Roland E-A7 User Manual

Download

Owner’s Manual

Owner’s Manual (this document)

Read this rst. It explains the basic things you need to know in order to use the E-A7.

PDF Manual (download from the Web)

5 Reference Manual

This explains all functions of the E-A7.

5 MIDI Implementation

This is detailed information about MIDI messages.

Before using this unit, carefully read “USING THE UNIT SAFELY” (p. 52) and “IMPORTANT NOTES” (p. 54). After reading, keep the document(s) including those sections where it will be available for immediate reference.

To obtain the PDF manual

1. Enter the following URL in your computer.

http://www.roland.com/manuals/

2. Choose “E-A7” as the product name.

An Overview of the E-A7 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4

Basic Structure . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4

Units of Sound . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4

About the Memory . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5

Eects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5

Panel Descriptions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6

Top Panel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6

Shortcut . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8

Rear Panel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9

Connecting Your Equipment . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10

Connecting External Audio Equipment . . . . . . . . . . . . . . . . . . . . . 10

Connecting a Microphone or External Audio Device to

the INPUT Jacks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10

Connecting an External Audio Device to the EXT IN Jack 10

Connecting MIDI Equipment . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10

Connecting the E-A7 to a Computer . . . . . . . . . . . . . . . . . . . . . . . 11

Connecting a Separately Sold Footswitch or Hold Pedal . . . . . . 11

Installing the Music Rest . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11

Placing the E-A7 on a Stand . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11

Before You Start Using E-A7 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12

Turning On/O the Power . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12

Turning On the Power . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12

Turning O the Power . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12

Adjusting the Overall Volume . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12

Optimizing the Acoustic Character for the Internal Speakers . . 13

Demo of the E-A7. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13

Making the Power Automatically Turn O After a Time

(Auto O) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13

Basic Operation of the E-A7 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14

Basic Screens . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14

Basic Buttons . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14

[Balance/Value] knob . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15

Adjusting the Volume Balance Between the Keyboard

Parts and the Style/Song . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15

Using the Knob for the Value [-] [+] Button and Tempo [-]

[+] Button Functions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15

Adjusting the Volume of Keyboard Parts and Style Parts . . . . . . 15

Assigning Names . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16

Performing . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17

Selecting a Tone and Playing it on the Keyboard . . . . . . . . . . . . . 17

Changing the Tone of a Keyboard Part . . . . . . . . . . . . . . . . 17

Turning Each Keyboard Part On/O and Adjusting the

Volume . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18

Playing Dierent Tones in the Right and Left Hands (Split) . . . . 18

Changing the Split Point . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18

Specifying Lower Hold . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18

Transposing Your Performance (Transpose) . . . . . . . . . . . . . . . . . 18

Changing the Pitch (Octave Shift) . . . . . . . . . . . . . . . . . . . . . . . . . . 19

Using the Metronome . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 19

Making Metronome Settings . . . . . . . . . . . . . . . . . . . . . . . . 19

Playing with Automatic Accompaniments . . . . . . . . . . . . . . . . 21

About the Styles . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 21

Using Styles. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 21

Selecting Styles . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 22

Adjusting the Volume and the ON/OFF Status of Style Parts . . . 23

Performing Along with a Style Accompaniment . . . . . . . . . . . . . 23

Changing the Style’s Tempo . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 24

Muting a Specic Track ( Track Mute) . . . . . . . . . . . . . . . . . . . . . . . 24

Selecting the Track to Mute . . . . . . . . . . . . . . . . . . . . . . . . . . 25

Selecting Tones Appropriate for a Style

(One Touch Memories) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 26

Selecting a One Touch Memory . . . . . . . . . . . . . . . . . . . . . . . . . . . 26

Canceling the One Touch Memories . . . . . . . . . . . . . . . . . . . . . . . 26

Locking One Touch Memories Settings (One Touch Lock) . . . . . 26

Creating Your Own One Touch Memories (One Touch Settings) 26

Editing and Saving the One Touch Settings of a Style . . . 26

Copying a User Program or One Touch Memory to

another One Touch Memory . . . . . . . . . . . . . . . . . . . . . . . . . 27

Creating Sounds . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 28

Overall Workow . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 28

Obtaining Waveforms . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 28

Connecting an External Device . . . . . . . . . . . . . . . . . . . . . . . . . . . 28

Sampling . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 29

Importing Samples . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 29

Sample Editing . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 29

Deleting a Sample . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 30

Creating a Multisample (Create Multisample) . . . . . . . . . . . . . . . 30

Multisample Editing . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 31

Deleting a Multisample . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 31

Creating a User Tone . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 31

Deleting a User Tone . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 32

Exporting User Tones to a USB Flash Drive (UST Export) . . . . . . 32

Loading Exported User Tones . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 33

Creating a User Drum Kit . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 33

Deleting a User Drum Kit . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 34

Exporting User Drum Kits to a USB Flash Drive (UDK Export) . . 34

Loading Exported User Drum Kits . . . . . . . . . . . . . . . . . . . . . . . . . 34

Increasing the Amount of Free Sample Memory . . . . . . . . . . . . . 35

Truncating a Sample . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 35

Sample Clean Up . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 35

Optimizing Sample Memory . . . . . . . . . . . . . . . . . . . . . . . . . 35

Using the Pads . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 36

Playing the Pads . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 36

Playing the Pads . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 36

Stopping the Pad Sound . . . . . . . . . . . . . . . . . . . . . . . . . . . . 36

Pad Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 36

Viewing the Pad Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . 36

Editing the Pad Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . 36

Saving the Pad Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 37

Creating a Phrase to Play from a Pad (Phrase Recording) . . . . . . 37

Using Favorite Tones . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 20

Recalling a Favorite Tone . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 20

Registering Favorite Tones . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 20

Contents

Using the E-A7 as a Song Player . . . . . . . . . . . . . . . . . . . . . . . . . . 38

Preparing to Use the E-A7 as a Song Player . . . . . . . . . . . . . . . . . 38

Selecting a Song . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 38

Playing Back a Song . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 38

Changing the Song’s Tempo . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 39

Muting a Selected Track (Track Mute) . . . . . . . . . . . . . . . . . . . . . . 39

Playing Back All Songs Consecutively . . . . . . . . . . . . . . . . . . . . . . 39

Loop Function . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 40

Using the Mark and Jump Function (SMF Songs Only) . . . . . . . . 40

Creating/Deleting Markers . . . . . . . . . . . . . . . . . . . . . . . . . . 40

Saving a Song that Contains Markers . . . . . . . . . . . . . . . . . 41

Using Markers to Perform . . . . . . . . . . . . . . . . . . . . . . . . . . . 41

Center Cancel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 41

Recording and Playing Back a Performance . . . . . . . . . . . . . . 42

Recording Audio (WAV Format) . . . . . . . . . . . . . . . . . . . . . . . . . . . 42

Saving the Song . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 42

Discarding the Recorded Content . . . . . . . . . . . . . . . . . . . . 42

Listening to the Recorded Content . . . . . . . . . . . . . . . . . . . . . . . . 42

Using File Utility . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 43

Displaying the File List . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 43

Renaming a File or Folder (Rename). . . . . . . . . . . . . . . . . . . . . . . . 43

Copying a File or Folder (Copy) . . . . . . . . . . . . . . . . . . . . . . . . . . . . 43

Deleting a File or Folder (Delete) . . . . . . . . . . . . . . . . . . . . . . . . . . 43

Creating a New Folder (Create Folder) . . . . . . . . . . . . . . . . . . . . . . 43

Various Settings (Menu) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 49

Main Specications . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 50

Index . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 51

USING THE UNIT SAFELY . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 52

IMPORTANT NOTES . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 54

Searching for a Song/Style (Finder) . . . . . . . . . . . . . . . . . . . . . . . 44

Searching for a Song/Style . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 44

User Program (UPG) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 45

User Programs (UPG) and User Program Sets (UPS) . . . . . . . . . . . 45

Loading a UPS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 45

Recalling the UPG . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 45

Direct Selection with the UPG Buttons . . . . . . . . . . . . . . . . 45

Selecting from the UPG List Screen . . . . . . . . . . . . . . . . . . . 45

Saving Settings as a User Program . . . . . . . . . . . . . . . . . . . . 46

Recalling My Setup . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 46

Saving Settings as My Setup . . . . . . . . . . . . . . . . . . . . . . . . . 46

Other Functions Related to the UPS List . . . . . . . . . . . . . . . . . . . . 46

Renaming a User Program Set (UPS) (Rename UPS) . . . . . 46

Deleting a User Program Set (UPS) (Delete UPS) . . . . . . . . 46

Creating a New User Program Set (UPS) (Make New UPS) 46

Copying a User Program Set (UPS) (Copy UPS) . . . . . . . . . 46

Using a UPS File Created by the Roland BK Series . . . . . . . 47

Other Functions Related to the UPG List . . . . . . . . . . . . . . . . . . . . 47

Deleting a User Program (UPG) (Delete UPG) . . . . . . . . . . 47

Moving a User Program (UPG) (Move UPG) . . . . . . . . . . . . 47

Renaming a User Program (UPG) (Rename UPG) . . . . . . . 47

Copying a User Program (UPG) (Copy UPGs) . . . . . . . . . . . 48

Saving an Edited User Program Set (Save UPS) . . . . . . . . . 48

Locking the UPG Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 48

An Overview of the E-A7

Basic Structure

Broadly speaking, the E-A7 consists of a controller section, a sound generator section, an arranger/song player section, and a sampler section.

Controller Section

The controller section is what you perform on. For example, the performer’s actions such as “playing the keyboard” are sent from the controller section to the sound generator section, causing it to produce sound. The controller section includes the keyboard, assignable lever, the panel sliders and buttons, and the pedals connected to the rear panel.

Sound Generator Section

This section produces the sound. It receives performance data from the controller section, the arranger/song player section, and external MIDI devices, and produces a variety of sounds in response to this data.

Arranger/Song Player Section

The arranger detects chords by analyzing the operations from the keyboard controller, and plays the appropriate style data. The song player plays back audio les or sends MIDI messages from SMF data to the sound generator.

Sampler Section

The sampler captures sounds from an audio device or mic connected to the input jacks, or audio les (WAV les) from a USB ash drive, and saves them as User Samples. You can use these user samples to create user sounds (User Tones, User Drum Kits).

Units of Sound

Tone

Tones are the units of sound with which you perform. Tones that you created by editing the built-in tones, or by loading a waveform (User Sample) you created using the sampling function, are called

“User Tones.”

Drum Kit

A drum kit is a group of percussion instrument sounds. In a drum kit, a dierent percussion instrument sound is played by each key (note number) you press. The sounds (mainly percussion instrument sounds) that are assigned to each note of the internal drum kits are called Drum Inst. The drum inst of the internal drum kits or waveforms (user samples) that you captured using the sampling function can be freely assigned to the keyboard to create your own original drum kit. A drum kit created by the user in this way is called a “User Drum Kit.”

User Sample

A waveform captured by the sampling function is called a “User Sample.” User samples are the material from which you can create user sample tones and user drum kits.

User Program (UPG)

A User Program (UPG) contains tone settings for the four parts that are assigned as the Keyboard Parts (Upper1, Upper2, Upper3, Lower). The style and song settings, as well as all settings that are loaded with them (for example, the intro and ending status, and settings for the selected variation), are also handled together within the user program (UPG). You can store one hundred UPGs as a User Program Set (UPS).

An Overview of the E-A7

About the Memory

The state of the E-A7’s parameters and the data that you create are held in memory. This memory is divided into three categories: “temporary memory,” “rewritable memory,” and “non-rewritable memory.”

Temporary memory (Temporary area)

A user program (UPG) that you load during a performance, and the panel settings that you modify while performing, are held in temporary memory (the temporary area). When you edit a User Tone or user drum kit, this data is also held in the temporary area during that time. Settings in the temporary area are temporary, and will be lost when you turn o the power or recall other settings. If you want to keep the settings that are in the temporary area, you must save them to rewritable memory.

Rewritable memory

Internal Storage

The memory that lets you store data inside the E-A7 is called Internal Storage. This holds user programs sets (UPS), user styles, User Tone settings, and user drum kit settings.

External Storage

You can insert a USB ash drive and store data outside the E-A7. Such external memory (a USB ash drive) is called External Storage, and can be used in the same way as internal storage. External storage can also be used as an audio recording destination, or to back up data.

System Memory

System Memory is located inside the E-A7, and stores system settings that determine the overall operation of the E-A7.

User Sample Memory

This is memory that stores user samples that were captured by sampling or that were imported by the sample import function.

Non-rewritable memory

Preset Memory

This memory holds parameters for the internal sounds, internal styles, and Music Assistant. Its data cannot be rewritten.

Preset Wave Memory

This memory contains waveform data used by the internal sounds. Its data cannot be rewritten.

Eects

The E-A7 contains the following eects units. You can make settings independently for each of them.

MFX (Multi Eects)

This is a general-purpose multi-eect that modies the sound itself, potentially giving it a completely dierent tonal character. A wide variety of types are provided, and you can choose the type that’s most appropriate for your purpose. There are a total of three MFX units: one unit dedicated to the keyboard part, and two units for backing.

Chorus

Chorus is an eect that adds depth and spaciousness to the sound. You can choose whether to use this eect unit as chorus or as delay. The depth of chorus can be adjusted individually for each part.

Reverb

Reverb is an eect that gives the sound a spatial ambience that’s characteristic of a performance in a hall. Several types are provided, and you can choose the type that’s most appropriate for your purpose. The depth of reverb can be adjusted individually for each part.

Input EFX

This unit can apply reverb or other eects to the sound from the input jacks.

Mastering Tools

The mastering tools consist of a mastering compressor and equalizer that are applied to all parts.

Panel Descriptions

Top Panel

For details on each functions, refer to “Reference Manual (English)” (PDF).

Master Volume/ Balance

Controller Explanation

[Master Volume] knob

[Balance/Value] knob

Mode [Style] button Mode [Song] button

Adjusts the overall volume (the sound that is output from the speakers and the PHONES/OUTPUT jacks). Press this knob to switch it between the Balance function (lit) and the Value function (unlit). Balance function (lit): This knob adjusts the volume balance between your keyboard performance and the backing performance (e.g., Style or Song). Value function (unlit): This knob edits the value in the right screen, left screen or tempo. Selects Style mode. If Style mode is selected, the button is lit (Style Mode). Selects Song mode. If Song mode is selected, the button is lit (Song Mode).

4 1

5 3

6 7 8

10 11

Style

Controller Explanation

Style [0]–[9] buttons

Style [User] button Left side [Numeric] button Left side [Exit] button Left side [Enter] button Left side [Option] button

Use these buttons to select the Style category (p. 22). When you press a button, the styles included in that category are displayed.

Press this button to select the user styles.

After pressing this button, you can use the Style [0]–[9] buttons to enter a numeric value (p. 14). Returns to the next higher level of screen (left screen).

* Long-press this button to return to the main screen.

Use this button to conrm a value or execute an operation (left screen). Displays a context menu for the page that is currently open in the left screen.

Scale Tune/Pad, Keyboard Buttons

Controller Explanation

[Scale Tune/Pad] button

[Equal] button Sets the Scale Tune to equal temperament.

Scale Memory [ I ]–[III] buttons

Scale Tune (PDF)

Keyboard buttons

Pad (p. 36) Pad [1]–[6] buttons Pad [Stop] button Stops the sound of all Pads. Pad [View] button Pad [Setting] button Pad [Sync Start] button

Switches the function of the keyboard buttons. Scale Tune function (lit) Pad function (unlit)

Sets the Scale Tune to “Scale Memory I–III.”

* Long-press this button to save the Scale Tune settings that are specied

for the keyboard buttons.

You can use the keyboard buttons to edit the Scale Tuning as desired.

* Long-press these buttons to access the Scale Tune edit screen.

These play phrases or sound eects (p. 36).

This lets you audition the phrases or sound eects that are assigned to the pads.

Accesses the setting screen for each pad.

Turns on/o the setting (Sync Start) that makes the pads play in synchronization with the start of a style or song.

Left Display

Controller Explanation

Left side Cursor [K] [J] buttons Left side Value [-] [+] buttons

Left side direct buttons ([L1]– [L5] [R1]–[R5] buttons)

Left side function buttons ([F1]– [F5] buttons)

Move the cursor position (left screen).

Edit the parameter value at the cursor location (left screen).

These buttons are assigned to the items or functions shown in the screen.

[L1] [L2] [L3]

[L4] [L5]

[F1]

[F2]

[F3]

[F4]

[R1] [R2] [R3]

[R4] [R5]

[F5]

Panel Descriptions

Part Level

Controller Explanation

[Select] button Switches the function of the Part Level sliders and buttons.

[Track Mute]

button

Tempo [Tap ] button

Tempo [-] [+] buttons

Tempo [Lock] button

Use this to mute specic tracks of the selected Style or song.

* Long-press this button to access a screen where you can select the mute

track of the SMF or Style.

You can change the tempo of the current Style or song by repeatedly pressing this button at the desired interval. Change the tempo of the currently selected Style or song. If you press the two buttons simultaneously, the original tempo specied for the Style or song is restored. Press this button to lock the current tempo setting. The tempo does not change even if you select another style (of a dierent tempo).

Part Level

Adjust the volume of the parts (Parts sliders). Turn the parts on/o (Part buttons).

[A DRUM] Accompaniment drum part

Part sliders/Part buttons

[A BASS] Accompaniment bass part [LWR] Lower part [UP3] Upper 3 part [UP2] Upper 2 part [UP1] Upper 1 part

[ACC1]–[ACC6] Accompaniment part 1–6

Right Display

Controller Explanation

Right side Cursor [K] [J] buttons Right side Value [-] [+] buttons

Right side direct buttons ([L1]– [L5] [R1]–[R5] buttons)

Right side function buttons

Move the cursor position (right screen).

Edit the parameter value at the cursor location (right screen).

These buttons are assigned to the items or functions shown in the screen.

[L1] [L2] [L3]

[L4] [L5]

[R1] [R2] [R3]

[R4] [R5]

([F1]–[F5] buttons)

Tone

[F1]

[F2]

[F3]

[F4]

[F5]

Controller Explanation

Tone [0]–[9] buttons

Tone [User] button Right side [Numeric] button Right side [Exit] button Right side [Enter] button Right side

[Option] button

Input/Sampling

Use these to select tones. When you press a button, the tones in that category are shown (p. 17).

Use this to select User Tones (PDF).

After pressing this button, you can use the Tone [0]–[9] buttons to enter a numeric value (p. 14). Returns to the previous screen (right screen).

* Long-press this button to return to the Main screen.

Use this button to conrm a value or execute an operation (right display). Displays a context menu for the page that is currently open in the right display.

Controller Explanation

Mic/Line In

[Volume] knob [Input On]

button

[Input EFX] button

[Sampling] button

Adjusts the volume of the signal being input to the INPUT jacks.

Turns on/o the signal from the INPUT jacks.

* Long-press this button to access a screen of input-related settings.

Turns on/o the eect that’s applied to the signal from the INPUT jacks.

* Long-press this button to access a screen of input-related settings.

Displays the sampling menu screen (p. 29).

Controller Explanation

Switches the acoustical character of the sound that is output from the Phones jack/Output jacks and the E-A7’s speakers. When the button is lit: Settings are optimized for the response of

the E-A7’s speakers.

[Output Mode] button

When the button is unlit: The Mastering Tools function’s

Compressor and Equalizer settings will be enabled. The factory settings (Type: Standard) or the User settings are applied.

* The “Standard” compressor and equalizer type settings are optimal for

use when the Phones jack or Output jacks are connected to an external speaker or PA system.

[L] (power) button

Menu/Utility

Turns the power on (p. 12).

* Long-press this button to turn the power o (p. 12).

Controller Explanation

[Write] button Saves settings. [Finder] button Use this button to search for a User Style or Song (p. 44).

Displays the Favorite screen.

[Favorite] button

[Menu] button

Style/Song Control

Here you can recall Favorite tones (p. 20).

* To play the demo songs, hold down the [Menu] button and press the

[Favorite] button.

Displays a menu screen.

* To play the demo songs, hold down the [Menu] button and press the

[Favorite] button.

Controller Explanation

Intro [1]–[4] buttons

Use these to select the Style’s intro (Each Style can have up to four dierent intros). Use these to select the Style’s variation (Each Style can have up to

Variation [1]–[4] buttons

four dierent variations). You can use these when you want the arrangement of the selected Style to be simpler or more complex.

