Thank you for choosing a Roland EM-55 OR Oriental Interactive Keyboard, the perfect arranger instrument
for countless hours of pure, unadulterated fun. Thanks to its novel integration of DJ-like functions, the
EM-55 OR will take your musical endeavours to a completely new level.
To get the most out of the EM-55 OR and to ensure many years of trouble-free service, we urge you to read
through this Owner’s Manual thoroughly.
To avoid confusion, let’s agree to use the word “button” for all keys on the front panel, and only use “key”
when referring to the EM-55 OR’s keyboard.
Before using this instrument, carefully read the sections entitled “Important Safety Instructions” and “Important notes”. They provide important information concerning the proper operation of the EM-55 OR. Be sure
to keep this manual in a safe place for future reference.
The EM-55 OR’s new Session Partner concept encompasses three functions: you can switch on/mute the
Arranger’s accompaniment parts; you can select from
among 8 phrase patterns to be played either in isolation or together with the selected Music Style; or you
can use the eight Session Partner buttons DJ style: to
create remixes of existing phrases.
The Session Partner buttons can also be used for
muting and switching on individual tracks of the 16track Recorder, allowing you to be creative even with
your recorded music.
EZ Search & Music Assistant
The EZ Search function allows you to quickly locate
the desired Music Style or Tone.
The EM-55 OR also provides a Music Assistant function for direct access to 100 User Programs (registrations).
Style Morphing and Orchestrator functions
Style Morphing allows you to “create” new Music
Styles (accompaniments) on the fly by replacing
selected accompaniment parts of one Style with the
parts from another Style.
The Orchestrator function, on the other hand, allows
you to simplify, add, or leave out accompaniment
parts of the selected Music Style. This intuitive way of
controlling the arrangements of your accompaniments is a wonderful assistant for creating just the
right atmosphere for the music you play.
The EM-55 OR’s sound source conforms to General
MIDI System Level 2 (GM2 for short) as well as
Roland’s GS Format.
64 Music Styles
The EM-55 OR contains 64 Music Styles (48 oriental
and 16 western) that will supply a perfect accompaniment for your solo playing. Each Music Style
includes several “Divisions” that allow you to vary the
accompaniment. Coupled with the Style Morphing
and Orchestrator functions, the total number of
accompaniment patterns adds up to far more than
64.
Three modes
For enhanced operation, the EM-55 OR provides an
M. Drums, Arranger, and a Piano mode. Pressing one
of these button will immediately reconfigure your
Oriental Interactive Keyboard.
Graphic display
Your EM-55 OR is equipped with a backlit display
that keeps you posted about the current status of
your instrument. Most functions are represented by
means of straightforward icons that provide massive
at-a-glance information without confusing you.
64 User Programs
User Programs are memories where you can save
your own panel settings. These include the currently
selected Style, Tone (sound), tempo, as well as a lot of
other parameters. At the press of a maximum of two
buttons, you can thus completely reconfigure your
instrument.
3651 Tones and 120 Drum Sets
The EM-55 OR comes with 3,603 western and 48
excellent oriental instrument sounds taken from
Roland’s acclaimed VA-series sound library. In most
instances, there will be several Tones to choose from
for the song you are about to play. In addition to 116
western Drum Sets, it also provides 4 oriental sets
that can be used for drumming on the keyboard or by
the Arranger.
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Page 3
EM-55 OR Owner’s Manual
1. Important notes
In addition to the items listed under “Important Safety Instructions”, please read and observe the following:
Power supply
• Do not use this instrument on the same power circuit with any
device that will generate line noise (such as an electric motor or
variable lighting system).
• Be sure to only use the supplied adapter (Roland ACJ). The use of
other adapters may damaged your EM-55 OR.
• Before connecting the EM-55 OR to other devices, turn off the
power to all units. This will help prevent malfunctions and/or damage to speakers or other devices.
Placement
• Using the EM-55 OR near power amplifiers (or other equipment
containing large power transformers) may induce hum. To alleviate
the problem, change the orientation of this instrument or move it
farther away from the source of interference.
• This instrument may interfere with radio and television reception.
Do not use it in the vicinity of such receivers.
• Do not expose the EM-55 OR to direct sunlight, place it near
devices that radiate heat, leave it inside an enclosed vehicle, or
otherwise subject it to temperature extremes. Excessive heat can
deform or discolor the instrument.
Maintenance
• For everyday cleaning wipe the EM-55 OR with a soft, dry cloth or
one that has been slightly dampened with water. To remove stubborn dirt, use a mild, non-abrasive detergent. Afterwards, be sure
to wipe the instrument thoroughly with a soft, dry cloth.
• Never use benzene, thinner, alcohol or solvents of any kind, to
avoid the possibility of discoloration and/or deformation.
Repairs and data
• Please be aware that all data contained in the instrument’s memory may be lost when it is sent for repairs. In certain cases (such as
when circuitry related to memory itself is out of order), we regret
that it may not be possible to restore the data. Roland assumes no
liability concerning such loss of data.
Handling floppy disks
• Floppy disks contain a plastic disk with a thin magnetic coating.
Microscopic precision is required to enable storage of large
amounts of data on such a small surface area. To preserve their
integrity, please observe the following when handling floppy disks:
• Never touch the magnetic medium inside the disk.
• Do not use or store floppy disks in dirty or dusty areas.
• Do not subject floppy disks to temperature extremes (e.g., direct
sunlight in an enclosed vehicle). Recommended temperature
range: 10° to 50°C (50 to 122°F).
• Do not expose floppy disks to strong magnetic fields, such as those
generated by loudspeakers.
• Floppy disks have a “WRITE” tab which can protect the disk from
accidental erasure. It is recommended that the tab be kept in the
PROTECT position, and moved to the WRITE position only when
you wish to write new data onto the disk.
Rear side of the disk
WRITE
(you can save new data to disk)
Write protect tab
• Disks containing important performance data for this instrument
should always be locked (have their write protect tab slid to the
PROTECT position) before you insert them into the drive of another
instrument.
• The identification label should be firmly affixed to the disk. If the
label comes loose while the disk is in the drive, it may be difficult
to remove the disk.
• Put the disk back into its case for storage.
PROTECT
(prevents writing to disk)
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Additional precautions
• Please be aware that the memory contents can be irretrievably lost
as a result of a malfunction, or the improper operation of the
instrument.
• Use a reasonable amount of care when using the instrument’s buttons, other controls, and jacks/connectors. Rough handling can
lead to malfunctions.
• Never strike or apply strong pressure to the display.
• When connecting/disconnecting cables, grasp the connector
itself—never pull on the cable. This way you will avoid causing
shorts, or damage to the cable’s internal elements.
• A small amount of heat will radiate from the instrument during
normal operation. This is perfectly normal.
• To avoid disturbing your neighbors, try to keep the instrument’s
volume at reasonable levels. You may prefer to use headphones, so
you do not need to be concerned about those around you (especially late at night).
• When you need to transport the instrument, package it in the box
(including padding) that it came in. Otherwise, you will need to use
equivalent packaging materials, or a flightcase.
Press this button to switch the EM-55 OR on
and off.
B
BENDER/MODULATION lever
By performing left/right movements, you can
bend your solo notes down (left) or up (right).
Press this lever towards the rear of the instrument to add modulation (usually vibrato) to
the notes you are playing.
C
SCALE MEMORY buttons
These three buttons allow you to save and
recall the tuning settings carried out with the
ORIENTAL SCALE buttons. When the EM-55 OR
is shipped, these memories already contain
useful settings (that will be recalled whenever
you initialize your EM-55 OR).
D
ORIENTAL SCALE buttons
These buttons allow you to change the tuning
of each note of the scale. By default, pressing
one of these buttons will lower the corresponding notes in all octaves by a quarter tone
(–50 cents). Other tunings can also be selected
and saved to one of the three scale memories
(see above).
E
D Beam Controller
This controller allows you to influence the timbre of the notes you play, to control the
Arranger, and to create some unique effects.
All you need to do is move your hand up/down
or left/right above the two “eyes”.
The buttons allow you to assign the desired
function to the D Beam Controller. See p. 36.
F
VOLUME knob
Use this knob to set the global volume of your
EM-55 OR.
G
DEMO button
Press this button whenever you want to listen
to the EM-55 OR’s demo songs (see p. 8).
H
BALANCE [√ACCOMP] [KEYBOARD ®]
buttons
Use the BALANCE buttons to change the volume of the corresponding section (accompaniment/song, or the parts you play on the keyboard).
I
STYLE MORPHING buttons
Use these three buttons to create a new Style
from two existing ones. See page 27 for
details.
J
ORCHESTRATOR buttons
Press one of these buttons to choose the
desired orchestration for the selected Music
Style. See page 27.
hi
B
A
J
W
H
R
EM-55 OR Owner’s Manual
F
G
S T UV
g
e
I
E
df
C
D
L
M N O PQ
c
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K
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Page 6
Panel descriptions
Display
K
This is where you will find comprehensive information about the EM-55 OR’s current status, the functions that are available, the parameter values, etc.
L
MUSICAL GAME button
Press this button if you want to learn more about the
“nuts and bolts” of music – or just to have some fun
with your EM-55 OR.
M
SONG button
This button allows you to select the EM-55 OR’s Song
mode, and to specify that the [INTRO], [ORIGINAL],
etc., buttons should be used to operate the on-board
Recorder.
N
STYLE button
Press this button if you want to select Music Styles.
By activating this button, you also specify that the
[INTRO], [ORIGINAL], etc., buttons are used for selecting a Style Division, while the [1]~[8] buttons can be
used to select the desired Style memory (11~64).
In DJ PAD mode, the [STYLE] button can be used for
selecting the desired DJ phrase set.
Note: Styles can also be selected via the EZ Search function
(see p. 15).
TONE button
O
Press this button if you want to use the [A/B] and
[1]~[8] buttons for assigning a sound (“Tone”) to the
selected Keyboard part. See p. 15.
Note: Tones can also be selected via the EZ Search function
(see p. 16).
P
USER PROGRAM/WRITE button
Press this button whenever you want to select a User
Program (a set of registrations). Press and hold it to
save the current panel and parameter settings to a
User Program. See page 49.
Q
MUSIC ASSISTANT button
This button allows you to work with preprogrammed
registrations (additional User Programs). See p. 25.
R
METRONOME button
This button is used to switch the metronome on and
off. Holding it for more than one second calls up a
FUNCTION parameter you can set.
S
MFX EFFECTS button
This button allows you to switch the multi-effects
processor on/off, to assign it to the desired Keyboard
part, and to select the effect you need in a given situation. Holding it for more than one second calls up
a FUNCTION parameter you can set. See p. 31.
T
MELODY INTELL button
This button allows you to switch the Melody Intelligence function on/off. This function adds a harmony
part to your melody playing. See p. 26. Holding it for
more than one second calls up a FUNCTION parameter you can set for selecting the harmony type.
U
TRANSPOSE button
Press this button to transpose the keyboard (see
p. 34). Holding it for more than one second calls up a
FUNCTION parameter you can set.
REC button
V
This button allows you to engage the EM-55 OR’s
record function.
W
Style/Song control buttons
(INTRO, ORIGINAL, FILL, etc.) These buttons allow you
to select the Music Style division (after pressing the
[STYLE] button) or to control the EM-55 OR’s
Recorder (after pressing [SONG]).
X
EZ SEARCH button
This button allows you to quickly select the desired
Music Style, Tone, or Drum Set. See p. 15 and p. 16.
Y
TEMPO/DATA dial
This dial is used for setting the tempo, parameter values, and for selecting Music Styles, Tones, or Drum
Sets via the EZ SEARCH function.
Z
DISK button
Press this button to access the Disk functions. They
are used for loading data from floppy, saving data to
disk, and managing floppy disks. See p. 54.
a
EXECUTE/TAP TEMPO button
In FUNCTION and DISK modes, this button allows you
to confirm an operation. Outside those two modes,
this button can be used for setting the tempo by
pressing it repeatedly. Hold it down for a few seconds
to return to the pre-programmed tempo.
In FUNCTION mode, holding it down will recall the
default value for the selected parameter.
b
FUNCTION button
This button provides access to the FUNCTION menu.
You can hold it down and use the BANK/NUMBER
buttons for directly selecting one of the eight functions of the list to the rigt of this button.
c
SESSION PARTNER PADS/TRACKS section
These buttons provide access to the EM-55 OR’s Session Partner function. They can also be used for muting and switching on Recorder tracks.
d
KEYBOARD MODE buttons
These buttons allow you to specify how you want to
use your EM-55 OR:
ButtonFunction
M.DRUMSYou can drum on the keyboard.
ARRANGERThe chords you play with your left hand are
used to transpose the automatic accompaniment in realtime. With your right hand,
you can play solos.
PIANOA piano sound is assigned to the entire key-
board. (Only the Arranger drums are available.)
e
ONE TOUCH buttons (1–2, 3–4)
Press one of these buttons to select the desired One
Touch memory. To select memory “2” or “4”, you need
to press the corresponding button twice. One Touch
memories contain a number of settings that complement the currently selected Music Style. See p. 25.
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EM-55 OR Owner’s Manual
KEYBOARD PART buttons
f
These buttons allow you to switch three Keyboard
parts (Upper 1, Upper 2, and/or Lower) on and off.
“Keyboard parts” are sounds you yourself can play –
as opposed to “Arranger parts” that are played by the
EM-55 OR’s automatic accompaniment function.
g
A/B buttons, numeric keypad, VARIATION/STYLE DISK
button
Use [A/B] to select the Tone bank (there are two
banks of 64 Tones each). The keypad is used for
selecting Tones (sounds) for the Keyboard parts,
Music Styles, and User Programs. The function of
these buttons depends on which button you pressed
last: the [STYLE], [TONE], or [USER PROGRAM] button.
Rear panel
The [VARIATION] button also doubles as [STYLE DISK]
button (after pressing the [STYLE] button). See p. 28.
The numeric keypad also allows you to enter file
names.
h
PHONES sockets
This is where you can connect two pairs of optional
headphones (Roland RH-25 or RH-50). By doing so,
you switch off the EM-55 OR’s speakers.
i
Disk drive
This is where you can insert a 2DD or 2HD floppy disk
with Standard MIDI Files (SMF) or Music Styles. It also
allows you to save your User Program settings and
the Songs you record.
ENGLISHENGLISH
A
LCD CONTRAST knob
Use this knob if the icons and characters in the
EM-55 OR’s display are too light or too dark. Be
aware that changing lighting conditions may require
different contrast settings.
B
MIDI OUT/IN sockets
Connect the MIDI OUT socket to the MIDI IN jack of
your computer (or MIDI instrument) to transfer MIDI
data from the EM-55 OR to the computer or external
MIDI instrument. Connect the MIDI IN socket of the
EM-55 OR to the computer’s MIDI OUT jack to receive
data from the computer.
C
FOOTSWITCH/EXPR socket
This is where you can connect an optional DP-2,
DP-6, or BOSS FS-5U footswitch that allows you to
hold (“sustain”) the notes you play with your right
hand. It can also be used for controlling certain
parameters. Alternatively, you can connect a Roland
EV-5 expression pedal for realtime control of the
EM-55 OR’s volume.
D
OUTPUT R, L/MONO sockets
These sockets allow you to connect the EM-55 OR to
your HiFi amplifier, a mixer, a cassette deck, a keyboard amplifier, etc. If the external amplifier is mono,
be sure to connect it to the OUT L/MONO socket.
E
DC 12V IN socket
This is where you need to connect the supplied
adapter (ACJ). After connecting the adapter cable,
wind it around the cord hook to the socket’s right to
prevent accidental power failures.
Note: Be sure to only use the adapter supplied with your
EM-55 OR. Other adapters may damage your Oriental Interactive Keyboard.
ENGLISHENGLISH
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Page 8
First steps
3. First steps
Setting up
The first thing you need to do is connect the supplied ACJ adapter to a suitable wall outlet.
(1) Unpack the EM-55 OR and place it on a
(2) Connect the small end of the adapter
(3) Press the [POWER ON] button to switch
Demo songs
Your EM-55 OR comes with
• Tone demos show off the EM-55 OR’s amazing sound quality.
• Style demos give you an impression of the quality of the on-board Music Styles.
(1) Press the [DEMO] button (its indicator
stable surface.
cable to the EM-55 OR’s DC IN jack, and
the other end to a suitable wall outlet.
on the EM-55 OR.
10 Tone demos
and
lights).
The indicator lights and playback of all
demo songs starts.
8 Style demos
.
OR Perc
ARRANGER CHORD
TONE
MEASURETEMPO
120 120
KEYBOARD
VELOCITY
REVERB
CHORUS
MELODY
INTELL
INVERSION
Playback of a Tone demo song:
(1) Press the [START/STOP] button. This will
stop playback of the running demo song.
(2) Press the [TONE] button.
(2) If necessary, use the [VOLUME] control to
change the playback volume.
(3) Press [DEMO] again to skip to the next
song.
(3) Press the [A/B] button to select the per-
cussion demo.
(4) Press a numeric button [1]~[8] or the
[VARIATION] button. Each button selects a
different Tone demo song.
Playback of the selected demo song starts
automatically. After a copyright message,
the name of the selected song will be displayed.
You can now press [START/STOP] to stop
playback of the currently selected song. If
you press this button again, the next demo
song will be played back.
(5) Press [START/STOP] to stop demo song
playback, and press [DEMO] (indicator
goes dark) to switch off the Demo function.
8
Page 9
Playback of a Style demo song:
(1) Press the [STYLE] button.
(2) Press a numeric button [1]~[8]. Each but-
ton selects a different Style demo song
(there are eight).
DJ Pad function
Let us now look at one of the new Session Partner functions that allows you to use the EM-55 OR DJ
style. (See pages 23 and 40 for the remaining Session Partner/Track functions.)
The DJ PAD function allows you to start and
stop eight different phrases of a selected Music
Style by pressing buttons, rather than playing on
the keyboard.
After starting a phrase, you can change its key
by playing the corresponding chord in the left
half of the keyboard. This would allow you to
create entire songs. You can even record the
music you create using the DJ Pad function.
Oh… and one last thing: it is perfectly possible
to start several phrases at once (the DJ Pad
function is polyphonic).
(1) Press the [STYLE] button. Check whether
the [STYLE≈A] icon is displayed.
EM-55 OR Owner’s Manual
Playback of the selected demo song starts
automatically. After a copyright message,
the name of the selected song will be displayed.
You can now press [START/STOP] to stop
playback of the currently selected song. If
you press this button again, the next demo
song will be played back.
(3) Press [START/STOP] to stop demo song
playback.
(4) Press [DEMO] (indicator goes dark) to
switch off the Demo function.
(3) Now use the [1/9]~[8/16] buttons to start
the assigned phrases (the indicators of the
buttons you press light).
You can press several buttons simultaneously if you like.
Briefly pressing them starts the assigned
phrase, which will be played for as long as
you hold the button.
If you press and hold one of these buttons,
the phrase will be repeated again and again
(“looped”). Press the corresponding button
again to stop the loop of the assigned
phrase.
(4) If necessary, use the [TEMPO/DATA] dial to
change the tempo.
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ENGLISHENGLISH
The upper SESSION PARTNER [TRACK] indicator lights.
(2) Press the [STYLE PAD/DJ TRACK] button
once or twice (the DJ PAD indicator must
light).
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Page 10
First steps
Choosing other sets
(5) If necessary, use the BANK/NUMBER
Musical Games
Your EM-55 OR contains several musical games you may want to play at times. These games will help you
master some basic musical concepts. They are called:
(1) Press the [MUSICAL GAME] button.
[1]~[8] buttons to select a different set.
Saidi
Katakofty
Zar
Zaffa
Hip Hop
House
Rap Pad
Techno
The EM-55 OR provides 8 Sets of DJ phrases
(with 8 phrases each). These sets are called:
Dance 1, Dance 2, HipHop, House 1, House
• Guess the Note: play the note you hear.
• Guess the Chord: see if you can play the
chords you hear.
• Chord Finder: this game will help you find
out how to play chords you may come
across in written music. This is a wonderful
way of learning new chords.
For GuessNte and GuessChd, speed is an
important factor: the faster you play the
right note(s), the higher your score will be.
2, Rap, Techno 1 and Techno 2. The illustration above shows you which button you
need to press to select the desired set.
The name of the set you select appears in
the display:
TEMPO
DJ PAD
ARRANGER CHORD
Note: Do not press the [START/STOP] button,
because doing so would start the Arranger and stop
playback of the DJ PAD function.
Note: There is also a parameter that allows you to
specify whether playback of the various phrases
should be synchronized. See p. 48.
STYLE
1201
KEYBOARD
VELOCITY
REVERB
CHORUS
MELODY
INTELL
INVERSION
You can also press ORCHESTRATOR [DRUM
& BASS] or [COMBO] to select the game.
BeginnerAdvancedExpert
The [MUSICAL≈GAME] icon appears in the
center of the display, while the message line
in the upper left-hand corner displays the
name of the first game.
GuessTne
ARRANGER CHORD
(2) Press [MUSICAL GAME] again to select the
desired game (“GuessNte”, “GuessChd” or
“ChordFnd”).
10
TONE
MUSICAL GAME
MEASURETEMPO
120 120
KEYBOARD
VELOCITY
REVERB
CHORUS
MELODY
INTELL
INVERSION
(3) Use the STYLE MORPHING [DRUM],
[BASS], and [ACCOMP] buttons to select
the level (only for “Guess Nte” and
“GuessChd”).
ButtonFunction
DRUMBeginner (easiest)
BASSAdvanced (intermediary)
ACCOMP Expert (most difficult)
Example: to select the “Advanced” level of
the “GuessNte” game:
• Press [MUSICAL GAME].
• Press [MUSICAL GAME] twice again (or
ORCHESTRATOR [COMBO]).
• Press STYLE MORPHING [BASS].
(4) Press ORCHESTRATOR [BIG BAND] to con-
firm your choice (“OK”).
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EM-55 OR Owner’s Manual
Guess Note
After pressing “OK“ (see step (4) above), the EM-55 OR plays a note, while the display shows “Listen”. The
score graphic in the left part of the display shows the note sounded by the EM-55 OR.
(1) Play a note on the keyboard.
Next, the EM-55 OR sounds four other
notes. Play them too.
After five notes and responses the display
indicates how long it took you to play the
notes, and how well you scored. If the notes
were correct, you will also get a standing
ovation from your EM-55 OR.
If your notes were wrong, the EM-55 OR
plays a “car crash” sound.
(2) Press “OK” to have the EM-55 OR sound
another round of five notes.
Use the √ ® or “1”, “2”, “3” buttons if you
wish to select another level. Then confirm
by pressing “OK”.
(3) Play the notes again.
After applauding (or playing the crashing
sound), the EM-55 OR returns to the level
indication. Repeat step (2), if you like, or
press [MUSICAL GAME] to select another
game.
(4) Press [SONG], [STYLE], [TONE], [USER PRO-
GRAM] or [FUNCTION] to leave this function.
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Guess Chord
After pressing “OK” (see step (4) under “Musical Games”), the EM-55 OR plays a chord and displays the
notes in the score graphic in the left part of the display.
(1) Play the chord notes on the keyboard.
Next, the EM-55 OR sounds four other
chords. Play them too.
After five chords and responses the display
indicates how long it took you to play the
chords, and how well you scored. If the
chords were correct, you will also get a
standing ovation from your EM-55 OR.
If your choices were wrong, the EM-55 OR
plays a “car crash” sound.
(2) Press “OK” to have the EM-55 OR sound
another round of five chords.
Use the √ ® or “1”, “2”, “3” buttons if you
wish to select another level. Then confirm
by pressing “OK”.
(3) Play the chords again.
After applauding (or playing the crashing
sound), the EM-55 OR returns to the level
indication. Repeat step (2), if you like, or
press [MUSICAL GAME] to select another
game.
(4) Press [SONG], [STYLE], [TONE], [USER PRO-
GRAM] or [FUNCTION] to leave this function.
Chord Finder
Apart from being a fun game, the Chord Finder is also useful for learning how to play certain chords you
are unfamiliar with. Here is how to play this game:
(1) Press the [MUSICAL GAME] button.
See p. 10 for a detailed discussion.
(2) Press [MUSICAL GAME] again to select
“ChordFnd”.
Alternatively, press “3” [ACCOMP] to select it
directly.
(3) Use the “1” or “2” button to select the
entry you wish to specify:
To specify the Root:
• Press “1”. The display now shows the message “1 Root”.
• Use the √ ® buttons to select the root
(“C”, for example). The name of this chord
appears in the ARRANGER CHORD field of
the display.
ARRANGER CHORD
ENGLISHENGLISH
ButtonFunction
“1”Root (i.e. the “name” of the chord).
“2”Type (major, minor, etc.)
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Page 12
First steps
To specify the Type:
• Press the “2” button. The display now shows
the message “2 Type”.
• Use the √ ® buttons to select the chord
type (“7”, for example). The complete name
of this chord appears in the ARRANGER
CHORD field of the display, while the keyboard and score graphics also show the
notes.
ARRANGER CHORD
Black keys you need to press are temporarily
displayed as white keys (see the Bb/A# in
the illustration).
(4) Use the “1” and “2” buttons as well as
√ ® to select other chords you wish to
practise.
(5) Press [SONG], [STYLE], [TONE], [USER PRO-
GRAM] or [FUNCTION] to leave this function.
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Page 13
4. Playing with accompaniment
EM-55 OR Owner’s Manual
Let us now take advantage of the EM-55 OR’s accompaniment function. This function is called “
Starting/stopping the Arranger
(1) Press the KBD MODE [ARRANGER] button
(its indicator lights).
ARRANGER
The keyboard is split into two halves. The
keys you press in the left half are used to
specify the key of the accompaniment. The
right half of the keyboard allows you to
play a tune to the accompaniment.
At power-on, the EM-55 OR automatically
selects the “A24 TwoStep” Style.
(2) Press the [START/STOP] button to start
Arranger playback.
Note: If the [ARRANGER] indicator lights, playing
in the left half of the keyboard while the Arranger is
stopped, will sound an electric piano and bass Tone.
The left half of the keyboard is thus not muted (like
on previous Roland arranger instruments). This can
be switched off, however (see “Bs Chord (left-hand
strings + bass)” on page 45).
(3) Play a chord (or just one note) with your
left hand.
(5) Press the following buttons to use other
patterns of the currently selected Music
Style:
ButtonFunction
INTROPlayback of an introduction. Press
this button before activating
[START/STOP].
ORIGINAL Simple accompaniment version.
FILLTransition (“Fill In”) to VARIATION or
ORIGINAL.
VARIATION
ENDINGPhrase that indicates the end of the
Slightly more complex accompaniment version.
song. Use this button instead of
[START/STOP] to stop playback.
These buttons select Music Style “patterns”.
The indicator of the button you press lights.
Also, the ARRANGER CHORD field indicates
which chord you played last. This chord is
used by the accompaniment.
As soon as you feel comfortable with the
Arranger, you should try to play a melody
with your right hand while using your left
for selecting Arranger chords.
Arranger
”.
ENGLISHENGLISH
ENGLISHENGLISH
(4) Play another chord (or note) to change
the Arranger’s key.
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Page 14
Playing with accompaniment
Changing the tempo
(6) Use the [TEMPO/DATA] dial to decrease
(turn left) or increase (turn right) the
tempo (if necessary).
Stopping Arranger playback
(7) Press [START/STOP] again to stop playback.
You can also press [ENDING]. In that case, you first hear an ending phrase. When it is finished,
Arranger playback stops automatically.
Automatic playback start & stop (Sync Start/Stop)
Press [SYNC START/STOP] (indicator lights). “Sync Start” means that the Arranger will start Music
Style playback as soon as you play a note or a chord with your left hand.
To return to the Music Style’s default
tempo, press and hold [EXECUTE/TAP
TEMPO] for a few seconds.
Alternatively, you can also press the [EXECUTE/TAP TEMPO] button several times at
the desired tempo.
If you like, you can also activate the Sync Stop function by pressing this button several times until
the indicator starts flashing. In that case, Music Style playback will stop as soon as you release all
keys in the left half of the keyboard.
Selecting other Music Styles
Selection via the numeric keypad
Your EM-55 OR comes with 64 different accompaniments (called “Music Styles”) that reside in eight
banks. Here is how to select them:
(1) Press the [STYLE] button.
(2) Press the [A/B] button to select Group A
(the A appears in the upper left-hand corner of the display).
(3) Use the numeric keypad to select the
desired Music Style bank (1~8).
See the STYLE bank list in the left half of the
front panel and p. 73 for locating the Music
Style bank.
Example: press [5] to select bank 5.
(4) Use the numeric keypad to select a Music
Style memory of that bank (x1~x8).
Example: press [2] to select the “Arabi” Style.
Note: You can also press [STYLE] to scroll through
all 64 Music Styles of the currently selected group
(A or B).
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Page 15
EM-55 OR Owner’s Manual
Style selection via EZ Search
Another easy way of selecting Music Styles goes
like this:
(1) Press the [EZ SEARCH] button (indicator
lights).
The display now shows the number and
name of the currently selected Music Style.
(2) Look at the STYLE list in the upper left
part of the front panel to select a Style
bank, then press the BANK/NUMBER button that corresponds to that bank.
Example: to select a Music Style from the
Saidi bank, press [2].
(3) Use the [TEMPO/DATA] dial to select the
desired Music Style from that bank.
After selecting bank 2, that would be:
SaidiMsh, SaidiMdn, Saidi-M1, Saidi-M2,
Saidi-M3, Saidi-Eg, Saidi/L, Shaeri 1.
Note: EZ Search only works for the “A” group (the
Styles in the EM-55 OR’s internal memory).
Working with Music Styles on a floppy disk
Your EM-55 OR comes with two floppy disks, one of which contains 64 additional Music Styles for the
Disk Link function. (The other floppy disk contains additional Styles that you can load via STYLE DISK.)
Using those is just as easy as working with the internal Styles – and loading them from floppy is just as
quick. This function is called “Disk Link”.
ENGLISHENGLISH
The Music Style referenced by the Disk Link
memory you select is automatically loaded from
disk and copied to the Style Disk memory (see
also p. 28).
(1) Insert the “Disk Link” floppy disk into the
drive (front panel, below the keyboard).
(2) Press the [STYLE] button.
(3) Press the [A/B] button to select Group B
(the B appears in the upper left-hand cor-
ner of the display).
Selecting sounds for the right hand
Do the following if you wish to assign a different sound to your (right-hand) melody playing:
(1) Press the [TONE] button.
The [TONE] icon appears in the display. You
can now select Tones. There are two ways to
select Tones on the EM-55 OR.
In this example, we will select the Tone
“A131 Oud 2”.
(2) Press the [A/B] button to select the Tone
group.
(4) Use the numeric keypad to select the
desired Music Style bank (1~8).
(5) Use the numeric keypad to select a Music
Style memory of that bank (x1~x8).
Note: You can also assign other Styles to the Music
Style memories of group b (see p. 29).
Note: The EM-55 OR does not store the Music
Styles for group b. You need to insert the (correct)
floppy disk into the drive each time you wish to use
those Styles.
The “Oud 2” Tone belongs to the “TONE A”
group. You therefore need to press [A/B]
once or twice to make the display read a.
Piano 2
Note: This is only necessary if the currently
selected Tone belongs to the A group.
Note: The name (“Piano 2” in the illustration) still
refers to the previously selected Tone.
ENGLISHENGLISH
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Page 16
Playing with accompaniment
(3) Press the numeric button [1] to select
bank “1”.
Piano 2
Note: The name (“Piano 2” in the illustration) still
refers to the previously selected Tone.
(4) Press the numeric button [3] to select the
“Oud 2” Tone.
Oud 2
Notice how the Tone name in the display
changes. If you now play in the right half of
the keyboard, you will hear the “Oud 2”
Tone.
Note: See p. 30 for how to select Tone Variations.
Note: You can also press [TONE] repeatedly to scroll
through all available Tones (excluding the Variations).
Note: In many cases, the EM-55 OR does not select
exactly the Tone you asked for, but an even better
one. See p. 30 for details.
Tone selection via EZ Search
Your EM-55 OR contains 3,603 western Tones (or sounds) plus 48 oriental ones, which means that you
have plenty of options – but it also means that you may have to spend several minutes before locating
the desired Tone.
One way of doing that is by looking at the list on p. 61 and then entering the number via the BANK/
NUMBER pad. Another, more intuitive, approach is this:
(1) Press the [TONE] button. The [TONE] icon
now appears in the display.
(2) Press the [EZ SEARCH] button (indicator
lights).
The display now shows the number and
name of the currently selected Tone.
(3) Look at the TONE list in the upper left
part of the front panel to select a Tone
bank (there are 16 banks), then press the
[A/B] and a number button [1]~[8] to
select that bank.
Example: if you need an Organ sound, select
A and then press [3]. To be able to select
solo synthesizer sound, press [A/B] to select
group b, the press [3].
(4) Use the [TEMPO/DATA] dial to select the
desired Tone from that bank.
You can now only select Tones that belong
to the bank (and group) you selected above.
This is very convenient for trying out different alternatives.
Note: It is also possible to use several sounds at a
time. See pages 19 and 30.
Note: EZ Search also provides access to Tones that
cannot be selected via the BANK/NUMBER keypad.
(The keypad allows you to select up from among
1616 Tones.) Those additional Tones cannot be
selected via SysEx.
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Page 17
5. Using oriental tunings
Your EM-55 OR allows you to change the tuning of the keys, which then applies to all notes of the same
name. Here’s an example: If you press the ORIENTAL SCALE [Bb] button (indicator lights), that note’s tuning
is lowered by a quarter tone (–50 cents). This setting applies to all B-flat keys on the keyboard.
Tuning individual notes a quarter tone down
(1) Press an ORIENTAL SCALE button to tune
the corresponding notes a quarter tone
down (the button’s indicator must light).
Using other tuning values
Pressing an ORIENTAL SCALE button toggles
between the western tuning of the corresponding notes and a setting that is a quarter tone
below western tuning (–50 cents).
However, you can also select other tuning values.
