Roland FANTOM 8 Parameter Guide

Parameter Guide

Scene Parameters (Scene).......................... 5

: SCENE ............................................... 5

GENERAL............................................. 5

CONTROL ............................................ 5

PEDAL................................................ 5

KNOB................................................. 5

SLIDER ............................................... 6

S1/S2/S3 ............................................. 6

WHEEL1/2............................................ 6

CV/GATE ............................................. 6

Scene Effect Parameters (SCENE EFFECT) ........ 7

: Chorus............................................... 7

Chorus ............................................... 7

CE-1 .................................................. 7

SDD-320 ............................................. 7

Delay ................................................. 7

T-Ctrl Delay .......................................... 7

Delay 0 Tremolo................................... 7

2Tap Pan Delay ...................................... 8

3Tap Pan Delay ...................................... 8

JUNO-106 Chorus ................................... 8

: Reverb............................................... 8

INTEGRA-7 Rever

Warm Hall............................................ 8

Hall ................................................... 9

GS Reverb............................................ 9

SRV-2000............................................. 9

SRV-2000 NON-LINEAR.............................. 9

GM2 Reverb.......................................... 9

: IFX1, IFX2 ........................................... 10

: ANALOG FILTER .................................... 10

OVERDRIVE .......................................... 10

FILTER ................................................ 10

b .................................. 8

Zone Parameters (Zone)............................ 11

: INT (INTERNAL) ......................................... 11

TONE ................................................. 11

LEVEL/PAN ........................................... 11

KEY RANGE........................................... 11

VEL RANGE........................................... 11

EQ (Zone EQ)............................................ 11

PITCH................................................. 12

SCALE TUNE.......................................... 12

VIBRATO.............................................. 12

OFFSET............................................... 12

MONO/POLY ......................................... 13

PEDAL CTRL.......................................... 13

BEND CTRL........................................... 13

S1S2S3 CTRL ......................................... 13

ASSIGN KNOB........................................ 14

ASSIGN SLIDER ...................................... 14

VOICE RESERVE ...................................... 14

MIDI Rx FILTER ....................................... 14

: EXT (EXTERNAL) ........................................ 15

NAME ................................................ 15

OUT/PC .............................................. 15

LEVEL/PAN ........................................... 15

KEY RANGE........................................... 15

VEL RANGE........................................... 15

PITCH................................................. 15

OFFSET............................................... 16

MONO/POLY ......................................... 16

PEDAL CTRL.......................................... 16

BEND CTRL........................................... 16

S1S2S3 CTRL ......................................... 16

ASSIGN KNOB........................................ 16

ASSIGN SLIDER ...................................... 17

Contents

ZEN-Core Tone Parameters (Z-Core) ............ 18

COMMON ............................................ 18

STRUCTURE .......................................... 19

KEYBOARD ........................................... 21

OSC................................................... 21

Pitch.................................................. 23

PITCH ENV ........................................... 23

FILTER ................................................ 24

FILTER ENV . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 25

AMP .................................................. 25

AMP ENV ............................................. 26

LFO1 / LFO2.......................................... 26

STEP LFO1 / STEP LFO2.............................. 27

PARTIAL EQ .......................................... 28

OUTPUT .............................................. 28

CONTROL ............................................ 28

MATRIX CONTROL ................................... 29

MFX .................................................. 30

MFX CTRL . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 30

Drum Kit Tone Parameters (Drum) .............. 31

COMMON ............................................ 31

KIT MFX .............................................. 31

KIT MFX CTRL . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 31

KIT COMP1–6 ........................................ 31

KEY PARAM .......................................... 31

KEY EQ ............................................... 32

INST COMMON ...................................... 32

INST WAVE ........................................... 32

INST WMT ............................................ 32

PITCH ENV ........................................... 33

INST FILTER........................................... 34

FILTER ENV . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 34

INST AMP ............................................ 35

AMP ENV ............................................. 35

System Effect Parameters (SYSTEM EFFECT) ..... 38

: Master FX (MASTER FX)................................ 38

Mastering COMP..................................... 38

Mastering EQ ........................................ 38

: Audio in Effect (AUDIO IN EFFECT)..................... 39

LOW CUT............................................. 39

INPUT EQ............................................. 39

INPUT REVERB ....................................... 39

V-Piano Tone Parameters (VPno) ................ 36

PIANO DESIGNER . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 36

TUNING .............................................. 36

LEVEL................................................. 36

CHARACTER.......................................... 36

MFX .................................................. 36

MFX CTRL . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 37

Contents

MFX/IFX Parameters .............................. 40

Thru .................................................. 41

Equalizer ............................................. 41

Spectrum ............................................ 41

Isolator ............................................... 42

Low Boost............................................ 42

Super Filter........................................... 42

Step Filter ............................................ 43

Enhancer............................................. 43

Auto Wah ............................................ 43

Humanizer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 44

Speaker Simulator ................................... 44

Phaser 1.............................................. 45

Phaser 2.............................................. 45

Phaser 3.............................................. 45

Step Phaser .......................................... 46

Multi Stage Phaser................................... 46

Infinite Phaser ....................................... 46

Ring Modulator...................................... 46

Tremolo .............................................. 47

Auto Pan ............................................. 47

Slicer ................................................. 47

Rotary ................................................ 48

VK Rotary ............................................ 48

Chorus ............................................... 49

Flanger............................................... 49

Step Flanger ......................................... 50

Hexa-Chorus ......................................... 50

Tremolo Chorus...................................... 51

Space-D .............................................. 51

Overdrive ............................................ 51

Distortion . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 51

T-Scream............................................. 52

Guitar Amp Simulator . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 52

Compressor.......................................... 53

Limiter ............................................... 53

Sustainer ............................................. 54

Gate . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 54

Delay ................................................. 54

Modulation Delay ................................... 55

3Tap Pan Delay ...................................... 55

4Tap Pan Delay ...................................... 56

Multi Tap Delay ...................................... 56

Reverse Delay........................................ 57

Time Ctrl Delay ...................................... 57

Tape Echo ............................................ 58

LOFI Compress....................................... 58

Bit Crusher ........................................... 58

Pitch Shifter.......................................... 58

2Voice Pitch Shifter.................................. 59

Overdrive 0 Chorus ............................... 59

Overdrive 0 Flanger ............................... 59

Overdrive 0 Delay ................................. 60

Distortion 0 Chorus ............................... 60

Distortion 0 Flanger............................... 60

Distortion 0 Delay................................. 60

OD/DS 0 TouchWah ............................... 61

OD/DS 0 AutoWah ................................ 61

GtAmpSim 0 Chorus .............................. 62

GtAmpSim 0 Flanger.............................. 63

GtAmpSim 0 Phaser............................... 64

GtAmpSim 0 Delay................................ 65

EPAmpSim 0 Tremolo ............................. 66

EPAmpSim 0 Chorus .............................. 66

EPAmpSim 0 Flanger.............................. 66

EPAmpSim 0 Phaser............................... 67

EPAmpSim 0 Delay ................................ 67

Enhancer 0 Chorus ................................ 67

Enhancer 0 Flanger ............................... 68

Enhancer 0 Delay.................................. 68

Chorus 0 Delay .................................... 68

Flanger 0 Delay.................................... 69

Chorus 0 Flanger . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 69

CE-1 .................................................. 69

SBF-325 .............................................. 70

SDD-320 ............................................. 70

2Tap Pan Delay ...................................... 70

Transient ............................................. 71

Mid-Side EQ.......................................... 71

Mid-Side Compressor ............................... 72

Tone Fattener ........................................ 72

Mid-Side Delay ...................................... 72

RD EPAmpSim ....................................... 73

DJFX Looper ......................................... 73

BPM Looper.......................................... 73

Saturator ............................................. 74

Warm Saturator...................................... 74

Fuzz .................................................. 75

JUNO-106 Chorus ................................... 75

Multi Mode Filter .................................... 75

HMS Distortion ...................................... 75

Phaser 100 ........................................... 75

: Note ................................................. 76

Scene Parameters (Scene)

SCENE

Press the [MENU] button.

The MENU screen appears.

Touch <SCENE EDIT>.

The SCENE EDIT screen appears.

Touch the tab of the section that you want to edit.

Move the cursor to the desired parameter, and edit its value.

NOTE

The parameter edits that you make are temporary. They are lost when you turn off the power. If you want to keep the edits that you make, save the scene.

GENERAL

Parameter Value Explanation

Scene Level 0–127 Adjusts the overall volume of the scene.

Tempo 5.00–300.00

Sample Pad Plays a sample.

Note Pad Use the pads to play tones.

Partial Sw/Sel Select partials or turn them on/off.

DAW Control Control DAW software.

Pad Mode

Drum Kit Comp Zone

Zone Mute Turn zone muting on/off.

Zone Solo Turn zone solo on/off.

Kbd Sw Group Turns the keyboard switch combination.

Rhythm Pattern Play rhythm patterns.

System Use the system’s PAD MODE settings.

1–16

Specifies the tempo of the scene (and also of the arpeggios, rhythm patterns, and sequencer).

Selects the zone that uses the six compressors that are provided for the drum kit.

PEDAL

Parameter Value Explanation

Specify the functions that are controlled by pedals connected to the PEDAL CTRL 1, 2/L, and 3/C jacks.

OFF No function is assigned.

CC01–31, 33–95 Controller numbers 1–31, 33–95

The same effect as moving the pitch bend lever to the left.

The same effect as moving the pitch bend lever to the right.

Switch the scene to the previous number. When using a scene chain, switch to the previous number in the chain set.

Switch the scene to the next number. When using a scene chain, switch to the next number in the chain set.

Applies the same effect as when the panel’s OCTAVE [DOWN] button is pressed.

Applies the same effect as when the panel’s OCTAVE [UP] button is pressed.

Applies the same effect as when the panel’s [ARPEGGIO] button is pressed.

Applies the same effect as when the panel’s [CHORD MEMORY] button is pressed.

Applies the same effect as when the panel’s [DEC] button is pressed.

Applies the same effect as when the panel’s [INC] button is pressed.