[Break] button

[Auto Fill] button

Ending [1]–[4] buttons Sync [Stop] ( button Sync [Start] ( button [Start/Stop] button

Mutes the Style’s playback until the end of the currently-playing measure. Turns on the Auto Fill-in function. If this is on, a ll-in plays before the new Style variation is played back.

Select the Style’s ending (Each Style can have up to four endings).

If the Synchro Stop function is on, style playback will stop when

)

you play and release a single note or chord. If the Synchro Start function is on, Style playback starts when you

)

play a single note or chord. Plays/stops the Style. If a song is selected, pressing this button plays or pauses the song. If the Style is stopped, pressing this button starts the Style and

[Fade In/Out] button

gradually raises the volume from 0 (Fade In). If the Style is playing, pressing this button gradually lowers the volume and then automatically stops the song or Style playback when the volume reaches 0 (Fade Out).

[Loop Start] button

[Loop End] button

Mark & Jump [1]–

[4] buttons

[Center Cancel]

button Song Player [u] button Song Player [x] button Song Player [y] button

[Rec] button

One Touch [1]–[4] buttons

If a song is selected, this button species the loop start point for the loop play function. If the loop point is already specied, this button turns loop play on/o (p. 40). If a song is selected, this button species the loop end point for the loop play function. If the loop point is already specied, this button clears the loop point. When playing an SMF in which marks have been assigned, these buttons jump to the assigned playback point (p. 40).

* If you long-press one of these buttons, the Mark & Jump function setting

screen appears.

Minimizes the vocal or other sound that is panned to the center of an audio le (WAV or MP3).

Returns the playback position to the beginning of the song.

Rewinds the song.

Fast-forwards the song.

Records a style or song (audio).

* In the record-ready condition (indicator blinking), long-pressing this

button cancels record-ready.

Use these buttons to recall One Touch memories (p. 26).

* You can long-press one of these buttons to access a screen where you can

edit and save One Touch memories.

Panel Descriptions

User Program

Controller Explanation

Divides the keyboard into left and right, allowing you to play

[Split] button

UPG [Lock] button

UPG Bank [B] button UPG Bank [-] [+] buttons UPG [1]–[10] buttons

My Setup [M] button

UPG/UPS List [L] button

dierent tones in each region (p. 18).

* If you long-press this button, the split setting screen appears.

Allows you to prevent settings from changing (lock) when you switch user programs.

“Locking the UPG Settings” (p. 48)

* If you long-press this button, the User Program Lock setting screen

appears.

Press this button if you want to use User Program [1]–[10] buttons to specify the bank.

Switch the user program bank.

Switch the user program.

Switches to My Setup (p. 46).

* If you long-press this button, the Write screen appears, allowing you to

save the current settings in My Setup.

Displays the UPS list or UPG list. The UPS or UPG list switches each time you press this button.

* User Programs are abbreviated as UPG.

* User Program Sets are abbreviated as UPS.

4 1

5 3

6 7 8

10 11

Octave/Transpose/Assignable

Controller Explanation

Octave [-] [+] buttons

Transpose [-] [+] buttons

Assignable Switch [1]–[7] buttons

Assignable lever

Shift the pitch of the keyboard part in units of one octave (p. 19). Press these two buttons simultaneously to return to the original octave settings. Transpose the Style, song, and keyboard parts. Press these two buttons simultaneously to return the transpose setting to 0. These buttons perform the functions that you’ve assigned.

* If you long-press one of these buttons, the assignable settings screen

appears, allowing you to assign various functions to the buttons.

With the factory settings, moving the lever to the left while you play the keyboard lowers the pitch, and moving the lever to the right raises the pitch. Moving the lever away from yourself applies vibrato. A variety of functions can be assigned to this lever as well.

[Menu] 0 “Global”

Shortcut

You can also long-press any panel button marked with a diamond symbol (;) to jump to the corresponding parameter screen for that button. You can also reach the parameter screen via the menu. As noted below, you can access a save screen or other screen by long-pressing certain buttons.

Long-press Scale Memory [ I ]–[III] buttons

Saves the current scale tune state in a Scale Memory [ I ]–[III].

Long-press [Exit] button

If a screen within the menu hierarchy is displayed, takes you back to the main screen. The right [Exit] button does the same.

Long-press [Rec] button

If you long-press this button while in the record-ready state (indicator blinking), record-ready is canceled. (If you decide not to record, you can use this button to cancel.)

Long-press [My Setup] button

Displays the My Setup save screen.

Long-press [Favorite] button

Displays the Favorite save screen.

Rear Panel

Panel Descriptions

If connecting a microphone

Set the MICLINE select switch to MIC.

HOLD

Option: DP series,

BOSS FS-5U

EXPRESSION

Option: EV-5

If connecting an audio device, synthesizer, or similar device

Set the MIC-LINE select switch to LINE.

CONTROL

Option: DP series,

BOSS FS-5U, EV-5

Connect MIDI equipment (p. 10).

Use a stereo mini-plug to connect an audio player or similar device.

Connect an amplied speaker.

A B C D E F

Cord hook

AC adaptor

ComputerUSB ash drive

Indicator

* Place the AC adaptor so the side with the indicator (see illustration)

faces upwards and the side with textual information faces downwards. The indicator will light when you plug the AC adaptor into an AC outlet.

Power Cord

AC Outlet

Headphones

* To prevent malfunction and equipment failure, always turn down the volume, and turn o all the units before making any connections.

USB port

Jack Explanation

Connect a USB ash drive (separately sold) for use as external storage.

USB MEMORY port

USB COMPUTER port

Foot Pedal jack

Jack Explanation

Pedal HOLD jack

Pedal EXPRESSION jack

Pedal CONTROL jack

MIDI port

* Carefully insert the USB ash drives all the way in—until it is rmly in

place.

* Use a USB ash drive sold by Roland. We cannot guarantee operation if

any other USB ash drive is used.

* We do not recommend using a USB hub, regardless of whether it is an

active or a passive hub. Connect only one USB ash drive to this port.

If you use a commercially available USB cable to connect the E-A7’s USB COMPUTER por t to a USB port on your computer, you’ll be able to produce and edit music using the E-A7 in conjunction with MIDI-enabled software.

If a separately sold pedal switch (Roland DP series) is connected to this jack, you can use it to sustain the sound of the keyboard part. This function is called “sustain” or “damper.” Connect a separately sold expression pedal (Roland EV-5) to this jack.

* Use only the specied expression pedal (EV-5; sold separately). By

connecting any other expression pedals, you risk causing malfunction and/or damage to the unit.

Connect a separately sold pedal switch (Roland DP series) or separately sold expression pedal (Roland EV-5) to this jack. You can assign a function suitable for the pedal that’s connected.

“Reference Manual” (PDF)

* Use only the specied expression pedal (EV-5; sold separately). By

connecting any other expression pedals, you risk causing malfunction and/or damage to the unit.

These connectors can be connected to other MIDI devices to receive and transmit MIDI messages.

page

DC IN jack

Jack Explanation

Connect the included AC adaptor here.

NOTE

DC IN jack

Cord hook

INPUT jack

Jack Explanation

MIC-LINE select switch

INPUT L/MONO, MIC, R jacks

EXT IN jack

Output jack

Jack Explanation

OUTPUT L/ MONO, R jacks

PHONES jack

5 Use only the AC adaptor that is included with the product. 5 If you won’t be using the E-A7 for an extended period of time,

disconnect the AC adaptor from the AC outlet. To prevent the inadvertent disruption of power to your unit (should the plug be pulled out accidentally), and to avoid applying undue stress to the jack, anchor the power cord using the cord hook, as shown in the illustration.

Set this switch to the appropriate position depending on whether you connect a microphone (MIC) or a line-level device such as an instrument (LINE). Connect a microphone, or the outputs of your audio equipment, synthesizer, or similar device.

* If you connect a microphone, connect it to the L/MONO, MIC jack.

Condenser microphones are not supported.

* If you want to input in monaural, connect to the L/MONO, MIC jack.

This is an audio input jack. If you use a stereo mini-plug to connect your audio player or similar device, the sound of the connected device is heard from the E-A7.

* Eects are not applied to the sound that is input from the EXT IN jack.

* Adjust the volume on the connected device (e.g., audio player).

Connect speakers.

5 If you want to output in monaural, connect your system to the

L/MONO jack.

5 If you’ve connected the output jacks to external speakers or a

PA system, we recommend that you leave the [Output Mode]

button o (button unlit). Connect separately sold headphones (Roland RH series). If a cable is connected to this jack, the internal speakers are automatically muted.

Connecting Your Equipment

Connecting External Audio Equipment

The E-A7 is equipped with two types of input jack: the INPUT jacks and the EXT IN jack. Use whichever is suitable for your needs.

Jack Explanation

INPUT jacks

EXT IN jack

NOTE

To prevent malfunction and equipment failure, always turn down the volume, and turn o all the units before making any connections.

Connecting a Microphone or External Audio Device to the INPUT Jacks

Connect your microphone or device (e.g., synthesizer) to the INPUT jacks. You can sample the audio from these external audio inputs.

1. Turn the [Mic/Line In] knob all the way to the left,

minimizing the volume.

2. Connect your microphone or the outputs of your audio

device (e.g., synthesizer) to the E-A7’s INPUT jacks.

3. Set the INPUT-MIC select switch to MIC if connecting a

microphone, or to LINE if connecting a synthesizer or other audio device.

4. Press the [Input On] button to make it light; the input

turns on.

5. Turn the [Mic/Line In] knob to adjust the input level.

6. If you want to apply an eect such as reverb to the

audio input, press the [Input EFX] button to turn Input EFX on.

MEMO

5 If you long-press the [Input EFX] button, the Input EFX screen

appears, allowing you to make settings for Input EFX. For more about the input eects, refer to “Reference Manual” (PDF).

5 If you connect a mic, connect it to the L/MONO, MIC jack.

Condenser microphones are not supported.

Eects such as reverb can be applied to the audio input. Use this jack if you want to sing along with your performance, or record a sample. The audio input of this jack is output without change from the OUTPUT jacks or the speakers. It is not possible to apply eects or adjust the volume. Use this jack if you want to perform while playing back an audio player.

Connecting MIDI Equipment

If MIDI equipment is connected, it can exchange performance information with the E-A7.

What is MIDI?

MIDI, short for “Musical Instrument Digital Interface,” was developed as a universal standard for the exchange of performance data among electronic musical instruments and computers. The E-A7 is equipped with MIDI connectors to let it exchange performance data with external devices. These connectors can be used to connect the unit to an external device for even greater versatility.

Connection example

If you use a MIDI cable to connect the E-A7’s MIDI OUT connector to the MIDI IN connector of your external MIDI device, you’ll be able to produce sound on your external MIDI device by playing the E-A7’s keyboard. As necessary, set the receive channel of your external MIDI device to match the E-A7’s transmit channel.

Use the E-A7 to play the MIDI sound module.

E-A7

The MIDI sequencer plays the sounds of the E-A7.

MIDI channels

MIDI uses sixteen channels: 1–16. Even if two MIDI devices are connected, they won’t be able to select or play each other’s sounds if the two devices are set to dierent MIDI channels. The E-A7 can receive all channels 1 through 16.

For details on MIDI settings, refer to “Reference Manual

(English)” (PDF).

MIDI sound module / sequencer

Connecting an External Audio Device to the EXT IN Jack

You can connect an audio player or similar device to the EXT IN jack.

1. Minimize the volume of your external audio device.

2. Connect your audio player to the E-A7’s EXT IN jack.

3. Adjust the volume using the controls of the connected

audio device.

NOTE

5 The sound that’s input from this jack cannot be sampled. 5 Noise may occur if you connect or disconnect a cable at the

EXT IN jack while the E-A7 is powered-on, but this is not a malfunction.

Connecting Your Equipment

Connecting the E-A7 to a Computer

If a USB cable (sold separately) is connected between the E-A7’s rear panel USB COMPUTER port and a USB port of your computer, you’ll be able to do the following things.

5 Use the E-A7 as a sound module. 5 Produce and edit music by transferring MIDI data between the E-A7

and your sequencer.

1. Use a standard USB cable (sold separately: A

B type

cable) to connect the E-A7 to your computer.

If the computer does not recognize the E-A7

When connecting the E-A7 to your computer, there is normally no need to install a driver. If you experience problems, or if the speed is too slow, you may be able to solve the problem by installing Roland’s dedicated driver. For details on downloading and installing the dedicated driver, refer to the Roland website.

http://www.roland.com/support/

NOTE

5 Only MIDI data is transmitted and received via the USB cable.

The audio data cannot be transmitted or received via USB.

5 Power-on the E-A7 before you start the MIDI application on

your computer. Never power-on or power-o the E-A7 while the MIDI application is running.

For details on USB settings, refer to “Reference Manual

(English)” (PDF).

Connecting a Separately Sold Footswitch or Hold Pedal

Installing the Music Rest

1. Install the music rest as shown in the illustration.

NOTE

5 When moving the E-A7, be sure to remove the music rest as a

safety precaution.

5 Do not apply excessive force to the music rest. 5 The music rest is not designed to accept the placement of

laptops or other heavy objects.

Placing the E-A7 on a Stand

If you want to place the E-A7 on a stand, use the Roland KS-18Z. Be careful not to pinch your ngers when setting up the stand. Place the instrument on the stand as follows.

Rear view

Adjust the outer width of the stand

Place the E-A7 so that it is in the center of the stand

within the range shown below. 800 mm–between the rubber feet of the E-A7

Between the rubber feet

800 mm or

Top view

You can connect a pedal switch (sold separately: DP series) or expression pedal (sold separately: EV-5) to the E-A7’s PEDAL jacks.

“ Foot Pedal jack” (p. 9)

Side view

Place the E-A7 so that it is in the center of the stand

NOTE

Adjust so that the height does not exceed 1 meter (Adjust the stand to a level no higher than the third level from the bottom).

5 When placing the E-A7 on a stand, take care not to pinch your

ngers between the instrument and the stand.

5 Using any other combination of instrument and stand

could produce an unstable situation, possibly causing the instrument to fall or tip over and cause injury.

5 If the instrument is not placed correctly, it will be unstable,

possibly causing the instrument to fall or tip over and cause injury.

5 For details on assembling the stand, refer to the owner’s

manual of the stand.

Before You Start Using E-A7

Turning On/O the Power

Once everything is properly connected (p. 9), be sure to follow the procedure below to turn on their power. If you turn on equipment in the wrong order, you risk causing malfunction or equipment failure.

Turning On the Power

NOTE

5 When you turn o the power of the E-A7, the contents of the

loaded (currently edited) UPS (User Program Set) are lost. Save any important data before you turn o the power.

5 If you need to turn o the power completely, press the [L]

(power) switch; after the unit’s power switch has been turned o, disconnect the plug from the AC outlet.

1. Turn the [Master Volume] knob all the way to the left,

minimizing the volume.

NOTE

Before turning the unit on/o, always be sure to turn the volume down. Even with the volume turned down, you might hear some sound when switching the unit on/o. However, this is normal and does not indicate a malfunction.

2. Press the [

] (power) switch to turn on the power.

If you don’t want the power to turn o automatically, change the “ Auto O ” setting to “O ”

The power to this unit will be turned o automatically after a predetermined amount of time has passed since it was last used for playing music, or its buttons or controls were operated (Auto O function). If you do not want the power to be turned o automatically, disengage the Auto O function (p. 13).

* Any settings that you are in the process of editing will be lost when the power is turned

o. If you have any settings that you want to keep, you should save them beforehand.

* To restore power, turn the power on again.

Adjusting the Overall Volume

Here’s how to adjust the volume of your keyboard playing or the playback volume of an internal song. If headphones are connected, use the [Master Volume] knob to adjust the headphone volume.

1. Turn the [Master Volume] knob to adjust the overall

volume.

Adjust the volume while you play the keyboard to produce sound. Turning the knob toward the right will increase the volume, and turning it toward the left will decrease the volume.

3. Use the [Master Volume] knob to adjust the volume.

NOTE

5 This unit is equipped with a protection circuit. A brief interval (a

few seconds) after turning the unit on is required before it will operate normally.

5 To ensure proper operation of the assignable lever, make sure not

to touch the lever when turning the E-A7’s power on.

Turning O the Power

1. Turn the [Master Volume] knob all the way to the left,

minimizing the volume.

NOTE

Never power-o the E-A7 during playback or recording or while data is being read or written on a USB ash drive.

2. Continue holding down the [

indicates “POWER OFF.”

Release the button, and the power turns o.

] button until the screen

Before You Start Using E-A7

Optimizing the Acoustic Character for the Internal Speakers

If you turn on the [Output Mode] button, the output sound is adjusted optimally for the response of the E-A7’s built-in speakers.

1. Press the [Output Mode] button to make it light.

MEMO

You can specify whether the [Output Mode] button will be on or o when the E-A7 starts.

“Reference Manual” (PDF)

2. To turn the [Output Mode] button o, press the [Output

Mode] button once again (the button goes dark).

The Mastering Tools’ Equalizer and Compressor settings will be enabled.

MEMO

With the factory settings, Mastering Tools’ Type is set to “Standard.” The Type “Standard” settings are optimal when connecting the Phones/Output jacks to external speakers or a PA system. You can also change the settings that are used when the [Output Mode] button is o.

“Reference Manual” (PDF) 0 “Mastering Tools Function”

Demo of the E-A7

Making the Power Automatically Turn O After a Time (Auto O)

The power to this unit will be turned o automatically after a predetermined amount of time has passed since it was last used for playing music, or its buttons or controls were operated (factory setting). If you don’t need the power to turn o automatically, set “Auto O” to the “OFF” setting as described below.

1. Press the [Menu] button to make it light.

The Menu screen appears.

2. Use the direct buttons to select “Global.”

3. Use the function buttons to move the pages.

4. Use the direct buttons to select “Auto O.”

5. Use the Value [-] [+] buttons to select “OFF.”

6. Press the [Exit] button to return to the previous screen.

MEMO

The settings are automatically saved in the Global parameters when you exit the screen.

Your E-A7 contains a demo that introduces all of its highlights. It might be a good idea to try it out now. The demo is self-explanatory, so we’ll just show you how to start and stop it.

1. Press the [Favorite] button and [Menu] button

simultaneously.

Playback starts automatically with the demo song.

2. Press the [Exit] button to leave the demo function.

NOTE

5 No data for the music that is played will be output from the

MIDI OUT connector and the USB COMPUTER port.

purposes other than private, personal enjoyment is a violation of applicable laws.

Basic Operation of the E-A7

Basic Screens

In keeping with its emphasis on smooth realtime operability during live performance, the E-A7 features dual displays in the left and right sides of the panel. The left display shows style-related information, and the right display shows mainly tone-related information. This means that even if you are switching styles in the left destination while switching tones in the right destination, you won’t need to switch screens within a display.

* The explanations in this manual include illustrations that depict

what should typically be shown by the display. Note, however, that your unit may incorporate a newer, enhanced version of the system (e.g., includes newer sounds), so what you actually see in the display may not always match what appears in the manual.

Main page (left)

The display diers between Style mode and Song mode.

Main page (in Style Mode)

Name of the last chord you played

Name, number, and category of the selected Style

Bank, number, and name of the selected UPG

Split Point

Transpose

Current performance position (measure and beat or remaining time), tempo

Displays the Keyboard Part Mixer screen.

Displays the Style Part Mixer screen.

Bass Inversion on/o

Displays the Arranger Setting screen.

Bass Inv (Bass Inversion) Function

Turns the bass inversion function on/o. If Bass Inv is o, the style’s bass part always sounds the note played by the performer or the root note of the chord. Example: When you play the chord E-G-C (C maj), the bass part sounds the “C” note.

If Bass Inv is on, the rhythm’s bass part sounds the lowest note that you play on the keyboard. Example: When you play the chord E-G-C (C maj), the bass part sounds the “E” note.

Main page (in Song Mode)

Name of the last chord you played

Name and le type of the selected song

Bank, number, and name of the selected UPG

Split Point

Transpose

Current performance position (measure and beat or remaining time), tempo

Mixer screen.

Tone number and name selected for each keyboard part

Arranger Switch on/o

Tone number and name selected for each keyboard part

Chain Play on/oDisplays the Keyboard Part

Indicates the keyboard part. Use the direct buttons to select a part.

