRITE].

Press PAGE [ ] to go to Page 2.

“EXCHANGE” is displayed.

The exchange-destination patch number and name are

indicated.

Use the PATCH/VALUE dial to select the exchange-destination patch.

Press [WRITE] again.

The message “NOW EXCHANGING...” is displayed as the

current patch and the selected patch are exchanged, and the

VG-99 changes to the exchange-destination patch number.

* If you are not saving the settings, press [EXIT] to return to the Play

screen.

* If you are not saving the settings, press [EXIT] to return to the Play

screen.

Chapter 8

Chapter 8 Other Functions

Initializing User Patches (PATCH INITIALIZE)

You can set user patches to their initial conditions, with all effects

switched off.

This is convenient when you want to create a patch from scratch.

* You cannot initialize preset patches.

Confirm that the Play screen for a user patch is displayed.

Press [WRITE].

Press PAGE [ ] to go to Page 3.

The PATCH INITIALIZE screen appears.

“INITIALIZE” is displayed, and the number and name of the

patch to be initialized are indicated.

Use the PATCH/VALUE dial to select the patch you want to initialize.

Press [WRITE] again.

The message “NOW INITIALIZING...” is displayed as the VG-

99 switches to the patch to be initialized, then the Play screen

returns.

Copying Settings Between Channel A and Channel B (A/B COPY)

Go to the settings screen for the parameters whose settings you want to copy.

Press PAGE [ ] several times to go to the last page.

Use [F1] (SELECT) or the F1 knob to select A/B COPY.

Press [F6] (EXEC) to copy the settings.

Exchanging the Channel A and Channel B Settings (A/B EXCHANGE)

Go to the settings screen for the parameters whose settings you want to exchange.

Press PAGE [ ] several times to go to the last page.

Use [F1] (SELECT) or the F1 knob to select A/B EXCHNG.

Press [F6] (EXEC) to exchange the settings.

Chapter 8 Other Functions

Partially Copying Parameters in a Different Patch (MODULE COPY)

You can copy and reuse portions of patch parameters (such as

COSM amps, effects, and other modules).

Go to the settings screen for the parameters whose settings you want to copy.

Press PAGE [ ] several times to go to the last page.

Use [F1] (SELECT) or the F1 knob to select MODULE COPY.

The MODULE COPY screen appears.

Use [F2] (PATCH) or the F2 knob and [F3] (SOURCE) or the F3 knob to select the copy source.

The following parameters can be handled as modules.

• ALTERNATE TUNING

• COSM GUITAR

• POLY FX

• Overall FX for Channel A and B

• Each of the effects in FX

• COSM AMP

• MIXER section DELAY and REVERB

• MIXER section DYNAMIC

Press [F6] (EXEC) to copy the settings.

Partially Initializing Patch Parameters (MODULE INITIALIZE)

Go to the settings screen for the parameter whose settings you want to initialize.

Press PAGE [ ] several times to go to the last page.

Use [F1] (SELECT) or the F1 knob to select MODULE INIT.

The MODULE INITIALIZE screen appears.

Press [F6] (EXEC) to initialize the settings.

Chapter 8

Chapter 8 Other Functions

Separating Patches into Groups (CATEGORY)

The VG-99 includes a function that allows you to categorize patches

into a number of different groups. This is called the CATEGORY

function. Specifying the category for each patch makes searching for

patches more convenient. The CATEGORY function also features ten

user categories you can name however you like.

Using CATEGORY to Call Up Patches

Confirm that the Play screen is displayed.

Press [CATEGORY].

The Category screen appears.

The categories and the patches in these categories are shown in

list format.

Use [F1] (SEL ) and [F2] (SEL ) or the F1 and F2 knobs to select the category.

Setting Patch Categories

You can assign categories to patches and separate them into groups.

From the PLAY screen, use the PATCH/VALUE dial to select the patch you want to include in a category.

Press [NAME/KEY/BPM].

Press [F1] (NAME).

The Name settings screen appears.

Press [F6] (CATGRY).

The Category settings popup appears.

Use the PATCH/VALUE dial or [F3] (SEL ),

[F4] (SEL ) to select a patch.

Press [CATEGORY] again.

The VG-99 switches to the selected patch.

If no operation if performed within a set period of time,

the display returns to the Play screen.

Use the F6 knob to select the category.

Press [EXIT].

The category is assigned to the patch.

If you want to save the edited settings, perform the Write procedure (p. 38).

* If you do not want to save, press [EXIT] to return to the Play screen.

