Roland Fantom-X8, Fantom-X6, Fantom-X7 User Manual

201b

Before using this unit, carefully read the sections entitled: “IMPORTANT SAFETY
INSTRUCTIONS” (p. 2), “USING THE UNIT SAFELY” (p. 3–4), and “IMPORTANT NOTES”
(p. 4–5). These sections provide important information concerning the proper operation
of the unit. Additionally, in order to feel assured that you have gained a good grasp of
every feature provided by your new unit, Handbook and Owner’s manual should be read
in its entirety. The manual should be saved and kept on hand as a convenient reference.

This Owner’s Manual applies to the Fantom-X6, the Fantom-X7 and the Fantom-X8. The
manual uses the term “Fantom-X” to indicate all these three models.

Owner’s Manual

Thank you, and congratulations on your choice of the Roland Fantom-X6/X7/X8.

Listening to the Demo Songs

Press [PLAY] to start demo song playback.
To stop the performance, press [STOP].

Rewind Stop Play

* The operation described here will play back one demo song.

202

Copyright © 2004 ROLAND CORPORATION
All rights reserved. No part of this publication may be reproduced in any form without the

written permission of ROLAND CORPORATION.

In addition to this song, the Fantom-X contains other demo songs that let you experience
the amazing sounds of the Fantom-X. To listen to these demo songs, refer to p. 23.

CAUTION

RISK OF ELECTRIC SHOCK

DO NOT OPEN

ATTENTION: RISQUE DE CHOC ELECTRIQUE NE PAS OUVRIR

CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK,

DO NOT REMOVE COVER (OR BACK).

NO USER-SERVICEABLE PARTS INSIDE.

REFER SERVICING TO QUALIFIED SERVICE PERSONNEL.

The lightning flash with arrowhead symbol, within an
equilateral triangle, is intended to alert the user to the
presence of uninsulated “dangerous voltage” within the
product’s enclosure that may be of sufficient magnitude to
constitute a risk of electric shock to persons.

The exclamation point within an equilateral triangle is
intended to alert the user to the presence of important
operating and maintenance (servicing) instructions in the
literature accompanying the product.

INSTRUCTIONS PERTAINING TO A RISK OF FIRE, ELECTRIC SHOCK, OR INJURY TO PERSONS.

IMPORTANT SAFETY INSTRUCTIONS

SAVE THESE INSTRUCTIONS

WARNING - When using electric products, basic precautions should always be followed, including the following:

1. Read these instructions.

2. Keep these instructions.

3. Heed all warnings.

4. Follow all instructions.

5. Do not use this apparatus near water.

6. Clean only with a dry cloth.

7. Do not block any of the ventilation openings. Install in
accordance with the manufacturers instructions.

8. Do not install near any heat sources such as radiators,
heat registers, stoves, or other apparatus (including
amplifiers) that produce heat.

9. Do not defeat the safety purpose of the polarized or
grounding-type plug. A polarized plug has two blades with
one wider than the other. A grounding type plug has two
blades and a third grounding prong. The wide blade or the
third prong are provided for your safety. If the provided plug
does not fit into your outlet, consult an electrician for
replacement of the obsolete outlet.

WARNING:
IMPORTANT:

As the colours of the wires in the mains lead of this apparatus may not correspond with the coloured markings identifying

the terminals in your plug, proceed as follows:

The wire which is coloured GREEN-AND-YELLOW must be connected to the terminal in the plug which is marked by the

letter E or by the safety earth symbol or coloured GREEN or GREEN-AND-YELLOW.

The wire which is coloured BLUE must be connected to the terminal which is marked with the letter N or coloured BLACK.
The wire which is coloured BROWN must be connected to the terminal which is marked with the letter L or coloured RED.

THIS APPARATUS MUST BE EARTHED
THE WIRES IN THIS MAINS LEAD ARE COLOURED IN ACCORDANCE WITH THE FOLLOWING CODE.
GREEN-AND-YELLOW: EARTH, BLUE: NEUTRAL, BROWN: LIVE

For the U.K.

10. Protect the power cord from being walked on or pinched
particularly at plugs, convenience receptacles, and the
point where they exit from the apparatus.

11. Only use attachments/accessories specified by the
manufacturer.

12. Use only with the cart, stand, tripod, bracket,
or table specified by the manufacturer, or
sold with the apparatus. When a cart is used,
use caution when moving the cart/apparatus
combination to avoid injury from tip-over.

13. Unplug this apparatus during lightning storms or when
unused for long periods of time.

14. Refer all servicing to qualified service personnel. Servicing
is required when the apparatus has been damaged in any
way, such as power-supply cord or plug is damaged, liquid
has been spilled or objects have fallen into the apparatus,
the apparatus has been exposed to rain or moisture, does
not operate normally, or has been dropped.

WARNING: To reduce the risk of fire or electric shock, do not expose this apparatus to rain or moisture.

2

USING THE UNIT SAFELY

Used for instructions intended to alert
the user to the risk of death or severe
injury should the unit be used
improperly.

Used for instructions intended to alert
the user to the risk of injury or material
damage should the unit be used
improperly.

* Material damage refers to damage or

other adverse effects caused with
respect to the home and all its
furnishings, as well to domestic
animals or pets.

001

• Before using this unit, make sure to read the instructions below,
and the Owner’s Manual.

..........................................................................................................

002b

• Connect mains plug of this model to a mains socket outlet with a
protective earthing connection.

..........................................................................................................

• Do not open or perform any internal modifications on the unit.
(The only exception would be where this manual provides
specific instructions which should be followed in order to put in
place user-installable options; see p. 240, p. 242, p. 244, p. 246.)

..........................................................................................................

003

• Do not attempt to repair the unit, or replace parts within it (except
when this manual provides specific instructions directing you to
do so). Refer all servicing to your retailer, the nearest Roland
Service Center, or an authorized Roland distributor, as listed on
the “Information” page.

..........................................................................................................

004

• Never use or store the unit in places that are:

• Subject to temperature extremes (e.g., direct sunlight in an
enclosed vehicle, near a heating duct, on top of heat-gener­ating equipment); or are

• Damp (e.g., baths, washrooms, on wet floors); or are

• Humid; or are

• Exposed to rain; or are

• Dusty; or are

• Subject to high levels of vibration.

..........................................................................................................

005

• This unit should be used only with a rack or stand that is recom­mended by Roland.

..........................................................................................................

006

• When using the unit with a rack or stand recommended by
Roland, the rack or stand must be carefully placed so it is level
and sure to remain stable. If not using a rack or stand, you still
need to make sure that any location you choose for placing the
unit provides a level surface that will properly support the unit,
and keep it from wobbling.

..........................................................................................................

008a

• The unit should be connected to a power supply only of the type
described in the operating instructions, or as marked on the unit.

..........................................................................................................

008e

• Use only the attached power-supply cord. Also, the supplied
power cord must not be used with any other device.

..........................................................................................................

009

• Do not excessively twist or bend the power cord, nor place heavy
objects on it. Doing so can damage the cord, producing severed
elements and short circuits. Damaged cords are fire and shock
hazards!

..........................................................................................................

The symbol alerts the user to important instructions
or warnings.The specific meaning of the symbol is
determined by the design contained within the
triangle. In the case of the symbol at left, it is used for
general cautions, warnings, or alerts to danger.

The symbol alerts the user to items that must never
be carried out (are forbidden). The specific thing that
must not be done is indicated by the design contained
within the circle. In the case of the symbol at left, it
means that the unit must never be disassembled.

The ● symbol alerts the user to things that must be
carried out. The specific thing that must be done is
indicated by the design contained within the circle. In
the case of the symbol at left, it means that the power­cord plug must be unplugged from the outlet.

010

• This unit, either alone or in combination with an amplifier and
headphones or speakers, may be capable of producing sound
levels that could cause permanent hearing loss. Do not operate for
a long period of time at a high volume level, or at a level that is
uncomfortable. If you experience any hearing loss or ringing in
the ears, you should immediately stop using the unit, and consult
an audiologist.

..........................................................................................................

011

• Do not allow any objects (e.g., flammable material, coins, pins); or
liquids of any kind (water, soft drinks, etc.) to penetrate the unit.

..........................................................................................................

012a:

• Immediately turn the power off, remove the power cord from the
outlet, and request servicing by your retailer, the nearest Roland
Service Center, or an authorized Roland distributor, as listed on
the “Information” page when:

• The power-supply cord, or the plug has been damaged; or

• If smoke or unusual odor occurs

• Objects have fallen into, or liquid has been spilled onto the
unit; or

• The unit has been exposed to rain (or otherwise has become
wet); or

• The unit does not appear to operate normally or exhibits a
marked change in performance.

..........................................................................................................

013

• In households with small children, an adult should provide
supervision until the child is capable of following all the rules
essential for the safe operation of the unit.

..........................................................................................................

014

• Protect the unit from strong impact.

(Do not drop it!)

..........................................................................................................

015

• Do not force the unit’s power-supply cord to share an outlet with
an unreasonable number of other devices. Be especially careful
when using extension cords—the total power used by all devices
you have connected to the extension cord’s outlet must never
exceed the power rating (watts/amperes) for the extension cord.
Excessive loads can cause the insulation on the cord to heat up
and eventually melt through.

..........................................................................................................

016

• Before using the unit in a foreign country, consult with your
retailer, the nearest Roland Service Center, or an authorized
Roland distributor, as listed on the “Information” page.

..........................................................................................................

3

022a

• Always turn the unit off and unplug the power cord before
attempting installation of the circuit board (SRX series; p. 240, p.
242, DIMM; p. 244, p. 246).

..........................................................................................................

023

• DO NOT play a CD-ROM disc on a conventional audio CD
player. The resulting sound may be of a level that could cause
permanent hearing loss. Damage to speakers or other system
components may result.

..........................................................................................................

026

•

Do not put anything that contains water (e.g., flower vases) on this
unit. Also, avoid the use of insecticides, perfumes, alcohol, nail polish,
spray cans, etc., near the unit. Swiftly wipe away any liquid that spills
on the unit using a dry, soft cloth.

..........................................................................................................

101a

• The unit should be located so that its location or position does not
interfere with its proper ventilation.

..........................................................................................................

101c

• This unit for use only with Roland stand KS-12 (Fantom-X6/
Fantom-X7) / KS-17 (Fantom-X8). Use with other stands (or carts)
is capable of resulting in instability causing possible injury.

..........................................................................................................

102b

•

Always grasp only the plug on the power-supply cord when
plugging into, or unplugging from, an outlet or this unit.

