Roland FA-76 Parameter List

Sound/Parameter List

Thank you, and congratulations on your choice of the Roland (FA-76).

Performance List ........................................................ 2

Multitimbre List........................................................... 2

Patch List .................................................................... 3

Rhythm Set List .......................................................... 7

Waveform List........................................................... 12

Arpeggio Style List................................................... 15

Rhythm Pattern Style List........................................ 16

Parameter List........................................................... 17

Patch Parameters .........................................................................................17

Rhythm Set Parameters...............................................................................22

Multitimbre Parameters..............................................................................25

Performance Parameters.............................................................................27

System Parameters ......................................................................................30

Effects List ................................................................ 32

Multi-Effects Parameters ............................................................................32

Chorus Parameters......................................................................................62

Reverb Parameters.......................................................................................62

MFX Template List.................................................... 63

Error Messages......................................................... 64

About MIDI................................................................. 65

MIDI Implementation ................................................ 66

Bank Select and Program Change Correspondence Chart....................99

Performance List

PRST (Preset Group)

No. Name

01 Fantasm 02 All That 03 Trippin 04 FunkRock Set 05 RhythmClvSet 06 Relaxation 07 Romance 08 Soaring Saws 09 VORTEX 10 BeatRockSet 11 Arp BellsPad 12 Stacked Pads 13 Quasar 14 Hit it! RSS 15 StereoSlicer 16 SwingJazzSet

No. Name

17 Eclipse 18 OrganBldTrio 19 GruvaciusSet 20 Rock It! 21 ArpGuitarSet 22 Jupiter 23 Rock Brs Set 24 Andreas Cave 25 Voltage Ctrl 26 Watta Gate! 27 Techno Set 28 Road2Heaven 29 Powerwiggle 30 VoxStacks 31 BluesHarpSet 32 Flying Keys

No. Name

33 AnalogStkSet 34 Nirvana 35 Jz PianoTrio 36 Springy Set 37 InstantScore 38 Sweep Pad 39 60's Set 40 Slip Stack 41 Xtreme! 42 SlicdTrncSet 43 Pumping 44 Dulcitar Stk 45 TempoMdnsSet 46 PhsDyn&BsSet 47 Brass Band 48 Rock Gtr Set

No. Name

49 Humanizer 50 Full Strings 51 Piano+Rhodes 52 BossaNovaSet 53 Techno Set 2 54 Cultivate 55 SynthBrs Set 56 Sabbath Day 57 Blue Sky 58 Cycles 59 MIDI Rhodes 60 Techno Loop 61 Lo-Fi T rance 62 OvertoneStak 63 Ac.Piano/Bs 64 Piano & Str

Multitimbre List

PRST (Preset Group)

No. Name

01 FANTOM Temp 02 Techno 03 House 04 Hip-Hop

No. Name

05 Pop 06 Funk Rock 07 Hard Rock 08 Blues

No. Name

09 Ac. Jazz 10 Cont. Jazz 11 Big Band 12 Latin

No. Name

13 New Age 14 Orchestral 15 Film Music 16 GM2 Template

2

Patch List

USER (User Group) PR-A (Preset A Group)

No. Name Voice Key Assign

001 GenerationXV 4 POLY 002 Grand XV 4 POLY 003 GlobalWarmup 4 POLY 004 Chordbender 4 POLY 005 My Orchestra 4 POLY 006 Vortex 4 POLY 007 TempoMadness 4 POLY 008 Stream Bell 5 POLY 009 Blue Mutes 2 POLY 010 UltraSmooth 2 POLY 011 Thipper Bass 3 MONO 012 Drew's Bee 3 POLY 013 Backspinner 5 POLY 014 Dream 2001 3 POLY 015 XV Crystal 4 POLY 016 XV Ac.Bass 4 POLY 017 Groovedigger 4 POLY 018 Hold A Chord 6 POLY 019 XV Trombone 2 POLY 020 LegatoJupitr 1 MONO 021 Thick Steel 4 POLY 022 Saw Grits 1 MONO 023 Henry VIII 8 POLY 024 CrystalGlass 1 POLY 025 Contemplate 2 POLY 026 Xtremities 4 MONO 027 Etheraaahl 2 POLY 028 VeloClikOrgn 2 POLY 029 Phatso Bass 3 MONO 030 OvertoneScan 4 POLY 031 Complex Echo 1 POLY 032 Rocky Road 3 POLY 033 Tight Brass 5 POLY 034 Blues Harp 2 POLY 035 Cutter Clav 2 POLY 036 Tap Bass 1 POLY 037 JD Multi Ld 1 MONO 038 Dance Zipper 4 MONO 039 Y2K Concerto 8 POLY 040 Distorted B 1 POLY 041 SteelRelease 4 POLY 042 COSM Searing 3 MONO 043 Bottlephone 2 POLY 044 TMT Scanner 4 POLY 045 BatonStrings 3 POLY 046 FatSynBrass 4 POLY 047 Modular Life 4 POLY 048 Flutterys 3 POLY 049 Swingin'Bari 3 POLY 050 Funky Tube 1 POLY 051 Atlantis 5 POLY 052 Vocovox Wave 1 MONO 053 Double Steel 8 POLY 054 SwellEnsembl 4 POLY 055 Hydrogen 4 POLY 056 Nanolog Pad 4 POLY 057 Aftermath 4 POLY 058 Slice & Dice 4 POLY 059 Wedding Gig 4 POLY 060 SparklePiano 6 POLY 061 Wurly Gum 2 POLY 062 Voxfuzz Klav 4 POLY 063 Digibell Pad 4 POLY 064 IslandSpirit 3 POLY

No. Name Voice Key Assign

065 Verby Organ 2 POLY 066 Cloud 9 5 POLY 067 Enchanted XV 3 MONO 068 Soft Nylon 4 POLY 069 Trem Guitar 2 POLY 070 Crying Solo 2 POLY 071 Stringless 4 POLY 072 Creamy Bass 2 MONO 073 Lead 4x Vlns 4 POLY 074 Wheel Brass 4 POLY 075 Solo SoprSax 1 MONO 076 Symphonique 7 POLY 077 T8 Brass 3 POLY 078 Technogrunge 3 POLY 079 Mood Ringz 4 POLY 080 Soff Machine 4 POLY 081 Cheepy Synth 2 POLY 082 Down2Earth 7 POLY 083 Spread Pad 2 POLY 084 R-mod Vox 2 POLY 085 R&Ballad Mix 6 POLY 086 Hybrid EP 3 POLY 087 Pop Ballad 3 POLY 088 Ambient Wood 2 POLY 089 Wedding Mass 5 POLY 090 Plug n' Play 2 POLY 091 COSM Loud Gt 3 POLY 092 COSM Bass 4 POLY 093 West End Bs 5 MONO 094 XV Strings 3 POLY 095 Tape Orch 4 POLY 096 man@work 4 MONO 097 Queen V 6 POLY 098 SoaringHrns2 7 POLY 099 SquareDreams 4 POLY 100 Upwind Glata 4 POLY 101 Gruvacious 5 POLY 102 Pianomonics 4 POLY 103 Wurli World 3 POLY 104 Aftertouchin 4 POLY 105 DeepInPrayer 6 POLY 106 Swell Strat 1 POLY 107 Wine Drops 4 POLY 108 Tekno Pizz 1 POLY 109 Soft Padding 2 POLY 110 Auto Riff 2 POLY 111 Mini Lead 4 MONO 112 Froggy Bass 1 MONO 113 BiggieBrass2 5 POLY 114 Harm is Fine 3 POLY 115 Cold Roadz 4 POLY 116 Combing 2 POLY 117 2.2 Strings 5 POLY 118 Tape Q 4 POLY 119 Traffic Pad 4 POLY 120 Rhodes Trem 2 POLY 121 Shuffle Bell 4 POLY 122 Vintage Pad 2 POLY 123 Aliastrings 4 POLY 124 AmbiRhodes 4 POLY 125 Mutezzicato 3 POLY 126 Throbulax 2 POLY 127 Morph Pad 8 POLY 128 Flashback 4 POLY

No. Name Voice Key Assign

001 Grand XV 4 POLY 002 Contemplate 2 POLY 003 Hall Grand 2 POLY 004 64voicePno 1 POLY 005 Bright Piano 2 POLY 006 Nice Piano 4 POLY 007 Upright Pno 4 POLY 008 Rock Piano 2 POLY 009 RockPiano Ch 3 POLY 010 Pianomonics 4 POLY 011 RN Sad Song 6 POLY 012 Y2K Concerto 8 POLY 013 Piano+SftPad 4 POLY 014 WarmVoxPiano 4 POLY 015 Piano+AirPad 5 POLY 016 ChoraLeader 8 POLY 017 SparklePiano 6 POLY 018 Warm pF Mix 6 POLY 019 R&Ballad Mix 6 POLY 020 Power Octs 6 POLY 021 RD-1000 3 POLY 022 Retro Rhodes 3 POLY 023 Fat Rhodes 3 POLY 024 PingE Piano 2 POLY 025 Rhodes Trem 2 POLY 026 Phaser Dyno 3 POLY 027 Hit Rhodes 3 POLY 028 Hybrid EP 3 POLY 029 Rocky Road 3 POLY 030 Sweet Tynes 4 POLY 031 Pluk Rhodes 3 POLY 032 Rhodes Trip 2 POLY 033 AmbiRhodes 4 POLY 034 Rholitzer 3 POLY 035 SA Rhodes 4 POLY 036 Dig Rhodes 2 POLY 037 Octa Rhodes 4 POLY 038 Waterhodes 2 POLY 039 Wurlie 2 POLY 040 Curly Wurly 4 POLY 041 Wurli World 3 POLY 042 Super Trip 2 POLY 043 Amped Wurlie 3 POLY 044 Dirty Wurlie 4 POLY 045 Wurly Gum 2 POLY 046 FM Delight 2 POLY 047 Cold Roadz 4 POLY 048 XV Crystal 4 POLY 049 Ring E.Piano 4 POLY 050 See-Thru EP 3 POLY 051 Innocent EP 2 POLY 052 EP+Mod Pad 4 POLY 053 WaterPiano2 3 POLY 054 Swimming EP 8 POLY 055 Backrhodes 3 POLY 056 Cutter Clav 2 POLY 057 Comp Clav 1 POLY 058 Mute Clav D6 3 POLY 059 PhazeWahClav 6 POLY 060 Phase Clav 1 POLY 061 Psyche Clav 1 POLY 062 PieceOfCheez 2 POLY 063 Harpsy Clav 3 POLY 064 Dist Clav 1 POLY

No. Name Voice Key Assign

065 Voxfuzz Klav 4 POLY 066 St.Harpsichd 4 POLY 067 PositvHarpsi 4 POLY 068 3PartInventn 4 POLY 069 Pop Ballad 3 POLY 070 Musicbox XV 3 POLY 071 Chime Bells 4 POLY 072 Shuffle Bell 4 POLY 073 Stream Bell 5 POLY 074 Heavenals 4 POLY 075 HolidayCheer 4 POLY 076 Morning Lite 2 POLY 077 Digibell Pad 4 POLY 078 D50 StacHvn 4 POLY 079 Celestabox 1 POLY 080 Sandman 4 POLY 081 Bell Museum 4 POLY 082 Wide Tubular 4 POLY 083 True Vibe 2 POLY 084 Echo Vibe 2 POLY 085 Tremolo Vibe 2 POLY 086 Marimbula 3 POLY 087 Exotic Velo 4 POLY 088 Bottlephone 2 POLY 089 IslandSpirit 3 POLY 090 Ambient Wood 2 POLY 091 Steel Drums 1 POLY 092 Soft B 2 POLY 093 Ballad B 2 POLY 094 Soft Perky 5 POLY 095 Full Stops 2 POLY 096 Fullness 5 POLY 097 Paleface 1 2 POLY 098 Paleface 2 4 POLY 099 VeloClikOrgn 2 POLY 100 British B 4 POLY 101 Rocker Org 6 POLY 102 Tone Wh.Solo 3 POLY 103 Drew's Bee 3 POLY 104 Split B 6 POLY 105 Velvet Organ 4 POLY 106 Verby Organ 2 POLY 107 Happy 60s 2 POLY 108 96 Years 1 POLY 109 Boogie Organ 4 POLY 110 Glory Us Rok 2 POLY 111 SoapOpera x4 1 POLY 112 Klubb Organ 4 POLY 113 PercInterval 8 POLY 114 Distorted B 1 POLY 115 Radikal B 1 POLY 116 Cathedral 4 POLY 117 Church Harmn 4 POLY 118 Cathdr Harmn 5 POLY 119 Wedding Mass 5 POLY 120 Harmonica XV 1 POLY 121 Blues Harp 2 POLY 122 Nylon Gtr 3 POLY 123 Soft Nylon 4 POLY 124 Nylozzicato 3 POLY 125 Mutezzicato 3 POLY 126 Hybrid Nylon 3 POLY 127 Steel Away 3 POLY 128 Solo Steel 5 POLY

Voice: number of voice

3

Patch List

PR-B (Preset B Group) PR-C (Preset C Group)

No. Name Voice Key Assign

001 Thick Steel 4 POLY 002 XV SteelGt 1 4 POLY 003 SteelRelease 4 POLY 004 XV SteelGt 2 4 POLY 005 So nice! 8 POLY 006 Steel&Nylon 8 POLY 007 Comp'Steel 4 POLY 008 Double Steel 8 POLY 009 Folk Guitar 4 POLY 010 SpanishNight 5 POLY 011 Classic Gtr 3 POLY 012 DesertCrystl 4 POLY 013 DeepInPrayer 6 POLY 014 Two+Ensemble 5 POLY 015 Harmless 2 POLY 016 Clear Guitar 3 POLY 017 Jz Gtr Hall 2 POLY 018 JC Strat 2 POLY 019 Solo Strat 3 POLY 020 Plug n' Play 2 POLY 021 Wah Guitar 3 POLY 022 Trem Guitar 2 POLY 023 Rotary Gtr 2 POLY 024 Fab 4 Guitar 4 POLY 025 Syn Strat 3 POLY 026 SwitchOnMute 2 POLY 027 LetterFrmPat 5 POLY 028 StratSeq'nce 4 POLY 029 Swell Strat 1 POLY 030 Blusey OD 2 POLY 031 Searing Lead 3 MONO 032 LouderPlease 3 POLY 033 Crying Solo 2 POLY 034 Southern Fry 2 POLY 035 Strum Distrt 2 POLY 036 Match Drive 3 POLY 037 Stacked 3 POLY 038 2-Stack Over 2 POLY 039 COSM Searing 3 MONO 040 COSM Loud Gt 3 POLY 041 Plugged !!! 1 POLY 042 Blue Mutes 2 POLY 043 Metal 5150 3 POLY 044 Crunch Phase 2 POLY 045 Alt Dist Gtr 2 POLY 046 Hurtin'Tubes 3 POLY 047 Punker 2 POLY 048 XV Ac.Bass 4 POLY 049 XV Upright 1 POLY 050 Ac.Upright 1 POLY 051 Fingerd Bass 1 POLY 052 Stringless 4 POLY 053 LookMaNoFret 3 MONO 054 XV Fretless 1 POLY 055 Basic F'less 1 MONO 056 8-str F'less 2 POLY 057 Fretls Dry 1 POLY 058 Tap Bass 1 POLY 059 Pick Bass 1 POLY 060 Pop Bass 1 POLY 061 P.Bs Chorus 4 MONO 062 TremCho Bs 2 POLY 063 Punch Bass 1 MONO 064 COSM Bass 4 POLY

No. Name Voice Key Assign

065 Slap Bass 1 1 POLY 066 Slap Bass 2 1 MONO 067 Slap Bass 3 2 POLY 068 Stick Chopz 4 POLY 069 4 Pole Bass 1 MONO 070 Tick Bass 4 MONO 071 House Bass 3 MONO 072 101 Bass 2 MONO 073 Wonder Bass 3 MONO 074 SinusoidRave 1 MONO 075 202 Rude Bs 2 MONO 076 Creamy Bass 2 MONO 077 Buster Bass 2 MONO 078 Thipper Bass 3 MONO 079 Phatso Bass 3 MONO 080 Acid TB 1 MONO 081 TB Squelch 2 POLY 082 Ticker Bass 4 MONO 083 Muscle Bass 2 MONO 084 Grounded Bs 2 MONO 085 West End Bs 5 MONO 086 Snap Bass 2 MONO 087 700 Bassboy 3 MONO 088 8VCO MonoSyn 8 MONO 089 ResoMoist Bs 4 MONO 090 Kickin' Bass 2 MONO 091 Sub Zero 4 MONO 092 Liquid Bass 2 MONO 093 Hefty Bass 2 MONO 094 Severe Ow Bs 4 MONO 095 Jupiter Bass 4 MONO 096 Untamed Bass 3 MONO 097 XV Strings 3 POLY 098 St.Strings 2 POLY 099 BatonStrings 3 POLY 100 Fat Strings 3 POLY 101 Dolce p/m/f 6 POLY 102 Sad Strings 6 POLY 103 Lush Strings 4 POLY 104 Film Octaves 4 POLY 105 Strings4Film 6 POLY 106 Marcato 2 POLY 107 Marcato Str 4 POLY 108 TremoloStrng 3 POLY 109 End Titles 4 POLY 110 Bass Pizz 4 POLY 111 ChamberQrt.1 4 POLY 112 ChamberQrt.2 4 POLY 113 Lead 4x Vlns 4 POLY 114 ChamberSect. 4 POLY 115 FullChmbrStr 6 POLY 116 Tape Strings 2 POLY 117 JP-8 Str 1 3 POLY 118 Jupiter 21 4 POLY 119 Filt Strings 3 POLY 120 HybStringsXV 4 POLY 121 UltraSmooth 2 POLY 122 Hold A Chord 6 POLY 123 Prelude 4 POLY 124 ChamberPlyrs 4 POLY 125 TudorFanfare 4 POLY 126 Hornz 5 POLY 127 Symphonique 7 POLY 128 Wood Symphny 7 POLY

No. Name Voice Key Assign

001 Henry VIII 8 POLY 002 Str&Brs Orch 7 POLY 003 Soft Symphny 7 POLY 004 Brassy Symph 4 POLY 005 My Orchestra 4 POLY 006 HybOrchestra 8 POLY 007 Swell Oboe 3 POLY 008 Oboe mf 1 POLY 009 Clarinet mp 1 POLY 010 Flute/Clari 2 POLY 011 Orch Reeds 3 POLY 012 Wind Wood 4 POLY 013 SwellEnsembl 4 POLY 014 Flute 2 POLY 015 Jazzer Flute 2 POLY 016 Dual Flutes 3 POLY 017 LegatoBamboo 4 MONO 018 Ambience Flt 4 POLY 019 The Andes 1 POLY 020 Deja Vlute 4 MONO 021 Tooters Lead 3 POLY 022 Air Lead 2 POLY 023 Flutterys 3 POLY 024 Brass Sect 5 POLY 025 Tight Brass 5 POLY 026 Simply Brass 2 POLY 027 FullSt Brass 5 POLY 028 Dragnet 4 POLY 029 Biggie Brass 4 POLY 030 BiggieBrass2 5 POLY 031 NewR&RBrass 8 POLY 032 Tower Trumps 5 POLY 033 BigBrassBand 5 POLY 034 Lil'BigHornz 6 POLY 035 VoyagerBrass 3 POLY 036 Wheel Brass 4 POLY 037 Symph Horns 3 POLY 038 XV Trumpet 3 POLY 039 Ballad Trump 4 POLY 040 XV Trombone 2 POLY 041 Trombone Atm 3 POLY 042 Harmon Mute 1 POLY 043 Poly Brass 3 POLY 044 Rugby Horn 3 POLY 045 JupiterHorns 2 POLY 046 3 Osc Brass 3 POLY 047 FatSynBrass 4 POLY 048 T8 Brass 3 POLY 049 True ANALOG 3 POLY 050 Triumph Brs 3 POLY 051 P5 Polymod 2 POLY 052 Solo SoprSax 1 MONO 053 Ambient Sax 4 MONO 054 Solo AltoSax 2 MONO 055 XV DynoTenor 3 POLY 056 Honker Bari 2 POLY 057 Swingin'Bari 3 POLY 058 Full Saxz 7 POLY 059 LA Sax's 4 POLY 060 Soaring Saws 6 MONO 061 Square Roots 2 MONO 062 BOG 3 MONO 063 Saw Grits 1 MONO 064 Talking Box 3 MONO

No. Name Voice Key Assign

065 Retro Lead 2 MONO 066 LivingInSync 2 MONO 067 Leads United 4 MONO 068 Dirty Sync 2 MONO 069 DistortaSync 1 MONO 070 Blistering 2 MONO 071 Guttural 8 MONO 072 Powersoaker 4 MONO 073 Mean Thing 2 MONO 074 Jet Sync 2 MONO 075 Edye Boost 2 MONO 076 JD Multi Ld 1 MONO 077 Enchanted XV 3 MONO 078 Mini Lead 4 MONO 079 Flyin' High 3 MONO 080 Soft Tooth 2 MONO 081 Soaring Sqr 4 MONO 082 Soaring Sync 4 MONO 083 Nasal Spray 2 MONO 084 Lamb Lead 2 MONO 085 Creamer 2 MONO 086 Sine System 4 MONO 087 WhistlinAtom 2 POLY 088 Pure Pipe 2 POLY 089 You and Luck 2 MONO 090 LegatoJupitr 1 MONO 091 Atlantis 5 POLY 092 Jet Voxs 3 POLY 093 Dirty Hit 4 POLY 094 MOVE! 6 MONO 095 Reel Slam 4 POLY 096 OffTheRecord 4 POLY 097 Hit Bitz 4 POLY 098 80s LoFi Hit 4 POLY 099 Impact 4 POLY 100 Backspinner 5 POLY 101 Auto Chord 4 POLY 102 3rdTeenChord 4 POLY 103 Bend a Chord 4 POLY 104 DiscreteChrd 4 POLY 105 2ndRateChord 4 MONO 106 House Chord 4 MONO 107 MinorIncidnt 4 MONO 108 GenderBender 4 MONO 109 AM 05:59 4 MONO 110 Chordbender 4 POLY 111 Phunky DC 2 MONO 112 RageInYouth 3 POLY 113 Agent X 7 POLY 114 Winky 8 POLY 115 Looney 2nz 8 POLY 116 Shortrave 2 POLY 117 DeeperBeeper 2 MONO 118 Sequalog 4 POLY 119 Dance Zipper 4 MONO 120 Technogrunge 3 POLY 121 Percolator 4 POLY 122 Civilization 3 POLY 123 Filter Morph 4 POLY 124 Choir Bounce 4 POLY 125 Ambi Voices 8 POLY 126 Say Yeah ! 2 POLY 127 Vocovox Wave 1 MONO 128 Xcuse me 2 POLY

Voice: number of voice

4

PR-D (Preset D Group) PR-E (Preset E Group)

No. Name Voice Key Assign

001 Froggy Bass 1 MONO 002 5ths in 4ths 4 POLY 003 Pretty Ugly 2 POLY 004 Con Sequence 2 POLY 005 BermudaShort 2 POLY 006 Saw n' 202 2 POLY 007 Technoheadz 4 POLY 008 Boss'd Synth 4 MONO 009 Cross Fire 2 POLY 010 Techno Cave 2 MONO 011 Generator 4 MONO 012 Xtremities 4 MONO 013 Auto TB-303 3 MONO 014 Happy Brass 8 POLY 015 Tape Orch 4 POLY 016 Tekno Pizz 1 POLY 017 Analog Seq 3 POLY 018 Booster Bips 2 POLY 019 Keep :-) 2 POLY 020 Dist TB-303 2 MONO 021 B'on d'moov! 3 POLY 022 Rippling 1 POLY 023 SteppingPhsr 3 POLY 024 Trance Fair 8 MONO 025 TechnoSurf 1 2 POLY 026 TechnoSurf 2 2 POLY 027 GermanBounce 4 POLY 028 TMT Scanner 4 POLY 029 Complex Echo 1 POLY 030 Double Helix 4 POLY 031 Acid JaZZ 5 MONO 032 Cutter>ModWh 2 POLY 033 Blades 4 POLY 034 Mad Bender 6 POLY 035 Mood Ringz 4 POLY 036 Wedo-Wodo 4 POLY 037 S.O.S.trings 4 POLY 038 Syncronicity 4 POLY 039 Groovedigger 4 POLY 040 Alternative 2 MONO 041 Raggatronic 4 POLY 042 Flying Waltz 4 POLY 043 DanceMachina 4 MONO 044 Vox Chopper 4 POLY 045 SlicingSyVox 2 POLY 046 Slice Girlz 4 POLY 047 Voice Stream 4 POLY 048 Vortex 4 POLY 049 man@work 4 MONO 050 PressureDome 4 POLY 051 Quasar /Aft 4 POLY 052 Ionizer 4 POLY 053 Cyber Dreams 3 POLY 054 Strobe Mode 4 POLY 055 Aftertouchin 4 POLY 056 Rhythm Sync 1 POLY 057 MilleniumStr 6 POLY 058 Bounce Baby! 1 POLY 059 Bounce Daddy 2 POLY 060 Bounce Mama! 3 POLY 061 Bounce Noize 2 POLY 062 Auto Riff 2 POLY 063 What a Gate! 7 MONO 064 Mini Sequenz 4 POLY

No. Name Voice Key Assign

065 Slice & Dice 4 POLY 066 BrushingSaw1 8 POLY 067 BrushingSaw2 8 POLY 068 Throbulax 2 POLY 069 Cultivate 5 POLY 070 Soff Machine 4 POLY 071 CrystalGlass 1 POLY 072 RiversOfTime 4 POLY 073 Glistening 4 POLY 074 Shadows 5 POLY 075 Shapeshifter 4 POLY 076 Moon Rise 8 POLY 077 Atmospherics 4 POLY 078 Runaway Rez 2 POLY 079 Dropplets 4 POLY 080 Indian Guru 4 POLY 081 Cosmic Rain 1 POLY 082 Trying Winds 3 POLY 083 Space Whiz 2 POLY 084 ForestMoon 8 POLY 085 Predator 2 8 POLY 086 Dark Side 8 POLY 087 The Beast 6 POLY 088 X-mod Reso 1 POLY 089 Planet Meta 7 POLY 090 Nexus 8 POLY 091 Halographix 2 POLY 092 Windy Dunes 4 POLY 093 Ice Blasts 4 POLY 094 Ringy Thingy 8 MONO 095 DigitalDrone 2 POLY 096 Space Race 1 POLY 097 Bowed Bell 2 POLY 098 X-Tension 2 POLY 099 DUB!!! 4 POLY 100 Dream Diver 6 POLY 101 Flashback 4 POLY 102 St.LoFiNoise 2 POLY 103 BPFsweep Mod 3 POLY 104 Hydrogen 4 POLY 105 Queen V 6 POLY 106 SkinnyBounce 2 POLY 107 SquareBounce 3 POLY 108 Galactic 8 POLY 109 Powerwiggle 3 POLY 110 80s Retrosyn 2 POLY 111 Power Stack 3 POLY 112 Cheepy Synth 2 POLY 113 Don't Jump 8 POLY 114 Big Bubbles 3 POLY 115 X-mod Sweep 1 POLY 116 PhaseBlipper 2 POLY 117 Glider 2 POLY 118 Bag O' Bones 6 POLY 119 Funky Tube 1 POLY 120 AirSoThin 2 POLY 121 Poly Saws 4 POLY 122 Analogical 4 POLY 123 Waspy Pulse 2 POLY 124 Digi Phased 4 POLY 125 Sweep Clav 3 POLY 126 Synth Ethics 4 POLY 127 Harm is Fine 3 POLY 128 D-2000 4 POLY

No. Name Voice Key Assign

001 Ackward East 4 POLY 002 Promonade 3 POLY 003 Ray Tracer 2 POLY 004 Soaring Hrns 6 POLY 005 SoaringHrns2 7 POLY 006 Vintage Orch 4 POLY 007 Glass Orbit 3 POLY 008 Down2Earth 7 POLY 009 5th Atm /Aft 2 POLY 010 Mod DirtyWav 3 POLY 011 Lo-fiBellPad 4 POLY 012 Apophis 4 POLY 013 Lo-fi Sweep 2 POLY 014 Modular Life 4 POLY 015 Oscillations 4 POLY 016 Vintage Pad 2 POLY 017 Combing 2 POLY 018 Dream 2001 3 POLY 019 Rolling 5ths 4 POLY 020 Analogue Str 4 POLY 021 Lunar Strngs 4 POLY 022 5080 Random 4 POLY 023 XV Stepping 5 POLY 024 India Garden 6 POLY 025 FloatingVox 3 POLY 026 Heirborne 4 POLY 027 Wine Drops 4 POLY 028 Belly Pad 3 POLY 029 Spectre 4 POLY 030 Rainy Day 5 POLY 031 Morph Pad 8 POLY 032 Nanolog Pad 4 POLY 033 Air Pad 3 POLY 034 Sabbath Day 4 POLY 035 XV BlowPad 4 POLY 036 Soft Padding 2 POLY 037 Warmth Pad 2 POLY 038 Warmth 3 POLY 039 Silky Way 2 POLY 040 Soundtraque 2 POLY 041 Spread Pad 2 POLY 042 ClassicJPpad 2 POLY 043 Jupiter Str 2 POLY 044 Fat Pad 4 POLY 045 Cloud 9 5 POLY 046 OvertoneScan 4 POLY 047 GR700 Pad 3 POLY 048 GlobalWarmup 4 POLY 049 White Arcade 3 POLY 050 SquareDreams 4 POLY 051 Pulse Pad 4 POLY 052 JP-8Haunting 4 POLY 053 Paradise 3 POLY 054 Translucence 4 POLY 055 D'light 2 POLY 056 2.2 Strings 5 POLY 057 Moonchimes 3 POLY 058 SusPed Swap 4 POLY 059 Dimensional 2 POLY 060 E-Motion Pad 4 POLY 061 Octapad 3 POLY 062 Gluey Pad 3 POLY 063 Borealis 4 POLY 064 PhasingPad 2 POLY

Patch List

No. Name Voice Key Assign

065 Ethereal Str 4 POLY 066 Darkshine 4 POLY 067 Velcropad 4 POLY 068 NothrnLights 4 POLY 069 Sun Dive 7 POLY 070 Traffic Pad 4 POLY 071 Aliastrings 4 POLY 072 On The Air 4 POLY 073 Brite Vox 1 4 POLY 074 Brite Vox 2 4 POLY 075 Longing... 3 POLY 076 Ooh)Aah Mod 4 POLY 077 Vocals: Ooh 4 POLY 078 Vocals: Scat 6 POLY 079 Vocals: Boys 6 POLY 080 St. Choir 4 POLY 081 SampleThe80s 2 POLY 082 Sacred Tree 2 POLY 083 VP330 OctEko 2 POLY 084 Whisper Vox 4 POLY 085 Dark Vox 2 POLY 086 Spaced Voxx 4 POLY 087 R-mod Vox 2 POLY 088 Etheraaahl 2 POLY 089 Andreas Cave 4 POLY 090 AmbiPizza 5 POLY 091 Voxy Nylon 3 POLY 092 EastrnEurope 3 POLY 093 Far Eastern 2 POLY 094 Pilgrimage 4 POLY 095 Celtic Harp 2 POLY 096 Harp On It 3 POLY 097 VelHarp)Harm 3 POLY 098 Reso Sitar 2 POLY 099 The Ganges 3 POLY 100 Sitar 4 POLY 101 Dulcimer 2 POLY 102 Dulcitar 4 POLY 103 MountainFolk 2 POLY 104 Byzantine 4 POLY 105 AsiaPlectrum 8 POLY 106 Pluckaphone 4 POLY 107 Taj Mahal 2 POLY 108 Sheep Dream 4 MONO 109 Cairo lead 3 POLY 110 Lochscapes 2 POLY 111 Celtic Song 4 POLY 112 Blown Str. 2 POLY 113 Brass Tubes 4 POLY 114 Dreams East 3 POLY 115 Synergistic 2 POLY 116 Slap Timps 4 POLY 117 Rain Forest 4 POLY 118 Upwind Glata 4 POLY 119 Aftermath 4 POLY 120 Tape Q 4 POLY 121 Open End 2 POLY 122 TempoMadness 4 POLY 123 Gruvacious 5 POLY 124 Thor's Drums 4 POLY 125 Suite Combo 6 POLY 126 Lounge Gig 4 POLY 127 Wedding Gig 4 POLY 128 GenerationXV 4 POLY

