Roland EM-55 OR Owner's Manual

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EM-55 OR
Oriental Interactive Keyboard
Owner’s Manual
ENGLISH ENGLISH
ENGLISH ENGLISH
Thank you for choosing a Roland EM-55 OR Oriental Interactive Keyboard, the perfect arranger instrument for countless hours of pure, unadulterated fun. Thanks to its novel integration of DJ-like functions, the EM-55 OR will take your musical endeavours to a completely new level.
To get the most out of the EM-55 OR and to ensure many years of trouble-free service, we urge you to read through this Owner’s Manual thoroughly. To avoid confusion, let’s agree to use the word “button” for all keys on the front panel, and only use “key” when referring to the EM-55 OR’s keyboard. Before using this instrument, carefully read the sections entitled “Important Safety Instructions” and “Impor­tant notes”. They provide important information concerning the proper operation of the EM-55 OR. Be sure to keep this manual in a safe place for future reference.
Copyright © 2002 ROLAND EUROPE. All rights reserved. No part of this publication may be reproduced in any form without the written permission of Roland Europe s.p.a.
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Features
Features
Session Partner function
The EM-55 OR’s new Session Partner concept encom­passes three functions: you can switch on/mute the Arranger’s accompaniment parts; you can select from among 8 phrase patterns to be played either in isola­tion or together with the selected Music Style; or you can use the eight Session Partner buttons DJ style: to create remixes of existing phrases.
The Session Partner buttons can also be used for muting and switching on individual tracks of the 16­track Recorder, allowing you to be creative even with your recorded music.
EZ Search & Music Assistant
The EZ Search function allows you to quickly locate the desired Music Style or Tone.
The EM-55 OR also provides a Music Assistant func­tion for direct access to 100 User Programs (registra­tions).
Style Morphing and Orchestrator functions
Style Morphing allows you to “create” new Music Styles (accompaniments) on the fly by replacing selected accompaniment parts of one Style with the parts from another Style.
The Orchestrator function, on the other hand, allows you to simplify, add, or leave out accompaniment parts of the selected Music Style. This intuitive way of controlling the arrangements of your accompani­ments is a wonderful assistant for creating just the right atmosphere for the music you play.
The EM-55 OR’s sound source conforms to General MIDI System Level 2 (GM2 for short) as well as Roland’s GS Format.
64 Music Styles
The EM-55 OR contains 64 Music Styles (48 oriental and 16 western) that will supply a perfect accompa­niment for your solo playing. Each Music Style includes several “Divisions” that allow you to vary the accompaniment. Coupled with the Style Morphing and Orchestrator functions, the total number of accompaniment patterns adds up to far more than
64.
Three modes
For enhanced operation, the EM-55 OR provides an M. Drums, Arranger, and a Piano mode. Pressing one of these button will immediately reconfigure your Oriental Interactive Keyboard.
Graphic display
Your EM-55 OR is equipped with a backlit display that keeps you posted about the current status of your instrument. Most functions are represented by means of straightforward icons that provide massive at-a-glance information without confusing you.
64 User Programs
User Programs are memories where you can save your own panel settings. These include the currently selected Style, Tone (sound), tempo, as well as a lot of other parameters. At the press of a maximum of two buttons, you can thus completely reconfigure your instrument.
3651 Tones and 120 Drum Sets
The EM-55 OR comes with 3,603 western and 48 excellent oriental instrument sounds taken from Roland’s acclaimed VA-series sound library. In most instances, there will be several Tones to choose from for the song you are about to play. In addition to 116 western Drum Sets, it also provides 4 oriental sets that can be used for drumming on the keyboard or by the Arranger.
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EM-55 OR Owner’s Manual
1. Important notes
In addition to the items listed under “Important Safety Instructions”, please read and observe the following:
Power supply
• Do not use this instrument on the same power circuit with any device that will generate line noise (such as an electric motor or variable lighting system).
• Be sure to only use the supplied adapter (Roland ACJ). The use of other adapters may damaged your EM-55 OR.
• Before connecting the EM-55 OR to other devices, turn off the power to all units. This will help prevent malfunctions and/or dam­age to speakers or other devices.
Placement
• Using the EM-55 OR near power amplifiers (or other equipment containing large power transformers) may induce hum. To alleviate the problem, change the orientation of this instrument or move it farther away from the source of interference.
• This instrument may interfere with radio and television reception. Do not use it in the vicinity of such receivers.
• Do not expose the EM-55 OR to direct sunlight, place it near devices that radiate heat, leave it inside an enclosed vehicle, or otherwise subject it to temperature extremes. Excessive heat can deform or discolor the instrument.
Maintenance
• For everyday cleaning wipe the EM-55 OR with a soft, dry cloth or one that has been slightly dampened with water. To remove stub­born dirt, use a mild, non-abrasive detergent. Afterwards, be sure to wipe the instrument thoroughly with a soft, dry cloth.
• Never use benzene, thinner, alcohol or solvents of any kind, to avoid the possibility of discoloration and/or deformation.
Repairs and data
• Please be aware that all data contained in the instrument’s mem­ory may be lost when it is sent for repairs. In certain cases (such as when circuitry related to memory itself is out of order), we regret that it may not be possible to restore the data. Roland assumes no liability concerning such loss of data.
Handling floppy disks
• Floppy disks contain a plastic disk with a thin magnetic coating. Microscopic precision is required to enable storage of large amounts of data on such a small surface area. To preserve their integrity, please observe the following when handling floppy disks:
• Never touch the magnetic medium inside the disk.
• Do not use or store floppy disks in dirty or dusty areas.
• Do not subject floppy disks to temperature extremes (e.g., direct sunlight in an enclosed vehicle). Recommended temperature range: 10° to 50°C (50 to 122°F).
• Do not expose floppy disks to strong magnetic fields, such as those generated by loudspeakers.
• Floppy disks have a “WRITE” tab which can protect the disk from accidental erasure. It is recommended that the tab be kept in the PROTECT position, and moved to the WRITE position only when you wish to write new data onto the disk.
Rear side of the disk
WRITE (you can save new data to disk)
Write protect tab
• Disks containing important performance data for this instrument should always be locked (have their write protect tab slid to the PROTECT position) before you insert them into the drive of another instrument.
• The identification label should be firmly affixed to the disk. If the label comes loose while the disk is in the drive, it may be difficult to remove the disk.
• Put the disk back into its case for storage.
PROTECT (prevents writing to disk)
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Additional precautions
• Please be aware that the memory contents can be irretrievably lost as a result of a malfunction, or the improper operation of the instrument.
• Use a reasonable amount of care when using the instrument’s but­tons, other controls, and jacks/connectors. Rough handling can lead to malfunctions.
• Never strike or apply strong pressure to the display.
• When connecting/disconnecting cables, grasp the connector itself—never pull on the cable. This way you will avoid causing shorts, or damage to the cable’s internal elements.
• A small amount of heat will radiate from the instrument during normal operation. This is perfectly normal.
• To avoid disturbing your neighbors, try to keep the instrument’s volume at reasonable levels. You may prefer to use headphones, so you do not need to be concerned about those around you (espe­cially late at night).
• When you need to transport the instrument, package it in the box (including padding) that it came in. Otherwise, you will need to use equivalent packaging materials, or a flightcase.
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Contents
Contents
1. Important notes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .3
2. Panel descriptions. . . . . . . . . . . . . . . . . . . . . . . . . . . . .5
Rear panel. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .7
3. First steps. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .8
Setting up . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8
Demo songs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8
DJ Pad function . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .9
Musical Games. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10
4. Playing with accompaniment . . . . . . . . . . . . . . . . . .13
Selecting other Music Styles . . . . . . . . . . . . . . . . . . . .14
Style selection via EZ Search. . . . . . . . . . . . . . . . . .15
Selecting sounds for the right hand. . . . . . . . . . . . . .15
Tone selection via EZ Search . . . . . . . . . . . . . . . . . . 16
5. Using oriental tunings . . . . . . . . . . . . . . . . . . . . . . . .17
6. Playing one sound (Piano) . . . . . . . . . . . . . . . . . . . . .19
Playing a different sound with the left hand (Split)19
7. Drumming on the keyboard. . . . . . . . . . . . . . . . . . . .20
8. Using the D Beam Controller. . . . . . . . . . . . . . . . . . .21
9. Recording your music. . . . . . . . . . . . . . . . . . . . . . . . .22
10. Additional Music Style functions . . . . . . . . . . . . . .23
Session Partner functions. . . . . . . . . . . . . . . . . . . . . . .23
Muting Arranger parts (Track). . . . . . . . . . . . . . . . .23
Adding yet another Arranger part (Style Pad) . . .24
One Touch. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .25
Using the EM-55 OR’s Music Assistant . . . . . . . . . . . 25
Melody Intelligence. . . . . . . . . . . . . . . . . . . . . . . . . . . .26
Bass Inversion (Bass Inv). . . . . . . . . . . . . . . . . . . . . . . .26
Orchestrator . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .27
Style Morphing . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 27
Working with Styles on floppy disk . . . . . . . . . . . . . .28
More Music Style functions. . . . . . . . . . . . . . . . . . . . .29
11. More Keyboard part functions. . . . . . . . . . . . . . . . .30
Using the Upper 2 part. . . . . . . . . . . . . . . . . . . . . . . . .30
Selecting Tone Variations. . . . . . . . . . . . . . . . . . . . . . .30
Using the multi-effects processor (M-FX). . . . . . . . . 31
Reverb and Chorus . . . . . . . . . . . . . . . . . . . . . . . . . . . .32
Balance . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 33
Transpose . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .34
Other Keyboard part functions . . . . . . . . . . . . . . . . . .34
12. Performance functions . . . . . . . . . . . . . . . . . . . . . . 35
Keyboard Velocity . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 35
Pitch Bend and Modulation . . . . . . . . . . . . . . . . . . . . 35
Footswitch/Expression . . . . . . . . . . . . . . . . . . . . . . . . . 36
D Beam functions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 36
13. Recorder functions . . . . . . . . . . . . . . . . . . . . . . . . . 38
About the recording modes. . . . . . . . . . . . . . . . . . . . . 38
Playback functions . . . . . . . . . . . . . . . . . . . . . . . . . . . . 41
Playing back Standard MIDI Files . . . . . . . . . . . . . . . . 43
14. Function menu. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 44
15. Working with User Programs . . . . . . . . . . . . . . . . . 49
Writing your settings to a User Program . . . . . . . . . 49
Selecting a User Program . . . . . . . . . . . . . . . . . . . . . . 50
16. MIDI functions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 51
MIDI Function parameters. . . . . . . . . . . . . . . . . . . . . . 51
17. Using the outputs and an optional pedal . . . . . . . 53
18. Disk functions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 54
Loading User Programs from disk. . . . . . . . . . . . . . . . 54
Saving files to disk . . . . . . . . . . . . . . . . . . . . . . . . . . . . 54
Deleting files on disk . . . . . . . . . . . . . . . . . . . . . . . . . . 55
Disk Copy (copying an entire disk) . . . . . . . . . . . . . . . 56
Format. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 57
19. Miscellaneous. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 58
Functions for educational purposes. . . . . . . . . . . . . . 58
Initializing your EM-55 OR (Factory) . . . . . . . . . . . . . 58
20. Specifications. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 59
21. Thanks. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 60
22. Tone List . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 61
Tones that can be selected via the BANK/NUMBER/
VARIATION buttons. . . . . . . . . . . . . . . . . . . . . . . . . . . . 61
Tones only selectable via the EZ Search function . . 66
23. Music Style list. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 73
24. Drum Sets . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 74
25. Chord Intelligence . . . . . . . . . . . . . . . . . . . . . . . . . . 94
26. Index . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 97
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2. Panel descriptions
POWER ON button
A
Press this button to switch the EM-55 OR on and off.
B
BENDER/MODULATION lever
By performing left/right movements, you can bend your solo notes down (left) or up (right). Press this lever towards the rear of the instru­ment to add modulation (usually vibrato) to the notes you are playing.
C
SCALE MEMORY buttons
These three buttons allow you to save and recall the tuning settings carried out with the ORIENTAL SCALE buttons. When the EM-55 OR is shipped, these memories already contain useful settings (that will be recalled whenever you initialize your EM-55 OR).
D
ORIENTAL SCALE buttons
These buttons allow you to change the tuning of each note of the scale. By default, pressing one of these buttons will lower the corre­sponding notes in all octaves by a quarter tone (–50 cents). Other tunings can also be selected and saved to one of the three scale memories (see above).
E
D Beam Controller
This controller allows you to influence the tim­bre of the notes you play, to control the Arranger, and to create some unique effects. All you need to do is move your hand up/down or left/right above the two “eyes”. The buttons allow you to assign the desired function to the D Beam Controller. See p. 36.
F
VOLUME knob
Use this knob to set the global volume of your EM-55 OR.
G
DEMO button
Press this button whenever you want to listen to the EM-55 OR’s demo songs (see p. 8).
H
BALANCE [√ACCOMP] [KEYBOARD ®] buttons
Use the BALANCE buttons to change the vol­ume of the corresponding section (accompani­ment/song, or the parts you play on the key­board).
I
STYLE MORPHING buttons
Use these three buttons to create a new Style from two existing ones. See page 27 for details.
J
ORCHESTRATOR buttons
Press one of these buttons to choose the desired orchestration for the selected Music Style. See page 27.
h i
B
A
J
W
H
R
EM-55 OR Owner’s Manual
F
G
S T U V
g
e
I
E
d f
C
D
L
M N O P Q
c
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E
K
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X Y
Z a b
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Panel descriptions
Display
K
This is where you will find comprehensive informa­tion about the EM-55 OR’s current status, the func­tions that are available, the parameter values, etc.
L
MUSICAL GAME button
Press this button if you want to learn more about the “nuts and bolts” of music – or just to have some fun with your EM-55 OR.
M
SONG button
This button allows you to select the EM-55 OR’s Song mode, and to specify that the [INTRO], [ORIGINAL], etc., buttons should be used to operate the on-board Recorder.
N
STYLE button
Press this button if you want to select Music Styles. By activating this button, you also specify that the [INTRO], [ORIGINAL], etc., buttons are used for select­ing a Style Division, while the [1]~[8] buttons can be used to select the desired Style memory (11~64).
In DJ PAD mode, the [STYLE] button can be used for selecting the desired DJ phrase set.
Note: Styles can also be selected via the EZ Search function (see p. 15).
TONE button
O
Press this button if you want to use the [A/B] and [1]~[8] buttons for assigning a sound (“Tone”) to the selected Keyboard part. See p. 15.
Note: Tones can also be selected via the EZ Search function (see p. 16).
P
USER PROGRAM/WRITE button
Press this button whenever you want to select a User Program (a set of registrations). Press and hold it to save the current panel and parameter settings to a User Program. See page 49.
Q
MUSIC ASSISTANT button
This button allows you to work with preprogrammed registrations (additional User Programs). See p. 25.
R
METRONOME button
This button is used to switch the metronome on and off. Holding it for more than one second calls up a FUNCTION parameter you can set.
S
MFX EFFECTS button
This button allows you to switch the multi-effects processor on/off, to assign it to the desired Keyboard part, and to select the effect you need in a given sit­uation. Holding it for more than one second calls up a FUNCTION parameter you can set. See p. 31.
T
MELODY INTELL button
This button allows you to switch the Melody Intelli­gence function on/off. This function adds a harmony part to your melody playing. See p. 26. Holding it for more than one second calls up a FUNCTION parame­ter you can set for selecting the harmony type.
U
TRANSPOSE button
Press this button to transpose the keyboard (see p. 34). Holding it for more than one second calls up a FUNCTION parameter you can set.
REC button
V
This button allows you to engage the EM-55 OR’s record function.
W
Style/Song control buttons
(INTRO, ORIGINAL, FILL, etc.) These buttons allow you to select the Music Style division (after pressing the [STYLE] button) or to control the EM-55 OR’s Recorder (after pressing [SONG]).
X
EZ SEARCH button
This button allows you to quickly select the desired Music Style, Tone, or Drum Set. See p. 15 and p. 16.
Y
TEMPO/DATA dial
This dial is used for setting the tempo, parameter val­ues, and for selecting Music Styles, Tones, or Drum Sets via the EZ SEARCH function.
Z
DISK button
Press this button to access the Disk functions. They are used for loading data from floppy, saving data to disk, and managing floppy disks. See p. 54.
a
EXECUTE/TAP TEMPO button
In FUNCTION and DISK modes, this button allows you to confirm an operation. Outside those two modes, this button can be used for setting the tempo by pressing it repeatedly. Hold it down for a few seconds to return to the pre-programmed tempo.
In FUNCTION mode, holding it down will recall the default value for the selected parameter.
b
FUNCTION button
This button provides access to the FUNCTION menu. You can hold it down and use the BANK/NUMBER buttons for directly selecting one of the eight func­tions of the list to the rigt of this button.
c
SESSION PARTNER PADS/TRACKS section
These buttons provide access to the EM-55 OR’s Ses­sion Partner function. They can also be used for mut­ing and switching on Recorder tracks.
d
KEYBOARD MODE buttons
These buttons allow you to specify how you want to use your EM-55 OR:
Button Function
M.DRUMS You can drum on the keyboard.
ARRANGER The chords you play with your left hand are
used to transpose the automatic accompa­niment in realtime. With your right hand, you can play solos.
PIANO A piano sound is assigned to the entire key-
board. (Only the Arranger drums are avail­able.)
e
ONE TOUCH buttons (1–2, 3–4)
Press one of these buttons to select the desired One Touch memory. To select memory “2” or “4”, you need to press the corresponding button twice. One Touch memories contain a number of settings that comple­ment the currently selected Music Style. See p. 25.
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EM-55 OR Owner’s Manual
KEYBOARD PART buttons
f
These buttons allow you to switch three Keyboard parts (Upper 1, Upper 2, and/or Lower) on and off. “Keyboard parts” are sounds you yourself can play – as opposed to “Arranger parts” that are played by the EM-55 OR’s automatic accompaniment function.
g
A/B buttons, numeric keypad, VARIATION/STYLE DISK button
Use [A/B] to select the Tone bank (there are two banks of 64 Tones each). The keypad is used for selecting Tones (sounds) for the Keyboard parts, Music Styles, and User Programs. The function of these buttons depends on which button you pressed last: the [STYLE], [TONE], or [USER PROGRAM] button.
Rear panel
The [VARIATION] button also doubles as [STYLE DISK] button (after pressing the [STYLE] button). See p. 28. The numeric keypad also allows you to enter file names.
h
PHONES sockets
This is where you can connect two pairs of optional headphones (Roland RH-25 or RH-50). By doing so, you switch off the EM-55 OR’s speakers.
i
Disk drive
This is where you can insert a 2DD or 2HD floppy disk with Standard MIDI Files (SMF) or Music Styles. It also allows you to save your User Program settings and the Songs you record.
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A
LCD CONTRAST knob
Use this knob if the icons and characters in the EM-55 OR’s display are too light or too dark. Be aware that changing lighting conditions may require different contrast settings.
B
MIDI OUT/IN sockets
Connect the MIDI OUT socket to the MIDI IN jack of your computer (or MIDI instrument) to transfer MIDI data from the EM-55 OR to the computer or external MIDI instrument. Connect the MIDI IN socket of the EM-55 OR to the computer’s MIDI OUT jack to receive data from the computer.
C
FOOTSWITCH/EXPR socket
This is where you can connect an optional DP-2, DP-6, or BOSS FS-5U footswitch that allows you to hold (“sustain”) the notes you play with your right hand. It can also be used for controlling certain parameters. Alternatively, you can connect a Roland EV-5 expression pedal for realtime control of the EM-55 OR’s volume.
D
OUTPUT R, L/MONO sockets
These sockets allow you to connect the EM-55 OR to your HiFi amplifier, a mixer, a cassette deck, a key­board amplifier, etc. If the external amplifier is mono, be sure to connect it to the OUT L/MONO socket.
E
DC 12V IN socket
This is where you need to connect the supplied adapter (ACJ). After connecting the adapter cable, wind it around the cord hook to the socket’s right to prevent accidental power failures.
Note: Be sure to only use the adapter supplied with your EM-55 OR. Other adapters may damage your Oriental Interac­tive Keyboard.
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First steps
3. First steps
Setting up
The first thing you need to do is connect the supplied ACJ adapter to a suitable wall outlet.
(1) Unpack the EM-55 OR and place it on a
(2) Connect the small end of the adapter
(3) Press the [POWER ON] button to switch
Demo songs
Your EM-55 OR comes with
Tone demos show off the EM-55 OR’s amazing sound quality.
Style demos give you an impression of the quality of the on-board Music Styles.
(1) Press the [DEMO] button (its indicator
stable surface.
cable to the EM-55 OR’s DC IN jack, and the other end to a suitable wall outlet.
on the EM-55 OR.
10 Tone demos
and
lights).
The indicator lights and playback of all demo songs starts.
8 Style demos
.
OR Perc
ARRANGER CHORD
TONE
MEASURETEMPO
120 120
KEYBOARD VELOCITY
REVERB
CHORUS
MELODY INTELL
INVERSION
Playback of a Tone demo song:
(1) Press the [START/STOP] button. This will
stop playback of the running demo song.
(2) Press the [TONE] button.
(2) If necessary, use the [VOLUME] control to
change the playback volume.
(3) Press [DEMO] again to skip to the next
song.
(3) Press the [A/B] button to select the per-
cussion demo.
(4) Press a numeric button [1]~[8] or the
[VARIATION] button. Each button selects a different Tone demo song.
Playback of the selected demo song starts automatically. After a copyright message, the name of the selected song will be dis­played.
You can now press [START/STOP] to stop playback of the currently selected song. If you press this button again, the next demo song will be played back.
(5) Press [START/STOP] to stop demo song
playback, and press [DEMO] (indicator goes dark) to switch off the Demo func­tion.
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Playback of a Style demo song:
(1) Press the [STYLE] button.
(2) Press a numeric button [1]~[8]. Each but-
ton selects a different Style demo song (there are eight).
DJ Pad function
Let us now look at one of the new Session Partner functions that allows you to use the EM-55 OR DJ style. (See pages 23 and 40 for the remaining Session Partner/Track functions.)
The DJ PAD function allows you to start and stop eight different phrases of a selected Music Style by pressing buttons, rather than playing on the keyboard.
After starting a phrase, you can change its key by playing the corresponding chord in the left half of the keyboard. This would allow you to create entire songs. You can even record the music you create using the DJ Pad function.
Oh… and one last thing: it is perfectly possible to start several phrases at once (the DJ Pad function is polyphonic).
(1) Press the [STYLE] button. Check whether
the [STYLE≈A] icon is displayed.
EM-55 OR Owner’s Manual
Playback of the selected demo song starts automatically. After a copyright message, the name of the selected song will be dis­played.
You can now press [START/STOP] to stop playback of the currently selected song. If you press this button again, the next demo song will be played back.
(3) Press [START/STOP] to stop demo song
playback.
(4) Press [DEMO] (indicator goes dark) to
switch off the Demo function.
(3) Now use the [1/9]~[8/16] buttons to start
the assigned phrases (the indicators of the buttons you press light).
You can press several buttons simulta­neously if you like.
Briefly pressing them starts the assigned phrase, which will be played for as long as you hold the button.
If you press and hold one of these buttons, the phrase will be repeated again and again (“looped”). Press the corresponding button again to stop the loop of the assigned phrase.
(4) If necessary, use the [TEMPO/DATA] dial to
change the tempo.
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The upper SESSION PARTNER [TRACK] indi­cator lights.
(2) Press the [STYLE PAD/DJ TRACK] button
once or twice (the DJ PAD indicator must light).
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First steps
Choosing other sets
(5) If necessary, use the BANK/NUMBER
Musical Games
Your EM-55 OR contains several musical games you may want to play at times. These games will help you master some basic musical concepts. They are called:
(1) Press the [MUSICAL GAME] button.
[1]~[8] buttons to select a different set.
Saidi
Katakofty
Zar
Zaffa
Hip Hop
House
Rap Pad
Techno
The EM-55 OR provides 8 Sets of DJ phrases (with 8 phrases each). These sets are called: Dance 1, Dance 2, HipHop, House 1, House
Guess the Note: play the note you hear.
Guess the Chord: see if you can play the chords you hear.
Chord Finder: this game will help you find out how to play chords you may come across in written music. This is a wonderful way of learning new chords. For GuessNte and GuessChd, speed is an important factor: the faster you play the right note(s), the higher your score will be.
2, Rap, Techno 1 and Techno 2. The illustra­tion above shows you which button you need to press to select the desired set.
The name of the set you select appears in the display:
TEMPO
DJ PAD
ARRANGER CHORD
Note: Do not press the [START/STOP] button, because doing so would start the Arranger and stop playback of the DJ PAD function.
Note: There is also a parameter that allows you to specify whether playback of the various phrases should be synchronized. See p. 48.
STYLE
1201
KEYBOARD VELOCITY
REVERB
CHORUS
MELODY INTELL
INVERSION
You can also press ORCHESTRATOR [DRUM & BASS] or [COMBO] to select the game.
Beginner Advanced Expert
The [MUSICAL≈GAME] icon appears in the center of the display, while the message line in the upper left-hand corner displays the name of the first game.
GuessTne
ARRANGER CHORD
(2) Press [MUSICAL GAME] again to select the
desired game (“GuessNte”, “GuessChd” or “ChordFnd”).
10
TONE
MUSICAL GAME
MEASURETEMPO
120 120
KEYBOARD VELOCITY
REVERB
CHORUS
MELODY INTELL
INVERSION
(3) Use the STYLE MORPHING [DRUM],
[BASS], and [ACCOMP] buttons to select the level (only for “Guess Nte” and “GuessChd”).
Button Function
DRUM Beginner (easiest)
BASS Advanced (intermediary)
ACCOMP Expert (most difficult)
Example: to select the “Advanced” level of the “GuessNte” game:
• Press [MUSICAL GAME].
• Press [MUSICAL GAME] twice again (or ORCHESTRATOR [COMBO]).
• Press STYLE MORPHING [BASS].
(4) Press ORCHESTRATOR [BIG BAND] to con-
firm your choice (“OK”).
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EM-55 OR Owner’s Manual
Guess Note
After pressing “OK“ (see step (4) above), the EM-55 OR plays a note, while the display shows “Listen”. The score graphic in the left part of the display shows the note sounded by the EM-55 OR.
(1) Play a note on the keyboard.
Next, the EM-55 OR sounds four other notes. Play them too.
After five notes and responses the display indicates how long it took you to play the notes, and how well you scored. If the notes were correct, you will also get a standing ovation from your EM-55 OR.
If your notes were wrong, the EM-55 OR plays a “car crash” sound.
(2) Press “OK” to have the EM-55 OR sound
another round of five notes.
Use the √ ® or “1”, “2”, “3” buttons if you wish to select another level. Then confirm by pressing “OK”.
(3) Play the notes again.
After applauding (or playing the crashing sound), the EM-55 OR returns to the level indication. Repeat step (2), if you like, or press [MUSICAL GAME] to select another game.
(4) Press [SONG], [STYLE], [TONE], [USER PRO-
GRAM] or [FUNCTION] to leave this func­tion.
ENGLISH ENGLISH
Guess Chord
After pressing “OK” (see step (4) under “Musical Games”), the EM-55 OR plays a chord and displays the notes in the score graphic in the left part of the display.
(1) Play the chord notes on the keyboard.
Next, the EM-55 OR sounds four other chords. Play them too.
After five chords and responses the display indicates how long it took you to play the chords, and how well you scored. If the chords were correct, you will also get a standing ovation from your EM-55 OR.
If your choices were wrong, the EM-55 OR plays a “car crash” sound.
(2) Press “OK” to have the EM-55 OR sound
another round of five chords.
Use the √ ® or “1”, “2”, “3” buttons if you wish to select another level. Then confirm by pressing “OK”.
(3) Play the chords again.
After applauding (or playing the crashing sound), the EM-55 OR returns to the level indication. Repeat step (2), if you like, or press [MUSICAL GAME] to select another game.
(4) Press [SONG], [STYLE], [TONE], [USER PRO-
GRAM] or [FUNCTION] to leave this func­tion.
Chord Finder
Apart from being a fun game, the Chord Finder is also useful for learning how to play certain chords you are unfamiliar with. Here is how to play this game:
(1) Press the [MUSICAL GAME] button.
See p. 10 for a detailed discussion.
(2) Press [MUSICAL GAME] again to select
“ChordFnd”.
Alternatively, press “3” [ACCOMP] to select it directly.
(3) Use the “1” or “2” button to select the
entry you wish to specify:
To specify the Root:
• Press “1”. The display now shows the mes­sage “1 Root”.
• Use the √ ® buttons to select the root (“C”, for example). The name of this chord appears in the ARRANGER CHORD field of the display.
ARRANGER CHORD
ENGLISH ENGLISH
Button Function
“1” Root (i.e. the “name” of the chord).
“2” Type (major, minor, etc.)
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First steps
To specify the Type:
• Press the “2” button. The display now shows the message “2 Type”.
• Use the √ ® buttons to select the chord type (“7”, for example). The complete name of this chord appears in the ARRANGER CHORD field of the display, while the key­board and score graphics also show the notes.
ARRANGER CHORD
Black keys you need to press are temporarily displayed as white keys (see the Bb/A# in the illustration).
(4) Use the “1” and “2” buttons as well as
√ ® to select other chords you wish to practise.
(5) Press [SONG], [STYLE], [TONE], [USER PRO-
GRAM] or [FUNCTION] to leave this func­tion.
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4. Playing with accompaniment
EM-55 OR Owner’s Manual
Let us now take advantage of the EM-55 OR’s accompaniment function. This function is called “
Starting/stopping the Arranger
(1) Press the KBD MODE [ARRANGER] button
(its indicator lights).
ARRANGER
The keyboard is split into two halves. The keys you press in the left half are used to specify the key of the accompaniment. The right half of the keyboard allows you to play a tune to the accompaniment.
At power-on, the EM-55 OR automatically selects the “A24 TwoStep” Style.
(2) Press the [START/STOP] button to start
Arranger playback.
Note: If the [ARRANGER] indicator lights, playing in the left half of the keyboard while the Arranger is stopped, will sound an electric piano and bass Tone. The left half of the keyboard is thus not muted (like on previous Roland arranger instruments). This can be switched off, however (see “Bs Chord (left-hand strings + bass)” on page 45).
(3) Play a chord (or just one note) with your
left hand.
(5) Press the following buttons to use other
patterns of the currently selected Music Style:
Button Function
INTRO Playback of an introduction. Press
this button before activating [START/STOP].
ORIGINAL Simple accompaniment version.
FILL Transition (“Fill In”) to VARIATION or
ORIGINAL.
VARIA­TION
ENDING Phrase that indicates the end of the
Slightly more complex accompani­ment version.
song. Use this button instead of [START/STOP] to stop playback.
These buttons select Music Style “patterns”. The indicator of the button you press lights.
Also, the ARRANGER CHORD field indicates which chord you played last. This chord is used by the accompaniment.
As soon as you feel comfortable with the Arranger, you should try to play a melody with your right hand while using your left for selecting Arranger chords.
Arranger
”.
ENGLISH ENGLISH
ENGLISH ENGLISH
(4) Play another chord (or note) to change
the Arranger’s key.
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Playing with accompaniment
Changing the tempo
(6) Use the [TEMPO/DATA] dial to decrease
(turn left) or increase (turn right) the tempo (if necessary).
Stopping Arranger playback
(7) Press [START/STOP] again to stop playback.
You can also press [ENDING]. In that case, you first hear an ending phrase. When it is finished, Arranger playback stops automatically.
Automatic playback start & stop (Sync Start/Stop)
Press [SYNC START/STOP] (indicator lights). “Sync Start” means that the Arranger will start Music Style playback as soon as you play a note or a chord with your left hand.
To return to the Music Style’s default tempo, press and hold [EXECUTE/TAP TEMPO] for a few seconds.
Alternatively, you can also press the [EXE­CUTE/TAP TEMPO] button several times at the desired tempo.
If you like, you can also activate the Sync Stop function by pressing this button several times until the indicator starts flashing. In that case, Music Style playback will stop as soon as you release all keys in the left half of the keyboard.
Selecting other Music Styles
Selection via the numeric keypad
Your EM-55 OR comes with 64 different accompaniments (called “Music Styles”) that reside in eight banks. Here is how to select them:
(1) Press the [STYLE] button. (2) Press the [A/B] button to select Group A
(the A appears in the upper left-hand cor­ner of the display).
(3) Use the numeric keypad to select the
desired Music Style bank (1~8).
See the STYLE bank list in the left half of the front panel and p. 73 for locating the Music Style bank.
Example: press [5] to select bank 5.
(4) Use the numeric keypad to select a Music
Style memory of that bank (x1~x8).
Example: press [2] to select the “Arabi” Style.
Note: You can also press [STYLE] to scroll through all 64 Music Styles of the currently selected group (A or B).
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EM-55 OR Owner’s Manual
Style selection via EZ Search
Another easy way of selecting Music Styles goes like this:
(1) Press the [EZ SEARCH] button (indicator
lights).
The display now shows the number and name of the currently selected Music Style.
(2) Look at the STYLE list in the upper left
part of the front panel to select a Style bank, then press the BANK/NUMBER but­ton that corresponds to that bank.
Example: to select a Music Style from the Saidi bank, press [2].
(3) Use the [TEMPO/DATA] dial to select the
desired Music Style from that bank.
After selecting bank 2, that would be: SaidiMsh, SaidiMdn, Saidi-M1, Saidi-M2, Saidi-M3, Saidi-Eg, Saidi/L, Shaeri 1.
Note: EZ Search only works for the “A” group (the Styles in the EM-55 OR’s internal memory).
Working with Music Styles on a floppy disk
Your EM-55 OR comes with two floppy disks, one of which contains 64 additional Music Styles for the Disk Link function. (The other floppy disk contains additional Styles that you can load via STYLE DISK.) Using those is just as easy as working with the internal Styles – and loading them from floppy is just as quick. This function is called “Disk Link”.
ENGLISH ENGLISH
The Music Style referenced by the Disk Link memory you select is automatically loaded from disk and copied to the Style Disk memory (see also p. 28).
(1) Insert the “Disk Link” floppy disk into the
drive (front panel, below the keyboard). (2) Press the [STYLE] button. (3) Press the [A/B] button to select Group B
(the B appears in the upper left-hand cor-
ner of the display).
Selecting sounds for the right hand
Do the following if you wish to assign a different sound to your (right-hand) melody playing:
(1) Press the [TONE] button.
The [TONE] icon appears in the display. You
can now select Tones. There are two ways to
select Tones on the EM-55 OR.
In this example, we will select the Tone
“A131 Oud 2”.
(2) Press the [A/B] button to select the Tone
group.
(4) Use the numeric keypad to select the
desired Music Style bank (1~8).
(5) Use the numeric keypad to select a Music
Style memory of that bank (x1~x8).
Note: You can also assign other Styles to the Music Style memories of group b (see p. 29).
Note: The EM-55 OR does not store the Music Styles for group b. You need to insert the (correct) floppy disk into the drive each time you wish to use those Styles.
The “Oud 2” Tone belongs to the “TONE A” group. You therefore need to press [A/B] once or twice to make the display read a.
Piano 2
Note: This is only necessary if the currently selected Tone belongs to the A group.
Note: The name (“Piano 2” in the illustration) still refers to the previously selected Tone.
ENGLISH ENGLISH
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Playing with accompaniment
(3) Press the numeric button [1] to select
bank “1”.
Piano 2
Note: The name (“Piano 2” in the illustration) still refers to the previously selected Tone.
(4) Press the numeric button [3] to select the
“Oud 2” Tone.
Oud 2
Notice how the Tone name in the display changes. If you now play in the right half of the keyboard, you will hear the “Oud 2” Tone.
Note: See p. 30 for how to select Tone Variations. Note: You can also press [TONE] repeatedly to scroll
through all available Tones (excluding the Varia­tions).
Note: In many cases, the EM-55 OR does not select exactly the Tone you asked for, but an even better one. See p. 30 for details.
Tone selection via EZ Search
Your EM-55 OR contains 3,603 western Tones (or sounds) plus 48 oriental ones, which means that you have plenty of options – but it also means that you may have to spend several minutes before locating the desired Tone.
One way of doing that is by looking at the list on p. 61 and then entering the number via the BANK/ NUMBER pad. Another, more intuitive, approach is this:
(1) Press the [TONE] button. The [TONE] icon
now appears in the display.
(2) Press the [EZ SEARCH] button (indicator
lights).
The display now shows the number and name of the currently selected Tone.
(3) Look at the TONE list in the upper left
part of the front panel to select a Tone bank (there are 16 banks), then press the [A/B] and a number button [1]~[8] to select that bank.
Example: if you need an Organ sound, select A and then press [3]. To be able to select solo synthesizer sound, press [A/B] to select group b, the press [3].
(4) Use the [TEMPO/DATA] dial to select the
desired Tone from that bank.
You can now only select Tones that belong to the bank (and group) you selected above. This is very convenient for trying out differ­ent alternatives.
Note: It is also possible to use several sounds at a time. See pages 19 and 30.
Note: EZ Search also provides access to Tones that cannot be selected via the BANK/NUMBER keypad. (The keypad allows you to select up from among 1616 Tones.) Those additional Tones cannot be selected via SysEx.
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5. Using oriental tunings
Your EM-55 OR allows you to change the tuning of the keys, which then applies to all notes of the same name. Here’s an example: If you press the ORIENTAL SCALE [Bb] button (indicator lights), that note’s tuning is lowered by a quarter tone (–50 cents). This setting applies to all B-flat keys on the keyboard.
Tuning individual notes a quarter tone down
(1) Press an ORIENTAL SCALE button to tune
the corresponding notes a quarter tone
down (the button’s indicator must light).
Using other tuning values
Pressing an ORIENTAL SCALE button toggles between the western tuning of the correspond­ing notes and a setting that is a quarter tone below western tuning (–50 cents).
However, you can also select other tuning val­ues.
(1) Press and hold the ORIENTAL SCALE but-
ton of the note whose tuning you wish to
change until the display reads Scale,
followed by the note name.
You can also select this page and parameter
via the Function menu. See page 48.
EM-55 OR Owner’s Manual
ENGLISH ENGLISH
(2) If you also want to tune down other
notes, press the corresponding button(s).
If you pressed the wrong button (indicator lights), press it again so that its indicator goes dark again. The pitch of the corre­sponding notes returns to normal.
(2) Use the [TEMPO/DATA] dial to modify the
tuning of the selected note.
ENGLISH ENGLISH
Setting range: –64~63 cents.
Note: To return to the default value (“–50”), press and hold [EXECUTE].
Saving and loading your tunings (Scale Memory)
After setting the desired tunings, you can save them to one of the three Scale Memories and recall them whenever you need them. Here’s what you need to do:
(1) Tune the notes to your liking (see above). (2) Press and hold the SCALE MEMORY but-
ton (1~3) that corresponds to the memory
where you wish to save your tuning set-
tings.
(3) Wait until all three SCALE MEMORY indi-
cators briefly light, and release the button
you pressed.
If necessary, you can select another, SCALE MEMORY by briefly pressing the SCALE MEMORY button assigned to the settings you wish to use.
To return to the western tuning, press the SCALE MEMORY button in question again so that its indicator goes dark, and/or switch off all ORIENTAL SCALE buttons whose indicators light. In the second case, the SCALE MEMORY indicator of the last memory you selected starts flashing to sig-
17
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Using oriental tunings
nal that the current ORIENTAL SCALE set­tings no longer correspond to the ones con­tained in the currently selected memory.
Note: When shipped, the EM-55 OR already con­tains frequently used Scale Memory settings (see above).
Note: The Oriental Scale settings are never written to a User Program. Do not forget to save them to a Scale Memory before switching off the EM-55 OR.
Note: See also “Scl Mode” (p. 48) for deciding which sections should be affected by the Scale Tune settings..
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EM-55 OR Owner’s Manual
6. Playing one sound (Piano)
Here is how to play one sound via the entire keyboard. This mode is automatically selected when you switch on the EM-55 OR. As it was mainly meant to use the EM-55 OR like a digital piano, this mode is called “PIANO”.
(1) Press the [PIANO] button (its indicator
lights).
PIANO
Using the metronome
You can switch on the metronome when practising a new song.
(1) Press the [METRONOME] button.
METRONOME
The icon appears in the display and you
hear the metronome sound.
(2) See “Selecting sounds for the right hand”
(p. 15) for selecting a different sound.
At first, only the [UPPER 1] indicator lights, which means that the part of the same name is active. “Parts” are “containers” that you can assign Tones to, and play.
(2) Press and hold [METRONOME] to select
the Metro TS function.
(3) Use the [TEMPO/DATA] dial (notice the
“VALUE” message in the display) to set another time signature.
The possibilities are: 1/4, 2/4, 3/4, 4/4, 5/4, 6/ 4, 6/8, 9/8.
(4) Press [SONG], [STYLE], [TONE], or [USER
PROGRAM] to leave this function.
ENGLISH ENGLISH
ENGLISH ENGLISH
Playing a different sound with the left hand (Split)
Here is how to split the keyboard without using the Arranger. This allows you to play separate sounds with your left and right hands:
• One sound in the right half (Upper).
• One sound in the left half (Lower). You can also add an automatic bass line (M.Bass). See p. 45.
Lower (+M. Bass) Upper
(1) Press the KBD MODE [ARRANGER] button
to activate the Arranger mode.
This is necessary to split the keyboard. You must not press [START/STOP], however. Oth­erwise, the Arranger will start playing.
(2) Press the [LOWER] button.
LOWER
Its indicator lights (as does the indicator of the [UPPER 1] button). You can now play one part with your left hand (“Lower”), and another with your right (“Upper 1”).
To assign a different Tone to the Lower part, you need to press and hold [LOWER] (its indicator starts flashing). Then use the same procedure as for the Upper 1 part (see “Selecting sounds for the right hand” on page 15).
Note: If necessary, you can select a different split point. See “ArrSplit (Arranger Split)” (p. 45).
Note: You can also press the [START/STOP] button to add a rhythm accompaniment to your playing. This is based on the currently selected Music Style. See p. 14 for how to select a different one, and p. 23 for muting all Arranger parts except the drums.
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Drumming on the keyboard
7. Drumming on the keyboard
Here is how to assign drum and percussion sounds to the entire keyboard.
(1) Press the [M.DRUMS] button.
M.DRUMS
With the left-most key, you can play a bass drum sound (also called “kick”). The white key next to it triggers a snare drum sound, etc. Try it out by pressing several keys, either in succession or simultaneously.
Its indicator lights. Play a few notes on the keyboard. This time, every key is assigned to
M.Drums M.Drums
a different sound.
Selecting other Drum Sets
The sounds used in M.Drums mode (“M.Drums” is short for
Tones
but rather by a Drum Set. Drum Sets are collections of over 90 sounds, each assigned to a differ-
ent key. The EM-55 OR provides 4 oriental and 116 western Drum Sets.
BANK/NUMBER
34 E-40 MODIFIED 35 ORIENTAL PERC. 1 36 ORIENTAL PERC. 2 37 ORIENTAL 3
BANK/NUMBER
11 STANDARD 1 12 STANDARD 2 13 STANDARD L/R 14 V-Pop1 15 V-R&B 16 V-Fiesta 21 ROOM 22 HIP HOP 23 JUNGLE 24 TECHNO 25 ROOM L/R 26 HOUSE 31 POWER 32 V-Rock1 33 V-Rock2 41 ELECTRONIC 42 TR-808 43 DANCE 44 CR-78 45 TR-606 46 TR-707 47 TR-909 51 JAZZ 52 JAZZ L/R 61 BRUSH 62 BRUSH 2 63 BRUSH 2 L/R 64 V-JazzBrush 71 ORCHESTRA 72 ETHNIC 73 KICK & SNARE
74 KICK&SNARE 2 75 ASIA 76 CYMBAL&CLAP 77 GAMELAN 1 78 GAMELAN 2 81 SFX 82 RHYTHM FX 83 RHYTHM FX 2 84 RHYTHM FX 3 85 SFX 2 87 CYM&CLAPS 2 88 V-VoxDrum
128
CM-64/32L
EZ SEARCH
11 STANDARD 1 12 STANDARD 2 13 STANDARD 3 21 ROOM 22 Hip-Hop 23 JUNGLE 24 TECHNO 31 POWER 41 ELECTRONIC 42 TR-808 43 DANCE 44 CR-78 45 TR-606 46 TR-707 47 TR-909 51 JAZZ 61 BRUSH
Manual Drums
71 ORCHESTRA 72 ETHNIC 73 KICK & SNARE 75 ASIA 76 CYMBAL&CLAP 81 SFX 82 RHYTHM FX 83 RHYTHM FX 2
128
CM-64/32L
11 STANDARD 1 12 STANDARD 2 21 ROOM 31 POWER 41 ELECTRONIC 42 TR-808/909 43 DANCE 51 JAZZ 61 BRUSH 71 ORCHESTRA 72 ETHNIC 73 KICK&SNARE 74 Oriental 81 SFX 82 RHYTHM FX
128
CM-64/32L
11 STANDARD1 21 ROOM 31 POWER
) are not produced by
41 ELECTRONIC 42 TR-808 51 JAZZ 61 BRUSH 71 ORCHESTRA 81 SFX 88 CM-64 / 32L
CC32= 122 (General MIDI 2)
1 GM2 STANDARD 9 GM2 ROOM 17 GM2 POWER 25 GM2 ELECTRIC 26 GM2 ANALOG 33 GM2 JAZZ 41 GM2 BRUSH
ORCHESTRA
49 GM2 57 GM2 SFX
CC32= 119 (XG)
1 standard kit 2 standrd kit2 9 room kit 17 rock kit 25 electro kit 26 analog kit 33 jazz kit 41 brush kit 49 classic kit 121 SFX 1 kit 122 SFX 2 kit
To select them, proceed as though you were calling up a Tone:
(1) Press a number button [1]~[8] to select a
Bank.
(2) Press a number [1]~[8] button to select
the desired Drum Set.
Use the EZ Search function to have access to all Drum Sets except the ones preceded by “CC32=” (those Drum Sets can only be selected via MIDI).
20
Note: You can also press the [START/STOP] button to add a rhythm accompaniment to your playing. This is based on the currently selected Music Style. See p. 14 for how to select a different one.
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EM-55 OR Owner’s Manual
8. Using the D Beam Controller
The D Beam Controller allows you to control various aspects of your performance, or to add something to the music, by moving your hand, head, etc., in the air. You only need to make sure that you do so over the two “eyes” and within a 40cm (±16”) range. Your movements are translated into musical expression.
(1) Press the D BEAM CONTROLLER [ON/OFF]
button (indicator must light).
ON/OFF
Let’s first try out the DJ GEAR functions.
(2) Press the [ASSIGN] button (next to the
[ON/OFF] button) until the DJ GEAR indi­cator lights.
(5) Press and hold the [ASSIGN] button until
the display shows the VinylRPM mes­sage.
(6) Use the [TEMPO/DATA] dial to select
Scratch.
(7) Again move your hand towards and away
from the D Beam.
Now you should hear a scratch sound. Try out the SOUND EFX (sound effects),
INSTRUMENTS (play notes using a given sound) and CONTROLS (change Arranger playback).
Note: See p. 36 for details about the D Beam Con­troller.
ENGLISH ENGLISH
DJ GEAR
SOUND EFX
INSTRUMENTS
CONTROLS
(3) Start the Arranger by pressing the [START/
STOP] button.
(4) Move your hand towards and away from
the D Beam’s “eyes”.
What you hear now is the “VinylRPM” effect. Now let’s do some scratching…
ENGLISH ENGLISH
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Recording your music
9. Recording your music
Your EM-55 OR contains a 16-track Recorder you can use for recording your own songs. Feel free to use the Arranger to add an accompaniment to the melodies you record.
Here, you will learn how to record your melody and the Arranger accompaniment.
(1) Press the [ARRANGER] button.
The indicator lights. You can now use your left hand for transposing the Arranger’s key in realtime.
(2) Press the [STYLE] button. (3) Select a Music Style.
See also page 14.
(4) Press the [START/STOP] button. (5) Use the [TEMPO/DATA] dial to set desired
tempo.
(6) Press [START/STOP] again to stop Arranger
playback.
(7) Assign the desired Tone to the right half
of the keyboard.
Press [TONE], and use the [A/B] and [1]~[8] buttons (or the EZ Search function). See also page 15.
Note: If necessary, you can also use the [VARIA­TION] button to select a Tone Variation. See p. 30 for details.
(8) Press the [ REC] button.
(The [RECORD≈∏] and [1]~[16] icons flash.) You are now in ALL mode, which means that everything you and the EM-55 OR’s Arranger play will be recorded.
Note: This will erase the song that currently resides in the EM-55 OR’s internal memory. You may want to save the current Song to floppy disk first (see p. 54).
(9) Start recording in one of the following
ways:
• Press the [START/STOP] button to start Arranger playback with the selected Divi­sion.
Note: If you start recording without the Arranger and want to bring it in at a later stage, it would be a good idea to switch on the metronome by pressing the [METRONOME] button.
• Activate the SYNC START function and press one or several keys to the left of the Split point.
Note: It is also possible to record in PIANO, and M.DRUMS modes (after pressing the buttons of the same name). In that case, you should use the met­ronome. The song’s time signature can be set with the MetroTS function. See page 19.
REC
The display should look as follows (if it doesn’t, use the [TEMPO/DATA] dial to select ALL):
MEASURETEMPO
ALL
ARRANGER CHORD
RECORD 1 9
TONE
10211312413514615716
120 001
8
Listening to your song
(1) Press the [SONG] button. (2) Press [START/STOP] to start playback. (3) Press [START/STOP] once again to stop
playback.
(4) Press [ORIGINAL |] to return to the
beginning of the song.
KEYBOARD VELOCITY
REVERB
CHORUS
MELODY INTELL
INVERSION
(10) Stop recording in one of the following
ways:
• Press [START/STOP].
• Press the [ENDING] button to start the End­ing phrase. As soon as it ends, recording stops.
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EM-55 OR Owner’s Manual
10. Additional Music Style functions
Apart from the basic Music Style functions covered on page 13 and following, your EM-55 OR also provides the following functions.
The following are only available after pressing the [ARRANGER] button (its indicator must light).
Session Partner functions
The EM-55 OR’s SESSION PARTNER section can also be used for “playing” with the Arranger parts, or adding a ninth accompaniment phrase to the Arranger’s 8-part accompaniment. Let’s have a look at these two functions:
Muting Arranger parts (Track)
The EM-55 OR’s Music Styles comprise eight accompaniment parts: Drums, Bass, and Accomp 1~6. If you take a close look at the SESSION PARTNER section, you will see that these names appear above the numeric buttons [1]~[8]:
The ACCOMP parts contain melodic accompaniments (piano riffs, sax parts, guitar chords, etc.). If you like, you can mute these Arranger parts during playback – and save these settings to a User Program (see p. 49). Here’s how you do that:
(1) Press the KBD MODE [ARRANGER] button
(its indicator lights).
ARRANGER
(2) Select the desired Music Style (see p. 14). (3) Press [START/STOP] to start Arranger play-
back.
(4) Press the [TRACK] button (the upper indi-
cator lights).
• or because the corresponding track contains no data. Not all eight Arranger tracks are indeed used by all Music Styles or Music Style divi­sions (Intro, Variation, etc.).
(5) Use the SESSION PARTNER [1/9]~[8/16]
buttons to switch the desired Arranger parts on/off.
Note: Once you start muting or switching on exist­ing Arranger parts, the EM-55 OR leaves the cur­rently selected Orchestrator level. Your realtime changes always have priority.
Note: The on/off status of the Arranger parts does not change if you select another Music Style while Arranger playback is running. If, however, you select another Music Style after stopping Arranger play­back, all (existing) Arranger parts will be switched on again.
Note: You can also change the volume of certain Arranger parts. See “AccDrums, AccBass, Accomp: volume” (p. 45).
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Now take a look at the SESSION PARTNER [1/9]~[8/16] buttons. Some of them light, while others don’t. There may be two rea­sons why a [1/9]~[8/16] indicator does not light:
• either because the corresponding Arranger track is switched off (something you did by pressing the button in question, or by selecting another Orchestrator level, see p. 27)…
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Additional Music Style functions
Adding yet another Arranger part (Style Pad)
The SESSION PARTNER buttons can also be used for the “STYLE PAD” function. That allows you to add a part to Arranger playback, which is not part of the Music Style itself (either in ROM or on floppy).
Like the DJ PAD function (see p. 9), the STYLE PAD function provides eight different phrases you can access via the SESSION PARTNER but­tons [1/9]~[8/16]. (And there are also sets, see below). And like for the DJ PAD function, the key of the phrases depends on the chords you play in the left half of the keyboard.
Here, however, you can only use one phrase at a time.
(1) Press the KBD MODE [ARRANGER] button
(its indicator lights).
ARRANGER
(2) Select the desired Music Style (see p. 14).
This also determines which phrase set is selected automatically. See below for details.
(3) Press the [STYLE PAD/DJ PAD] button. The
STYLE PAD indicator must light.
STYLE
PAD
(4) Press [START/STOP] to start Arranger play-
back.
(5) Use the SESSION PARTNER [1/9]~[8/16]
buttons for starting playback of the desired additional Arranger phrase.
Press it again to switch off Style Pad play­back. Press another [1/9]~[8/16] button to start the phrase assigned to that button. The previously selected phrase will be switched off (if it is still running).
The Style Pad function is also available while Arranger playback is stopped. And even in that case, its key (pitch) changes as you play different chords in the left half of the keyboard.
Note: Do not press the [TRACK] button, because that would switch off the STYLE PAD function (and instead activate the mute on/off function, see above).
Selecting another phrase set
As stated earlier, selecting an internal Music Style automatically specifies the set of eight phrases you can start/stop via the SESSION PARTNER [1]~[8] buttons. You can, however, override this automatic selection:
(1) Press and hold the [FUNCTION] button,
while pressing the BANK/NUMBER [3] button.
FUNCTION
3
(2) Use the [TEMPO/DATA] dial to select one
of the following sets:
01 Baladi 02 Maksoum 03 Saidi
04 Khaligi 05 Rock 06 Dance
07 Pop 1 08 Pop 2 09 Rock’N
10 Swing 11 Latin 12 Waltz
This selects the “PAD SELECT” function (indi­cated as “PAD” in the upper left corner of the display).
VALUE
KHALIGI
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One Touch
The One Touch function automates quite a few tasks:
(1) Select the desired Music Style (see p. 14). (2) Press the ONE TOUCH [1–2] or [3–4] but-
EM-55 OR Owner’s Manual
• The Arranger selects the preset Style tempo.
• Suitable Reverb and Chorus settings.
• The EM-55 OR selects Tones for the Upper 1 and Upper 2 parts that are is suitable for the selected Style.
Note: The M-FX settings (see p. 31) are not covered by the One Touch function.
There are 4 One Touch memories per Style with different settings for the above param­eters. Here is how to select one:
ton.
The number field in the upper left corner reads “OT”, followed by the number of the selected One Touch memory.
Accrdn 4L
(3) Press the same ONE TOUCH button again
if you need “OT2” (1–2) or “OT4” (3–4).
One Touch needs to be activated again every time you select a new Music Style.
Note: One Touch is also available for the Disk Link Styles (see also page 15), but it is less meaningful.
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Using the EM-55 OR’s Music Assistant
Another practical function for quickly making the right settings for a song you want to play is to take advantage of the EM-55 OR’s novel MUSIC ASSISTANT function. It prepares everything for you (Style, Tones, effects, etc.).
(1) Press the [MUSIC ASSISTANT] button.
The following icon appears in the display, while the message line displays the name of the first Music Assistant registration:
MEASURETEMPO
Abdlkadr
ARRANGER CHORD
MUSIC ASSISTANT
(2) Use the BANK/NUMBER [1]~[8] buttons
to specify the initial character where the list should start.
120 001
Example: if you want to load the registra­tions for a song called “Thriller”, press [7] button three times (to select the first song that starts with a “T”). If necessary, you can can now continue your search among the “Ts” using the [TEMPO/DATA] dial.
In fact, [TEMPO/DATA] allows you to scroll through all Music Assistant settings.
(3) Press [EXECUTE] to confirm you selection.
Your EM-55 OR is ready to rock…
Note: If necessary, you can now change certain settings (e.g. select another Tone for Upper 1) and then save your version to a User Program (see p. 49).
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Additional Music Style functions
Melody Intelligence
The Melody Intelligence function adds a second voice (harmony notes) to the melodies you play with your right hand. In fact, MELODY INTELL uses both halves of the keyboard to determine which notes to play:
• It looks at the melody notes in the right half; and…
• It analyzes the chords you play in the left half to see which notes it must add to your melody.
Press the [MELODY INTELL] button so that the corresponding icon (see right illustration) appears in the display.
Changing the MELODY INTELL harmony type
The EM-55 OR contains 18 different voicings (harmony types) for the MELODY INTELL function. These voicings specify the number of harmony notes and the way in which they are added to your melody.
To select a different harmony type, press an hold the [MELODY INTELL] button until the “MI” message appears in the upper left corner of the display. Then use the [TEMPO/DATA] dial to select the desired voicing. The available types are:
1 Duet 2 Organ 3 Combo
MELODY
INTELL
4 Strings 5 Choir 6 Block
7 BigBand 8 Country 9 Traditnl
VALU E MEASURETEMPO
Traditnl
ARRANGER CHORD
10 Broadway 11 Gospel 12 Romance
13 Latin 14 CntrGuit 15 CntrBald
120 001
TONE
16 WltzOrg 17 OctvTpe1 18 OctvTpe2
KEYBOARD VELOCITY
REVERB
CHORUS
MELODY INTELL
INVERSION
Bass Inversion (Bass Inv)
Use this function to change the way in which the Arranger reads the chords you play.
If the hand icon is not displayed, the A.Bass part plays the root of the chords that feed the Arranger. If you play a C (or C chord), the bass sounds a C; if you play an A minor chord (or if you press A and the C to its right), the bass sounds an A, etc.
By activating Bass Inversion, you can specify the note played by the A. Bass part (the lowest note of your chords). Switch on Bass Inversion for songs that rely on bass rather than on chord patterns (for example C – C/B – C/Bb, etc.).
(1) Press and hold the [FUNCTION] button.
FUNCTION
(2) Keep holding the [FUNCTION] button
while pressing BANK/NUMBER [4] to select “Inversion”.
(3) Use the [TEMPO/DATA] dial to select “On”.
VALUE MEASURETEMPO
Bass Inv
ARRANGER CHORD
120 001
TONE
KEYBOARD VELOCITY
REVERB
CHORUS
MELODY INTELLIGENT
INVERSION
The INVERSION icon appears to signal that the Bass Inversion function is switched on.
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Orchestrator
The Orchestrator function allows you to vary the accompaniment patterns played by the Arranger. You can leave out parts, thin out the drum part, or even use a totally different accompaniment – in realtime (i.e. while you are playing).
EM-55 OR Owner’s Manual
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(1) Select the Music Style you wish to use for
playing.
See page 14.
(2) Press one of the following buttons to
select the desired level of musical “com­plexity” (its indicator lights):
Drum & Bass
Combo
Big Band
Style Morphing
Style Morphing allows you to use one or several accompaniment parts of one Music Style and the others of a second Music Style. Each time you select a Music Style, the EM-55 OR automatically prepares a sec­ond Style in the background. The Style you select is called “STYLE A” (this is indicated by the [STYLE≈A] icon in the upper right corner of the display). The “covert” Style is called “STYLE B”.
The link between “A” and “B” Styles is preset. This allows the EM-55 OR to automate the selection process and to prepare a suitable “B” Style. Feel free, however, to assign another Music Style to “B” if you want to explore new morphing combinations (see below).
The simplest accompaniment that only contains the drum and bass lines.
Accompaniment pattern with only a few instruments (i.e. a band).
Accompaniment pattern with a lush arrangement (several melodic instrument lines).
Note: Immediately after switching on the EM-55 OR, the Orchestrator selects the “BIG BAND” level.
Note: The effect of these three levels also depends on whether the [VARIATION] or [ORIGINAL] button was pressed. In effect, the combination of the [ORIGINAL]/[VARIATION] and [DRUM & BASS]/ [COMBO]/BIG BAND] buttons provides 12 accompa­niment patterns per Music Style.
The last selection you make can be saved to a User Program. See p. 49.
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There are three part groups per Style (A or B) that can be morphed:
DRUMS: The drums and percussion. BASS: The bass line. ACCOMP: Other melodic accompaniments
(piano, guitar, strings, etc.). The icons in the display keep you posted about
the Style (A or B) whose drum, bass, and/or accompaniment lines are used.
(1) Press the [DRUM A/B] button once to
select the drum part of the “other” Style (A or B).
Press it again to return to the previous drum part.
(2) Press the [BASS A/B] button once to select
the bass part of the “other” Style (A or B).
Press it again to return to the previous bass part.
(3) Press the [ACCOMP A/B] button once to
select the melodic parts of the “other” Style (A or B).
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Additional Music Style functions
Selecting another “B” Style
As stated earlier, the “B” Style is prepared automatically whenever you select an “A” Style, so that the Style Morphing function is ready whenever you are.
If you do not agree with this preset selec­tion (or want to experiment with other Styles), hold down the [STYLE] button and select the desired “B” Style using the [A/B] button and [1]~[8] keypad (the Disk Link memories are also available). This selection will also be written to a User Program.