..........................................................................................................

103a:

• At regular intervals, you should unplug the power plug and clean
it by using a dry cloth to wipe all dust and other accumulations
away from its prongs. Also, disconnect the power plug from the
power outlet whenever the unit is to remain unused for an
extended period of time. Any accumulation of dust between the
power plug and the power outlet can result in poor insulation and
lead to fire.

104

• Try to prevent cords and cables from becoming entangled. Also,
all cords and cables should be placed so they are out of the reach
of children.

..........................................................................................................

106

• Never climb on top of, nor place heavy objects on the unit.

..........................................................................................................

107b

• Never handle the power cord or its plugs with wet hands when
plugging into, or unplugging from, an outlet or this unit.

..........................................................................................................

108a

• Before moving the unit, disconnect the power plug from the
outlet, and pull out all cords from external devices.

..........................................................................................................

109a

• Before cleaning the unit, turn off the power and unplug the power
cord from the outlet (p. 22).

..........................................................................................................

110a

• Whenever you suspect the possibility of lightning in your area,
pull the plug on the power cord out of the outlet.

..........................................................................................................

115a

• Install only the specified circuit board(s) (SRX Series, DIMM).
Remove only the specified screws (p. 240, p. 242, p. 244, p. 246, p.

248).

..........................................................................................................

118

• Should you remove the screws that fasten the bottom panel (the
front panel of the Fantom-X8) or the PC card protector, be sure to
place them out of children’s reach, so there is no chance of them
being swallowed accidentally.

..........................................................................................................

IMPORTANT NOTES

291b

In addition to the items listed under “IMPORTANT SAFETY INSTRUCTIONS” and “USING THE UNIT SAFELY” on pages 2–4, please read
and observe the following:

Power Supply

301

• Do not connect this unit to same electrical outlet that is being used by an
electrical appliance that is controlled by an inverter (such as a refrigerator,
washing machine, microwave oven, or air conditioner), or that contains a
motor. Depending on the way in which the electrical appliance is used,
power supply noise may cause this unit to malfunction or may produce
audible noise. If it is not practical to use a separate electrical outlet, connect
a power supply noise filter between this unit and the electrical outlet.

307

• Before connecting this unit to other devices, turn off the power to all units.
This will help prevent malfunctions and/or damage to speakers or other
devices.

308

• Although the LCD and LEDs are switched off when the POWER switch is
switched off, this does not mean that the unit has been completely discon­nected from the source of power. If you need to turn off the power
completely, first turn off the POWER switch, then unplug the power cord
from the power outlet. For this reason, the outlet into which you choose to
connect the power cord's plug should be one that is within easy reach and
readily accessible.

Placement

351

• Using the unit near power amplifiers (or other equipment containing large
power transformers) may induce hum. To alleviate the problem, change
the orientation of this unit; or move it farther away from the source of
interference.

352a

• This device may interfere with radio and television reception. Do not use
this device in the vicinity of such receivers.

352b

• Noise may be produced if wireless communications devices, such as cell
phones, are operated in the vicinity of this unit. Such noise could occur
when receiving or initiating a call, or while conversing. Should you
experience such problems, you should relocate such wireless devices so
they are at a greater distance from this unit, or switch them off.

354a

• Do not expose the unit to direct sunlight, place it near devices that radiate
heat, leave it inside an enclosed vehicle, or otherwise subject it to temper­ature extremes. Excessive heat can deform or discolor the unit.

355b

• When moved from one location to another where the temperature and/or
humidity is very different, water droplets (condensation) may form inside
the unit. Damage or malfunction may result if you attempt to use the unit
in this condition. Therefore, before using the unit, you must allow it to
stand for several hours, until the condensation has completely evaporated.

358

• Do not allow objects to remain on top of the keyboard. This can be the
cause of malfunction, such as keys ceasing to produce sound.

4

IMPORTANT NOTES

Maintenance

401a

• For everyday cleaning wipe the unit with a soft, dry cloth or one that has
been slightly dampened with water. To remove stubborn dirt, use a cloth
impregnated with a mild, non-abrasive detergent. Afterwards, be sure to
wipe the unit thoroughly with a soft, dry cloth.

402

• Never use benzine, thinners, alcohol or solvents of any kind, to avoid the
possibility of discoloration and/or deformation.

Repairs and Data

452

• Please be aware that all data contained in the unit’s memory may be lost
when the unit is sent for repairs. Important data should always be backed
up on a memory card, or written down on paper (when possible). During
repairs, due care is taken to avoid the loss of data. However, in certain
cases (such as when circuitry related to memory itself is out of order), we
regret that it may not be possible to restore the data, and Roland assumes
no liability concerning such loss of data.

Additional Precautions

551

• Please be aware that the contents of memory can be irretrievably lost as a
result of a malfunction, or the improper operation of the unit. To protect
yourself against the risk of loosing important data, we recommend that
you periodically save a backup copy of important data you have stored in
the unit’s memory on a memory card, or other device.

552

• Unfortunately, it may be impossible to restore the contents of data that was
stored on a memory card, unit’s memory, or other device once it has been
lost. Roland Corporation assumes no liability concerning such loss of data.

553

• Use a reasonable amount of care when using the unit’s buttons, sliders, or
other controls; and when using its jacks and connectors. Rough handling
can lead to malfunctions.

554

• Never strike or apply strong pressure to the display.

555

• A small amount of noise may be heard from the display during normal
operation.

556

• When connecting / disconnecting all cables, grasp the connector itself—
never pull on the cable. This way you will avoid causing shorts, or damage
to the cable’s internal elements.

557

• A small amount of heat will radiate from the unit during normal operation.

558a

• To avoid disturbing your neighbors, try to keep the unit’s volume at
reasonable levels. You may prefer to use headphones, so you do not need
to be concerned about those around you (especially when it is late at
night).

559a

• When you need to transport the unit, package it in the box (including
padding) that it came in, if possible. Otherwise, you will need to use equiv­alent packaging materials.

561

• Use only the specified expression pedal (EV-5; sold separately). By
connecting any other expression pedals, you risk causing malfunction
and/or damage to the unit.

562

• Use a cable from Roland to make the connection. If using some other make
of connection cable, please note the following precautions.

• Some connection cables contain resistors. Do not use cables that incor­porate resistors for connecting to this unit. The use of such cables can
cause the sound level to be extremely low, or impossible to hear. For
information on cable specifications, contact the manufacturer of the
cable.

566b

• The sensitivity of the D Beam controller will change depending on the
amount of light in the vicinity of the unit. If it does not function as you
expect, adjust the sensitivity as appropriate for the brightness of your
location. Increase this value will raise the sensitivity (p. 226).

Before Using Cards
Using Memory Cards

704

• Carefully insert the memory Card all the way in—until it is firmly in place.

705

• Never touch the terminals of the memory card. Also, avoid getting the
terminals dirty.

707

• This unit’s memory card slot accepts CompactFlash, Smartmedia (3.3V).

708

• CompactFlash, Smartmedia (3.3V) are constructed using precision compo­nents; handle the cards carefully, paying particular note to the following.

• To prevent damage to the cards from static electricity, be sure to
discharge any static electricity from your own body before handling the
cards.

• Do not touch or allow metal to come into contact with the contact
portion of the cards.

• Do not bend, drop, or subject cards to strong shock or vibration.

• Do not keep cards in direct sunlight, in closed vehicles, or other such
locations (storage temperature: -25 to 85° C).

• Do not allow cards to become wet.

• Do not disassemble or modify the cards.

Handling CD-ROMs

801

• Avoid touching or scratching the shiny underside (encoded surface) of the
disc. Damaged or dirty CD-ROM discs may not be read properly. Keep
your discs clean using a commercially available CD cleaner.

Copyright

851

• Unauthorized recording, distribution, sale, lending, public performance,
broadcasting, or the like, in whole or in part, of a work (musical compo­sition, video, broadcast, public performance, or the like) whose copyright is
held by a third party is prohibited by law.

852a

• When exchanging audio signals through a digital connection with an
external instrument, this unit can perform recording without being subject
to the restrictions of the Serial Copy Management System (SCMS). This is
because the unit is intended solely for musical production, and is designed
not to be subject to restrictions as long as it is used to record works (such as
your own compositions) that do not infringe on the copyrights of others.
(SCMS is a feature that prohibits second-generation and later copying
through a digital connection. It is built into MD recorders and other
consumer digital-audio equipment as a copyright-protection feature.)

853

• Do not use this unit for purposes that could infringe on a copyright held by
a third party. We assume no responsibility whatsoever with regard to any
infringements of third-party copyrights arising through your use of this
unit.

237

204

* Microsoft and Windows are registered trademarks of Microsoft Corpo-

ration.

206j

* Windows® is known officially as: “Microsoft® Windows® operating

system.”

207

* Apple and Macintosh are registered trademark of Apple Computer, Inc.

209

* MacOS is a trademark of Apple Computer, Inc.

213

* Pentium is a registered trademark of Intel Corporation.

220

* All product names mentioned in this document are trademarks or regis-

tered trademarks of their respective owners.

230

* SmartMedia is a trademark of Toshiba Corp.

231

* OMS is a registered trademark of Opcode Systems, Inc.

234

* CompactFlash and are trademarks of SanDisk Corporation and

licensed by CompactFlash association.

235

* Roland Corporation is an authorized licensee of the CompactFlash™ and

CF logo ( ) trademarks.