Main page (right)

The main screen in the right display shows a tone list.

Right page

Tone sub-category name

Name of the selected

part

Tone list

Switch pages

Control change number and program change number assigned to the selected tone

Basic Buttons

There are two each of these basic buttons, just as there are two displays at the left and right.

Direct buttons

[L1] [L2] [L3]

[L4] [L5]

[F1]

[F2]

[F4]

[F3]

[F5]

Function buttons

Direct buttons, Function buttons

Around the display are placed direct buttons and function buttons that are linked with the contents of the display.

Cursor, Value, Enter, Exit

These buttons are provided for each of the left and right displays, allowing you to perform basic operations in each display such as moving the cursor, editing values, and conrming or canceling.

Option

The Option buttons are also placed by the left and right displays. The Option button is used to select functions that are related to the functions and operations shown in each display. This means that their function will depend on the screen that’s shown.

Numeric

You can use the numeric buttons to select tones, or styles by entering a number. This method is convenient if you remember the number that you want to select. Here’s how to select a tone by number.

1. Press the Tone [Numeric] button to open the Numeric

window.

Tone [0]–[9] buttons light.

2. Use the Tone [0]–[9] buttons to enter a number.

MEMO

If you decide to cancel, press the [Exit] button.

3. Press the [Enter] button to conrm.

The Numeric screen closes, and the page of the selected tone or style appears.

[R1] [R2] [R3]

[R4] [R5]

[Exit]

[Numeric]

[Option]

[Enter]

Basic Operation of the E-A7

[Balance/Value] knob

The [Balance/Value] knob has the two functions of Balance and Value. These functions alternate each time you press the [Balance/Value] knob.

MEMO

If the Balance function is active, the LED at the left of the [Balance/Value] knob is lit.

Adjusting the Volume Balance Between the Keyboard Parts and the Style/Song

1. Make sure that the Balance LED beside the [Balance/

Value] knob is lit.

If it’s not lit, press the [Balance/Value] knob once.

2. Turn the [Balance/Value] knob.

The Balance screen opens. You can view the current setting while you adjust it.

MEMO

After a time, the screen closes automatically.

Using the Knob for the Value [-] [+] Button and Tempo [-] [+] Button Functions

When using the Value [-] [+] buttons to edit a value in a parameter screen or an edit screen, you can also use this knob to edit the value. When the Tempo screen is open, you can use the knob to change the tempo.

1. Make sure that the Balance LED beside the [Balance/

Value] knob is unlit.

If it’s lit, press the [Balance/Value] knob once.

2. Turn the [Balance/Value] knob.

Adjusting the Volume of Keyboard Parts and Style Parts

If the volume of the Style or song is too loud or too soft in comparison to your performance, you can adjust the volume balance as follows. You can use the Part Level sliders to easily adjust the volume of each keyboard part and style part.

1. Each time you press the [Select] button, the parts

assigned to the sliders and buttons will change in the following combinations.

Button Part

[A DRUM] Accompaniment drum part [A BASS] Accompaniment bass part [LWR] Keyboard lower part [UP3] Keyboard upper 3 part [UP2] Keyboard upper 2 part [UP1] Keyboard upper 1 part

[ACC1]–[ACC6] Accompaniment part 1–6

2. Move the slider for each part.

5 Moving the [UP1] [UP2] [UP3] or [LWR] sliders adjusts the

volume of the corresponding Keyboard Part.

5 Moving the [A BASS] slider adjusts the volume of the Style

performance’s Bass part.

5 Moving the [A DRUM] slider adjusts the volume of the Style

performance’s Drum part.

5 Moving the [ACC1]–[ACC6] sliders adjusts the volume of the Style

performance’s ACC1–6 parts.

3. Turn each part’s button on/o.

5 Pressing the [UP1] [UP2] [UP3] or [LWR] buttons turns the

corresponding Keyboard Part on/o.

5 Pressing the [A BASS] button turns the Style performance’s Bass

part on/o.

5 Pressing the [A DRUM] button turns the Style performance’s

Drum part on/o.

5 Pressing the [ACC1]–[ACC6] buttons turns each of the Style

performance’s ACC1–6 parts on/o.

NOTE

You can’t use the Style Part [A DRUM] [A BASS] and [ACC1]– [ACC6] sliders or buttons while a song is selected.

MEMO

5 You can also make this setting in the Mixer screen.

Keyboard Part (p. 18)

Style Part (p. 23)

5 Slider settings are remembered even if you switch styles or One

Touch. They are reset if you switch the UPG.

Basic Operation of the E-A7

Assigning Names

The E-A7 lets you assign a name to a style or user program when you save it. Regardless of what you’re naming, the procedure is the same.

1. Use the Cursor [

] [J] buttons to move the cursor to the

position where you want to input a character.

2. Use the Value [-] [+] buttons to specify the character

that you want to input.

Button Explanation

Direct button [L2] Deletes one character Direct button [R2] Inserts one space

Direct button [L3]

Direct button [R3]

Direct button [L4] Selects symbols/numerals for input

MEMO

You can also specify characters using the Style or Tone category buttons (numeric keypad). Use the category buttons to input the characters that are assigned to the numeric keypad display in the center of the screen. For example each time you press the category button corresponding to the icon marked “ABC,” the character switches in the order of “A” 0 “B” 0 “C” 0 “A”...

Selects uppercase alphabetical characters for input Selects lowercase alphabetical characters for input

3. Use the function buttons to select “Exec.”

A conrmation message appears.

4. If you decide to cancel the input, press the [Exit] button.

NOTE

Depending on what you’re saving, there may be limitations on the number of type of characters that you can use.

Performing

Selecting a Tone and Playing it on the Keyboard

On the E-A7, the sounds that can be assigned to each part are called “tones.” Tones are assigned to the tone buttons according to category, and each tone button is also divided into sub-categories. For example the [Piano] button lets you select piano tones and electric piano tones, and the [World] button lets you select tones that are suitable for the music of various countries and regions. To select a sub-category, press the same tone button two or more times. The [User] button lets you switch between User Tone (p. 31) and User Drum Kit (p. 33) tones. The E-A7 has four keyboard parts (UP1, UP2, UP3, LWR), and one tone can be assigned to each part. The currently selected Part name is shown in the upper left of the Tone screen located in the right side of the panel. Operations in the Tone screen change the tone for that Part.

Main screen (right)

To switch the Part so that you can change the tone of a dierent part, use the main screen at the left to switch Parts.

Main screen (left)

Changing the Tone of a Keyboard Part

To select each part (Upper1, Upper2, Upper3, Lower), press the direct buttons ([R2]–[R5] buttons) corresponding to the keyboard parts.

1. Select a part by pressing one of the direct buttons

([R2]–[R5] buttons) in the left Main screen.

The indication “ ” is shown at the selected keyboard part. The Main screen (right) shows a tone list for the selected part.

MEMO

The name of the selected part is shown at the top of the Tone screen.

2. Use the Tone [0]–[9] buttons to select a tone category.

The selected tone category page appears.

MEMO

By continuing to press the same Tone category button, you can step through the rst sound in each sub-category of the category.

3. Press a direct button to select a tone.

MEMO

5 The selected tone is highlighted. 5 Use the function buttons to switch pages. 5 You can also select from favorite tones (p. 20). 5 Depending on the Part Switch or Part Level settings, you

might not hear any sound (p. 15).

5 You can also select a tone by pressing the [Numeric] button

and specifying a number (p. 14).

4. Play the keyboard.

You’ll hear the sound of the selected instrument.

The main screen shows the tone names of the four keyboard parts. You can use the direct buttons to switch parts. The selected part number is highlighted.

Performing

Turning Each Keyboard Part On/O and Adjusting the Volume

Using the Part Level Sliders/Buttons

“Adjusting the Volume of Keyboard Parts and Style Parts”

(p. 15)

Using the Mixer Screen

If you display the Keyboard Part Mixer screen, you will also be able to adjust the “Reverb Send,” “Chorus Send,” and “Panpot” of the Keyboard Parts (UP1, UP2, UP3, LWR) as well as the “Volume” and

“Part Switch.”

1. Display the Main screen.

2. Press the [F1] (Keyboard Part Mixer) button.

The Keyboard Part Mixer screen appears.

3. Use the Cursor [

navigate to the parameter that you want to edit.

4. Use the Value [-] [+] buttons to edit the value.

For details on the parameters that you can edit, refer to the reference manual.

MEMO

5 You can also edit the setting by [Menu] 0 “User Program Edit”

“Keyboard Part Mixer.”

5 These parameters are saved in the UPG.

“Saving Settings as a User Program” (p. 46)

] [J] buttons or the direct buttons to

Changing the Split Point

You can change the keyboard split point.

1. Long-press the [SPLIT] button.

The Split setting screen appears.

2. Use the Value [-] [+] buttons to specify the split point.

MEMO

5 You can also specify the split point by pressing a note on the

keyboard.

5 You can also make this setting by [Menu] 0 “User Program

Edit” 0 “Split.”

Specifying Lower Hold

This function makes the lower note continue sounding until you press a dierent key in the left-hand keyboard area. This function is enabled only if the [Split] button is lit.

1. Long-press the [SPLIT] button.

The Split setting screen appears.

2. Press the function button that corresponds to Lower

Hold; a check mark appears in the check box.

MEMO

5 You can also make this setting by [Menu] 0 “User Program

Edit” 0 “Split.”

5 This parameter is saved in the UPG.

“Saving Settings as a User Program” (p. 46)

Transposing Your Performance (Transpose)

Playing Dierent Tones in the Right and Left Hands (Split)

1. Press the [Split] button.

The [Split] button lights, and the keyboard is divided at middle C (C4) into left and right areas. Use the left-hand area to specify the chord for Style performance, or to play the tone of the Lower part. Use the right-hand area to play a melody using the tone of the Upper1, Upper2, and Upper3 part.

Lower

MEMO

When you choose the Split setting, the Arranger Setting “Type” parameter is automatically set to “Intelligent.”

C4 (Factory setting)

Split point

Upper

You can transpose the keyboard in semitone steps.

1. Use the Transpose [-] [+] buttons to specify the desired

key.

Value

-6–0–+5 (semitone steps)

If you’ve specied a key other than “0,” the Transpose [-] [+] button indicator is lit. The Transpose screen disappears after several seconds. If you want to close the screen immediately, press the [Exit] button.

MEMO

5 If you press both Transpose [-] [+] buttons simultaneously, the

value returns to 0.

5 If you transpose the keyboard part, the Style that’s playing is also

transposed in the same way.

5 You can select or clear the function button “Song” and

“Keyboard” check boxes to specify what is aected by transposition, for example transposing only the song or only the keyboard.

5 The transpose setting is saved in the UPG.

“Saving Settings as a User Program” (p. 46)

Changing the Pitch (Octave Shift)

This function shifts the pitch of the keyboard parts in units of an octave.

1. Use the Octave [-] [+] buttons to select the desired

octave setting.

The Octave screen appears.

This shows the Octave Shift setting of each keyboard part. The Octave screen disappears after several seconds. If you want to close it immediately, press the [Exit] button.

Value

-4–0–+4 (octave steps)

MEMO

5 While the screen is displayed, you can use the Cursor [K] [J]

buttons to select a part, and use the Value [-] [+] buttons to set the octave settings individually for each part.

5 While the screen is displayed, you can select or clear the check

boxes corresponding to the function buttons to specify what is octave-shifted when you press the Octave [-] [+] buttons.

5 Press both of the Octave [-] [+] buttons simultaneously to return

to the setting that is saved in the UPG.

5 You can also edit the octave setting by [Menu] 0 “User

Program Edit” 0 “Tone Part Mixer” 0 “Octave Shift.”

5 The octave setting is saved in the UPG.

“Saving Settings as a User Program” (p. 46)

Performing

To stop the metronome, use the function buttons to turn “Metro” o.

3. Use the Tempo [-] [+] buttons to adjust the metronome

tempo.

For details on how to change the tempo, refer to “Changing the Style’s Tempo” (p. 24).

Making Metronome Settings

You can specify the metronome’s time signature and volume.

1. Press a Tempo [-] [+] button.

The tempo screen appears.

2. Use the function buttons to select “Metronome

Setting.”

The Metronome Setting screen appears in the right display. You can also access the metronome settings via [Menu] 0 “Global”

“Metronome.”

You can set the following parameters.

Parameter Value Explanation

Volume 0–127 Species the metronome volume.

Time Signature

Mode

Count In

3. Use the direct buttons to select a parameter.

4. Use the Value [-] [+] buttons to edit the value.

MEMO

The settings are saved in Global parameters when you exit the screen.

1/16–32/16, 1/8–32/8, 1/4–32/4, 1/2–32/2

Always

Play

Rec

O, 1 bar, 2 bar

Species the metronome time signature.

The metronome continues sounding even when playback is stopped. The metronome sounds only while the Style or song is playing. The metronome sounds only while the Style or song is being recorded. Species whether a count-in is sounded. If the count-in function is on (1 measure or 2 measures), the specied number of measures are counted before the Style or SMF plays.

Using the Metronome

You can sound the metronome while you perform. You can adjust the tempo and time signature of the metronome. Use the tempo screen to turn the metronome on/o. If a Style or SMF song is playing, the metronome sounds at the tempo and time signature of that song.

NOTE

You can’t use the metronome if an audio le is selected.

1. Press the Tempo [-] [+] buttons.

The Tempo screen appears.

2. Use the function buttons to turn “Metro” (metronome)

on.

The metronome starts sounding.

Using Favorite Tones

You can register up to 50 frequently-used sounds as favorites for quick recall while you perform.

Recalling a Favorite Tone

1. Press the [Favorite] button so it’s lit.

The Favorite Tone screen appears.

2. To select a tone in the list, press the direct button.

You can use the function buttons to switch between pages 1–5. A favorite Tone is recalled.

3. Press the [Favorite] button once again to return to the

Main screen.

The [Favorite] button goes dark.

Registering Favorite Tones

1. Select the tone that you want to register as a Favorite

Tone (p. 17).

2. Hold down the [Favorite] button.

The Write Favorite Tone screen appears.

3. Use the direct buttons to enter the number in which you

want to register the favorite tone.

If you decide to cancel, press the [Exit] button.

4. Press the [Enter] button to register the tone.

MEMO

The tone of the currently selected part is registered.

NOTE

If you edit a tone that you’ve registered as a favorite, your changes also apply to the sound that you recall as a Favorite.

Playing with Automatic Accompaniments

The E-A7 contains a function that plays back automatic accompaniments called “styles.” This section explains how to take advantage of the E-A7’s accompaniments.

About the Styles

The E-A7 can generate interactive accompaniments based on the style you select. Styles are assigned to the Style buttons by category, and each Style button is also divided into sub-categories. In addition to using the internal styles, you can also create your own original styles.

“Reference Manual” (PDF). Style data is a collection of accompaniment patterns (called “divisions”) each consisting of up to eight parts. Based on four accompaniment variations for dierent energy levels of the main song, they include divisions such as intros, endings, and lls. By using the panel buttons to switch between these divisions, you can freely create the structure of the song while you perform. As you perform, the accompaniment changes according to the chords that you play on the keyboard.

Using Styles

[Start/Stop] (

) button

Variation [1]–[4] buttons

These buttons are used to select the complexity (number of parts) of the style arrangement:

Variation buttons Explanation

[1] This is the simplest arrangement. [2] This arrangement is slightly more complex than [1].

[3]

[4]

MEMO

The VARIATION patterns are repeated (played back in a loop) until a dierent pattern is selected or style playback is stopped.

This arrangement is even more complex than [2]. Use this for a break or for a climax. This is the most complex arrangement. Consider selecting it for the bridge or the nal chorus sections of a song.

This button is used to start and stop style playback. While a style is running, the button’s indicator ashes red on the rst beat of each bar, and green on the remaining beats.

MEMO

5 You can also start/stop the Style playback simply by playing

the keyboard. Refer to the following section.

5 You can also start/stop playback by using a separately sold

footswitch (p. 9).

Sync [Stop] ( q ) [Start] (p) button

–

Intro [1]–[4] buttons

Selects an introduction, which is usually used at the beginning of a song. You can, however, also select this pattern for other song sections. There are four types of intros, which you can select by using the Intro [1], [2], [3], and [4] buttons. Here too, the complexity of the intro arrangement depends on the Intro [1]–[4] that you select. The behavior of the Intro pattern depends on when you press the [INTRO] button:

Intro buttons Explanation

Pressed before starting style playback

Pressed during style playback

The indicator lights. When you start style playback, the E-A7 rst plays a musical introduction. This pattern is played back only once. The indicator ashes to signal that the INTRO pattern will begin on the next downbeat. When the intro is nished, the E-A7 returns to the previously selected VARIATION pattern.

These buttons activate and switch o the “Sync Start/Stop” function.

Function Explanation

Sync Start

Sync Stop

The style starts playing when you play the keyboard within the keyboard chord detection range.

The style stops playing when you take your hand o the keyboard within the chord detection range. This setting is ideal for songs that require a break.

Playing with Automatic Accompaniments

Ending [1]–[4] buttons

This button allows you to end your songs with a suitable closing section if you don’t want to simply stop playback. There are four types of endings, which you can select by using the Ending [1], [2], [3], and [4] buttons. Here too, the complexity of the ending arrangement depends on the Ending [1]–[4] that you select. The behavior of the Ending pattern depends on when you press the [ENDING] button:

Ending buttons Explanation

Pressed before starting style playback

Pressed during style playback

The indicator lights. When you start style playback, the E-A7 plays a musical ending. At the end of the phrase, playback stops.

The indicator ashes to signal that the ENDING pattern will begin on the next downbeat. When the ending is nished, style playback stops.

[Fade In/Out] button

If you press this button to make it light while the Style is stopped, and then start the Style, the volume gradually rises from zero (Fade In). If you press this while the Style is playing, the volume gradually decreases to 0. When the volume reaches 0, the song or Style automatically stops (Fade Out).

Selecting Styles

Selecting an internal style

1. Press a Style [1]–[9] button to select the Style category.

[Break] button

This button mutes the remaining measures that are playing.

[Auto Fill] button

If you press this button to make it light, a ll-in plays before the E-A7 switches to the next variation. Example: if the VARIATION [1] pattern is running, pressing the [4] button will not switch to that pattern right away—the E-A7 rst plays a ll-in to announce the new song section.

MEMO

The duration of the ll-ins (transitions) can be halved if you like. See “Fill In Half Bar” (Reference Manual PDF). You can also speed up or slow down playback during a ll-in. See “Fill Ritardando” (Reference Manual PDF).

A list of the Styles included in that category appears.

2. Using the function buttons to switch pages, nd the

Style that you want.

If you want to select a Style of a dierent category, press a dierent Style button and proceed in the same way.

MEMO

When selecting a Style, the lit status of each Style button has the following meaning.

5 The button of the currently selected Style is lit. 5 If the currently displayed Style list screen diers from the

button of the currently selected style, the button of the currently displayed screen is blinking.

5 By repeatedly pressing the same style button, you can step

through the rst page in each sub-category in the style list screen.

3. Press a direct button to select a style.

The Style is selected, and its name is highlighted.

MEMO

You can also select a Style by pressing the [Numeric] button and specifying a number (p. 14).

4. Press [EXIT] to leave the Style selection page.

Playing with Automatic Accompaniments

Selecting a user style

On the E-A7 you can use Make Up Tool to edit and save style settings, or use Style Composer to create new styles. For more about Make Up Tool and Style Composer, refer to “Reference Manual” (PDF). Here we explain how to select a style that you created.

1. Press the Style [User Int/Ext] button.

The User Style List screen appears.

MEMO

Each time you press the Style [User Int/Ext] button, the contents

of the list will alternate between Internal Storage and External

Storage (USB ash drive).

2. Using the function buttons to switch pages, nd the

desired style.

If you use the direct buttons to select a folder, you’ll enter that

folder.

To exit a folder, press the upper left [UP] folder button ( [L1]

button).

3. When you’ve decided the style that you want to select,

press the direct button that corresponds to that list item.

The style is selected, and the style name is highlighted.

4. When you’re nished selecting a style, press the [Exit]

button.

MEMO

5 You can also access this via [Menu] 0 “User Program Edit”

“Style Part Mixer.”

5 If you press the function button corresponding to Expression

Pedal All O, the Expression Pedal check boxes of all parts is cleared.