Specifies the lower limit of the range of the assigned function.

Specifies the upper limit of the range of the assigned function.

Pedal1–3 Assign

Pedal1–3 Range Min

Pedal1–3 Range Max

BEND DOWN

BEND UP

AFT Aftertouch

START/STOP Starts/stops the sequencer.

TAP TEMPO Sets the tap tempo function.

SCENE DOWN

SCENE UP

OCT DOWN

OCT UP

ARPEGGIO SW

CHORD MEM SW

DEC

INC

0–127

KNOB

CONTROL

Parameter Value Explanation

System Control Source1–4 are used for tone control.

Tone Control Source1–4 of the scene are used for tone control.

Specify the MIDI messages that will be used as tone controls.

Tone control settings specify MIDI messages that are used in common by the entire FANTOM to control the volume and the sound.

You can specify up to four MIDI messages that are used for control.

If you want to make assignments for realtime control of the sound and effects for each tone independently, use “MATRIX CTRL” or “MFX CTRL.”

Control Source Select

Tone Control Source1–4

SYS

SCENE

OFF, CC01–31, 33–95, BEND, AFT

Parameter Value Explanation

Specifies the function that is controlled by the control knob.

OFF No function is assigned.

Knob1–8 Assign

Knob1–8 Range Min

Knob1–8 Range Max

CC01–31, 33–95 Controller numbers 1–31, 33–95

BEND

AFT Aftertouch

0–127

Applies the same effect as when the pitch bend lever is moved.

Specifies the lower limit of the range of the assigned function.

Specifies the upper limit of the range of the assigned function.

Scene Parameters (Scene)

SLIDER

Parameter Value Explanation

Specifies the function that is controlled by the sliders.

OFF No function is assigned.

Slider1–8 Assign

Slider1–8 Range Min

Slider1–8 Range Max

CC01–31, 33–95 Controller numbers 1–31, 33–95

BEND

AFT Aftertouch

0–127

Applies the same effect as when the pitch bend lever is moved.

Specifies the lower limit of the range of the assigned function.

Specifies the upper limit of the range of the assigned function.

S1/S2/S3

Parameter Value Explanation

Specifies the function that is controlled by the [S1] [S2] [S3] buttons.

OFF No function is assigned.

CC01–31, 33–95 Controller numbers 1–31, 33–95

The same effect as moving the pitch bend lever to the left.

The same effect as moving the pitch bend lever to the right.

The assigned function is effective only while you hold down the button.

The assigned function is switched each time you press the button.

S1–3 Switch Assign

S1–3 Switch Mode

BEND DOWN

BEND UP

AFT Aftertouch

MONO/POLY Mono/poly switch is assigned.

MFX SW MFX on/off is assigned.

EQ SW EQ on/off is assigned.

IFX1 SW IFX 1 on/off is assigned.

IFX2 SW IFX 2 on/off is assigned.

CHORUS SW CHORUS on/off is assigned.

REVERB SW REVERB on/off is assigned.

MASTER COMP SW MASTER COMP on/off is assigned.

MASTER EQ SW MASTER EQ on/off is assigned.

Specifies the operation of the button.

MOMENTARY

LATCH

WHEEL1/2

Parameter Value Explanation

Specifies the function that is controlled by the wheel.

OFF No function is assigned.

Wheel1–2 Assign

Wheel1–2 Range Min

Wheel1–2 Range Max

CC01–31, 33–95 Controller numbers 1–31, 33–95

BEND

AFT Aftertouch

0–127

Applies the same effect as when the pitch bend lever is moved.

Specifies the lower limit of the range of the assigned function.

Specifies the upper limit of the range of the assigned function.

CV/GATE

Parameter Value Explanation

CV/Gate 1–2 Control Zone

CV 1–3 Assign

1–16, OFF

NOTE, CC01–31, 33–95, BEND, AFT, VELO

Specify the zone whose notes are output from the CV OUT 1/2 and GATE OUT 1/2 jacks.

Specify the MIDI messages that will be used for control CV OUT.

Scene Effect Parameters (SCENE EFFECT)

Press the [MENU] button.

The MENU screen appears.

Touch <EFFECTS EDIT>.

The EFFECTS EDIT screen appears.

Touch <EDIT> for the section that you want to edit.

Move the cursor to the desired parameter, and edit its value.

NOTE

The effect settings that you edit are temporary. They will disappear if you turn off the power. If you want to keep your changes, you must save the system settings.

Delay

This is a stereo delay.

Parameter Value Explanation

Delay

(sync sw) OFF, ON

Delay (msec) Delay (note)

Feedback -98–+98 [%]

HF Damp

1–1300 [msec]

Note

& “Note” (p. 76)

200–8000 [Hz], BYPASS

If this is ON, the delay synchronizes with the tempo.

Adjusts the delay time from the direct sound until the delay sound is heard.

Adjusts the proportion of the delay sound that is fed back into the effect. Negative (-) settings will invert the phase.

Adjusts the frequency above which the delay sound fed back to the effect is filtered out (BYPASS: no cut).

Chorus

Parameter Value Explanation

Chorus Type Selects the types of chorus.

Chorus Switch OFF, ON Switches chorus on/off.

Chorus Level 0–127

Reverb Send Level 0–127 Specifies the send level to reverb.

Selects the output destination of chorus.

Chorus Output Assign

Chorus Parameters

MAIN Send to Master Output.

SUB1, SUB2

Edit the parameters of the selected chorus. The available parameters differ depending on the type of chorus you selected in Chorus Type.

Chorus Parameters

Chorus

This is a stereo chorus.

Parameter Value Explanation

Rate 0–127 Frequency of modulation

Depth 0–127 Depth of modulation

Feedback 0–127

CE-1

This models the classic BOSS CE-1 chorus effect unit. It provides a chorus sound with a distinctively analog warmth.

Parameter Value Explanation

Intensity 0–127 Chorus depth

SDD-320

This models Roland’s DIMENSION D (SDD-320). It provides a clear chorus sound.

Parameter Value Explanation

Mode 1–4, 1+4, 2+4, 3+4 Switches the mode.

Specifies the output level of the sound with chorus applied.

Send to the SUB OUT 1 jacks or SUB OUT 2 jacks.

Level at which chorus sound is returned to the input

T-Ctrl Delay

A stereo delay in which the delay time can be varied smoothly.

Parameter Value Explanation

Delay

(sync sw) OFF, ON

(msec)

Delay Delay (note)

Acceleration 0–15

Feedback -98–+98 [%]

HF Damp

1–1300 [msec]

Note

& “Note” (p. 76)

200–8000 [Hz], BYPASS

If this is ON, the delay synchronizes with the tempo.

Adjusts the delay time from the direct sound until the delay sound is heard.

When you change the delay time, this specifies the time over which the current delay time changes to the specified delay time. This affects the speed of pitch change as well as the delay time.

Adjusts the proportion of the delay sound that is fed back into the effect. Negative (-) settings will invert the phase.

Adjusts the frequency above which the delay sound fed back to the effect is filtered out (BYPASS: no cut).

Delay 0 Tremolo

Tremolo is applied to the delay sound.

Parameter Value Explanation

Input Mode

(sync sw) OFF, ON

Delay

(msec)

Delay (note)

Feedback -98–+98 [%]

HF Damp

Tremolo Switch OFF, ON Switches the tremolo effect on/off

Tremolo Mod Wave

Tremolo Rate

(sync sw)

MONAURAL The input is mono-mixed.

STEREO The sound is input in stereo.

If this is ON, the delay synchronizes with the tempo.

1–1300 [msec]

Note

& “Note” (p. 76)

200–8000 [Hz], BYPASS

Modulation Wave

TRI Triangle wave

SQR Square wave

SIN Sine wave

SAW1

SAW2

TRP Trapezoidal wave

OFF, ON

Adjusts the delay time from the direct sound until the delay sound is heard.

Adjusts the proportion of the delay sound that is fed back into the effect. Negative (-) settings will invert the phase.

Adjusts the frequency above which the delay sound fed back to the effect is filtered out (BYPASS: no cut).

Sawtooth wave

If this is ON, the tremolo synchronizes with the tempo.

Scene Effect Parameters (SCENE EFFECT)

Parameter Value Explanation

Tremolo Rate Tremolo Rate (note)

Tremolo Depth 0–127 Tremolo depth

(Hz)

0.05–10.00 [Hz]

Note

& “Note” (p. 76)

Tremolo rate

2Tap Pan Delay

Delayed sound is heard from the two locations you specify.

Parameter Value Explanation

Delay

(sync sw) OFF, ON

Delay

(msec)

Delay (note)

Feedback -98–+98 [%]

HF Damp

Delay 1 Pan L64–63R Stereo location of Delay 1

Delay 2 Pan L64–63R Stereo location of Delay 2

Delay 1 Level 0–127 Volume of delay 1

Delay 2 Level 0–127 Volume of delay 2

1–1300 [msec]

Note

& “Note” (p. 76)

200–8000 [Hz], BYPASS

If this is ON, the delay synchronizes with the tempo.

Adjusts the delay time from the direct sound until the second delay sound is heard.

Adjusts the proportion of the delay sound that is fed back into the effect. Negative (-) settings will invert the phase.

Adjusts the frequency above which the delay sound fed back to the effect is filtered out (BYPASS: no cut).

3Tap Pan Delay

Delayed sound is heard from the three locations you specify.

Parameter Value Explanation

Delay

(sync sw) OFF, ON

(msec)

Delay Delay (note)

Delay1 Feedback -98–+98 [%]

HF Damp

Delay 1 Pan L64–63R Stereo location of Delay 1

Delay 2 Pan L64–63R Stereo location of Delay 2

Delay 3 Pan L64–63R Stereo location of Delay 3

Delay 1 Level 0–127 Volume of delay 1

Delay 2 Level 0–127 Volume of delay 2

Delay 3 Level 0–127 Volume of delay 3

1–2600 [msec]

Note

& “Note” (p. 76)

200–8000 [Hz], BYPASS

If this is ON, the delay synchronizes with the tempo.