5

Contents

USING THE UNIT SAFELY ..............................................................................3

IMPORTANT NOTES........................................................................................4

Main Features ................................................................................................15

Panel Descriptions ........................................................................................16

Front Panel................................................................................................................................................. 16

Rear Panel.................................................................................................................................................. 18

Getting Ready ................................................................................................19

Connecting an Amp and Speaker System............................................................................................. 19

Placing the Fantom-X8 on a Stand (For Fantom-X8 user) .................................................................20

Turning On the Power............................................................................................................................. 21

Adjusting the Display Contrast (LCD Contrast).................................................................................. 22

Turning Off the Power............................................................................................................................. 22

Listening to the Demo Songs.......................................................................23

Listening to the demo song loaded when you start up the Fantom-X ............................................. 23

Listening to the other demo songs......................................................................................................... 23

Various Performance Features ....................................................................24

Velocity/Aftertouch .....................................................................................................................24

Pitch Bend/Modulation Lever.................................................................................................... 24

Octave Shift (Oct) .......................................................................................................................... 24

Hold Pedal...................................................................................................................................... 24

Control Pedal ................................................................................................................................. 25

Transpose (Trans).......................................................................................................................... 25

Overview of the Fantom-X ............................................................................26

How the Fantom-X Is Organized ........................................................................................................... 26

Basic Structure ............................................................................................................................... 26

Classification of Fantom-X Sound Types................................................................................... 26

About Simultaneous Polyphony................................................................................................. 28

About Memory.......................................................................................................................................... 28

Temporary Memory...................................................................................................................... 29

Rewritable Memory ...................................................................................................................... 29

Non-Rewritable Memory............................................................................................................. 29

About the Onboard Effects ..................................................................................................................... 29

Effect Types.................................................................................................................................... 29

How Effects Units Work in Different Modes............................................................................ 30

About the Sequencer................................................................................................................................ 30

What Is a Song? .............................................................................................................................30

What Is a Track? ............................................................................................................................ 30

Songs and the Sound Generator Mode ...................................................................................... 31

Positions for Storing a Song......................................................................................................... 31

About the Sampling Section.................................................................................................................... 32

Where Samples are Stored........................................................................................................... 32

Basic Operation of the Fantom-X ........................................................................................................... 33

Switching the Sound Generator Mode....................................................................................... 33

About the Function Buttons ........................................................................................................34

Moving the Cursor........................................................................................................................ 34

Modifying a Value ........................................................................................................................35

Assigning a Name......................................................................................................................... 36

Registering and recalling frequently used screen pages (Bookmark) ..............................................37

Registering a page......................................................................................................................... 37

Recalling a page............................................................................................................................. 37

Viewing an explanation of each button (Help)....................................................................................37

Viewing the number of voices used by the sound generator (Voice Monitor) ...............................37

6

Contents

Playing in Patch Mode ..................................................................................38

About the Patch Play Screen................................................................................................................... 38

Displaying Patch Play Screen...................................................................................................... 38

Selecting a Patch .......................................................................................................................................39

Selecting Patches by Category (Patch Finder) ..........................................................................40

Selecting Patches from the List.................................................................................................... 41

Auditioning Patches (Phrase Preview) ...................................................................................... 42

Creating a list of frequently used Patches and Performances (Live Setting).................................. 42

Recalling sounds ...........................................................................................................................42

Registering a sound ......................................................................................................................43

Removing a registration............................................................................................................... 43

Removing all sound registrations from a bank ........................................................................43

Changing the step at which a sound is registered ...................................................................43

Selecting Favorite Patches (Favorite Patch).......................................................................................... 44

Registering a Favorite Patch........................................................................................................ 44

Registering Favorite Rhythm Sets ..............................................................................................45

Transposing the Keyboard in Octave Units (Octave Shift) ................................................................ 45

Transposing the Keyboard in Semitone Steps (Transpose)................................................................ 46

Selecting the Tones That Will Sound (Tone On/Off).......................................................................... 46

Playing Single Notes (Monophonic)......................................................................................................46

Creating Smooth Pitch Changes (Portamento) ....................................................................................47

Selecting the Parameter Controlled by the Realtime Controllers or D Beam Controller

(Control Setting) .......................................................................................................................................47

Specifying the Part that Will be Affected by the Controller ...................................................47

Assigning a Parameter to a Controller....................................................................................... 48

Playing Percussion Instruments............................................................................................................. 52

Selecting a Rhythm Set................................................................................................................. 52

Playing a Rhythm Set ...................................................................................................................53

Playing in Piano Mode ..................................................................................54

Selecting Piano Mode............................................................................................................................... 54

Selecting a Patch .......................................................................................................................................54

Selecting Patches by Category..................................................................................................... 54

Selecting from the Patch List Screen........................................................................................... 54

Playing acoustic piano sounds ...............................................................................................................54

Adjusting the Keyboard Touch (Key Touch)............................................................................ 54

Changing the Piano Sound (Open/Close) ................................................................................55

Adjusting the Depth of Resonance (Resonance)....................................................................... 55

Playing electric piano sounds................................................................................................................. 55

Selecting electric piano effects.....................................................................................................55

Saving a Sound (Patch)............................................................................................................................ 55

Creating a Patch ............................................................................................56

How to Make Patch Settings................................................................................................................... 56

Editing in a Graphic Display (Zoom Edit) ................................................................................57

Initializing Patch Settings (Init)................................................................................................... 57

Copying Patch (Tone) Settings (Copy)....................................................................................... 58

Cautions When Selecting a Waveform ......................................................................................58

Saving Patches You’ve Created (Write) ................................................................................................59

Auditioning the Save-Destination Patch (Compare) ............................................................... 60

Functions of Patch Parameters ...............................................................................................................60

Settings Common to the Entire Patch (General).......................................................................60

Modifying Waveforms (Wave) ...................................................................................................62

Changing How a Tone Is Sounded (TMT) ................................................................................63

Modifying Pitch (Pitch/Pitch Env)............................................................................................. 67

Modifying the Brightness of a Sound with a Filter (TVF/TVF Env)..................................... 69

Adjusting the Volume (TVA/TVA Env) ...................................................................................71

7

Contents

Output............................................................................................................................................. 73

Modulating Sounds (LFO)........................................................................................................... 74

Apply Portamento or Legato to the Sound (Solo/Porta)........................................................ 77

Miscellaneous Settings (Misc) .....................................................................................................78

Matrix Control Settings (Ctrl1–4)................................................................................................ 80

Setting Effects for a Patch (Effects/MFX/MFX Control/Chorus/Reverb).......................... 82

Creating a Rhythm Set ..................................................................................83

How to make Rhythm Set settings......................................................................................................... 83

Editing in a Graphic Display (Zoom Edit) ................................................................................84

Initializing Rhythm Set Settings (Init)........................................................................................ 84

Copying Rhythm Tone Settings (Copy)..................................................................................... 84

Cautions When Selecting a Waveform ......................................................................................85

Saving Rhythm Sets You’ve Created (Write) .......................................................................................86

Auditioning the Save-Destination Rhythm Set (Compare) ....................................................86

Functions of Rhythm Set Parameters ....................................................................................................87

Making Settings Common to the Entire Rhythm Set (General) ............................................. 87

Modifying Waveforms (Wave) ...................................................................................................88

Changing How a Rhythm Tone Is Sounded (WMT) ...............................................................89

Modifying Pitch (Pitch/Pitch Env)............................................................................................. 90

Modifying the Brightness of a Sound with a Filter (TVF/TVF Env)..................................... 92

Adjusting the Volume (TVA/TVA Env) ...................................................................................94

Output Settings (Output)............................................................................................................. 95

Setting Effects for a Rhythm Set (Effects/MFX/MFX Control/Chorus/Reverb)............... 96

Playing in Performance Mode ......................................................................97

Displaying Performance Layer Screen .................................................................................................. 97

Displaying Performance Mixer Screen.................................................................................................. 97

Functions in the PERFORMANCE Layer/Mixer Screen.................................................................... 98

Selecting a Performance........................................................................................................................... 99

Selecting Performances from the List......................................................................................... 99

Creating a list of frequently used Patches and Performances (the Live Setting function) ............99

Selecting Favorite Performances .......................................................................................................... 100

Registering a Favorite Performance .........................................................................................100

Using the Layer Screen .......................................................................................................................... 100

Selecting a Part ............................................................................................................................100

Selecting the Part that You want to Sound (Keyboard Switch)............................................ 101

Selecting the Sound for a Part ...................................................................................................101

Combining and Playing Sounds Together (Layer) ................................................................ 102

Playing Different Sounds in Different Areas of the Keyboard (Split)................................. 102

Using the Mixer Screen..........................................................................................................................103

Selecting Parts for a Layer or Split............................................................................................ 103

Selecting the Sound for a Part ...................................................................................................103

Editing the Part Settings............................................................................................................. 104

Selecting a Part to Play Individually (Solo)............................................................................. 105

Silencing the Playback of a Specific Part (Mute) ....................................................................105

Using pads to mute Parts........................................................................................................... 105

Viewing the Part Settings as a List (Performance Part View).......................................................... 106

Performing with the Arpeggio/Rhythm function............................................................................. 106

Performing with the Realtime Controllers and D Beam Controller ...............................................106

Viewing MIDI messages for each Part (Part Information)............................................................... 106

Viewing the number of voices used by the sound generator (Voice Monitor) .............................106

Adjusting the Master Level................................................................................................................... 106

8

Contents

Creating a Performance ..............................................................................107

Viewing the Part Settings as a List (Performance Part View).......................................................... 107

Adjusting the Parameters of Each Part .................................................................................... 107

Selecting the Parameter Controlled by the Realtime Controllers or D Beam Controller

(Control Setting) .....................................................................................................................................114

Make Settings for the Realtime Controllers and D Beam Controller (Ctrl)........................ 114

Control Switch Settings (Ctrl Switch) ......................................................................................118

Changing the Settings of the Patch Assigned to a Part..................................................................... 119

Initializing Performance Settings (Init) ............................................................................................... 119

Saving a Performance You’ve Created (Write) .................................................................................. 120

Modifying the Sound in Real Time.............................................................121

Waving Your Hand Over the D Beam to Modify the Sound (D Beam Controller) ...................... 121

Making Settings for the D Beam Controller............................................................................ 122

Using Knobs or Buttons to Modify the Sound (Realtime Controller) ............................................ 124

Changing Realtime Controller Settings ...................................................................................125

Using a Pedal to Modify the Sound (Control Pedal)......................................................................... 126

Making Control Pedal Settings .................................................................................................126

Playing Arpeggios .......................................................................................128

About Arpeggio...................................................................................................................................... 128

Playing Arpeggios.................................................................................................................................. 128

Turning Arpeggio On and Off ..................................................................................................128

Determining the Tempo for Arpeggio Performances............................................................ 128

Holding an Arpeggio.................................................................................................................. 128

Playing Arpeggios Along with the Sequencer................................................................................... 129

Arpeggio Settings ................................................................................................................................... 129

Selecting Styles for Arpeggio Performances (Arpeggio Style)............................................. 129

Changing the Beat and Shuffle (Arp/Rhythm Grid)............................................................. 129

Applying Staccato and Tenuto (Arp/Rhythm Duration) ..................................................... 130

Selecting Ascending/Descending Variations (Different Ways of Playing the Sounds)

(Arp Motif)................................................................................................................................... 130

Adjusting the Velocity of the Arpeggio (Arp Velocity)......................................................... 130

Selecting the Part that Will Play Arpeggios in Performance Mode (Arp Part).................. 130