5 If you press the function button corresponding to Expression

Pedal All On, the Expression Pedal check boxes of all parts is selected.

Performing Along with a Style Accompaniment

1. Select a Style.

2. Press one of the Variation [1]–[4] buttons to select the

arrangement.

For example, you might press the Variation [2] button here.

3. Press one of the Intro [1]–[4] buttons to select the

variation of the intro.

Adjusting the Volume and the ON/OFF Status of Style Parts

Using the Part Level Sliders/Buttons

“Adjusting the Volume of Keyboard Parts and Style Parts”

(p. 15)

Using the Mixer Screen

If you display the Style Part Mixer screen, you’ll be able to adjust not only the “Volume” and “Part Switch” of the Style Parts (A DRUM, A BASS, ACC1–ACC6) but also use “Solo” settings to hear just a specic part.

MEMO

The ACMP part (ACP part) controls ACC1–ACC6 simultaneously.

NOTE

The Style Part Mixer cannot be used when a song is selected.

1. Access the Main screen.

2. Press the [F2] (Style Part Mixer) button.

The Style Part Mixer screen appears.

3. Use the Cursor [

move the cursor to the parameter that you want to edit.

4. Use the Value [-] [+] buttons to edit the value.

You can edit the following parameters.

Parameter Value Explanation

Solo O, On

Part Switch O, On Parts whose check box is cleared are muted. Expression Pedal Volume 0–127 Species the volume.

] [J] buttons or the direct buttons to

Only parts whose check box is selected will play. All other parts are o.

O, On

Species whether the Expression Pedal adjusts the volume of each part.

For example if you press the Intro [3] button here, the button lights, indicating that intro [3] is selected. The Variation [2] button that you pressed in step 2 blinks, indicating that when the intro ends variation [2] will play.

4. Play a chord.

The E-A7 detects the chord and displays the chord name.

Playing with Automatic Accompaniments

5. Press the [Start/Stop] (

The [Start/Stop] (s) button indicator blinks in time with the tempo, and the intro starts.

MEMO

If Sync Start is on, the Style begins playing the moment you play a chord in step 4.

) button to play the Style.

6. Try playing other chords on the keyboard and see how

the Style changes.

7. Press one of the Variation [1]–[4] buttons to select the

variation of the arrangement.

During Style playback, the way in which the ll-in starts depends on the timing at which you press this button.

5 The ll-in starts immediately if you press the button before the

last beat of the measure.

5 If you press the button during the last beat of the measure, the

ll-in start at the rst beat of the next measure.

8. Press one of the Ending [1]–[4] buttons to play the

ending.

When the ending has nished playing, Style playback stops automatically.

Changing the Style’s Tempo

You can change the tempo of the Style.

1. Press a Tempo [-] [+] button.

The tempo screen appears, allowing you to increase or decrease the tempo while viewing the current tempo setting.

MEMO

5 If the Balance LED located beside the [Balance/Value] knob

is unlit, you can use the [Balance/Value] knob to change the tempo while the Tempo screen is open (p. 19).

5 You can specify the tempo by pressing the [Ta p] button at the

desired tempo (Tap Tempo). Press the button three or more times at quarter-note intervals of the tempo that you want to specify.

5 You can specify the tempo using the direct buttons located

beside the tempo value shown in both sides of the tempo screen.

5 To return to the original tempo specied for the Style, press both

of the Tempo [-] [+] buttons simultaneously.

5 By using the function buttons that correspond to “-5” and “+5”

you can change the tempo in steps of ±5.

5 If the Tempo [Lock] button is on, you can perform without

changing the tempo even when the Style or the UPG is switched.

5 If you use the function buttons to turn “Auto” ON, the Tempo

[Lock] button turns ON only while a style is playing.

You can also stop the Style by pressing the [Start/Stop] (s) button. Alternatively, you can use the Sync [Stop] (q) button (p. 21) to make the Style stop when you take all your ngers o the chord detection region of the keyboard.

–

Muting a Specic Track (Track Mute)

You can mute the Style tracks (Track Mute). With the factory settings, the parts ACC1–ACC6 are muted, but you can change this if you want.

1. Select a Style (p. 22).

2. Press the [Start/Stop] (

3. Press the [Track Mute] button to make the button light.

The Track Mute function turns on.

4. Press the [Track Mute] button once again to make the

button go dark.

This cancels Track Mute.

) button to start playback.

Selecting the Track to Mute

Here’s how to specify the track that you want to mute.

1. Long-press the [Track Mute] button.

The Track Mute screen appears.

You can also select this function by [Menu] 0 “Global” 0 “Style/

SMF Track Mute.”

2. Use the direct buttons ([L4] [L5]) to select the track that

you want to mute.

The name of the tone assigned to the track is shown at the right of the track.

3. Use the Value [-] [+] buttons to change the setting.

Tracks with the indication “M” are muted only when Track Mute is on. When you start playback, the bar graph of tracks that are producing sound moves like a level meter. The bar graph of muted tracks does not move.

4. Press the [Exit] button to return to the previous screen.

MEMO

The settings are automatically saved in the Global parameters

when you exit the screen.

Playing with Automatic Accompaniments

Selecting Tones Appropriate for a Style (One Touch Memories)

By using One Touch memories you can quickly select performance settings that are appropriate for the atmosphere of the current style. There are four One Touch memories for each Style.

Selecting a One Touch Memory

1. Select the desired Style (p. 22).

2. Press the One Touch [1]–[4] buttons.

Canceling the One Touch Memories

1. Press the lit One Touch [1]–[4] button to make it go

dark.

The One Touch function is canceled, and you return to the settings prior to using the One Touch memory.

Locking One Touch Memories Settings (One Touch Lock)

Several settings can be locked so that they do not change when you select a One Touch memory.

1. Press the [Menu] button.

2. Use the direct buttons to select “Global.”

3. Use the direct buttons to select “One Touch Lock

Setting.”

The One Touch Lock Setting screen appears.

4. Use the direct buttons to select the items that you want

to lock.

Use the Value [-] [+] buttons to turn the item on/o.

MEMO

This setting is automatically saved when you exit the screen.

The selected button lights.

MEMO

If you have not yet selected a One Touch memory since you powered-on the E-A7, the One Touch [1]–[4] buttons are unlit. If you have selected a One Touch memory even once, the One Touch memory of the number you selected is automatically recalled even if you change styles.

3. Play back the Style (p. 23).

4. Play a melody on the keyboard.

5. Press a dierent One Touch [1]–[4] button.

6. Once again, play a melody on the keyboard.

A dierent tone is selected according to the newly selected One Touch memory. When you select a One Touch memory, Style settings are also selected as well as a tone.

MEMO

5 By long-pressing a One Touch [1]–[4] button, you can check

the keyboard part tone and part switch settings of One Touch memories 1–4.

5 The E-A7 has a function that lets you lock specic settings

when you select a dierent One Touch memory. For details, refer to “Locking One Touch Memories Settings (One Touch Lock)” (p. 26).

Creating Your Own One Touch Memories (One Touch Settings)

One Touch memories are saved in the style. Changes that you made to a One Touch memory can be saved as a user style. For preset styles as well, if you’ve edited the One Touch memory, you can save the settings to internal storage or external storage as a user style.

Editing and Saving the One Touch Settings of a Style

1. Select the desired Style (p. 22).

2. Press the One Touch [1]–[4] button whose settings you

want to edit.

3. Edit the settings.

One Touch memories can store the state of the panel buttons and the state of the style.

4. Long-press a One Touch [1]–[4] button.

The screen changes as follows.

You can also access this page via [Menu] 0 “One Touch Setting.” If the left display shows the Style main page, you can also access this page by pressing the [Option] button and then pressing the [L2] (One Touch Setting) button.

Selecting Tones Appropriate for a Style (One Touch Memories)

MEMO

When you edit the One Touch settings, the screen indicates

“EDITED” to indicate this.

5. Press the [Option] button.

6. Use the direct buttons to select “Save Style.”

7. Use the direct buttons and the function buttons to

select the writing destination.

Button Explanation

[R1] (Int/Ext)

[F4] [F5] (Page) Switch pages. [L1] Up folder Exits the folder.

Normally, the My Styles folder in Internal Storage is selected.

Switches between Internal Storage and External Storage.

8. Press the [Enter] button.

Assign a name.

For details on how to assign a name, refer to “Assigning Names”

(p. 16).

If you decide to cancel, press the [Exit] button.

9. Press the [F5] (Exec) button.

The style is saved.

MEMO

If there is a le with the same name as the name you entered, a

screen asks you to conrm the overwrite.

If you want to save, select “YES” to replace it with the le you

renamed.

If you decide to rename the le, select “NO” and return to the

page where you can rename the le.

MEMO

After the settings are saved, the user Style that you saved is

selected as the Style.

NOTE

If you recall a dierent One Touch memory while editing a One

Touch memory, the state of your editing is lost.

4. Save the Style via [Option]

The current (copy-source) One Touch settings are copied to the One Touch memory that’s selected by the cursor.

“Save Style.”

Copying a User Program or One Touch Memory to another One Touch Memory

Copying a User Program to a One Touch memory

Here’s how to copy user program settings to a One Touch memory.

1. With no One Touch memory selected (i.e., when all of

the One Touch [1]–[4] buttons are unlit), open the One Touch Setting screen.

2. Press one of the [L1] [L2] [L4] [L5] buttons to move the

cursor to the One Touch memory to which you want to copy the user program.

3. Save the Style via [Option]

The current user program settings are copied to the One Touch memory that’s selected by the cursor.

Copying One Touch settings to another One Touch memory

Here’s how to copy One Touch settings to another One Touch memory.

1. Press a One Touch [1]–[4] button to select the copy-

destination One Touch memory.

2. The One Touch Setting screen opens.

3. Press one of the [L1] [L2] [L4] [L5] buttons to move the

cursor to the copy-destination One Touch memory.

“Save Style.”

Creating Sounds

Overall Workow

The E-A7 lets you add new waveforms and play them from the keyboard as pitched sounds. You can also freely add the sounds of specic ethnic instruments and local instruments. The following diagram shows the overall workow for creating new sounds.

Obtaining Waveforms

Sampling

You can sample audio waveform data from a mic or audio playback device via the E-A7’s INPUT jacks directly into a user sample.

Save

User Sample

Reference

Creating a Tone from the User Sample

“Creating a User Tone” (p. 31)

Sample import

You can import WAV format waveform data (44.1 kHz, 16 bit, WAV format only) from external storage (USB ash drive).

“Importing Samples” (p. 29)

Save

The waveform data that you sample or import is saved as a user sample. A “multisample” is a set of dierent samples assigned to each note of the keyboard (p. 30).

Reference

Creating a personalized Drum Kit

“Creating a User Drum Kit” (p. 33)

User Tone Edit

You can assign a pitch to the additional waveform (user sample) and edit it so that it can be played from the keyboard. You can also make your keyboard playing dynamics aect the color of the sound, and you can edit other tone parameters.

Obtaining Waveforms

Here’s how you can directly sample audio waveform data from a mic or external audio playback device connected to the E-A7’s INPUT jacks. Alternatively, you can import a WAV format le from a USB ash drive into User Sample Memory. You can use the sampled waveform data to create a tone or drum kit (p. 31, p. 33).

User Sample

A user sample is waveform data that was obtained by sampling or by importing a sample.

Connecting an External Device

* Before you connect an external device, set the Mic/Line In

[Volume] knob to the minimum position, and turn the [Input ON] button o (unlit).

1. Set the rear panel input switch.

LINE: If connecting an audio device or keyboard

User Drum Kit Edit

You can create an original drum kit by editing the drum inst that are assigned to the drum kit, or by assigning an another user sample.

MIC: If connecting a mic

* If the switch is set to the Mic position, the signal that’s input to

the Input R jack is ignored. The same signal is input to both the R and L sides.

2. Connect your external device to the INPUT jacks.

* If connecting a mic, connect it to the L/MONO, MIC jack.

Condenser mics are not supported.

3. Press the [Input On] button to turn on external input.

The button lights. To turn it o, press the button once again to make it go dark.

4. Use the Mic/Line In [Volume] knob to adjust the volume

of the input.

5. If you want to apply an eect to the input, press the

[Input EFX] button to turn it on.

The button lights. For more about the input eects, refer to “Reference Manual” (PDF).

Creating Sounds

Sampling

1. Press the [Sampling] button.

The Sampling Menu screen appears (you can also access this via the Menu).

2. Press the [L1] (Sampling) button.

The Sampling Stanby screen appears.

Input Level Meter

The input level is shown. Use the input volume to adjust the input level so that the sound does not distort.

Free memory capacity

The display shows the amount of free memory in which samples can be saved. If the memory capacity is used up during sampling, sampling ends.

Parameter Value Explanation

Specify whether sampling is done in stereo or monaural. Mono sampling takes only half the amount of memory.

Stereo Switch Mono, Stereo

Auto Trigger ON, OFF

Auto Trig Level 1–10

Rec Level

-24, -18, -12, -6, +0 dB

3. Press the [F5] (Start) button to start sampling.

MEMO

5 If Auto Trigger is ON, sampling starts automatically when input is

detected.

5 Depending on the Auto Trigger Level setting, the beginning of

the sound might be cut o. In this case, lower the Auto Trigger

Level setting.

4. Press the [F5] (Stop) button to stop sampling.

The Sample Edit screen appears (p. 29).

NOTE

5 The sampled data is discarded if you select another sample

without saving the sampled data. Be sure to save important

samples.

5 When you compare the original sampled or imported sound

to the sound that’s played back by the E-A7, you may notice a

dierence in the character of the sound.

This is due to the settings of the E-A7; the character of the sound

may be aected by settings such as the eect settings of each

part, or the compressor and EQ settings of the Mastering Tools.

MONO: The sound is sampled as a single

waveform. The left and right channels of stereo sound are mixed.

STEREO: The sound is sampled as two

waveforms, L and R. If Auto Trigger is ON, sampling starts automatically when sound input is detected. If Auto Trig is ON, specify the volume at which sampling starts. 0–7 (0 is the minimum)

Rec level

Importing Samples

Audio les (WAV format, 44.1 kHz/16-bit only) can be imported from a USB ash drive into the E-A7.

1. Place the audio les on your USB ash drive in the

following folder structure.

(Raiz) – IMPORT – TEST1.wav – TEST2.wav – TEST3.wav – TEST4.wav – TEST5.wav

MEMO

Create a folder named “IMPORT” and place the les to be imported in that folder. If you use the E-A7 to format a USB ash drive, an “IMPORT” folder is created.

2. Connect the USB ash drive to the E-A7.

3. Press the [Sampling] button.

The Sampling Menu screen appears (you can also access this via the Menu).

4. Press the [L2] (Sample Import) button.

The audio les inside the IMPORT folder are listed.

5. Use the direct buttons to select the le that you want to

import.

MEMO

You can select multiple les. If you select [F1] (Select All), all of the les are selected. Press the button again to clear the selection of all les.

6. Press the [Enter] button.

The E-A7 imports the selected le(s). When import is completed, the Sample List screen appears.

NOTE

5 Import may take several minutes if you’re importing multiple les

or if the le size is large. Never turn o the power while the screen indicates “Executing...”

5 Import is not possible if sample memory is full. 5 If there is insucient free memory for Sample Import, a message

asks whether you want to Optimize.

5 When you compare the original sampled or imported sound

to the sound that’s played back by the E-A7, you may notice a dierence in the character of the sound. This is due to the settings of the E-A7; the character of the sound may be aected by settings such as the eect settings of each part, or the compressor and EQ settings of the Mastering Tools.

5 In order for an imported sound to be played from the keyboard, it

must rst be edited.

Sample Editing

1. Press the [Sampling] button.

The Sampling Menu screen appears (you can also access this via the Menu).

2. Press the [R1] (Sample List) button.

The Sample List screen appears.

3. Use the direct buttons to select the sample that you

want to edit.

MEMO

By using the direct buttons to select a sample and pressing the

[F3] (Preview) button, you can audition that sample.

4. Press the [Option] button.

The Sample Option screen appears.

5. Use the direct buttons to select “Edit.”

Creating Sounds

START LOOP END

The Sample Edit screen appears.

6. Edit the sample.

Use the direct buttons to select the parameter that you want to edit. Use the Value [-] [+] buttons to edit the value. Alternatively, you can use the [Balance/Value] knob (when the Value function is active / LED unlit) to edit the value.

Page Button Explanation

[F1] (Zoom H -) Zooms-out horizontally. [F2] (Zoom H +) Zooms-in horizontally. [F3] (Preview) Auditions the currently-edited sample. [F5] (Page+) Moves to the next page. [L3] (Sample Number) Displays the sample number. [L4] (Zoom V +) Zooms-in vertically. [L5] (Zoom V -) Zooms-out vertically.

[R3] (Start Point)

[R4] (Loop Start)

[R5] (End Point)

[F5] (Page -) Moves to the previous page.

[R3] (Original Key)

[L3] (Loop Mode)

This is the playback start point. By editing this you can skip an unwanted portion at the beginning of the waveform so that the sample starts at the right moment. This is the point at which repeated playback (the second and subsequent plays) will start. Set this if you want to loop from a point that is dierent than the start point. This is the playback end point. By editing this you can omit an unwanted portion at the end of the sample.

Species the note number that plays the sample at its original pitch. C0–B8 Turns loop playback on/o.

If the loop start position has been specied

After the Sample played back from START to END, it will then be repeatedly played back in the forward direction, from the LOOP to END.

If you want to keep that sample, use the UST Export or UDK Export function to save it (p. 32, p. 34).

Deleting a Sample

1. Press the [Sampling] button.

The Sampling Menu screen appears (you can also access this via the Menu).

2. Press the [R1] (Sample List) button.

The Sample List screen appears.

MEMO

By using the direct buttons to select a sample and pressing the

[F3] (Preview) button, you can audition that sample.

3. Press the [Option] button.

The Sample Option screen appears.

4. Use the direct buttons to select “Delete.”

5. Use the direct buttons to select the sample that you

want to delete.

MEMO

You can select multiple samples. If you choose [F1] (Select All), all samples are selected. Press the button again to clear the selection.

6. Press the [Enter] button.

A conrmation message appears.

7. Use the function buttons to select “YES.”

The sample is deleted. If you decide not to delete, select “NO.”

Creating a Multisample (Create Multisample)

A “multisample” is a set of dierent samples assigned to each note of the keyboard. One multisample lets you assign up to 128 samples that are split (divided) across the notes of the keyboard.

You can’t listen to a multisample unless it’s assigned to a tone. When creating a multisample, you start by selecting multiple samples to create the multisample, and then assign the multisample to a tone for use.

[R4] (Sample Gain)

[R5] (Sample Level)

7. To save the sample, press the [Write] button.

A screen appears in which you can name the sample.

“Assigning Names” (p. 16)

If you decide to cancel, press the [Exit] button.

8. Press the [F5] (Exec) button.

9. Use the direct buttons and function buttons to select

the save-destination.

10. Press the [Enter] button.

A conrmation message appears.

11. To save, select “ Ye s .”

If you want to change the save-destination, select “No” to return to the page where you can specify the save-destination.

NOTE

If a sample already exists in the save-destination, the previous sample is deleted.

Adjusts the gain of the sample. 0, +6, +12 dB Adjusts the volume of the sample. 0–127

If, for example, only one note (e.g., the sound of the C4 key) is sampled from a wide-ranging instrument such as a piano, and assigned to the entire range of keys, it will sound unnatural when played signicantly below or above its original pitch. If the instrument is sampled at several dierent pitches and assigned to dierent ranges of the keyboard, this unnatural eect can be minimized.

128 split

(128 key)

sample No.0001

original key

In the Create Multisample function, the split points are automatically determined according to the original key of each sample. Before you begin this process, you should set the original key of each sample to the range where you want it to be assigned.

sample

No.0002

original key

split point split point

sample No.0003

original key

: original key

1. Press the [Sampling] button.

The Sampling Menu screen appears (you can also access this via the Menu).

2. Press the [R1] (Sample List) button.

The Sample List screen appears.

MEMO

By using the direct buttons to select a sample and pressing the

[F3] (Preview) button, you can audition that sample.

3. Press the [Option] button.

The Sample Option screen appears.

4. Use the direct buttons to select “Create Multisample.”

5. Use the direct buttons to select samples.

MEMO

You can select multiple samples. If you choose [F1] (Select All), all samples are selected. Press the button again to clear the selection.