Chapter 8 Other Functions

Naming User Categories (CATEGORY NAME)

Confirm that the Play screen is displayed.

Press [SYSTEM].

Press PAGE [ ] [ ] to go to Page 2.

Press [F4] (CATGRY).

The Category Name settings screen appears.

Use [F6] or the F6 knob to select User Category with the name you want to change.

Storing Your Preferred Settings Individually (FAVORITE SETTINGS)

What are Favorite Settings?

The VG-99 includes a function that, apart from the patches, stores

the settings you like for each effects processor. These are called

Favorite Settings.

By storing the settings you like for each of a variety of effects

processors, you can then easily create sounds simply by combining

these settings.

Furthermore, creating patches using the Favorite Settings vastly

simplifies editing when multiple similar tones are used.

For example, if you beforehand select the same Favorite Settings for

a multiple number of patches, you’ll later be able to implement

changes in all those patches at once simply by editing the Favorite

settings.

Press PAGE [ ] [ ] to move the cursor to the position with the character you want to change.

Select the character with the PATCH/VALUE dial.

As you continue to rotate the PATCH/VALUE dial, the

character guide automatically switches from uppercase letters

to lowercase letters, numerals, and symbols.

You can carry out the following operations by pressing [F1]–[F

Buttons

[F1] (INSERT}

[F2] (DELETE)

[F3] (SPACE)

[F4] (A0!)

[F5] (A<=>a)

[F6] (CATGRY)

Functions

Inserts a blank space at the cursor position.

Deletes the character and shifts the following characters to the left.

Enters a blank space at the cursor position.

Switches between letters, numerals, and symbols.

Switches between uppercase and lowercase letters.

Select the user category you want to name.

Repeat Steps 6 and 7 to complete the category name.

Chapter 8

Press [EXIT] several times to return to the Play screen.

* Category names are system parameters. They are saved at the time

they are entered, even without the Write procedure.

Chapter 8 Other Functions

Calling Up Favorite Settings

Here is an example using the compressor effect.

Press [FX].

Press PAGE [ ] to go to Page 1.

Press [F1] (COMP).

Press PAGE [ ] to display the last page (in this case, Page 3).

Changing Tone Settings

This procedure changes the tones in patches using the Favorite

Settings. The method below can also be used to edit the Favorite

Settings themselves.

Here is an example using the compressor effect.

Press [FX].

Press PAGE [ ] to go to Page 1.

Press [F1] (COMP).

The number and name of the currently selected Favorite

Settings are displayed.

Use [F1] (SELECT) or the F1 knob to select FAVORITE.

The Favorite Settings selection screen appears.

Use [F2] (SELECT) or the F2 knob to select your preferred setting.

When you have made your choice, press [F6] (OK); to cancel the procedure, press [F5] (CANCEL) or press [EXIT] several times to return to the Play screen.

If you want to save the edited settings, perform the Write procedure (p. 38).

* If you do not want to save, press [EXIT] to return to the Play screen.

Press [F6] (EDIT).

Use [F1]–[F4] or the F1–F4 knobs to adjust the desired parameters on Pages 1 and 2.

To store the content of the settings, carry out the steps described below.

Saving Changed Tones

There are two methods you can use to save changed tones.

Saving to Patches

Press [WRITE].

The PATCH WRITE screen appears.

Use the PATCH/VALUE dial to select the savedestination patch.

Press [WRITE].

Chapter 8 Other Functions

Saving to the Favorite Settings

The following describes an example with the status indicated in the

Compressor edit screen in Step 4 of

92).

Press PAGE [ ] to display the last page (in this case, Page 3).

Rotate the F1 (SELECT) knob to select FAVORITE WRITE.

The Favorite Settings save screen appears.

Rotate the F2 (SELECT) knob to select the write destination.

“Changing Tone Settings”

(p.

“NOW WRITING...” is displayed as the patch is being saved,

and then the Play screen returns to the display.

Saving tones with this process undoes the link between the

patch and the Favorite Settings. Afterwards, any changes to

tones with Favorite Settings used earlier will not be reflected in

the tone for this patch.

At this point, you can press [F3] (SEARCH) to display a

list of patches using the write-destination Favorite

Settings. For more detailed information, refer to

“Searching for Patches That Use the Same Favorite

Settings”

Press [F6] (WRITE) to save the settings.

“NOW WRITING...” is displayed as the Favorite Settings are

being saved, and the number and name of the currently selected

Favorite Settings are displayed.

Press [EXIT] several times to return to the Play

(p. 94).

screen.