Changing the Accent Strength (Arp Accent) ..........................................................................130

Hanging the Range of the Arpeggio (Oct Range) ..................................................................131

Using the Realtime Control Knobs to Edit the Arpeggio Settings....................................... 131

Creating an Arpeggio Style (Arpeggio Style Edit) ............................................................................131

Step-recording .............................................................................................................................131

Using the Dial or [INC][DEC] to Input Values.......................................................................132

Saving the Styles You Have Created (Write)...................................................................................... 132

Using the Chord Memory Function (Chord Memory)...............................133

About the Chord Memory Function.................................................................................................... 133

Performing with the Chord Memory Function.................................................................................. 133

Turning Chord Memory Function On and Off.......................................................................133

Selecting Chord Forms ............................................................................................................... 133

Sounding a chord in the order of its notes (Rolled Chord)................................................... 134

Creating Your Own Chord Forms .......................................................................................................134

Saving the Chord Forms You Have Created...................................................................................... 134

9

Contents

Playing Rhythms .........................................................................................135

About Rhythm Patterns.........................................................................................................................135

Using Rhythm Groups........................................................................................................................... 135

Playing Rhythm...................................................................................................................................... 135

Turning Rhythm On and Off..................................................................................................... 135

Determining the Tempo for Rhythm Pattern Performances ................................................ 135

Select the Rhythm Group........................................................................................................... 136

Rhythm Pattern Settings........................................................................................................................ 136

Selecting Rhythm Patterns.........................................................................................................136

Changing the Beat and Shuffle (Grid)...................................................................................... 137

Applying Staccato and Tenuity (Duration)............................................................................. 137

Changing the velocity of Rhythm Pattern (Rhythm Pattern Velocity) ...............................137

Changing the Accent Strength (Rhythm Accent)................................................................... 137

Using the Realtime Control Knobs to Control the Rhythm.................................................. 137

Creating an Rhythm Pattern (Rhythm Pattern Edit).........................................................................138

Step-recording .............................................................................................................................138

Using the Dial or [INC][DEC] to Input Values.......................................................................138

Saving the Patterns You Have Created (Write) .................................................................................139

Creating Your Own Styles (Rhythm Group Edit).............................................................................. 139

Saving the Rhythm Group You Have Created (Write)..................................................................... 140

Sampling ......................................................................................................141

Switching external input on/off........................................................................................................... 141

Making Input Source Settings (Input Setting).................................................................................... 141

Input Effect Setup Settings.................................................................................................................... 142

Sampling Procedure............................................................................................................................... 142

Dividing a Sample During Sampling....................................................................................... 144

Sampling Earlier in Time (Skip Back Sampling)................................................................................ 145

Editing a Sample..........................................................................................146

Selecting a Sample (Sample List).......................................................................................................... 146

Selecting a Sample....................................................................................................................... 146

Loading a Sample........................................................................................................................ 147

Loading all Samples.................................................................................................................... 147

Unloading a Sample.................................................................................................................... 147

Deleting a Sample .......................................................................................................................147

Importing an Audio File ............................................................................................................148

Displaying Sample Edit Screen ............................................................................................................148

Magnifying/Shrinking the Waveform Display (Zoom In/Out).......................................... 148

Setting the Start/End Points of the Sample........................................................................................ 149

Using the knobs to edit the points............................................................................................ 149

Making Settings for Sample (Sample Parameters) ............................................................................150

Assigning Samples to a Pad (Assign To Pad) .................................................................................... 151

From Patch Mode........................................................................................................................ 151

From Performance Mode ........................................................................................................... 151

Assigning a Sample as a Patch to a Part (Assign to Keyboard).......................................................152

From Patch Mode........................................................................................................................ 152

From Performance Mode ........................................................................................................... 152

Create a Rhythm Set (Create Rhythm) ................................................................................................ 152

Creating a Multisample (Create Multisample) ..................................................................................153

Unloading a Sample (Unload).............................................................................................................. 155

Removing Unwanted Portions of a Sample (Truncate).................................................................... 155

Boosting or Limiting the High-frequency Range of the Sample (Emphasis) ................................ 155

Maximizing the Volume of a Sample (Normalize)............................................................................ 156

Amp.......................................................................................................................................................... 156

Stretching or Shrinking a Sample (Time Stretch)............................................................................... 156

Dividing a Sample into Notes (Chop) ................................................................................................. 157

Joining Two or More Samples (Combine) ..........................................................................................158

Saving a Sample...................................................................................................................................... 159

10

Contents

Using the Pads.............................................................................................160

Using the Hold Function to Sustain a Sound ..................................................................................... 160

Using the Roll Function to Play Sounds.............................................................................................. 160

Making Settings for the Pads (Pad Setting) ........................................................................................ 161

Specify the Currently Used Sound Generator ........................................................................161

Settings You Can Make for Each Pad....................................................................................... 161

Settings that Apply to All Pads................................................................................................. 161

Writing the Pad Settings ............................................................................................................162

Exchanging the Sound of Two Pads (Pad Exchange)............................................................ 162

Assigning a Pattern to a Pad (RPS Function) .....................................................................................163

Using the Pads to Play Rhythms.......................................................................................................... 163

Playing Back a Song ...................................................................................164

Playing a Song Immediately (Quick Play).......................................................................................... 164

Playing Back Songs Consecutively (Chain Play) ............................................................................... 164

Various Playback Methods ...................................................................................................................165

Fast-Forward and Rewind During Playback ..........................................................................165

Playing Back Correctly from the Middle of the Song (MIDI Update)................................. 165

Muting the Playback of a Specific Instrument........................................................................ 165

Changing the Playback Tempo of a Song................................................................................166

Playing a Song Back at a Fixed Tempo (Muting the Tempo Track) ....................................166

Playing Back a S-MRC Format Song ........................................................................................166

Playing Back a Song Repeatedly (Loop Play) ......................................................................... 166

Using the D Beam Controller to Start/Stop Song Playback .................................................167

Recording Songs.........................................................................................168

Two Recording Methods............................................................................................................ 168

Before You Record a New Song ...........................................................................................................168

Select the Sound to be Used for Recording .............................................................................168

Erasing the Song/Pattern from Temporary Song (Song Clear) ........................................... 168

Specify the Time Signature........................................................................................................ 169

Setting the tempo ........................................................................................................................169

Recording Your Performance as You Play It (Realtime Recording) ...............................................170

Basic Operation for Realtime Recording ................................................................................. 170

Recording Tempo Changes in a Song (Tempo Recording)................................................... 171

Loop Recording and Punch-In Recording...............................................................................171

Correct the Timing of Your Playing as You Record (Recording Quantize) .......................172

Selecting the Sequencer Data that will Be Recorded (Recording Select) ............................172

Erasing Unwanted Data While You Record (Realtime Erase).............................................. 173

Recording Arpeggios Aligned to the Measures of the Sequencer ....................................... 173

Auditioning Sounds or Phrases While Recording (Rehearsal Function)............................ 173

Inputting Data One Step at a Time (Step Recording)........................................................................ 174

Inputting Notes and Rests .........................................................................................................174

Assigning a Pattern to a Phrase Track .....................................................................................176

Editing Songs ..............................................................................................177

Loading the Song You Want to Edit.................................................................................................... 177

Viewing the data within a track................................................................................................178

Using Different Sound Generators for Each Track ................................................................178

Loading Individual Tracks/Patterns of Song Data................................................................ 178

Silencing the Playback of a Track (Mute) ................................................................................178

Assigning Markers (Locate Positions) to a Song .................................................................... 179

Specifying the Area of a Song that will Repeat (Loop Points).............................................. 179

Editing Sequencer Data Over the Specified Range (Track Edit) ..................................................... 180

Basic Operation for Track Editing ............................................................................................180

Aligning a Song’s Timing (Quantize) ...................................................................................... 181

Erasing Unwanted Performance Data (Erase) ........................................................................ 183

Deleting Unwanted Measures (Delete)....................................................................................184

Copying Phrases (Copy) ............................................................................................................184

11

Contents

Inserting a Blank Measure (Insert) ...........................................................................................185

Transpose the Key (Transpose)................................................................................................. 185

Changing the Velocity (Volume) (Change Velocity) .............................................................186

Changing the MIDI Channel (Change Channel).................................................................... 186

Modifying the Length of Notes (Change Duration) ..............................................................187

Combining Two Phrase Tracks or Patterns into One (Merge) .............................................188

Extracting and Moving a Part of Sequencer Data (Extract) .................................................. 188

Shifting Performance Data Forward and Back (Shift Clock)................................................ 189

Thinning Out the Sequencer Data (Data Thin)....................................................................... 190

Swapping Two Phrase Tracks or Patterns (Exchange).......................................................... 191

Adjusting the Song’s Playback Time (Time Fit) .....................................................................191

Deleting Blank Measures (Truncate)........................................................................................ 191

Editing Individual Items of Sequencer Data (Micro Edit)................................................................192

Editing Sequencer Data (Basic Procedure in the Microscope).............................................. 192

Sequencer Data Handled by a Phrase Track/Pattern............................................................ 193

Viewing Sequencer Data (View)............................................................................................... 194

Inserting Sequencer Data (Create)............................................................................................ 194

Erasing Sequencer Data (Erase) ................................................................................................195

Moving Sequencer Data (Move) ...............................................................................................195

Copying Sequencer Data (Copy) ..............................................................................................195

Changing the Tempo Midway Through the Song .................................................................196

Changing the Time Signature Midway Through the Song................................................... 196

Assigning a Name to a Song (Song Name)......................................................................................... 197

Saving/Loading a song (Save/Load)..........................................................198

Saving a Song (Save) .............................................................................................................................. 198

Basic Procedure ...........................................................................................................................198

Data saved together with a song............................................................................................... 198

Saving a Song with Samples (Save Song+Samples)............................................................... 199

Saving a Song (Save Song)......................................................................................................... 199

Saving Samples (Save All Samples).......................................................................................... 200

Saving a Song as an SMF File (Save as SMF)...................................................................................... 200

Loading a Song (Load)........................................................................................................................... 201

Basic Procedure ...........................................................................................................................201

Loading a Song with Samples (Load Song+Samples) ...........................................................201

Loading a song (Load Song)...................................................................................................... 202

Loading Samples (Load All Samples)...................................................................................... 202

Importing a WAV/AIFF File (Import Audio)....................................................................................202

Playing a Phrase at the Touch of a Finger (RPS Function) .....................203

Before You Use the RPS Function ........................................................................................................ 203