Voice: number of voice

5

Patch List

GM (GM2 Group)

No. Name Voice LSB PC

001 Piano 1 4 0 1 002 Piano 1w 2 1 003 European Pf 1 2 004 Piano 2 4 0 2 005 Piano 2w 1 1 006 Piano 3 1 0 3 007 Piano 3w 1 1 008 Honky-tonk 2 0 4 009 Honky-tonk 2 2 1 010 E.Piano 1 2 0 5 011 St.Soft EP 2 1 012 FM+SA EP 2 2 013 Wurly 2 3 014 E.Piano 2 2 0 6 015 Detuned EP 2 2 1 016 St.FM EP 2 2 017 EP Legend 2 3 018 EP Phase 2 4 019 Harpsichord 1 0 7 020 Coupled Hps. 2 1 021 Harpsi.w 1 2 022 Harpsi.o 2 3 023 Clav. 1 0 8 024 Pulse Clav 1 1 025 Celesta 1 0 9 026 Glockenspiel 1 0 10 027 Music Box 1 0 11 028 Vibraphone 2 0 12 029 Vibraphone w 2 1 030 Marimba 1 0 13 031 Marimba w 1 1 032 Xylophone 1 0 14 033 Tubular-bell 1 0 15 034 Church Bell 1 1 035 Carillon 1 2 036 Santur 1 0 16 037 Organ 1 2 0 17 038 Trem. Organ 2 1 039 60's Organ 1 1 2 040 70's E.Organ 2 3 041 Organ 2 2 0 18 042 Chorus Or.2 2 1 043 Perc. Organ 2 2 044 Organ 3 2 0 19 045 Church Org.1 1 0 20 046 Church Org.2 2 1 047 Church Org.3 2 2 048 Reed Organ 1 0 21 049 Puff Organ 2 1 050 Accordion Fr 2 0 22 051 Accordion It 2 1 052 Harmonica 1 0 23 053 Bandoneon 2 0 24 054 Nylon-str.Gt 1 0 25 055 Ukulele 1 1 056 Nylon Gt.o 2 2 057 Nylon Gt.2 2 3 058 Steel-str.Gt 1 0 26 059 12-str.Gt 2 1 060 Mandolin 2 2 061 Steel + Body 2 3 062 Jazz Gt. 1 0 27 063 Pedal Steel 1 1 064 Clean Gt. 1 0 28

No. Name Voice LSB PC

065 Chorus Gt. 2 1 066 Mid Tone GTR 1 2 067 Muted Gt. 1 0 29 068 Funk Pop 1 1 069 Funk Gt.2 2 2 070 Jazz Man 2 3 071 Overdrive Gt 2 0 30 072 Guitar Pinch 2 1 073 DistortionGt 2 0 31 074 Feedback Gt. 2 1 075 Dist Rtm GTR 2 2 076 Gt.Harmonics 1 0 32 077 Gt. Feedback 1 1 078 Acoustic Bs. 1 0 33 079 Fingered Bs. 1 0 34 080 Finger Slap 2 1 081 Picked Bass 1 0 35 082 Fretless Bs. 1 0 36 083 Slap Bass 1 1 0 37 084 Slap Bass 2 2 0 38 085 Synth Bass 1 1 0 39 086 SynthBass101 1 1 087 Acid Bass 1 2 088 Clavi Bass 2 3 089 Hammer 2 4 090 Synth Bass 2 2 0 40 091 Beef FM Bass 2 1 092 RubberBass 2 2 2 093 Attack Pulse 1 3 094 Violin 1 0 41 095 Slow Violin 1 1 096 Viola 1 0 42 097 Cello 1 0 43 098 Contrabass 1 0 44 099 Tremolo Str 1 0 45 100 PizzicatoStr 1 0 46 101 Harp 1 0 47 102 Yang Qin 2 1 103 Timpani 1 0 48 104 Strings 2 0 49 105 Orchestra 3 1 106 60s Strings 2 2 107 Slow Strings 1 0 50 108 Syn.Strings1 2 0 51 109 Syn.Strings3 2 1 110 Syn.Strings2 2 0 52 111 Choir Aahs 2 0 53 112 Chorus Aahs 2 1 113 Voice Oohs 1 0 54 114 Humming 2 1 115 SynVox 1 0 55 116 Analog Voice 1 1 117 OrchestraHit 2 0 56 118 Bass Hit 2 1 119 6th Hit 2 2 120 Euro Hit 2 3 121 Trumpet 1 0 57 122 Dark Trumpet 1 1 123 Trombone 1 0 58 124 Trombone 2 1 1 125 Bright Tb 1 2 126 Tuba 1 0 59 127 MutedTrumpet 1 0 60 128 MuteTrumpet2 1 1

Voice: number of voice LSB: Bank Select LSB, MSB is all 121 PC: Program Change Number Key Assign: all POLY

No. Name Voice LSB PC

129 French Horns 2 0 61 130 Fr.Horn 2 2 1 131 Brass 1 3 0 62 132 Brass 2 2 1 133 Synth Brass1 2 0 63 134 Pro Brass 2 1 135 Oct SynBrass 2 2 136 Jump Brass 3 3 137 Synth Brass2 2 0 64 138 SynBrass sfz 2 1 139 Velo Brass 1 2 2 140 Soprano Sax 1 0 65 141 Alto Sax 1 0 66 142 Tenor Sax 2 0 67 143 Baritone Sax 1 0 68 144 Oboe 2 0 69 145 English Horn 1 0 70 146 Bassoon 1 0 71 147 Clarinet 1 0 72 148 Piccolo 1 0 73 149 Flute 1 0 74 150 Recorder 1 0 75 151 Pan Flute 1 0 76 152 Bottle Blow 2 0 77 153 Shakuhachi 2 0 78 154 Whistle 1 0 79 155 Ocarina 2 0 80 156 Square Wave 2 0 81 157 MG Square 1 1 158 2600 Sine 1 2 159 Saw Wave 2 0 82 160 OB2 Saw 1 1 161 Doctor Solo 2 2 162 Natural Lead 2 3 163 SequencedSaw 2 4 164 Syn.Calliope 2 0 83 165 Chiffer Lead 2 0 84 166 Charang 2 0 85 167 Wire Lead 2 1 168 Solo Vox 2 0 86 169 5th Saw Wave 2 0 87 170 Bass & Lead 2 0 88 171 Delayed Lead 2 1 172 Fantasia 2 0 89 173 Warm Pad 1 0 90 174 Sine Pad 2 1 175 Polysynth 2 0 91 176 Space Voice 2 0 92 177 Itopia 2 1 178 Bowed Glass 3 0 93 179 Metal Pad 3 0 94 180 Halo Pad 2 0 95 181 Sweep Pad 1 0 96 182 Ice Rain 2 0 97 183 Soundtrack 2 0 98 184 Crystal 2 0 99 185 Syn Mallet 1 1 186 Atmosphere 2 0 100 187 Brightness 2 0 101 188 Goblin 2 0 102 189 Echo Drops 1 0 103 190 Echo Bell 2 1 191 Echo Pan 2 2 192 Star Theme 2 0 104

No. Name Voice LSB PC

193 Sitar 1 0 105 194 Sitar 2 2 1 195 Banjo 1 0 106 196 Shamisen 1 0 107 197 Koto 2 0 108 198 Taisho Koto 1 1 199 Kalimba 1 0 109 200 Bagpipe 2 0 110 201 Fiddle 1 0 111 202 Shanai 1 0 112 203 Tinkle Bell 3 0 113 204 Agogo 1 0 114 205 Steel Drums 1 0 115 206 Woodblock 1 0 116 207 Castanets 1 1 208 Taiko 3 0 117 209 Concert BD 2 1 210 Melo. Tom 1 1 0 118 211 Melo. Tom 2 1 1 212 Synth Drum 2 0 119 213 808 Tom 2 1 214 Elec Perc 1 2 215 Reverse Cym. 1 0 120 216 Gt.FretNoise 1 0 121 217 Gt.Cut Noise 1 1 218 String Slap 1 2 219 Breath Noise 1 0 122 220 Fl.Key Click 1 1 221 Seashore 1 0 123 222 Rain 1 1 223 Thunder 1 2 224 Wind 1 3 225 Stream 2 4 226 Bubble 2 5 227 Bird 2 0 124 228 Dog 1 1 229 Horse-Gallop 1 2 230 Bird 2 1 3 231 Telephone 1 1 0 125 232 Telephone 2 1 1 233 DoorCreaking 1 2 234 Door 1 3 235 Scratch 2 4 236 Wind Chimes 2 5 237 Helicopter 2 0 126 238 Car-Engine 1 1 239 Car-Stop 1 2 240 Car-Pass 1 3 241 Car-Crash 2 4 242 Siren 1 5 243 Train 1 6 244 Jetplane 2 7 245 Starship 2 8 246 Burst Noise 2 9 247 Applause 2 0 127 248 Laughing 1 1 249 Screaming 1 2 250 Punch 1 3 251 Heart Beat 1 4 252 Footsteps 1 5 253 Gun Shot 1 0 128 254 Machine Gun 1 1 255 Lasergun 1 2 256 Explosion 2 3

6

Rhythm Set List

C2

C3

C4

C5

C6

C7

Note No.

28 29

30

31

32

33

34

35 36

37

38

39

40 41

42

43

44

45

46

47 48

49

50

51

52 53

54

55

56

57

58

59 60

61

62

63

64 65

66

67

68

69

70

71 72

73

74

75

76 77

78

79

80

81

82

83 84

85

86

87

88 89

90

91

92

93

94

95 96

97

98

99

100 101

102

103

PRST (Preset Group)

001 R&B Kit 1

Dance Kick Dry Kick R&B1 SN Roll Hybrid Kick R&B1 SN Ghst Round Kick R&B 1 PdHH R&B 1 Kick 2 R&B 1 Kick 1 R&B 1 Stick R&B 1 SN 1 Snare Ghost R&B 1 SN 2 R&B 1 Tom L R&B 1 ClHH 1 Rock Flm L R&B 1 ClHH 2 R&B 1 Tom M R&B 1 OpHH Rock Flm M R&B 1 Tom H R&B 1 CrCym1 Rock Flm H Rock RdCym1 R&B 1 CrCym2 Rock RdCym2 Tambourine 1 Rock CrCym2 Cowbell Lo Crash 1 Cowbell Hi Ride Bell Bongo Hi Bongo Lo Cga Mute Hi Cga Open Hi Cga Open Lo Timbale Hi Timbale Lo R&B 1 AgBel1 R&B 1 AgBel2 R&B 1 AgBel3 Maracas 606 Cl HiHat 606 Cl HiHat 606 Op HiHat Long Guiro Claves Wood BlockHi Wood BlockLo R&B 1 Pizz R&B 1 Gmlan1 R&B 1 Gmlan2 R&B 1 BtlHit R&B 1 ThrilL R&B 1 ThrilH 808 SN R&B 1 WdBlk R&B 1 CgSlap Dry Tom L Lite Kick Hybrid Kick2 Old Kick Pop Voice Wind Agogo R&B 1 OpHH Anklungs R&B 1 OpHH Metronome 2 R8 Click Metronome 1 R&B 1 HClaps R&B 1 CrCym1 Rock RdCym2 Tambourine 1 Rock CrCym2

002 R&B Kit 2

Dance Kick Dry Kick R&B2 SN Roll R&B 2 909Kik R&B2 SN Ghst R&B 2 909Kik R&B 2 PdHH R&B 2 Kick Dance Kick R&B 2 Stick R&B SN 1 R&B SN 2 R&B SN 3 R&B 2 Tom L R&B 2 ClHH 1 808 Tom L R&B 2 ClHH 2 R&B 2 Tom M R&B 2 OpHH 808 Tom M R&B 2 Tom H R&B 2 CrCym 808 Tom H R&B 2 RdCym R&B 2 China Ride Bell Tambourine 1 R&B 2 Prc Cowbell R&B 2 CrCym2 Vibraslap R&B 2 RdCym Bongo Hi Bongo Lo Cga Mute Hi Cga Open Hi Cga Open Lo Timbale Hi Timbale Lo R&B 2 AgBel1 R&B 2 AgBel2 R&B 2 AgBel3 Maracas 606 Cl HiHat 606 Cl HiHat 606 Op HiHat Long Guiro Claves Wood BlockHi Wood BlockLO R&B 2 Pizz R&B 2 Gmlan1 R&B 2 Gmlan2 R&B 2 BtlHit R&B 2 ThrilL R&B 2 ThrilH 808 SN 1 808 SN 2 808 SN 3 R&B 2 HClaps R&B 2 VBreth Scratch 3 Tin Wave R&B 2 CrCym3 R&B 2 RdBell REV Tin Wave DIGI Bell 1 Metal Wind Applause R8 Click Metronome 1 R&B 1 HClaps Cowbell Ride Bell Tambourine 1 R&B 2 CrCym

003 House Kit

House Kick 6 House Kick 5 House ClHH 3 House Kick 4 Reso Stick House Kick 3 House OpHH 2 House Kick 2 House Kick 1 House Stick House SN 1 House Claps House SN 2 House NzTomL House ClHH 1 808 Tom L House ClHH 2 House NzTomM House OpHH 808 Tom M House NzTomH House CrCym 808 Tom H House FbkCym House SN 3 House FSnaps House ClHH 4 House Cowbel House ClHH 5 House WBlock House OpHH 3 House Claps2 House Cabasa House WCrak House VoxNz House Kick 7 Timp 3 House Bird House Gun House FBell House Rattle House RvOHit House Noize1 House Noize2 House BongoL House BongoH House Tambrn House Heart House CgaSlp House CgMute House Tri House Vibra House FXLoop House Aplase House Chord House OrcHit House Spectr House Train House StrSip House Crunch House Tel2 House Bubble Bird House Gun 2 House Metro House BakHit House TekHit House SNRoll House Loop R8 Click Metronome 1 Hand Claps House Tom2 L House Tom2 M House Rim House Tom2 H

004 Techno Kit

TechnoKick 6 TechnoKick 5 Techno ClHH TechnoKick 4 Techno ClHH TechnoKick 3 Techno ClHH TechnoKick 2 TechnoKick 1 TechnoStick TechnoSN 1 TechnoSNGhst TechnoSN 2 TechnoTom1 L TechnoClHH 1 TechnoTom2 L TechnoClHH 2 TechnoTom1 M TechnoOpHH TechnoTom2 M TechnoTom1 H TechnoCrCym TechnoTom2 H TechnoCym TechnoRvSNRl MC500 Beep TechnoBrSlap TechnoNzStik TechnoClHH6 TechnoSNRoll TechnoRvJzRl TechnoSiren TechnoLoop 3 TechnoLoNz TechnoRdCym TechnoCowbel TechnoTel 1 TechnoTimpni TehcnoClHH 7 TechnoRvOHit TechnoRvTHit TechnoRvBHt1 TechnoRvBHt2 TechnoWBlock TechnoKick 7 TechnoClHH8 TechnoRim 1 TechnoRim 2 TechnoBrRoll TehcnoIcRain TechnoThrill TechnoSN 3 TechnoWCrak TechnoScrach TechnoBNz TechnoSN 4 TechnoPunch TehcnoPlink TechnoRvRoll TechnoOSC TechnoNz 1 TechnoTkHit TechnoBubble TechnoNz 2 TechnoNz 3 TechnoNz 4 TechnoPwChrd TechnoBckHit TechnoNz 5 R8 Click TechnoNz 6 TechnoNz 7 TechnoKick 7 TechnoKick 8 TechnoSN 4 TechnoClHH 9

005 XV Pop Kit

Dance Kick Dry Kick Rock Roll Hybrid Kick Snare Ghost Round Kick Rock PdHH Hybrid Kick2 Old Kick Side Stick Wet SN Snare Ghost AmbientSN Maple Tom L Rock ClHH 1 Rock Flm L Rock ClHH 2 Maple Tom M Rock OpHH Rock Flm M Maple Tom H Crash Cymbal Rock Flm H Rock RdCym1 Crash 1 Rock RdCym2 Tambourine 2 Rock CrCym2 Cowbell Lo Crash 1 Cowbell Hi Ride Bell Cga Mute Hi Cga Mute Lo Cga Slap Cga Open Hi Cga Open Lo Timbale Hi Timbale Lo AgogoBellsHi AgogoBellsLo Cabasa Up Maracas ShortWhistle Long Whistle Short Guiro Long Guiro Claves WoodBlock Hi WoodBlock Lo Mute Cuica Open Cuica Mute Triangl Open Triangl Cabasa Cut Spectrum Wind Chimes Wood Block Mute Surdo Open Surdo Lite Kick Hybrid Kick2 Old Kick Pop Voice Wind Agogo Op HiHat 2 Anklungs Op HiHat 2 Metronome 2 R8 Click Metronome 1 Hand Claps Rock CrCym2 Rock RdCym2 Cowbell Lo Crash 1

006 Pop Kit 2

Dance Kick Dry Kick Rock Roll Hybrid Kick Snare Ghost Round Kick Pop 2 PdHH 70s RocKick Pop 2 Kick Side Stick 70s Pic SN Pop2 SNGst 3v Dry SN Pop 2 Tom L Pop 2 ClHH1 Rock Flm L Pop 2 ClHH2 Pop 2 Tom M Pop 2 OpHH Rock Flm M Pop 2 Tom H Pop 2 CrCym Rock Flm H Rock RdCym1 Crash 1 Rock RdCym2 Tambourine 2 Pop 2 China Cowbell Lo Crash 1 Cowbell Hi Ride Bell Cga Mute Hi Cga Mute Lo Cga Slap Cga Open Hi Cga Open Lo Timbale Hi Timbale Lo AgogoBellsHi AgogoBellsLo Cabasa Up Maracas ShortWhistle Long Whistle Short Guiro Long Guiro Claves WoodBlock Hi WoodBlock Lo Mute Cuica Open Cuica Mute Triangl Open Triangl Cabasa Cut Spectrum Wind Chimes Wood Block Mute Surdo Open Surdo Lite Kick Hybrid Kick2 Old Kick Pop Voice Wind Agogo Op HiHat 2 Anklungs Op HiHat 2 Metronome 2 R8 Click Metronome 1 Hand Claps Pop 2 CrCym Rock RdCym2 Cowbell Lo Crash 1

7

Rhythm Set List

C2

C3

C4

C5

C6

C7

Note No.

28 29

30

31

32

33

34

35 36

37

38

39

40 41

42

43

44

45

46

47 48

49

50

51

52 53

54

55

56

57

58

59 60

61

62

63

64 65

66

67

68

69

70

71 72

73

74

75

76 77

78

79

80

81

82

83 84

85

86

87

88 89

90

91

92

93

94

95 96

97

98

99

100 101

102

103

PRST (Preset Group)

007 XV Rock Kit

Dance Kick Round Kick Rock Roll Jazz Kick Rock Gst Verb Kick Rock PdHH Maple Kick Rock Kick RockStick Rock SN 1 Rock Gst Rock SN 2 Rock Tom L Rock ClHH 1 Rock Flm L Rock ClHH 2 Rock Tom M Rock OpHH Rock Flm M Rock Tom H Rock CrCym1 Rock Flm H Rock RdCym1 Rock China Rock RdCym2 Tambourine 2 Rock CrCym2 Cowbell Lo Crash 1 Cowbell Hi Ride Bell Cga Mute Hi Cga Mute Lo Cga Slap Cga Open Hi Cga Open Lo Timbale Hi Timbale Lo AgogoBellsHi AgogoBellsLo Cabasa Up Maracas ShortWhistle Long Whistle Short Guiro Long Guiro Claves WoodBlock Hi WoodBlock Lo Mute Cuica Open Cuica Mute Triangl Open Triangl Cabasa Cut Spectrum Wind Chimes Wood Block Mute Surdo Open Surdo Lite Kick Hybrid Kick2 Old Kick Pop Voice Wind Agogo Op HiHat 2 Anklungs Op HiHat 2 Metronome 2 R8 Click Metronome 1 Hand Claps Rock CrCym1 Rock China Rock RdCym2 Crash 1

008 Rock Kit 2

Dance Kick Dry Kick Rock Roll Hybrid Kick Snare Ghost Round Kick Rock 2 PdHH Rock 2 Kick PunchKick WoodyStick Rock 2 SN 1 Rock Gst Rock 2 SN 2 Rock 2 Tom L Rock 2 ClHH1 Rock 2 Flm L Rock 2 ClHH2 Rock 2 Tom M Rock 2 OpHH Rock 2 Flm M Rock 2 Tom H Rock 2 CrCym Rock 2 Flm H Rock RdCym1 Crash 1 Bell Ride Tambourine 1 Rock 2 CrCy2 Cowbell Lo Crash 1 Cowbell Hi Ride Bell Cga Mute Hi Cga Mute Lo Cga Slap Cga Open Hi Cga Open Lo Timbale Hi Timbale Lo AgogoBellsHi AgogoBellsLo Cabasa Up Maracas ShortWhistle Long Whistle Short Guiro Long Guiro Claves WoodBlock Hi WoodBlock Lo Mute Cuica Open Cuica Mute Triangl Open Triangl Cabasa Cut Spectrum Wind Chimes Wood Block Mute Surdo Open Surdo Lite Kick Hybrid Kick2 Old Kick Pop Voice Wind Agogo Op HiHat 2 Anklungs Op HiHat 2 Metronome 2 R8 Click Metronome 1 Hand Claps Rock 2 CrCym Crash 1 Bell Ride Crash 1

009 XV Jazz Kit

JazzDry Kick Pillow Kick Jazz Swish Hybrid Kick2 Snare Ghost MplLmtr Kick Jazz PdHH JazzDry Kick Jazz Kick Dry Stick 2 Jazz SN 1 Snare Ghost Jazz SN 2 Jazz Tom L Jazz ClHH1 Jazz Flm L Jazz ClHH2 Jazz Tom M Jazz OpHH Jazz Flm M Jazz Tom H Jazz CrCym Jazz Flm H Jazz RdCym Rock RdCym1 Rock RdCym2 Tambourine 1 Crash 1 Cowbell Lo Crash 2 Cowbell Hi Ride Bell Cga Mute Hi Cga Mute Lo Cga Slap Cga Open Hi Cga Open Lo Timbale Hi Timbale Lo AgogoBellsHi AgogoBellsLo Cabasa Up Maracas ShortWhistle Long Whistle Short Guiro Long Guiro Claves WoodBlock Hi WoodBlock Lo Mute Cuica Open Cuica Mute Triangl Open Triangl Cabasa Cut Spectrum Wind Chimes Wood Block Mute Surdo Open Surdo Lite Kick Hybrid Kick2 Old Kick Pop Voice Wind Agogo Op HiHat 2 Anklungs Op HiHat 2 Metronome 2 R8 Click Metronome 1 Hand Claps Crash 2 Jazz CrCym Rock RdCym1 Crash 1

010 Jazz Kit 2

JazzDry Kick Pillow Kick Jazz Swish Hybrid Kick2 Snare Ghost MplLmtr Kick Jazz PdHH JazzDry Kick Jazz 2 Kick SideStick Jz SN w/Ghst Jazz SN Ghst Jz SN w/Rim Jazz 2 Tom L Jazz Pedel Jazz 2 Flm L Jazz 2 ClHH Jazz 2 Tom M Jazz 2 OpHH Jazz 2 Flm M Jazz 2 Tom H Jazz 2 CrCym Jazz 2 Flm H Jazz 2 RdCym Rock RdCym1 Rock RdCym2 Tambourine 1 Crash 1 Cowbell Lo Crash 2 Cowbell Hi Ride Bell Cga Mute Hi Cga Mute Lo Cga Slap Cga Open Hi Cga Open Lo Timbale Hi Timbale Lo AgogoBellsHi AgogoBellsLo Cabasa Up Maracas ShortWhistle Long Whistle Short Guiro Long Guiro Claves WoodBlock Hi WoodBlock Lo Mute Cuica Open Cuica Mute Triangl Open Triangl Cabasa Cut Spectrum Wind Chimes Wood Block Mute Surdo Open Surdo Lite Kick Hybrid Kick2 Old Kick Pop Voice Wind Agogo Op HiHat 2 Anklungs Op HiHat 2 Metronome 2 R8 Click Metronome 1 Hand Claps Jazz 2 CrCym Crash 2 Rock RdCym2 Crash 1

011 XV Bully Kit

Bully 808K Bully Kick 3 Bully Roll Bully Kick 2 Bully BrSlap Bully Kick 1 Bully PdHH Bully 909K1 Bully 909K2 Bully Stick Bully 909SN Bully 808Clp Bully 808SN Bully Tom L2 Bully ClHH 1 Bully Tom L1 Bully ClHH 2 Bully Tom M Bully OpHH Bully Tom M Bully Tom H Crash Bully Tom H Ride China Cym Ride Bell Tambourine Crash Cowbell 1 Nz Cymbal Cowbell 2 Rock RdCym LoFi Cga MtH LoFi Cga MtL LoFi Cga Slp LoFi Cga OpH LoFi Cga OpL Timbale Hi Timbale Lo AgogoBell Hi AgogoBell Lo Cabasa Up Maracas Noise Stop Noise Open Rattles Stop Rattles Claves StrikePole GtrBody Hit LoFi Cuica 1 LoFi Cuica 2 Mute Triangl Open Triangl Cabasa Cut Spectrum Wind Chimes Steps GtrString Nz BreathNoise REV 909 Kick REV 909 Snr Pitch Wind Oohs Chord L Metal Wind 909 Op HiHat SlowAnklungs Block Metronome 2 R8 Click Metronome 1 Hand Claps Noise Open GtrString Nz BreathNoise Crash

012 Bully Kit 2

Bully2 Kick4 Bully2 Kick3 Bully2 Roll Bully2 Kick2 Bully2BrSlap Bully2 Kick1 Bully2 PdHH Bully2 909K1 Bully2 909K2 Bully2 Stick Bully2 909SN Bully2808Clp Bully2 808SN Bully2 TomL2 Bully2 ClHH1 Bully2 TomL1 Bully2 ClHH2 Bully2 Tom M Bully2 OpHH Bully2 Tom M Bully2 Tom H Crash Bully2 Tom H Ride China Cym Ride Bell Tambourine Crash Cowbell 1 Nz Cymbal Cowbell 2 Rock RdCym LoFi Cga MtH LoFi Cga MtL LoFi Cga Slp LoFi Cga OpH LoFi Cga OpL Timbale Hi Timbale Lo AgogoBell Hi AgogoBell Lo Cabasa Up Maracas Noise Stop Noise Open Rattles Stop Rattles Claves StrikePole GtrBody Hit LoFi Cuica 1 LoFi Cuica 2 Mute Triangl Open Triangl Cabasa Cut Spectrum Wind Chimes Steps GtrString Nz BreathNoise REV 909 Kick REV 909 Snr Pitch Wind Oohs Chord L Metal Wind 909 Op HiHat SlowAnklungs Block Metronome 2 R8 Click Metronome 1 Hand Claps Crash Ride Bell Tambourine Crash

8

Rhythm Set List

C2

C3

C4

C5

C6

C7

Note No.

28 29

30

31

32

33

34

35 36

37

38

39

40 41

42

43

44

45

46

47 48

49

50

51

52 53

54

55

56

57

58

59 60

61

62

63

64 65

66

67

68

69

70

71 72

73

74

75

76 77

78

79

80

81

82

83 84

85

86

87

88 89

90

91

92

93

94

95 96

97

98

99

100 101

102

103

PRST (Preset Group)

013 XV Rust Kit

70s Kick 2 Old Kick Rock Roll 909 Kick 2 Rock Gst 909 Kick 1 Rock PdHH 808Kick long Dance Kick 1 RockStick Old Fill SN Rock Gst Rock SN Elec.Tom L2 Rock ClHH1 Elec.Tom L1 Rock ClHH2 Elec.Tom M Rock OpHH Elec.Tom M Elec.Tom H Rock CrCym1 Elec.Tom H Rock RdCym1 Rock CrCym2 Rock RdCym2 Tambourine 1 Rock Splash Cowbell China Cym Vibraslap 70s Kick 2 70s Kick 1 Dry Stick 70s SN Finger Snaps HumanClapsEQ JD Cowbell 70s Cl HiHat AgogoBells 70s Cl HiHat 909 NZ HiHat 70s Op HiHat Cabasa Up Long Whistle REV RkOpHH f Tambourine 2 REV JzOpHH f Scratch 2 Mute Triangl 909 Cl HiHat Open Triangl 909 Cl HiHat Cabasa 909 Op HiHat Spectrum Maple Kick Woody Stick Maple SN SN Roll Maple Tom 3 909 Kick 1 Old Kick 808Kick Shrt 909 SN 2 909 SN 1 808 SN Dance Kick 2 REV Timp3 R8 Click Metronome 2 808 Claps Rock CrCym2 Rock Splash Rock RdCym2 Rock CrCym1

014 Rust Kit 2

70s Kick 2 Old Kick Rock Gst 909 Kick 2 Rock Gst 909 Kick 1 Vibraslap 808Kick Long Rust 2 Kick1 Dry Stick Old Fill SN 808 Claps 808 SN Elec.Tom L2 Rock ClHH1 Elec.Tom L1 Rock ClHH2 Elec.Tom M Rock OpHH Elec.Tom M Elec.Tom H Rock CrCym1 Elec.Tom H Rock RdCym1 Rock CrCym2 Rock RdCym2 Tambourine 1 Rock Splash Cowbell China Cym Vibraslap Rust 2 Kick2 Rust 2 Kick3 RockStick Rust 2 SN Finger Snaps Rust 2 Claps JD Cowbell Rock ClHH1 Rust 2 Agogo Rock ClHH1 909 NZ HiHat Rock OpHH Cabasa Up Long Whistle REV RkOpHH f Tambourine 2 REV JzOpHH f Scratch 2 Mute Triangl 909 Cl HiHat Open Triangl 909 Cl HiHat Cabasa 909 Op HiHat Spectrum Maple Kick Woody Stick Maple SN SN Roll Maple Tom 3 909 Kick 1 Old Kick 808Kick Shrt 909 SN 2 909 SN 1 808 SN Dance Kick REV Timp3 R8 Click Metronome 2 808 Claps Spectrum Rock Splash Rock RdCym2 Rock CrCym1

015 XV WayHipKit

WHip 808K WHip DryK WHip Sweep Noisy Kick WHip RimShot WHip HybridK WHip PdHH WHip OldKick WHip 909Kick WHip Stik WHip 70s Snr WHip Clap WHip Snare SciHip Tom L WHip ClHH 1 WHip Tom L WHip ClHH 2 SciHip Tom M WHip Op HH WHip Tom M SciHip Tom H Crash Cymbal WHip Tom H Rock RdCym 1 Rock CrCym 1 Rock RdCym 2 Tambourine Rock CrCym 2 LoFiCowbell1 Crash LoFiCowbell2 Ride Bell WHipCgaMtHi WHipCgaMtLo LoFi Cga Slp LoFi Cga Hi LoFi Cga Lo El.TimbaleHi El.TimbaleLo El.Agogo Hi El.Agogo Lo NoisyCabasa1 Nz Blip Digi Pulse 1 Digi Pulse 2 LoFi Guiro WHip Noise 1 WHip Noise 2 WHip Noise 3 WHip Noise 4 Digi Tamb. 1 Digi Tamb. 2 Mute Triangl Open Triangl NoisyCabasa2 Nz Spectrum LoFi Block Rattle Block Steps WHip Noise 5 WHip Creak WHip Bubble WHip DoorSlm Sci Punch Noise Fall WHip Noise 6 WHip Noise 7 WHip OrgClik Metronome 2 R8 Click Metronome 1 Hand Claps WHip Noise 5 Digi Pulse 1 WHip Noise 4 Nz Spectrum

016 OrchestraKit

Old Kick Round Kick SN Roll Jazz Kick Snare Ghost Verb Kick Pedal HiHat Concert BD 2 Concert BD Side Stick Concert SN Snare Ghost Snare Roll Timpani Timpani Timpani Timpani Timpani Timpani Timpani Timpani Timpani Timpani Timpani Timpani Timpani Tambourine 1 Crash 1 Cowbell Crash 1 Ride 1 Ride 2 Bongo Hi Bongo Lo Cga Mute Hi Cga Open Hi Cga Open Lo Timbale Timbale AgogoBells AgogoBells Cabasa Up Maracas ShortWhistle Long Whistle Short Guiro Long Guiro Claves Wood Block Wood Block Cuica Cuica Mute Triangl Open Triangl Cabasa Cut Spectrum Wind Chimes Wood Block Cga Slap Dry Tom Lo Applause Hybrid Kick2 Cl HiHat 4 Round Kick Pedal HiHat2 Natural SN2 Op HiHat 2 Brush Slap Brush Swish Brush Roll SN Roll Orch Cymbal Cabasa Cut Claves Mute Triangl Open Triangl

9

Rhythm Set List

C2

C3

C4

C5

C6

Note No.