6. Press the [Enter] button.

The multisample is created. A screen appears in which you can name the multisample.

“Assigning Names” (p. 16)

If you decide to cancel, press the [Exit] button.

7. Press the [F5] (Exec) button.

8. Use the direct buttons and function buttons to select

the save-destination.

9. Press the [Enter] button.

A conrmation message appears.

10. To save, select “ Ye s .”

If you want to change the save-destination, select “No” to return to the page where you can specify the save-destination.

NOTE

If there is a multisample in the save-destination, the original multisample is overwritten.

The multisample is created, and the multisample list appears. Use the multisample to create a user tone or user drum kit (p. 31, p. 33).

MEMO

You can access the multisample list via the Sampling Menu screen.

Multisample Editing

1. Press the [Sampling] button.

The Sampling Menu screen appears (you can also access this via the Menu).

2. Press the [R2] (Multisample List) button.

The Multisample List screen appears.

3. Use the direct buttons to select the sample that you

want to edit.

4. Press the [Option] button.

The Multisample Option screen appears.

5. Use the direct buttons to select “Edit.”

The Multisample Edit screen appears.

6. Use the keyboard or the cursor buttons to select the

Sample (Key) that you want to edit.

You can perform the following operations.

Operation Explanation

Split

K J

Changes the split point.

Creating Sounds

Operation Explanation

Changes the original key. A window appears, allowing you to change the original key. Use the Value [-] [+] buttons to change the setting.

Org Key

Erase

Assign

Select You can specify a region by pressing two keys.

If you change the original key, the change is saved in the sample when you write the multisample. If you exit without saving, the setting reverts to the previous key. Note that if the same sample is used by other multisamples, they will also be aected by the change. Deletes the selected sample from the multisample.

* Although the sample will no longer be referenced by the

multisample, the sample itself will remain.

Assigns the sample to the selected key. Select the sample to be assigned from the sample list.

7. To save the multisample, press the [Write] button.

A screen appears in which you can name the multisample.

“Assigning Names” (p. 16)

If you decide to cancel, press the [Exit] button.

8. Press the [F5] (Exec) button.

9. Use the direct buttons and function buttons to select

the save-destination.

10. Press the [Enter] button.

A conrmation message appears.

11. To save, select “ Ye s .”

If you want to change the save-destination, select “No” to return to the page where you can specify the save-destination.

NOTE

If a multisample already exists in the save-destination, the previous multisample is deleted. If you want to keep that sample, use the UST Export or UDK Export function to save it (p. 32, p. 34).

Deleting a Multisample

1. Press the [Sampling] button.

The Sampling Menu screen appears (you can also access this via the Menu).

2. Press the [R2] (Multisample List) button.

The Multisample List screen appears.

3. Press the [Option] button.

The Multisample Option screen appears.

4. Use the direct buttons to select “Delete.”

5. Use the direct buttons to select the multisample that

you want to delete.

MEMO

You can select multiple multisamples. If you press [F1] (Select All), all multisamples are selected. Press the button again to clear the selection.

6. Press the [Enter] button.

A conrmation message appears.

7. Use the function buttons to select “YES.”

The multisample is deleted. If you decide not to delete, select “NO.” Although the sample will no longer be referenced by the multisample, the sample itself will remain.

Creating a User Tone

On the E-A7, you can use user samples and multisamples to create your own original sound (User Tone). Here’s how to create a new User Tone.

* User Tone is sometimes abbreviated as UST.

1. In the Tone section, press the [User] button.

The User Tone list appears.

Creating Sounds

5 Each time you press the [User] button, the contents of the list

switch between UST and UDK.

2. Use the direct buttons to select the Tone that you want

to edit.

MEMO

If you want to create a new user tone, select “Empty.”

3. Press the [Option] button.

The UST Option screen appears.

4. Use the direct buttons to select “Edit.”

The UST Edit screen appears. On the E-A7, one tone consists of four elements of sound (Partial 1–4). For each of these partials, you can change the waveform (Wave) and specify the keyboard region in which it will produce sound. Use the cursor buttons or direct buttons to select the parameter that you want to edit, and use the Value [-] [+] buttons to edit the value. Alternatively, you can edit the value by using the [Balance/Value] knob (when the Value function is active / LED unlit).

7. Use the direct buttons and function buttons to select

the save-destination.

8. Press the [Enter] button.

A conrmation message appears.

9. To save, select “ Ye s .”

If you want to change the save-destination, select “No” to return to the page where you can specify the save-destination.

NOTE

5 If there is a user tone in the save-destination, the original user

tone is overwritten.

5 The edited content is lost when you exit the UST Edit screen. Save

the changes if necessary.

Deleting a User Tone

1. In the Tone section, press the [User] button.

The User Tone list appears.

2. Use the direct buttons to select the tone that you want

to delete.

3. Press the [Option] button.

The UST Option screen appears.

4. Use the direct buttons to select “Delete.”

A conrmation message appears.

5. Use the function buttons to select “YES.”

The User Tone is deleted. If you decide not to delete, select “NO.”

* Samples and multisamples are not deleted.

Parameter Value Explanation

Partial Switch ON, OFF Partial on/o

Wave Group

Wave No. L (Mono) Wave No. R

Key Range Lower C-1–UPPER

Key Range Upper LOWER–G9

Velocity Range Lower

Velocity Range Upper

For other parameters, refer to “Reference Manual” (PDF).

INT, SAMP, MSAMP

OFF, 1 -

1–UPPER

LOWER–127

Group of the waveform (Wave) to assign to the partial

INT: Internal tone waveforms SAMP: Sample waveforms MSAMP: Multisample waveforms

* If you select samples, the pitch won’t

change for keys more than two octaves away from the original key.

Selects the waveform. Along with the wave number, the wave name is also shown in the lower part of the screen. (The name is not shown for INT waveforms.) If you want to use mono, specify only the left side (L). If you want to use stereo, specify the right side (R) as well.

* If you use a multisample in stereo, specify

the same number for L and R.

* If you use a sample in stereo, you should

likewise specify the same wave for L and R.

For each partial, species the lowest key of the range in which it will sound. For each partial, species the highest key of the range in which it will sound. Species the lowest keyboard playing strength that will sound the partial. Make this setting if you want to use keyboard playing strength to switch between partials. Species the highest keyboard playing strength that will sound the partial. Make this setting if you want to use keyboard playing strength to switch between partials.

5. To save the User Tone, press the [Write] button.

A screen appears in which you can name the user tone.

“Assigning Names” (p. 16)

If you decide to cancel, press the [Exit] button.

6. Press the [F5] (Exec) button.

Exporting User Tones to a USB Flash Drive (UST Export)

1. In the Tone section, press the [User] button.

The User Tone list appears.

2. Use the direct buttons to select the tone that you want

to export.

3. Press the [Option] button.

The UST Option screen appears.

4. Use the direct buttons to select “Export.”

A screen appears in which you can name the tone.

“Assigning Names” (p. 16)

If you decide to cancel, press the [Exit] button.

5. Press the [F5] (Exec) button.

MEMO

The exported tone is placed in the “My UST” folder of the USB ash drive. The tone is exported with its user samples and multisamples. It may take some time for the export to be completed if the data size is large.

NOTE

5 It is possible to change the le name when executing UST Export/

UDK Export. However, this changes only the le name; it does not change the name of the tone. This means that if you import a UST or UDK whose le name was changed, the original tone names are displayed. Since you won’t be able to tell the original tone names, we recommend that you not change the le name when exporting.

5 When you export, the samples and multisamples remain in the

E-A7. (The data is copied and saved on the USB ash drive.) If you want to increase the amount of free memory, export the data, then delete unneeded user tones, and execute sample clean up (p. 35).

Creating Sounds

If more than one User Tone uses the same user samples or multisamples, the user samples are not deleted until all related User Tones are deleted (i.e., the amount of free memory will not increase).

Loading Exported User Tones

1. In the Tone section, press the [User] button.

The User Tone list appears.

2. Use the direct buttons or function buttons to select the

import destination.

3. Press the [Option] button.

The UST Option screen appears.

4. Use the direct buttons to select “Import.”

Files that can be imported from the USB ash drive are shown.

5. Use the direct buttons to select the le that you want to

import.

A conrmation message appears.

6. To import the data, select “ Yes .”

If you want to change the import destination, select “No” to return to the page where you can change the import destination.

NOTE

If the user sample memory is full, you can’t import user tones. Increase the amount of free memory and then import once again.

MEMO

Place the les you want to import in the “My UST” folder of the USB ash drive. If there is no “My UST” folder in External Storage (USB ash drive), you can either use the E-A7 to format the USB ash drive, or create a folder named “My UST.”

Creating a User Drum Kit

The E-A7 lets you create your own original drum kit (User Drum Kit) from user samples and multisamples. Here’s how to create a new user drum kit.

* User Drum Kit is sometimes abbreviated as UDK.

1. In the Tone section, press the [User] button.

The User Tone list appears. Each time you press the [User] button, you’ll switch between the UST and UDK lists.

2. Use the direct buttons to select the UDK that you want

to edit.

MEMO

If you want to create a new UDK, select “Empty.”

3. In the User Drum Kit list page, press the [Option]

button.

The UDK Option screen appears.

4. Use the direct buttons to select “Edit.”

The UDK Edit screen appears. In a drum kit, you can assign a dierent drum sound (Drum inst) to each note of the keyboard. A single drum tone consists of four elements of sound (Wave 1–4). For each wave, you can change the waveform and edit the parameters.

5. From the keyboard, select the drum inst (key) that you

want to edit.

The screen indicates the number (key position) and name of the selected drum inst.

* The name of the Drum Inst shows the name of the waveform

that’s assigned to No.L of Wave1. Use the cursor buttons or direct buttons to select the parameter that you want to edit, and use the Value [-] [+] buttons to edit the value.

Alternatively, you can use the [Balance/Value] knob to edit the value (when the Value function is active / LED unlit).

Parameter Parameter Explanation

Wave Switch ON, OFF Wave on/o

Wave Group

Wave No. L (Mono) Wave No. R

Velocity Range Lower

Velocity Range Upper

Inst Coarse Tune C-1–G9

For details on other parameters, refer to “Reference Manual” (PDF).

INT, SAMP, MSAMP

OFF, 1 -

1–UPPER

LOWER–127

Group of the waveform (wave) that you want to assign.

INT: Internal sound waveforms SAMP: Sample waveforms MSAMP: Multisample waveforms

Selects the waveform. Along with the wave number, the wave name is also shown at the bottom of the screen. (The name is not shown for INT waveforms.) If you want to use mono, specify only the left side (L). If you want to use stereo, specify the right side (R) as well.

* If you want to use a multisample in stereo,

specify the same number for L and R.

* If you use a sample in stereo, you should

likewise specify the same wave for L and R.

Species the lowest keyboard playing strength that will sound the wave. Make this setting if you want to use keyboard playing strength to switch between waves. Species the highest keyboard playing strength that will sound the wave. Make this setting if you want to use keyboard playing strength to switch between waves. Selects the pitch of the note that will sound the drum inst.

* The default value is 60 (C4). If you’ve

selected a sample or a multisample, edit this value if you want to play a dierent key of the multisample.

6. If you want to copy a drum inst from a dierent drum

kit, press the [F3] (Copy) button.

Use the direct buttons to move the cursor, and use the Value [-] [+] buttons to change the value.

5 Select the drum instrument (key position) of the copy-source

drum kit. The copy-source drum kit can be selected from “Current” (the currently-edited drum kit), “Preset” (internal drum kits), or “User” (user drum kits). After selecting one of these, use the direct buttons to move the cursor, and use the Value buttons to select the drum kit number and name. After selecting the drum kit, move the cursor and change the drum instrument (key position).

Creating Sounds

5 The copy-destination drum kit will be the currently-edited drum

kit. Move the cursor and change the copy-destination drum instrument (key position). You can also use the keyboard to

specify the key position. Select the copy-source and copy-destination, and then press the [Enter] button. To execute, select [F5] (Yes). Press the [Exit] button to exit the Copy screen.

MEMO

If you want to rename the drum instrument, press the [Option]

button in the UDK Edit page, and then press the [L1](Drum Kit

Name) button. Edit the name, and then press the [F5] (Exec)

button.

7. To save the user drum kit, press the [Write] button.

A screen appears in which you can name the UDK.

“Assigning Names” (p. 16) If you decide to cancel, press the [Exit] button.

8. Press the [F5] (Exec) button.

9. Use the direct buttons and function buttons to select

the save-destination.

10. Press the [Enter] button.

A conrmation message appears.

11. To save, select “ Ye s .”

If you want to change the save-destination, select “No” to return to the page where you can specify the save-destination.

NOTE

The changes you made are lost when you exit the UDK Create

screen. If you want to keep the changes you made, save them.

You can also edit the built-in drum kits. In the Tone section, press the [Drums] button. Then in the Drum List screen, select the drum kit that you want to edit, press the [Option] button, and use the direct buttons to select “Edit.” The currently selected drum kit can be edited. If you’ve edited a built-in drum kit and save it, it is saved as a user drum kit.

“Reference Manual” (PDF)

Deleting a User Drum Kit

1. In the Tone section, press the [User] button.

The User Tone list appears. Press the “User” button several times to access the User Drum Kit list.

2. Use the direct buttons to select the drum kit that you

want to delete.

3. Press the [Option] button.

The UDK Option screen appears.

4. Use the direct buttons to select “Delete.”

A conrmation message appears.

5. Use the function buttons to select “YES.”

The user drum kit is deleted. If you decide not to delete, select “NO.”

* Samples and multisamples are not deleted.

Exporting User Drum Kits to a USB Flash Drive (UDK Export)

2. Use the direct buttons to select the drum kit that you

want to export.

3. Press the [Option] button.

The UDK Option screen appears.

4. Use the direct buttons to select “Export.”

A screen appears in which you can name the UDK.

“Assigning Names” (p. 16)

If you decide to cancel, press the [Exit] button.

5. Press the [F5] (Exec) button.

MEMO

The exported drum kit is placed in the “My UDK” folder of the USB ash drive. It is exported with its user samples and multisamples. It may take some time for the export to be completed if the data size is large.

NOTE

5 It is possible to change the le name when executing UST Export/

5 When you export, the samples and multisamples remain in the

E-A7. (The data is copied and saved on the USB ash drive.) If you want to increase the amount of free memory, export the data, then delete unneeded user drum kits, and execute sample Clean Up. If multiple user drum kits use the same drum insts, user samples, or multisamples, the user samples are not deleted until all related user drum kits are deleted (i.e., the amount of free memory will not increase).

Loading Exported User Drum Kits

1. In the Tone section, press the [User] button.

The User Tone list appears. Press the [F2] (UDK) button to access the User Drum Kit list.

2. Use the direct buttons or function buttons to select the

import destination.

3. Press the [Option] button.

The UDK Option screen appears.

4. Use the direct buttons to select “Import.”

Files that can be imported from the USB ash drive are shown.

5. Use the direct buttons to select the le that you want to

import.

A conrmation message appears.

6. To import the data, select “ Yes .”

If you want to change the import destination, select “No” to return to the page where you can change the import destination.

NOTE

If the user sample memory is full, you can’t import user drum kits. Increase the amount of free memory and then import once again.

MEMO

Place the les that you want to import in the “My UDK” folder of the USB ash drive. If there is no “My UDK” folder in External Storage (USB ash drive), you can either use the E-A7 to format the USB ash drive, or create a folder named “My UDK.”

1. In the Tone section, press the [User] button.

The User Tone list appears. Press the [F2] (UDK) button to access the User Drum Kit list.

Increasing the Amount of Free Sample Memory

If sample memory is full, you can increase the amount of free sample memory as follows.

Truncating a Sample

Truncate is an operation that removes data that is outside the Start/ End points.

1. Press the [Sampling] button.

The Sampling Menu screen appears (you can also access this via the Menu).

2. Press the [R1] (Sample List) button.

The Sample List screen appears.

3. Press the [Option] button.

The Sample Option screen appears.

4. Use the direct buttons to select “Truncate.”

5. Use the direct buttons to select the sample that you

want to truncate.

MEMO

You can select multiple samples. If you choose [F1] (Select All), all samples are selected. Press the button again to clear the selection.

6. Press the [Enter] button.

A conrmation message appears.

7. Use the function buttons to select “YES.”

The sample is truncated. If you decide not to truncate, select “NO.”

MEMO

5 When you execute Truncate, data that is outside the Start/End

points is deleted, so you will no longer be able to move the Start Point backward or the End Point forward.

5 Perform the Optimize operation after truncating.

Creating Sounds

3. Use the function buttons to select “YES.”

Optimize is executed. If you decide not to execute Optimize, select “NO.”

NOTE

It will take several tens of minutes to execute Optimize. Never turn o the power while the screen indicates “Executing...”

MEMO

If there is still insucient free memory after executing Optimize, you can delete unneeded user tones and user drum kits, and then execute the sample Clean Up and Optimize operations. Before deleting the data, you can export the user tones and user tracks, and save them on external storage (USB ash drive).

Notes Regarding User Tones and User Drum Kits

If a UST or UDK is referenced by a user program or style, editing the reference-source UST or UDK will also aect the sound that is recalled by the user program or style. The user program or style references the number in the UST or UDK list, so if you delete the UST or UDK, or if it is overwritten by imported data, you might hear no sound or a completely dierent sound.

When you perform a user data backup, data such as the UDKs, USTs, and user samples, as well as the user programs and styles in internal storage, are all saved together. By restoring this data, you can reproduce the same state.

For details on backup/restore, refer to the reference manual. However, user programs and user styles in external storage (USB ash drive) are not backed up. We recommend that user backup les be saved together with the necessary user programs (.UST le) and styles.

Sample Clean Up

Clean Up is an operation that deletes samples that are not used by user tones or user drum kits. Simply deleting a user tone or user drum kit does not delete its samples; you’ll need to execute Clean Up.

1. Press the [Sampling] button.

The Sampling Menu screen appears (you can also access this via the Menu).

2. Press the [L3] (Clean Up) button.

A conrmation message appears.

3. Use the function buttons to select “YES.”

Clean Up is executed. If you decide not to execute Clean Up, select “NO.”

NOTE

It will take several tens of minutes to execute Clean Up. Never turn o the power while the screen indicates “Executing...”

Optimizing Sample Memory

Optimize is an operation that rearranges the vacant areas that are fragmented in memory, allowing the memory to be used optimally.

1. Press the [Sampling] button.

The Sampling Menu screen appears (you can also access this via the Menu).

2. Press the [L4] (Optimize) button.

A conrmation message appears.

Using the Pads

Playing the Pads

When the [Scale Tune/Pad] button is unlit, the keyboard buttons perform the Pad function.

You can use the Pad function to do the following two things.

Play Phrases

Phrases are sequence data for a single part such as guitar strumming or a shaker. Phrases are tempo-synchronized with the Style or SMF, and also support chord detection.

* Phrases will not synchronize with WAV or MP3 songs.

Play Tones

You can play a specic note number (keyboard location) of a tone. This is a convenient way to play sound eects or drum sounds.

Playing the Pads

1. Press any one of the Pad [1]–[6] buttons.

A sound or phrase is heard according to the settings of Pad Setting 1.

“Editing the Pad Settings” (p. 36)

MEMO

You can play up to six pads simultaneously.

Stopping the Pad Sound

1. Press the Pad [Stop] button to stop all sound.

If multiple pads are sounding, pressing one of the sounding pad buttons stops the sound of only that pad button. If you press a pad button while a tone is sounding, the tone begins sounding again.

MEMO

You can also access this via [Menu] 0 “User Program Edit”

“Pad Setting.” You can also access from “Pad Assign View”

screen.

2. Use the direct buttons to select Pad Type.

3. Use the Value [-] [+] buttons to edit the Pad Type.

Pad Type Explanation

O No assign Phrase A phrase is assigned to Pad Tone A tone is assigned to Pad

MEMO

5 The setting items dier depending on the Pad Type. 5 If you specify O, pressing that pad does not produce sound.

4. Use the direct buttons to make other settings.

The following items are available for each Pad Type.

Phrase

Parameter Value Explanation

Phrase Phrase Name Select a Phrase. Volume 0–127 Volume of the phrase. Reverb Send 0–127 Adjusts the reverb send amount. Chorus Send 0–127 Adjusts the chorus send amount.