(1) Press and hold the ORIENTAL SCALE but-
ton of the note whose tuning you wish to
change until the display reads Scale,
followed by the note name.
You can also select this page and parameter
via the Function menu. See page 48.
EM-55 OR Owner’s Manual
ENGLISHENGLISH
(2) If you also want to tune down other
notes, press the corresponding button(s).
If you pressed the wrong button (indicator
lights), press it again so that its indicator
goes dark again. The pitch of the corresponding notes returns to normal.
(2) Use the [TEMPO/DATA] dial to modify the
tuning of the selected note.
ENGLISHENGLISH
Setting range: –64~63 cents.
Note: To return to the default value (“–50”), press
and hold [EXECUTE].
Saving and loading your tunings (Scale Memory)
After setting the desired tunings, you can save
them to one of the three Scale Memories and
recall them whenever you need them. Here’s
what you need to do:
(1) Tune the notes to your liking (see above).
(2) Press and hold the SCALE MEMORY but-
ton (1~3) that corresponds to the memory
where you wish to save your tuning set-
tings.
(3) Wait until all three SCALE MEMORY indi-
cators briefly light, and release the button
you pressed.
If necessary, you can select another, SCALE
MEMORY by briefly pressing the SCALE
MEMORY button assigned to the settings
you wish to use.
To return to the western tuning, press the
SCALE MEMORY button in question again
so that its indicator goes dark, and/or
switch off all ORIENTAL SCALE buttons
whose indicators light. In the second case,
the SCALE MEMORY indicator of the last
memory you selected starts flashing to sig-
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Page 18
Using oriental tunings
nal that the current ORIENTAL SCALE settings no longer correspond to the ones contained in the currently selected memory.
Note: When shipped, the EM-55 OR already contains frequently used Scale Memory settings (see
above).
Note: The Oriental Scale settings are never written
to a User Program. Do not forget to save them to a
Scale Memory before switching off the EM-55 OR.
Note: See also “Scl Mode” (p. 48) for deciding
which sections should be affected by the Scale Tune
settings..
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EM-55 OR Owner’s Manual
6. Playing one sound (Piano)
Here is how to play one sound via the entire keyboard. This mode is automatically selected when you switch on
the EM-55 OR. As it was mainly meant to use the EM-55 OR like a digital piano, this mode is called “PIANO”.
(1) Press the [PIANO] button (its indicator
lights).
PIANO
Using the metronome
You can switch on the metronome when practising a new song.
(1) Press the [METRONOME] button.
METRONOME
The icon appears in the display and you
hear the metronome sound.
(2) See “Selecting sounds for the right hand”
(p. 15) for selecting a different sound.
At first, only the [UPPER 1] indicator lights,
which means that the part of the same
name is active. “Parts” are “containers” that
you can assign Tones to, and play.
(2) Press and hold [METRONOME] to select
the Metro TS function.
(3) Use the [TEMPO/DATA] dial (notice the
“VALUE” message in the display) to set
another time signature.
Playing a different sound with the left hand (Split)
Here is how to split the keyboard without using the Arranger. This allows you to play separate sounds
with your left and right hands:
• One sound in the right half (Upper).
• One sound in the left half (Lower). You can
also add an automatic bass line (M.Bass).
See p. 45.
Lower (+M. Bass)Upper
(1) Press the KBD MODE [ARRANGER] button
to activate the Arranger mode.
This is necessary to split the keyboard. You
must not press [START/STOP], however. Otherwise, the Arranger will start playing.
(2) Press the [LOWER] button.
LOWER
Its indicator lights (as does the indicator of
the [UPPER 1] button). You can now play
one part with your left hand (“Lower”), and
another with your right (“Upper 1”).
To assign a different Tone to the Lower part,
you need to press and hold [LOWER] (its
indicator starts flashing). Then use the same
procedure as for the Upper 1 part (see
“Selecting sounds for the right hand” on
page 15).
Note: If necessary, you can select a different split
point. See “ArrSplit (Arranger Split)” (p. 45).
Note: You can also press the [START/STOP] button
to add a rhythm accompaniment to your playing.
This is based on the currently selected Music Style.
See p. 14 for how to select a different one, and
p. 23 for muting all Arranger parts except the
drums.
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Drumming on the keyboard
7. Drumming on the keyboard
Here is how to assign drum and percussion sounds to the entire keyboard.
(1) Press the [M.DRUMS] button.
M.DRUMS
With the left-most key, you can play a bass
drum sound (also called “kick”). The white
key next to it triggers a snare drum sound,
etc. Try it out by pressing several keys, either
in succession or simultaneously.
Its indicator lights. Play a few notes on the
keyboard. This time, every key is assigned to
M.DrumsM.Drums
a different sound.
Selecting other Drum Sets
The sounds used in M.Drums mode (“M.Drums” is short for
Tones
but rather by a Drum Set. Drum Sets are collections of over 90 sounds, each assigned to a differ-
ent key. The EM-55 OR provides 4 oriental and 116 western Drum Sets.
1 GM2 STANDARD
9 GM2 ROOM
17 GM2 POWER
25 GM2 ELECTRIC
26 GM2 ANALOG
33 GM2 JAZZ
41 GM2 BRUSH
ORCHESTRA
49 GM2
57 GM2 SFX
CC32= 119 (XG)
1 standard kit
2 standrd kit2
9 room kit
17 rock kit
25 electro kit
26 analog kit
33 jazz kit
41 brush kit
49 classic kit
121 SFX 1 kit
122 SFX 2 kit
To select them, proceed as though you were calling up a Tone:
(1) Press a number button [1]~[8] to select a
Bank.
(2) Press a number [1]~[8] button to select
the desired Drum Set.
Use the EZ Search function to have access
to all Drum Sets except the ones preceded
by “CC32=” (those Drum Sets can only be
selected via MIDI).
20
Note: You can also press the [START/STOP] button
to add a rhythm accompaniment to your playing.
This is based on the currently selected Music Style.
See p. 14 for how to select a different one.
Page 21
EM-55 OR Owner’s Manual
8. Using the D Beam Controller
The D Beam Controller allows you to control various aspects of your performance, or to add something to the
music, by moving your hand, head, etc., in the air. You only need to make sure that you do so over the two “eyes”
and within a 40cm (±16”) range. Your movements are translated into musical expression.
(1) Press the D BEAM CONTROLLER [ON/OFF]
button (indicator must light).
ON/OFF
Let’s first try out the DJ GEAR functions.
(2) Press the [ASSIGN] button (next to the
[ON/OFF] button) until the DJ GEAR indicator lights.
(5) Press and hold the [ASSIGN] button until
the display shows the VinylRPM message.
(6) Use the [TEMPO/DATA] dial to select
Scratch.
(7) Again move your hand towards and away
from the D Beam.
Now you should hear a scratch sound.
Try out the SOUND EFX (sound effects),
INSTRUMENTS (play notes using a given
sound) and CONTROLS (change Arranger
playback).
Note: See p. 36 for details about the D Beam Controller.
ENGLISHENGLISH
DJ GEAR
SOUND EFX
INSTRUMENTS
CONTROLS
(3) Start the Arranger by pressing the [START/
STOP] button.
(4) Move your hand towards and away from
the D Beam’s “eyes”.
What you hear now is the “VinylRPM”
effect. Now let’s do some scratching…
ENGLISHENGLISH
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Page 22
Recording your music
9. Recording your music
Your EM-55 OR contains a 16-track Recorder you can use for recording your own songs. Feel free to use the
Arranger to add an accompaniment to the melodies you record.
Here, you will learn how to record your melody and the Arranger accompaniment.
(1) Press the [ARRANGER] button.
The indicator lights. You can now use your
left hand for transposing the Arranger’s key
in realtime.
(2) Press the [STYLE] button.
(3) Select a Music Style.
See also page 14.
(4) Press the [START/STOP] button.
(5) Use the [TEMPO/DATA] dial to set desired
tempo.
(6) Press [START/STOP] again to stop Arranger
playback.
(7) Assign the desired Tone to the right half
of the keyboard.
Press [TONE], and use the [A/B] and [1]~[8]
buttons (or the EZ Search function). See
also page 15.
Note: If necessary, you can also use the [VARIATION] button to select a Tone Variation. See p. 30
for details.
(8) Press the [● REC] button.
(The [RECORD≈∏] and [1]~[16] icons flash.)
You are now in ALL mode, which means that
everything you and the EM-55 OR’s
Arranger play will be recorded.
Note: This will erase the song that currently resides
in the EM-55 OR’s internal memory. You may want
to save the current Song to floppy disk first (see
p. 54).
(9) Start recording in one of the following
ways:
• Press the [START/STOP] button to start
Arranger playback with the selected Division.
Note: If you start recording without the Arranger
and want to bring it in at a later stage, it would be a
good idea to switch on the metronome by pressing
the [METRONOME] button.
• Activate the SYNC START function and press
one or several keys to the left of the Split
point.
Note: It is also possible to record in PIANO, and
M.DRUMS modes (after pressing the buttons of the
same name). In that case, you should use the metronome. The song’s time signature can be set with
the MetroTS function. See page 19.
●
REC
The display should look as follows (if it
doesn’t, use the [TEMPO/DATA] dial to select
ALL):
MEASURETEMPO
ALL
ARRANGER CHORD
RECORD
1
9
TONE
10211312413514615716
120 001
8
Listening to your song
(1) Press the [SONG] button.
(2) Press [START/STOP] to start playback.
(3) Press [START/STOP] once again to stop
playback.
(4) Press [ORIGINAL |√] to return to the
beginning of the song.
KEYBOARD
VELOCITY
REVERB
CHORUS
MELODY
INTELL
INVERSION
(10) Stop recording in one of the following
ways:
• Press [START/STOP].
• Press the [ENDING] button to start the Ending phrase. As soon as it ends, recording
stops.
22
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EM-55 OR Owner’s Manual
10. Additional Music Style functions
Apart from the basic Music Style functions covered on page 13 and following, your EM-55 OR also provides the
following functions.
The following are only available after pressing the [ARRANGER] button (its indicator must light).
Session Partner functions
The EM-55 OR’s SESSION PARTNER section can also be used for “playing” with the Arranger parts, or adding
a ninth accompaniment phrase to the Arranger’s 8-part accompaniment. Let’s have a look at these two
functions:
Muting Arranger parts (Track)
The EM-55 OR’s Music Styles comprise eight accompaniment parts: Drums, Bass, and Accomp 1~6. If
you take a close look at the SESSION PARTNER section, you will see that these names appear above the
numeric buttons [1]~[8]:
The ACCOMP parts contain melodic accompaniments (piano riffs, sax parts, guitar chords, etc.). If you
like, you can mute these Arranger parts during playback – and save these settings to a User Program
(see p. 49). Here’s how you do that:
(1) Press the KBD MODE [ARRANGER] button
(its indicator lights).
ARRANGER
(2) Select the desired Music Style (see p. 14).
(3) Press [START/STOP] to start Arranger play-
back.
(4) Press the [TRACK] button (the upper indi-
cator lights).
• or because the corresponding track contains
no data.
Not all eight Arranger tracks are indeed
used by all Music Styles or Music Style divisions (Intro, Variation, etc.).
(5) Use the SESSION PARTNER [1/9]~[8/16]
buttons to switch the desired Arranger
parts on/off.
Note: Once you start muting or switching on existing Arranger parts, the EM-55 OR leaves the currently selected Orchestrator level. Your realtime
changes always have priority.
Note: The on/off status of the Arranger parts does
not change if you select another Music Style while
Arranger playback is running. If, however, you select
another Music Style after stopping Arranger playback, all (existing) Arranger parts will be switched
on again.
Note: You can also change the volume of certain
Arranger parts. See “AccDrums, AccBass, Accomp:
volume” (p. 45).
ENGLISHENGLISH
ENGLISHENGLISH
Now take a look at the SESSION PARTNER
[1/9]~[8/16] buttons. Some of them light,
while others don’t. There may be two reasons why a [1/9]~[8/16] indicator does not
light:
• either because the corresponding Arranger
track is switched off (something you did by
pressing the button in question, or by
selecting another Orchestrator level, see
p. 27)…
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Page 24
Additional Music Style functions
Adding yet another Arranger part (Style Pad)
The SESSION PARTNER buttons can also be used for the “STYLE PAD” function. That allows you to add a
part to Arranger playback, which is not part of the Music Style itself (either in ROM or on floppy).
Like the DJ PAD function (see p. 9), the STYLE
PAD function provides eight different phrases
you can access via the SESSION PARTNER buttons [1/9]~[8/16]. (And there are also sets, see
below). And like for the DJ PAD function, the key
of the phrases depends on the chords you play
in the left half of the keyboard.
Here, however, you can only use one phrase at a
time.
(1) Press the KBD MODE [ARRANGER] button
(its indicator lights).
ARRANGER
(2) Select the desired Music Style (see p. 14).
This also determines which phrase set is
selected automatically. See below for
details.
(3) Press the [STYLE PAD/DJ PAD] button. The
STYLE PAD indicator must light.
STYLE
PAD
(4) Press [START/STOP] to start Arranger play-
back.
(5) Use the SESSION PARTNER [1/9]~[8/16]
buttons for starting playback of the
desired additional Arranger phrase.
Press it again to switch off Style Pad playback. Press another [1/9]~[8/16] button to
start the phrase assigned to that button.
The previously selected phrase will be
switched off (if it is still running).
The Style Pad function is also available
while Arranger playback is stopped. And
even in that case, its key (pitch) changes as
you play different chords in the left half of
the keyboard.
Note: Do not press the [TRACK] button, because
that would switch off the STYLE PAD function (and
instead activate the mute on/off function, see
above).
Selecting another phrase set
As stated earlier, selecting an internal Music Style automatically specifies the set of eight phrases you
can start/stop via the SESSION PARTNER [1]~[8] buttons. You can, however, override this automatic
selection:
(1) Press and hold the [FUNCTION] button,
while pressing the BANK/NUMBER [3]
button.
FUNCTION
3
(2) Use the [TEMPO/DATA] dial to select one
of the following sets:
01 Baladi
02 Maksoum
03 Saidi
04 Khaligi
05 Rock
06 Dance
07 Pop 1
08 Pop 2
09 Rock’N
10 Swing
11 Latin
12 Waltz
This selects the “PAD SELECT” function (indicated as “PAD” in the upper left corner of
the display).
VALUE
KHALIGI
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Page 25
One Touch
The One Touch function automates quite a few tasks:
(1) Select the desired Music Style (see p. 14).
(2) Press the ONE TOUCH [1–2] or [3–4] but-
EM-55 OR Owner’s Manual
• The Arranger selects the preset Style tempo.
• Suitable Reverb and Chorus settings.
• The EM-55 OR selects Tones for the Upper 1 and Upper 2 parts that are is suitable for the selected
Style.
Note: The M-FX settings (see p. 31) are not covered by the One Touch function.
There are 4 One Touch memories per Style
with different settings for the above parameters. Here is how to select one:
ton.
The number field in the upper left corner
reads “OT”, followed by the number of the
selected One Touch memory.
Accrdn 4L
(3) Press the same ONE TOUCH button again
if you need “OT2” (1–2) or “OT4” (3–4).
One Touch needs to be activated again
every time you select a new Music Style.
Note: One Touch is also available for the Disk Link
Styles (see also page 15), but it is less meaningful.
ENGLISHENGLISH
Using the EM-55 OR’s Music Assistant
Another practical function for quickly making the right settings for a song you want to play is to take
advantage of the EM-55 OR’s novel MUSIC ASSISTANT function. It prepares everything for you (Style, Tones,
effects, etc.).
(1) Press the [MUSIC ASSISTANT] button.
The following icon appears in the display,
while the message line displays the name of
the first Music Assistant registration:
MEASURETEMPO
Abdlkadr
ARRANGER CHORD
MUSIC ASSISTANT
(2) Use the BANK/NUMBER [1]~[8] buttons
to specify the initial character where the
list should start.
120 001
Example: if you want to load the registrations for a song called “Thriller”, press [7]
button three times (to select the first song
that starts with a “T”). If necessary, you can
can now continue your search among the
“Ts” using the [TEMPO/DATA] dial.
In fact, [TEMPO/DATA] allows you to scroll
through all Music Assistant settings.
(3) Press [EXECUTE] to confirm you selection.
Your EM-55 OR is ready to rock…
Note: If necessary, you can now change certain
settings (e.g. select another Tone for Upper 1) and
then save your version to a User Program (see
p. 49).
ENGLISHENGLISH
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Page 26
Additional Music Style functions
Melody Intelligence
The Melody Intelligence function adds a second voice (harmony notes) to the melodies you play with
your right hand. In fact, MELODY INTELL uses both halves of the keyboard to determine which notes to
play:
• It looks at the melody notes in the right half; and…
• It analyzes the chords you play in the left half to see which notes it must add to your melody.
Press the [MELODY INTELL] button so that the corresponding icon (see right illustration) appears in the
display.
Changing the MELODY INTELL harmony type
The EM-55 OR contains 18 different voicings (harmony types) for the MELODY INTELL function. These
voicings specify the number of harmony notes and the way in which they are added to your melody.
To select a different harmony type, press an hold the [MELODY INTELL] button until the “MI” message
appears in the upper left corner of the display. Then use the [TEMPO/DATA] dial to select the desired
voicing. The available types are:
1 Duet
2 Organ
3 Combo
MELODY
INTELL
4 Strings
5 Choir
6 Block
7 BigBand
8 Country
9 Traditnl
VALU EMEASURETEMPO
Traditnl
ARRANGER CHORD
10 Broadway
11 Gospel
12 Romance
13 Latin
14 CntrGuit
15 CntrBald
120 001
TONE
16 WltzOrg
17 OctvTpe1
18 OctvTpe2
KEYBOARD
VELOCITY
REVERB
CHORUS
MELODY
INTELL
INVERSION
Bass Inversion (Bass Inv)
Use this function to change the way in which the Arranger reads the chords you play.
If the hand icon is not displayed, the A.Bass part
plays the root of the chords that feed the
Arranger. If you play a C (or C chord), the bass
sounds a C; if you play an A minor chord (or if
you press A and the C to its right), the bass
sounds an A, etc.
By activating Bass Inversion, you can specify the
note played by the A. Bass part (the lowest note
of your chords). Switch on Bass Inversion for
songs that rely on bass rather than on chord
patterns (for example C – C/B – C/Bb, etc.).
(1) Press and hold the [FUNCTION] button.
FUNCTION
(2) Keep holding the [FUNCTION] button
while pressing BANK/NUMBER [4] to
select “Inversion”.
(3) Use the [TEMPO/DATA] dial to select “On”.
VALUEMEASURETEMPO
Bass Inv
ARRANGER CHORD
120 001
TONE
KEYBOARD
VELOCITY
REVERB
CHORUS
MELODY
INTELLIGENT
INVERSION
The INVERSION icon appears to signal that
the Bass Inversion function is switched on.
26
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Orchestrator
The Orchestrator function allows you to vary the accompaniment patterns played by the Arranger. You
can leave out parts, thin out the drum part, or even use a totally different accompaniment – in realtime
(i.e. while you are playing).
EM-55 OR Owner’s Manual
ENGLISHENGLISH
(1) Select the Music Style you wish to use for
playing.
See page 14.
(2) Press one of the following buttons to
select the desired level of musical “complexity” (its indicator lights):
Drum & Bass
Combo
Big Band
Style Morphing
Style Morphing allows you to use one or several accompaniment parts of one Music Style and the others
of a second Music Style. Each time you select a Music Style, the EM-55 OR automatically prepares a second Style in the background. The Style you select is called “STYLE A” (this is indicated by the [STYLE≈A]
icon in the upper right corner of the display). The “covert” Style is called “STYLE B”.
The link between “A” and “B” Styles is preset. This allows the EM-55 OR to automate the selection process
and to prepare a suitable “B” Style. Feel free, however, to assign another Music Style to “B” if you want to
explore new morphing combinations (see below).
The simplest accompaniment
that only contains the drum and
bass lines.
Accompaniment pattern with
only a few instruments (i.e. a
band).
Accompaniment pattern with a
lush arrangement (several
melodic instrument lines).
Note: Immediately after switching on the
EM-55 OR, the Orchestrator selects the “BIG BAND”
level.
Note: The effect of these three levels also depends
on whether the [VARIATION] or [ORIGINAL] button
was pressed. In effect, the combination of the
[ORIGINAL]/[VARIATION] and [DRUM & BASS]/
[COMBO]/BIG BAND] buttons provides 12 accompaniment patterns per Music Style.
The last selection you make can be saved to
a User Program. See p. 49.
ENGLISHENGLISH
There are three part groups per Style (A or B)
that can be morphed:
DRUMS: The drums and percussion.
BASS: The bass line.
ACCOMP: Other melodic accompaniments
(piano, guitar, strings, etc.).
The icons in the display keep you posted about
the Style (A or B) whose drum, bass, and/or
accompaniment lines are used.
(1) Press the [DRUM A/B] button once to
select the drum part of the “other” Style
(A or B).
Press it again to return to the previous
drum part.
(2) Press the [BASS A/B] button once to select
the bass part of the “other” Style (A or B).
Press it again to return to the previous bass
part.
(3) Press the [ACCOMP A/B] button once to
select the melodic parts of the “other”
Style (A or B).
27
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Additional Music Style functions
Selecting another “B” Style
As stated earlier, the “B” Style is prepared automatically whenever you select an “A” Style, so that the
Style Morphing function is ready whenever you are.
If you do not agree with this preset selection (or want to experiment with other
Styles), hold down the [STYLE] button and
select the desired “B” Style using the [A/B]
button and [1]~[8] keypad (the Disk Link
memories are also available). This selection
will also be written to a User Program.
Note: You can also select the STYLE DISK Style by
pressing [VARIATION/STYLE DISK]. See below for
details about the STYLE DISK function.
Working with Styles on floppy disk
Style Disk
The EM-55 OR provides a special temporary memory that allows you to use one Music Style on a floppy
disk as if it were an internal Style. The function in question is called STYLE DISK.
A Music Style you select via this function is not stored internally. It will be replaced when you select
another Music Style on disk, or erased when you switch off the EM-55 OR.
Note: See also page 3 for details about how to handle floppy disks.
VARIATION
STYLE DISK
Note: The Intro and Ending patterns of Style A
will be used in their original state for all Style Morphing combinations except the one where all parts
are played by Style B (i.e. when no icon is displayed
in the Style A column).
Note: You can also morph between Styles that use
different time signatures.
Note: When you select a new Music Style with the
numeric keypad, the Style Morphing function is
reset to the “Style A only” status. The Style Morphing setting can, however, be written to a User
Program. See p. 49.
TEMPO
SAIDI
ARRANGER CHORD
STYLE DISK
STYLE
DISK
120
KEYBOARD
VELOCITY
REVERB
CHORUS
MELODY
INTELL
INVERSION
Working with Styles on disk requires that you
purchase a floppy disk containing Music Styles
or that you use the floppy disks supplied with
the EM-55 OR. See your Roland dealer for
details about the available floppy disks (MSA,
MSD, or MSE series).
(1) Insert a floppy disk with compatible Music
Styles into the EM-55 OR’s disk drive.
(2) Press the [STYLE] button (the [STYLE] icon
appears).
(3) Press the [VARIATION/STYLE DISK] button.
The [STYLE≈DISK] icon appears in the display,
while you will also see the “Sdk” message
and the name of the Music Style name that
is currently in the EM-55 OR’s RAM memory.
(4) Press [VARIATION/STYLE DISK] again.
If the display now shows the message “Err –
No Disk”, you need to insert a floppy disk. If
the drive contains a floppy disk with readable Music Styles, the name of the first Style
on disk will be displayed.
(5) Use the [TEMPO/DATA] dial to select the
desired Music Style on the floppy disk.
You can also press [STYLE DISK] to scroll
through the Music Styles on disk.
TEMPO
SAIDI
120
(6) Press [EXECUTE] in response to the flash-
ing “EXE” message that appears after a
brief interval to load the selected Music
Style.
EXECUTE
Press [VARIATION/STYLE DISK] if you want
to select another Music Style on disk and
load that one.
28
Page 29
EM-55 OR Owner’s Manual
Note: If the Style on disk does not fit into the
EM-55 OR’s RAM memory, the “Err – Too Big!” error
message is displayed, and the Style will not be
loaded.
(7) Press [START/STOP] to start playback of
the style on disk.
Note: The selection of the Style Disk memory will
be written to a User Program (see p. 49). This, however refers to the memory address rather than its
contents. Next time you recall such a User Program,
the EM-55 OR will therefore use the last Style you
loaded after switching it on. If you haven’t yet
loaded a User Style, the EM-55 OR selects a ROM
Style.
Note: You can also assign the Music Style in the
Style Disk memory to a Disk Link memory (see
below).
Assigning other Music Styles to the Disk Link memories
The EM-55 OR provides 64 memories (8 banks x 8 numbers) that refer to Music Styles on the supplied or
any other floppy disk. The Disk Link memories can be accessed via group b (press [A/B] and then enter
the bank and number using the [1]~[8] buttons).
Though these memories behave exactly like the
memories of group A (that provides access to
the internal Music Styles), the
Disk Link
memories only “work” if the disk in
question has been inserted into the
. Thanks to the EM-55 OR’s powerful soft-
drive
ware, loading a Disk Link Style is as swift as
working with internal Styles. To assign a Music
Style on floppy disk to a Disk Link memory, proceed as follows:
(1) Start by loading the desired style using
the STYLE DISK function.
See above. If the EM-55 OR’s RAM memory
already contains the desired Style, you just
need to press [VARIATION/STYLE DISK].
In any case, you need to insert a floppy disk
into the drive.
(2) Press and hold the [VARIATION/STYLE
DISK] button.
VARIATION
STYLE DISK
The message line of the display should now
look as follows:
TEMPO
Link To
120
As you see, group b is already selected. All
you need to do now is…
(3) Use the numeric keypad to select the
desired Music Style bank (1~8).
(4) Use the numeric keypad to select a Music
Style memory of that bank (x1~x8).
As soon as you specify the number, the display indicates Complete.
Whenever you select that memory (“B32”,
for example), the EM-55 OR will load the
assigned Style from the floppy disk into its
STYLE DISK memory.
Note: If you forgot to insert the floppy disk (either
while assigning or using the Disk Link memories), an
error message will be displayed.
Note: If you change the name of a Style file on
floppy disk (on your PC, for example), the Disk Link
function no longer finds that Style.
ENGLISHENGLISH
ENGLISHENGLISH
More Music Style functions
Here are yet other functions related to Music Styles. These can be set via the FUNCTION menu, or are
covered elsewhere:
• Balance between the Keyboard parts and
the Music Style parts (see p. 33)
• Volume of certain Music Style parts (see
p. 45)
• Arranger split point (see p. 45)
• Hold function for the Arranger notes (see
p. 45).
29
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More Keyboard part functions
11. More Keyboard part functions
Using the Upper 2 part
The EM-55 OR’s Upper 1 part is assigned to the right half of the keyboard (in ARRANGER mode) or to the
entire keyboard (PIANO mode).
In all modes except M.DRUMS, you can add a
second part (Upper 2) to Upper 1 by pressing the
[UPPER 2] button. This allows you to play two
sounds simultaneously (piano and strings, for
example). It is also possible to switch off Upper 1
and only work with Upper 2. This allows for
quick question-and-answer switches.
(1) Select the desired KBD MODE (ARRANGER
or PIANO).
(2) Press the [UPPER 2] button (indicator
must light) to switch on the Upper 2 part.
UPPER 2
(3) To use both Upper 1 and Upper 2, switch
on both [UPPER 1] and [UPPER 2].
You can also add the Lower part if you like,
so as to play three sounds simultaneously. If
the KBD MODE [ARRANGER] indicator
lights, however, the Lower part can be
played via the left half, while Upper 1 and
Upper 2 can be played via the right half.
(4) To select another Tone for Upper 2, press
and hold the [UPPER 2] button until its
indicator starts flashing, then use the [A/
B], [1]~[8] and possibly also the [VARIATION/STYLE DISK] button.
See p. 15 for selecting Tones and below for
selecting Variations
Selecting Tone Variations
Tone Variations are alternatives for the Tones you can select with the numeric keypad. The PIANO bank, for
instance, contains a grand piano, an upright piano, an electric piano, etc. These are the Tones. If you also
want to specify the
(i.e. “Tone subcategories”).
Variations are indicated by means of a smaller
number in the upper left corner of the display
(see the illustration).
kind
of grand piano (mellow, bright, stereo/mono), you need to turn to the Variations
AccrdnC1
(1) Press the [TONE] button.
(2) Select the desired Tone with [A/B] and
[1]~[8] (see p. 15).
(3) Press the [VARIATION/STYLE DISK] button
to step through the available Variations.
See the Tone list on page 61. The number of
Variations depends on the Tone you select.
Whenever the Variation entry in the address
field is empty, the “main” Tone (called
) is selected.
ital
You can also select Variations by holding
down [VARIATION/STYLE DISK] while you
press [7] (√) or [8] (®):
Cap-
30
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Using the multi-effects processor (M-FX)
Your EM-55 OR contains a multi-effects processor that can be assigned to the Keyboard parts (Upper 1/2,
Lower). You can select one type and decide which Keyboard part(s) should use the effect. The M-FX can be
used simultaneously with the Reverb and Chorus effects.
(1) Press the [M-FX EFFECTS] button.
M-FX
EFFECTS
Its indicator lights, and the Upper 1 part is
now processed by the effect type currently
assigned to the M-FX processor
(“EH®Delay”).
Selecting another M-FX type
The effect that is assigned to the M-FX by
default is a wonderful effect for organ and other
sounds.
For a guitar sound, however, working with distortion can be more effective. In fact, the
EM-55 OR provides 47 different M-FX types (see
the list on p. 46), some of which are combinations of two effects for added flexibility. Here is
how to select another M-FX type:
EM-55 OR Owner’s Manual
(2) Press the [UPPER 1] button (indicator
must light).
(3) Play a few notes in the right half of the
keyboard, and switch the [M-FX EFFECTS]
button on/off to hear the difference.
Note: A Keyboard part that uses the M-FX cannot
be processed by the Reverb or Chorus effect. But as
you will see on p. 46, the M-FX also contains Reverb
and Chorus algorithms (either in isolation or in
combination with other effects).
(1) Press and hold the [M-FX EFFECTS] button
until the message line in the upper lefthand corner reads “M-FX”:
VALUE
Rotary
(2) Use the [TEMPO/DATA] dial to select
another M-FX type.
(3) Again play a few notes and listen to what
it sounds like.
Note: M-FX type selection can also be linked to
Tone selection for the Upper 1 part. See “Tone MFX”
(p. 47).
ENGLISHENGLISH
ENGLISHENGLISH
31
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More Keyboard part functions
Assigning the M-FX to other Keyboard parts
As stated above, the M-FX can be assigned not
only to the Upper 1 part (default) but also to the
Upper 2 and Lower parts. Doing so is easy
(though you could also use the FUNCTION
menu):
(1) Switch on the M-FX (see above).
(2) Press and hold the [M-FX EFFECTS] but-
ton.
(3) While still holding [M-FX EFFECTS], press
[LOWER] and/or [UPPER 2].
M-FX
EFFECTS
LOWER UPPER 2
M-FX
EFFECTS
The [UPPER 1] indicator starts flashing (signalling that the M-FX is currently active for
the Upper 1 part).
Reverb and Chorus
The EM-55 OR also provides digital Reverb and Chorus effects. The main thing you probably want to do with
these effects is switch them on/off and select other types. Via the FUNCTION menu, you can also set the
Send level (the amount of Reverb or Chorus) to be applied to the various parts. See p. 47. Please bear in
mind that these effects cannot be combined with the M-FX for the Keyboard parts.
Reverb
(1) Press and hold the [FUNCTION] button,
while pressing the BANK/NUMBER [5]
button.
This selects the “REV” function:
VALUE
(2) Use the [TEMPO/DATA] dial to select one
of the available types (see right). Select
“OFF” if you do not need the Reverb
effect.
(3) Press [SONG], [STYLE], [TONES], [USER
PROGRAM], or [MUSIC ASSISTANT] to
leave this page.
FUNCTION
5
Hall 2
The indicator(s) of the PART SELECT button
you press start flashing as well, while the
message line of the display shows:
VALUE
M-FX LWR
(This message means that the Lower part
was assigned to the M-FX.) To switch off the
M-FX assignment, repeat the above procedure (the indicator goes dark again), or simply turn the [TEMPO/DATA] towards the left.
(4) Press [SONG], [STYLE], [TONES], [USER
PROGRAM], or [MUSIC ASSISTANT] to
leave this page.
TypeExplanation
Room 1~3These types simulate the Reverb
characteristics of a room. The
higher the number (1, 2, or 3), the
“bigger” the room becomes.
Hall 1, 2These types simulate the Reverb
of a small (1) or large (2) concert
hall and thus sound far “bigger”
than the Room types above.
PlateDigital simulation of a metal
plate that is sometimes used for
creating Reverb effects. Works
well for percussive sounds.
DelayA Delay effect (no Reverb). Works
a lot like an echo effect and thus
repeats the sounds.
Pan DelayThis is a stereo version of the pre-
ceding Delay effect. It creates
repetitions that alternate
between the left and right channels.
32
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Chorus
(1) Press and hold the [FUNCTION] button,
while pressing the BANK/NUMBER [6]
button.
FUNCTION
6
This selects the “CHR” function:
VALUE
Chorus 3
(2) Use the [TEMPO/DATA] dial to select one
of the available types. Select “OFF” if you
do not need the Chorus effect.
Off
Chorus 1
Chorus 2
Chorus 3
Chorus 4
FB Chorus
Flanger
S-Delay
SDelayFb
EM-55 OR Owner’s Manual
We could try to describe them, but you will
get a better idea by selecting one after the
other.
Flanger
or
FB Chorus
can be inter-
esting for guitar Tones.
Again, there are two echo effects:
(“S-Delay”) and
Delay
Feedback
(“SDelayFB”). They are, however,
Short Delay with
Short
much shorter than those available for the
Reverb effect processor.
(3) Press [SONG], [STYLE], [TONES], [USER
PROGRAM], or [MUSIC ASSISTANT] to
leave this page.