Note: You can also select the STYLE DISK Style by pressing [VARIATION/STYLE DISK]. See below for details about the STYLE DISK function.
Working with Styles on floppy disk
Style Disk
The EM-55 OR provides a special temporary memory that allows you to use one Music Style on a floppy disk as if it were an internal Style. The function in question is called STYLE DISK.
A Music Style you select via this function is not stored internally. It will be replaced when you select another Music Style on disk, or erased when you switch off the EM-55 OR.
Note: See also page 3 for details about how to handle floppy disks.
VARIATION
STYLE DISK
Note: The Intro and Ending patterns of Style A will be used in their original state for all Style Mor­phing combinations except the one where all parts are played by Style B (i.e. when no icon is displayed in the Style A column).
Note: You can also morph between Styles that use different time signatures.
Note: When you select a new Music Style with the numeric keypad, the Style Morphing function is reset to the “Style A only” status. The Style Mor­phing setting can, however, be written to a User Program. See p. 49.
TEMPO
SAIDI
ARRANGER CHORD
STYLE DISK
STYLE
DISK
120
KEYBOARD VELOCITY
REVERB
CHORUS
MELODY INTELL
INVERSION
Working with Styles on disk requires that you purchase a floppy disk containing Music Styles or that you use the floppy disks supplied with the EM-55 OR. See your Roland dealer for details about the available floppy disks (MSA, MSD, or MSE series).
(1) Insert a floppy disk with compatible Music
Styles into the EM-55 OR’s disk drive.
(2) Press the [STYLE] button (the [STYLE] icon
appears).
(3) Press the [VARIATION/STYLE DISK] button.
The [STYLE≈DISK] icon appears in the display, while you will also see the “Sdk” message and the name of the Music Style name that is currently in the EM-55 OR’s RAM mem­ory.
(4) Press [VARIATION/STYLE DISK] again.
If the display now shows the message “Err – No Disk”, you need to insert a floppy disk. If the drive contains a floppy disk with read­able Music Styles, the name of the first Style on disk will be displayed.
(5) Use the [TEMPO/DATA] dial to select the
desired Music Style on the floppy disk.
You can also press [STYLE DISK] to scroll through the Music Styles on disk.
TEMPO
SAIDI
120
(6) Press [EXECUTE] in response to the flash-
ing “EXE” message that appears after a brief interval to load the selected Music Style.
EXECUTE
Press [VARIATION/STYLE DISK] if you want to select another Music Style on disk and load that one.
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EM-55 OR Owner’s Manual
Note: If the Style on disk does not fit into the EM-55 OR’s RAM memory, the “Err – Too Big!” error message is displayed, and the Style will not be loaded.
(7) Press [START/STOP] to start playback of
the style on disk.
Note: The selection of the Style Disk memory will be written to a User Program (see p. 49). This, how­ever refers to the memory address rather than its contents. Next time you recall such a User Program, the EM-55 OR will therefore use the last Style you loaded after switching it on. If you haven’t yet loaded a User Style, the EM-55 OR selects a ROM Style.
Note: You can also assign the Music Style in the Style Disk memory to a Disk Link memory (see below).
Assigning other Music Styles to the Disk Link memories
The EM-55 OR provides 64 memories (8 banks x 8 numbers) that refer to Music Styles on the supplied or any other floppy disk. The Disk Link memories can be accessed via group b (press [A/B] and then enter the bank and number using the [1]~[8] buttons).
Though these memories behave exactly like the memories of group A (that provides access to the internal Music Styles), the
Disk Link memories only “work” if the disk in question has been inserted into the
. Thanks to the EM-55 OR’s powerful soft-
drive
ware, loading a Disk Link Style is as swift as working with internal Styles. To assign a Music Style on floppy disk to a Disk Link memory, pro­ceed as follows:
(1) Start by loading the desired style using
the STYLE DISK function.
See above. If the EM-55 OR’s RAM memory already contains the desired Style, you just need to press [VARIATION/STYLE DISK].
In any case, you need to insert a floppy disk into the drive.
(2) Press and hold the [VARIATION/STYLE
DISK] button.
VARIATION
STYLE DISK
The message line of the display should now look as follows:
TEMPO
Link To
120
As you see, group b is already selected. All you need to do now is…
(3) Use the numeric keypad to select the
desired Music Style bank (1~8).
(4) Use the numeric keypad to select a Music
Style memory of that bank (x1~x8).
As soon as you specify the number, the dis­play indicates Complete.
Whenever you select that memory (“B32”, for example), the EM-55 OR will load the assigned Style from the floppy disk into its STYLE DISK memory.
Note: If you forgot to insert the floppy disk (either while assigning or using the Disk Link memories), an error message will be displayed.
Note: If you change the name of a Style file on floppy disk (on your PC, for example), the Disk Link function no longer finds that Style.
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More Music Style functions
Here are yet other functions related to Music Styles. These can be set via the FUNCTION menu, or are covered elsewhere:
• Balance between the Keyboard parts and the Music Style parts (see p. 33)
• Volume of certain Music Style parts (see p. 45)
• Arranger split point (see p. 45)
• Hold function for the Arranger notes (see p. 45).
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More Keyboard part functions
11. More Keyboard part functions
Using the Upper 2 part
The EM-55 OR’s Upper 1 part is assigned to the right half of the keyboard (in ARRANGER mode) or to the entire keyboard (PIANO mode).
In all modes except M.DRUMS, you can add a second part (Upper 2) to Upper 1 by pressing the [UPPER 2] button. This allows you to play two sounds simultaneously (piano and strings, for example). It is also possible to switch off Upper 1 and only work with Upper 2. This allows for quick question-and-answer switches.
(1) Select the desired KBD MODE (ARRANGER
or PIANO).
(2) Press the [UPPER 2] button (indicator
must light) to switch on the Upper 2 part.
UPPER 2
(3) To use both Upper 1 and Upper 2, switch
on both [UPPER 1] and [UPPER 2].
You can also add the Lower part if you like, so as to play three sounds simultaneously. If the KBD MODE [ARRANGER] indicator lights, however, the Lower part can be played via the left half, while Upper 1 and Upper 2 can be played via the right half.
(4) To select another Tone for Upper 2, press
and hold the [UPPER 2] button until its indicator starts flashing, then use the [A/ B], [1]~[8] and possibly also the [VARIA­TION/STYLE DISK] button.
See p. 15 for selecting Tones and below for selecting Variations
Selecting Tone Variations
Tone Variations are alternatives for the Tones you can select with the numeric keypad. The PIANO bank, for instance, contains a grand piano, an upright piano, an electric piano, etc. These are the Tones. If you also want to specify the (i.e. “Tone subcategories”).
Variations are indicated by means of a smaller number in the upper left corner of the display (see the illustration).
kind
of grand piano (mellow, bright, stereo/mono), you need to turn to the Variations
AccrdnC1
(1) Press the [TONE] button. (2) Select the desired Tone with [A/B] and
[1]~[8] (see p. 15).
(3) Press the [VARIATION/STYLE DISK] button
to step through the available Variations.
See the Tone list on page 61. The number of Variations depends on the Tone you select. Whenever the Variation entry in the address field is empty, the “main” Tone (called
) is selected.
ital
You can also select Variations by holding down [VARIATION/STYLE DISK] while you press [7] () or [8] (®):
Cap-
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Using the multi-effects processor (M-FX)
Your EM-55 OR contains a multi-effects processor that can be assigned to the Keyboard parts (Upper 1/2, Lower). You can select one type and decide which Keyboard part(s) should use the effect. The M-FX can be used simultaneously with the Reverb and Chorus effects.
(1) Press the [M-FX EFFECTS] button.
M-FX
EFFECTS
Its indicator lights, and the Upper 1 part is now processed by the effect type currently assigned to the M-FX processor (“EH®Delay”).
Selecting another M-FX type
The effect that is assigned to the M-FX by default is a wonderful effect for organ and other sounds.
For a guitar sound, however, working with dis­tortion can be more effective. In fact, the EM-55 OR provides 47 different M-FX types (see the list on p. 46), some of which are combina­tions of two effects for added flexibility. Here is how to select another M-FX type:
EM-55 OR Owner’s Manual
(2) Press the [UPPER 1] button (indicator
must light).
(3) Play a few notes in the right half of the
keyboard, and switch the [M-FX EFFECTS] button on/off to hear the difference.
Note: A Keyboard part that uses the M-FX cannot be processed by the Reverb or Chorus effect. But as you will see on p. 46, the M-FX also contains Reverb and Chorus algorithms (either in isolation or in combination with other effects).
(1) Press and hold the [M-FX EFFECTS] button
until the message line in the upper left­hand corner reads “M-FX”:
VALUE
Rotary
(2) Use the [TEMPO/DATA] dial to select
another M-FX type.
(3) Again play a few notes and listen to what
it sounds like.
Note: M-FX type selection can also be linked to Tone selection for the Upper 1 part. See “Tone MFX” (p. 47).
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More Keyboard part functions
Assigning the M-FX to other Keyboard parts
As stated above, the M-FX can be assigned not only to the Upper 1 part (default) but also to the Upper 2 and Lower parts. Doing so is easy (though you could also use the FUNCTION menu):
(1) Switch on the M-FX (see above). (2) Press and hold the [M-FX EFFECTS] but-
ton.
(3) While still holding [M-FX EFFECTS], press
[LOWER] and/or [UPPER 2].
M-FX
EFFECTS
LOWER UPPER 2
M-FX
EFFECTS
The [UPPER 1] indicator starts flashing (sig­nalling that the M-FX is currently active for the Upper 1 part).
Reverb and Chorus
The EM-55 OR also provides digital Reverb and Chorus effects. The main thing you probably want to do with these effects is switch them on/off and select other types. Via the FUNCTION menu, you can also set the Send level (the amount of Reverb or Chorus) to be applied to the various parts. See p. 47. Please bear in mind that these effects cannot be combined with the M-FX for the Keyboard parts.
Reverb
(1) Press and hold the [FUNCTION] button,
while pressing the BANK/NUMBER [5] button.
This selects the “REV” function:
VALUE
(2) Use the [TEMPO/DATA] dial to select one
of the available types (see right). Select “OFF” if you do not need the Reverb effect.
(3) Press [SONG], [STYLE], [TONES], [USER
PROGRAM], or [MUSIC ASSISTANT] to leave this page.
FUNCTION
5
Hall 2
The indicator(s) of the PART SELECT button you press start flashing as well, while the message line of the display shows:
VALUE
M-FX LWR
(This message means that the Lower part was assigned to the M-FX.) To switch off the M-FX assignment, repeat the above proce­dure (the indicator goes dark again), or sim­ply turn the [TEMPO/DATA] towards the left.
(4) Press [SONG], [STYLE], [TONES], [USER
PROGRAM], or [MUSIC ASSISTANT] to leave this page.
Type Explanation
Room 1~3 These types simulate the Reverb
characteristics of a room. The higher the number (1, 2, or 3), the “bigger” the room becomes.
Hall 1, 2 These types simulate the Reverb
of a small (1) or large (2) concert hall and thus sound far “bigger” than the Room types above.
Plate Digital simulation of a metal
plate that is sometimes used for creating Reverb effects. Works well for percussive sounds.
Delay A Delay effect (no Reverb). Works
a lot like an echo effect and thus repeats the sounds.
Pan Delay This is a stereo version of the pre-
ceding Delay effect. It creates repetitions that alternate between the left and right chan­nels.
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Chorus
(1) Press and hold the [FUNCTION] button,
while pressing the BANK/NUMBER [6] button.
FUNCTION
6
This selects the “CHR” function:
VALUE
Chorus 3
(2) Use the [TEMPO/DATA] dial to select one
of the available types. Select “OFF” if you do not need the Chorus effect.
Off Chorus 1 Chorus 2
Chorus 3 Chorus 4 FB Chorus
Flanger S-Delay SDelayFb
EM-55 OR Owner’s Manual
We could try to describe them, but you will get a better idea by selecting one after the other.
Flanger
or
FB Chorus
can be inter-
esting for guitar Tones. Again, there are two echo effects:
(“S-Delay”) and
Delay Feedback
(“SDelayFB”). They are, however,
Short Delay with
Short
much shorter than those available for the Reverb effect processor.
(3) Press [SONG], [STYLE], [TONES], [USER
PROGRAM], or [MUSIC ASSISTANT] to leave this page.
Note: The Chorus Send Level of the Upper 1/2 and Lower parts is set to “0”, which means that these parts are not automatically processed by the Chorus effect. See the Chr UP1, UP2, and LWR parameters on p. 47 and following for how to set them.
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Balance
The BALANCE [ACCOMP] and [KEYBOARD®] buttons allow you to change the volume balance between the Arranger (or Song) parts and the Keyboard parts (the ones you can play yourself).
(1) Press BALANCE [ACCOMP] if the
Arranger (or Song parts) are too soft.
(2) Press BALANCE [KEYBOARD®] if you
think your solo playing should be louder.
Not all Keyboard parts are available at all times.
Note: See p. 45 for setting the volume of individual parts.
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More Keyboard part functions
Transpose
The Transpose function changes the pitch of the notes and chords you play. Instead of figuring out what other keys you need to press to accommodate the singer or an instrumentalist, you can set the required Transpose value and go on playing the song the way you practised it while sounding in a different key. See the example below.
(1) Press the [TRANSPOSE] button (indicator
lights).
The default transposition interval is “1” (one semitone up).
To change the interval:
(1) Press and hold the [TRANSPOSE] button
until the “TrpValue” message appears in the display.
(2) Use the [TEMPO/DATA] dial to select the
desired transposition interval (–12~12 semitones).
Here’s an example: if you want to hear a “D” every time you play a “C”, select “2”. All other notes will be shifted by the same amount so that you end up sounding in D major when you actually play in C major, etc.
No transposition (C major)
TrpValue= 4 (E major)
TRANSPOSE
(3) Release the [TRANSPOSE] button. (4) Press the [TRANSPOSE] button again to
switch off the Transpose function (if it is still on).
The [TRANSPOSE] indicator goes dark.
Note: There is also a function that allows you to specify which section(s) the Transpose function should apply to. See “Trp Mode” (p. 44).
Other Keyboard part functions
Here are yet other functions related to the Keyboard parts. These can be set via the FUNCTION menu, or are covered elsewhere:
• Keyboard velocity (see p. 35)
• Octave transposition of the Upper 1, Upper 2, and Lower parts (see p. 45)
• Master Tune (see p. 44)
• Volume of the Keyboard parts (see p. 45)
• Intelligence function for the Lower part (see p. 46)
• Hold function for the Lower part (see p. 46).
34
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12. Performance functions
Keyboard Velocity
The EM-55 OR is and Lower notes depend on the force/speed with which you strike the keys.
All acoustic instruments (piano, violin, flute, drums, etc.) are velocity sensitive. The harder you play, the louder and brighter the resulting notes will be, which creates a perfectly natural effect. (That explains why the KEYBOARD VELOCITY function is on every time you power on the EM-55 OR.)
If the EM-55 OR is your first musical instrument ever, you may feel distracted by the volume and timbre variations of the notes you play in the Upper section.
(1) Press and hold the [FUNCTION] button,
while pressing the BANK/NUMBER [1] button.
This selects the “KbdVelo” function:
VALUE
velocity sensitive
1
, which means that the volume and brightness of the Upper 1/2
FUNCTION
Kbd Velo
EM-55 OR Owner’s Manual
(2) Use the [TEMPO/DATA] dial to select one
of the available options:
Off: The EM-55 OR does not respond to changes in playing dynamics. All notes you play will have the same volume and timbre (tone colour).
Low: Choose this setting if only significant differences in playing dynamics should pro­duce noticeable changes.
Med: This setting corresponds to standard velocity sensitivity, i.e. the most natural response.
Hig: Choose this setting for maximum expression. Though you will have to hit the keys harder than usual to play loud and bright notes, this setting allows for precise control of the volume/timbre (even though it may require some training).
(3) Press [SONG], [STYLE], [TONES], [USER
PROGRAM], or [MUSIC ASSISTANT] to leave this page.
Note: Quite a few Tones use “velocity switching”. This means that your striking force sometimes selects a different sound. So only switch off this parameter if doing so makes you feel more com­fortable.
Note: Keyboard Velocity applies to all parts you can play yourself (the “Keyboard parts”): Upper 1/2, Lower, M.Bass (page 45), and M.Drums (page 20).
ENGLISH ENGLISH
ENGLISH ENGLISH
Pitch Bend and Modulation
The BENDER/MODULATION lever to the left of the EM-55 OR’s keyboard can be used to add two kinds of effects to the Keyboard part notes. You can even use these effects simultaneously if you like.
(1) Press the lever towards the rear of the
EM-55 OR to add a vibrato effect (“wob­ble”) to the notes you are playing.
MODULATION
Lowers the pitch
BENDER
The Modulation axis can also be used for switching between the slow and fast Rotary speeds (if the “Rotary” effect is assigned to the M-FX).
Raises the pitch
(2) Turn the lever to the left to temporarily
lower the pitch of the notes you are play­ing. Turn it to the right to raise the pitch of your notes.
(3) In either case, you can release the lever if
you no longer need the effect.
Note: If desired, you can change the Pitch Bend interval. See “PB Range (Pitch Bend Range)” (p. 45).
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Performance functions
Footswitch/Expression
The EM-55 OR’s FOOTSWITCH/EXPR socket (rear panel) allows you to connect optional DP-2, DP-6, or BOSS FS-5U footswitch, or an EV-5 expression pedal.
Footswitch
An optional footswitch can be used for sus­taining the notes you are playing (default), as Soft or Sostenuto pedal, to switch the Rotary effect speed (M-FX), and more. See “FSW (Footswitch Assign)” (p. 47).
D Beam functions
The D Beam Controller is no doubt the most exciting and spectacular performance function of your EM-55 OR. You can use it to modify various aspects of your Oriental Interactive Keyboard. Let’s have a look at how to do that.
The D Beam Controller has two sensors that detect motion (such as your hand or body movements) in front of it. These “sensed” posi­tions are translated into MIDI messages that can be assigned to a variety of parameters.
DJ GEAR
SOUND EFX
(1) Press the D BEAM CONTROLLER [ON/OFF]
button (indicator must light).
(2) Use the [ASSIGN] button to select the
function the D Beam Controller should perform.
There are 4 groups (DJ GEAR, SOUND EFX, INSTRUMENTS, and CONTROLS). This means that you may have to press the [ASSIGN] button several times in order to select the desired function.
INSTRUMENTS
CONTROLS
Expression
Instead of connecting a footswitch to the FOOTSWITCH/EXPR socket, you can also use an expression pedal. That would allow you to control the EM-55 OR’s volume by foot.
Note: Please note that you cannot connect both a footswitch and an expression pedal.
To assign another function to the D Beam Controller:
(3) Hold down [ASSIGN] until the currently
assigned D Beam function appears in the message line of the display.
(4) Use the [TEMPO/DATA] dial to select the
desired function (see below).
The assignments of all four groups (DJ GEAR, SOUND FX, INSTRUMENT, CONTROLS) will be saved to a User Program, so that you can also alternate between these groups while playing – and still use your favorite settings.
(5) Press [SONG], [STYLE], [TONES], [USER
PROGRAM], or [MUSIC ASSISTANT] to leave this page.
DJ GEAR
Vinyl RPM: allows you to simulate the sound
you hear when manually turning a vinyl record to locate (cue) the position where you wish to start playback. Cutting: this is very powerful filter effect that allows you to suppress the high frequencies in a rhythmic way (like a DJ does sometimes). TT Motor: simulates the effect you hear when you suddenly stop a turntable: the playback speed decreases, while the pitch drops and the sound becomes muffled.
SOUND EFX
Here, you can select various “noises” to be added to your music simply by moving your hand over the D Beam. We will not try to describe them: just try them out!
36
Scratch: the D Beam Controller can be used for adding scratch noises. You know what that is, don’t you…? Tape RWD: allows you add the sound you hear when you rewind a cassette tape without stop­ping playback (the music plays backwards and at a high speed).
Chimes, Boeeen, Buble, Pour Btle, Fng Snaps, Voice One, Voice Aou, Explsion, Gun Shot, Engine, Applause, Laughing, Train Hrn, Bird, Dog, Seashore, Rain.
Page 37
INSTRUMENTS
In this case, the D Beam will play musical notes. The pitch and chords of those patterns depend on the notes you play in the left half of the key­board (in Arranger mode).
EM-55 OR Owner’s Manual
Harp, Marimba, Mandolin, Guitar 1, Guitar 2, JazzScat, Bell, BassDrum, LoFi Rave, Sweep, Beep.
CONTROLS
All options marked with a “º” apply to the cur­rently active Keyboard parts. Start: Depending on the current condition of the Arranger (running or stopped), one move inside the D Beam’s range stops (or starts) it. A second movement will start (or stop) it again. Fade Out: By moving your hand over the D Beam’s eyes, you start a fade-out (the CONTROLS indicator flashes, which means that the volume of all EM-55 OR parts gradually decreases). As soon as it reaches “0”, Arranger playback will stop. After a few seconds, the volume then returns to normal. (If you like, you can stop the fade-out after triggering it by pressing [ON/OFF].) Fill: Here, the D Beam performs two functions that depend on the currently selected Division (Original or Variation). The first time the D Beam senses your hand (or other limb), it activates the Fill-In TO VARIATION function. Upon completion of that Fill, the Arranger switches to the Varia­tion pattern. The second time, the Fill-In TO ORIGINAL is activated. Drum Off: This setting allows you to switch the Arranger’s drum part on and off using the D Beam Controller. There are also combined on/off options (see below). Bass Off: This setting allows you to switch the Arranger’s bass part on and off using the D Beam Controller. Acc Off: This setting allows you to switch the Accompaniment parts (ACC1~6) on and off using the D Beam Controller. Bs&Dr Off: This setting allows you to use the D Beam for switching the Arranger drum and bass on and off. Acc&Bs Off: This setting allows you to use the D Beam for switching on and off the bass and ACC1~6 parts. Acc&Dr Off: This setting allows you to use the D Beam for switching on and off the Arranger drum and ACC1~6 parts. Tempo Up/Down: Select one of these options if you want to increase (Up) or decrease (Down) the current Arranger or Song tempo. By moving your hand outside the D Beam’s range, you return to the previous tempo value. Modulationº: Select this function if you want the D Beam to duplicate the modulation func­tion of the Bender/Modulation lever.
PBend Upº: By moving your hand over the D Beam, you can generate a value between “64” (no Pitch Bend) and “127” (maximum upward bend). As soon as you move your hand outside the D Beam’s reach (higher than ±40cm above the “eyes” or further to the left or right), the value returns to “64” (no Pitch Bend). The extent to which a Keyboard part can be controlled depends on the PBend Dwº: By moving your hand over the D Beam, you can generate a value between “64” (no Pitch Bend) and “0” (maximum downward bend). As soon as you move your hand outside the D Beam’s reach, the value returns to “64” (no Pitch Bend). The extent to which a Keyboard part can be controlled depends on the setting (see p. 45). Filter Upº: (Only for Upper1 and/or 2) By moving your hand over the D Beam, you can vary the brightness of the Upper1 and/or 2 part. This allows you to create some nifty filter effects that are particularly useful for Dance/Techno music. When you move your hand outside the D Beam’s range, the sound returns to its normal value. Filter Dwº: (Only for Upper1 or 2) By moving your hand over the D Beam, you can vary the brightness of the Upper1 and/or 2 part. This is the opposite of the above: you can make the sounds mellower. Arpg Oct 1/2/3: By moving your hand over the D Beam, you cause the Lower part to play arpeg­gios (broken chords) based on the notes you play in the left half of the keyboard (in Arranger mode). Depending on the setting you select here, the notes of the chord recognition area will be arpeggiated over 1, 2, or 3 octaves.
Note: Do not forget to assign a suitable Tone to the Lower part.
Chord Oct 1/2/3: By positioning your hand inside the D Beam’s range, you cause the Lower part to sound the notes of the chords you play in the left half of the keyboard. You could use this function to add syncopated brass or guitar “hits” to your melody. The velocity value used for play­ing these notes is “100”. The number (1, 2, or 3) bears on the octave of this “added chord”: A3~G4, hand outside the D Beam’s range to stop the Lower part from sounding the chord.
Note: This function is only available while the Arranger is active.
PB Range
2
= A4~G5, and 3= A5~G6. Move your
setting (see p. 45).
PB Range
1
=
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ENGLISH ENGLISH
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Recorder functions
13. Recorder functions
The EM-55 OR comes with a 16-track Recorder that can be used in several ways. On p. 22 we showed you the most straightforward way of using the Recorder. Here, you will get to know nuts and bolts.
About the recording modes
Modes
The EM-55 OR provides two modes for recording new music, and two for adding parts or correcting passages of existing music:
Recording a new song:
ALL In this mode, you can record every-
thing you and the EM-55 OR can play simultaneously:
• Arranger (accompaniment),
• Keyboard parts (Upper 1/2, Lower, M.Bass – or M.Drums)
• Style Pad performance (DJ PAD performance is also possible, but then the Arranger will not be available)
• D Beam performance.
Keyboard In this mode, you can record using
the Keyboard parts
• Upper 1/2, Lower, M.Bass – or M.Drums.
Adding parts to an existing song
Single In this mode you can record onto
one track at a time. The track can be freely selected (unlike for the pre­ceding modes).
Punch I/O This mode allows you to re-record a
short section of an otherwise per­fect part.
could also transmit certain parts from a computer). The MIDI channels correspond to the track numbers.
Recorder memory
The EM-55 OR provides one Song memory, which means that it can contain one Song. After completing a Song, you must save it to floppy disk (see p. 54).
To keep you from accidentally erasing the Song in the EM-55 OR’s internal memory, the EM-55 OR automatically selects SINGLE mode after your first recording. Bear in mind that selecting ALL or KEYBOARD will erase the Song currently in the EM-55 OR’s memory. Do not select ALL or KEYBOARD for adding parts to an existing Song – use SINGLE or PUNCH I/O instead.
Conversely, it is impossible to select SINGLE or PUNCH I/O if the Song memory doesn’t yet contain data.
And finally: playing back a Standard MIDI File erases the Song in the EM-55 OR’s memory. In return, the SMF data will be available (and can be supplemented with your own renditions in SINGLE or PUNCH I/ O mode).
38
Note: Every time you select the ALL or KEYBOARD mode, anything you may have recorded previously will be erased.
What are tracks?
The term “track” is used only for your con­venience. We borrowed it from tape record­ers that allow for recording several musical parts by the same person (one part after the other).
In the case of the EM-55 OR, the term is only used to indicate that we are dealing with separate musical parts. Here indeed (like with computer-based sequencers) what really counts are the MIDI channels.
Why are we telling you this? Just to suggest that you could also use external MIDI con­trollers (drum pads, etc.) for recording cer­tain parts – you do not need to use the EM-55 OR’s keyboard all the time (and you
Page 39
More about ALL mode
In addition to what you learned on p. 22, here are a few considerations:
After pressing [ REC], the 16 track and [RECORD∏] icons start flashing, signalling that all 16 tracks are available for recording.
MEASURETEMPO
ALL
ARRANGER CHORD
RECORD 1 9
Here is what the tracks correspond to:
Accomp 1
1 9
Arranger bass
2 10
Accomp 2
3 11
®
Upper 1
4 12
Accomp 3
5 13
®
Upper 2
6 14
Accomp 4
7 15
Accomp 5
8 16
120 001
TONE
8
10211312413514615716
Accomp 6 Arranger drums
®
Lower
®
M. Bass
Style Pads (see p. 24) D Beam part (see p. 36) Melody Intell (see p. 26)
®
M. Drum
KEYBOARD VELOCITY
REVERB
CHORUS
MELODY INTELL
INVERSION
EM-55 OR Owner’s Manual
For your convenience, the Keyboard parts are flagged with a “®” symbol in the above graphic.
Parts you do not hear during recording will not be recorded. This applies to the Key­board parts (Upper 1, 2, Lower, M. Bass, M. Drums), and to the Arranger parts (see p. 23), but also to the D Beam and the Style
1
pads. The track icons ~ thus do not show you what what
can
Note: If you activate the DJ PAD function (see p. 9), the Arranger is not available.
Note: If you select the M.DRUMS mode, Upper 1, 2, Lower and M.Bass are not available, while the Arranger can only play the Arranger drum part.
Note: See p. 45 for how to switch on the M.Bass part.
will
be recorded.
16
be recorded, but rather
ENGLISH ENGLISH
KEYBOARD recording mode
In KEYBOARD mode, you can only record the Keyboard parts. The Arranger is not available. Essentially, this mode allows you to record either one layered part using up to four sounds (Upper 1, 2, Lower, M.Bass), or two parts (Lower & M. Bass to the left, Upper 1 & 2 to the right). If you select the M.Drums mode, you can only record a drum part.
Note: Selecting KEYBOARD mode means that the Song data in the EM-55 OR’s memory will be overwritten by your new recording.
(1) Press the [ REC] button. (2) Use the [TEMPO/DATA] dial to make the
display look as follows:
MEASURETEMPO
11 12
4 6
120 001
TONE
16
KEYBOARD VELOCITY
REVERB
CHORUS
MELODY INTELL
INVERSION
Keyboard
ARRANGER CHORD
RECORD
The indicated track icons flash to signal that those are the tracks you can record to.
(3) To create a split between Lower (and pos-
sibly M. Bass) for your left hand, and Upper 1 and 2 for your right hand, press the KBD MODE [ARRANGER] button.
The Arranger is not available as such, but pressing this button creates a split.
(4) Activate the metronome (if necessary),
and set the desired tempo with the [EXECUTE/TAP TEMPO] button.
You can also record without metronome if you like.
Note: The M.Bass part can be added to the Lower part. You must switch it on via the FUNCTION menu (see p. 44).
Note: In M.DRUMS mode, only the Keyboard part of the same name is available.
ENGLISH ENGLISH
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Recorder functions
SINGLE recording mode
This mode is only available if the EM-55 OR’s Song memory already contains data. When you press [ REC], the [RECORD≈∏] icon and icon of the first empty track flash. This means you could record a new part straight away. (If all tracks already contain data, Track 1 will be selected.)
You can, however, also substitute an already recorded part with a new version.
(1) Press the [ REC] button. (2) Use the [TEMPO/DATA] dial to select
“SINGLE”.
(3) Use the SESSION PARTNER PADS/TRACKS
buttons [1/9]~[8/16] to select the track you wish to record to:
As you will notice, there are “only” 8 track buttons in the SESSION PARTNER section. Use the [TRACK] button to the right to select either track group 1~8 (upper row) or 9~16 (lower row).
You can only select one track (hence the name “SINGLE”) at a time. If you select a track that already contains data, your new version will overwrite the existing one.
(4) If necessary, assign the desired Tone to
the part you are about to record (see p. 15).
If you select track [10], you can select Drum Sets rather than Tones. Track 10 is reserved for drum parts.
(5) Press [START/STOP] to start recording.
After a two-measure count-in (see p. 48), you will hear all parts that have already been recorded. Start playing (and recording) your new part.
(6) Press [START/STOP] to stop recording. (7) Return to step (3) to record additional
parts.
Punch I/O
In this mode, you can re-record part of a track (the second chorus, for example). The important aspect of this mode is that newly recorded material does not erase the material before or after the passage you redo:
Original track
This passage is redone
REC
By contrast, in SINGLE mode, the entire track you record is replaced by your new material. (So if you don’t play anything dur­ing recording, the entire track will be empty afterwards.)
Like the SINGLE mode, PUNCH I/O can only be selected if the EM-55 OR’s memory already contains Song data
REC
(1) Press the [ REC] button. (2) Use the [TEMPO/DATA] dial to select
“PUNCH I/O”.
MEASURETEMPO
Punch I/O
ARRANGER CHORD
RECORD 1 9
TONE
10211312413514615716
120 001
8
KEYBOARD VELOCITY
REVERB
CHORUS
MELODY INTELL
INVERSION
(3) Use the [TRACK] and SESSION PARTNER
[1/9]~[8/16] buttons to select the track you want to record to.
(4) Use the [√√] or [®®] button to jump
to a measure that lies a little ahead of the place where recording is to be started.
You thus do not have to start the Song from the beginning if that is too time-consum­ing. If you want to start recording in mea­sure 25, for example, you could select mea­sure 23.
(5) Press [START/STOP] to start playback of
the (old) Song data.
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EM-55 OR Owner’s Manual
The [ REC] indicator, the [RECORD≈∏] icon and the icon of the selected track flash.
(6) When the Recorder reaches the measure
where you wish to start recording, press [ REC] again.
MEASURETEMPO
Punch I/O
ARRANGER CHORD
RECORD 1 9
10211312413514615716
120 001
TONE
8
KEYBOARD VELOCITY
REVERB
CHORUS
MELODY INTELL
INVERSION
(7) Play the passage you want to redo. (8) Press [ REC] again to deactivate record-
ing.
MEASURETEMPO
Punch I/O
ARRANGER CHORD
RECORD
1 9
TONE
10211312413514615716
120 001
8
KEYBOARD VELOCITY
REVERB
CHORUS
MELODY INTELL
INVERSION
Song playback still continues, so…
(9) Press [START/STOP] to stop playback. (10) Press [√√] to return to the measure
where you started recording, and press [START/STOP] to listen to the new version.
If you are not satisfied, return to step (4). Return to step (3) to correct another track.
Using a footswitch for punching in/out
You can also use an optional footswitch for starting and stopping recording. That has the advantage that you can use both hands for playing (or the left hand for D Beam/ Pitch Bend/Modulation effects and the right for playing the melody.)
(1) Connect an optional DP-2, DP-6, or BOSS
FS-5U footswitch to the FOOTSWITCH/ EXPR socket on the EM-55 OR’s rear panel.
(2) Press and hold [FUNCTION] while pressing
BANK/NUMBER [3].
By doing so, you jump to the PAD function (see also p. 24).
(3) Press [FUNCTION] again and turn the
[TEMPO/DATA] dial to the left to select the following function:
VALUE
Sustain
(Steps (2) and (3) are a short-cut for quickly selecting the desired function.)
(4) Wait until the VALUE message in the top
left-hand corner starts flashing, then use the [TEMPO/DATA] dial to select Punch I/O.
(5) Press [ REC] to return to the recording
function.
(6) Continue with step (2) under “Punch I/O”.
In steps (6) and (8), press the footswitch (rather than the [ REC] button).
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ENGLISH ENGLISH
Playback functions
The [INTRO], [ORIGINAL], etc. buttons have two functions: one in Style mode (printed above the buttons), and another one in Song mode (printed below the buttons).
Selecting the Song mode
The Style/Song control buttons have two functions: they can be used for selecting Music Style patterns (when the [ARRANGER] indicator lights), or for Song navigation (when the [SONG] indicator lights).
To select the Song mode (and the Song con­trol functions), you need to press the [SONG] button. Only then will the follow­ing functions be available.
SONG
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Page 42
Recorder functions
Fast Forward, Rewind, and Reset
•To fast forward (jump to a measure later in the song), press [®®].
•To rewind (return to a measure that lies before the current position), press [√√]. The measure indication in the upper right corner of the display will help you locate the measure you need.
Loop playback (Repeat)
Another clever feature of the EM-55 OR’s Recorder is that you can program playback loops. You can do so during playback or while the Recorder is stopped.
(1) Press [MARKER A–B] where you want the
loop to begin (the button’s indicator flashes).
(2) Fast forward to the measure where you
want the loop to end and press [MARKER A–B] again (the indicator lights).
• Press [|] (Reset) to jump back to the first measure of the song. You need to stop
playback before using the [|] button.
Note: In certain cases, [®®] and [√√] may not be available. This is only the case for very large songs, however.
You can also program loops on the fly. Remember, however, that the Recorder always memorizes the beginning (down­beat) of the next measure.
(3) To play back the loop you have just pro-
grammed, first press [SYNC START] and then [START/STOP].
At the end of the B measure, the Recorder immediately jumps back to the beginning of measure A.
Note: In certain cases, the Marker function may not be available. This only happens with very large songs, however.
Live performance with song backing (Minus One)
Your EM-55 OR allows you to mute the solo part of the song you are playing back. This is called
Minus One
playback (because one part of the original song will not be played back).
(1) Press the [SONG] button.
You can now select a Song on disk, if you like (see p. 43).
Muting tracks using the SESSION PARTNER buttons
If you like, you can also mute other Song parts, which is similar to the Minus One function:
Buttons assigned to tracks that contain data light. As you will notice, there are “only” 8 track buttons in the SESSION PART­NER section. Use the [TRACK] button to the right to select either track group 1~8 (upper row) or 9~16 (lower row).
(2) Press the [MINUS ONE] button. (3) Press [|] and [®/] to start playback. (4) You will now hear all parts except the
melody, which can be played using the Upper 1 part.
Note: An even more powerful function is available via the SESSION PAD buttons. It allows you to mute several tracks (Minus One only mutes the melody).
Press the [1/9]~[8/16] buttons of tracks you do not want to hear (the corresponding indicators go dark).
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Playing back Standard MIDI Files
The EM-55 OR allows you to play back commercially available music data files (called
) or your own songs you saved to disk.
Files
In fact, when you save a song to disk, it is saved as Standard MIDI Format 1 file and can also be played back using any other SMF compatible sequencer (or software).
(1) Insert a floppy disk with Song/Standard
MIDI File data into the drive.
(2) Press the [SONG] button to switch to the
Song mode.
SONG
This is necessary because, otherwise, press­ing the [START/STOP] button will start Arranger playback.
Accrdn4L
ARRANGER CHORD
SONG
120 001
EM-55 OR Owner’s Manual
Standard MIDI
Press this button once again to stop play-
ENGLISH ENGLISH
back. See also “Fast Forward, Rewind, and Reset” (p. 42) and “Loop playback (Repeat)” (p. 42) for other functions you can use dur­ing playback.
If one of the following error messages appears, either select another Standard MIDI File or insert another disk:
Message Meaning
NoFormat The inserted floppy disk has
not been formatted for the EM-55 OR.
File Err The selected file cannot be
read.
MEASURETEMPO
KEYBOARD VELOCITY
Over 18T The Standard MIDI File con-
tains more tracks than the EM-55 OR can handle.
(3) Press [SONG] again to display the name of
the first Standard MIDI File on disk.
What is actually displayed depends on whether you have inserted a disk and whether it contains Standard MIDI Files. See below for what the various messages mean.
Message Meaning
Empty The Song memory does not contain
data (you have neither recorded a song nor played back a song on disk).
No Disk You forgot to insert a disk into the
drive.
No Files The disk you inserted into the drive
does not contain Standard MIDI Files.
IntSong You selected the Song you recorded
yourself (nternal memory).
(4) Use the [TEMPO/DATA] dial to select the
Standard MIDI file you want to listen to.
Note: Please bear in mind that starting playback of the selected song on disk will erase your own song. Be sure to save it to disk before proceeding (see p. 54).
(5) Press [START/STOP] to load the first data
chunk and start playback.
You can also wait for the flashing “EXE” message and press [EXECUTE]. You then need to start playback by pressing [START/ STOP].
Changing the song tempo
You can change the song tempo with the [TEMPO/DATA] dial. Doing so, however, means that the tempo will still change if the song you are playing back contains tempo change messages. Furthermore, every time you jump back to the beginning of the song using [|], the programmed song tempo will be set.
ENGLISH ENGLISH
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Page 44
Function menu
14. Function menu
The EM-55 OR’s Function mode contains more advanced settings you may not need every day. They allow you to fine-tune your instrument’s response. It would therefore be a good idea to familiarize yourself with these parameters. All settings (except Mstr Tune, Bs Chord, Local and Resume) can be written to a User Pro­gram (see p. 49).
Editing parameters (general procedure)
You can edit the EM-55 OR’s FUNCTION parame­ters via the display. Here is a general outline to be used for all parameters discussed below:
(1) Press [FUNCTION].
The name of the last function you selected appears in the display.
(2) Use [FUNCTION] or the [TEMPO/DATA] dial
to select the parameter you wish to edit (see below).
(3) Wait until the VALUE message starts
flashing.
The “VALUE” message above the parameter value means you can change (“edit”) the value of the selected parameter.
FUNCTION
(4) Use the [TEMPO/DATA] dial to modify the
value of the selected parameter.
Note: To return to the default value of the cur­rently selected parameter, press and hold [EXE­CUTE].
(5) Press [FUNCTION] again and use the
[TEMPO/DATA] dial to select another Function parameter.
(6) To leave the Function mode, press [SONG],
[TONE], [STYLE], or [USER PROGRAM].
Shortcuts
The following functions can be selected directly by holding down [FUNCTION] and pressing the corresponding [1]~[8] button of the BANK/NUMBER keypad.
1 KBD VELOCITY 2 PART VOLUME 3 PAD SELECT 4 LOWER INT 5 REVERB 6 CHORUS 7 MIDI 8 TRANSPOSE
General Function parameters
Kbd Velo
(Off, Low, Med, Hig; Default setting: Med) Use this parameter to set the EM-55 OR’s velocity sensitiv­ity. See p. 35.
Note: This parameter can also be selected by pressing [FUNCTION] + [1].
MstrTune (Master Tune)
(427.4~452.6, Default setting: 440.0) This param­eter allows you to change the EM-55 OR’s overall tuning, which may be necessary when you accom­pany a singer, an acoustic instrument, or when you play to a recording on CD or cassette.
TrpValue (Transpose interval)
(–12~12, Default setting: 1) Use this parameter to transpose the EM-55 OR in semitones. If you’re not sure what transposition is, see p. 34. This parameter can also be selected by holding down the [TRANS­POSE] button.
Note: This parameter can also be selected by pressing [FUNCTION] + [8].
Trp Mode
(Default setting: Int+Song) This parameter allows you to specify which parts should be affected by the Transpose setting:
Int: The Keyboard and Arranger parts will be trans­posed. Notes received via MIDI, however, will be played without change. Song: Only the Song parts will be transposed. This is only meaningful when you play back a Standard MIDI File or one of your own songs with the EM-55 OR’s Recorder. MIDI: Only the notes received via MIDI IN will be transposed. Int+Sng, Int+MIDI, Sng+MIDI, All: These are combinations of the above. transpose only the Keyboard parts so that you can play to a Recorder song in “your” key but sound in the song’s key.
Metro TS (metronome time signature)
(1/4~6/4, 6/8, 9/8, Default setting: 4/4) This parameter allows you to set the metronome’s time signature (number of beats per bar). Please bear in mind that this setting changes whenever you select a Music Style with a different time signature. See also p. 19 for how to use the metronome. This parameter can also be selected by holding down the [METRONOME] button.
Int
could be useful to
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Metro Vol (metronome volume)
(0~127, Default setting: 100) Use this parameter whenever you think the metronome is too loud/soft with respect to the music. The default value is usu­ally an appropriate setting.
UP1 Octv, UP2 Octv, LWR Octv (octave up/down)
(–4~0~4, Default setting: 0) These three parame­ters allow you to shift the octave of the part in question (Upper1, Upper2, or Lower) up or down by up to four octaves. This can be useful for Techno/ Dance songs where you need a piano sound that plays in two different octaves. To achieve this, assign two different (or the same) piano sounds to Upper1 and Upper2, activate Upper 2 part (see p. 15), and set UP2 Octv to “–1” (or “1”).
MDrShift
(–4~0~4, Default setting: 0). This parameter allows you to shift the EM-55 OR’s keyboard in order to play drum/percussion sounds that are currently not accessible. Remember that there are only 61 keys, while some Drum Sets provide drum/percussion sounds for all 128 notes supported by the MIDI standard.
PB Range (Pitch Bend Range)
(0~24, Default setting: 2) This parameter allows you to set the interval that will be used when you push the BENDER/MODULATION lever fully to the left or to the right (Pitch Bend effect). You can set this parameter in semitone steps, with a maximum of 24 semitones (2 octaves), the default value being “2”, which should be OK in most situations.
Note: Pitch Bend is only available for the Upper1, Upper2, Lower, and M.Drums parts. See also p. 35.
Upper 1, Upper 2, Lower, Man Drums: volume
VOLUME
Upper 1
(0~127, Default setting: 127 Upper 1/110 Upper 2/ 100 Lower, 127 Man Drums) These four parameters allow you to set the volume of the Upper 1, Upper 2, Lower, and Manual Drums (or M.Drums) parts respectively. Please note that the settings you make here will have no effect if you used BALANCE [ACCOMP] to set the maximum volume for the Arranger/Song parts.
Note: This parameter can also be selected by pressing [FUNCTION] + [2].
ManBass: status and volume
(OFF, 0~127, Default setting: OFF) Whenever the Lower part is active, this parameter allows you to set the volume of the M.Bass part. The M.Bass part sounds bass notes based on the chords you play. If the Lower part is active while the KBD MODE [ARRANGER] indicator lights, it can only be played in the left half of the keyboard. If the Bass Inversion function (see p. 26) is off, the M.Bass part sounds the root notes (fundamentals) of the chords you play with your left hand (using the Lower part).
EM-55 OR Owner’s Manual
AccDrums, AccBass, Accomp: volume
(0~127, Default setting: 90 AccDrums, 90 AccBass, 127 Accomp) These three parameters allow you to set the volume of three Music Style sections: the drums, the bass and the Accomp parts (1~6). In fact, the parts correspond exactly to what can be selected using the STYLE MORPHING function (see p. 27). “0” is probably not a value you need to select here, because there is an easy way to switch off Arranger parts you do not need. See page 23.
Note: The “Accomp” parameter does not have the same function as the BALANCE [ ACCOMP] button. The button applies to all Arranger parts (thus also to the “AccDrums” and “AccBass” parameters).
Style Pad: volume
(0~127, Default setting: 110) This parameter allows you to set the volume of the ninth Arranger part you can trigger via the SESSION PARTNER [1/9]~[8/ 16] buttons. See p. 24.
Arr Chord (Arranger Chord intelligence)
(On/Off, Default setting: On) When switched on, EM-55 OR’s Chord Intelligence function allows you to play major chords by pressing just one key, minor chords by pressing two keys, and more complex chords by pressing three keys. If you are used to playing full chords, you can switch this function off.
ArrSplit (Arranger Split)
(48~84, Default setting: 60) Use this parameter to set the split point for the Arranger mode. The note you set here is the lowest note you can play with the Upper1/2 parts. The number refers to a note. “60” refers to the note “C4” (the one below the [MUSICAL GAME] button).
Note: This parameter also determines the split between the Lower (and possibly M.Bass) and the Upper 1/2 parts when the KBD MODE [ARRANGER] indicator lights.
ArrMem (Arranger Chord Memory)
(On/Off, Default setting: On) The Arranger Chord Memory function memorizes the chords you play with your left hand and keeps playing the corre­sponding notes until you play another chord. If you switch off Arr Mem, the melodic Arranger parts (A.Bass, Accomp) stop playing as soon as you release the key(s) in the left half of the keyboard, leaving you only with the drum accompaniment. For your convenience, this function is switched on every time you power on the EM-55 OR.
Bs Chord (left-hand strings + bass)
(On/Off, Default setting: On) The Bs Chord function activates a strings and monophonic bass sound whenever (a) the [ARRANGER] indicator lights and (b) the Arranger is stopped. This allows you to play chords (and a bass line) with your left hand in Arranger mode – without using the EM-55 OR’s accompaniment function. If you select “Off”, however, the left half of the key­board will be muted when conditions (a) and (b) are met and if the [LOWER] indicator does not light.
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Function menu
LWR Mem (Lower Chord Memory)
(On/Off, Default setting: Off) The Lower Chord Memory function memorizes the chords you play while the Lower part is on and holds the corre­sponding notes until you play another chord. If you need this Hold function for the Lower part, switch it on.
LWR Int (Lower Chord Intelligence)
(On/Off, Default setting: Off) When you activate the [LOWER] button, the EM-55 OR’s Lower Chord Intelligence function allows you to play major chords by pressing just one key, minor chords by pressing two keys, and more complex chords by pressing three keys. This system thus follows Arran­ger control, which is why it would be a good idea to select “On” whenever you are using the Lower part while the KBD MODE [ARRANGER] indicator lights.
Bass Inv
(On/Off) Use this parameter to change the way in which the Arranger reads the chords you play. See p. 26.
Rev (Reverb Type)
VALUE
Hall 2
(Default setting: Hall 2) Use this parameter to select the kind of Reverb that best suits your musical pur­poses. See p. 32.
Note: This parameter can also be selected by pressing [FUNCTION] + [6].
Chr (Chorus Type)
(Default setting: Chorus 3) This parameter allows you to specify the sound of the Chorus effect. See p. 33.
Note: This parameter can also be selected by press-
ing [FUNCTION] +
MI (Melody Intelligence harmony type)
(Default setting: Traditnl) This parameter allows you to select the desired harmony type for the Melody Intell(igence) function.
Note: This parameter can also be selected by pressing and holding the [MELODY INTELL] button. See p. 26.
MFX (M-FX type)
(Default setting: EH®Delay) This parameter allows you to select the desired M-FX type. See p. 31 for details about the M-FX. Keyboard parts that use the M-FX are no longer processed by the Reverb and Chorus effects. Selecting “Thru” means that the M-FX is off. Also note that you will only hear the M-FX if the [M-FX EFFECTS] indicator lights.
Note: This parameter can also be selected by pressing and holding the [M-FX EFFECTS] button.
Note: M-FX type selection can also be linked to Tone selection for the Upper 1 part. See “Tone MFX” (p. 47).
Thru: The M-FX is off. Enhancer: An Enhancer controls the overtone
structure of the high frequencies, adding sparkle and tightness to the sound.
[7].
Overdrv1~4: Overdrive creates a soft distortion similar to that produced by tube amplifiers. Several types of overdrive are available: (1) Small combo amp, (2) Combo amp, (3) Large double-stack amp (2 cabinets), (4) Large double-stack amp (3 cabinets). Distort1~4: This effect produces a more intense distortion than Overdrive. The numbers refer to dif­ferent kinds of distortion. Phaser: Adds a phase-shifted sound to the original sound, producing a twisting modulation that cre­ates spaciousness and depth. AutoWah: The Auto Wah cyclically controls a filter to create cyclic change in timbre. Rotary: Simulates the sound of a classic rotary speaker. This effect is most suitable for electric organ. StFlangr: This is a stereo Flanger. It produces a metallic resonance that rises and falls like a jet air­plane taking off or landing. SpFlangr: A Step Flanger is a Flanger effect with clearly noticeable steps rather than continuous pitch changes. Compress: A compressor reduces signal peaks and boosts low levels, smoothing out unevenness in volume. Limiter: A limiter prevents the volume from exceeding a certain level without boosting low lev­els. HexaCho: Hexa Chorus uses six layers of chorused sound to give richness and spatial spread to the sound. Trem Cho: Tremolo Chorus is a Chorus effect with added Tremolo (cyclic modulation of the volume).
StChorus: This is a stereo Chorus. Space-D: A multiple Chorus that gives no impres-
sion of modulation, but produces a transparent Chorus effect (the perfect “stereo maker”). StDelay: Delay is an effect that allows you repeat the input signal, thus creating echoes (repetition). Mod Delay: This effect adds modulation to the delayed sound, producing an effect similar to a Flanger. 3Tap Dly: The Triple Tap Delay produces three delay sounds; center, left and right.
4Tap Dly: Delay with four repetition lines. TmCtrDly: This effect controls the delay time in
realtime.
Reverb: A nice Reverb effect. GteRevNr: Gate Reverb is a special type of Reverb
in which the reverberant sound is suddenly cut off (and does not gradually decrease). GteRevRv: A gated Reverb effect that sounds “backwards”. GteRevS1: The reverberant sound moves from right to left. GteRevS2: The reverberant sound moves from left to right. 2PtchShf: A Pitch Shifter changes the pitch of the original sound. This 2-voice effect has two pitch shifters, and adds two transposed copies to the original sound. FbPtchShf: Pitch Shifter with several echoes.
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EM-55 OR Owner’s Manual
OD®Chors: This effect connects an Overdrive and a Chorus in series. (“Series” means that the first effect is also processed by the second.) OD®Flger: This effect connects an Overdrive and a Flanger in series. OD®Delay: This effect connects an Overdrive and a Delay in series. DS®Chors: This effect connects distortion and a Chorus in series. DS®Flger: This effect connects distortion and a Flanger in series. DS®Delay: This effect connects distortion and a Delay in series. EH®Chors: This effect connects an Enhancer and a Chorus in series. EH®Flger: This effect connects an Enhancer and a Flanger in series. EH®Delay: This effect connects an Enhancer and a Delay in series. Cho®Dly: This effect connects a Chorus and a Delay in series. FL®Delay: This effect connects a Flanger and a Delay in series. Cho®Flgr: This effect connects a Chorus and a Flanger in series. Cho/Dlay: This effect connects a Chorus and a Delay in parallel. (“Parallel” means that the input signal is processed by two effects that do not inter­act.) FL/Delay: This effect connects a Flanger and a Delay in parallel. Cho/Flgr: This effect connects a Chorus and a Flanger in parallel.
M-FX UP1, UP2, LWR
(On/Off, Default setting: UP1: On, UP2/LWR: Off) These parameters allow you to specify whether or not the Upper 1, Upper 2, or Lower part should be processed by the M-FX. See also p. 31.
Rev UP1
(0~127, Default setting: 100) This parameter allows you to set the Reverb Send Level for Upper 1 (i.e. how much Reverb should be added to the Upper 1 notes). This parameter is not used when “M-FX UP1” is set to “On”.
Chr UP1
(0~127, Default setting: 0) This parameter allows you to set the Chorus Send Level for Upper 1 (i.e. how much Chorus should be added to the Upper 1 notes). If you want this part to be processed by the Chorus effect, you need to select a value different from “0”. This parameter is not used when “M-FX UP1” is set to “On”.
Pan UP1
(0~127, Default setting: 64) This parameter allows you to set the stereo position of the Upper 1 part (i.e. its placement between the left and right speak­ers). “0” means that the stereo position changes randomly for each note you play. Values between “1” and “63” correspond to the left speaker. “64” refers to the center, and values between “65” and “127” correspond to the right speaker (“1”= hard left, “127”= hard right).
Rev UP2
(0~127, Default setting: 100) This parameter allows you to set the Reverb Send Level for Upper 2 (i.e. how much Reverb should be added to the Upper 2 notes). This parameter is not used when “M-FX UP2” is set to “On”.
Chr UP2
(0~127, Default setting: 0) This parameter allows you to set the Chorus Send Level for Upper 2 (i.e. how much Chorus should be added to the Upper 2 notes). If you want this part to be processed by the Chorus effect, you need to select a value different from “0”. This parameter is not used when “M-FX UP2” is set to “On”.
Pan UP2
(0~127, Default setting: 64) This parameter allows you to set the stereo position of the Upper 2 part (i.e. its placement between the left and right speak­ers). “0” means that the stereo position changes randomly for each note you play. Values between “1” and “63” correspond to the left speaker. “64” refers to the center, and values between “65” and “127” correspond to the right speaker (“1”= hard left, “127”= hard right).
Rev LWR
(0~127, Default setting: 100) This parameter allows you to set the Reverb Send Level for the Lower part. This parameter is not used when “M-FX LWR” is set to “On”.
Chr LWR
(0~127, Default setting: 0) This parameter allows you to set the Chorus Send Level for the Lower part. If you want this part to be processed by the Chorus effect, you need to select a value different from “0”. This parameter is not used when “M-FX LWR” is set to “On”.
Pan LWR
(0~127, Default setting: 64) This parameter allows you to set the stereo position of the Lower part (i.e. its placement between the left and right speakers). “0” means that the stereo position changes ran­domly for each note you play. Values between “1” and “63” correspond to the left speaker. “64” refers to the center, and values between “65” and “127” correspond to the right speaker (“1”= hard left, “127”= hard right).
Tone MFX
(On/Off, Default setting: On) This parameter allows you to link the selection of an M-FX type to the Tone you assign to the Upper 1 part. That way, a Distortion/Overdrive effect will be selected for a rock guitar sound, Rotary for an organ, etc.
FSW (Footswitch Assign)
VALUE
Sustain
(Default setting: Sustain) After connecting an optional DP-2, DP-6, or BOSS FS-5U to the FOOT­SWITCH/EXPR socket on the rear panel, you can use this parameter for assigning a function to the foot­switch.
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Function menu
Note: This function is not available if you connect an optional EV-5 expression pedal instead.
Sustain: Also called “Hold” or “Damper”, this func­tion allows you to use the footswitch to hold the notes you play on the keyboard in much the same way as on an acoustic piano. Sostenut: In this case, the footswitch functions as Sostenuto pedal (another pedal found on grand and digital pianos that allows you to sustain only those notes you played at the time you pressed the pedal).
Note: This function only applies to the Keyboard parts.
Soft: In this case, the footswitch functions as Soft pedal (a pedal found on grand and digital pianos that reduces the volume).
Note: This function only applies to the Keyboard parts.
Rotary S/F: Allows you to select the slow or fast speed of the Rotary effect. This only works, if the Rotary effect is assigned to the M-FX. UsrPrgUp: Selects the next User Program (i.e. 12 if 11 is currently active). UsrPrgDw: Selects the previous User Program (i.e. 64 if 11 is currently active). Start/Stop: Starts and stops Arranger or Song playback. Same function as the [START/STOP] but­ton. Exc UP1/2: Allows you to switch off the Upper1 part and activate the Upper2 part, and vice versa. Bass Inv: Switches the Bass Inversion function on and off (see p. 26). Punch I/O: The footswitch can be used to activate and switch off punch in/out recording of the EM-55 OR’s sequencer (see p. 41).
PAD (Style Pad set)
(Default setting: depends on the selected Music Style) This parameter allows you to select a differ­ent set of phrases when the SESSION PARTNER function is used in STYLE PAD mode. See p. 24.
Scale C~Scale B (Scale Tune)
(–64~63, Default setting: –50 for all notes) These parameters allow you to stray away from the usual semitone-interval scale (used in western music) by changing the pitch of the notes so as to accommo­date other musical cultures or tuning methods (ori­ental, baroque music, etc.). These settings are assigned to the ORIENTAL SCALE buttons. As you will notice, you can change the pitch of every note of one octave (C, C#, D, Eb, E…). The set­tings you make here apply to all notes of the same name (i.e. to every C, every C#, etc.). Most of the time, you will probably select the value “50” or “– 50” as they correspond exactly to half a semitone up or down (quarter tone). Other settings may also be interesting, though.
Scl Mode
(UP, ALL, Default setting: UP) This parameter allows you to specify which parts the Scale settings (see above) should apply to: only Upper 1 & 2 (“UP”) or all parts (“ALL”). In some cases, choosing “ALL” may produce a more satisfactory result.
Resume
Select this function to recall the EM-55 OR’s factory Function settings.
Note: Resume does not reset the MIDI parameters of the FUNCTION mode (see p. 51).
Press [EXECUTE] in response to the flashing “EXE” message. After showing the “Com­plete” message, the display returns to the RESUME message. Press [SONG], [STYLE], [TONE], or [USER PROGRAM] to leave the FUNCTION mode.
Note: There is no “Sure?” question that gives you time to think. Only press [EXECUTE] if you are cer­tain you want to recall ALL factory Function set­tings.
Pad Sync
(On/Off, Default setting: On) This parameter allows you to switch the synchronization of pad triggering on/off. When on, phrases you start by pressing the assigned [1/9]~[8/16] button will always begin at the first beat of the following bar. So even if you press a button on the second beat, playback will only start on the first beat of the following mea­sure. If you do not want this forced synchronization, select “Off”. That may mean, however, that playback may be slightly offset with respect to the other phrases (DJ PAD mode) or Arranger playback (STYLE PAD mode).
Count-In
(On/Off, Default setting: On) This parameter allows you to switch the count-in function for punch-in and normal recording (see p. 40) on or off. When on, the metronome will count down two measures (8 beats for a Song with a 4/4 time signature).
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15. Working with User Programs
The EM-55 OR is equipped with 64 User Program memories that allow you to store almost all settings (or registrations) you make on the front panel and via the Function menu (see p. 44).
Note: MIDI settings (see p. 51) are not saved to a User Program because the EM-55 OR memorizes them automatically.
Writing your settings to a User Program
It is a good idea to write your settings frequently, even if you still need to do some editing afterwards. Those intermediary saves allow you to return to the previous stage whenever you do not like your last modifications.
(1) Press and hold the [USER PROGRAM/
WRITE] button.
USER
PROGRAM
WRITE
The EM-55 OR now displays “Write ?”.
(2) Keep holding the [USER PROGRAM/
WRITE] button while pressing one numeric button [1]~[8] to select the bank.
EM-55 OR Owner’s Manual
The number you select appears in the USER PROGRAM field (“3” in the example below).
VALUE TEMPO
12
120
KEYBOARD VELOCITY
REVERB
CHORUS
MELODY INTELL
INVERSION
Write?
ARRANGER CHORD
USER PROGRAM
(3) Keep holding the [USER PROGRAM/
WRITE] button while pressing another (or the same) numeric button [1]~[8] to select the memory.
The display now responds with the “Com­plete” message and the memory number (your settings have been stored).
(4) Release the [USER PROGRAM/WRITE] but-
ton.
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Notes about writing User Programs
Leaving the User Program environment
Press [USER PROGRAM] to leave the User Program environment. The User Program field in the display will go blank again.
Mode selection
The mode (Arranger, p. 13, M.Drums, p. 20, Piano, p. 19) is also memorized when you write a User Program.