MFX O, Mfx, A, B

Loop O, On

Sync Switch O, On

Sync Start O, On

Selecting a Phrase

If you select the Phrase parameter, the Phrase List screen appears. Use the direct buttons to select a phrase.

MEMO

You can switch Sync Start setting On/O, when you hold down the Pad [Sync Start] button and press the Pad [1]–[6] button.

* Valid only when the Pad Type is set to Phrase.

Select the routing to Eect

Mfx: Eect used on Keyboard Parts A or B: Eect used on Acomp Parts

If this is On, the phrase continues playing repeatedly. If this is On, the phrase starts at the beginning of measure divisions in the Arranger or SMF. If this parameter set ON, Style and SMF playback start then also begins to ring Phrase at the same time. While Style and SMF stop, Pads what this param set ON is blinking.

Tone

Pad Settings

Viewing the Pad Settings

1. With the [Scale Tune/Pad] button unlit, press the View

button.

The Pad Assign View screen appears. In this screen you can view the phrases or tones that are assigned to each pad.

Editing the Pad Settings

1. With the [Scale Tune/Pad] button unlit, press [Setting]

button.

The Pad Setting screen for the selected pad appears. If you want to switch the Pad number, select “Pad number” with direct button, then use the Value [-] [+] buttons.

Parameter Value Explanation

Tone

Note 0 (C-)–127 (G9) Note number Velocity 1–127 Velocity Volume 0–127 Tone volume Reverb Send 0–127 Adjusts the reverb send amount. Chorus Send 0–127 Adjusts the chorus send amount.

MFX O, Mfx, A, B

Hold On, O

MEMO

In the case of a tone, you can’t specify Loop or Sync.

Selecting a Tone

If the Pad Type is set to Tone, the Tone List screen appears in the right display. Use the direct buttons of the right display to select a Tone.

Tone Num, Name

Tone number, name

Select the routing to Eect

Mfx: Eect used on Keyboard Parts A or B: Eect used on Acomp Parts

Holds the sound.

MEMO

A sample that is set to Loop On can be played continuously (Sample Loop setting: p. 30). A short audio phrase or a drum pattern can be imported as a sample, and then assigned to a tone so that you can play it from the pads.

Using the Pads

You can also select a user tone or user drum kit. However you might not hear any sound if the sample has been deleted or if the user tone number has changed.

5. When you have nished making settings, press the

[Exit] button several times to return to the previous

screen.

Saving the Pad Settings

Pad settings are saved in a user program or in a One Touch memory.

“Saving Settings as a User Program” (p. 46)

“Creating Your Own One Touch Memories (One Touch

Settings)” (p. 26)

Normally, when the Write operation is executed, it will be saved as a User Program parameters.

NOTE

If one of the One Touch settings is selected (one of the One Touch [1]–[4] buttons lit), writing a user program will save the One Touch settings to the user program (the Pad settings are also

included). If you want to save it as a One Touch memory parameters, execute the save operation in the following procedure.

1. Call the One Touch you want to change the Pad setting

by One Touch [1]–[4] button.

2. Change the Pad Setting.

3. When nished making changes, enter the One Touch

Setting screen.

“Editing and Saving the One Touch Settings of a Style” (p. 26) Edit mark is attached to the One Touch that is currently selected.

4. Press the [Option] button.

5. Use the direct buttons to select “Save Style.”

“Editing and Saving the One Touch Settings of a Style” (p. 26)

“Step 7”

NOTE

5 If you want to save the Pad setting in One Touch, rst call the One

Touch you want to change. If you recall a dierent One Touch

memory while editing a One Touch memory, the state of your

editing is lost.

5 If a phrase or tone is assigned in the pad settings, the UPG or One

Touch remembers only the link to that phrase or le.

This means that if the link-destination le cannot be found, for

example because you renamed, deleted, or moved the user

phrase, or disconnected the external storage, no sound is heard.

Creating a Phrase to Play from a Pad (Phrase Recording)

You can create your own original phrases. To create an original phrase, use the Phrase Recording function. Here’s how to use the Phrase Recording function.

1. Press the Setting button.

The Pad Setting screen appears. Select the Pad (Pad Number) to which you want to assign the recorded phrase. If Pad Type is not set to “Phrase,” select “Phrase.”

2. Press the [Rec] button.

Phrase Recording Standby screen appears. If you decide to cancel, press the [Rec] button once again.

3. Use the direct buttons to make settings.

Parameter Value Explanation

Phrase Type

Rec Mode

Drum, Bass, Accomp

New New recording Mix Mix recording

Species the type of phrase that will be recorded. In the case of Drum, you can’t select the “Key” parameter.

Parameter Value Explanation

Tempo 20–250

Octave –4–+4

Key

Tone Tone Name Tone name

Time Signature 1/16, 1/4–4/4...

Measure Length

Count In

Input Quantize

Selecting a Tone

When you select a tone, the Tone List screen of the part selected for the pad is shown in the right display. Use the Tone [0]–[9] buttons and the direct buttons of the right display to select a tone.

C, C#, D, Eb, E, F, F#, G, Ab, A, Bb, B

O, 1–16

O, 1Meas, 2Meas, Wait Note

O, 1/4, 1/8, 1/8T, 1/16, 1/16T, 1/32, 1/32T, 1/64

Species the tempo at which the phrase is recorded. Species the octave of the recorded part, shifting it to the region in which you want to perform. Sets the KEY in which the phrase is performed while recording. The key of Drum Kit parts cannot be set.

Sets the time signature. (selectable only if Rec Mode is set to New) Species the number of measures in the phrase. If this is O, the measure length is set automatically according to the length that you record, up to 16 measures. Species how long the count-in should be before recording starts. Wait Note: Recording starts as soon as you play a note on the keyboard. (There will be no count-in.) Corrects minor timing problems. It shifts the notes whose timing is not exactly right to the nearest “correct” unit. Always select a resolution value that is ne enough to accept all note values you play.

4. Press the [Start/Stop] button to start recording.

5. Perform a phrase.

6. Press the [Start/Stop] button once again to stop

recording.

The phrase save screen appears.

MEMO

If Measure Length is specied, recording stops automatically at the measure length that you specied. If you use Mix recording, loop recording occurs.

7. Use the [R1] (Int/Ext) button to switch the copy-

destination between Internal Storage and External Storage.

MEMO

The Phrase le is placed in the “My Phrases” folder. If this folder does not exist, it is created automatically. The “My Phrases” folder exists in both internal storage and external storage.

8. Press the [Enter] button.

Assign a name.

For details on assigning a name, refer to “Assigning Names” (p.

16).

If you decide to cancel, press the [Exit] button.

9. Press the [F5] (Exec) button.

The phrase is saved.

MEMO

If there is already a le with the same name as the name you entered, a screen asks you to conrm the overwrite. If you want to save, select “YES” to replace it with the le you renamed. If you decide to rename the le, select “NO” and return to the page where you can rename the le.

NOTE

The phrase does not play if the Arranger Switch is O, nor if Arranger Hold is O.

Using the E-A7 as a Song Player

Here we explain how to play back songs in the SMF, WAV, or MP3 formats supported by the E-A7.

Preparing to Use the E-A7 as a Song Player

When shipped from the factory, the E-A7 does not contain songs. You’ll need to copy songs from your computer or other source.

1. Using your computer, copy the songs to a USB ash

drive (sold separately).

NOTE

Use a USB ash drive sold by Roland. Operation is not guaranteed if any other USB ash drive is used.

2. Connect the USB ash drive to the E-A7.

NOTE

Carefully insert the USB ash drives all the way in—until it is rmly in place.

3. Use the direct buttons to select the song that you want

to play back.

As necessary, use the function buttons to switch pages. The icon at the left of the name indicates the le type.

Icon Explanation

SMF

Audio (mp3)

Audio (WAV)

Folder

MEMO

When you use a direct button to select a folder, you’ll enter that folder. To exit a folder, press “Up” folder ([L1] button).

NOTE

If the le name uses double-byte characters, the name might be displayed incorrectly or the le might not be recognized. In this case, rename the le using single-byte alphanumeric characters.

4. Press the [Exit] button to return to the main screen.

Playing Back a Song

1. Select a song (p. 38).

2. Press the [Start/Stop] (

The [Start/Stop] (s) button indicator blinks, and the song starts playing.

) button to start playback.

File types supported by the E-A7

File type Extension Format

SMF

Audio le

.mid 0 or 1

.kar

MPEG-1 Audio Layer 3

.mp3

.wav

Sampling rate 44.1kHz Bit rate 32/40/48/56/64/80/96/112/128 /160/192/224/256/320 kbps VBR (Variable Bit Rate) 16-bit linear Sampling frequency 44.1 kHz Stereo/mono

Selecting a Song

Here we explain how to select a song that’s saved on a USB ash drive.

MEMO

By using the File Utility function Copy (p. 43), SMF les from a USB ash drive can be copied to internal storage.

1. Connect your USB ash drive (sold separately) to the

E-A7.

After several seconds, the contents of the USB ash drive are recognized in the screen as external storage.

2. Press the Mode [Song] button.

The Song List screen appears.

MEMO

Each time you press the Mode [Song] button, the contents of the list switch between Internal Storage and External Storage. For this example, make the display show External Storage.

3. Press the [Start/Stop] (

) button once again to pause

song playback.

The [Start/Stop] (s) button goes dark. To resume playback, press the [Start/Stop] (s) button once again. You can use the following buttons to control the playback.

Button Explanation

Starts/pauses song playback.

Stops song playback and returns to the beginning of the song.

Rewinds the song.

Fast-forwards the song.

Using the E-A7 as a Song Player

MEMO

If you select the next song during playback, the [Enter] button

lights.

Press the [Enter] button to start the next song.

Changing the Song’s Tempo

Here’s how to change the tempo of the song.

1. Use the Tempo [-] [+] buttons.

The tempo screen appears, allowing you to watch the current tempo setting while you increase or decrease it.

MEMO

5 If the Balance LED located beside the [Balance/Value] knob

is unlit, you can use the [Balance/Value] knob to change the

tempo while the Tempo screen is open (p. 15).

5 You can specify the tempo by pressing the [Ta p] button at the

desired tempo (Tap Tempo). Press the button three or more times

at quarter-note intervals of the tempo that you want to specify.

* You can’t use this when playing back an audio le.

5 You can specify the tempo using the direct buttons located

beside the tempo value shown in both sides of the tempo screen.

5 To return to the original tempo specied for the Song, press both

of the Tempo [-] [+] buttons simultaneously.

5 By using the function buttons that correspond to “-5” and “+5”

you can change the tempo in steps of ±5.

5 If you’re playing an audio le ( WAV, MP3), you can change the

tempo (playback speed) in a range of 75%–125%.

5 In the case of a song, Tempo [Lock] cannot be used.

NOTE

If you change the playback speed of a WAV or MP3 le to a tempo

that’s close to the upper or lower limit, the sound quality may be

adversely aected.

4. Press the [Track Mute] button once again to make the

button go dark.

This cancels Track Mute.

MEMO

You can also use the Ending [1] button for Track Mute.

NOTE

You can’t use the Track Mute function with an audio song (WAV, MP3).

Playing Back All Songs Consecutively

Here’s how to consecutively play all the songs in the selected folder.

Using the Chain Play function

1. Use the direct buttons to select the folder that contains

the songs you want to hear.

2. Use the direct buttons to select the song that you want

to play rst.

3. Press the [Exit] button to return to the main screen.

4. Press the [F5] (Chain Play) button to add a check mark.

5. Press the [Start/Stop] (

playback.

The selected song and the following songs will all play back. Press the [Enter] button to select the next song immediately.

Exiting the Chain Play function

1. If the main screen is not shown, long-press the [Exit]

button.

2. Press the [F5] (Chain Play) button to clear the check

mark.

) button to start consecutive

Muting a Selected Track (Track Mute)

You can mute a specic track of an SMF ( Track Mute). With the factory settings, track 4 (channel 4) is muted, but you are free to change this.

“Selecting the Track to Mute” (p. 25)

1. Select an SMF song (p. 38).

2. Press the [Start/Stop] (

3. Press the [Track Mute] button to make the indicator

light.

The Track Mute function turns on.

) button to start playback.

Using the E-A7 as a Song Player

[3] [4]

: :

[3]

Loop Function

The Loop function lets you specify a region of a song and play it back repeatedly. You can use this function for both SMF and audio les. This is also a convenient way to practice dicult phrases in a song.

Specifying the loop region

1. Select the song that you want to play back (p. 38).

2. Press the [Start/Stop] (

) button to start playback.

With these settings, the region you’ve specied above will play repeatedly.

Lit

6. Press the Intro [3] button once again to make it blink,

turning loop playback o.

In this state, the specied loop region has not been erased. The song plays to the end as usual. If you press the Intro [3] button once again in this state, the button lights and loop playback is re-enabled.

7. If you want to delete the markers for the specied

region, press the Intro [4] button.

The Intro [3] and [4] buttons go dark, and the specied loop region is deleted.

NOTE

The specied loop region is deleted if you play back a dierent song or power-o the E-A7.

3. At the point where you want to start loop playback,

press the Intro [3] (Loop Start) button.

The Variation [3] button blinks, and the start position is set.

4. When you reach the point at which you want to end

loop playback, press the Intro [4] (Loop End) button.

The Intro [4] button is lit. (The Intro [3] button continues blinking.) The loop region has now been set. For example, the loop region might be as follows.

Blinking Lit

Using the Mark and Jump Function (SMF Songs Only)

The E-A7 lets you “mark” up to four (storable) locations in the current song (SMF) and then “jump” to a stored location. Use the Variation [1]–[4] buttons to select the four “mark and jump” locations. When you select a song that contains markers, the Variation [1]–[4] buttons are lit. If you select a song that does not contain markers, the Variation [1]– [4] buttons are unlit. Here’s how to specify the mark and jump locations.

Creating/Deleting Markers

1. Load an SMF song.

“Selecting a Song” (p. 38)

2. Open the “SMF Mark & Jump”:

You have two ways to do it:

a. Long-press the VARIATION [1]–[4] button.

b. Press [MENU] button and by the dial select the “Smf Mark

Jump Edit” page.

As you can see there are four markers:

Parameter Value Explanation

Mark 1

Mark 2

Mark 3

Mark 4

OFF, 1–measures in the song

5 OFF

No markers (Variation [1]–[4] buttons unlit)

5 Number of measures in the song

Measure to which you want to jump

5. To turn loop playback on, press the Intro [3] button to

make it light.

The following operation can be performed whether the song is playback or not.

3. Use the Variation [1]–[4] buttons or the direct buttons

to select the marker that you want to assign.

4. Press the [

] button to play back the song, and listen until you reach the location at which you want to assign a marker.

5. Use the direct button to press the “Mark Set.”

A mark is assigned to the current measure number. The indicator of the corresponding button (Variation [1]–[4]) lights, and the following mark is selected.

Using the E-A7 as a Song Player

6. To assign the next marker, repeat steps 3–5.

7. Press the [

] button to stop song playback.

8. To delete a marker, use the function buttons to select

“Mark O.”

The indicator of the corresponding button (Variation [1]–[4]) goes dark.

Saving a Song that Contains Markers

1. Specify a marker location in the song.

“Creating/Deleting Markers” (p. 40)

2. Open the “Smf Mark Jump Edit” page.

There are two ways to do this.

a. Long-press a VARIATION [1]–[4] button.

b. From “MENU,” select the “Smf Mark Jump Edit” page.

3. Press the [Option] button.

4. Use the direct buttons to select the “Save Song.”

5. Use the direct buttons and function buttons to select

the save-destination.

Button Explanation

[R1] (Int/Ext)

[F4] [F5] (Page) Switch pages. [L1] Up folder Exits the folder.

Switches between Internal Storage and External Storage.

3. Press the Ending [1] (Center Cancel) button to make it

light.

The Center Cancel function turns on.

4. Press the Ending [1] (Center Cancel) button once again

to make the button go dark.

This turns Center Cancel o.

6. Press the [Enter] button.

Assign a name.

For details on how to assign a name, refer to “Assigning Names”

(p. 16).

If you decide to cancel, press the [Exit] button.

7. Press the [F5] (Exec) button.

The song is saved.

MEMO

If there is a le with the same name as the name you entered, a screen asks you to conrm the overwrite. If you want to save, select “YES” to replace it with the le you renamed. If you decide to rename the le, select “NO” and return to the page where you can rename the le.

Using Markers to Perform

1. Load an SMF song that contains markers.

“Selecting a Song” (p. 38)

2. Press the [

] button to play back the song.

3. Press a Variation [1]–[4] button to jump to the marker.

Center Cancel

Here’s how you can minimize the vocal or other sound that is heard from the center position of an audio le (Center Cancel).

1. Select a song (p. 38).

2. Press the [Start/Stop] (

) button to start playback.

Recording and Playing Back a Performance

The E-A7 lets you record your performance on a USB ash drive (sold separately). The resulting audio le is saved in the “My Recordings” folder. The recording format is WAV (not mp3).

NOTE

5 In order to record your performance, you’ll need a USB ash

drive.

5 Use a USB ash drive sold by Roland. We cannot guarantee

operation if you use any other USB ash drive.

Recording Audio (WAV Format)

1. Connect a USB ash drive to the E-A7.

2. Make preparations for recording.

5 Select the style or song that you want to use as accompaniment. 5 Make settings for the volume and eects.

3. Press the [Rec] button so it’s blink.

NOTE

If you pressed the [Rec] button by mistake, you can cancel by long-pressing the button until it once again goes dark.

4. Press the [Start/Stop] (

The [Rec] button and [Start/Stop] (s) button light, the style or song plays, and recording begins. Your playing on the keyboard is recorded. The main screen shows the recording time.

5. Press the [Rec] button or [Start/Stop] (

stop recording.

The style or song stops playing, and recording also stops. A screen allowing you to assign a name appears.

) button.

) button to

Saving the Song

a. Assign a name as necessary.

For details on how to assign a name, refer to “Assigning

Names” (p. 16).

b. Use the function buttons to select “Exec.”

The recorded result is saved.

MEMO

5 If a le of the same name already exists on the USB ash drive,

you’ll be asked whether you want to overwrite it.

5 In this case, the older le is overwritten if you use the function

buttons to select “YES” (the older le disappears).

5 If you don’t want to overwrite the older le, select “NO” and

return to step a.

5 The audio le is saved on the USB ash drive in the “My

Recordings” folder.

Discarding the Recorded Content

If you are not satised with the recording, you can discard it without saving.

a. In the screen at which you assign the name, press the [Exit]

button.

A conrmation screen asks whether you want to discard the recording.

b. Use the function buttons to select “YES.”

The recorded content is discarded. If you select “NO” at this point, you return to the naming screen.

Listening to the Recorded Content

1. Press the [Start/Stop] (

MEMO

5 You can change the volume of the recorded audio. Before

recording, adjust the “Rec Audio Level” value ([Menu] 0 “Global” 0 “Rec Audio Level”).

5 If you don’t want the start and end of recording to synchronize

with the accompaniment play/stop, turn o “Rec Audio Sync” ([Menu] 0 “Global” 0 “Rec Audio Sync”). If this is o, use the [Rec] button to control recording start/stop.

5 It is not possible to overdub onto a WAV le. 5 If the USB ash drive is full, the message “Disk Full” appears and

recording stops. In this case, the data that had recorded up to that point is not saved.

) button.

Using File Utility

Here you can perform operations for the les saved in the E-A7’s internal storage and external storage (USB ash drive).

Deleting a File or Folder (Delete)

Displaying the File List

1. Press the [Menu] button.

2. Use the direct buttons to select “File Utility.”

The File List screen appears.

Button Explanation

[R1] (Int/Ext)

[F4] [F5] (Page) Switch pages. [L1] (Up folder) Moves to the folder one level above.

Switches between Internal Storage and External Storage.

3. Press the [Option] button.

The screen shows the functions that can be executed.

Function Explanation

Rename Renames a le or folder. Copy Copies a le or folder. Delete Deletes a le or folder. Create Folder Creates a new folder.

4. Use the function buttons to select the function that you

want to execute.

Renaming a File or Folder (Rename)

1. In the File List screen ([Menu]

the [Option] button.

2. Use the direct buttons to select “Rename.”

3. Use the direct buttons to select the le or folder that

you want to rename.

4. Press the [Enter] button.

5. Assign a name.

“Assigning Names” (p. 16)

6. Use the function buttons to select “Exec.”

The le is renamed.