Note: The Chorus Send Level of the Upper 1/2 and
Lower parts is set to “0”, which means that these
parts are not automatically processed by the Chorus
effect. See the Chr UP1, UP2, and LWR parameters
on p. 47 and following for how to set them.
ENGLISHENGLISH
Balance
The BALANCE [√ACCOMP] and [KEYBOARD®] buttons allow you to change the volume balance between
the Arranger (or Song) parts and the Keyboard parts (the ones you can play yourself).
(1) Press BALANCE [√ACCOMP] if the
Arranger (or Song parts) are too soft.
(2) Press BALANCE [KEYBOARD®] if you
think your solo playing should be louder.
Not all Keyboard parts are available at all
times.
Note: See p. 45 for setting the volume of individual
parts.
ENGLISHENGLISH
33
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More Keyboard part functions
Transpose
The Transpose function changes the pitch of the notes and chords you play. Instead of figuring out what
other keys you need to press to accommodate the singer or an instrumentalist, you can set the required
Transpose value and go on playing the song the way you practised it while sounding in a different key. See
the example below.
(1) Press the [TRANSPOSE] button (indicator
lights).
The default transposition interval is “1” (one
semitone up).
To change the interval:
(1) Press and hold the [TRANSPOSE] button
until the “TrpValue” message appears
in the display.
Here’s an example: if you want to hear a “D”
every time you play a “C”, select “2”. All
other notes will be shifted by the same
amount so that you end up sounding in D
major when you actually play in C major,
etc.
No transposition (C major)
TrpValue= 4 (E major)
TRANSPOSE
(3) Release the [TRANSPOSE] button.
(4) Press the [TRANSPOSE] button again to
switch off the Transpose function (if it is
still on).
The [TRANSPOSE] indicator goes dark.
Note: There is also a function that allows you to
specify which section(s) the Transpose function
should apply to. See “Trp Mode” (p. 44).
Other Keyboard part functions
Here are yet other functions related to the Keyboard parts. These can be set via the FUNCTION menu, or are
covered elsewhere:
• Keyboard velocity (see p. 35)
• Octave transposition of the Upper 1, Upper
2, and Lower parts (see p. 45)
• Master Tune (see p. 44)
• Volume of the Keyboard parts (see p. 45)
• Intelligence function for the Lower part (see
p. 46)
• Hold function for the Lower part (see p. 46).
34
Page 35
12. Performance functions
Keyboard Velocity
The EM-55 OR is
and Lower notes depend on the force/speed with which you strike the keys.
All acoustic instruments (piano, violin, flute,
drums, etc.) are velocity sensitive. The harder
you play, the louder and brighter the resulting
notes will be, which creates a perfectly natural
effect. (That explains why the KEYBOARD
VELOCITY function is on every time you power
on the EM-55 OR.)
If the EM-55 OR is your first musical instrument
ever, you may feel distracted by the volume and
timbre variations of the notes you play in the
Upper section.
(1) Press and hold the [FUNCTION] button,
while pressing the BANK/NUMBER [1]
button.
This selects the “KbdVelo” function:
VALUE
velocity sensitive
1
, which means that the volume and brightness of the Upper 1/2
FUNCTION
Kbd Velo
EM-55 OR Owner’s Manual
(2) Use the [TEMPO/DATA] dial to select one
of the available options:
Off: The EM-55 OR does not respond to
changes in playing dynamics. All notes you
play will have the same volume and timbre
(tone colour).
Low: Choose this setting if only significant
differences in playing dynamics should produce noticeable changes.
Med: This setting corresponds to standard
velocity sensitivity, i.e. the most natural
response.
Hig: Choose this setting for maximum
expression. Though you will have to hit the
keys harder than usual to play loud and
bright notes, this setting allows for precise
control of the volume/timbre (even though
it may require some training).
(3) Press [SONG], [STYLE], [TONES], [USER
PROGRAM], or [MUSIC ASSISTANT] to
leave this page.
Note: Quite a few Tones use “velocity switching”.
This means that your striking force sometimes
selects a different sound. So only switch off this
parameter if doing so makes you feel more comfortable.
Note: Keyboard Velocity applies to all parts you can
play yourself (the “Keyboard parts”): Upper 1/2,
Lower, M.Bass (page 45), and M.Drums (page 20).
ENGLISHENGLISH
ENGLISHENGLISH
Pitch Bend and Modulation
The BENDER/MODULATION lever to the left of the EM-55 OR’s keyboard can be used to add two kinds of
effects to the Keyboard part notes. You can even use these effects simultaneously if you like.
(1) Press the lever towards the rear of the
EM-55 OR to add a vibrato effect (“wobble”) to the notes you are playing.
MODULATION
Lowers the
pitch
BENDER
The Modulation axis can also be used for
switching between the slow and fast Rotary
speeds (if the “Rotary” effect is assigned to
the M-FX).
Raises the
pitch
(2) Turn the lever to the left to temporarily
lower the pitch of the notes you are playing. Turn it to the right to raise the pitch
of your notes.
(3) In either case, you can release the lever if
you no longer need the effect.
Note: If desired, you can change the Pitch Bend
interval. See “PB Range (Pitch Bend Range)” (p. 45).
35
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Performance functions
Footswitch/Expression
The EM-55 OR’s FOOTSWITCH/EXPR socket (rear panel) allows you to connect optional DP-2, DP-6, or
BOSS FS-5U footswitch, or an EV-5 expression pedal.
Footswitch
An optional footswitch can be used for sustaining the notes you are playing (default),
as Soft or Sostenuto pedal, to switch the
Rotary effect speed (M-FX), and more. See
“FSW (Footswitch Assign)” (p. 47).
D Beam functions
The D Beam Controller is no doubt the most exciting and spectacular performance function of your
EM-55 OR. You can use it to modify various aspects of your Oriental Interactive Keyboard. Let’s have a
look at how to do that.
The D Beam Controller has two sensors that
detect motion (such as your hand or body
movements) in front of it. These “sensed” positions are translated into MIDI messages that can
be assigned to a variety of parameters.
DJ GEAR
SOUND EFX
(1) Press the D BEAM CONTROLLER [ON/OFF]
button (indicator must light).
(2) Use the [ASSIGN] button to select the
function the D Beam Controller should
perform.
There are 4 groups (DJ GEAR, SOUND EFX,
INSTRUMENTS, and CONTROLS). This means
that you may have to press the [ASSIGN]
button several times in order to select the
desired function.
INSTRUMENTS
CONTROLS
Expression
Instead of connecting a footswitch to the
FOOTSWITCH/EXPR socket, you can also use
an expression pedal. That would allow you
to control the EM-55 OR’s volume by foot.
Note: Please note that you cannot connect both a
footswitch and an expression pedal.
To assign another function to the D Beam
Controller:
(3) Hold down [ASSIGN] until the currently
assigned D Beam function appears in the
message line of the display.
(4) Use the [TEMPO/DATA] dial to select the
desired function (see below).
The assignments of all four groups (DJ
GEAR, SOUND FX, INSTRUMENT, CONTROLS)
will be saved to a User Program, so that you
can also alternate between these groups
while playing – and still use your favorite
settings.
(5) Press [SONG], [STYLE], [TONES], [USER
PROGRAM], or [MUSIC ASSISTANT] to
leave this page.
DJ GEAR
Vinyl RPM: allows you to simulate the sound
you hear when manually turning a vinyl record
to locate (cue) the position where you wish to
start playback.
Cutting: this is very powerful filter effect that
allows you to suppress the high frequencies in a
rhythmic way (like a DJ does sometimes).
TT Motor: simulates the effect you hear when
you suddenly stop a turntable: the playback
speed decreases, while the pitch drops and the
sound becomes muffled.
SOUND EFX
Here, you can select various “noises” to be added
to your music simply by moving your hand over
the D Beam. We will not try to describe them:
just try them out!
36
Scratch: the D Beam Controller can be used for
adding scratch noises. You know what that is,
don’t you…?
Tape RWD: allows you add the sound you hear
when you rewind a cassette tape without stopping playback (the music plays backwards and at
a high speed).
In this case, the D Beam will play musical notes.
The pitch and chords of those patterns depend
on the notes you play in the left half of the keyboard (in Arranger mode).
All options marked with a “º” apply to the currently active Keyboard parts.
Start: Depending on the current condition of
the Arranger (running or stopped), one move
inside the D Beam’s range stops (or starts) it. A
second movement will start (or stop) it again.
Fade Out: By moving your hand over the D
Beam’s eyes, you start a fade-out (the CONTROLS
indicator flashes, which means that the volume
of all EM-55 OR parts gradually decreases). As
soon as it reaches “0”, Arranger playback will
stop. After a few seconds, the volume then
returns to normal. (If you like, you can stop the
fade-out after triggering it by pressing [ON/OFF].)
Fill: Here, the D Beam performs two functions
that depend on the currently selected Division
(Original or Variation). The first time the D Beam
senses your hand (or other limb), it activates the
Fill-In TO VARIATION function. Upon completion
of that Fill, the Arranger switches to the Variation pattern. The second time, the Fill-In TO
ORIGINAL is activated.
Drum Off: This setting allows you to switch the
Arranger’s drum part on and off using the D
Beam Controller. There are also combined on/off
options (see below).
Bass Off: This setting allows you to switch the
Arranger’s bass part on and off using the D Beam
Controller.
Acc Off: This setting allows you to switch the
Accompaniment parts (ACC1~6) on and off
using the D Beam Controller.
Bs&Dr Off: This setting allows you to use the D
Beam for switching the Arranger drum and bass
on and off.
Acc&Bs Off: This setting allows you to use the D
Beam for switching on and off the bass and
ACC1~6 parts.
Acc&Dr Off: This setting allows you to use the D
Beam for switching on and off the Arranger
drum and ACC1~6 parts.
Tempo Up/Down: Select one of these options if
you want to increase (Up) or decrease (Down)
the current Arranger or Song tempo. By moving
your hand outside the D Beam’s range, you
return to the previous tempo value.
Modulationº: Select this function if you want
the D Beam to duplicate the modulation function of the Bender/Modulation lever.
PBend Upº: By moving your hand over the D
Beam, you can generate a value between “64”
(no Pitch Bend) and “127” (maximum upward
bend). As soon as you move your hand outside
the D Beam’s reach (higher than ±40cm above
the “eyes” or further to the left or right), the
value returns to “64” (no Pitch Bend). The extent
to which a Keyboard part can be controlled
depends on the
PBend Dwº: By moving your hand over the D
Beam, you can generate a value between “64”
(no Pitch Bend) and “0” (maximum downward
bend). As soon as you move your hand outside
the D Beam’s reach, the value returns to “64” (no
Pitch Bend). The extent to which a Keyboard part
can be controlled depends on the
setting (see p. 45).
Filter Upº: (Only for Upper1 and/or 2) By moving
your hand over the D Beam, you can vary the
brightness of the Upper1 and/or 2 part. This
allows you to create some nifty filter effects that
are particularly useful for Dance/Techno music.
When you move your hand outside the D Beam’s
range, the sound returns to its normal value.
Filter Dwº: (Only for Upper1 or 2) By moving
your hand over the D Beam, you can vary the
brightness of the Upper1 and/or 2 part. This is
the opposite of the above: you can make the
sounds mellower.
Arpg Oct 1/2/3: By moving your hand over the
D Beam, you cause the Lower part to play arpeggios (broken chords) based on the notes you play
in the left half of the keyboard (in Arranger
mode). Depending on the setting you select here,
the notes of the chord recognition area will be
arpeggiated over 1, 2, or 3 octaves.
Note: Do not forget to assign a suitable Tone to the
Lower part.
Chord Oct 1/2/3: By positioning your hand
inside the D Beam’s range, you cause the Lower
part to sound the notes of the chords you play in
the left half of the keyboard. You could use this
function to add syncopated brass or guitar “hits”
to your melody. The velocity value used for playing these notes is “100”. The number (1, 2, or 3)
bears on the octave of this “added chord”:
A3~G4,
hand outside the D Beam’s range to stop the
Lower part from sounding the chord.
Note: This function is only available while the
Arranger is active.
PB Range
2
= A4~G5, and 3= A5~G6. Move your
setting (see p. 45).
PB Range
1
=
ENGLISHENGLISH
ENGLISHENGLISH
37
Page 38
Recorder functions
13. Recorder functions
The EM-55 OR comes with a 16-track Recorder that can be used in several ways. On p. 22 we showed you
the most straightforward way of using the Recorder. Here, you will get to know nuts and bolts.
About the recording modes
Modes
The EM-55 OR provides two modes for
recording new music, and two for adding
parts or correcting passages of existing
music:
Recording a new song:
ALLIn this mode, you can record every-
thing you and the EM-55 OR can
play simultaneously:
• Arranger (accompaniment),
• Keyboard parts (Upper 1/2, Lower,
M.Bass – or M.Drums)
• Style Pad performance (DJ PAD
performance is also possible, but
then the Arranger will not be
available)
• D Beam performance.
Keyboard In this mode, you can record using
the Keyboard parts
• Upper 1/2, Lower, M.Bass – or
M.Drums.
Adding parts to an existing song
SingleIn this mode you can record onto
one track at a time. The track can be
freely selected (unlike for the preceding modes).
Punch I/O This mode allows you to re-record a
short section of an otherwise perfect part.
could also transmit certain parts from a
computer). The MIDI channels correspond
to the track numbers.
Recorder memory
The EM-55 OR provides one Song memory,
which means that it can contain one Song.
After completing a Song, you must save it
to floppy disk (see p. 54).
To keep you from accidentally erasing the
Song in the EM-55 OR’s internal memory,
the EM-55 OR automatically selects SINGLE
mode after your first recording. Bear in
mind that selecting ALL or KEYBOARD will erase the Song currently in the
EM-55 OR’s memory. Do not select ALL or
KEYBOARD for adding parts to an existing
Song – use SINGLE or PUNCH I/O instead.
Conversely, it is impossible to select SINGLE
or PUNCH I/O if the Song memory doesn’t
yet contain data.
And finally: playing back a Standard MIDI
File erases the Song in the EM-55 OR’s
memory. In return, the SMF data will be
available (and can be supplemented with
your own renditions in SINGLE or PUNCH I/
O mode).
38
Note: Every time you select the ALL or KEYBOARD
mode, anything you may have recorded previously
will be erased.
What are tracks?
The term “track” is used only for your convenience. We borrowed it from tape recorders that allow for recording several musical
parts by the same person (one part after the
other).
In the case of the EM-55 OR, the term is
only used to indicate that we are dealing
with separate musical parts. Here indeed
(like with computer-based sequencers)
what really counts are the MIDI channels.
Why are we telling you this? Just to suggest
that you could also use external MIDI controllers (drum pads, etc.) for recording certain parts – you do not need to use the
EM-55 OR’s keyboard all the time (and you
Page 39
More about ALL mode
In addition to what you learned on p. 22, here
are a few considerations:
After pressing [● REC], the 16 track and
[RECORD∏] icons start flashing, signalling
that all 16 tracks are available for recording.
MEASURETEMPO
ALL
ARRANGER CHORD
RECORD
1
9
Here is what the tracks correspond to:
Accomp 1
19
Arranger bass
210
Accomp 2
311
®
Upper 1
412
Accomp 3
513
®
Upper 2
614
Accomp 4
715
Accomp 5
816
120 001
TONE
8
10211312413514615716
Accomp 6
Arranger drums
®
Lower
®
M. Bass
Style Pads (see p. 24)
D Beam part (see p. 36)
Melody Intell (see p. 26)
®
M. Drum
KEYBOARD
VELOCITY
REVERB
CHORUS
MELODY
INTELL
INVERSION
EM-55 OR Owner’s Manual
For your convenience, the Keyboard parts
are flagged with a “®” symbol in the above
graphic.
Parts you do not hear during recording will
not be recorded. This applies to the Keyboard parts (Upper 1, 2, Lower, M. Bass, M.
Drums), and to the Arranger parts (see
p. 23), but also to the D Beam and the Style
1
pads. The track icons ~ thus do not
show you what
what
can
Note: If you activate the DJ PAD function (see p. 9),
the Arranger is not available.
Note: If you select the M.DRUMS mode, Upper 1, 2,
Lower and M.Bass are not available, while the
Arranger can only play the Arranger drum part.
Note: See p. 45 for how to switch on the M.Bass
part.
will
be recorded.
16
be recorded, but rather
ENGLISHENGLISH
KEYBOARD recording mode
In KEYBOARD mode, you can only record the
Keyboard parts. The Arranger is not available.
Essentially, this mode allows you to record either
one layered part using up to four sounds (Upper
1, 2, Lower, M.Bass), or two parts (Lower & M.
Bass to the left, Upper 1 & 2 to the right). If you
select the M.Drums mode, you can only record a
drum part.
Note: Selecting KEYBOARD mode means that the Song
data in the EM-55 OR’s memory will be overwritten by
your new recording.
(1) Press the [● REC] button.
(2) Use the [TEMPO/DATA] dial to make the
display look as follows:
MEASURETEMPO
11 12
4 6
120 001
TONE
16
KEYBOARD
VELOCITY
REVERB
CHORUS
MELODY
INTELL
INVERSION
Keyboard
ARRANGER CHORD
RECORD
The indicated track icons flash to signal that
those are the tracks you can record to.
(3) To create a split between Lower (and pos-
sibly M. Bass) for your left hand, and
Upper 1 and 2 for your right hand, press
the KBD MODE [ARRANGER] button.
The Arranger is not available as such, but
pressing this button creates a split.
(4) Activate the metronome (if necessary),
and set the desired tempo with the
[EXECUTE/TAP TEMPO] button.
You can also record without metronome if
you like.
Note: The M.Bass part can be added to the Lower
part. You must switch it on via the FUNCTION menu
(see p. 44).
Note: In M.DRUMS mode, only the Keyboard part
of the same name is available.
ENGLISHENGLISH
39
Page 40
Recorder functions
SINGLE recording mode
This mode is only available if the EM-55 OR’s
Song memory already contains data. When you
press [● REC], the [RECORD≈∏] icon and icon of
the first empty track flash. This means you could
record a new part straight away. (If all tracks
already contain data, Track 1 will be selected.)
You can, however, also substitute an already
recorded part with a new version.
(1) Press the [● REC] button.
(2) Use the [TEMPO/DATA] dial to select
“SINGLE”.
(3) Use the SESSION PARTNER PADS/TRACKS
buttons [1/9]~[8/16] to select the track
you wish to record to:
As you will notice, there are “only” 8 track
buttons in the SESSION PARTNER section.
Use the [TRACK] button to the right to
select either track group 1~8 (upper row) or
9~16 (lower row).
You can only select one track (hence the
name “SINGLE”) at a time. If you select a
track that already contains data, your new
version will overwrite the existing one.
(4) If necessary, assign the desired Tone to
the part you are about to record (see
p. 15).
If you select track [10], you can select Drum
Sets rather than Tones. Track 10 is reserved
for drum parts.
(5) Press [START/STOP] to start recording.
After a two-measure count-in (see p. 48),
you will hear all parts that have already
been recorded. Start playing (and recording)
your new part.
(6) Press [START/STOP] to stop recording.
(7) Return to step (3) to record additional
parts.
Punch I/O
In this mode, you can re-record part of a track
(the second chorus, for example). The important
aspect of this mode is that newly recorded
material does not erase the material before or
after the passage you redo:
Original track
This passage is redone
●
REC
By contrast, in SINGLE mode, the entire
track you record is replaced by your new
material. (So if you don’t play anything during recording, the entire track will be empty
afterwards.)
Like the SINGLE mode, PUNCH I/O can only
be selected if the EM-55 OR’s memory
already contains Song data
●
REC
(1) Press the [● REC] button.
(2) Use the [TEMPO/DATA] dial to select
“PUNCH I/O”.
MEASURETEMPO
Punch I/O
ARRANGER CHORD
RECORD
1
9
TONE
10211312413514615716
120 001
8
KEYBOARD
VELOCITY
REVERB
CHORUS
MELODY
INTELL
INVERSION
(3) Use the [TRACK] and SESSION PARTNER
[1/9]~[8/16] buttons to select the track
you want to record to.
(4) Use the [√√] or [®®] button to jump
to a measure that lies a little ahead of the
place where recording is to be started.
You thus do not have to start the Song from
the beginning if that is too time-consuming. If you want to start recording in measure 25, for example, you could select measure 23.
(5) Press [START/STOP] to start playback of
the (old) Song data.
40
Page 41
EM-55 OR Owner’s Manual
The [● REC] indicator, the [RECORD≈∏] icon
and the icon of the selected track flash.
(6) When the Recorder reaches the measure
where you wish to start recording, press
[● REC] again.
MEASURETEMPO
Punch I/O
ARRANGER CHORD
RECORD
1
9
10211312413514615716
120 001
TONE
8
KEYBOARD
VELOCITY
REVERB
CHORUS
MELODY
INTELL
INVERSION
(7) Play the passage you want to redo.
(8) Press [● REC] again to deactivate record-
ing.
MEASURETEMPO
Punch I/O
ARRANGER CHORD
RECORD
1
9
TONE
10211312413514615716
120 001
8
KEYBOARD
VELOCITY
REVERB
CHORUS
MELODY
INTELL
INVERSION
Song playback still continues, so…
(9) Press [START/STOP] to stop playback.
(10) Press [√√] to return to the measure
where you started recording, and press
[START/STOP] to listen to the new version.
If you are not satisfied, return to step (4).
Return to step (3) to correct another track.
Using a footswitch for punching in/out
You can also use an optional footswitch for
starting and stopping recording. That has
the advantage that you can use both hands
for playing (or the left hand for D Beam/
Pitch Bend/Modulation effects and the
right for playing the melody.)
(1) Connect an optional DP-2, DP-6, or BOSS
FS-5U footswitch to the FOOTSWITCH/
EXPR socket on the EM-55 OR’s rear
panel.
(2) Press and hold [FUNCTION] while pressing
BANK/NUMBER [3].
By doing so, you jump to the PAD function
(see also p. 24).
(3) Press [FUNCTION] again and turn the
[TEMPO/DATA] dial to the left to select
the following function:
VALUE
Sustain
(Steps (2) and (3) are a short-cut for quickly
selecting the desired function.)
(4) Wait until the VALUE message in the top
left-hand corner starts flashing, then use
the [TEMPO/DATA] dial to select Punch I/O.
(5) Press [● REC] to return to the recording
function.
(6) Continue with step (2) under “Punch I/O”.
In steps (6) and (8), press the footswitch
(rather than the [● REC] button).
ENGLISHENGLISH
ENGLISHENGLISH
Playback functions
The [INTRO], [ORIGINAL], etc. buttons have two functions: one in Style mode (printed above the buttons),
and another one in Song mode (printed below the buttons).
Selecting the Song mode
The Style/Song control buttons have two
functions: they can be used for selecting
Music Style patterns (when the
[ARRANGER] indicator lights), or for Song
navigation (when the [SONG] indicator
lights).
To select the Song mode (and the Song control functions), you need to press the
[SONG] button. Only then will the following functions be available.
SONG
41
Page 42
Recorder functions
Fast Forward, Rewind, and Reset
•To fast forward (jump to a measure later in
the song), press [®®].
•To rewind (return to a measure that lies
before the current position), press [√√].
The measure indication in the upper right
corner of the display will help you locate
the measure you need.
Loop playback (Repeat)
Another clever feature of the EM-55 OR’s
Recorder is that you can program playback
loops. You can do so during playback or
while the Recorder is stopped.
(1) Press [MARKER A–B] where you want the
loop to begin (the button’s indicator
flashes).
(2) Fast forward to the measure where you
want the loop to end and press [MARKER
A–B] again (the indicator lights).
• Press [|√] (Reset) to jump back to the first
measure of the song. You need to stop
playback before using the [|√] button.
Note: In certain cases, [®®] and [√√] may not
be available. This is only the case for very large
songs, however.
You can also program loops on the fly.
Remember, however, that the Recorder
always memorizes the beginning (downbeat) of the next measure.
(3) To play back the loop you have just pro-
grammed, first press [SYNC START] and
then [START/STOP].
At the end of the B measure, the Recorder
immediately jumps back to the beginning of
measure A.
Note: In certain cases, the Marker function may
not be available. This only happens with very large
songs, however.
Live performance with song backing (Minus One)
Your EM-55 OR allows you to mute the solo
part of the song you are playing back. This is
called
Minus One
playback (because one
part of the original song will not be played
back).
(1) Press the [SONG] button.
You can now select a Song on disk, if you
like (see p. 43).
Muting tracks using the SESSION PARTNER buttons
If you like, you can also mute other Song
parts, which is similar to the Minus One
function:
Buttons assigned to tracks that contain
data light. As you will notice, there are
“only” 8 track buttons in the SESSION PARTNER section. Use the [TRACK] button to the
right to select either track group 1~8 (upper
row) or 9~16 (lower row).
(2) Press the [MINUS ONE] button.
(3) Press [|√] and [®/■] to start playback.
(4) You will now hear all parts except the
melody, which can be played using the
Upper 1 part.
Note: An even more powerful function is available
via the SESSION PAD buttons. It allows you to mute
several tracks (Minus One only mutes the melody).
Press the [1/9]~[8/16] buttons of tracks you
do not want to hear (the corresponding
indicators go dark).
42
Page 43
Playing back Standard MIDI Files
The EM-55 OR allows you to play back commercially available music data files (called
) or your own songs you saved to disk.
Files
In fact, when you save a song to disk, it is saved as Standard MIDI Format 1 file and can also be played
back using any other SMF compatible sequencer (or software).
(1) Insert a floppy disk with Song/Standard
MIDI File data into the drive.
(2) Press the [SONG] button to switch to the
Song mode.
SONG
This is necessary because, otherwise, pressing the [START/STOP] button will start
Arranger playback.
Accrdn4L
ARRANGER CHORD
SONG
120 001
EM-55 OR Owner’s Manual
Standard MIDI
Press this button once again to stop play-
ENGLISHENGLISH
back. See also “Fast Forward, Rewind, and
Reset” (p. 42) and “Loop playback (Repeat)”
(p. 42) for other functions you can use during playback.
If one of the following error messages
appears, either select another Standard
MIDI File or insert another disk:
MessageMeaning
NoFormat The inserted floppy disk has
not been formatted for the
EM-55 OR.
File Err The selected file cannot be
read.
MEASURETEMPO
KEYBOARD
VELOCITY
Over 18T The Standard MIDI File con-
tains more tracks than the
EM-55 OR can handle.
(3) Press [SONG] again to display the name of
the first Standard MIDI File on disk.
What is actually displayed depends on
whether you have inserted a disk and
whether it contains Standard MIDI Files. See
below for what the various messages mean.
MessageMeaning
Empty The Song memory does not contain
data (you have neither recorded a
song nor played back a song on
disk).
No Disk You forgot to insert a disk into the
drive.
No Files The disk you inserted into the drive
does not contain Standard MIDI
Files.
IntSong You selected the Song you recorded
yourself (nternal memory).
(4) Use the [TEMPO/DATA] dial to select the
Standard MIDI file you want to listen to.
Note: Please bear in mind that starting playback of
the selected song on disk will erase your own song.
Be sure to save it to disk before proceeding (see
p. 54).
(5) Press [START/STOP] to load the first data
chunk and start playback.
You can also wait for the flashing “EXE”
message and press [EXECUTE]. You then
need to start playback by pressing [START/
STOP].
Changing the song tempo
You can change the song tempo with the
[TEMPO/DATA] dial. Doing so, however,
means that the tempo will still change if
the song you are playing back contains
tempo change messages. Furthermore,
every time you jump back to the beginning
of the song using [|√], the programmed
song tempo will be set.
ENGLISHENGLISH
43
Page 44
Function menu
14. Function menu
The EM-55 OR’s Function mode contains more advanced settings you may not need every day. They allow
you to fine-tune your instrument’s response. It would therefore be a good idea to familiarize yourself with
these parameters. All settings (except Mstr Tune, Bs Chord, Local and Resume) can be written to a User Program (see p. 49).
Editing parameters (general procedure)
You can edit the EM-55 OR’s FUNCTION parameters via the display. Here is a general outline to
be used for all parameters discussed below:
(1) Press [FUNCTION].
The name of the last function you selected
appears in the display.
(2) Use [FUNCTION] or the [TEMPO/DATA] dial
to select the parameter you wish to edit
(see below).
(3) Wait until the VALUE message starts
flashing.
The “VALUE” message above the parameter
value means you can change (“edit”) the
value of the selected parameter.
FUNCTION
(4) Use the [TEMPO/DATA] dial to modify the
value of the selected parameter.
Note: To return to the default value of the currently selected parameter, press and hold [EXECUTE].
(5) Press [FUNCTION] again and use the
[TEMPO/DATA] dial to select another
Function parameter.
(6) To leave the Function mode, press [SONG],
[TONE], [STYLE], or [USER PROGRAM].
Shortcuts
The following functions can be selected
directly by holding down [FUNCTION] and
pressing the corresponding [1]~[8] button
of the BANK/NUMBER keypad.
1 KBD VELOCITY
2 PART VOLUME
3 PAD SELECT
4 LOWER INT
5 REVERB
6 CHORUS
7 MIDI
8 TRANSPOSE
General Function parameters
■
Kbd Velo
(Off, Low, Med, Hig; Default setting: Med) Use this
parameter to set the EM-55 OR’s velocity sensitivity. See p. 35.
Note: This parameter can also be selected by pressing
[FUNCTION] + [1].
■
MstrTune (Master Tune)
(427.4~452.6, Default setting: 440.0) This parameter allows you to change the EM-55 OR’s overall
tuning, which may be necessary when you accompany a singer, an acoustic instrument, or when you
play to a recording on CD or cassette.
■
TrpValue (Transpose interval)
(–12~12, Default setting: 1) Use this parameter to
transpose the EM-55 OR in semitones. If you’re not
sure what transposition is, see p. 34. This parameter
can also be selected by holding down the [TRANSPOSE] button.
Note: This parameter can also be selected by pressing
[FUNCTION] + [8].
■
Trp Mode
(Default setting: Int+Song) This parameter allows
you to specify which parts should be affected by
the Transpose setting:
Int: The Keyboard and Arranger parts will be transposed. Notes received via MIDI, however, will be
played without change.
Song: Only the Song parts will be transposed. This
is only meaningful when you play back a Standard
MIDI File or one of your own songs with the
EM-55 OR’s Recorder.
MIDI: Only the notes received via MIDI IN will be
transposed.
Int+Sng, Int+MIDI, Sng+MIDI, All: These are
combinations of the above.
transpose only the Keyboard parts so that you can
play to a Recorder song in “your” key but sound in
the song’s key.
■
Metro TS (metronome time signature)
(1/4~6/4, 6/8, 9/8, Default setting: 4/4) This
parameter allows you to set the metronome’s time
signature (number of beats per bar). Please bear in
mind that this setting changes whenever you select
a Music Style with a different time signature. See
also p. 19 for how to use the metronome. This
parameter can also be selected by holding down
the [METRONOME] button.
Int
could be useful to
44
Page 45
■
Metro Vol (metronome volume)
(0~127, Default setting: 100) Use this parameter
whenever you think the metronome is too loud/soft
with respect to the music. The default value is usually an appropriate setting.
■
UP1 Octv, UP2 Octv, LWR Octv (octave up/down)
(–4~0~4, Default setting: 0) These three parameters allow you to shift the octave of the part in
question (Upper1, Upper2, or Lower) up or down by
up to four octaves. This can be useful for Techno/
Dance songs where you need a piano sound that
plays in two different octaves.
To achieve this, assign two different (or the same)
piano sounds to Upper1 and Upper2, activate
Upper 2 part (see p. 15), and set UP2 Octv to “–1”
(or “1”).
■
MDrShift
(–4~0~4, Default setting: 0). This parameter allows
you to shift the EM-55 OR’s keyboard in order to
play drum/percussion sounds that are currently not
accessible. Remember that there are only 61 keys,
while some Drum Sets provide drum/percussion
sounds for all 128 notes supported by the MIDI
standard.
■
PB Range (Pitch Bend Range)
(0~24, Default setting: 2) This parameter allows
you to set the interval that will be used when you
push the BENDER/MODULATION lever fully to the
left or to the right (Pitch Bend effect). You can set
this parameter in semitone steps, with a maximum
of 24 semitones (2 octaves), the default value being
“2”, which should be OK in most situations.
Note: Pitch Bend is only available for the Upper1,
Upper2, Lower, and M.Drums parts. See also p. 35.
■
Upper 1, Upper 2, Lower, Man Drums: volume
VOLUME
Upper 1
(0~127, Default setting: 127 Upper 1/110 Upper 2/
100 Lower, 127 Man Drums) These four parameters
allow you to set the volume of the Upper 1, Upper
2, Lower, and Manual Drums (or M.Drums) parts
respectively. Please note that the settings you make
here will have no effect if you used BALANCE
[√ACCOMP] to set the maximum volume for the
Arranger/Song parts.
Note: This parameter can also be selected by pressing
[FUNCTION] + [2].
■
ManBass: status and volume
(OFF, 0~127, Default setting: OFF) Whenever the
Lower part is active, this parameter allows you to
set the volume of the M.Bass part. The M.Bass part
sounds bass notes based on the chords you play. If
the Lower part is active while the KBD MODE
[ARRANGER] indicator lights, it can only be played
in the left half of the keyboard.
If the Bass Inversion function (see p. 26) is off, the
M.Bass part sounds the root notes (fundamentals)
of the chords you play with your left hand (using
the Lower part).
EM-55 OR Owner’s Manual
■
AccDrums, AccBass, Accomp: volume
(0~127, Default setting: 90 AccDrums, 90 AccBass,
127 Accomp) These three parameters allow you to
set the volume of three Music Style sections: the
drums, the bass and the Accomp parts (1~6). In
fact, the parts correspond exactly to what can be
selected using the STYLE MORPHING function (see
p. 27). “0” is probably not a value you need to select
here, because there is an easy way to switch off
Arranger parts you do not need. See page 23.
Note: The “Accomp” parameter does not have the
same function as the BALANCE [√ ACCOMP] button.