27

28 29

30

31

32

33

34

35 36

37

38

39

40 41

42

43

44

45

46

47 48

49

50

51

52 53

54

55

56

57

58

59 60

61

62

63

64 65

66

67

68

69

70

71 72

73

74

75

76 77

78

79

80

81

82

83 84

85

86

87

88

GM (GM2 Group)

001 (PC: 1) GM2 STANDARD

High-Q Slap ScratchPush ScratchPull Sticks SquareClick Mtrnm.Click Mtrnm. Bell Mix Kick Standard KK1 Side Stick Standard SN1 909 HandClap Elec Snare 3 Real Tom 6 Close HiHat2 Real Tom 6 Pedal HiHat2 Real Tom 4 Open HiHat2 Real Tom 4 Real Tom 1 Crash Cym.1 Real Tom 1 Ride Cymbal ChinaCymbal Ride Bell Tambourine Splash Cym. Cowbell Crash Cym.2 Vibraslap Ride Cymbal Bongo High Bongo Lo Mute H.Conga Conga Hi Opn Conga Lo Opn High Timbale Low Timbale Agogo Agogo Cabasa Maracas ShrtWhistle LongWhistle Short Guiro Long Guiro Claves Woodblock Woodblock Mute Cuica Open Cuica MuteTriangl OpenTriangl Shaker Jingle Bell Bell Tree Castanets Mute Surdo Open Surdo

-----

002 (PC: 9) GM2 ROOM

High-Q Slap ScratchPush ScratchPull Sticks SquareClick Mtrnm.Click Mtrnm. Bell Mix Kick Standard KK1 Side Stick Standard SN1 909 HandClap Elec Snare 3 Room Tom 5 Close HiHat2 Room Tom 5 Pedal HiHat2 Room Tom 2 Open HiHat2 Room Tom 2 Room Tom 2 Crash Cym.1 Room Tom 2 Ride Cymbal ChinaCymbal Ride Bell Tambourine Splash Cym. Cowbell Crash Cym.2 Vibraslap Ride Cymbal Bongo High Bongo Lo Mute H.Conga Conga Hi Opn Conga Lo Opn High Timbale Low Timbale Agogo Agogo Cabasa Maracas ShrtWhistle LongWhistle Short Guiro Long Guiro Claves Woodblock Woodblock Mute Cuica Open Cuica MuteTriangl OpenTriangl Shaker Jingle Bell Bell Tree Castanets Mute Surdo Open Surdo

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003 (PC: 17) GM2 POWER

High-Q Slap ScratchPush ScratchPull Sticks SquareClick Mtrnm.Click Mtrnm. Bell Mix Kick Power Kick1 Side Stick Dance Snare1 909 HandClap Elec Snare 3 Rock Tom 4 Close HiHat2 Rock Tom 4 Pedal HiHat2 Rock Tom 4 Open HiHat2 Rock Tom 4 Rock Tom 1 Crash Cym.1 Rock Tom 1 Ride Cymbal ChinaCymbal Ride Bell Tambourine Splash Cym. Cowbell Crash Cym.2 Vibraslap Ride Cymbal Bongo High Bongo Lo Mute H.Conga Conga Hi Opn Conga Lo Opn High Timbale Low Timbale Agogo Agogo Cabasa Maracas ShrtWhistle LongWhistle Short Guiro Long Guiro Claves Woodblock Woodblock Mute Cuica Open Cuica MuteTriangl OpenTriangl Shaker Jingle Bell Bell Tree Castanets Mute Surdo Open Surdo

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004 (PC: 25) GM2 ELECTRIC

High-Q Slap ScratchPush ScratchPull Sticks SquareClick Mtrnm.Click Mtrnm. Bell Mix Kick Elec Kick 1 Side Stick Elec. Snare 909 HandClap Elec Snare 2 Synth Drum 2 Close HiHat2 Synth Drum 2 Pedal HiHat2 Synth Drum 2 Open HiHat2 Synth Drum 2 Synth Drum 2 Crash Cym.1 Synth Drum 2 Ride Cymbal ReverseCymbl Ride Bell Tambourine Splash Cym. Cowbell Crash Cym.2 Vibraslap Ride Cymbal Bongo High Bongo Lo Mute H.Conga Conga Hi Opn Conga Lo Opn High Timbale Low Timbale Agogo Agogo Cabasa Maracas ShrtWhistle LongWhistle Short Guiro Long Guiro Claves Woodblock Woodblock Mute Cuica Open Cuica MuteTriangl OpenTriangl Shaker Jingle Bell Bell Tree Castanets Mute Surdo Open Surdo

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005 (PC: 26) GM2 ANALOG

High-Q Slap ScratchPush ScratchPull Sticks SquareClick Mtrnm.Click Mtrnm. Bell Mix Kick TR-808 Kick 808 Rimshot 808 Snare 1 909 HandClap Elec Snare 3 808 Tom 2 TR-808 CHH 808 Tom 2 808__chh 808 Tom 2 TR-808 OHH 808 Tom 2 808 Tom 2 808 Crash 808 Tom 2 Ride Cymbal ChinaCymbal Ride Bell Tambourine Splash Cym. 808cowbe Crash Cym.2 Vibraslap Ride Cymbal Bongo High Bongo Lo 808 Conga 808 Conga 808 Conga High Timbale Low Timbale Agogo Agogo Cabasa 808marac ShrtWhistle LongWhistle Short Guiro Long Guiro 808clave Woodblock Woodblock Mute Cuica Open Cuica MuteTriangl OpenTriangl Shaker Jingle Bell Bell Tree Castanets Mute Surdo Open Surdo

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006 (PC: 33) GM2 JAZZ

High-Q Slap ScratchPush ScratchPull Sticks SquareClick Mtrnm.Click Mtrnm. Bell Jazz Kick 2 Jazz Kick 1 Side Stick Standard SN1 909 HandClap Elec Snare 3 Real Tom 6 Close HiHat2 Real Tom 6 Pedal HiHat2 Real Tom 4 Open HiHat2 Real Tom 4 Real Tom 1 Crash Cym.1 Real Tom 1 Ride Cymbal ChinaCymbal Ride Bell Tambourine Splash Cym. Cowbell Crash Cym.2 Vibraslap Ride Cymbal Bongo High Bongo Lo Mute H.Conga Conga Hi Opn Conga Lo Opn High Timbale Low Timbale Agogo Agogo Cabasa Maracas ShrtWhistle LongWhistle Short Guiro Long Guiro Claves Woodblock Woodblock Mute Cuica Open Cuica MuteTriangl OpenTriangl Shaker Jingle Bell Bell Tree Castanets Mute Surdo Open Surdo

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PC: Program Change Number Bank Select MSB is all 120, LSB is all 0

10

Rhythm Set List

C2

C3

C4

C5

C6

Note No.

27

28 29

30

31

32

33

34

35 36

37

38

39

40 41

42

43

44

45

46

47 48

49

50

51

52 53

54

55

56

57

58

59 60

61

62

63

64 65

66

67

68

69

70

71 72

73

74

75

76 77

78

79

80

81

82

83 84

85

86

87

88

GM (GM2 Group)

007 (PC: 41) GM2 BRUSH

High-Q Slap ScratchPush ScratchPull Sticks SquareClick Mtrnm.Click Mtrnm. Bell Jazz Kick 2 Jazz Kick 1 Side Stick Brush Swirl Brush Slap1 Brush Swirl Real Tom 6 Close HiHat2 Real Tom 6 Pedal HiHat2 Real Tom 4 Open HiHat2 Real Tom 4 Real Tom 1 Crash Cym.1 Real Tom 1 Ride Cymbal ChinaCymbal Ride Bell Tambourine Splash Cym. Cowbell Crash Cym.2 Vibraslap Ride Cymbal Bongo High Bongo Lo Mute H.Conga Conga Hi Opn Conga Lo Opn High Timbale Low Timbale Agogo Agogo Cabasa Maracas ShrtWhistle LongWhistle Short Guiro Long Guiro Claves Woodblock Woodblock Mute Cuica Open Cuica MuteTriangl OpenTriangl Shaker Jingle Bell Bell Tree Castanets Mute Surdo Open Surdo

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008 (PC: 49) GM2 ORCHSTRA

Close HiHat2 Pedal HiHat2 Open HiHat2 Ride Cymbal Sticks SquareClick Mtrnm.Click Mtrnm. Bell Concert BD ConcertBD Mt Side Stick Concert Snr Castanets Concert Snr Timpani Timpani Timpani Timpani Timpani Timpani Timpani Timpani Timpani Timpani Timpani Timpani Timpani Tambourine Splash Cym. Cowbell Con.Cymbal2 Vibraslap Concert Cym. Bongo High Bongo Lo Mute H.Conga Conga Hi Opn Conga Lo Opn High Timbale Low Timbale Agogo Agogo Cabasa Maracas ShrtWhistle LongWhistle Short Guiro Long Guiro Claves Woodblock Woodblock Mute Cuica Open Cuica MuteTriangl OpenTriangl Shaker Jingle Bell Bell Tree Castanets Mute Surdo Open Surdo Applause

009 (PC: 57) GM2 SFX

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----High-Q Slap ScratchPush ScratchPull Sticks SquareClick Mtrnm.Click Mtrnm. Bell Gt.FretNoiz Gt.CutNoise Gt.CutNoise String Slap Fl.KeyClick Laughing Screaming Punch Heart Beat Footsteps Footsteps Applause Creaking Door Scratch Wind Chimes Car-Engine Car-Stop Car-Pass Car-Crash Siren Train Jetplane Helicopter Starship Gun Shot Machine Gun Lasergun Explosion Dog HorseGallop Bird Rain Thunder Wind Seashore Stream Bubble

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----PC: Program Change Number Bank Select MSB is all 120, LSB is all 0

11

Waveform List

No. Wave Name

1 StGrand pA L 2 StGrand pA R

3 StGrand pB L 4 StGrand pB R 5 StGrand pC L 6 StGrand pC R 7 StGrand fA L 8 StGrand fA R 9 StGrand fB L 10 StGrand fB R 11 StGrand fC L 12 StGrand fC R 13 Ac Piano2 pA 14 Ac Piano2 pB 15 Ac Piano2 pC 16 Ac Piano2 fA 17 Ac Piano2 fB 18 Ac Piano2 fC 19 Ac Piano1 A 20 Ac Piano1 B 21 Ac Piano1 C 22 Piano Thump 23 Piano Up TH 24 Piano Atk 25 MKS-20 P3 A 26 MKS-20 P3 B 27 MKS-20 P3 C 28 SA Rhodes 1A 29 SA Rhodes 1B 30 SA Rhodes 1C 31 SA Rhodes 2A 32 SA Rhodes 2B 33 SA Rhodes 2C 34 Dyn Rhd mp A 35 Dyn Rhd mp B 36 Dyn Rhd mp C 37 Dyn Rhd mf A 38 Dyn Rhd mf B 39 Dyn Rhd mf C 40 Dyn Rhd ff A 41 Dyn Rhd ff B 42 Dyn Rhd ff C 43 Wurly soft A 44 Wurly soft B 45 Wurly soft C 46 Wurly hard A 47 Wurly hard B 48 Wurly hard C 49 E.Piano 1A 50 E.Piano 1B 51 E.Piano 1C 52 E.Piano 2A 53 E.Piano 2B 54 E.Piano 2C 55 E.Piano 3A 56 E.Piano 3B 57 E.Piano 3C 58 MK-80 EP A 59 MK-80 EP B 60 MK-80 EP C 61 EP Hard 62 EP Distone 63 Clear Keys 64 D-50 EP A 65 D-50 EP B 66 D-50 EP C 67 Celesta 68 Music Box 69 Music Box 2 70 Clav 1A 71 Clav 1B 72 Clav 1C 73 Clav 2A 74 Clav 2B 75 Clav 2C

No. Wave Name

76 Clav 3A 77 Clav 3B 78 Clav 3C 79 Clav 4A 80 Clav 4B 81 Clav 4C 82 Clav Wave 83 MIDI Clav 84 HarpsiWave A 85 HarpsiWave B 86 HarpsiWave C 87 Jazz Organ 1 88 Jazz Organ 2 89 Organ 1 90 Organ 2 91 Organ 3 92 Organ 4 93 60's Organ1 94 60's Organ2 95 60's Organ3 96 60's Organ4 97 Full Organ 98 Full Draw 99 Rock Organ 100 RockOrg1 A L 101 RockOrg1 A R 102 RockOrg1 B L 103 RockOrg1 B R 104 RockOrg1 C L 105 RockOrg1 C R 106 RockOrg2 A L 107 RockOrg2 A R 108 RockOrg2 B L 109 RockOrg2 B R 110 RockOrg2 C L 111 RockOrg2 C R 112 RockOrg3 A L 113 RockOrg3 A R 114 RockOrg3 B L 115 RockOrg3 B R 116 RockOrg3 C L 117 RockOrg3 C R 118 Dist. Organ 119 Rot.Org Slw 120 Rot.Org Fst 121 Pipe Organ 122 Soft Nylon A 123 Soft Nylon B 124 Soft Nylon C 125 Nylon Gtr A 126 Nylon Gtr B 127 Nylon Gtr C 128 Nylon Str 129 6-Str Gtr A 130 6-Str Gtr B 131 6-Str Gtr C 132 StlGtr mp A 133 StlGtr mp B 134 StlGtr mp C 135 StlGtr mf A 136 StlGtr mf B 137 StlGtr mf C 138 StlGtr ff A 139 StlGtr ff B 140 StlGtr ff C 141 StlGtr sld A 142 StlGtr sld B 143 StlGtr sld C 144 StlGtr Hrm A 145 StlGtr Hrm B 146 StlGtr Hrm C 147 Gtr Harm A 148 Gtr Harm B 149 Gtr Harm C 150 Jazz Gtr A

No. Wave Name

151 Jazz Gtr B 152 Jazz Gtr C 153 LP Rear A 154 LP Rear B 155 LP Rear C 156 Rock lead 1 157 Rock lead 2 158 Comp Gtr A 159 Comp Gtr B 160 Comp Gtr C 161 Comp Gtr A+ 162 Mute Gtr 1 163 Mute Gtr 2A 164 Mute Gtr 2B 165 Mute Gtr 2C 166 Muters 167 Pop Strat A 168 Pop Strat B 169 Pop Strat C 170 JC Strat A 171 JC Strat B 172 JC Strat C 173 JC Strat A+ 174 JC Strat B+ 175 JC Strat C+ 176 Clean Gtr A 177 Clean Gtr B 178 Clean Gtr C 179 Stratus A 180 Stratus B 181 Stratus C 182 Scrape Gut 183 Strat Sust 184 Strat Atk 185 OD Gtr A 186 OD Gtr B 187 OD Gtr C 188 OD Gtr A+ 189 Heavy Gtr A 190 Heavy Gtr B 191 Heavy Gtr C 192 Heavy Gtr A+ 193 Heavy Gtr B+ 194 Heavy Gtr C+ 195 PowerChord A 196 PowerChord B 197 PowerChord C 198 EG Harm 199 Gt.FretNoise 200 Syn Gtr A 201 Syn Gtr B 202 Syn Gtr C 203 Harp 1A 204 Harp 1B 205 Harp 1C 206 Harp Harm 207 Pluck Harp 208 Banjo A 209 Banjo B 210 Banjo C 211 Sitar A 212 Sitar B 213 Sitar C 214 E.Sitar A 215 E.Sitar B 216 E.Sitar C 217 Santur A 218 Santur B 219 Santur C 220 Dulcimer A 221 Dulcimer B 222 Dulcimer C 223 Shamisen A 224 Shamisen B 225 Shamisen C

No. Wave Name

226 Koto A 227 Koto B 228 Koto C 229 Taishokoto A 230 Taishokoto B 231 Taishokoto C 232 Pick Bass A 233 Pick Bass B 234 Pick Bass C 235 Fingerd Bs A 236 Fingerd Bs B 237 Fingerd Bs C 238 E.Bass 239 P.Bass 1 240 P.Bass 2 241 Stick 242 Fretless A 243 Fretless B 244 Fretless C 245 Fretless 2A 246 Fretless 2B 247 Fretless 2C 248 UprightBs 1 249 UprightBs 2A 250 UprightBs 2B 251 UprightBs 2C 252 Ac.Bass A 253 Ac.Bass B 254 Ac.Bass C 255 Slap Bass 1 256 Slap & Pop 257 Slap Bass 2 258 Slap Bass 3 259 Jz.Bs Thumb 260 Jz.Bs Slap 1 261 Jz.Bs Slap 2 262 Jz.Bs Slap 3 263 Jz.Bs Pop 264 Funk Bass1 265 Funk Bass2 266 Syn Bass A 267 Syn Bass C 268 Syn Bass 269 Syn Bass 2 A 270 Syn Bass 2 B 271 Syn Bass 2 C 272 Mini Bs 1A 273 Mini Bs 1B 274 Mini Bs 1C 275 Mini Bs 2 276 Mini Bs 2+ 277 MC-202 Bs A 278 MC-202 Bs B 279 MC-202 Bs C 280 Hollow Bs 281 Flute 1A 282 Flute 1B 283 Flute 1C 284 Jazz Flute A 285 Jazz Flute B 286 Jazz Flute C 287 Flute Tone 288 Piccolo A 289 Piccolo B 290 Piccolo C 291 Blow Pipe 292 Pan Pipe 293 BottleBlow 294 Rad Hose 295 Shakuhachi 296 Shaku Atk 297 Flute Push 298 Clarinet A 299 Clarinet B 300 Clarinet C

No. Wave Name

301 Oboe mf A 302 Oboe mf B 303 Oboe mf C 304 Oboe f A 305 Oboe f B 306 Oboe f C 307 E.Horn A 308 E.Horn B 309 E.Horn C 310 Bassoon A 311 Bassoon B 312 Bassoon C 313 T_Recorder A 314 T_Recorder B 315 T_Recorder C 316 Sop.Sax A 317 Sop.Sax B 318 Sop.Sax C 319 Sop.Sax mf A 320 Sop.Sax mf B 321 Sop.Sax mf C 322 Alto mp A 323 Alto mp B 324 Alto mp C 325 Alto Sax 1A 326 Alto Sax 1B 327 Alto Sax 1C 328 T.Breathy A 329 T.Breathy B 330 T.Breathy C 331 SoloSax A 332 SoloSax B 333 SoloSax C 334 Tenor Sax A 335 Tenor Sax B 336 Tenor Sax C 337 T.Sax mf A 338 T.Sax mf B 339 T.Sax mf C 340 Bari.Sax f A 341 Bari.Sax f B 342 Bari.Sax f C 343 Bari.Sax A 344 Bari.Sax B 345 Bari.Sax C 346 Syn Sax 347 Chanter 348 Harmonica A 349 Harmonica B 350 Harmonica C 351 OrcUnisonA L 352 OrcUnisonA R 353 OrcUnisonB L 354 OrcUnisonB R 355 OrcUnisonC L 356 OrcUnisonC R 357 BrassSectA L 358 BrassSectA R 359 BrassSectB L 360 BrassSectB R 361 BrassSectC L 362 BrassSectC R 363 Tpt Sect. A 364 Tpt Sect. B 365 Tpt Sect. C 366 Tb Sect A 367 Tb Sect B 368 Tb Sect C 369 T.Sax Sect A 370 T.Sax Sect B 371 T.Sax Sect C 372 Flugel A 373 Flugel B 374 Flugel C 375 FlugelWave

12

Waveform List

No. Wave Name

376 Trumpet 1A 377 Trumpet 1B 378 Trumpet 1C 379 Trumpet 2A 380 Trumpet 2B 381 Trumpet 2C 382 HarmonMute1A 383 HarmonMute1B 384 HarmonMute1C 385 Trombone 1 386 Trombone 2 A 387 Trombone 2 B 388 Trombone 2 C 389 Tuba A 390 Tuba B 391 Tuba C 392 French 1A 393 French 1C 394 F.Horns A 395 F.Horns B 396 F.Horns C 397 Violin A 398 Violin B 399 Violin C 400 Violin 2 A 401 Violin 2 B 402 Violin 2 C 403 Cello A 404 Cello B 405 Cello C 406 Cello 2 A 407 Cello 2 B 408 Cello 2 C 409 Cello Wave 410 Pizz 411 STR Attack A 412 STR Attack B 413 STR Attack C 414 DolceStr.A L 415 DolceStr.A R 416 DolceStr.B L 417 DolceStr.B R 418 DolceStr.C L 419 DolceStr.C R 420 JV Strings L 421 JV Strings R 422 JV Strings A 423 JV Strings C 424 JP Strings1A 425 JP Strings1B 426 JP Strings1C 427 JP Strings2A 428 JP Strings2B 429 JP Strings2C 430 PWM 431 Pulse Mod 432 Soft Pad A 433 Soft Pad B 434 Soft Pad C 435 Fantasynth A 436 Fantasynth B 437 Fantasynth C 438 D-50 HeavenA 439 D-50 HeavenB 440 D-50 HeavenC 441 Fine Wine 442 D-50 Brass A 443 D-50 Brass B 444 D-50 Brass C 445 D-50 BrassA+ 446 Doo 447 Pop Voice 448 Syn Vox 1 449 Syn Vox 2 450 Voice Aahs A

No. Wave Name

451 Voice Aahs B 452 Voice Aahs C 453 Voice Oohs1A 454 Voice Oohs1B 455 Voice Oohs1C 456 Voice Oohs2A 457 Voice Oohs2B 458 Voice Oohs2C 459 Choir 1A 460 Choir 1B 461 Choir 1C 462 Oohs Chord L 463 Oohs Chord R 464 Male Ooh A 465 Male Ooh B 466 Male Ooh C 467 Org Vox A 468 Org Vox B 469 Org Vox C 470 Org Vox 471 ZZZ Vox 472 Bell VOX 473 Kalimba 474 JD Kalimba 475 Klmba Atk 476 Wood Crak 477 Block 478 Gamelan 1 479 Gamelan 2 480 Gamelan 3 481 Log Drum 482 Hooky 483 Tabla 484 Marimba Wave 485 Xylo 486 Xylophone 487 Vibes 488 Bottle Hit 489 Glockenspiel 490 Tubular 491 Steel Drums 492 Pole lp 493 Fanta Bell A 494 Fanta Bell B 495 Fanta Bell C 496 FantaBell A+ 497 Org Bell 498 AgogoBells 499 FingerBell 500 DIGI Bell 1 501 DIGI Bell 1+ 502 JD Cowbell 503 Bell Wave 504 Chime 505 Crystal 506 2.2 Bellwave 507 2.2 Vibwave 508 Digiwave 509 DIGI Chime 510 JD DIGIChime 511 BrightDigi 512 Can Wave 1 513 Can Wave 2 514 Vocal Wave 515 Wally Wave 516 Brusky lp 517 Wave Scan 518 Wire String 519 Nasty 520 Wave Table 521 Klack Wave 522 Spark VOX 523 JD Spark VOX 524 Cutters 525 EML 5th

No. Wave Name

526 MMM VOX 527 Lead Wave 528 Synth Reed 529 Synth Saw 1 530 Synth Saw 2 531 Syn Saw 2inv 532 Synth Saw 3 533 JD Syn Saw 2 534 FAT Saw 535 JP-8 Saw A 536 JP-8 Saw B 537 JP-8 Saw C 538 P5 Saw A 539 P5 Saw B 540 P5 Saw C 541 P5 Saw2 A 542 P5 Saw2 B 543 P5 Saw2 C 544 D-50 Saw A 545 D-50 Saw B 546 D-50 Saw C 547 Synth Square 548 JP-8 SquareA 549 JP-8 SquareB 550 JP-8 SquareC 551 DualSquare A 552 DualSquare C 553 DualSquareA+ 554 JD SynPulse1 555 JD SynPulse2 556 JD SynPulse3 557 JD SynPulse4 558 Synth Pulse1 559 Synth Pulse2 560 JD SynPulse5 561 Sync Sweep 562 Triangle 563 JD Triangle 564 Sine 565 Metal Wind 566 Wind Agogo 567 Feedbackwave 568 Spectrum 569 CrunchWind 570 ThroatWind 571 Pitch Wind 572 JD Vox Noise 573 Vox Noise 574 BreathNoise 575 Voice Breath 576 White Noise 577 Pink Noise 578 Rattles 579 Ice Rain 580 Tin Wave 581 Anklungs 582 Wind Chimes 583 Orch. Hit 584 Tekno Hit 585 Back Hit 586 Philly Hit 587 Scratch 1 588 Scratch 2 589 Scratch 3 590 Shami 591 Org Atk 1 592 Org Atk 2 593 Sm Metal 594 StrikePole 595 Thrill 596 Switch 597 Tuba Slap 598 Plink 599 Plunk 600 EP Atk

No. Wave Name

601 TVF_Trig 602 Org Click 603 Cut Noiz 604 Bass Body 605 Flute Click 606 Gt&BsNz MENU 607 Ac.BassNz 1 608 Ac.BassNz 2 609 El.BassNz 1 610 El.BassNz 2 611 DistGtrNz 1 612 DistGtrNz 2 613 DistGtrNz 3 614 DistGtrNz 4 615 SteelGtrNz 1 616 SteelGtrNz 2 617 SteelGtrNz 3 618 SteelGtrNz 4 619 SteelGtrNz 5 620 SteelGtrNz 6 621 SteelGtrNz 7 622 Sea 623 Thunder 624 Windy 625 Stream 626 Bubble 627 Bird 628 Dog Bark 629 Horse 630 Telephone 1 631 Telephone 2 632 Creak 633 Door Slam 634 Engine 635 Car Stop 636 Car Pass 637 Crash 638 Gun Shot 639 Siren 640 Train 641 Jetplane 642 Starship 643 Breath 644 Laugh 645 Scream 646 Punch 647 Heart 648 Steps 649 Machine Gun 650 Laser 651 Thunder 2 652 AmbientSN pL 653 AmbientSN pR 654 AmbientSN fL 655 AmbientSN fR 656 Wet SN p L 657 Wet SN p R 658 Wet SN f L 659 Wet SN f R 660 Dry SN p 661 Dry SN f 662 Sharp SN 663 Piccolo SN 664 Maple SN 665 Old Fill SN 666 70s SN 667 SN Roll 668 Natural SN1 669 Natural SN2 670 Ballad SN 671 Rock SN p L 672 Rock SN p R 673 Rock SN mf L 674 Rock SN mf R 675 Rock SN f L

No. Wave Name

676 Rock SN f R 677 Rock Rim p L 678 Rock Rim p R 679 Rock Rim mfL 680 Rock Rim mfR 681 Rock Rim f L 682 Rock Rim f R 683 Rock Gst L 684 Rock Gst R 685 Snare Ghost 686 Jazz SN p L 687 Jazz SN p R 688 Jazz SN mf L 689 Jazz SN mf R 690 Jazz SN f L 691 Jazz SN f R 692 Jazz SN ff L 693 Jazz SN ff R 694 Jazz Rim p L 695 Jazz Rim p R 696 Jazz Rim mfL 697 Jazz Rim mfR 698 Jazz Rim f L 699 Jazz Rim f R 700 Jazz Rim ffL 701 Jazz Rim ffR 702 Brush Slap 703 Brush Swish 704 Jazz Swish p 705 Jazz Swish f 706 909 SN 1 707 909 SN 2 708 808 SN 709 Rock Roll L 710 Rock Roll R 711 Jazz Roll 712 Brush Roll 713 Dry Stick 714 Dry Stick 2 715 Side Stick 716 Woody Stick 717 RockStick pL 718 RockStick pR 719 RockStick fL 720 RockStick fR 721 Dry Kick 722 Maple Kick 723 Rock Kick p 724 Rock Kick mf 725 Rock Kick f 726 Jazz Kick p 727 Jazz Kick mf 728 Jazz Kick f 729 Jazz Kick 730 Pillow Kick 731 JazzDry Kick 732 Lite Kick 733 Old Kick 734 Hybrid Kick 735 Hybrid Kick2 736 Verb Kick 737 Round Kick 738 MplLmtr Kick 739 70s Kick 1 740 70s Kick 2 741 Dance Kick 742 808 Kick 743 909 Kick 1 744 909 Kick 2 745 Rock TomL1 p 746 Rock TomL2 p 747 Rock Tom M p 748 Rock Tom H p 749 Rock TomL1 f 750 Rock TomL2 f

13

Waveform List

No. Wave Name

751 Rock Tom M f 752 Rock Tom H f 753 Rock Flm L1 754 Rock Flm L2 755 Rock Flm M 756 Rock Flm H 757 Jazz Tom L p 758 Jazz Tom M p 759 Jazz Tom H p 760 Jazz Tom L f 761 Jazz Tom M f 762 Jazz Tom H f 763 Jazz Flm L 764 Jazz Flm M 765 Jazz Flm H 766 Maple Tom 1 767 Maple Tom 2 768 Maple Tom 3 769 Maple Tom 4 770 808 Tom 771 Verb Tom Hi 772 Verb Tom Lo 773 Dry Tom Hi 774 Dry Tom Lo 775 Rock ClHH1 p 776 Rock ClHH1mf 777 Rock ClHH1 f 778 Rock ClHH2 p 779 Rock ClHH2mf 780 Rock ClHH2 f 781 Jazz ClHH1 p 782 Jazz ClHH1mf 783 Jazz ClHH1 f 784 Jazz ClHH2 p 785 Jazz ClHH2mf 786 Jazz ClHH2 f 787 Cl HiHat 1 788 Cl HiHat 2 789 Cl HiHat 3 790 Cl HiHat 4 791 Cl HiHat 5 792 Rock OpHH p 793 Rock OpHH f 794 Jazz OpHH p 795 Jazz OpHH mf 796 Jazz OpHH f 797 Op HiHat 798 Op HiHat 2 799 Rock PdHH p 800 Rock PdHH f 801 Jazz PdHH p 802 Jazz PdHH f 803 Pedal HiHat 804 Pedal HiHat2 805 Dance Cl HH 806 909 NZ HiHat 807 70s Cl HiHat 808 70s Op HiHat 809 606 Cl HiHat 810 606 Op HiHat 811 909 Cl HiHat 812 909 Op HiHat 813 808 Claps 814 HumanClapsEQ 815 Tight Claps 816 Hand Claps 817 Finger Snaps 818 Rock RdCym1p 819 Rock RdCym1f 820 Rock RdCym2p 821 Rock RdCym2f 822 Jazz RdCym p 823 Jazz RdCymmf 824 Jazz RdCym f 825 Ride 1