Adjusts the delay time from the direct sound until the third delay sound is heard.

Adjusts the proportion of the delay sound that is fed back into the effect. Negative (-) settings will invert the phase.

Adjusts the frequency above which the delay sound fed back to the effect is filtered out (BYPASS: no cut).

JUNO-106 Chorus

This models the chorus effects of the Roland JUNO-106.

Parameter Value Explanation

Mode I, II, I+II, JX I, JX II

Noise Level 0–127 Amount of noise produced by the chorus

Type of Chorus I+II: The state when two buttons are

pressed simultaneously.

Reverb

Parameter Value Explanation

Reverb Type Type of reverb

Reverb Switch OFF, ON Switches the reverb on/off.

Reverb Level 0–127

Selects the output destination of reverb.

Reverb Output Assign

Reverb Parameters

MAIN Send to Master Output.

SUB1, SUB2

Edit the parameters of the selected reverb type. The available parameters differ depending on the type of reverb you selected in Reverb Type.

Reverb Parameters

INTEGRA-7 Reverb

Parameter Value Explanation

01: ROOM1 02: ROOM2

Type

Pre Delay 0–100 [msec]

Time 0.1–10.0 [sec]

Density 0–127

Diffusion 0–127

LF Damp 0–100

HF Damp 0–100

Spread 0–127 Reverb spread

Tone 0–127 Tonal character of the reverb

03: HALL1 04: HALL2 05: PLATE

Warm Hall

Parameter Value Explanation

Pre Delay 0–100 [msec]

Time 0.3–30 [sec]

Pre LPF

Pre HPF

PreLoop LPF

Diffusion 0–127

HF Damp Freq 1000–8000 [Hz]

HF Damp Ratio 0.1–1.0

16–15000 [Hz], Bypass

Specifies the output level of the sound with reverb applied.

Send to the SUB OUT 1 jacks or SUB OUT 2 jacks.

Type of reverb

OFF: Reverb will not be used Room 1/2: Room Hall 1/2: Hall Plate: Plate

Adjusts the delay time from the direct sound until the reverb sound is heard.

Adjusts the decay length of the reverb sound.

Adjusts the density of the reverb sound.

Adjusts the change in the density of the reverb over time. The higher the value, the more the density increases with time.

(The effect of this setting is most pronounced with long reverb times.)

Adjusts the low-frequency portion of the reverb.

Adjusts the high-frequency portion of the reverb.

Adjusts the delay time from the direct sound until the reverb sound is heard.

Adjusts the decay length of the reverb sound.

Frequency above which to cut the highfrequency portion of the sound entering the reverb

Frequency below which to cut the lowfrequency portion of the sound entering the reverb

Frequency above which to cut the high-frequency portion of the extended reverberation

Adjusts the change in the density of the reverb over time.

Adjusts the frequency above which to cut the high-frequency portion of the reverb.

Adjusts the amount by which to attenuate the high-frequency portion of the reverb.

Scene Effect Parameters (SCENE EFFECT)

Hall

Parameter Value Explanation

Pre Delay 0.0–100 [msec]

Time 0–127

Size 1–8 Size of room/hall

High Cut

Density 0–127 Adjusts the density of the reverb sound.

Diffusion 0–127

LF Damp Freq 50–4000 [Hz]

LF Damp Gain -36–0 [dB]

HF Damp Freq 4000–12500 [Hz]

HF Damp Gain -36–0 [dB]

160–12500 [Hz], BYPASS

Adjusts the delay time from the direct sound until the reverb sound is heard.

Adjusts the decay length of the reverb sound.

Adjusts the frequency above which the high-frequency portion of the final output sound is cut (BYPASS: no cut)

Adjusts how reverb density increases over time. (This effect is especially noticeable with long reverb times.)

Adjusts the frequency below which the low-frequency portion of the reverb sound is cut.

LF damp attenuation amount (0: no effect)

Adjusts the frequency above which the high-frequency portion of the reverb sound is cut.

HF damp attenuation amount (0: no effect)

GS Reverb

Parameter Value Explanation

Character

Pre-LPF 0–7

Time 0–127

Delay Feedback 0–127

ROOM1–3, HALL1–2, PLATE, DELAY, PAN-DELAY

Selects the type of reverb.

Adjusts the amount of high-frequency attenuation for the sound being input to the reverb.

Adjusts the decay length of the reverb sound.

Adjusts the level at which the reverb sound is returned to the input.

Parameter Value Explanation

EQ Mid Freq 0.25–9.99 [kHz] Frequency of the middle range.

EQ Mid Gain -24–+12 [dB] Gain of the middle range.

EQ Mid Q 0.2–9.0

EQ Hi Freq 0.80–9.99 [kHz] Frequency of the high range.

EQ Hi Gain -24–+12 [dB] Gain of the high range

EQ Hi Q 0.2–9.0

Width of the middle range. Set a higher value to narrow the range to

be affected.

Specifies the width of the high-frequency range.

Set a higher value to narrow the range to be affected.

SRV-2000 NON-LINEAR

Parameter Value Explanation

Pre Delay 0–160

Reverb Time 1–990 [msec]

Gate Time 10–450 [msec]

HF Damp 0.05–1.00

EQ Low Freq 0.04–1.00 [kHz] Frequency of the low range.

EQ Low Gain -24–+12 [dB] Gain of the low range.

EQ Mid Freq 0.25–9.99 [kHz] Frequency of the middle range.

EQ Mid Gain -24–+12 [dB] Gain of the middle range.

EQ Mid Q 0.2–9.0

EQ Hi Freq 0.80–9.99 [kHz] Frequency of the high range.

EQ Hi Gain -24–+12 [dB] Gain of the high range

EQ Hi Q 0.2–9.0

Adjusts the delay time from the direct sound until the reverb sound is heard.

Adjusts the decay length of the reverb sound.

Adjusts the time from when the reverb starts being heard until the reverb sound is cut off.

Adjusts the high-frequency portion of the reverb.

Width of the middle range. Set a higher value to narrow the range to

be affected.

Specifies the width of the high-frequency range.

Set a higher value to narrow the range to be affected.

SRV-2000

Parameter Value Explanation

Selects the type of reverb offered by the Roland SRV-2000 digital reverb.

R37–R0.3

Selection

Pre Delay 0–160

Time 1–990 [msec]

HF Damp 0.05–1.00

Density 0–9

Attack Gain 0–9 Adjusts the gain of the early reflections.

Attack Time 0–9 Adjusts the time of the early reflections.

ER Density 0–9

ER Level 0–99

EQ Low Freq 0.04–1.00 [kHz] Frequency of the low range.

EQ Low Gain -24–+12 [dB] Gain of the low range.

H37–H15

P-B

P-A Plate reverb.

Room reverb. Higher values increase the size of the

room.

Hall reverb. Higher values increase the size of the

concert hall.

Plate reverb. A more flamboyant reverb sound than

P-A.

Adjusts the delay time from the direct sound until the reverb sound is heard.

Adjusts the decay length of the reverb sound.

Adjusts the high-frequency portion of the reverb.

Adjusts the density of the late reverberation.

Adjusts the density of the early reflections.

Adjusts the volume of the early reflections.

GM2 Reverb

Parameter Value Explanation

Character 0–5 Selects the type of reverb.

Time 0–127

Adjusts the decay length of the reverb sound.

Scene Effect Parameters (SCENE EFFECT)

LPF BPF HPF PKG

Level

Frequency

Cuto Frequency

High

Low

parameter value

IFX1, IFX2

Parameter Value Explanation

IFX1 Type IFX2 Type

IFX1 Switch IFX2 Switch

IFX1 Chorus Send Level

IFX2 Chorus Send Level

IFX1 Reverb Send Level

IFX2 Reverb Send Level

IFX Structure PARALLEL, SERIAL

IFX1 Output Assign

IFX2 Output Assign

IFX Parameters

Selects the IFX type.

OFF, ON Turns IFX on/off.

0–127

Selects the output destination of IFX.

* If IFX Structure is set to “SERIAL,” the IFX 1 Output Assign value is ignored.

MAIN Send to Master Output.

SUB1, SUB2

AFX Send to the Analog Filter.

Edit the parameters for the selected IFX. The available parameters differ depending on the type of the effects you selected in IFX Type.

& “MFX/IFX Parameters” (p. 40)

Adjusts the amount of chorus. If you don’t want to add the chorus effect,

set it to 0.

Adjusts the amount of reverb. If you don’t want to add the reverb effect,

set it to 0.

Specifies how the two IFX are combined. PARALLEL: IFX1 and IFX2 are used in

parallel. SERIAL: The output of IFX 1 is connected

to IFX 2.

Send to the SUB OUT 1 jacks or SUB OUT 2 jacks.

ANALOG FILTER

Parameter Value Explanation

Level 0–127

Return To Main Switch

Pan L64–63R

Chorus Send 0–127

Reverb Send 0–127

OFF, ON

OVERDRIVE

Parameter Value Explanation

Drive Switch OFF, ON Turns OVERDRIVE on/off.

Gain 0–127 Adjusts the degree of distortion.

Level 0–127 Adjusts the output volume.

Adjusts the input volume to the Analog Filter.

Specifies whether the output of the Analog Filter is returned to the MAIN OUT jacks.

ON: The output is returned to the MAIN OUT jacks.

OFF: Not output to the MAIN OUT jacks.

* Regardless of this setting, the output of the

ANALOG FILTER is always output from the ANALOG FILTER OUT 1/2 jacks.

Specifies the panning of the sound that is output from the Analog Filter.

Adjusts the amount of chorus. If you don’t want to add the chorus effect,

set it to 0.

Adjusts the amount of reverb. If you don’t want to add the reverb effect,

set it to 0.

FILTER

Parameter Value Explanation

Specifies the type of filter.

LPF1

LPF2

Filter Type

LPF3

HPF

BPF

OFF Bypasses the filter.

Cutoff 0–1023

Resonance 0–1023

A four-stage filter using a circuit structure that has often been used by Roland, with relatively standard operation.