“File Utility”), press

1. In the File List screen ([Menu]

the [Option] button.

“File Utility”), press

2. Use the direct buttons to select “Delete.”

3. Use the direct buttons to mark the les or folders that

you want to delete.

MEMO

You can select multiple les. If you choose [F1] (Select All), all les are selected. Press the button again to clear the selection.

4. Press the [Enter] button.

A conrmation message appears.

5. To execute, use the function buttons to select “ Ye s .”

The deletion is executed. If you decide to cancel, select “ No .”

Creating a New Folder (Create Folder)

1. In the File List screen ([Menu]

the [Option] button.

2. Use the direct buttons to select “Create Folder.”

3. Assign a name to the newly created folder.

“Assigning Names” (p. 16)

4. Use the function buttons to select “Exec.”

“File Utility”), press

Copying a File or Folder (Copy)

1. In the File List screen ([Menu]

the [Option] button.

2. Use the direct buttons to select “Co py.”

3. Use the direct buttons to select the le or folder that

you want to copy.

MEMO

By selecting multiple les or folders, you can copy them in a single operation. If you select [F1] (Select All), all les in the list are selected. Press the button again to clear the selection.

4. Press the [Enter] button.

5. Use the direct buttons to select the copy-destination

folder.

6. Press the [Enter] button.

The copy is executed.

MEMO

If the copy-destination contains an identically named le or folder, a conrmation message appears.

5 If you want to replace the le, select “Ye s.” 5 If you decide to cancel, select “N o.”

“File Utility”), press

Searching for a Song/Style (Finder)

Files matching the character string you entered are shown.

Searching for a Song/Style

The E-A7 has a search function that lets you search for songs or styles in internal storage or external storage (USB ash drive). Since you can search for songs or styles even while performing on the E-A7, you can prepare for the next song without making the audience wait.

NOTE

You can’t search for preset styles or songs.

For more about preset styles and songs, refer to “Reference

Manual” (PDF).

1. Press the [Finder] button.

The Finder screen appears.

Indicates the path of the le at the cursor

INT: / (internal memory) EXT: / (USB ash drive)

When searching for songs, the SMF, WAV, and MP3 icons indicate the type of le.

5. Use the direct buttons to select a le.

Switch pages as necessary.

6. If you press the [Start/Stop] (

song (style) plays.

7. To close the list, press the [Exit] button.

) button, the selected

NOTE

If the le name contains double-byte characters or single-byte “kana” characters (i.e., Japanese), the le name might not be displayed correctly, or the le might not be recognized. In this case, rename the le using single-byte alphanumeric characters.

2. Use the function buttons to select what you are

searching for.

Button Search target

[F1] button Style [F2] button Song

3. Enter the characters you’re searching for.

Indicates the characters

Enter the characters you’re searching for.

Deletes one

character

Switches to

uppercase characters

Switches to

numerals/symbols

that can be entered using the Tone buttons.

Inserts one

Switches to lowercase

characters

character

Select the search targetMove the cursor

4. Press the [F5] (Exec) button.

Change the

character at the

cursor position

Executes

User Program (UPG)

User Programs (UPG) and User Program Sets (UPS)

When loading is completed, the UPG list screen is shown, allowing you to select a UPG. You can also use the User Program [1]–[10] buttons to select UPGs from the loaded UPS.

Style and song reference data, and all settings that are loaded together with this data (such as the intro and ending status, and the settings of the selected variation) are handled together as a unit called a User Program (subsequently abbreviated as UPG). Additionally, up to 100 UPGs that you create can be saved in a User Program Set (UPS). The E-A7 can load a UPS when it starts up, so that you’ll always be able to use the User Program button to easily recall up to 100 UPGs. If you accumulate more than 100 UPGs, you can create a new UPS and save it in internal storage or external storage. This means that by using a dierent UPS, you can have an unlimited number of UPGs.

NOTE

The E-A7 has a user program set called “Music Assistant.” This set cannot be erased or edited.

Loading a UPS

By loading a UPS, you can then use the E-A7’s User Program buttons and direct buttons to recall UPGs.

NOTE

When you load a UPS, any changes that you had made to the previously loaded UPS will be lost. If you want to keep the changes you made, save the UPS (p. 48).

1. Press the UPG/UPS List [L ] button.

The UPGs in the currently loaded UPS are shown in the list.

Recalling the UPG

Up to 100 UPGs can be stored in a UPS. These UPGs are organized by Bank and Number. There are ten banks, 1–10, and each bank contains numbers 1–10. This means that you’ll recall a UPG by specifying it in the range from 1-1 through 10-10.

MEMO

As the sole exception to this, Music Assistant contains more than 100 UPGs.

You can select a UPG either by using the User Program buttons directly, or by making a selection in the screen.

Direct Selection with the UPG Buttons

Selecting a UPG of a dierent number from the same bank

Press the UPG [1]–[10] button corresponding to the number that you want to select. The number button of the selected UPG is lit.

Selecting a UPG from a dierent bank

Press this again to see the UPS list.

Subsequently, the UPG list screen and UPS list screen will alternate each time you press the button.

2. In the UPS list screen, select the UPS that you want to

load.

Button Explanation

[R1] (INT/EXT)

[F1] (Music Assistant) Loads Music Assistant. [F4] [F5] Switch pages.

Switches between Internal Storage and External Storage (USB ash drive).

3. Use the direct buttons to select a UPS.

The UPS is loaded.

Using the Bank [-] [+] buttons to switch banks

1. Use the Bank [-] [+] buttons to switch banks.

The UPG is not recalled until you enter the number.

2. Use the UPG [1]–[10] buttons to enter the number.

The UPG is recalled when you enter the number.

Using the Bank [B] button to directly specify the bank

1. Press the Bank [B] button.

Bank [B] lights, and the UPG [0]–[9] buttons are in Bank Input mode. If you decide to cancel, press the Bank [B] button once again.

2. Use the UPG [1]–[10] buttons to enter the bank.

The bank is entered, and Bank Input mode ends.

3. Use the UPG [1]–[10] buttons to enter the number.

The UPG is recalled.

MEMO

5 In the case of Music Assistant, use the Bank [-] [+] buttons to

switch banks. If you’re specifying the bank directly, you can switch banks as far as bank 10.

5 If you want to change the bank or number of the UPG that will be

recalled, use “Move UPG” or “Copy UPG” to change the order of the UPGs within the list.

Selecting from the UPG List Screen

1. Press the UPG/UPS List [L ] button.

The UPG list screen appears.

2. Use the direct buttons to select the UPG.

When you select a UPG, the cursor moves and the UPG is recalled immediately.

MEMO

You can use the function buttons to switch banks.

User Program (UPG)

Saving Settings as a User Program

Here’s how to save the current settings as a user program (UPG).

1. Select a style or song, and make the desired settings.

For example, you can assign a sound of your choice to the keyboard part, turn on the Intro [1] button, or change the User Program Edit settings.

2. Press the [Write] button.

If there is a UPG of the same name, a message asks whether you want to overwrite it. Choose “YES” to overwrite, or choose “No” to see the naming screen.

3. Assign a name to the UPG that you’re saving.

“Assigning Names” (p. 16)

4. Use the function buttons to select “Exec.”

This UPG is added to the end of the UPG list.

MEMO

If the number of UPGs exceeds 100, a new UPS is created automatically. If you modify a Music Assistant UPG and then save, a new UPS is always created automatically.

NOTE

If you write a user program when One Touch is selected (One Touch [1]–[4] button lit), the One Touch settings are saved in the user program (including the Pad settings).

Recalling My Setup

When you turn on the power, a special UPG called My Setup is always recalled. You can also use the [My Setup] button to instantly return to the settings immediately after startup. It is convenient to store your most frequently-used settings in My Setup.

Saving Settings as My Setup

Here’s how to save the current settings as My Setup.

1. Select a style or song, and make the desired settings.

For example, assign the desired tones to the keyboard part, turn on the Intro [1] button, or modify the User Program Edit settings.

2. Long-press the My Setup [M] button.

A screen where you can save My Setup appears.

5 To save, select “YES.” 5 If you decide not to save, select “NO.”

NOTE

When you execute the save operation, the previous My Setup is overwritten and lost. If you don’t want to lose it, save the UPG while My Setup is recalled.

Other Functions Related to the UPS List

1. Press the UPG/UPS List [L ] button to access the UPS list.

The UPS List screen appears. If the UPS list is not displayed, press the button once again.

2. Press the [Option] button.

The screen changes, and the functions that can be executed are shown.

Function Explanation

Rename UPS Renames the UPS. Delete UPS Deletes the UPS. Make New UPS Creates a new (empty) User Program Set (UPS) le. Copy UPS Copies the UPS.

3. Use the direct buttons to select a function.

Subsequent steps dier depending on the function that you select.

Renaming a User Program Set (UPS) (Rename UPS)

1. Press the [Option] button.

2. Use the direct buttons to select “Rename UPS.”

3. Use the direct buttons to select the UPS that you want

to rename.

4. Assign a name to the UPG that you want to save.

“Assigning Names” (p. 16)

5. Use the function buttons to select “Exec.”

A conrmation message appears.

MEMO

If there is an identically-named le, you will be asked whether you want to overwrite it.

5 If you want to overwrite it, select “YES.” 5 If you don’t want to overwrite it, select “NO,” and you’ll return

to the rename page.

Deleting a User Program Set (UPS) (Delete UPS)

1. Press the [Option] button.

2. Use the direct buttons to select “Delete UPS.”

3. Use the direct buttons to select the UPS that you want

to delete.

A conrmation message appears.

4. Use the function buttons to select “YES.”

The user program set (UPS) is deleted. If you decide not to delete it, select “NO.”

MEMO

When a UPS is edited, an “*” appears at the left of the name. If you want to save the edited UPS, refer to “Saving an Edited User Program Set (Save UPS)” (p. 48).

Creating a New User Program Set (UPS) (Make New UPS)

Here’s how to create a new (empty) UPS le.

1. In step 3 of “Other Functions Related to the UPS List”

(p. 46), select “Make New UPS.”

A screen where you can assign a name for the new UPS appears. If you want to change the name, refer to “Assigning Names” (p. 16).

2. Use the function buttons to select “Exec.”

MEMO

If there is an identically-named le, you will be asked whether you want to overwrite it.

5 If you want to overwrite it, select “YES.” 5 If you don’t want to overwrite it, select “NO,” and you’ll return

to the rename page.

NOTE

The UPS le is placed in the “My UPSs” folder. If this folder does not exist, it is created automatically. The “My UPSs” folder exists in both internal storage and external storage.

Copying a User Program Set (UPS) (Copy UPS)

1. Press the [Option] button.

2. Use the direct buttons to select “Copy UPS.”

User Program (UPG)

3. Use the direct buttons to select the UPS that you want

to copy.

4. Press the [Enter] button.

5. Use the [R1] (Int/Ext) button to switch the copy-

destination between Internal Storage and External Storage.

MEMO

The UPS le is placed in the “My UPSs” folder. If this folder does not exist, it is created automatically. The “My UPSs” folder exists in both internal storage and external storage.

6. Press the [Enter] button.

A conrmation message appears.

7. To execute, use the function buttons to select “ Ye s .”

The copy is executed. If you decide to cancel, select the “ No .”

MEMO

If there is an identically-named le, you will be asked whether you want to overwrite it.

5 If you want to overwrite it, select “YES.” 5 If you don’t want to overwrite it, select “NO,” and you’ll return

to the rename page.

Using a UPS File Created by the Roland BK Series

UPS les created by the Roland BK series can be used by the E-A7. To use such a le, place the UPS le in the “My UPSs” folder.

MEMO

If there is no “My UPSs” folder on the external storage (USB ash drive), you should either format the USB ash drive on the E-A7, or create a folder named “My UPSs.”

NOTE

5 If the loaded UPS contains more than 100 UPGs, only the rst 100

UPGs can be selected on the E-A7.

5 Once a UPS le has been used by the E-A7, it can no longer be

used by the BK series. We recommend that you make a backup of the le.

Other Functions Related to the UPG List

You can use the following functions on UPGs.

5 Delete UPG 5 Move UPG 5 Rename UPG 5 Copy UPGs 5 Save UPS

MEMO

For UPGs when Music Assistant is loaded, only the Copy UPGs function can be used.

Deleting a User Program (UPG) (Delete UPG)

1. Press the [Option] button.

2. Use the direct buttons to select “Delete UPG.”

3. In the UPG list, use the direct buttons to select the user

program (UPG) that you want to delete, and then press the [ENTER] button.

A conrmation message appears.

4. Use the function buttons to select “YES.” (If you decide

not to delete, select “NO.”)

The user program (UPG) is deleted.

MEMO

When a UPS is edited, an “*” appears at the left of the name. If you want to save the edited UPS, refer to “Saving an Edited User Program Set (Save UPS)” (p. 48).

Moving a User Program (UPG) (Move UPG)

1. Press the [Option] button.

2. Use the direct buttons to select “Move UPG.”

3. In the UPG list, select the user program (UPG) that you

want to move, and press the [ENTER] button.

4. Use the direct buttons and the function buttons to

move the user program (UPG) to the desired location, and then press the [Enter] button.

MEMO

When a UPS is edited, an “*” appears at the left of the name. If you want to save the edited UPS, refer to “Saving an Edited User Program Set (Save UPS)” (p. 48).

Renaming a User Program (UPG) (Rename UPG)

1. Press the [Option] button.

2. Use the direct buttons to select “Rename UPG.”

3. In the UPG list, select the user program (UPG) that you

want to rename, and press the [ENTER] button.

The rename screen appears.

4. Assign a name.

“Assigning Names” (p. 16)

5. Use the function buttons to select “Exec.”

The UPG is renamed.

MEMO

When a UPS is edited, an “*” appears at the left of the name. If you want to save the edited UPS, refer to “Saving an Edited

User Program Set (Save UPS)” (p. 48).

User Program (UPG)

Copying a User Program (UPG) (Copy UPGs)

1. In the UPG list screen, press the [Option] button.

2. Use the direct buttons to select “Copy UPGs.”

A screen appears in which you can select the copy-source UPG.

3. Use the direct buttons and function buttons to select

the UPG that you want to copy.

MEMO

5 You can select multiple UPGs and copy them in a single

operation. If you select [F1] (Mark All), all UPGs in the list are selected. If you press this button again, all selections are cleared.

5 In the case of Music Assistant, the rst 100 UPGs are selected.

4. Press the [Enter] button.

You can also copy a UPG to a dierent UPS. In this case, perform the copy operation and then press the UPG/UPS List [L ] button to access the UPS list; then load the copy-destination UPS as described in “Loading a UPS” (p. 45).

5. Press the [Option] button.

6. Use the direct buttons to select “Paste.”

7. Use the direct buttons to select the location where you

want to paste.

The program is pasted in the UPG location that you select. If you want to paste the program at the end of the list, execute this operation without selecting a paste location (without selecting a UPG).

8. Press the [Enter] button.

The selected UPG(s) are pasted.

MEMO

5 If the copy-destination contains more than 100 UPGs, you won’t

be able to paste. Either reorganize the les, or paste to a dierent UPS.

5 When a UPS is edited, an “*” appears at the left of the name.

If you want to save the edited UPS, refer to “Saving an Edited User Program Set (Save UPS)” (p. 48).

Locking the UPG Settings

The E-A7 lets you lock several settings so that they will not be changed even if you select a dierent UPG.

1. Press the UPG [Lock] button to make it light.

To cancel, press the UPG [Lock] button once again to make it go dark.

Parameters that can be locked

1. Long-press the UPG [Lock] button.

The UPG Lock Setting screen appears.

2. Use the direct buttons to select the items that you want

to lock.

3. Use the Value [-] [+] buttons to turn the item on/o.

NOTE

Each style has its specied tempo, but if the tempo setting is locked, the tempo will not change even if another style (of a dierent tempo) is selected. If the E-A7’s Tempo Lock is turned on, the tempo is maintained even if the UPG’s Tempo lock is o.

MEMO

These settings are automatically saved in the Global parameters when you exit the screen.

Saving an Edited User Program Set (Save UPS)

1. In the UPG list screen, press the [Option] button.

2. Use the function buttons to select “Save UPS.”

A message will conrm that the data has been saved.

MEMO

If you decide not to save the edited UPS, and you exit the screen by pressing the [Exit] button or in some other way, a conrmation screen asks whether you want to save the changes you made.

5 Use the function buttons to select “YES,” and save the

modied content.

5 If you don’t want to save, select “NO.”

Various Settings (Menu)

By pressing the E-A7’s [Menu] button you can access various settings and functions. The menu contains the following items. For details on the items in the menu, refer to the reference manual.

1. Press the [Menu] button to make it light.

The Menu screen appears.

2. Use the direct buttons to select a function or parameter

group.

Switch pages as necessary.

Group Explanation

Global Make settings for the entire E-A7 or for the system.

User Program Edit Make User Program settings.

One Touch Setting Access the One Touch Setting screen.

Sampling Menu Access sampling-related items.

Style Composer

Makeup Tools

SMF Mark&Jump

Lyrics

Mastering Tools

MIDI Make MIDI-related settings.

File Utility

Utility

Access items related to Style Composer. Style Composer is a function that creates user styles. Access items related to Makeup Tools. Makeup Tools are functions for easily editing a style or SMF. Access the SMF Mark&Jump function setting screen (p. 40). Allow lyric data to be displayed on the E-A7 (limited to SMF or mp3 les that contain lyric data). Adjust the compressor and equalizer that are applied to the output.

Perform operations on the les that are saved in the E-A7’s internal storage and external storage (p. 43). Perform operations for the entire E-A7 (such as initialization and backup).

3. In the screen that appears after you make the selection,

edit the parameters or execute the command.

MEMO

5 Press the [Exit] button once to return to the next higher level. 5 Long-press the [Exit] button to return to the Main screen.

Main Specications

Roland E-A7: Arranger Keyboard

Key 61 keys (with velocity) Power Supply AC adaptor Current Draw 1,500 mA Rated Power Output

Dimensions

Weight

Accessories

Options

* In the interest of product improvement, the specications and/or appearance of this unit are subject to change without prior notice.

2 x 12 W

1,045 (W) x 318 (D) x 136 (H) mm 41-3/16 (W) x 12-9/16 (D) x 5-3/8 (H) inches

7.9 kg 17 lbs 7 oz Owner’s manual Music rest AC adaptor Power cord (for AC adaptor) Keyboard Stand (*1): KS-18Z Pedal Switch: DP series, FS-5U Expression Pedal: EV-5 USB Flash Memory (*2) *1 When using the KS-18Z, ensure that the height of the unit is

one meter or lower.

*2 Use USB Flash Memory (supports USB 2.0 Hi-Speed Flash

Memory) sold by Roland. We cannot guarantee operation if other products are used.

Index

AC adaptor . . . . . . . . . . . . . . . . . . . . . . . 9

Accompaniment . . . . . . . . . . . . . . . . . 21

Arranger Setting . . . . . . . . . . . . . . . . . 14

Audio

Recording . . . . . . . . . . . . . . . . . . .

Audio le . . . . . . . . . . . . . . . . . . . . . . . . 38

Auto O . . . . . . . . . . . . . . . . . . . . . 12, 13

Balance . . . . . . . . . . . . . . . . . . . . . . . . . . . 6

Center Cancel . . . . . . . . . . . . . . . . . . . . 41

Chain Play . . . . . . . . . . . . . . . . . . . . . . . 39

Chorus . . . . . . . . . . . . . . . . . . . . . . . . . . . 5

Computer . . . . . . . . . . . . . . . . . . . . 9, 11

Control . . . . . . . . . . . . . . . . . . . . . . . . . . . 9

Copy

File . . . . . . . . . . . . . . . . . . . . . . . . . .

Folder . . . . . . . . . . . . . . . . . . . . . . . 43

User Program . . . . . . . . . . . . . . . . 48

User Program Set. . . . . . . . . . . . . 46

Cord hook . . . . . . . . . . . . . . . . . . . . . . . . 9

Create

Marker . . . . . . . . . . . . . . . . . . . . . . .

Multisample . . . . . . . . . . . . . . . . . 30

Sound . . . . . . . . . . . . . . . . . . . . . . . 28

User Drum Kit . . . . . . . . . . . . . . . . 33

User Program Set. . . . . . . . . . . . . 46

User Tone . . . . . . . . . . . . . . . . . . . . 31

Create Folder . . . . . . . . . . . . . . . . . . . . 43

Create Multisample . . . . . . . . . . . . . . 30

DC IN jack . . . . . . . . . . . . . . . . . . . . . . . . 9

Delete

File . . . . . . . . . . . . . . . . . . . . . . . . . .