Chapter 8

This procedure only saves information to the Favorite Settings.

Nothing is saved to the patches. To save parameters to patches,

carry out the Write procedure. (p. 38)

Chapter 8 Other Functions

Naming Favorite Settings (FAVORITE NAME)

When storing Favorite Settings, you can also give the settings names.

Carry out the following procedure in Step 2 of

Favorite Settings”

Press [F5] (NAME).

The Name edit screen appears.

Press PAGE [ ] [ ] to move the cursor to

(p. 93).

the position with the character you want to enter.

Select the character with the PATCH/VALUE dial.

As you continue to rotate the PATCH/VALUE dial, the

character guide automatically switches from uppercase letters

to lowercase letters, numerals, and symbols.

You can carry out the following operations by pressing [F1]–

[F5].

“Saving to the

Searching for Patches That Use the Same Favorite Settings

Here is an example using the compressor effect.

Press [FX].

Press PAGE [ ] to go to Page 1.

Press [F1] (COMP).

The number and name of the currently selected Favorite

Settings are displayed.

If not using the Favorite Settings, proceed to Step 4.

Press [F6] (EDIT).

Buttons

[F1] (INSERT)

[F2] (DELETE)

[F3] (SPACE)

[F4] (A0!)

[F5] (A<=>a)

Repeat Steps 2 and 3 to complete the Favorite

Functions

Inserts a blank space at the cursor position.

Deletes the character and shifts the following characters to the left.

Enters a blank space at the cursor position.

Switches between letters, numerals, and symbols.

Switches between uppercase and lowercase letters.

Setting name.

When you have finished editing the name, press [EXIT].

The Favorite Settings save screen returns to the display.

Press [F6] (WRITE); the settings are saved.

Press [EXIT] several times to return to the Play screen.

Press PAGE [ ] to display the last page (in this case, Page 3).

Use [F1] (SELECT) or the F1 knob to select FAVORITE WRITE.

Rotate F2 (SELECT) to select the Favorite Settings you want to search for.

Press [F3] (SEARCH).

A list of patches using the selected Favorite Setting is displayed.

You can scroll through the list using [F3] and [F4] or the F3 and F4 knobs.

Chapter 8 Other Functions

Activating the Virtual

10.

Press [F5] (EXIT).

The list disappears from the screen.

11.

Press [EXIT] several times to return to the Play screen.

Expression Pedal at the Start of Operations (Internal Pedal System)

The VG-99 features a function called Internal Pedal system. This

function assigns specified parameters to a virtual expression pedal

(the internal pedal), providing an effect automatically that changes

volume and tone in real time just the way an expression pedal

functions.

The Internal Pedal system features the following two functions,

allowing you to set Source for each assign 1-16 of the Assign.

• Internal Pedal

• Wave Pedal

* When the Internal Pedal or the Wave Pedal is used, set the ASSIGN

SW MODE to MOMENT.

Internal Pedal

With the trigger you have set, the assumed expression pedal starts

working. If you have set INTERNAL PEDAL to SOURCE, set the

TRIGGR parameter (p. 156).

Wave Pedal

This changes the parameter selected as a target in a certain cycle with

the assumed expression pedal. When you have set WAVE PEDAL

for SOURCE, the RATE parameter (p. 156) and FORM parameter (p.

156) should be set.

Chapter 8

Chapter 8 Other Functions

MIDI IN

MIDI OUT

Controlling Video Images with Your Guitar (V-LINK)

The VG-99 features the V-LINK function.

With the VG-99 connected to another V-LINK compatible device,

you can use your guitar performance to control playback of video

images.

What is V-LINK?

V-LINK is a function that synchronizes the performance of music

and video.

Connecting V-LINK compatible devices to each other via MIDI

makes it simple to enjoy using a variety of video effects linked with

what you express in your performances.

For example, combining the VG-99 with the EDIROL motion dive.

tokyo performance package lets you do the following.

• Set the required information for motion dive. tokyo performance package performances.

• Switch motion dive. tokyo performance package video images (palettes/clips) and control the video brightness and hue.

• Enjoy synchronized performances of music and video.

Be sure also to read the owner’s manual for the

connected V-LINK compatible device.

Connecting the V-LINK Device

Connect the VG-99’s MIDI OUT connector to the V-LINK compatible

device.

When connecting these and other devices, turn down the

volume completely on all the devices and turn off their power

before connecting to prevent malfunction and damage to

speakers and other equipment.

Switching V-LINK On and Off

Connect the VG-99’s MIDI OUT connector to the V-LINK compatible device.