Meaning of the “Edit” message
VALUE TEMPO
Accrdn4L
ARRANGER CHORD
Edit Edit USER PROGRAM
At some stage, you may come across an “Edit” message next to the User Program number.
It means that the last User Program you selected is still in effect but that the current settings no longer correspond to the ones in that memory. Such changes may include the status of the Reverb or Chorus effect, a changed volume value, etc.
120
11
KEYBOARD VELOCITY
REVERB
CHORUS
MELODY INTELL
INVERSION
Before selecting another User Program or switching off the EM-55 OR, you should therefore write these settings to the same (or a different) User Program if you want to keep them. Otherwise, you lose these changes. Please also see p. 50.
User Programs and Disk Links & Style Disk
The address of the last Music Style you selected before writing a User Program is also memorized. This even applies to the Style RAM memory that may contain a so­called Style Disk Style (see p. 28). The EM-55 OR only remembers the memory address —
not
the name of the Style it con­tained when you wrote your settings to a User Program. This also applies to the Disk Link memories in group B.
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Working with User Programs
Selecting a User Program
Though the User Program memory you specified above is already selected, there will be times when you need to select another memory. In that case, here is what you need to do:
(1) Briefly press [USER PROGRAM/WRITE]. Do
not hold this button down because doing so will start the Write procedure (see above).
The User Program field now indicates the number of the User Program you selected last, or “11” if you have not yet selected a User Program since switching on the EM-55 OR. The important thing to note here is the “Edit” message.
It indicates that the EM-55 OR is still using the last manual changes you may have made before selecting the User Program function. The User Program number there­fore only means “this is the last memory you selected”.
None of its settings are being used for the time being. By pressing [USER PROGRAM/ WRITE] again, you can leave the User Pro­gram mode without changing your manual settings. This may be important to remem­ber if you were about to write your settings and accidentally pressed the wrong button (or didn’t press it long enough).
USER
PROGRAM
WRITE
To actually select a User Program…
(2) Press one numeric button [1]~[8] to select
the bank.
(3) Press another (or the same) numeric but-
ton [1]~[8] to select the memory.
The settings of the selected User Program will be recalled.
Note: As soon as you modify any setting (on the front panel or in the FUNCTION menu), the “Edit” message appears next to the User Program number.
(4) Once again press [USER PROGRAM/
WRITE] to leave the User Program mode.
Note: You can also press [STYLE] and [TONE] to leave this mode.
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16. MIDI functions
EM-55 OR Owner’s Manual
MIDI is short for
Musical Instrument Digital Interface
. The word refers to many things, the most obvious being a connector type that is used by musical instruments and other devices to exchange mes­sages relating to the act of making music.
Each time you play on the EM-55 OR’s keyboard or start the Arranger (or Song), your instrument transmits MIDI data to its MIDI OUT socket. If you connect this socket to the MIDI IN socket of another instrument, that instrument may play the same notes as one of the EM-55 OR’s parts, select sounds, etc.
The EM-55 OR receives data
EM-55 OR
The EM-55 OR transmits data
MIDI is a universal standard, which means that musical data can be sent to and received by instruments of different types and manufactur­ers. Furthermore, MIDI allows you to connect your EM-55 OR to a computer or hardware sequencer.
Connect your EM-55 OR as shown below.
External MIDI instrument/computer (*)
(*) Direct connection to computer possible via optional MIDI/Joystick cable.
Channels
MIDI can simultaneously transmit and receive messages on 16 channels, so that up to 16 instruments can be controlled. Nowa­days, most instruments –like your EM-55 OR– are multitimbral, which means that they can play several musical parts with different sounds.
Note: All EM-55 OR parts are set to receive MIDI messages. If they do not seem to respond to the messages you send from the external controller, you should check whether the external controller’s MIDI OUT is connected to the MIDI INput of your EM-55 OR.
The EM-55 OR’s transmit and receive chan­nels of all parts have been set in keeping with a tacit Roland standard and are there-
fore shared by all recent E, G, and RA series instruments. You cannot change them. They also correspond to the track assignments of the 16-track Recorder:
Accomp 1
1 9
Arranger bass
2 10
Accomp 2
3 11
®
Upper 1
4 12
Accomp 3
5 13
®
Upper 2
6 14
Accomp 4
7 15
Accomp 5
8 16
Accomp 6 Arranger drums
®
Lower
®
M. Bass
Style Pads D Beam part Melody Intell
®
M. Drum
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MIDI Function parameters
See “Editing parameters (general procedure)” (p. 44) for how to select and set these Function parameters (they belong to the same Function menu as the “General Function parameters”).
MIDI TxRx (MIDI transmission and reception)
This parameter allows you to specify which EM-55 OR parts should transmit and receive MIDI messages:
Option Meaning
ALL All parts.
KBD Only the Keyboard parts (see ® in the
table above).
STL Only the Arranger parts
(A.Drums~Accomp 6).
OFF None of the EM-55 OR’s parts transmits/
receives MIDI messages.
Sync Rx (MIDI synchronization)
Use this parameter to specify how the EM-55 OR should be synchronized (as slave) to an external MIDI sequencer, computer, drum machine, etc. “Synchronization” is a learned term for the fact that one device (or function) is set to start and stop at the same time as another device (or function), and to run at the same tempo (BPM). Please note that synchronization is only possible when you connect the external device’s MIDI OUT socket to the EM-55 OR’s MIDI IN socket (though you can also work the other way around; in that case, see the sequencer’s manual for details).
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MIDI functions
Off In this case, the EM-55 OR is not synchro-
nized with other MIDI devices. It is thus impossible to start/stop it via MIDI.
On Arranger playback and Song recording/
playback are synchronized if the EM-55 OR receives MIDI Start and Stop messages fol­lowed by MIDI Clock signals. If the EM-55 OR receives only a Start message, it will wait a moment to see if there are also MIDI Clock messages coming. If there are, it will synchronize to them. If there are no MIDI Clock messages, it will follow its own tempo. In either case, you can stop playback or recording with a MIDI Stop message.
Style PC (Style Select TxRx Channel)
(1~16, Off, Default setting: 10) As its name implies, the Style Select channel is used to receive and transmit program changes that cause the EM-55 OR or the external instrument to select another Music Style.
Lyrics Tx (Transmit Lyrics messages)
(On/Off, Default setting: On) The EM-55 OR is capable of transmitting Lyrics messages contained in Format 0 Standard MIDI Files you playback. It cannot display them but it allows you to transmit them to a device capable of displaying Lyrics mes­sages (such as the Roland LVC-1). This filter allows you to enable (On) or disable (Off) the transmission of Lyrics data.
NTA Rx14 (Note-to-Arranger reception on/off)
(On/Off, Default setting: On)
NTA
is short for “Note-to-Arranger”, or the notes you play in the left half of the keyboard to feed the Arranger with chord information. These notes can also be received via MIDI (from an accordion, a digital piano, an organ, for example). If you want to use the Arranger without playing on the EM-55 OR’s key­board, you must transmit these notes on MIDI channel 14 (from your computer or external MIDI instrument to the EM-55 OR) and select “On” here. NTA notes can only be received (they are not trans­mitted). The notes you play on the EM-55 OR’s key­board are indeed transmitted to the Arranger, from there to the Arranger parts, and used to play the accompaniment in the right key. Since all Music Style notes are transmitted via MIDI, there is no need to send the NTA notes separately.
PitchBnd (Pitch Bend)
(On/Off, Default setting: On) This filter allows you to enable (On) or disable (Off) the transmission and reception of Pitch Bend messages. These messages are used to temporarily increase or decrease the pitch of the notes (Upper1, Upper2, Lower, or M.Drums parts).
ProgChng (Program Change)
(On/Off, Default setting: On) This filter allows you to enable (On) or disable (Off) the transmission and reception of Program Change messages. These mes­sages are used to select Tones, Styles, or User Pro­grams.
Velo Rx (Receive Velocity)
(On, 1~127, Default setting: On) This filter allows you to enable (On) or disable the reception of Velocity messages. This only applies to note mes­sages
received
via MIDI. Choose the velocity value to be substituted for the actual values the EM-55 OR receives (1~127), or select “On” to use the velocity values as is.
Clock Tx
(On/Off, Default setting: On) This option allows you to determine whether (On) or not (Off) the Arranger and Recorder send MIDI Clock messages when you start them. These messages are necessary for synchronizing external MIDI instruments/ sequencers/software to the EM-55 OR.
StartStp (Start/Stop/Continue)
(On/Off, Default setting: On) This option allows you to specify whether or not the Arranger and Recorder send Start/Stop/Continue messages when you start or stop them. Select “Off” when you wish to control the tone generator of a MIDI organ, etc., without starting or stopping its automatic accom­paniment.
Song Pos P (Song Position Pointer)
(On/Off, Default setting: On) The EM-55 OR’s Recorder also sends and receives Song Position Pointer messages that indicate the exact location of the notes that are being played back. Select “OFF” if you don’t want the Recorder to send or receive these messages.
Local
(On/Off, Default setting: On) The Local parameter allows you to establish or remove the connection between the EM-55 OR’s keyboard/Recorder and the internal tone generator. When set to “ON” (default), playing on the EM-55 OR’s keyboard or playing back a Recorder song will cause the corresponding notes to sound. If you select “OFF”, the corresponding MIDI mes­sages are no longer sent to the internal tone gener­ator – but they are still transmitted to the MIDI OUT port and hence to external MIDI instruments.
Sound source
MIDI OUT
LOCAL ON
Sound source
MIDI OUT
LOCAL OFF
Modulatn (Modulation)
(On/Off, Default setting: On) This filter allows you to enable (On) or disable (Off) the transmission and reception of Modulation messages. These messages are used to add vibrato to the notes you play (con­trol change CC01).
52
Note: The setting of this parameter is not memorized when you switch the EM-55 OR off.
Note: You can also select this parameter by pressing and holding the [SONG] button.
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17. Using the outputs and an optional pedal
If you like, you can also record your performance (or the Recorder song) to cassette, MD, etc. To this end, you need to connect the EM-55 OR’s STEREO OUTPUT sockets to the external device’s REC IN jacks.
EM-55 OR Owner’s Manual
Cassette deck, power amplifier, HiFi amplifier, MA series active speakers, etc.
Roland
—or—
DP-2, DP-6, or BOSS FS-5U footswitch
EV-5 pedal
Use a standard 1/4” phone cable for doing so. Another use for these outputs is to connect the EM-55 OR to your HiFi or keyboard amplifier (such as the Roland KC-500/300/100). Using a HiFi amplifier requires the use of an adaptor plug (phono/RCA 1/4” jack). If you like, you can also purchase two Roland PJ-1M cables.
Note: By connecting the OUTPUT jacks, you do not switch off the EM-55 OR amplification system.
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You can connect an optional DP-2, DP-6, or BOSS FS-5U footswitch to the FOOTSWITCH/EXPR jack in order to hold the notes even after releasing the keys, or to perform other functions (see p. 47). If you connect an EV-5 expression pedal instead, you can control the EM-55 OR’s volume by foot (in which case it is no longer possible to connect a footswitch).
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Disk functions
120
SONG_001
VALUE TEMPO
18. Disk functions
The EM-55 OR’s Disk functions allow you to save the Recorder Song in the internal Song RAM memory to disk, to save and load your User Programs to and from disk, to format floppy disks, to delete files on a floppy disk, and to copy disks.
Though you can use 2DD or 2HD floppies, 2HD disks have twice the capacity of 2DD disks, so use 2HDs whenever you can.
Whenever the disk drive writes data to or reads data on disk, the Disk icon ( ) flashes in the display. Do not remove the floppy disk while this icon is displayed as that may damage both the disk drive and the disk (so that it becomes unreadable).
Loading User Programs from disk
This load function is called LOAD UPr. It allows you to transfer a set of 64 User Programs (i.e. for all memories) to the EM-55 OR’s internal memory. This will overwrite the User Programs that currently reside in the internal memories.
Note: If you wish to use the User Programs in the internal memory at a later stage, first save them to disk before proceeding. See p. 54.
(1) Insert a disk into the drive. (2) Press [DISK] to select the Disk mode.
The “LOAD UPr” function is already selected, so there is nothing else you need to do.
(3) Wait until the VALUE message starts
flashing, then use the [TEMPO/DATA] dial to select the file whose contents you wish to load (example: “USPR_000”).
(4) Press the [EXECUTE] button (next to
[DISK]) to load the selected file.
Note: Press [DISK] if you do not want to load the selected file after all.
If you pressed [EXECUTE], the display now shows the message “Loading”. Once the data have been loaded, the “Complete” message briefly appears.
(5) Press [MUSICAL GAME], [TONE], [STYLE],
or [FUNCTION] to select another mode.
Possible error messages
No Disk You forgot to insert a floppy disk into
the drive.
No Files The disk you insert contains no User
Program data.
Disk Err The disk is probably damaged and
cannot be used.
File Err The file you selected is damaged and
cannot be loaded.
Saving files to disk
The EM-55 OR provides the following Save functions:
SAVE UPr: Use this function to save the con­tents of the internal User Program memories (all 64 of them) to a floppy disk.
SAVE Sng: This allows you to save the Song in the internal memory to a floppy disk. A Song saved to disk becomes a Standard MIDI File. .
Note: There is no LOAD Sng function. All you need to do to transfer the Song data back to the internal Song memory is play back the Standard MIDI File in question.
(1) Insert a disk into the drive.
Every floppy contains a square tab that allows you to “close” a little window. With the tab in that position, you can save data to the disk. Do not forget to write-enable the disk by closing this little window prior to inserting the floppy disk.
54
(2) Press [DISK] and use the [TEMPO/DATA]
dial to select “SAVE Sng” or “SAVE UPr”.
(3) Wait until the VALUE message starts
flashing, then use [TEMPO/DATA] dial to move the flashing cursor to the character position you want to change (the “O” in the illustration below).
(4) Enter the character with [A/B], the
numeric keypad, and [VARIATION].
You may have to press the same button sev­eral times.
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EM-55 OR Owner’s Manual
Though you could save the file with the current default name (“SONG_001”, or “USPR_000”), a proper name will help you identify the file at all times. We therefore suggest you take the time to specify a meaningful name.
Note: If you select “SPACE” ([A/B] button), the dis­play will insert a “_”. This is because MS-DOS® does not allow you to use spaces.
(5) If necessary, use the [TEMPO/DATA] dial to
move the cursor to the next position.
(6) Repeat steps (4) and (5) to enter the
remaining characters.
(7) Press [EXECUTE] to save the file to disk.
The display now responds with the message “Saving” as well as a flashing disk icon ( ). When the file is saved, the “Com­plete” message appears.
If the message “DiskProt” appears, you for­got to switch off the disk’s Write protection. Press the EJECT button of the disk drive, remove the floppy and close the tab, insert the disk again and press [EXECUTE].
(8) Press [MUSICAL GAME], [TONE], [STYLE],
or [FUNCTION] to select another mode.
Possible error messages
No Disk You forgot to insert a floppy disk
into the drive.
Disk Prot See above.
Disk Full The remaining disk capacity does
not allow to save your data to this disk.
Disk Err The disk is probably damaged and
cannot be used.
Empty There is no Recorder song in the
internal memory. Consequently, there is nothing to save.
Impssble The song in the EM-55 OR’s mem-
ory is bigger than the RAM actually supports, and can therefore not be saved to disk. (This is because the EM-55 OR only loads specific blocks for playback.)
OverWrt? The name you assigned to the data
already exists on the floppy disk you inserted. If you press [EXE­CUTE] to continue, the file on disk will be overwritten (and the corre­sponding data will be erased). Either insert another floppy disk, or press [DISK] and enter another name for the data you want to save.
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Deleting files on disk
The Delete functions allow you to delete a file from the inserted floppy disk. This may be necessary to make room for a new file (e.g. when the “Disk Full” message appears). Be careful, though, to only delete files you are absolutely (positively) sure you will never need again. Once a file has been deleted, it is gone forever.
Note: As a rule, you should first make a backup copy of your disk (see p. 56). After all, files really only become indispensable once they are no longer available…
DEL Sng: This allows you to delete a song file on disk.
DEL UPr: Use this function to delete a User Pro­gram file from disk. Be aware that by doing so, you actually erase 64 User Program settings.
(1) Insert the disk with the file you want to
delete into the drive. (2) Press [DISK] to select the Disk mode. (3) Use the [TEMPO/DATA] dial to select “DEL
Sng” or “DEL UPr”. (4) Wait until the VALUE message starts
flashing and use the [TEMPO/DATA] dial
to select the file you want to delete
(example: “USPR_005”). (5) Press the [EXECUTE] button.
To be on the safe side, the EM-55 OR now
asks you whether you really want to delete
the file (“Sure?”).
(6) Press [EXECUTE] to delete the file, or
[DISK] to abort the operation.
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If you pressed [EXECUTE], the display now shows the message “Deleting”. Once the data have been deleted, the “Complete” message briefly appears.
(7) Press [MUSICAL GAME], [TONE], [STYLE],
or [FUNCTION] to select another mode.
Possible error messages
No Disk You forgot to insert a floppy disk
into the drive.
Disk Prot You forgot to switch off the disk’s
Write protection. Press the EJECT button of the disk drive, remove the floppy and close the tab, insert the disk again and press [EXECUTE].
Disk Err The disk is probably damaged and
cannot be used.
No Files The disk contains no files of the
selected type. Insert another disk.
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Disk functions
Disk Copy (copying an entire disk)
This function allows you to make backup copies of important disks. WARNING: The Disk Copy function uses the RAM memory and erases the Recorder song and its Style
Disk memory. Before using Disk Copy, save your song to disk if you haven’t already done so (see p. 54). Disk Copy copies all files of the
(1) Press [DISK] to select the Disk mode. (2) Use the [TEMPO/DATA] dial to select “DIS-
KCOPY”.
(3) In response to the “DISKCOPY” message,
press the [EXECUTE] button.
The EM-55 OR now tells you something you already know but may tend to forget at times:
Improper use of copy infringes
Copyright!! For personal back-up
use only! Song and Style Disk
Copying Songs from commercially available Standard MIDI File disks is OK as long as
you keep
possible disk errors). Under no circum­stances, however, may you give copies of copyright-protected material to your friends.
Also, the display tells you that the Disk Copy function needs the available RAM memory – i.e. the memory set aside for the Recorder song and for the Style Disk function. Be aware that really activating the Disk Copy function (which you haven’t done so far), erases the song in the internal memory. Save it to disk before proceeding.
This message is followed by “Sure?” (do you want to proceed?).
Note: You can abort the process at any time by pressing the [DISK] button.
(4) If you are sure you wish to make a backup
copy of a disk, press [EXECUTE] (otherwise, press [DISK]).
The display now asks you to insert the origi­nal (or “Source”) disk into the drive.
Note: Before doing so, you must write-protect it, otherwise the display tells you to do so (“No Prot”). In that case, remove the disk from the drive, set its WRITE tab to the PROTECT position (to open “the little window”), and insert the disk into the drive again.
(5) Insert the original (Source) disk into the
drive.
The display now informs you that the EM-55 OR is reading the first part of the data to be copied (“Read xx%”).
will be erased.
the copy (as safeguard against
Source
disk (see below) to the
Destinat
disk.
Depending on the number of files on disk, you may encounter this message several times. Note also the indication of the disk type (in our example, the Source disk is a 2HD floppy):
VALUE TEMPO
Read 23%
120
When the first part is loaded, the display switches to the “Destinat” message. It means that you need to insert a blank disk into the disk drive. That disk will contain a copy of the original data. Be sure to use a disk
of the same type
. If the “Source” disk is a 2DD type (“dd”), use a blank 2DD disk, otherwise use a blank 2HD disk. Failure to use the right disk type will result in the “Incompat” message being displayed.
(6) Remove the Source disk from the drive
and insert the Destination disk.
If the Destination disk isn’t formatted, you are given the opportunity to do so now (“Format?”).
Next, the “Writ xx%” message appears to inform you that the first (or entire) data chunk is being copied to disk.
As stated above, the Source message may be displayed again. If so...
(7) Remove the Destination disk from the
drive and proceed with step (5) until the display tells you “Complete”.
The display now returns to the Disk Copy message.
Possible error messages when using Disk Copy
No Prot The Source disk is not protected.
Remove it from the drive and set the Write Protect tab to the PROTECT position.
NoFormat The Destination disk is not format-
ted. Press [EXECUTE] to format it an to continue.
DiskErr The disk is probably damaged and
cannot be used.
DiskProt The Destination disk is write-pro-
tected. Remove it and disable the protection.
Incompat See above.
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Format
EM-55 OR Owner’s Manual
Before being able to save files to a disk, you need to prepare a floppy disk. This is called “formatting”. If the floppy you are about to use is IBM PC formatted, there is no need to format it, though disk access is faster with EM-55 OR formatted disks. Otherwise proceed as follows:
(1) Press [DISK] to select the Disk mode. (2) Use the [TEMPO/DATA] dial to select
“FORMAT”.
(3) Wait for the “EXE” message to flash, then
press [EXECUTE].
Note: If you do not want to format your floppy, press [DISK] to return to the first Disk function (“LOAD Upr”).
Note: By formatting a disk, you erase all files it contains. It would be a good idea to first check what it contains (e.g. on your PC).
(4) Press [EXECUTE] again in response to the
“Sure?” message.
The value to the left of the “Formatng” mes­sage now counts down from “80” to “1” while the disk icon flashes to indicate that the disk is being accessed. When the disk is formatted, the message “Complete” is briefly displayed.
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Miscellaneous
19. Miscellaneous
Functions for educational purposes
The EM-55 OR provides two functions that may come in handy for music teachers or for those who use the EM-55 OR in class:
Deactivating or activating the Demo function
The EM-55 OR’s Demo function can be switched off so that pressing the [DEMO] button will have no effect at all. This may be useful in situations where the EM-55 OR is used in class. Here is how to deactivate the Demo function:
Deactivating the Arranger
Use the following procedure to ensure that the Arranger cannot be started or stopped:
(1) Switch off the EM-55 OR. (2) Hold down the [STYLE] button while you
switch the EM-55 OR back on again.
(1) Switch off the EM-55 OR. (2) Hold down the [DEMO] button while
switching the EM-55 OR back on again.
This setting is remembered, so that next time you want to listen to a demo song, you have to repeat the above procedure.
It will now be impossible to start/stop the Arranger using the [START/STOP] button, or to use the SESSION PARTNER buttons (STYLE PAD & DJ PAD).
Repeat the above procedure when you want to use the Arranger again.
Deactivating both the Arranger and the Demo function
A third “educational” option is to switch off both the Demo and the Arranger functions in one go:
(1) Switch off the EM-55 OR. (2) Hold down the [START/STOP] button while
you switch the EM-55 OR back on again.
Initializing your EM-55 OR (Factory)
After working extensively with your EM-55 OR, you may want to recall the original factory settings. Note that the Recorder song and User Program memories will be empty after initializing your EM-55 OR.
Here is how to initialize your EM-55 OR:
(1) Power off your EM-55 OR.
It will now be impossible to start/stop the Arranger STYLE PAD, DJ PAD, or demo song playback.
Repeat the above procedure when you want to use the Arranger and Demo function again.
(2) Hold down the [USER PROGRAM/WRITE]
button while turning your EM-55 OR back on again.
The message “Factory!” will inform you that the EM-55 OR has been initialized.
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20. Specifications
EM-55 OR Oriental Interactive Keyboard
Keyboard: 61 keys, velocity sensitive
EZ Search: Function for quick Tone & Music
Style location
Sound Source: 64-voice polyphonic
3,603 western Tones, 48 oriental Tones, 116 western Drum Sets, 4 oriental Drum Sets 32-part multitimbral GM2/GS compatible
Display: Newly designed large backlit custom
display Adjustable contrast
Panel controls & performance functions
ORIENTAL SCALE buttons, 3 memory buttons, Alpha dial/Tempo, Pitch Bend/ Modulation, D Beam Controller, Master Volume, Balance, Session Partner/Tracks (Style Pad: 12 sets/8 pads, DJ Pad: 8 sets/8 pads, Accompaniment on/off: 8, Track on/mute: 1~8/9~16) Music Styles: 64 in ROM (16 western, 48 oriental), 64 Disk Link (via floppy disk) 4 x 64 One Touch settings Style Orchestrator (3 levels) Style Morphing Melody Intelligence (18 types)
User Programs: 64 internal memories
Music Assistant: 100 via Database (ROM)
Effects:
Reverb: 8 types, Chorus : 8 types MFX: 47 types
Metronome: Time signature, volume
Education functions (Games): Chord Finder,
Guess Note, Guess Chord
Recorder: Realtime SMF Player
16-track recorder 4 recording modes (All, Keyboard, Single, Punch-In/Out)
EM-55 OR Owner’s Manual
Data storage: 3,5” floppy disk (2DD/2HD)
File management: Styles, Songs (SMF), User Programs
Connections: MIDI (In, Out), Output (L/Mono,
R), Footswitch/Expr, Phones (2 connectors)
Others:
Output power: 2 x 7W Speakers: 2 x 12cm (Bass Port) Power supply: 12V/2A adapter (included) Dimensions: 1016 (W) x 398 (D) x 153 (H) mm Weight: 9.5kg
Supplied accessories: ACJ adapter, Owner’s
manual, Music data disks, Music Rest
Options: PK-5 Dynamic MIDI Pedal
MSA/MSD/MSE-series Music Style Disks RH-25/50 Headphones DP-2 Pedal Switch DP-6 Pedal Switch EV-5 Expression Pedal BOSS FV-300L Volume Pedal
Note: Specifications subject to change without prior notice.
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Thanks
21. Thanks
Roland Corporation wishes to express gratitude and thanks to:
Mr. Abdallah George (General Manager /Al Fanny Trading-Egypt) for his enthusiasm and coopera- tion.
Mr. Tarek Helmy for preparing the new oriental Tone/Percussion samples, new Oriental drum set and technical support.
Mr. Alain Slim for composing the Oriental Percussion demo song, new Oriental styles, Oriental DJ pads and preparing the new oriental drum set.
Mr. Cherif Cotta for composing new Oriental styles, and technical support.
Mr. Ahmed Hosny for composing the Oriental DJ pads / style pads and new Oriental styles.
Dr. Raafat Baheeg for translating and preparing this manual into Arabic.
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EM-55 OR Owner’s Manual
22. Tone List
Tones that can be selected via the BANK/NUMBER/VARIATION buttons
GBN Var PC CC00 CC32 Name A11 1 0 4 Piano 1
1 1 1 4 Upright 2 1 2 4 MildPno 3 1 8 4 UprightW 4 1 9 4 MildPnoW 5 1 16 4 European 6 1 24 4 Pno+Str1 7 1 25 4 Pno+Str2 8 1 26 4 Pno+Cho1
9 1 27 4 Pno+Cho2 10 1 45 4 AcPiano2 11 1 46 4 BritePno 12 1 47 4 AcPiano1 13 1 126 4 Piano 2 14 1 127 4 Acou P1
A12 2 0 4 Piano 2
1 112 116 4 Oud 1
2 115 116 4 Oud1TrVm
3 2 1 4 PopPno
4 2 2 4 RockPno
5 2 8 4 PopPno W
6 2 9 4 RockPnoW
7 2 16 4 Dance P
8 2 126 4 Piano 2
9 2 127 4 Acou P2
A13 3 0 4 Piano 3
1 113 116 4 Oud 2
2 116 116 4 Oud2TrVm
3 3 1 4 EG+Rhod1
4 3 2 4 EG+Rhod2
5 3 8 4 Piano 3w
6 3 47 4 Stacked
7 3 126 4 Piano 2
8 3 127 4 Acou P3
A14 4 0 4 Honky-T1
1 110 116 4 Oud1Trem
2 114 116 4 Oud2Trem
3 117 116 4 OudOct
4 4 8 4 Honky-T2
5 4 126 4 Honky-T
6 4 127 4 ElecPno1
A15 5 0 4 EPiano1
1 5 8 4 StSoftEP
2 5 9 4 Cho EPno
3 5 10 4 SilentRh
4 5 16 4 FM+SA EP
5 5 17 4 Dist EP
6 5 24 4 Wurly
7 5 25 4 HardRhod
8 5 26 4 MellowRh
9 5 44 4 PhaseRh 10 5 45 4 SA EP 11 5 46 4 TremDyno 12 5 47 4 DynoRhod 13 5 126 4 Piano 1 14 5 127 4 ElecPno2
A16 6 0 4 EPiano2
1 106 116 4 Bozouki
2 107 116 4 BzukiTrm
3 108 116 4 BzkiTrVm
4 6 1 4 EPiano3
5 6 8 4 DetunEP2
6 6 9 4 DetunEP3
7 6 10 4 EPLegend
8 6 16 4 St FM EP
9 6 24 4 Hard FM 10 6 32 4 EP Phase 11 6 47 4 Stack EP 12 6 126 4 Piano 2 13 6 127 4 ElecPno3
A17 7 0 4 Harpsi
1 7 1 4 Harpsi 2
2 7 2 4 Harpsi 3
3 7 8 4 Coupled
4 7 16 4 HarpsiW
5 7 24 4 HarpsiO
6 7 32 4 SynHarps
7 7 126 4 Piano 2
8 7 127 4 ElecPno4
A18 8 0 4 Clav
1 8 1 4 Clav2
2 8 2 4 AtkClav1
3 8 3 4 AtkClav2
4 8 8 4 CompClav
5 8 16 4 ResoClav
6 8 17 4 PhasClav
GBN Var PC CC00 CC32 Name A18 7 8 24 4 Clav O
8 8 32 4 AnlgClav
9 8 33 4 JP8Clav1 10 8 35 4 JP8Clav2 11 8 36 4 SynRingC 12 8 37 4 SynDistC 13 8 38 4 JP8000C 14 8 39 4 PulseClv 15 8 126 4 EPiano1 16 8 127 4 Honky-T
A21 9 0 4 Celesta
1 93 115 4 Kn3TrVmx
2 95 115 4 Kanoun3
3 99 115 4 Knoun3Oc
4 9 1 4 PopCeles
5 9 47 4 CelBell
6 9 126 4 Cho EPno
7 9 127 4 ElecOrg1
A22 10 0 4 Glockens
1 96 116 4 Kanoun2
2 94 116 4 Kn2TrVmx
3 97 116 4 KanounTr
4 10 126 4 EPiano2
5 10 127 4 ElecOrg2
A23 11 0 4 MsicBox
1 95 116 4 Kanoun1
2 93 116 4 Kn1TrVmx
3 99 116 4 KnounOct
4 11 1 4 MsicBox2
5 11 8 4 StMscBox
6 11 126 4 SteelStr
7 11 127 4 ElecOrg3
A24 12 0 4 Vibraph
1 87 115 4 Knoun3St
2 87 116 4 Knoun1St
3 12 1 4 PopVibe
4 12 8 4 VibW
5 12 9 4 Vibraphs
6 12 126 4 SteelStr
7 12 127 4 ElecOrg4
A25 13 0 4 Marimba
1 13 8 4 MarimbaW
2 13 16 4 Barafon
3 13 17 4 Barafon2
4 13 24 4 Log drum
5 13 126 4 12Str Gt
6 13 127 4 PipeOrg1
A26 14 0 4 Xyloph
1 14 8 4 Xyloph W
2 14 126 4 FunkGt
3 14 127 4 PipeOrg2
A27 15 0 4 TubulB
1 15 8 4 ChurchB
2 15 9 4 Carillon
3 15 10 4 ChurchB2
4 15 16 4 TubulB W
5 15 126 4 MutedGt
6 15 127 4 PipeOrg3
A28 16 0 4 Santur
1 16 1 4 Santur 2
2 16 2 4 Santur 3
3 16 8 4 Cimbalom
4 16 16 4 Zither 1
5 16 17 4 Zither 2
6 16 24 4 Dulcimer
7 16 126 4 SlapBas
8 16 127 4 Accord
A31 17 0 4 Organ 1
1 17 1 4 Organ101
2 17 2 4 FulOrg1
3 17 3 4 FulOrg2
4 17 4 4 FulOrg3
5 17 5 4 FulOrg4
6 17 6 4 FulOrg5
7 17 7 4 FulOrg6
8 17 8 4 DetOrg1
9 17 9 4 Organ O 10 17 10 4 FulOrg7 11 17 11 4 FulOrg8 12 17 12 4 FulOrg9 13 17 16 4 60'sOrg1 14 17 17 4 60'sOrg2 15 17 18 4 60'sOrg3 16 17 19 4 FarfOrg
GBN Var PC CC00 CC32 Name A31 17 17 24 4 CheeseOr
18 17 25 4 D-50 Org 19 17 27 4 HybridOr 20 17 28 4 VS Organ 21 17 29 4 DigiChur 22 17 30 4 JX-8POrg 23 17 31 4 FM Organ 24 17 32 4 Organ 4 25 17 33 4 Even Bar 26 17 40 4 Org Bass 27 17 48 4 5thOrgan 28 17 126 4 SlapBas1 29 17 127 4 Harpsi 1
A32 18 0 4 Organ 2
1 83 112 4 AccordC1 2 85 116 4 Accordn2 3 18 1 4 JazzOrg 4 18 2 4 EOrg16+2 5 18 3 4 JazzOrg2 6 18 4 4 JazzOrg3 7 18 5 4 JazzOrg4 8 18 6 4 JazzOrg5
9 18 7 4 JazzOrg6 10 18 8 4 DetunOr2 11 18 9 4 OctaveOr 12 18 32 4 Organ 5 13 18 33 4 PercOrg2 14 18 34 4 PercOrg3 15 18 35 4 PercOrg4 16 18 126 4 SlapBas1 17 18 127 4 Harpsi 2
A33 19 0 4 Organ 3
1 83 113 4 AccordC2
2 19 8 4 Rotary
3 19 16 4 Rotary S
4 19 17 4 RockOrg1
5 19 18 4 RockOrg2
6 19 24 4 Rotary F
7 19 47 4 L-Organ
8 19 126 4 SlapBas1
9 19 127 4 Harpsi 3
A34 20 0 4 Church 1
1 83 115 4 Accord4L
2 17 116 4 Or Orgn1
3 21 116 4 Or Orgn2
4 20 8 4 Church 2
5 20 16 4 Church 3
6 20 24 4 OrgFlute
7 20 32 4 TremFlut
8 20 33 4 Theater
9 20 126 4 SlapBas2 10 20 127 4 Clavi 1
A35 21 0 4 ReedOrg
1 83 114 4 Accord3L
2 21 8 4 WindOrg
3 21 16 4 PuffOrg
4 21 126 4 SlapBas2
5 21 127 4 Clavi 2
A36 22 0 4 Accord F
1 83 116 4 Accordn1
2 86 116 4 JVAccord
3 22 8 4 Accord I
4 22 9 4 Dist Acc
5 22 16 4 Cho Acc
6 22 24 4 Hard Acc
7 22 25 4 Soft Acc
8 22 47 4 ItMusett
9 22 126 4 SlapBas2 10 22 127 4 Clavi 3
A37 23 0 4 Harmonc
1 23 1 4 Harmonc2
2 23 8 4 BHarpBsc
3 23 9 4 BHarpSpl
4 23 126 4 SlapBas2
5 23 127 4 Celesta1
A38 24 0 4 Bandeon
1 24 8 4 Bandeon2
2 24 16 4 Bandeon3
3 24 126 4 Fingered
4 24 127 4 Celesta2
A41 25 0 4 NylonStr
1 25 8 4 Ukulele
2 25 16 4 NylonGtO
3 25 24 4 VeloHrmx
4 25 32 4 NylonGt2
GBN Var PC CC00 CC32 Name A41 5 25 40 4 Requint
6 25 48 4 vFl Gtr1 7 25 49 4 vFl Gtr2 8 25 50 4 vFl Gtr3
9 25 51 4 vFl GtrR 10 25 52 4 vRequGt2 11 25 126 4 Fingered 12 25 127 4 SynBras1
A42 26 0 4 SteelStr
1 26 8 4 12Str Gt
2 26 9 4 Nylon+St
3 26 10 4 AtkSteel
4 26 16 4 Mandoln
5 26 17 4 Mandoln2
6 26 18 4 MandTrem
7 26 32 4 SteelGt2
8 26 33 4 SteelBdy
9 26 48 4 vAc Gt1 10 26 49 4 vAc Gt2 11 26 50 4 vAc Gt3 12 26 51 4 vAc Hrm 13 26 52 4 vSteelGt 14 26 126 4 Picked 15 26 127 4 SynBras2
A43 27 0 4 Jazz Gt
1 27 8 4 PedalStl
2 27 48 4 v JazzGt
3 27 50 4 vPedalSt
4 27 126 4 Picked
5 27 127 4 SynBras3
A44 28 0 4 Clean Gt
1 28 1 4 CleanHal
2 28 2 4 OpenHar1
3 28 3 4 OpenHar2
4 28 4 4 JC Clean
5 28 5 4 AtkClean
6 28 8 4 ChorusGt
7 28 9 4 JCChorus
8 28 16 4 TCFront
9 28 17 4 TCRear 10 28 18 4 TCClean 11 28 19 4 TCClean2 12 28 20 4 LPRear 13 28 21 4 LPRear2 14 28 22 4 LPRear3 15 28 23 4 Mid Tone 16 28 48 4 vCleanGt 17 28 49 4 vCleanH 18 28 50 4 vHard1 19 28 51 4 vHard2 20 28 52 4 vJCClean 21 28 53 4 vAtClean 22 28 54 4 vChrusGt 23 28 55 4 vJCChrus 24 28 56 4 vTCFront 25 28 57 4 vTCRear 26 28 58 4 vTCClean 27 28 59 4 vLPRear 28 28 60 4 vLPRear2 29 28 61 4 vLPRear3 30 28 126 4 Fretless 31 28 127 4 SynBras4
A45 29 0 4 MutedGt
1 29 1 4 MutedDis
2 29 2 4 TCMuted
3 29 8 4 Funk Gt
4 29 16 4 Funk Gt2
5 29 24 4 Jazz Man
6 29 48 4 vMutedGt
7 29 49 4 vMuteDis
8 29 50 4 vTCMuted
9 29 51 4 vFunkPop 10 29 52 4 vFunkGt2 11 29 126 4 Ac Bass 12 29 127 4 SynBass1
A46 30 0 4 Overdr
1 30 1 4 Overdr2
2 30 2 4 Overdr3
3 30 3 4 MoreDriv
4 30 4 4 GT Pinch
5 30 5 4 AtkDrive
6 30 8 4 LPOverDr
7 30 9 4 LPOverD:
8 30 10 4 LPDrive
9 30 11 4 LPDrive2 10 30 12 4 LPChorus 11 30 48 4 vOverdr 12 30 49 4 vOverdr2
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GBN Var PC CC00 CC32 Name A46 13 30 50 4 vOverdr3
14 30 51 4 vMoreDrv 15 30 52 4 vLPOverd 16 30 53 4 vLPDriv 17 30 54 4 vLPDrive 18 30 55 4 vLPChrus 19 30 126 4 ChoirAhs 20 30 127 4 SynBass2
A47 31 0 4 Dist Gt1
1 31 1 4 Dist Gt2 2 31 2 4 Dazed GT 3 31 3 4 Distort 4 31 4 4 DistFast 5 31 5 4 Atk Dist 6 31 8 4 Feedbck 7 31 9 4 Feedbck2 8 31 16 4 PowerGT
9 31 17 4 PowerGt2 10 31 18 4 5th Dist 11 31 24 4 RckRhyt 12 31 25 4 RckRhyt2 13 31 26 4 Dist Rtm 14 31 48 4 v DistGT 15 31 49 4 v Dazed 16 31 50 4 vFeedbk 17 31 51 4 vFeedbk2 18 31 52 4 v Power 19 31 53 4 v Power2 20 31 54 4 v5thDist 21 31 55 4 vRockRt 22 31 56 4 vRockRt2 23 31 126 4 ChoirAhs 24 31 127 4 SynBass3
A48 32 0 4 Harmonix
1 32 8 4 Feedbck
2 32 9 4 Feedbck2
3 32 16 4 AcHarmnx
4 32 24 4 EBasHarm
5 32 126 4 ChoirAhs
6 32 127 4 SynBass4
A51 33 0 4 Acoustic
1 118 116 4 Nay
2 119 116 4 NayOctv
3 120 116 4 NayOctVm
4 33 1 4 Rckbilly
5 33 8 4 WildBass
6 33 9 4 AtkBass
7 33 16 4 Bass+OHH
8 33 17 4 Bas+Ride
9 33 45 4 AcBas55 10 33 46 4 AcBas88P 11 33 47 4 AcBas88 12 33 48 4 vGuitarn 13 33 49 4 vAcouBas 14 33 50 4 vRckblly 15 33 51 4 vWildBas 16 33 126 4 ChoirAhs 17 33 127 4 Fantasy
A52 34 0 4 FingerB
1 101 116 4 Kawala1
2 102 116 4 KawlaOct
3 34 1 4 FingerB2
4 34 2 4 JazzBas
5 34 3 4 JazzBas2
6 34 4 4 RockBass
7 34 5 4 HeartBas
8 34 6 4 AtkFnger
9 34 7 4 FngerSlp 10 34 8 4 ChrusJaz 11 34 16 4 FBasHarm 12 34 48 4 vBabyBas 13 34 126 4 SlowStrg 14 34 127 4 HarmoPan
A53 35 0 4 PickBas
1 100 116 4 Kawala2
2 103 116 4 KwlOctVm
3 35 1 4 PickBas2
4 35 2 4 PickBas3
5 35 3 4 PickBas4
6 35 4 4 DoublPck
7 35 8 4 MutedPck
8 35 16 4 PBasHarm
9 35 126 4 Strings 10 35 127 4 Chorale
A54 36 0 4 Fretles
1 36 1 4 Fretles2
2 36 2 4 Fretles3
3 36 3 4 Fretles4
4 36 4 4 SynFless
5 36 5 4 MrSmooth
6 36 8 4 WodFless
7 36 126 4 SynStrg3
8 36 127 4 Glasses
GBN Var PC CC00 CC32 Name A55 37 0 4 Slap 1
1 37 1 4 SlapPop 2 37 8 4 ResoSlap 3 37 9 4 Unison 4 37 126 4 SynStrg3 5 37 127 4 Soundtrk
A56 38 0 4 SlapBas2
1 38 1 4 SlapBas3 2 38 8 4 FM Slap 3 38 126 4 Organ 1 4 38 127 4 Atmosph
A57 39 0 4 SynBass1
1 39 1 4 Synth101 2 39 2 4 CS Bass 3 39 3 4 JP-4Bass 4 39 4 4 JP-8Bass 5 39 5 4 P5Bass 6 39 6 4 JPMGBass 7 39 8 4 AcidBass 8 39 9 4 TB303Bas
9 39 10 4 TeknoBas 10 39 11 4 TB303Bs2 11 39 12 4 KckTB303 12 39 13 4 TB303Saw 13 39 14 4 Ruber303 14 39 15 4 Reso303 15 39 16 4 ResoSHBs 16 39 17 4 TB303Sqr 17 39 18 4 TB303Dis 18 39 19 4 ClaviBas 19 39 20 4 Hammer 20 39 21 4 JungleBs 21 39 22 4 SquareB 22 39 23 4 SquareB2 23 39 24 4 Arpeggio 24 39 32 4 Hit&Saw 25 39 33 4 RingBass 26 39 34 4 AtkSineB 27 39 35 4 OBsineB 28 39 36 4 Auxiliar 29 39 40 4 303Dist 30 39 41 4 303Dist2 31 39 42 4 303Dist3 32 39 43 4 303SqRev 33 39 44 4 TeeBee 34 39 126 4 Organ 1 35 39 127 4 WarmBell
A58 40 0 4 SynBass2
1 40 1 4 SynBs201
2 40 2 4 Modular
3 40 3 4 Seq Bass
4 40 4 4 MG Bass
5 40 5 4 MgOctBs1
6 40 6 4 MgOctBs2
7 40 7 4 MGBlipBs
8 40 8 4 BeefFMBs
9 40 9 4 DlyBass 10 40 10 4 XWireBas 11 40 11 4 WireStrB 12 40 12 4 BlipBass 13 40 13 4 RuberBs1 14 40 14 4 SynBellB 15 40 15 4 Odd Bass 16 40 16 4 RuberBs2 17 40 17 4 SH101Bs1 18 40 18 4 SH101Bs2 19 40 19 4 SmoothBs 20 40 20 4 SH101Bs3 21 40 21 4 SpikeBas 22 40 22 4 HouseBas 23 40 23 4 KG Bass 24 40 24 4 SyncBass 25 40 25 4 MG5thBas 26 40 26 4 RND Bass 27 40 27 4 WowMGBas 28 40 28 4 BubbleBs 29 40 30 4 SyncBas2 30 40 31 4 PulseMix 31 40 32 4 MGDistBs 32 40 34 4 3rdBass 33 40 35 4 MGOctBas 34 40 36 4 SlowEnv 35 40 37 4 MildBass 36 40 38 4 DistEnv 37 40 39 4 MGLight 38 40 40 4 DistSyn 39 40 41 4 RiseBas 40 40 42 4 CyberBas 41 40 45 4 LightSyn 42 40 46 4 PopSynth 43 40 47 4 101Bass 44 40 126 4 Organ 1 45 40 127 4 FunnyVox
GBN Var PC CC00 CC32 Name A61 41 0 4 Violin
1 111 116 4 Rababa 2 41 1 4 ViolinAk 3 41 8 4 SlViolin 4 41 126 4 Organ 2 5 41 127 4 EchoBell
A62 42 0 4 Viola
1 40 116 4 FlViolVb 2 41 116 4 FolkViol 3 42 1 4 ViolaAtk 4 42 126 4 Organ 1 5 42 127 4 Ice Rain
A63 43 0 4 Cello
1 43 1 4 CelloAtk 2 43 126 4 Organ 1 3 43 127 4 Oboe2001
A64 44 0 4 Contrabs
1 44 126 4 Organ 2 2 44 127 4 Echo Pan
A65 45 0 4 TremStrg
1 45 2 4 TremStrS 2 45 8 4 SlowTrem 3 45 9 4 Suspens 4 45 10 4 Suspens2 5 45 126 4 Organ 2 6 45 127 4 DoctSolo
A66 46 0 4 Pizzicat
1 46 1 4 Vcs&Cbs 2 46 2 4 Chamber 3 46 3 4 StPizz 4 46 8 4 SoloPizz 5 46 16 4 SoloSpic 6 46 17 4 StrgSpic 7 46 126 4 Organ 2 8 46 127 4 ScholDaz
A67 47 0 4 Harp
1 47 1 4 Harp&Str 2 47 2 4 Harp St 3 47 8 4 UillHarp 4 47 16 4 Syn Harp 5 47 24 4 YangQin 6 47 25 4 YangQin2 7 47 26 4 SYangQin 8 47 126 4 Trumpet 9 47 127 4 Bellsing
A68 48 0 4 Timpani
1 48 126 4 Trumpet 2 48 127 4 Square
A71 49 0 4 Strings
1 11 116 4 StrngOct 2 49 1 4 Bright 3 49 2 4 Chamber 4 49 3 4 CellSect 5 49 4 4 Bright 2 6 49 5 4 Bright 3 7 49 6 4 QuadStrg 8 49 7 4 MildStrg
9 49 8 4 Orchest 10 49 9 4 Orchest2 11 49 10 4 Tremolo 12 49 11 4 ChoirStr 13 49 12 4 StrgHorn 14 49 13 4 StrFlute 15 49 14 4 ChoirSt2 16 49 15 4 ChoirSt3 17 49 16 4 StStrng 18 49 17 4 StStrng2 19 49 18 4 StStrng3 20 49 19 4 Orchest3 21 49 20 4 Orchest4 22 49 24 4 VeloStrg 23 49 32 4 OctStrg1 24 49 33 4 OctStrg2 25 49 34 4 CBassSec 26 49 40 4 60sStrng 27 49 126 4 Trombone 28 49 127 4 StrSect1
A72 50 0 4 SlowStr
1 50 1 4 SlowStr2
2 50 2 4 SlowStr3
3 50 8 4 LegatStr
4 50 9 4 WarmStrg
5 50 10 4 StSlow
6 50 11 4 StSlow2
7 50 12 4 StChoir
8 50 13 4 StChoir2
9 50 126 4 Trombone 10 50 127 4 StrSect2
GBN Var PC CC00 CC32 Name A73 51 0 4 SynStrg1
1 51 1 4 OBString 2 51 2 4 StackStr 3 51 3 4 JPString 4 51 4 4 ChrusStr 5 51 8 4 SynStrg3 6 51 9 4 SynStrg4 7 51 10 4 SynStrg6 8 51 11 4 SynStrg7
9 51 12 4 LoFiStrg 10 51 16 4 HighStrg 11 51 17 4 Hybrid 12 51 24 4 TronStrg 13 51 25 4 NoizStrg 14 51 126 4 Trombone 15 51 127 4 StrSect3
A74 52 0 4 SynStrg2
1 52 1 4 SynStrg5
2 52 2 4 JUNOStrg
3 52 3 4 Filtered
4 52 4 4 JPSawStr
5 52 5 4 Hybrid 2
6 52 6 4 DistStrg
7 52 7 4 JUNOFull
8 52 8 4 AirStrng
9 52 9 4 AtkSynSt 10 52 10 4 Straight 11 52 126 4 Trombone 12 52 127 4 Pizzicat
A75 53 0 4 ChoirAhs
1 53 8 4 StChoirA
2 53 9 4 MeltedCh
3 53 10 4 ChurchCh
4 53 11 4 BoysCho1
5 53 12 4 BoysCho2
6 53 13 4 StBoysCh
7 53 14 4 RichCho
8 53 16 4 ChoHahs
9 53 24 4 ChoLahs 10 53 32 4 ChoAahs 11 53 33 4 MAahStr 12 53 48 4 vChoAahs 13 53 49 4 vMeltedC 14 53 50 4 vChurchC 15 53 51 4 vChoHahs 16 53 52 4 vChoLahs 17 53 53 4 vChoAahs 18 53 54 4 vMAahStr 19 53 126 4 Trombone 20 53 127 4 Violin 1
A76 54 0 4 VoiceOhs
1 54 1 4 ChorOohs
2 54 2 4 VoiceOh2
3 54 3 4 ChorOhs2
4 54 4 4 OohsMaj7
5 54 5 4 OohsSus4
6 54 6 4 JazzScat
7 54 8 4 VoicDahs
8 54 9 4 JzVoiDat
9 54 10 4 JzVoiBap 10 54 11 4 JzVoiDow 11 54 12 4 JzVoiThu 12 54 16 4 VoLahFem 13 54 17 4 ChLahFem 14 54 18 4 VoLuhFem 15 54 19 4 ChLuhFem 16 54 20 4 VoLanFem 17 54 21 4 ChLanFem 18 54 22 4 VoAahFem 19 54 23 4 VoUuhFem 20 54 24 4 FLah&Lan 21 54 32 4 VoiceWah 22 54 33 4 ChoWahMa 23 54 34 4 VoicWohM 24 54 35 4 ChWohMal 25 54 36 4 VoicAahM 26 54 37 4 VoicOohM 27 54 40 4 Humming 28 54 48 4 vVoiOhs 29 54 49 4 vVoiOhs2 30 54 50 4 vOhsMaj7 31 54 51 4 vOhsSus4 32 54 52 4 vVoiDahs 33 54 53 4 vJzVoDat 34 54 54 4 vJzVoBap 35 54 55 4 vJzVoDow 36 54 56 4 vJzVoxTh 37 54 126 4 Trombone 38 54 127 4 Violin 2
A77 55 0 4 SynVox
1 55 1 4 SynVox 2
2 55 2 4 SynVox 3
3 55 8 4 SynVoic
4 55 9 4 SilNight
5 55 10 4 SynVoic2
6 55 16 4 VP330Ch
7 55 17 4 VinylCho
8 55 18 4 JX-8PVox
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GBN Var PC CC00 CC32 Name A77 9 55 19 4 AnalogVo
10 55 126 4 Alto Sax 11 55 127 4 Cello 1
A78 56 0 4 Orch Hit
1 56 1 4 Bass Hit 2 56 2 4 6th Hit 3 56 3 4 Euro Hit 4 56 8 4 Impact 5 56 9 4 Philly 6 56 10 4 Double 7 56 11 4 PercHit 8 56 12 4 ShockWav
9 56 13 4 Bounce 10 56 14 4 DrillHit 11 56 15 4 Thrill 12 56 16 4 LoFiRave 13 56 17 4 TechnoHt 14 56 18 4 Dist Hit 15 56 19 4 Bam Hit 16 56 20 4 Bit Hit 17 56 21 4 Bim Hit 18 56 22 4 Technorg 19 56 23 4 Rave Hit 20 56 24 4 StrngHit 21 56 25 4 StackHit 22 56 26 4 Industry 23 56 27 4 Clap Hit 24 56 126 4 TenorSax 25 56 127 4 Cello 2
A81 57 0 4 Trumpet
1 57 1 4 Trumpet2
2 57 2 4 Trumpet:
3 57 3 4 Dark Tp
4 57 4 4 Tp&Nz
5 57 8 4 FlgHorn
6 57 16 4 4th Tps
7 57 24 4 BrightTp
8 57 25 4 WarmTp
9 57 26 4 WarmTp2 10 57 27 4 Twin Tp 11 57 48 4 v Trump 12 57 49 4 vRomtcTp 13 57 50 4 vMariach 14 57 51 4 vRom/Mar 15 57 52 4 vMar/Shk 16 57 53 4 vTpShake 17 57 54 4 v Trump2 18 57 55 4 vFlgHorn 19 57 56 4 v4thTpts 20 57 126 4 BaritSax 21 57 127 4 Contrabs
A82 58 0 4 Trombon
1 122 116 4 Mizmar
2 123 116 4 MizmrOct
3 58 1 4 Trombon2
4 58 2 4 TwinBnes
5 58 3 4 BnesTuba
6 58 4 4 BrightTb
7 58 8 4 BsTromb
8 58 16 4 Euphnium
9 58 48 4 v Tromb 10 58 49 4 v Tromb2 11 58 50 4 vTwBones 12 58 51 4 v Bs Tbn 13 58 52 4 v Euph 14 58 126 4 Alto Sax 15 58 127 4 Harp 1
A83 59 0 4 Tuba
1 126 116 4 MizmarDu
2 124 116 4 MizmrTrV
3 59 1 4 Tuba 2
4 59 8 4 TubaHorn
5 59 47 4 Tuba 3
6 59 126 4 Brass 1
7 59 127 4 Harp 2
A84 60 0 4 Mute Tp
1 127 116 4 Arghoul
2 60 1 4 CupMuteT
3 60 2 4 MutedTp2
4 60 3 4 MutedTp3
5 60 8 4 MuteHorn
6 60 48 4 vMuteTp1
7 60 49 4 vMuteTp2
8 60 126 4 Brass 1
9 60 127 4 Guitar 1
A85 61 0 4 Fr Horns
1 61 3 4 WideHrns
2 61 8 4 FHrnSlow
3 61 9 4 DualHorn
4 61 16 4 Syn Horn
5 61 24 4 FHornRip
6 61 126 4 Brass 2
7 61 127 4 Guitar 2
GBN Var PC CC00 CC32 Name A86 62 0 4 Brass 1
1 42 116 4 BrassOct 2 62 1 4 Brass ff 3 62 2 4 BnesSect 4 62 3 4 StBrassf 5 62 4 4 QuaBras1 6 62 5 4 QuaBras2 7 62 8 4 Brass 2 8 62 9 4 Brass 3
9 62 10 4 BrassSfz 10 62 12 4 BrasSfz2 11 62 14 4 FatPopBr 12 62 16 4 Br Fall 13 62 17 4 Tp Fall 14 62 25 4 Br Reed 15 62 26 4 Fat Reed 16 62 32 4 OrchBrs 17 62 33 4 OrchBrs2 18 62 35 4 StFatPop 19 62 36 4 StOrchB1 20 62 37 4 StOrchB2 21 62 38 4 StOrchB3 22 62 43 4 2TpsTb 23 62 44 4 2TpsTbSx 24 62 45 4 BigBand 25 62 46 4 BriteBrs 26 62 47 4 PowerBrs 27 62 126 4 Brass 2 28 62 127 4 ElecGtr1
A87 63 0 4 SynBras1
1 63 3 4 SH-5Bras
2 63 5 4 JumpBrs
3 63 8 4 ProBrass
4 63 9 4 P5Brass
5 63 10 4 OrSynBrs
6 63 17 4 HybridBr
7 63 19 4 BPFBrass
8 63 126 4 Brass 1
9 63 127 4 ElecGtr2
A88 64 0 4 SynBras2
1 64 3 4 SynBras3
2 64 6 4 DeepSynB
3 64 11 4 DistSqrB
4 64 12 4 JP8000Sw
5 64 17 4 Transbrs
6 64 47 4 Henry IV
7 64 126 4 OrchHit
8 64 127 4 Sitar
B11 65 0 4 SoprSax
1 66 116 4 OrienSax
2 65 8 4 SoprExp
3 65 127 4 AcouBas1
B12 66 0 4 Alto Sax
1 66 8 4 AltoExp
2 66 9 4 Grow Sax
3 66 16 4 Alto+Tp
4 66 17 4 SaxSect
5 66 46 4 AltoSoft
6 66 47 4 AltoSax2
8 66 127 4 AcouBas2
B13 67 0 4 TenorSax
1 67 1 4 Tenor:
2 67 8 4 BreathTn
3 67 9 4 St Tenor
4 67 44 4 Latin Tn
5 67 45 4 Tenor F
6 67 46 4 Blown Tn
7 67 47 4 Super Tn
8 67 127 4 ElecBas1
B14 68 0 4 Baritone
1 68 1 4 Bari Sax
2 68 8 4 Bari&Tn
3 68 127 4 ElecBas2
B15 69 0 4 Oboe
1 69 8 4 Oboe Exp
2 69 16 4 MltiReed
3 69 127 4 SlapBas1
B16 70 0 4 EnglHorn
1 70 127 4 SlapBas2
B17 71 0 4 Bassoon
1 71 127 4 Fretles1
B18 72 0 4 Clarinet
1 72 8 4 BsClarin
2 72 16 4 MltiWind
3 72 17 4 QuadWind
4 72 127 4 Fretles2
GBN Var PC CC00 CC32 Name B21 73 0 4 Piccolo
1 73 1 4 Piccolo: 2 73 8 4 WrmPiclo 3 73 9 4 WPicloTr 47316 4Di 5 73 127 4 Flute 1
B22 74 0 4 Flute
1 74 1 4 Flute 2 2 74 2 4 FluteExp 3 74 3 4 Traverso 4 74 8 4 FluteVln 5 74 9 4 PipeReed 6 74 16 4 TronFlut 7 74 17 4 IndiFlut 8 74 48 4 v Flute
9 74 49 4 v Exp 10 74 50 4 vTravers 11 74 51 4 vTronFlt 12 74 127 4 Flute 2
B23 75 0 4 Recorder
1 75 127 4 Piccolo1
B24 76 0 4 PanFlute
1 76 8 4 WrmPFlut
2 76 16 4 Zampona
3 76 17 4 Zamp Atk
4 76 24 4 TinWhist
5 76 25 4 TWhtslNm
6 76 26 4 TWhtslOr
7 76 46 4 TWhtsle2
8 76 47 4 PanFlut2
9 76 127 4 Piccolo2
B25 77 0 4 BotBlow
1 77 46 4 TheBottl
2 77 47 4 BotBlow2
3 77 127 4 Recorder
B26 78 0 4 Shakuhac
1 78 1 4 Shakuha:
2 78 47 4 ShaBambo
3 78 127 4 PanPipes
B27 79 0 4 Whistle
1 79 1 4 Whistle2
2 79 127 4 Sax 1
B28 80 0 4 Ocarina
1 80 127 4 Sax 2
B31 81 0 4 Square W
1 81 1 4 MGSquare
2 81 2 4 Hollow M
3 81 3 4 MellowFM
4 81 4 4 CC Solo
5 81 5 4 Shmoog
6 81 6 4 LMSquare
7 81 7 4 JP8000TW
8 81 8 4 2600Sine
9 81 9 4 SineLead 10 81 10 4 KGLead 11 81 11 4 TwinSine 12 81 16 4 P5Square 13 81 17 4 OBSquare 14 81 18 4 JPSquare 15 81 19 4 DisSquar 16 81 20 4 303Squa1 17 81 21 4 303Squa2 18 81 22 4 303MixSq 19 81 23 4 2Sqr&Saw 20 81 25 4 JP8Pls1 21 81 26 4 JP8Pls2 22 81 27 4 MGResPls 23 81 28 4 JP8Pls3 24 81 29 4 260Ring 25 81 30 4 303Dist 26 81 31 4 JP8000 D 27 81 32 4 HipHopSn 28 81 33 4 HipHopSq 29 81 34 4 HipHopPl 30 81 35 4 FluxPuls 31 81 127 4 Sax3
B32 82 0 4 SawWave
1 82 1 4 OB2 Saw
2 82 2 4 PulseSaw
3 82 3 4 FelineGR
4 82 4 4 Big Lead
5 82 5 4 VeloLead
6 82 6 4 GR-300
7 82 7 4 LA Saw
8 82 8 4 DoctSolo
9 82 9 4 FatSawLd 10 82 10 4 JP8000 S 11 82 11 4 D50FatSw 12 82 12 4 OBDblSaw 13 82 13 4 JPDblSaw 14 82 14 4 FatSawL2 15 82 15 4 JPSupSaw 16 82 16 4 WaspySyn
GBN Var PC CC00 CC32 Name B32 17 82 18 4 CSSawLd
18 82 24 4 MG Saw 1 19 82 25 4 MG Saw 2 20 82 27 4 OB Saw 2 21 82 28 4 D-50 Saw 22 82 29 4 SH101Saw 23 82 30 4 CS Saw 24 82 31 4 MGSawLd 25 82 33 4 P5SawLd 26 82 34 4 MGunison 27 82 35 4 OctSawLd 28 82 36 4 NaturLd 29 82 38 4 Synchron 30 82 40 4 SeqSaw1 31 82 41 4 SeqSaw2 32 82 42 4 Reso Saw 33 82 43 4 CheeseS1 34 82 44 4 CheeseS2 35 82 45 4 RhythSaw 36 82 47 4 TechnSaw 37 82 127 4 Sax 4
B33 83 0 4 SynCall
1 83 2 4 PurePanL 2 83 8 4 LMPureLd 3 83 9 4 LMBlowLd 4 83 127 4 Clarint1
B34 84 0 4 ChifferL
1 84 2 4 HybridLd 2 84 3 4 UniSqrLd 3 84 4 4 FatSoloL 4 84 5 4 Forceful 5 84 6 4 OcUnison 6 84 7 4 UnisonSw 7 84 9 4 Crowding 8 84 10 4 DoubleSq 9 84 47 4 PureFlat
10 84 127 4 Clarint2
B35 85 0 4 Charang
1 85 1 4 WireLead 2 85 2 4 FBCharng 3 85 3 4 FatGRLd 4 85 4 4 WindGRLd 5 85 5 4 MellGRLd 6 85 6 4 GR&Pulse 7 85 8 4 DistLead 8 85 9 4 AcidGtr1
9 85 11 4 DancDst 10 85 12 4 DancDst2 11 85 16 4 P5SyncLd 12 85 17 4 FatSyncL 13 85 18 4 RockLead 14 85 19 4 5thDecaS 15 85 21 4 DualSncL 16 85 22 4 LABrassL 17 85 24 4 JUNOSubO 18 85 25 4 2600SubO 19 85 26 4 JPFdOsc 20 85 127 4 Oboe
B36 86 0 4 SoloVox
1 86 1 4 SoloVox2
2 86 8 4 VoxLead
3 86 9 4 LFO Vox
4 86 10 4 VoxLead2
5 86 127 4 EnglHorn
B37 87 0 4 5thSawW
1 87 1 4 BigFives
2 87 2 4 5th Lead
3 87 4 4 5thPulse
4 87 5 4 JP5thSaw
5 87 6 4 JP80005t
6 87 8 4 4th Lead
7 87 127 4 Bassoon
B38 88 0 4 BassLead
1 88 1 4 Big&Raw
2 88 2 4 FatPerky
3 88 3 4 JUNORave
4 88 4 4 JP8BsLd1
5 88 5 4 JP8BsLd2
6 88 6 4 SH-5BsLd
7 88 7 4 DelayedL
8 88 127 4 Harmonic
B41 89 0 4 Fantasia
1 89 1 4 Fantasi2
2 89 2 4 NewAge
3 89 3 4 BelHeavn
4 89 4 4 Fantasi3
5 89 5 4 Fantasi4
6 89 6 4 After D!