The button applies to all Arranger parts (thus also to
the “AccDrums” and “AccBass” parameters).
■
Style Pad: volume
(0~127, Default setting: 110) This parameter allows
you to set the volume of the ninth Arranger part
you can trigger via the SESSION PARTNER [1/9]~[8/
16] buttons. See p. 24.
■
Arr Chord (Arranger Chord intelligence)
(On/Off, Default setting: On) When switched on,
EM-55 OR’s Chord Intelligence function allows you
to play major chords by pressing just one key, minor
chords by pressing two keys, and more complex
chords by pressing three keys.
If you are used to playing full chords, you can
switch this function off.
■
ArrSplit (Arranger Split)
(48~84, Default setting: 60) Use this parameter to
set the split point for the Arranger mode. The note
you set here is the lowest note you can play with
the Upper1/2 parts. The number refers to a note.
“60” refers to the note “C4” (the one below the
[MUSICAL GAME] button).
Note: This parameter also determines the split
between the Lower (and possibly M.Bass) and the
Upper 1/2 parts when the KBD MODE [ARRANGER]
indicator lights.
■
ArrMem (Arranger Chord Memory)
(On/Off, Default setting: On) The Arranger Chord
Memory function memorizes the chords you play
with your left hand and keeps playing the corresponding notes until you play another chord.
If you switch off Arr Mem, the melodic Arranger
parts (A.Bass, Accomp) stop playing as soon as you
release the key(s) in the left half of the keyboard,
leaving you only with the drum accompaniment.
For your convenience, this function is switched on
every time you power on the EM-55 OR.
■
Bs Chord (left-hand strings + bass)
(On/Off, Default setting: On) The Bs Chord function
activates a strings and monophonic bass sound
whenever (a) the [ARRANGER] indicator lights and
(b) the Arranger is stopped. This allows you to play
chords (and a bass line) with your left hand in
Arranger mode – without using the EM-55 OR’s
accompaniment function.
If you select “Off”, however, the left half of the keyboard will be muted when conditions (a) and (b) are
met and if the [LOWER] indicator does not light.
ENGLISHENGLISH
ENGLISHENGLISH
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Function menu
■
LWR Mem (Lower Chord Memory)
(On/Off, Default setting: Off) The Lower Chord
Memory function memorizes the chords you play
while the Lower part is on and holds the corresponding notes until you play another chord. If you
need this Hold function for the Lower part, switch
it on.
■
LWR Int (Lower Chord Intelligence)
(On/Off, Default setting: Off) When you activate
the [LOWER] button, the EM-55 OR’s Lower Chord
Intelligence function allows you to play major
chords by pressing just one key, minor chords by
pressing two keys, and more complex chords by
pressing three keys. This system thus follows Arranger control, which is why it would be a good idea to
select “On” whenever you are using the Lower part
while the KBD MODE [ARRANGER] indicator lights.
■
Bass Inv
(On/Off) Use this parameter to change the way in
which the Arranger reads the chords you play. See
p. 26.
Rev (Reverb Type)
VALUE
Hall 2
(Default setting: Hall 2) Use this parameter to select
the kind of Reverb that best suits your musical purposes. See p. 32.
Note: This parameter can also be selected by pressing
[FUNCTION] + [6].
■
Chr (Chorus Type)
(Default setting: Chorus 3) This parameter allows
you to specify the sound of the Chorus effect. See
p. 33.
Note: This parameter can also be selected by press-
ing [FUNCTION] +
■
MI (Melody Intelligence harmony type)
(Default setting: Traditnl) This parameter allows you
to select the desired harmony type for the Melody
Intell(igence) function.
Note: This parameter can also be selected by pressing
and holding the [MELODY INTELL] button. See p. 26.
■
MFX (M-FX type)
(Default setting: EH®Delay) This parameter allows
you to select the desired M-FX type. See p. 31 for
details about the M-FX. Keyboard parts that use the
M-FX are no longer processed by the Reverb and
Chorus effects. Selecting “Thru” means that the
M-FX is off. Also note that you will only hear the
M-FX if the [M-FX EFFECTS] indicator lights.
Note: This parameter can also be selected by pressing
and holding the [M-FX EFFECTS] button.
Note: M-FX type selection can also be linked to Tone
selection for the Upper 1 part. See “Tone MFX” (p. 47).
Thru: The M-FX is off.
Enhancer: An Enhancer controls the overtone
structure of the high frequencies, adding sparkle
and tightness to the sound.
[7].
Overdrv1~4: Overdrive creates a soft distortion
similar to that produced by tube amplifiers. Several
types of overdrive are available: (1) Small combo
amp, (2) Combo amp, (3) Large double-stack amp (2
cabinets), (4) Large double-stack amp (3 cabinets).
Distort1~4: This effect produces a more intense
distortion than Overdrive. The numbers refer to different kinds of distortion.
Phaser: Adds a phase-shifted sound to the original
sound, producing a twisting modulation that creates spaciousness and depth.
AutoWah: The Auto Wah cyclically controls a filter
to create cyclic change in timbre.
Rotary: Simulates the sound of a classic rotary
speaker. This effect is most suitable for electric
organ.
StFlangr: This is a stereo Flanger. It produces a
metallic resonance that rises and falls like a jet airplane taking off or landing.
SpFlangr: A Step Flanger is a Flanger effect with
clearly noticeable steps rather than continuous
pitch changes.
Compress: A compressor reduces signal peaks and
boosts low levels, smoothing out unevenness in
volume.
Limiter: A limiter prevents the volume from
exceeding a certain level without boosting low levels.
HexaCho: Hexa Chorus uses six layers of chorused
sound to give richness and spatial spread to the
sound.
Trem Cho: Tremolo Chorus is a Chorus effect with
added Tremolo (cyclic modulation of the volume).
StChorus: This is a stereo Chorus.
Space-D: A multiple Chorus that gives no impres-
sion of modulation, but produces a transparent
Chorus effect (the perfect “stereo maker”).
StDelay: Delay is an effect that allows you repeat
the input signal, thus creating echoes (repetition).
Mod Delay: This effect adds modulation to the
delayed sound, producing an effect similar to a
Flanger.
3Tap Dly: The Triple Tap Delay produces three delay
sounds; center, left and right.
4Tap Dly: Delay with four repetition lines.
TmCtrDly: This effect controls the delay time in
realtime.
Reverb: A nice Reverb effect.
GteRevNr: Gate Reverb is a special type of Reverb
in which the reverberant sound is suddenly cut off
(and does not gradually decrease).
GteRevRv: A gated Reverb effect that sounds
“backwards”.
GteRevS1: The reverberant sound moves from
right to left.
GteRevS2: The reverberant sound moves from left
to right.
2PtchShf: A Pitch Shifter changes the pitch of the
original sound. This 2-voice effect has two pitch
shifters, and adds two transposed copies to the
original sound.
FbPtchShf: Pitch Shifter with several echoes.
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EM-55 OR Owner’s Manual
OD®Chors: This effect connects an Overdrive and
a Chorus in series. (“Series” means that the first
effect is also processed by the second.)
OD®Flger: This effect connects an Overdrive and a
Flanger in series.
OD®Delay: This effect connects an Overdrive and
a Delay in series.
DS®Chors: This effect connects distortion and a
Chorus in series.
DS®Flger: This effect connects distortion and a
Flanger in series.
DS®Delay: This effect connects distortion and a
Delay in series.
EH®Chors: This effect connects an Enhancer and
a Chorus in series.
EH®Flger: This effect connects an Enhancer and a
Flanger in series.
EH®Delay: This effect connects an Enhancer and
a Delay in series.
Cho®Dly: This effect connects a Chorus and a
Delay in series.
FL®Delay: This effect connects a Flanger and a
Delay in series.
Cho®Flgr: This effect connects a Chorus and a
Flanger in series.
Cho/Dlay: This effect connects a Chorus and a
Delay in parallel. (“Parallel” means that the input
signal is processed by two effects that do not interact.)
FL/Delay: This effect connects a Flanger and a
Delay in parallel.
Cho/Flgr: This effect connects a Chorus and a
Flanger in parallel.
■
M-FX UP1, UP2, LWR
(On/Off, Default setting: UP1: On, UP2/LWR: Off)
These parameters allow you to specify whether or
not the Upper 1, Upper 2, or Lower part should be
processed by the M-FX. See also p. 31.
■
Rev UP1
(0~127, Default setting: 100) This parameter
allows you to set the Reverb Send Level for Upper 1
(i.e. how much Reverb should be added to the
Upper 1 notes). This parameter is not used when
“M-FX UP1” is set to “On”.
■
Chr UP1
(0~127, Default setting: 0) This parameter allows
you to set the Chorus Send Level for Upper 1 (i.e.
how much Chorus should be added to the Upper 1
notes). If you want this part to be processed by the
Chorus effect, you need to select a value different
from “0”. This parameter is not used when “M-FX
UP1” is set to “On”.
■
Pan UP1
(0~127, Default setting: 64) This parameter allows
you to set the stereo position of the Upper 1 part
(i.e. its placement between the left and right speakers). “0” means that the stereo position changes
randomly for each note you play. Values between
“1” and “63” correspond to the left speaker. “64”
refers to the center, and values between “65” and
“127” correspond to the right speaker (“1”= hard
left, “127”= hard right).
■
Rev UP2
(0~127, Default setting: 100) This parameter
allows you to set the Reverb Send Level for Upper 2
(i.e. how much Reverb should be added to the
Upper 2 notes). This parameter is not used when
“M-FX UP2” is set to “On”.
■
Chr UP2
(0~127, Default setting: 0) This parameter allows
you to set the Chorus Send Level for Upper 2 (i.e.
how much Chorus should be added to the Upper 2
notes). If you want this part to be processed by the
Chorus effect, you need to select a value different
from “0”. This parameter is not used when “M-FX
UP2” is set to “On”.
■
Pan UP2
(0~127, Default setting: 64) This parameter allows
you to set the stereo position of the Upper 2 part
(i.e. its placement between the left and right speakers). “0” means that the stereo position changes
randomly for each note you play. Values between
“1” and “63” correspond to the left speaker. “64”
refers to the center, and values between “65” and
“127” correspond to the right speaker (“1”= hard
left, “127”= hard right).
■
Rev LWR
(0~127, Default setting: 100) This parameter
allows you to set the Reverb Send Level for the
Lower part. This parameter is not used when “M-FX
LWR” is set to “On”.
■
Chr LWR
(0~127, Default setting: 0) This parameter allows
you to set the Chorus Send Level for the Lower
part. If you want this part to be processed by the
Chorus effect, you need to select a value different
from “0”. This parameter is not used when “M-FX
LWR” is set to “On”.
■
Pan LWR
(0~127, Default setting: 64) This parameter allows
you to set the stereo position of the Lower part (i.e.
its placement between the left and right speakers).
“0” means that the stereo position changes randomly for each note you play. Values between “1”
and “63” correspond to the left speaker. “64” refers
to the center, and values between “65” and “127”
correspond to the right speaker (“1”= hard left,
“127”= hard right).
■
Tone MFX
(On/Off, Default setting: On) This parameter allows
you to link the selection of an M-FX type to the
Tone you assign to the Upper 1 part. That way, a
Distortion/Overdrive effect will be selected for a
rock guitar sound, Rotary for an organ, etc.
■
FSW (Footswitch Assign)
VALUE
Sustain
(Default setting: Sustain) After connecting an
optional DP-2, DP-6, or BOSS FS-5U to the FOOTSWITCH/EXPR socket on the rear panel, you can use
this parameter for assigning a function to the footswitch.
ENGLISHENGLISH
ENGLISHENGLISH
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Function menu
Note: This function is not available if you connect an
optional EV-5 expression pedal instead.
Sustain: Also called “Hold” or “Damper”, this function allows you to use the footswitch to hold the
notes you play on the keyboard in much the same
way as on an acoustic piano.
Sostenut: In this case, the footswitch functions as
Sostenuto pedal (another pedal found on grand
and digital pianos that allows you to sustain only
those notes you played at the time you pressed the
pedal).
Note: This function only applies to the Keyboard
parts.
Soft: In this case, the footswitch functions as Soft
pedal (a pedal found on grand and digital pianos
that reduces the volume).
Note: This function only applies to the Keyboard
parts.
Rotary S/F: Allows you to select the slow or fast
speed of the Rotary effect. This only works, if the
Rotary effect is assigned to the M-FX.
UsrPrgUp: Selects the next User Program (i.e. 12 if
11 is currently active).
UsrPrgDw: Selects the previous User Program (i.e.
64 if 11 is currently active).
Start/Stop: Starts and stops Arranger or Song
playback. Same function as the [START/STOP] button.
Exc UP1/2: Allows you to switch off the Upper1
part and activate the Upper2 part, and vice versa.
Bass Inv: Switches the Bass Inversion function on
and off (see p. 26).
Punch I/O: The footswitch can be used to activate
and switch off punch in/out recording of the
EM-55 OR’s sequencer (see p. 41).
■
PAD (Style Pad set)
(Default setting: depends on the selected Music
Style) This parameter allows you to select a different set of phrases when the SESSION PARTNER
function is used in STYLE PAD mode. See p. 24.
■
Scale C~Scale B (Scale Tune)
(–64~63, Default setting: –50 for all notes) These
parameters allow you to stray away from the usual
semitone-interval scale (used in western music) by
changing the pitch of the notes so as to accommodate other musical cultures or tuning methods (oriental, baroque music, etc.). These settings are
assigned to the ORIENTAL SCALE buttons.
As you will notice, you can change the pitch of
every note of one octave (C, C#, D, Eb, E…). The settings you make here apply to all notes of the same
name (i.e. to every C, every C#, etc.). Most of the
time, you will probably select the value “50” or “–
50” as they correspond exactly to half a semitone
up or down (quarter tone). Other settings may also
be interesting, though.
■
Scl Mode
(UP, ALL, Default setting: UP) This parameter allows
you to specify which parts the Scale settings (see
above) should apply to: only Upper 1 & 2 (“UP”) or
all parts (“ALL”). In some cases, choosing “ALL” may
produce a more satisfactory result.
Resume
Select this function to recall the
EM-55 OR’s factory Function settings.
Note: Resume does not reset the MIDI parameters
of the FUNCTION mode (see p. 51).
Press [EXECUTE] in response to the flashing
“EXE” message. After showing the “Complete” message, the display returns to the
RESUME message. Press [SONG], [STYLE],
[TONE], or [USER PROGRAM] to leave the
FUNCTION mode.
Note: There is no “Sure?” question that gives you
time to think. Only press [EXECUTE] if you are certain you want to recall ALL factory Function settings.
■
Pad Sync
(On/Off, Default setting: On) This parameter allows
you to switch the synchronization of pad triggering
on/off. When on, phrases you start by pressing the
assigned [1/9]~[8/16] button will always begin at
the first beat of the following bar. So even if you
press a button on the second beat, playback will
only start on the first beat of the following measure.
If you do not want this forced synchronization,
select “Off”. That may mean, however, that playback
may be slightly offset with respect to the other
phrases (DJ PAD mode) or Arranger playback (STYLE
PAD mode).
■
Count-In
(On/Off, Default setting: On) This parameter allows
you to switch the count-in function for punch-in
and normal recording (see p. 40) on or off. When
on, the metronome will count down two measures
(8 beats for a Song with a 4/4 time signature).
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15. Working with User Programs
The EM-55 OR is equipped with 64 User Program memories that allow you to store almost all settings (or
registrations) you make on the front panel and via the Function menu (see p. 44).
Note: MIDI settings (see p. 51) are not saved to a User Program because the EM-55 OR memorizes them automatically.
Writing your settings to a User Program
It is a good idea to write your settings frequently, even if you still need to do some editing afterwards.
Those intermediary saves allow you to return to the previous stage whenever you do not like your last
modifications.
(1) Press and hold the [USER PROGRAM/
WRITE] button.
USER
PROGRAM
WRITE
The EM-55 OR now displays “Write ?”.
(2) Keep holding the [USER PROGRAM/
WRITE] button while pressing one
numeric button [1]~[8] to select the bank.
EM-55 OR Owner’s Manual
The number you select appears in the USER
PROGRAM field (“3” in the example below).
VALUETEMPO
12
120
KEYBOARD
VELOCITY
REVERB
CHORUS
MELODY
INTELL
INVERSION
Write?
ARRANGER CHORD
USER PROGRAM
(3) Keep holding the [USER PROGRAM/
WRITE] button while pressing another (or
the same) numeric button [1]~[8] to
select the memory.
The display now responds with the “Complete” message and the memory number
(your settings have been stored).
(4) Release the [USER PROGRAM/WRITE] but-
ton.
ENGLISHENGLISH
ENGLISHENGLISH
Notes about writing User Programs
Leaving the User Program environment
Press [USER PROGRAM] to leave the User
Program environment. The User Program
field in the display will go blank again.
Mode selection
The mode (Arranger, p. 13, M.Drums, p. 20,
Piano, p. 19) is also memorized when you
write a User Program.
Meaning of the “Edit” message
VALUETEMPO
Accrdn4L
ARRANGER CHORD
EditEdit
USER PROGRAM
At some stage, you may come across an
“Edit” message next to the User Program
number.
It means that the last User Program you
selected is still in effect but that the current
settings no longer correspond to the ones in
that memory. Such changes may include
the status of the Reverb or Chorus effect, a
changed volume value, etc.
120
11
KEYBOARD
VELOCITY
REVERB
CHORUS
MELODY
INTELL
INVERSION
Before selecting another User Program or
switching off the EM-55 OR, you should
therefore write these settings to the same
(or a different) User Program if you want to
keep them. Otherwise, you lose these
changes. Please also see p. 50.
User Programs and Disk Links & Style
Disk
The address of the last Music Style you
selected before writing a User Program is
also memorized. This even applies to the
Style RAM memory that may contain a socalled Style Disk Style (see p. 28). The
EM-55 OR only remembers the memory
address —
not
the name of the Style it contained when you wrote your settings to a
User Program. This also applies to the Disk
Link memories in group B.
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Page 50
Working with User Programs
Selecting a User Program
Though the User Program memory you specified above is already selected, there will be times when you
need to select another memory. In that case, here is what you need to do:
(1) Briefly press [USER PROGRAM/WRITE]. Do
not hold this button down because doing
so will start the Write procedure (see
above).
The User Program field now indicates the
number of the User Program you selected
last, or “11” if you have not yet selected a
User Program since switching on the
EM-55 OR. The important thing to note
here is the “Edit” message.
It indicates that the EM-55 OR is still using
the last manual changes you may have
made before selecting the User Program
function. The User Program number therefore only means “this is the last memory
you selected”.
None of its settings are being used for the
time being. By pressing [USER PROGRAM/
WRITE] again, you can leave the User Program mode without changing your manual
settings. This may be important to remember if you were about to write your settings
and accidentally pressed the wrong button
(or didn’t press it long enough).
USER
PROGRAM
WRITE
To actually select a User Program…
(2) Press one numeric button [1]~[8] to select
the bank.
(3) Press another (or the same) numeric but-
ton [1]~[8] to select the memory.
The settings of the selected User Program
will be recalled.
Note: As soon as you modify any setting (on the
front panel or in the FUNCTION menu), the “Edit”
message appears next to the User Program number.
(4) Once again press [USER PROGRAM/
WRITE] to leave the User Program mode.
Note: You can also press [STYLE] and [TONE] to
leave this mode.
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16. MIDI functions
EM-55 OR Owner’s Manual
MIDI is short for
Musical Instrument Digital Interface
. The word refers to many things, the most
obvious being a connector type that is used by musical instruments and other devices to exchange messages relating to the act of making music.
Each time you play on the EM-55 OR’s keyboard
or start the Arranger (or Song), your instrument
transmits MIDI data to its MIDI OUT socket. If
you connect this socket to the MIDI IN socket of
another instrument, that instrument may play
the same notes as one of the EM-55 OR’s parts,
select sounds, etc.
The EM-55 OR receives data
EM-55 OR
The EM-55 OR transmits data
MIDI is a universal standard, which means that
musical data can be sent to and received by
instruments of different types and manufacturers. Furthermore, MIDI allows you to connect
your EM-55 OR to a computer or hardware
sequencer.
Connect your EM-55 OR as shown below.
External MIDI instrument/computer (*)
(*) Direct connection to computer possible via optional MIDI/Joystick cable.
Channels
MIDI can simultaneously transmit and
receive messages on 16 channels, so that up
to 16 instruments can be controlled. Nowadays, most instruments –like your
EM-55 OR– are multitimbral, which means
that they can play several musical parts
with different sounds.
Note: All EM-55 OR parts are set to receive MIDI
messages. If they do not seem to respond to the
messages you send from the external controller,
you should check whether the external controller’s
MIDI OUT is connected to the MIDI INput of your
EM-55 OR.
The EM-55 OR’s transmit and receive channels of all parts have been set in keeping
with a tacit Roland standard and are there-
fore shared by all recent E, G, and RA series
instruments. You cannot change them. They
also correspond to the track assignments of
the 16-track Recorder:
Accomp 1
19
Arranger bass
210
Accomp 2
311
®
Upper 1
412
Accomp 3
513
®
Upper 2
614
Accomp 4
715
Accomp 5
816
Accomp 6
Arranger drums
®
Lower
®
M. Bass
Style Pads
D Beam part
Melody Intell
®
M. Drum
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ENGLISHENGLISH
MIDI Function parameters
See “Editing parameters (general procedure)” (p. 44) for how to select and set these Function parameters
(they belong to the same Function menu as the “General Function parameters”).
■
MIDI TxRx (MIDI transmission and reception)
This parameter allows you to specify which
EM-55 OR parts should transmit and receive MIDI
messages:
OptionMeaning
ALLAll parts.
KBDOnly the Keyboard parts (see ® in the
table above).
STLOnly the Arranger parts
(A.Drums~Accomp 6).
OFFNone of the EM-55 OR’s parts transmits/
receives MIDI messages.
■
Sync Rx (MIDI synchronization)
Use this parameter to specify how the EM-55 OR
should be synchronized (as slave) to an external
MIDI sequencer, computer, drum machine, etc.
“Synchronization” is a learned term for the fact
that one device (or function) is set to start and stop
at the same time as another device (or function),
and to run at the same tempo (BPM).
Please note that synchronization is only possible
when you connect the external device’s MIDI OUT
socket to the EM-55 OR’s MIDI IN socket (though
you can also work the other way around; in that
case, see the sequencer’s manual for details).
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MIDI functions
OffIn this case, the EM-55 OR is not synchro-
nized with other MIDI devices. It is thus
impossible to start/stop it via MIDI.
OnArranger playback and Song recording/
playback are synchronized if the EM-55 OR
receives MIDI Start and Stop messages followed by MIDI Clock signals. If the
EM-55 OR receives only a Start message, it
will wait a moment to see if there are also
MIDI Clock messages coming.
If there are, it will synchronize to them. If
there are no MIDI Clock messages, it will
follow its own tempo. In either case, you
can stop playback or recording with a MIDI
Stop message.
■
Style PC (Style Select TxRx Channel)
(1~16, Off, Default setting: 10) As its name implies,
the Style Select channel is used to receive and
transmit program changes that cause the
EM-55 OR or the external instrument to select
another Music Style.
■
Lyrics Tx (Transmit Lyrics messages)
(On/Off, Default setting: On) The EM-55 OR is
capable of transmitting Lyrics messages contained
in Format 0 Standard MIDI Files you playback. It
cannot display them but it allows you to transmit
them to a device capable of displaying Lyrics messages (such as the Roland LVC-1). This filter allows
you to enable (On) or disable (Off) the transmission
of Lyrics data.
■
NTA Rx14 (Note-to-Arranger reception on/off)
(On/Off, Default setting: On)
NTA
is short for
“Note-to-Arranger”, or the notes you play in the
left half of the keyboard to feed the Arranger with
chord information. These notes can also be received
via MIDI (from an accordion, a digital piano, an
organ, for example). If you want to use the
Arranger without playing on the EM-55 OR’s keyboard, you must transmit these notes on MIDI
channel 14 (from your computer or external MIDI
instrument to the EM-55 OR) and select “On” here.
NTA notes can only be received (they are not transmitted). The notes you play on the EM-55 OR’s keyboard are indeed transmitted to the Arranger, from
there to the Arranger parts, and used to play the
accompaniment in the right key. Since all Music
Style notes are transmitted via MIDI, there is no
need to send the NTA notes separately.
■
PitchBnd (Pitch Bend)
(On/Off, Default setting: On) This filter allows you
to enable (On) or disable (Off) the transmission and
reception of Pitch Bend messages. These messages
are used to temporarily increase or decrease the
pitch of the notes (Upper1, Upper2, Lower, or
M.Drums parts).
■
ProgChng (Program Change)
(On/Off, Default setting: On) This filter allows you
to enable (On) or disable (Off) the transmission and
reception of Program Change messages. These messages are used to select Tones, Styles, or User Programs.
■
Velo Rx (Receive Velocity)
(On, 1~127, Default setting: On) This filter allows
you to enable (On) or disable the reception of
Velocity messages. This only applies to note messages
received
via MIDI. Choose the velocity value
to be substituted for the actual values the
EM-55 OR receives (1~127), or select “On” to use
the velocity values as is.
■
Clock Tx
(On/Off, Default setting: On) This option allows you
to determine whether (On) or not (Off) the
Arranger and Recorder send MIDI Clock messages
when you start them. These messages are necessary
for synchronizing external MIDI instruments/
sequencers/software to the EM-55 OR.
■
StartStp (Start/Stop/Continue)
(On/Off, Default setting: On) This option allows you
to specify whether or not the Arranger and
Recorder send Start/Stop/Continue messages when
you start or stop them. Select “Off” when you wish
to control the tone generator of a MIDI organ, etc.,
without starting or stopping its automatic accompaniment.
■
Song Pos P (Song Position Pointer)
(On/Off, Default setting: On) The EM-55 OR’s
Recorder also sends and receives Song Position
Pointer messages that indicate the exact location
of the notes that are being played back. Select
“OFF” if you don’t want the Recorder to send or
receive these messages.
■
Local
(On/Off, Default setting: On) The Local parameter
allows you to establish or remove the connection
between the EM-55 OR’s keyboard/Recorder and
the internal tone generator.
When set to “ON” (default), playing on the
EM-55 OR’s keyboard or playing back a Recorder
song will cause the corresponding notes to sound.
If you select “OFF”, the corresponding MIDI messages are no longer sent to the internal tone generator – but they are still transmitted to the MIDI OUT
port and hence to external MIDI instruments.
Sound source
MIDI OUT
LOCAL ON
Sound source
MIDI OUT
LOCAL OFF
■
Modulatn (Modulation)
(On/Off, Default setting: On) This filter allows you
to enable (On) or disable (Off) the transmission and
reception of Modulation messages. These messages
are used to add vibrato to the notes you play (control change CC01).
52
Note: The setting of this parameter is not memorized
when you switch the EM-55 OR off.
Note: You can also select this parameter by pressing
and holding the [SONG] button.
Page 53
17. Using the outputs and an optional pedal
If you like, you can also record your performance (or the Recorder song) to cassette, MD, etc. To this end,
you need to connect the EM-55 OR’s STEREO OUTPUT sockets to the external device’s REC IN jacks.
EM-55 OR Owner’s Manual
Cassette deck, power amplifier, HiFi
amplifier, MA series active speakers,
etc.
Roland
—or—
DP-2, DP-6, or BOSS FS-5U footswitch
EV-5 pedal
Use a standard 1/4” phone cable for doing so. Another use for these outputs is to connect the EM-55 OR
to your HiFi or keyboard amplifier (such as the Roland KC-500/300/100). Using a HiFi amplifier requires
the use of an adaptor plug (phono/RCA→ 1/4” jack). If you like, you can also purchase two Roland PJ-1M
cables.
Note: By connecting the OUTPUT jacks, you do not switch off the EM-55 OR amplification system.
ENGLISHENGLISH
ENGLISHENGLISH
You can connect an optional DP-2, DP-6, or BOSS FS-5U footswitch to the FOOTSWITCH/EXPR jack in
order to hold the notes even after releasing the keys, or to perform other functions (see p. 47). If you
connect an EV-5 expression pedal instead, you can control the EM-55 OR’s volume by foot (in which
case it is no longer possible to connect a footswitch).
53
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Disk functions
¶
120
SONG_001
VALUETEMPO
18. Disk functions
The EM-55 OR’s Disk functions allow you to save the Recorder Song in the internal Song RAM memory
to disk, to save and load your User Programs to and from disk, to format floppy disks, to delete files on a
floppy disk, and to copy disks.
Though you can use 2DD or 2HD floppies, 2HD disks have twice the capacity of 2DD disks, so use 2HDs
whenever you can.
Whenever the disk drive writes data to or reads data on disk, the Disk icon () flashes in the display.
Do not remove the floppy disk while this icon is displayed as that may damage both the disk drive
and the disk (so that it becomes unreadable).
Loading User Programs from disk
This load function is called LOAD UPr. It allows you to transfer a set of 64 User Programs (i.e. for all
memories) to the EM-55 OR’s internal memory. This will overwrite the User Programs that currently
reside in the internal memories.
Note: If you wish to use the User Programs in the
internal memory at a later stage, first save them to
disk before proceeding. See p. 54.
(1) Insert a disk into the drive.
(2) Press [DISK] to select the Disk mode.
The “LOAD UPr” function is already selected,
so there is nothing else you need to do.
(3) Wait until the VALUE message starts
flashing, then use the [TEMPO/DATA] dial
to select the file whose contents you wish
to load (example: “USPR_000”).
(4) Press the [EXECUTE] button (next to
[DISK]) to load the selected file.
Note: Press [DISK] if you do not want to load the
selected file after all.
If you pressed [EXECUTE], the display now
shows the message “Loading”. Once the data
have been loaded, the “Complete” message
briefly appears.
(5) Press [MUSICAL GAME], [TONE], [STYLE],
or [FUNCTION] to select another mode.
Possible error messages
No Disk You forgot to insert a floppy disk into
the drive.
No Files The disk you insert contains no User
Program data.
Disk Err The disk is probably damaged and
cannot be used.
File ErrThe file you selected is damaged and
cannot be loaded.
Saving files to disk
The EM-55 OR provides the following Save functions:
SAVE UPr: Use this function to save the contents of the internal User Program memories (all
64 of them) to a floppy disk.
SAVE Sng: This allows you to save the Song in
the internal memory to a floppy disk. A Song
saved to disk becomes a Standard MIDI File. .
Note: There is no LOAD Sng function. All you need to do
to transfer the Song data back to the internal Song
memory is play back the Standard MIDI File in question.
(1) Insert a disk into the drive.
Every floppy contains a square tab that
allows you to “close” a little window. With
the tab in that position, you can save data
to the disk. Do not forget to write-enable
the disk by closing this little window prior
to inserting the floppy disk.
54
(2) Press [DISK] and use the [TEMPO/DATA]
dial to select “SAVE Sng” or “SAVE UPr”.
(3) Wait until the VALUE message starts
flashing, then use [TEMPO/DATA] dial to
move the flashing cursor to the character
position you want to change (the “O” in
the illustration below).
(4) Enter the character with [A/B], the
numeric keypad, and [VARIATION].
You may have to press the same button several times.
Page 55
EM-55 OR Owner’s Manual
Though you could save the file with the
current default name (“SONG_001”, or
“USPR_000”), a proper name will help you
identify the file at all times. We therefore
suggest you take the time to specify a
meaningful name.
Note: If you select “SPACE” ([A/B] button), the display will insert a “_”. This is because MS-DOS® does
not allow you to use spaces.
(5) If necessary, use the [TEMPO/DATA] dial to
move the cursor to the next position.
(6) Repeat steps (4) and (5) to enter the
remaining characters.
(7) Press [EXECUTE] to save the file to disk.
The display now responds with the message
“Saving” as well as a flashing disk icon
(). When the file is saved, the “Complete” message appears.
If the message “DiskProt” appears, you forgot to switch off the disk’s Write protection.
Press the EJECT button of the disk drive,
remove the floppy and close the tab, insert
the disk again and press [EXECUTE].
(8) Press [MUSICAL GAME], [TONE], [STYLE],
or [FUNCTION] to select another mode.
Possible error messages
No DiskYou forgot to insert a floppy disk
into the drive.
Disk ProtSee above.
Disk FullThe remaining disk capacity does
not allow to save your data to this
disk.
Disk ErrThe disk is probably damaged and
cannot be used.
EmptyThere is no Recorder song in the
internal memory. Consequently,
there is nothing to save.
ImpssbleThe song in the EM-55 OR’s mem-
ory is bigger than the RAM actually
supports, and can therefore not be
saved to disk. (This is because the
EM-55 OR only loads specific
blocks for playback.)
OverWrt?The name you assigned to the data
already exists on the floppy disk
you inserted. If you press [EXECUTE] to continue, the file on disk
will be overwritten (and the corresponding data will be erased).
Either insert another floppy disk, or
press [DISK] and enter another
name for the data you want to
save.
ENGLISHENGLISH
Deleting files on disk
The Delete functions allow you to delete a file from the inserted floppy disk. This may be necessary to
make room for a new file (e.g. when the “Disk Full” message appears). Be careful, though, to only delete
files you are absolutely (positively) sure you will never need again. Once a file has been deleted, it is gone
forever.
Note: As a rule, you should first make a backup copy of
your disk (see p. 56). After all, files really only become
indispensable once they are no longer available…
DEL Sng: This allows you to delete a song file on
disk.
DEL UPr: Use this function to delete a User Program file from disk. Be aware that by doing so,
you actually erase 64 User Program settings.
(1) Insert the disk with the file you want to
delete into the drive.
(2) Press [DISK] to select the Disk mode.
(3) Use the [TEMPO/DATA] dial to select “DEL
Sng” or “DEL UPr”.
(4) Wait until the VALUE message starts
flashing and use the [TEMPO/DATA] dial
to select the file you want to delete
(example: “USPR_005”).
(5) Press the [EXECUTE] button.
To be on the safe side, the EM-55 OR now
asks you whether you really want to delete
the file (“Sure?”).