No. Wave Name

826 Ride 2 827 Ride Bell 828 Rock CrCym1p 829 Rock CrCym1f 830 Rock CrCym2p 831 Rock CrCym2f 832 Rock Splash 833 Jazz CrCym p 834 Jazz CrCym f 835 Crash Cymbal 836 Crash 1 837 Rock China 838 China Cym 839 Cowbell 840 Wood Block 841 Claves 842 Bongo Hi 843 Bongo Lo 844 Cga Open Hi 845 Cga Open Lo 846 Cga Mute Hi 847 Cga Mute Lo 848 Cga Slap 849 Timbale 850 Cabasa Up 851 Cabasa Down 852 Cabasa Cut 853 Maracas 854 Long Guiro 855 Tambourine 1 856 Tambourine 2 857 Open Triangl 858 Cuica 859 Vibraslap 860 Timpani 861 Timp3 pp 862 Timp3 mp 863 Applause 864 Syn FX Loop 865 Loop 1 866 Loop 2 867 Loop 3 868 Loop 4 869 Loop 5 870 Loop 6 871 Loop 7 872 R8 Click 873 Metronome 1 874 Metronome 2 875 MC500 Beep 1 876 MC500 Beep 2 877 Low Saw 878 Low Saw inv 879 Low P5 Saw 880 Low Pulse 1 881 Low Pulse 2 882 Low Square 883 Low Sine 884 Low Triangle 885 Low White NZ 886 Low Pink NZ 887 DC 888 REV Orch.Hit 889 REV TeknoHit 890 REV Back Hit 891 REV PhillHit 892 REV Steel DR 893 REV Tin Wave 894 REV AmbiSNpL 895 REV AmbiSNpR 896 REV AmbiSNfL 897 REV AmbiSNfR 898 REV Wet SNpL 899 REV Wet SNpR 900 REV Wet SNfL

No. Wave Name

901 REV Wet SNfR 902 REV Dry SN 903 REV PiccloSN 904 REV Maple SN 905 REV OldFilSN 906 REV 70s SN 907 REV SN Roll 908 REV NatrlSN1 909 REV NatrlSN2 910 REV BalladSN 911 REV RkSNpL 912 REV RkSNpR 913 REV RkSNmfL 914 REV RkSNmfR 915 REV RkSNfL 916 REV RkSNfR 917 REV RkRimpL 918 REV RkRimpR 919 REV RkRimmfL 920 REV RkRimmfR 921 REV RkRimfL 922 REV RkRimfR 923 REV RkGstL 924 REV RkGstR 925 REV SnareGst 926 REV JzSNpL 927 REV JzSNpR 928 REV JzSNmfL 929 REV JzSNmfR 930 REV JzSNfL 931 REV JzSNfR 932 REV JzSNffL 933 REV JzSNffR 934 REV JzRimpL 935 REV JzRimpR 936 REV JzRimmfL 937 REV JzRimmfR 938 REV JzRimfL 939 REV JzRimfR 940 REV JzRimffL 941 REV JzRimffR 942 REV Brush 1 943 REV Brush 2 944 REV Brush 3 945 REV JzSwish1 946 REV JzSwish2 947 REV 909 SN 1 948 REV 909 SN 2 949 REV RkRoll L 950 REV RkRoll R 951 REV JzRoll 952 REV Dry Stk 953 REV DrySick 954 REV Side Stk 955 REV Wdy Stk 956 REV RkStk1L 957 REV RkStk1R 958 REV RkStk2L 959 REV RkStk2R 960 REV Thrill 961 REV Dry Kick 962 REV Mpl Kick 963 REV RkKik p 964 REV RkKik mf 965 REV RkKik f 966 REV JzKik p 967 REV JzKik mf 968 REV JzKik f 969 REV Jaz Kick 970 REV Pillow K 971 REV Jz Dry K 972 REV LiteKick 973 REV Old Kick 974 REV Hybrid K 975 REV HybridK2

No. Wave Name

976 REV 70s K 1 977 REV 70s K 2 978 REV Dance K 979 REV 909 K 2 980 REV RkTomL1p 981 REV RkTomL2p 982 REV RkTomM p 983 REV RkTomH p 984 REV RkTomL1f 985 REV RkTomL2f 986 REV RkTomM f 987 REV RkTomH f 988 REV RkFlmL1 989 REV RkFlmL2 990 REV RkFlm M 991 REV RkFlm H 992 REV JzTomL p 993 REV JzTomM p 994 REV JzTomH p 995 REV JzTomL f 996 REV JzTomM f 997 REV JzTomH f 998 REV JzFlm L 999 REV JzFlm M 1000 REV JzFlm H 1001 REV MplTom2 1002 REV MplTom4 1003 REV 808Tom 1004 REV VerbTomH 1005 REV VerbTomL 1006 REV DryTom H 1007 REV DryTom M 1008 REV RkClH1 p 1009 REV RkClH1mf 1010 REV RkClH1 f 1011 REV RkClH2 p 1012 REV RkClH2mf 1013 REV RkClH2 f 1014 REV JzClH1 p 1015 REV JzClH1mf 1016 REV JzClH1 f 1017 REV JzClH2 p 1018 REV JzClH2mf 1019 REV JzClH2 f 1020 REV Cl HH 1 1021 REV Cl HH 2 1022 REV Cl HH 3 1023 REV Cl HH 4 1024 REV Cl HH 5 1025 REV RkOpHH p 1026 REV RkOpHH f 1027 REV JzOpHH p 1028 REV JzOpHHmf 1029 REV JzOpHH f 1030 REV Op HiHat 1031 REV OpHiHat2 1032 REV RkPdHH p 1033 REV RkPdHH f 1034 REV JzPdHH p 1035 REV JzPdHH f 1036 REV PedalHH 1037 REV PedalHH2 1038 REV Dance HH 1039 REV 70s ClHH 1040 REV 70s OpHH 1041 REV 606 ClHH 1042 REV 606 OpHH 1043 REV 909 NZHH 1044 REV 909 OpHH 1045 REV HClapsEQ 1046 REV TghtClps 1047 REV FingSnap 1048 REV RealCLP 1049 REV RkRCym1p 1050 REV RkRCym1f

No. Wave Name

1051 REV RkRCym2p 1052 REV RkRCym2f 1053 REV JzRCym p 1054 REV JzRCymmf 1055 REV JzRCym f 1056 REV Ride 1 1057 REV Ride 2 1058 REV RideBell 1059 REV RkCCym1p 1060 REV RkCCym1f 1061 REV RkCCym2p 1062 REV RkCCym2f 1063 REV RkSplash 1064 REV JzCCym p 1065 REV JzCCym f 1066 REV CrashCym 1067 REV Crash 1 1068 REV RkChina 1069 REV China 1070 REV Cowbell 1071 REV WoodBlck 1072 REV Claves 1073 REV Conga 1074 REV Timbale 1075 REV Maracas 1076 REV Guiro 1077 REV Tamb 1 1078 REV Tamb 2 1079 REV Cuica 1080 REV Timpani 1081 REV Timp3 pp 1082 REV Timp3 mp 1083 REV Metro

14

Arpeggio Style List

No. Style Name Variation Comment

01 NOTE VALUES 12 Variations based on note values: 1/4, 1/8, 1/12, 1/16, 1/24, 1/32 (Single and Dual) 02 1/8 BASIC 1 5 Variations on 1/8 note rhythms 03 1/8 BASIC 2 5 04 1/8 BASIC 3 5 05 1/8 BASIC 4 5 06 1/8 BASIC 5 5 07 1/8 SYNC 1-1 5 Variations on more syncopated 1/8 note rhythms 08 1/8 SYNC 1-2 5 09 1/8 SYNC 1-3 5 10 1/8 SYNC 1-4 5 11 1/8 SYNC 1-5 5 12 1/8 SYNC 2-1 5 13 1/8 SYNC 2-2 5 14 1/8 SYNC 2-3 5 15 1/8 SYNC 2-4 5 16 1/8 SYNC 2-5 5 17 1/8 DRIVE 1 5 Variations on 1/8 note rhythms with a stronger pushing feel 18 1/8 DRIVE 2 5 19 1/8 DRIVE 3 5 20 1/8 DRIVE 4 5 21 1/8 DRIVE 5 5 22 1/8 TRIPLET 1 5 Variations on 1/8 triplet rhythms 23 1/8 TRIPLET 2 5 24 1/8 TRIPLET 3 5 25 1/8 TRIPLET 4 5 26 1/8 TRIPLET 5 5 27 1/16 BASIC 1 5 Variations on 1/16 note rhythms 28 1/16 BASIC 2 5 29 1/16 BASIC 3 5 30 1/16 BASIC 4 5 31 1/16 BASIC 5 5 32 1/16 SYNC 1-1 5 Variations on more syncopated 1/16 note rhythms 33 1/16 SYNC 1-2 5 34 1/16 SYNC 1-3 5 35 1/16 SYNC 1-4 5 36 1/16 SYNC 1-5 5 37 1/16 SYNC 2-1 5 38 1/16 SYNC 2-2 5 39 1/16 SYNC 2-3 5 40 1/16 SYNC 2-4 5 41 1/16 SYNC 2-5 5 42 1/16 DRIVE 1 5 Variations on 1/16 note rhythms with a stronger pushing feel 43 1/16 DRIVE 2 5 44 1/16 DRIVE 3 5 45 1/16 DRIVE 4 5 46 1/16 DRIVE 5 5 47 RHYTHMIX 1 5 Variations include rhythmic mixes including 1/8, 1/16, syncopated and triplet rhythms 48 RHYTHMIX 2 5 49 RHYTHMIX 3 5 50 RHYTHMIX 4 5 51 RHYTHMIX 5 5 52 RHYTHMIX 6 5 53 RHYTHMIX 7 5 54 RHYTHMIX 8 5 55 CYCLES 3RD PHR 4 Phrase based variations that cycle through intervals of 3rds 56 CYCLES 4TH PHR 4 Phrase based variations that cycle through intervals of 4ths 57 CYCLES 5TH PHR 5 Phrase based variations that cycle through intervals of 5ths 58 CYCLES MAJ PHR 4 Phrase based variations that cycle through major tonalities 59 CYCLES MIN PHR 4 Phrase based variations that cycle through minor tonalities 60 CYC MAJ/MIN PHR 6 Phrase based variations that cycle between major and minor tonalities 61 AG PROGRES1 PHR 5 Phrase based variations for acoustic guitar progressions 62 AG PROGRES2 PHR 5 63 AG CUTTING PHR 14 Phrase based variations for rhythm guitar 64 AG 3 FINGER PHR 4 Phrase based variations for guitar finger picking 65 AG ARPEGGIO PHR 2 Phrase based variations for guitar arpeggios 66 AG SPANISH1 PHR 6 Phrase based variations for fast Spanish style guitar strums 67 AG SPANISH2 PHR 5 Phrase based variations for Spanish style guitar 68 AG BOSSA PHR 10 Phrase based variations for Bossa Nova style guitar 69 EG CUTTING PHR 15 Phrase based variations for rhythm guitar 70 EG RIFFS PHR 8 Phrase based variations for rhythmic guitar riffs 71 EG OD RIFFS1 PHR 9 Phrase based variations for overdrive or distortion guitar 72 EG OD RIFFS2 PHR 5 73 EG ARPEGGIO PHR 5 Phrase based variations for guitar arpeggios 74 BLUES GUITAR PHR 6 Phrase based variations for blues guitar progressions 75 GUITAR TRILL PHR 3 Phrase based variations for guitar trills 76 BASS PHR 4 Phrase based variations for bass lines 77 BS SHUFFLE PHR 3 Phrase based variations for shuffle bass lines 78 FRETLESS BS PHR 2 Phrase based variations for fretless bass in 6/8 time 79 WALKING BASS PHR 8 Phrase based variations for walking bass lines 80 BALLAD BASS PHR 3 Phrase based variations for simple bass lines 81 EP PROGRES1 PHR 5 Phrase based variations for piano or electric pianos progressions 82 EP PROGRES2 PHR 5 83 LATIN PIANO PHR 9 Phrase based variations for Latin piano styles 84 FUNKY CLAV 1 PHR 5 Phrase based variations for rhythmic clavinet styles 85 FUNKY CLAV 2 PHR 9 86 SYNTH LEAD PHR 4 Phrase based variations for synth lead 87 DANCE SYNTH PHR 5 Phrase based variations for dance synth progressions 88 HARP PHR 6 Phrase based variations on harp scrolls

15

Rhythm Pattern Style List

No. Style Name Tempo (BPM) Rhythm Set

01 BLUES 6/8 90 R&B Kit 1 02 BOSSA NOVA 138 XV Pop Kit 03 DRUM&BASS 158 R&B Kit 2 04 ELECTRONICA 1 134 House Kit 05 ELECTRONICA 2 120 Techno Kit 06 ELECTRONICA 3 130 Techno Kit 07 FUNK 1 125 R&B Kit 1 08 FUNK 2 136 R&B Kit 2 09 GROOVE 1 90 R&B Kit 1 10 GROOVE 2 94 R&B Kit 1 11 HIPHOP 1 80 Rust Kit 2 12 HIPHOP 2 100 Bully Kit 2 13 HIPHOP 3 96 XV Bully Kit 14 HIPHOP 4 74 Bully Kit 2 15 HIPHOP 5 90 Rust Kit 2 16 HIPHOP 6 86 XV Bully Kit 17 HOUSE 1 130 House Kit 18 HOUSE 2 138 Techno Kit 19 HOUSE 3 130 House Kit 10 HOUSE 4 130 House Kit 21 HOUSE 5 130 Techno Kit 22 HOUSE 6 132 House Kit 23 JAZZ 1 124 Jazz Kit 2 24 JAZZ 2 208 Jazz Kit 2 25 LATIN HOUSE 126 House Kit 26 POP 1 104 R&B Kit 1 27 POP 2 106 Pop Kit 2 28 POP 3 118 Pop Kit 2 29 POP 4 84 XV Pop Kit 30 POP 5 84 R&B Kit 1 31 POP 6 80 R&B Kit 1 32 POP 7 74 XV Pop Kit 33 R&B 1 132 R&B Kit 2 34 R&B 2 112 R&B Kit 2 35 R&B 3 102 R&B Kit 2 36 R&B 4 90 R&B Kit 1 37 R&B 5 108 R&B kit 1 38 R&B 6 96 R&B Kit 2 39 R&B 7 116 R&B Kit 2 40 R&B 8 90 R&B Kit 1 41 R&B BRUSH 78 Jazz Kit 2 42 ROCK 1 98 Rock Kit 2 43 ROCK 2 120 Rock Kit 2 44 ROCK 3 90 Rock Kit 2 45 SALSA 196 XV Pop Kit 46 TECHNO 1 125 Techno Kit 47 TECHNO 2 136 Techno Kit 48 TECHNO 3 125 Techno Kit 49 TRANCE 1 142 House Kit 50 TRANCE 2 134 Techno Kit

Recommended Recommended

The rhythm patterns are assigned in a one-octave range starting from the key specified as Note Assign.

When Note Assign is set to F6

F6

C7

Hi-Hat groove 1 Fill 1 Hi-Hat groove 2 Fill 2 Hi-Hat groove 3 Fill 3 Perc or Special Bass drum only Ride Cym groove Bass drum and Snare only Ride Cym type fill Hi-Hat only

16

Parameter List

(Eighth note)

Patch Parameters

* Parameters that can be set independently for each Tone are indicated by “T.”

General Group (Owner’s Manual; p. 47)

Parameter

General

Patch Name Patch Category Voice Priority LAST, LOUDEST Analog Feel Analog Feel Depth 0–127 Mono/Poly MONO, POLY Cutoff Offset -63–+63 Resonance Offset -63–+63 Attack Time Offset -63–+63 Release Time Offset -63–+63 Velocity Sens Offset Velocity Sensitivity Offset -63–+63 Clock Source Patch Clock Source PATCH, SEQUENCER Tempo Patch Tempo 20–250 Legato Switch Solo Legato Switch OFF, ON Legato Retrigger Legato Retrigger Switch OFF, ON Portamento Switch OFF, ON Portamento Mode NORMAL, LEGATO Portamento Type RATE, TIME Portamento Start PITCH, NOTE Portamento Time 0–127 Bend Range Up Pitch Bend Range Up 0–+48 Bend Range Down Pitch Bend Range Down -48–0

Patch Tone

Env Mode Delay Mode Tone Delay Mode NORM, HOLD, OFF-N, OFF-D T Delay Time Tone Delay Time 0–127, note (*2) T Rx Bender Tone Receive Pitch Bend Switch OFF, ON T Rx Expression Tone Receive Expression Switch OFF, ON T Rx Hold-1 Tone Receive Hold-1 Switch OFF, ON T Rx Pan Mode Tone Receive Pan Mode CONT, K-ON T Redamper Sw Tone Redamper Switch OFF, ON T

Tone Envelope Mode NO SUS, SUST T

Value

space, A–Z, a–z, 0–9, ! " # $ % & ’ ( ) * + , - . / : ; < = > ? @ [ \ ] ^ _ ` { | } (*1)

→ ←

*1:

NO ASSIGN, AC.PIANO, EL.PIANO, KEYBOARDS, BELL, MALLET, ORGAN, ACCORDION, HARMONICA, AC.GUITAR, EL.GUITAR, DIST.GUITAR, BASS, SYNTH BASS, STRINGS, ORCHESTRA, HIT&STAB, WIND, FLUTE, AC.BRASS, SYNTH BRASS, SAX, HARD LEAD, SOFT LEAD, TECHNO SYNTH, PULSATING, SYNTH FX, OTHER SYNTH, BRIGHT PAD, SOFT PAD, VOX, PLUCKED, ETHNIC, FRETTED, PERCUSSION, SOUND FX, BEAT&GROOVE, DRUMS, COMBINATION

*2:

(Dotted thirty-second note),

(Double note)(Dotted whole note),(Dotted half note),

(Sixteenth note), (Dotted quarter note), (Whole-note triplet),(Half note),

(Eighth-note triplet), (Dotted sixteenth note),

(Sixteenth-note triplet),(Thirty-second note),(Sixty-fourth-note triplet), (Sixty-fourth note), (Thirty-second-note triplet),

(Dotted eighth note),(Quarter-note triplet),(Eighth note), (Half-note triplet),(Quarter note),

(Whole note), (Double-note triplet),

Arpeggio Group (Owner’s Manual; p. 51)

Parameter

Arpeggio

Switch Hold Arpeggio Hold Switch OFF, ON Style Arpeggio Style Refer to “Arpeggio Style List” (p. 15). Variation Arpeggio Variation Motif Arpeggio Motif UP, DOWN, UP&DOWN, RANDOM, NOTE ORDER, GLISSANDO, CHORD,

Accent Rate Arpeggio Accent Rate 0–100 % Shuffle Rate Arpeggio Shuffle Rate 0–100 % Shuffle Resolution Arpeggio Shuffle Resolution

Keyboard Velocity Arpeggio Keyboard Velocity REAL, 1–127 Octave Range Arpeggio Octave Range -3–+3 Key Trigger Arpeggio Key Trigger OFF, ON

Arpeggio Switch OFF, ON

Value

AUTO1, AUTO2, PHRASE

(Sixteenth note)

,

17

Parameter List

Controller Group (Owner’s Manual; p. 52)

Parameter

Knob

Assign 1–4 Realtime Control Knob Assign 1–4 OFF, CC01–31, 33–95, PITCH BEND, AFTERTOUCH, TEMPO, ARP VAR,

Switch

Assign 1–4

Mode 1–4 Realtime Control Button Mode 1–4 MOMENTARY, LATCH

D Beam

Switch Assign D Beam Assign OFF, CC01–31, 33–95, BEND UP, BEND DOWN, AFTERTOUCH, NOTE, OCT UP,

Polarity D Beam Polarity STANDARD, REVERSE Range Lower D Beam Range Lower 0–UPPER Range Upper D Beam Range Upper LOWER–127

Realtime Control Button Assign 1–4 OFF, CC01–31, 33–95, BEND UP, BEND DOWN, AFTERTOUCH, OCT UP,

D Beam Switch OFF, ON

Value

ARP ACCENT, ARP SHFFLE, ARP OCTAVE

OCT DOWN, TRNS UP, TRNS DOWN, TAP TEMPO, MONO/POLY, ARP HOLD

OCT DOWN, START/STOP, TAP TEMPO, ARP SWITCH, ARP VAR, ARP ACCENT, ARP SHFFLE, ARP OCT UP, ARP OCT DW

Effects Group (Owner’s Manual; p. 165)

Parameter

Effects

Tone Select Patch Output Assign MFX, A, B, 1–4, TONE Tone Output Assign MFX, A, B, 1–4 T Tone Dry Send Level 0–127 T Tone Chorus Send Level 0–127 T Tone Reverb Send Level 0–127 T MFX Type Multi-Effects Type 0 (Through)–90 (3D Manual) MFX Dry Send Level Multi-Effects Dry Send Level 0–127 MFX Output Assign Multi-Effects Output Assign A, B MFX Chorus Send Level Multi-Effects Chorus Send Level 0–127 MFX Reverb Send Level Multi-Effects Reverb Send Level 0–127 Chorus Type 0 (Off), 1 (Chorus), 2 (Delay), 3 (GM2Chorus) Chorus Level 0–127 Chorus Output Assign A, B Chorus Output Select MAIN, REV, M+R Reverb Type 0 (Off), 1 (Reverb), 2 (SRV Room), 3 (SRV Hall), 4 (SRV Plate), 5 (GM2Reverb) Reverb Level 0–127 Reverb Output Assign A, B

Value

Tone 1–Tone 4

MFX Group (Owner’s Manual; p. 174)

Parameter Value

MFX

Type

Multi-Effects Type 00 THROUGH–90 3D MANUAL

* For details regarding multi-effects settings, refer to “Multi-Effects Parameters” (p. 32).

MFX Control Group (Owner’s Manual; p. 174)

Parameter Value

MFX Control

Source 1–4 Destination 1–4 Multi-Effects Control Destination 1–4 Refer to “Multi-Effects Parameters” (p. 32). Sens 1–4 Multi-Effects Control Sensitivity 1–4 -63–+63

Multi-Effects Control Source 1–4 OFF, CC01–31, 33–95, PITCH BEND, AFTERTOUCH, SYS CTRL1–SYS CTRL4

18

Chorus Group (Owner’s Manual; p. 176)

Parameter List

Parameter

Chorus

Type Chorus Type 0 OFF, 1 CHORUS, 2 DELAY, 3 GM2 CHORUS

Value

* For details regarding chorus settings, refer to “Chorus Parameters” (p. 62).

Reverb Group (Owner’s Manual; p. 177)

Parameter

Reverb

Type

Reverb Type 0 OFF, 1 REVERB, 2 SRV ROOM, 3 SRV HALL, 4 SRV PLATE, 5 GM2 REVERB

* For details regarding reverb settings, refer to “Reverb Parameters” (p. 62).

Value

Matrix Ctrl Group (Owner’s Manual; p. 54)

Parameter

Matrix Control

Source 1–4

Destination 1–4 Matrix Control Destination 1–4 OFF, PITCH, CUTOFF, RESONANCE, LEVEL, PAN, DRY LEVEL,

Sns 1–4 Matrix Control Sens 1–4 -63–+63 Tone 1–4 Tone Control Switch 1–4 (OFF), ✔ (ON), R (REVERSE) T TMT Control Switch TMT Control Switch OFF, ON

Matrix Control Source 1–4 OFF, CC01–31, 33–95, PITCH BEND, AFTERTOUCH, SYS CTRL1–SYS CTRL4,

Value

VELOCITY, KEYFOLLOW, TEMPO, LFO1, LFO2, PITCH ENV, TVF ENV, TVA ENV

CHORUS SEND, REVERB SEND, LFO1/LFO2 PCH DEPTH, LFO1/LFO2 TVF DEPTH, LFO1/LFO2 TVA DEPTH, LFO1/LFO2 PAN DEPTH, LFO1/LFO2 RATE, PIT ENV A-TIME, PIT ENV D-TIME, PIT ENV R-TIME, TVF ENV A-TIME, TVF ENV D-TIME, TVF ENV R-TIME, TVA ENV A-TIME, TVA ENV D-TIME, TVA ENV R-TIME, TMT, FXM DEPTH, MFX CTRL1–4

TMT Group (Owner’s Manual; p. 56)

Parameter Value

TMT

Structure 1 & 2, 3 & 4 Booster 1 & 2, 3 & 4 Booster Gain 1 & 2, 3 & 4 0, +6, +12, +18 Key Fade Lower Keyboard Fade Width Lower 0–127 T Key Range Lower Keyboard Range Lower C-1–UPPER T Key Range Upper Keyboard Range Upper LOWER–G9 T Key Fade Upper Keyboard Fade Width Upper 0–127 T TMT Vel Control TMT Velocity Control Switch OFF, ON, RND Vel Fade Lower Velocity Fade Width Lower 0–127 T Vel Range Lower Velocity Range Lower 1–UPPER T Vel Range Upper Velocity Range Upper LOWER–127 T Vel Fade Upper Velocity Fade Width Upper 0–127 T

Structure Type 1 & 2, 3 & 4 1–10

Wave Group (Owner’s Manual; p. 59)

Parameter Value

Wave

Wave Group INT, XP-A, XP-B, XP-C T Wave No. (L) Wave Number (L) ----, 0001–1083 T Wave No. (R) Wave Number (R) ----, 0001–1083 T Gain Wave Gain -6, 0, +6, +12 T FXM Switch OFF, ON T FXM Color 1–4 T FXM Depth 0–16 T Tempo Sync Wave Tempo Sync OFF, ON T

19

Parameter List

Pitch Group (Owner’s Manual; p. 60)

Parameter

Pitch

Patch C Tune Patch Coarse Tune -48–+48 Patch F Tune Patch Fine Tune -50–+50 Octave Shift -3–+3 Stretch Tune Stretch Tune Depth OFF, 1–3 Tone C Tune Tone Coarse Tune -48–+48 T Tone F Tune Tone Fine Tune -50–+50 T Rnd Pitch Depth Random Pitch Depth 0, 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 20, 30, 40, 50, 60, 70, 80, 90, 100, 200, 300, 400, 500, 600, 700,

Pitch KF Pitch Key follow -200, -190, -180, -170, -160, -150, -140, -130, -120, -110, -100, -90, -80, -70, -60, -50, -40,

Env Depth Pitch Envelope Depth -12–+12 T Env V-Sens Pitch Envelope Velocity Sensitivity -63–+63 T Env T1 V-Sens Pitch Envelope Time 1 Velocity Sensitivity -63–+63 T Env T4 V-Sens Pitch Envelope Time 4 Velocity Sensitivity -63–+63 T Env Time KF Pitch Envelope Time Key follow -100, -90, -80, -70, -60, -50, -40, -30, -20, -10, 0, +10, +20, +30, +40, +50, +60, +70, +80,

Env Level 0–4 Pitch Envelope Level 0–4 -63–+63 T Env Time 1–4 Pitch Envelope Time 1–4 0–127 T

Value

800, 900, 1000, 1100, 1200

-30, -20, -10, 0, +10, +20, +30, +40, +50, +60, +70, +80, +90, +100, +110, +120, +130, +140, +150, +160, +170, +180, +190, +200

+90, +100

TVF Group (Owner’s Manual; p. 62)

Parameter

TVF

Filter Type Cutoff Freq Cutoff Frequency 0–127 T Cutoff KF Cutoff Frequency Key follow -200, -190, -180, -170, -160, -150, -140, -130, -120, -110, -100, -90, -80, -70, -60, -50, -40,

Cutoff V-Curve Cutoff Frequency Velocity Curve FIXED, 1–7 T Cutoff V-Sens Cutoff Frequency Velocity Sensitivity -63–+63 T Resonance 0–127 T Reso V-Sens Resonance Velocity Sensitivity -63–+63 T Env Depth TVF Envelope Depth -63–+63 T Env V-Curve TVF Envelope Velocity Curve FIXED, 1–7 T Env V-Sens TVF Envelope Velocity Sensitivity -63–+63 T Env T1 V-Sens TVF Envelope Time 1 Velocity Sensitivity -63–+63 T Env T4 V-Sens TVF Envelope Time 4 Velocity Sensitivity -63–+63 T Env Time KF TVF Envelope Time Key Follow -100, -90, -80, -70, -60, -50, -40, -30, -20, -10, 0, +10, +20, +30, +40, +50, +60, +70, +80,

Env Level 0–4 TVF Envelope Level 0–4 0–127 T Env Time 1–4 TVF Envelope Time 1–4 0–127 T

Value

OFF, LPF, BPF, HPF, PKG, LPF2, LPF3 T

-30, -20, -10, 0, +10, +20, +30, +40, +50, +60, +70, +80, +90, +100, +110, +120, +130, +140, +150, +160, +170, +180, +190, +200

+90, +100

T

TVA Group (Owner’s Manual; p. 64)

Parameter Value

TVA

Patch Level Tone Level 0–127 T Bias Level -100, -90, -80, -70, -60, -50, -40, -30, -20, -10, 0, +10, +20, +30, +40, +50, +60, +70, +80,

Bias Position C-1–G9 T Bias Direction LOWER, UPPER, LO&UP, ALL T Level V-Curve TVA Level Velocity Curve FIXED, 1–7 T Level V-Sens TVA Level Velocity Sensitivity -63–+63 T Patch Pan L64–0–63R Tone Pan L64–0–63R T Pan KF Pan Key follow -100–+100 T Rnd Pan Depth Random Pan Depth 0–63 T Alter Pan Depth Alternate Pan Depth L63–0–63R T Env T1 V-Sens TVA Envelope Time 1 Velocity Sensitivity -63–+63 T Env T4 V-Sens TVA Envelope Time 4 Velocity Sensitivity -63–+63 T Env Time KF TVA Envelope Time Key Follow -100, -90, -80, -70, -60, -50, -40, -30, -20, -10, 0, +10, +20, +30, +40, +50, +60, +70, +80,

Env Time 1–4 TVA Envelope Time 1–4 0–127 T Env Level 1–3 TVA Envelope Level 1–3 0–127 T

0–127

+90, +100

20

T

LFO Group (Owner’s Manual; p. 66)

Parameter List

Parameter

LFO

1:/2:Waveform LFO1/LFO2 Waveform SIN, TRI, SAW-U, SAW-D, SQR, RND, BND-U, BND-D, TRP, S&H, CHAOS T 1:/2:Rate LFO1/LFO2 Rate 0–127, note (*1) T 1:/2:Offset LFO1/LFO2 Offset -100, -50, 0, +50, +100 T 1:/2:Rate Detune LFO1/LFO2 Rate Detune 0–127 T 1:/2:Delay Time LFO1/LFO2 Delay Time 0–127 T 1:/2:Delay Time KF LFO1/LFO2 Delay Time Key follow -100, -90, -80, -70, -60, -50, -40, -30, -20, -10, 0, +10, +20, +30, +40, +50, +60, +70, +80,

1:/2:Fade Mode LFO1/LFO2 Fade Mode ON <, ON >, OFF <, OFF > T 1:/2:Fade Time LFO1/LFO2 Fade Time 0–127 T 1:/2:Key Trigger LFO1/LFO2 Key Trigger OFF, ON T 1:/2:Pitch Depth LFO1/LFO2 Pitch Depth -63–+63 T 1:/2:TVF Depth LFO1/LFO2 TVF Depth -63–+63 T 1:/2:TVA Depth LFO1/LFO2 TVA Depth -63–+63 T 1:/2:Pan Depth LFO1/LFO2 Pan Depth -63–+63 T

Value

+90, +100

*1:

(Dotted thirty-second note),

(Double note)(Dotted whole note),(Dotted half note),

(Sixteenth note), (Dotted quarter note), (Whole-note triplet),(Half note),

(Eighth-note triplet), (Dotted sixteenth note),

(Sixteenth-note triplet),(Thirty-second note),(Sixty-fourth-note triplet), (Sixty-fourth note), (Thirty-second-note triplet),

(Dotted eighth note),(Quarter-note triplet),(Eighth note), (Half-note triplet),(Quarter note),

(Whole note), (Double-note triplet),

T

21

Parameter List

(Eighth note)

Rhythm Set Parameters

* Parameters that can be set independently for each Rhythm Tone are indicated by “T.” * Parameters that can be set independently for each Wave comprising the Rhythm Tone are indicated by “W.”