Turn on the power to the device to start it up.

Press [V-LINK].

V-LINK is switched on, and [V-LINK] lights up.

The function set in

allowing you to control the video images and have them linked

with the performance on the VG-99.

Even with the V-LINK on, the still usual function

operates.

Depending on the settings in

signals may not be output from MIDI OUT. In such

cases, V-LINK signals are not output either.

Press [V-LINK] once more.

The [V-LINK] light goes off, and the V-LINK function is

switched off.

“Setting V-LINK”

“MIDI ROUTING”

(p. 97) is enabled,

(p. 59),

When the V-LINK function is switched off, all V-LINK-

related MIDI messages are no longer output.

Setting V-LINK

Press [SYSTEM].

Press PAGE [ ] [ ] to go to Page 2.

Press [F3] (V-LINK).

The V-LINK screen appears.

Chapter 8 Other Functions

Some V-LINK compatible models such as the EDIROL

DV-7PR allow only Channel A to be used.

Note messages output with the V-LINK function are

affected by the parameters set in

Synthesizer Sound Module (GUITAR TO MIDI)”

as well as the STRING CH settings.

Press [EXIT] to return to the V-LINK screen.

Press [F2] (ASGN1) or [F3] (ASGN2) to select Assign 1 or Assign 2.

“Playing an External

(p. 64)

Press [F1] (CLIP).

The PATCH/CLIP screen appears.

Use [F1] and [F2] or the F1 or F2 knobs to set the palette and clip for V-LINK Channel A; set the palette and clip for V-LINK Channel B with [F4] and [F5] or the F4 or F5 knobs.

Parameter

PALETTE

CLIP OFF, 1–32 Changing the

Press [EXIT] to return to the V-LINK screen.

Press [F4] (STR CH) to select the channel to be

Available Setting

OFF, 1–32 Changing the

V-LINK Function

palette.

clip.

Transmitted MIDI Messages

CC00 (Bank Select): 00H–1FH

Program Change: 00H–1FH

controlled with each string.

10.

Use [F1] (SELECT) or the F1 knob to set the source to be used in operating the target.

11.

Use [F2] (SELECT) or the F2 knob to set the target.

For more on the source and target parameters, refer to

PATCH”

12.

(p. 174).

Rotate the F3 knob to set the minimum value for the TARGET parameter’s control range.

13.

Rotate the F4 knob to set the maximum value for the TARGET parameter’s control range.

14.

Press [EXIT] several times to return to the Play screen.

“V-LINK

Chapter 8

STRING CH 1st–6th

OFF

A CH Channel A of the V-LINK compatible device is

B CH Channel B of the V-LINK compatible device is

C CH MIDI Note plug-in is controlled.

Explanation

No channel is controlled.

controlled.

Chapter 8 Other Functions

928, 929

• To prevent the PDS-10 stand from falling, use the attached cable ties to wind all cables around the stand, as shown in the figure below.

• Use the screws (M5 x 10) included with the VG-99 to attach the PDS-10 mounting plate. Use of other screws may damage the device internally or cause the unit to be inadequately secured.

• When turning the unit over, place some newspapers, magazines, or other such material under the four corners or at both ends to prevent damage to the buttons, dials, and other controls. Also, try to orient the unit so no buttons or controls are damaged.

• When turning the unit upside-down, handle with care to avoid dropping it, or allowing it to fall or tip over.

• When removing the screws, be sure to keep them out of the reach of children to prevent smaller children from accidentally swallowing them.

• Take care not to allow hands and fingers to become pinched when attaching and removing the units.

Cable tie

Using the VG-99 on a Stand

You can use the VG-99 while attached to a PDS-10 stand (optional).

Turn the VG-99 over and remove the screws from the bottom panel.

Attach the mounting plate as shown in the figure, using the screws removed in Step 1 or the knob nuts included with the kit.

Attach the VG-99 to the stand.

For instructions on how to assemble the PDS-10 and

attach the mounting plate, refer to the Owner’s Manual

that came with the PDS-10.

Chapter 8 Other Functions

Using the VG-99 Mounted in a Rack

By employing the separately available RAD-99 rack mount adaptor,

you can use the VG-99 in a rack-mounted configuration.

Turn the VG-99 over and remove the screws from the bottom panel.

Attach the RAD-99 as shown in the figure, using the screws removed in Step 1 or the knob nuts included with the kit.

928, 929

• Use the screws (M5 x 10) included with the VG-99 to attach the RAD-99. Use of other screws may damage the device internally or cause the unit to be inadequately secured.