Record a Pattern .......................................................................................................................... 203

Settings for the RPS Function.................................................................................................... 203

Using the RPS Function While You Perform...................................................................................... 204

Recording a Performance Using the RPS Function................................................................ 205

Adding Effects .............................................................................................206

Turning Effects On and Off................................................................................................................... 206

Making Effect Settings ........................................................................................................................... 206

Applying Effects in Patch Mode .......................................................................................................... 207

Specifying How the Sound Will Be Output (Routing) ..........................................................207

Signal Flow Diagram and Parameters .....................................................................................207

Applying Effects in Performance Mode..............................................................................................210

Specifying How the Sound Will Be Output (Routing) ..........................................................210

Signal Flow Diagram and Parameters .....................................................................................210

Making Multi-Effects Settings (MFX1–3)............................................................................................ 213

Making Multi-Effects Settings (MFX Control) ...................................................................................213

Specifying the multi-effect structure (MFX Structure)...................................................................... 215

Making Chorus Settings (Chorus) ....................................................................................................... 215

12

Contents

Making Reverb Settings (Reverb) ........................................................................................................216

Mastering Effect...................................................................................................................................... 217

Connecting to Your Computer via USB (USB Mode) ...............................218

About USB Functions............................................................................................................................. 218

Switching the Storage Mode and the MIDI Mode............................................................................. 218

Transferring Files to or from Your Computer (Storage Mode) .......................................................219

Exchanging MIDI Messages with Your Computer (MIDI Mode)................................................... 222

File-Related Functions (File Utility)............................................................223

Basic Procedure....................................................................................................................................... 223

Copying a File (Copy)............................................................................................................................ 224

Deleting a File (Delete) ..........................................................................................................................224

Moving a File (Move)............................................................................................................................. 224

Initializing a Memory Card (Card Format) ........................................................................................ 224

Settings Common to All Modes (System Function) .................................225

How to Make System Function Settings ............................................................................................. 225

Saving the System Settings (System Write) ........................................................................................ 225

Functions of System Parameters ..........................................................................................................226

Pedal/D Beam .............................................................................................................................226

Keyboard ...................................................................................................................................... 226

Sync/Temp ..................................................................................................................................227

Metronome................................................................................................................................... 228

Sound ............................................................................................................................................ 229

MIDI.............................................................................................................................................. 230

USB................................................................................................................................................ 231

Scale Tune..................................................................................................................................... 232

Preview......................................................................................................................................... 232

System Ctrl................................................................................................................................... 233

Background.................................................................................................................................. 233

Screen Saver ................................................................................................................................. 233

Sampling....................................................................................................................................... 233

Start up.......................................................................................................................................... 234

System Information................................................................................................................................ 234

Data Management Functions

Reset to Default Factory Settings (Factory Reset)...................................235

Basic Procedure....................................................................................................................................... 235

Backing Up User Data (User Backup) .................................................................................................235

Restoring User Data that You Backed Up (User Restore) ................................................................235

Factory Reset ........................................................................................................................................... 235

Using Fantom-X Editor................................................................................236

Installing Fantom-X Editor into Your Computer............................................................................... 236

Making Connections .............................................................................................................................. 236

Using Fantom-X Librarian ....................................................................................................................236

Fantom-X Editor System Requirements.............................................................................................. 237

System Requirements (Windows) ............................................................................................237

System Requirements (Mac OS)................................................................................................ 237

About V-LINK ...............................................................................................238

What is V-LINK? ....................................................................................................................................238

Connection Examples ............................................................................................................................238

Turning the V-LINK ON/OFF ............................................................................................................. 238

V-LINK Settings...................................................................................................................................... 238

V-LINK Parameters ....................................................................................................................239

Resetting the Image..................................................................................................................... 239

13

Contents

Installing the Wave Expansion Board........................................................240

Cautions When Installing an Wave Expansion Board...................................................................... 240

How to Install a Wave Expansion Board ............................................................................................ 240

Checking the Installed Wave Expansion Boards ............................................................................... 241

Installation de la carte d’expansion Wave ................................................242

Précautions à prendre lors de l’installation d’une carte d’expansion Wave .................................242

Installation d’une carte d’expansion Wave ........................................................................................242

Vérification des cartes d’extension audio aprés installation............................................................243

Expanding the Memory ...............................................................................244

Precautions for Expanding Memory ................................................................................................... 244

How to Expand the Memory ................................................................................................................ 244

Removing the Memory............................................................................................................... 245

Checking that memory is installed correctly...................................................................................... 245

Ajouter de la mémoire.................................................................................246

Précautions à prendre lors de l’ajout de mémoire............................................................................. 246

Installation du module de mémoire ....................................................................................................246

Retrait du module de mémoire................................................................................................. 247

Vérifier que la mémoire est installée correctement ........................................................................... 247

Using a Memory Card..................................................................................248

Before Using the Memory Card ...........................................................................................................248

Writing data to the card......................................................................................................................... 248

Installing the PC Card Protector ..........................................................................................................248

Troubleshooting ..........................................................................................249

Problems Concerning the Entire Fantom-X ............................................................................249

Issues Related to Sound ............................................................................................................. 249

Issues Related to Effects ............................................................................................................. 251

Issues Related to Saving Data ................................................................................................... 251

Issues Related to Sequencer.......................................................................................................252

Issues Related to MIDI and External Devices......................................................................... 253

Issues Related to Sampling........................................................................................................ 254

Issues Related to a Memory Card............................................................................................. 254

Parameter List..............................................................................................255

Patch Parameter...................................................................................................................................... 255

Rhythm Set Parameter........................................................................................................................... 259

Performance Parameter ......................................................................................................................... 262

Rhythm Group Parameter..................................................................................................................... 265

Sample Parameters................................................................................................................................. 265

System Parameters .................................................................................................................................266

Effects List ...................................................................................................270

Multi-Effects Parameter......................................................................................................................... 270

Chorus Parameters................................................................................................................................. 293

Reverb Parameters .................................................................................................................................294

Input Effect Parameters ......................................................................................................................... 294

Error Messages............................................................................................296

About MIDI....................................................................................................297

About MIDI Connectors............................................................................................................. 297

MIDI Channels and Multi-timbral Sound Generators........................................................... 297

MIDI Implementation ...................................................................................298

Specifications ..............................................................................................333

Index .............................................................................................................335

14

Main Features

Cutting-edge sound engine that
unifies audio and MIDI

The Fantom-X inherits the same sound engine that was acclaimed on
the Fantom-S, unifying synthesizer and sampler into a single sound
generator. Sampled waveforms and waveforms imported from a PC
or other external source can also be used as synthesizer waveforms.

In addition to the internal sounds and sampled waveforms, you can
install up to four SRX-series wave expansion boards for instant
access to an even broader range of sounds.

Top-class 128-voice polyphony

An ample 128 voices of polyphony guarantees stress-free music
production or live performance.

Highest quality 88-note
multisampled piano waveforms

The Fantom-X features an 88-note multisampled piano painstakingly
recorded by professional engineers. Every note has been sampled in
stereo with four velocity-switched layers, meaning that a lavish 704
samples are used to create this piano sound. It boasts not only tonal
quality but also a high level of presence, making it closer than ever to
the “real thing.”

The 128 MB of internal waveform memory is double that of the
Fantom-S series. It adds a wide range of sounds created with an
emphasis on quality, including strings, nylon string guitar, drums,
and bass, as well as piano.

* 88-note multisampling is used only for the piano waveform.

Large, color LCD—first ever on a
synthesizer!

A large, color LCD is used for excellent visibility and user­friendliness.

With a fresh new appearance, it opens a new era in user interfaces.

Full-fledged sampler

In addition to sampling and resampling functionality, waveform
editing is also provided, delivering functionality that rivals
dedicated samplers. There’s also an Auto Sync function that can
automatically match the length of a measure to the current tempo.

32 MB of sampling memory is provided as standard, and you can
install expansion DIMM modules to expand this to as much as 544
MB.

Skip Back Sampling

The Skip Back Sampling function that was so popular on the
Fantom-S series is also featured on the Fantom-X.

This function continually records whatever you play on the Fantom­X. Then, when you happen to come up with an inspired riff, simply
press a single button to capture it.

Piano mode and Live Setting function

Piano mode lets you use the Fantom-X as a dedicated piano simply
by pressing one button. The Live Setting function provides recall of
live performance setups, guaranteeing smooth transitions between
songs in your set.

A full complement of interfaces

USB connector for connection to your computer
USB-MIDI support allows data to be exchanged with your computer,

and also makes it easy to connect with PC tools.
For connection to audio devices, both analog and digital input and

output are provided as standard. When sampling, you can select
either analog or digital as the source.

There’s also a PC card slot for backing up your data. This allows you
a broad choice of media including SmartMedia and Compact Flash,
and since media capacities up to 1 GB are supported (when using
Compact Flash), you have great flexibility in data transfer.

Built-in 16-track sequencer

A high-resolution 16-track sequencer is built in. With functions like
Loop recording that lets you record each part non-stop, it’s designed
not to interfere with your creative imagination. After you’ve input
your data, you can take advantage of the large LCD to edit track data
graphically.

Dynamic pad bank

The Fantom-X features a dynamic pad bank that is sensitive to
velocity and aftertouch. They can be used as trigger pads to play
favorite sounds like hits or bass sounds, to recall RPS sequence
phrases, or assigned to play skip back-sampled phrases. In another
idea, rhythm sounds that were “chopped” from a loop phrase can be
assigned to the pads and played for realtime input into the
sequencer.

Mastering functionality

78 different multi-effects, chorus, and reverb are provided. Since the
mastering effects that are indispensable as the final step of the music
production process are also provided, you can create songs with a
level of quality that approaches a commercially released CD.

V-LINK functionality

V-LINK lets you synchronize music and images to create completely
new forms of expression. Realtime controllers such as the D Beam
controller and the dynamic pads can be used to control images while
you perform music.

Fantom-X Editor/Librarian included

The included editor and librarian software lets you edit and manage
Fantom-X sounds from your computer.

15

Panel Descriptions

Front Panel

fig.01-001

1

2

4

14

5

15

3

6

13

1

D BEAM

D BEAM

Switches D Beam function on/off. You can apply a variety of effects
to sounds simply by moving your hand. -> (p. 121)

[ASSIGNABLE]

You can assign a variety of parameters and functions to D Beam to
modify the sound in realtime. -> (p. 122)

[PAD TRIGGER]

Instead of striking the pads themselves, you can also use the D Beam
controller to control the sounding of the pads. -> (p. 122)

[SOLO SYNTH]

Play the Fantom-X as a monophonic synthesizer. -> (p. 123)

* Hold down [SHIFT] and press one of the corresponding buttons to

access the D BEAM setting screen.