7 89 7 4 260Harm
8 89 44 4 EPHeaven
9 89 45 4 HeavnKey 10 89 46 4 BriteSaw 11 89 47 4 SugarKey 12 89 127 4 Trumpet1
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GBN Var PC CC00 CC32 Name B42 90 0 4 Warm Pad
1 90 1 4 ThickMtx 2 90 2 4 Horn Pad 3 90 3 4 RotarStr 4 90 4 4 OBSfPad 5 90 5 4 Sine Pad 6 90 6 4 OBSfPad2 7 90 8 4 OctavPad 8 90 9 4 StackPad
9 90 10 4 HumanPad 10 90 11 4 SyncBrsP 11 90 12 4 OctPWM 12 90 13 4 JPSftPad 13 90 43 4 PWMSfPad 14 90 44 4 LFOSweep 15 90 45 4 Stacked 16 90 46 4 SawStrng 17 90 47 4 WarmJPSt 18 90 127 4 Trumpet2
B43 91 0 4 PolySyn
1 91 1 4 80PolySy
2 91 2 4 PolySyn2
3 91 3 4 PolyKing
4 91 4 4 SuperPly
5 91 8 4 PowStack
6 91 9 4 OctStack
7 91 10 4 ResStack
8 91 11 4 TecStack
9 91 12 4 PulStack 10 91 13 4 TwinOctR 11 91 14 4 Oct.Rave 12 91 15 4 HappySyn 13 91 16 4 FFWSweep 14 91 17 4 REVSweep 15 91 24 4 MinorRav 16 91 46 4 UnsonSaw 17 91 47 4 SuperSaw 18 91 127 4 Trombne1
B44 92 0 4 SpaceVce
1 92 1 4 HeavenII
2 92 2 4 SCHeaven
3 92 3 4 Itopia
4 92 4 4 WaterSpc
5 92 5 4 ColdSpc
6 92 6 4 NoisePk
7 92 7 4 BmbooHit
8 92 8 4 CosmcVce
9 92 9 4 Auh Vox 10 92 10 4 AuhAuh 11 92 11 4 Vocrdman 12 92 12 4 HolyVoic 13 92 43 4 JP8Hntng 14 92 44 4 JP8Hollo 15 92 45 4 SquarePd 16 92 46 4 Pipe Pad 17 92 47 4 WarmSqrP 18 92 127 4 Trombne2
B45 93 0 4 BowedGls
1 93 1 4 SoftBell
2 93 2 4 JP8SqrPd
3 93 3 4 7thBelPd
4 93 4 4 SteelGls
5 93 5 4 BottleSk
6 93 47 4 Gtr Pad
7 93 127 4 Fr Horn1
B46 94 0 4 MetalPad
1 94 1 4 Tine Pad
2 94 2 4 PannerPd
3 94 3 4 SteelPad
4 94 4 4 SpecialR
5 94 5 4 MetalPd2
6 94 127 4 Fr Horn2
B47 95 0 4 Halo Pad
1 95 1 4 Vox Pad
2 95 2 4 VoxSweep
3 95 8 4 HorrorPd
4 95 9 4 SynVoxP
5 95 10 4 SynVoxP2
6 95 11 4 BrthRise
7 95 12 4 TearsVce
8 95 127 4 Tuba
B48 96 0 4 SweepPad
1 96 1 4 PolarPad
2 96 2 4 AmbntBPF
3 96 3 4 Sync Pad
4 96 4 4 Warriors
5 96 8 4 Converge
6 96 9 4 Shwimmer
7 96 10 4 CelestPd
8 96 11 4 BagSweep
9 96 12 4 SweepPip 10 96 13 4 SweepStk 11 96 14 4 DepSweep 12 96 15 4 StrayPad
GBN Var PC CC00 CC32 Name B48 13 96 46 4 SftSweep
14 96 47 4 SawSweep 15 96 127 4 BrsSect1
B51 97 0 4 Ice Rain
1 97 1 4 HarmRain 2 97 2 4 AfrcWood 3 97 3 4 AnklungP 4 97 4 4 RattlePd 5 97 5 4 SImpulse 6 97 6 4 StrangeS 7 97 7 4 FstFWDPd 8 97 8 4 ClaviPad
9 97 9 4 EP Pad 10 97 10 4 TambraPd 11 97 11 4 CP Pad 12 97 127 4 BrsSect2
B52 98 0 4 Soundtrk
1 98 1 4 Ancestrl
2 98 2 4 Prolog
3 98 3 4 Prolog 2
4 98 4 4 HolsStrg
5 98 5 4 HistoryW
6 98 8 4 Rave
7 98 127 4 Vibe 1
B53 99 0 4 Crystal
1 99 1 4 SMallet
2 99 2 4 SCrystal
3 99 3 4 RoundGlk
4 99 4 4 LoudGlk
5 99 5 4 GlkChime
6 99 6 4 ClearBel
7 99 7 4 XmasBell
8 99 8 4 VbraBell
9 99 9 4 DigBells 10 99 10 4 MsicBell 11 99 11 4 AnlgBell 12 99 12 4 BlowBell 13 99 13 4 HyperBel 14 99 16 4 ChorBell 15 99 17 4 AirBells 16 99 18 4 BellHarp 17 99 19 4 Gmelimba 18 99 20 4 JUNOBell 19 99 21 4 JP Bell 20 99 22 4 PizzBell 21 99 23 4 Bot Bell 22 99 127 4 Vibe 2
B54 100 0 4 Atmosph
1 100 1 4 WarmAtm
2 100 2 4 NylnHarp
3 100 3 4 Harpvox
4 100 4 4 HlReleas
5 100 5 4 NylnRhod
6 100 6 4 AmbntPad
7 100 7 4 Invisibl
8 100 8 4 PulseKey
9 100 9 4 NoisePno 10 100 10 4 HeavenAt 11 100 11 4 TambraAt 12 100 127 4 SyMallet
B55 101 0 4 Bghtness
1 101 1 4 ShinStar
2 101 2 4 OB Stab
3 101 3 4 BrasStar
4 101 4 4 ChoirStb
5 101 5 4 D50Rtour
6 101 6 4 SouthWnd
7 101 7 4 SymbBell
8 101 8 4 Org Bell
9 101 127 4 Windbell
B56 102 0 4 Goblin
1 102 1 4 Goblinsn
2 102 2 4 50sSciFi
3 102 3 4 Abductn
4 102 4 4 Auhbient
5 102 5 4 LFO Pad
6 102 6 4 Rnd Str
7 102 7 4 Rnd Pad
8 102 8 4 LowBirds
9 102 9 4 FallDown 10 102 10 4 LFO RAVE 11 102 11 4 LFOHrror 12 102 12 4 LFOTchno 13 102 13 4 Alternat 14 102 14 4 UFO FX 15 102 15 4 GarglMan 16 102 16 4 Sweep FX 17 102 17 4 LMHasCom 18 102 18 4 FInsect 19 102 19 4 LFO RAVE 20 102 20 4 JstBefor 21 102 21 4 RndFChro 22 102 22 4 RndEndng 23 102 23 4 Rnd Sine 24 102 24 4 Eating F 25 102 25 4 NoisSawH
GBN Var PC CC00 CC32 Name B56 26 102 26 4 PourMgic
27 102 27 4 DancDril 28 102 28 4 DirtStck 29 102 29 4 Big Blue 30 102 30 4 StatcHit 31 102 31 4 AtlModFX 32 102 32 4 AcidCopt 33 102 127 4 Glock
B57 103 0 4 EchoDrop
1 103 1 4 EchoBell 2 103 2 4 EchoPan 3 103 3 4 EchoPan2 4 103 4 4 BigPnner 5 103 5 4 ResPnner 6 103 6 4 WaterPno 7 103 7 4 EchoSyBs 8 103 8 4 PanSeque
9 103 9 4 Aqua 10 103 10 4 PnningLd 11 103 11 4 PnningBr 12 103 127 4 TubeBell
B58 104 0 4 StarThm
1 104 1 4 StarThm2
2 104 2 4 StarMind
3 104 3 4 StarDust
4 104 4 4 RepTrnce
5 104 5 4 Etherlty
6 104 6 4 MysticPd
7 104 8 4 DreamPd
8 104 9 4 SilkyPad
9 104 10 4 DreamPd2 10 104 11 4 SilkyPd2 11 104 16 4 Ncentury 12 104 17 4 7thAtmos 13 104 18 4 GalaxWay 14 104 19 4 RisngOSC 15 104 127 4 Xylophon
B61 105 0 4 Sitar
1 105 1 4 Sitar 2
2 105 2 4 DetSitar
3 105 3 4 Sitar 3
4 105 4 4 SitarDrn
5 105 5 4 Sitar 4
6 105 8 4 Tambra
7 105 16 4 Tamboura
8 105 127 4 Marimba
B62 106 0 4 Banjo
1 106 1 4 MutBanjo
2 106 8 4 Rabab
3 106 9 4 San Xian
4 106 16 4 Gopichnt
5 106 24 4 BsBanjo
6 106 28 4 BsBnjStr
7 106 32 4 Pi Pa
8 106 127 4 Koto
B63 107 0 4 Shamisen
1 107 1 4 Tsugaru
2 107 8 4 SynShams
3 107 127 4 Sho
B64 108 0 4 Koto
1 108 1 4 Gu Zheng
2 108 8 4 TaishKot
3 108 16 4 MutdKoto
4 108 19 4 MtKotoCh
5 108 24 4 Oct Harp
6 108 127 4 Shakuhac
B65 109 0 4 Kalimba
1 109 8 4 Sanza
2 109 9 4 Bodhran
3 109 10 4 BodhranM
4 109 127 4 Whistle1
B66 110 0 4 Bagpipe
1 110 8 4 Didgerid
2 110 9 4 UillnPip
3 110 10 4 UillnP N
4 110 11 4 UillnPOr
5 110 127 4 Whistle2
B67 111 0 4 Fiddle
1 111 8 4 Er Hu
2 111 9 4 Gao Hu
3 111 127 4 Bottlebl
B68 112 0 4 Shanai
1 112 1 4 Shanai 2
2 112 8 4 Pungi
3 112 16 4 Hichirik
4 112 24 4 Suona3
5 112 32 4 Suona 1
6 112 33 4 Suona 2
7 112 127 4 BreathPi
GBN Var PC CC00 CC32 Name B71 113 0 4 TinkBell
1 113 8 4 Bonang 2 113 9 4 Gender 3 113 10 4 GmlanGng 4 113 11 4 StGmelan 5 113 12 4 Jang Gu 6 113 13 4 Jegogan 7 113 14 4 Jublag 8 113 15 4 Pemade
9 113 16 4 RamaCymb 10 113 17 4 Kajar 11 113 18 4 Kelontk 12 113 19 4 KelontkM 13 113 20 4 KelontkS 14 113 21 4 KopyakOp 15 113 22 4 KopyakMt 16 113 23 4 CengCeng 17 113 24 4 Reyoung 18 113 25 4 Kempur 19 113 32 4 JnglCrsh 20 113 40 4 CrshMenu 21 113 41 4 RidCymM 22 113 42 4 RidBellM 23 113 47 4 CymblRol 24 113 127 4 Timpani
B72 114 0 4 Agogo
1 114 8 4 Atarigan
2 114 16 4 Tambourn
3 114 127 4 MelodTom
B73 115 0 4 SteelDrm
1 115 1 4 IslandMl
2 115 127 4 DeepSnar
B74 116 0 4 Woodblck
1 116 8 4 Castants
2 116 16 4 Angklung
3 116 17 4 AngkRthm
4 116 24 4 FingSnap
5 116 32 4 909HClap
6 116 40 4 HndClapM
7 116 127 4 ElcPerc1
B75 117 0 4 Taiko
1 117 1 4 SmlTaiko
2 117 8 4 ConcrtBd
3 117 9 4 ConcBdMt
4 117 16 4 JungleBD
5 117 17 4 TechnoBD
6 117 18 4 Bounce
7 117 24 4 KendngWd
8 117 25 4 Bebarngn
9 117 26 4 Pelegong 10 117 27 4 Dholak 1 11 117 28 4 Dholak 2 12 117 32 4 JnglBRol 13 117 40 4 KickMnu1 14 117 41 4 KickMnu2 15 117 42 4 KickMnu3 16 117 43 4 KickMnu4 17 117 127 4 ElcPerc2
B76 118 0 4 MeloTom1
1 118 1 4 RealTom
2 118 2 4 RealTom2
3 118 3 4 Jazz Tom
4 118 4 4 BrushTom
5 118 8 4 MeloTom2
6 118 9 4 Rock Tom
7 118 16 4 Rash SD
8 118 17 4 House SD
9 118 18 4 JungleSD 10 118 19 4 909 SD 11 118 24 4 JnglSRol 12 118 40 4 SD Menu1 13 118 41 4 SD Menu2 14 118 42 4 SD Menu3 15 118 43 4 SD Menu4 16 118 44 4 SD Menu5 17 118 127 4 Taiko
B77 119 0 4 SynthDrm
1 119 8 4 808 Tom
2 119 9 4 ElecPerc
3 119 10 4 SinePerc
4 119 11 4 606Tom
5 119 12 4 909Tom
6 119 13 4 606DstTm
7 119 127 4 TaikoRim
B78 120 0 4 Rev Cym
1 120 1 4 Rev Cym2
2 120 2 4 Rev Cym3
3 120 3 4 Rev Cym4
4 120 8 4 RevSnar1
5 120 9 4 RevSnar2
6 120 16 4 RevKick1
7 120 17 4 RevConBD
8 120 24 4 RevTom 1
9 120 25 4 RevTom 2 10 120 26 4 RevTom 3
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GBN Var PC CC00 CC32 Name B78 11 120 27 4 RevTom 4
12 120 40 4 RevSDMn1 13 120 41 4 RevSDMn2 14 120 42 4 RevSDMn3 15 120 43 4 RevBDMn1 16 120 44 4 RevBDMn2 17 120 45 4 RevBDMn3 18 120 46 4 RevClpMn 19 120 127 4 Cymbal
B81 121 0 4 GFretNz
1 121 1 4 GCutNz 2 121 2 4 StrgSlap 3 121 3 4 GCutNz2 4 121 4 4 DistCutN 5 121 5 4 BassSlid 6 121 6 4 PckScrap 7 121 8 4 GtFXMenu 8 121 9 4 BartkPiz
9 121 10 4 Gtr Slap 10 121 11 4 ChrdStrk 11 121 12 4 BiwaStrk 12 121 13 4 BiwaTrem 13 121 16 4 ABsNzMen 14 121 17 4 DGtNzMen 15 121 18 4 EGtNzMn1 16 121 19 4 EGtNzMn2 17 121 20 4 GStrkMen 18 121 21 4 GSlideMn 19 121 22 4 ABsMutNz 20 121 23 4 ABsTchNz 21 121 24 4 ABsAtkNz 22 121 25 4 TC Up Nz 23 121 26 4 TCDwnMNz 24 121 27 4 TCUpMNz 25 121 28 4 TCDownNz 26 121 29 4 DsGUpNz 27 121 30 4 DsGDwNz1 28 121 31 4 DsGDwNz2 29 121 32 4 DsGMutNz 30 121 34 4 GStrkNz5 31 121 35 4 SGSldNz1 32 121 36 4 SGSldNz2 33 121 37 4 SGSldNz3 34 121 38 4 SGSldNz4 35 121 39 4 GStrkNz1 36 121 40 4 GStrkNz2 37 121 41 4 GStrkNz3 38 121 42 4 GStrkNz4 39 121 44 4 EGtNzMen 40 121 45 4 AGtNzMen 41 121 46 4 BasNzMen 42 121 47 4 BassSlid 43 121 127 4 Castanet
GBN Var PC CC00 CC32 Name B82 122 0 4 BreathNz
1 122 1 4 FlKeyClk 2 122 2 4 BrthNzMn 3 122 3 4 FBreath1 4 122 4 4 FBreath2 5 122 5 4 FBreath3 6 122 6 4 VBreath1 7 122 7 4 VBreath2 8 122 8 4 Tromb Nz
9 122 9 4 Trump Nz 10 122 47 4 BrthNzMn 11 122 127 4 Triangle
B83 123 0 4 Seashore
1 123 1 4 Rain
2 123 2 4 Thunder
3 123 3 4 Wind
4 123 4 4 Stream
5 123 5 4 Bubble
6 123 6 4 Wind 2
7 123 7 4 Cricket
8 123 16 4 Pink Nz
9 123 17 4 White Nz 10 123 47 4 WindsHit 11 123 127 4 OrcheHit
B84 124 0 4 Bird
1 124 1 4 Dog
2 124 2 4 HorseGlp
3 124 3 4 Bird 2
4 124 4 4 Kitty
5 124 5 4 Growl
6 124 6 4 Growl 2
7 124 7 4 FancyAn
8 124 8 4 Seal
9 124 127 4 Teleph
B85 125 0 4 Teleph 1
1 125 1 4 Teleph 2
2 125 2 4 DoorCrkg
3 125 3 4 Door
4 125 4 4 Scratch
5 125 5 4 WindChim
6 125 7 4 Scratch2
7 125 8 4 ScratchK
8 125 9 4 TapeRew
9 125 10 4 Phono Nz 10 125 11 4 MC500Bep 11 125 12 4 Scratch3 12 125 13 4 Scratch4 13 125 14 4 Scratch5 14 125 15 4 Scratch6 15 125 16 4 Scratch7 16 125 127 4 BirdTwet
GBN Var PC CC00 CC32 Name B86 126 0 4 Helicptr
1 126 1 4 CarEngin 2 126 2 4 CarStop 3 126 3 4 CarPass 4 126 4 4 CarCrash 5 126 5 4 Siren 6 126 6 4 Train 7 126 7 4 Jetplane 8 126 8 4 Starship
9 126 9 4 Burst Nz 10 126 10 4 Calculat 11 126 11 4 PercBang 12 126 12 4 Burner 13 126 13 4 GlassGlm 14 126 14 4 Ice Ring 15 126 15 4 OverBlow 16 126 16 4 CrckBttl 17 126 17 4 PourBttl 18 126 18 4 Soda 19 126 19 4 OpCDTray 20 126 20 4 AudioSwt 21 126 21 4 KeyTypng 22 126 22 4 SL 1 23 126 23 4 SL 2 24 126 24 4 CarEngn2 25 126 25 4 Car Horn 26 126 26 4 Boeeeen 27 126 27 4 RCrossng 28 126 28 4 Compress 29 126 29 4 SwrdBoom 30 126 30 4 SwordX 31 126 31 4 Stab! 1 32 126 32 4 Stab! 2 33 126 127 4 1NoteJam
B87 127 0 4 Applause
1 127 1 4 Laughing
2 127 2 4 Screamng
3 127 3 4 Punch
4 127 4 4 HeartBt
5 127 5 4 FootStps
6 127 6 4 Applaus2
7 127 7 4 SmallClb
8 127 8 4 ApplWave
9 127 9 4 BbyLaugh 10 127 16 4 VoiceOne 11 127 17 4 VoiceTwo 12 127 18 4 VoicThre 13 127 19 4 VoiceTah 14 127 20 4 VoicWhey 15 127 22 4 VoicKikt 16 127 23 4 VcComeOn 17 127 24 4 VoiceAou 18 127 25 4 VoiceOou 19 127 26 4 VoiceHie 20 127 127 4 WterBell
GBN Var PC CC00 CC32 Name B88 128 0 4 Gun Shot
1 128 1 4 MchinGun 2 128 2 4 Lasergun 3 128 3 4 Explos 4 128 4 4 Eruption 5 128 5 4 Big Shot 6 128 6 4 Explos 2 7 128 127 4 JungleTn
REFERENCE
REFERENCE
REFERENCE
REFERENCE
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Tone List
Tones only selectable via the EZ Search function
GBN Var PC CC00 CC32 Name C11 1 0 3 Piano 1
1 1 8 3 UprightW 2 1 16 3 Europ Pf 3 1 24 3 Pno+Str1 4 1 126 3 Piano 2 5 1 127 3 Acou P1
C12 2 0 3 Piano 2
1 2 8 3 PopPno W 2 2 16 3 Dance P 3 2 126 3 Piano 2 4 2 127 3 Acou P2
C13 3 0 3 Piano 3
1 3 1 3 EG+Rhod1 2 3 2 3 EG+Rhod2 3 3 8 3 Piano 3w 4 3 126 3 Piano 2 5 3 127 3 Acou P3
C14 4 0 3 Honky-T1
1 4 8 3 Honky-T2 2 4 126 3 Honky-T 3 4 127 3 ElecPno1
C15 5 0 3 EPiano1
1 5 8 3 StSoftEP 2 5 9 3 Cho EPno 3 5 10 3 SilentRh 4 5 16 3 FM+SA EP 5 5 17 3 Dist EP 6 5 24 3 Wurly 7 5 25 3 HardRhod 8 5 26 3 MellowRh 9 5 126 3 Piano 1
10 5 127 3 ElecPno2
C16 6 0 3 EPiano2
1 6 8 3 DetunEP2 2 6 16 3 St FM EP 3 6 24 3 Hard FM 4 6 126 3 Piano 2 5 6 127 3 ElecPno3
C17 7 0 3 Harpsi
1 7 1 3 Harpsi 2 2 7 8 3 Coupled 3 7 16 3 HarpsiW 4 7 24 3 HarpsiO 5 7 32 3 SynHarps 6 7 126 3 Piano 2 7 7 127 3 ElecPno4
C18 8 0 3 Clav
1 8 8 3 CompClav 2 8 16 3 ResoClav 3 8 24 3 Clav O 4 8 32 3 AnlgClav 5 8 33 3 JP8Clav1 6 8 35 3 JP8Clav2 7 8 126 3 EPiano1 8 8 127 3 Honky-T
C21 9 0 3 Celesta
1 9 1 3 PopCeles 2 9 126 3 Cho EPno 3 9 127 3 ElecOrg1
C22 10 0 3 Glockens
1 10 126 3 EPiano2 2 10 127 3 ElecOrg2
C23 11 0 3 MsicBox
1 11 126 3 SteelStr 2 11 127 3 ElecOrg3
C24 12 0 3 Vibraph
1 12 1 3 PopVibe 2 12 8 3 VibW 3 12 9 3 Vibraphs 4 12 126 3 SteelStr 5 12 127 3 ElecOrg4
C25 13 0 3 Marimba
1 13 8 3 MarimbaW 2 13 16 3 Barafon 3 13 17 3 Barafon2 4 13 24 3 Log drum 5 13 126 3 12Str Gt 6 13 127 3 PipeOrg1
C26 14 0 3 Xyloph
1 14 126 3 FunkGt 2 14 127 3 PipeOrg2
GBN Var PC CC00 CC32 Name C27 15 0 3 TubulB
1 15 8 3 ChurchB 2 15 9 3 Carillon 3 15 126 3 MutedGt 4 15 127 3 PipeOrg3
C28 16 0 3 Santur
1 16 1 3 Santur 2 2 16 8 3 Cimbalom 3 16 16 3 Zither 1 4 16 17 3 Zither 2 5 16 24 3 Dulcimer 6 16 126 3 SlapBas 7 16 127 3 Accord
C31 17 0 3 Organ 1
1 17 1 3 Organ101 2 17 8 3 DetOrg1 3 17 9 3 Organ O 4 17 16 3 60'sOrg1 5 17 17 3 60'sOrg2 6 17 18 3 60'sOrg3 7 17 19 3 FarfOrg 8 17 24 3 CheeseOr
9 17 25 3 D-50 Org 10 17 26 3 JUNO Org 11 17 27 3 HybridOr 12 17 28 3 VS Organ 13 17 29 3 DigiChur 14 17 32 3 Organ 4 15 17 33 3 Even Bar 16 17 40 3 Org Bass 17 17 48 3 5thOrgan 18 17 126 3 SlapBas1 19 17 127 3 Harpsi 1
C32 18 0 3 Organ 2
1 18 1 3 JazzOrg
2 18 2 3 EOrg16+2
3 18 8 3 DetOrg2
4 18 9 3 OctaveOr
5 18 32 3 Organ 5
6 18 126 3 SlapBas1
7 18 127 3 Harpsi 2
C33 19 0 3 Organ 3
1 19 8 3 Rotary
2 19 16 3 Rotary S
3 19 17 3 RockOrg1
4 19 18 3 RockOrg2
5 19 24 3 Rotary F
6 19 126 3 SlapBas1
7 19 127 3 Harpsi 3
C34 20 0 3 Church 1
1 20 8 3 Church 2
2 20 16 3 Church 3
3 20 24 3 OrgFlute
4 20 32 3 TremFlut
5 20 33 3 Theater
6 20 126 3 SlapBas2
7 20 127 3 Clavi 1
C35 21 0 3 ReedOrg
1 21 8 3 WindOrg
2 21 126 3 SlapBas2
3 21 127 3 Clavi 2
C36 22 0 3 Accord F
1 22 8 3 Accord I
2 22 9 3 Dist Acc
3 22 16 3 Cho Acc
4 22 24 3 Hard Acc
5 22 25 3 Soft Acc
6 22 126 3 SlapBas2
7 22 127 3 Clavi 3
C37 23 0 3 Harmonc
1 23 1 3 Harmonc2
2 23 126 3 SlapBas2
3 23 127 3 Celesta1
C38 24 0 3 Bandeon
1 24 8 3 Bandeon2
2 24 16 3 Bandeon3
3 24 126 3 Fingered
4 24 127 3 Celesta2
C41 25 0 3 NylonStr
1 25 8 3 Ukulele
2 25 16 3 NylonGtO
3 25 24 3 VeloHrmx
4 25 32 3 NylonGt2
5 25 40 3 Requint
6 25 126 3 Fingered
7 25 127 3 SynBras1
GBN Var PC CC00 CC32 Name C42 26 0 3 SteelStr
1 26 8 3 12Str Gt 2 26 9 3 Nylon+St 3 26 16 3 Mandoln 4 26 17 3 Mandoln2 5 26 18 3 MandTrem 6 26 32 3 SteelGt2 7 26 126 3 Picked 8 26 127 3 SynBras2
C43 27 0 3 Jazz Gt
1 27 1 3 MellowGt 2 27 8 3 PedalStl 3 27 126 3 Picked 4 27 127 3 SynBras3
C44 28 0 3 Clean Gt
1 28 1 3 CleanHal 2 28 2 3 OpenHar1 3 28 3 3 OpenHar2 4 28 4 3 JC Clean 5 28 8 3 ChorusGt 6 28 9 3 JCChorus 7 28 16 3 TCFront 8 28 17 3 TCRear
9 28 18 3 TCClean 10 28 19 3 TCClean2 11 28 126 3 Fretless 12 28 127 3 SynBras4
C45 29 0 3 MutedGt
1 29 1 3 MutedDis
2 29 2 3 TCMuted
3 29 8 3 Funk Gt
4 29 16 3 Funk Gt2
5 29 126 3 Ac Bass
6 29 127 3 SynBass1
C46 30 0 3 Overdr
1 30 1 3 Overdr2
2 30 2 3 Overdr3
3 30 3 3 MoreDriv
4 30 8 3 LPOverDr
5 30 9 3 LPOverD:
6 30 126 3 ChoirAhs
7 30 127 3 SynBass2
C47 31 0 3 Dist Gt1
1 31 1 3 Dist Gt2
2 31 2 3 Dazed GT
3 31 3 3 Distort
4 31 4 3 DistFast
5 31 8 3 Feedbck
6 31 9 3 Feedbck2
7 31 16 3 PowerGT
8 31 17 3 PowerGt2
9 31 18 3 5th Dist 10 31 24 3 RckRhyt 11 31 25 3 RckRhyt2 12 31 126 3 ChoirAhs 13 31 127 3 SynBass3
C48 32 0 3 Harmonix
1 32 8 3 Feedbck
2 32 9 3 Feedbck2
3 32 16 3 AcHarmnx
4 32 24 3 EBasHarm
5 32 126 3 ChoirAhs
6 32 127 3 SynBass4
C51 33 0 3 Acoustic
1 33 1 3 Rckbilly
2 33 8 3 WildBass
3 33 16 3 Bass+OHH
4 33 126 3 ChoirAhs
5 33 127 3 Fantasy
C52 34 0 3 FingerB
1 34 1 3 FingerB2
2 34 2 3 JazzBas
3 34 3 3 JazzBas2
4 34 4 3 RockBass
5 34 8 3 ChrusJaz
6 34 16 3 FBasHarm
7 34 126 3 SlowStrg
8 34 127 3 HarmoPan
C53 35 0 3 PickBas
1 35 1 3 PickBas2
2 35 2 3 PickBas3
3 35 3 3 PickBas4
4 35 8 3 MutedPck
5 35 16 3 PBasHarm
6 35 126 3 Strings
7 35 127 3 Chorale
GBN Var PC CC00 CC32 Name C54 36 0 3 Fretles
1 36 1 3 Fretles2 2 36 2 3 Fretles3 3 36 3 3 Fretles4 4 36 4 3 SynFless 5 36 5 3 MrSmooth 6 36 8 3 WodFless 7 36 126 3 SynStrg3 8 36 127 3 Glasses
C55 37 0 3 Slap 1
1 37 1 3 SlapPop 2 37 8 3 ResoSlap 3 37 9 3 Unison 4 37 126 3 SynStrg3 5 37 127 3 Soundtrk
C56 38 0 3 SlapBas2
1 38 8 3 FM Slap 2 38 126 3 Organ 1 3 38 127 3 Atmosph
C57 39 0 3 SynBass1
1 39 1 3 Synth101 2 39 2 3 CS Bass 3 39 3 3 JP-4Bass 4 39 4 3 JP-8Bass 5 39 5 3 P5Bass 6 39 6 3 JPMGBass 7 39 8 3 AcidBass 8 39 9 3 TB303Bas
9 39 10 3 TeknoBas 10 39 11 3 TB303Bs2 11 39 12 3 KckTB303 12 39 13 3 TB303Saw 13 39 14 3 Ruber303 14 39 15 3 Reso303 15 39 16 3 ResoSHBs 16 39 17 3 TB303Sqr 17 39 18 3 TB303Dis 18 39 24 3 Arpeggio 19 39 126 3 Organ 1 20 39 127 3 WarmBell
C58 40 0 3 SynBass2
1 40 1 3 SynBs201
2 40 2 3 Modular
3 40 3 3 Seq Bass
4 40 4 3 MG Bass
5 40 5 3 MgOctBs1
6 40 6 3 MgOctBs2
7 40 7 3 MGBlipBs
8 40 8 3 BeefFMBs
9 40 9 3 DlyBass 10 40 10 3 XWireBas 11 40 11 3 WireStrB 12 40 12 3 BlipBass 13 40 13 3 RuberBs1 14 40 16 3 RuberBs2 15 40 17 3 SH101Bs1 16 40 18 3 SH101Bs2 17 40 19 3 SmoothBs 18 40 20 3 SH101Bs3 19 40 21 3 SpikeBas 20 40 22 3 HouseBas 21 40 23 3 KG Bass 22 40 24 3 SyncBass 23 40 25 3 MG5thBas 24 40 26 3 RND Bass 25 40 27 3 WowMGBas 26 40 28 3 BubbleBs 27 40 126 3 Organ 1 28 40 127 3 FunnyVox
C61 41 0 3 Violin
1 41 1 3 ViolinAk
2 41 8 3 SlViolin
3 41 126 3 Organ 2
4 41 127 3 EchoBell
C62 42 0 3 Viola
1 42 1 3 ViolaAtk
2 42 126 3 Organ 1
3 42 127 3 Ice Rain
C63 43 0 3 Cello
1 43 1 3 CelloAtk
2 43 126 3 Organ 1
3 43 127 3 Oboe2001
C64 44 0 3 Contrabs
1 44 126 3 Organ 2
2 44 127 3 Echo Pan
C65 45 0 3 TremStrg
1 45 8 3 SlowTrem
2 45 9 3 Suspens
3 45 126 3 Organ 2
4 45 127 3 DoctSolo
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EM-55 OR Owner’s Manual
GBN Var PC CC00 CC32 Name C66 46 0 3 Pizzicat
1 46 1 3 Vcs&Cbs 2 46 2 3 Chamber 3 46 3 3 StPizz 4 46 8 3 SoloPizz 5 46 16 3 SoloSpic 6 46 126 3 Organ 2 7 46 127 3 ScholDaz
C67 47 0 3 Harp
1 47 16 3 Syn Harp 2 47 126 3 Trumpet 3 47 127 3 Bellsing
C68 48 0 3 Timpani
1 48 126 3 Trumpet 2 48 127 3 Square
C71 49 0 3 Strings
1 49 1 3 Bright 2 49 2 3 Chamber 3 49 3 3 CellSect 4 49 8 3 Orchest 5 49 9 3 Orchest2 6 49 10 3 Tremolo 7 49 11 3 ChoirStr 8 49 12 3 StrgHorn
9 49 16 3 StStrng 10 49 24 3 VeloStrg 11 49 32 3 OctStrg1 12 49 33 3 OctStrg2 13 49 126 3 Trombone 14 49 127 3 StrSect1
C72 50 0 3 SlowStr
1 50 1 3 SlowStr2
2 50 8 3 LegatStr
3 50 9 3 WarmStrg
4 50 10 3 StSlow
5 50 126 3 Trombone
6 50 127 3 StrSect2
C73 51 0 3 SynStrg1
1 51 1 3 OBString
2 51 2 3 StackStr
3 51 3 3 JPString
4 51 8 3 SynStrg3
5 51 9 3 SynStrg4
6 51 16 3 HighStrg
7 51 17 3 Hybrid
8 51 24 3 TronStrg
9 51 25 3 NoizStrg 10 51 126 3 Trombone 11 51 127 3 StrSect3
C74 52 0 3 SynStrg2
1 52 1 3 SynStrg5
2 52 2 3 JUNOStrg
3 52 8 3 AirStrng
4 52 126 3 Trombone
5 52 127 3 Pizzicat
C75 53 0 3 ChoirAhs
1 53 8 3 StChoirA
2 53 9 3 MeltedCh
3 53 10 3 ChurchCh
4 53 16 3 ChoHahs
5 53 24 3 ChoLahs
6 53 32 3 ChoAahs
7 53 33 3 MAahStr
8 53 126 3 Trombone
9 53 127 3 Violin 1
C76 54 0 3 VoiceOhs
1 54 8 3 VoicDahs
2 54 126 3 Trombone
3 54 127 3 Violin 2
C77 55 0 3 SynVox
1 55 8 3 SynVoic
2 55 9 3 SilNight
3 55 16 3 VP330Ch
4 55 17 3 VinylCho
5 55 126 3 Alto Sax
6 55 127 3 Cello 1
C78 56 0 3 Orch Hit
1 56 8 3 Impact
2 56 9 3 Philly
3 56 10 3 Double
4 56 11 3 PercHit
5 56 12 3 ShockWav
6 56 16 3 LoFiRave
7 56 17 3 TechnoHt
8 56 18 3 Dist Hit
9 56 19 3 Bam Hit 10 56 20 3 Bit Hit 11 56 21 3 Bim Hit 12 56 22 3 Technorg 13 56 23 3 Rave Hit 14 56 24 3 StrngHit 15 56 25 3 StackHit
GBN Var PC CC00 CC32 Name C78 16 56 126 3 TenorSax
17 56 127 3 Cello 2
C81 57 0 3 Trumpet
1 57 1 3 Trumpet2 2 57 2 3 Trumpet: 3 57 8 3 FlgHorn 4 57 16 3 4th Tps 5 57 24 3 BrightTp 6 57 25 3 WarmTp 7 57 32 3 SynTrump 8 57 126 3 BaritSax 9 57 127 3 Contrabs
C82 58 0 3 Trombon
1 58 1 3 Trombon2 2 58 2 3 TwinBnes 3 58 8 3 BsTromb 4 58 126 3 Alto Sax 5 58 127 3 Harp 1
C83 59 0 3 Tuba
1 59 1 3 Tuba 2 2 59 126 3 Brass 1 3 59 127 3 Harp 2
C84 60 0 3 Mute Tp
1 60 8 3 MuteHorn 2 60 126 3 Brass 1 3 60 127 3 Guitar 1
C85 61 0 3 Fr Horns
1 61 1 3 Fr Horn2 2 61 2 3 HornOrch 3 61 3 3 WideHrns 4 61 8 3 FHrnSlow 5 61 9 3 DualHorn 6 61 16 3 Syn Horn 7 61 24 3 FHornRip 8 61 126 3 Brass 2 9 61 127 3 Guitar 2
C86 62 0 3 Brass 1
1 62 1 3 Brass ff 2 62 2 3 BnesSect 3 62 8 3 Brass 2 4 62 9 3 Brass 3 5 62 10 3 BrassSfz 6 62 16 3 Br Fall 7 62 17 3 Tp Fall 8 62 24 3 OctaveBr
9 62 25 3 Br Reed 10 62 126 3 Brass 2 11 62 127 3 ElecGtr1
C87 63 0 3 SynBras1
1 63 1 3 JUNOBras
2 63 2 3 StackBrs
3 63 3 3 SH-5Bras
4 63 4 3 MKSBrass
5 63 8 3 ProBrass
6 63 9 3 P5Brass
7 63 16 3 OcSynBr
8 63 17 3 HybridBr
9 63 126 3 Brass 1 10 63 127 3 ElecGtr2
C88 64 0 3 SynBras2
1 64 1 3 SoftBras
2 64 2 3 WarmBras
3 64 8 3 SynBrSfz
4 64 9 3 OB Brass
5 64 10 3 ResoBras
6 64 16 3 VeloBrs1
7 64 17 3 Transbrs
8 64 126 3 OrchHit
9 64 127 3 Sitar
D11 65 0 3 SoprSax
1 65 8 3 SoprExp
2 65 127 3 AcouBas1
D12 66 0 3 Alto Sax
1 66 8 3 AltoExp
2 66 9 3 Grow Sax
3 66 16 3 Alto+Tp
4 66 127 3 AcouBas2
D13 67 0 3 TenorSax
1 67 1 3 Tenor:
2 67 8 3 BreathTn
3 67 9 3 St Tenor
4 67 127 3 ElecBas1
D14 68 0 3 Baritone
1 68 1 3 Bari Sax
2 68 127 3 ElecBas2
GBN Var PC CC00 CC32 Name D15 69 0 3 Oboe
1 69 8 3 Oboe Exp 2 69 16 3 MltiReed 3 69 127 3 SlapBas1
D16 70 0 3 EnglHorn
1 70 127 3 SlapBas2
D17 71 0 3 Bassoon
1 71 127 3 Fretles1
D18 72 0 3 Clarinet
1 72 8 3 BsClarin 2 72 16 3 MltiWind 3 72 127 3 Fretles2
D21 73 0 3 Piccolo
1 73 1 3 Piccolo: 2 73 8 3 WrmPiclo 3 73 9 3 WPicloTr 47316 3Di 5 73 127 3 Flute 1
D22 74 0 3 Flute
1 74 1 3 Flute 2 2 74 2 3 FluteExp 3 74 3 3 Traverso 4 74 8 3 FluteVln 5 74 16 3 TronFlut 6 74 127 3 Flute 2
D23 75 0 3 Recorder
1 75 127 3 Piccolo1
D24 76 0 3 PanFlute
1 76 8 3 WrmPFlut 2 76 16 3 Zampona 3 76 17 3 Zamp Atk 4 76 127 3 Piccolo2
D25 77 0 3 BotBlow
1 77 127 3 Recorder
D26 78 0 3 Shakuhac
1 78 1 3 Shakuha: 2 78 127 3 PanPipes
D27 79 0 3 Whistle
1 79 1 3 Whistle2 2 79 127 3 Sax 1
D28 80 0 3 Ocarina
1 80 127 3 Sax 2
D31 81 0 3 Square W
1 81 1 3 MGSquare 2 81 2 3 Hollow M 3 81 3 3 MellowFM 4 81 4 3 CC Solo 5 81 5 3 Shmoog 6 81 6 3 LMSquare 7 81 8 3 2600Sine 8 81 9 3 SineLead
9 81 10 3 KGLead 10 81 16 3 P5Square 11 81 17 3 OBSquare 12 81 18 3 JPSquare 13 81 24 3 PulsLead 14 81 25 3 JP8Pls1 15 81 26 3 JP8Pls2 16 81 27 3 MGResPls 17 81 127 3 Sax3
D32 82 0 3 SawWave
1 82 1 3 OB2 Saw
2 82 2 3 PulseSaw
3 82 3 3 FelineGR
4 82 4 3 Big Lead
5 82 5 3 VeloLead
6 82 6 3 GR-300
7 82 7 3 LA Saw
8 82 8 3 DoctSolo
9 82 9 3 FatSawLd 10 82 11 3 D50FatSw 11 82 16 3 WaspySyn 12 82 17 3 PM Lead 13 82 18 3 CSSawLd 14 82 24 3 MG Saw 1 15 82 25 3 MG Saw 2 16 82 26 3 OB Saw 1 17 82 27 3 OB Saw 2 18 82 28 3 D-50 Saw 19 82 29 3 SH101Saw 20 82 30 3 CS Saw 21 82 31 3 MGSawLd 22 82 32 3 OBSawLd 23 82 33 3 P5SawLd 24 82 34 3 MGunison 25 82 35 3 OctSawLd 26 82 40 3 SeqSaw1 27 82 41 3 SeqSaw2 28 82 42 3 Reso Saw
GBN Var PC CC00 CC32 Name B32 29 82 43 3 CheeseS1
30 82 44 3 CheeseS2 31 82 45 3 RhythSaw 32 82 127 3 Sax 4
D33 83 0 3 SynCall
1 83 1 3 VentSyn 2 83 2 3 PurePanL 3 83 127 3 Clarint1
D34 84 0 3 ChifferL
1 84 1 3 TB Lead 2 84 8 3 Mad Lead 3 84 127 3 Clarint2
D35 85 0 3 Charang
1 85 8 3 DistLead 2 85 9 3 AcidGtr1 3 85 10 3 AcidGtr2 4 85 16 3 P5SyncLd 5 85 17 3 FatSyncL 6 85 18 3 RockLead 7 85 19 3 5thDecaS 8 85 20 3 DirtySnc 9 85 24 3 JUNOSubO
10 85 127 3 Oboe
D36 86 0 3 SoloVox
1 86 8 3 VoxLead 2 86 9 3 LFO Vox 3 86 127 3 EnglHorn
D37 87 0 3 5thSawW
1 87 1 3 BigFives 2 87 2 3 5th Lead 3 87 3 3 5thAClav 4 87 8 3 4th Lead 5 87 127 3 Bassoon
D38 88 0 3 BassLead
1 88 1 3 Big&Raw 2 88 2 3 FatPerky 3 88 3 3 JUNORave 4 88 4 3 JP8BsLd1 5 88 5 3 JP8BsLd2 6 88 6 3 SH-5BsLd 7 88 127 3 Harmonc
D41 89 0 3 Fantasia
1 89 1 3 Fantasi2 2 89 2 3 NewAge 3 89 3 3 BelHeavn 4 89 127 3 Trumpet1
D42 90 0 3 Warm Pad
1 90 1 3 ThickMtx 2 90 2 3 Horn Pad 3 90 3 3 RotarStr 4 90 4 3 OBSfPad 5 90 8 3 OctavPad 6 90 9 3 StackPad 7 90 127 3 Trumpet2
D43 91 0 3 PolySyn
1 91 1 3 80PolySy 2 91 2 3 PolySyn2 3 91 3 3 PolyKing 4 91 8 3 PowStack 5 91 9 3 OctStack 6 91 10 3 ResStack 7 91 11 3 TecStack 8 91 127 3 Trombne1
D44 92 0 3 SpaceVce
1 92 1 3 HeavenII 2 92 2 3 SCHeaven 3 92 8 3 CosmcVce 4 92 9 3 Auh Vox 5 92 10 3 AuhAuh 6 92 11 3 Vocrdman 7 92 127 3 Trombne2
D45 93 0 3 BowedGls
1 93 1 3 SoftBell 2 93 2 3 JP8SqrPd 3 93 3 3 7thBelPd 4 93 127 3 Fr Horn1
D46 94 0 3 MetalPad
1 94 1 3 Tine Pad 2 94 2 3 PannerPd 3 94 127 3 Fr Horn2
D47 95 0 3 Halo Pad
1 95 1 3 Vox Pad 2 95 2 3 VoxSweep 3 95 8 3 HorrorPd 4 95 127 3 Tuba
D48 96 0 3 SweepPad
1 96 1 3 PolarPad 2 96 8 3 Converge
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GBN Var PC CC00 CC32 Name D48 3 96 9 3 Shwimmer
4 96 10 3 CelestPd 5 96 11 3 BagSweep 6 96 127 3 BrsSect1
D51 97 0 3 Ice Rain
1 97 1 3 HarmRain 2 97 2 3 AfrcWood 3 97 3 3 AnklungP 4 97 4 3 RattlePd 5 97 8 3 ClaviPad 6 97 127 3 BrsSect2
D52 98 0 3 Soundtrk
1 98 1 3 Ancestrl 2 98 2 3 Prolog 3 98 3 3 Prolog 2 4 98 4 3 HolsStrg 5 98 8 3 Rave 6 98 127 3 Vibe 1
D53 99 0 3 Crystal
1 99 1 3 SMallet 2 99 2 3 SCrystal 3 99 3 3 RoundGlk 4 99 4 3 LoudGlk 5 99 5 3 GlkChime 6 99 6 3 ClearBel 7 99 7 3 XmasBell 8 99 8 3 VbraBell
9 99 9 3 DigBells 10 99 10 3 MsicBell 11 99 11 3 AnlgBell 12 99 16 3 ChorBell 13 99 17 3 AirBells 14 99 18 3 BellHarp 15 99 19 3 Gmelimba 16 99 20 3 JUNOBell 17 99 127 3 Vibe 2
D54 100 0 3 Atmosph
1 100 1 3 WarmAtm
2 100 2 3 NylnHarp
3 100 3 3 Harpvox
4 100 4 3 HlReleas
5 100 5 3 NylnRhod
6 100 6 3 AmbntPad
7 100 7 3 Invisibl
8 100 8 3 PulseKey
9 100 9 3 NoisePno 10 100 127 3 SyMallet
D55 101 0 3 Bghtness
1 101 1 3 ShinStar
2 101 2 3 OB Stab
3 101 8 3 Org Bell
4 101 127 3 Windbell
D56 102 0 3 Goblin
1 102 1 3 Goblinsn
2 102 2 3 50sSciFi
3 102 3 3 Abductn
4 102 4 3 Auhbient
5 102 5 3 LFO Pad
6 102 6 3 Rnd Str
7 102 7 3 Rnd Pad
8 102 8 3 LowBirds
9 102 9 3 FallDown 10 102 10 3 LFO RAVE 11 102 11 3 LFOHrror 12 102 12 3 LFOTchno 13 102 13 3 Alternat 14 102 14 3 UFO FX 15 102 15 3 GarglMan 16 102 16 3 Sweep FX 17 102 127 3 Glock
D57 103 0 3 EchoDrop
1 103 1 3 EchoBell
2 103 2 3 EchoPan
3 103 3 3 EchoPan2
4 103 4 3 BigPnner
5 103 5 3 ResPnner
6 103 6 3 WaterPno
7 103 8 3 PanSeque
8 103 9 3 Aqua
9 103 127 3 TubeBell
D58 104 0 3 StarThm
1 104 1 3 StarThm2
2 104 8 3 DreamPd
3 104 9 3 SilkyPad
4 104 16 3 Ncentury
5 104 17 3 7thAtmos
6 104 18 3 GalaxWay
7 104 127 3 Xylophon
D61 105 0 3 Sitar
1 105 1 3 Sitar 2
2 105 2 3 DetSitar
3 105 3 3 Sitar 3
4 105 8 3 Tambra
GBN Var PC CC00 CC32 Name D61 5 105 16 3 Tamboura
6 105 127 3 Marimba
D62 106 0 3 Banjo
1 106 1 3 MutBanjo 2 106 8 3 Rabab 3 106 9 3 San Xian 4 106 16 3 Gopichnt 5 106 24 3 BsBanjo 6 106 28 3 BsBnjStr 7 106 32 3 Pi Pa 8 106 127 3 Koto
D63 107 0 3 Shamisen
1 107 1 3 Tsugaru 2 107 8 3 SynShams 3 107 127 3 Sho
D64 108 0 3 Koto
1 108 1 3 Gu Zheng 2 108 8 3 TaishKot 3 108 16 3 MutdKoto 4 108 19 3 MtKotoCh 5 108 24 3 Oct Harp 6 108 127 3 Shakuhac
D65 109 0 3 Kalimba
1 109 8 3 Sanza 2 109 127 3 Whistle1
D66 110 0 3 Bagpipe
1 110 8 3 Didgerid 2 110 127 3 Whistle2
D67 111 0 3 Fiddle
1 111 8 3 Er Hu 2 111 9 3 Gao Hu 3 111 127 3 Bottlebl
D68 112 0 3 Shanai
1 112 1 3 Shanai 2 2 112 8 3 Pungi 3 112 16 3 Hichirik 4 112 24 3 Suona3 5 112 32 3 Suona 1 6 112 33 3 Suona 2 7 112 127 3 BreathPi
D71 113 0 3 TinkBell
1 113 8 3 Bonang 2 113 9 3 Gender 3 113 10 3 GmlanGng 4 113 11 3 StGmelan 5 113 12 3 Jang Gu 6 113 16 3 RamaCymb 7 113 127 3 Timpani
D72 114 0 3 Agogo
1 114 8 3 Atarigan 2 114 16 3 Tambourn 3 114 127 3 MelodTom
D73 115 0 3 SteelDrm
1 115 1 3 IslandMl 2 115 127 3 DeepSnar
D74 116 0 3 Woodblck
1 116 8 3 Castants 2 116 16 3 Angklung 3 116 17 3 AngkRthm 4 116 24 3 FingSnap 5 116 32 3 909HClap 6 116 127 3 ElcPerc1
D75 117 0 3 Taiko
1 117 1 3 SmlTaiko 2 117 8 3 ConcrtBd 3 117 16 3 JungleBD 4 117 17 3 TechnoBD 5 117 18 3 Bounce 6 117 127 3 ElcPerc2
D76 118 0 3 MeloTom1
1 118 1 3 RealTom 2 118 8 3 MeloTom2 3 118 9 3 Rock Tom 4 118 16 3 Rash SD 5 118 17 3 House SD 6 118 18 3 JungleSD 7 118 19 3 909 SD 8 118 127 3 Taiko
D77 119 0 3 SynthDrm
1 119 8 3 808 Tom 2 119 9 3 ElecPerc 3 119 10 3 SinePerc 4 119 11 3 606Tom 5 119 12 3 909Tom 6 119 127 3 TaikoRim
GBN Var PC CC00 CC32 Name D78 120 0 3 Rev Cym
1 120 1 3 Rev Cym2 2 120 2 3 Rev Cym3 3 120 8 3 RevSnar1 4 120 9 3 RevSnar2 5 120 16 3 RevKick1 6 120 17 3 RevConBD 7 120 24 3 RevTom 1 8 120 25 3 RevTom 2 9 120 127 3 Cymbal
D81 121 0 3 GFretNz
1 121 1 3 GCutNz 2 121 2 3 StrgSlap 3 121 3 3 GCutNz2 4 121 4 3 DistCutN 5 121 5 3 BassSlid 6 121 6 3 PckScrap 7 121 8 3 GtFXMenu 8 121 9 3 BartkPiz
9 121 10 3 Gtr Slap 10 121 11 3 ChrdStrk 11 121 12 3 BiwaStrk 12 121 13 3 BiwaTrem 13 121 127 3 Castanet
D82 122 0 3 BreathNz
1 122 1 3 FlKeyClk
2 122 127 3 Triangle
D83 123 0 3 Seashore
1 123 1 3 Rain
2 123 2 3 Thunder
3 123 3 3 Wind
4 123 4 3 Stream
5 123 5 3 Bubble
6 123 6 3 Wind 2
7 123 16 3 Pink Nz
8 123 17 3 White Nz
9 123 127 3 OrcheHit
D84 124 0 3 Bird
1 124 1 3 Dog
2 124 2 3 HorseGlp
3 124 3 3 Bird 2
4 124 4 3 Kitty
5 124 5 3 Growl
6 124 127 3 Teleph
D85 125 0 3 Teleph 1
1 125 1 3 Teleph 2
2 125 2 3 DoorCrkg
3 125 3 3 Door
4 125 4 3 Scratch
5 125 5 3 WindChim
6 125 7 3 Scratch2
7 125 8 3 ScratchK
8 125 9 3 TapeRew
9 125 10 3 Phono Nz 10 125 11 3 MC500Bep 11 125 127 3 BirdTwet
D86 126 0 3 Helicptr
1 126 1 3 CarEngin
2 126 2 3 CarStop
3 126 3 3 CarPass
4 126 4 3 CarCrash
5 126 5 3 Siren
6 126 6 3 Train
7 126 7 3 Jetplane
8 126 8 3 Starship
9 126 9 3 Burst Nz 10 126 10 3 Calculat 11 126 11 3 PercBang 12 126 127 3 1NoteJam
D87 127 0 3 Applause
1 127 1 3 Laughing
2 127 2 3 Screamng
3 127 3 3 Punch
4 127 4 3 HeartBt
5 127 5 3 FootStps
6 127 6 3 Applaus2
7 127 7 3 SmallClb
8 127 8 3 ApplWave
9 127 16 3 VoiceOne 10 127 17 3 VoiceTwo 11 127 18 3 VoicThre 12 127 19 3 VoiceTah 13 127 20 3 VoicWhey 14 127 127 3 WterBell
D88 128 0 3 Gun Shot
1 128 1 3 MchinGun
2 128 2 3 Lasergun
3 128 3 3 Explos
4 128 4 3 Eruption
5 128 5 3 Big Shot
6 128 127 3 JungleTn
GBN Var PC CC00 CC32 Name E11 1 0 2 Piano 1
1 1 8 2 UprightW 2 1 16 2 European 3 1 126 2 Piano 2 4 1 127 2 Acou P1
E12 2 0 2 Piano 2
1 2 8 2 PopPno W 2 2 126 2 Piano 2 3 2 127 2 Acou P2
E13 3 0 2 Piano 3
1 3 1 2 EG+Rhod1 2 3 2 2 EG+Rhod2 3 3 8 2 Piano 3w 4 3 126 2 Piano 2 5 3 127 2 Acou P3
E14 4 0 2 Honky-T1
1 4 8 2 Honky-T2 2 4 126 2 Honky-T 3 4 127 2 ElecPno1
E15 5 0 2 EPiano1
1 5 8 2 StSoftEP 2 5 9 2 SAEPiano 3 5 16 2 FM+SA EP 4 5 17 2 StikyRho 5 5 24 2 Wurly 6 5 25 2 HardRhod 7 5 26 2 MellowRh 8 5 27 2 60's EP2 9 5 126 2 Piano 1
10 5 127 2 ElecPno2
E16 6 0 2 EPiano2
1 6 8 2 DetunEP2 2 6 16 2 St FM EP 3 6 24 2 Hard FM 4 6 126 2 Piano 2 5 6 127 2 ElecPno3
E17 7 0 2 Harpsi
1 7 8 2 Coupled 2 7 16 2 HarpsiW 3 7 24 2 HarpsiO 4 7 126 2 Piano 2 5 7 127 2 ElecPno4
E18 8 0 2 Clav
1 8 126 2 EPiano1 2 8 127 2 Honky-T
E21 9 0 2 Celesta
1 9 126 2 Cho EPno 2 9 127 2 ElecOrg1
E22 10 0 2 Glockens
1 10 126 2 EPiano2 2 10 127 2 ElecOrg2
E23 11 0 2 MsicBox
1 11 126 2 StMscBox 2 11 127 2 ElecOrg3
E24 12 0 2 Vibraph
1 12 1 2 PopVibe 2 12 8 2 VibW 3 12 126 2 SteelStr 4 12 127 2 ElecOrg4
E25 13 0 2 Marimba
1 13 8 2 MarimbaW 2 13 16 2 Barafon 3 13 17 2 Barafon2 4 13 24 2 Log drum 5 13 126 2 12Str Gt 6 13 127 2 PipeOrg1
E26 14 0 2 Xyloph
1 14 126 2 FunkGt 2 14 127 2 PipeOrg2
E27 15 0 2 TubulB
1 15 8 2 ChurchB 2 15 9 2 Carillon 3 15 126 2 MutedGt 4 15 127 2 PipeOrg3
E28 16 0 2 Santur
1 16 1 2 Santur 2 2 16 8 2 Cimbalom
E31 17 0 2 Organ 1
1 17 1 2 Organ101 2 17 8 2 DetOrg1 3 17 9 2 Organ O 4 17 16 2 60'sOrg1 5 17 17 2 60'sOrg2 6 17 18 2 60'sOrg3 7 17 24 2 CheeseOr 8 17 32 2 Organ 4
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EM-55 OR Owner’s Manual
GBN Var PC CC00 CC32 Name E31 9 17 33 2 Even Bar
10 17 40 2 Org Bass 11 17 48 2 Org Oct1 12 17 126 2 SlapBas1 13 17 127 2 Harpsi 1
E32 18 0 2 Organ 2
1 18 1 2 JazzOrg 2 18 8 2 DetOrg2 3 18 32 2 Organ 5 4 18 126 2 SlapBas1 5 18 127 2 Harpsi 2
E33 19 0 2 Organ 3
1 19 8 2 Rotary 2 19 16 2 Rotary S 3 19 24 2 Rotary F 4 19 126 2 SlapBas1 5 19 127 2 Harpsi 3
E34 20 0 2 Church 1
1 20 8 2 Church 2 2 20 9 2 OrganOc2 3 20 16 2 Church 3 4 20 24 2 OrgFlute 5 20 32 2 TremFlut 6 20 126 2 SlapBas2 7 20 127 2 Clavi 1
E35 21 0 2 ReedOrg
1 21 126 2 SlapBas2 2 21 127 2 Clavi 2
E36 22 0 2 Accord F
1 22 8 2 Accord I 2 22 16 2 DetunAcc 3 22 24 2 Accord 1 4 22 25 2 Accord 2 5 22 126 2 SlapBas2 6 22 127 2 Clavi 3
E37 23 0 2 Harmonc
1 23 1 2 Harmonc2 2 23 126 2 SlapBas2 3 23 127 2 Celesta1
E38 24 0 2 Bandeon
1 24 8 2 AJuno106 2 24 16 2 Det Acc2 3 24 17 2 ItMusett 4 24 126 2 Fingered 5 24 127 2 Celesta2
E41 25 0 2 NylonStr
1 25 8 2 Ukulele 2 25 16 2 NylonGtO 3 25 24 2 VeloHrmx 4 25 32 2 NylonGt2 5 25 40 2 Requint 6 25 126 2 Fingered 7 25 127 2 SynBras1
E42 26 0 2 SteelStr
1 26 8 2 12Str Gt 2 26 9 2 Nylon+St 3 26 16 2 Mandoln 4 26 17 2 Mandoln2 5 26 18 2 MandTrem 6 26 32 2 SteelGt2 7 26 126 2 Picked 8 26 127 2 SynBras2
E43 27 0 2 Jazz Gt
1 27 1 2 MellowGt 2 27 8 2 PedalStl 3 27 126 2 Picked 4 27 127 2 SynBras3
E44 28 0 2 Clean Gt
1 28 1 2 CleanGt2 2 28 2 2 OpenHar1 3 28 8 2 ChorusGt 4 28 9 2 JCStratG 5 28 126 2 Fretless 6 28 127 2 SynBras4
E45 29 0 2 MutedGt
1 29 1 2 MutedDis 2 29 8 2 Funk Gt 3 29 16 2 Funk Gt2 4 29 126 2 Ac Bass 5 29 127 2 SynBass1
E46 30 0 2 Overdr
1 30 126 2 ChoirAhs 2 30 127 2 SynBass2
E47 31 0 2 Dist Gt1
1 31 1 2 Dist Gt2 2 31 2 2 Dazed GT 3 31 8 2 Feedbck 4 31 9 2 Feedbck2
GBN Var PC CC00 CC32 Name E47 5 31 16 2 PowerGT
6 31 17 2 PowerGt2 7 31 18 2 5th Dist 8 31 24 2 RckRhyt
9 31 25 2 RckRhyt2 10 31 126 2 ChoirAhs 11 31 127 2 SynBass3
E48 32 0 2 Harmonix
1 32 8 2 Feedbck
2 32 16 2 AcHarmnx
3 32 126 2 ChoirAhs
4 32 127 2 SynBass4
E51 33 0 2 Acoustic
1 33 126 2 ChoirAhs
2 33 127 2 Fantasy
E52 34 0 2 JazzBas
1 34 1 2 JazzBas2
2 34 2 2 JazzBass
3 34 126 2 SlowStrg
4 34 127 2 HarmoPan
E53 35 0 2 PickBass
1 35 8 2 MutedPck
2 35 126 2 Strings
3 35 127 2 Chorale
E54 36 0 2 Fretles
1 36 1 2 Fretles2
2 36 2 2 Fretles3
3 36 3 2 Fretles4
4 36 4 2 SynFless
5 36 5 2 MrSmooth
6 36 126 2 SynStrg3
7 36 127 2 Glasses
E55 37 0 2 Slap 1
1 37 8 2 ResoSlap
2 37 126 2 SynStrg3
3 37 127 2 Soundtrk
E56 38 0 2 SlapBas2
1 38 126 2 Organ 1
2 38 127 2 Atmosph
E57 39 0 2 SynBass1
1 39 1 2 Synth101
2 39 8 2 AcidBass
3 39 9 2 TB303Bas
4 39 10 2 TeknoBas
5 39 16 2 ResoSHBs
6 39 126 2 Organ 1
7 39 127 2 WarmBell
E58 40 0 2 SynBass2
1 40 1 2 SynBs201
2 40 2 2 Modular
3 40 3 2 Seq Bass
4 40 8 2 BeefFMBs
5 40 9 2 XWireBas
6 40 16 2 RuberBs2
7 40 17 2 SH101Bs1
8 40 18 2 SH101Bs2
9 40 19 2 SmoothBs 10 40 126 2 Organ 1 11 40 127 2 FunnyVox
E61 41 0 2 Violin
1 41 8 2 SlViolin
2 41 16 2 FlkVioln
3 41 17 2 FlkViolV
4 41 126 2 Organ 2
5 41 127 2 EchoBell
E62 42 0 2 Viola
1 42 126 2 Organ 1
2 42 127 2 Ice Rain
E63 43 0 2 Cello
1 43 126 2 Organ 1
2 43 127 2 Oboe2001
E64 44 0 2 Contrabs
E65 45 0 2 TremStrg
1 45 8 2 SlowTrem
2 45 9 2 Suspens
3 45 126 2 Organ 2
4 45 127 2 DoctSolo
E66 46 0 2 Pizzicat
1 46 126 2 Organ 2
2 46 127 2 ScholDaz
E67 47 0 2 Harp
1 47 126 2 Trumpet
2 47 127 2 Bellsing
GBN Var PC CC00 CC32 Name E68 48 0 2 Timpani
1 48 126 2 Trumpet 2 48 127 2 Square
E71 49 0 2 Strings
1 49 1 2 Bright 2 49 8 2 Orchest 3 49 9 2 Orchest2 4 49 10 2 Tremolo 5 49 11 2 ChoirStr 6 49 16 2 StStrng 7 49 24 2 VeloStrg 8 49 32 2 StrgsOct 9 49 126 2 Trombone
10 49 127 2 StrSect1
E72 50 0 2 SlowStr
1 50 1 2 SlowStr2 2 50 8 2 LegatStr 3 50 9 2 WarmStrg 4 50 10 2 StSlow 5 50 126 2 Trombone 6 50 127 2 StrSect2
E73 51 0 2 SynStrg1
1 51 1 2 OBString 2 51 8 2 SynStrg3 3 51 126 2 Trombone 4 51 127 2 StrSect3
E74 52 0 2 SynStrg2
1 52 126 2 Trombone 2 52 127 2 Pizzicat
E75 53 0 2 ChoirAhs
1 53 8 2 StChoirA 2 53 9 2 ChoLahs 3 53 32 2 ChoAahs 4 53 126 2 Trombone 5 53 127 2 Violin 1
E76 54 0 2 VoiceOhs
1 54 126 2 Trombone 2 54 127 2 Violin 2
E77 55 0 2 SynVox
1 55 8 2 SynVoic 2 55 126 2 Alto Sax 3 55 127 2 Cello 1
E78 56 0 2 Orch Hit
1 56 8 2 Impact 2 56 9 2 Philly 3 56 10 2 Double 4 56 16 2 LoFiRave 5 56 126 2 TenorSax 6 56 127 2 Cello 2
E81 57 0 2 Trumpet
1 57 1 2 Trumpet2 2 57 8 2 FlgHorn 3 57 17 2 FolkTp 4 57 18 2 FolkTpVb 5 57 24 2 BrightTp 6 57 25 2 WarmTp 7 57 126 2 BaritSax 8 57 127 2 Contrabs
E82 58 0 2 Trombon
1 58 1 2 Trombon2 2 58 126 2 Alto Sax 3 58 127 2 Harp 1
E83 59 0 2 Tuba
1 59 1 2 Tuba 2 2 59 126 2 Brass 1 3 59 127 2 Harp 2
E84 60 0 2 Mute Tp
1 60 126 2 Brass 1 2 60 127 2 Guitar 1
E85 61 0 2 Fr Horns
1 61 1 2 Fr Horn2 2 61 8 2 FHrnSlow 3 61 16 2 Syn Horn 4 61 126 2 Brass 2 5 61 127 2 Guitar 2
E86 62 0 2 Brass 1
1 62 8 2 Brass 2 2 62 16 2 Br Fall 3 62 24 2 BrassOct 4 62 126 2 Brass 2 5 62 127 2 ElecGtr1
GBN Var PC CC00 CC32 Name E87 63 0 2 SynBras1
1 63 1 2 JUNOBras 2 63 8 2 ProBrass 3 63 9 2 P5Brass 4 63 16 2 OcSynBr 5 63 126 2 Brass 1 6 63 127 2 ElecGtr2
E88 64 0 2 SynBras2
1 64 1 2 SoftBras 2 64 8 2 SynBrSfz 3 64 16 2 VeloBrs1 4 64 17 2 Transbrs 5 64 126 2 OrchHit 6 64 127 2 Sitar
F11 65 0 2 SoprSax
1 65 127 2 AcouBas1
F12 66 0 2 Alto Sax
1 66 8 2 AltoExp 2 66 9 2 Grow Sax 3 66 17 2 FolkASax 4 66 18 2 FolkASxV 5 66 127 2 AcouBas2
F13 67 0 2 TenorSax
1 67 1 2 Tenor: 2 67 8 2 BreathTn 3 67 127 2 ElecBas1
F14 68 0 2 Baritone
1 68 127 2 ElecBas2
F15 69 0 2 Oboe
1 69 127 2 SlapBas1
F16 70 0 2 EnglHorn
1 70 127 2 SlapBas2
F17 71 0 2 Bassoon
1 71 127 2 Fretles1
F18 72 0 2 Clarinet
1 72 8 2 BsClarin 2 72 16 2 FolkClar 3 72 17 2 FolkClrV 4 72 127 2 Fretles2
F21 73 0 2 Piccolo:
1 73 8 2 WrmPiclo 2 73 9 2 WPcloOct 3 73 127 2 Flute 1
F22 74 0 2 Flute
1 74 127 2 Flute 2
F23 75 0 2 Recorder
1 75 127 2 Piccolo1
F24 76 0 2 PanFlute
1 76 8 2 WrmPFlut 2 76 9 2 WPFlut2 3 76 10 2 WPFlutOc 4 76 127 2 Piccolo2
F25 77 0 2 BotBlow
1 77 127 2 Recorder
F26 78 0 2 Shakuhac
1 78 127 2 PanPipes
F27 79 0 2 Whistle
1 79 127 2 Sax 1
F28 80 0 2 Ocarina
1 80 127 2 Sax 2
F31 81 0 2 Square W
1 81 1 2 MGSquare 2 81 2 2 Hollow M 3 81 3 2 MellowFM 4 81 4 2 CC Solo 5 81 5 2 Shmoog 6 81 6 2 LMSquare 7 81 8 2 2600Sine 8 81 127 2 Sax3
F32 82 0 2 SawWave
1 82 1 2 OB2 Saw 2 82 2 2 PulseSaw 3 82 3 2 FelineGR 4 82 4 2 Big Lead 5 82 5 2 VeloLead 6 82 6 2 GR-300 7 82 7 2 LA Saw 8 82 8 2 DoctSolo 9 82 16 2 WaspySyn
10 82 127 2 Sax 4
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Tone List
GBN Var PC CC00 CC32 Name F33 83 0 2 SynCall
1 83 1 2 VentSyn 2 83 2 2 PurePanL 3 83 127 2 Clarint1
F34 84 0 2 ChifferL
1 84 127 2 Clarint2
F35 85 0 2 Charang
1 85 8 2 DistLead 2 85 127 2 Oboe
F36 86 0 2 SoloVox
1 86 127 2 EnglHorn
F37 87 0 2 5thSawW
1 87 1 2 BigFives 2 87 127 2 Bassoon
F38 88 0 2 BassLead
1 88 1 2 Big&Raw 2 88 2 2 FatPerky 3 88 127 2 Harmonc