The ladder-type filter using transistors, with a fairly strong character.

A multi-mode filter that simultaneously comprises LPF, HPF, and BPF, which uses a relatively standard circuit but is designed so that the resonance changes dramatically.

Selects the frequency at which the filter begins to have an effect on the waveform’s frequency components.

Emphasizes the portion of the sound in the region of the cutoff frequency, adding character to the sound. Excessively high settings can produce oscillation, causing the sound to distort.

21 3 4

Zone Parameters (Zone)

Press the [MENU] button.

The MENU screen appears.

Touch <ZONE EDIT>.

The ZONE EDIT screen appears.

Touch the tab of the section that you want to edit.

Move the cursor to the desired parameter, and edit the value.

NOTE

Edited parameters are temporary. They disappear when you turn off the power. If you want to keep the settings, save the scene.

INT (INTERNAL)

TONE

Parameter Value Explanation

Receive Channel 1–16

Specifies the MIDI channel assigned to each zone.

KEY RANGE

Parameter Value Explanation

INT The zone is used as an INT ZONE (lit red).

ZONE

Keyboard Control Range Lower

Keyboard Control Range Upper

EXT

COMMON The zone us used as COMMON (unlit).

C-1–G9

The zone is used as an EXT ZONE (lit green).

Set the keyboard range in which each Zone will sound.

Make these settings when you want different key ranges to play different tones.

Specify the lower limit (Lower) and upper limit (Upper) of the key range.

Parameter Value Explanation

INT The zone is used as an INT ZONE (lit red).

ZONE

TYPE

BANK

TONE

Velocity Curve Type

Zone Output Assign

EXT

COMMON The zone us used as COMMON (unlit).

VPno, Z-Core, Drum

Selects the tone bank.

PRESET, USER VPno Tone

PR-A–PR-E, CMN, USER

PR-A, CMN, USER Drum Tone

(Tone number/ Tone name)

OFF, 1–4

Selects the output destination of zone.

MAIN Send to Master Output.

IFX1, IFX2 Send to IFX 1 or IFX 2.

SUB1, SUB2

AFX Send to the Analog Filter.

The zone is used as an EXT ZONE (lit green).

Selects the tone type.

Z-Core Tone

Selects the tone.

For each zone, select one of the following four velocity curves as appropriate for the touch response of your MIDI keyboard. If you want to use the velocity curve of the keyboard, turn this “OFF.”

Send to the SUB OUT 1 jacks or SUB OUT 2 jacks.

VEL RANGE

Parameter Value Explanation

INT The zone is used as an INT ZONE (lit red).

ZONE

Zone Velocity Sens Offset

Velocity Max 1–127

Zone Velocity Range Lower

Zone Velocity Range Upper

Zone Velocity Fade Width Lower

Zone Velocity Fade Width Upper

EXT

COMMON The zone us used as COMMON (unlit).

-63–+63

1–127

0–127

The zone is used as an EXT ZONE (lit green).

Adjusts the velocity sensitivity. Larger settings raise the sensitivity.

Maximum velocity value for the corresponding key.

Lowering this value will produce softer notes even if you play the keyboard strongly.

* This setting is disregarded with certain tones.

Specify the lower limit (Lower) and upper limit (Upper) of the velocities that will sound the tone.

Make these settings when you want to play different tones depending on your keyboard dynamics.

Specifies the degree to which the tone is sounded by notes played more softly than Zone Velocity Range Lower. If you don’t want the tone to sound at all, set this parameter to “0.”

Specifies the degree to which the tone is sounded by notes played more strongly than Zone Velocity Range Upper. If you don’t want the tone to sound at all, set this parameter to “0.”

LEVEL/PAN

Parameter Value Explanation

INT The zone is used as an INT ZONE (lit red).

ZONE

LEVEL 0–127 Adjusts the volume of each zone.

PAN L64–0–63R

Zone Chorus Send Level

Zone Reverb Send Level

Zone Switch OFF, ON Turns reception on/off for each zone.

EXT

COMMON The zone us used as COMMON (unlit).

0–127 Specifies the send level to chorus.

0–127 Specifies the send level to reverb.

The zone is used as an EXT ZONE (lit green).

Specifies the panning of each zone’s sound when using stereo output.

EQ (Zone EQ)

Parameter Value Explanation

INT The zone is used as an INT ZONE (lit red).

ZONE

Switch OFF, ON

EQ Input Gain -24–+24 [dB]

Low Gain -24–+24 [dB] Gain of the low range.

Low Freq 20–16000 [Hz] Frequency of the low range.

Mid1 Gain -24–+24 [dB] Gain of the middle frequency range 1.

Mid1 Freq 20–16000 [Hz] Frequency of the middle range 1.

EXT

COMMON The zone us used as COMMON (unlit).

The zone is used as an EXT ZONE (lit green).

Specifies whether the zone EQ (an equalizer applied to each zone) is used (ON) or not used (OFF).

Adjusts the amount of boost/cut for the input to the EQ.

Zone Parameters (Zone)

Parameter Value Explanation

Mid1 Q 0.5–16.0

Mid2 Gain -24–+24 [dB] Gain of the middle frequency range 2.

Mid 2Freq 20–16000 [Hz] Frequency of the middle range 2.

Mid2 Q 0.5–16.0

Mid3 Gain -24–+24 [dB] Gain of the middle frequency range 3.

Mid3 Freq 20–16000 [Hz] Frequency of the middle range 3.

Mid3 Q 0.5–16.0

High Gain -24–+24 [dB] Gain of the high range

High Freq 20–16000 [Hz] Frequency of the high range.

Width of the middle frequency range 1. Set a higher value to narrow the range to be affected.

Width of the middle frequency range 2. Set a higher value to narrow the range to be affected.

Width of the middle frequency range 3. Set a higher value to narrow the range to be affected.

PITCH

Parameter Value Explanation

INT The zone is used as an INT ZONE (lit red).

ZONE

Zone Coarse Tune -48–+48 Shifts the pitch in units of a semitone.

Zone Fine Tune -50–+50

Zone Bend Range 0–24, TONE

Zone Portamento Switch

Zone Portamento Time

Octave Shift -3–+3

EXT

COMMON The zone us used as COMMON (unlit).

OFF, ON, TONE

0–127, TONE

The zone is used as an EXT ZONE (lit green).

Finely adjusts the pitch in units of one cent.

Specifies the amount of pitch change in semitone units (maximum two octaves) that occurs when you move a controller such as the ribbon controller when pitch bend is assigned to that controller. Choose TONE if you want to use the setting specified by the tone.

Specifies whether portamento is applied. Select ON to apply portamento, or OFF if you don’t want to apply portamento.

Choose TONE if you want to use the setting specified by the tone.

When portamento is used, this specifies the time over which the pitch will change. Higher settings will cause the pitch change to the next note to take more time.

Choose TONE if you want to use the setting specified by the tone.

Shifts the pitch of the keyboard in units of one octave.

SCALE TUNE

Parameter Value Explanation

INT The zone is used as an INT ZONE (lit red).

ZONE

EXT

COMMON The zone us used as COMMON (unlit).

The zone is used as an EXT ZONE (lit green).

Parameter Value Explanation

CUSTOM

EQUAL

JUST-MAJ

JUST-MIN

Zone Scale Tune Type

Zone Scale Tune Key

C–B -64–+63 Finely adjusts the pitch.

PYTHAGORE

KIRNBERGE

MEANTONE

WERCKMEIS

ARABIC

C–B Sets the keynote.

Custom: This lets you create a custom

scale.

Equal Temperament: This tuning

divides an octave into 12 equal parts. Every interval produces about the same amount of slight dissonance.

Just (Major): This scale eliminates

dissonance in fifths and thirds. It is unsuited to playing melodies and cannot be transposed, but is capable of beautiful sonorities.

Just (Minor): The scales of the major and

minor just intonations are different. You can get the same effect with the minor scale as with the major scale.

Pythagorean: This scale, devised by

the philosopher Pythagoras, eliminates dissonance in fourths and fifths. Dissonance is produced in thirds, but melodies are euphonious.

Kirnberger: This scale is a modification of

the meantone and just intonations that permits greater freedom in transposition to other keys. Performances are possible in all keys (III).

Meantone: This scale makes some

compromises in just intonation, enabling transposition to other keys.

Werckmeister: This is a combination of

the meantone and Pythagorean scales. Performances are possible in all keys (first technique, III).

Arabic Scale: This scale is suitable for

Arabic music.

VIBRATO

Parameter Value Explanation

INT The zone is used as an INT ZONE (lit red).

ZONE

Zone Vibrato Rate -64–+63

Zone Vibrato Depth

Zone Vibrato Delay

EXT

COMMON The zone us used as COMMON (unlit).

-64–+63

The zone is used as an EXT ZONE (lit green).

Adjusts the vibrato speed (the rate at which the pitch is modulated). The pitch will be modulated more rapidly for higher settings, and more slowly with lower settings.

Adjusts the depth of the vibrato effect (the depth at which the pitch is modulated).

The pitch will be modulated more greatly for higher settings, and less with lower settings.

Adjusts the time until vibrato (pitch modulation) starts to apply.

Higher settings will produce a longer delay time before vibrato begins, while lower settings produce a shorter time.

OFFSET

Parameter Value Explanation

INT The zone is used as an INT ZONE (lit red).

ZONE

EXT

COMMON The zone us used as COMMON (unlit).

The zone is used as an EXT ZONE (lit green).

Zone Parameters (Zone)

Parameter Value Explanation

Adjusts how far the filter is open.

Zone Cutoff Offset -64–+63

Zone Resonance Offset

Zone Attack Time Offset

Zone Decay Time Offset

Zone Release Time Offset

-64–+63

Increasing this value makes the sound brighter, and decreasing it makes the sound darker.

Emphasizes the portion of the sound in the region of the cutoff frequency, adding character to the sound. Excessively high settings can produce oscillation, causing the sound to distort.

Increasing this value strengthens the character, and decreasing it weakens the character.

Adjusts the time over which the sound reaches its maximum volume after you press the key.