General Group (Owner’s Manual; p. 74)

Parameter

General

Rhythm Name Rhythm Set Name space, A–Z, a–z, 0–9, ! " # $ % & ’ ( ) * + , - . / : ; < = > ? @ [ \ ] ^ _ ` { | } Clock Source Tempo Rhythm Set Tempo 20–250

Rhythm Tone

Tone Name Assign Type MULTI, SINGLE T Mute Group OFF, 1–31 T Env Mode Rhythm Tone Envelope Mode NO SUS, SUST T Bend Range Rhythm Tone Pitch Bend Range 0–48 T Rx Expression Rhythm Tone Receive Expression Switch OFF, ON T Rx Hold-1 Rhythm Tone Receive Hold-1 Switch OFF, ON T Rx Pan Mode Rhythm Tone Receive Pan Mode CONTINUOUS, KEY-ON T

Rhythm Set Clock Source RHYTHM, SEQUENCER

Rhythm Tone Name space, A–Z, a–z, 0–9, ! " # $ % & ’ ( ) * + , - . / : ; < = > ? @ [ \ ] ^ _ ` { | }

Value

→ ←

Rhythm Ptn Group (Owner’s Manual; p. 75)

Parameter

Rhythm Ptn

Switch Hold Pattern Hold Switch OFF, ON Style Pattern Style Refer to “Rhythm Pattern Style List” (p. 16). Accent Rate Pattern Accent Rate 0–100 % Shuffle Rate Pattern Shuffle Rate 0–100 % Shuffle Resolution Pattern Shuffle Resolution

Keyboard Velocity Pattern Keyboard Velocity REAL, 1–127 Note Assign Pattern Note Assign C-1–G9 Key Trigger Pattern Key Trigger OFF, ON

Pattern Switch OFF, ON

Value

(Sixteenth note)

,

Controller Group (Owner’s Manual; p. 76)

T

Parameter

Knob

Assign 1–4

Switch

Assign 1–4

Mode 1–4 Realtime Control Button Mode 1–4 MOMENTARY, LATCH

D Beam

Switch Assign D Beam Assign OFF, CC01–31, 33–95, BEND UP, BEND DOWN, AFTERTOUCH, NOTE, OCT UP,

Polarity D Beam Polarity STANDARD, REVERSE Range Lower D Beam Range Lower 0–UPPER Range Upper D Beam Range Upper LOWER–127

Realtime Control Knob Assign 1–4 OFF, CC01–31, 33–95, PITCH BEND, AFTERTOUCH, TEMPO, PTN ACCENT,

Realtime Control Button Assign 1–4 OFF, CC01–31, 33–95, BEND UP, BEND DOWN, AFTERTOUCH, OCT UP,

D Beam Switch OFF, ON

Value

PTN SHFFLE

OCT DOWN, TRNS UP, TRNS DOWN, TAP TEMPO, PTN HOLD

OCT DOWN, START/STOP, TAP TEMPO, PTN SWITCH, PTN ACCENT, PTN SHFFLE

22

Effects Group (Owner’s Manual; p. 165)

Parameter List

Parameter

Effects

Rhythm Key Select A0–C8 Rhythm Output Assign MFX, A, B, 1–4, TONE Tone Output Assign MFX, A, B, 1–4 T Tone Dry Send Level 0–127 T Tone Chorus Send Level 0–127 T Tone Reverb Send Level 0–127 T MFX Type Multi-Effects Type 0 (Through)–90 (3D Manual) MFX Dry Send Level Multi-Effects Dry Send Level 0–127 MFX Output Assign A, B MFX Chorus Send Level Multi-Effects Chorus Send Level 0–127 MFX Reverb Send Level Multi-Effects Reverb Send Level 0–127 Chorus Type 0 (Off), 1 (Chorus), 2 (Delay), 3 (GM2Chorus) Chorus Level 0–127 Chorus Output Assign A, B Chorus Output Select MAIN, REV, M+R Reverb Type 0 (Off), 1 (Reverb), 2 (SRV Room), 3 (SRV Hall), 4 (SRV Plate), 5 (GM2Reverb) Reverb Level 0–127 Reverb Output Assign A, B

Value

MFX Group (Owner’s Manual; p. 174)

Parameter

MFX

Type

Multi-Effects Type 00 THROUGH–90 3D MANUAL

* For details regarding multi-effects settings, refer to “Multi-Effects Parameters” (p. 32).

Value

MFX Control Group (Owner’s Manual; p. 174)

Parameter Value

MFX Control

Source 1–4 Destination 1–4 Multi-Effects Control Destination 1–4 Refer to “Multi-Effects Parameters” (p. 32). Sens 1–4 Multi-Effects Control Sensitivity 1–4 -63–+63

Multi-Effects Control Source 1–4 OFF, CC01–31, 33–95, PITCH BEND, AFTERTOUCH, SYS CTRL1–SYS CTRL4

Chorus Group (Owner’s Manual; p. 176)

Parameter Value

Chorus

Type

Chorus Type 0 OFF, 1 CHORUS, 2 DELAY, 3 GM2 CHORUS

* For details regarding chorus settings, refer to “Chorus Parameters” (p. 62).

Reverb Group (Owner’s Manual; p. 177)

Parameter Value

Reverb

Type

* For details regarding reverb settings, refer to “Reverb Parameters” (p. 62).

Reverb Type 0 OFF, 1 REVERB, 2 SRV ROOM, 3 SRV HALL, 4 SRV PLATE, 5 GM2 REVERB

23

Parameter List

WMT Group (Owner’s Manual; p. 77)

Parameter

WMT

Wave Group Wave No. (L) Wave Number (L) ----, 0001–1083 W Wave No. (R) Wave Number (R) ----, 0001–1083 W Wave Gain -6, 0, +6, +12 W FXM Switch OFF, ON W FXM Color 1–4 W FXM Depth 0–16 W Tempo Sync Wave Tempo Sync OFF, ON W Coarse Tune -48–+48 W Fine Tune -50–+50 W Wave Pan L64–0–63R W Rnd Pan Sw Random Pan Switch OFF, ON W Alter Pan Sw Alternate Pan Switch OFF, ON, REV W Wave Level 0–127 W Velocity Control Velocity Control Switch OFF, ON, RND Vel Fade Lower Velocity Fade Width Lower 0–127 W Vel Range Lower Velocity Range Lower 1–UPPER W Vel Range Upper Velocity Range Upper LOWER–127 W Vel Fade Upper Velocity Fade Width Upper 0–127 W

Value

INT, XP-A, XP-B, XP-C W

Pitch Group (Owner’s Manual; p. 79)

Parameter

Pitch

Tone Coarse Tune Tone Fine Tune Rhythm Tone Fine Tune -50–+50 T Random Pitch Depth 0, 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 20, 30, 40, 50, 60, 70, 80, 90, 100, 200, 300, 400, 500, 600, 700,

Env Depth Pitch Envelope Depth -12–+12 T Env V-Sens Pitch Envelope Velocity Sensitivity -63–+63 T Env T1 V-Sens Pitch Envelope Time 1 Velocity Sensitivity -63–+63 T Env T4 V-Sens Pitch Envelope Time 4 Velocity Sensitivity -63–+63 T Env Level 0–4 Pitch Envelope Level 0–4 -63–+63 T Env Time 1–4 Pitch Envelope Time 1–4 0–127 T

Rhythm Tone Coarse Tune C-1–G9 T

Value

800, 900, 1000, 1100, 1200

T

TVF Group (Owner’s Manual; p. 80)

Parameter Value

TVF

Filter Type Cutoff Frequency 0–127 T Cutoff V-Curve Cutoff Frequency Velocity Curve FIXED, 1–7 T Cutoff V-Sens Cutoff Frequency Velocity Sensitivity -63–+63 T Resonance 0–127 T Resonance V-Sens Resonance Velocity Sensitivity -63–+63 T Env Depth TVF Envelope Depth -63–+63 T Env V-Curve TVF Envelope Velocity Curve FIXED, 1–7 T Env V-Sens TVF Envelope Velocity Sensitivity -63–+63 T Env T1 V-Sens TVF Envelope Time 1 Velocity Sensitivity -63–+63 T Env T4 V-Sens TVF Envelope Time 4 Velocity Sensitivity -63–+63 T Env Level 0–4 TVF Envelope Level 0–4 0–127 T Env Time 1–4 TVF Envelope Time 1–4 0–127 T

OFF, LPF, BPF, HPF, PKG, LPF2, LPF3 T

TVA Group (Owner’s Manual; p. 82)

Parameter Value

TVA

Rhythm Level Tone Level Rhythm Tone level 0–127 T Level V-Curve TVA Level Velocity Curve FIXED, 1–7 T Level V-Sens TVA Level Velocity Sensitivity -63–+63 T Tone Pan Rhythm Tone Pan L64–0–63R T Random Pan Depth 0–63 T Alternate Pan Depth L63–0–63R T Env T1 V-Sens TVA Envelope Time 1 Velocity Sensitivity -63–+63 T Env T4 V-Sens TVA Envelope Time 4 Velocity Sensitivity -63–+63 T Env Time 1–4 TVA Envelope Time 1–4 0–127 T Env Level 1–3 TVA Envelope Level 1–3 0–127 T

Rhythm Set Level 0–127

24

Multitimbre Parameters

* Parameters that can be set independently for each Part are indicated by “P.”

General Group (Owner’s Manual; p. 115)

Parameter List

Parameter

General

Multitimbre Name

Value

space, A–Z, a–z, 0–9, ! " # $ % & ’ ( ) * + , - . / : ; < = > ? @ [ \ ] ^ _ ` { | }

→ ←

Part Group (Owner’s Manual; p. 115)

Parameter

Part

Patch/Rhythm Patch Bank USR, PRA–E (PR), GM, XPA–C P Patch Number 001–*** P Level Part Level 0–127 P Pan Part Pan L64–0–63R P Coarse Tune Part Coarse Tune -48–+48 P Fine Tune Part Fine Tune -50–+50 P Mono/Poly Part Mono/Poly MON, POL, PAT P Legato Switch Part Legato Switch OFF, ON, PAT P Pitch Bend Range Part Pitch Bend Range 0–24, PAT P Portamento Switch Part Portamento Switch OFF, ON, PAT P Portamento Time Part Portamento Time 0–127, PAT P Cutoff Offset Part Cutoff Offset -64–+63 P Resonance Offset Part Resonance Offset -64–+63 P Attack Time Offset Part Attack Time Offset -64–+63 P Release Time Offset Part Release Time Offset -64–+63 P Decay Time Offset Part Decay Time Offset -64–+63 P Vibrate Rate Part Vibrate Rate -64–+63 P Vibrate Depth Part Vibrate Depth -64–+63 P Vibrate Delay Part Vibrate Delay -64–+63 P Octave Shift Part Octave Shift -3–+3 P Vel Sens Offset Part Velocity Sensitivity Offset -63–+63 P Key Fade Lower Part Keyboard Fade Width Lower 0–127 P Key Range Lower Part Keyboard Range Lower C-1–UPPER P Key Range Upper Part Keyboard Range Upper LOWER–G9 P Key Fade Upper Part Keyboard Fade Width Upper 0–127 P Voice Reserve 0–63, FUL P

Patch/Rhythm Set PAT, RHY P

Value

MIDI Group (Owner’s Manual; p. 118)

Parameter

Part MIDI

Receive Channel Receive Switch OFF, ON P Solo Part Select (OFF), SEL Mute Switch OFF, MUT P

MIDI Filter

Program Change Bank Select Receive Bank Select Switch (OFF), ✔ (ON) P Pitch Bend Receive Pitch Bend Switch (OFF), ✔ (ON) P Channel Pressure Receive Channel Pressure Switch (OFF), ✔ (ON) P Poly Key Pressure Receive Polyphonic Key Pressure Switch (OFF), ✔ (ON) P Modulation Receive Modulation Switch (OFF), ✔ (ON) P Volume Receive Volume Switch (OFF), ✔ (ON) P Pan Receive Pan Switch (OFF), ✔ (ON) P Expression Receive Expression Switch (OFF), ✔ (ON) P Hold-1 Receive Hold 1 Switch (OFF), ✔ (ON) P Phase Lock Phase Lock Switch (OFF), ✔ (ON) P Velocity Curve (OFF), 1–4 P

Receive Program Change Switch (OFF), ✔ (ON) P

Value

1–16 P

25

Parameter List

Effects Group (Owner’s Manual; p. 170)

Parameter

Effects

Part Select Part 1–Part 16 Part Output Assign MFX, A, B, 1–4, PAT P Part Output MFX Select Part Output Multi-Effects Select A–C (MFX-A–MFX-C) P Part Dry Send Level 0–127 P Part Chorus Send Level 0–127 P Part Reverb Send Level 0–127 P MFX Type Multi-Effects Type 0 (Through)–90 (3D Manual) MFX Dry Send Level Multi-Effects Dry Send Level 0–127 MFX Output Assign Multi-Effects Output Assign A, B MFX Chorus Send Level Multi-Effects Chorus Send Level 0–127 MFX Reverb Send Level Multi-Effects Reverb Send Level 0–127 Chorus Type 0 (Off), 1 (Chorus), 2 (Delay), 3 (GM2Chorus) Chorus Level 0–127 Chorus Output Assign A, B Chorus Output Select MAIN, REV, M+R Reverb Type 0 (Off), 1 (Reverb), 2 (SRV Room), 3 (SRV Hall), 4 (SRV Plate), 5 (GM2Reverb) Reverb Level 0–127 Reverb Output Assign A, B MFX-A Source Multi-Effects A Source MLT, P1–P16 Chorus Source MLT, P1–P16 Reverb Source MLT, P1–P16

Value

MFX Group (Owner’s Manual; p. 174)

Parameter

MFX

Select Type Multi-Effects Type 00 THROUGH–90 3D MANUAL

Multi-Effects Select MFX-A–MFX-C

* For details regarding multi-effects settings, refer to “Multi-Effects Parameters” (p. 32).

Value

MFX Control Group (Owner’s Manual; p. 174)

Parameter Value

MFX Control

Select Source 1–4 Multi-Effects Control Source 1–4 OFF, CC01–31, 33–95, PITCH BEND, AFTERTOUCH, SYS CTRL1–SYS CTRL4 Destination 1–4 Multi-Effects Control Destination 1–4 Refer to “Multi-Effects Parameters” (p. 32). Sens 1–4 Multi-Effects Control Sensitivity 1–4 -63–+63 MFX Control Channel Multi-Effects Control Channel 1–16, OFF

Multi-Effects Select MFX-A–MFX-C

Chorus Group (Owner’s Manual; p. 176)

Parameter Value

Chorus

Type

Chorus Type 0 OFF, 1 CHORUS, 2 DELAY, 3 GM2 CHORUS

* For details regarding chorus settings, refer to “Chorus Parameters” (p. 62).

Reverb Group (Owner’s Manual; p. 177)

Parameter Value

Reverb

Type

Reverb Type 0 OFF, 1 REVERB, 2 SRV ROOM, 3 SRV HALL, 4 SRV PLATE, 5 GM2 REVERB

* For details regarding reverb settings, refer to “Reverb Parameters” (p. 62).

Scale Tune Group (Owner’s Manual; p. 120)

Parameter Value

Scale Tune

C–B Part Scale Tune C–B -64–+63 P

26

Performance Parameters

(Eighth note)

* Parameters that can be set independently for each Part are indicated by “P.”

General Group (Owner’s Manual; p. 94)

Parameter List

Parameter

General

Performance Name Seq Tempo Override Overriding Tempo 20–250

Sequencer Tempo Override OFF, ON

Value

space, A–Z, a–z, 0–9, ! " # $ % & ’ ( ) * + , - . / : ; < = > ? @ [ \ ] ^ _ ` { | }

→ ←

Arpeggio Group (Owner’s Manual; p. 95)

Parameter

Arpeggio

Switch Hold Arpeggio Hold Switch OFF, ON Style Arpeggio Style Refer to “Arpeggio Style List” (p. 15). Variation Arpeggio Variation Motif Arpeggio Motif UP, DOWN, UP&DOWN, RANDOM, NOTE ORDER, GLISSANDO, CHORD,

Accent Rate Arpeggio Accent Rate 0–100 % Shuffle Rate Arpeggio Shuffle Rate 0–100 % Shuffle Resolution Arpeggio Shuffle Resolution

Keyboard Velocity Arpeggio Keyboard Velocity REAL, 1–127 Octave Range Arpeggio Octave Range -3–+3 Key Trigger Arpeggio Key Trigger OFF, ON Zone Number Arpeggio Zone Number 1–16

Arpeggio Switch OFF, ON

Value

AUTO1, AUTO2, PHRASE

(Sixteenth note)

,

Rhythm Ptn Group (Owner’s Manual; p. 96)

Parameter

Rhythm Ptn

Switch Pattern Switch OFF, ON Hold Pattern Hold Switch OFF, ON Style Pattern Style Refer to “Rhythm Pattern Style List” (p. 16). Accent Rate Pattern Accent Rate 0–100 % Shuffle Rate Pattern Shuffle Rate 0–100 % Shuffle Resolution Pattern Shuffle Resolution

Keyboard Velocity Pattern Keyboard Velocity REAL, 1–127 Note Assign Pattern Note Assign C-1–G9 Key Trigger Pattern Key Trigger OFF, ON Zone Number Pattern Zone Number 1–16

Value

(Sixteenth note)

,

Controller Group (Owner’s Manual; p. 97)

Parameter

Knob

Assign 1–4

Zone 1–4 Realtime Control Knob Zone Number 1–4 1–16

Switch

Assign 1–4

Mode 1–4 Realtime Control Button Mode 1–4 MOMENTARY, LATCH Zone 1–4 Realtime Control Button Zone Number 1–4 1–16

D Beam

Switch Assign D Beam Assign OFF, CC01–31, 33–95, BEND UP, BEND DOWN, AFTERTOUCH, NOTE, OCT UP,

Polarity D Beam Polarity STANDARD, REVERSE Range Lower D Beam Range Lower 0–UPPER Range Upper D Beam Range Upper LOWER–127 Zone D Beam Zone Number 1–16

Realtime Control Knob Assign 1–4 OFF, CC01–31, 33–95, PITCH BEND, AFTERTOUCH, TEMPO, ARP VAR,

Realtime Control Button Assign 1–4 OFF, CC01–31, 33–95, BEND UP, BEND DOWN, AFTERTOUCH, OCT UP,

D Beam Switch OFF, ON

Value

ARP ACCENT, ARP SHFFLE, ARP OCTAVE, PTN ACCENT, PTN SHFFLE

OCT DOWN, TRNS UP, TRNS DOWN, TAP TEMPO, MONO/POLY, ARP HOLD, PTN HOLD, ZONE INT, ZONE EXT

OCT DOWN, START/STOP, TAP TEMPO, ARP SWITCH, ARP VAR, ARP ACCENT, ARP SHFFLE, ARP OCT UP, ARP OCT DW, PTN SWITCH, PTN ACCENT, PTN SHFFLE

27

Parameter List

Zone Group (Owner’s Manual; p. 98)

Parameter

Zone

Transmit Channel 1–16 P Int Switch Internal Switch OFF, ON P Ext Switch External Switch OFF, ON P Ext Bank Select MSB External Bank Select MSB 0–127, --- P Ext Bank Select LSB External Bank Select LSB 0–127 P Ext Program Number External Program Change Number 1–128, --- P Ext Level External Level 0–127, --- P Ext Pan External Pan L64–0–63R, --- P Key Range Lower Keyboard Range Lower C-1–UPPER P Key Range Upper Keyboard Range Upper LOWER–G9 P Control Bender Control Pitch Bend Switch OFF, ON P Control Aftertouch Control Aftertouch Switch OFF, ON P Control Modulation Control Modulation Switch OFF, ON P Control Hold Pedal Control Hold Pedal Switch OFF, ON P Control Pedal 1, 2 Control Pedal 1, 2 Switch OFF, ON P

Value

Part Group (Owner’s Manual; p. 100)

Parameter

Part

Patch/Rhythm Patch Bank USR, PRA–E (PR), GM, XPA–C P Patch Number 001–*** P Level Part Level 0–127 P Pan Part Pan L64–0–63R P Coarse Tune Part Coarse Tune -48–+48 P Fine Tune Part Fine Tune -50–+50 P Mono/Poly Part Mono/Poly MON, POL, PAT P Legato Switch Part Legato Switch OFF, ON, PAT P Pitch Bend Range Part Pitch Bend Range 0–24, PAT P Portamento Switch Part Portamento Switch OFF, ON, PAT P Portamento Time Part Portamento Time 0–127, PAT P Cutoff Offset Part Cutoff Offset -64–+63 P Resonance Offset Part Resonance Offset -64–+63 P Attack Time Offset Part Attack Time Offset -64–+63 P Release Time Offset Part Release Time Offset -64–+63 P Decay Time Offset Part Decay Time Offset -64–+63 P Vibrate Rate Part Vibrate Rate -64–+63 P Vibrate Depth Part Vibrate Depth -64–+63 P Vibrate Delay Part Vibrate Delay -64–+63 P Octave Shift Part Octave Shift -3–+3 P Vel Sens Offset Part Velocity Sensitivity Offset -63–+63 P Key Fade Lower Part Keyboard Fade Width Lower 0–127 P Key Range Lower Part Keyboard Range Lower C-1–UPPER P Key Range Upper Part Keyboard Range Upper LOWER–G9 P Key Fade Upper Part Keyboard Fade Width Upper 0–127 P Voice Reserve 0–63, FUL P

Patch/Rhythm Set PAT, RHY P

Value

MIDI Group (Owner’s Manual; p. 103)

Parameter Value

Part MIDI

Receive Channel Receive Switch OFF, ON P Solo Part Select (OFF), SEL Mute Switch OFF, MUT P

MIDI Filter

Program Change Bank Select Receive Bank Select Switch (OFF), ✔ (ON) P Pitch Bend Receive Pitch Bend Switch (OFF), ✔ (ON) P Channel Pressure Receive Channel Pressure Switch (OFF), ✔ (ON) P Poly Key Pressure Receive Polyphonic Key Pressure Switch (OFF), ✔ (ON) P Modulation Receive Modulation Switch (OFF), ✔ (ON) P Volume Receive Volume Switch (OFF), ✔ (ON) P Pan Receive Pan Switch (OFF), ✔ (ON) P Expression Receive Expression Switch (OFF), ✔ (ON) P Hold-1 Receive Hold 1 Switch (OFF), ✔ (ON) P Phase Lock Phase Lock Switch (OFF), ✔ (ON) P Velocity Curve (OFF), 1–4 P

Receive Program Change Switch (OFF), ✔ (ON) P

1–16 P

28

Effects Group (Owner’s Manual; p. 170)

Parameter List

Parameter

Effects

Part Select Part 1–Part 16 Part Output Assign MFX, A, B, 1–4, PAT P Part Output MFX Select Part Output Multi-Effects Select A–C (MFX-A–MFX-C) P Part Dry Send Level 0–127 P Part Chorus Send Level 0–127 P Part Reverb Send Level 0–127 P MFX Type Multi-Effects Type 0 (Through)–90 (3D Manual) MFX Dry Send Level Multi-Effects Dry Send Level 0–127 MFX Output Assign Multi-Effects Output Assign A, B MFX Chorus Send Level Multi-Effects Chorus Send Level 0–127 MFX Reverb Send Level Multi-Effects Reverb Send Level 0–127 Chorus Type 0 (Off), 1 (Chorus), 2 (Delay), 3 (GM2Chorus) Chorus Level 0–127 Chorus Output Assign A, B Chorus Output Select MAIN, REV, M+R Reverb Type 0 (Off), 1 (Reverb), 2 (SRV Room), 3 (SRV Hall), 4 (SRV Plate), 5 (GM2Reverb) Reverb Level 0–127 Reverb Output Assign A, B MFX-A Source Multi-Effects A Source PRF, P1–P16 Chorus Source PRF, P1–P16 Reverb Source PRF, P1–P16

Value

MFX Group (Owner’s Manual; p. 174)

Parameter

MFX

Select Type Multi-Effects Type 00 THROUGH–90 3D MANUAL

Multi-Effects Select MFX-A–MFX-C

* For details regarding multi-effects settings, refer to “Multi-Effects Parameters” (p. 32).

Value

MFX Control Group (Owner’s Manual; p. 174)

Parameter Value

MFX Control

Select Source 1–4 Multi-Effects Control Source 1–4 OFF, CC01–31, 33–95, PITCH BEND, AFTERTOUCH, SYS CTRL1–SYS CTRL4 Destination 1–4 Multi-Effects Control Destination 1–4 Refer to “Multi-Effects Parameters” (p. 32). Sens 1–4 Multi-Effects Control Sensitivity 1–4 -63–+63 MFX Control Channel Multi-Effects Control Channel 1–16, OFF

Multi-Effects Select MFX-A–MFX-C

Chorus Group (Owner’s Manual; p. 176)

Parameter Value

Chorus

Type

Chorus Type 0 OFF, 1 CHORUS, 2 DELAY, 3 GM2 CHORUS

* For details regarding chorus settings, refer to “Chorus Parameters” (p. 62).

Reverb Group (Owner’s Manual; p. 177)

Parameter Value

Reverb

Type

Reverb Type 0 OFF, 1 REVERB, 2 SRV ROOM, 3 SRV HALL, 4 SRV PLATE, 5 GM2 REVERB

* For details regarding reverb settings, refer to “Reverb Parameters” (p. 62).

Scale Tune Group (Owner’s Manual; p. 104)

Parameter Value

Scale Tune

C–B

Part Scale Tune C–B -64–+63 P

29

Parameter List

System Parameters

General Group (Owner’s Manual; p. 179)

Parameter

General

Local Switch Master Tune 415.3–466.2 Hz Master Key Shift -24–+24 Master Level 0–127 Patch Remain Patch Remain Switch OFF, ON Mix/Parallel MIX, PARALLEL Output Gain -12, -6, 0, +6, +12 dB Keyboard Velocity REAL, 1–127 Keyboard Sens Keyboard Sensitivity LIGHT, MEDIUM, HEAVY Aftertouch Sens Aftertouch Sensitivity 0–100 Power Up Mode LAST SET, DEFAULT Backlight Saver OFF, 5, 10, 20 ,30, 40, 50, 60 minutes

Value

OFF, ON

Sequencer Group (Owner’s Manual; p. 180)

Parameter

Sequencer

Sync Mode Sync Output Sync Output Switch OFF, ON Soft Through Soft Through Switch OFF, ON MMC Mode MASTER, SLAVE MMC Output MMC Output Switch OFF, ON MTC Sync Output MTC Sync Output Switch OFF, ON MTC Frame Rate 24, 25, 29N, 29D, 30 MTC Offset Hour MTC Offset Time Hour 0–23 hours MTC Offset Minute MTC Offset Time Minute 0–59 minutes MTC Offset Second MTC Offset Time Second 0–59 seconds MTC Offset Frame MTC Offset Time Frame 0–29 frames MTC Error Level 0 –10 Metronome Mode OFF, PLAY ONLY, REC ONLY, PLAY&REC, ALWAYS Metronome Level 0–10 Metronome Sound TYPE 1, TYPE 2, TYPE 3, TYPE 4

Value

MASTER, SLAVE MIDI, SLAVE MTC, REMOTE

MIDI Group (Owner’s Manual; p. 182)

Parameter

MIDI

Performance Ctrl Ch Performance Control Channel 1–16, OFF Multitimbre Ctrl Ch Multitimbre Control Channel 1–16, OFF Patch/Rhythm Rx

Channel Patch/Rhythm Tx

Channel Remote Keyboard Sw Remote Keyboard Switch OFF, ON Exclusive Protect Exclusive Protect Switch OFF, ON Device ID Device ID Number 17–32 Rx Program Change Receive Program Change Switch OFF, ON Rx Bank Select Receive Bank Select Switch OFF, ON Rx GM System On Receive GM System On Switch OFF, ON Rx GM2 System On Receive GM2 System On Switch OFF, ON Rx GS Reset Receive GS Reset Switch OFF, ON Rx Exclusive Receive System Exclusive Switch OFF, ON Tx Program Change Transmit Program Change Switch OFF, ON Tx Bank Select Transmit Bank Select Switch OFF, ON Tx Active Sensing Transmit Active Sensing Switch OFF, ON Tx Edit Data Transmit Edit Data Switch OFF, ON

Patch/Rhythm Set Receive Channel 1–16

Patch/Rhythm Set Transmit Channel 1–16, Rx Ch, OFF

Value

30

Controller Group (Owner’s Manual; p. 184)

Parameter List

Parameter

Controller

Sys Ctrl 1–4 Source System Control 1–4 Source OFF, CC01–31, 33–95, PITCH BEND, AFTERTOUCH Hold Pedal Polarity STANDARD, REVERSE Cont Hold Pedal Continuous Hold Pedal Switch OFF, ON Pedal 1, 2 Assign OFF, CC01–31, 33–95, BEND UP, BEND DOWN, AFTERTOUCH, OCT UP, OCT DOWN,

Pedal 1, 2 Polarity STANDARD, REVERSE Beam Sens D Beam Sensitivity 1–10

Value

START/STOP, PUNCH I/O, TAP TEMPO, PROG UP, PROG DOWN, FAV UP, FAV DOWN, ARP SW, PTN SW

EQ Group (Owner’s Manual; p. 185)

Parameter

EQ

EQ Switch Low Freq Low Frequency 200, 400 Hz Low Gain -15–+15 dB High Freq High Frequency 2000, 4000, 8000 Hz High Gain -15–+15 dB

Equalizer Switch BYPASS, ON

Value

Preview Group (Owner’s Manual; p. 185)

Parameter

Preview

Preview Mode Note Number 1–4 Preview Note Number 1–4 C-1–G9 Velocity 1–4 Preview Velocity 1–4 OFF, 1–127

Value

SINGLE, CHORD, PHRASE

Scale Tune Group (Owner’s Manual; p. 186)

Parameter Value

Scale Tune

C–B Scale Tune Switch OFF, ON

Patch Scale Tune C–B -64–+63

31

Effects List

Multi-Effects Parameters

The multi-effects feature 90 different kinds of effects. Some of the effects consist of two or more different effects connected in series or in parallel.

Parameters marked with a sharp “#” can be controlled using a specified controller (Two setting items will change simultaneously for “#1” and “#2”).