F41 89 0 2 Fantasia
1 89 1 2 Fantasi2 2 89 127 2 Trumpet1
F42 90 0 2 Warm Pad
1 90 1 2 ThickMtx 2 90 2 2 Warm Pad 3 90 3 2 RotarStr 4 90 4 2 OBSfPad 5 90 127 2 Trumpet2
F43 91 0 2 PolySyn
1 91 1 2 80PolySy 2 91 127 2 Trombne1
F44 92 0 2 SpaceVce
1 92 1 2 HeavenII 2 92 127 2 Trombne2
F45 93 0 2 BowedGls
1 93 127 2 Fr Horn1
F46 94 0 2 MetalPad
1 94 1 2 Tine Pad 2 94 2 2 PannerPd 3 94 127 2 Fr Horn2
F47 95 0 2 Halo Pad
1 95 127 2 Tuba
F48 96 0 2 SweepPad
1 96 1 2 PolarPad 2 96 8 2 Converge 3 96 9 2 Shwimmer 4 96 10 2 CelestPd 5 96 127 2 BrsSect1
F51 97 0 2 Ice Rain
1 97 1 2 HarmRain 2 97 2 2 AfrcWood 3 97 8 2 ClaviPad 4 97 127 2 BrsSect2
F52 98 0 2 Soundtrk
1 98 1 2 Ancestrl 2 98 2 2 Prolog 3 98 8 2 Rave
F53 99 0 2 Crystal
1 99 1 2 SMallet 2 99 2 2 SCrystal 3 99 3 2 RoundGlk 4 99 4 2 LoudGlk 5 99 5 2 GlkChime 6 99 6 2 ClearBel 7 99 7 2 XmasBell 8 99 8 2 VbraBell
9 99 9 2 DigBells 10 99 16 2 ChorBell 11 99 17 2 AirBells 12 99 18 2 BellHarp 13 99 19 2 Gmelimba 14 99 127 2 Vibe 2
F54 100 0 2 Atmosph
1 100 1 2 WarmAtm
2 100 2 2 NylnHarp
3 100 3 2 Harpvox
4 100 4 2 HlReleas
5 100 5 2 NylnRhod
6 100 6 2 AmbntPad
7 100 127 2 SyMallet
F55 101 0 2 Bghtness
1 101 127 2 Windbell
GBN Var PC CC00 CC32 Name F56 102 0 2 Goblin
1 102 1 2 Goblinsn 2 102 2 2 50sSciFi 3 102 127 2 Glock
F57 103 0 2 EchoDrop
1 103 1 2 EchoBell 2 103 2 2 EchoPan 3 103 3 2 EchoPan2 4 103 4 2 BigPnner 5 103 5 2 ResPnner 6 103 6 2 WaterPno 7 103 127 2 TubeBell
F58 104 0 2 StarThm
1 104 1 2 StarThm2 2 104 127 2 Xylophon
F61 105 0 2 Sitar
1 105 1 2 Sitar 2 2 105 2 2 DetSitar 3 105 8 2 Tambra 4 105 16 2 Tamboura 5 105 127 2 Marimba
F62 106 0 2 Banjo
1 106 1 2 MutBanjo 2 106 8 2 Rabab 3 106 16 2 Gopichnt 4 106 24 2 BsBanjo 5 106 25 2 BsBanjo2 6 106 28 2 BsBnjStr 7 106 127 2 Koto
F63 107 0 2 Shamisen
1 107 1 2 Tsugaru 2 107 127 2 Sho
F64 108 0 2 Koto
1 108 8 2 TaishKot 2 108 16 2 MutdKoto 3 108 17 2 MutdKto2 4 108 18 2 MtKotoOc 5 108 19 2 MtKotoCh 6 108 127 2 Shakuhac
F65 109 0 2 Kalimba
1 109 127 2 Whistle1
F66 110 0 2 Bagpipe
1 110 8 2 Suona3 2 110 9 2 Suona3Oc 3 110 10 2 Suona3Du 4 110 127 2 Whistle2
F67 111 0 2 Fiddle
1 111 127 2 Bottlebl
F68 112 0 2 Shanai
1 112 1 2 Shanai 2 2 112 8 2 Pungi 3 112 16 2 Hichirik 4 112 127 2 BreathPi
F71 113 0 2 TinkBell
1 113 8 2 Bonang 2 113 9 2 Gender 3 113 10 2 GmlanGng 4 113 11 2 StGmelan 5 113 16 2 RamaCymb 6 113 127 2 Timpani
F72 114 0 2 Agogo
1 114 8 2 Atarigan 2 114 127 2 MelodTom
F73 115 0 2 SteelDrm
1 115 127 2 DeepSnar
F74 116 0 2 Woodblck
1 116 8 2 Castants 2 116 127 2 ElcPerc1
F75 117 0 2 Taiko
1 117 8 2 ConcrtBd 2 117 127 2 ElcPerc2
F76 118 0 2 MeloTom1
1 118 1 2 RealTom 2 118 8 2 MeloTom2 3 118 9 2 Rock Tom 4 118 127 2 Taiko
F77 119 0 2 SynthDrm
1 119 8 2 808 Tom 2 119 9 2 ElecPerc 3 119 127 2 TaikoRim
F78 120 0 2 Rev Cym
1 120 1 2 Rev Cym2 2 120 8 2 RevSnar1 3 120 9 2 RevSnar2
GBN Var PC CC00 CC32 Name F78 4 120 16 2 RevKick1
5 120 17 2 RevConBD 6 120 24 2 RevTom 1 7 120 25 2 RevTom 2 8 120 127 2 Cymbal
F81 121 0 2 GFretNz
1 121 1 2 GCutNz 2 121 2 2 StrgSlap 3 121 3 2 GCutNz2 4 121 4 2 DistCutN 5 121 5 2 BassSlid 6 121 6 2 PckScrap 7 121 127 2 Castanet
F82 122 0 2 BreathNz
1 122 1 2 FlKeyClk 2 122 127 2 Triangle
F83 123 0 2 Seashore
1 123 1 2 Rain 2 123 2 2 Thunder 3 123 3 2 Wind 4 123 4 2 Stream 5 123 5 2 Bubble 6 123 127 2 OrcheHit
F84 124 0 2 Bird
1 124 1 2 Dog 2 124 2 2 HorseGlp 3 124 3 2 Bird 2 4 124 4 2 Kitty 5 124 5 2 Growl 6 124 127 2 Teleph
F85 125 0 2 Teleph 1
1 125 1 2 Teleph 2 2 125 2 2 DoorCrkg 3 125 3 2 Door 4 125 4 2 Scratch 5 125 5 2 WindChim 6 125 7 2 Scratch2 7 125 127 2 BirdTwet
F86 126 0 2 Helicptr
1 126 1 2 CarEngin 2 126 2 2 CarStop 3 126 3 2 CarPass 4 126 4 2 CarCrash 5 126 5 2 Siren 6 126 6 2 Train 7 126 7 2 Jetplane 8 126 8 2 Starship 9 126 9 2 Burst Nz
10 126 127 2 1NoteJam
F87 127 0 2 Applause
1 127 1 2 Laughing 2 127 2 2 Screamng 3 127 3 2 Punch 4 127 4 2 HeartBt 5 127 5 2 FootStps 6 127 6 2 Applaus2 7 127 127 2 WterBell
F88 128 0 2 Gun Shot
1 128 1 2 MchinGun 2 128 2 2 Lasergun 3 128 3 2 Explos 4 128 127 2 JungleTn
G11 1 0 1 Piano 1
1 1 8 1 UprightW 2 1 16 1 European 3 1 126 1 Piano 2 4 1 127 1 Acou P1
G12 2 0 1 Piano 2
1 2 8 1 PopPno W 2 2 126 1 Piano 2 3 2 127 1 Acou P2
G13 3 0 1 Piano 3
1 3 8 1 Piano 3w 2 3 126 1 Piano 2 3 3 127 1 Acou P3
G14 4 0 1 Honky-T1
1 4 8 1 Honky-T2 2 4 126 1 Honky-T 3 4 127 1 ElecPno1
G15 5 0 1 EPiano1
1 5 8 1 StSoftEP 2 5 16 1 FM+SA EP 3 5 24 1 Wurly 4 5 126 1 Piano 1 5 5 127 1 ElecPno2
GBN Var PC CC00 CC32 Name G16 6 0 1 EPiano2
1 6 8 1 DetunEP2 2 6 16 1 St FM EP 3 6 126 1 Piano 2 4 6 127 1 ElecPno3
G17 7 0 1 Harpsi
1 7 8 1 Coupled 2 7 16 1 HarpsiW 3 7 24 1 HarpsiO 4 7 126 1 Piano 2 5 7 127 1 ElecPno4
G18 8 0 1 Clav
1 8 126 1 EPiano1 2 8 127 1 Honky-T
G21 9 0 1 Celesta
1 9 126 1 Cho EPno 2 9 127 1 ElecOrg1
G22 10 0 1 Glockens
1 10 126 1 EPiano2 2 10 127 1 ElecOrg2
G23 11 0 1 MsicBox
1 11 126 1 SteelStr 2 11 127 1 ElecOrg3
G24 12 0 1 Vibraph
1 12 8 1 VibW 2 12 126 1 SteelStr 3 12 127 1 ElecOrg4
G25 13 0 1 Marimba
1 13 8 1 MarimbaW 2 13 126 1 12Str Gt 3 13 127 1 PipeOrg1
G26 14 0 1 Xyloph
1 14 126 1 FunkGt 2 14 127 1 PipeOrg2
G27 15 0 1 TubulB
1 15 8 1 ChurchB 2 15 9 1 Carillon 3 15 126 1 MutedGt 4 15 127 1 PipeOrg3
G28 16 0 1 Santur
1 16 126 1 SlapBas 2 16 127 1 Accord
G31 17 0 1 Organ 1
1 17 8 1 DetOrg1 2 17 16 1 60'sOrg1 3 17 32 1 Organ 4 4 17 126 1 SlapBas1 5 17 127 1 Harpsi 1
G32 18 0 1 Organ 2
1 18 8 1 DetOrg2 2 18 32 1 Organ 5 3 18 126 1 SlapBas1 4 18 127 1 Harpsi 1
G33 19 0 1 Organ 3
1 19 126 1 SlapBas1 2 19 127 1 Harpsi 3
G34 20 0 1 Church 1
1 20 8 1 Church 2 2 20 16 1 Church 3 3 20 126 1 SlapBas2 4 20 127 1 Clavi 1
G35 21 0 1 ReedOrg
1 21 126 1 SlapBas2 2 21 127 1 Clavi 2
G36 22 0 1 Accord F
1 22 8 1 Accord I 2 22 126 1 SlapBas2 3 22 127 1 Clavi 3
G37 23 0 1 Harmonc
1 23 126 1 SlapBas2 2 23 127 1 Celesta1
G38 24 0 1 Bandeon
1 24 126 1 Fingered 2 24 127 1 Celesta2
G41 25 0 1 NylonStr
1 25 8 1 Ukulele 2 25 16 1 NylonGtO 3 25 32 1 NylonGt2 4 25 126 1 Fingered 5 25 127 1 SynBras1
70
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EM-55 OR Owner’s Manual
GBN Var PC CC00 CC32 Name G42 26 0 1 SteelStr
1 26 8 1 12Str Gt 2 26 16 1 Mandoln 3 26 126 1 Picked 4 26 127 1 SynBras2
G43 27 0 1 Jazz Gt
1 27 8 1 PedalStl 2 27 126 1 Picked 3 27 127 1 SynBras3
G44 28 0 1 Clean Gt
1 28 8 1 ChorusGt 2 28 126 1 Fretless 3 28 127 1 SynBras4
G45 29 0 1 MutedGt
1 29 8 1 Funk Gt 2 29 16 1 Funk Gt2 3 29 126 1 Ac Bass 4 29 127 1 SynBass1
G46 30 0 1 Overdr
1 30 126 1 ChoirAhs 2 30 127 1 SynBass2
G47 31 0 1 Dist Gt
1 31 8 1 Feedbck 2 31 126 1 ChoirAhs 3 31 127 1 SynBass3
G48 32 0 1 Harmonix
1 32 8 1 Feedbck 2 32 126 1 ChoirAhs 3 32 127 1 SynBass4
G51 33 0 1 Acoustic
1 33 126 1 ChoirAhs 2 33 127 1 Fantasy
G52 34 0 1 FingerB
1 34 126 1 SlowStrg 2 34 127 1 HarmoPan
G53 35 0 1 PickBas
1 35 126 1 Strings 2 35 127 1 Chorale
G54 36 0 1 Fretles
1 36 126 1 SynStrg3 2 36 127 1 Glasses
G55 37 0 1 Slap 1
1 37 126 1 SynStrg3 2 37 127 1 Soundtrk
G56 38 0 1 SlapBas2
1 38 126 1 Organ 1 2 38 127 1 Atmosph
G57 39 0 1 SynBass1
1 39 1 1 Synth101 2 39 8 1 AcidBass 3 39 126 1 Organ 1 4 39 127 1 WarmBell
G58 40 0 1 SynBass2
1 40 8 1 BeefFMBs 2 40 16 1 RuberBs2 3 40 126 1 Organ 1 4 40 127 1 FunnyVox
G61 41 0 1 Violin
1 41 8 1 SlViolin 2 41 126 1 Organ 2 3 41 127 1 EchoBell
G62 42 0 1 Viola
1 42 126 1 Organ 1 2 42 127 1 Ice Rain
G63 43 0 1 Cello
1 43 126 1 Organ 1 2 43 127 1 Oboe2001
G64 44 0 1 Contrabs
1 44 126 1 Organ 2 2 44 127 1 Echo Pan
G65 45 0 1 TremStrg
1 45 126 1 Organ 2 2 45 127 1 DoctSolo
G66 46 0 1 Pizzicat
1 46 126 1 Organ 2 2 46 127 1 ScholDaz
G67 47 0 1 Harp
1 47 126 1 Trumpet 2 47 127 1 Bellsing
GBN Var PC CC00 CC32 Name G68 48 0 1 Timpani
1 48 126 1 Trumpet 2 48 127 1 Square
G71 49 0 1 Strings
1 49 8 1 Orchest 2 49 126 1 Trombone 3 49 127 1 StrSect1
G72 50 0 1 StSlow
1 50 126 1 Trombone 2 50 127 1 StrSect2
G73 51 0 1 SynStrg1
1 51 8 1 SynStrg3 2 51 126 1 Trombone 3 51 127 1 StrSect3
G74 52 0 1 SynStrg2
1 52 126 1 Trombone 2 52 127 1 Pizzicat
G75 53 0 1 ChoirAhs
1 53 32 1 ChoAahs 2 53 126 1 Trombone 3 53 127 1 Violin 1
G76 54 0 1 VoiceOhs
1 54 126 1 Trombone 2 54 127 1 Violin 2
G77 55 0 1 SynVox
1 55 126 1 Alto Sax 2 55 127 1 Cello 1
G78 56 0 1 Orch Hit
1 56 126 1 TenorSax 2 56 127 1 Cello 2
G81 57 0 1 Trumpet
1 57 126 1 BaritSax 2 57 127 1 Contrabs
G82 58 0 1 Trombon
1 58 1 1 Trombon2 2 58 126 1 Alto Sax 3 58 127 1 Harp 1
G83 59 0 1 Tuba
1 59 126 1 Brass 1 2 59 127 1 Harp 2
G84 60 0 1 Mute Tp
1 60 126 1 Brass 1 2 60 127 1 Guitar 1
G85 61 0 1 Fr Horns
1 61 1 1 Fr Horn2 2 61 126 1 Brass 2 3 61 127 1 Guitar 2
G86 62 0 1 Brass 1
1 62 8 1 Brass 2 2 62 126 1 Brass 2 3 62 127 1 ElecGtr1
G87 63 0 1 SynBras1
1 63 8 1 ProBrass 2 63 16 1 OcSynBr 3 63 126 1 Brass 1 4 63 127 1 ElecGtr2
G88 64 0 1 SynBras2
1 64 8 1 SynBrSfz 2 64 16 1 VeloBrs1 3 64 126 1 OrchHit 4 64 127 1 Sitar
H11 65 0 1 SoprSax
1 65 127 1 AcouBas1
H12 66 0 1 Alto Sax
1 66 127 1 AcouBas2
H13 67 0 1 TenorSax
1 67 127 1 ElecBas1
H14 68 0 1 Baritone
1 68 127 1 ElecBas2
H15 69 0 1 Oboe
1 69 127 1 SlapBas1
H16 70 0 1 EnglHorn
1 70 127 1 SlapBas2
H17 71 0 1 Bassoon
1 71 127 1 Fretles1
H18 72 0 1 Clarinet
1 72 127 1 Fretles2
GBN Var PC CC00 CC32 Name H21 73 0 1 Piccolo
1 73 127 1 Flute 1
H22 74 0 1 Flute
1 74 127 1 Flute 2
H23 75 0 1 Recorder
1 75 127 1 Piccolo1
H24 76 0 1 PanFlute
1 76 127 1 Piccolo2
H25 77 0 1 BotBlow
1 77 127 1 Recorder
H26 78 0 1 Shakuhac
1 78 127 1 PanPipes
H27 79 0 1 Whistle
1 79 127 1 Sax 1
H28 80 0 1 Ocarina
1 80 127 1 Sax 2
H31 81 0 1 Square W
1 81 1 1 MGSquare 2 81 8 1 2600Sine 3 81 127 1 Sax3
H32 82 0 1 SawWave
1 82 1 1 OB2 Saw 2 82 8 1 DoctSolo 3 82 127 1 Sax 4
H33 83 0 1 SynCall
1 83 127 1 Clarint1
H34 84 0 1 ChifferL
1 84 127 1 Clarint2
H35 85 0 1 Charang
1 85 127 1 Oboe
H36 86 0 1 SoloVox
1 86 127 1 EnglHorn
H37 87 0 1 5thSawW
1 87 127 1 Bassoon
H38 88 0 1 BassLead
1 88 127 1 Harmonc
H41 89 0 1 Fantasia
1 89 127 1 Trumpet1
H42 90 0 1 Warm Pad
1 90 127 1 Trumpet2
H43 91 0 1 PolySyn
1 91 127 1 Trombne1
H44 92 0 1 SpaceVce
1 92 127 1 Trombne2
H45 93 0 1 BowedGls
1 93 127 1 Fr Horn1
H46 94 0 1 MetalPad
1 94 127 1 Fr Horn2
H47 95 0 1 Halo Pad
1 95 127 1 Tuba
H48 96 0 1 SweepPad
1 96 127 1 BrsSect1
H51 97 0 1 Ice Rain
1 97 127 1 BrsSect2
H52 98 0 1 Soundtrk
1 98 127 1 Vibe 1
H53 99 0 1 Crystal
1 99 1 1 SMallet 2 99 127 1 Vibe 2
H54 100 0 1 Atmosph
1 100 127 1 SyMallet
H55 101 0 1 Windbell
1 101 127 1 Windbell
H56 102 0 1 Goblin
1 102 127 1 Glock
H57 103 0 1 EchoDrop
1 103 1 1 EchoBell 2 103 2 1 EchoPan 3 103 127 1 TubeBell
H58 104 0 1 StarThm
1 104 127 1 Xylophon
GBN Var PC CC00 CC32 Name H61 105 0 1 Sitar
1 105 1 1 Sitar 2 2 105 127 1 Marimba
H62 106 0 1 Banjo
1 106 127 1 Koto
H63 107 0 1 Shamisen
1 107 127 1 Sho
H64 108 0 1 Koto
1 108 8 1 TaishKot 2 108 127 1 Shakuhac
H65 109 0 1 Kalimba
1 109 127 1 Whistle1
H66 110 0 1 Bagpipe
1 110 127 1 Whistle2
H67 111 0 1 Fiddle
1 111 127 1 Bottlebl
H68 112 0 1 Shanai
1 112 127 1 BreathPi
H71 113 0 1 TinkBell
1 113 127 1 Timpani
H72 114 0 1 Agogo
1 114 127 1 MelodTom
H73 115 0 1 SteelDrm
1 115 127 1 DeepSnar
H74 116 0 1 Woodblck
1 116 8 1 Castants 2 116 127 1 ElcPerc1
H75 117 0 1 Taiko
1 117 8 1 ConcrtBd 2 117 127 1 ElcPerc2
H76 118 0 1 MeloTom1
1 118 8 1 MeloTom2 2 118 127 1 Taiko
H77 119 0 1 SynthDrm
1 119 8 1 808 Tom 2 119 9 1 ElecPerc 3 119 127 1 TaikoRim
H78 120 0 1 Rev Cym
1 120 127 1 Cymbal
H81 121 0 1 GFretNz
1 121 1 1 GCutNz 2 121 2 1 StrgSlap 3 121 127 1 Castanet
H82 122 0 1 BreathNz
1 122 1 1 FlKeyClk 2 122 127 1 Triangle
H83 123 0 1 Seashore
1 123 1 1 Rain 2 123 2 1 Thunder 3 123 3 1 Wind 4 123 4 1 Stream 5 123 5 1 Bubble 6 123 127 1 OrcheHit
H84 124 0 1 Bird
1 124 1 1 Dog 2 124 2 1 HorseGlp 3 124 3 1 Bird 2 4 124 127 1 Teleph
H85 125 0 1 Teleph 1
1 125 1 1 Teleph 2 2 125 2 1 DoorCrkg 3 125 3 1 Door 4 125 4 1 Scratch 5 125 5 1 WindChim 6 125 127 1 BirdTwet
H86 126 0 1 Helicptr
1 126 1 1 CarEngin 2 126 2 1 Car-Stop 3 126 3 1 Car-Pass 4 126 4 1 CarCrash 5 126 5 1 Siren 6 126 6 1 Train 7 126 7 1 Jetplane 8 126 8 1 Starship 9 126 9 1 Burst Nz
10 126 127 1 1NoteJam
REFERENCE
REFERENCE
REFERENCE
REFERENCE
71
Page 72
Tone List
GBN Var PC CC00 CC32 Name H87 127 0 1 Applause
1 127 1 1 Laughing
2 127 2 1 Screamng
3 127 3 1 Punch
4 127 4 1 HeartBt
5 127 5 1 FootStps
6 127 127 1 WterBell
H88 128 0 1 Gun Shot
1 128 1 1 MchinGun
2 128 2 1 Lasergun
3 128 3 1 Explos
4 128 127 1 JungleTn
72
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23. Music Style list
EM-55 OR Owner’s Manual
11 ProgMksm 21 SaidiMsh 12 FunkOR 22 SaidiMdn 13 LatinOR 23 Saidi-M1 14 GipsyOr 24 Saidi-M2 15 Maksoum 25 Saidi-M3 16 Maks-Mlf 26 Saidi-Eg 17 Wehda-Kb 27 Saidi/L 18 WehdaKb2 28 Shaeri 1
31 Malfouf1 41 Noubi2 32 Malfouf2 42 DaregMsr 33 Malfouf 3 43 Dabkah 34 Sonbati 44 Katkofti 35 Masmoudi 45 Leebi 36 Samai-D 46 Maghrebi 37 Samai-T 47 Maghrbi 2 38 Waltz-OR 48 Greek
51 RmbaGulf 61 Fallahi 52 Arabi 62 Fallahy 2 53 Adani 63 BaladiFa 54 Sharh 64 Baladi 55 Khebeiti 65 Samba-Eg 56 Khebeiti2 66 Zekr 57 Guartcha 67 Zar 58 Fox 68 Zaffa
REFERENCE
REFERENCE
REFERENCE
71 Rock’N3 81 ScatSwng 72 Pop Rock 82 R&B 73 70s&80s 83 Bossa 1 74 Light Rk 84 Salsa 75 LtDance 85 ChaCha 76 Pop 1B 86 Rhumba 77 Pop 2A 87 Mariachi 78 Pop 4B 88 P Jazz
REFERENCE
73
Page 74
Drum Sets
24. Drum Sets
C–1 0
C0 12
C1 24
C2 36
C3 48
C4 60
C5 72
C6 84
C7 96
ORIENTAL
2
4
5
7
9
11
14
16
17
19
21
23
26
28
29
31
33
35
38
40
41
43
45
47
50
52
53
55
57
59
62
64
65
67
69
71
74
76
77
79
81
83
86
88
89
91
93
95
1
3
6
8
10
13
15
18
20
22
25
27
30
32
34
37
39
42
44
46
49
51
54
56
58
61
63
66
68
70
73
75
78
80
82
85
87
90
92
94
PC: 116 [CC32: 0] E-40 MODIFIED
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--­Bass Drum (TR-707) Rim Shot (TR-707) Snare Drum (TR-707) Hand Clap 1 Stereo (E-40) Snare Drum (TR-707) Tom 1 (from Standard) Closed Hi-Hat (TR-707) Tom 2 (from Standard) Closed Hi-Hat (TR-707) Tom 3 (from Standard) Open Hi-Hat (TR-707) Tom 4 (from Standard) Tom 5 (from Standard) Crash Cymbal (TR-707) Tom 6 (from Standard) Ride Cymbal (from Doholla 2 Dom Doholla 2 Sak Tamborin (from Standard) Doholla 2 Rim 1 Cowbell (from Standard) Doholla 2 Rim 2 Cabasha (from Standard) Dof 2 Dom Dof 2 Sak 1 Bongos Dom (from E-40) Dof 2 Sak 2 Bongos Tak (from E-40) Dof 2 Rim Tabla 2 Dom Tabla Roll Tabla 2 Sak Tabla (FX) (Roll End) Tabla 2 Tak Tabla 2 Tik Tabla 2 Rim Rek 2 Dom Open Rek 2 Rim Rek 2 Dom Closed Rek 2 Tak 1 Rek 2 Tak 2 Rek 2 Sak Hager Rek 2 Khana Closed Zir Rek 2 Khana Open Rek 2 (Roll) Rek 2 Sak Sagat Mid Sagat High Sagat Sak Shaker (from Standard) Zaghrouta A Zaghrouta B Tabl Noueri Dom Nakrazan A Tabl Noueri Rim Nakrazan B Tabl Noueri Tak Bass Drum (TR-707) Hand Clap 2 Mono (E-40)
PC: 116 [CC32: 1] ORIENTAL PERC. 1
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--­Bass Drum (TR-707) Rim Shot (TR-707) Snare Drum (TR-707) Hand Clap 1 (Stereo) Hand Clap 2 (Mono) Tom 1 (from Standard) Closed Hi-Hat (TR-707) Tom 2 (from Standard) Closed Hi-Hat (TR-707) Tom 3 (from Standard) Open Hi-Hat (TR-707) Tom 4 (from Standard) Tom 5 (from Standard) Crash Cymbal (TR-707) Tom 6 (from Standard) Ride Cymbal (from Doholla 1 Rim 1 Doholla 1 Dom Finger Doff A Doholla 1 Rim 2 Cowbell (from Standard) Doholla 1 Sak Dof 2 Dom Dof 1 Rim 1 Dof 1 Dom Dof 1 Sak 1 Dof 1 Rim 2 Dof 1 Sak 2 Tabla 1 Tak 1 Tabla 1 Tak 2 Tabla Roll Tabla 1 Dom Tabla (FX) (Roll End) Tabla 1 Tak 3 Tabla 1 Sak Tabla 1 Rim Rek Trill Rek 1 Sak Rek 1 Tak 1 Rek 1 Rim Rek 1 Dom Rek 1 Tak 2 Rek 1 Brass Rek 1 Tak 3 Rek 1 Roll Rek 1 Khana Closed Tabl Noueri Rim Rek 1 Khana Open Sagat Mid Tabl Noueri Dom 1 Sagat High Tabl Noueri Tak 1 Sagat Sak Hager Zir Nakrazan A Zaghrouta 1 Loop Nakrazan B Zaghrouta 2 End Zaghrouta 2 Loop Zaghrouta 2 End
PC: 116 [CC32: 3] ORIENTAL PERC. 2
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--­Bass Drum (TR-707) Rim Shot (TR-707) Snare Drum (TR-707) Hand Clap 1 (Stereo) Hand Clap 2 (Mono) Tom 1 (from Standard) Closed Hi-Hat (TR-707) Tom 2 (from Standard) Closed Hi-Hat (TR-707) Tom 3 (from Standard) Open Hi-Hat (TR-707) Tom 4 (from Standard) Tom 5 (from Standard) Crash Cymbal (TR-707) Tom 6 (from Standard) Ride Cymbal (from Doholla 2 Rim 1 Doholla 2 Dom Hager Doholla 2 Rim 2 Cowbell (from Standard) Doholla 2 Sak Zir Dof 2 Rim 1 Dof 2 Dom Dof 2 Sak 1 Dof 2 Rim 2 Dof 2 Sak 2 Tabla 2 Tak 1 Tabla 2 Tak 2 Tabla Roll Tabla 2 Dom Tabla (FX) (Roll End) Tabla 2 Tak 3 Tabla 2 Sak Tabla 2 Rim Rek Trill Rek 2 Sak Rek 2 Dom Closed Rek 2 Rim Rek 2 Dom Open Rek 2 Tak 1 Rek 2 Khana Open Rek 2 Tak 2 Rek 2 Roll Rek 2 Khana Closed Tabl Noueri Rim Rek 2 Tak 3 Sagat Mid Tabl Noueri Dom 2 Sagat High Tabl Noueri Tak 2 Sagat Sak Bongos Dom Nakrazan A Bongos Tak Zaghrouta 1 Loop Bongos Rim Zaghrouta 1 End Zaghrouta 2 Loop Zaghrouta 2 End
PC: 1166 [CC32: 4] ORIENTAL 3
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--­Wadaiko Ohkawa Shimedaiko H kotsuzumi L Kotsuzumi Tabla_Ge Tabla_Na Tabla_Te Tabla_Tun Udo_Long Djembe_rim 909 HandClap Tambourine ChaChaCBell Agogo Agogo NewShaker2 NewShaker1 IPopSn40_1 Elec Snare 2 909 Snare 2 909 Snare 1 Elec Kick 2 TR-909 BD2 Std.2 Kick1 IPopCStk37_1 IPopSn38_1 HandClap1st Hand Clap 21 TR-707 SD Jazz Clsd.HH Real Tom 6 Pedal HiHat Real Tom 4 Jazz Open HH Real Tom 4 IPopTomL43 Crash Cym.1 IPopTomM47 NewRkRdCym1 IPopRd2_55 Dholla Dom Dholla Sak 1 Dholla Sak 2 Dholla Sak 3 Dholla Rim Dholla Raka Dholla Tak 1 Dholla Tak 2 DofDom 1 DofDom 2 DofDom 3 DofTak 1 DofTak 2 DofSak 1 DofRim 1 DofSak 2 DofRim 2 DofSak 3 DofFinger 1 DofFinger 2 Tabla Raka 1 Tabla Tak 1 Tabla Tik 1 Tabla Dom Tabla Sak Tabla Roll Tabla Tak 2 Tabla Raka 2 Tabla Rim 1 Tabla Toks Tabla Rim 2 Tabla Tik 2 Rek Raka Rek Dom Rek Trill Rek Tak 1 Rek Rim Rek Brass 1 Rek Tok Rek Brass 2 Rek Tak 2 Rek Sak Rek Tik Mazhar Dom
74
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EM-55 OR Owner’s Manual
(C7) (96)
98
100
101
103
105
107
C8 108
110
112
113
115
117
119
C9G9120
122
124
125
127
ORIENTAL
97
99
102
104
106
109
111
114
116
118
121
123
126
PC: 116 [CC32: 1] E-40 MODIFIED
Hand Clap 2 Mono (E-40)
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PC: 116 [CC32: 2] ORIENTAL PERC. 1
Zaghrouta 2 End
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PC: 116 [CC32: 3] ORIENTAL PERC. 2
Zaghrouta 2 End
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PC: 116 [CC32: 4] ORIENTAL 3
Mazhar Dom Mazhar Tak Mazhar Sak Mazhar Brass Sagat Mid Sagat Hi Sagat Closed Sagat Sak Dofs Tak Dofs Dom Dofs Sak Dofs Rim 1 Dofs Rim 2 Dofs Dom st. TablaNurDom Dofs Sak st. TablaNurRim TablaNurTak TablaNurSak BassSlideFX BassSlapFX ZaghroutaSm2 Zir 1 ZaghroutaEd2 NewHiBongo NewLoBongo NewCongaSlp NewCongaOp NewLoConga NewTmblHi NewTmblLo Hager 1
REFERENCE
REFERENCE
REFERENCE
REFERENCE
75
Page 76
Drum Sets
C–1 0
C0 12
C1 24
C2 36
C3 48
C4 60
C5 72
C6 84
C7 96
PC: 1 [CC32: 4] STANDRD 1
Std.1 Kick1 Std.1 Kick2
1
Std.2 Kick1
2
3
Std2 Kick2
4
Kick 1 Kick 2
5
Jazz Kick 1
6
Jazz Kick 2
7
8
Room Kick 1
9
Room Kick 2
10
Power Kick1
11
Power Kick2 Elec Kick 2 Elec Kick 1
13
TR-808 Kick
14
15
TR-909 Kick
16
Dance Kick 2 Voice One
17
Voice Two
18
Voice Three
19
20
85Rm BsDrum1
21
85Rm BsDrum2
22
MC-500 Beep
23
MC-500 Beep Concert Snr Snare Roll
25
FingerSnaps2
26
27
High-Q
28
Slap ScratchPush
29
ScratchPull
30
Sticks
31
32
SquareClick
33
Mtrnm.Click
34
Mtrnm. Bell
35
BsDrum1 85St BsDrum2 Side Stick
37
85St Snare2
38
39
909 HandClap
40
85St Snare1 85St Tom16
41
85St ClsHat
42
85St Tom16
43
44
Pedal HiHat2
45
85St Tom12
46
85St OpenHat
47
85St Tom12 85St Tom10 85St CrsCym1
49
85St Tom10
50
51
85St RdCym
52
ChinaCymbal 85St RdBell
53
Tambourine
54
Splash Cym.
55
56
Cowbell
57
Crash Cym.2
58
Vibraslap
59
Ride Cymbal Bongo High Bongo Lo
61
Mute H.Conga
62
63
Conga Hi Opn
64
Conga Lo Opn High Timbale
65
Low Timbale
66
Agogo
67
68
Agogo
69
Cabasa
70
Maracas
71
ShrtWhistle LongWhistle Short Guiro
73
Long Guiro
74
75
Claves
76
Woodblock Woodblock
77
Mute Cuica
78
Open Cuica
79
80
MuteTriangl
81
OpenTriangl
82
Shaker
83
Jingle Bell Bell Tree Castanets
85
Mute Surdo
86
87
Open Surdo
88
Applause 2
---
89
---
90
---
91
92
---
93
---
94
---
95
85Rm Snare2 85Rm Snare1
PC: 2 [CC32: 4] STANDRD 2
Std.1 Kick1 Std.1 Kick2 Std.2 Kick1 Std2 Kick2 Kick 1 Kick 2 Jazz Kick 1 Jazz Kick 2 Room Kick 1 Room Kick 2 Power Kick1 Power Kick2 Elec Kick 2 Elec Kick 1 TR-808 Kick TR-909 Kick Dance Kick 2 Voice One Voice Two Voice Three
---
--­MC-500 Beep MC-500 Beep Concert Snr Snare Roll Finger Snap High-Q Slap ScratchPush ScratchPull Sticks SquareClick Mtrnm.Click Mtrnm. Bell Std2 Kick2 Std.2 Kick1 Side Stick Std.2 Snare1 808clap Std.2 Snare2 Real Tom 6 Jazz Clsd.HH Real Tom 6 Pedal HiHat Real Tom 4 Jazz Open HH Real Tom 4 Real Tom 1 Crash Cym.1 Real Tom 1 Ride Cymbal ChinaCymbal Ride Bell Tambourine Splash Cym. Cowbell Snare Crash Cym.2 Vibraslap Ride Cymbal Bongo High Bongo Lo Mute H.Conga Conga Hi Opn Conga Lo Opn High Timbale Low Timbale Agogo Agogo Cabasa Maracas ShrtWhistle LongWhistle Short Guiro Long Guiro Claves Woodblock Woodblock Mute Cuica Open Cuica MuteTriangl OpenTriangl Shaker Jingle Bell Bar Chimes Castanets Mute Surdo Open Surdo Applause 2
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---
PC: 3 [CC32: 4] STNDR L/R
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
--­Voice One Voice Two Voice Three
---
--­MC-500 Beep MC-500 Beep Concert Snr Snare Roll FingerSnaps2 High-Q Slap ScratchPush ScratchPull Sticks SquareClick Mtrnm.Click Mtrnm. Bell 85StBsDrum1B 85StBsDrum2B Side Stick 85StSnare2B 909 HandClap 85StSnare1B 85StTom16B 85StClsHatB 85StTom16B Pedal HiHat2 85StTom12B 85StOpenHatB 85StTom12B 85StTom10B 85StCrsCym1B 85StTom10B 85StRdCymB ChinaCymbal 85StRdBellB Tambourine Splash Cym. Cowbell Crash Cym.2 Vibraslap Ride Cymbal Bongo High Bongo Lo Mute H.Conga Conga Hi Opn Conga Lo Opn High Timbale Low Timbale Agogo Agogo Cabasa Maracas ShrtWhistle LongWhistle Short Guiro Long Guiro Claves Woodblock Woodblock Mute Cuica Open Cuica MuteTriangl OpenTriangl Shaker Jingle Bell Bell Tree Castanets Mute Surdo Open Surdo Applause 2
---
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---
---
---
--­85St BsDrum1 85St BsDrum2
PC: 4 [CC32: 4] V-Pop1
HipHop BD1 Jazz Kick 1 Mex_Kik36 85RmBsDrum1B 85RmBsDrum2B 909 BD 909 BD 2 Jngl BD 2 HipHop BD HipHop BD 2 85StBsDrum1B NewJzKik NewRockKik CymbalRoll NewRkCStkMn 85RmSnare1B 85RmSnare2B 85StSnare1B 85StSnare2B NewJzSn2 NewJzSn1 NewR&BSn NewRockSn2mn NewRockSn1mn IPopSn38mn IPopGstS39mn IPopSn38mn FingerSnaps2 707 Claps 808clap Hand clap2 909 HandClap IPopPHat32 GospelHClp1 IPopSRll30st IPopKik35 IPopKik36 IPopCStk37st IPopSn38st IPopGstS39st IPopSn40st IPopTomLFl41 IPopHat1_42 IPopTomL43 IPopHat2_44 IPopTomMFl45 IPopHat3_46 IPopTomM47 IPopTomHFl48 IPopCyml2_52 IPopTomH50 IPopRd1_51 IPopCym1_49 IPopRd2_55 Tambourine Splash Cym. ChaChaCBell NewRkCrCym2 Vibraslap NewRkRdCym1 NewHiBongo NewLoBongo NewCongaSlp NewCongaOp NewLoConga NewTmblHi NewTmblLo Agogo Agogo NewShaker2 NewShaker1 ShrtWhistle LongWhistle NewQuide1 NewQuide2 NewClaves Woodblock Woodblock Mute Cuica Open Cuica MuteTriangl OpenTriangl Shaker Jingle Bell Bell Tree Castanets Mute Surdo Open Surdo CRcir NewTmblHiFlm NewTmblLoFlm NewTmblPHS NewShekere1 NewShekere2 NHBngoMute NewLBngoMute CajonHi
PC: 5 [CC32: 4] V-R&B
HipHop BD1 Jazz Kick 1 Mex_Kik36 85RmBsDrum1B 85RmBsDrum2B 909 BD 909 BD 2 Jngl BD 2 HipHop BD HipHop BD 2 85StBsDrum1B NewJzKik NewRockKik CymbalRoll NewRkCStkMn 85RmSnare1B 85RmSnare2B 85StSnare1B 85StSnare2B NewJzSn2 NewJzSn1 NewR&BSn NewRockSn2mn NewRockSn1mn IPopSn38mn IPopGstS39mn IPopSn38mn FingerSnaps2 707 Claps 808clap Hand clap2 909 HandClap IPopPHat32 GospelHClp1 IPopSRll30mn IPopKik35 IPopKik36 IPopCStk37mn NewR&BSn NewR&BSnGst IPopSn40mn IPopTomLFl41 IPopHat1_42 IPopTomL43 IPopHat2_44 IPopTomMFl45 IPopHat3_46 IPopTomM47 IPopTomHFl48 IPopCym1_49 IPopTomH50 IPopRd1_51 IPopCyml2_52 IPopRd2_55 Tambourine Splash Cym. ChaChaCBell NewRkCrCym2 Vibraslap NewRkRdCym1 NewHiBongo NewLoBongo NewCongaSlp NewCongaOp NewLoConga NewTmblHi NewTmblLo Agogo Agogo NewShaker2 NewShaker1 ShrtWhistle LongWhistle NewQuide1 NewQuide2 NewClaves Woodblock Woodblock Mute Cuica Open Cuica MuteTriangl OpenTriangl Shaker Jingle Bell Bell Tree Castanets Mute Surdo Open Surdo CRcir NewTmblHiFlm NewTmblLoFlm NewTmblPHS NewShekere1 NewShekere2 NHBngoMute NewLBngoMute CajonHi
PC: 6 [CC32: 4] V-Fiesta
HipHop BD1 Jazz Kick 1 Mex_Kik36 85RmBsDrum1B 85RmBsDrum2B 909 BD 909 BD 2 Jngl BD 2 HipHop BD HipHop BD 2 85StBsDrum1B NewJzKik NewRockKik CymbalRoll NewRkCStkMn 85RmSnare1B 85RmSnare2B 85StSnare1B 85StSnare2B NewJzSn2 NewJzSn1 NewR&BSn NewRockSn2mn NewRockSn1mn IPopSn38mn IPopGstS39mn IPopSn38mn FingerSnaps2 707 Claps 808clap Hand clap2 909 HandClap Mex_PHat32 GospelHClp1 Mex_SnrRol34 Mex_Kik35 Mex_Kik36 IPopCStk37mn Mex_Snr38 Mex_GstS39 Mex_Snr40 IPopTomLFl41 Mex_Hat1_42 IPopTomL43 Mex_Hat2_44 IPopTomMFl45 Mex_Hat3_46 IPopTomM47 IPopTomHFl48 IPopCym1_49 IPopTomH50 IPopRd1_51 IPopCyml2_52 IPopRd2_55 Tambourine Splash Cym. ChaChaCBell NewRkCrCym2 Vibraslap NewRkRdCym1 NewHiBongo NewLoBongo NewCongaSlp NewCongaOp NewLoConga NewTmblHi NewTmblLo Agogo Agogo NewShaker2 NewShaker1 ShrtWhistle LongWhistle NewQuide1 NewQuide2 NewClaves Woodblock Woodblock Mute Cuica Open Cuica MuteTriangl OpenTriangl Shaker Jingle Bell Bell Tree Castanets Mute Surdo Open Surdo CRcir NewTmblHiFlm NewTmblLoFlm NewTmblPHS NewShekere1 NewShekere2 NHBngoMute NewLBngoMute CajonHi
PC: 9 [CC32: 4] ROOM
Std.1 Kick1 Std.1 Kick2 Std.2 Kick1 Std2 Kick2 Kick 1 Kick 2 Jazz Kick 1 Jazz Kick 2 Room Kick 1 Room Kick 2 Power Kick1 Power Kick2 Elec Kick 2 Elec Kick 1 TR-808 Kick TR-909 Kick Dance Kick 2 Voice One Voice Two Voice Three 85St BsDrum1 85St BsDrum2 MC-500 Beep MC-500 Beep Concert Snr Snare Roll Finger Snap High-Q Slap ScratchPush ScratchPull Sticks SquareClick Mtrnm.Click Mtrnm. Bell 85Rm BsDrum1 85Rm BsDrum2 Side Stick 85Rm Snare2 808clap 85Rm Snare1 Room Tom 5 85Rm ClsHat Room Tom 5 Pedal HiHat Room Tom 2 85Rm OpenHat Room Tom 2 Room Tom 2 85Rm CrsCym1 Room Tom 2 85Rm RdCym ChinaCymbal 85Rm RdBell Tambourine Splash Cym. Cowbell Crash Cym.2 Vibraslap Ride Cymbal Bongo High Bongo Lo Mute H.Conga Conga Hi Opn Conga Lo Opn High Timbale Low Timbale Agogo Agogo Cabasa Maracas ShrtWhistle LongWhistle Short Guiro Long Guiro Claves Woodblock Woodblock Mute Cuica Open Cuica MuteTriangl OpenTriangl Shaker Jingle Bell Bell Tree Castanets Mute Surdo Open Surdo Applause 2
---
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---
--­85St Snare2 85St Snare1
PC: 10 [CC32: 4] HIP HOP
Elec Kick 2 Elec Kick 1 CR78 BD 1 CR78 BD 2 TR-606 BD1 TR-707 BD 808 Kick TR-808 Kick 808 BD TR-909 Kick Dance Kick 2 909 Comp BD TR-909 BD2 HipHop BD2 JungleBD Set Techno BD1 Bounce Voice One Voice Two Voice Three Jngl BD Jngl BD 2 MC-500 Beep MC-500 Beep Concert Snr Snare Roll FingerSnaps2 High-Q Slap Scrtch Push2 Scrtch Pull2 Sticks SquareClick Mtrnm.Click Mtrnm. Bell HipHop BD 2 HipHop BD 808 Rimshot LoFi SD 1 707 Claps LoFi SD 2 85Jz Tom16 Room Chh 85Jz Tom16 Pedal HiHat 85Jz Tom13 R8 Ohh2 85Jz Tom13 85Jz Tom12 909 Crash 85Jz Tom12 Ride Cymbal ReverseCymbl Ride Bell Shake Tamb Splash Cym. 808cowbe Crash Cym.2 Vibraslap Ride Cymbal Bongo High Bongo Lo Mute H.Conga Conga Hi Opn Conga Lo Opn High Timbale Low Timbale Agogo Agogo Cabasa 808marac ShrtWhistle LongWhistle Short Guiro CR78 Guiro 808clave Woodblock Woodblock Hoo Hoo MuteTriangl OpenTriangl Shaker 2 Jingle Bell Bell Tree Castanets Mute Surdo Open Surdo Small Club HipHop SD 2 LoFi SD Rim HipHop Claps 85St Snare1 85St Snare2 85Rm Snare1 85Rm Snare2 Dance SD
PC: 11 [CC32: 4] JUNGLE
Elec Kick 2 Elec Kick 1 CR78 BD 1 CR78 BD 2 TR-606 BD1 TR-707 BD 808 Kick TR-808 Kick 808 BD TR-909 Kick Dance Kick 2 909 Comp BD TR-909 BD2 HipHop BD2 JungleBD Set Techno BD1 Bounce Voice One Voice Two Voice Three HipHop BD 2 HipHop BD MC-500 Beep MC-500 Beep Concert Snr Snare Roll FingerSnaps2 High-Q Slap Scrtch Push2 Scrtch Pull2 Sticks SquareClick Mtrnm.Click Mtrnm. Bell Jngl BD Jngl BD 2 Jngl SD Rim HipHop SD 1 R&B Claps 1 Jngl SD 909 Tom 606 CH 909 Tom Jungle HH 909 Tom 606 HiHat Op 909 Tom 909 Tom Jngl Crash 909 Tom Ride Cymbal ReverseCymbl Ride Bell Shake Tamb Splash Cym. 808cowbe Crash Cym.2 Vibraslap Ride Cymbal Bongo High Bongo Lo Mute H.Conga Conga Hi Opn Conga Lo Opn High Timbale Low Timbale Agogo Agogo Cabasa 808marac ShrtWhistle LongWhistle Short Guiro CR78 Guiro 808clave Woodblock Woodblock Hoo Hoo MuteTriangl OpenTriangl Jngl Shaker Jingle Bell Bell Tree Castanets Mute Surdo Open Surdo Small Club Jngl BD Roll Jngl SD Roll 606 SD 2 Dance SD Techno SD House SD Rock SD Dry LoFi SD 1
PC: 12 [CC32: 4] TECHNO
Elec Kick 2 Elec Kick 1 CR78 BD 1 CR78 BD 2 TR-606 BD1 TR-707 BD 808 Kick TR-808 Kick 808 BD TR-909 Kick Dance Kick 2 909 Comp BD TR-909 BD2 HipHop BD2 JungleBD Set Techno BD1 Bounce Voice One Voice Two Voice Three 909 BD Fat BD MC-500 Beep MC-500 Beep Concert Snr Snare Roll FingerSnaps2 High-Q Slap Scrtch Push2 Scrtch Pull2 Sticks SquareClick Mtrnm.Click Mtrnm. Bell 808 BD 909 BD 2 909 SD Rim 606 SD 2 909 Claps Techno SD 606 Dist.Tom TR-707 HH-c 606 Dist.Tom CR-78 chh 606 Dist.Tom 909 OH 606 Dist.Tom 606 Dist.Tom 909 Crash 606 Dist.Tom Ride Cymbal ReverseCymbl Ride Bell Shake Tamb Splash Cym. 808cowbe 909 Crash Vibraslap Ride Cymbal CR78 HiBongo CR78 LoBongo 808 Conga 808 Conga 808 Conga High Timbale Low Timbale Agogo Agogo Cabasa 808marac ShrtWhistle LongWhistle Short Guiro CR78 Guiro 808clave Woodblock Woodblock Hoo Hoo MuteTriangl OpenTriangl 626 Shaker Jingle Bell Bell Tree Castanets Mute Surdo Open Surdo Applause 2 Dance SD House SD Rock SD Dry Jngl SD LoFi SD 1 LoFi SD 2 HipHop SD 1 HipHop SD 2
76
Page 77
EM-55 OR Owner’s Manual
(C7) (96)
C8 108
C9G9120
PC: 1 [CC32: 4] STANDRD 1
(85Rm Snare1) Std.1 Snare1
97
98
Std.1 Snare2
99
Std.2 Snare1
100
Std.2 Snare2 Tight Snare
101
102
Standard SN1 LD Snare M
103
104
LD Snare C
105
Jazz Snare 1
106
Jazz Snare 2
107
Room Snare 1 Room Snare 2
109
Dance Snare1
110
Power Snare1
111
Rev.Snare
112
Power Snare2 Elec Snare 1
113
114
Dance Snare2 Elec Snare 2
115
116
Elec. Snare
117
Elec Snare 3
118
TR-707 SD
119
808 Snare 1 808 Snare 2
121
909 Snare 1
122
909 Snare 2
123
Rap Snare
124
JungleSD1 House SD
125
126
House Snare House SD
127
PC: 2 [CC32: 4] STANDRD 2
--­Std.1 Snare1 Std.1 Snare2 Std.2 Snare1 Std.2 Snare2 Tight Snare Standard SN1 LD Snare M LD Snare C Jazz Snare 1 Jazz Snare 2 Room Snare 1 Room Snare 2 Dance Snare1 Power Snare1 Rev.Snare Power Snare2 Elec Snare 1 Dance Snare2 Elec Snare 2 Elec. Snare Elec Snare 3 TR-707 SD 808 Snare 1 808 Snare 2 909 Snare 1 909 Snare 2 Rap Snare JungleSD1 House SD House Snare House SD
PC: 3 [CC32: 4] STNDRD L/R
(85St BsDrum2) 85St CrsCym1 85St Snare2 85St RdCym 85St Snare1 85St Tom16 85St ClsHat 85St Tom12 85St RdBell 85St Tom10 85St OpenHat 85StBsDrum1P 85StBsDrum2P 85StCrsCym1P 85StSnare2P 85St RdCym P 85St Snare1P 85St Tom16 P 85St ClsHatP 85St Tom12 P 85St RdBellP 85St Tom10 P 85StOpenHatP
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---
---
---
---
---
--
PC: 4 [CC32: 4] V-Pop1
(CajonHi) CajonHiFlm CajonLo CajonLoFlm FlmncoHClp1 FlmncoHClp1 BongoCowBell AfHey MamboCowBell MexFVox2 AfFoots MexFVox1 MexMVox1 YodelFVox1 MexMVox2 YodelMVox1 MexMVox3 FlmncoFVox1 YodelFVox2 FlmncoFVox2 NewWhistle1 FlmncoFVox3 NewWhistle2 FlmncoMVox1 FlmncoMVox2 BrazilVox1 FlmncoMVox3 BrazilVox2 BrazilVox3 AfAahhh p33137v p33168v
PC: 5 [CC32: 4] V-R&B
(CajonHi) CajonHiFlm CajonLo CajonLoFlm FlmncoHClp1 FlmncoHClp1 BongoCowBell AfHey MamboCowBell MexFVox2 AfFoots MexFVox1 MexMVox1 YodelFVox1 MexMVox2 YodelMVox1 MexMVox3 FlmncoFVox1 YodelFVox2 FlmncoFVox2 NewWhistle1 FlmncoFVox3 NewWhistle2 FlmncoMVox1 FlmncoMVox2 BrazilVox1 FlmncoMVox3 BrazilVox2 BrazilVox3 AfAahhh p33137v p33168v
PC: 6 [CC32: 4] V-Fiesta
(CajonHi ) CajonHiFlm CajonLo CajonLoFlm FlmncoHClp1 FlmncoHClp1 BongoCowBell AfHey MamboCowBell MexFVox2 AfFoots MexFVox1 MexMVox1 YodelFVox1 MexMVox2 YodelMVox1 MexMVox3 FlmncoFVox1 YodelFVox2 FlmncoFVox2 NewWhistle1 FlmncoFVox3 NewWhistle2 FlmncoMVox1 FlmncoMVox2 BrazilVox1 FlmncoMVox3 BrazilVox2 BrazilVox3 AfAahhh p33137v p33168v
PC: 9 [CC32: 4] ROOM
(85St Snare1) Std.1 Snare1 Std.1 Snare2 Std.2 Snare1 Std.2 Snare2 Tight Snare Standard SN1 LD Snare M LD Snare C Jazz Snare 1 Jazz Snare 2 Room Snare 1 Room Snare 2 Dance Snare1 Power Snare1 Rev.Snare Power Snare2 Elec Snare 1 Dance Snare2 Elec Snare 2 Elec. Snare Elec Snare 3 TR-707 SD 808 Snare 1 808 Snare 2 909 Snare 1 909 Snare 2 Rap Snare JungleSD1 House SD House Snare House SD
PC: 10 [CC32: 4] HIP HOP
(Dance SD) Techno Hit Philly Hit Shock Wave Lo Fi Rave Bam Hit Bim Hit TapeRewind Phono Noise Dance Snare1 Power Snare2 Elec Snare 1 Dance Snare2 Elec Snare 2 Elec. Snare Elec Snare 3 66sn260 TR-707 SD 808 Snare 1 808 Snare 2 TR-808 SD2 909 Snare 1 909 Snare 2 909 SD 1 TR-909 SD2 Rap Snare JungleSD1 House SD House Snare House SD Voice Tah Noise Slap
PC: 11 [CC32: 4] JUNGLE
(LoFi SD 1) Techno Hit Philly Hit Shock Wave Lo Fi Rave Bam Hit Bim Hit TapeRewind Phono Noise Dance Snare1 Power Snare2 Elec Snare 1 Dance Snare2 Elec Snare 2 Elec. Snare Elec Snare 3 66sn260 TR-707 SD 808 Snare 1 808 Snare 2 TR-808 SD2 909 Snare 1 909 Snare 2 909 SD 1 TR-909 SD2 Rap Snare JungleSD1 House SD House Snare House SD Voice Tah Noise Slap
PC: 12 [CC32: 4] TECHNO
(HipHop SD 2 ) Techno Hit Philly Hit Shock Wave Lo Fi Rave Bam Hit Bim Hit TapeRewind Phono Noise Dance Snare1 Power Snare2 Elec Snare 1 Dance Snare2 Elec Snare 2 Elec. Snare Elec Snare 3 66sn260 TR-707 SD 808 Snare 1 808 Snare 2 TR-808 SD2 909 Snare 1 909 Snare 2 909 SD 1 TR-909 SD2 Rap Snare JungleSD1 House SD House Snare House SD Voice Tah Noise Slap
REFERENCE
REFERENCE
(C7) (96)
C8 108
C9G9120
REFERENCE
PC: 13 [CC32: 4] ROOM L/R
(85Rm BsDrum2) 85Rm CrsCym1
97
98
85Rm Snare2
99
85Rm RdCym
100
85Rm Snare1 Room Tom 5
101
85Rm ClsHat
102
Room Tom 2
103
104
85Rm RdBell
105
Room Tom 2
106
85Rm OpenHat
107
85RmBsDrum1P 85RmBsDrum2P
109
85RmCrsCym1P
110
85RmSnare2 P
111
85Rm RdCymP
112
85RmSnare1P Room Tom 5 P
113
114
85Rm ClsHatP Room Tom 2 P
115
116
85Rm RdCymP
117
Room Tom 2 P
118
85RmOpenHatP
119
---
---
121
---
122
---
123
---
124
---
---
125
126
---
---
127
PC: 14 [CC32: 4] HOUSE
(Jngl SD) Techno Hit Philly Hit Shock Wave Lo Fi Rave Bam Hit Bim Hit TapeRewind Phono Noise Dance Snare1 Power Snare2 Elec Snare 1 Dance Snare2 Elec Snare 2 Elec. Snare Elec Snare 3 66sn260 TR-707 SD 808 Snare 1 808 Snare 2 TR-808 SD2 909 Snare 1 909 Snare 2 909 SD 1 TR-909 SD2 Rap Snare JungleSD1 House SD House Snare House SD Voice Tah Noise Slap
PC: 17 [CC32: 4] POWER
(---) Std.1 Snare1 Std.1 Snare2 Std.2 Snare1 Std.2 Snare2 Tight Snare Standard SN1 LD Snare M LD Snare C Jazz Snare 1 Jazz Snare 2 Room Snare 1 Room Snare 2 Dance Snare1 Power Snare1 Rev.Snare Power Snare2 Elec Snare 1 Dance Snare2 Elec Snare 2 Elec. Snare Elec Snare 3 TR-707 SD 808 Snare 1 808 Snare 2 909 Snare 1 909 Snare 2 Rap Snare JungleSD1 House SD House Snare House SD
PC: 18 [CC32: 4] V-Rock1
(CajonHi) CajonHiFlm CajonLo CajonLoFlm FlmncoHClp1 FlmncoHClp1 BongoCowBell AfHey MamboCowBell MexFVox2 AfFoots MexFVox1 MexMVox1 YodelFVox1 MexMVox2 YodelMVox1 MexMVox3 FlmncoFVox1 YodelFVox2 FlmncoFVox2 NewWhistle1 FlmncoFVox3 NewWhistle2 FlmncoMVox1 FlmncoMVox2 BrazilVox1 FlmncoMVox3 BrazilVox2 BrazilVox3 AfAahhh p33137v p33168v
PC: 19 [CC32: 4] V-Rock2
(CajonHi) CajonHiFlm CajonLo CajonLoFlm FlmncoHClp1 FlmncoHClp1 BongoCowBell AfHey MamboCowBell MexFVox2 AfFoots MexFVox1 MexMVox1 YodelFVox1 MexMVox2 YodelMVox1 MexMVox3 FlmncoFVox1 YodelFVox2 FlmncoFVox2 NewWhistle1 FlmncoFVox3 NewWhistle2 FlmncoMVox1 FlmncoMVox2 BrazilVox1 FlmncoMVox3 BrazilVox2 BrazilVox3 AfAahhh p33137v p33168v
PC: 25 [CC32: 4] ELECTRNC
(---) Techno Hit Philly Hit Shock Wave Lo Fi Rave Bam Hit Bim Hit TapeRewind Phono Noise Dance Snare1 Power Snare2 Elec Snare 1 Dance Snare2 Elec Snare 2 Elec. Snare Elec Snare 3 66sn260 TR-707 SD 808 Snare 1 808 Snare 2 TR-808 SD2 909 Snare 1 909 Snare 2 909 SD 1 TR-909 SD2 Rap Snare JungleSD1 House SD House Snare House SD Voice Tah Noise Slap
PC: 26 [CC32: 4] TR-808
(---) Techno Hit Philly Hit Shock Wave Lo Fi Rave Bam Hit Bim Hit TapeRewind Phono Noise Dance Snare1 Power Snare2 Elec Snare 1 Dance Snare2 Elec Snare 2 Elec. Snare Elec Snare 3 66sn260 TR-707 SD 808 Snare 1 808 Snare 2 TR-808 SD2 909 Snare 1 909 Snare 2 909 SD 1 TR-909 SD2 Rap Snare JungleSD1 House SD House Snare House SD Voice Tah Noise Slap
PC: 27 [CC32: 4] DANCE
(HipHop SD 2) Techno Hit Philly Hit Shock Wave Lo Fi Rave Bam Hit Bim Hit TapeRewind Phono Noise Dance Snare1 Power Snare2 Elec Snare 1 Dance Snare2 Elec Snare 2 Elec. Snare Elec Snare 3 66sn260 TR-707 SD 808 Snare 1 808 Snare 2 TR-808 SD2 909 Snare 1 909 Snare 2 909 SD 1 TR-909 SD2 Rap Snare JungleSD1 House SD House Snare House SD Voice Tah Noise Slap
PC: 28 [CC32: 4] CR-78
(---) Techno Hit Philly Hit Shock Wave Lo Fi Rave Bam Hit Bim Hit TapeRewind Phono Noise Dance Snare1 Power Snare2 Elec Snare 1 Dance Snare2 Elec Snare 2 Elec. Snare Elec Snare 3 66sn260 TR-707 SD 808 Snare 1 808 Snare 2 TR-808 SD2 909 Snare 1 909 Snare 2 909 SD 1 TR-909 SD2 Rap Snare JungleSD1 House SD House Snare House SD Voice Tah Noise Slap
PC: 29 [CC32: 4] TR-606
(---) Techno Hit Philly Hit Shock Wave Lo Fi Rave Bam Hit Bim Hit TapeRewind Phono Noise Dance Snare1 Power Snare2 Elec Snare 1 Dance Snare2 Elec Snare 2 Elec. Snare Elec Snare 3 66sn260 TR-707 SD 808 Snare 1 808 Snare 2 TR-808 SD2 909 Snare 1 909 Snare 2 909 SD 1 TR-909 SD2 Rap Snare JungleSD1 House SD House Snare House SD Voice Tah Noise Slap
REFERENCE
77
Page 78
Drum Sets
C–1 0
C0 12
C1 24
C2 36
C3 48
C4 60
C5 72
C6 84
C7 96
PC: 13 [CC32: 4] ROOM L/R
---
---
1
---
2
3
---
4
---
---
5
---
6
---
7
8
---
9
---
10
---
11
---
---
---
13
---
14
15
---
16
--­Voice One
17
Voice Two
18
Voice Three
19
20
---
21
---
22
MC-500 Beep
23
MC-500 Beep Concert Snr Snare Roll
25
Finger Snap
26
27
High-Q
28
Slap ScratchPush
29
ScratchPull
30
Sticks
31
32
SquareClick
33
Mtrnm.Click
34
Mtrnm. Bell
35
85RmBsDrum1B 85RmBsDrum2B Side Stick
37
85RmSnare2B
38
39
808clap
40
85RmSnare1B Room Tom 5
41
85RmClsHatB
42
Room Tom 5
43
44
Pedal HiHat
45
Room Tom 2
46
85RmOpenHatB
47
Room Tom 2 Room Tom 2 85RmCrsCym1B
49
Room Tom 2
50
51
85RmRdCymB
52
ChinaCymbal 85RmRdCymB
53
Tambourine
54
Splash Cym.