Larger settings of this value make the attack gentler, and smaller settings make the attack sharper.

Adjusts the time over which the volume decreases from its maximum value.

Larger settings of this value make the decay longer, and smaller settings make the decay shorter.

Adjusts the time over which the sound decays to silence after you release the key.

Larger settings of this value make the sound linger, and smaller settings make the sound end more sharply.

MONO/POLY

Parameter Value Explanation

INT The zone is used as an INT ZONE (lit red).

ZONE

Zone Mono/Poly MONO, POLY, TONE

Hold Type

Bend Hold Notes Sw

Bend Mode

EXT

COMMON The zone us used as COMMON (unlit).

STACK

LEGATO

OFF, ON

Specifies what occurs when you operate a controller such as the pitch bend lever when pitch bend is assigned to it.

NORMAL

C+L

(CATCH + LAST)

TONE The tone’s settings are used.

The zone is used as an EXT ZONE (lit green).

Choose MONO if you want the tone assigned to the zone to play monophonically; choose POLY if you want to play it polyphonically.

Choose TONE if you want to use the setting specified by the tone.

Hold all notes for which a key-off occurs while the Hold pedal is pressed (while CC#64 had a value of 64 or higher).

Hold notes for which a key-off occurs while the Hold pedal is pressed (while CC#64 is 64 or higher) until a new key-on (single note or chord) is input.

Turn this OFF if you don’t want pitch bend to affect notes that are being held by the Hold pedal etc.

The conventional pitch bend effect occurs.

The pitch bend effect applies only to the last-played note. If a note-on occurs while pitch bend is already applied, the new note sounds at the center pitch.

The pitch starts changing only after the controller passes through the center position.

PEDAL CTRL

Parameter Value Explanation

INT The zone is used as an INT ZONE (lit red).

ZONE

Control Hold Pedal

(DAMPER)

Control Pedal 1–3

(FC1–3)

EXT

COMMON The zone us used as COMMON (unlit).

OFF, ON

The zone is used as an EXT ZONE (lit green).

Specifies whether hold pedal operations are received (ON) or not received (OFF).

Specifies whether control pedal operations 1–3 are received (ON) or not received (OFF).

BEND CTRL

Parameter Value Explanation

INT The zone is used as an INT ZONE (lit red).

ZONE

Control Bender

(PITCH BEND)

Control Modulation

(MODULATION)

Control Aftertouch

(AFTERTOUCH)

Control Wheel 1

(WHEEL1)

Control Wheel 2

(WHEEL2)

EXT

COMMON The zone us used as COMMON (unlit).

OFF, ON

The zone is used as an EXT ZONE (lit green).

Specifies whether pitch bend lever pedal operations are received (ON) or not received (OFF).

Specifies whether modulation lever operations are received (ON) or not received (OFF).

Specifies whether aftertouch is received (ON) or not received (OFF).

Specifies whether WHEEL1 is received (ON) or not received (OFF).

Specifies whether WHEEL2 is received (ON) or not received (OFF).

S1S2S3 CTRL

Parameter Value Explanation

INT The zone is used as an INT ZONE (lit red).

ZONE

Control S1–S3

(S1–3)

EXT

COMMON The zone us used as COMMON (unlit).

OFF, ON

The zone is used as an EXT ZONE (lit green).

Specifies whether [S1]–[S3] button operations are received (ON) or not received (OFF).

Zone Parameters (Zone)

ASSIGN KNOB

Parameter Value Explanation

INT The zone is used as an INT ZONE (lit red).

ZONE

Control Knob 1–8

(KNOB1–8)

EXT

COMMON The zone us used as COMMON (unlit).

OFF, ON

The zone is used as an EXT ZONE (lit green).

Specifies whether control knob [1]–[8] operations are received (ON) or not received (OFF).

ASSIGN SLIDER

Parameter Value Explanation

INT The zone is used as an INT ZONE (lit red).

ZONE

Control Slider 1–8

(SL1–8)

EXT

COMMON The zone us used as COMMON (unlit).

OFF, ON

The zone is used as an EXT ZONE (lit green).

Specifies whether slider [1]–[8] operations are received (ON) or not received (OFF).

VOICE RESERVE

Parameter Value Explanation

INT The zone is used as an INT ZONE (lit red).

ZONE

Voice Assign Mode

Voice Reserve 1–63, FULL

EXT

COMMON The zone us used as COMMON (unlit).

Specifies voice assignment when the same key is played repeatedly.

SINGLE

LIMITED

FULL

The zone is used as an EXT ZONE (lit green).

The previous note is silenced each time the same key is played repeatedly.

When the same key is played repeatedly a certain number of times, the lowest-level of the notes sounding at the same pitch is silenced.

Even when the same key is played repeatedly, it is sounded within the limits of available polyphony.

Specifies the number of voices that are reserved for each zone if you attempt to play more notes than the maximum polyphony.

MIDI Rx FILTER

Parameter Value Explanation

INT The zone is used as an INT ZONE (lit red).

ZONE

Receive Program

(PC)

Change

Receive Bank Select (BS)

Receive Pitch Bend (PB)

Receive Poly Key Pressure

(PA)

Receive Channel Pressure (CA)

Receive Modulation (MD)

Receive Volume

(VO)

Receive Pan (PN) OFF, ON

Receive Expression (EX)

Receive Hold-1 (HD) OFF, ON

EXT

COMMON The zone us used as COMMON (unlit).

OFF, ON

The zone is used as an EXT ZONE (lit green).

Specifies whether program change is received (ON) or not received (OFF).

Specifies whether bank select is received (ON) or not received (OFF).

Specifies whether pitch bend is received (ON) or not received (OFF).

Specifies whether polyphonic aftertouch is received (ON) or not received (OFF).

Specifies whether channel aftertouch is received (ON) or not received (OFF).

Specifies whether modulation is received (ON) or not received (OFF).

Specifies whether volume is received (ON) or not received (OFF).

Specifies whether pan is received (ON) or not received (OFF).

Specifies whether expression is received (ON) or not received (OFF).

Specifies whether hold 1 is received (ON) or not received (OFF).

Zone Parameters (Zone)

EXT (EXTERNAL)

NAME

Parameter Value Explanation

INT The zone is used as an INT ZONE (lit red).

ZONE

Ext Name Assigns a name to each EXT zone.

EXT

COMMON The zone us used as COMMON (unlit).

OUT/PC

Parameter Value Explanation

INT The zone is used as an INT ZONE (lit red).

ZONE

MIDI Tx Port

Tx Channel 1–16

External Bank MSB

(CC#0)

External Bank LSB

(CC#32)

External Program Change

(PC)

EXT

COMMON The zone us used as COMMON (unlit).

ALL, OUT1, OUT2, USB

---, 0–127

---, 1–128

LEVEL/PAN

Parameter Value Explanation

INT The zone is used as an INT ZONE (lit red).

ZONE

MIDI Tx Port

External Volume

(CC#7)

External Pan

External Reverb Send

(CC#91)

External Chorus Send

(CC#93)

EXT

COMMON The zone us used as COMMON (unlit).

ALL, OUT1, OUT2, USB

---, 0–127

(CC#10) ---, L64–63R

---, 0–127

The zone is used as an EXT ZONE (lit green).

Specifies the connector from which MIDI messages sent by each EXT zone are transmitted.

Specifies the transmit channel on which MIDI messages output by each EXT zone are transmitted.

Enter the program number and the bank MSB/LSB as numerical values to switch sounds on an external MIDI device.

The specified value is transmitted when you switch scenes. If “---” is selected, no message is transmitted.

The zone is used as an EXT ZONE (lit green).

Specifies the connector from which MIDI messages transmitted by each EXT zone are output.

MIDI messages such as volume and pan are transmitted to an external device.

The specified value is transmitted when you switch scenes. If “---” is selected, no message is transmitted.

KEY RANGE

Parameter Value Explanation

INT The zone is used as an INT ZONE (lit red).

ZONE

Keyboard Control Range Lower

Keyboard Control Range Upper

EXT

COMMON The zone us used as COMMON (unlit).

C-1–G9

The zone is used as an EXT ZONE (lit green).

Specifies the key range of the note messages that are transmitted by each EXT zone.

Specify the lower limit (Lower) and upper limit (Upper) of the key range.

VEL RANGE

Parameter Value Explanation

INT The zone is used as an INT ZONE (lit red).

ZONE

Zone Velocity Range Lower

Zone Velocity Range Upper

EXT

COMMON The zone us used as COMMON (unlit).

1–127

The zone is used as an EXT ZONE (lit green).

Specifies the Lower limit and Upper limit of the velocity values in the note messages sent by each EXT zone.

PITCH

Parameter Value Explanation

INT The zone is used as an INT ZONE (lit red).

ZONE

External Coarse

(RPN#2)

Tune

External Fine Tune

(RPN#1)

External Bend Range

(RPN#0)

External Modulation Depth

(RPN#5)

EXT

COMMON The zone us used as COMMON (unlit).

---, -48–+48

---, -50–+50

---, -0–48

---, 0–127

The zone is used as an EXT ZONE (lit green).

The MIDI message (Coarse Tune) is transmitted to an external device.

Adjusts the pitch in semitone steps. (RPN: 00H/02H) (±4 octaves) The specified value is transmitted when

you switch scenes. If “---” is selected, no message is transmitted.

The MIDI message (Fine Tune) is transmitted to an external device.

Adjusts the pitch in one-cent steps. (RPN: 00H/01H) (±50 cents) The specified value is transmitted when

you switch scenes. If “---” is selected, no message is transmitted.

The MIDI message (Bend Range) is transmitted to an external device.

Sets the amount of pitch change to occur when you move the Pitch Bend lever (4 octaves). (RPN: 00H/00H)

The specified value is transmitted when you switch scenes. If “---” is selected, no message is transmitted.

The MIDI message (Modulation Depth) is transmitted to an external device.

Specifies how the effect is applied when the modulation lever is moved away from yourself.

(RPN: 00H/05H) The specified value is transmitted when

you switch scenes. If “---” is selected, no message is transmitted.