2

EXT SOURCE

[MIX IN]

Switches the external input on/off. -> (p. 141)

* Hold down [SHIFT] and press this button to access the external

source setting screen.

LEVEL knob

Controls the volume of the external input.

PEAK indicator

This will light when the volume of the external input is too high.

9

10

12

7

8

11

[ ], [ ]ASSIGNABLE switch

You can assign a variety of parameters and functions to these two
buttons. Use them to switch the parameters and functions to modify
the sound in realtime. -> (p. 122)

[RPS]

Switches RPS on/off.

* Hold down [SHIFT] and press (or rotate) one of the above switches (or

knob) to access the corresponding setting screen.

-> (

p. 203

)

[-OCT], [+OCT]

Transposes the pitch of the keyboard in 1 octave units (-3- +3 octaves).

5

ARPEGGIO / RHYTHM

[CHORD MEMORY]

Switches the CHORD MEMORY on/off.

-> (

p. 133

)

[RHYTHM]

Switches the RHYTHM on/off.

-> (

p. 135

)

[ARPEGGIO]

Switches the ARPEGGIO on/off.

* Hold down [SHIFT] and press one of the corresponding buttons to access

CHORD MEMORY, RHYTHM or ARPEGGIO settings screen.

-> (

p. 128

)

[ARP HOLD]

Switches the Arpeggio Hold function on/off.

BEAT (Beat Indicator)

This blinks in sync with the tempo and beat.

3

VOLUME / V-LINK

VOLUME

Adjusts the overall volume that is output from the rear panel
OUTPUT A (MIX) jacks and PHONES jack. -> (p. 21)

[V-LINK]

Switches the

* Hold down [SHIFT] and press [V-LINK] to access the V-LINK setting

4

REALTIME CONTROL

screen.

V-LINK function

on/off.

-> (p. 238)

[ ]REALTIME CONTROL knob

Depending on the parameter or function that is assigned,
the knobs to modify the sound in realtime. -> (p. 47)

you can use

16

6

SEQUENCER

Perform sequencer operations such as playback and record.

[RESET]

Moves the song position to the top. If you press this during playback,
you will return to the beginning of the song and stop. -> (p. 165)

[BWD]

Moves the song position to the first beat of the previous measure. ->
(p. 165)

[FWD]

Moves the song position to the first beat of the next measure. -> (p.

165)

[Play]

Controls sequencer play.

Panel Descriptions

[STOP]

Controls sequencer stop.
While stopped, you can hold down [SHIFT] and Press [PLAY] to

perform MIDI Update. -> (p. 165)

[REC]

The display changes to the Recording Standby window. -> (p. 170)
If you press this during recording, the Rehearsal function will be

activated. -> (p. 173)

7

DISPLAY

Display

This displays information regarding the operation you are
performing

8

[MENU]

Opens the MENU. The contents of the menu will depend on the
current mode.

Function buttons ([F1]–[F8])

During editing, these buttons execute a variety of functions, and
their function will differ depending on the screen.

[TEMPO]

Sets the tempo (BPM). -> (p. 128, p. 135, p. 166)

[CURSOR]

Moves the cursor location up/down/left/right.

[SHIFT] (JUMP)

This button is used in conjunction with other buttons to execute
various functions.

[ENTER]

Use this button to execute an operation.

[EXIT]

Return to the previous screen, or close the currently open window.
In some screens, this causes the currently executing function to be
aborted.

12

DYNAMIC PAD / SAMPLING

[SAMPLE EDIT]

Edit a sample. -> (p. 148)

[SAMPLE LIST]

View the sample list. -> (p. 146)

[SAMPLING]

View the Sampling Menu screen. -> (p. 142)

[SKIP BACK SAMPLING]

Sample the performance for a specified duration prior to the moment
you pressed the button. -> (p. 145)

9

LCD CONTRAST knob

Adjusts the display contrast. -> (p. 22)

[WRITE]

Save edited settings into Temporary Area or a memory card. -> (p.
59, p. 86, p. 120, p. 132, p. 134, p. 159, p. 198, p. 225)

[PATCH EDIT]

Make patch-related settings.

[SONG EDIT]

Make settings for song data and song edit. -> (p. 164)

[EFFECTS]

Make effect-related settings. Here you can also make mastering
settings. -> (p. 206)

10

[MIXER]

View the Performance mode’s Mixer screen. -> (p. 103)

[LAYER/SPLIT]

View the Performance mode’s Layer screen. -> (p. 100)

[PATCH/RHYTHM]

Enter Patch/Rhythm mode. -> (p. 38)

11

VALUE Dial

This is used to modify values. If you hold down [SHIFT] as you turn
the VALUE dial, the value will change in greater increments.

[PAD SETTING]

Make pad settings. -> (p. 160)

[CLIP BOARD]

You can register frequently used screens and use the pads to recall
them (the Bookmark function). -> (p. 37)

[SAVE/LOAD]

Saves/loads data in the Temporary Area (p. 29) or sample memory
(p. 32) to/from user memory or a memory card.

[PAD 1–16]

Use as a keyboard to play sound.

[ROLL]

Turn “roll” playback on/off. -> (p. 160)

[HOLD]

Turn “hold” (sustaining the sound after you release the pad) on/off.

->(p. 160)

13

Pitch Bend/Modulation Lever

This allows you to control pitch bend or apply vibrato.

14

Here you can install a wave expansion board (SRX series; sold
separately) or install separately sold memory (DIMM).

On the Fantom-X6/X7, this is located on the bottom panel. -> (p.
240, p. 242)

[DEC], [INC]

This is used to modify values. If you keep on holding down one
button while pressing the other, the value change accelerates. If you
press one of these buttons while holding down [SHIFT], the value
will change in bigger increments.

15

[PIANO MODE]

Switches to a special mode optimal for playing piano sounds. If you
press this button while holding down [SHIFT], the Live Setting Play
screen will appear. -> (p. 54)

17

Panel Descriptions

Rear Panel

fig.01-002

fig.01-003

POWER ON Switch

Press to turn the power on/off. -> (p. 21, p. 22)

AC Inlet

Connect the included power cord to this inlet. -> (p. 21)

fig.01-004

CTL (CONTROL) PEDAL Jack

You can connect optional expression pedals (EV-5, etc.) to these
jacks. By assigning a desired function to a pedal, you can use it to
select or modify sound or perform various other control. You can
also connect optional pedal switches (DP series etc.) to sustain
sound. -> (p. 25)

925

* Use only the specified expression pedal (EV-5; sold separately). By

connecting any other expression pedals, you risk causing malfunction
and/or damage to the unit.

HOLD PEDAL Jack

An optional pedal switch (DP series etc.) can be connected to this
jack for use as a hold pedal. -> (p. 24)

This can also be set so it supports the use of half-pedaling
techniques. So, after connecting an optional expression pedal (DP-8,
etc.), you can employ pedal work to achieve even finer control in
performances in which piano tones are used.

fig.01-005

MIDI Connectors (IN, OUT, THRU)

These connectors can be connected to other MIDI devices to receive
and transmit MIDI messages.

fig.01-006

fig.01-007, 008

OUTPUT A (MIX) Jacks (L (MONO), R)

These jacks output the audio signal to the connected mixer/amplifier
system in stereo. For mono output, use the L jack. -> (p. 19)

OUTPUT B Jacks (L, R)

These jacks output the audio signal to the connected mixer/amplifier
system in stereo.

INDIVIDUAL 1–4 Jacks

These jacks output audio signals in mono to an amp or mixer.
The setting determining whether these jacks are used as stereo

OUTPUT jacks or monaural INDIVIDUAL jacks is made with the
Output Assign setting (p. 207).

AUDIO INPUT Jack (L, R)

Accept input of audio signals in stereo (L/R) from external devices.
If you want to use mono input, connect to the L jack.

When recording from a mic, connect it to the L jack, and set Input
Select (p. 141) to “MICROPHONE.”

PHONES Jack

This is the jack for connecting headphones (sold separately). -> (p.

19)

fig.01-003a

PC CARD Slot

A memory card can be inserted here. -> (p. 244, p. 246)

931

* Carefully insert the memory card all the way in-until it is firmly in

place.

USB Connector

This connector lets you use a USB cable to connect your computer to
the Fantom-X. -> (p. 218)

DIGITAL IN/OUT Connectors (S/P DIF COAXIAL)

These are coaxial-type S/P DIF format digital in/out connectors.
These connectors input and output a digital audio signal (stereo).

The output signal is identical to the signal that is output from the
OUTPUT A (MIX) jacks.

* S/P DIF is a digital interface format used for consumer digital audio devices.

18

Getting Ready

921

to Power outlet

Stereo headphones

Monitor speakers

(powered)

Power amp

Mixer etc.

In order to fully experience the
Fantom-X’s sound, we
recommend using a stereo
amp/speaker system. If you’re
using a mono system,
however, make your
connections to the Fantom-X’s
OUTPUT A (MIX) jack L
(MONO).

Connecting an Amp and Speaker System

Since the Fantom-X contains no amplifier or speakers, you’ll need to connect it to audio
equipment such as a keyboard amplifier, monitor speaker system or home stereo, or use
headphones to hear its sound.

1.

Before hooking anything up, make sure that the power on all of your gear is turned
OFF.

2.

Connect one end of the supplied power cable to the Fantom-X, and the other end to a
power outlet.

3.

Connect the Fantom-X to your amp/speaker system as shown in the diagram.

fig.02-002.e

To prevent malfunction and/
or damage to speakers or other
devices, always turn down the
volume, and turn off the
power on all devices before
making any connections.

Audio cables are not included
with the Fantom-X. You’ll
need to provide them.

For details on how to install a
Wave Expansion Board (sold
separately), refer to “Installing
the Wave Expansion Board”
(p. 240).

The OUTPUT A [MIX] jacks
support balanced output. Use
a correctly wired cable so that
the HOT, COLD, and GND as
printed on the rear panel of the
Fantom-X are correct for the
mixer or other input device
you’re using.

19

Getting Ready

Placing the Fantom-X8 on a Stand (For Fantom-X8 user)

If you want to place the Fantom-X8 on a stand, use the Roland KS-17. Place the instrument on the stand as follows.

fig.02-001.e

Place it so the center of the stand comes

between the "a" and "n" of the word "Fantom."