55
56
Cowbell
57
Crash Cym.2
58
Vibraslap
59
Ride Cymbal Bongo High Bongo Lo
61
Mute H.Conga
62
63
Conga Hi Opn
64
Conga Lo Opn High Timbale
65
Low Timbale
66
Agogo
67
68
Agogo
69
Cabasa
70
Maracas
71
ShrtWhistle LongWhistle Short Guiro
73
Long Guiro
74
75
Claves
76
Woodblock Woodblock
77
Mute Cuica
78
Open Cuica
79
80
MuteTriangl
81
OpenTriangl
82
Shaker
83
Jingle Bell Bell Tree Castanets
85
Mute Surdo
86
87
Open Surdo
88
Applause 2
---
89
---
90
---
91
92
---
93
---
94
---
95
85Rm BsDrum1 85Rm BsDrum2
PC: 14 [CC32: 4] HOUSE
Elec Kick 2 Elec Kick 1 CR78 BD 1 CR78 BD 2 TR-606 BD1 TR-707 BD 808 Kick TR-808 Kick 808 BD TR-909 Kick Dance Kick 2 909 Comp BD TR-909 BD2 HipHop BD2 JungleBD Set Techno BD1 Bounce Voice One Voice Two Voice Three Fat BD Dance BD MC-500 Beep MC-500 Beep Concert Snr Snare Roll FingerSnaps2 High-Q Slap Scrtch Push2 Scrtch Pull2 Sticks SquareClick Mtrnm.Click Mtrnm. Bell 909 BD 909 BD 2 House SD Rim House SD 909 Claps House SD 909 Tom TR-707 HH-c 909 Tom CR-78 chh 909 Tom 909 OH 909 Tom 909 Tom 909 Crash 909 Tom 909 Ride Cym ReverseCymbl Ride Bell Shake Tamb Splash Cym. 808cowbe 909 Crash Vibraslap Ride Cymbal CR78 HiBongo CR78 LoBongo 808 Conga 808 Conga 808 Conga High Timbale Low Timbale Agogo Agogo Cabasa 808marac ShrtWhistle LongWhistle Short Guiro CR78 Guiro 808clave Woodblock Woodblock Hoo Hoo MuteTriangl OpenTriangl 626 Shaker Jingle Bell Bell Tree Castanets Mute Surdo Open Surdo Applause 2 606 SD 2 Dance SD Techno SD Rock SD Dry HipHop SD 1 LoFi SD 1 LoFi SD 2 Jngl SD
PC: 17 [CC32: 4] POWER
Std.1 Kick1 Std.1 Kick2 Std.2 Kick1 Std2 Kick2 Kick 1 Kick 2 Jazz Kick 1 Jazz Kick 2 Room Kick 1 Room Kick 2 Power Kick1 Power Kick2 Elec Kick 2 Elec Kick 1 TR-808 Kick TR-909 Kick Dance Kick 2 Voice One Voice Two Voice Three
---
-­MC-500 Beep MC-500 Beep Concert Snr Snare Roll FingerSnaps2 High-Q Slap ScratchPush ScratchPull Sticks SquareClick Mtrnm.Click Mtrnm. Bell Power Kick2 Power Kick1 Side Stick Dance Snare1 808clap Power Snare1 Rock Tom 4 Close HiHat2 Rock Tom 4 Pedal HiHat2 Rock Tom 4 Open HiHat2 Rock Tom 4 Rock Tom 1 Crash Cym.1 Rock Tom 1 Ride Cymbal ChinaCymbal Ride Bell Tambourine Splash Cym. Cowbell Crash Cym.2 Vibraslap Ride Cymbal Bongo High Bongo Lo Mute H.Conga Conga Hi Opn Conga Lo Opn High Timbale Low Timbale Agogo Agogo Cabasa Maracas ShrtWhistle LongWhistle Short Guiro Long Guiro Claves Woodblock Woodblock Mute Cuica Open Cuica MuteTriangl OpenTriangl Shaker Jingle Bell Bell Tree Castanets Mute Surdo Open Surdo Applause 2
---
---
---
---
---
---
---
---
PC: 18 [CC32: 4] V-Rock1
HipHop BD1 Jazz Kick 1 Mex_Kik36 85RmBsDrum1B 85RmBsDrum2B 909 BD 909 BD 2 Jngl BD 2 HipHop BD HipHop BD 2 85StBsDrum1B NewJzKik NewRockKik CymbalRoll NewRkCStkMn 85RmSnare1B 85RmSnare2B 85StSnare1B 85StSnare2B NewJzSn2 NewJzSn1 NewR&BSn IPopSn40mn IPopSn38mn IPopSn38mn IPopGstS39mn IPopSn40mn FingerSnaps2 707 Claps 808clap Hand clap2 909 HandClap NewRkHatPdl GospelHClp1 NewRkSnRllSt NewRockKik NewRockKik NewRkCStkSt NewRockSn1st NewRkSnGstSt NewRockSn2st NewRkTomL2Fl NewRkHat1 NewRkTomL2 NewRkHat2 NewRkTomL1Fl NewRkHat3 NewRkTomL1 NewRkTomMFl NewRkCrCym1 NewRkTomM NewRkRdCym1 NewRkCrCym2 NewRkRdCym2 Tambourine NewRkCrCym3 ChaChaCBell NewRkCrCym4 Vibraslap IPopRd1_51 NewHiBongo NewLoBongo NewCongaSlp NewCongaOp NewLoConga NewTmblHi NewTmblLo Agogo Agogo NewShaker2 NewShaker1 ShrtWhistle LongWhistle NewQuide1 NewQuide2 NewClaves Woodblock Woodblock Mute Cuica Open Cuica MuteTriangl OpenTriangl Shaker Jingle Bell Bell Tree Castanets Mute Surdo Open Surdo CRcir NewTmblHiFlm NewTmblLoFlm NewTmblPHS NewShekere1 NewShekere2 NHBngoMute NewLBngoMute CajonHi
PC: 19 [CC32: 4] V-Rock2
HipHop BD1 Jazz Kick 1 Mex_Kik36 85RmBsDrum1B 85RmBsDrum2B 909 BD 909 BD 2 Jngl BD 2 HipHop BD HipHop BD 2 85StBsDrum1B NewJzKik NewRockKik CymbalRoll NewRkCStkMn 85RmSnare1B 85RmSnare2B 85StSnare1B 85StSnare2B NewJzSn2 NewJzSn1 NewR&BSn IPopSn40mn IPopSn38mn IPopSn38mn IPopGstS39mn IPopSn38mn FingerSnaps2 707 Claps 808clap Hand clap2 909 HandClap NewRkHatPdl GospelHClp1 NewRkSnRllSt NewRockKik NewRockKik NewRkCStkSt NewRockSn1st NewRkSnGstSt NewRockSn2st NewRkTomL1Fl NewRkHat1 NewRkTomL1 NewRkHat2 NewRkTomMFl NewRkHat3 NewRkTomM NewRkTomHiFl NewRkCrCym1 NewRkTomHi NewRkRdCym1 NewRkCrCym2 NewRkRdCym2 Tambourine NewRkCrCym3 ChaChaCBell NewRkCrCym4 Vibraslap IPopRd1_51 NewHiBongo NewLoBongo NewCongaSlp NewCongaOp NewLoConga NewTmblHi NewTmblLo Agogo Agogo NewShaker2 NewShaker1 ShrtWhistle LongWhistle NewQuide1 NewQuide2 NewClaves Woodblock Woodblock Mute Cuica Open Cuica MuteTriangl OpenTriangl Shaker Jingle Bell Bell Tree Castanets Mute Surdo Open Surdo CRcir NewTmblHiFlm NewTmblLoFlm NewTmblPHS NewShekere1 NewShekere2 NHBngoMute NewLBngoMute CajonHi
PC: 25 [CC32: 4] ELECTRNC
Elec Kick 2 Elec Kick 1 CR78 BD 1 CR78 BD 2 TR-606 BD1 TR-707 BD 808 Kick TR-808 Kick 808 BD TR-909 Kick Dance Kick 2 909 Comp BD TR-909 BD2 HipHop BD2 JungleBD Set Techno BD1 Bounce Voice One Voice Two Voice Three
---
--­MC-500 Beep MC-500 Beep Concert Snr Snare Roll Finger Snap High-Q Slap Scrtch Push2 Scrtch Pull2 Sticks SquareClick Mtrnm.Click Mtrnm. Bell Elec Kick 2 Elec Kick 1 Side Stick Elec. Snare 808clap Elec Snare 2 Synth Drum 2 Jazz Clsd.HH Synth Drum 2 Pedal HiHat Synth Drum 2 Jazz Open HH Synth Drum 2 Synth Drum 2 Crash Cym.1 Synth Drum 2 Ride Cymbal ReverseCymbl Ride Bell Tambourine Splash Cym. Cowbell Crash Cym.2 Vibraslap Ride Cymbal Bongo High Bongo Lo Mute H.Conga Conga Hi Opn Conga Lo Opn High Timbale Low Timbale Agogo Agogo Cabasa Maracas ShrtWhistle LongWhistle Short Guiro Long Guiro Claves Woodblock Woodblock Mute Cuica Open Cuica MuteTriangl OpenTriangl Shaker Jingle Bell Bell Tree Castanets Mute Surdo Open Surdo Small Club
---
---
---
---
---
---
---
---
PC: 26 [CC32: 4] TR-808
Elec Kick 2 Elec Kick 1 CR78 BD 1 CR78 BD 2 TR-606 BD1 TR-707 BD 808 Kick TR-808 Kick 808 BD TR-909 Kick Dance Kick 2 909 Comp BD TR-909 BD2 HipHop BD2 JungleBD Set Techno BD1 Bounce Voice One Voice Two Voice Three
---
--­MC-500 Beep MC-500 Beep Concert Snr Snare Roll FingerSnaps2 High-Q Slap Scrtch Push2 Scrtch Pull2 Sticks SquareClick Mtrnm.Click Mtrnm. Bell 808 BD TR-808 Kick 808 Rimshot 808 Snare 1 808clap TR-808 SD2 808 Tom 2 TR-808 CHH 808 Tom 2 808__chh 808 Tom 2 TR-808 OHH 808 Tom 2 808 Tom 2 808 Crash 808 Tom 2 606 Ride Cym ChinaCymbal Ride Bell CR78 Tmb Splash Cym. 808cowbe 909 Crash Vibraslap RideCym Edge CR78 HiBongo CR78 LoBongo 808 Conga 808 Conga 808 Conga High Timbale Low Timbale Agogo Agogo Cabasa 808marac ShrtWhistle LongWhistle Short Guiro CR78 Guiro 808clave Woodblock Woodblock Hoo Hoo MuteTriangl OpenTriangl 626 Shaker Jingle Bell Bell Tree Castanets Mute Surdo Open Surdo Small Club
---
---
---
---
---
---
---
---
PC: 27 [CC32: 4] DANCE
Elec Kick 2 Elec Kick 1 CR78 BD 1 CR78 BD 2 TR-606 BD1 TR-707 BD 808 Kick TR-808 Kick 808 BD TR-909 Kick Dance Kick 2 909 Comp BD TR-909 BD2 HipHop BD2 JungleBD Set Techno BD1 Bounce Voice One Voice Two Voice Three 909 BD 909 BD 2 MC-500 Beep MC-500 Beep Concert Snr Snare Roll Finger Snap High-Q Slap Scrtch Push2 Scrtch Pull2 Sticks SquareClick Mtrnm.Click Mtrnm. Bell Fat BD Dance BD Dance SD Rim Dance SD Comp Claps 2 Rock SD Dry Synth Drum 2 CR-78 chh Synth Drum 2 808__chh Synth Drum 2 CR-78 ohh Synth Drum 2 Synth Drum 2 808 Crash Synth Drum 2 606 Ride Cym ReverseCymbl Ride Bell Shake Tamb Splash Cym. 808cowbe Crash Cym.2 Vibraslap Ride Cymbal Bongo High Bongo Lo Mute H.Conga Conga Hi Opn Conga Lo Opn High Timbale Low Timbale Agogo Agogo Cabasa Maracas ShrtWhistle LongWhistle Short Guiro Long Guiro Claves Woodblock Woodblock Hoo Hoo MuteTriangl OpenTriangl 626 Shaker Jingle Bell Bell Tree Castanets Mute Surdo Open Surdo Small Club 606 SD 2 Techno SD House SD Jngl SD LoFi SD 1 LoFi SD 2 HipHop SD 1 HipHop SD 2
PC: 28 [CC32: 4] CR-78
Elec Kick 2 Elec Kick 1 CR78 BD 1 CR78 BD 2 TR-606 BD1 TR-707 BD 808 Kick TR-808 Kick 808 BD TR-909 Kick Dance Kick 2 909 Comp BD TR-909 BD2 HipHop BD2 JungleBD Set Techno BD1 Bounce Voice One Voice Two Voice Three
---
--­MC-500 Beep MC-500 Beep Concert Snr Snare Roll FingerSnaps2 High-Q Slap Scrtch Push2 Scrtch Pull2 Sticks SquareClick Mtrnm.Click Mtrnm. Bell CR78 BD 2 CR78 BD 1 CR78 Rim CR78 SD 1 707 Claps CR78 SD 2 78 TOM CR-78 chh 78 TOM 606 CH 78 TOM CR-78 ohh 78 TOM 78 TOM 808 Crash 78 TOM 606 Ride Cym ChinaCymbal Ride Bell CR78 Tmb Splash Cym. CR78 Cow 909 Crash Vibraslap RideCym Edge CR78 HiBongo CR78 LoBongo 808 Conga 808 Conga 808 Conga High Timbale Low Timbale Agogo Agogo Cabasa CR78 Maracas ShrtWhistle LongWhistle Short Guiro CR78 Guiro CR78 Clv Woodblock Woodblock Hoo Hoo CR78 M.Beat CR78 M.Beat 626 Shaker Jingle Bell Bell Tree Castanets Mute Surdo Open Surdo Small Club
---
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---
---
---
---
---
---
PC: 29 [CC32: 4] TR-606
Elec Kick 2 Elec Kick 1 CR78 BD 1 CR78 BD 2 TR-606 BD1 TR-707 BD 808 Kick TR-808 Kick 808 BD TR-909 Kick Dance Kick 2 909 Comp BD TR-909 BD2 HipHop BD2 JungleBD Set Techno BD1 Bounce Voice One Voice Two Voice Three
---
--­MC-500 Beep MC-500 Beep Concert Snr Snare Roll FingerSnaps2 High-Q Slap Scrtch Push2 Scrtch Pull2 Sticks SquareClick Mtrnm.Click Mtrnm. Bell CR78 BD 2 TR-606 BD1 CR78 Rim 66sn160 707 Claps 66sn260 606 Tom 606 CH 606 Tom 606 CH 606 Tom 606 HiHat Op 606 Tom 606 Tom 808 Crash 606 Tom 606 Ride Cym ChinaCymbal Ride Bell CR78 Tmb Splash Cym. CR78 Cow 909 Crash Vibraslap RideCym Edge CR78 HiBongo CR78 LoBongo 808 Conga 808 Conga 808 Conga High Timbale Low Timbale Agogo Agogo Cabasa CR78 Maracas ShrtWhistle LongWhistle Short Guiro CR78 Guiro CR78 Clv Woodblock Woodblock Hoo Hoo CR78 M.Beat CR78 M.Beat 626 Shaker Jingle Bell Bell Tree Castanets Mute Surdo Open Surdo Small Club
---
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78
Page 79
EM-55 OR Owner’s Manual
C–1 0
C0 12
C1 24
C2 36
C3 48
C4 60
C5 72
C6 84
C7 96
PC: 30 [CC32: 4] TR-707
Elec Kick 2 Elec Kick 1
1
CR78 BD 1
2
3
CR78 BD 2
4
TR-606 BD1 TR-707 BD
5
808 Kick
6
TR-808 Kick
7
8
808 BD
9
TR-909 Kick
10
Dance Kick 2
11
909 Comp BD TR-909 BD2 HipHop BD2
13
JungleBD Set
14
15
Techno BD1
16
Bounce Voice One
17
Voice Two
18
Voice Three
19
20
---
21
---
22
MC-500 Beep
23
MC-500 Beep Concert Snr Snare Roll
25
FingerSnaps2
26
27
High-Q
28
Slap Scrtch Push2
29
Scrtch Pull2
30
Sticks
31
32
SquareClick
33
Mtrnm.Click
34
Mtrnm. Bell
35
TR-707 BD 2 TR-707 BD TR-707 Rim
37
TR-707 SD
38
39
707 Claps
40
TR-707 SD 2 TR-707 Tom
41
TR-707 HH-c
42
TR-707 Tom
43
44
TR-707 HH-c
45
TR-707 Tom
46
TR-707 OHH
47
TR-707 Tom TR-707 Tom 909 Crash
49
TR-707 Tom
50
51
909 Ride Cym
52
ChinaCymbal Ride Bell
53
344Tambourn
54
Splash Cym.
55
56
808cowbe
57
Crash Cym.2
58
Vibraslap
59
RideCym Edge Bongo High Bongo Lo
61
Mute H.Conga
62
63
Conga Hi Opn
64
Conga Lo Opn High Timbale
65
Low Timbale
66
Agogo
67
68
Agogo
69
Cabasa
70
808marac
71
ShrtWhistle LongWhistle Short Guiro
73
Long Guiro
74
75
Claves
76
Woodblock Woodblock
77
Hoo
78
Hoo
79
80
MuteTriangl
81
OpenTriangl
82
626 Shaker
83
Jingle Bell Bell Tree Castanets
85
Mute Surdo
86
87
Open Surdo
88
Small Club
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89
---
90
---
91
92
---
93
---
94
---
95
---
---
PC: 31 [CC32: 4] TR-909
Elec Kick 2 Elec Kick 1 CR78 BD 1 CR78 BD 2 TR-606 BD1 TR-707 BD 808 Kick TR-808 Kick 808 BD TR-909 Kick Dance Kick 2 909 Comp BD TR-909 BD2 HipHop BD2 JungleBD Set Techno BD1 Bounce Voice One Voice Two Voice Three
---
--­MC-500 Beep MC-500 Beep Concert Snr Snare Roll FingerSnaps2 High-Q Slap Scrtch Push2 Scrtch Pull2 Sticks SquareClick Mtrnm.Click Mtrnm. Bell Techno BD2 TR-909 BD2 TR-909 Rim 909 SD 1 909 HandClap TR-909 SD2 909 Tom TR-707 HH-c 909 Tom TR-707 HH-c 909 Tom 909 OH 909 Tom 909 Tom 909 Crash 909 Tom 909 Ride Cym ChinaCymbal Ride Bell 344Tambourn Splash Cym. 808cowbe Crash Cym.2 Vibraslap RideCym Edge Bongo High Bongo Lo Mute H.Conga Conga Hi Opn Conga Lo Opn High Timbale Low Timbale Agogo Agogo Cabasa 808marac ShrtWhistle LongWhistle Short Guiro CR78 Guiro 808clave Woodblock Woodblock Hoo Hoo MuteTriangl OpenTriangl 626 Shaker Jingle Bell Bell Tree Castanets Mute Surdo Open Surdo Applause 2
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PC: 33 [CC32: 4] JAZZ
Std.1 Kick1 Std.1 Kick2 Std.2 Kick1 Std2 Kick2 Kick 1 Kick 2 Jazz Kick 1 Jazz Kick 2 Room Kick 1 Room Kick 2 Power Kick1 Power Kick2 Elec Kick 2 Elec Kick 1 TR-808 Kick TR-909 Kick Dance Kick 2 Voice One Voice Two Voice Three 85Br BsDrum1 85Br BsDrum2 MC-500 Beep MC-500 Beep Concert Snr Snare Roll Finger Snap High-Q Slap ScratchPush ScratchPull Sticks SquareClick Mtrnm.Click Mtrnm. Bell 85Jz BsDrum1 85Jz BsDrum2 Side Stick 85Jz Snare1 Hand clap2 85Jz Snare2 85Jz Tom16 85Jz ClsHat 85Jz Tom16 Pedal HiHat 85Jz Tom13 85Jz OpenHat 85Jz Tom13 85Jz Tom12 85Jz CrsCym1 85Jz Tom12 85Jz RdCym ChinaCymbal 85Jz RdBell Tambourine Splash Cym. Cowbell Crash Cym.2 Vibraslap RideCym Edge Bongo High Bongo Lo Mute H.Conga Conga Hi Opn Conga Lo Opn High Timbale Low Timbale Agogo Agogo Cabasa Maracas ShrtWhistle LongWhistle Short Guiro Long Guiro Claves Woodblock Woodblock Mute Cuica Open Cuica MuteTriangl OpenTriangl Shaker Jingle Bell Bell Tree Castanets Mute Surdo Open Surdo Applause
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PC: 34 [CC32: 4] JAZZ L/R
---
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---
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---
---
---
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---
---
---
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---
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--­Voice One Voice Two Voice Three
---
--­MC-500 Beep MC-500 Beep Concert Snr Snare Roll Finger Snap High-Q Slap ScratchPush ScratchPull Sticks SquareClick Mtrnm.Click Mtrnm. Bell 85JzBsDrum1B 85JzBsDrum2B Side Stick 85JzSnare1B Hand clap2 85JzSnare2B 85JzTom16B 85JzClsHatB 85JzTom16B Pedal HiHat 85JzTom13B 85JzOpenHatB 85JzTom13B 85JzTom12B 85JzCrsCym1B 85JzTom12B 85JzRdCymB ChinaCymbal 85JzRdBellB Tambourine Splash Cym. Cowbell Crash Cym.2 Vibraslap RideCym Edge Bongo High Bongo Lo Mute H.Conga Conga Hi Opn Conga Lo Opn High Timbale Low Timbale Agogo Agogo Cabasa Maracas ShrtWhistle LongWhistle Short Guiro Long Guiro Claves Woodblock Woodblock Mute Cuica Open Cuica MuteTriangl OpenTriangl Shaker Jingle Bell Bell Tree Castanets Mute Surdo Open Surdo Applause
---
---
---
---
---
--­85Jz BsDrum1 85Jz BsDrum2
PC: 41 [CC32: 4] BRUSH
Std.1 Kick1 Std.1 Kick2 Std.2 Kick1 Std2 Kick2 Kick 1 Kick 2 Jazz Kick 1 Jazz Kick 2 Room Kick 1 Room Kick 2 Power Kick1 Power Kick2 Elec Kick 2 Elec Kick 1 TR-808 Kick TR-909 Kick Dance Kick 2 Voice One Voice Two Voice Three
---
--­MC-500 Beep MC-500 Beep Concert Snr Snare Roll Finger Snap High-Q Slap ScratchPush ScratchPull Sticks SquareClick Mtrnm.Click Mtrnm. Bell Jazz Kick 2 Jazz Kick 1 Side Stick Brush Swirl Brush Slap1 Brush Swirl Lite Tom 4 Brs Chh Lite Tom 4 Pedal HiHat Lite Tom 4 Brush Ohh Lite Tom 4 Lite Tom 4 Brush Crash Lite Tom 4 Ride Cym IN ChinaCymbal Brush RideBL Tambourine Splash Cym. Cowbell Crash Cym.2 Vibraslap RideCym Edge Bongo High Bongo Lo Mute H.Conga Conga Hi Opn Conga Lo Opn High Timbale Low Timbale Agogo Agogo Cabasa Maracas ShrtWhistle LongWhistle Short Guiro Long Guiro Claves Woodblock Woodblock Mute Cuica Open Cuica MuteTriangl OpenTriangl Shaker Jingle Bell Bell Tree Castanets Mute Surdo Open Surdo Applause
---
---
---
---
---
---
---
---
PC: 42 [CC32: 4] BRUSH 2
Std.1 Kick1 Std.1 Kick2 Std.2 Kick1 Std2 Kick2 Kick 1 Kick 2 Jazz Kick 1 Jazz Kick 2 Room Kick 1 Room Kick 2 Power Kick1 Power Kick2 Elec Kick 2 Elec Kick 1 TR-808 Kick TR-909 Kick Dance Kick 2 Voice One Voice Two Voice Three 85Jz BsDrum1 85Jz BsDrum2 MC-500 Beep MC-500 Beep Concert Snr Snare Roll Finger Snap High-Q Slap ScratchPush ScratchPull Sticks SquareClick Mtrnm.Click Mtrnm. Bell 85Br BsDrum1 85Br BsDrum2 Side Stick 85Br Snare1 85Br Snare2 Brush Swirl 85Br Tom1 85Br ClsHat 85Br Tom1 Pedal HiHat 85Br Tom2 85Br OpenHat 85Br Tom2 85Br Tom3 85Br CrsCym1 85Br Tom3 85Br RdCym ChinaCymbal 85Br RdBell Tambourine Splash Cym. Cowbell Crash Cym.2 Vibraslap RideCym Edge Bongo High Bongo Lo Mute H.Conga Conga Hi Opn Conga Lo Opn High Timbale Low Timbale Agogo Agogo Cabasa Maracas ShrtWhistle LongWhistle Short Guiro Long Guiro Claves Woodblock Woodblock Mute Cuica Open Cuica MuteTriangl OpenTriangl Shaker Jingle Bell Bell Tree Castanets Mute Surdo Open Surdo Applause
---
---
---
---
---
---
---
---
PC: 43 [CC32: 4] BRUSH2LR
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
--­Voice One Voice Two Voice Three
---
--­MC-500 Beep MC-500 Beep Concert Snr Snare Roll Finger Snap High-Q Slap ScratchPush ScratchPull Sticks SquareClick Mtrnm.Click Mtrnm. Bell 85BrBsDrum1B 85BrBsDrum2B Side Stick 85BrSnare1B 85BrSnare2B Brush Swirl 85BrTom1B 85BrClsHatB 85BrTom1B Pedal HiHat 85BrTom2B 85BrOpenHatB 85BrTom2B 85BrTom3B 85BrCrsCym1B 85BrTom3B 85BrRdCymB ChinaCymbal 85BrRdBellB Tambourine Splash Cym. Cowbell Crash Cym.2 Vibraslap RideCym Edge Bongo High Bongo Lo Mute H.Conga Conga Hi Opn Conga Lo Opn High Timbale Low Timbale Agogo Agogo Cabasa Maracas ShrtWhistle LongWhistle Short Guiro Long Guiro Claves Woodblock Woodblock Mute Cuica Open Cuica MuteTriangl OpenTriangl Shaker Jingle Bell Bell Tree Castanets Mute Surdo Open Surdo Applause
---
---
---
---
---
--­85Br BsDrum1 85Br BsDrum2
PC: 44 [CC32: 4] V-JzzBrs
HipHop BD1 Jazz Kick 1 Mex_Kik36 85RmBsDrum1B 85RmBsDrum2B 909 BD 909 BD 2 Jngl BD 2 HipHop BD HipHop BD 2 85StBsDrum1B NewJzKik NewRockKik CymbalRoll NewRkCStkMn 85RmSnare1B 85RmSnare2B 85StSnare1B 85StSnare2B NewJzSn2 NewJzSn1 NewR&BSn IPopSn38mn IPopSn40mn IPopSn38mn IPopGstS39mn IPopSn38mn FingerSnaps2 707 Claps 808clap Hand clap2 909 HandClap NewJzHatPdl GospelHClp1 IPopSRll30st NewJzKik NewJzKik NewJzSW1 NewJzSn1 NewJzSW2 NewJzSn2 NewJzTomLoFl NewJzHat1 NewJzTomLo NewJzHat2 NewJzTomMFl NewJzHat3 NewRkTomMid NewJzTomHiFl NewJzCrCym1 NewJzTomHi NewJzRide1 NewJzCrCym2 NewJzRide2 Tambourine Splash Cym. ChaChaCBell NewJzCrCym1 Vibraslap NewRkRdCym1 NewHiBongo NewLoBongo NewCongaSlp NewCongaOp NewLoConga NewTmblHi NewTmblLo Agogo Agogo NewShaker2 NewShaker1 ShrtWhistle LongWhistle NewQuide1 NewQuide2 NewClaves Woodblock Woodblock Mute Cuica Open Cuica MuteTriangl OpenTriangl Shaker Jingle Bell Bell Tree Castanets Mute Surdo Open Surdo CRcir NewTmblHiFlm NewTmblLoFlm NewTmblPHS NewShekere1 NewShekere2 NHBngoMute NewLBngoMute CajonHi
PC: 49 [CC32: 4] ORCHSTRA
Std.1 Kick1 Std.1 Kick2 Std.2 Kick1 Std2 Kick2 Kick 1 Kick 2 Jazz Kick 1 Jazz Kick 2 Room Kick 1 Room Kick 2 Power Kick1 Power Kick2 Elec Kick 2 Elec Kick 1 TR-808 Kick TR-909 Kick Dance Kick 2 Voice One Voice Two Voice Three
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--­MC-500 Beep MC-500 Beep Concert Snr Snare Roll Finger Snap Jazz Clsd.HH Pedal HiHat Jazz Open HH Ride Cymbal Sticks SquareClick Mtrnm.Click Mtrnm. Bell Jazz Kick 1 Concert BD Side Stick Concert Snr Castanets Concert Snr Timpani Timpani Timpani Timpani Timpani Timpani Timpani Timpani Timpani Timpani Timpani Timpani Timpani Tambourine Splash Cym. Cowbell Con.Cymbal2 Vibraslap Concert Cym. Bongo High Bongo Lo Mute H.Conga Conga Hi Opn Conga Lo Opn High Timbale Low Timbale Agogo Agogo Cabasa Maracas ShrtWhistle LongWhistle Short Guiro Long Guiro Claves Woodblock Woodblock Mute Cuica Open Cuica MuteTriangl OpenTriangl Shaker Jingle Bell Bell Tree Castanets Mute Surdo Open Surdo Applause
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PC: 50 [CC32: 4] ETHNIC
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--­Finger Snap Tambourine Castanets Crash Cym.1 Snare Roll Concert Snr Concert Cym Concert BD Jingle Bell Bell Tree Bar Chimes Wadaiko Wadaiko Rim Shimedaiko Atarigane Hyoushigi Ohkawa H kotsuzumi L Kotsuzumi Ban_Gu Big Gong Small Gong Bend Gong RAMA Cymbal RAMA Cymbal Gamelan Gong Udo_Short Udo_Long Udo_slap Bendir Req_Dum Req_tik Tabla_Te Tabla_Na Tabla_Tun Tabla_Ge Tabla Ge Hi Talking Drum Bend tlk_drm Caxixi DJembe Djembe_rim Low Timbale Timbl Paila High Timbale Cowbell Bongo High Bongo Lo Mute H.Conga Conga Hi Opn Conga MtLow Conga Slap Conga Lo Opn Conga Slide Mut Pandiero Opn Pandiero Open Surdo Mute Surdo Tamborim Agogo Agogo Shaker Low Whistle Low Whistle Mute Cuica Open Cuica MuteTriangl OpenTriangl Short Guiro Long Guiro Cabasa Up Cabasa Down
REFERENCE
REFERENCE
REFERENCE
REFERENCE
79
Page 80
Drum Sets
(C7) (96)
C8 108
C9G9120
PC: 30 [CC32: 4] TR-707
(---) Techno Hit
97
98
Philly Hit
99
Shock Wave
100
Lo Fi Rave Bam Hit
101
Bim Hit
102
TapeRewind
103
104
Phono Noise
105
Dance Snare1
106
Power Snare2
107
Elec Snare 1 Dance Snare2
109
Elec Snare 2
110
Elec. Snare
111
Elec Snare 3
112
66sn260 TR-707 SD
113
114
808 Snare 1 808 Snare 2
115
116
TR-808 SD2
117
909 Snare 1
118
909 Snare 2
119
909 SD 1 TR-909 SD2
121
Rap Snare
122
JungleSD1
123
House SD
124
House Snare House SD
125
126
Voice Tah Noise Slap
127
PC: 31 [CC32: 4] TR-909
(---) Techno Hit Philly Hit Shock Wave Lo Fi Rave Bam Hit Bim Hit TapeRewind Phono Noise Dance Snare1 Power Snare2 Elec Snare 1 Dance Snare2 Elec Snare 2 Elec. Snare Elec Snare 3 66sn260 TR-707 SD 808 Snare 1 808 Snare 2 TR-808 SD2 909 Snare 1 909 Snare 2 909 SD 1 TR-909 SD2 Rap Snare JungleSD1 House SD House Snare House SD Voice Tah Noise Slap
PC: 33 [CC32: 4] JAZZ
(---)
--­85Br Snare1 85Br Snare2 Brush Swirl Brush Tap Brush Slap1 Brush Slap2 Brush Slap Brush Swirl Brush Swirl Long Swirl Jazz Snare 1 Jazz Snare 2 Std.1 Snare1 Std.1 Snare2 Std.2 Snare1 Std.2 Snare2 Tight Snare Standard SN1 LD Snare M LD Snare C Room Snare 1 Room Snare 2 Dance Snare1 Power Snare1 Rev.Snare Power Snare2 Elec Snare 1 Dance Snare2 Elec Snare 2 Elec Snare 3
PC: 34 [CC32: 4] JAZZ L/R
(85Jz BsDrum2) 85Jz CrsCym1 85Jz Snare1 85Jz RdCym 85Jz Snare2 85Jz Tom16 85Jz ClsHat 85Jz Tom13 85Jz RdBell 85Jz Tom12 85Jz OpenHat 85JzBsDrum1P 85JzBsDrum2P 85JzCrsCym1P 85Jz Snare1P 85Jz RdCym P 85Jz Snare2P 85Jz Tom16 P 85Jz ClsHatP 85Jz Tom13 P 85Jz RdBellP 85Jz Tom12 P 85JzOpenHatP
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PC: 41 [CC32: 4] BRUSH
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--­Brush Swirl Brush Tap Brush Slap1 Brush Slap2 Brush Slap Brush Swirl Brush Swirl Long Swirl Jazz Snare 1 Jazz Snare 2 Std.1 Snare1 Std.1 Snare2 Std.2 Snare1 Std.2 Snare2 Tight Snare Standard SN1 LD Snare M LD Snare C Room Snare 1 Room Snare 2 Dance Snare1 Power Snare1 Rev.Snare Power Snare2 Elec Snare 1 Dance Snare2 Elec Snare 2 Elec Snare 3
PC: 42 [CC32: 4] BRUSH 2
(---)
--­85Jz Snare1 85Jz Snare2 Brush Swirl Brush Tap Brush Slap1 Brush Slap2 Brush Slap Brush Swirl Brush Swirl Long Swirl Jazz Snare 1 Jazz Snare 2 Std.1 Snare1 Std.1 Snare2 Std.2 Snare1 Std.2 Snare2 Tight Snare Standard SN1 LD Snare M LD Snare C Room Snare 1 Room Snare 2 Dance Snare1 Power Snare1 Rev.Snare Power Snare2 Elec Snare 1 Dance Snare2 Elec Snare 2 Elec Snare 3
PC: 43 [CC32: 4] BRUSH2LR
(85Br BsDrum2) 85Br CrsCym1 85Br Snare1 85Br RdCym 85Br Snare2 85Br Tom3 85Br ClsHat 85Br Tom2 85Br RdBell 85Br Tom1 85Br OpenHat 85BrBsDrum1P 85BrBsDrum2P 85BrCrsCym1P 85Br Snare1P 85Br RdCym P 85Br Snare2P 85Br Tom3 P 85BrClsHat P 85Br Tom2 P 85Br RdBellP 85Br Tom1 P 85BrOpenHatP
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PC: 44 [CC32: 4] V-JzzBrs
(CajonHi ) CajonHiFlm CajonLo CajonLoFlm FlmncoHClp1 FlmncoHClp1 BongoCowBell AfHey MamboCowBell MexFVox2 AfFoots MexFVox1 MexMVox1 YodelFVox1 MexMVox2 YodelMVox1 MexMVox3 FlmncoFVox1 YodelFVox2 FlmncoFVox2 NewWhistle1 FlmncoFVox3 NewWhistle2 FlmncoMVox1 FlmncoMVox2 BrazilVox1 FlmncoMVox3 BrazilVox2 BrazilVox3 AfAahhh p33137v p33168v
PC: 49 [CC32: 4] ORCHSTRA
(---) Applause 2 Small Club Timpani Timpani Timpani Timpani Timpani Timpani Timpani Timpani Timpani Timpani Timpani Timpani Timpani Timpani Timpani
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PC: 50 [CC32: 4] ETHNIC
(Cabasa Down) Claves Woodblock Woodblock
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(C7) (96)
C8 108
C9G9120
PC: 51 [CC32: 4] KICK&SNR
(HipHop SD2) JungleSD1
97
98
Jungle SD2
99
Slap
100
MG_Blip House SD
101
CR78 SD 1
102
CR78 SD 2
103
104
66sn160
105
66sn260
106
TR-707 SD
107
TR-707 SD 2 TR-707 SD 3
109
TR-808 SD2
110
909 SD 1
111
TR-909 SD2
112
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PC: 52 [CC32: 4] KICK&SN2
(HipHop SD2) JungleSD1 Jungle SD2 Slap MG_Blip House SD CR78 SD 1 CR78 SD 2 66sn160 66sn260 TR-707 SD TR-707 SD 2 TR-707 SD 3 TR-808 SD2 909 SD 1 TR-909 SD2
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PC: 53 [CC32: 4] ASIA
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PC: 54 [CC32: 4] CYM&CLAP
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PC: 55 [CC32: 4] GAMELAN 1
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PC: 56 [CC32: 4] GAMELAN 2
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PC: 57 [CC32: 4] SFX
(Perc. Bang)
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PC: 58 [CC32: 4] RHYTHMFX
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PC: 59 [CC32: 4] RHTHMFX2
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PC: 60 [CC32: 4] RHTHMFX3
(R Boeeeen) R Bounce R CD Tray R Drill R Glass Stir R Ice Ring R Klnzapcm R Scratch 4 R Scratch 5 R Scratch 6 R Scratch 7 R Seal R Stab! 1 R Stab! 2 R Swrd Boom! R Swrd Cross R Thrill Hit R Audio Sw R Typing 1 R Typing 2 R Typing 3 R Typing 4 R Typing 5 R Typing 6
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Page 81
EM-55 OR Owner’s Manual
C–1 0
C0 12
C1 24
C2 36
C3 48
C4 60
C5 72
C6 84
C7 96
PC: 51 [CC32: 4] KICK&SNRE
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--­CR78 BD 1
25
CR78 BD 2
26
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TR-606 BD1
28
TR-707 BD 808 BD
29
909 Comp BD
30
TR-909 BD2
31
32
HipHop BD2
33
HipHop BD1
34
Jungle BD2
35
JungleBD Set Techno BD2 Techno BD1
37
Mix Kick
38
39
Standard KK1
40
Std.1 Kick1 Std.1 Kick2
41
Std.2 Kick1
42
Std2 Kick2
43
44
Kick 1
45
Kick 2
46
Soft Kick
47
Jazz Kick 1 Jazz Kick 2 Concert BD
49
Room Kick 1
50
51
Room Kick 2
52
Power Kick1 Power Kick2
53
Elec Kick 2
54
Elec Kick 1
55
56
Elec. Kick
57
TR-808 Kick
58
TR-909 Kick
59
Dance Kick 2 Std.1 Snare1 Std.1 Snare2
61
Std.2 Snare1
62
63
Std.2 Snare2
64
Tight Snare Concert Snr
65
Jazz Snare 1
66
Jazz Snare 2
67
68
Room Snare 1
69
Room Snare 2
70
Dance Snare1
71
Power Snare1 Rev.Snare Power Snare2
73
Elec Snare 1
74
75
Dance Snare2
76
Elec Snare 2 House Snare
77
Elec. Snare
78
Elec Snare 3
79
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808 Snare 1
81
808 Snare 2
82
909 Snare 1
83
909 Snare 2 Brush Swirl Brush Tap
85
Brush Slap1
86
87
Brush Slap2
88
Brush Slap Brush Swirl
89
Brush Swirl
90
Long Swirl
91
92
Standard SN1
93
LD Snare M
94
LD Snare C
95
Rap Snare HipHop SD2
PC: 52 [CC32: 4] KICK&SN2
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--­CR78 BD 1 CR78 BD 2 TR-606 BD1 TR-707 BD 808 BD 909 Comp BD TR-909 BD2 HipHop BD2 HipHop BD1 Jungle BD2 JungleBD Set Techno BD2 Techno BD1 Mix Kick Standard KK1 85St BsDrum1 85St BsDrum2 85Br BsDrum1 85Br BsDrum2 85Jz BsDrum1 85Jz BsDrum2 HipHop BD 2 HipHop BD ConcertBD Mt Concert BD 85Rm BsDrum1 85Rm BsDrum2 Jngl BD Jngl BD 2 Jngl BD Roll Fat BD Dance BD 808 BD 909 BD 909 BD 2 85St Snare2 85St Snare1 Std.2 Snare1 Std.2 Snare2 Tight Snare Concert Snr 85Jz Snare1 85Jz Snare2 85Rm Snare2 85Rm Snare1 LoFi SD 1 LoFi SD 2 Rev.Snare LoFi SD Rim Elec Snare 1 HipHop SD 1 HipHop SD 2 Dance SD 606 SD 2 Techno SD House SD Rock SD Dry Jngl SD Jngl SD Roll Brush Swirl Brush Tap 85Br Snare1 85Br Snare2 Brush Slap Brush Swirl Brush Swirl Long Swirl Standard SN1 LD Snare M LD Snare C Rap Snare HipHop SD2
PC: 53 [CC32: 4] ASIA
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--­Gamelan Gong Gamelan Gong Gamelan Gong Gamelan Gong Gamelan Gong Gamelan Gong Gamelan Gong Gamelan Gong Gamelan Gong Gamelan Gong Gender Gender Gender Gender Gender Bonang Bonang Bonang Bonang Bonang RAMA Cymbal RAMA Cymbal Sagat R Sagat L-c Jaw Harp Wow Wadaiko Wadaiko Rim Taiko Shimedaiko Atarigane Hyoushigi Ohkawa H kotsuzumi L Kotsuzumi Yyoo Dude Buk_f Buk_r Gengari_p Gengari_m Gengari_f Gengari_m Gengari S Jang-Gu_c Jang-Gu_k Jang-Gu_r Jing_p Jing_f Jing_m Asian Gong 1 Big Gong Small Gong Pai Ban Ban_Gu tangu60 tanmt60 Bend Gong L Bend Gong Huyin Luo L hynlo60 Huyin Luo Mt Hu yin Luo H Hynlo mute naobo60 xaobo60 Dholak 1 Dholak 2
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PC: 54 [CC32: 4] CYM&CLAP
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--­rev.lvohh Rev. LVCHH 1 Rev. LVCHH 2 Jungle HH Close HiHat Jazz Clsd.HH Room Chh Close HiHat1 Close HiHat2 TR-707 HH-c 606 CH 808__chh TR-808 CHH CR-78 chh GS Pedal HH Pedal HiHat Pedal HiHat2 Half OpenHH1 Half OpenHH2 Open Hi Hat Jazz Open HH R8 Ohh2 Open HiHat2 909 OH TR-707 OHH 606 HiHat Op 808__ohh TR-808 OHH CR-78 ohh Crash Cym.1 Crash Cym.2 GS Crash Brush Crash Hard Crash 909 Crash 808 Crash Crash Mute 1 Crash Mute 2 ReverseCymbl Rev.Cymbal2 Reverse Cym. rev.tra_crsm Crash Cym.1 Splash Cym. Ride Bell Brush RideBL Ride Cymbal Ride Cymbal Brush Ride Ride Cym IN Ride Cym IN Ride Cym IN RideCym Edge RideCym Edge RideCym Edge 606 Ride Cym TR808 Ride ChinaCymbal Chaina Cym2 Hand Clap Hand clap2 808clap 909 HandClap HC2 Claps 2 707 Claps
PC: 55 [CC32: 4] GAMELAN 1
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--­KendangWadon KendangWadon Bebarongan Pelegongan Kelontuk Kelontuk Mt Kelontuk Sid Gong Wadon Gong Lanang Ceng Ceng Kopyak Op Kopyak Mt Kajar Kempur Jegogan Jegogan33up Jegogan33dw Jegogan33dw Jegogan Jublag Jublag33up Jublag33dw Jublag33dw Jublag Penyacah33dw Penyacah Penyacah Penyacah33up Penyacah33dw Penyacah33dw Penyacah Pemade33up Pemade33dw Pemade33dw Pemade Pemade Pemade33up Pemade33dw Pemade33dw Pemade Pemade33up Reyong33dw Reyong33dw Reyoung Reyoung Reyong33up Reyong33dw Reyong33dw Reyoung Reyoung Reyong33up Reyong33dw Reyong33dw
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PC: 56 [CC32: 4] GAMELAN 2
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--­KendangWadon KendangWadon Bebarongan Pelegongan Kelontuk Kelontuk Mt Kelontuk Sid Gong Wadon Gong Lanang Ceng Ceng Kopyak Op Kopyak Mt Kajar Kempur Jegogan Jegogan40up Jegogan20dw Jegogan20up Jegogan40up Jublag Jublag40up Jublag20dw Jublag20up Jublag40up Penyacah20up Penyacah40up Penyacah Penyacah40up Penyacah20dw Penyacah20up Penyacah40up Pemade40up Pemade20dw Pemade20up Pemade20up Pemade Pemade40up Pemade20dw Pemade20up Pemade20up Pemade Reyong20dw Reyong20up Reyong20up Reyoung Reyong40up Reyong20dw Reyong20up Reyong40up Reyoung Reyong40up Reyong20dw Reyong20up
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PC: 57 [CC32: 4] SFX
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--­MC-500 Beep MC-500 Beep ytwn3.xtp ytwn2.xtp Guitar Slap Chord Stroke Chord Stroke Biwa 3 Phono Noise TapeRewind Scrtch Push2 Scrtch Pull2 Gt.CutNoise2 Gt.CutNoise2 Dist.CutNoiz Dist.CutNoiz Bass Slide Pick Scrape High-Q Slap ScratchPush ScratchPull Sticks SquareClick Mtrnm.Click Mtrnm. Bell Gt.FretNoiz Gt.CutNoise Gt.CutNoise String Slap Fl.KeyClick Laughing Screaming Punch Heart Beat Footsteps Footsteps Applause Creaking Door Scratch Wind Chimes Car-Engine Car-Stop Car-Pass Car-Crash Siren Train Jetplane Helicopter Starship Gun Shot Machine Gun Lasergun Explosion Dog HorseGallop Bird Rain Thunder Wind Seashore Stream Bubble Kitty Bird 2 Growl Applause 2 Telephone 1 Telephone 2 Small Club Small Club 2 ApplauseWave Eruption Big Shot Perc. Bang
PC: 58 [CC32: 4] RHYTHMFX
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--­Rev.Kick 1 Rev.ConBD Rev.PowerK1 Rev.Elec.K1 Rev.Snare 1 Rev.Snare 2 Rev.Std1SD1 Rev.TightSD Rev.DanceSD Rev.808SD Rev.Tom 1 Rev.Tom 2 Rev.Sticks Rev.Slap ReverseCymbl Rev.Cymbal2 Rev.Open HH Rev.RideCym. Rev.CR-78OHH Rev.Clsd.HH Rev.BendGong Rev.Belltree Rev.Guiro Rev.Bendir Rev.GunShot Rev.Scratch Rev.Lasergun Click Tekno Thip Pop Drop Wood Slap Dist.Kick Syn.Drops Rev.Hi-Q ShrtWhistle Ice Block Digi Tambrn. Alias Mod.Bell Tambourine Metalic Perc Velo FX Noiz St.NoiseClap Swish Noise Slap Voice 1 Voice Au Hoo Tape Stop 1 Tape Stop 2 Missile Space Birds FlyingMonstr
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PC: 59 [CC32: 4] RHTHMFX2
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--­rev.707bd rev.909bd2 rev.hphp_bd1 rev.jgl_bd2 rev.tech_bd2 rev.606sn2 rev.cr78sd1 rev.cr78sd2 rev.jgl_sd2 rev.tech_sd2 rev.707sd rev.606sn1 rev.909sd1 rev.hphp_sd2 rev.jgl_sd1 Rev House SD Rev. LVCHH 1 rev.606htcl rev.707chh rev.808chh rev.jgl_hh rev.344tmb2 rev.344tmb3 rev.808ohh rev.707ohh rev.lvohh rev.606cym Rev. HynLuo rev.707fx Voice One rev.one Voice Two rev.two Voice Three rev.three Voice Tah rev.tah Voice 1 Voice Au Voice Whey Frog Vpoce rev.yyooh Douby rev.douby Baert Baert Bounce rev.bounce Dist Knock ytwn3.xtp xxx Noise Attack SpaceWorms Emergency! Calculating SawLFOSaw
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PC: 60 [CC32: 4] RHTHMFX3
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--­R Bs Mute NZ R Bs StQuail R Bs Atk NZ R ClnGtCutUp R ClnGtCutDn R ClnGtrMtUp R ClnGtrMtDn R DstGtCutUp R DstGtCutDn R DstGtrSgdn R DstGtrMute R SlGtrSdNz1 R SlGtrSdNz2 R SlGtrSdNz3 R SlGtrSdNz4 R SlGtrStkSD R SlGtrStkU1 R SlGtrStkD1 R SlGtrStkU2 R SlGtrStkD2 R Tbone NZ R Tpet NZ R St BsDrum1 R St BsDrum2 R Rm BsDrum1 R Rm BsDrum2 R Jz BsDrum1 R Jz BsDrum2 R Br BsDrum1 R Br BsDrum2 R HipHop BD2 R HipHop BD R Jngl BD R Jngl BD 2 R 808 BD R 909 BD R 909 BD 2 R Fat BD R Dance BD R St Snare2 R St Snare1 R Rm Snare2 R Rm Snare1 R Jz Snare1 R Jz Snare2 R Br Snare1 R Br Snare2 R LoFi SD 1 R LoFi SD 2 R HipHop SD1 R HipHop SD2 R House SD R Jngl SD R 606 SD 2 R Techno SD R Dance SD R RockSD Dry R LoFi SDRim R 909 SD Rim R Jngl SDRim R DanceSDRim R HouseSDRim R Brsh Tom1 R Brsh Tom2 R Brsh Tom3 R 606 Tom R Jngl Crash R St ClsHat R Rm ClsHat R Jz ClsHat R Br ClsHat R 707 Claps R 909 Claps R R&B Claps1 R HipHopClap R CompClaps2 R Shaker 2 R JnglShaker R Clap Hit R Boeeeen
REFERENCE
REFERENCE
REFERENCE
REFERENCE
81
Page 82
Drum Sets
PC: 61 [CC32: 4] SFX 2
C–1 0
C0 12
C1 24
C2 36
C3 48
C4 60
C5 72
C6 84
C7 96
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1
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3
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20
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22
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23
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25
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26
27
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28
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30
A.Bs.Mute Nz
31
32
A.Bs.TouchNz
33
A.Bs.AtackNz
34
DstGT.MuteNz
35
StlGt.SldNz1 StlGt.SldNz2 StlGt.SldNz3
37
StlGt.SldNz4
38
39
Gt.StrokeNz1
40
Gt.StrokeNz2 Gt.StrokeNz3
41
Gt.StrokeNz4
42
Gt.StrokeNz5
43
44
Open CD Tray
45
Audio Switch
46
Key Typing 1
47
Key Typing 2 Key Typing 3 Key Typing 4
49
Key Typing 5
50
51
Key Typing 6
52
BabyLaughing Clap Hit
53
Stab! 1
54
Stab! 2
55
56
Bounce Hit
57
Boeeeen
58
Glass & Glam
59
Ice Ring Crack Bottle Pour Bottle
61
Soda
62
63
Car Engine 2
64
Car Horn R.Crossing
65
SL 1
66
SL 2
67
68
Over Blow
69
Sword Boom!