Zone Parameters (Zone)

OFFSET

Parameter Value Explanation

INT The zone is used as an INT ZONE (lit red).

ZONE

External Cutoff

(CC#74)

Offset

External Resonance Offset

(CC#71)

External Attack Time Offset

External Decay Time Offset

External Release Time Offset

(CC#73)

(CC#75)

(CC#72)

EXT

COMMON The zone us used as COMMON (unlit).

---, 0–127

MIDI messages that modify the sound are transmitted to an external device. The specified value is transmitted when you switch scenes. If “---” is selected, no message is transmitted.

The zone is used as an EXT ZONE (lit green).

Adjusts how far the filter is open. Increasing this value makes the sound

brighter, and decreasing it makes the sound darker.

Emphasizes the portion of the sound in the region of the cutoff frequency, adding character to the sound. Excessively high settings can produce oscillation, causing the sound to distort.

Increasing this value strengthens the character, and decreasing it weakens the character.

Adjusts the time over which the sound reaches its maximum volume after you press the key.

Higher values produce a milder attack; lower values produce a sharper attack.

Adjusts the time over which the volume decreases from its maximum value.

Larger settings of this value make the decay longer, and smaller settings make the decay shorter.

The time it takes after the key is released for a sound to become inaudible.

Larger settings of this value make the sound linger, and smaller settings make the sound end more sharply.

MONO/POLY

PEDAL CTRL

Parameter Value Explanation

INT The zone is used as an INT ZONE (lit red).

ZONE

Control Hold Pedal

(DAMPER)

Control Pedal 1–3

(FC1–3)

EXT

COMMON The zone us used as COMMON (unlit).

OFF, ON

Specifies whether a pedal or other controller connected to each PEDAL jack does control (ON) or does not control (OFF) an external MIDI device.

The zone is used as an EXT ZONE (lit green).

Pedal switch connected to the HOLD/R jack

Pedal connected to the CTRL 1, CTRL 2/L, CTRL 3/C jacks.

BEND CTRL

Parameter Value Explanation

INT The zone is used as an INT ZONE (lit red).

ZONE

Control Bender

(PITCH BEND)

Control Modulation

(MODULATION)

Control Aftertouch

(AFTERTOUCH)

Control Wheel 1

(WHEEL1)

Control Wheel 2

(WHEEL2)

EXT

COMMON The zone us used as COMMON (unlit).

OFF, ON

Specifies whether each controller will (ON) or will not (OFF) control an external MIDI device.

The zone is used as an EXT ZONE (lit green).

Pitch Bend Lever

Modulation Lever

Aftertouch

WHEEL1

WHEEL2

Parameter Value Explanation

INT The zone is used as an INT ZONE (lit red).

ZONE

External MONO/

(CC#126/127)

POLY

EXT

COMMON The zone us used as COMMON (unlit).

---, MONO, POLY

The zone is used as an EXT ZONE (lit green).

The MIDI message (MONO/POLY) is transmitted to an external device.

Specifies whether the tone will play polyphonically (POLY) or monophonically (MONO).

The specified value is transmitted when you switch scenes. If “---” is selected, no message is transmitted.

S1S2S3 CTRL

Parameter Value Explanation

INT The zone is used as an INT ZONE (lit red).

ZONE

Control S1–S3

(S1–3)

EXT

COMMON The zone us used as COMMON (unlit).

OFF, ON [S1]–[S3] switches

Specifies whether [S1]–[S3] switches will (ON) or will not (OFF) control an external MIDI device.

The zone is used as an EXT ZONE (lit green).

ASSIGN KNOB

Parameter Value Explanation

INT The zone is used as an INT ZONE (lit red).

ZONE

Control Knob 1–8

(KNOB1–8)

EXT

COMMON The zone us used as COMMON (unlit).

OFF, ON Control Knobs [1]–[8]

Specifies whether control knobs [1]–[8] will (ON) or will not (OFF) control an external MIDI device.

The zone is used as an EXT ZONE (lit green).

Zone Parameters (Zone)

ASSIGN SLIDER

Parameter Value Explanation

INT The zone is used as an INT ZONE (lit red).

ZONE

Control Slider 1–8

(SL1–8)

EXT

COMMON The zone us used as COMMON (unlit).

OFF, ON Sliders [1]–[8]

Specifies whether sliders [1]–[8] will (ON) or will not (OFF) control an external MIDI device.

The zone is used as an EXT ZONE (lit green).

ZEN-Core Tone Parameters (Z-Core)

OFF

High note range

Pitch dierence from

equal temperament

Parameter

value

Low note range

Select the zone to which the tone is assigned.

Press the [MENU] button.

The MENU screen appears.

Touch <TONE EDIT>.

The TONE EDIT screen appears.

Touch the tab of the section that you want to edit.

Move the cursor to the desired parameter, and edit the value.

NOTE

Parameters that you edit are temporary. They disappear when you turn off the power. If you want to keep your changes, you must save the tone.

MEMO

Parameters followed by the indication (ZOOM) can also be edited in the TONE EDIT ZOOM screen.

COMMON

Parameter Value Explanation

(Name) Tone name

Category 0–49 Selects the tone’s category.

Tone Level 0–127

Tone Pan L64–0–63R

This determines how notes will be managed when the maximum polyphony is exceeded.

Priority

Coarse Tune -48–+48 [semitone]

Fine Tune -50–+50 [cent]

Octave Shift -3–+3

Stretch Tune Depth

LAST

LOUDEST

OFF, 1–3

Adjusts the overall volume of the tone.

Specifies the pan of the tone. “L64” is far left, “0” is center, and “63R” is far right.

The last-played voices will be given priority, and currently sounding notes will be turned off in order, beginning with the first-played note.

The voices with the loudest volume will be given priority, and currently sounding notes will be turned off, beginning with the lowestvolume voice.

Adjusts the pitch of the sound up or down in semitone steps (+/-4 octaves).

Adjusts the pitch of the sound up or down in 1-cent steps (+/-50 cents).

Adjusts the pitch of the tone’s sound up or down in units of an octave (+/-3 octaves).

This setting allows you to apply “stretched tuning” to the tone. (Stretched tuning is a system by which acoustic pianos are normally tuned, causing the lower range to be lower and the higher range to be higher than the mathematical tuning ratios would otherwise dictate.) With a setting of “OFF,” the tone’s tuning will be equal temperament. A setting of “3” will produce the greatest difference in the pitch of the low and high ranges.

The diagram shows the pitch change relative to equal temperament that will occur in the low and high ranges. This setting will have a subtle effect on the way in which chords resonate.

Parameter Value Explanation

Applies time-varying change to the pitch and volume of the tone that is producing

Analog Feel

(ZOOM)

Mono/Poly

(ZOOM)

Unison Switch

(ZOOM)

Unison Size 2–8

Unison Detune 0–100

Legato Switch

(ZOOM)

Legato Retrigger Interval

Portamento Switch

Portamento Mode

0–127

Specifies whether the tone will play polyphonically (POLY) or monophonically (MONO).

MONO

POLY

OFF, ON

0–12, OFF

OFF, ON

Specifies the performance conditions for which portamento will be applied.

NORMAL Portamento will always be applied.

LEGATO

sound, adding a sense of variability. As you increase this value toward the maximum, the variability becomes greater, producing instability.

Sound only the last-played key one at a time.

Two or more notes can be played simultaneously.

This layers a single sound. If the Unison Switch is on, the number

of notes layered on one key will change according to the number of keys you play.

5 If the OSC Type is PCM, this is limited

to mono playing.

5 If the Legato Switch is on, the Delay

Time is ignored while playing legato.

5 Even if Legato Retrigger Interval is

specified, it operates as OFF.

If unison is on, this specifies the number of notes that are assigned to each key that is pressed. Increasing the Unison Size increases the polyphony, making it more likely that notes will be cut off.

Detunes each of the notes that are allocated by the Unison Size number, producing a detuned effect. As you increase this value, each note is detuned more greatly, producing a thicker sound.

This is effective when MONO/POLY is set to MONO and Legato Switch is turned ON. When you press the next key while still holding down the previous key (legato performance), the pitch changes smoothly.

The way in which the change occurs depends on the Legato Retrigger Interval.

When Legato Switch is enabled and you play legato, this specifies whether retriggering occurs (0–12) or does not occur (OFF).

If this is off, only the pitch of the currently-sounding tones changes according to the pitch of the key.

If this is set to 1–12, retriggering occurs smoothly when the pitch difference during legato performance exceeds the specified value.

For example, if this is set to 4, and using C4 as the reference pitch, playing notes Db4–E4 legato will change only the pitch without retriggering, but playing the F4 note (which is five semitones away from C4) legato will retrigger F4.

When F4 is retriggered at this time, F4 now becomes the reference pitch.

If this is set to 0, each note is retriggered every time regardless of the pitch difference.

For acoustic-type sounds in particular, an unnatural impression can occur if only the pitch is changed, so you’ll need to adjust the Legato Retrigger Interval.

Specifies whether the portamento effect will be applied (ON) or not applied (OFF).

* Portamento is an effect which smoothly

changes the pitch from the first-played key to the next-played key. By applying portamento when the MONO/POLY parameter is “MONO,” you can simulate slide performance techniques on a violin or similar instrument.

Applies portamento only when you play legato (i.e., when you press the next key before releasing the previous key).

ZEN-Core Tone Parameters (Z-Core)

D4 C4

press D4 key

Pitch

Time

press C4 key

press C5 key

D4 C4

press D4 key

Pitch

Time

press C4 key

press C5 key

Parameter Value Explanation

Specifies the type of portamento effect.

Portamento Type

Portamento Start

RAT E

TIME The time it takes will be constant.

When another key is pressed during a pitch change produced by portamento, a new pitch change will begin. This setting specifies the pitch at which the change will begin.

Pitch

NOTE

The time it takes will depend on the distance between the two pitches.

Starts a new portamento when another key is pressed while the pitch is changing.

Portamento will begin from the pitch where the current change would end.