1: STEREO EQ 2: OVERDRIVE 3: DISTORTION 4: PHASER 5: SPECTRUM 6: ENHANCER 7: AUTO WAH 8: ROTARY 9: COMPRESSOR 10: LIMITER 11: HEXA-CHORUS 12: TREMOLO CHORUS 13: SPACE-D 14: STEREO CHORUS 15: STEREO FLANGER 16: STEP FLANGER 17: STEREO DELAY ◆ (p. 36) 18: MODULATION DELAY ◆ (p. 37) 19: TRIPLE TAP DELAY ◆ (p. 37) 20: QUADRUPLE TAP DELAY ◆ (p. 37) 21: TIME CONTROL DELAY ◆ (p. 38) 22: 2VOICE PITCH SHIFTER ◆ (p. 38) 23: FBK PITCH SHIFTER ◆ (p. 38) 24: REVERB (p. 39) 25: GATED REVERB (p. 39) 26: OVERDRIVE -> CHORUS ◆ (p. 39) 27: OVERDRIVE -> FLANGER ◆ (p. 39) 28: OVERDRIVE -> DELAY ◆ (p. 40) 29: DISTORTION -> CHORUS ◆ (p. 40) 30: DISTORTION -> FLANGER ◆ (p. 40) 31: DISTORTION -> DELAY ◆ (p. 40) 32: ENHANCER -> CHORUS ◆ (p. 40) 33: ENHANCER -> FLANGER ◆ (p. 40) 34: ENHANCER -> DELAY ◆ (p. 41) 35: CHORUS -> DELAY ◆ (p. 41) 36: FLANGER -> DELAY ◆ (p. 41) 37: CHORUS -> FLANGER ◆ (p. 41) 38: CHORUS/DELAY ◆ (p. 42) 39: FLANGER/DELAY ◆ (p. 42) 40: CHORUS/FLANGER ◆ (p. 42) 41: STEREO PHASER ◆ (p. 42) 42: KEYSYNC FLANGER (p. 43) 43: FORMANT FILTER (p. 43) 44: RING MODULATOR ◆ (p. 43) 45: MULTI TAP DELAY ◆ (p. 44)

◆

(p. 33)

◆

(p. 33)

◆

(p. 33)

◆

(p. 33)

◆

(p. 33)

◆

(p. 33)

◆

(p. 34)

◆

(p. 34)

◆

(p. 34)

◆

(p. 34)

◆

(p. 35)

◆

(p. 35)

◆

(p. 35)

◆

(p. 35)

◆

(p. 36)

◆

(p. 36)

46: REVERSE DELAY (p. 44) 47: SHUFFLE DELAY (p. 44) 48: 3D DELAY (p. 45) 49: 3VOICE PITCH SHIFTER (p. 45) 50: LOFI COMPRESS (p. 45) 51: LOFI NOISE (p. 46) 52: SPEAKER SIMULATOR ◆ (p. 46) 53: OVERDRIVE 2 ◆ (p. 46) 54: DISTORTION 2 ◆ (p. 47) 55: STEREO COMPRESSOR ◆ (p. 47) 56: STEREO LIMITER ◆ (p. 47) 57: GATE ◆ (p. 47) 58: SLICER ◆ (p. 48) 59: ISOLATOR (p. 48) 60: 3D CHORUS (p. 49) 61: 3D FLANGER (p. 49) 62: TREMOLO ◆ (p. 49) 63: AUTO PAN ◆ (p. 49) 64: STEREO PHASER 2 (p. 50) 65: STEREO AUTO WAH (p. 50) 66: ST FORMANT FILTER (p. 50) 67: MULTI TAP DELAY 2 (p. 51) 68: REVERSE DELAY 2 (p. 51) 69: SHUFFLE DELAY 2 (p. 51) 70: 3D DELAY 2 (p. 52) 71: ROTARY 2 (p. 52) 72: ROTARY MULTI (p. 53) 73: KEYBOARD MULTI (p. 53) 74: RHODES MULTI (p. 54) 75: JD MULTI (p. 54) 76: STEREO LOFI COMPRESS (p. 55) 77: STEREO LOFI NOISE (p. 55) 78: GUITAR AMP SIMULATOR (p. 56) 79: STEREO OVERDRIVE (p. 56) 80: STEREO DISTORTION (p. 56) 81: GUITAR MULTI A (p. 57) 82: GUITAR MULTI B (p. 58) 83: GUITAR MULTI C (p. 58) 84: CLEAN GUITAR MULTI A (p. 59) 85: CLEAN GUITAR MULTI B (p. 59) 86: BASS MULTI (p. 60) 87: ISOLATOR 2 (p. 60) 88: STEREO SPECTRUM (p. 61) 89: 3D AUTO SPIN (p. 61) 90: 3D MANUAL (p. 61)

If a multi-effect marked by a "◆" symbol is selected as the MFX-A multi-effect in Performance mode or Multitimbre mode, three types (MFX-A--MFX-C) of multi-effect can be used simultaneously. Only multi-effects marked by this symbol can be selected for MFX-B and MFX-C.

32

Effects List

Phaser

Resonance

Mix

L in

R in

L out

R out

Pan R

Pan L

1: STEREO EQ (Stereo Equalizer)

This is a four-band stereo equalizer (low, mid x 2, high).

fig.02-001m

L in

R in

4-Band EQ

L out

R out

Parameter Value Description

Low Freq 200, 400 Hz Frequency of the low range Low Gain -15–+15 dB Gain of the low range Mid1 Freq 200–8000 Hz Frequency of the middle

Mid1 Gain -15–+15 dB Gain of the middle range 1 Mid1 Q 0.5, 1.0, 2.0, 4.0, 8.0 Width of the middle range 1

Mid2 Freq 200–8000 Hz Frequency of the middle

Mid2 Gain -15–+15 dB Gain of the middle range 2 Mid2 Q 0.5, 1.0, 2.0, 4.0, 8.0 Width of the middle range 2

High Freq 2000, 4000, 8000 Hz Frequency of the high range High Gain -15–+15 dB Gain of the high range Output Level # 0–127 Output Level

range 1

Set a higher value for Q to narrow the range to be affected.

range 2

Set a higher value for Q to narrow the range to be affected.

2: OVERDRIVE

Creates a soft distortion similar to that produced by vacuum tube amplifiers.

fig.02-002m

L in

Over drive

Amp

Simulator

2-Band

EQ

R in

Parameter Value Description

Drive # 0–127 Degree of distortion

Amp Type SMALL, BUILT-IN,

2-STACK, 3-STACK

Low Gain -15–+15 dB Gain of the low range High Gain -15–+15 dB Gain of the high range Output Level 0–127 Output Level Output Pan # L64–63R Stereo location of the output

Also changes the volume.

Type of guitar amp

SMALL: small amp BUILT-IN: single-unit type amp 2-STACK: large double stack amp 3-STACK: large triple stack amp

sound

L out

Pan L

Pan R

R out

4: PHASER

Adds a phase-shifted sound to the original sound, producing a twisting modulation that creates spaciousness and depth.

fig.02-004m

Parameter Value Description

Manual # 100–8000 Hz Adjusts the basic frequency

Rate # 0.05–10.00 Hz Frequency of modulation Depth 0–127 Depth of modulation Resonance 0–127 Amount of feedback Mix Level 0–127 Level of the phase-shifted

Output Level 0–127 Output Level Output Pan L64–63R Stereo location of the output

from which the sound will be modulated.

sound

5: SPECTRUM

This is a type of filter which modifies the timbre by boosting or cutting the level at specific frequencies. It is similar to an equalizer, but has 8 frequency points fixed at locations most suitable for adding character to the sound.

fig.02-005m

L in

Spectrum

R in

L out

Pan L

Pan R

R out

Parameter Value Description

Band1 (250Hz) -15–+15 dB Gain of each frequency band Band2 (500Hz) Band3 (1000Hz) Band4 (1250Hz) Band5 (2000Hz) Band6 (3150Hz) Band7 (4000Hz) Band8 (8000Hz) Q 0.5, 1.0, 2.0, 4.0, 8.0 Simultaneously adjusts the

Output Level # 0–127 Output Level Output Pan # L64–63R Stereo location of the output

width of the adjusted ranges for all the frequency bands.

sound

6: ENHANCER

Controls the overtone structure of the high frequencies, adding sparkle and tightness to the sound.

fig.02-006m

3: DISTORTION

Produces a more intense distortion than Overdrive. The parameters are the same as for “2: OVERDRIVE.”

fig.02-003m

L in

R in

Distortion

Amp

Simulator

2-Band

EQ

L out

Pan L

Pan R

R out

L in

R in

Enhancer

Mix

2-Band

EQ

2-Band

EQ

L out

R out

Parameter Value Description

Sens # 0–127 Sensitivity of the enhancer Mix Level # 0–127 Level of the overtones gen-

Low Gain -15–+15 dB Gain of the low range High Gain -15–+15 dB Gain of the high range Output Level 0–127 Output Level

erated by the enhancer

33

Effects List

7: AUTO WAH

Cyclically controls a filter to create cyclic change in timbre.

fig.02-007m

L in

L out

Auto Wah

R in

R out

Parameter Value Description

Filter Type LPF, BPF Type of filter

Sens 0–127 Adjusts the sensitivity with

Manual # 0–127 Adjusts the center frequency at

Peak 0–127 Adjusts the amount of the wah

Rate # 0.05–10.00 Hz Frequency of modulation Depth 0–127 Depth of modulation Output Level 0–127 Output Level

LPF: The wah effect will be applied over a wide frequency range.

BPF: The wah effect will be applied over a narrow frequency range

which the filter is controlled.

which the effect is applied.

effect that will occur in the range of the center frequency.

Set a higher value for Q to narrow the range to be affected.

8: ROTARY

The Rotary effect simulates the sound of the rotary speakers often used with the electric organs of the past. Since the movement of the high range and low range rotors can be set independently, the unique type of modulation characteristic of these speakers can be simulated quite closely. This effect is most suitable for electric organ Patches.

fig.02-008m

L in

Rotary

R in

Parameter Value Description

Speed # SLOW, FAST Simultaneously switch the rota-

Woofer Slow Rate

Woofer Fast Rate

Woofer Accel 0–15 Adjusts the time it takes the low

Woofer Level 0–127 Volume of the low frequency ro-

Tweeter Slow Rate

Tweeter Fast Rate

Tweeter Accel 0–15 Tweeter Level 0–127 Separation 0–127 Spatial dispersion of the sound Output Level # 0–127 Output Level

0.05–10.00 Hz Slow speed (SLOW) of the low

0.05–10.00 Hz Fast speed (FAST) of the low fre-

0.05–10.00 Hz Settings of the high frequency ro-

0.05–10.00 Hz

L out

R out

tional speed of the low frequency rotor and high frequency rotor.

SLOW: Slows down the rotation to the Slow Rate.

FAST: Speeds up the rotation to the Fast Rate.

frequency rotor

quency rotor

frequency rotor to reach the newly selected speed when switching from fast to slow (or slow to fast) speed. Lower values will require longer times.

tor

The parameters are the same as for the low frequency rotor

9: COMPRESSOR

Flattens out high levels and boosts low levels, smoothing out unevenness in volume.

fig.02-009m

L in

R in

Compressor

2-Band

EQ

L out

Pan L

Pan R

R out

Parameter Value Description

Attack 0–127 Attack time of an input sound Sustain 0–127 Adjusts the time over which

Post Gain 0, +6, +12, +18 dB Adjusts the output gain. Low Gain -15–+15 dB Gain of the low range High Gain -15–+15 dB Gain of the high range Output Level # 0–127 Output Level Output Pan # L64–63R Stereo location of the output

low level sounds are boosted until they reach the specified volume.

sound

10: LIMITER

Compresses signals that exceed a specified volume level, preventing distortion from occurring.

fig.02-010m

L in

Limiter

2-Band

EQ

R in

Parameter Value Description

Threshold 0–127 Adjusts the volume at which

Ratio 1.5:1, 2:1, 4:1, 100:1 Compression ratio Release 0–127 Adjusts the time from when

Post Gain 0, +6, +12, +18 dB Adjusts the output gain. Low Gain -15–+15 dB Gain of the low range High Gain -15–+15 dB Gain of the high range Output Level # 0–127 Output Level Output Pan # L64–63R Stereo location of the output

compression will begin.

the volume falls below the Threshold Level until compression is no longer applied.

sound

L out

Pan L

Pan R

R out

34

Effects List

11: HEXA-CHORUS

Uses a six-phase chorus (six layers of chorused sound) to give richness and spatial spread to the sound.

fig.02-011m

L in

Balance D

L out

Balance W

Hexa Chorus

Balance W

R in

Balance D

R out

Parameter Value Description

Rate # 0.05–10.00 Hz Frequency of modulation Depth 0–127 Depth of modulation Depth Devia-

tion

Pre Delay 0.0–100.0 ms Adjusts the delay time from the

Pre Delay Deviation

Pan Deviation 0–20 Adjusts the difference in stereo

Balance # D100:0W–D0:100W Volume balance between the di-

Output Level 0–127 Output Level

-20–+20 Adjusts the difference in modulation depth between each chorus sound.

direct sound until the chorus sound is heard.

0–20 Adjusts the differences in Pre

Delay between each chorus sound.

location between each chorus sound.

0: All chorus sounds will be in the center.

20: Each chorus sound will be spaced at 60 degree intervals relative to the center.

rect sound (D) and the chorus sound (W)

12: TREMOLO CHORUS

This is a chorus effect with added Tremolo (cyclic modulation of volume).

fig.02-012m

L in

Balance D

Tremolo Chorus

R in

Balance D

Parameter Value Description

Chorus Rate 0.05–10.00 Hz Modulation frequency of the

Chorus Depth 0–127 Modulation depth of the cho-

Pre Delay 0.0–100.0 ms Adjusts the delay time from

Tremolo Rate # 0.05–10.00 Hz Modulation frequency of the

Tremolo Phase 0–180˚ Spread of the tremolo effect Tremolo Sepa-

ration Balance # D100:0W–D0:100W Volume balance between the

Output Level 0–127 Output Level

0–127 Spread of the tremolo effect

L out

Balance W

R out

chorus effect

rus effect

the direct sound until the chorus sound is heard.

tremolo effect

direct sound (D) and the tremolo chorus sound (W)

13: SPACE-D

This is a multiple chorus that applies two-phase modulation in stereo. It gives no impression of modulation, but produces a transparent chorus effect.

fig.02-013m

L in

Balance D

Space D Space D

R in

Balance D

2-Band

Balance W Balance W

2-Band

EQ

L out

R out

Parameter Value Description

Rate # 0.05–10.00 Hz Frequency of modulation Depth 0–127 Depth of modulation Phase 0–180˚ Spatial spread of the sound Pre Delay 0.0–100.0 ms Adjusts the delay time from

Low Gain -15–+15 dB Gain of the low range High Gain -15–+15 dB Gain of the high range Balance # D100:0W–D0:100W Volume balance between

Output Level 0–127 Output Level

the direct sound until the chorus sound is heard.

the direct sound (D) and the chorus sound (W)

14: STEREO CHORUS

This is a stereo chorus. A filter is provided so that you can adjust the timbre of the chorus sound.

fig.02-014m

L in

Balance D

Chorus Chorus

R in

Balance D

Parameter Value Description

Rate # 0.05–10.00 Hz Frequency of modulation Depth 0–127 Depth of modulation Phase 0–180˚ Spatial spread of the sound Pre Delay 0.0–100.0 ms Adjusts the delay time from

Filter Type OFF, LPF, HPF Type of filter

Cutoff Freq 200–8000 Hz Basic frequency of the filter Low Gain -15–+15 dB Gain of the low range High Gain -15–+15 dB Gain of the high range Balance # D100:0W–D0:100W Volume balance between the

Output Level 0–127 Output Level

2-Band

EQ

Balance W Balance W

2-Band

EQ

the direct sound until the chorus sound is heard.

OFF: no filter is used LPF: cuts the frequency

range above the Cutoff Freq HPF: cuts the frequency

range below the Cutoff Freq

direct sound (D) and the chorus sound (W)

L out

R out

35

Effects List

15: STEREO FLANGER

This is a stereo flanger. (The LFO has the same phase for left and right.) It produces a metallic resonance that rises and falls like a jet airplane taking off or landing. A filter is provided so that you can adjust the timbre of the flanged sound.

fig.02-015m

L in

Balance D

Flanger

Feedback Feedback

Flanger

R in

Balance D

2-Band

EQ

Balance W

2-Band

EQ

L out

R out

Parameter Value Description

Rate # 0.05–10.00 Hz Frequency of modulation Depth 0–127 Depth of modulation Feedback # -98–+98 % Adjusts the proportion of the

Phase 0–180˚ Spatial spread of the sound Pre Delay 0.0–100.0 ms Adjusts the delay time from

Filter Type OFF, LPF, HPF Type of filter

Cutoff Freq 200–8000 Hz Basic frequency of the filter Low Gain -15–+15 dB Gain of the low range High Gain -15–+15 dB Gain of the high range Balance D100:0W–D0:100W Volume balance between the

Output Level 0–127 Output Level

flanger sound that is fed back into the effect. Negative (-) settings will invert the phase.

when the direct sound begins until the flanger sound is heard.

OFF: no filter is used LPF: cuts the frequency

range above the Cutoff Freq HPF: cuts the frequency

range below the Cutoff Freq

direct sound (D) and the flanger sound (W)

16: STEP FLANGER

This is a flanger in which the flanger pitch changes in steps. The speed at which the pitch changes can also be specified in terms of a note-value of a specified tempo.

fig.02-016m

L in

Balance D

Step Flanger

Feedback Feedback

Step Flanger

R in

Balance D

Parameter Value Description

Rate 0.05–10.00 Hz Frequency of modulation Depth 0–127 Depth of modulation Feedback # -98–+98 % Adjusts the proportion of the

Phase 0–180˚ Spatial spread of the sound

2-Band

EQ

Balance W

2-Band

EQ

flanger sound that is fed back into the effect. Negative (-) settings will invert the phase.

L out

R out

Parameter Value Description

Pre Delay 0.0–100.0 ms Adjusts the delay time from

Step Rate # 0.10–20.00 Hz,

note *1 Low Gain -15–+15 dB Gain of the low range High Gain -15–+15 dB Gain of the high range Balance D100:0W–D0:100W Volume balance between the

Output Level 0–127 Output Level

when the direct sound begins until the flanger sound is heard.

Rate (period) of pitch change

direct sound (D) and the flanger sound (W)

17: STEREO DELAY

This is a stereo delay.

When Feedback Mode is NORMAL:

fig.02-017am

L in

Balance D

Delay

Feedback Feedback

Delay

R in

Balance D

When Feedback Mode is CROSS:

fig.02-017bm

Balance D

L in

Delay

Feedback Feedback

Delay

R in

Balance D

Parameter Value Description

Delay Left 0.0–500.0 ms Adjusts the delay time from Delay Right

Feedback # -98–+98 % Adjusts the proportion of the

Feedback Mode

HF Damp 200–8000 Hz,

Phase Left NORMAL, INVERT Phase of the delay sound Phase Right Low Gain -15–+15 dB Gain of the low range High Gain -15–+15 dB Gain of the high range Balance # D100:0W–D0:100W Volume balance between the

Output Level 0–127 Output Level

NORMAL, CROSS Selects the way in which delay

BYPASS

2-Band

EQ

Balance W

2-Band

EQ

2-Band

EQ

Balance W

2-Band

EQ

the direct sound until the delay sound is heard.

delay sound that is fed back into the effect. Negative (-) settings will invert the phase.

sound is fed back into the effect. (See the figures above.)

Adjusts the frequency above which sound fed back to the effect will be cut. If you do not want to cut the high frequencies, set this parameter to BYPASS.

direct sound (D) and the delay sound (W)

L out

R out

L out

R out

36

Effects List

18: MODULATION DELAY

Adds modulation to the delayed sound, producing an effect similar to a flanger.

When Feedback Mode is NORMAL:

fig.02-018am

L in L out

Balance D

Delay

Feedback Feedback

Delay

Modulation

R in R out

Balance D

2-Band

EQ

Balance W

2-Band

EQ

When Feedback Mode is CROSS:

fig.02-018bm

L in

R in

Delay

Feedback Feedback

Delay

Balance D

Modulation

Balance D

2-Band

EQ

Balance W

2-Band

EQ

L out

R out

Parameter Value Description

Delay Left 0.0–500.0 ms Adjusts the delay time from Delay Right

Feedback -98–+98 % Adjusts the proportion of the

Feedback Mode

HF Damp 200–8000 Hz,

Rate # 0.05–10.00 Hz Frequency of modulation Depth 0–127 Depth of modulation Phase 0–180˚ Spatial spread of the sound Low Gain -15–+15 dB Gain of the low range High Gain -15–+15 dB Gain of the high range Balance # D100:0W–D0:100W Volume balance between the

Output Level 0–127 Output Level

NORMAL, CROSS Selects the way in which delay

BYPASS

the direct sound until the delay sound is heard.

delay sound that is fed back into the effect. Negative (-) settings will invert the phase.

sound is fed back into the effect (See the figures above.)

Adjusts the frequency above which sound fed back to the effect will be cut. If you do not want to cut the high frequencies, set this parameter to BYPASS.

direct sound (D) and the delay sound (W)

19: TRIPLE TAP DELAY

Produces three delay sounds; center, left and right.

fig.02-019m

L in

Triple Tap Delay

Balance D

Left Tap

Center Tap

2-Band

EQ

Balance W

L out

Parameter Value Description

Delay Center 200–1000 ms, note *1 Adjusts the delay time from Delay Left Delay Right Feedback # -98–+98 % Adjusts the proportion of the

HF Damp 200–8000 Hz,

BYPASS

Center Level 0–127 Volume of each delay sound Left Level Right Level Low Gain -15–+15 dB Gain of the low range High Gain -15–+15 dB Gain of the high range Balance # D100:0W–D0:100W Volume balance between the

Output Level 0–127 Output Level

the direct sound until the delay sound is heard.

delay sound that is fed back into the effect. Negative (-) settings will invert the phase.

Adjusts the frequency above which sound fed back to the effect will be cut. If you do not want to cut the high frequencies, set this parameter to BYPASS.

direct sound (D) and the delay sound (W)

20: QUADRUPLE TAP DELAY

This effect has four delays.

fig.02-020am

Balance D

L in

Feedback

Delay 1

Delay 2

Quadruple Tap Delay

Delay 3

Delay 4

R in

fig.02-020bm

Balance D

23

Stereo location of each delay sound

1

L

4

R

Parameter Value Description

Delay 1 200–1000 ms, note *1 Adjusts the delay time from Delay 2 Delay 3 Delay 4 Feedback # -98–+98 % Adjusts the proportion of the

HF Damp 200–8000 Hz,

BYPASS

Level 1 0–127 Volume of each delay sound Level 2 Level 3 Level 4 Balance # D100:0W–D0:100W Volume balance between the

Output Level 0–127 Output Level

the direct sound until the delay sound is heard.

delay sound that is fed back into the effect. Negative (-) settings will invert the phase.

Adjusts the frequency above which sound fed back to the effect will be cut. If you do not want to cut the high frequencies, set this parameter to BYPASS.

direct sound (D) and the delay sound (W)

L out

Balance W

R out

R in

Feedback

Right Tap

Balance D

Balance W

2-Band

EQ

R out

37

Effects List

L in

R in

L out

R out

2-Band

EQ

Balance W

Balance D

2-Band

EQ

Feedback

Pitch Shifter

21: TIME CONTROL DELAY

This effect allows you to use a specified controller (the controller selected in EFX Control Source) to control the delay time and pitch in realtime. Lengthening the delay will lower the pitch, and shortening it will raise the pitch.

fig.02-021m

L in

Balance D

2-Band

EQ

Balance W

L out

Time Control Delay

Balance W

2-Band

EQ

R out

R in

Feedback

Balance D

Parameter Value Description

Delay # 200–1000 ms Adjusts the delay time from

Accel 0–15 Adjusts the time over which

Feedback # -98–+98 % Adjusts the proportion of the

HF Damp 200–8000 Hz,

BYPASS

Low Gain -15–+15 dB Gain of the low range High Gain -15–+15 dB Gain of the high range Balance D100:0W–D0:100W Volume balance between the

Output Level 0–127 Output Level Output Pan L64–63R Stereo location of the delay

the direct sound until the delay sound is heard.

the Delay Time will change from the current setting to a newly specified setting.

The rate of change for the Delay Time directly affects the rate of pitch change.

delay sound that is fed back into the effect. Negative (-) settings will invert the phase.

Adjusts the frequency above which sound fed back to the effect will be cut. If you do not want to cut the high frequencies, set this parameter to BYPASS.

direct sound (D) and the delay sound (W)

sound

22: 2VOICE PITCH SHIFTER

Shifts the pitch of the original sound. This 2-voice pitch shifter has two pitch shifters, and can add two pitch shifted sounds to the original sound.

fig.02-022m

Balance D

L in

R in

Level Balance A

2Voice Pitch Shifter

Level Balance B

PanA L

PanA R PanB L

PanB R

Balance D

L out

Balance W

R out

Parameter Value Description

A:Coarse #1 -24–+12 semi Adjusts the pitch of Pitch Shift

A:Fine #1 -100–+100 cent Adjusts the pitch of Pitch Shift

A:Pre Delay 0.0–500 ms Adjusts the delay time from

A:Pan L64–63R Stereo location of the Pitch

B:Coarse #2 -24–+12 semi Settings of the Pitch Shift B B:Fine #2 -100–+100 cent B:Pre Delay 0.0–500.0 ms B:Pan L64–63R

Mode 1, 2, 3, 4, 5 Setting a higher value for this

Level Balance A100:0B–A0:100B Volume balance between the

Balance D100:0W–D0:100W Volume balance between the

Output Level 0–127 Output Level

A in semitone steps.

A in 2-cent steps.

the direct sound until the Pitch Shift A sound is heard.

Shift A sound

sound

The parameters are the same as for the Pitch Shift A sound.

parameter will result in slower response, but steadier pitch.

Pitch Shift A and Pitch Shift B sounds

direct sound (D) and the pitch shifted sound (W)

23: FBK PITCH SHIFTER (Feedback Pitch Shifter)

This allows the pitch shifted sound to be fed back into the effect.

fig.02-023m

Parameter Value Description

Coarse #1 -24–+12 semi Adjusts the pitch of the pitch

Fine #1 -100–+100 cent Adjusts the pitch of the pitch

Pre Delay 0.0–500.0 ms Adjusts the delay time from the

Mode 1, 2, 3, 4, 5 Setting a higher value for this

Feedback # -98–+98 % Adjusts the proportion of the

Low Gain -15–+15 dB Gain of the low range High Gain -15–+15 dB Gain of the high range Balance D100:0W–D0:100W Volume balance between the di-

Output Level 0–127 Output Level Output Pan L64–63R Stereo location of the pitch shift-

shifted sound in semitone steps.

shifted sound in 2-cent steps.

direct sound until the pitch shifted sound is heard.

parameter will result in slower response, but steadier pitch.

pitch shifted sound that is fed back into the effect. Negative (-) settings will invert the phase.

rect sound (D) and the pitch shifted sound (W)

ed sound

38

Effects List

24: REVERB

Adds reverberation to the sound, simulating an acoustic space.

fig.02-024m

L in

Balance D

2-Band

Balance W

EQ

L out

Reverb

Balance W

R in

Balance D

2-Band

EQ

R out

Parameter Value Description

Type ROOM1, ROOM2,

STAGE1, STAGE2, HALL1, HALL2

Pre Delay 0.0–100.0 ms Adjusts the delay time from

Time # 0–127 Time length of reverberation HF Damp 200–8000 Hz,

BYPASS

Low Gain -15–+15 dB Gain of the low range High Gain -15–+15 dB Gain of the high range Balance # D100:0W–D0:100W Volume balance between the

Output Level 0–127 Output Level

Type of reverb

ROOM1: dense reverb with short decay

ROOM2: sparse reverb with short decay

STAGE1: reverb with greater late reverberation

STAGE2: reverb with strong early reflections

HALL1: reverb with clear reverberance

HALL2: reverb with rich reverberance

the direct sound until the reverb sound is heard.

Adjusts the frequency above which the reverberant sound will be cut.

As the frequency is set lower, more of the high frequencies will be cut, resulting in a softer and more muted reverberance. If you do not want to cut the high frequencies, set this parameter to BYPASS.

direct sound (D) and the reverb sound (W)

25: GATED REVERB

This is a special type of reverb in which the reverberant sound is cut off before its natural length.

fig.02-025m

L in

Balance D

Gated Reverb

R in

Balance D

Parameter Value Description

Type NORMAL, REVERSE,

Pre Delay 0.0–100.0 ms Adjusts the delay time from

SWEEP1, SWEEP2

2-Band

EQ

Balance W

2-Band

EQ

Type of reverb

NORMAL: conventional gated reverb

REVERSE: backwards reverb

SWEEP1: the reverberant sound moves from right to left

SWEEP2: the reverberant sound moves from left to right

the direct sound until the reverb sound is heard.

L out

R out

Parameter Value Description

Gate Time 5–500 ms Adjusts the time from when

Low Gain -15–+15 dB Gain of the low range High Gain -15–+15 dB Gain of the high range Balance # D100:0W–D0:100W Volume balance between the

Output Level # 0–127 Output Level

the reverb is heard until it disappears.

direct sound (D) and the reverb sound (W)

26: OVERDRIVE -> CHORUS

fig.02-026m

L in

R in

Overdrive

Balance D

Chorus

Balance D

L out

Balance W

R out

Parameter Value Description

OD Drive 0–127 Degree of distortion

OD Pan # L64–63R Stereo location of the overdrive

Chorus Rate 0.05–10.00 Hz Frequency of modulation Chorus Depth 0–127 Depth of modulation Chorus Pre

Delay

Chorus Balance #

Output Level 0–127 Output Level

0.0–100.0 ms Adjusts the delay time from the

D100:0W–D0:100W Adjusts the volume balance be-

Also changes the volume.

sound

direct sound until the chorus sound is heard.

tween the sound that is sent through the chorus (W) and the sound that is not sent through the chorus (D).

27: OVERDRIVE -> FLANGER

fig.02-027m

L in

Balance D

Feedback

Overdrive

R in

Flanger

Balance D

Parameter Value Description

OD Drive 0–127 Degree of distortion

OD Pan # L64–63R Stereo location of the overdrive

Flanger Rate 0.05–10.00 Hz Frequency of modulation Flanger Depth 0–127 Depth of modulation Flanger Feed-

back

Flanger Pre Delay

Flanger Balance #

Output Level 0–127 Output Level

-98–+98 % Adjusts the proportion of the

0.0–100.0 ms Adjusts the delay time from

D100:0W–D0:100W Adjusts the volume balance be-

Also changes the volume.

sound

flanger sound that is fed back into the effect. Negative (-) settings will invert the phase.

when the direct sound begins until the flanger sound is heard.

tween the sound that is sent through the flanger (W) and the sound that is not sent through the flanger (D).

L out

Balance W

R out

39

Effects List

Chorus

L in

R in

L out

R out

Mix

Enhancer

Balance W

Balance D

Feedback

Flanger

L in

R in

L out

R out

Mix

Enhancer

Balance W

Balance D

28: OVERDRIVE -> DELAY

fig.02-028m

L in

R in

Overdrive

Balance D

Delay

Feedback

Balance D

L out

Balance W

R out

Parameter Value Description

OD Drive 0–127 Degree of distortion

OD Pan # L64–63R Stereo location of the over-

Delay Time 0.0–500.0 ms Adjusts the delay time from

Delay Feedback -98–+98 % Adjusts the proportion of the

Delay HF Damp 200–8000 Hz,

BYPASS

Delay Balance # D100:0W–D0:100W Adjusts the volume balance

Output Level 0–127 Output Level

Also changes the volume.

drive sound

the direct sound until the delay sound is heard.

delay sound that is fed back into the effect. Negative (-) settings will invert the phase.

Adjusts the frequency above which sound fed back to the effect will be cut. If you do not want to cut the high frequencies, set this parameter to BYPASS.

between the sound that is sent through the delay (W) and the sound that is not sent through the delay (D).

29: DISTORTION -> CHORUS

The parameters are essentially the same as in “26: OVERDRIVE -> CHORUS,” with the exception of the following two.

OD Drive -> Dist Drive, OD Pan -> Dist Pan

fig.02-029m

L in

R in

Distortion

Balance D

Chorus

Balance D

L out

Balance W

R out

31: DISTORTION -> DELAY

The parameters are essentially the same as in “28: OVERDRIVE -> DELAY,” with the exception of the following two.

OD Drive -> Dist Drive, OD Pan -> Dist Pan

fig.02-031m

L in

R in

Distortion

Balance D

Delay

Feedback

Balance D

L out

Balance W

R out

32: ENHANCER -> CHORUS

fig.02-032m

Parameter Value Description

Enhancer Sens # 0–127 Sensitivity of the enhancer Enhancer Mix

Level Chorus Rate 0.05–10.00 Hz Frequency of modulation Chorus Depth 0–127 Depth of modulation Chorus Pre De-

lay

Chorus Balance #D100:0W–

Output Level 0–127 Output Level

0–127 Level of the overtones generat-

0.0–100.0 ms Adjusts the delay time from the

D0:100W

ed by the enhancer

direct sound until the chorus sound is heard.