(6) Press [EXECUTE] to delete the file, or
[DISK] to abort the operation.
ENGLISHENGLISH
If you pressed [EXECUTE], the display now
shows the message “Deleting”. Once the
data have been deleted, the “Complete”
message briefly appears.
(7) Press [MUSICAL GAME], [TONE], [STYLE],
or [FUNCTION] to select another mode.
Possible error messages
No DiskYou forgot to insert a floppy disk
into the drive.
Disk ProtYou forgot to switch off the disk’s
Write protection. Press the EJECT
button of the disk drive, remove the
floppy and close the tab, insert the
disk again and press [EXECUTE].
Disk ErrThe disk is probably damaged and
cannot be used.
No FilesThe disk contains no files of the
selected type. Insert another disk.
55
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Disk functions
Disk Copy (copying an entire disk)
This function allows you to make backup copies of important disks.
WARNING: The Disk Copy function uses the RAM memory and erases the Recorder song and its Style
Disk memory. Before using Disk Copy, save your song to disk if you haven’t already done so (see p. 54).
Disk Copy copies all files of the
(1) Press [DISK] to select the Disk mode.
(2) Use the [TEMPO/DATA] dial to select “DIS-
KCOPY”.
(3) In response to the “DISKCOPY” message,
press the [EXECUTE] button.
The EM-55 OR now tells you something you
already know but may tend to forget at
times:
Improper use of copy infringes
Copyright!! For personal back-up
use only! Song and Style Disk
Copying Songs from commercially available
Standard MIDI File disks is OK as long as
you keep
possible disk errors). Under no circumstances, however, may you give copies of
copyright-protected material to your
friends.
Also, the display tells you that the Disk Copy
function needs the available RAM memory
– i.e. the memory set aside for the Recorder
song and for the Style Disk function. Be
aware that really activating the Disk Copy
function (which you haven’t done so far),
erases the song in the internal memory.
Save it to disk before proceeding.
This message is followed by “Sure?” (do you
want to proceed?).
Note: You can abort the process at any time by
pressing the [DISK] button.
(4) If you are sure you wish to make a backup
copy of a disk, press [EXECUTE] (otherwise,
press [DISK]).
The display now asks you to insert the original (or “Source”) disk into the drive.
Note: Before doing so, you must write-protect it,
otherwise the display tells you to do so (“No Prot”).
In that case, remove the disk from the drive, set its
WRITE tab to the PROTECT position (to open “the
little window”), and insert the disk into the drive
again.
(5) Insert the original (Source) disk into the
drive.
The display now informs you that the
EM-55 OR is reading the first part of the
data to be copied (“Read xx%”).
will be erased.
the copy (as safeguard against
Source
disk (see below) to the
Destinat
disk.
Depending on the number of files on disk,
you may encounter this message several
times. Note also the indication of the disk
type (in our example, the Source disk is a
2HD floppy):
VALUETEMPO
Read 23%
120
When the first part is loaded, the display
switches to the “Destinat” message. It
means that you need to insert a blank disk
into the disk drive. That disk will contain a
copy of the original data. Be sure to use a
disk
of the same type
. If the “Source”
disk is a 2DD type (“dd”), use a blank 2DD
disk, otherwise use a blank 2HD disk. Failure
to use the right disk type will result in the
“Incompat” message being displayed.
(6) Remove the Source disk from the drive
and insert the Destination disk.
If the Destination disk isn’t formatted, you
are given the opportunity to do so now
(“Format?”).
Next, the “Writ xx%” message appears to
inform you that the first (or entire) data
chunk is being copied to disk.
As stated above, the Source message may
be displayed again. If so...
(7) Remove the Destination disk from the
drive and proceed with step (5) until the
display tells you “Complete”.
The display now returns to the Disk Copy
message.
Possible error messages when using Disk
Copy
No ProtThe Source disk is not protected.
Remove it from the drive and set the
Write Protect tab to the PROTECT
position.
NoFormat The Destination disk is not format-
ted. Press [EXECUTE] to format it an
to continue.
DiskErrThe disk is probably damaged and
cannot be used.
DiskProtThe Destination disk is write-pro-
tected. Remove it and disable the
protection.
Incompat See above.
56
Page 57
Format
EM-55 OR Owner’s Manual
Before being able to save files to a disk, you need to prepare a floppy disk. This is called “formatting”. If
the floppy you are about to use is IBM PC formatted, there is no need to format it, though disk access is
faster with EM-55 OR formatted disks. Otherwise proceed as follows:
(1) Press [DISK] to select the Disk mode.
(2) Use the [TEMPO/DATA] dial to select
“FORMAT”.
(3) Wait for the “EXE” message to flash, then
press [EXECUTE].
Note: If you do not want to format your floppy,
press [DISK] to return to the first Disk function
(“LOAD Upr”).
Note: By formatting a disk, you erase all files it
contains. It would be a good idea to first check
what it contains (e.g. on your PC).
(4) Press [EXECUTE] again in response to the
“Sure?” message.
The value to the left of the “Formatng” message now counts down from “80” to “1”
while the disk icon flashes to indicate that
the disk is being accessed. When the disk is
formatted, the message “Complete” is
briefly displayed.
ENGLISHENGLISH
ENGLISHENGLISH
57
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Miscellaneous
19. Miscellaneous
Functions for educational purposes
The EM-55 OR provides two functions that may come in handy for music teachers or for those who use
the EM-55 OR in class:
Deactivating or activating the Demo function
The EM-55 OR’s Demo function can be switched
off so that pressing the [DEMO] button will have
no effect at all. This may be useful in situations
where the EM-55 OR is used in class. Here is how
to deactivate the Demo function:
Deactivating the Arranger
Use the following procedure to ensure that the
Arranger cannot be started or stopped:
(1) Switch off the EM-55 OR.
(2) Hold down the [STYLE] button while you
switch the EM-55 OR back on again.
(1) Switch off the EM-55 OR.
(2) Hold down the [DEMO] button while
switching the EM-55 OR back on again.
This setting is remembered, so that next
time you want to listen to a demo song, you
have to repeat the above procedure.
It will now be impossible to start/stop the
Arranger using the [START/STOP] button, or
to use the SESSION PARTNER buttons
(STYLE PAD & DJ PAD).
Repeat the above procedure when you want
to use the Arranger again.
Deactivating both the Arranger and the Demo function
A third “educational” option is to switch off both
the Demo and the Arranger functions in one go:
(1) Switch off the EM-55 OR.
(2) Hold down the [START/STOP] button while
you switch the EM-55 OR back on again.
Initializing your EM-55 OR (Factory)
After working extensively with your EM-55 OR, you may want to recall the original factory settings.
Note that the Recorder song and User Program memories will be empty after initializing your
EM-55 OR.
Here is how to initialize your EM-55 OR:
(1) Power off your EM-55 OR.
It will now be impossible to start/stop the
Arranger STYLE PAD, DJ PAD, or demo song
playback.
Repeat the above procedure when you want
to use the Arranger and Demo function
again.
(2) Hold down the [USER PROGRAM/WRITE]
button while turning your EM-55 OR back
on again.
The message “Factory!” will inform you that
the EM-55 OR has been initialized.
58
Page 59
20. Specifications
EM-55 OR Oriental Interactive Keyboard
Keyboard: 61 keys, velocity sensitive
EZ Search: Function for quick Tone & Music
Style location
Sound Source: 64-voice polyphonic
3,603 western Tones, 48 oriental Tones,
116 western Drum Sets, 4 oriental Drum Sets
32-part multitimbral
GM2/GS compatible
Display: Newly designed large backlit custom
display
Adjustable contrast
Panel controls & performance functions
ORIENTAL SCALE buttons, 3 memory buttons,
Alpha dial/Tempo, Pitch Bend/ Modulation,
D Beam Controller, Master Volume, Balance,
Session Partner/Tracks (Style Pad: 12 sets/8
pads, DJ Pad: 8 sets/8 pads, Accompaniment
on/off: 8, Track on/mute: 1~8/9~16)
Music Styles: 64 in ROM (16 western, 48
oriental), 64 Disk Link (via floppy disk)
4 x 64 One Touch settings
Style Orchestrator (3 levels)
Style Morphing
Melody Intelligence (18 types)
User Programs: 64 internal memories
Music Assistant: 100 via Database (ROM)
Effects:
Reverb: 8 types, Chorus : 8 types
MFX: 47 types
Metronome: Time signature, volume
Education functions (Games): Chord Finder,
Guess Note, Guess Chord
Recorder: Realtime SMF Player
16-track recorder
4 recording modes (All, Keyboard, Single,
Punch-In/Out)
EM-55 OR Owner’s Manual
Data storage: 3,5” floppy disk (2DD/2HD)
File management: Styles, Songs (SMF), User
Programs
Connections: MIDI (In, Out), Output (L/Mono,
R), Footswitch/Expr, Phones (2 connectors)
Others:
Output power: 2 x 7W
Speakers: 2 x 12cm (Bass Port)
Power supply: 12V/2A adapter (included)
Dimensions: 1016 (W) x 398 (D) x 153 (H)
mm
Weight: 9.5kg
Supplied accessories: ACJ adapter, Owner’s
manual, Music data disks, Music Rest
Options: PK-5 Dynamic MIDI Pedal
MSA/MSD/MSE-series Music Style Disks
RH-25/50 Headphones
DP-2 Pedal Switch
DP-6 Pedal Switch
EV-5 Expression Pedal
BOSS FV-300L Volume Pedal
Note: Specifications subject to change without prior
notice.
ENGLISHENGLISH
ENGLISHENGLISH
59
Page 60
Thanks
21. Thanks
Roland Corporation wishes to express gratitude and thanks to:
• Mr. Abdallah George (General Manager /Al Fanny Trading-Egypt) for his enthusiasm and coopera-
tion.
• Mr. Tarek Helmy for preparing the new oriental Tone/Percussion samples, new Oriental drum set
and technical support.
• Mr. Alain Slim for composing the Oriental Percussion demo song, new Oriental styles, Oriental DJ
pads and preparing the new oriental drum set.
• Mr. Cherif Cotta for composing new Oriental styles, and technical support.
• Mr. Ahmed Hosny for composing the Oriental DJ pads / style pads and new Oriental styles.
• Dr. Raafat Baheeg for translating and preparing this manual into Arabic.
60
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EM-55 OR Owner’s Manual
22. Tone List
Tones that can be selected via the BANK/NUMBER/VARIATION buttons
--Bass Drum (TR-707)
Rim Shot (TR-707)
Snare Drum (TR-707)
Hand Clap 1 Stereo (E-40)
Snare Drum (TR-707)
Tom 1 (from Standard)
Closed Hi-Hat (TR-707)
Tom 2 (from Standard)
Closed Hi-Hat (TR-707)
Tom 3 (from Standard)
Open Hi-Hat (TR-707)
Tom 4 (from Standard)
Tom 5 (from Standard)
Crash Cymbal (TR-707)
Tom 6 (from Standard)
Ride Cymbal (from
Doholla 2 Dom
Doholla 2 Sak
Tamborin (from Standard)
Doholla 2 Rim 1
Cowbell (from Standard)
Doholla 2 Rim 2
Cabasha (from Standard)
Dof 2 Dom
Dof 2 Sak 1
Bongos Dom (from E-40)
Dof 2 Sak 2
Bongos Tak (from E-40)
Dof 2 Rim
Tabla 2 Dom
Tabla Roll
Tabla 2 Sak
Tabla (FX) (Roll End)
Tabla 2 Tak
Tabla 2 Tik
Tabla 2 Rim
Rek 2 Dom Open
Rek 2 Rim
Rek 2 Dom Closed
Rek 2 Tak 1
Rek 2 Tak 2
Rek 2 Sak
Hager
Rek 2 Khana Closed
Zir
Rek 2 Khana Open
Rek 2 (Roll)
Rek 2 Sak
Sagat Mid
Sagat High
Sagat Sak
Shaker (from Standard)
Zaghrouta A
Zaghrouta B
Tabl Noueri Dom
Nakrazan A
Tabl Noueri Rim
Nakrazan B
Tabl Noueri Tak
Bass Drum (TR-707)
Hand Clap 2 Mono (E-40)
PC: 116 [CC32: 1]
ORIENTAL PERC. 1
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---
---
---
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--Bass Drum (TR-707)
Rim Shot (TR-707)
Snare Drum (TR-707)
Hand Clap 1 (Stereo)
Hand Clap 2 (Mono)
Tom 1 (from Standard)
Closed Hi-Hat (TR-707)
Tom 2 (from Standard)
Closed Hi-Hat (TR-707)
Tom 3 (from Standard)
Open Hi-Hat (TR-707)
Tom 4 (from Standard)
Tom 5 (from Standard)
Crash Cymbal (TR-707)
Tom 6 (from Standard)
Ride Cymbal (from
Doholla 1 Rim 1
Doholla 1 Dom
Finger Doff A
Doholla 1 Rim 2
Cowbell (from Standard)
Doholla 1 Sak
Dof 2 Dom
Dof 1 Rim 1
Dof 1 Dom
Dof 1 Sak 1
Dof 1 Rim 2
Dof 1 Sak 2
Tabla 1 Tak 1
Tabla 1 Tak 2
Tabla Roll
Tabla 1 Dom
Tabla (FX) (Roll End)
Tabla 1 Tak 3
Tabla 1 Sak
Tabla 1 Rim
Rek Trill
Rek 1 Sak
Rek 1 Tak 1
Rek 1 Rim
Rek 1 Dom
Rek 1 Tak 2
Rek 1 Brass
Rek 1 Tak 3
Rek 1 Roll
Rek 1 Khana Closed
Tabl Noueri Rim
Rek 1 Khana Open
Sagat Mid
Tabl Noueri Dom 1
Sagat High
Tabl Noueri Tak 1
Sagat Sak
Hager
Zir
Nakrazan A
Zaghrouta 1 Loop
Nakrazan B
Zaghrouta 2 End
Zaghrouta 2 Loop
Zaghrouta 2 End
PC: 116 [CC32: 3]
ORIENTAL PERC. 2
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---
---
--Bass Drum (TR-707)
Rim Shot (TR-707)
Snare Drum (TR-707)
Hand Clap 1 (Stereo)
Hand Clap 2 (Mono)
Tom 1 (from Standard)
Closed Hi-Hat (TR-707)
Tom 2 (from Standard)
Closed Hi-Hat (TR-707)
Tom 3 (from Standard)
Open Hi-Hat (TR-707)
Tom 4 (from Standard)
Tom 5 (from Standard)
Crash Cymbal (TR-707)
Tom 6 (from Standard)
Ride Cymbal (from
Doholla 2 Rim 1
Doholla 2 Dom
Hager
Doholla 2 Rim 2
Cowbell (from Standard)
Doholla 2 Sak
Zir
Dof 2 Rim 1
Dof 2 Dom
Dof 2 Sak 1
Dof 2 Rim 2
Dof 2 Sak 2
Tabla 2 Tak 1
Tabla 2 Tak 2
Tabla Roll
Tabla 2 Dom
Tabla (FX) (Roll End)
Tabla 2 Tak 3
Tabla 2 Sak
Tabla 2 Rim
Rek Trill
Rek 2 Sak
Rek 2 Dom Closed
Rek 2 Rim
Rek 2 Dom Open
Rek 2 Tak 1
Rek 2 Khana Open
Rek 2 Tak 2
Rek 2 Roll
Rek 2 Khana Closed
Tabl Noueri Rim
Rek 2 Tak 3
Sagat Mid
Tabl Noueri Dom 2
Sagat High
Tabl Noueri Tak 2
Sagat Sak
Bongos Dom
Nakrazan A
Bongos Tak
Zaghrouta 1 Loop
Bongos Rim
Zaghrouta 1 End
Zaghrouta 2 Loop
Zaghrouta 2 End
PC: 1166 [CC32: 4]
ORIENTAL 3
---
---
---
---
---
---
---
---
---
---
---
--Wadaiko
Ohkawa
Shimedaiko
H kotsuzumi
L Kotsuzumi
Tabla_Ge
Tabla_Na
Tabla_Te
Tabla_Tun
Udo_Long
Djembe_rim
909 HandClap
Tambourine
ChaChaCBell
Agogo
Agogo
NewShaker2
NewShaker1
IPopSn40_1
Elec Snare 2
909 Snare 2
909 Snare 1
Elec Kick 2
TR-909 BD2
Std.2 Kick1
IPopCStk37_1
IPopSn38_1
HandClap1st
Hand Clap 21
TR-707 SD
Jazz Clsd.HH
Real Tom 6
Pedal HiHat
Real Tom 4
Jazz Open HH
Real Tom 4
IPopTomL43
Crash Cym.1
IPopTomM47
NewRkRdCym1
IPopRd2_55
Dholla Dom
Dholla Sak 1
Dholla Sak 2
Dholla Sak 3
Dholla Rim
Dholla Raka
Dholla Tak 1
Dholla Tak 2
DofDom 1
DofDom 2
DofDom 3
DofTak 1
DofTak 2
DofSak 1
DofRim 1
DofSak 2
DofRim 2
DofSak 3
DofFinger 1
DofFinger 2
Tabla Raka 1
Tabla Tak 1
Tabla Tik 1
Tabla Dom
Tabla Sak
Tabla Roll
Tabla Tak 2
Tabla Raka 2
Tabla Rim 1
Tabla Toks
Tabla Rim 2
Tabla Tik 2
Rek Raka
Rek Dom
Rek Trill
Rek Tak 1
Rek Rim
Rek Brass 1
Rek Tok
Rek Brass 2
Rek Tak 2
Rek Sak
Rek Tik
Mazhar Dom
74
Page 75
EM-55 OR Owner’s Manual
(C7) (96)
98
100
101
103
105
107
C8 108
110
112
113
115
117
119
C9G9120
122
124
125
127
ORIENTAL
97
99
102
104
106
109
111
114
116
118
121
123
126
PC: 116 [CC32: 1]
E-40 MODIFIED
Hand Clap 2 Mono (E-40)
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
PC: 116 [CC32: 2]
ORIENTAL PERC. 1
Zaghrouta 2 End
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
PC: 116 [CC32: 3]
ORIENTAL PERC. 2
Zaghrouta 2 End
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
PC: 116 [CC32: 4]
ORIENTAL 3
Mazhar Dom
Mazhar Tak
Mazhar Sak
Mazhar Brass
Sagat Mid
Sagat Hi
Sagat Closed
Sagat Sak
Dofs Tak
Dofs Dom
Dofs Sak
Dofs Rim 1
Dofs Rim 2
Dofs Dom st.
TablaNurDom
Dofs Sak st.
TablaNurRim
TablaNurTak
TablaNurSak
BassSlideFX
BassSlapFX
ZaghroutaSm2
Zir 1
ZaghroutaEd2
NewHiBongo
NewLoBongo
NewCongaSlp
NewCongaOp
NewLoConga
NewTmblHi
NewTmblLo
Hager 1
REFERENCE
REFERENCE
REFERENCE
REFERENCE
75
Page 76
Drum Sets
C–1 0
C0 12
C1 24
C2 36
C3 48
C4 60
C5 72
C6 84
C7 96
PC: 1 [CC32: 4]
STANDRD 1
Std.1 Kick1
Std.1 Kick2
1
Std.2 Kick1
2
3
Std2 Kick2
4
Kick 1
Kick 2
5
Jazz Kick 1
6
Jazz Kick 2
7
8
Room Kick 1
9
Room Kick 2
10
Power Kick1
11
Power Kick2
Elec Kick 2
Elec Kick 1
13
TR-808 Kick
14
15
TR-909 Kick
16
Dance Kick 2
Voice One
17
Voice Two
18
Voice Three
19
20
85Rm BsDrum1
21
85Rm BsDrum2
22
MC-500 Beep
23
MC-500 Beep
Concert Snr
Snare Roll
25
FingerSnaps2
26
27
High-Q
28
Slap
ScratchPush
29
ScratchPull
30
Sticks
31
32
SquareClick
33
Mtrnm.Click
34
Mtrnm. Bell
35
BsDrum1
85St BsDrum2
Side Stick
37
85St Snare2
38
39
909 HandClap
40
85St Snare1
85St Tom16
41
85St ClsHat
42
85St Tom16
43
44
Pedal HiHat2
45
85St Tom12
46
85St OpenHat
47
85St Tom12
85St Tom10
85St CrsCym1
49
85St Tom10
50
51
85St RdCym
52
ChinaCymbal
85St RdBell
53
Tambourine
54
Splash Cym.
55
56
Cowbell
57
Crash Cym.2
58
Vibraslap
59
Ride Cymbal
Bongo High
Bongo Lo
61
Mute H.Conga
62
63
Conga Hi Opn
64
Conga Lo Opn
High Timbale
65
Low Timbale
66
Agogo
67
68
Agogo
69
Cabasa
70
Maracas
71
ShrtWhistle
LongWhistle
Short Guiro
73
Long Guiro
74
75
Claves
76
Woodblock
Woodblock
77
Mute Cuica
78
Open Cuica
79
80
MuteTriangl
81
OpenTriangl
82
Shaker
83
Jingle Bell
Bell Tree
Castanets
85
Mute Surdo
86
87
Open Surdo
88
Applause 2
---
89
---
90
---
91
92
---
93
---
94
---
95
85Rm Snare2
85Rm Snare1
PC: 2 [CC32: 4]
STANDRD 2
Std.1 Kick1
Std.1 Kick2
Std.2 Kick1
Std2 Kick2
Kick 1
Kick 2
Jazz Kick 1
Jazz Kick 2
Room Kick 1
Room Kick 2
Power Kick1
Power Kick2
Elec Kick 2
Elec Kick 1
TR-808 Kick
TR-909 Kick
Dance Kick 2
Voice One
Voice Two
Voice Three
---
--MC-500 Beep
MC-500 Beep
Concert Snr
Snare Roll
Finger Snap
High-Q
Slap
ScratchPush
ScratchPull
Sticks
SquareClick
Mtrnm.Click
Mtrnm. Bell
Std2 Kick2
Std.2 Kick1
Side Stick
Std.2 Snare1
808clap
Std.2 Snare2
Real Tom 6
Jazz Clsd.HH
Real Tom 6
Pedal HiHat
Real Tom 4
Jazz Open HH
Real Tom 4
Real Tom 1
Crash Cym.1
Real Tom 1
Ride Cymbal
ChinaCymbal
Ride Bell
Tambourine
Splash Cym.
Cowbell Snare
Crash Cym.2
Vibraslap
Ride Cymbal
Bongo High
Bongo Lo
Mute H.Conga
Conga Hi Opn
Conga Lo Opn
High Timbale
Low Timbale
Agogo
Agogo
Cabasa
Maracas
ShrtWhistle
LongWhistle
Short Guiro
Long Guiro
Claves
Woodblock
Woodblock
Mute Cuica
Open Cuica
MuteTriangl
OpenTriangl
Shaker
Jingle Bell
Bar Chimes
Castanets
Mute Surdo
Open Surdo
Applause 2
---
---
---
---
---
---
---
---
PC: 3 [CC32: 4]
STNDR L/R
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
--Voice One
Voice Two
Voice Three
---
--MC-500 Beep
MC-500 Beep
Concert Snr
Snare Roll
FingerSnaps2
High-Q
Slap
ScratchPush
ScratchPull
Sticks
SquareClick
Mtrnm.Click
Mtrnm. Bell
85StBsDrum1B
85StBsDrum2B
Side Stick
85StSnare2B
909 HandClap
85StSnare1B
85StTom16B
85StClsHatB
85StTom16B
Pedal HiHat2
85StTom12B
85StOpenHatB
85StTom12B
85StTom10B
85StCrsCym1B
85StTom10B
85StRdCymB
ChinaCymbal
85StRdBellB
Tambourine
Splash Cym.
Cowbell
Crash Cym.2
Vibraslap
Ride Cymbal
Bongo High
Bongo Lo
Mute H.Conga
Conga Hi Opn
Conga Lo Opn
High Timbale
Low Timbale
Agogo
Agogo
Cabasa
Maracas
ShrtWhistle
LongWhistle
Short Guiro
Long Guiro
Claves
Woodblock
Woodblock
Mute Cuica
Open Cuica
MuteTriangl
OpenTriangl
Shaker
Jingle Bell
Bell Tree
Castanets
Mute Surdo
Open Surdo
Applause 2
(---)
Techno Hit
Philly Hit
Shock Wave
Lo Fi Rave
Bam Hit
Bim Hit
TapeRewind
Phono Noise
Dance Snare1
Power Snare2
Elec Snare 1
Dance Snare2
Elec Snare 2
Elec. Snare
Elec Snare 3
66sn260
TR-707 SD
808 Snare 1
808 Snare 2
TR-808 SD2
909 Snare 1
909 Snare 2
909 SD 1
TR-909 SD2
Rap Snare
JungleSD1
House SD
House Snare
House SD
Voice Tah
Noise Slap
PC: 26 [CC32: 4]
TR-808
(---)
Techno Hit
Philly Hit
Shock Wave
Lo Fi Rave
Bam Hit
Bim Hit
TapeRewind
Phono Noise
Dance Snare1
Power Snare2
Elec Snare 1
Dance Snare2
Elec Snare 2
Elec. Snare
Elec Snare 3
66sn260
TR-707 SD
808 Snare 1
808 Snare 2
TR-808 SD2
909 Snare 1
909 Snare 2
909 SD 1
TR-909 SD2
Rap Snare
JungleSD1
House SD
House Snare
House SD
Voice Tah
Noise Slap
PC: 27 [CC32: 4]
DANCE
(HipHop SD 2)
Techno Hit
Philly Hit
Shock Wave
Lo Fi Rave
Bam Hit
Bim Hit
TapeRewind
Phono Noise
Dance Snare1
Power Snare2
Elec Snare 1
Dance Snare2
Elec Snare 2
Elec. Snare
Elec Snare 3
66sn260
TR-707 SD
808 Snare 1
808 Snare 2
TR-808 SD2
909 Snare 1
909 Snare 2
909 SD 1
TR-909 SD2
Rap Snare
JungleSD1
House SD
House Snare
House SD
Voice Tah
Noise Slap
PC: 28 [CC32: 4]
CR-78
(---)
Techno Hit
Philly Hit
Shock Wave
Lo Fi Rave
Bam Hit
Bim Hit
TapeRewind
Phono Noise
Dance Snare1
Power Snare2
Elec Snare 1
Dance Snare2
Elec Snare 2
Elec. Snare
Elec Snare 3
66sn260
TR-707 SD
808 Snare 1
808 Snare 2
TR-808 SD2
909 Snare 1
909 Snare 2
909 SD 1
TR-909 SD2
Rap Snare
JungleSD1
House SD
House Snare
House SD
Voice Tah
Noise Slap
PC: 29 [CC32: 4]
TR-606
(---)
Techno Hit
Philly Hit
Shock Wave
Lo Fi Rave
Bam Hit
Bim Hit
TapeRewind
Phono Noise
Dance Snare1
Power Snare2
Elec Snare 1
Dance Snare2
Elec Snare 2
Elec. Snare
Elec Snare 3
66sn260
TR-707 SD
808 Snare 1
808 Snare 2
TR-808 SD2
909 Snare 1
909 Snare 2
909 SD 1
TR-909 SD2
Rap Snare
JungleSD1
House SD
House Snare
House SD
Voice Tah
Noise Slap
REFERENCE
77
Page 78
Drum Sets
C–1 0
C0 12
C1 24
C2 36
C3 48
C4 60
C5 72
C6 84
C7 96
PC: 13 [CC32: 4]
ROOM L/R
---
---
1
---
2
3
---
4
---
---
5
---
6
---
7
8
---
9
---
10
---
11
---
---
---
13
---
14
15
---
16
--Voice One
17
Voice Two
18
Voice Three
19
20
---
21
---
22
MC-500 Beep
23
MC-500 Beep
Concert Snr
Snare Roll
25
Finger Snap
26
27
High-Q
28
Slap
ScratchPush
29
ScratchPull
30
Sticks
31
32
SquareClick
33
Mtrnm.Click
34
Mtrnm. Bell
35
85RmBsDrum1B
85RmBsDrum2B
Side Stick
37
85RmSnare2B
38
39
808clap
40
85RmSnare1B
Room Tom 5
41
85RmClsHatB
42
Room Tom 5
43
44
Pedal HiHat
45
Room Tom 2
46
85RmOpenHatB
47
Room Tom 2
Room Tom 2
85RmCrsCym1B
49
Room Tom 2
50
51
85RmRdCymB
52
ChinaCymbal
85RmRdCymB
53
Tambourine
54
Splash Cym.
55
56
Cowbell
57
Crash Cym.2
58
Vibraslap
59
Ride Cymbal
Bongo High
Bongo Lo
61
Mute H.Conga
62
63
Conga Hi Opn
64
Conga Lo Opn
High Timbale
65
Low Timbale
66
Agogo
67
68
Agogo
69
Cabasa
70
Maracas
71
ShrtWhistle
LongWhistle
Short Guiro
73
Long Guiro
74
75
Claves
76
Woodblock
Woodblock
77
Mute Cuica
78
Open Cuica
79
80
MuteTriangl
81
OpenTriangl
82
Shaker
83
Jingle Bell
Bell Tree
Castanets
85
Mute Surdo
86
87
Open Surdo
88
Applause 2
---
89
---
90
---
91
92
---
93
---
94
---
95
85Rm BsDrum1
85Rm BsDrum2
PC: 14 [CC32: 4]
HOUSE
Elec Kick 2
Elec Kick 1
CR78 BD 1
CR78 BD 2
TR-606 BD1
TR-707 BD
808 Kick
TR-808 Kick
808 BD
TR-909 Kick
Dance Kick 2
909 Comp BD
TR-909 BD2
HipHop BD2
JungleBD Set
Techno BD1
Bounce
Voice One
Voice Two
Voice Three
Fat BD
Dance BD
MC-500 Beep
MC-500 Beep
Concert Snr
Snare Roll
FingerSnaps2
High-Q
Slap
Scrtch Push2
Scrtch Pull2
Sticks
SquareClick
Mtrnm.Click
Mtrnm. Bell
909 BD
909 BD 2
House SD Rim
House SD
909 Claps
House SD
909 Tom
TR-707 HH-c
909 Tom
CR-78 chh
909 Tom
909 OH
909 Tom
909 Tom
909 Crash
909 Tom
909 Ride Cym
ReverseCymbl
Ride Bell
Shake Tamb
Splash Cym.
808cowbe
909 Crash
Vibraslap
Ride Cymbal
CR78 HiBongo
CR78 LoBongo
808 Conga
808 Conga
808 Conga
High Timbale
Low Timbale
Agogo
Agogo
Cabasa
808marac
ShrtWhistle
LongWhistle
Short Guiro
CR78 Guiro
808clave
Woodblock
Woodblock
Hoo
Hoo
MuteTriangl
OpenTriangl
626 Shaker
Jingle Bell
Bell Tree
Castanets
Mute Surdo
Open Surdo
Applause 2
606 SD 2
Dance SD
Techno SD
Rock SD Dry
HipHop SD 1
LoFi SD 1
LoFi SD 2
Jngl SD
PC: 17 [CC32: 4]
POWER
Std.1 Kick1
Std.1 Kick2
Std.2 Kick1
Std2 Kick2
Kick 1
Kick 2
Jazz Kick 1
Jazz Kick 2
Room Kick 1
Room Kick 2
Power Kick1
Power Kick2
Elec Kick 2
Elec Kick 1
TR-808 Kick
TR-909 Kick
Dance Kick 2
Voice One
Voice Two
Voice Three
---
-MC-500 Beep
MC-500 Beep
Concert Snr
Snare Roll
FingerSnaps2
High-Q
Slap
ScratchPush
ScratchPull
Sticks
SquareClick
Mtrnm.Click
Mtrnm. Bell
Power Kick2
Power Kick1
Side Stick
Dance Snare1
808clap
Power Snare1
Rock Tom 4
Close HiHat2
Rock Tom 4
Pedal HiHat2
Rock Tom 4
Open HiHat2
Rock Tom 4
Rock Tom 1
Crash Cym.1
Rock Tom 1
Ride Cymbal
ChinaCymbal
Ride Bell
Tambourine
Splash Cym.
Cowbell
Crash Cym.2
Vibraslap
Ride Cymbal
Bongo High
Bongo Lo
Mute H.Conga
Conga Hi Opn
Conga Lo Opn
High Timbale
Low Timbale
Agogo
Agogo
Cabasa
Maracas
ShrtWhistle
LongWhistle
Short Guiro
Long Guiro
Claves
Woodblock
Woodblock
Mute Cuica
Open Cuica
MuteTriangl
OpenTriangl
Shaker
Jingle Bell
Bell Tree
Castanets
Mute Surdo
Open Surdo
Applause 2
--MC-500 Beep
MC-500 Beep
Concert Snr
Snare Roll
FingerSnaps2
High-Q
Slap
Scrtch Push2
Scrtch Pull2
Sticks
SquareClick
Mtrnm.Click
Mtrnm. Bell
Techno BD2
TR-909 BD2
TR-909 Rim
909 SD 1
909 HandClap
TR-909 SD2
909 Tom
TR-707 HH-c
909 Tom
TR-707 HH-c
909 Tom
909 OH
909 Tom
909 Tom
909 Crash
909 Tom
909 Ride Cym
ChinaCymbal
Ride Bell
344Tambourn
Splash Cym.