• When turning the unit upside-down, handle with care to avoid dropping it, or allowing it to fall or tip over.

• When removing the screws, be sure to keep them out of the reach of children to prevent smaller children from accidentally swallowing them.

• Take care not to allow hands and fingers to become pinched when attaching and removing the units.

Mount the VG-99 in the rack.

Use screws (in four places) to securely affix the unit to the rack.

* Use the screws included with the rack.

For instructions on how to assemble the RAD-99 and

adjust the angle of attachment, refer to the RAD-99

Setting Manual.

Chapter 8

Chapter 8 Other Functions

Restoring the VG-99 to its Original Factory Condition (FACTORY RESET)

Press [SYSTEM].

Press PAGE [ ] to display Page 3.

Press [F1] (F.RST).

Select the parameters you want to restore to the original factory condition.

vailable Settings

ALL

SYSTEM

GK SETTING

GLOBAL

PATCH

FAVORITE SETTING

Press [F6] (EXEC).

To execute Factory Reset, press [WRITE].

* To cancel Factory Reset, press [EXIT].

Explanation

All data

System Parameter, Harmonist Scale, Auto Riff Phrase, Pre Amp/Speaker, Overdrive/ Distortion, Wah

Content of GK settings

Content of settings for GLOBAL function

Content of settings for PATCH 001–200

Content of settings for FAVORITE SETTINGS 01–10 for all effects

When Factory Reset is completed, the Play screen returns to the

display.

100

Roland VG-99 User Manual

Specifications and Main Features

Frequently Asked Questions

User Manual

USING THE UNIT SAFELY

IMPORTANT NOTES

Contents

Main Features

Ultimate guitar modeling system provides unlimited possibilities in creating sounds

Two complete sound creation systems

Combine with the FC-300 to create the perfect live system

Includes pitch/MIDI conversion function

Features V-LINK function

Equipped with D-Beam, ribbon, and other new realtime controllers

Console style accommodates a variety of usage environments

Names of Things and What They Do

Top Panel

Rear Panel

Chapter 1 Outputting Sounds

Installing the Divided Pickup

Before Connecting

Making the Connections

Turning On the Power

About the Play Screen

About the Information in the Display (Basic Operation)

Adjusting the Volume

Setting the Device (Amp) Connected to MAIN OUT (Output Select)

Tuning the Guitar (TUNER)

Switching Tones (Patch)

About the Patch Numbers

Switching with the PATCH/ VALUE Dial

Turning Off the Power

Chapter 2 Creating Sounds

Setting the COSM GUITAR Tone

Setting the Alternate Tuning

Setting AB LINK

Setting TUNING

Setting BEND

Setting 12-STRING

Setting USER TUNING

Setting DETUNE

Setting HARMONY

Setting the COSM AMP Tone

Setting the Effects

POLY FX (Poly Effect)

FX (Effects)

Rearranging the Effect and Amp Connection Sequence (CHAIN)

Specifying the tempo and key of the song to be played

Setting the Tempo

Setting the Key

Mixing the Normal Pickup Sound

Setting the Volume Balance

Setting the Point at Which the COSM Guitar is Connected

Mixing Two Tones (MIXER)

Setting the Volume and Panning for Each Channel

Setting the Mix Balance

Setting the Delay and Reverb (DELAY/REVERB)

Using Picking Dynamics to Control the Mix Between the Two Channels (DYNAMIC)

Setting the Overall Patch Volume Level (PATCH LEVEL)

Adjusting the Overall Patch Tone (TOTAL EQ)

Setting the Output Signal and Level (OUTPUT)

Naming a Patch (PATCH NAME)

Saving a Patch (WRITE)

Chapter 3 Creating Your Own Effect Types (CUSTOMIZE)

Customizing the Preamp

Customizing the Speaker

Customizing the Overdrive/ Distortion

Customizing Pedal Wah

Chapter 4 Global Device Settings (SYSTEM)

Naming GK Settings (GK NAME)

Inputting the Divided Pickup Settings

Selecting the Settings

Selecting the Divided Pickup Type

Matching the Divided Pickup and Normal Pickup Phase

Setting the Direction for the Installed Divided Pickup

Inputting the Guitar’s Scale

Setting the DOWN/S1, UP/S2 Switch Arrangement

Adjusting the Sensitivity for Each String

Setting Whether or Not the Deviced Pickup Is Used (GK CONNCT)

Using Different Guitar Settings in Each Patch (SET MODE)