Adjusts the volume balance between the sound that is sent through the chorus (W) and the sound that is not sent through the chorus (D).

33: ENHANCER -> FLANGER

fig.02-033m

30: DISTORTION -> FLANGER

The parameters are essentially the same as in “27: OVERDRIVE -> FLANGER,” with the exception of the following two.

OD Drive -> Dist Drive, OD Pan -> Dist Pan

fig.02-030m

L in

R in

40

Distortion

Feedback

Flanger

Balance D

L out

Balance W

R out

Parameter Value Description

Enhancer Sens # 0–127 Sensitivity of the enhancer Enhancer Mix

Level Flanger Rate 0.05–10.00 Hz Frequency of modulation Flanger Depth 0–127 Depth of modulation Flanger Feed-

back

Flanger Pre Delay

Flanger Balance #D100:0W–

Output Level 0–127 Output Level

0–127 Level of the overtones generat-

-98–+98 % Adjusts the proportion of the

0.0–100.0 ms Adjusts the delay time from

D0:100W

ed by the enhancer

flanger sound that is fed back into the effect. Negative (-) settings will invert the phase.

when the direct sound begins until the flanger sound is heard.

Adjusts the volume balance between the sound that is sent through the flanger (W) and the sound that is not sent through the flanger (D).

Effects List

Feedback

Delay

L in

R in

L out

R out

Balance W

Balance D

Flanger

Balance W

Balance D

Feedback

Flanger

L in

R in

L out

R out

Balance W

Balance D

Chorus

Balance W

Balance D

34: ENHANCER -> DELAY

fig.02-034m

L in

Enhancer

Mix

Balance D

L out

Balance W

Delay

Balance W

R out

R in

Enhancer

Mix

Feedback

Balance D

Parameter Value Description

Enhancer Sens # 0–127 Sensitivity of the enhancer Enhancer Mix

Level Delay Time 0.0–500.0 ms Adjusts the delay time from

Delay Feedback -98–+98 % Adjusts the proportion of the

Delay HF Damp 200–8000 Hz,

Delay Balance # D100:0W–D0:100W Adjusts the volume balance

Output Level 0–127 Output Level

0–127 Level of the overtones gener-

BYPASS

ated by the enhancer

the direct sound until the delay sound is heard.

delay sound that is fed back into the effect. Negative (-) settings will invert the phase.

Adjusts the frequency above which sound fed back to the effect will be cut. If you do not want to cut the high frequencies, set this parameter to BYPASS.

between the sound that is sent through the delay (W) and the sound that is not sent through the delay (D).

35: CHORUS -> DELAY

fig.02-035m

L in

R in

Balance D

Balance W

Chorus

Balance W

Balance D

Delay

Feedback

Balance D

L out

Balance W

R out

36: FLANGER -> DELAY

fig.02-036m

Parameter Value Description

Flanger Rate 0.05–10.00 Hz Flanger Depth 0–127 Flanger Feed-

back

Flanger Pre Delay

Flanger Balance #

Delay Time 0.0–500.0 ms

Delay Feedback

Delay HF Damp

Delay Balance #D100:0W–D0:100W

Output Level 0–127

-98–+98 %

0.0–100.0 ms

D100:0W–D0:100W

-98–+98 %

200–8000 Hz,

BYPASS

Frequency of modulation Depth of modulation Adjusts the proportion of the

flanger sound that is fed back into the effect. Negative (-) settings will invert the phase.

Adjusts the delay time from when the direct sound begins until the flanger sound is heard.

Volume balance between the direct sound (D) and the flanger sound (W)

Adjusts the delay time from the direct sound until the delay sound is heard.

Adjusts the proportion of the delay sound that is fed back into the effect. Negative (-) settings will invert the phase.

Adjusts the frequency above which sound fed back to the effect will be cut. If you do not want to cut the high frequencies, set this parameter to BYPASS.

Adjusts the volume balance between the sound that is sent through the delay (W) and the sound that is not sent through the delay (D).

Output Level

37: CHORUS -> FLANGER

fig.02-037m

Parameter Value Description

Chorus Rate 0.05–10.00 Hz Frequency of modulation Chorus Depth 0–127 Depth of modulation Chorus Pre

Delay

Chorus Balance #

Delay Time 0.0–500.0 ms Adjusts the delay time from the

Delay Feedback

Delay HF Damp

Delay Balance #D100:0W–D0:100W Adjusts the volume balance be-

Output Level 0–127 Output Level

0.0–100.0 ms Adjusts the delay time from the

D100:0W–D0:100W Volume balance between the di-

-98–+98 % Adjusts the proportion of the

200–8000 Hz, BYPASS

direct sound until the chorus sound is heard.

rect sound (D) and the chorus sound (W)

direct sound until the delay sound is heard.

delay sound that is fed back into the effect. Negative (-) settings will invert the phase.

Adjusts the frequency above which sound fed back to the effect will be cut. If you do not want to cut the high frequencies, set this parameter to BYPASS.

tween the sound that is sent through the delay (W) and the sound that is not sent through the delay (D).

Parameter Value Description

Chorus Pre Delay

Chorus Rate 0.05–10.00 Hz

Chorus Depth 0–127

Chorus Balance #

Flanger Rate 0.05–10.00 Hz

Flanger Depth 0–127

Flanger Feedback

Flanger Pre Delay

Flanger Balance #

Output Level 0–127

0.0–100.0 ms

D100:0W–D0:100W

-98–+98 %

0.0–100.0 ms

D100:0W–D0:100W

Adjusts the delay time from the direct sound until the chorus sound is heard.

Modulation frequency of the chorus effect

Modulation depth of the chorus effect

Volume balance between the direct sound (D) and the chorus sound (W)

Modulation frequency of the flanger effect

Modulation depth of the flanger effect

Adjusts the proportion of the flanger sound that is fed back into the effect. Negative (-) settings will invert the phase.

Adjusts the delay time from when the direct sound begins until the flanger sound is heard.

Adjusts the volume balance between the sound that is sent through the flanger (W) and the sound that is not sent through the flanger (D).

Output Level

41

Effects List

38: CHORUS/DELAY

The parameters are the same as for “35: CHORUS -> DELAY.” However, the Delay Balance parameter adjusts the volume balance between the direct sound and the delay sound.

fig.02-038m

Balance D

L in L out

Chorus

Feedback

Delay

Balance W

R in R out

Balance D

39: FLANGER/DELAY

The parameters are the same as for “36: FLANGER -> DELAY.” However, the Delay Balance parameter adjusts the volume balance between the direct sound and the delay sound.

fig.02-039m

Balance D

L in L out

Flanger

Feedback Feedback

Delay

Balance W

R in R out

Balance D

40: CHORUS/FLANGER

The parameters are the same as for “37: CHORUS -> FLANGER.” However, the Flanger Balance parameter adjusts the volume balance between the direct sound and the flanger sound.

fig.02-040m

L in L out

R in R out

Balance D

Chorus

Feedback

Flanger

Balance W

Balance D

41: STEREO PHASER

This is a stereo phaser. With the Step effects, you can also make stepped changes in the pitch of sounds to which the Phaser effect is applied.

fig.02-041m

L in

R in

Phaser

Mix

Phaser

Parameter Value Description

Type 1, 2 Type of phaser

Mode 4-STAGE, 8-STAGE Number of stages in the

Polarity INVERSE,

Manual # 0–127 Adjusts the basic frequency

Rate # 0.05–10.00 Hz, note *2 Frequency of modulation Depth 0–127 Depth of modulation Resonance 0–127 Amount of feedback Cross Feed-

back

Mix Level 0–127 Level of the phase-shifted

Step Switch OFF, ON Determines whether the pitch

Step Rate # 0.10–20.00 Hz, note *2 Rate (period) of pitch change Low Gain -15–+15 dB Gain of the low range High Gain -15–+15 dB Gain of the high range Output Level 0–127 Output Level

SYNCHRO

-98–+98 % Adjusts the proportion of the

2-Band

EQ

2-Band

EQ

Type 2 adds more of the phaser effect to the high frequencies than Type 1.

phaser Selects whether the left and

right phase of the modulation will be the same or the opposite.

INVERSE: The left and right phase will be opposite. When using a mono source, this spreads the sound.

SYNCHRO: The left and right phase will be the same. Select this when inputting a stereo source.

from which the sound will be modulated.

phaser sound that is fed back into the effect. Negative (-) settings will invert the phase.

sound

is changed in a stepped fashion (ON) or not (OFF).

L out

R out

42

Effects List

42: KEYSYNC FLANGER

This effect controls the Flanger by resetting the effect at the volume of the sound input to the effects device, restarting from the same pitch each time the Flanger is reset.

This parameter lets your playing dynamics on the keyboard control the flanger effect.

fig.02-042m

L in

2-Band

EQ

L out

Flanger

Feedback Feedback

Flanger

R in

2-Band

EQ

R out

Parameter Value Description

Rate # 0.05–10.00 Hz, note *2 Frequency of modulation Depth 0–127 Depth of modulation Feedback # -98–+98 % Adjusts the proportion of the

Phase 0–180˚ Spatial spread of the sound Pre Delay 0.0–100 ms Adjusts the delay time from

Filter Type OFF, LPF, HPF Type of filter

Cutoff Freq 200–8000 Hz Basic frequency of the filter Step Switch OFF, ON Determines whether the pitch

Step Rate # 0.10–20.00 Hz, note *2 Rate (period) of pitch change Keysync

Switch

Keysync Threshold

Keysync Phase 0–360˚ LFO phase when the LFO is re-

Low Gain -15–+15 dB Gain of the low range High Gain -15–+15 dB Gain of the high range Balance # D100:0W–D0:100W Volume balance between the

Output Level 0–127 Output Level

OFF, ON Determines whether the

0–127 Adjusts the volume level for

flanger sound that is fed back into the effect. Negative (-) settings will invert the phase.

when the direct sound begins until the flanger sound is heard.

OFF: no filter is used LPF: cuts the frequency

range above the Cutoff Freq HPF: cuts the frequency

range below the Cutoff Freq

is changed in a stepped fashion (ON) or not (OFF).

Flanger LFO is reset according to the input sound (ON) or not (OFF).

which reset will be applied.

set

direct sound (D) and the flanger sound (W)

43: FORMANT FILTER

Adds a vowel character to the sound, making it similar to a human voice.

fig.02-043m

L in

R in

Overdrive

Formant

2-Band

EQ

L out

Pan L

Pan R

R out

Parameter Value Description

Drive Switch OFF, ON Turns Drive on/off. Drive # 0–127 Degree of distortion

Vowel1 a, e, i, o, u Selects the vowel. Vowel2 Rate # 0.05–10.00 Hz, note *2 Frequency at which the two

Depth # 0–127 Effect depth Manual # 0–100 Adjusts the point at which

Keysync Switch OFF, ON Determines whether the LFO

Keysync Threshold

Low Gain -15–+15 dB Gain of the low range High Gain -15–+15 dB Gain of the high range Output Level 0–127 Output Level Output Pan L64–63R Stereo location of the output

0–127 Volume level at which reset

Also changes the volume.

vowels will be switched

the two vowels will be switched. When set to 50, Vowels 1 and 2 switched in the same amount of time. Setting this lower than 50 increases the time for Vowel 1; setting this higher than 50 decreases the time for Vowel 1.

for switching the vowels is reset according to the input sound (ON) or not (OFF).

will be applied

sound

44: RING MODULATOR

This is an effect which applies amplitude modulation (AM) to the input signal, producing bell-like sounds. You can also change the modulation frequency according to the volume of the sound input to the effects device.

fig.02-044m

L in

R in

Ring Mod

2-Band EQ

Parameter Value Description

Frequency # 0–127 Adjusts the frequency at which

Modulator OFF, SOURCE, A, B Selects the source sound for the

Modulator Monitor

Sens # 0–127 Adjusts the amount of frequen-

Polarity UP, DOWN Determines whether the fre-

Low Gain -15–+15 dB Gain of the low range High Gain -15–+15 dB Gain of the high range Balance # D100:0W–D0:100W Volume balance between the

Output Level 0–127 Output Level

OFF, ON Determines whether the input

L out

R out

modulation will be applied.

envelope controlling the modulation.

SOURCE: The frequency is modulated according to the envelope of the sound sent into the Multi-effects. A, B: The frequency is modulated according to the envelope of the direct sound sent to the OUTPUT A or OUTPUT B jacks.

sound used as the modulator is output (ON) or not (OFF).

* This parameter is disabled

when Modulator is set to OFF or SOURCE.

cy modulation applied.

quency modulation moves towards higher frequencies (UP) or lower frequencies (DOWN).

direct sound (D) and the effect sound (W)

43

Effects List

u

Feedback

L in

R in

Delay

L ou

R o

2-Band

EQ

2-Band

EQ

1

2

Delay 1

Delay 2

45: MULTI TAP DELAY

The effect has four delays. Each of the Delay Time parameters can be specified as a note length of the selected tempo. You can also set the panning and level of each delay sound.

fig.02-045m

L in

Feed back

Balance D

Delay 1

Delay 3

2-Band

EQ

Balance W

L out

Multi Tap Delay

Balance W

2-Band

EQ

R out

R in

Delay 4

Delay 2

Balance D

Parameter Value Description

Delay 1–4 0–1800 ms, note *2 Adjusts the delay time from the

Feedback # -98–+98 % Adjusts the proportion of the

HF Damp 200–8000 Hz,

BYPASS

Level 1–4 0–127 Output level of the delay 1–4

Pan 1–4 L64–63R Stereo location of the delay 1–4

Low Gain -15–+15 dB Gain of the low range High Gain -15–+15 dB Gain of the high range Balance # D100:0W–D0:100W Volume balance between the di-

Output Level 0–127 Output Level

direct sound until the delay 1–4 sound is heard.

delay sound that is fed back into the effect. Negative (-) settings will invert the phase.

Adjusts the frequency above which sound fed back to the effect will be cut. If you do not want to cut the high frequencies, set this parameter to BYPASS.

sound

rect sound (D) and the effect sound (W)

46: REVERSE DELAY

Adds the reverse of the input sound as the delay sound.

fig.02-046m

L in

R in

Feedback

Rev. Delay

D1

Delay

D4

1

D2

2

D3

3

2-Band

Parameter Value Description

Delay 1–4 0–900 ms, note *2 Adjusts the delay time from the

Feedback 1 # -98–+98 % Adjusts the proportion of the Feedback 4 #

HF Damp 1 200–8000 Hz, BYHF Damp 4

Level 1–3 0–127 Output level of the delay 1–3

Pan 1–3 L64–63R Stereo location of the delay 1–3

PASS

direct sound until the delay 1–4 sound is heard.

delay sound that is fed back into the effect. Negative (-) settings will invert the phase.

Adjusts the frequency above which sound fed back to the effect will be cut. If you do not want to cut the high frequencies, set this parameter to BYPASS.

sound

44

EQ

L o

R o

Parameter Value Description

Threshold 0–127 Volume level at which the re-

Low Gain -15–+15 dB Gain of the low range High Gain -15–+15 dB Gain of the high range Balance # D100:0W–D0:100W Volume balance between the di-

Output Level 0–127 Output Level

verse delay will begin to apply

rect sound (D) and the effect sound (W)

47: SHUFFLE DELAY

Adds a shuffle to the delay sound, giving the sound a bouncy delay effect with a swing feel.

fig.02-047m

Parameter Value Description

Delay # 0–1800 ms, note *2 Adjusts the delay time from the

Shuffle Rate # 0–100 % Adjusts the ratio (as a percent-

Accel 0–15 Adjusts the time over which the

Feedback # -98–+98 % Adjusts the proportion of the

HF Damp 200–8000 Hz,

BYPASS

Pan A L64–63R Stereo location of the delay A

Pan B L64–63R Stereo location of the delay B

Level Balance A100:0B–A0:100B Volume balance between the

Low Gain -15–+15 dB Gain of the low range High Gain -15–+15 dB Gain of the high range Balance # D100:0W–D0:100W Volume balance between the di-

Output Level 0–127 Output Level

direct sound until the delay sound is heard.

age) of the time that elapses before the sound plays in Delay B relative to the time that elapses before the sound plays in Delay A. When set to 100%, the delay times are the same.

Delay Time will change from the current setting to a newly specified setting.

delay sound that is fed back into the effect. Negative (-) settings will invert the phase.

Adjusts the frequency above which sound fed back to the effect will be cut. If you do not want to cut the high frequencies, set this parameter to BYPASS.

sound

delay A and delay B sounds

rect sound (D) and the effect sound (W)

Effects List

u

48: 3D DELAY

This applies a 3D effect to the delay sound. The delay sound will be positioned 90 degrees left and 90 degrees right.

fig.02-048m

L

3D Delay L

Level

2-Band

EQ

L o

3D Delay C

3D Delay R

R

2-Band

EQ

R o

Parameter Value Description

Delay Center 0–1800 ms, note *2 Adjusts the delay time from Delay Left Delay Right Feedback # -98–+98 % Adjusts the proportion of the

HF Damp 200–8000 Hz, BYPASS Adjusts the frequency above

Level Center 0–127 Output level of the delay Level Left Level Right Low Gain -15–+15 dB Gain of the low range High Gain -15–+15 dB Gain of the high range Balance # D100:0W–D0:100W Volume balance between the

Output Mode SPEAKER, PHONES Adjusts the method that will

Output Level 0–127 Output Level

the direct sound until the delay sound is heard.

delay sound that is fed back into the effect. Negative (-) settings will invert the phase.

which sound fed back to the effect will be cut. If you do not want to cut the high frequencies, set this parameter to BYPASS.

sound

direct sound (D) and the effect sound (W)

be used to hear the sound that is output to the OUTPUT jacks. The optimal 3D effect will be achieved if you select SPEAKER when using speakers, or PHONES when using headphones.

49: 3VOICE PITCH SHIFTER

This 3-voice pitch shifter has three pitch shifters, and can add three pitch shifted sounds to the original sound.

fig.02-049m

L

Pitch 1 Pitch 2

Pitch 3

1

2

3

R

Parameter Value Description

1:Coarse #1 -24–+12 semi Adjusts the pitch of Pitch Shift 1

1:Fine #1 -100–+100 cent Adjusts the pitch of Pitch Shift 1

1:Feedback # -98–+98 % Adjusts the proportion of the

in semitone steps.

in 2-cent steps.

Pitch Shift 1 sound that is fed back into the effect. Negative (-) settings will invert the phase.

L out

R out

Parameter Value Description

1:Pre Delay 0.0–500.0 ms Adjusts the delay time from the

1:Level 0–127 Output Level of the Pitch Shift 1

1:Pan L64–63R Stereo location of the Pitch Shift

2:Coarse #2 -24–+12 semitone Settings of the Pitch Shift 2 2:Fine #2 -100–+100 cent 2:Feedback # -98–+98 % 2:Pre Delay 0.0–500 ms 2:Level 0–127 2:Pan L64–63R 3:Coarse #3 -24–+12 semitone Settings of the Pitch Shift 3 3:Fine #3 -100–+100 cent 3:Feedback # -98–+98 % 3:Pre Delay 0.0–500 ms 3:Level 0–127 3:Pan L64–63R Mode 1, 2, 3, 4, 5 Setting a higher value for this

Balance D100:0W–D0:100W Volume balance between the di-

Output Level 0–127 Output Level

direct sound until the Pitch Shift 1 sound is heard.

sound

1 sound

sound

The parameters are the same as for the Pitch Shift 1 sound.

sound

The parameters are the same as for the Pitch Shift 1 sound.

parameter will result in slower response, but steadier pitch.

rect sound (D) and the effect sound (W)

50: LOFI COMPRESS

This is an effect that intentionally degrades the sound quality.

fig.02-050m

L in

Lo-Fi

2-Band

EQ

R in

Parameter Value Description

Lo-Fi Type 1–9 Degrades the sound quality.

Pre Filter Type 1–6 Adjusts the type of filter that

Post Filter 1 Type

Post Filter 2 Type

Post Filter 2 Cutoff

Low Gain -15–+15 dB Gain of the low range High Gain -15–+15 dB Gain of the high range Balance # D100:0W–D0:100W Volume balance between the

Output Level 0–127 Output Level Output Pan L64–63R Stereo location of the output

1–6 Adjusts the type of filter that

OFF, LPF, HPF Type of filter

200–8000 Hz Basic frequency of the filter

The sound quality will become poorer as this value is increased.

will be applied before the sound passes through the LoFi effect.

will be applied after the sound passes through the Lo-Fi effect.

OFF: no filter is used LPF: cuts the frequency

range above the Cutoff HPF: cuts the frequency

range below the Cutoff

direct sound (D) and the effect sound (W)

sound

L out

Pan L

Pan R

R out

45

Effects List

L in

R in

L out

R out

Pan R

Pan L

Amp

Simulator

2-Band

EQ

Overdrive

51: LOFI NOISE

In addition to a Lo-Fi effect, this effect also generates various types of noise, such as radio noise and disc noise.

fig.02-051m

L in

2-Band

EQ

R in

Radio

Lo-Fi

Noise Gen.

Parameter Value Description

Lo-Fi Type 1–9 Degrades the sound quality.

Post Filter Type OFF, LPF, HPF Type of filter

Post Filter Cutoff

Radio Detune # 0–127 Simulates the tuning noise of a

Radio Noise Level

Disc Noise Type LP, EP, SP, RND Type of record noise

Disc Noise LPF 200–8000 Hz,

Disc Noise Level 0–127 Volume of the record noise Low Gain -15–+15 dB Gain of the low range High Gain -15–+15 dB Gain of the high range Balance # D100:0W–D0:100W Volume balance between the

Output Level 0–127 Output Level Output Pan L64–63R Stereo location of the output

200–8000 Hz Basic frequency of the filter

0–127 Volume of the radio noise

BYPASS

The sound quality will become poorer as this value is increased.

OFF: no filter is used LPF: cuts the frequency

range above the Cutoff HPF: cuts the frequency

range below the Cutoff

radio. As this value is raised, the tuning will drift further.

The frequency at which the noise is heard will depend on the selected type.

Adjusts the cutoff frequency of the low pass filter that is applied to the record noise. If you do not want to cut the high frequencies, set this parameter to BYPASS.

direct sound (D) and the effect sound (W)

sound

L out

Pan L

Pan R

R out

52: SPEAKER SIMULATOR

Simulates the speaker type and mic settings used to record the speaker sound.

fig.02-052m

L in

R in

Speaker

Parameter Value Description

Speaker Type (See the table below.) Type of speaker Mic Setting 1, 2, 3 Adjusts the location of the mic

Mic Level # 0–127 Volume of the microphone Direct Level # 0–127 Volume of the direct sound Output Level # 0–127 Output Level

Specifications of each Speaker Type

The speaker column indicates the diameter of each speaker unit (in inches) and the number of units.

Type Cabinet Speaker Micro-

SMALL 1 small open-back enclosure 10 dynamic SMALL 2 small open-back enclosure 10 dynamic MIDDLE open back enclosure 12 x 1 dynamic JC-120 open back enclosure 12 x 2 dynamic BUILT IN 1 open back enclosure 12 x 2 dynamic BUILT IN 2 open back enclosure 12 x 2 condenser BUILT IN 3 open back enclosure 12 x 2 condenser BUILT IN 4 open back enclosure 12 x 2 condenser BUILT IN 5 open back enclosure 12 x 2 condenser BG STACK 1 sealed enclosure 12 x 2 condenser BG STACK 2 large sealed enclosure 12 x 2 condenser MS STACK 1 large sealed enclosure 12 x 4 condenser MS STACK 2 large sealed enclosure 12 x 4 condenser METAL STACK large double stack 12 x 4 condenser 2-STACK large double stack 12 x 4 condenser 3-STACK large triple stack 12 x 4 condenser

L out

R out

that is recording the sound of the speaker.

This can be adjusted in three steps, with the mic becoming more distant in the order of 1, 2, and 3.

phone

46

53: OVERDRIVE 2

This is an overdrive that provides heavy distortion.

fig.02-053m

Parameter Value Description

Drive # 0–127 Degree of distortion

Tone 0–127 Sound quality of the Overdrive ef-

Amp Switch OFF, ON Turns the Amp Simulator on/off. Amp Type SMALL, BUILT-IN,

2-STACK, 3-STACK

Low Gain -15–+15 dB Gain of the low range High Gain -15–+15 dB Gain of the high range Output Level 0–127 Output Level Output Pan # L64–63R Stereo location of the output sound

Also changes the volume.

fect

Type of guitar amp

SMALL: small amp BUILT-IN: single-unit type amp 2-STACK: large double stack

amp 3-STACK: large triple stack amp

Effects List

54: DISTORTION 2

This is a distortion effect that provides heavy distortion. The parameters are the same as for “53: OVERDRIVE 2.”

fig.02-054m

L in

R in

Distortion

Amp

Simulator

2-Band

EQ

L out

Pan L

Pan R

R out

55: STEREO COMPRESSOR

fig.02-055m

L in

R in

Compressor

2-Band EQ

L out

R out

Parameter Value Description

Attack 0–127 Attack time of an input sound Sustain 0–127 Adjusts the time over which

Post Gain 0, +6, +12, +18 dB Adjusts the output gain. Low Gain -15–+15 dB Gain of the low range High Gain -15–+15 dB Gain of the high range Output Level # 0–127 Output Level

low level sounds are boosted until they reach the specified volume.

56: STEREO LIMITER

fig.02-056m

L in

R in

Limiter

2-Band EQ

Parameter Value Description

Threshold 0–127 Adjusts the volume at which

Ratio 1.5:1, 2:1, 4:1, 100:1 Compression ratio Release 0–127 Adjusts the time from when the

Post Gain 0, +6, +12, +18 dB Adjusts the output gain. Low Gain -15–+15 dB Gain of the low range High Gain -15–+15 dB Gain of the high range Output Level # 0–127 Output Level

L out

R out

compression will begin.

volume falls below the Threshold Level until compression is no longer applied.

57: GATE

Cuts the reverb’s delay according to the volume of the sound input to the effects device. Use this in situations such as when you want to force a decrease in the decay sound.

fig.02-057m

L in

R in

Gate

Parameter Value Description

Mode GATE, DUCK Type of the gate

Attack 0–127 Adjusts the time it takes the gate

Hold 0–127 Adjusts the time it takes the gate

Release 0–127 Adjusts the time it takes the gate

Key SOURCE, A, B Selects the source sound that

Key Threshold 0–127 Volume level at which the gate

Key Monitor OFF, ON Determines whether the sound

Balance # D100:0W–D0:100W Volume balance between the di-

Output Level 0–127 Output Level

L out

R out

GATE (Gated Reverb): When the source volume falls below a certain level, the gate closes, giving the effect of the reverb sound being cut with a gated reverb.

DUCK (Ducking Reverb): When the source volume gets high enough, the gate closes, which gives a ducking reverb-type effect. Stop the reverb sound only when input loud sound so that prevent the play sound become unclear.

fully opens after being triggered.

starts closing after the instant the source sound goes under the Key Threshold.

fully closes after passes by the hold time.

acts as the trigger for closing the gate.

SOURCE: The gate is closed by the sound sent into the Multi-effects.

A, B: The gate is closed by the direct sound sent to the OUTPUT A or OUTPUT B jacks.

begins to close

used as the gate trigger is output (ON) or not (OFF).

* This parameter is disabled

when Key is set to SOURCE.

rect sound (D) and the effect sound (W)

47

Effects List

58: SLICER

By applying successive cuts to the sound, this effect turns a conventional sound into a sound that appears to be played as a backing phrase. This is especially effective when applied to sustaintype sounds.

fig.02-058m

L in

R in

Slicer

Parameter Value Description

Beat 1-1–4-4 0–127 For a single measure contain-

Rate # 0.05–10.00 Hz, note *2 Cycle for one measure Attack 0–127 Speed at which the volume

Reset Trigger # OFF, SOURCE, A, B Selects the source sound that

Reset Threshold 0–127 Volume level at which the re-

Reset Monitor OFF, ON Determines whether the

Mode LEGATO, SLASH Sets the manner in which the

Shuffle # 0–127 Timing of volume changes in

Output Level 0–127 Output Level

L out

R out

ing four quarter notes, this sets the level of each sixteenth-note when the measure is divided into sixteenth notes.

changes between beats

acts as the trigger resetting the one-measure pattern.

OFF: The pattern is not reset, even if the input signal is present.

SOURCE: The pattern is reset by the sound sent into the Multi-effects.

A, B: The pattern is reset by the direct sound sent to the OUTPUT A or OUTPUT B jacks.

* When Reset Trigger is se-

lected as the MFX Control parameter, you can use an external MIDI device to reset the pattern.

set begins

sound used as the reset trigger is output (ON) or not (OFF).

* This parameter is disabled

when Reset Trigger is set to OFF or SOURCE.

volume changes as one beat progresses to the next.

LEGATO: The change in volume from one beat’s level to the next remains unaltered. If the level of a following beat is the same as the one preceding it, then there is no change in volume.

SLASH: The level is momentarily set to 0 before progressing to the level for the next beat. This change in volume occurs even if the level of a following beat is the same as the one preceding it.

levels for even-numbered Beats (Beat 1-2/Beat 1-4/Beat 2-2/...).

The higher the value selected, the later the timing with which the beat progresses.

59: ISOLATOR

This is an equalizer which cuts the volume greatly, allowing you to add a special effect to the sound by cutting the volume in varying ranges.

fig.02-059m

L in

R in

Isolator

Low Boost

Parameter Value Description

Boost/Cut Low #

Boost/Cut Mid #

Boost/Cut High #

Anti Phase Low Switch

Anti Phase Low Level

Anti Phase Mid Switch

Anti Phase Mid Level

Low Boost Switch

Low Boost Level

Output Level 0–127 Output Level

-60–+4 dB These boost and cut each of the High,

OFF, ON Turns the Anti-Phase function on and

0–127 Adjusts the level settings for the Low

OFF, ON Settings of the Anti-Phase function

0–127

OFF, ON Turns Low Booster on/off.

0–127 Increasing this value gives you a

Middle, and Low frequency ranges.

At -60 dB, the sound becomes inaudible. 0 dB is equivalent to the input level of the sound.

off for the Low frequency ranges.

When turned on, the counterchannel of stereo sound is inverted and added to the signal.

frequency ranges.

Adjusting this level for certain frequencies allows you to lend emphasis to specific parts. (This is effective only for stereo source.)

for the Middle frequency ranges

The parameters are the same as for the Low frequency ranges.

This emphasizes the bottom to create a heavy bass sound.

heavier low end. * Depending on the Isolator and fil-

ter settings this effect may be hard to distinguish.

L out

R out

48

Effects List

SAW1 SAW2

L

R

L

R

60: 3D CHORUS

This applies a 3D effect to the chorus sound. The chorus sound will be positioned 90 degrees left and 90 degrees right.

fig.02-060m

L

3D Chorus

R

Parameter Value Description

Rate # 0.05–10.00 Hz, note *2 Frequency of modulation Depth 0–127 Modulation depth of the chorus

Phase 0–180˚ Spatial spread of the sound Pre Delay 0.0–100.0 ms Adjusts the delay time from the

Filter Type OFF, LPF, HPF Type of filter

Cutoff Freq 200–8000 Hz Basic frequency of the filter Low Gain -15–+15 dB Gain of the low range High Gain -15–+15 dB Gain of the high range Balance # D100:0W–D0:100W Volume balance between the

Output Mode SPEAKER, PHONES Adjusts the method that will be

Output Level 0–127 Output Level

61: 3D FLANGER

This applies a 3D effect to the flanger sound. The flanger sound will be positioned 90 degrees left and 90 degrees right.

fig.02-061m

L

3D Flanger

R

Parameter Value Description

Rate # 0.05–10.00 Hz, note *2 Frequency of modulation Depth 0–127 Depth of modulation Feedback # -98–+98 % Adjusts the proportion of the

Phase 0–180˚ Spatial spread of the sound Pre Delay 0.0–100.0 ms Adjusts the delay time from

Filter Type OFF, LPF, HPF Type of filter

Cutoff Freq 200–8000 Hz Basic frequency of the filter Step Switch OFF, ON Determines whether the pitch

Step Rate # 0.10–20.00 Hz, note *2 Rate (period) of pitch change

2-Band

EQ

2-Band

EQ

effect

direct sound until the chorus sound is heard.