808cowbe
Crash Cym.2
Vibraslap
RideCym Edge
Bongo High
Bongo Lo
Mute H.Conga
Conga Hi Opn
Conga Lo Opn
High Timbale
Low Timbale
Agogo
Agogo
Cabasa
808marac
ShrtWhistle
LongWhistle
Short Guiro
CR78 Guiro
808clave
Woodblock
Woodblock
Hoo
Hoo
MuteTriangl
OpenTriangl
626 Shaker
Jingle Bell
Bell Tree
Castanets
Mute Surdo
Open Surdo
Applause 2
---
---
---
---
---
---
---
---
PC: 33 [CC32: 4]
JAZZ
Std.1 Kick1
Std.1 Kick2
Std.2 Kick1
Std2 Kick2
Kick 1
Kick 2
Jazz Kick 1
Jazz Kick 2
Room Kick 1
Room Kick 2
Power Kick1
Power Kick2
Elec Kick 2
Elec Kick 1
TR-808 Kick
TR-909 Kick
Dance Kick 2
Voice One
Voice Two
Voice Three
85Br BsDrum1
85Br BsDrum2
MC-500 Beep
MC-500 Beep
Concert Snr
Snare Roll
Finger Snap
High-Q
Slap
ScratchPush
ScratchPull
Sticks
SquareClick
Mtrnm.Click
Mtrnm. Bell
85Jz BsDrum1
85Jz BsDrum2
Side Stick
85Jz Snare1
Hand clap2
85Jz Snare2
85Jz Tom16
85Jz ClsHat
85Jz Tom16
Pedal HiHat
85Jz Tom13
85Jz OpenHat
85Jz Tom13
85Jz Tom12
85Jz CrsCym1
85Jz Tom12
85Jz RdCym
ChinaCymbal
85Jz RdBell
Tambourine
Splash Cym.
Cowbell
Crash Cym.2
Vibraslap
RideCym Edge
Bongo High
Bongo Lo
Mute H.Conga
Conga Hi Opn
Conga Lo Opn
High Timbale
Low Timbale
Agogo
Agogo
Cabasa
Maracas
ShrtWhistle
LongWhistle
Short Guiro
Long Guiro
Claves
Woodblock
Woodblock
Mute Cuica
Open Cuica
MuteTriangl
OpenTriangl
Shaker
Jingle Bell
Bell Tree
Castanets
Mute Surdo
Open Surdo
Applause
---
---
---
---
---
---
---
---
PC: 34 [CC32: 4]
JAZZ L/R
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
--Voice One
Voice Two
Voice Three
---
--MC-500 Beep
MC-500 Beep
Concert Snr
Snare Roll
Finger Snap
High-Q
Slap
ScratchPush
ScratchPull
Sticks
SquareClick
Mtrnm.Click
Mtrnm. Bell
85JzBsDrum1B
85JzBsDrum2B
Side Stick
85JzSnare1B
Hand clap2
85JzSnare2B
85JzTom16B
85JzClsHatB
85JzTom16B
Pedal HiHat
85JzTom13B
85JzOpenHatB
85JzTom13B
85JzTom12B
85JzCrsCym1B
85JzTom12B
85JzRdCymB
ChinaCymbal
85JzRdBellB
Tambourine
Splash Cym.
Cowbell
Crash Cym.2
Vibraslap
RideCym Edge
Bongo High
Bongo Lo
Mute H.Conga
Conga Hi Opn
Conga Lo Opn
High Timbale
Low Timbale
Agogo
Agogo
Cabasa
Maracas
ShrtWhistle
LongWhistle
Short Guiro
Long Guiro
Claves
Woodblock
Woodblock
Mute Cuica
Open Cuica
MuteTriangl
OpenTriangl
Shaker
Jingle Bell
Bell Tree
Castanets
Mute Surdo
Open Surdo
Applause
---
---
---
---
---
--85Jz BsDrum1
85Jz BsDrum2
PC: 41 [CC32: 4]
BRUSH
Std.1 Kick1
Std.1 Kick2
Std.2 Kick1
Std2 Kick2
Kick 1
Kick 2
Jazz Kick 1
Jazz Kick 2
Room Kick 1
Room Kick 2
Power Kick1
Power Kick2
Elec Kick 2
Elec Kick 1
TR-808 Kick
TR-909 Kick
Dance Kick 2
Voice One
Voice Two
Voice Three
---
--MC-500 Beep
MC-500 Beep
Concert Snr
Snare Roll
Finger Snap
High-Q
Slap
ScratchPush
ScratchPull
Sticks
SquareClick
Mtrnm.Click
Mtrnm. Bell
Jazz Kick 2
Jazz Kick 1
Side Stick
Brush Swirl
Brush Slap1
Brush Swirl
Lite Tom 4
Brs Chh
Lite Tom 4
Pedal HiHat
Lite Tom 4
Brush Ohh
Lite Tom 4
Lite Tom 4
Brush Crash
Lite Tom 4
Ride Cym IN
ChinaCymbal
Brush RideBL
Tambourine
Splash Cym.
Cowbell
Crash Cym.2
Vibraslap
RideCym Edge
Bongo High
Bongo Lo
Mute H.Conga
Conga Hi Opn
Conga Lo Opn
High Timbale
Low Timbale
Agogo
Agogo
Cabasa
Maracas
ShrtWhistle
LongWhistle
Short Guiro
Long Guiro
Claves
Woodblock
Woodblock
Mute Cuica
Open Cuica
MuteTriangl
OpenTriangl
Shaker
Jingle Bell
Bell Tree
Castanets
Mute Surdo
Open Surdo
Applause
---
---
---
---
---
---
---
---
PC: 42 [CC32: 4]
BRUSH 2
Std.1 Kick1
Std.1 Kick2
Std.2 Kick1
Std2 Kick2
Kick 1
Kick 2
Jazz Kick 1
Jazz Kick 2
Room Kick 1
Room Kick 2
Power Kick1
Power Kick2
Elec Kick 2
Elec Kick 1
TR-808 Kick
TR-909 Kick
Dance Kick 2
Voice One
Voice Two
Voice Three
85Jz BsDrum1
85Jz BsDrum2
MC-500 Beep
MC-500 Beep
Concert Snr
Snare Roll
Finger Snap
High-Q
Slap
ScratchPush
ScratchPull
Sticks
SquareClick
Mtrnm.Click
Mtrnm. Bell
85Br BsDrum1
85Br BsDrum2
Side Stick
85Br Snare1
85Br Snare2
Brush Swirl
85Br Tom1
85Br ClsHat
85Br Tom1
Pedal HiHat
85Br Tom2
85Br OpenHat
85Br Tom2
85Br Tom3
85Br CrsCym1
85Br Tom3
85Br RdCym
ChinaCymbal
85Br RdBell
Tambourine
Splash Cym.
Cowbell
Crash Cym.2
Vibraslap
RideCym Edge
Bongo High
Bongo Lo
Mute H.Conga
Conga Hi Opn
Conga Lo Opn
High Timbale
Low Timbale
Agogo
Agogo
Cabasa
Maracas
ShrtWhistle
LongWhistle
Short Guiro
Long Guiro
Claves
Woodblock
Woodblock
Mute Cuica
Open Cuica
MuteTriangl
OpenTriangl
Shaker
Jingle Bell
Bell Tree
Castanets
Mute Surdo
Open Surdo
Applause
---
---
---
---
---
---
---
---
PC: 43 [CC32: 4]
BRUSH2LR
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
--Voice One
Voice Two
Voice Three
---
--MC-500 Beep
MC-500 Beep
Concert Snr
Snare Roll
Finger Snap
High-Q
Slap
ScratchPush
ScratchPull
Sticks
SquareClick
Mtrnm.Click
Mtrnm. Bell
85BrBsDrum1B
85BrBsDrum2B
Side Stick
85BrSnare1B
85BrSnare2B
Brush Swirl
85BrTom1B
85BrClsHatB
85BrTom1B
Pedal HiHat
85BrTom2B
85BrOpenHatB
85BrTom2B
85BrTom3B
85BrCrsCym1B
85BrTom3B
85BrRdCymB
ChinaCymbal
85BrRdBellB
Tambourine
Splash Cym.
Cowbell
Crash Cym.2
Vibraslap
RideCym Edge
Bongo High
Bongo Lo
Mute H.Conga
Conga Hi Opn
Conga Lo Opn
High Timbale
Low Timbale
Agogo
Agogo
Cabasa
Maracas
ShrtWhistle
LongWhistle
Short Guiro
Long Guiro
Claves
Woodblock
Woodblock
Mute Cuica
Open Cuica
MuteTriangl
OpenTriangl
Shaker
Jingle Bell
Bell Tree
Castanets
Mute Surdo
Open Surdo
Applause
Std.1 Kick1
Std.1 Kick2
Std.2 Kick1
Std2 Kick2
Kick 1
Kick 2
Jazz Kick 1
Jazz Kick 2
Room Kick 1
Room Kick 2
Power Kick1
Power Kick2
Elec Kick 2
Elec Kick 1
TR-808 Kick
TR-909 Kick
Dance Kick 2
Voice One
Voice Two
Voice Three
---
--MC-500 Beep
MC-500 Beep
Concert Snr
Snare Roll
Finger Snap
Jazz Clsd.HH
Pedal HiHat
Jazz Open HH
Ride Cymbal
Sticks
SquareClick
Mtrnm.Click
Mtrnm. Bell
Jazz Kick 1
Concert BD
Side Stick
Concert Snr
Castanets
Concert Snr
Timpani
Timpani
Timpani
Timpani
Timpani
Timpani
Timpani
Timpani
Timpani
Timpani
Timpani
Timpani
Timpani
Tambourine
Splash Cym.
Cowbell
Con.Cymbal2
Vibraslap
Concert Cym.
Bongo High
Bongo Lo
Mute H.Conga
Conga Hi Opn
Conga Lo Opn
High Timbale
Low Timbale
Agogo
Agogo
Cabasa
Maracas
ShrtWhistle
LongWhistle
Short Guiro
Long Guiro
Claves
Woodblock
Woodblock
Mute Cuica
Open Cuica
MuteTriangl
OpenTriangl
Shaker
Jingle Bell
Bell Tree
Castanets
Mute Surdo
Open Surdo
Applause
---
---
---
---
---
---
---
---
PC: 50 [CC32: 4]
ETHNIC
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
--Finger Snap
Tambourine
Castanets
Crash Cym.1
Snare Roll
Concert Snr
Concert Cym
Concert BD
Jingle Bell
Bell Tree
Bar Chimes
Wadaiko
Wadaiko Rim
Shimedaiko
Atarigane
Hyoushigi
Ohkawa
H kotsuzumi
L Kotsuzumi
Ban_Gu
Big Gong
Small Gong
Bend Gong
RAMA Cymbal
RAMA Cymbal
Gamelan Gong
Udo_Short
Udo_Long
Udo_slap
Bendir
Req_Dum
Req_tik
Tabla_Te
Tabla_Na
Tabla_Tun
Tabla_Ge
Tabla Ge Hi
Talking Drum
Bend tlk_drm
Caxixi
DJembe
Djembe_rim
Low Timbale
Timbl Paila
High Timbale
Cowbell
Bongo High
Bongo Lo
Mute H.Conga
Conga Hi Opn
Conga MtLow
Conga Slap
Conga Lo Opn
Conga Slide
Mut Pandiero
Opn Pandiero
Open Surdo
Mute Surdo
Tamborim
Agogo
Agogo
Shaker
Low Whistle
Low Whistle
Mute Cuica
Open Cuica
MuteTriangl
OpenTriangl
Short Guiro
Long Guiro
Cabasa Up
Cabasa Down
REFERENCE
REFERENCE
REFERENCE
REFERENCE
79
Page 80
Drum Sets
(C7) (96)
C8 108
C9G9120
PC: 30 [CC32: 4]
TR-707
(---)
Techno Hit
97
98
Philly Hit
99
Shock Wave
100
Lo Fi Rave
Bam Hit
101
Bim Hit
102
TapeRewind
103
104
Phono Noise
105
Dance Snare1
106
Power Snare2
107
Elec Snare 1
Dance Snare2
109
Elec Snare 2
110
Elec. Snare
111
Elec Snare 3
112
66sn260
TR-707 SD
113
114
808 Snare 1
808 Snare 2
115
116
TR-808 SD2
117
909 Snare 1
118
909 Snare 2
119
909 SD 1
TR-909 SD2
121
Rap Snare
122
JungleSD1
123
House SD
124
House Snare
House SD
125
126
Voice Tah
Noise Slap
127
PC: 31 [CC32: 4]
TR-909
(---)
Techno Hit
Philly Hit
Shock Wave
Lo Fi Rave
Bam Hit
Bim Hit
TapeRewind
Phono Noise
Dance Snare1
Power Snare2
Elec Snare 1
Dance Snare2
Elec Snare 2
Elec. Snare
Elec Snare 3
66sn260
TR-707 SD
808 Snare 1
808 Snare 2
TR-808 SD2
909 Snare 1
909 Snare 2
909 SD 1
TR-909 SD2
Rap Snare
JungleSD1
House SD
House Snare
House SD
Voice Tah
Noise Slap
PC: 33 [CC32: 4]
JAZZ
(---)
--85Br Snare1
85Br Snare2
Brush Swirl
Brush Tap
Brush Slap1
Brush Slap2
Brush Slap
Brush Swirl
Brush Swirl
Long Swirl
Jazz Snare 1
Jazz Snare 2
Std.1 Snare1
Std.1 Snare2
Std.2 Snare1
Std.2 Snare2
Tight Snare
Standard SN1
LD Snare M
LD Snare C
Room Snare 1
Room Snare 2
Dance Snare1
Power Snare1
Rev.Snare
Power Snare2
Elec Snare 1
Dance Snare2
Elec Snare 2
Elec Snare 3
(R Boeeeen)
R Bounce
R CD Tray
R Drill
R Glass Stir
R Ice Ring
R Klnzapcm
R Scratch 4
R Scratch 5
R Scratch 6
R Scratch 7
R Seal
R Stab! 1
R Stab! 2
R Swrd Boom!
R Swrd Cross
R Thrill Hit
R Audio Sw
R Typing 1
R Typing 2
R Typing 3
R Typing 4
R Typing 5
R Typing 6
--Gamelan Gong
Gamelan Gong
Gamelan Gong
Gamelan Gong
Gamelan Gong
Gamelan Gong
Gamelan Gong
Gamelan Gong
Gamelan Gong
Gamelan Gong
Gender
Gender
Gender
Gender
Gender
Bonang
Bonang
Bonang
Bonang
Bonang
RAMA Cymbal
RAMA Cymbal
Sagat R
Sagat L-c
Jaw Harp Wow
Wadaiko
Wadaiko Rim
Taiko
Shimedaiko
Atarigane
Hyoushigi
Ohkawa
H kotsuzumi
L Kotsuzumi
Yyoo Dude
Buk_f
Buk_r
Gengari_p
Gengari_m
Gengari_f
Gengari_m
Gengari S
Jang-Gu_c
Jang-Gu_k
Jang-Gu_r
Jing_p
Jing_f
Jing_m
Asian Gong 1
Big Gong
Small Gong
Pai Ban
Ban_Gu
tangu60
tanmt60
Bend Gong L
Bend Gong
Huyin Luo L
hynlo60
Huyin Luo Mt
Hu yin Luo H
Hynlo mute
naobo60
xaobo60
Dholak 1
Dholak 2
---
---
---
---
---
---
PC: 54 [CC32: 4]
CYM&CLAP
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
--rev.lvohh
Rev. LVCHH 1
Rev. LVCHH 2
Jungle HH
Close HiHat
Jazz Clsd.HH
Room Chh
Close HiHat1
Close HiHat2
TR-707 HH-c
606 CH
808__chh
TR-808 CHH
CR-78 chh
GS Pedal HH
Pedal HiHat
Pedal HiHat2
Half OpenHH1
Half OpenHH2
Open Hi Hat
Jazz Open HH
R8 Ohh2
Open HiHat2
909 OH
TR-707 OHH
606 HiHat Op
808__ohh
TR-808 OHH
CR-78 ohh
Crash Cym.1
Crash Cym.2
GS Crash
Brush Crash
Hard Crash
909 Crash
808 Crash
Crash Mute 1
Crash Mute 2
ReverseCymbl
Rev.Cymbal2
Reverse Cym.
rev.tra_crsm
Crash Cym.1
Splash Cym.
Ride Bell
Brush RideBL
Ride Cymbal
Ride Cymbal
Brush Ride
Ride Cym IN
Ride Cym IN
Ride Cym IN
RideCym Edge
RideCym Edge
RideCym Edge
606 Ride Cym
TR808 Ride
ChinaCymbal
Chaina Cym2
Hand Clap
Hand clap2
808clap
909 HandClap
HC2 Claps 2
707 Claps
--R Bs Mute NZ
R Bs StQuail
R Bs Atk NZ
R ClnGtCutUp
R ClnGtCutDn
R ClnGtrMtUp
R ClnGtrMtDn
R DstGtCutUp
R DstGtCutDn
R DstGtrSgdn
R DstGtrMute
R SlGtrSdNz1
R SlGtrSdNz2
R SlGtrSdNz3
R SlGtrSdNz4
R SlGtrStkSD
R SlGtrStkU1
R SlGtrStkD1
R SlGtrStkU2
R SlGtrStkD2
R Tbone NZ
R Tpet NZ
R St BsDrum1
R St BsDrum2
R Rm BsDrum1
R Rm BsDrum2
R Jz BsDrum1
R Jz BsDrum2
R Br BsDrum1
R Br BsDrum2
R HipHop BD2
R HipHop BD
R Jngl BD
R Jngl BD 2
R 808 BD
R 909 BD
R 909 BD 2
R Fat BD
R Dance BD
R St Snare2
R St Snare1
R Rm Snare2
R Rm Snare1
R Jz Snare1
R Jz Snare2
R Br Snare1
R Br Snare2
R LoFi SD 1
R LoFi SD 2
R HipHop SD1
R HipHop SD2
R House SD
R Jngl SD
R 606 SD 2
R Techno SD
R Dance SD
R RockSD Dry
R LoFi SDRim
R 909 SD Rim
R Jngl SDRim
R DanceSDRim
R HouseSDRim
R Brsh Tom1
R Brsh Tom2
R Brsh Tom3
R 606 Tom
R Jngl Crash
R St ClsHat
R Rm ClsHat
R Jz ClsHat
R Br ClsHat
R 707 Claps
R 909 Claps
R R&B Claps1
R HipHopClap
R CompClaps2
R Shaker 2
R JnglShaker
R Clap Hit
R Boeeeen
REFERENCE
REFERENCE
REFERENCE
REFERENCE
81
Page 82
Drum Sets
PC: 61 [CC32: 4]
SFX 2
C–1 0
C0 12
C1 24
C2 36
C3 48
C4 60
C5 72
C6 84
C7 96
---
---
1
---
2
3
---
4
---
---
5
---
6
---
7
8
---
9
---
10
---
11
---
---
---
13
---
14
15
---
16
---
---
17
---
18
---
19
20
---
21
---
22
---
23
---
---
---
25
---
26
27
---
28
---
---
29
---
30
A.Bs.Mute Nz
31
32
A.Bs.TouchNz
33
A.Bs.AtackNz
34
DstGT.MuteNz
35
StlGt.SldNz1
StlGt.SldNz2
StlGt.SldNz3
37
StlGt.SldNz4
38
39
Gt.StrokeNz1
40
Gt.StrokeNz2
Gt.StrokeNz3
41
Gt.StrokeNz4
42
Gt.StrokeNz5
43
44
Open CD Tray
45
Audio Switch
46
Key Typing 1
47
Key Typing 2
Key Typing 3
Key Typing 4
49
Key Typing 5
50
51
Key Typing 6
52
BabyLaughing
Clap Hit
53
Stab! 1
54
Stab! 2
55
56
Bounce Hit
57
Boeeeen
58
Glass & Glam
59
Ice Ring
Crack Bottle
Pour Bottle
61
Soda
62
63
Car Engine 2
64
Car Horn
R.Crossing
65
SL 1
66
SL 2
67
68
Over Blow
69
Sword Boom!
70
Sword Cross
71
Industry Hit
Drill Hit
Compresser
73
Thrill Hit
74
75
Explosion 2
76
Seal
Fancy Animal
77
Cricket
78
Baert
79
80
Frog Vpoce
81
Wind 2
82
Scratch 3
83
Scratch 4
Scratch 5
Scratch 6
85
Scratch 7
86
87
Noise Attack
88
Bounce
Dist Knock
89
xxx
90
---
91
92
---
93
---
94
---
95
---
---
(CC32=122 only via MIDI)
PC: 63 [CC32: 4]
CYM&CLA2
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
--Rev. LVCHH 2
Rev. LVCHH 2
Rev. LVCHH 2
Rev. LVCHH 2
Close HiHat2
Jazz Clsd.HH
Close HiHat2
Room Chh
TR-707 HH-c
606 CH
TR-808 CHH
CR-78 chh
GS Pedal HH
Pedal HiHat
Pedal HiHat2
Half OpenHH1
Half OpenHH2
Open HiHat2
Open HiHat2
Open Hi Hat
Jazz Open HH
909 OH
TR-707 OHH
606 HiHat Op
TR-808 OHH
CR-78 ohh
Crash Cym.1
GS Crash
Hard Crash
Brush Crash
Hard Crash
909 Crash
Jngl Crash
808 Crash
Crash Mute 2
Crash Mute 1
Crash Mute 2
Crash Mute 2
Crash Mute 1
Crash Mute 2
rev.tra_crsm
rev.tra_crsm
Reverse Cym.
rev.tra_crsm
Splash Cym.
Ride Bell
Ride Bell
Ride Bell
Brush RideBL
Ride Cymbal
Ride Cymbal
Ride Cymbal
Brush Ride
606 Ride Cym
TR808 Ride
ChinaCymbal
Chaina Cym2
Hand clap2
HC2 Claps 2
808clap
808clap
HC2 Claps 2
909 HandClap
HC2 Claps 2
707 Claps
--High-Q
Slap
ScratchPush
ScratchPull
Sticks
SquareClick
Mtrnm.Click
Mtrnm. Bell
85St BsDrum1
85St BsDrum2
Side Stick
85St Snare2
909 HandClap
85St Snare1
Real Tom 6
Close HiHat2
Real Tom 6
Pedal HiHat2
Real Tom 4
Open HiHat2
Real Tom 4
Real Tom 1
Crash Cym.1
Real Tom 1
Ride Cymbal
ChinaCymbal
Ride Bell
Tambourine
Splash Cym.
Cowbell
Crash Cym.2
Vibraslap
Ride Cymbal
Bongo High
Bongo Lo
Mute H.Conga
Conga Hi Opn
Conga Lo Opn
High Timbale
Low Timbale
Agogo
Agogo
Cabasa
Maracas
ShrtWhistle
LongWhistle
Short Guiro
Long Guiro
Claves
Woodblock
Woodblock
Mute Cuica
Open Cuica
MuteTriangl
OpenTriangl
Shaker
Jingle Bell
Bell Tree
Castanets
Mute Surdo
Open Surdo
---
---
---
---
---
---
---
---
---
PC: 9 [CC32: 122]
GM2 ROOM
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
--High-Q
Slap
ScratchPush
ScratchPull
Sticks
SquareClick
Mtrnm.Click
Mtrnm. Bell
85Rm BsDrum1
85Rm BsDrum2
Side Stick
82Rm Snare2
808clap
82Rm Snare1
Room Tom 5
Room Chh
Room Tom 5
Pedal HiHat
Room Tom 2
R8 Ohh2
Room Tom 2
Room Tom 2
Crash Cym.1
Room Tom 2
Ride Cymbal
ChinaCymbal
Ride Bell
Tambourine
Splash Cym.
Cowbell
Crash Cym.2
Vibraslap
Ride Cymbal
Bongo High
Bongo Lo
Mute H.Conga
Conga Hi Opn
Conga Lo Opn
High Timbale
Low Timbale
Agogo
Agogo
Cabasa
Maracas
ShrtWhistle
LongWhistle
Short Guiro
Long Guiro
Claves
Woodblock
Woodblock
Mute Cuica
Open Cuica
MuteTriangl
OpenTriangl
Shaker
Jingle Bell
Bell Tree
Castanets
Mute Surdo
Open Surdo
---
---
---
---
---
---
---
---
---
PC: 17 [CC32: 122]
GM2POWER
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
--High-Q
Slap
ScratchPush
ScratchPull
Sticks
SquareClick
Mtrnm.Click
Mtrnm. Bell
Power Kick2
Power Kick1
Side Stick
Dance Snare1
808clap
Power Snare1
Rock Tom 4
Close HiHat2
Rock Tom 4
Pedal HiHat2
Rock Tom 4
Open HiHat2
Rock Tom 4
Rock Tom 1
Crash Cym.1
Rock Tom 1
Ride Cymbal
ChinaCymbal
Ride Bell
Tambourine
Splash Cym.
Cowbell
Crash Cym.2
Vibraslap
Ride Cymbal
Bongo High
Bongo Lo
Mute H.Conga
Conga Hi Opn
Conga Lo Opn
High Timbale
Low Timbale
Agogo
Agogo
Cabasa
Maracas
ShrtWhistle
LongWhistle
Short Guiro
Long Guiro
Claves
Woodblock
Woodblock
Mute Cuica
Open Cuica
MuteTriangl
OpenTriangl
Shaker
Jingle Bell
Bell Tree
Castanets
Mute Surdo
Open Surdo
---
---
---
---
---
---
---
---
---
PC: 25 [CC32: 122]
GM2ELECT
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
--High-Q
Slap
Scrtch Push2
Scrtch Pull2
Sticks
SquareClick
Mtrnm.Click
Mtrnm. Bell
Elec Kick 2
Elec Kick 1
Side Stick
Elec. Snare
808clap
Elec Snare 2
Synth Drum 2
Jazz Clsd.HH
Synth Drum 2
Pedal HiHat
Synth Drum 2
Jazz Open HH
Synth Drum 2
Synth Drum 2
Crash Cym.1
Synth Drum 2
Ride Cymbal
ReverseCymbl
Ride Bell
Tambourine
Splash Cym.
Cowbell
Crash Cym.2
Vibraslap
Ride Cymbal
Bongo High
Bongo Lo
Mute H.Conga
Conga Hi Opn
Conga Lo Opn
High Timbale
Low Timbale
Agogo
Agogo
Cabasa
Maracas
ShrtWhistle
LongWhistle
Short Guiro
Long Guiro
Claves
Woodblock
Woodblock
Mute Cuica
Open Cuica
MuteTriangl
OpenTriangl
Shaker
Jingle Bell
Bell Tree
Castanets
Mute Surdo
Open Surdo
---
---
---
---
---
---
---
---
---
PC: 26 [CC32: 122]
GM2ANALG
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
--High-Q
Slap
Scrtch Push2
Scrtch Pull2
Sticks
SquareClick
Mtrnm.Click
Mtrnm. Bell
808 BD
TR-808 Kick
808 Rimshot
808 Snare 1
808clap
TR-808 SD2
808 Tom 2
TR-808 CHH
808 Tom 2
808__chh
808 Tom 2
TR-808 OHH
808 Tom 2
808 Tom 2
808 Crash
808 Tom 2
606 Ride Cym
ChinaCymbal
Ride Bell
CR78 Tmb
Splash Cym.
808cowbe
909 Crash
Vibraslap
RideCym Edge
CR78 HiBongo
CR78 LoBongo
808 Conga
808 Conga
808 Conga
High Timbale
Low Timbale
Agogo
Agogo
Cabasa
808marac
ShrtWhistle
LongWhistle
Short Guiro
CR78 Guiro
808clave
Woodblock
Woodblock
Hoo
Hoo
MuteTriangl
OpenTriangl
626 Shaker
Jingle Bell
Bell Tree
Castanets
Mute Surdo
Open Surdo
---
---
---
---
---
---
---
---
---
PC: 33 [CC32: 122]
GM2 JAZZ
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
--High-Q
Slap
ScratchPush
ScratchPull
Sticks
SquareClick
Mtrnm.Click
Mtrnm. Bell
82Jz BsDrum1
82Jz BsDrum2
Side Stick
82Jz Snare1
Hand clap2
82Jz Snare2
Real Tom 6
Jazz Clsd.HH
Real Tom 6
Pedal HiHat
Real Tom 4
Jazz Open HH
Real Tom 4
Real Tom 1
Crash Cym.1
Real Tom 1
Ride Cym IN
ChinaCymbal
Ride Bell
Tambourine
Splash Cym.
Cowbell
Crash Cym.2
Vibraslap
RideCym Edge
Bongo High
Bongo Lo
Mute H.Conga
Conga Hi Opn
Conga Lo Opn
High Timbale
Low Timbale
Agogo
Agogo
Cabasa
Maracas
ShrtWhistle
LongWhistle
Short Guiro
Long Guiro
Claves
Woodblock
Woodblock
Mute Cuica
Open Cuica
MuteTriangl
OpenTriangl
Shaker
Jingle Bell
Bell Tree
Castanets
Mute Surdo
Open Surdo
--Mute Surdo
Open Surdo
High-Q
Slap
ScratchPush
ScratchPull
FingerSnaps2
SquareClick
Mtrnm.Click
Mtrnm. Bell
MC-500 Beep
MC-500 Beep
Brush Swirl
Brush Swirl
Brush Slap1
Brush Swirl
Snare Roll
Castanets
Concert Snr
Sticks
Jazz Kick 1
Jazz Snare 2
Mix Kick
Standard KK1
Side Stick
Standard SN1
909 HandClap
LD Snare M
Real Tom 6
Close HiHat2
Real Tom 6
Pedal HiHat2
Real Tom 4
Open HiHat2
Real Tom 4
Real Tom 1
Crash Cym.1
Real Tom 1
Ride Cymbal
ChinaCymbal
Ride Bell
Tambourine
Splash Cym.
Cowbell
Crash Cym.2
Vibraslap
Ride Cymbal
Bongo High
Bongo Lo
Mute H.Conga
Conga Hi Opn
Conga Lo Opn
High Timbale
Low Timbale
Agogo
Agogo
Cabasa
Maracas
ShrtWhistle
LongWhistle
Short Guiro
Long Guiro
Claves
Woodblock
Woodblock
Mute Cuica
Open Cuica
MuteTriangl
OpenTriangl
Shaker
Jingle Bell
Bell Tree
---
---
---
---
---
---
---
---
---
---
---
---
PC: 2 [CC32: 119]
stndrkt2
---
---
---
---
---
---
---
---
---
---
---
---
--Mute Surdo
Open Surdo
High-Q
Slap
ScratchPush
ScratchPull
FingerSnaps2
SquareClick
Mtrnm.Click
Mtrnm. Bell
MC-500 Beep
MC-500 Beep
Brush Swirl
Brush Swirl
Brush Slap1
Brush Swirl
Snare Roll
Castanets
Concert Snr
Sticks
Jazz Kick 1
Jazz Snare 2
Std2 Kick2
Std.2 Kick1
Side Stick
Std.2 Snare1
909 HandClap
Std.2 Snare2
Real Tom 6
Close HiHat2
Real Tom 6
Pedal HiHat2
Real Tom 4
Open HiHat2
Real Tom 4
Real Tom 1
Crash Cym.1
Real Tom 1
Ride Cymbal
ChinaCymbal
Ride Bell
Tambourine
Splash Cym.
Cowbell
Crash Cym.2
Vibraslap
Ride Cymbal
Bongo High
Bongo Lo
Mute H.Conga
Conga Hi Opn
Conga Lo Opn
High Timbale
Low Timbale
Agogo
Agogo
Cabasa
Maracas
ShrtWhistle
LongWhistle
Short Guiro
Long Guiro
Claves
Woodblock
Woodblock
Mute Cuica
Open Cuica
MuteTriangl
OpenTriangl
Shaker
Jingle Bell
Bell Tree
---
---
---
---
---
---
---
---
---
---
---
---
PC: 9 [CC32: 119]
room kit
---
---
---
---
---
---
---
---
---
---
---
---
--Mute Surdo
Open Surdo
High-Q
Slap
ScratchPush
ScratchPull
FingerSnaps2
SquareClick
Mtrnm.Click
Mtrnm. Bell
MC-500 Beep
MC-500 Beep
Brush Swirl
Brush Swirl
Brush Slap1
Brush Swirl
Snare Roll
Castanets
Concert Snr
Sticks
Jazz Kick 1
Jazz Snare 2
Mix Kick
Room Kick 1
Side Stick
Standard SN1
909 HandClap
LD Snare M
Room Tom 5
Close HiHat2
Room Tom 5
Pedal HiHat2
Room Tom 2
Open HiHat2
Room Tom 2
Room Tom 2
Crash Cym.1
Room Tom 2
Ride Cymbal
ChinaCymbal
Ride Bell
Tambourine
Splash Cym.
Cowbell
Crash Cym.2
Vibraslap
Ride Cymbal
Bongo High
Bongo Lo
Mute H.Conga
Conga Hi Opn
Conga Lo Opn
High Timbale
Low Timbale
Agogo
Agogo
Cabasa
Maracas
ShrtWhistle
LongWhistle
Short Guiro
Long Guiro
Claves
Woodblock
Woodblock
Mute Cuica
Open Cuica
MuteTriangl
OpenTriangl
Shaker
Jingle Bell
Bell Tree
---
---
---
---
---
---
---
---
---
---
---
---
PC: 17 [CC32: 119]
rock kit
---
---
---
---
---
---
---
---
---
---
---
---
--Mute Surdo
Open Surdo
High-Q
Slap
ScratchPush
ScratchPull
FingerSnaps2
SquareClick
Mtrnm.Click
Mtrnm. Bell
MC-500 Beep
MC-500 Beep
Brush Swirl
Brush Swirl
Brush Slap1
Brush Swirl
Snare Roll
Castanets
Room Snare 1
Sticks
Room Kick 2
Jazz Snare 2
Std2 Kick2
Std.2 Kick1
Side Stick
LD Snare M
909 HandClap
Jazz Snare 2
Rock Tom 4
Close HiHat2
Rock Tom 4
Pedal HiHat2
Rock Tom 4
Open HiHat2
Rock Tom 4
Rock Tom 1
Crash Cym.1
Rock Tom 1
Ride Cymbal
ChinaCymbal
Ride Bell
Tambourine
Splash Cym.