Parameter Value Explanation

Partial Switch OFF, ON

Use these switch to turn the partials on/ off.

STRUCTURE

Structure lets you sound two partials as a set.

You can create a wide range of sounds by using partial 2 or 4 (the modulator) to modulate partial 1 or 3 (the carrier).

Since the Structure uses two partials as a pair, it provides parameters that are used in common by the carrier and modulator.

For the following parameters, only the partial settings of the carrier are valid (the settings of the modulator are ignored).

KEYBOARD

5 Keyboard Range Lower 5 Keyboard Range Upper 5 Keyboard Fade Width Lower 5 Keyboard Fade Width Upper 5 Velocity Range Lower 5 Velocity Range Upper 5 Velocity Fade Width Lower 5 Velocity Fade Width Upper

SWITCH

5 Partial Switch

Portamento Time 0–1023

Bend Range Up

Bend Range Down

Bend Range Fine Up

Bend Range Fine Down

Bend Mode

Soft Level Sens 0–100

ADSR Envelope Switch

(ZOOM)

0–48 [semitone]

0–100 [cent]

NORMAL

CATCH+LAST

OFF, ON

When portamento is used, this specifies the time over which the pitch will change. Higher settings will cause the pitch change to the next note to take more time.

Specifies the degree of pitch change in semitones when the Pitch Bend lever is all the way right. For example, if this parameter is set to “48,” the pitch will rise four octave when the pitch bend lever is moved to the right-most position.

Specifies the degree of pitch change in semitones when the Pitch Bend lever is all the way left. For example if this is set to “48” and you move the pitch bend lever all the way to the left, the pitch will fall 4 octaves.

Finely adjusts the degree of pitch change in one-cent units when the Pitch Bend lever is moved to the right.

Finely adjusts the degree of pitch change in one-cent units when the Pitch Bend lever is moved to the left.

The pitch bend lever works in the conventional way.

The pitch bend effect applies only to the last-played note.

If a note-on occurs while pitch bend is already applied, the new note sounds at the center pitch.

The pitch starts changing only after the controller passes through the center position.

Specifies the amount of volume change that occurs when you operate the soft pedal (CC#67).

This is effective when specified for piano sounds.

This imitates the operation of the ADSR envelope that is provided on an analog synthesizer.

If ADSR Env Switch is ON, the “Time 2” parameters of Pitch/Filter/Amp Env Time respectively are ignored, and only the “Level 3” parameters of Pitch/Filter/Amp Env Level are valid.

OSC

5 Delay Mode (note) 5 Delay Mode 5 Delay Time Sync 5 Delay Time (note) 5 Delay Time

CONTROL

5 Envelope Mode 5 Receive Hold-1 5 Redamper Switch 5 Damper Free Note

MATRIX CONTROL

5 Destination: PMT 5 Destination: CROSS-MOD

ZEN-Core Tone Parameters (Z-Core)

Parameter Value Explanation

The sound of partial 1 is modulated by partial 2.

OFF OFF

Implements the oscillator sync function that is provided by an analog synthesizer.

SYNC

The partial 1 oscillator is reset at intervals of partial 2’s pitch cycle. This is effective only if OSC Type is VA or PCM-Sync.

Structure1-2

(ZOOM)

RING

Implements the ring modulator function that is provided by an analog synthesizer.

The output sound of partial 2 is multiplied with partial 1.

Implements the cross modulation function that is provided by an analog synthesizer.

XMOD, XMOD2

The output sound of partial 2 is applied as the pitch of partial 1.

XMOD2 is available only when Partial 1 and 3 are OSC Type “VA.”

The sound of partial 3 is modulated by partial 4.

OFF OFF

Implements the oscillator sync function that is provided by an analog synthesizer.

SYNC

The partial 3 oscillator is reset at intervals of partial 4’s pitch cycle. This is effective only if OSC Type is VA or PCM-Sync.

Structure3-4

(ZOOM)

RING

Implements the ring modulator function that is provided by an analog synthesizer.

The output sound of partial 4 is multiplied with partial 3.

Implements the cross modulation function that is provided by an analog synthesizer.

XMOD, XMOD2

The output sound of partial 4 is applied as the pitch of partial 3.

XMOD2 is available only when Partial 1 and 3 are OSC Type “VA.”

RING1-2 Level

(ZOOM)

RING3-4 Level

(ZOOM)

RING OSC1 Level

(ZOOM)

RING OSC2 Level

(ZOOM)

RING OSC3 Level

(ZOOM)

RING OSC4 Level

(ZOOM)

XMOD 1-2 Depth

(ZOOM)

XMOD 3-4 Depth

(ZOOM)

XMOD2 1-2 Depth

(ZOOM)

XMOD2 3-4 Depth

(ZOOM)

CrossMod OSC1 Level

(ZOOM)

CrossMod OSC2 Level

(ZOOM)

CrossMod OSC3 Level

(ZOOM)

CrossMod OSC4 Level

(ZOOM)

0–127 RING level when Structure1-2 is RING.

0–127 RING level when Structure3-4 is RING.

0–127

0–9600 [cent]

0–127

Effective when Structure1-2 is RING. Sets the partial 1 OSC level.

Effective when Structure1-2 is RING. Sets the partial 2 OSC level.

Effective when Structure3-4 is RING. Sets the partial 3 OSC level.

Effective when Structure3-4 is RING. Sets the partial 4 OSC level.

Cross Modulation Depth when Structure1-2 is XMOD.

Cross Modulation Depth when Structure3-4 is XMOD.

Cross Modulation Depth when Structure1-2 is XMOD2.

Cross Modulation Depth when Structure3-4 is XMOD2.

Effective when Structure1-2 is XMOD/ XMOD2. Sets the partial 1 OSC level.

Effective when Structure1-2 is XMOD/ XMOD2. Sets the partial 2 OSC level.

Effective when Structure3-4 is XMOD/ XMOD2. Sets the partial 3 OSC level.

Effective when Structure3-4 is XMOD/ XMOD2. Sets the partial 4 OSC level.

This is available if OSC Type is “VA”; it locks

Partial Phase Lock OFF, ON

the waveform phase between partials. It is effective to use this with XMOD2.

OFF

SYNC

RING

XMOD

XMOD2

ZEN-Core Tone Parameters (Z-Core)

Range Lower

Range Upper

Fade Lower

Fade Upper

Level

Pitch

Range Lower

Range Upper

Fade Lower

Fade Upper

Level

Velocity

KEYBOARD

Parameter Value Explanation

Specifies how partials are played according to your keyboard playing dynamics (velocity).

If this is “ON,” different partials are sounded according to the playing velocity and the Velocity Range Lower/ Upper and Velocity Fade Lower/Upper settings.

5 If this is “RANDOM” or “CYCLE,” each

Velocity Control

OFF, ON, RANDOM, CYCLE

EXP

PMT Level Curve

LINEAR

Parameter Value Explanation

Key Range Low C-–G9

Key Range Up C-–G9

Key Range Fade Low

Key Range Fade Up

0–127

Parameter Value Explanation

Velocity Range Low

1–127

Velocity Range Up 1–127

Velocity Fade Low 0–127

Velocity Fade Up 0–127

partial is sounded randomly or cyclically.

5 In the case of “RANDOM” or “CYCLE”

when Structure 1-2 (3-4) has a setting other than OFF, partials 1 and 2 (3 and 4) are sounded as a pair, either randomly or in alternation.

5 In the case of “RANDOM” or “CYCLE,”

velocity has no effect, but you’ll need to make settings for each partial so that the Velocity Range does not conflict.

When using Velocity Control to switch between partials, the crossfade level changes in a non-linear curve.

When using Velocity Control to switch between partials, the crossfade level changes in a linear curve.

Specify the key range for each partial. Make these settings when you want

different key ranges to play different tones.

Specify the lower limit (Lower) and upper limit (Upper) of the key range.

Specifies the degree to which the partial is sounded by notes played below the Keyboard Range Low. If you don’t want the tone to sound at all, set this parameter to “0.”

Specifies the degree to which the partial is sounded by notes played above the Keyboard Range Up. If you don’t want the tone to sound at all, set this parameter to “0.”

Specify the lower limit (Lower) and upper limit (Upper) of the velocities that will sound the partial.

Make these settings when you want different partials to sound depending on keyboard playing dynamics.

Specifies the degree to which the partial is sounded by notes played more softly than Velocity Range Low. If you don’t want the tone to sound at all, set this parameter to “0.”

Specifies the degree to which the partial is sounded by notes played more strongly than Velocity Range Up. If you don’t want the tone to sound at all, set this parameter to “0.”

OSC

Parameter Value Explanation

Specifies the oscillator type.

PCM

OSC Type

(ZOOM)

PCM-Sync

SuperSAW SuperSAW is used.

Noise White noise is used.

Wave Bank

(ZOOM)

Wave Number L

(ZOOM)

Wave Number R

(ZOOM)

A, B, C, D

Specifies the wave that is used when OSC Type is VA.

SAW Sawtooth wave

SQR Square wave

TRI Triangle wave

Waveform

(ZOOM)

SIN sine wave

RAMP Ramp wave

JUNO Modulated sawtooth wave

TRI2 Triangle wave variation

TRI3 Triangle wave variation

SIN2 Sine wave variation

Waveform Invert Sw

PCM-Sync Wave No.

(ZOOM)

OFF, ON

Specifies the wave that is used when OSC Type is PCM-Sync. The PCM-Sync oscillator is effective when specified as the Slave

(the sync-modulated partial 1 or 3) when Structure is set to SYNC.

Gain -18–+12 [dB]

Pulse Width

(ZOOM)

PWM Depth

(ZOOM)

SuperSAW Detune

(ZOOM)

Click Type

Fat

(ZOOM)

0–127

-63–+63

0–127

SOFT, HARD, NATURAL, OFF

0–127

OSC Attenuator 0–255

PCM is used. The wave of the number specified by the Wave Group and Wave Number L/R is used.

A numerically calculated analog-modeled wave is generated.

The wave of the number specified by Waveform is used.

The wave of the number specified by PCM-Sync Wave Number is used.