Place so that it is immediately above

Rubber feet of the Fantom-X8

Stand screws

Center

20

Turning On the Power

Getting Ready

Once the connections have been completed (p. 19), turn on power to your various devices in
the order specified. By turning on devices in the wrong order, you risk causing malfunction
and/or damage to speakers and other devices.

fig.bender.e

1.

Before turning on the Fantom’s power, consider these two questions:

• Are all peripheral devices connected correctly?

• Have the volume controls of the Fantom-X and all connected audio devices been
turned to their lowest settings?

2.

Turn on the POWER ON switch located on the rear panel of the Fantom-X.

fig.02-003

* This unit is equipped with a protection circuit. A brief interval (a few seconds) after power

up is required before the unit will operate normally.

3.

Turn on the power for any connected amplifiers or speakers.

4.

Play the Fantom-X’s keyboard, gradually increasing the setting of its volume control,
and then carefully raise the volume of your connected amplifiers or speakers to the
desired listening level.

fig.02-004

To ensure proper operation of
the pitch bend lever, make
sure not to touch the lever
when turning the Fantom-X’s
power on.

Do not touch!

Be careful not to set your
listening volume too high to
avoid damage to your amp/
speaker system or your
hearing.

941

942

21

Getting Ready

Adjusting the Display Contrast (LCD Contrast)

The characters in the display may be difficult to view immediately after turning on the Fantom­X’s power or after extended use. Your viewing angle or the current lighting conditions can also
affect the appearance of the display. In such situations, you can turn the CONTRAST knob
(located on the rear panel) to adjust the contrast of the display.

fig.02-005

Turning Off the Power

1.

Before you turn off the power, consider these two questions:

• Have the volume controls for the Fantom-X and all connected audio devices been
turned to their lowest settings?

• Have you saved your Fantom-X sounds or other data you’ve created?

2.

Turn off the power for all connected audio devices.

3.

Turn off the POWER ON switch of the Fantom-X.

If you need to turn off the
power completely, first turn
off the POWER switch, then
unplug the power cord from
the power outlet. Refer to
“Power Supply” (p. 4).

22

Listening to the Demo Songs

981

b

The Fantom-X contains a demonstration (“demo”) song that you can listen to using the
Fantom-X’s Demo Play feature. The demo will introduce you to the Fantom-X’s exceptional
sounds and effects.

Listening to the demo song loaded when you start up the Fantom-X

With the factory settings, you can play a song simply by powering up the Fantom-X and
pressing the [PLAY] button.

Song name: Still Solace Copyright©Roland Corporation

This song is an acoustic piano and acoustic guitar performance. Either sound is ideal for both
soloing and accompaniment.

fig.02-005a

Listening to the other demo songs

You can use the Song Edit
screen to view the musical data
of this song.

All rights reserved.
Unauthorized use of this
material for purposes other
than private, personal
enjoyment is a violation of
applicable laws.

a

If you want to hear the other songs, use the following procedure to play them.
For the names and copyright information of these songs, refer to the Fantom-X's display.

1.

Press [MENU].

The pull-down menu appears.

fig.02-006

2.

Press to select a “Demo Play,” and then press [ENTER].

fig.02-007

2, 53, 4

3.

Press [F1 (SONG1)]-[F7 (SONG7)] to start demo song playback.

Otherwise, playback will stop automatically when the song ends.
If you press [F8 (All Songs)], the songs will playback successively, beginning from the first.

4.

Press [F8 (Exit)] to return to the Demo Menu screen.

5.

Press [EXIT] to return to the previous screen.

* When you play back using the procedure of steps 1–5, the playback data will not be

When you perform demo
playback, any patch or
performance you may have

een editing will be lost.

982

transmitted from the MIDI OUT connector.

23

Various Performance Features

Velocity/Aftertouch

The force with which you play the keyboard, or the “velocity” with which you play, can affect
the volume or timbre of a sound. Aftertouch—downward pressure you apply to a key after
playing a note—can also affect the sound.

fig.02-008

For details on the setting, refer
to p. 226.

There are two types of
aftertouch: Polyphonic
Aftertouch, which applies
aftertouch to individual notes,
and Channel Aftertouch,
which applies aftertouch to an
entire MIDI channel (p. 193).
The Fantom-X can output the
MIDI data for Polyphonic
Aftertouch using the pads, and
Channel Aftertouch using the
keyboard.

Pitch Bend/Modulation Lever

While playing the keyboard, move the lever to the left to lower the pitch of the currently
selected patch, or to the right to raise its pitch. This is known as
vibrato by gently pushing the lever away from you. This is known as

If you push the lever away from you and at the same time move it to the right or left, you can
apply both effects at once.

fig.02-009.e

ModulationPitch Bend

Octave Shift (Oct)

You can shift the pitch of the keyboard in one-octave units over a range of +/-3 octaves by
adjusting the value of the Octave Shift parameter.

Use KEY EFFECT [-OCT] or [+OCT] at the left of the screen to make the desired setting.
To return to the original setting, press both buttons simultaneously.

Hold Pedal

If an optional pedal switch (DP series) is connected to the rear panel PEDAL HOLD jack, you
can press the pedal switch to cause notes to sustain or “hold” even after their keys have been
released.

fig.02-010

pitch bend

modulation

. You can also apply

.

You can set the amount of
pitch change for each patch (p.

67).

For details on the setting, refer
to p. 226.

24

Control Pedal

If an optional expression pedal or pedal switch (EV-5, DP-2.) is connected to the rear panel
PEDAL CONTROL jack, you can use the pedal to control the volume or various function.

fig.02-011

Roland

Transpose (Trans)

You can transpose the pitch of the keyboard in semitone steps, over a range of G–F# (-5– +6
semitones) by adjusting the Transpose parameter’s value.

Press [CURSOR] to move the cursor to “Trans” in the upper part of the screen, and turn the
VALUE dial or press [INC] or [DEC] to change its setting.

fig.02-012

Various Performance Features

The way in which the sound
changes will depend on the
settings. For details on settings
for parameters controlled by
the pedal, refer to “Making
Control Pedal Settings”
(“Making Control Pedal
Settings” (p. 126)).

Use only the specified
expression pedal or pedal
switch (EV-5, DP-2; sold
separately). By connecting any
other expression pedals, you
risk causing malfunction and/
or damage to the unit.

For details, refer to
“Transposing the Keyboard in
Octave Units (Octave Shift)”
(“Transposing the Keyboard

in Octave Units (Octave
Shift)” (p. 45)).

25

Overview of the Fantom-X

WG

Pitch

Envelope

TVF

TVF

Envelope

TVA

Envelope

TVA

LFO 1 LFO 2

control signal

Tone

audio signal

How the Fantom-X Is Organized

Basic Structure

Broadly speaking, the Fantom-X consists of a controller section, a
sound generator section, and a sequencer section. These sections are
internally connected via MIDI.

fig.04-001.e

Audio Input

Sampling

Sampler

Section

Sequencer

Section

Controller Section (controllers
such as keyboard, pad, pitch bend lever, etc.)

Playback

Recording

Controller Section

This section consists of the keyboard, pad, pitch bend/modulation
lever, panel knobs and buttons, and D Beam controller. It also
includes any pedals that may be connected to the rear panel. The
performance information generated when you do things such as
press/release a key or pad, or depress the hold pedal is converted
into MIDI messages and sent to the sound generator section,
sequencer section, and/or an external MIDI device.

Sound Generator Section

The sound generator section produces the sound. It receives MIDI
messages from the keyboard controller section and sequencer section
and/or from an external MIDI device, generates musical sound
according to the MIDI messages that were received, and outputs the
sound from the output jacks or headphone jack.

Sound

Generator

Section

Play

Resampling

Classification of Fantom-X Sound Types

When using the Fantom-X, you will notice that a variety of different
categories come into play when working with sounds. What follows
is a simple explanation of each sound category.

Tones

On the Fantom-X, the tones are the smallest unit of sound. However,
it is not possible to play a tone by itself. The patch is the unit of
sound which can be played, and the tones are the basic building
blocks which make up the patch.

fig.04-002.e

Tones consist of the following five components.

WG (Wave Generator)

Specifies the PCM waveform (wave) that is the basis of the sound,
and determines how the pitch of the sound will change.

The Fantom-X has 1,480 different waveforms. All patches built into
the Fantom-X consist of combinations of tones which are created
based on these waveforms.

There are four wave generators for each rhythm tone
(percussion instrument sounds).

Sequencer Section

This section records operations of the keyboard controller section as
MIDI messages, and transmits the recorded MIDI messages to the
sound generator section. MIDI messages recorded on the sequencer
can also be transmitted from the MIDI OUT connector to allow the
Fantom-X to also control external MIDI devices.

The Sampler section

A sampler is a device that captures sounds from a CD player or mic
connected to the audio input or the digital input (or sounds from a
wave file) as “samples.”

Samples you record can be used in the same way as the waveforms
that are built into the internal sound generator. (p. 141)

The Fantom-X can load WAV or AIFF format wave files as samples
via a USB connection. Loaded sample can be used in patches or
rhythm sets.

26

TVF (Time Variant Filter)

Specifies how the frequency components of the sound will change.

TVA (Time Variant Amplifier)

Specifies the volume changes and the sound’s position in a stereo
soundfield.

Envelope

You use Envelope to initiate changes to occur to a sound over time.
There are separate envelopes for Pitch, TVF (filter), and TVA
(volume). For example if you wish to modify the way in which the
sound attacks or decays over time, you would adjust the TVA
envelope.

Overview of the Fantom-X

Patch

Tone 4

Tone 3

Tone 2

Tone 1

WG

Pitch

Envelope

TVF

TVF

Envelope

TVA

Envelope

TVA

LFO 1 LFO 2

Performance

Part 16

Part 1

Patch/

Rhythm Set

Layer
Mixer

LFO (Low Frequency Oscillator)

Use the LFO to create cyclic changes (modulation) in a sound. The
Fantom-X has two LFOs. You can use the LFO to apply an effect to
either the WG (pitch), the TVF (filter), or the TVA (volume). When an
LFO is applied to the WG pitch, a vibrato effect is produced. When an
LFO is applied to the TVF cutoff frequency, a wah effect is produced.
When an LFO is applied to the TVA volume, a tremolo effect is
produced.

LFO is not included in the rhythm tones (percussion instrument sounds).