Cowbell
Crash Cym.2
Vibraslap
Ride Cymbal
Bongo High
Bongo Lo
Mute H.Conga
Conga Hi Opn
Conga Lo Opn
High Timbale
Low Timbale
Agogo
Agogo
Cabasa
Maracas
ShrtWhistle
LongWhistle
Short Guiro
Long Guiro
Claves
Woodblock
Woodblock
Mute Cuica
Open Cuica
MuteTriangl
OpenTriangl
Shaker
Jingle Bell
Bell Tree
---
---
---
---
---
---
---
---
---
---
---
---
PC: 25 [CC32: 119]
electrok
---
---
---
---
---
---
---
---
---
---
---
---
--Mute Surdo
Open Surdo
High-Q
Slap
ScratchPush
ScratchPull
FingerSnaps2
SquareClick
Mtrnm.Click
Mtrnm. Bell
MC-500 Beep
MC-500 Beep
Brush Swirl
Brush Swirl
Brush Slap1
ReverseCymbl
Snare Roll
High-Q
Standard SN1
Sticks
Std2 Kick2
Jazz Snare 2
Elec Kick 2
Power Kick1
Side Stick
Dance Snare1
909 HandClap
Power Snare1
Synth Drum 2
Close HiHat2
Synth Drum 2
Pedal HiHat2
Synth Drum 2
Open HiHat2
Synth Drum 2
Synth Drum 2
Crash Cym.1
Synth Drum 2
Ride Cymbal
ChinaCymbal
Ride Bell
Tambourine
Splash Cym.
Cowbell
Crash Cym.2
Vibraslap
Ride Cymbal
Bongo High
Bongo Lo
Mute H.Conga
Conga Hi Opn
Conga Lo Opn
High Timbale
Low Timbale
Agogo
Agogo
Cabasa
Maracas
ShrtWhistle
LongWhistle
Short Guiro
Long Guiro
Claves
Woodblock
Woodblock
ScratchPush
ScratchPull
MuteTriangl
OpenTriangl
Shaker
Jingle Bell
Bell Tree
---
---
---
---
---
---
---
---
---
---
---
---
PC: 26 [CC32: 119]
analogkt
---
---
---
---
---
---
---
---
---
---
---
---
--Mute Surdo
Open Surdo
High-Q
Slap
ScratchPush
ScratchPull
FingerSnaps2
SquareClick
Mtrnm.Click
Mtrnm. Bell
MC-500 Beep
MC-500 Beep
Brush Swirl
Brush Swirl
Brush Slap1
ReverseCymbl
Snare Roll
High-Q
Power Snare1
Sticks
Mix Kick
Jazz Snare 2
808 BD
TR-808 Kick
808 Rimshot
808 Snare 1
808clap
TR-808 SD2
808 Tom 2
TR-808 CHH
808 Tom 2
808__chh
808 Tom 2
TR-808 OHH
808 Tom 2
808 Tom 2
808 Crash
808 Tom 2
Ride Cymbal
ChinaCymbal
Ride Bell
Tambourine
Splash Cym.
808cowbe
Crash Cym.2
Vibraslap
Ride Cymbal
Bongo High
Bongo Lo
808 Conga
808 Conga
808 Conga
High Timbale
Low Timbale
Agogo
Agogo
Cabasa
808marac
ShrtWhistle
LongWhistle
Short Guiro
Long Guiro
808clave
Woodblock
Woodblock
ScratchPush
ScratchPull
MuteTriangl
OpenTriangl
Shaker
Jingle Bell
Bell Tree
---
---
---
---
---
---
---
---
---
---
---
---
PC: 33 [CC32: 119]
jazz kit
---
---
---
---
---
---
---
---
---
---
---
---
--Mute Surdo
Open Surdo
High-Q
Slap
ScratchPush
ScratchPull
FingerSnaps2
SquareClick
Mtrnm.Click
Mtrnm. Bell
MC-500 Beep
MC-500 Beep
Brush Swirl
Brush Swirl
Brush Slap1
Brush Swirl
Snare Roll
Castanets
Concert Snr
Sticks
Jazz Kick 1
Jazz Snare 2
Mix Kick
Jazz Kick 2
Side Stick
Standard SN1
909 HandClap
LD Snare M
Real Tom 6
Close HiHat2
Real Tom 4
Pedal HiHat2
Real Tom 4
Open HiHat2
Real Tom 1
Real Tom 1
Crash Cym.1
Real Tom 1
Ride Cymbal
ChinaCymbal
Ride Bell
Tambourine
Splash Cym.
Cowbell
Crash Cym.2
Vibraslap
Ride Cymbal
Bongo High
Bongo Lo
Mute H.Conga
Conga Hi Opn
Conga Lo Opn
High Timbale
Low Timbale
Agogo
Agogo
Cabasa
Maracas
ShrtWhistle
LongWhistle
Short Guiro
Long Guiro
Claves
Woodblock
Woodblock
Mute Cuica
Open Cuica
MuteTriangl
OpenTriangl
Shaker
Jingle Bell
Bell Tree
---
---
---
---
---
---
---
---
---
---
---
---
84
Page 85
EM-55 OR Owner’s Manual
C–1 0
C0 12
C1 24
C2 36
C3 48
C4 60
C5 72
C6 84
C7 96
2
4
5
7
9
11
14
16
17
19
21
23
26
28
29
31
33
35
38
40
41
43
45
47
50
52
53
55
57
59
62
64
65
67
69
71
74
76
77
79
81
83
86
88
89
91
93
95
PC: 41 [CC32: 119]
brush kit
---
---
1
---
3
---
---
---
---
6
---
8
---
---
10
---
---
--Mute Surdo
13
Open Surdo
15
High-Q
Slap
ScratchPush
ScratchPull
18
FingerSnaps2
20
SquareClick
Mtrnm.Click
22
Mtrnm. Bell
MC-500 Beep
MC-500 Beep
Brush Swirl
25
Brush Swirl
27
Brush Slap1
Brush Swirl
Snare Roll
Castanets
30
Brush Slap1
32
Sticks
Jazz Kick 1
34
Jazz Snare 2
Mix Kick
Jazz Kick 1
Side Stick
37
Brush Slap1
39
909 HandClap
Brush Swirl
Lite Tom 4
Close HiHat2
42
Lite Tom 4
44
Pedal HiHat2
Lite Tom 4
46
Open HiHat2
Lite Tom 4
Lite Tom 4
Crash Cym.1
49
Lite Tom 4
51
Ride Cymbal
ChinaCymbal
Ride Bell
Tambourine
54
Splash Cym.
56
Cowbell
Crash Cym.2
58
Vibraslap
Ride Cymbal
Bongo High
Bongo Lo
61
Mute H.Conga
63
Conga Hi Opn
Conga Lo Opn
High Timbale
Low Timbale
66
Agogo
68
Agogo
Cabasa
70
Maracas
ShrtWhistle
LongWhistle
Short Guiro
73
Long Guiro
75
Claves
Woodblock
Woodblock
Mute Cuica
78
Open Cuica
80
MuteTriangl
OpenTriangl
82
Shaker
Jingle Bell
Bell Tree
---
85
---
87
---
---
---
---
90
---
92
---
---
94
---
---
---
PC: 49 [CC32: 119]
classick
---
---
---
---
---
---
---
---
---
---
---
---
--Mute Surdo
Open Surdo
High-Q
Slap
ScratchPush
ScratchPull
FingerSnaps2
SquareClick
Mtrnm.Click
Mtrnm. Bell
MC-500 Beep
MC-500 Beep
Brush Swirl
Brush Swirl
Brush Slap1
Brush Swirl
Snare Roll
Castanets
Concert Snr
Sticks
Jazz Kick 1
Jazz Snare 2
Concert BD
Concert BD m
Side Stick
Standard SN1
909 HandClap
LD Snare M
Real Tom 6
Close HiHat2
Real Tom 4
Pedal HiHat2
Real Tom 4
Open HiHat2
Real Tom 1
Real Tom 1
Concert Cym.
Real Tom 1
ConcertCymCl
ChinaCymbal
Ride Bell
Tambourine
Splash Cym.
Cowbell
Concert Cym.
Vibraslap
ConcertCymCl
Bongo High
Bongo Lo
Mute H.Conga
Conga Hi Opn
Conga Lo Opn
High Timbale
Low Timbale
Agogo
Agogo
Cabasa
Maracas
ShrtWhistle
LongWhistle
Short Guiro
Long Guiro
Claves
Woodblock
Woodblock
Mute Cuica
Open Cuica
MuteTriangl
OpenTriangl
Shaker
Jingle Bell
Bell Tree
Std 1 Kick 1
Std 1 Kick 2
Std 2 Kick 1
Std 2 Kick 2
Kick 1
Kick 2
Jazz Kick 1
Jazz Kick 2
Room Kick 1
Room Kick 2
Power Kick 1
Power Kick 2
Ele Kick 2
Elec Kick 1
TR-808 Kick
TR-909 Kick
Dance Kick
Voice One
Voice Two
Voice Three
---
--MC-500 Beep 1
MC-500 Beep 2
Concert SD
Snare Roll
Finger Snap 2
High Q
Slap
Scratch Push [EXC7]
Scratch Pull [EXC7]
Sticks
Square Click
Metronome Click
Metronome Bell
Standard 1 Kick 2
Standard 1 Kick 1
Side Stick
Standard 1 Snare 1
Hand Clap
Standard 1 Snare 2
Low Tom2
Closed Hi-Hat
Low Tom1
Pedal Hi-Hat
Mid Tom2
Open Hi-Hat
Mid Tom 1
High Tom 2
Crash Cymbal1
High Tom 1
Ride Cymbal 1
Chinese Cymbal
Ride Bell
Tambourine
Splash Cymbal
Cowbell
Crash Cymbal 2
Vibra-slap
Ride Cymbal 2
High Bongo
Low Bongo
Mute High Conga
Open High Conga
Open Low Conga
High Timbale
Low Timbale
High Agogo
Low Agogo
Cabasa
Maracas
Short High Whistle
Long Low Whistle
Short Guiro
Long Guiro
Claves
High Wood Block
Low Wood Block
Mute Cuica
Open Cuica
Mute Triangle
Open Triangle
Shaker
Jingle Bell
Bell Tree
Castanets
Mute Surdo
Open Surdo
Applause 2
---
---
---
---
---
---
---
---
PC: 2 [CC32: 3]
STANDRD2
Std 1 Kick 1
Std 1 Kick 2
Std 2 Kick 1
Std 2 Kick 2
Kick 1
Kick 2
Jazz Kick 1
Jazz Kick 2
Room Kick 1
Room Kick 2
Power Kick 1
Power Kick 2
Elec Kick 2
Elec Kick 1
TR-808 Kick
TR-909 Kick
Dance Kick
Voice One
Voice Two
Voice Three
---
--MC-500 Beep 1
MC-500 Beep 2
Concert SD
Snare Roll
Finger Snap
High Q
Slap
Scratch Push
Scratch Pull
Sticks
Square Click
Metronome Click
Metronome Bell
Standard 2 Kick 2
Standard 2 Kick 1
Side Stick
Standard 2 Snare 1
TR-808 Hand Clap
Standard 2 Snare 2
Low Tom2
Closed Hi-Hat 2
Low Tom1
Pedal Hi-Hat 2
Mid Tom2
Open Hi-Hat 2
Mid Tom 1
High Tom 2
Crash Cymbal1
High Tom 1
Ride Cymbal 1
Chinese Cymbal
Ride Bell
Tambourine
Splash Cymbal
Cowbell
Crash Cymbal 2
Vibra-slap
Ride Cymbal 2
High Bongo
Low Bongo
Mute High Conga
Open High Conga
Open Low Conga
High Timbale
Low Timbale
High Agogo
Low Agogo
Cabasa
Maracas
Short High Whistle
Long Low Whistle
Short Guiro
Long Guiro
Claves
High Wood Block
Low Wood Block
Mute Cuica
Open Cuica
Mute Triangle
Open Triangle
Shaker
Jingle Bell
Bar Chimes
Castanets
Mute Surdo
Open Surdo
Applause 2
---
---
---
---
---
---
---
---
PC: 3 [CC32: 3]
STANDRD3
Strd 1 Kick 1
Std 1 Kick 2
Std 2 Kick 1
Sd 2 Kick 2
Kick 1
Kick 2
Jazz Kick 1
Jazz Kick 2
Room Kick 1
Room Kick 2
Power Kick 1
Power Kick 2
Elec Kick 2
Elec Kick 1
TR-808 Kick
TR-909 Kick
Dance Kick
Voice One
Voice Two
Voice Three
---
--MC-500 Beep 1
MC-500 Beep 2
Concert SD
Snare Roll
Finger Snap 2
High Q
Slap
Scratch Push
Scratch Pull
Sticks
Square Click
Metronome Click
Metronome Bell
Standard 3 Kick 2
[RND] Kick
Side Stick
[RND] Snare
[RND] Hand Clap
Standard 3 Snare 2
Low Tom2
[RND]
Closed Hi-Hat
Low Tom1
[RND] Pedal Hi-Hat
Mid Tom2
[RND] Open Hi-Hat
Mid Tom 1
High Tom 2
[RND] Crash Cymbal
High Tom 1
[RND] Ride Cymbal 1
Chinese Cymbal
[RND] Ride Bell
Tambourine
Splash Cymbal
Cowbell
Crash Cymbal 2
Vibra-slap
[RND] Ride Cymbal 2
High Bongo
Low Bongo
Mute High Conga
Open High Conga
Open Low Conga
High Timbale
Low Timbale
High Agogo
Low Agogo
Cabasa
Maracas
Short High Whistle
Long Low Whistle
Short Guiro
Long Guiro
Claves
High Wood Block
Low Wood Block
Mute Cuica
Open Cuica
Mute Triangle
Open Triangle
Shaker
Jingle Bell
Bell Tree
Castanets
Mute Surdo
Open Surdo
Applause 2
---
---
---
---
---
---
---
---
PC: 9 [CC32: 3]
ROOM
Std 1 Kick 1
Std 1 Kick 2
Std 2 Kick 1
Std 2 Kick 2
Kick 1
Kick 2
Jazz Kick 1
Jazz Kick 2
Room Kick 1
Room Kick 2
Power Kick 1
Power Kick 2
Elec Kick 2
ElecKick 1
TR-808 Kick
TR-909 Kick
Dance Kick
Voice One
Voice Two
Voice Three
---
--MC-500 Beep 1
MC-500 Beep 2
Concert SD
Snare Roll
Finger Snap
High Q
Slap
Scratch Push
Scratch Pull
Sticks
Square Click
Metronome Click
Metronome Bell
Room Kick 2
Room Kick 1
Side Stick
Room Snare 1
TR-808 Hand Clap
Room Snare 2
Room Low Tom 2
Closed Hi-Hat3
Room Low Tom 1
Room Pedal Hi-Hat
Room Mid Tom 2
Open Hi-Hat 3
Room Mid Tom 1
Room High Tom 2
Crash Cymbal1
Room High Tom 1
Ride Cymbal 1
Chinese Cymbal
Ride Bell
Tambourine
Splash Cymbal
Cowbell
Crash Cymbal 2
Vibra-slap
Ride Cymbal 2
High Bongo
Low Bongo
Mute High Conga
Open High Conga
Open Low Conga
High Timbale
Low Timbale
High Agogo
Low Agogo
Cabasa
Maracas
Short High Whistle
Long Low Whistle
Short Guiro
Long Guiro
Claves
High Wood Block
Low Wood Block
Mute Cuica
Open Cuica
Mute Triangle
Open Triangle
Shaker
Jingle Bell
Bell Tree
Castanets
Mute Surdo
Open Surdo
Applause 2
--MC-500 Beep 1
MC-500 Beep 2
Concert SD
Snare Roll
Finger Snap 2
High Q
Slap
Scratch Push 2 [EXC7]
Scratch Pull 2 [EXC7]
Sticks
Square Click
Metronome Click
Metronome Bell
Hip-Hop Kick 2
Hip-Hop Kick 1
TR-808 Rim Shot
Rap Snare
Hand Clap
Hip-Hop Snare 2
TR-909 Low Tom 2
Closed Hi-Hat 3
TR-909 Low Tom 1
RoomPedal Hi-Hat
TR-909 Mid Tom 2
Open Hi-Hat 3
TR-909 Mid Tom 1
TR-909 High Tom 2
TR-909 Crash Cymbal
TR-909 High Tom 1
Ride Cymbal 1
Reverse Cymbal
Ride Bell
Shake Tambourine
Splash Cymbal
TR-808 Cowbell
Crash Cymbal 2
Vibra-slap
Ride Cymbal 2
High Bongo
Low Bongo
Mute High Conga
Open High Conga
Open Low Conga
High Timbale
Low Timbale
High Agogo
Low Agogo
Cabasa
TR-808 Maracas
Short High Whistle
Long Low Whistle
Short Guiro
CR-78 Guiro
TR-808 Claves
High Wood Block
Low Wood Block
High Hoo
Low Hoo
Electric Mute Triangle
Electric Open Triangle
TR-626 Shaker
Jingle Bell
Bell Tree
Castanets
Mute Surdo
Open Surdo
Small Club 1
--MC-500 Beep
MC-500 Beep
Concert Snr
Snare Roll
FingerSnaps2
High-Q
Slap
Scrtch Push2
Scrtch Pull2
Sticks
SquareClick
Mtrnm.Click
Mtrnm. Bell
HipHop BD1
Std2 Kick2
Side Stick
Dance Snare1
HC2 Claps 2
House SD
909 Tom
606 CH
909 Tom
Jungle HH
909 Tom
606 HiHat Op
909 Tom
909 Tom
Jngl Crash
909 Tom Snare
Ride Cymbal
ReverseCymbl
Ride Bell
Shake Tamb
Splash Cym.
808cowbe
Crash Cym.2
Vibraslap
Ride Cymbal
Bongo High
Bongo Lo
Mute H.Conga
Conga Hi Opn
Conga Lo Opn
High Timbale
Low Timbale
Agogo
Agogo
Cabasa
808marac
ShrtWhistle
LongWhistle
Short Guiro
CR78 Guiro
808clave
Woodblock
Woodblock
Hoo
Hoo
MuteTriangl
OpenTriangl
626 Shaker
Jingle Bell
Bell Tree
Castanets
Mute Surdo
Open Surdo
Small Club
---
---
---
---
---
---
---
---
REFERENCE
REFERENCE
REFERENCE
REFERENCE
85
Page 86
Drum Sets
(C7) (96)
C8 108
C9G9120
98
100
101
103
105
107
110
112
113
115
117
119
122
124
125
127
PC: 41 [CC32: 119]
brush kit
(---)
97
---
---
99
---
---
---
102
---
---
104
---
---
106
---
---
---
109
---
---
111
---
---
---
114
---
---
116
---
---
118
---
---
---
121
---
---
123
---
---
---
126
---
---
PC: 49 [CC32: 119]
classick
(---)
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
PC: 121 [CC32: 122]
SFX 1 kit
(---)
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
PC: 122 [CC32: 122]
SFX 2 kit
(---)
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
PC: 1 [CC32: 3]
STANDRD1
(---)
Standard 1 Snare 1
Standard 1 Snare 2
Standard 2 Snare 1
Standard 2 Snare 2
Snare Drum 2
Standard 1 Snare 1
Standard 1 Snare 2
Standard Snare 3
Jazz Snare 1
Jazz Snare 2
Room Snare 1
Room Snare 2
Power Snare 1
Power Snare 2
Gated Snare
Dance Snare 1
Dance Snare 2
Disco Snare
Electric Snare 2
Electric Snare
Electric Snare 3
TR-707 Snare
TR-808 Snare 1
TR-808 Snare 2
TR-909 Snare 1
TR-909 Snare 2
Rap Snare
Jungle Snare 1
House Snare 1
House Snare
House Snare 2
PC: 2 [CC32: 3]
STANDRD2
(---)
Standard 1 Snare 1
Standard 1 Snare 2
Standard 2 Snare 1
Standard 2 Snare 2
Snare Drum 2
Standard 1 Snare 1
Standard 1 Snare 2
Standard Snare 3
Jazz Snare 1
Jazz Snare 2
#2] Room Snare 1
Room Snare 2
Power Snare 1
Power Snare 2
Gated Snare
Dance Snare 1
Dance Snare 2
Disco Snare
Electric Snare 2
Electric Snare
Electric Snare 3
TR-707 Snare
TR-808 Snare 1
TR-808 Snare 2
TR-909 Snare 1
TR-909 Snare 2
Rap Snare
Jungle Snare 1
House Snare 1
House Snare
House Snare 2
PC: 3 [CC32: 3]
STANDRD3
(---)
Standard 1 Snare 1
Standard 1 Snare 2
Standard 2 Snare 1
Standard 2 Snare 2
Snare Drum 2
Standard 1 Snare 1
Standard 1 Snare 2
Standard Snare 3
Jazz Snare 1
Jazz Snare 2
Room Snare 1
Room Snare 2
Power Snare 1
Power Snare 2
Gated Snare
Dance Snare 1
Dance Snare 2
Disco Snare
Electric Snare 2
Electric Snare
Electric Snare 3
TR-707 Snare
TR-808 Snare 1
TR-808 Snare 2
TR-909 Snare 1
TR-909 Snare 2
Rap Snare
Jungle Snare 1
House Snare 1
House Snare
House Snare 2
PC: 9 [CC32: 3]
ROOM
(---)
Standard 1 Snare 1
Standard 1 Snare 2
Standard 2 Snare 1
Standard 2 Snare 2
Snare Drum 2
Standard 1 Snare 1
Standard 1 Snare 2
Standard Snare 3
Jazz Snare 1
Jazz Snare 2
Room Snare 1
Room Snare 2
Power Snare 1
Power Snare 2
Gated Snare
Dance Snare 1
Dance Snare 2
Disco Snare
Electric Snare 2
Electric Snare
Electric Snare 3
TR-707 Snare
TR-808 Snare 1
TR-808 Snare 2
TR-909 Snare 1
TR-909 Snare 2
Rap Snare
Jungle Snare 1
House Snare 1
House Snare
House Snare 2
PC: 10 [CC32: 3]
HipHop
(---)
Techno Hit
Philly Hit
Shock Wave
Lo-Fi Rave Bam Hit
Bim-Hit
Tape Rewind
Phonograph Noise
Power Snare 1
Dance Snare 1
Dance Snare 2
Disco Snare
Electric Snare 2
Electric Snare
Electric Snare 3
TR-606 Snare
TR-707 Snare
TR-808 Snare 1
TR-808 Snare 2
TR-808 Snare 2
TR-909 Snare 1
TR-909 Snare 2
TR-909 Snare 1
TR-909 Snare 2
Rap Snare
Jungle Snare 1
House Snare 1
House Snare
House Snare 2
Voice Tah
Slappy
PC: 11 [CC32: 3]
Jungle
(---)
Techno Hit
Philly Hit
Shock Wave
Lo Fi Rave
Bam Hit
Bim Hit
TapeRewind
Phono Noise
Dance Snare1
Power Snare2
Elec Snare 1
Dance Snare2
Elec Snare 2
Elec. Snare
Elec Snare 3
66sn260
TR-707 SD
808 Snare 1
808 Snare 2
TR-808 SD2
909 Snare 1
909 Snare 2
909 SD 1
TR-909 SD2
Rap Snare
JungleSD1
House SD
House Snare
House SD
Voice Tah
Noise Slap
(C7) (96)
C8 108
C9G9120
PC: 12 [CC32: 3]
TECHNO
(---)
Techno Hit
97
98
Philly Hit
99
Shock Wave
100
Lo-Fi Rave *
Bam Hit
101
Bim-Hit
102
Tape Rewind
103
104
Phono Noise
105
Dance Snare1
106
Power Snare2
107
Elec Snare 1
Dance Snare2
109
Elec Snare 2
110
Elec. Snare
111
Elec Snare 3
112
66sn260
TR-707 SD
113
114
808 Snare 1
808 Snare 2
115
116
TR-808 SD2
117
909 Snare 1
118
909 Snare 2
119
909 SD 1
TR-909 SD2
121
Rap Snare
122
JungleSD1
123
House SD
124
House Snare
House SD
125
126
Voice Tah
Noise Slap
127
PC: 17 [CC32: 3]
POWER
(---)
Std.1 Snare1
Std.1 Snare2
Std.2 Snare1
Std.2 Snare2
Tight Snare
Standard SN1
LD Snare M
LD Snare C
Jazz Snare 1
Jazz Snare 2
Room Snare 1
Room Snare 2
Dance Snare1
Power Snare1
Rev.Snare
Power Snare2
Elec Snare 1
Dance Snare2
Elec Snare 2
Elec. Snare
Elec Snare 3
TR-707 SD
808 Snare 1
808 Snare 2
909 Snare 1
909 Snare 2
Rap Snare
JungleSD1
House SD
House Snare
House SD
PC: 25 [CC32: 3]
ELECTRNC
(---)
Techno Hit
Philly Hit
Shock Wave
Lo Fi Rave
Bam Hit
Bim Hit
TapeRewind
Phono Noise
Dance Snare1
Power Snare2
Elec Snare 1
Dance Snare2
Elec Snare 2
Elec. Snare
Elec Snare 3
66sn260
TR-707 SD
808 Snare 1
808 Snare 2
TR-808 SD2
909 Snare 1
909 Snare 2
909 SD 1
TR-909 SD2
Rap Snare
JungleSD1
House SD
House Snare
House SD
Voice Tah
Noise Slap
PC: 26 [CC32: 3]
TR-808
(---)
Techno Hit
Philly Hit
Shock Wave
Lo-Fi Rave *
Bam Hit
Bim-Hit
Tape Rewind
Phono Noise
Dance Snare1
Power Snare2
Elec Snare 1
Dance Snare2
Elec Snare 2
Elec. Snare
Elec Snare 3
66sn260
TR-707 SD
808 Snare 1
808 Snare 2
TR-808 SD2
909 Snare 1
909 Snare 2
909 SD 1
TR-909 SD2
Rap Snare
JungleSD1
House SD
House Snare
House SD
Voice Tah
Noise Slap
PC: 27 [CC32: 3]
DANCE
(---)
Techno Hit
Philly Hit
Shock Wave
Lo Fi Rave
Bam Hit
Bim Hit
TapeRewind
Phono Noise
Dance Snare1
Power Snare2
Elec Snare 1
Dance Snare2
Elec Snare 2
Elec. Snare
Elec Snare 3
66sn260
TR-707 SD
808 Snare 1
808 Snare 2
TR-808 SD2
909 Snare 1
909 Snare 2
909 SD 1
TR-909 SD2
Rap Snare
JungleSD1
House SD
House Snare
House SD
Voice Tah
Noise Slap
PC: 28 [CC32: 3]
CR-78
(---)
Techno Hit
Philly Hit
Shock Wave
Lo Fi Rave
Bam Hit
Bim Hit
TapeRewind
Phono Noise
Dance Snare1
Power Snare2
Elec Snare 1
Dance Snare2
Elec Snare 2
Elec. Snare
Elec Snare 3
66sn260
TR-707 SD
808 Snare 1
808 Snare 2
TR-808 SD2
909 Snare 1
909 Snare 2
909 SD 1
TR-909 SD2
Rap Snare
JungleSD1
House SD
House Snare
House SD
Voice Tah
Noise Slap
PC: 29 [CC32: 3]
TR-606
(---)
Techno Hit
Philly Hit
Shock Wave
Lo Fi Rave
Bam Hit
Bim Hit
TapeRewind
Phono Noise
Dance Snare1
Power Snare2
Elec Snare 1
Dance Snare2
Elec Snare 2
Elec. Snare
Elec Snare 3
66sn260
TR-707 SD
808 Snare 1
808 Snare 2
TR-808 SD2
909 Snare 1
909 Snare 2
909 SD 1
TR-909 SD2
Rap Snare
JungleSD1
House SD
House Snare
House SD
Voice Tah
Noise Slap
PC: 30 [CC32: 3]
TR-707
(---)
Techno Hit
Philly Hit
Shock Wave
Lo Fi Rave
Bam Hit
Bim Hit
TapeRewind
Phono Noise
Dance Snare1
Power Snare2
Elec Snare 1
Dance Snare2
Elec Snare 2
Elec. Snare
Elec Snare 3
66sn260
TR-707 SD
808 Snare 1
808 Snare 2
TR-808 SD2
909 Snare 1
909 Snare 2
909 SD 1
TR-909 SD2
Rap Snare
JungleSD1
House SD
House Snare
House SD
Voice Tah
Noise Slap
PC: 31 [CC32: 3]
TR-909
(---)
TTechno Hit
Philly Hit
Shock Wave
Lo Fi Rave
Bam Hit
Bim Hit
TapeRewind
Phono Noise
Dance Snare1
Power Snare2
Elec Snare 1
Dance Snare2
Elec Snare 2
Elec. Snare
Elec Snare 3
66sn260
TR-707 SD
808 Snare 1
808 Snare 2
TR-808 SD2
909 Snare 1
909 Snare 2
909 SD 1
TR-909 SD2
Rap Snare
JungleSD1
House SD
House Snare
House SD
Voice Tah
Noise Slap
PC: 33 [CC32: 3]
JAZZ
(---)
---
---
--Brush Swirl
Brush Tap
Brush Slap1
Brush Slap2
Brush Slap
Brush Swirl
Brush Swirl
Long Swirl
Jazz Snare 1
Jazz Snare 2
Std.1 Snare1
Std.1 Snare2
Std.2 Snare1
Std.2 Snare2
Tight Snare
Standard SN1
LD Snare M
LD Snare C
Room Snare 1
Room Snare 2
Dance Snare1
Power Snare1
Rev.Snare
Power Snare2
Elec Snare 1
Dance Snare2
Elec Snare 2
Elec Snare 3
86
Page 87
EM-55 OR Owner’s Manual
C–1 0
C0 12
C1 24
C2 36
C3 48
C4 60
C5 72
C6 84
C7 96
2
4
5
7
9
11
14
16
17
19
21
23
26
28
29
31
33
35
38
40
41
43
45
47
50
52
53
55
57
59
62
64
65
67
69
71
74
76
77
79
81
83
86
88
89
91
93
95
PC: 12 [CC32: 3]
TECHNO
Elec Kick 2
Elec Kick 1
1
CR78 BD 1
3
CR78 BD 2
TR-606 BD1
TR-707 BD
808 Kick
6
TR-808 Kick
8
808 BD
TR-909 Kick
10
Dance Kick 2
909 Comp BD
TR-909 BD2
HipHop BD2
13
JungleBD Set
15
Techno BD1
Bounce
Voice One
Voice Two
18
Voice Three
20
---
---
22
MC-500 Beep 1
MC-500 Beep 2
Concert SD
Snare Roll
25
Finger Snap 2
27
High Q
Slap
Scrtch Push2
Scrtch Pull2
30
Sticks
32
Square Click
Metronome Click
34
Metronome Bell
Techno Kick 2
Techno BD1
TR-808 Rim Shot
37
Techno Snare 1
39
TR-707 Hand Clap
Techno Snare 2
TR-808 Low Tom 2 *
TR-707 Closed Hi-Hat
42
TR-808 Low Tom 1 *
44
CR-78 Closed Hi-Hat
TR-808 Mid Tom 2 *
46
TR-909 Open Hi-Hat
TR-808 Mid Tom 1 *
TR-808 High Tom 2 *
TR-909 Crash Cymbal
49
TR-808 High Tom 1 *
51
Ride Cymbal 1
Reverse Cymbal
Ride Bell
Shake Tambourine
54
Splash Cymbal
56
TR-808 Cowbell
TR-909 Crash Cymbal
58
Vibra-slap
Ride Cymbal 2
CR-78 High Bongo
CR-78 Low Bongo
61
808 Conga
63
808 Conga
808 Conga
High Timbale
Low Timbale
66
High Agogo
68
Low Agogo
Cabasa
70
808marac
Short High Whistle
Long Low Whistle
Short Guiro
73
CR-78 Guiro
75
808clave
Woodblock
Woodblock
High Hoo
78
Low Hoo
80
Mute Triangl
Open Triangl
82
TR-626 Shaker
Jingle Bell
Bell Tree
Castanets
85
Mute Surdo
87
Open Surdo
Applause 2
---
---
90
---
92
---
---
94
---
---
---
]
PC: 17 [CC32: 3]
POWER
Std.1 Kick1
Std.1 Kick2
Std.2 Kick1
Std2 Kick2
Kick 1
Kick 2
Jazz Kick 1
Jazz Kick 2
Room Kick 1
Room Kick 2
Power Kick1
Power Kick2
Elec Kick 2
Elec Kick 1
TR-808 Kick
TR-909 Kick
Dance Kick 2
Voice One
Voice Two
Voice Three
---
--MC-500 Beep
MC-500 Beep
Concert Snr
Snare Roll
FingerSnaps2
High-Q
Slap
ScratchPush
ScratchPull
Sticks
SquareClick
Mtrnm.Click
Mtrnm. Bell
Power Kick2
Power Kick1
Side Stick
Dance Snare1
808clap
Power Snare1
Rock Tom 4
Close HiHat2
Rock Tom 4
Pedal HiHat2
Rock Tom 4
Open HiHat2
Rock Tom 4
Rock Tom 1
Crash Cym.1
Rock Tom 1
Ride Cymbal
ChinaCymbal
Ride Bell
Tambourine
Splash Cym.