70
Sword Cross
71
Industry Hit Drill Hit Compresser
73
Thrill Hit
74
75
Explosion 2
76
Seal Fancy Animal
77
Cricket
78
Baert
79
80
Frog Vpoce
81
Wind 2
82
Scratch 3
83
Scratch 4 Scratch 5 Scratch 6
85
Scratch 7
86
87
Noise Attack
88
Bounce Dist Knock
89
xxx
90
---
91
92
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93
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94
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95
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---
(CC32=122 only via MIDI)
PC: 63 [CC32: 4] CYM&CLA2
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--­Rev. LVCHH 2 Rev. LVCHH 2 Rev. LVCHH 2 Rev. LVCHH 2 Close HiHat2 Jazz Clsd.HH Close HiHat2 Room Chh TR-707 HH-c 606 CH TR-808 CHH CR-78 chh GS Pedal HH Pedal HiHat Pedal HiHat2 Half OpenHH1 Half OpenHH2 Open HiHat2 Open HiHat2 Open Hi Hat Jazz Open HH 909 OH TR-707 OHH 606 HiHat Op TR-808 OHH CR-78 ohh Crash Cym.1 GS Crash Hard Crash Brush Crash Hard Crash 909 Crash Jngl Crash 808 Crash Crash Mute 2 Crash Mute 1 Crash Mute 2 Crash Mute 2 Crash Mute 1 Crash Mute 2 rev.tra_crsm rev.tra_crsm Reverse Cym. rev.tra_crsm Splash Cym. Ride Bell Ride Bell Ride Bell Brush RideBL Ride Cymbal Ride Cymbal Ride Cymbal Brush Ride 606 Ride Cym TR808 Ride ChinaCymbal Chaina Cym2 Hand clap2 HC2 Claps 2 808clap 808clap HC2 Claps 2 909 HandClap HC2 Claps 2 707 Claps
PC: 64 [CC32: 4] V-VoxDrm
HipHop BD1 Jazz Kick 1 p05002v 85RmBsDrum1B 85RmBsDrum2B 909 BD 909 BD 2 Jngl BD 2 HipHop BD HipHop BD 2 85StBsDrum1B NewJzKik NewRockKik CymbalRoll NewRkCStkMn 85RmSnare1B 85RmSnare2B 85StSnare1B 85StSnare2B NewJzSn2 NewJzSn1 NewR&BSn NewRockSn2mn NewRockSn1mn IPopSn38mn IPopGstS39mn IPopSn38mn FingerSnaps2 707 Claps 808clap Hand clap2 909 HandClap IPopPHat32 GospelHClp1 p35010v p05006v p33079v p33146v p32011v p43001v p33137v p33168v p33012v p34001v p33014v p33157v p33019v p33164v p33159v p35029v p33158v p43002v cym013v p45002v p36017v p34109v p36019v p44001v p36009v AfAahhh NewHiBongo NewLoBongo NewCongaSlp NewCongaOp NewLoConga NewTmblHi NewTmblLo Agogo Agogo NewShaker2 NewShaker1 ShrtWhistle LongWhistle NewQuide1 NewQuide2 NewClaves Woodblock Woodblock Mute Cuica Open Cuica MuteTriangl OpenTriangl Shaker Jingle Bell Bell Tree Castanets Mute Surdo Open Surdo CRcir NewTmblHiFlm NewTmblLoFlm NewTmblPHS NewShekere1 NewShekere2 NHBngoMute NewLBngoMute CajonHi
PC: 128 [CC32: 4] CM-64/32L
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--­Kick 1 Kick 1 Side Stick Fat Snare Hand Clap Elec. Snare Tom Close HiHat Tom Open HiHat2 Tom Open Hi Hat Tom Tom GS Crash Tom Ride Cymbal
---
--­Tambourine
--­Cowbell
---
---
--­High Bongo Low Bongo Mute Conga Conga Conga Timbales Timbales Agogo Agogo Cabasa Maracas ShrtWhistle LongWhistle Vibraslap
--­Claves Laughing Screaming Punch Heart Beat Footsteps Footsteps Applause Creaking Door Scratch Wind Chimes Car-Engine Car-Stop Car-Pass Car-Crash Siren Train Jetplane Helicopter Starship Gun Shot
PC: 1 [CC32: 122] GM2STNDR
---
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--­High-Q Slap ScratchPush ScratchPull Sticks SquareClick Mtrnm.Click Mtrnm. Bell 85St BsDrum1 85St BsDrum2 Side Stick 85St Snare2 909 HandClap 85St Snare1 Real Tom 6 Close HiHat2 Real Tom 6 Pedal HiHat2 Real Tom 4 Open HiHat2 Real Tom 4 Real Tom 1 Crash Cym.1 Real Tom 1 Ride Cymbal ChinaCymbal Ride Bell Tambourine Splash Cym. Cowbell Crash Cym.2 Vibraslap Ride Cymbal Bongo High Bongo Lo Mute H.Conga Conga Hi Opn Conga Lo Opn High Timbale Low Timbale Agogo Agogo Cabasa Maracas ShrtWhistle LongWhistle Short Guiro Long Guiro Claves Woodblock Woodblock Mute Cuica Open Cuica MuteTriangl OpenTriangl Shaker Jingle Bell Bell Tree Castanets Mute Surdo Open Surdo
---
---
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---
PC: 9 [CC32: 122] GM2 ROOM
---
---
---
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---
--­High-Q Slap ScratchPush ScratchPull Sticks SquareClick Mtrnm.Click Mtrnm. Bell 85Rm BsDrum1 85Rm BsDrum2 Side Stick 82Rm Snare2 808clap 82Rm Snare1 Room Tom 5 Room Chh Room Tom 5 Pedal HiHat Room Tom 2 R8 Ohh2 Room Tom 2 Room Tom 2 Crash Cym.1 Room Tom 2 Ride Cymbal ChinaCymbal Ride Bell Tambourine Splash Cym. Cowbell Crash Cym.2 Vibraslap Ride Cymbal Bongo High Bongo Lo Mute H.Conga Conga Hi Opn Conga Lo Opn High Timbale Low Timbale Agogo Agogo Cabasa Maracas ShrtWhistle LongWhistle Short Guiro Long Guiro Claves Woodblock Woodblock Mute Cuica Open Cuica MuteTriangl OpenTriangl Shaker Jingle Bell Bell Tree Castanets Mute Surdo Open Surdo
---
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PC: 17 [CC32: 122] GM2POWER
---
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--­High-Q Slap ScratchPush ScratchPull Sticks SquareClick Mtrnm.Click Mtrnm. Bell Power Kick2 Power Kick1 Side Stick Dance Snare1 808clap Power Snare1 Rock Tom 4 Close HiHat2 Rock Tom 4 Pedal HiHat2 Rock Tom 4 Open HiHat2 Rock Tom 4 Rock Tom 1 Crash Cym.1 Rock Tom 1 Ride Cymbal ChinaCymbal Ride Bell Tambourine Splash Cym. Cowbell Crash Cym.2 Vibraslap Ride Cymbal Bongo High Bongo Lo Mute H.Conga Conga Hi Opn Conga Lo Opn High Timbale Low Timbale Agogo Agogo Cabasa Maracas ShrtWhistle LongWhistle Short Guiro Long Guiro Claves Woodblock Woodblock Mute Cuica Open Cuica MuteTriangl OpenTriangl Shaker Jingle Bell Bell Tree Castanets Mute Surdo Open Surdo
---
---
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PC: 25 [CC32: 122] GM2ELECT
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--­High-Q Slap Scrtch Push2 Scrtch Pull2 Sticks SquareClick Mtrnm.Click Mtrnm. Bell Elec Kick 2 Elec Kick 1 Side Stick Elec. Snare 808clap Elec Snare 2 Synth Drum 2 Jazz Clsd.HH Synth Drum 2 Pedal HiHat Synth Drum 2 Jazz Open HH Synth Drum 2 Synth Drum 2 Crash Cym.1 Synth Drum 2 Ride Cymbal ReverseCymbl Ride Bell Tambourine Splash Cym. Cowbell Crash Cym.2 Vibraslap Ride Cymbal Bongo High Bongo Lo Mute H.Conga Conga Hi Opn Conga Lo Opn High Timbale Low Timbale Agogo Agogo Cabasa Maracas ShrtWhistle LongWhistle Short Guiro Long Guiro Claves Woodblock Woodblock Mute Cuica Open Cuica MuteTriangl OpenTriangl Shaker Jingle Bell Bell Tree Castanets Mute Surdo Open Surdo
---
---
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PC: 26 [CC32: 122] GM2ANALG
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--­High-Q Slap Scrtch Push2 Scrtch Pull2 Sticks SquareClick Mtrnm.Click Mtrnm. Bell 808 BD TR-808 Kick 808 Rimshot 808 Snare 1 808clap TR-808 SD2 808 Tom 2 TR-808 CHH 808 Tom 2 808__chh 808 Tom 2 TR-808 OHH 808 Tom 2 808 Tom 2 808 Crash 808 Tom 2 606 Ride Cym ChinaCymbal Ride Bell CR78 Tmb Splash Cym. 808cowbe 909 Crash Vibraslap RideCym Edge CR78 HiBongo CR78 LoBongo 808 Conga 808 Conga 808 Conga High Timbale Low Timbale Agogo Agogo Cabasa 808marac ShrtWhistle LongWhistle Short Guiro CR78 Guiro 808clave Woodblock Woodblock Hoo Hoo MuteTriangl OpenTriangl 626 Shaker Jingle Bell Bell Tree Castanets Mute Surdo Open Surdo
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PC: 33 [CC32: 122] GM2 JAZZ
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--­High-Q Slap ScratchPush ScratchPull Sticks SquareClick Mtrnm.Click Mtrnm. Bell 82Jz BsDrum1 82Jz BsDrum2 Side Stick 82Jz Snare1 Hand clap2 82Jz Snare2 Real Tom 6 Jazz Clsd.HH Real Tom 6 Pedal HiHat Real Tom 4 Jazz Open HH Real Tom 4 Real Tom 1 Crash Cym.1 Real Tom 1 Ride Cym IN ChinaCymbal Ride Bell Tambourine Splash Cym. Cowbell Crash Cym.2 Vibraslap RideCym Edge Bongo High Bongo Lo Mute H.Conga Conga Hi Opn Conga Lo Opn High Timbale Low Timbale Agogo Agogo Cabasa Maracas ShrtWhistle LongWhistle Short Guiro Long Guiro Claves Woodblock Woodblock Mute Cuica Open Cuica MuteTriangl OpenTriangl Shaker Jingle Bell Bell Tree Castanets Mute Surdo Open Surdo
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82
Page 83
EM-55 OR Owner’s Manual
(C7) (96)
C8 108
C9G9120
PC: 61 [CC32: 4] SFX 2
(---)
97
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98
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99
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100
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101
102
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103
104
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105
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106
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107
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109
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110
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111
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112
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113
114
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115
116
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117
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118
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119
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121
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122
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123
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124
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125
126
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127
PC: 63 [CC32: 4] CYM&CLA2
(---)
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PC: 64 [CC32: 4] V-VoxDrum
(CajonHi) CajonHiFlm CajonLo CajonLoFlm FlmncoHClp1 FlmncoHClp1 BongoCowBell AfHey MamboCowBell MexFVox2 AfFoots MexFVox1 MexMVox1 YodelFVox1 MexMVox2 YodelMVox1 MexMVox3 FlmncoFVox1 YodelFVox2 FlmncoFVox2 NewWhistle1 FlmncoFVox3 NewWhistle2 FlmncoMVox1 FlmncoMVox2 BrazilVox1 FlmncoMVox3 BrazilVox2 BrazilVox3 AfAahhh p33137v p33168v
PC: 128 [CC32: 4] CM-64/32L
(Gun Shot) Machine Gun Lasergun Explosion Dog HorseGallop Bird Rain Thunder Wind Seashore Stream Bubble
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PC: 1 [CC32: 122] GM2STNDR
(---)
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PC: 9 [CC32: 122] GM2 ROOM
(---)
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PC: 17 [CC32: 122] GM2POWER
(---)
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PC: 25 [CC32: 122] GM2ELECT
(---)
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PC: 26 [CC32: 122] GM2ANALG
(---)
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PC: 33 [CC32: 122] GM2 JAZZ
(---)
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REFERENCE
REFERENCE
(CC32=122 only via MIDI)
(CC32= 119 only via MIDI)
REFERENCE
REFERENCE
83
Page 84
Drum Sets
PC: 41 [CC32: 122] GM2 BRUSH
C–1 0
C0 12
C1 24
C2 36
C3 48
C4 60
C5 72
C6 84
C7 96
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20
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23
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25
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26
27
High-Q
28
Slap ScratchPush
29
ScratchPull
30
Sticks
31
32
SquareClick
33
Mtrnm.Click
34
Mtrnm. Bell
35
Jazz Kick 2 Jazz Kick 1 Side Stick
37
Brush Swirl
38
39
Brush Slap1
40
Brush Swirl Lite Tom 4
41
Brs Chh
42
Lite Tom 4
43
44
Pedal HiHat
45
Lite Tom 4
46
Brush Ohh
47
Lite Tom 4 Lite Tom 4 Brush Crash
49
Lite Tom 4
50
51
Ride Cym IN
52
ChinaCymbal Brush RideBL
53
Tambourine
54
Splash Cym.
55
56
Cowbell
57
Crash Cym.2
58
Vibraslap
59
RideCym Edge Bongo High Bongo Lo
61
Mute H.Conga
62
63
Conga Hi Opn
64
Conga Lo Opn High Timbale
65
Low Timbale
66
Agogo
67
68
Agogo
69
Cabasa
70
Maracas
71
ShrtWhistle LongWhistle Short Guiro
73
Long Guiro
74
75
Claves
76
Woodblock Woodblock
77
Mute Cuica
78
Open Cuica
79
80
MuteTriangl
81
OpenTriangl
82
Shaker
83
Jingle Bell Bell Tree Castanets
85
Mute Surdo
86
87
Open Surdo
88
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95
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(CC32= 119 only via MIDI)
(CC32=122 only via MIDI)
PC: 49 [CC32: 122] GM2ORCHS
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--­Jazz Clsd.HH Pedal HiHat Jazz Open HH Ride Cymbal Sticks SquareClick Mtrnm.Click Mtrnm. Bell Concert BD ConcertBD Mt Side Stick Concert Snr Castanets Concert Snr Timpani Timpani Timpani Timpani Timpani Timpani Timpani Timpani Timpani Timpani Timpani Timpani Timpani Tambourine Splash Cym. Cowbell Con.Cymbal2 Vibraslap Concert Cym. Bongo High Bongo Lo Mute H.Conga Conga Hi Opn Conga Lo Opn High Timbale Low Timbale Agogo Agogo Cabasa Maracas ShrtWhistle LongWhistle Short Guiro Long Guiro Claves Woodblock Woodblock Mute Cuica Open Cuica MuteTriangl OpenTriangl Shaker Jingle Bell Bell Tree Castanets Mute Surdo Open Surdo Applause
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PC: 57 [CC32: 122] GM2 SFX
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--­High-Q Slap ScratchPush ScratchPull Sticks SquareClick Mtrnm.Click Mtrnm. Bell Gt.FretNoiz Gt.CutNoise Gt.CutNoise String Slap Fl.KeyClick Laughing Screaming Punch Heart Beat Footsteps Footsteps Applause Creaking Door Scratch Wind Chimes Car-Engine Car-Stop Car-Pass Car-Crash Siren Train Jetplane Helicopter Starship Gun Shot Machine Gun Lasergun Explosion Dog HorseGallop Bird Rain Thunder Wind Seashore Stream Bubble
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PC: 1 [CC32: 119] stndrdkt
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--­Mute Surdo Open Surdo High-Q Slap ScratchPush ScratchPull FingerSnaps2 SquareClick Mtrnm.Click Mtrnm. Bell MC-500 Beep MC-500 Beep Brush Swirl Brush Swirl Brush Slap1 Brush Swirl Snare Roll Castanets Concert Snr Sticks Jazz Kick 1 Jazz Snare 2 Mix Kick Standard KK1 Side Stick Standard SN1 909 HandClap LD Snare M Real Tom 6 Close HiHat2 Real Tom 6 Pedal HiHat2 Real Tom 4 Open HiHat2 Real Tom 4 Real Tom 1 Crash Cym.1 Real Tom 1 Ride Cymbal ChinaCymbal Ride Bell Tambourine Splash Cym. Cowbell Crash Cym.2 Vibraslap Ride Cymbal Bongo High Bongo Lo Mute H.Conga Conga Hi Opn Conga Lo Opn High Timbale Low Timbale Agogo Agogo Cabasa Maracas ShrtWhistle LongWhistle Short Guiro Long Guiro Claves Woodblock Woodblock Mute Cuica Open Cuica MuteTriangl OpenTriangl Shaker Jingle Bell Bell Tree
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PC: 2 [CC32: 119] stndrkt2
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--­Mute Surdo Open Surdo High-Q Slap ScratchPush ScratchPull FingerSnaps2 SquareClick Mtrnm.Click Mtrnm. Bell MC-500 Beep MC-500 Beep Brush Swirl Brush Swirl Brush Slap1 Brush Swirl Snare Roll Castanets Concert Snr Sticks Jazz Kick 1 Jazz Snare 2 Std2 Kick2 Std.2 Kick1 Side Stick Std.2 Snare1 909 HandClap Std.2 Snare2 Real Tom 6 Close HiHat2 Real Tom 6 Pedal HiHat2 Real Tom 4 Open HiHat2 Real Tom 4 Real Tom 1 Crash Cym.1 Real Tom 1 Ride Cymbal ChinaCymbal Ride Bell Tambourine Splash Cym. Cowbell Crash Cym.2 Vibraslap Ride Cymbal Bongo High Bongo Lo Mute H.Conga Conga Hi Opn Conga Lo Opn High Timbale Low Timbale Agogo Agogo Cabasa Maracas ShrtWhistle LongWhistle Short Guiro Long Guiro Claves Woodblock Woodblock Mute Cuica Open Cuica MuteTriangl OpenTriangl Shaker Jingle Bell Bell Tree
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PC: 9 [CC32: 119] room kit
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--­Mute Surdo Open Surdo High-Q Slap ScratchPush ScratchPull FingerSnaps2 SquareClick Mtrnm.Click Mtrnm. Bell MC-500 Beep MC-500 Beep Brush Swirl Brush Swirl Brush Slap1 Brush Swirl Snare Roll Castanets Concert Snr Sticks Jazz Kick 1 Jazz Snare 2 Mix Kick Room Kick 1 Side Stick Standard SN1 909 HandClap LD Snare M Room Tom 5 Close HiHat2 Room Tom 5 Pedal HiHat2 Room Tom 2 Open HiHat2 Room Tom 2 Room Tom 2 Crash Cym.1 Room Tom 2 Ride Cymbal ChinaCymbal Ride Bell Tambourine Splash Cym. Cowbell Crash Cym.2 Vibraslap Ride Cymbal Bongo High Bongo Lo Mute H.Conga Conga Hi Opn Conga Lo Opn High Timbale Low Timbale Agogo Agogo Cabasa Maracas ShrtWhistle LongWhistle Short Guiro Long Guiro Claves Woodblock Woodblock Mute Cuica Open Cuica MuteTriangl OpenTriangl Shaker Jingle Bell Bell Tree
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PC: 17 [CC32: 119] rock kit
---
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--­Mute Surdo Open Surdo High-Q Slap ScratchPush ScratchPull FingerSnaps2 SquareClick Mtrnm.Click Mtrnm. Bell MC-500 Beep MC-500 Beep Brush Swirl Brush Swirl Brush Slap1 Brush Swirl Snare Roll Castanets Room Snare 1 Sticks Room Kick 2 Jazz Snare 2 Std2 Kick2 Std.2 Kick1 Side Stick LD Snare M 909 HandClap Jazz Snare 2 Rock Tom 4 Close HiHat2 Rock Tom 4 Pedal HiHat2 Rock Tom 4 Open HiHat2 Rock Tom 4 Rock Tom 1 Crash Cym.1 Rock Tom 1 Ride Cymbal ChinaCymbal Ride Bell Tambourine Splash Cym. Cowbell Crash Cym.2 Vibraslap Ride Cymbal Bongo High Bongo Lo Mute H.Conga Conga Hi Opn Conga Lo Opn High Timbale Low Timbale Agogo Agogo Cabasa Maracas ShrtWhistle LongWhistle Short Guiro Long Guiro Claves Woodblock Woodblock Mute Cuica Open Cuica MuteTriangl OpenTriangl Shaker Jingle Bell Bell Tree
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PC: 25 [CC32: 119] electrok
---
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--­Mute Surdo Open Surdo High-Q Slap ScratchPush ScratchPull FingerSnaps2 SquareClick Mtrnm.Click Mtrnm. Bell MC-500 Beep MC-500 Beep Brush Swirl Brush Swirl Brush Slap1 ReverseCymbl Snare Roll High-Q Standard SN1 Sticks Std2 Kick2 Jazz Snare 2 Elec Kick 2 Power Kick1 Side Stick Dance Snare1 909 HandClap Power Snare1 Synth Drum 2 Close HiHat2 Synth Drum 2 Pedal HiHat2 Synth Drum 2 Open HiHat2 Synth Drum 2 Synth Drum 2 Crash Cym.1 Synth Drum 2 Ride Cymbal ChinaCymbal Ride Bell Tambourine Splash Cym. Cowbell Crash Cym.2 Vibraslap Ride Cymbal Bongo High Bongo Lo Mute H.Conga Conga Hi Opn Conga Lo Opn High Timbale Low Timbale Agogo Agogo Cabasa Maracas ShrtWhistle LongWhistle Short Guiro Long Guiro Claves Woodblock Woodblock ScratchPush ScratchPull MuteTriangl OpenTriangl Shaker Jingle Bell Bell Tree
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PC: 26 [CC32: 119] analogkt
---
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---
--­Mute Surdo Open Surdo High-Q Slap ScratchPush ScratchPull FingerSnaps2 SquareClick Mtrnm.Click Mtrnm. Bell MC-500 Beep MC-500 Beep Brush Swirl Brush Swirl Brush Slap1 ReverseCymbl Snare Roll High-Q Power Snare1 Sticks Mix Kick Jazz Snare 2 808 BD TR-808 Kick 808 Rimshot 808 Snare 1 808clap TR-808 SD2 808 Tom 2 TR-808 CHH 808 Tom 2 808__chh 808 Tom 2 TR-808 OHH 808 Tom 2 808 Tom 2 808 Crash 808 Tom 2 Ride Cymbal ChinaCymbal Ride Bell Tambourine Splash Cym. 808cowbe Crash Cym.2 Vibraslap Ride Cymbal Bongo High Bongo Lo 808 Conga 808 Conga 808 Conga High Timbale Low Timbale Agogo Agogo Cabasa 808marac ShrtWhistle LongWhistle Short Guiro Long Guiro 808clave Woodblock Woodblock ScratchPush ScratchPull MuteTriangl OpenTriangl Shaker Jingle Bell Bell Tree
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PC: 33 [CC32: 119] jazz kit
---
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--­Mute Surdo Open Surdo High-Q Slap ScratchPush ScratchPull FingerSnaps2 SquareClick Mtrnm.Click Mtrnm. Bell MC-500 Beep MC-500 Beep Brush Swirl Brush Swirl Brush Slap1 Brush Swirl Snare Roll Castanets Concert Snr Sticks Jazz Kick 1 Jazz Snare 2 Mix Kick Jazz Kick 2 Side Stick Standard SN1 909 HandClap LD Snare M Real Tom 6 Close HiHat2 Real Tom 4 Pedal HiHat2 Real Tom 4 Open HiHat2 Real Tom 1 Real Tom 1 Crash Cym.1 Real Tom 1 Ride Cymbal ChinaCymbal Ride Bell Tambourine Splash Cym. Cowbell Crash Cym.2 Vibraslap Ride Cymbal Bongo High Bongo Lo Mute H.Conga Conga Hi Opn Conga Lo Opn High Timbale Low Timbale Agogo Agogo Cabasa Maracas ShrtWhistle LongWhistle Short Guiro Long Guiro Claves Woodblock Woodblock Mute Cuica Open Cuica MuteTriangl OpenTriangl Shaker Jingle Bell Bell Tree
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84
Page 85
EM-55 OR Owner’s Manual
C–1 0
C0 12
C1 24
C2 36
C3 48
C4 60
C5 72
C6 84
C7 96
2
4
5
7
9
11
14
16
17
19
21
23
26
28
29
31
33
35
38
40
41
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64
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79
81
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93
95
PC: 41 [CC32: 119] brush kit
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1
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3
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6
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8
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10
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--­Mute Surdo
13
Open Surdo
15
High-Q Slap ScratchPush ScratchPull
18
FingerSnaps2
20
SquareClick Mtrnm.Click
22
Mtrnm. Bell MC-500 Beep MC-500 Beep Brush Swirl
25
Brush Swirl
27
Brush Slap1 Brush Swirl Snare Roll Castanets
30
Brush Slap1
32
Sticks Jazz Kick 1
34
Jazz Snare 2 Mix Kick Jazz Kick 1 Side Stick
37
Brush Slap1
39
909 HandClap Brush Swirl Lite Tom 4 Close HiHat2
42
Lite Tom 4
44
Pedal HiHat2 Lite Tom 4
46
Open HiHat2 Lite Tom 4 Lite Tom 4 Crash Cym.1
49
Lite Tom 4
51
Ride Cymbal ChinaCymbal Ride Bell Tambourine
54
Splash Cym.
56
Cowbell Crash Cym.2
58
Vibraslap Ride Cymbal Bongo High Bongo Lo
61
Mute H.Conga
63
Conga Hi Opn Conga Lo Opn High Timbale Low Timbale
66
Agogo
68
Agogo Cabasa
70
Maracas ShrtWhistle LongWhistle Short Guiro
73
Long Guiro
75
Claves Woodblock Woodblock Mute Cuica
78
Open Cuica
80
MuteTriangl OpenTriangl
82
Shaker Jingle Bell Bell Tree
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85
---
87
---
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90
---
92
---
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94
---
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PC: 49 [CC32: 119] classick
---
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--­Mute Surdo Open Surdo High-Q Slap ScratchPush ScratchPull FingerSnaps2 SquareClick Mtrnm.Click Mtrnm. Bell MC-500 Beep MC-500 Beep Brush Swirl Brush Swirl Brush Slap1 Brush Swirl Snare Roll Castanets Concert Snr Sticks Jazz Kick 1 Jazz Snare 2 Concert BD Concert BD m Side Stick Standard SN1 909 HandClap LD Snare M Real Tom 6 Close HiHat2 Real Tom 4 Pedal HiHat2 Real Tom 4 Open HiHat2 Real Tom 1 Real Tom 1 Concert Cym. Real Tom 1 ConcertCymCl ChinaCymbal Ride Bell Tambourine Splash Cym. Cowbell Concert Cym. Vibraslap ConcertCymCl Bongo High Bongo Lo Mute H.Conga Conga Hi Opn Conga Lo Opn High Timbale Low Timbale Agogo Agogo Cabasa Maracas ShrtWhistle LongWhistle Short Guiro Long Guiro Claves Woodblock Woodblock Mute Cuica Open Cuica MuteTriangl OpenTriangl Shaker Jingle Bell Bell Tree
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PC: 121 [CC32: 122] SFX 1 kit
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--­Gt.CutNoise Gt.CutNoise Dist.CutNoiz String Slap Bass Slide Pick Scrape
---
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--­Fl.KeyClick
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--­Rain Thunder Wind Stream Bubble Feed
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--­Dog HorseGallop Bird 2 Kitty Growl Huanted Ghost Maou
---
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PC: 122 [CC32: 122] SFX 2 kit
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--­Telephone 2 Creaking Door ScratchPush XG Scratch2 Wind Chimes Telephone 2
---
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--­Car-Engine Car-Stop Car-Pass Car-Crash Siren Train Jetplane Starship Burst Noise Coaster Submarine
---
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---
--­Laughing Screaming Punch Heart Beat Footsteps ApplauseWave
---
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--­Machine Gun Lasergun Explosion Firework
---
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PC: 1 [CC32: 3] STANDRD1
Std 1 Kick 1 Std 1 Kick 2 Std 2 Kick 1 Std 2 Kick 2 Kick 1 Kick 2 Jazz Kick 1 Jazz Kick 2 Room Kick 1 Room Kick 2 Power Kick 1 Power Kick 2 Ele Kick 2 Elec Kick 1 TR-808 Kick TR-909 Kick Dance Kick Voice One Voice Two Voice Three
---
--­MC-500 Beep 1 MC-500 Beep 2 Concert SD Snare Roll Finger Snap 2 High Q Slap Scratch Push [EXC7] Scratch Pull [EXC7] Sticks Square Click Metronome Click Metronome Bell Standard 1 Kick 2 Standard 1 Kick 1 Side Stick Standard 1 Snare 1 Hand Clap Standard 1 Snare 2 Low Tom2 Closed Hi-Hat Low Tom1 Pedal Hi-Hat Mid Tom2 Open Hi-Hat Mid Tom 1 High Tom 2 Crash Cymbal1 High Tom 1 Ride Cymbal 1 Chinese Cymbal Ride Bell Tambourine Splash Cymbal Cowbell Crash Cymbal 2 Vibra-slap Ride Cymbal 2 High Bongo Low Bongo Mute High Conga Open High Conga Open Low Conga High Timbale Low Timbale High Agogo Low Agogo Cabasa Maracas Short High Whistle Long Low Whistle Short Guiro Long Guiro Claves High Wood Block Low Wood Block Mute Cuica Open Cuica Mute Triangle Open Triangle Shaker Jingle Bell Bell Tree Castanets Mute Surdo Open Surdo Applause 2
---
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---
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---
PC: 2 [CC32: 3] STANDRD2
Std 1 Kick 1 Std 1 Kick 2 Std 2 Kick 1 Std 2 Kick 2 Kick 1 Kick 2 Jazz Kick 1 Jazz Kick 2 Room Kick 1 Room Kick 2 Power Kick 1 Power Kick 2 Elec Kick 2 Elec Kick 1 TR-808 Kick TR-909 Kick Dance Kick Voice One Voice Two Voice Three
---
--­MC-500 Beep 1 MC-500 Beep 2 Concert SD Snare Roll Finger Snap High Q Slap Scratch Push Scratch Pull Sticks Square Click Metronome Click Metronome Bell Standard 2 Kick 2 Standard 2 Kick 1 Side Stick Standard 2 Snare 1 TR-808 Hand Clap Standard 2 Snare 2 Low Tom2 Closed Hi-Hat 2 Low Tom1 Pedal Hi-Hat 2 Mid Tom2 Open Hi-Hat 2 Mid Tom 1 High Tom 2 Crash Cymbal1 High Tom 1 Ride Cymbal 1 Chinese Cymbal Ride Bell Tambourine Splash Cymbal Cowbell Crash Cymbal 2 Vibra-slap Ride Cymbal 2 High Bongo Low Bongo Mute High Conga Open High Conga Open Low Conga High Timbale Low Timbale High Agogo Low Agogo Cabasa Maracas Short High Whistle Long Low Whistle Short Guiro Long Guiro Claves High Wood Block Low Wood Block Mute Cuica Open Cuica Mute Triangle Open Triangle Shaker Jingle Bell Bar Chimes Castanets Mute Surdo Open Surdo Applause 2
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PC: 3 [CC32: 3] STANDRD3
Strd 1 Kick 1 Std 1 Kick 2 Std 2 Kick 1 Sd 2 Kick 2 Kick 1 Kick 2 Jazz Kick 1 Jazz Kick 2 Room Kick 1 Room Kick 2 Power Kick 1 Power Kick 2 Elec Kick 2 Elec Kick 1 TR-808 Kick TR-909 Kick Dance Kick Voice One Voice Two Voice Three
---
--­MC-500 Beep 1 MC-500 Beep 2 Concert SD Snare Roll Finger Snap 2 High Q Slap Scratch Push Scratch Pull Sticks Square Click Metronome Click Metronome Bell Standard 3 Kick 2 [RND] Kick Side Stick [RND] Snare [RND] Hand Clap Standard 3 Snare 2 Low Tom2 [RND]
Closed Hi-Hat Low Tom1 [RND] Pedal Hi-Hat Mid Tom2 [RND] Open Hi-Hat Mid Tom 1 High Tom 2 [RND] Crash Cymbal High Tom 1 [RND] Ride Cymbal 1 Chinese Cymbal [RND] Ride Bell Tambourine Splash Cymbal Cowbell Crash Cymbal 2 Vibra-slap [RND] Ride Cymbal 2 High Bongo Low Bongo Mute High Conga Open High Conga Open Low Conga High Timbale Low Timbale High Agogo Low Agogo Cabasa Maracas Short High Whistle Long Low Whistle Short Guiro Long Guiro Claves High Wood Block Low Wood Block Mute Cuica Open Cuica Mute Triangle Open Triangle Shaker Jingle Bell Bell Tree Castanets Mute Surdo Open Surdo Applause 2
---
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PC: 9 [CC32: 3] ROOM
Std 1 Kick 1 Std 1 Kick 2 Std 2 Kick 1 Std 2 Kick 2 Kick 1 Kick 2 Jazz Kick 1 Jazz Kick 2 Room Kick 1 Room Kick 2 Power Kick 1 Power Kick 2 Elec Kick 2 ElecKick 1 TR-808 Kick TR-909 Kick Dance Kick Voice One Voice Two Voice Three
---
--­MC-500 Beep 1 MC-500 Beep 2 Concert SD Snare Roll Finger Snap High Q Slap Scratch Push Scratch Pull Sticks Square Click Metronome Click Metronome Bell Room Kick 2 Room Kick 1 Side Stick Room Snare 1 TR-808 Hand Clap Room Snare 2 Room Low Tom 2 Closed Hi-Hat3 Room Low Tom 1 Room Pedal Hi-Hat Room Mid Tom 2 Open Hi-Hat 3 Room Mid Tom 1 Room High Tom 2 Crash Cymbal1 Room High Tom 1 Ride Cymbal 1 Chinese Cymbal Ride Bell Tambourine Splash Cymbal Cowbell Crash Cymbal 2 Vibra-slap Ride Cymbal 2 High Bongo Low Bongo Mute High Conga Open High Conga Open Low Conga High Timbale Low Timbale High Agogo Low Agogo Cabasa Maracas Short High Whistle Long Low Whistle Short Guiro Long Guiro Claves High Wood Block Low Wood Block Mute Cuica Open Cuica Mute Triangle Open Triangle Shaker Jingle Bell Bell Tree Castanets Mute Surdo Open Surdo Applause 2
---
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PC: 10 [CC32: 3] Hip-Hop
Elec Kick 2 Elec Kick 1 CR-78 Kick 1 CR-78 Kick 2 TR-606 Kick 1 TR-707 Kick 1 TR-808 Kick TR-808 Kick TR-808 Kick 2 TR-909 Kick Dance Kick Hip-Hop Kick 2 TR-909 Kick 1 Hip-Hop Kick 3 Jungle BD Set Techno BD 1 Bounce Voice One Voice Two Voice Three
---
--­MC-500 Beep 1 MC-500 Beep 2 Concert SD Snare Roll Finger Snap 2 High Q Slap Scratch Push 2 [EXC7] Scratch Pull 2 [EXC7] Sticks Square Click Metronome Click Metronome Bell Hip-Hop Kick 2 Hip-Hop Kick 1 TR-808 Rim Shot Rap Snare Hand Clap Hip-Hop Snare 2 TR-909 Low Tom 2 Closed Hi-Hat 3 TR-909 Low Tom 1 RoomPedal Hi-Hat TR-909 Mid Tom 2 Open Hi-Hat 3 TR-909 Mid Tom 1 TR-909 High Tom 2 TR-909 Crash Cymbal TR-909 High Tom 1 Ride Cymbal 1 Reverse Cymbal Ride Bell Shake Tambourine Splash Cymbal TR-808 Cowbell Crash Cymbal 2 Vibra-slap Ride Cymbal 2 High Bongo Low Bongo Mute High Conga Open High Conga Open Low Conga High Timbale Low Timbale High Agogo Low Agogo Cabasa TR-808 Maracas Short High Whistle Long Low Whistle Short Guiro CR-78 Guiro TR-808 Claves High Wood Block Low Wood Block High Hoo Low Hoo Electric Mute Triangle Electric Open Triangle TR-626 Shaker Jingle Bell Bell Tree Castanets Mute Surdo Open Surdo Small Club 1
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PC: 11 [CC32: 3] Jungle
Elec Kick 2 Elec Kick 1 CR78 BD 1 CR78 BD 2 TR-606 BD1 TR-707 BD 808 Kick TR-808 Kick 808 BD TR-909 Kick Dance Kick 2 909 Comp BD TR-909 BD2 HipHop BD2 JungleBD Set Techno BD1 Bounce Voice One Voice Two Voice Three
---
--­MC-500 Beep MC-500 Beep Concert Snr Snare Roll FingerSnaps2 High-Q Slap Scrtch Push2 Scrtch Pull2 Sticks SquareClick Mtrnm.Click Mtrnm. Bell HipHop BD1 Std2 Kick2 Side Stick Dance Snare1 HC2 Claps 2 House SD 909 Tom 606 CH 909 Tom Jungle HH 909 Tom 606 HiHat Op 909 Tom 909 Tom Jngl Crash 909 Tom Snare Ride Cymbal ReverseCymbl Ride Bell Shake Tamb Splash Cym. 808cowbe Crash Cym.2 Vibraslap Ride Cymbal Bongo High Bongo Lo Mute H.Conga Conga Hi Opn Conga Lo Opn High Timbale Low Timbale Agogo Agogo Cabasa 808marac ShrtWhistle LongWhistle Short Guiro CR78 Guiro 808clave Woodblock Woodblock Hoo Hoo MuteTriangl OpenTriangl 626 Shaker Jingle Bell Bell Tree Castanets Mute Surdo Open Surdo Small Club
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REFERENCE
REFERENCE
REFERENCE
REFERENCE
85
Page 86
Drum Sets
(C7) (96)
C8 108
C9G9120
98
100
101
103
105
107
110
112
113
115
117
119
122
124
125
127
PC: 41 [CC32: 119] brush kit
(---)
97
---
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99
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102
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104
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106
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109
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111
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114
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116
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118
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121
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123
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126
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PC: 49 [CC32: 119] classick
(---)
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PC: 121 [CC32: 122] SFX 1 kit
(---)
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PC: 122 [CC32: 122] SFX 2 kit
(---)
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PC: 1 [CC32: 3] STANDRD1
(---) Standard 1 Snare 1 Standard 1 Snare 2 Standard 2 Snare 1 Standard 2 Snare 2 Snare Drum 2 Standard 1 Snare 1 Standard 1 Snare 2 Standard Snare 3 Jazz Snare 1 Jazz Snare 2 Room Snare 1 Room Snare 2 Power Snare 1 Power Snare 2 Gated Snare Dance Snare 1 Dance Snare 2 Disco Snare Electric Snare 2 Electric Snare Electric Snare 3 TR-707 Snare TR-808 Snare 1 TR-808 Snare 2 TR-909 Snare 1 TR-909 Snare 2 Rap Snare Jungle Snare 1 House Snare 1 House Snare House Snare 2
PC: 2 [CC32: 3] STANDRD2
(---) Standard 1 Snare 1 Standard 1 Snare 2 Standard 2 Snare 1 Standard 2 Snare 2 Snare Drum 2 Standard 1 Snare 1 Standard 1 Snare 2 Standard Snare 3 Jazz Snare 1 Jazz Snare 2 #2] Room Snare 1 Room Snare 2 Power Snare 1 Power Snare 2 Gated Snare Dance Snare 1 Dance Snare 2 Disco Snare Electric Snare 2 Electric Snare Electric Snare 3 TR-707 Snare TR-808 Snare 1 TR-808 Snare 2 TR-909 Snare 1 TR-909 Snare 2 Rap Snare Jungle Snare 1 House Snare 1 House Snare House Snare 2
PC: 3 [CC32: 3] STANDRD3
(---) Standard 1 Snare 1 Standard 1 Snare 2 Standard 2 Snare 1 Standard 2 Snare 2 Snare Drum 2 Standard 1 Snare 1 Standard 1 Snare 2 Standard Snare 3 Jazz Snare 1 Jazz Snare 2 Room Snare 1 Room Snare 2 Power Snare 1 Power Snare 2 Gated Snare Dance Snare 1 Dance Snare 2 Disco Snare Electric Snare 2 Electric Snare Electric Snare 3 TR-707 Snare TR-808 Snare 1 TR-808 Snare 2 TR-909 Snare 1 TR-909 Snare 2 Rap Snare Jungle Snare 1 House Snare 1 House Snare House Snare 2
PC: 9 [CC32: 3] ROOM
(---) Standard 1 Snare 1 Standard 1 Snare 2 Standard 2 Snare 1 Standard 2 Snare 2 Snare Drum 2 Standard 1 Snare 1 Standard 1 Snare 2 Standard Snare 3 Jazz Snare 1 Jazz Snare 2 Room Snare 1 Room Snare 2 Power Snare 1 Power Snare 2 Gated Snare Dance Snare 1 Dance Snare 2 Disco Snare Electric Snare 2 Electric Snare Electric Snare 3 TR-707 Snare TR-808 Snare 1 TR-808 Snare 2 TR-909 Snare 1 TR-909 Snare 2 Rap Snare Jungle Snare 1 House Snare 1 House Snare House Snare 2
PC: 10 [CC32: 3] HipHop
(---) Techno Hit Philly Hit Shock Wave Lo-Fi Rave Bam Hit Bim-Hit Tape Rewind Phonograph Noise Power Snare 1 Dance Snare 1 Dance Snare 2 Disco Snare Electric Snare 2 Electric Snare Electric Snare 3 TR-606 Snare TR-707 Snare TR-808 Snare 1 TR-808 Snare 2 TR-808 Snare 2 TR-909 Snare 1 TR-909 Snare 2 TR-909 Snare 1 TR-909 Snare 2 Rap Snare Jungle Snare 1 House Snare 1 House Snare House Snare 2 Voice Tah Slappy
PC: 11 [CC32: 3] Jungle
(---) Techno Hit Philly Hit Shock Wave Lo Fi Rave Bam Hit Bim Hit TapeRewind Phono Noise Dance Snare1 Power Snare2 Elec Snare 1 Dance Snare2 Elec Snare 2 Elec. Snare Elec Snare 3 66sn260 TR-707 SD 808 Snare 1 808 Snare 2 TR-808 SD2 909 Snare 1 909 Snare 2 909 SD 1 TR-909 SD2 Rap Snare JungleSD1 House SD House Snare House SD Voice Tah Noise Slap
(C7) (96)
C8 108
C9G9120
PC: 12 [CC32: 3] TECHNO
(---) Techno Hit
97
98
Philly Hit
99
Shock Wave
100
Lo-Fi Rave * Bam Hit
101
Bim-Hit
102
Tape Rewind
103
104
Phono Noise
105
Dance Snare1
106
Power Snare2
107
Elec Snare 1 Dance Snare2
109
Elec Snare 2
110
Elec. Snare
111
Elec Snare 3
112
66sn260 TR-707 SD
113
114
808 Snare 1 808 Snare 2
115
116
TR-808 SD2
117
909 Snare 1
118
909 Snare 2
119
909 SD 1 TR-909 SD2
121
Rap Snare
122
JungleSD1
123
House SD
124
House Snare House SD
125
126
Voice Tah Noise Slap
127
PC: 17 [CC32: 3] POWER
(---) Std.1 Snare1 Std.1 Snare2 Std.2 Snare1 Std.2 Snare2 Tight Snare Standard SN1 LD Snare M LD Snare C Jazz Snare 1 Jazz Snare 2 Room Snare 1 Room Snare 2 Dance Snare1 Power Snare1 Rev.Snare Power Snare2 Elec Snare 1 Dance Snare2 Elec Snare 2 Elec. Snare Elec Snare 3 TR-707 SD 808 Snare 1 808 Snare 2 909 Snare 1 909 Snare 2 Rap Snare JungleSD1 House SD House Snare House SD
PC: 25 [CC32: 3] ELECTRNC
(---) Techno Hit Philly Hit Shock Wave Lo Fi Rave Bam Hit Bim Hit TapeRewind Phono Noise Dance Snare1 Power Snare2 Elec Snare 1 Dance Snare2 Elec Snare 2 Elec. Snare Elec Snare 3 66sn260 TR-707 SD 808 Snare 1 808 Snare 2 TR-808 SD2 909 Snare 1 909 Snare 2 909 SD 1 TR-909 SD2 Rap Snare JungleSD1 House SD House Snare House SD Voice Tah Noise Slap
PC: 26 [CC32: 3] TR-808
(---) Techno Hit Philly Hit Shock Wave Lo-Fi Rave * Bam Hit Bim-Hit Tape Rewind Phono Noise Dance Snare1 Power Snare2 Elec Snare 1 Dance Snare2 Elec Snare 2 Elec. Snare Elec Snare 3 66sn260 TR-707 SD 808 Snare 1 808 Snare 2 TR-808 SD2 909 Snare 1 909 Snare 2 909 SD 1 TR-909 SD2 Rap Snare JungleSD1 House SD House Snare House SD Voice Tah Noise Slap
PC: 27 [CC32: 3] DANCE
(---) Techno Hit Philly Hit Shock Wave Lo Fi Rave Bam Hit Bim Hit TapeRewind Phono Noise Dance Snare1 Power Snare2 Elec Snare 1 Dance Snare2 Elec Snare 2 Elec. Snare Elec Snare 3 66sn260 TR-707 SD 808 Snare 1 808 Snare 2 TR-808 SD2 909 Snare 1 909 Snare 2 909 SD 1 TR-909 SD2 Rap Snare JungleSD1 House SD House Snare House SD Voice Tah Noise Slap
PC: 28 [CC32: 3] CR-78
(---) Techno Hit Philly Hit Shock Wave Lo Fi Rave Bam Hit Bim Hit TapeRewind Phono Noise Dance Snare1 Power Snare2 Elec Snare 1 Dance Snare2 Elec Snare 2 Elec. Snare Elec Snare 3 66sn260 TR-707 SD 808 Snare 1 808 Snare 2 TR-808 SD2 909 Snare 1 909 Snare 2 909 SD 1 TR-909 SD2 Rap Snare JungleSD1 House SD House Snare House SD Voice Tah Noise Slap
PC: 29 [CC32: 3] TR-606
(---) Techno Hit Philly Hit Shock Wave Lo Fi Rave Bam Hit Bim Hit TapeRewind Phono Noise Dance Snare1 Power Snare2 Elec Snare 1 Dance Snare2 Elec Snare 2 Elec. Snare Elec Snare 3 66sn260 TR-707 SD 808 Snare 1 808 Snare 2 TR-808 SD2 909 Snare 1 909 Snare 2 909 SD 1 TR-909 SD2 Rap Snare JungleSD1 House SD House Snare House SD Voice Tah Noise Slap
PC: 30 [CC32: 3] TR-707
(---) Techno Hit Philly Hit Shock Wave Lo Fi Rave Bam Hit Bim Hit TapeRewind Phono Noise Dance Snare1 Power Snare2 Elec Snare 1 Dance Snare2 Elec Snare 2 Elec. Snare Elec Snare 3 66sn260 TR-707 SD 808 Snare 1 808 Snare 2 TR-808 SD2 909 Snare 1 909 Snare 2 909 SD 1 TR-909 SD2 Rap Snare JungleSD1 House SD House Snare House SD Voice Tah Noise Slap
PC: 31 [CC32: 3] TR-909
(---) TTechno Hit Philly Hit Shock Wave Lo Fi Rave Bam Hit Bim Hit TapeRewind Phono Noise Dance Snare1 Power Snare2 Elec Snare 1 Dance Snare2 Elec Snare 2 Elec. Snare Elec Snare 3 66sn260 TR-707 SD 808 Snare 1 808 Snare 2 TR-808 SD2 909 Snare 1 909 Snare 2 909 SD 1 TR-909 SD2 Rap Snare JungleSD1 House SD House Snare House SD Voice Tah Noise Slap
PC: 33 [CC32: 3] JAZZ
(---)
---
---
--­Brush Swirl Brush Tap Brush Slap1 Brush Slap2 Brush Slap Brush Swirl Brush Swirl Long Swirl Jazz Snare 1 Jazz Snare 2 Std.1 Snare1 Std.1 Snare2 Std.2 Snare1 Std.2 Snare2 Tight Snare Standard SN1 LD Snare M LD Snare C Room Snare 1 Room Snare 2 Dance Snare1 Power Snare1 Rev.Snare Power Snare2 Elec Snare 1 Dance Snare2 Elec Snare 2 Elec Snare 3
86
Page 87
EM-55 OR Owner’s Manual
C–1 0
C0 12
C1 24
C2 36
C3 48
C4 60
C5 72
C6 84
C7 96
2
4
5
7
9
11
14
16
17
19
21
23
26
28
29
31
33
35
38
40
41
43
45
47
50
52
53
55
57
59
62
64
65
67
69
71
74
76
77
79
81
83
86
88
89
91
93
95
PC: 12 [CC32: 3] TECHNO
Elec Kick 2 Elec Kick 1
1
CR78 BD 1
3
CR78 BD 2 TR-606 BD1 TR-707 BD 808 Kick
6
TR-808 Kick
8
808 BD TR-909 Kick
10
Dance Kick 2 909 Comp BD TR-909 BD2 HipHop BD2
13
JungleBD Set
15
Techno BD1 Bounce Voice One Voice Two
18
Voice Three
20
---
---
22
MC-500 Beep 1 MC-500 Beep 2 Concert SD Snare Roll
25
Finger Snap 2
27
High Q Slap Scrtch Push2 Scrtch Pull2
30
Sticks
32
Square Click Metronome Click
34
Metronome Bell Techno Kick 2 Techno BD1 TR-808 Rim Shot
37
Techno Snare 1
39
TR-707 Hand Clap Techno Snare 2 TR-808 Low Tom 2 * TR-707 Closed Hi-Hat
42
TR-808 Low Tom 1 *
44
CR-78 Closed Hi-Hat TR-808 Mid Tom 2 *
46
TR-909 Open Hi-Hat TR-808 Mid Tom 1 * TR-808 High Tom 2 * TR-909 Crash Cymbal
49
TR-808 High Tom 1 *
51
Ride Cymbal 1 Reverse Cymbal Ride Bell Shake Tambourine
54
Splash Cymbal
56
TR-808 Cowbell TR-909 Crash Cymbal
58
Vibra-slap Ride Cymbal 2 CR-78 High Bongo CR-78 Low Bongo
61
808 Conga
63
808 Conga 808 Conga High Timbale Low Timbale
66
High Agogo
68
Low Agogo Cabasa
70
808marac Short High Whistle Long Low Whistle Short Guiro
73
CR-78 Guiro
75
808clave Woodblock Woodblock High Hoo
78
Low Hoo
80
Mute Triangl Open Triangl
82
TR-626 Shaker Jingle Bell Bell Tree Castanets
85
Mute Surdo
87
Open Surdo Applause 2
---
---
90
---
92
---
---
94
---
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---
]
PC: 17 [CC32: 3] POWER
Std.1 Kick1 Std.1 Kick2 Std.2 Kick1 Std2 Kick2 Kick 1 Kick 2 Jazz Kick 1 Jazz Kick 2 Room Kick 1 Room Kick 2 Power Kick1 Power Kick2 Elec Kick 2 Elec Kick 1 TR-808 Kick TR-909 Kick Dance Kick 2 Voice One Voice Two Voice Three
---
--­MC-500 Beep MC-500 Beep Concert Snr Snare Roll FingerSnaps2 High-Q Slap ScratchPush ScratchPull Sticks SquareClick Mtrnm.Click Mtrnm. Bell Power Kick2 Power Kick1 Side Stick Dance Snare1 808clap Power Snare1 Rock Tom 4 Close HiHat2 Rock Tom 4 Pedal HiHat2 Rock Tom 4 Open HiHat2 Rock Tom 4 Rock Tom 1 Crash Cym.1 Rock Tom 1 Ride Cymbal ChinaCymbal Ride Bell Tambourine Splash Cym. Cowbell Snare Crash Cym.2 Vibraslap Ride Cymbal Bongo High Bongo Lo Mute H.Conga Conga Hi Opn Conga Lo Opn High Timbale Low Timbale Agogo Agogo Cabasa Maracas ShrtWhistle LongWhistle Short Guiro Long Guiro Claves Woodblock Woodblock Mute Cuica Open Cuica MuteTriangl OpenTriangl Shaker Jingle Bell Bell Tree Castanets Mute Surdo Open Surdo Applause 2
---
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PC: 25 [CC32: 3] ELECTRNC
Elec Kick 2 Elec Kick 1 CR78 BD 1 CR78 BD 2 TR-606 BD1 TR-707 BD 808 Kick TR-808 Kick 808 BD TR-909 Kick Dance Kick 2 909 Comp BD TR-909 BD2 HipHop BD2 JungleBD Set Techno BD1 Bounce Voice One Voice Two Voice Three
---
--­MC-500 Beep MC-500 Beep Concert Snr Snare Roll Finger Snap High-Q Slap Scrtch Push2 Scrtch Pull2 Sticks SquareClick Mtrnm.Click Mtrnm. Bell Elec Kick 2 Elec Kick 1 Side Stick Elec. Snare 808clap Elec Snare 2 Synth Drum 2 Jazz Clsd.HH Synth Drum 2 Pedal HiHat Synth Drum 2 Jazz Open HH Synth Drum 2 Synth Drum 2 Crash Cym.1 Synth Drum 2 Ride Cymbal ReverseCymbl Ride Bell Tambourine Splash Cym. Cowbell Crash Cym.2 Vibraslap Ride Cymbal Bongo High Bongo Lo Mute H.Conga Conga Hi Opn Conga Lo Opn House SD Low Timbale Agogo Agogo Cabasa Maracas ShrtWhistle LongWhistle Short Guiro Long Guiro Claves Woodblock Woodblock Mute Cuica Open Cuica MuteTriangl OpenTriangl Shaker Jingle Bell Bell Tree Castanets Mute Surdo Open Surdo Small Club
---
---
---
---
---
---
---
---
PC: 26 [CC32: 3] TR-808
Elec Kick 2 Elec Kick 1 CR78 BD 1 CR78 BD 2 TR-606 BD1 TR-707 BD 808 Kick TR-808 Kick 808 BD TR-909 Kick Dance Kick 2 909 Comp BD TR-909 BD2 HipHop BD2 JungleBD Set Techno BD1 Bounce Voice One Voice Two Voice Three
---
--­MC-500 Beep 1 MC-500 Beep 2 Concert SD Snare Roll Finger Snap 2 High Q Slap Scrtch Push2 Scrtch Pull2 Sticks Square Click Metronome Click Metronome Bell TR-808 Kick 2 TR-808 Kick 1 TR-808 Rim Shot TR-808 Snare 1 TR-808 Hand Clap TR-808 Snare 2 TR-808 Low Tom 2 * TR-808 Closed Hi-Hat TR-808 Low Tom 1 * TR-808 Closed Hi-Hat2 TR-808 Mid Tom 2 * TR-808 Open Hi-Hat TR-808 Mid Tom 1 * TR-808 High Tom 2 * TR-808 Crash Cymbal TR-808 High Tom 1 * TR-606 Ride Cymbal Chinese Cymbal Ride Bell CR-78 Tambourine Splash Cymbal TR-808 Cowbell TR-909 Crash Cymbal Vibra-slap Ride Cymbal Edge CR-78 High Bongo CR-78 Low Bongo 808 Conga 808 Conga 808 Conga High Timbale Low Timbale High Agogo Low Agogo Cabasa 808marac Short High Whistle Long Low Whistle Short Guiro CR-78 Guiro 808clave Woodblock Woodblock High Hoo Low Hoo Mute Triangl Open Triangl TR-626 Shaker Jingle Bell Bell Tree Castanets Mute Surdo Open Surdo Small Club
---
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[EXC1]
PC: 27 [CC32: 3] DANCE
Elec Kick 2 Elec Kick 1 CR78 BD 1 CR78 BD 2 TR-606 BD1 TR-707 BD 808 Kick TR-808 Kick 808 BD TR-909 Kick Dance Kick 2 909 Comp BD TR-909 BD2 HipHop BD2 JungleBD Set Techno BD1 Bounce Voice One Voice Two Voice Three
---
--­MC-500 Beep MC-500 Beep Concert Snr Snare Roll Finger Snap High-Q Slap Scrtch Push2 Scrtch Pull2 Sticks SquareClick Mtrnm.Click Mtrnm. Bell TR-909 BD2 Techno BD2 Side Stick Dance Snare1 909 HandClap Power Snare1 Synth Drum 2 CR-78 chh Synth Drum 2 808__chh Synth Drum 2 CR-78 ohh Synth Drum 2 Synth Drum 2 808 Crash Synth Drum 2 606 Ride Cym ReverseCymbl Ride Bell Shake Tamb Splash Cym. 808cowbe Crash Cym.2 Vibraslap Ride Cymbal Bongo High Bongo Lo Mute H.Conga Conga Hi Opn Conga Lo Opn High Timbale Low Timbale Agogo Agogo Cabasa Maracas ShrtWhistle LongWhistle Short Guiro Long Guiro Claves Woodblock Woodblock Hoo Hoo MuteTriangl OpenTriangl 626 Shaker Jingle Bell Bell Tree Castanets Mute Surdo Open Surdo Small Club
---
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---
PC: 28 [CC32: 3] CR-78
Elec Kick 2 Elec Kick 1 * CR-78 Kick 1 CR-78 Kick 2 TR-606 Kick 1 TR-707 Kick 1 808 Kick TR-808 Kick TR-808 Kick 2 TR-909 Kick Dance Kick 2 909 Comp BD TR-909 BD2 HipHop BD2 Jungle BD Set Techno BD1 Bounce Voice One Voice Two Voice Three
---
--­MC-500 Beep 1 MC-500 Beep 2 Concert SD Snare Roll Finger Snap 2 High Q Slap Scrtch Push2 Scrtch Pull2 Sticks Square Click Metronome Click Metronome Bell CR-78 Kick 2 CR-78 Kick 1 CR-78 Rim Shot CR-78 Snare 1 TR-707 Hand Clap CR-78 Snare 2 CR-78 Low Tom 2 *
[EXC1]
CR-78 Closed Hi-Hat CR-78 Low Tom 1 *
[EXC1]
TR-606Closed HiHat CR-78 Mid Tom 2 *
[EXC1]
CR-78 Open Hi-Hat CR-78 Mid Tom 1 * CR-78 High Tom 2 * TR-808 Crash Cymbal CR-78 High Tom 1 * TR-606 Ride Cymbal Chinese Cymbal Ride Bell CR-78 Tambourine Splash Cymbal CR-78 Cowbell TR-909 Crash Cymbal Vibra-slap Ride Cymbal Edge CR-78 High Bongo CR-78 Low Bongo 808 Conga 808 Conga 808 Conga High Timbale Low Timbale High Agogo Low Agogo Cabasa CR-78 Maracas Short High Whistle Long Low Whistle Short Guiro CR-78 Guiro CR-78 Claves Woodblock Woodblock High Hoo Low Hoo CR-78 Low Beat CR-78 High Beat TR-626 Shaker Jingle Bell Bell Tree Castanets Mute Surdo Open Surdo Small Club
---
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---
---
PC: 29 [CC32: 3] TR-606
Elec Kick 2 Elec Kick 1 * CR-78 Kick 1 CR-78 Kick 2 TR-606 Kick 1 TR-707 Kick 1 808 Kick TR-808 Kick TR-808 Kick 2 TR-909 Kick Dance Kick 2 909 Comp BD TR-909 BD2 HipHop BD2 Jungle BD Set Techno BD1 Bounce Voice One Voice Two Voice Three
---
--­MC-500 Beep 1 MC-500 Beep 2 Concert SD Snare Roll Finger Snap 2 High Q Slap Scrtch Push2 Scrtch Pull2 Sticks Square Click Metronome Click Metronome Bell CR-78 Kick 2 TR-606 Kick 1 CR-78 Rim Shot TR-606 Snare 1 TR-707 Hand Clap TR-606 Snare 2 TR-606 Low Tom 2 TR-606 ClosedHiHat TR-606 Low Tom 1 TR-606 ClosedHiHat TR-606 Mid Tom 2 TR-606 OpenHiHat TR-606 Mid Tom 1 TR-606 High Tom 2 TR-808 Crash Cymbal TR-606 High Tom 1 TR-606 Ride Cymbal Chinese Cymbal Ride Bell CR-78 Tambourine Splash Cymbal CR-78 Cowbell TR-909 Crash Cymbal Vibra-slap Ride Cymbal Edge CR-78 High Bongo CR-78 Low Bongo TR-808 Mute HighConga TR-808 Open HighConga TR-808 Open LowConga High Timbale Low Timbale High Agogo Low Agogo Cabasa CR-78 Maracas Short High Whistle Long Low Whistle Short Guiro CR-78 Guiro CR-78 Claves Woodblock Woodblock High Hoo Low Hoo CR-78 Low Beat CR-78 High Beat TR-626 Shaker Jingle Bell Bell Tree Castanets Mute Surdo Open Surdo Small Club
---
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---
PC: 30 [CC32: 3] TR-707
Elec Kick 2 Elec Kick 1 * CR-78 Kick 1 CR-78 Kick 2 TR-606 Kick 1 TR-707 Kick 1 808 Kick TR-808 Kick TR-808 Kick 2 TR-909 Kick Dance Kick 2 909 Comp BD TR-909 BD2 HipHop BD2 Jungle BD Set Techno BD1 Bounce Voice One Voice Two Voice Three
---
--­MC-500 Beep 1 MC-500 Beep 2 Concert SD Snare Roll Finger Snap 2 High Q Slap Scrtch Push2 Scrtch Pull2 Sticks Square Click Metronome Click Metronome Bell TR-707 Kick 2 TR-707 Kick 1 TR-707 Rim Shot TR-707 Snare 1 TR-707 Hand Clap TR-707 Snare 2 TR-707 Low Tom 2 *
[EXC1]
TR-707 ClosedHiHat TR-707 Low Tom 1 *
[EXC1]
TR-707 ClosedHiHat TR-707 Mid Tom 2 * TR-707 OpenHiHat[ TR-707 Mid Tom 1 * TR-707 High Tom 2 * TR-909 Crash Cymbal TR-707 High Tom 1 * TR-909 Ride Cymbal Chinese Cymbal Ride Bell Tambourine 2 Splash Cymbal TR-808 Cowbell Crash Cymbal 2 Vibra-slap Ride Cymbal Edge High Bongo Low Bongo Mute High Conga Open High Conga Open Low Conga High Timbale Low Timbale High Agogo Low Agogo Cabasa 808marac Short High Whistle Long Low Whistle Short Guiro Long Guiro Claves Woodblock Woodblock High Hoo Low Hoo Mute Triangl Open Triangl TR-626 Shaker Jingle Bell Bell Tree Castanets Mute Surdo Open Surdo Small Club
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PC: 31 [CC32: 3] TR-909
Elec Kick 2 Elec Kick 1 * CR-78 Kick 1 CR-78 Kick 2 TR-606 Kick 1 TR-707 Kick 1 808 Kick TR-808 Kick TR-808 Kick 2 TR-909 Kick Dance Kick 2 909 Comp BD TR-909 BD2 HipHop BD2 Jungle BD Set Techno BD1 Bounce Voice One Voice Two Voice Three
---
--­MC-500 Beep 1 MC-500 Beep 2 Concert SD Snare Roll Finger Snap 2 High Q Slap Scrtch Push2 Scrtch Pull2 Sticks Square Click Metronome Click Metronome Bell Techno Kick 2 TR-909 BD2 TR-909 Rim TR-909 Snare 1 Hand Clap TR-909 Snare2 TR-909 Low Tom 2
[EXC1]
TR-707 ClosedHiHat TR-909 Low Tom 1
[EXC1]
TR-707 ClosedHiHat TR-909 Mid Tom 2
EXC1]
TR-909 OpenHiHat[EXC1] TR-909 Mid Tom 1 TR-909 High Tom 2 TR-909 Crash Cymbal TR-909 High Tom 1 TR-909 Ride Cymbal Chinese Cymbal Ride Bell Tambourine 2 Splash Cymbal TR-808 Cowbell Crash Cymbal 2 Vibra-slap Ride Cymbal Edge High Bongo Low Bongo Mute High Conga Open High Conga Open Low Conga High Timbale Low Timbale High Agogo Low Agogo Cabasa 808marac Short High Whistle Long Low Whistle Short Guiro CR-78 Guiro CR-78 Claves Woodblock Woodblock High Hoo Low Hoo Mute Triangl Open Triangl TR-626 Shaker Jingle Bell Bell Tree Castanets Mute Surdo Open Surdo Applause 2
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PC: 33 [CC32: 3] JAZZ
Std.1 Kick1 Std.1 Kick2 Std.2 Kick1 Std2 Kick2 Kick 1 Kick 2 Jazz Kick 1 Jazz Kick 2 Room Kick 1 Room Kick 2 Power Kick1 Power Kick2 Elec Kick 2 Elec Kick 1 TR-808 Kick TR-909 Kick Dance Kick 2 Voice One Voice Two Voice Three
---
--­MC-500 Beep MC-500 Beep Concert Snr Snare Roll Finger Snap High-Q Slap ScratchPush ScratchPull Sticks SquareClick Mtrnm.Click Mtrnm. Bell 82Jz BsDrum1 82Jz BsDrum2 Side Stick 82Jz Snare1 Hand clap2 82Jz Snare2 Real Tom 6
[EXC1]
Jazz Clsd.HH Real Tom 6
[EXC1]
Pedal HiHat Real Tom 4 Jazz Open HH Real Tom 4 Real Tom 1 Crash Cym.1 Real Tom 1 Ride Cym IN ChinaCymbal Ride Bell Tambourine Splash Cym. Cowbell Crash Cym.2 Vibraslap RideCym Edge Bongo High Bongo Lo Mute H.Conga Conga Hi Opn Conga Lo Opn High Timbale Low Timbale Agogo Agogo Cabasa Maracas ShrtWhistle LongWhistle Short Guiro Long Guiro Claves Woodblock Woodblock Mute Cuica Open Cuica MuteTriangl OpenTriangl Shaker Jingle Bell Bell Tree Castanets Mute Surdo Open Surdo Applause
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REFERENCE
REFERENCE
REFERENCE
REFERENCE
87
Page 88
Drum Sets
C–1 0
C0 12
C1 24
C2 36
C3 48
C4 60
C5 72
C6 84
C7 96
PC: 41 [CC32: 3] BRUSH
Std.1 Kick1 Std.1 Kick2
1
Std.2 Kick1
2
3
Std2 Kick2
4
Kick 1 Kick 2
5
Jazz Kick 1
6
Jazz Kick 2
7
8
Room Kick 1
9
Room Kick 2
10
Power Kick1
11
Power Kick2 Elec Kick 2 Elec Kick 1
13
TR-808 Kick
14
15
TR-909 Kick
16
Dance Kick 2 Voice One
17
Voice Two
18
Voice Three
19
20
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21
---
22
MC-500 Beep
23
MC-500 Beep Concert Snr Snare Roll
25
Finger Snap
26
27
High-Q
28
Slap ScratchPush
29
ScratchPull
30
Sticks
31
32
SquareClick
33
Mtrnm.Click
34
Mtrnm. Bell
35
Jazz Kick 2 Jazz Kick 1 Side Stick
37
Brush Swirl
38
39
Brush Slap1
40
Brush Swirl Lite Tom 4
41
Brs Chh
42
Lite Tom 4
43
44
Pedal HiHat
45
Lite Tom 4
46
Brush Ohh
47
Lite Tom 4 Lite Tom 4 Brush Crash
49
Lite Tom 4
50
51
Ride Cym IN
52
ChinaCymbal Brush RideBL
53
Tambourine
54
Splash Cym.