Patches

Patches are the basic sound configurations that you play during a
performance. Each patch can be configured by combining up to four
tones. How the four tones are combined is determined by the
Structure Type parameter (p. 63).

fig.04-003.e

Each percussion instrument consists of the following four elements.
(For details, refer to the explanations for “Tones.”)

WG (Wave Generator): 1–4

TVF (Time Variant Filter)

TVA (Time Variant Amplifier)

Envelope

Performances

A performance has a patch or rhythm set assigned to each of the 16
parts, and can simultaneously handle 16 sounds.

The Fantom-X has two screens: a Layer screen and a Mixer screen (p.
100, p. 103).

Use the Layer screen if you want to play two or more patches
together (Layer) or play different patches in separate areas of the
keyboard (Split).

Use the Mixer screen if you want to “mix” by individually adjusting
the pan and level settings for each of the sixteen parts.

Because the Fantom sound generator can control multiple sounds
(instruments) it is called a Multi-timbral sound generator.

fig.04-005.e

Rhythm Sets

Rhythm sets are groups of a number of different percussion
instrument sounds. Since percussion instruments generally do not
play melodies, there is no need for a percussion instrument sound to
be able to play a scale on the keyboard. It is, however, more
important that as many percussion instruments as possible be
available to you at the same time. Therefore, each key (note number)
of a rhythm set will produce a different percussion instrument.

fig.04-004.e

Rhythm Set

Note Number 98 (D7)

Note Number 97 (C#7)

Note Number 36 (C2)

Note Number 35 (B1)

Rhythm Tone (Percussion instrument sound)

WG

Pitch

Envelope

TVF

TVF

Envelope

TVA

TVA

Envelope

Part

On the Fantom-X, a “part” is something to which you assign a patch
or rhythm set. Patch mode has two parts, the Pad part and the
Keyboard part, and you can assign a patch or rhythm set to each of
these parts. In Performance mode, each performance has sixteen
parts, and you can assign a patch or rhythm set to each part.

27

Overview of the Fantom-X

Temporary Area

Rhythm Set

32

Patch

256

Select

Fantom-X

GM (GM2)

* 1 Only in PR-A (PRST)

* 2 The selected Patches/Rhythm Sets cannot be changed.

Performance

64

User (USER)

System

WriteSelect

Select Write

Wave Expansion Board

Memory Card

Patch

256

Rhythm Set

32

Performance

64

Rhythm Set

Patch

EXP A Slot

EXP B Slot

EXP C Slot

EXP D Slot

Select Select

* 2

Patch

256

Rhythm Set

9

Performance

64

* 1

Rhythm Set

32

* 1

Patch

128

Preset A (PR-B)

Preset A (PR-A)

Preset A (PR-C)

Preset A (PR-D)

Preset A (PR-F)

Preset A (PR-E)

Preset A (PR-G)

Preset A (PR-H)

About Simultaneous Polyphony

The Fantom-X can play a maximum of 128 sounds simultaneously.
The following paragraphs discuss what this means, and what will
happen when more than 128 simultaneous voices are requested from
the Fantom-X.

Calculating the Number of Voices
Being Used

The Fantom-X is able to play up to 128 notes simultaneously. The
polyphony, or the number of voices (sounds) does not refer only to
the number of patches actually being played, but changes according
to the number of tones used in the patches, and the number of waves
used in the tones. The following method is used to calculate the
number of sounds used for one patch being played.

(Number of patches being played) x (Number of tones used by
patches being played) x (Number of waves used in

For example, a patch that combines four tones, each of which use two
waves, will use eight notes of polyphony at once. Also, when playing
in Performance mode, the number of sounds for each part is counted
to obtain the total number of sounds for all parts.

How a Patch Sounds

When the Fantom-X is requested to play more than 128 voices
simultaneously, currently sounding notes will be turned off to make
room for newly requested notes. The note with the lowest priority
will be turned off first. The order of priority is determined by the
Patch Priority setting (p. 61).

Patch Priority can be set either to “LAST” or “LOUDEST.” When
“LAST” is selected, a newly requested note that exceeds the 128 voice
limit will cause the first-played of the currently sounding notes to be
turned off. When “LOUDEST” is selected, the quietest of the currently
sounding notes will be turned off. Usually, “LAST” is selected.

Note Priority in Performance Mode

Since Performance mode is usually used to play an ensemble consisting
of several patches, it is important to decide which parts take priority.
Priority is specified by the Voice Reserve settings (p. 111). When a note
within a patch needs to be turned off to make room for a new note, the
Patch Priority setting of the patch will apply (p. 61).

Voice Reserve

The Fantom-X has a Voice Reserve function that lets you reserve a
minimum number of notes that will always be available for each
part. For example if Voice Reserve is set to “10” for part 16, part 16
will always have 10 notes of sound-producing capacity available to it
even if a total of more than 128 notes (total for all parts) are being
requested. When you make Voice Reserve settings, you need to take
into account the number of notes you want to play on each part as
well as the number of tones used by the selected patch (p. 111).

It is not possible to make Voice Reserve settings that would
cause the total of all parts to be greater than 64 voices.

About Memory

Patch and performance settings are stored in what is referred to as
memory. There are three kind of memory: temporary, rewritable,
and non-rewritable.

fig.04-006.e

the tones)

28

Overview of the Fantom-X

Temporary Memory

Temporary Area

This is the area that holds the data for the patch or performance that
you’ve selected using the panel buttons.

When you play the keyboard or play back a sequence, sound is
produced based on data in the temporary area. When you edit a
patch or performance, you do not directly modify the data in
memory; rather, you call up the data into the temporary area, and
edit it there.

Settings in the temporary area are temporary, and will be lost when
the power is turned off or when you select another patch/
performance. To keep the settings you have modified, you must
write them into rewritable memory.

Rewritable Memory

System Memory

System memory stores system parameter settings that determine
how the Fantom-X functions.

User Memory

User memory is the internal memory area that holds patches,
performances, samples, and performance data.

About the Onboard Effects

Effect Types

The Fantom-X has built-in effect units, and you can independently
edit each unit’s settings.

Multi-Effects

The multi-effects are multi-purpose effects that completely change
the sound type by changing the sound itself. Contained are 78
different effects types; select and use the type that suits your aims. In
addition to effects types composed of simple effects such as
Distortion, Flanger, and other such effects, you can also set up a
wide variety of other effects, even connecting effects in series or in
parallel. Furthermore, while chorus and reverb can be found among
the multi-effects types, the following chorus and reverb are handled
with a different system. In Performance mode, three types of multi­effect can be used simultaneously; these are referred to as MFX1,
MFX2, and MFX3. In Patch mode, the Keyboard part can use MFX1
and the Pad part can use MFX2.

Chorus

Chorus adds depth and spaciousness to the sound. You can select
whether to use this as a chorus effect or a delay effect.

Memory Card

You can use a memory card to store patches, performances, samples,
and performance data just as you can in User memory.

Non-Rewritable Memory

Preset Memory

Data in Preset memory cannot be rewritten. However, you can call
up settings from preset memory into the temporary area, modify
them and then store the modified data in rewritable memory (except
GM2).

Wave Expansion Boards
(SRX Series; sold separately)

The Fantom-X can be equipped with up to four Wave Expansion
Boards (SRX series; sold separately). Wave Expansion Boards
contain Wave data, as well as patches and rhythm sets that use this
Wave data, which can be called directly into the temporary area and
played.

Reverb

Reverb adds the reverberation characteristics of halls or
auditoriums. Five different types are offered, so you can select and
use the type that suits your purpose.

Mastering Effect

This is a stereo compressor (limiter) that is applied to the final
output of the Fantom-X. It has independent high, mid, and low
ranges. Independently for the high-frequency, mid-frequency, and
low-frequency regions, this compresses any sounds that exceed the
specified level, making the volume more consistent.

29

Overview of the Fantom-X

TONE

Patch

Keyboard part

Multi-Effects

RHYTHM

TONE

Rhythm Set

Pad part

Chorus

Reverb

Multi-Effects

A0

C8

+

+

Phrase track 16

Phrase track 2

Phrase track 1

Tempo track

Beat track

Pattern

1

Pattern

2

Pattern

100

Song

Pattern

How Effects Units Work in Different Modes

In Patch Mode

Multi-effects can be used individually by each patch and rhythm set.
Chorus and reverb are each shared by patches and rhythm sets; the
same effect applies to each tone. Adjusting the signal level to be sent
to each effects unit (Send Level) provides control over the effect
intensity that’s applied to each tone.

fig.04-007

About the Sequencer

A sequencer records keyboard performance and controller
movements as MIDI messages (sequencer data). As the data plays
back, the recorded MIDI messages are sent to a sound generator
which will produce the required sounds. The sequencer actually
plays instruments instead of the musician, and since it can record a
musical performance, it is a tape recorder as well.

But in reality a sequencer doesn’t record sound, but actually the
steps that cause the sound generator to produce sound, so it offers
several advantages. Sound quality is always excellent, the equivalent
of first-generation tape, no matter how many times the data plays
back; tempo changes have no effect on pitch; detailed editing is
possible, etc.

What Is a Song?

For the Fantom-X, musical performance data for one song or
composition is referred to as a song. A song combines sequencer
data recorded on Phrase tracks 1–16, a Tempo track, a Beat track and
a Pattern, as discussed below.

fig.04-009.e

* To each part you can assign either a Patch or a Rhythm Set.

In the Performance Mode

The multi-effects, chorus and reverb effects can be set individually for
each performance. The intensity of each effect will be set for each part.

When you apply effects in Performance mode, the effect settings of
the patch or rhythm set assigned to each part will be ignored, and the
effect settings of the performance will be used. Thus, the effects for
the same patch or rhythm set may differ when played in Patch mode
and in Performance mode. However, depending on the settings, you
can have effect settings for a patch or rhythm set assigned to a part
applied to the entire performance. In addition, when using the multi­effects settings of a performance, you can use three different multi­effects simultaneously, depending on the effect type.

fig.04-008.e

30

Performance/Multitimbre

Part 1

Part16

Patch

TONE

Multi-Effects

Chorus

Reverb

What Is a Track?

Each section of a song which stores musical performance data is
called a track.

Phrase Tracks 1–16

Phrase tracks record the musical performance. Each Phrase track
records musical performance data for 16 MIDI channels. Totally, up
to 16 tracks x 16 MIDI channels of data can be recorded. It’s helpful if
you’ve made decision prior to recording such as recording melody
on Phrase track 1, bass on Phrase track 2, drums on Phrase track 10,
and accompaniment on the remaining Phrase tracks.