Specifies the bank of the wave group that is used when OSC Type is PCM.

Specifies the wave number within the group specified by Wave Group.

If using mono, specify only the left side (L). If using stereo, specify the right side (R) as well.

If using mono, specify only Wave Number L and leave Wave Number R at 0: OFF.

If you specify only Wave Number R, no sound is heard.

If this is ON, the phase of the VA waveform is inverted.

Specifies the gain (amplitude) of the waveform.

The value will change in 6 dB (decibel) steps.

Each 6 dB increase doubles the gain.

This effect is produced when the waveform is deformed by varying the duty cycle of the pulse width.

It is effective when OSC Type is VA, and is also effective with waveforms other than SQR (square wave).

* If the value is 64, the pulse width has a

50%:50% duty cycle.

Specifies the amount (depth) of LFO applied to PW (Pulse Width).

PW is modulated according to the LFO2 setting.

Adjusts the Detune depth for SuperSAW. Higher values produce a deeper Detune effect.

* This is effective only when SuperSAW is

selected as the OSC Type.

Changes the sense of attack by varying the position at which the sound starts.

This is available if OSC Type is VA. However, HARD is effective only when Waveform is TRI, TRI2, SIN, or SIN2.

Boosts the low-frequency region. This is effective if OSC Type is VA.

Specifies the OSC level. 255 is the reference value. If you want

only the self-oscillation of the filter to be heard, set this to 0.

ZEN-Core Tone Parameters (Z-Core)

Note on

Note o

Delay time

Note on

No sound played

Note o

Delay time

Note on

Note o

Delay time

Note on

Parameter Value Explanation

This sets whether FXM will be used (ON) or not (OFF).

FXM Switch OFF, ON

* FXM (Frequency Cross Modulation) uses

a specified waveform to apply frequency modulation to the currently selected waveform, creating complex overtones. This is useful for creating dramatic sounds or sound effects.

Specifies how FXM will perform

FXM Color 1–4

frequency modulation. Higher settings result in a grainier sound, while lower settings result in a more metallic sound.

FXM Depth 0–16

Specifies the depth of the modulation produced by FXM.

Parameter Value Explanation

The partial begins to play after the time specified in the Partial Delay Time parameter has elapsed.

NORMAL

Delay time

Although the partial begins to play after the time specified in the Partial Delay Time parameter has elapsed, if the key is released before the time specified in the Partial Delay Time parameter has elapsed, the partial is not played.

HOLD

Delay Mode

Rather than being played while the key is pressed, the partial begins to play once the period of time specified in the Partial Delay Time parameter has elapsed after release of the key.

This is effective in situations such as when

KEY-OFF-NORMAL

simulating noises from guitars and other instruments.

No Partial Delay

Note o

Delay Mode

Partial Delay

This produces a time delay between the moment a key is pressed (or released), and the moment the partial actually begins to sound. You can also make settings that shift the timing at which each partial is sounded.

This differs from the Delay in the internal effects, in that by changing the sound qualities of the delayed partials and changing the pitch for each partial, you can also perform arpeggio-like passages just by pressing one key.

You can also synchronize the partial delay time to the tempo of the external MIDI sequencer.

If Legato Retrigger Interval is other than OFF, legato operation occurs only when Delay Mode is NORMAL.

Also in this case, Legato Retrigger Interval operates as 0 (retriggers at each Delay Time).

KEY-OFF-DECAY

Delay Time Sync OFF, ON

Delay Time

(note) 1/64T–2

Delay Time 0–1023

Rather than being played while the key is pressed, the partial begins to play once the period of time specified in the Partial Delay Time parameter has elapsed after release of the key. Here, however, changes in the TVA Envelope begin while the key is pressed, which in many cases means that only the sound from the release portion of the envelope is heard.

Set this ON if you want the partial delay time to synchronize with the tempo.

This is available when Delay Time Sync is ON. It specifies the delay time in terms of a note value.

This is available when Delay Time Sync is OFF. It specifies the delay time without regard to the tempo.

ZEN-Core Tone Parameters (Z-Core)

C4C3C2C1 C5 C6 C7

+50

+100

+200

-50

-100-200

Key

Pitch

C4C3C2C1 C5 C6 C7

-50

-100

+50

+100

Key

Time

1 2 3 4 5 6 7

T1 T2 T3 T4

Pitch

Note on

T：Time　　L：Level

Note o

Time

Pitch

Parameter Value Explanation

Coarse Tune

(ZOOM)

Fine Tune

(ZOOM)

-48–+48 [semitone]

-50–+50 [cent]

Adjusts the pitch of the sound up or down in semitone steps (+/-4 octaves).

Adjusts the pitch of the sound up or down in 1-cent steps (+/-50 cents).

This specifies the width of random pitch deviation that will occur each time a key

Random Depth

(ZOOM)

0–1200 [cent]

is pressed. If you do not want the pitch to change randomly, set this to “0.”

* These values are in units of cents (1/100th of

a semitone).

This specifies the amount of pitch change that will occur when you play a key one octave higher (i.e., 12 keys upward on the keyboard).

If you want the pitch to rise one octave as on a conventional keyboard, set this to “+100.” If you want the pitch to rise two octaves, set this to “+200.” Conversely, set this to a negative (-) value if you want the pitch to fall.

Pitch Keyfollow -200–+200

With a setting of “0,” all keys will produce the same pitch.

Specifies the amount by which the

Vibrato Pitch Sens -100–+100

Pitch Depth of LFO1 is changed by the program’s Modify Vib Depth.

Stereo Detune -50–+ 50 [cent]

Specifies the detune between L#R when outputting in stereo.

PITCH ENV

Parameter Value Explanation

Use this setting if you want the pitch envelope times (Time 2–Time 4) to be affected by the keyboard location.

Based on the pitch envelope times for the C4 key, positive (+) value will cause notes higher than C4 to have increasingly shorter times, and negative (-) value will cause them to have increasingly longer times.

Time Keyfollow -100–+100

Higher values will produce greater change.

Selects one of the following 7 curves that will determine how keyboard playing dynamics will affect the pitch envelope.

Pitch Env Velocity Curve

PENV LFO Trigger Switch

FIXED, 1–7

OFF, ON

Set this to “FIXED” if you don’t want the pitch envelope be affected by the keyboard velocity.

If this is ON, the pitch envelope is cyclically retriggered by LFO1.

* This is effective when Envelope Mode is

SUSTAIN.

Specify the pitch envelope times (Time 1–Time 4).

Higher settings will result in a longer time until the next pitch is reached. (For example, Time 2 is the time over which

T1/Attack, T2, T3/Decay, T4/Release

(ZOOM)

0–1023

the pitch changes from Level 1 to Level 2.)

* If ADSR Envelope Switch is ON, the Time 2 has

no effect.

Parameter Value Explanation

Adjusts the effect of the Pitch Envelope. Higher settings will cause the pitch

Depth

(ZOOM)

-100–+100

envelope to produce greater change. Negative (-) value will invert the shape of the envelope.

If OSC Type is other than VA, this is limited to ±63.

Keyboard playing dynamics can be used to control the depth of the pitch envelope. If you want the pitch envelope

Velocity Sens -100–+100

to have more effect for strongly played notes, set this parameter to a positive (+) value. If you want the pitch envelope to have less effect for strongly played notes, set this to a negative (-) value.

This allows keyboard dynamics to affect the Time 1 of the Pitch envelope.

T1 Velocity Sens -100–+100

If you want Time 1 to be speeded up for strongly played notes, set this parameter to a positive “+” value. If you want it to be slowed down, set this to a negative “-” value.

Use this parameter when you want key release speed to affect the Time 4 value of the pitch envelope.

T4 Velocity Sens -100–+100

If you want Time 4 to be speeded up for quickly released notes, set this parameter to a positive (+) value. If you want it to be slowed down, set this to a negative (-) value.

L0, L1, L2, L3/Sustain, L4

(ZOOM)

-511–+511

Specify the pitch envelope levels (Level 0–Level 4).

It determines how much the pitch changes from the reference pitch (the value set with Coarse Tune or Fine Tune on the Pitch screen) at each point.

Positive (+) value will cause the pitch to be higher than the standard pitch, and negative (-) value will cause it to be lower.

* If ADSR Envelope Switch is ON, only Level 3

(Sustain) has an effect. Also in this case, settings with a negative value are ignored.

+ 53 hidden pages

Roland FANTOM 8 Parameter Guide

Specifications and Main Features

Frequently Asked Questions

User Manual

Contents

Scene Parameters (Scene)

SCENE

GENERAL

PEDAL

KNOB

CONTROL

SLIDER

S1/S2/S3

WHEEL1/2

CV/GATE

Scene Effect Parameters (SCENE EFFECT)

Delay

Chorus

Chorus

CE-1

SDD-320

T-Ctrl Delay

Delay 0 Tremolo

2Tap Pan Delay

3Tap Pan Delay

JUNO-106 Chorus

Reverb

INTEGRA-7 Reverb

Warm Hall

Hall

GS Reverb

SRV-2000 NON-LINEAR

SRV-2000

GM2 Reverb

IFX1, IFX2

ANALOG FILTER

OVERDRIVE

FILTER

Zone Parameters (Zone)

INT (INTERNAL)

TONE

KEY RANGE

VEL RANGE

LEVEL/PAN

EQ (Zone EQ)

PITCH

SCALE TUNE

VIBRATO

OFFSET

MONO/POLY

PEDAL CTRL

BEND CTRL

S1S2S3 CTRL

ASSIGN KNOB

ASSIGN SLIDER

VOICE RESERVE

MIDI Rx FILTER

EXT (EXTERNAL)

NAME

OUT/PC

LEVEL/PAN

KEY RANGE

VEL RANGE

PITCH

OFFSET

MONO/POLY

PEDAL CTRL

BEND CTRL

S1S2S3 CTRL

ASSIGN KNOB

ASSIGN SLIDER

ZEN-Core Tone Parameters (Z-Core)

COMMON

STRUCTURE

KEYBOARD

Pitch

PITCH ENV