Cowbell Snare
Crash Cym.2
Vibraslap
Ride Cymbal
Bongo High
Bongo Lo
Mute H.Conga
Conga Hi Opn
Conga Lo Opn
High Timbale
Low Timbale
Agogo
Agogo
Cabasa
Maracas
ShrtWhistle
LongWhistle
Short Guiro
Long Guiro
Claves
Woodblock
Woodblock
Mute Cuica
Open Cuica
MuteTriangl
OpenTriangl
Shaker
Jingle Bell
Bell Tree
Castanets
Mute Surdo
Open Surdo
Applause 2
--MC-500 Beep 1
MC-500 Beep 2
Concert SD
Snare Roll
Finger Snap 2
High Q
Slap
Scrtch Push2
Scrtch Pull2
Sticks
Square Click
Metronome Click
Metronome Bell
CR-78 Kick 2
CR-78 Kick 1
CR-78 Rim Shot
CR-78 Snare 1
TR-707 Hand Clap
CR-78 Snare 2
CR-78 Low Tom 2 *
[EXC1]
CR-78 Closed Hi-Hat
CR-78 Low Tom 1 *
[EXC1]
TR-606Closed HiHat
CR-78 Mid Tom 2 *
[EXC1]
CR-78 Open Hi-Hat
CR-78 Mid Tom 1 *
CR-78 High Tom 2 *
TR-808 Crash Cymbal
CR-78 High Tom 1 *
TR-606 Ride Cymbal
Chinese Cymbal
Ride Bell
CR-78 Tambourine
Splash Cymbal
CR-78 Cowbell
TR-909 Crash Cymbal
Vibra-slap
Ride Cymbal Edge
CR-78 High Bongo
CR-78 Low Bongo
808 Conga
808 Conga
808 Conga
High Timbale
Low Timbale
High Agogo
Low Agogo
Cabasa
CR-78 Maracas
Short High Whistle
Long Low Whistle
Short Guiro
CR-78 Guiro
CR-78 Claves
Woodblock
Woodblock
High Hoo
Low Hoo
CR-78 Low Beat
CR-78 High Beat
TR-626 Shaker
Jingle Bell
Bell Tree
Castanets
Mute Surdo
Open Surdo
Small Club
--MC-500 Beep 1
MC-500 Beep 2
Concert SD
Snare Roll
Finger Snap 2
High Q
Slap
Scrtch Push2
Scrtch Pull2
Sticks
Square Click
Metronome Click
Metronome Bell
TR-707 Kick 2
TR-707 Kick 1
TR-707 Rim Shot
TR-707 Snare 1
TR-707 Hand Clap
TR-707 Snare 2
TR-707 Low Tom 2 *
[EXC1]
TR-707 ClosedHiHat
TR-707 Low Tom 1 *
[EXC1]
TR-707 ClosedHiHat
TR-707 Mid Tom 2 *
TR-707 OpenHiHat[
TR-707 Mid Tom 1 *
TR-707 High Tom 2 *
TR-909 Crash Cymbal
TR-707 High Tom 1 *
TR-909 Ride Cymbal
Chinese Cymbal
Ride Bell
Tambourine 2
Splash Cymbal
TR-808 Cowbell
Crash Cymbal 2
Vibra-slap
Ride Cymbal Edge
High Bongo
Low Bongo
Mute High Conga
Open High Conga
Open Low Conga
High Timbale
Low Timbale
High Agogo
Low Agogo
Cabasa
808marac
Short High Whistle
Long Low Whistle
Short Guiro
Long Guiro
Claves
Woodblock
Woodblock
High Hoo
Low Hoo
Mute Triangl
Open Triangl
TR-626 Shaker
Jingle Bell
Bell Tree
Castanets
Mute Surdo
Open Surdo
Small Club
--MC-500 Beep 1
MC-500 Beep 2
Concert SD
Snare Roll
Finger Snap 2
High Q
Slap
Scrtch Push2
Scrtch Pull2
Sticks
Square Click
Metronome Click
Metronome Bell
Techno Kick 2
TR-909 BD2
TR-909 Rim
TR-909 Snare 1
Hand Clap
TR-909 Snare2
TR-909 Low Tom 2
[EXC1]
TR-707 ClosedHiHat
TR-909 Low Tom 1
[EXC1]
TR-707 ClosedHiHat
TR-909 Mid Tom 2
EXC1]
TR-909 OpenHiHat[EXC1]
TR-909 Mid Tom 1
TR-909 High Tom 2
TR-909 Crash Cymbal
TR-909 High Tom 1
TR-909 Ride Cymbal
Chinese Cymbal
Ride Bell
Tambourine 2
Splash Cymbal
TR-808 Cowbell
Crash Cymbal 2
Vibra-slap
Ride Cymbal Edge
High Bongo
Low Bongo
Mute High Conga
Open High Conga
Open Low Conga
High Timbale
Low Timbale
High Agogo
Low Agogo
Cabasa
808marac
Short High Whistle
Long Low Whistle
Short Guiro
CR-78 Guiro
CR-78 Claves
Woodblock
Woodblock
High Hoo
Low Hoo
Mute Triangl
Open Triangl
TR-626 Shaker
Jingle Bell
Bell Tree
Castanets
Mute Surdo
Open Surdo
Applause 2
---
---
---
---
---
---
---
---
PC: 33 [CC32: 3]
JAZZ
Std.1 Kick1
Std.1 Kick2
Std.2 Kick1
Std2 Kick2
Kick 1
Kick 2
Jazz Kick 1
Jazz Kick 2
Room Kick 1
Room Kick 2
Power Kick1
Power Kick2
Elec Kick 2
Elec Kick 1
TR-808 Kick
TR-909 Kick
Dance Kick 2
Voice One
Voice Two
Voice Three
---
--MC-500 Beep
MC-500 Beep
Concert Snr
Snare Roll
Finger Snap
High-Q
Slap
ScratchPush
ScratchPull
Sticks
SquareClick
Mtrnm.Click
Mtrnm. Bell
82Jz BsDrum1
82Jz BsDrum2
Side Stick
82Jz Snare1
Hand clap2
82Jz Snare2
Real Tom 6
[EXC1]
Jazz Clsd.HH
Real Tom 6
[EXC1]
Pedal HiHat
Real Tom 4
Jazz Open HH
Real Tom 4
Real Tom 1
Crash Cym.1
Real Tom 1
Ride Cym IN
ChinaCymbal
Ride Bell
Tambourine
Splash Cym.
Cowbell
Crash Cym.2
Vibraslap
RideCym Edge
Bongo High
Bongo Lo
Mute H.Conga
Conga Hi Opn
Conga Lo Opn
High Timbale
Low Timbale
Agogo
Agogo
Cabasa
Maracas
ShrtWhistle
LongWhistle
Short Guiro
Long Guiro
Claves
Woodblock
Woodblock
Mute Cuica
Open Cuica
MuteTriangl
OpenTriangl
Shaker
Jingle Bell
Bell Tree
Castanets
Mute Surdo
Open Surdo
Applause
---
---
---
---
---
---
---
---
REFERENCE
REFERENCE
REFERENCE
REFERENCE
87
Page 88
Drum Sets
C–1 0
C0 12
C1 24
C2 36
C3 48
C4 60
C5 72
C6 84
C7 96
PC: 41 [CC32: 3]
BRUSH
Std.1 Kick1
Std.1 Kick2
1
Std.2 Kick1
2
3
Std2 Kick2
4
Kick 1
Kick 2
5
Jazz Kick 1
6
Jazz Kick 2
7
8
Room Kick 1
9
Room Kick 2
10
Power Kick1
11
Power Kick2
Elec Kick 2
Elec Kick 1
13
TR-808 Kick
14
15
TR-909 Kick
16
Dance Kick 2
Voice One
17
Voice Two
18
Voice Three
19
20
---
21
---
22
MC-500 Beep
23
MC-500 Beep
Concert Snr
Snare Roll
25
Finger Snap
26
27
High-Q
28
Slap
ScratchPush
29
ScratchPull
30
Sticks
31
32
SquareClick
33
Mtrnm.Click
34
Mtrnm. Bell
35
Jazz Kick 2
Jazz Kick 1
Side Stick
37
Brush Swirl
38
39
Brush Slap1
40
Brush Swirl
Lite Tom 4
41
Brs Chh
42
Lite Tom 4
43
44
Pedal HiHat
45
Lite Tom 4
46
Brush Ohh
47
Lite Tom 4
Lite Tom 4
Brush Crash
49
Lite Tom 4
50
51
Ride Cym IN
52
ChinaCymbal
Brush RideBL
53
Tambourine
54
Splash Cym.
55
56
Cowbell
57
Crash Cym.2
58
Vibraslap
59
RideCym Edge
Bongo High
Power Snare1
61
Rev.Snare
62
63
Conga Hi Opn
64
Conga Lo Opn
High Timbale
65
Low Timbale
66
Agogo
67
68
Agogo
69
Cabasa
70
Maracas
71
ShrtWhistle
LongWhistle
Short Guiro
73
Long Guiro
74
75
Claves
76
Woodblock
Woodblock
77
Mute Cuica
78
Open Cuica
79
80
MuteTriangl
81
OpenTriangl
82
Shaker
83
Jingle Bell
Bell Tree
Castanets
85
Mute Surdo
86
87
Open Surdo
88
Applause
---
89
---
90
---
91
92
---
93
---
94
---
95
---
---
PC: 49 [CC32: 3]
ORCHSTRA
Std.1 Kick1
Std.1 Kick2
Std.2 Kick1
Std2 Kick2
Kick 1
Kick 2
Jazz Kick 1
Jazz Kick 2
Room Kick 1
Room Kick 2
Power Kick1
Power Kick2
Elec Kick 2
Elec Kick 1
TR-808 Kick
TR-909 Kick
Dance Kick 2
Voice One
Voice Two
Voice Three
---
--MC-500 Beep
MC-500 Beep
Concert Snr
Snare Roll
Finger Snap
Jazz Clsd.HH
Pedal HiHat
Jazz Open HH
Ride Cymbal
Sticks
SquareClick
Mtrnm.Click
Mtrnm. Bell
Jazz Kick 1
Concert BD
Side Stick
Concert Snr
Castanets
Concert Snr
Timpani
Timpani
Timpani
Timpani
Timpani
Timpani
Timpani
Timpani
Timpani
Timpani
Timpani
Timpani
Timpani
Tambourine
Splash Cym.
Cowbell
Con.Cymbal2
Vibraslap
Concert Cym.
Bongo High
Bongo Lo
Mute H.Conga
Conga Hi Opn
Conga Lo Opn
High Timbale
Low Timbale
Agogo
Agogo
Cabasa
Maracas
ShrtWhistle
LongWhistle
Short Guiro
Long Guiro
Claves
Woodblock
Woodblock
Mute Cuica
Open Cuica
MuteTriangl
OpenTriangl
Shaker
Jingle Bell
Bell Tree
Castanets
Mute Surdo
Open Surdo
Applause
---
---
---
---
---
---
---
---
PC: 50 [CC32: 3]
ETHNIC
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
--Finger Snap
Tambourine
Castanets
Crash Cymbal 1
Snare Roll
Concert SD
Concert Cymbal
Concert BD 1
Jingle Bell
Bell Tree
Bar Chimes
Wadaiko *
Wadaiko Rim *
Shime Taiko
Atarigane
Hyoushigi
Ohkawa
High Kotsuzumi
Low Kotsuzumi
Ban Gu
Big Gong
Small Gong
Bend Gong
Thai Gong
Rama Cymbal
Gamelan Gong
Udo Short [EXC1]
Udo Long [EXC1]
Udo Slap
Bendir
Req Dum
Req Tik
Tabla Te
Tabla Na
Tabla Tun
Tabla Ge
Tabla Ge Hi
Talking Drum *
Bend Talking Drum *
Caxixi
Djembe
Djembe Rim
Timbales Low
Timbales Paila
Timbales High
Cowbell
High Bongo
Low Bongo
Mute High Conga
Open High Conga
Mute Low Conga
Conga Slap
Open Low Conga
Conga Slide *
Mute Pandiero
Open Pandiero
Open Surdo [EXC2]
Mute Surdo [EXC2]
Tamborim
High Agogo
Low Agogo
Shaker
High Whistle [EXC3]
Long Whistle [EXC3]
Mute Cuica [EXC4]
Open Cuica [EXC4]
Mute Triangle [EXC5]
Open Triangle [EXC5]
Short Guiro [EXC6]
Long Guiro [EXC6]
Cabasa Up
Cabasa Down
--Gamelan Gong C#
Gamelan Gong D#
Gamelan Gong G
Gamelan Gong A#
Gamelan Gong c
Gamelan Gong c#
Gamelan Gong d#
Gamelan Gong g
Gamelan Gong a#
Gamelan Gong C
Gender C#
Gender D#
Gender G
Gender A#
Gender c
Bonang C#
Bonang D#
Bonang G
Bonang A#
Bonang c
Thai Gong
Rama Cymbal
Sagat Open
Sagat Closed
Jaws Harp
Wadaiko *
Wadaiko Rim *
Taiko
Shimedaiko
Atarigane
Hyoushigi
Ohkawa
High Kotsuzumi
Low Kotsuzumi
Yyoo Dude
Buk
Buk Rim
Gengari p
Gengari Mute Low
Gengari f
Gengari Mute High
Gengari Samll
Jang-Gu Che
Jang-Gu Kun
Jang-Gu Rim
Jing p
Jing f *
Jing Mute
Asian Gong 1
Big Gong
Small Gong
Pai Ban
Ban Gu
Tang Gu
Tang Gu Mute
Shou Luo *
Bend Gong
HuYin Luo Low *
HuYin Luo Mid
]
HuYin LuoMid Mut
HuYin LuoHigh
HuYin LuoHighMute
Nao Bo
Xiao Bo
---
---
---
---
---
---
---
---
PC: 54 [CC32: 3]
CYM&CLAP
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
--rev.lvohh
Rev. LVCHH 1
Rev. LVCHH 2
Jungle HH
Close HiHat
Jazz Clsd.HH
Room Chh
Close HiHat1
Close HiHat2
TR-707 HH-c
606 CH
808__chh
TR-808 CHH
CR-78 chh
GS Pedal HH
Pedal HiHat
Pedal HiHat2
Half OpenHH1
Half OpenHH2
Open Hi Hat
Jazz Open HH
R8 Ohh2
Open HiHat2
909 OH
TR-707 OHH
606 HiHat Op
808__ohh
TR-808 OHH
CR-78 ohh
Crash Cym.1
Crash Cym.2
GS Crash
Brush Crash
Hard Crash
909 Crash
808 Crash
Crash Mute 1
Crash Mute 2
ReverseCymbl
Rev.Cymbal2
Reverse Cym.
rev.tra_crsm
Crash Cym.1
Splash Cym.
Ride Bell
Brush RideBL
Ride Cymbal
Ride Cymbal
Brush Ride
Ride Cym IN
Ride Cym IN
Ride Cym IN
RideCym Edge
RideCym Edge
RideCym Edge
606 Ride Cym
TR808 Ride
ChinaCymbal
Chaina Cym2
Hand Clap
Hand clap2
808clap
909 HandClap
HC2 Claps 2
707 Claps
--Snare Roll
Finger Snap
High-Q
Slap
ScratchPush
ScratchPull
Sticks
SquareClick
Mtrnm.Click
Mtrnm. Bell
Std2 Kick2
Std.2 Kick1
Side Stick
Std.2 Snare1
808clap
Std.2 Snare2
Real Tom 6
Jazz Clsd.HH
Real Tom 6
Pedal HiHat
Real Tom 4
Jazz Open HH
Real Tom 4
Real Tom 1
Crash Cym.1
Real Tom 1
Ride Cymbal
ChinaCymbal
Ride Bell
Tambourine
Splash Cym.
Cowbell
Crash Cym.2
Vibraslap
Ride Cymbal
Bongo High
Bongo Lo
Mute H.Conga
Conga Hi Opn
Conga Lo Opn
High Timbale
Low Timbale
Agogo
Agogo
Cabasa
Maracas
ShrtWhistle
LongWhistle
Short Guiro
Long Guiro
Claves
Woodblock
Woodblock
Mute Cuica
Open Cuica
MuteTriangl
OpenTriangl
Shaker
Jingle Bell
Bar Chimes
Castanets
Mute Surdo
Open Surdo
---
---
---
---
---
---
---
---
---
PC: 9 [CC32: 2]
Room
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
--Snare Roll
Finger Snap
High-Q
Slap
ScratchPush
ScratchPull
Sticks
SquareClick
Mtrnm.Click
Mtrnm. Bell
85Rm BsDrum1
85Rm BsDrum2
Side Stick
82Rm Snare2
808clap
82Rm Snare1
Room Tom 5
Room Chh
Room Tom 5
Pedal HiHat
Room Tom 2
R8 Ohh2
Room Tom 2
Room Tom 2
Crash Cym.1
Room Tom 2
Ride Cymbal
ChinaCymbal
Ride Bell
Tambourine
Splash Cym.
Cowbell
Crash Cym.2
Vibraslap
Ride Cymbal
Bongo High
Bongo Lo
Mute H.Conga
Conga Hi Opn
Conga Lo Opn
High Timbale
Low Timbale
Agogo
Agogo
Cabasa
Maracas
ShrtWhistle
LongWhistle
Short Guiro
Long Guiro
Claves
Woodblock
Woodblock
Mute Cuica
Open Cuica
MuteTriangl
OpenTriangl
Shaker
Jingle Bell
Bell Tree
Castanets
Mute Surdo
Open Surdo
---
---
---
---
---
---
---
---
---
PC: 17 [CC32: 2]
Power
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
--Snare Roll
FingerSnaps2
High-Q
Slap
ScratchPush
ScratchPull
Sticks
SquareClick
Mtrnm.Click
Mtrnm. Bell
Power Kick2
Power Kick1
Side Stick
Dance Snare1
808clap
Power Snare1
Rock Tom 4
Close HiHat2
Rock Tom 4
Pedal HiHat2
Rock Tom 4
Open HiHat2
Rock Tom 4
Rock Tom 1
Crash Cym.1
Rock Tom 1
Ride Cymbal
ChinaCymbal
Ride Bell
Tambourine
Splash Cym.
Cowbell
Crash Cym.2
Vibraslap
Ride Cymbal
Bongo High
Bongo Lo
Mute H.Conga
Conga Hi Opn
Conga Lo Opn
High Timbale
Low Timbale
Agogo
Agogo
Cabasa
Maracas
ShrtWhistle
LongWhistle
Short Guiro
Long Guiro
Claves
Woodblock
Woodblock
Mute Cuica
Open Cuica
MuteTriangl
OpenTriangl
Shaker
Jingle Bell
Bell Tree
Castanets
Mute Surdo
Open Surdo
---
---
---
---
---
---
---
---
---
PC: 25 [CC32: 2]
ELECTRNC
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
--Snare Roll
Finger Snap
High-Q
Slap
Scrtch Push2
Scrtch Pull2
Sticks
SquareClick
Mtrnm.Click
Mtrnm. Bell
Elec Kick 2
Elec Kick 1
Side Stick
Elec. Snare
808clap
Elec Snare 2
Synth Drum 2
Jazz Clsd.HH
Synth Drum 2
Pedal HiHat
Synth Drum 2
Jazz Open HH
Synth Drum 2
Synth Drum 2
Crash Cym.1
Synth Drum 2
Ride Cymbal
ReverseCymbl
Ride Bell
Tambourine
Splash Cym.
Cowbell
Crash Cym.2
Vibraslap
Ride Cymbal
Bongo High
Bongo Lo
Mute H.Conga
Conga Hi Opn
Conga Lo Opn
High Timbale
Low Timbale
Agogo
Agogo
Cabasa
Maracas
ShrtWhistle
LongWhistle
Short Guiro
Long Guiro
Claves
Woodblock
Woodblock
Mute Cuica
Open Cuica
MuteTriangl
OpenTriangl
Shaker
Jingle Bell
Bell Tree
Castanets
Mute Surdo
Open Surdo
---
---
---
---
---
---
---
---
---
PC: 26 [CC32: 2]
TR808909
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
--Snare Roll
FingerSnaps2
High-Q
Slap
Scrtch Push2
Scrtch Pull2
Sticks
SquareClick
Mtrnm.Click
Mtrnm. Bell
808 BD
TR-808 Kick
808 Rimshot
808 Snare 1
808clap
TR-808 SD2
808 Tom 2
TR-808 CHH
808 Tom 2
808__chh
808 Tom 2
TR-808 OHH
808 Tom 2
808 Tom 2
808 Crash
808 Tom 2
606 Ride Cym
ChinaCymbal
Ride Bell
CR78 Tmb
Splash Cym.
808cowbe
909 Crash
Vibraslap
RideCym Edge
Bongo High
Bongo Lo
808 Conga
808 Conga
808 Conga
High Timbale
Low Timbale
Agogo
Agogo
Cabasa
808marac
ShrtWhistle
LongWhistle
Short Guiro
CR78 Guiro
808clave
Woodblock
Woodblock
Hoo
Hoo
MuteTriangl
OpenTriangl
626 Shaker
Jingle Bell
Bell Tree
Castanets
Mute Surdo
Open Surdo
---
---
---
---
---
---
---
---
---
PC: 27 [CC32: 2]
Dance
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
--Snare Roll
Finger Snap
High-Q
Slap
Scrtch Push2
Scrtch Pull2
Sticks
SquareClick
Mtrnm.Click
Mtrnm. Bell
TR-909 BD2
Techno BD2
Side Stick
Dance Snare1
909 HandClap
Power Snare1
Synth Drum 2
CR-78 chh
Synth Drum 2
808__chh
Synth Drum 2
CR-78 ohh
Synth Drum 2
Synth Drum 2
808 Crash
Synth Drum 2
606 Ride Cym
ReverseCymbl
Ride Bell
Shake Tamb
Splash Cym.
Cowbell
Crash Cym.2
Vibraslap
Ride Cymbal
Bongo High
Bongo Lo
Mute H.Conga
Conga Hi Opn
Conga Lo Opn
High Timbale
Low Timbale
Agogo
Agogo
Cabasa
Maracas
ShrtWhistle
LongWhistle
Short Guiro
Long Guiro
Claves
Woodblock
Woodblock
Hoo
Hoo
MuteTriangl
OpenTriangl
626 Shaker
Jingle Bell
Bell Tree
Castanets
Mute Surdo
Open Surdo
---
---
---
---
---
---
---
---
---
PC: 33 [CC32: 2]
Jazz
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
--Snare Roll
Finger Snap
High-Q
Slap
ScratchPush
ScratchPull
Sticks
SquareClick
Mtrnm.Click
Mtrnm. Bell
82Jz BsDrum1
82Jz BsDrum2
Side Stick
82Jz Snare1
Hand clap2
82Jz Snare2
Real Tom 6
Jazz Clsd.HH
Real Tom 6
Pedal HiHat
Real Tom 4
Jazz Open HH
Real Tom 4
Real Tom 1
Crash Cym.1
Real Tom 1
Ride Cym IN
ChinaCymbal
Ride Bell
Tambourine
Splash Cym.
Cowbell
Crash Cym.2
Vibraslap
RideCym Edge
Bongo High
Bongo Lo
Mute H.Conga
Conga Hi Opn
Conga Lo Opn
High Timbale
Low Timbale
Agogo
Agogo
Cabasa
Maracas
ShrtWhistle
LongWhistle
Short Guiro
Long Guiro
Claves
Woodblock
Woodblock
Mute Cuica
Open Cuica
MuteTriangl
OpenTriangl
Shaker
Jingle Bell
Bell Tree
Castanets
Mute Surdo
Open Surdo
---
---
---
---
---
---
---
---
---
PC: 41 [CC32: 2]
Brush
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
--Snare Roll
Finger Snap
High-Q
Slap
ScratchPush
ScratchPull
Sticks
SquareClick
Mtrnm.Click
Mtrnm. Bell
Jazz Kick 2
Jazz Kick 1
Side Stick
Brush Swirl
Brush Slap1
Brush Swirl
Lite Tom 4
Brs Chh
Lite Tom 4
Pedal HiHat
Lite Tom 4
Brush Ohh
Lite Tom 4
Lite Tom 4
Brush Crash
Lite Tom 4
Ride Cym IN
ChinaCymbal
Brush RideBL
Tambourine
Splash Cym.
Cowbell
Crash Cym.2
Vibraslap
RideCym Edge
Bongo High
Bongo Lo
Mute H.Conga
Conga Hi Opn
Conga Lo Opn
High Timbale
Low Timbale
Agogo
Agogo
Cabasa
Maracas
ShrtWhistle
LongWhistle
Short Guiro
Long Guiro
Claves
Woodblock
Woodblock
Mute Cuica
Open Cuica
MuteTriangl
OpenTriangl
Shaker
Jingle Bell
Bell Tree
Castanets
Mute Surdo
---
---
---
---
---
---
---
---
---
---
PC: 49 [CC32: 2]
ORCHSTRA
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
--Snare Roll
Finger Snap
Jazz Clsd.HH
Pedal HiHat
Jazz Open HH
Ride Cymbal
Sticks
SquareClick
Mtrnm.Click
Mtrnm. Bell
Jazz Kick 1
Concert BD
Side Stick
Concert Snr
Castanets
Concert Snr
Timpani
Timpani
Timpani
Timpani
Timpani
Timpani
Timpani
Timpani
Timpani
Timpani
Timpani
Timpani
Timpani
Tambourine
Splash Cym.
Cowbell
Con.Cymbal2
Vibraslap
Concert Cym.
Bongo High
Bongo Lo
Mute H.Conga
Conga Hi Opn
Conga Lo Opn
High Timbale
Low Timbale
Agogo
Agogo
Cabasa
Maracas
ShrtWhistle
LongWhistle
Short Guiro
Long Guiro
Claves
Woodblock
Woodblock
Mute Cuica
Open Cuica
MuteTriangl
OpenTriangl
Shaker
Jingle Bell
Bell Tree
Castanets
Mute Surdo
Open Surdo
Applause
--TR-707 BD
TR-707 BD
TR-707 Rim
TR-707 SD
Hand Clap 22
TR-707 SD
Tom
TR-707 HH-c
Tom
TR-707 HH-c
Tom
TR-707 HH-o
Tom
Tom
TR-707 Crash
Tom
Ride Cymbal
Dholla2 Dom2
Dholla 2 Sak
Tambourine
Dholla2 Rim1
Cowbell
Dholla2 RimC
Cabasa
Doff 2 Dom 2
Doff2 Sak 1B
Low Bongo
Doff 2 Sak 2
High Bongo
Doff 2 Rim 3
Tabla1 Dom 2
Tabla Roll
Tabla 2 Sak
Tabla Fx
Tabla2 Tak1D
Tabla 2 Tik
Tabla2 Rim 2
Rek 2 Dom 1B
Rek 2 Rim 2
Rek Dom 1
Rek 2 Tak 1
Rek 2 Tak 2C
Rek 2 Sak 1
Hager 2
Rek2Khan Cl2
Zir 2
Rek2Khan Op2
Rek 2 Roll
Rek 2 Sak 1
Sagat Mid
Sagat Hi
Sagat Sak
Jingle Bell
ZaghroutaSm3
ZaghroutaEd3
TablaNurDom3
Nakrazhan 1
TablaNurRim2
Nakrazhan 2
TablaNurTak3
TR-707 BD
Hand Clap 1
--High-Q
Slap
ScratchPush
ScratchPull
Sticks
SquareClick
Mtrnm.Click
Mtrnm. Bell
85St BsDrum1
85St BsDrum2
Side Stick
85St Snare2
909 HandClap
85St Snare1
Real Tom 6
Close HiHat2
Real Tom 6
Pedal HiHat2
Real Tom 4
Open HiHat2
Real Tom 4
Real Tom 1
Crash Cym.1
Real Tom 1
Ride Cymbal
ChinaCymbal
Ride Bell
Tambourine
Splash Cym.
Cowbell
Crash Cym.2
Vibraslap
Ride Cymbal
Bongo High
Bongo Lo
Mute H.Conga
Conga Hi Opn
Conga Lo Opn
High Timbale
Low Timbale
Agogo
Agogo
Cabasa
Maracas
ShrtWhistle
LongWhistle
Short Guiro
Long Guiro
Claves
Woodblock
Woodblock
Mute Cuica
Open Cuica
MuteTriangl
OpenTriangl
Shaker
Jingle Bell
Bell Tree
Castanets
Mute Surdo
Open Surdo
---
---
---
---
---
---
---
---
---
PC: 9 [CC32: 1]
Room
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
--High-Q
Slap
ScratchPush
ScratchPull
Sticks
SquareClick
Mtrnm.Click
Mtrnm. Bell
85Rm BsDrum1
85Rm BsDrum2
Side Stick
82Rm Snare2
808clap
82Rm Snare1
Room Tom 5
Room Chh
Room Tom 5
Pedal HiHat
Room Tom 2
R8 Ohh2
Room Tom 2
Room Tom 2
Crash Cym.1
Room Tom 2
Ride Cymbal
ChinaCymbal
Ride Bell
Tambourine
Splash Cym.
Cowbell
Crash Cym.2
Vibraslap
Ride Cymbal
Bongo High
Bongo Lo
Mute H.Conga
Conga Hi Opn
Conga Lo Opn
High Timbale
Low Timbale
Agogo
Agogo
Cabasa
Maracas
ShrtWhistle
LongWhistle
Short Guiro
Long Guiro
Claves
Woodblock
Woodblock
Mute Cuica
Open Cuica
MuteTriangl
OpenTriangl
Shaker
Jingle Bell
Bell Tree
Castanets
Mute Surdo
Open Surdo
---
---
---
---
---
---
---
---
---
PC: 17 [CC32: 1]
Power
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
---
--High-Q
Slap
ScratchPush
ScratchPull
Sticks
SquareClick
Mtrnm.Click
Mtrnm. Bell
Power Kick2
Power Kick1
Side Stick
Dance Snare1
808clap
Power Snare1
Rock Tom 4
Close HiHat2
Rock Tom 4
Pedal HiHat2
Rock Tom 4
Open HiHat2
Rock Tom 4
Rock Tom 1
Crash Cym.1
Rock Tom 1
Ride Cymbal
ChinaCymbal
Ride Bell
Tambourine
Splash Cym.
Cowbell
Crash Cym.2
Vibraslap
Ride Cymbal
Bongo High
Bongo Lo
Mute H.Conga
Conga Hi Opn
Conga Lo Opn
High Timbale
Low Timbale
Agogo
Agogo
Cabasa
Maracas
ShrtWhistle
LongWhistle
Short Guiro
Long Guiro
Claves
Woodblock
Woodblock
Mute Cuica
Open Cuica
MuteTriangl
OpenTriangl
Shaker
Jingle Bell
Bell Tree
Castanets
Mute Surdo
Open Surdo
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PC: 25 [CC32: 1]
ELECTRNC
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--High-Q
Slap
Scrtch Push2
Scrtch Pull2
Sticks
SquareClick
Mtrnm.Click
Mtrnm. Bell
Elec Kick 2
Elec Kick 1
Side Stick
Elec. Snare
808clap
Elec Snare 2
Synth Drum 2
Jazz Clsd.HH
Synth Drum 2
Pedal HiHat
Synth Drum 2
Jazz Open HH
Synth Drum 2
Synth Drum 2
Crash Cym.1
Synth Drum 2
Ride Cymbal
ReverseCymbl
Ride Bell
Tambourine
Splash Cym.
Cowbell
Crash Cym.2
Vibraslap
Ride Cymbal
Bongo High
Bongo Lo
Mute H.Conga
Conga Hi Opn
Conga Lo Opn
High Timbale
Low Timbale
Agogo
Agogo
Cabasa
Maracas
ShrtWhistle
LongWhistle
Short Guiro
Long Guiro
Claves
Woodblock
Woodblock
Mute Cuica
Open Cuica
MuteTriangl
OpenTriangl
Shaker
Jingle Bell
Bell Tree
Castanets
Mute Surdo
Open Surdo
--High-Q
Slap
ScratchPush
ScratchPull
Sticks
SquareClick
Mtrnm.Click
Mtrnm. Bell
82Jz BsDrum1
82Jz BsDrum2
Side Stick
82Jz Snare1
Hand clap2
82Jz Snare2
Real Tom 6
Jazz Clsd.HH
Real Tom 6
Pedal HiHat
Real Tom 4
Jazz Open HH
Real Tom 4
Real Tom 1
Crash Cym.1
Real Tom 1
Ride Cym IN
ChinaCymbal
Ride Bell
Tambourine
Splash Cym.
Cowbell
Crash Cym.2
Vibraslap
RideCym Edge
Bongo High
Bongo Lo
Mute H.Conga
Conga Hi Opn
Conga Lo Opn
High Timbale
Low Timbale
Agogo
Agogo
Cabasa
Maracas
ShrtWhistle
LongWhistle
Short Guiro
Long Guiro
Claves
Woodblock
Woodblock
Mute Cuica
Open Cuica
MuteTriangl
OpenTriangl
Shaker
Jingle Bell
Bell Tree
Castanets
Mute Surdo
Open Surdo
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PC: 41 [CC32: 1]
Brush
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--High-Q
Slap
ScratchPush
ScratchPull
Sticks
SquareClick
Mtrnm.Click
Mtrnm. Bell
Jazz Kick 2
Jazz Kick 1
Side Stick
Brush Swirl
Brush Slap1
Brush Swirl
Lite Tom 4
Brs Chh
Lite Tom 4
Pedal HiHat
Lite Tom 4
Brush Ohh
Lite Tom 4
Lite Tom 4
Brush Crash
Lite Tom 4
Ride Cym IN
ChinaCymbal
Brush RideBL
Tambourine
Splash Cym.
Cowbell
Crash Cym.2
Vibraslap
RideCym Edge
Bongo High
Bongo Lo
Mute H.Conga
Conga Hi Opn
Conga Lo Opn
High Timbale
Low Timbale
Agogo
Agogo
Cabasa
Maracas
ShrtWhistle
LongWhistle
Short Guiro
Long Guiro
Claves
Woodblock
Woodblock
Mute Cuica
Open Cuica
MuteTriangl
OpenTriangl
Shaker
Jingle Bell
Bell Tree
Castanets
Mute Surdo
Open Surdo
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PC: 49 [CC32: 1]
ORCHSTRA
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--Jazz Clsd.HH
Pedal HiHat
Jazz Open HH
Ride Cymbal
Sticks
SquareClick
Mtrnm.Click
Mtrnm. Bell
Jazz Kick 1
Concert BD
Side Stick
Concert Snr
Castanets
Concert Snr
Timpani
Timpani
Timpani
Timpani
Timpani
Timpani
Timpani
Timpani
Timpani
Timpani
Timpani
Timpani
Timpani
Tambourine
Splash Cym.
Cowbell
Con.Cymbal2
Vibraslap
Concert Cym.
Bongo High
Bongo Lo
Mute H.Conga
Conga Hi Opn
Conga Lo Opn
High Timbale
Low Timbale
Agogo
Agogo
Cabasa
Maracas
ShrtWhistle
LongWhistle
Short Guiro
Long Guiro
Claves
Woodblock
Woodblock
Mute Cuica
Open Cuica
MuteTriangl
OpenTriangl
Shaker
Jingle Bell
Bell Tree
Castanets
Mute Surdo
Open Surdo
Applause