OFF: no filter is used LPF: cuts the frequency

range above the Cutoff Freq HPF: cuts the frequency

range below the Cutoff Freq

direct sound (D) and the chorus sound (W)

used to hear the sound that is output to the OUTPUT jacks. The optimal 3D effect will be achieved if you select SPEAKER when using speakers, or PHONES when using headphones.

2-Band

EQ

2-Band

EQ

flanger sound that is fed back into the effect. Negative (-) settings will invert the phase.

when the direct sound begins until the flanger sound is heard.

OFF: no filter is used LPF: cuts the frequency

range above the Cutoff Freq HPF: cuts the frequency

range below the Cutoff Freq

is changed in a stepped fashion (ON) or not (OFF).

L out

R out

L out

R out

Parameter Value Description

Low Gain -15–+15 dB Gain of the low range High Gain -15–+15 dB Gain of the high range Balance # D100:0W–D0:100W Volume balance between the

Output Mode SPEAKER, PHONES Adjusts the method that will be

Output Level 0–127 Output Level

direct sound (D) and the flanger sound (W)

used to hear the sound that is output to the OUTPUT jacks. The optimal 3D effect will be achieved if you select SPEAKER when using speakers, or PHONES when using headphones.

62: TREMOLO

Cyclically modulates the volume to add tremolo effect to the sound.

fig.02-062am

L in

R in

Tremolo

2-Band EQ

L out

R out

Parameter Value Description

Mod Wave TRI, SQR, SIN,

SAW1, SAW2

Rate # 0.05–10.00 Hz, note *2 Frequency of the change Depth # 0–127 Depth to which the effect is ap-

Low Gain -15–+15 dB Gain of the low range High Gain -15–+15 dB Gain of the high range Output Level 0–127 Output Level

Modulation Wave

TRI: triangle wave SQR: square wave SIN: sine wave SAW1/2: sawtooth wave

plied

63: AUTO PAN

Cyclically modulates the stereo location of the sound.

fig.02-063am

L in

R in

Auto Pan

2-Band EQ

L out

R out

Parameter Value Description

Mod Wave TRI, SQR, SIN,

SAW1, SAW2

Rate # 0.05–10.00 Hz, note *2 Frequency of the change Depth # 0–127 Depth to which the effect is ap-

Low Gain -15–+15 dB Gain of the low range High Gain -15–+15 dB Gain of the high range Output Level 0–127 Output Level

Modulation Wave

TRI: triangle wave SQR: square wave SIN: sine wave SAW1/2: sawtooth wave

plied

49

Effects List

64: STEREO PHASER 2

fig.02-064m

L in

R in

Phaser

Mix

Phaser

2-Band

EQ

2-Band

EQ

L out

R out

Parameter Value Description

Type 1, 2 Type of phaser

Mode 4-STAGE, 8-STAGE,

Polarity INVERSE, SYNCHRO Selects whether the left and

Manual # 0–127 Adjusts the basic frequency

Rate # 0.05–10.00 Hz, note *2 Frequency of modulation Depth 0–127 Depth of modulation Resonance 0–127 Amount of feedback Cross Feed-

back

Mix Level 0–127 Level of the phase-shifted

Step Switch OFF, ON Determines whether the pitch is

Step Rate # 0.10–20.00 Hz, note *2 Rate (period) of pitch change Low Gain -15–+15 dB Gain of the low range High Gain -15–+15 dB Gain of the high range Output Level 0–127 Output Level

12-STAGE, 16-STAGE

-98–+98 % Adjusts the proportion of the

Type 2 adds more of the phaser effect to the high frequencies than Type 1.

Number of stages in the phaser

right phase of the modulation will be the same or the opposite.

INVERSE: The left and right phase will be opposite. When using a mono source, this spreads the sound.

SYNCHRO: The left and right phase will be the same. Select this when inputting a stereo source.

from which the sound will be modulated.

phaser sound that is fed back into the effect. Negative (-) settings will invert the phase.

sound

changed in a stepped fashion (ON) or not (OFF).

65: STEREO AUTO WAH

fig.02-065m

L in

R in

Auto Wah

2-Band EQ

Parameter Value Description

Filter Type LPF, BPF Type of filter

Sens # 0–127 Adjusts the sensitivity with

Manual # 0–127 Adjusts the center frequency at

L out

R out

LPF: The wah effect will be applied over a wide frequency range.

BPF: The wah effect will be applied over a narrow frequency range.

which the filter is controlled.

which the effect is applied.

Parameter Value Description

Peak 0–127 Adjusts the amount of the wah

Rate # 0.05–10.00 Hz, note *2 Frequency of modulation Depth # 0–127 Depth of modulation Polarity UP, DOWN Sets the direction in which the

Phase # 0–180˚ Adjusts the degree of phase

Low Gain -15–+15 dB Gain of the low range High Gain -15–+15 dB Gain of the high range Output Level 0–127 Output Level

effect that will occur in the range of the center frequency.

Set a higher value for Q to narrow the range to be affected.

frequency will change when the auto-wah filter is modulated.

UP: The filter will change toward a higher frequency.

DOWN: The filter will change toward a lower frequency.

shift of the left and right sounds when the wah effect is applied.

66: ST FORMANT FILTER (Stereo Formant Filter)

fig.02-066m

L in

R in

Overdrive

Formant

2-Band EQ

Parameter Value Description

Drive Switch OFF, ON Turns Drive on/off. Drive # 0–127 Degree of distortion

Vowel1 a, e, i, o, u Selects the vowel. Vowel2 Rate # 0.05–10.00 Hz, note *2 Frequency at which the two

Depth # 0–127 Effect depth Manual # 0–100 Adjusts the point at which

Phase # 0–180˚ Adjusts the phase shift of the

Keysync Switch OFF, ON Determines whether the LFO

Keysync Threshold

Low Gain -15–+15 dB Gain of the low range High Gain -15–+15 dB Gain of the high range Output Level 0–127 Output Level

0–127 Volume level at which reset

Also changes the volume.

vowels will be switched

the two vowels will be switched. When set to 50, Vowels 1 and 2 switched in the same amount of time. Setting this lower than 50 increases the time for Vowel 1; setting this higher than 50 decreases the time for Vowel 1.

left and right sounds when the two vowels are switched.

for switching the vowels is reset according to the input sound (ON) or not (OFF).

will be applied

L out

R out

50

Effects List

67: MULTI TAP DELAY 2

This allows you to set even longer delay times (max. 3000 ms) for the Multi-Tap Delay function.

fig.02-067m

L in

Feed back

Delay 1

Delay 3

Balance D

2-Band

EQ

Balance W

L out

Multi Tap Delay

Balance W

2-Band

EQ

R out

R in

Delay 4

Delay 2

Balance D

Parameter Value Description

Delay 1–4 0–3000 ms, note *2 Adjusts the delay time from the

Feedback # -98–+98 % Adjusts the proportion of the de-

HF Damp 200–8000 Hz,

BYPASS

Level 1–4 0–127 Output level of the delay 1–4

Pan 1–4 L64–63R Stereo location of the delay 1–4

Low Gain -15–+15 dB Gain of the low range High Gain -15–+15 dB Gain of the high range Balance # D100:0W–D0:100W Volume balance between the di-

Output Level 0–127 Output Level

direct sound until the delay 1–4 sound is heard.

lay sound that is fed back into the effect. Negative (-) settings will invert the phase.

Adjusts the frequency above which sound fed back to the effect will be cut. If you do not want to cut the high frequencies, set this parameter to BYPASS.

sound

rect sound (D) and the effect sound (W)

68: REVERSE DELAY 2

This allows you to set even longer delay times (max. 1500 ms) for the Reverse Delay function.

fig.02-068m

L in

R in

Feedback

Rev. Delay

D1

Delay

D4

2-Band

1

D2

2

D3

3

2-Band

EQ

L out

R out

69: SHUFFLE DELAY 2

This allows you to set even longer delay times (max. 3000 ms) for the Shuffle Delay function.

fig.02-069m

L in

Feedback

Delay 1

1

2-Band

Delay

Delay 2

R in

2

2-Band

Parameter Value Description

Delay # 0–3000 ms, note *2 Adjusts the delay time from the

Shuffle Rate # 0–100 % Sets the ratio (as a percentage) of

Accel 0–15 Adjusts the time over which the

Feedback # -98–+98 % Adjusts the proportion of the de-

HF Damp 200–8000 Hz,

BYPASS

Pan A, B L64–63R Stereo location of the delay A/B

Level Balance A100:0B–A0:100B Volume balance between the de-

Low Gain -15–+15 dB Gain of the low range High Gain -15–+15 dB Gain of the high range Balance # D100:0W–

D0:100W

Output Level 0–127 Output Level

direct sound until the delay sound is heard.

the time that elapses before the sound plays in Delay B relative to the time that elapses before the sound plays in Delay A. When set to 100%, the delay times are the same.

Delay Time will change from the current setting to a newly specified setting.

lay sound that is fed back into the effect. Negative (-) settings will invert the phase.

Adjusts the frequency above which sound fed back to the effect will be cut. If you do not want to cut the high frequencies, set this parameter to BYPASS.

sound

lay A and delay B sounds

Volume balance between the direct sound (D) and the effect sound (W)

EQ

L out

R out

Parameter Value Description

Delay 1–4 0–1500 ms, note *2 Adjusts the delay time from the

Feedback 1 # -98–+98 % Adjusts the proportion of the deFeedback 4 #

HF Damp 1 200–8000 Hz, HF Damp 4

Level 1–3 0–127 Output level of the delay 1–3

Pan 1–3 L64–63R Stereo location of the delay 1–3

Threshold 0–127 Volume level at which the re-

Low Gain -15–+15 dB Gain of the low range High Gain -15–+15 dB Gain of the high range Balance # D100:0W–D0:100W Volume balance between the di-

Output Level 0–127 Output Level

BYPASS

direct sound until the delay 1–4 sound is heard.

lay sound that is fed back into the effect. Negative (-) settings will invert the phase.

Adjusts the frequency above which sound fed back to the effect will be cut. If you do not want to cut the high frequencies, set this parameter to BYPASS.

sound

verse delay will begin to apply

rect sound (D) and the effect sound (W)

51

Effects List

70: 3D DELAY 2

This allows you to set even longer delay times (max. 3000 ms) for the 3D Delay function.

fig.02-070m

L

3D Delay L

Level

2-Band

EQ

3D Delay C

3D Delay R

R

2-Band

EQ

Parameter Value Description

Delay Center 0–3000 ms, note *2 Adjusts the delay time from the Delay Left Delay Right Feedback # -98–+98 % Adjusts the proportion of the

HF Damp 200–8000 Hz,

BYPASS

Level Center 0–127 Output level of the delay sound Level Left Level Right Low Gain -15–+15 dB Gain of the low range High Gain -15–+15 dB Gain of the high range Balance # D100:0W–D0:100W Volume balance between the di-

Output Mode SPEAKER, PHONES Adjusts the method that will be

Output Level 0–127 Output Level

direct sound until the delay sound is heard.

delay sound that is fed back into the effect. Negative (-) settings will invert the phase.

Adjusts the frequency above which sound fed back to the effect will be cut. If you do not want to cut the high frequencies, set this parameter to BYPASS.

rect sound (D) and the effect sound (W)

used to hear the sound that is output to the OUTPUT jacks. The optimal 3D effect will be achieved if you select SPEAKER when using speakers, or PHONES when using headphones.

L out

R out

71: ROTARY 2

This type provides modified response for the rotary speaker, with the low end boosted further.

This effect features the same specifications as the VK-7’s built-in rotary speaker.

fig.02-071m

L in

Rotary

R in

Parameter Value Description

Speed # SLOW, FAST Rotational speed of the rotat-

Brake # OFF, ON Switches the rotation of the

Spread 0–10 Sets the rotary speaker stereo

Woofer Slow Rate

Woofer Fast Rate

Woofer Trans Up0–127 Adjusts the rate at which the

Woofer Trans Down

Woofer Level 0–127 Volume of the woofer Tweeter Slow

Rate Tweeter Fast

Rate Tweeter Trans Up0–127

Tweeter Trans Down

Tweeter Level 0–127 Low Gain -15–+15 dB Gain of the low range High Gain -15–+15 dB Gain of the high range Output Level # 0–127 Output Level

0.05–10.00 Hz, note *2 Low-speed rotation speed of

0.05–10.00 Hz, note *2 High-speed rotation speed of

0–127 Adjusts the rate at which the

0.05–10.00 Hz, note *2 Settings of the tweeter

0.05–10.00 Hz, note *2

0–127

2-Band EQ

ing speaker

rotary speaker.

When this is turned off, the rotation will gradually stop. When it is turned on, the rotation will gradually resume.

image. The higher the value set, the wider the sound is spread out.

the woofer

woofer rotation speeds up when the rotation is switched from Slow to Fast.

woofer rotation speeds up when the rotation is switched from Fast to Slow.

The parameters are the same as for the woofer.

L out

R out

52

Effects List

72: ROTARY MULTI

fig.02-072m

L in

Overdrive/

Distortion

R in

Rotary

Parameter Value Description

OD/Dist

Switch OFF, ON Turns the Overdrive/Distortion

Type OVERDRIVE,

Drive # 0–127 Degree of distortion

Tone 0–127 Sound quality of the Over-

Level 0–127 Volume of the Overdrive/Dis-

Amp Sim

Switch OFF, ON Turns the Amp Simulator on/

Type SMALL, BUILT-IN,

EQ

Switch OFF, ON Turns the 3 Band EQ on/off. Low Gain -15–+15 dB Gain of the low range Mid Freq 200–8000 Hz Frequency of the middle range Mid Gain -15–+15 dB Gain of the middle range Mid Q 0.5, 1.0, 2.0, 4.0, 8.0 Width of the middle range

High Gain -15–+15 dB Gain of the high range

Rot

Switch OFF, ON Turns the Rotary on/off. Speed # SLOW, FAST Rotational speed of both the

Woofer Slow Rate

Woofer Fast Rate

Woofer Accel 0–15 Adjusts the time over which the

Woofer Level 0–127 Volume of the low-range rotor Tweeter Slow

Rate Tweeter Fast

Rate Tweeter Accel 0–15 Tweeter Level 0–127 Separation 0–127 Spatial spread of the rotary

Output

Level 0–127 Output Level Pan L64–63R Stereo location of the output

DISTORTION

2-STACK, 3-STACK

0.05–10.00 Hz, note *2

Amp

Simulator

3-Band EQ

L out

Pan

R out

on/off. Selects either Overdrive or Dis-

tortion.

Also changes the volume.

drive/Distortion effect

tortion sound

off. Type of guitar amp

SMALL: small amp BUILT-IN: single-unit type

amp 2-STACK: large double stack

amp 3-STACK: large triple stack

amp

Set a higher value for Q to narrow the range to be affected.

low-range and the high-range rotors

Speed of the low-range rotor for the slow-speed setting

Speed of the low-range rotor for the fast-speed setting

rotation speed of the low-range rotor will change from slowspeed to fast-speed (or fastspeed to slow-speed) rotation. Lower values will require longer times.

Settings of the high-range rotor

The parameters are the same as for the low-range rotor.

sound

73: KEYBOARD MULTI

fig.02-073m

L in

Ring Mod

R in

Ring Mod

* Ring Modulator is an effect that applies amplitude modulation (AM) to

the input signal, producing bell-like sounds.

Parameter Value Description

Ring Mod

Switch OFF, ON Freq # 0–127

Balance # D100:0W–D0:100W

EQ

Switch OFF, ON Low Gain -15–+15 dB Mid Freq 200–8000 Hz Mid Gain -15–+15 dB Mid Q 0.5, 1.0, 2.0, 4.0, 8.0

High Gain -15–+15 dB

P Shifter

Switch OFF, ON Mode 1, 2, 3, 4, 5

Coarse #1 -24–+12 semi Fine #1 -100–+100 cent Delay 0.0–500.0 ms

Feedback # -98–+98 %

Balance D100:0W–D0:100W

Phaser

Switch OFF, ON Mode 4-STAGE, 8-STAGE Manual # 0–127

Rate # 0.05–10.00 Hz, note *2 Depth 0–127 Resonance 0–127 Mix Level 0–127

Delay

Switch OFF, ON Left 0–3000 ms, note *2 Right Feedback -98–+98 %

HF Damp 200–8000 Hz,

Balance # D100:0W–D0:100W

Output

Level 0–127

Phaser

Resonance

BYPASS

3-Band EQ

Mix

Pitch

Shifter

Feedback

Delay

Turns the Ring Modulator on/off. Frequency at which modulation will be

applied Volume balance between the direct

sound (D) and the ring modulated sound (W)

Turns the 3 Band EQ on/off. Gain of the low range Frequency of the middle range Gain of the middle range Width of the middle range

Set a higher value for Q to narrow the range to be affected.

Gain of the high range

Turns the Pitch Shifter on/off Setting a higher value for this parame-

ter will result in slower response, but steadier pitch.

Adjusts the pitch of the pitch shifted sound in semitone steps.

Adjusts the pitch of the pitch shifted sound in 2-cent steps.

Adjusts the delay time from the direct sound until the pitch shifted sound is heard.

Adjusts the proportion of the pitch shifted sound that is fed back into the effect. Negative (-) settings will invert the phase.

Volume balance between the direct sound (D) and the pitch shifted sound (W)

Turns the Phaser on/off. Number of stages in the phaser Adjusts the basic frequency from which

the sound will be modulated. Frequency of modulation

Depth of modulation Amount of feedback Level of the phase-shifted sound

Turns the Delay on/off. Adjusts the delay time from the direct

sound until the delay sound is heard. Adjusts the proportion of the delay

sound that is fed back into the effect. Negative (-) settings will invert the phase.

Adjusts the frequency above which sound fed back to the effect will be cut. If you do not want to cut the high frequencies, set this parameter to BYPASS.

Volume balance between the direct sound (D) and the delay sound (W)

Output Level

L out

R out

53

Effects List

74: RHODES MULTI

fig.02-074m

L in

R in

Parameter Value Description

Enhancer

Switch OFF, ON Sens # 0–127 Mix Level 0–127

Phaser

Switch OFF, ON Mode 4-STAGE, 8-STAGE Manual # 0–127

Rate # 0.05–10.00 Hz, note *2 Depth 0–127 Resonance 0–127 Mix Level 0–127

Cho/Flg

Switch OFF, ON Type CHORUS, FLANGER Rate 0.05–10.00 Hz, note *2 Depth 0–127 Feedback -98–+98 %

Pre Delay 0.0–100.0 ms

Filter Type OFF, LPF, HPF

Cutoff Freq 200–8000 Hz Balance # D100:0W–D0:100W

Tre/Pan

Switch OFF, ON Type TREMOLO, AUTO

Mod Wave TRI, SQR, SIN,

Rate # 0.05–10.00 Hz, note *2 Depth # 0–127

Output

Level 0–127

Enhancer

Mix

Chorus/

Flanger

Feedback

Chorus/

Flanger

PAN

SAW1, SAW2

SAW1 SAW2 (R)

(L)

Resonance

Phaser

Tremolo/

Turns the Enhancer on/off. Sensitivity of the enhancer Level of the overtones generated by

the enhancer

Turns the Phaser on/off. Number of stages in the phaser Adjusts the basic frequency from

which the sound will be modulated. Frequency of modulation

Depth of modulation Amount of feedback Level of the phase-shifted sound

Turns the Chorus/Flanger on/off. Selects either Chorus or Flanger. Frequency of modulation Depth of modulation Adjusts the proportion of the flanger

sound that is fed back into the effect. Negative (-) settings will invert the phase.

Adjusts the delay time from the direct sound until the chorus/flanger sound is heard.

Type of filter

OFF: no filter is used LPF: cuts the frequency range above the Cutoff Freq HPF: cuts the frequency range below the Cutoff Freq

Basic frequency of the filter Volume balance between the direct

sound (D) and the chorus/flanger sound (W)

Turns the Tremolo/Pan on/off. Selects either Tremolo or Pan.

Modulation Wave

TRI: triangle wave SQR: square wave SIN: sine wave SAW1/2: sawtooth wave

(R)

(L)

Frequency of modulation Depth of modulation

Output Level

Pan

Mix

L out

R out

75: JD MULTI

This allows the Distortion (DS), Phaser (PH), Spectrum (SP), and Enhancer (EH) effects to be connected in series in any desired order.

fig.02-075m

L in

Distortion

R in

Spectrum Enhancer

Parameter Value Description

Sequence DS-PH-SP-EN

: EN-SP-PH-DS

Dist

Switch OFF, ON Turns the Distortion on/off. Type MELLOW DRIVE,

OVERDRIVE, CRY DRIVE, MELLOW DIST, LIGHT DIST, FAT DIST, FUZZ DIST

Drive # 0–100 Degree of distortion Level 0–100 Distortion output level

Phaser

Switch OFF, ON Turns the Phaser on/off. Manual # 50 Hz–15.0 kHz Adjusts the basic frequency

Rate # 0.1–10.0 Hz Frequency of modulation Depth # 0–100 Depth of modulation Resonance # 0–100 Amount of feedback Mix Level # 0–100 Level of the phase-shifted

Spect

Switch OFF, ON Turns the Spectrum on/off. Band1 (250Hz) -15–+15 dB Gain of each frequency band Band2 (500Hz) Band3 (1000Hz) Band4 (2000Hz) Band5 (4000Hz) Band6 (8000Hz) Width 1, 2, 3, 4, 5 Simultaneously adjusts the

Enhancer

Switch OFF, ON Turns the Enhancer on/off. Sens 0–100 Sensitivity of the enhancer Mix Level # 0–100 Level of the overtones gen-

Output

Level 0–127 Output Level Pan L64–63R Stereo location of the output

Phaser

Order in which effects are connected

Type of the distortion

MELLOW DRIVE: A soft, mellow distortion; somewhat dark sounding.

OVERDRIVE: The classic sound of an overdriven tube amp.

CRY DRIVE: Distortion with a high-frequency boost.

MELLOW DIST: Sounds like the distortion you’d get from a really big amp.

LIGHT DIST: A distortion with an intense, brilliant feel.

FAT DIST: Boosted lows and highs gives this one a thick, fat sound.

FUZZ DIST: Like FAT DIST, but with even more distortion.

from which the sound will be modulated.

sound

width of the adjusted ranges for all the frequency bands.

erated by the enhancer

sound

L out

R out

54

Effects List

R in

R out

L in

L out

Lo-Fi

2-Band

EQ

2-Band

EQ

Noise Gen.

Radio

76: STEREO LOFI COMPRESS

This is a stereo Lo-Fi compress. This is an effect that intentionally degrades the sound quality.

fig.02-076m

L in

R in

Lo-Fi

2-Band EQ

Parameter Value Description

Lo-Fi Type 1–9 Degrades the sound quality. The

Pre Filter Type

Post Filter 1 Type

Post Filter 2 Type

Post Filter 2 Cutoff

Low Gain -15–+15 dB Gain of the low range High Gain -15–+15 dB Gain of the high range Balance # D100:0W–D0:100W Volume balance between the di-

Output Level 0–127 Output Level

1–6 Adjusts the type of filter that will

OFF, LPF, HPF Type of filter

200–8000 Hz Basic frequency of the filter

sound quality will become poorer as this value is increased.

be applied before the sound passes through the Lo-Fi effect.

be applied after the sound passes through the Lo-Fi effect.

rect sound (D) and the effect sound (W)

L out

R out

OFF: no filter is used LPF: cuts the frequency range

above the Cutoff HPF: cuts the frequency range

below the Cutoff

77: STEREO LOFI NOISE

This is a stereo Lo-Fi noise. In addition to a Lo-Fi effect, this effect also generates various types of noise such as radio noise and disc noise.

fig.02-077m

Parameter Value Description

Lo-Fi Type 1–9 Degrades the sound quality.

Post Filter Type OFF, LPF, HPF Type of filter

Post Filter Cutoff

Hum Type 50 Hz, 60 Hz Type of hum noise Hum LPF 200–8000 Hz, BYPASS Adjusts the cutoff frequency

Hum Level 0–127 Volume of the hum noise Radio Detune # 0–127 Simulates the tuning noise

Radio Noise Level

White/Pink Noise Type

White/Pink Noise LPF

White/Pink Noise Level

Disc Noise Type LP, EP, SP, RND Type of record noise

Disc Noise LPF 200–8000 Hz, BYPASS Adjusts the cutoff frequency

Disc Noise Lev-el0–127 Volume of the record noise

200–8000 Hz Basic frequency of the filter

0–127 Volume of the radio noise

WHITE, PINK Selects either white noise or

200–8000 Hz, BYPASS Adjusts the cutoff frequency

0–127 Volume of the white noise

The sound quality will become poorer as this value is increased.

OFF: no filter is used LPF: cuts the frequency

range above the Cutoff HPF: cuts the frequency

range below the Cutoff

of the low pass filter that is applied to the hum noise. If you do not want to cut the high frequencies, set this parameter to BYPASS.

of a radio. As this value is raised, the tuning will drift further.

pink noise.

of the low pass filter that is applied to the white noise or pink noise. If you do not want to cut the high frequencies, set this parameter to BYPASS.

or pink noise

The frequency at which the noise is heard will depend on the selected type.

of the low pass filter that is applied to the record noise. If you do not want to cut the high frequencies, set this parameter to BYPASS.

Low Gain -15–+15 dB Gain of the low range High Gain -15–+15 dB Gain of the high range Balance # D100:0W–D0:100W Volume balance between

the direct sound (D) and the effect sound (W)

Output Level 0–127 Output Level

55

Effects List

78: GUITAR AMP SIMULATOR

This is an effect that simulates an amp.

fig.02-078m

L in

Pre Amp

Speaker

R in

Parameter Value Description

Pre Amp Switch

Pre Amp Type JC-120, CLEAN TWIN,

Pre Amp Volume #

Pre Amp Master #

Pre Amp Gain LOW, MID, HIGH Degree of pre-amp distortion Pre Amp Pres-

ence Pre Amp

Bright

Pre Amp Bass 0–127 Tone of the bass/mid/treble Pre Amp Mid-

dle Pre Amp Tre-

ble Speaker Switch OFF, ON Determines whether the sig-

Speaker Type (See the table below.) Type of speaker Mic Setting 1, 2, 3 Adjusts the location of the mic

Mic Level 0–127 Volume of the microphone Direct Level 0–127 Volume of the direct sound Output Level # 0–127 Output Level Output Pan # L64–63R Stereo location of the output

OFF, ON Turns the amp switch on/off.

MATCH DRIVE, BG LEAD, MS1959I, MS1959II, MS1959I+II, SLDN LEAD, METAL 5150, METAL LEAD, OD-1, OD-2 TURBO, DISTORTION, FUZZ

0–127 Volume and degree of distor-

0–127 Volume of the entire pre-amp

0–127 (MATCH DRIVE: -127 - 0)

OFF, ON Turning this “On” will pro-

Type of guitar amp

tion of the amp

Tone for the ultra high frequency range

duce a sharper and brighter sound.

* This parameter can be set if

the Pre Amp Type is set to “JC-120,” “CLEAN TWIN,” or “BG LEAD.”

range * Middle cannot be set if

“MATCH DRIVE” is selected for the Pre Amp Type.

nal passes through the speaker (ON), or not (OFF).

that is recording the sound of the speaker.

This can be adjusted in three steps, with the mic becoming more distant in the order of 1, 2, and 3.

sound

L out

Pan L

Pan R

R out

79: STEREO OVERDRIVE

fig.02-079m

L in

R in

Overdrive

Amp

Simulator

Amp

Simulator

2-Band

EQ

2-Band

EQ

L out

R out

Parameter Value Description

Drive # 0–127 Degree of distortion

Tone 0–127 Sound quality of the Overdrive

Amp Switch OFF, ON Turns the Amp Simulator on/off. Amp Type SMALL, BUILT-IN,

2-STACK, 3-STACK

Low Gain -15–+15 dB Gain of the low range High Gain -15–+15 dB Gain of the high range Output Level 0–127 Output Level

Also changes the volume.

effect

Type of guitar amp

SMALL: small amp BUILT-IN: single-unit type

amp 2-STACK: large double stack

amp 3-STACK: large triple stack

amp

80: STEREO DISTORTION

The parameters are the same as for “79: STEREO OVERDRIVE.”

fig.02-080m

L in

R in

Distortion

Amp

Simulator

Amp

Simulator

2-Band

EQ

2-Band

EQ

L out

R out

Specifications of each Speaker Type

The speaker column indicates the diameter of each speaker unit (in inches) and the number of units.

Type Cabinet Speaker Micro-

phone

SMALL 1 small open-back enclosure 10 dynamic SMALL 2 small open-back enclosure 10 dynamic MIDDLE open back enclosure 12 x 1 dynamic JC-120 open back enclosure 12 x 2 dynamic BUILT IN 1 open back enclosure 12 x 2 dynamic BUILT IN 2 open back enclosure 12 x 2 condenser BUILT IN 3 open back enclosure 12 x 2 condenser BUILT IN 4 open back enclosure 12 x 2 condenser BUILT IN 5 open back enclosure 12 x 2 condenser BG STACK 1 sealed enclosure 12 x 2 condenser BG STACK 2 large sealed enclosure 12 x 2 condenser MS STACK 1 large sealed enclosure 12 x 4 condenser MS STACK 2 large sealed enclosure 12 x 4 condenser METAL STACK large double stack 12 x 4 condenser 2-STACK large double stack 12 x 4 condenser 3-STACK large triple stack 12 x 4 condenser

56

Effects List

fig.02-080ms

Feedback

Delay

Chorus/

Flanger

Feedback

Chorus/

Flanger

Chorus/ Flanger

L out R out

In this section, the Delay and Chorus/Flanger are depicted in diagrams. When these same effects are discussed later, these diagrams are used.

81: GUITAR MULTI A

fig.02-081m

L in

Compressor

R in

Delay

Parameter Value Description

Comp

Switch OFF, ON Attack 0–127 Sustain 0–127

Level # 0–127

OD/Dist

Switch OFF, ON

Type OVERDRIVE,

Drive # 0–127

Tone 0–127

Level 0–127

Amp Sim

Switch OFF, ON Type SMALL, BUILT-IN,

Delay

Switch OFF, ON Left 0–3000 ms, note *2 Right Feedback -98–+98 %

HF Damp 200–8000 Hz, BY-

Balance # D100:0W–D0:100W

Cho/Flg

Switch OFF, ON Type CHORUS, FLANGER Rate 0.05–10.00 Hz, note *2 Depth 0–127 Feedback -98–+98 %

Pre Delay 0.0–100.0 ms

Filter Type OFF, LPF, HPF

Cutoff Freq 200–8000 Hz Balance # D100:0W–D0:100W

Output

Level 0–127 Pan L64–63R

DISTORTION

2-STACK, 3-STACK

PASS

Overdrive/

Distortion

Chorus/ Flanger

Turns the Compressor on/off. Attack time of an input sound Adjusts the time over which low level

sounds are boosted until they reach the specified volume.

Volume of the Compressor sound

Turns the Overdrive/Distortion on/ off.

Selects either Overdrive or Distortion.

Degree of distortion

Also changes the volume.

Sound quality of the Overdrive/Distortion effect

Volume of the Overdrive/Distortion sound

Turns the Amp Simulator on/off. Type of guitar amp