55
56
Cowbell
57
Crash Cym.2
58
Vibraslap
59
RideCym Edge Bongo High Power Snare1
61
Rev.Snare
62
63
Conga Hi Opn
64
Conga Lo Opn High Timbale
65
Low Timbale
66
Agogo
67
68
Agogo
69
Cabasa
70
Maracas
71
ShrtWhistle LongWhistle Short Guiro
73
Long Guiro
74
75
Claves
76
Woodblock Woodblock
77
Mute Cuica
78
Open Cuica
79
80
MuteTriangl
81
OpenTriangl
82
Shaker
83
Jingle Bell Bell Tree Castanets
85
Mute Surdo
86
87
Open Surdo
88
Applause
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89
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90
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91
92
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93
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94
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95
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PC: 49 [CC32: 3] ORCHSTRA
Std.1 Kick1 Std.1 Kick2 Std.2 Kick1 Std2 Kick2 Kick 1 Kick 2 Jazz Kick 1 Jazz Kick 2 Room Kick 1 Room Kick 2 Power Kick1 Power Kick2 Elec Kick 2 Elec Kick 1 TR-808 Kick TR-909 Kick Dance Kick 2 Voice One Voice Two Voice Three
---
--­MC-500 Beep MC-500 Beep Concert Snr Snare Roll Finger Snap Jazz Clsd.HH Pedal HiHat Jazz Open HH Ride Cymbal Sticks SquareClick Mtrnm.Click Mtrnm. Bell Jazz Kick 1 Concert BD Side Stick Concert Snr Castanets Concert Snr Timpani Timpani Timpani Timpani Timpani Timpani Timpani Timpani Timpani Timpani Timpani Timpani Timpani Tambourine Splash Cym. Cowbell Con.Cymbal2 Vibraslap Concert Cym. Bongo High Bongo Lo Mute H.Conga Conga Hi Opn Conga Lo Opn High Timbale Low Timbale Agogo Agogo Cabasa Maracas ShrtWhistle LongWhistle Short Guiro Long Guiro Claves Woodblock Woodblock Mute Cuica Open Cuica MuteTriangl OpenTriangl Shaker Jingle Bell Bell Tree Castanets Mute Surdo Open Surdo Applause
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PC: 50 [CC32: 3] ETHNIC
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--­Finger Snap Tambourine Castanets Crash Cymbal 1 Snare Roll Concert SD Concert Cymbal Concert BD 1 Jingle Bell Bell Tree Bar Chimes Wadaiko * Wadaiko Rim * Shime Taiko Atarigane Hyoushigi Ohkawa High Kotsuzumi Low Kotsuzumi Ban Gu Big Gong Small Gong Bend Gong Thai Gong Rama Cymbal Gamelan Gong Udo Short [EXC1] Udo Long [EXC1] Udo Slap Bendir Req Dum Req Tik Tabla Te Tabla Na Tabla Tun Tabla Ge Tabla Ge Hi Talking Drum * Bend Talking Drum * Caxixi Djembe Djembe Rim Timbales Low Timbales Paila Timbales High Cowbell High Bongo Low Bongo Mute High Conga Open High Conga Mute Low Conga Conga Slap Open Low Conga Conga Slide * Mute Pandiero Open Pandiero Open Surdo [EXC2] Mute Surdo [EXC2] Tamborim High Agogo Low Agogo Shaker High Whistle [EXC3] Long Whistle [EXC3] Mute Cuica [EXC4] Open Cuica [EXC4] Mute Triangle [EXC5] Open Triangle [EXC5] Short Guiro [EXC6] Long Guiro [EXC6] Cabasa Up Cabasa Down
PC: 51 [CC32: 3] KICK&SNR
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--­CR78 BD 1 CR78 BD 2 TR-606 BD1 TR-707 BD 808 BD 909 Comp BD TR-909 BD2 HipHop BD2 HipHop BD1 Jungle BD2 JungleBD Set Techno BD2 Techno BD1 Mix Kick Standard KK1 Std.1 Kick1 Std.1 Kick2 Std.2 Kick1 Std2 Kick2 Kick 1 Kick 2 Soft Kick Jazz Kick 1 Jazz Kick 2 Concert BD Room Kick 1 Room Kick 2 Power Kick1 Power Kick2 Elec Kick 2 Elec Kick 1 Elec. Kick TR-808 Kick TR-909 Kick Dance Kick 2 Std.1 Snare1 Std.1 Snare2 Std.2 Snare1 Std.2 Snare2 Tight Snare Concert Snr Jazz Snare 1 Jazz Snare 2 Room Snare 1 Room Snare 2 Dance Snare1 Power Snare1 Rev.Snare Power Snare2 Elec Snare 1 Dance Snare2 Elec Snare 2 House Snare Elec. Snare Elec Snare 3 808 Snare 1 808 Snare 2 909 Snare 1 909 Snare 2 Brush Swirl Brush Tap Brush Slap1 Brush Slap2 Brush Slap Brush Swirl Brush Swirl Long Swirl Standard SN1 LD Snare M LD Snare C Rap Snare HipHop SD2
PC: 53 [CC32: 3] ASIA
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--­Gamelan Gong C# Gamelan Gong D# Gamelan Gong G Gamelan Gong A# Gamelan Gong c Gamelan Gong c# Gamelan Gong d# Gamelan Gong g Gamelan Gong a# Gamelan Gong C Gender C# Gender D# Gender G Gender A# Gender c Bonang C# Bonang D# Bonang G Bonang A# Bonang c Thai Gong Rama Cymbal Sagat Open Sagat Closed Jaws Harp Wadaiko * Wadaiko Rim * Taiko Shimedaiko Atarigane Hyoushigi Ohkawa High Kotsuzumi Low Kotsuzumi Yyoo Dude Buk Buk Rim Gengari p Gengari Mute Low Gengari f Gengari Mute High Gengari Samll Jang-Gu Che Jang-Gu Kun Jang-Gu Rim Jing p Jing f * Jing Mute Asian Gong 1 Big Gong Small Gong Pai Ban Ban Gu Tang Gu Tang Gu Mute Shou Luo * Bend Gong HuYin Luo Low * HuYin Luo Mid
]
HuYin LuoMid Mut HuYin LuoHigh HuYin LuoHighMute Nao Bo Xiao Bo
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PC: 54 [CC32: 3] CYM&CLAP
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--­rev.lvohh Rev. LVCHH 1 Rev. LVCHH 2 Jungle HH Close HiHat Jazz Clsd.HH Room Chh Close HiHat1 Close HiHat2 TR-707 HH-c 606 CH 808__chh TR-808 CHH CR-78 chh GS Pedal HH Pedal HiHat Pedal HiHat2 Half OpenHH1 Half OpenHH2 Open Hi Hat Jazz Open HH R8 Ohh2 Open HiHat2 909 OH TR-707 OHH 606 HiHat Op 808__ohh TR-808 OHH CR-78 ohh Crash Cym.1 Crash Cym.2 GS Crash Brush Crash Hard Crash 909 Crash 808 Crash Crash Mute 1 Crash Mute 2 ReverseCymbl Rev.Cymbal2 Reverse Cym. rev.tra_crsm Crash Cym.1 Splash Cym. Ride Bell Brush RideBL Ride Cymbal Ride Cymbal Brush Ride Ride Cym IN Ride Cym IN Ride Cym IN RideCym Edge RideCym Edge RideCym Edge 606 Ride Cym TR808 Ride ChinaCymbal Chaina Cym2 Hand Clap Hand clap2 808clap 909 HandClap HC2 Claps 2 707 Claps
PC: 57 [CC32: 3] SFX
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--­MC-500 Beep MC-500 Beep ytwn3.xtp ytwn2.xtp Guitar Slap Chord Stroke Chord Stroke Biwa 3 Phono Noise TapeRewind Scrtch Push2 Scrtch Pull2 Gt.CutNoise2 Gt.CutNoise2 Dist.CutNoiz Dist.CutNoiz Bang Bass Slide Pick Scrape High-Q Slap ScratchPush ScratchPull Sticks SquareClick Mtrnm.Click Mtrnm. Bell Gt.FretNoiz Gt.CutNoise Gt.CutNoise String Slap Fl.KeyClick Laughing Screaming Punch Heart Beat Footsteps Footsteps Applause
--­Door Scratch Wind Chimes Car-Engine Car-Stop Car-Pass Car-Crash Siren Train Jetplane Helicopter Starship Gun Shot Machine Gun Lasergun Explosion Dog HorseGallop Bird Rain Thunder Wind Seashore Stream Bubble Kitty Bird 2 Growl Applause 2 Telephone 1 Telephone 2 Small Club Small Club 2 ApplauseWave Eruption Big Shot Perc. Bang
PC: 58 [CC32: 3] Rhythm FX
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--­Reverse Kick 1 Reverse Concert Bass Reverse Power Kick 1 Reverse Electric Kick 1 Reverse Snare 1 Reverse Snare 2 Reverse Standard 1 Reverse Snare Drum 2 Reverse Tight Snare Reverse 808 Snare Reverse Tom 1 Reverse Tom 2 Reverse Sticks Reverse Slap Reverse Cymbal 1 Reverse Cymbal 2 Reverse Open Hi-Hat Reverse Ride Cymbal Reverse CR-78 Open Reverse Closed Hi-Hat Reverse Gong Reverse Bell Tree Reverse Guiro Reverse Bendir Reverse Gun Shot Reverse Scratch Reverse Laser Gun Key Click Tekno Thip Pop Drop Woody Slap Distortion Kick * Syn. Drops Reverse Hi Q Pipe Ice Block Digital Tambourine * Alias Modulated Bell Spark Metallic Percussion Velocity Noise FX Stereo Noise Clap * Swish Slappy * Voice Ou Voice Au Hoo Tape Stop 1 * Tape Stop 2 * Missile * Space Birds Flying Monster
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PC: 59 [CC32: 3] RHTHMFX2
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--­rev.707bd rev.909bd2 rev.hphp_bd1 rev.jgl_bd2 rev.tech_bd2 rev.606sn2 rev.cr78sd1 rev.cr78sd2 rev.jgl_sd2 rev.tech_sd2 rev.707sd rev.606sn1 rev.909sd1 rev.hphp_sd2 rev.jgl_sd1 Rev House SD Rev. LVCHH 1 rev.606htcl rev.707chh rev.808chh rev.jgl_hh rev.344tmb2 rev.344tmb3 rev.808ohh rev.707ohh rev.lvohh rev.606cym Rev. HynLuo rev.707fx Voice One rev.one Voice Two rev.two Voice Three rev.three Voice Tah rev.tah Voice 1 Voice Au Voice Whey Frog Vpoce rev.yyooh Douby rev.douby Baert Baert Bounce rev.bounce Dist Knock ytwn3.xtp xxx Noise Attack SpaceWorms Emergency! Calculating SawLFOSaw
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PC: 128 [CC32: 3] CM-64/32L
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--­Kick 1 Kick 1 Side Stick Fat Snare Hand Clap Elec. Snare Tom Close HiHat Tom Open HiHat2 Tom Open Hi Hat Tom Tom GS Crash Tom Ride Cymbal
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--­Tambourine
--­Cowbell
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--­High Bongo Low Bongo Mute Conga Conga Conga Timbales Timbales Agogo Agogo Cabasa Maracas ShrtWhistle LongWhistle Vibraslap
--­Claves Laughing Screaming Punch Heart Beat Footsteps Footsteps Applause Creaking Door Scratch Wind Chimes Car-Engine Car-Stop Car-Pass Car-Crash Siren Train Jetplane Helicopter Starship Gun Shot
88
Page 89
EM-55 OR Owner’s Manual
(C7) (96)
C8 108
C9G9120
PC: 41 [CC32: 3] BRUSH
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97
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100
Brush Swirl Brush Tap
101
Brush Slap1
102
Brush Slap2
103
104
Brush Slap
105
Brush Swirl
106
Brush Swirl
107
Long Swirl Jazz Snare 1
109
Jazz Snare 2
110
Std.1 Snare1
111
Std.1 Snare2
112
Std.2 Snare1 Std.2 Snare2
113
114
Tight Snare Standard SN1
115
116
LD Snare M
117
LD Snare C
118
Room Snare 1
119
Room Snare 2 Dance Snare1
121
Power Snare1
122
Rev.Snare
123
Power Snare2
124
Elec Snare 1 Dance Snare2
125
126
Elec Snare 2 Elec Snare 3
127
PC: 49 [CC32: 3] ORCHSTRA
(---) Applause 2 Small Club Timpani Timpani Timpani Timpani Timpani Timpani Timpani Timpani Timpani Timpani Timpani Timpani Timpani Timpani Timpani
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PC: 50 [CC32: 3] ETHNIC
(Cabasa Down) Claves High Wood Block Low Wood Block
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PC: 51 [CC32: 3] KICK&SNR
(HipHop SD2) JungleSD1 Jungle SD2 Slap MG_Blip House SD CR78 SD 1 CR78 SD 2 66sn160 66sn260 TR-707 SD TR-707 SD 2 TR-707 SD 3 TR-808 SD2 909 SD 1 TR-909 SD2
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PC: 53 [CC32: 3] ASIA
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PC: 54 [CC32: 3] CYM&CLAP
(707 Claps)
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PC: 57 [CC32: 3] SFX
(Perc. Bang)
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PC: 58 [CC32: 3] RHYTHM FX
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PC: 59 [CC32: 3] RHTHMFX2
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PC: 128 [CC32: 3] CM-64/32L
(Gun Shot) Lasergun Explosion Dog HorseGallop Bird Rain Thunder Wind Seashore Stream Bubble
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REFERENCE
REFERENCE
REFERENCE
REFERENCE
89
Page 90
Drum Sets
C–1 0
C0 12
C1 24
C2 36
C3 48
C4 60
C5 72
C6 84
C7 96
PC: 1 [CC32: 2] STANDRD1
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--­Snare Roll
25
FingerSnaps2
26
27
High-Q
28
Slap ScratchPush
29
ScratchPull
30
Sticks
31
32
SquareClick
33
Mtrnm.Click
34
Mtrnm. Bell
35
85St BsDrum1 85St BsDrum2 Side Stick
37
85St Snare2
38
39
909 HandClap
40
85St Snare1 Real Tom 6
41
Close HiHat2
42
Real Tom 6
43
44
Pedal HiHat2
45
Real Tom 4
46
Open HiHat2
47
Real Tom 4 Real Tom 1 Crash Cym.1
49
Real Tom 1
50
51
Ride Cymbal
52
ChinaCymbal Ride Bell
53
Tambourine
54
Splash Cym.
55
56
Cowbell
57
Crash Cym.2
58
Vibraslap
59
Ride Cymbal Bongo High Bongo Lo
61
Mute H.Conga
62
63
Conga Hi Opn
64
Conga Lo Opn High Timbale
65
Low Timbale
66
Agogo
67
68
Agogo
69
Cabasa
70
Maracas
71
ShrtWhistle LongWhistle Short Guiro
73
Long Guiro
74
75
Claves
76
Woodblock Woodblock
77
Mute Cuica
78
Open Cuica
79
80
MuteTriangl
81
OpenTriangl
82
Shaker
83
Jingle Bell Bell Tree Castanets
85
Mute Surdo
86
87
Open Surdo
88
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PC: 2 [CC32: 2] STANDRD2
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--­Snare Roll Finger Snap High-Q Slap ScratchPush ScratchPull Sticks SquareClick Mtrnm.Click Mtrnm. Bell Std2 Kick2 Std.2 Kick1 Side Stick Std.2 Snare1 808clap Std.2 Snare2 Real Tom 6 Jazz Clsd.HH Real Tom 6 Pedal HiHat Real Tom 4 Jazz Open HH Real Tom 4 Real Tom 1 Crash Cym.1 Real Tom 1 Ride Cymbal ChinaCymbal Ride Bell Tambourine Splash Cym. Cowbell Crash Cym.2 Vibraslap Ride Cymbal Bongo High Bongo Lo Mute H.Conga Conga Hi Opn Conga Lo Opn High Timbale Low Timbale Agogo Agogo Cabasa Maracas ShrtWhistle LongWhistle Short Guiro Long Guiro Claves Woodblock Woodblock Mute Cuica Open Cuica MuteTriangl OpenTriangl Shaker Jingle Bell Bar Chimes Castanets Mute Surdo Open Surdo
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PC: 9 [CC32: 2] Room
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--­Snare Roll Finger Snap High-Q Slap ScratchPush ScratchPull Sticks SquareClick Mtrnm.Click Mtrnm. Bell 85Rm BsDrum1 85Rm BsDrum2 Side Stick 82Rm Snare2 808clap 82Rm Snare1 Room Tom 5 Room Chh Room Tom 5 Pedal HiHat Room Tom 2 R8 Ohh2 Room Tom 2 Room Tom 2 Crash Cym.1 Room Tom 2 Ride Cymbal ChinaCymbal Ride Bell Tambourine Splash Cym. Cowbell Crash Cym.2 Vibraslap Ride Cymbal Bongo High Bongo Lo Mute H.Conga Conga Hi Opn Conga Lo Opn High Timbale Low Timbale Agogo Agogo Cabasa Maracas ShrtWhistle LongWhistle Short Guiro Long Guiro Claves Woodblock Woodblock Mute Cuica Open Cuica MuteTriangl OpenTriangl Shaker Jingle Bell Bell Tree Castanets Mute Surdo Open Surdo
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PC: 17 [CC32: 2] Power
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--­Snare Roll FingerSnaps2 High-Q Slap ScratchPush ScratchPull Sticks SquareClick Mtrnm.Click Mtrnm. Bell Power Kick2 Power Kick1 Side Stick Dance Snare1 808clap Power Snare1 Rock Tom 4 Close HiHat2 Rock Tom 4 Pedal HiHat2 Rock Tom 4 Open HiHat2 Rock Tom 4 Rock Tom 1 Crash Cym.1 Rock Tom 1 Ride Cymbal ChinaCymbal Ride Bell Tambourine Splash Cym. Cowbell Crash Cym.2 Vibraslap Ride Cymbal Bongo High Bongo Lo Mute H.Conga Conga Hi Opn Conga Lo Opn High Timbale Low Timbale Agogo Agogo Cabasa Maracas ShrtWhistle LongWhistle Short Guiro Long Guiro Claves Woodblock Woodblock Mute Cuica Open Cuica MuteTriangl OpenTriangl Shaker Jingle Bell Bell Tree Castanets Mute Surdo Open Surdo
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PC: 25 [CC32: 2] ELECTRNC
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--­Snare Roll Finger Snap High-Q Slap Scrtch Push2 Scrtch Pull2 Sticks SquareClick Mtrnm.Click Mtrnm. Bell Elec Kick 2 Elec Kick 1 Side Stick Elec. Snare 808clap Elec Snare 2 Synth Drum 2 Jazz Clsd.HH Synth Drum 2 Pedal HiHat Synth Drum 2 Jazz Open HH Synth Drum 2 Synth Drum 2 Crash Cym.1 Synth Drum 2 Ride Cymbal ReverseCymbl Ride Bell Tambourine Splash Cym. Cowbell Crash Cym.2 Vibraslap Ride Cymbal Bongo High Bongo Lo Mute H.Conga Conga Hi Opn Conga Lo Opn High Timbale Low Timbale Agogo Agogo Cabasa Maracas ShrtWhistle LongWhistle Short Guiro Long Guiro Claves Woodblock Woodblock Mute Cuica Open Cuica MuteTriangl OpenTriangl Shaker Jingle Bell Bell Tree Castanets Mute Surdo Open Surdo
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PC: 26 [CC32: 2] TR808909
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--­Snare Roll FingerSnaps2 High-Q Slap Scrtch Push2 Scrtch Pull2 Sticks SquareClick Mtrnm.Click Mtrnm. Bell 808 BD TR-808 Kick 808 Rimshot 808 Snare 1 808clap TR-808 SD2 808 Tom 2 TR-808 CHH 808 Tom 2 808__chh 808 Tom 2 TR-808 OHH 808 Tom 2 808 Tom 2 808 Crash 808 Tom 2 606 Ride Cym ChinaCymbal Ride Bell CR78 Tmb Splash Cym. 808cowbe 909 Crash Vibraslap RideCym Edge Bongo High Bongo Lo 808 Conga 808 Conga 808 Conga High Timbale Low Timbale Agogo Agogo Cabasa 808marac ShrtWhistle LongWhistle Short Guiro CR78 Guiro 808clave Woodblock Woodblock Hoo Hoo MuteTriangl OpenTriangl 626 Shaker Jingle Bell Bell Tree Castanets Mute Surdo Open Surdo
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PC: 27 [CC32: 2] Dance
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--­Snare Roll Finger Snap High-Q Slap Scrtch Push2 Scrtch Pull2 Sticks SquareClick Mtrnm.Click Mtrnm. Bell TR-909 BD2 Techno BD2 Side Stick Dance Snare1 909 HandClap Power Snare1 Synth Drum 2 CR-78 chh Synth Drum 2 808__chh Synth Drum 2 CR-78 ohh Synth Drum 2 Synth Drum 2 808 Crash Synth Drum 2 606 Ride Cym ReverseCymbl Ride Bell Shake Tamb Splash Cym. Cowbell Crash Cym.2 Vibraslap Ride Cymbal Bongo High Bongo Lo Mute H.Conga Conga Hi Opn Conga Lo Opn High Timbale Low Timbale Agogo Agogo Cabasa Maracas ShrtWhistle LongWhistle Short Guiro Long Guiro Claves Woodblock Woodblock Hoo Hoo MuteTriangl OpenTriangl 626 Shaker Jingle Bell Bell Tree Castanets Mute Surdo Open Surdo
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PC: 33 [CC32: 2] Jazz
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--­Snare Roll Finger Snap High-Q Slap ScratchPush ScratchPull Sticks SquareClick Mtrnm.Click Mtrnm. Bell 82Jz BsDrum1 82Jz BsDrum2 Side Stick 82Jz Snare1 Hand clap2 82Jz Snare2 Real Tom 6 Jazz Clsd.HH Real Tom 6 Pedal HiHat Real Tom 4 Jazz Open HH Real Tom 4 Real Tom 1 Crash Cym.1 Real Tom 1 Ride Cym IN ChinaCymbal Ride Bell Tambourine Splash Cym. Cowbell Crash Cym.2 Vibraslap RideCym Edge Bongo High Bongo Lo Mute H.Conga Conga Hi Opn Conga Lo Opn High Timbale Low Timbale Agogo Agogo Cabasa Maracas ShrtWhistle LongWhistle Short Guiro Long Guiro Claves Woodblock Woodblock Mute Cuica Open Cuica MuteTriangl OpenTriangl Shaker Jingle Bell Bell Tree Castanets Mute Surdo Open Surdo
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PC: 41 [CC32: 2] Brush
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--­Snare Roll Finger Snap High-Q Slap ScratchPush ScratchPull Sticks SquareClick Mtrnm.Click Mtrnm. Bell Jazz Kick 2 Jazz Kick 1 Side Stick Brush Swirl Brush Slap1 Brush Swirl Lite Tom 4 Brs Chh Lite Tom 4 Pedal HiHat Lite Tom 4 Brush Ohh Lite Tom 4 Lite Tom 4 Brush Crash Lite Tom 4 Ride Cym IN ChinaCymbal Brush RideBL Tambourine Splash Cym. Cowbell Crash Cym.2 Vibraslap RideCym Edge Bongo High Bongo Lo Mute H.Conga Conga Hi Opn Conga Lo Opn High Timbale Low Timbale Agogo Agogo Cabasa Maracas ShrtWhistle LongWhistle Short Guiro Long Guiro Claves Woodblock Woodblock Mute Cuica Open Cuica MuteTriangl OpenTriangl Shaker Jingle Bell Bell Tree Castanets Mute Surdo
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PC: 49 [CC32: 2] ORCHSTRA
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--­Snare Roll Finger Snap Jazz Clsd.HH Pedal HiHat Jazz Open HH Ride Cymbal Sticks SquareClick Mtrnm.Click Mtrnm. Bell Jazz Kick 1 Concert BD Side Stick Concert Snr Castanets Concert Snr Timpani Timpani Timpani Timpani Timpani Timpani Timpani Timpani Timpani Timpani Timpani Timpani Timpani Tambourine Splash Cym. Cowbell Con.Cymbal2 Vibraslap Concert Cym. Bongo High Bongo Lo Mute H.Conga Conga Hi Opn Conga Lo Opn High Timbale Low Timbale Agogo Agogo Cabasa Maracas ShrtWhistle LongWhistle Short Guiro Long Guiro Claves Woodblock Woodblock Mute Cuica Open Cuica MuteTriangl OpenTriangl Shaker Jingle Bell Bell Tree Castanets Mute Surdo Open Surdo Applause
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90
Page 91
EM-55 OR Owner’s Manual
C–1 0
C0 12
C1 24
C2 36
C3 48
C4 60
C5 72
C6 84
C7 96
PC: 50 [CC32: 2] Ethnic
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Tambourine
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Castanets
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Crash Cym.1 Snare Roll
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Concert Snr
30
Concert Cym
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32
Concert BD
33
Jingle Bell
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Bell Tree
35
Bar Chimes Wadaiko Wadaiko Rim
37
Shimedaiko
38
39
Atarigane
40
Hyoushigi Ohkawa
41
H kotsuzumi
42
L Kotsuzumi
43
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Ban_Gu
45
Big Gong
46
Small Gong
47
Bend Gong RAMA Cymbal RAMA Cymbal
49
Gamelan Gong
50
51
Udo_Short
52
Udo_Long Udo_slap
53
Bendir
54
Req_Dum
55
56
Req_tik
57
Tabla_Te
58
Tabla_Na
59
Tabla_Tun Tabla_Ge Tabla Ge Hi
61
Talking Drum
62
63
Bend tlk_drm
64
Caxixi DJembe
65
Djembe_rim
66
Low Timbale
67
68
Timbl Paila
69
High Timbale
70
Cowbell
71
Bongo High Bongo Lo Mute H.Conga
73
Conga Hi Opn
74
75
Conga MtLow
76
Conga Slap Conga Lo Opn
77
Conga Slide
78
Mut Pandiero
79
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Opn Pandiero
81
Open Surdo
82
Mute Surdo
83
Tamborim Agogo Agogo
85
Shaker
86
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Low Whistle
88
Low Whistle Mute Cuica
89
Open Cuica
90
MuteTriangl
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OpenTriangl
93
Short Guiro
94
Long Guiro
95
Cabasa Up Cabasa Down
PC: 51 [CC32: 2] KICK&SNR
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--­Std.1 Kick1 Std.1 Kick2 Std.2 Kick1 Std2 Kick2 Kick 1 Kick 2 Soft Kick Jazz Kick 1 Jazz Kick 2 Concert BD Room Kick 1 Room Kick 2 Power Kick1 Power Kick2 Elec Kick 2 Elec Kick 1 Elec. Kick TR-808 Kick TR-909 Kick Dance Kick 2 Std.1 Snare1 Std.1 Snare2 Std.2 Snare1 Std.2 Snare2 Tight Snare Concert Snr Jazz Snare 1 Jazz Snare 2 Room Snare 1 Room Snare 2 Dance Snare1 Power Snare1 Rev.Snare Power Snare2 Elec Snare 1 Dance Snare2 Elec Snare 2 House Snare Elec. Snare Elec Snare 3 808 Snare 1 808 Snare 2 909 Snare 1 909 Snare 2 Brush Swirl Brush Tap Brush Slap1 Brush Slap2 Brush Slap Brush Swirl Brush Swirl Long Swirl
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PC: 52 [CC32: 2] Oriental
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--­TR-707 BD TR-707 BD TR-707 Rim TR-707 SD Hand Clap 22 TR-707 SD Tom TR-707 HH-c Tom TR-707 HH-c Tom TR-707 HH-o Tom Tom TR-707 Crash Tom Ride Cymbal Dholla2 Dom2 Dholla 2 Sak Tambourine Dholla2 Rim1 Cowbell Dholla2 RimC Cabasa Doff 2 Dom 2 Doff2 Sak 1B Low Bongo Doff 2 Sak 2 High Bongo Doff 2 Rim 3 Tabla1 Dom 2 Tabla Roll Tabla 2 Sak Tabla Fx Tabla2 Tak1D Tabla 2 Tik Tabla2 Rim 2 Rek 2 Dom 1B Rek 2 Rim 2 Rek Dom 1 Rek 2 Tak 1 Rek 2 Tak 2C Rek 2 Sak 1 Hager 2 Rek2Khan Cl2 Zir 2 Rek2Khan Op2 Rek 2 Roll Rek 2 Sak 1 Sagat Mid Sagat Hi Sagat Sak Jingle Bell ZaghroutaSm3 ZaghroutaEd3 TablaNurDom3 Nakrazhan 1 TablaNurRim2 Nakrazhan 2 TablaNurTak3 TR-707 BD Hand Clap 1
PC: 57 [CC32: 2] SFX
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--­Scrtch Push2 Scrtch Pull2 Gt.CutNoise2 Gt.CutNoise2 Dist.CutNoiz Dist.CutNoiz Bass Slide Pick Scrape High-Q Slap ScratchPush ScratchPull Sticks SquareClick Mtrnm.Click Mtrnm. Bell Gt.FretNoiz Gt.CutNoise Gt.CutNoise String Slap Fl.KeyClick Laughing Screaming Punch Heart Beat Footsteps Footsteps Applause Creaking Door Scratch Wind Chimes Car-Engine Car-Stop Car-Pass Car-Crash Siren Train Jetplane Helicopter Starship Gun Shot Machine Gun Lasergun Explosion Dog HorseGallop Bird Rain Thunder Wind Seashore Stream Bubble Kitty Bird 2 Growl Applause 2 Telephone 1 Telephone 2
---
---
---
---
---
---
PC: 58 [CC32: 2] Rhythm FX
---
---
---
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---
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---
--­Rev.Kick 1 Rev.ConBD Rev.PowerK1 Rev.Elec.K1 Rev.Snare 1 Rev.Snare 2 Rev.Std1SD1 Rev.TightSD Rev.DanceSD Rev.808SD Rev.Tom 1 Rev.Tom 2 Rev.Sticks Rev.Slap ReverseCymbl Rev.Cymbal2 Rev.Open HH Rev.RideCym. Rev.CR-78OHH Rev.Clsd.HH Rev.BendGong Rev.Belltree Rev.Guiro Rev.Bendir Rev.GunShot Rev.Scratch Rev.Lasergun Click Tekno Thip Pop Drop Wood Slap Dist.Kick Syn.Drops Rev.Hi-Q ShrtWhistle Ice Block Digi Tambrn. Alias Mod.Bell Tambourine Metalic Perc Velo FX Noiz St.NoiseClap Swish Noise Slap Voice 1 Voice Au Hoo Tape Stop 1 Tape Stop 2 Missile Space Birds FlyingMonstr
---
---
---
---
---
---
---
---
PC: 128 [CC32: 2] CM64/32L
---
---
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---
--­Kick 1 Kick 1 Side Stick Fat Snare Hand Clap Elec. Snare Tom Close HiHat Tom Open HiHat2 Tom Open Hi Hat Tom Tom GS Crash Tom Ride Cymbal
---
--­Tambourine
--­Cowbell
---
---
--­High Bongo Low Bongo Mute Conga Conga Conga Timbales Timbales Agogo Agogo Cabasa Maracas ShrtWhistle LongWhistle Vibraslap
--­Claves Laughing Screaming Punch Heart Beat Footsteps Footsteps Applause Creaking Door Scratch Wind Chimes Car-Engine Car-Stop Car-Pass Car-Crash Siren Train Jetplane Helicopter Starship Gun Shot
PC: 1 [CC32: 1] Standard
---
---
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---
--­High-Q Slap ScratchPush ScratchPull Sticks SquareClick Mtrnm.Click Mtrnm. Bell 85St BsDrum1 85St BsDrum2 Side Stick 85St Snare2 909 HandClap 85St Snare1 Real Tom 6 Close HiHat2 Real Tom 6 Pedal HiHat2 Real Tom 4 Open HiHat2 Real Tom 4 Real Tom 1 Crash Cym.1 Real Tom 1 Ride Cymbal ChinaCymbal Ride Bell Tambourine Splash Cym. Cowbell Crash Cym.2 Vibraslap Ride Cymbal Bongo High Bongo Lo Mute H.Conga Conga Hi Opn Conga Lo Opn High Timbale Low Timbale Agogo Agogo Cabasa Maracas ShrtWhistle LongWhistle Short Guiro Long Guiro Claves Woodblock Woodblock Mute Cuica Open Cuica MuteTriangl OpenTriangl Shaker Jingle Bell Bell Tree Castanets Mute Surdo Open Surdo
---
---
---
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---
PC: 9 [CC32: 1] Room
---
---
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---
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---
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---
--­High-Q Slap ScratchPush ScratchPull Sticks SquareClick Mtrnm.Click Mtrnm. Bell 85Rm BsDrum1 85Rm BsDrum2 Side Stick 82Rm Snare2 808clap 82Rm Snare1 Room Tom 5 Room Chh Room Tom 5 Pedal HiHat Room Tom 2 R8 Ohh2 Room Tom 2 Room Tom 2 Crash Cym.1 Room Tom 2 Ride Cymbal ChinaCymbal Ride Bell Tambourine Splash Cym. Cowbell Crash Cym.2 Vibraslap Ride Cymbal Bongo High Bongo Lo Mute H.Conga Conga Hi Opn Conga Lo Opn High Timbale Low Timbale Agogo Agogo Cabasa Maracas ShrtWhistle LongWhistle Short Guiro Long Guiro Claves Woodblock Woodblock Mute Cuica Open Cuica MuteTriangl OpenTriangl Shaker Jingle Bell Bell Tree Castanets Mute Surdo Open Surdo
---
---
---
---
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---
PC: 17 [CC32: 1] Power
---
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--­High-Q Slap ScratchPush ScratchPull Sticks SquareClick Mtrnm.Click Mtrnm. Bell Power Kick2 Power Kick1 Side Stick Dance Snare1 808clap Power Snare1 Rock Tom 4 Close HiHat2 Rock Tom 4 Pedal HiHat2 Rock Tom 4 Open HiHat2 Rock Tom 4 Rock Tom 1 Crash Cym.1 Rock Tom 1 Ride Cymbal ChinaCymbal Ride Bell Tambourine Splash Cym. Cowbell Crash Cym.2 Vibraslap Ride Cymbal Bongo High Bongo Lo Mute H.Conga Conga Hi Opn Conga Lo Opn High Timbale Low Timbale Agogo Agogo Cabasa Maracas ShrtWhistle LongWhistle Short Guiro Long Guiro Claves Woodblock Woodblock Mute Cuica Open Cuica MuteTriangl OpenTriangl Shaker Jingle Bell Bell Tree Castanets Mute Surdo Open Surdo
---
---
---
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---
PC: 25 [CC32: 1] ELECTRNC
---
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--­High-Q Slap Scrtch Push2 Scrtch Pull2 Sticks SquareClick Mtrnm.Click Mtrnm. Bell Elec Kick 2 Elec Kick 1 Side Stick Elec. Snare 808clap Elec Snare 2 Synth Drum 2 Jazz Clsd.HH Synth Drum 2 Pedal HiHat Synth Drum 2 Jazz Open HH Synth Drum 2 Synth Drum 2 Crash Cym.1 Synth Drum 2 Ride Cymbal ReverseCymbl Ride Bell Tambourine Splash Cym. Cowbell Crash Cym.2 Vibraslap Ride Cymbal Bongo High Bongo Lo Mute H.Conga Conga Hi Opn Conga Lo Opn High Timbale Low Timbale Agogo Agogo Cabasa Maracas ShrtWhistle LongWhistle Short Guiro Long Guiro Claves Woodblock Woodblock Mute Cuica Open Cuica MuteTriangl OpenTriangl Shaker Jingle Bell Bell Tree Castanets Mute Surdo Open Surdo
---
---
---
---
---
---
---
---
---
REFERENCE
REFERENCE
REFERENCE
REFERENCE
91
Page 92
Drum Sets
(C7) (96)
C8 108
C9G9120
PC: 50 [CC32: 2] Ethnic
(Cabasa Down) Claves
97
98
Woodblock
99
Woodblock
100
---
---
101
---
102
---
103
104
---
105
---
106
---
107
---
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109
---
110
---
111
---
112
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113
114
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115
116
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117
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118
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119
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121
---
122
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123
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124
---
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125
126
---
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127
PC: 51 [CC32: 2] KICK&SNR
(---)
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PC: 52 [CC32: 2] Oriental
(---)
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PC: 57 [CC32: 2] SFX
(---)
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PC: 58 [CC32: 2] Rhythm FX
(---)
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PC: 128 [CC32: 2] CM64/32L
(Gun Shot) Machine Gun Lasergun Explosion Dog HorseGallop Bird Rain Thunder Wind Seashore Stream Bubble
---
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PC: 1 [CC32: 1] Standard
(---)
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PC: 9 [CC32: 1] Room
(---)
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PC: 17 [CC32: 1] Power
(---)
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PC: 25 [CC32: 1] ELECTRNC
(---)
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---
(C7) (96)
C8 108
C9G9120
PC: 26 [CC32: 1] TR-808
(---)
---
97
98
---
99
---
100
---
---
101
---
102
---
103
104
---
105
---
106
---
107
---
---
109
---
110
---
111
---
112
---
---
113
114
---
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115
116
---
117
---
118
---
119
---
---
121
---
122
---
123
---
124
---
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125
126
---
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127
PC: 33 [CC32: 1] Jazz
(---)
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PC: 41 [CC32: 1] Brush
(---)
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PC: 49 [CC32: 1] ORCHSTRA
(---)
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PC: 57 [CC32: 1] SFX
(---)
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PC: 128 [CC32: 1] CM64/32L
(Gun Shot) Machine Gun Lasergun Explosion Dog HorseGallop Bird Rain Thunder Wind Seashore Stream Bubble
---
---
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92
Page 93
EM-55 OR Owner’s Manual
C–1 0
C0 12
C1 24
C2 36
C3 48
C4 60
C5 72
C6 84
C7 96
PC: 26 [CC32: 1] TR-808
---
---
1
---
2
3
---
4
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5
---
6
---
7
8
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9
---
10
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11
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13
---
14
15
---
16
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17
---
18
---
19
20
---
21
---
22
---
23
---
---
---
25
---
26
27
High-Q
28
Slap Scrtch Push2
29
Scrtch Pull2
30
Sticks
31
32
SquareClick
33
Mtrnm.Click
34
Mtrnm. Bell
35
808 BD TR-808 Kick 808 Rimshot
37
808 Snare 1
38
39
808clap
40
TR-808 SD2 808 Tom 2
41
TR-808 CHH
42
808 Tom 2
43
44
808__chh
45
808 Tom 2
46
TR-808 OHH
47
808 Tom 2 808 Tom 2 808 Crash
49
808 Tom 2
50
51
606 Ride Cym
52
ChinaCymbal Ride Bell
53
Tambourine
54
Splash Cym.
55
56
808cowbe
57
909 Crash
58
Vibraslap
59
RideCym Edge High Bongo Low Bongo
61
808 Conga
62
63
808 Conga
64
808 Conga High Timbale
65
Low Timbale
66
Agogo
67
68
Agogo
69
Cabasa
70
808marac
71
ShrtWhistle LongWhistle Short Guiro
73
Long Guiro
74
75
808clave
76
Woodblock Woodblock
77
Mute Cuica
78
Open Cuica
79
80
MuteTriangl
81
OpenTriangl
82
626 Shaker
83
Jingle Bell Bell Tree Castanets
85
Mute Surdo
86
87
Open Surdo
88
---
---
89
---
90
---
91
92
---
93
---
94
---
95
---
---
PC: 33 [CC32: 1] Jazz
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--­High-Q Slap ScratchPush ScratchPull Sticks SquareClick Mtrnm.Click Mtrnm. Bell 82Jz BsDrum1 82Jz BsDrum2 Side Stick 82Jz Snare1 Hand clap2 82Jz Snare2 Real Tom 6 Jazz Clsd.HH Real Tom 6 Pedal HiHat Real Tom 4 Jazz Open HH Real Tom 4 Real Tom 1 Crash Cym.1 Real Tom 1 Ride Cym IN ChinaCymbal Ride Bell Tambourine Splash Cym. Cowbell Crash Cym.2 Vibraslap RideCym Edge Bongo High Bongo Lo Mute H.Conga Conga Hi Opn Conga Lo Opn High Timbale Low Timbale Agogo Agogo Cabasa Maracas ShrtWhistle LongWhistle Short Guiro Long Guiro Claves Woodblock Woodblock Mute Cuica Open Cuica MuteTriangl OpenTriangl Shaker Jingle Bell Bell Tree Castanets Mute Surdo Open Surdo
---
---
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---
PC: 41 [CC32: 1] Brush
---
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--­High-Q Slap ScratchPush ScratchPull Sticks SquareClick Mtrnm.Click Mtrnm. Bell Jazz Kick 2 Jazz Kick 1 Side Stick Brush Swirl Brush Slap1 Brush Swirl Lite Tom 4 Brs Chh Lite Tom 4 Pedal HiHat Lite Tom 4 Brush Ohh Lite Tom 4 Lite Tom 4 Brush Crash Lite Tom 4 Ride Cym IN ChinaCymbal Brush RideBL Tambourine Splash Cym. Cowbell Crash Cym.2 Vibraslap RideCym Edge Bongo High Bongo Lo Mute H.Conga Conga Hi Opn Conga Lo Opn High Timbale Low Timbale Agogo Agogo Cabasa Maracas ShrtWhistle LongWhistle Short Guiro Long Guiro Claves Woodblock Woodblock Mute Cuica Open Cuica MuteTriangl OpenTriangl Shaker Jingle Bell Bell Tree Castanets Mute Surdo Open Surdo
---
---
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---
---
PC: 49 [CC32: 1] ORCHSTRA
---
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--­Jazz Clsd.HH Pedal HiHat Jazz Open HH Ride Cymbal Sticks SquareClick Mtrnm.Click Mtrnm. Bell Jazz Kick 1 Concert BD Side Stick Concert Snr Castanets Concert Snr Timpani Timpani Timpani Timpani Timpani Timpani Timpani Timpani Timpani Timpani Timpani Timpani Timpani Tambourine Splash Cym. Cowbell Con.Cymbal2 Vibraslap Concert Cym. Bongo High Bongo Lo Mute H.Conga Conga Hi Opn Conga Lo Opn High Timbale Low Timbale Agogo Agogo Cabasa Maracas ShrtWhistle LongWhistle Short Guiro Long Guiro Claves Woodblock Woodblock Mute Cuica Open Cuica MuteTriangl OpenTriangl Shaker Jingle Bell Bell Tree Castanets Mute Surdo Open Surdo Applause
---
---
---
---
---
---
---
---
PC: 57 [CC32: 1] SFX
---
---
---
---
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---
---
---
---
---
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---
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---
---
---
---
---
---
--­High-Q Slap ScratchPush ScratchPull Sticks SquareClick Mtrnm.Click Mtrnm. Bell Gt.FretNoiz Gt.CutNoise Gt.CutNoise String Slap Fl.KeyClick Laughing Screaming Punch Heart Beat Footsteps Footsteps Applause Creaking Door Scratch Wind Chimes Car-Engine Car-Stop Car-Pass Car-Crash Siren Train Jetplane Helicopter Starship Gun Shot Machine Gun Lasergun Explosion Dog HorseGallop Bird Rain Thunder Wind Seashore Stream Bubble
---
---
---
---
---
---
---
---
---
---
---
---
PC: 128 [CC32: 1] CM64/32L
---
---
---
---
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---
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---
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---
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---
---
---
---
---
---
---
---
---
--­Kick 1 Kick 1 Side Stick Fat Snare Hand Clap Elec. Snare Tom Close HiHat Tom Open HiHat2 Tom Open Hi Hat Tom Tom GS Crash Tom Ride Cymbal
---
--­Tambourine
--­Cowbell
---
---
--­High Bongo Low Bongo Mute Conga Conga Conga Timbales Timbales Agogo Agogo Cabasa Maracas ShrtWhistle LongWhistle Vibraslap
--­Claves Laughing Screaming Punch Heart Beat Footsteps Footsteps Applause Creaking Door Scratch Wind Chimes Car-Engine Car-Stop Car-Pass Car-Crash Siren Train Jetplane Helicopter Starship Gun Shot
REFERENCE
REFERENCE
REFERENCE
REFERENCE
93
Page 94
Chord Intelligence
25. Chord Intelligence
C C# D E E F
CM7 C#M7 DM7 E M7 EM7 FM7
C7 C#7 D7 E 7 E7 F7
Cm C#m Dm E m Em Fm
Cm7 C#m7 Dm7 E m7 Em7 Fm7
CmM7 C#mM7 DmM7 E mM7 EmM7 FmM7
Cdim C#dim Ddim E dim Edim Fdim
Cm7 ( 5 )
Caug C#aug Daug E aug Eaug Faug
Csus4 C#sus4 Dsus4 E sus4 Esus4 Fsus4
Dm7 ( 5 ) Em7 ( 5 )
Fm7 ( 5 )E m7 ( 5 )C#m7 ( 5 )
C7sus4 C#7sus4 D7sus4 E 7sus4 E7sus4 F7sus4
94
Page 95
EM-55 OR Owner’s Manual
F# G A A B B
F#M7 GM7 A M7 AM7 B M7 BM7
F#7 G7 A 7 A7 B 7 B7
REFERENCE
F#m Gm A m Am B m Bm
F#m7 Gm7 A m7 Am7 B m7 Bm7
F#mM7 GmM7 A mM7 AmM7 B mM7 BmM7
F#dim Gdim A dim Adim B dim Bdim
Gm7 ( 5 ) Am7 ( 5 ) Bm7 ( 5 )
F#aug Gaug A aug Aaug B aug Baug
B m7 ( 5 )A m7 ( 5 )F#m7 ( 5 )
REFERENCE
REFERENCE
REFERENCE
F#sus4 Gsus4 A sus4 Asus4 B sus4 Bsus4
F#7sus4 G7sus4 A 7sus4 A7sus4 B 7sus4 B7sus4
95
Page 96
MIDI Implementation Chart
MIDI Implementation Chart
[Interactive Keyboard] Date: July 2002 Model: EM-55 OR Version: 1.00
Function... Transmitted Recognized Remarks
Basic Channel
Mode
Note Number T rue V oice
Velocity
After Touch
Pitch Bend O *1 O *1
Control Change
Program Change True #
System Exclusive ) O
System Common
System Real Time
Aux Messages
Notes
Mode 1: OMNI ON, POLY Mode 3: OMNI OFF, POLY
Default Changed
Default Message Altered
Note ON Note OFF
Key’s Ch’s
100, 101
Song Position Pointer Song Sel Tune
Clock Commands
All Sounds Off Reset All Controllers Local On/Off All Notes Off Active Sense Reset
1~16 1~16, Off
Mode 3 Mode 3, 4 (M=1) *****
0~127 *****
O X
X X
0,32
O*1
1
O*1
5
O
6, 38
O
7
O
10
O
11
O
64
O
65
X
66
X
67
X
84
O
91
O
93
O
98, 99
O O
O *****
X*1 X X
O*1 O*1
X X O*1 X O X
*1 O X is selectable *2 Recognized as M=1 even if M1
Mode 2: OMNI ON, MONO Mode 4: OMNI OFF, MONO
1~16 1~16, Off
Mode 3 Mode 3, 4 (M=1) *2
0~127 0~127
O X
O O
O O O O O O O O O O O O O (Reverb) O (Chorus) O O
O 0~127
X X X
O O
O (120, 126, 127) O (121) O O (123-125) O X
32 Parts 2 Logical Parts
Bank Select Modulation Portamento Time Data Entry Volume Panpot Expression Hold 1 Portamento Sostenuto Soft Portamento Control Effect 1 Depth Effect 3 Depth NRPN LSB, MSB RPN LSB, MSB
Program Number 1~128
O: Yes X: No
96
Page 97
26. Index
EM-55 OR Owner’s Manual
A
Acc Off 37 Accomp 33 All 39 Arabic tuning 48 Arpg 37 Arr
Chord 45 Mem 45 Split 45
Arranger 45, 58
Mode 13 Split 45 Stop 14
B
Balance 33 Bass Off 37 Bs Chord 45 Bs&Dr Off 37
C
Chord
Finder 11 Intelligence 45 Memory 45
Oct 37 Chorus 33 Clock Tx 52 Contrast 7 Controls 37 Copy 56 Count-In 48 Cutting 36
D
D Beam 36
Using 21 Default
Value 17 Delete 55 Demo 8, 58 Destinat 56 Disk
Copy 56
Functions 54
Link 15 DJ
Gear 36
Pad 9 Drum
Off 37
Sets 20 Drums 20
E
Education 58 Effects 31 Ending 13 EXPR 36 Expression 36 EZ Search 15, 16
F
Factory 58 Fade Out 37 Fill 13
D Beam function 37 Filter 37 Footswitch 36, 41, 47 Front panel 5 Function 44 Functions 5
G
Groovebox 9 Guess
Chord 11
Note 11
H
Hold 36
I
Initialize 58 Instruments 37 Intro 13 Inversion 48
K
Kbd Velo 35, 44 Keyboard 33
Recorder (mode) 39
Velocity 35
L
LCD Contrast 7 Load 54 Local 52 Loop 42 Lower 19 LWR
Int 46
Mem 46
Octv 45 Lyrics Tx 52
M
M.Drums 20 ManBass 45 Marker A/B 42 MDr Shift 45 Metro
TS 19, 44
Vol 45 Metronome 19 M-FX 31 MIDI 51
Sync 51
TxRx 51 Minus One 42 Modulation 35
Filter 52 Mstr Tune 44 Music Style 14 Musical Games 10
N
Note to Arranger 52 NTA Rx14 52
O
Octave 37, 45 Oriental Scale 17 Original 13
P
Pad
DJ 9
Sync 48 Pan 47 PBend 37 PBRange 45 Phrases 9 Piano 19 Pitch Bend 35
Filter 52
Range 45 ProgChng 52 Punch I/O 40
Q
Quarter tones 48
R
Range 45 Rear panel 7 Recorder 22, 38 Repeat 42 Resume 48 Reverb 32 Root 11 Rotary Slow/Fast 48
S
Save 54 Scale 48 Scale Memory 17 Scl Mode 48 Scratch 36 Sel Mode 48 Single 40 SMF 43 Soft 48 Song Pos P 52 Sostenuto 48 Sound EFX 36 Source 56 Specifications 59 Split
Arranger 45
Lower 19 Standard MIDI File 43 Start 37 StartStp 52
Style 14
Demo 9 Pad 45 Pad Set 48
PC 52 Sustain 36 Sync
Rx 51
Start 14
T
Tempo 14
Up/Down 37 Tone 15
Demo 8
Left 19
MFX 47 Tracks 39 Transpose 34
Value 44 Trp
Mode 44
Value 34, 44 TT Motor 36 Tune 44 Type 12
U
UP1/2 Octv 45 User Program 49
Footswitch 48
V
Variation 13 Velo RX 52 Velocity 35, 44
Filter 52 Vinyl RPM 36 Volume 8, 45
97
Page 98
Index
98
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