Folder . . . . . . . . . . . . . . . . . . . . . . . 43

Marker . . . . . . . . . . . . . . . . . . . . . . . 40

Multisample . . . . . . . . . . . . . . . . . 31

Sample . . . . . . . . . . . . . . . . . . . . . . 30

User Drum Kit . . . . . . . . . . . . . . . . 34

User Program . . . . . . . . . . . . . . . . 47

User Program Set. . . . . . . . . . . . . 46

User Tone . . . . . . . . . . . . . . . . . . . . 32

Demo . . . . . . . . . . . . . . . . . . . . . . . . . . . 13

Drum Inst . . . . . . . . . . . . . . . . . . . . . . . . . 4

Drum Kit . . . . . . . . . . . . . . . . . . . . . . . . . . 4

Edit

Multisample . . . . . . . . . . . . . . . . .

Sample . . . . . . . . . . . . . . . . . . . . . . 29

Eects . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5

Export

User Drum Kit . . . . . . . . . . . . . . . .

User Tone . . . . . . . . . . . . . . . . . . . . 32

Expression . . . . . . . . . . . . . . . . . . . . . . . . 9

Expression Pedal . . . . . . . . . . . . . . . . . 11

External Storage . . . . . . . . . . . . . . . . . . 5

EXT IN jack . . . . . . . . . . . . . . . . . . . . . . . . 9

Favorite . . . . . . . . . . . . . . . . . . . . . . . . . . 20

File

Copy. . . . . . . . . . . . . . . . . . . . . . . . .

Delete . . . . . . . . . . . . . . . . . . . . . . . 43

Rename. . . . . . . . . . . . . . . . . . . . . . 43

File List . . . . . . . . . . . . . . . . . . . . . . . . . . 43

File Utility . . . . . . . . . . . . . . . . . . . . 43, 49

Finder . . . . . . . . . . . . . . . . . . . . . . . . . . . 44

Folder

Copy. . . . . . . . . . . . . . . . . . . . . . . . .

Create . . . . . . . . . . . . . . . . . . . . . . . 43

Delete . . . . . . . . . . . . . . . . . . . . . . . 43

Rename. . . . . . . . . . . . . . . . . . . . . . 43

Global . . . . . . . . . . . . . . . . . . . . . . . . . . . 49

Headphones . . . . . . . . . . . . . . . . . . . . . . 9

Hold . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9

Hold Pedal . . . . . . . . . . . . . . . . . . . . . . . 11

Import

Sample . . . . . . . . . . . . . . . . . . . . . .

Input . . . . . . . . . . . . . . . . . . . . . . . . . . . 7, 9

Input EFX . . . . . . . . . . . . . . . . . . . . . . . . . 5

INPUT L/MONO, MIC,

R jacks . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Internal Storage . . . . . . . . . . . . . . . . . . . 5

Keyboard . . . . . . . . . . . . . . . . . . . . . . . . . 6

Keyboard Part

Volume . . . . . . . . . . . . . . . . . . . . . .

Keyboard Part Mixer screen . . . . . . 18

Left Display . . . . . . . . . . . . . . . . . . . . . . . 6

Load

UPS . . . . . . . . . . . . . . . . . . . . . . . . . .

User Drum Kit . . . . . . . . . . . . . . . . 34

User Tone . . . . . . . . . . . . . . . . . . . . 33

Lock

UPG Setting . . . . . . . . . . . . . . . . . .

Loop . . . . . . . . . . . . . . . . . . . . . . . . . . . . 40

Lower Hold . . . . . . . . . . . . . . . . . . . . . . 18

Lower part . . . . . . . . . . . . . . . . . . . . . . . 18

Lyrics . . . . . . . . . . . . . . . . . . . . . . . . . . . . 49

Makeup Tools . . . . . . . . . . . . . . . . . . . . 49

Mark and Jump . . . . . . . . . . . . . . . . . . 40

Marker . . . . . . . . . . . . . . . . . . . . . . . . . . . 40

Mastering Tools . . . . . . . . . . . . . . . 5, 49

Master Volume . . . . . . . . . . . . . . . . . . . . 6

Memory . . . . . . . . . . . . . . . . . . . . . . . . . . 5

Menu . . . . . . . . . . . . . . . . . . . . . . . . . 7, 49

Metronome . . . . . . . . . . . . . . . . . . . . . . 19

MFX (Multi Eects) . . . . . . . . . . . . . . . . 5

MIC-LINE select switch . . . . . . . . . . . . 9

Microphone . . . . . . . . . . . . . . . . . . 9, 10

MIDI . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 49

MIDI Equipment . . . . . . . . . . . . . . . . . 10

MIDI port . . . . . . . . . . . . . . . . . . . . . . . . . 9

Move

User Program . . . . . . . . . . . . . . . .

Multisample

Create . . . . . . . . . . . . . . . . . . . . . . .

Delete . . . . . . . . . . . . . . . . . . . . . . . 31

Edit . . . . . . . . . . . . . . . . . . . . . . . . . . 31

Music Rest . . . . . . . . . . . . . . . . . . . . . . . 11

Mute

Track . . . . . . . . . . . . . . . . . . . .

My Setup

Recall . . . . . . . . . . . . . . . . . . . . . . . .

Save . . . . . . . . . . . . . . . . . . . . . . . . . 46

24, 39

Name . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16

Octave Shift . . . . . . . . . . . . . . . . . . . . . 19

One Touch Lock . . . . . . . . . . . . . . . . . . 26

One Touch Memory . . . . . . . . . . . . . . 26

One Touch Setting . . . . . . . . . . . 26, 49

Save . . . . . . . . . . . . . . . . . . . . . . . . . 26

OUTPUT L/MONO, R jacks . . . . . . . . . 9

Pad . . . . . . . . . . . . . . . . . . . . . . . . . . . 6, 36

Pad Setting

Save . . . . . . . . . . . . . . . . . . . . . . . . .

Part Level . . . . . . . . . . . . . . . . . . . . . . . . . 7

Pedal CONTROL jack . . . . . . . . . . . . . . 9

Pedal EXPRESSION jack . . . . . . . . . . . . 9

Pedal HOLD jack . . . . . . . . . . . . . . . . . . 9

PHONES jack . . . . . . . . . . . . . . . . . . . . . . 9

Phrase . . . . . . . . . . . . . . . . . . . . . . . . . . . 36

Phrase Recording . . . . . . . . . . . . . . . . 37

Play back

Song. . . . . . . . . . . . . . . . . . . . . . . . .

Power . . . . . . . . . . . . . . . . . . . . . . . . . . . 12

Preset Memory. . . . . . . . . . . . . . . . . . . . 5

Preset Wave Memory . . . . . . . . . . . . . . 5

Recall

My Setup . . . . . . . . . . . . . . . . . . . .

UPG . . . . . . . . . . . . . . . . . . . . . . . . . 45

Recording

Audio . . . . . . . . . . . . . . . . . . . . . . . .

Rename

File . . . . . . . . . . . . . . . . . . . . . . . . . .

Folder . . . . . . . . . . . . . . . . . . . . . . . 43

User Program . . . . . . . . . . . . . . . . 47

User Program Set. . . . . . . . . . . . . 46

Reverb . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5

Right Display . . . . . . . . . . . . . . . . . . . . . 7

Sample

Clean up . . . . . . . . . . . . . . . . . . . . .

Delete . . . . . . . . . . . . . . . . . . . . . . . 30

Edit . . . . . . . . . . . . . . . . . . . . . . . . . . 29

Import . . . . . . . . . . . . . . . . . . . . . . . 29

Truncate . . . . . . . . . . . . . . . . . . . . . 35

Sample Memory

Optimize . . . . . . . . . . . . . . . . . . . . .

Sampling . . . . . . . . . . . . . . . . . . . . . 7, 29

Sampling Menu . . . . . . . . . . . . . . . . . . 49

Save

My Setup . . . . . . . . . . . . . . . . . . . .

One Touch Setting . . . . . . . . . . . 26

Pad Setting . . . . . . . . . . . . . . . . . . 37

Song. . . . . . . . . . . . . . . . . . . . . . . . . 42

User Program Set. . . . . . . . . . . . . 48

Scale Tune . . . . . . . . . . . . . . . . . . . . . . . . 6

Screens . . . . . . . . . . . . . . . . . . . . . . . . . . 14

Song. . . . . . . . . . . . . . . . . . . . . . . . .

Style . . . . . . . . . . . . . . . . . . . . . . . . . 44

Select

Song. . . . . . . . . . . . . . . . . . . . . . . . .

Style . . . . . . . . . . . . . . . . . . . . . . . . . 22

SMF . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 38

SMF Mark&Jump . . . . . . . . . . . . . . . . . 49

Sold Footswitch . . . . . . . . . . . . . . . . . . 11

Song

Play back . . . . . . . . . . . . . . . . . . . .

Save . . . . . . . . . . . . . . . . . . . . . . . . . 42

Search . . . . . . . . . . . . . . . . . . . . . . . 44

Select . . . . . . . . . . . . . . . . . . . . . . . . 38

Tempo . . . . . . . . . . . . . . . . . . . . . . . 39

Song Control . . . . . . . . . . . . . . . . . . . . . 7

Song Player . . . . . . . . . . . . . . . . . . . . . . 38

Sound

Create . . . . . . . . . . . . . . . . . . . . . . .

Speakers . . . . . . . . . . . . . . . . . . . . . . . . . 13

Split . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18

Split Point . . . . . . . . . . . . . . . . . . . . . . . 18

Stand . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11

Style . . . . . . . . . . . . . . . . . . . . . . . . . . 6, 21

Search . . . . . . . . . . . . . . . . . . . . . . . 44

Select . . . . . . . . . . . . . . . . . . . . . . . . 22

Tempo . . . . . . . . . . . . . . . . . . . . . . . 24

Style Composer . . . . . . . . . . . . . . . . . . 49

Style Control . . . . . . . . . . . . . . . . . . . . . . 7

Style Part

Volume . . . . . . . . . . . . . . . . . . . . . .

Style Part Mixer screen . . . . . . . . . . . 23

System Memory . . . . . . . . . . . . . . . . . . 5

Tempo

Song. . . . . . . . . . . . . . . . . . . . . . . . .

Style . . . . . . . . . . . . . . . . . . . . . . . . . 24

Tone . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4, 7

Track

Mute . . . . . . . . . . . . . . . . . . . . . . . .

Track Mute . . . . . . . . . . . . . . . . . . . 24, 39

Transpose . . . . . . . . . . . . . . . . . . . . . . . 18

UPG Setting

Lock . . . . . . . . . . . . . . . . . . . . . . . . .

Upper part . . . . . . . . . . . . . . . . . . . . . . . 18

USB COMPUTER port . . . . . . . . . . . . . . 9

USB ash drive . . . . . . . . . . . . . . . . . . . . 9

USB MEMORY port . . . . . . . . . . . . . . . . 9

User Drum Kit (UDK) . . . . . . . . . . . . . . 4

Create . . . . . . . . . . . . . . . . . . . . . . . 33

Delete . . . . . . . . . . . . . . . . . . . . . . . 34

Export . . . . . . . . . . . . . . . . . . . . . . . 34

Load . . . . . . . . . . . . . . . . . . . . . . . . . 34

User Program Edit . . . . . . . . . . . . . . . . 49

User Program Set (UPS). . . . . . . . . . . 45

Copy. . . . . . . . . . . . . . . . . . . . . . . . . 46

Create . . . . . . . . . . . . . . . . . . . . . . . 46

Delete . . . . . . . . . . . . . . . . . . . . . . . 46

Load . . . . . . . . . . . . . . . . . . . . . . . . . 45

Rename. . . . . . . . . . . . . . . . . . . . . . 46

Save . . . . . . . . . . . . . . . . . . . . . . . . . 48

User Program (UPG) . . . . . . . . 4, 8, 45

Copy. . . . . . . . . . . . . . . . . . . . . . . . . 48

Delete . . . . . . . . . . . . . . . . . . . . . . . 47

Move . . . . . . . . . . . . . . . . . . . . . . . . 47

Recall . . . . . . . . . . . . . . . . . . . . . . . . 45

Rename. . . . . . . . . . . . . . . . . . . . . . 47

User Sample . . . . . . . . . . . . . . . . . . . . . . 4

User Sample Memory . . . . . . . . . . . . . 5

User Tone (UST)

Create . . . . . . . . . . . . . . . . . . . . . . .

Delete . . . . . . . . . . . . . . . . . . . . . . . 32

Export . . . . . . . . . . . . . . . . . . . . . . . 32

Load . . . . . . . . . . . . . . . . . . . . . . . . . 33

Utility . . . . . . . . . . . . . . . . . . . . . . . . . 7, 49

Volume . . . . . . . . . . . . . . . . . . . . . . . . . . 12

Keyboard Part . . . . . . . . . . . . . . . . 15

Style Part . . . . . . . . . . . . . . . . . . . . 15

Volume Balance . . . . . . . . . . . . . . . . . . 15

USING THE UNIT SAFELY

About WARNING and CAUTION Notices

Used for instructions intended to alert the user to the risk of death or severe injury should the unit be used improperly.

Used for instructions intended to alert the user to the risk of injury or material damage should the unit be used improperly.

* Material damage refers to damage or

other adverse effects caused with respect to the home and all its furnishings, as well to domestic animals or pets.

ALWAYS OBSERVE THE FOLLOWING

WARNING

To completely turn o power to the unit, pull out the plug from the outlet

Even with the power switch turned o, this unit is not completely separated from its main source of power. When the power needs to be completely turned o, turn o the power switch on the unit, then pull out the plug from the outlet. For this reason, the outlet into which you choose to connect the power cord’s plug should be one that is within easy reach and readily accessible.

Concerning the Auto O function

Do not disassemble or modify by yourself

Do not carry out anything unless you are instructed to do so in the owner’s manual. Otherwise, you risk causing malfunction.

Do not repair or replace parts by yourself

Refer all servicing to your retailer, the nearest Roland Service Center, or an authorized Roland distributor, as listed on the “Information.”

Do not use or store in the following types of locations

• Subject to temperature extremes (e.g., direct sunlight in an enclosed vehicle, near a heating duct, on top of heatgenerating equipment); or are

• Damp (e.g., baths, washrooms, on wet oors); or are

• Exposed to steam or smoke; or are

• Subject to salt exposure; or are

• Exposed to rain; or are

• Dusty or sandy; or are

• Subject to high levels of vibration and shakiness; or are

• Placed in a poorly ventilated location.

Use only the stand that is recommended

This unit should be used only with a stand that is recommended by Roland.

Do not place in a location that is unstable

When using the unit with a stand recommended by Roland, the stand must be carefully placed so it is level and sure to remain stable. If not using a stand, you still need to make sure that any location you choose for placing the unit provides a level surface that will properly support the unit, and keep it from wobbling.

Precautions regarding placement of this unit on a stand

Be sure to follow the instructions in the Owner’s Manual carefully when placing this unit on a stand (p. 11).

If it is not set up properly, you risk creating an unstable situation which could lead to the unit falling or the stand toppling, and may result in injury.

Use only the supplied AC adaptor and the correct voltage

Be sure to use only the AC adaptor supplied with the unit. Also, make sure the line voltage at the installation matches the input voltage specied on the AC adaptor’s body. Other AC adaptors may use a dierent polarity, or be designed for a dierent voltage, so their use could result in damage, malfunction, or electric shock.

Use only the supplied power cord

Use only the attached power cord. Also, the supplied power cord must not be used with any other device.

Do not bend the power cord or place heavy objects on it

Otherwise, re or electric shock may result.

About the Symbols

The symbol alerts the user to important instructions or warnings.The specific meaning of the symbol is determined by the design contained within the triangle. In the case of the symbol at left, it is used for general cautions, warnings, or alerts to danger.

The symbol alerts the user to items that must never be carried out (are forbidden). The specific thing that must not be done is indicated by the design contained within the circle. In the case of the symbol at left, it means that the unit must never be disassembled.

The symbol alerts the user to things that must be carried out. The specific thing that must be done is indicated by the design contained within the circle. In the case of the symbol at left, it means that the power-cord plug must be unplugged from the outlet.

WARNING

Avoid extended use at high volume

Use of the unit at high volume for extended periods of time may cause hearing loss. If you ever experience any hearing loss or ringing in the ears, you should immediately stop using the unit and consult a specialized physician.

Do not allow foreign objects or liquids to enter unit; never place containers with liquid on unit

Do not place containers containing liquid (e.g., ower vases) on this product. Never allow foreign objects (e.g., ammable objects, coins, wires) or liquids (e.g., water or juice) to enter this product. Doing so may cause short circuits, faulty operation, or other malfunctions.

Turn o the unit if an abnormality or malfunction occurs

Immediately turn the unit o, remove the AC adaptor from the outlet, and request servicing by your retailer, the nearest Roland Service Center, or an authorized Roland distributor, as listed on the “Information” when:

• The AC adaptor or the power cord has been damaged; or

• If smoke or unusual odor occurs; or

• Objects have fallen into, or liquid has been spilled onto the unit; or

• The unit has been exposed to rain (or otherwise has become wet); or

• The unit does not appear to operate normally or exhibits a marked change in performance.

Be cautious to protect children from injury

Always make sure that an adult is on hand to provide supervision and guidance when using the unit in places where children are present, or when a child will be using the unit.

Do not drop or subject to strong impact

Otherwise, you risk causing damage or malfunction.

USING THE UNIT SAFELY

WARNING

Do not share an outlet with an unreasonable number of other devices

Otherwise, you risk overheating or re.

Do not use overseas

Before using the unit in overseas, consult with your retailer, the nearest Roland Service Center, or an authorized Roland distributor, as listed on the “Information.”

CAUTION

Use only the specied stand(s)

This unit is designed to be used in combination with specic stands (KS18Z) manufactured by Roland. If used in combination with other stands, you risk sustaining injuries as the result of this product dropping down or toppling over due to a lack of stability.

Evaluate safety issues before using stands

Even if you observe the cautions given in the owner’s manual, certain types of handling may allow this product to fall from the stand, or cause the stand to overturn. Please be mindful of any safety issues before using this product.

When disconnecting the power cord, grasp it by the plug

To prevent conductor damage, always grasp the power cord by its plug when disconnecting it from this unit or from a power outlet.

Periodically clean the power plug

An accumulation of dust or foreign objects between the power plug and the power outlet can lead to re or electric shock.

At regular intervals, be sure to pull out the power plug, and using a dry cloth, wipe away any dust or foreign objects that may have accumulated.

Disconnect the power plug whenever the unit will not be used for an extended period of time

Fire may result in the unlikely event that a breakdown occurs.

CAUTION

Disconnect all cords/cables before moving the unit

Before moving the unit, disconnect the power plug from the outlet, and pull out all cords from external devices.

Before cleaning the unit, disconnect the power plug from the outlet

If the power plug is not removed from the outlet, you risk receiving an electric shock.

Whenever there is a threat of lightning, disconnect the power plug from the outlet

If the power plug is not removed from the outlet, you risk receiving an electric shock.

Handle the ground terminal carefully

If you remove the screw from the ground terminal, be sure to replace it; don’t leave it lying around where it could accidently be swallowed by small children. When refastening the screw, make that it is rmly fastened, so it won’t come loose.

Route all power cords and cables in such a way as to prevent them from getting entangled

Injury could result if someone were to trip on a cable and cause the unit to fall or topple.

Avoid climbing on top of the unit, or placing heavy objects on it

Otherwise, you risk injury as the result of the unit toppling over or dropping down.

Never connect/disconnect a power plug if your hands are wet

Otherwise, you could receive an electric shock.

IMPORTANT NOTES

Power Supply

• Do not connect this unit to same electrical outlet that is being used by an electrical appliance that is controlled by an inverter or a motor (such as a refrigerator, washing machine, microwave oven, or air conditioner). Depending on the way in which the electrical appliance is used, power supply noise may cause this unit to malfunction or may produce audible noise. If it is not practical to use a separate electrical outlet, connect a power supply noise lter between this unit and the electrical outlet.

• The AC adaptor will begin to generate heat after long hours of consecutive use. This is normal, and is not a cause for concern.

Placement

• Using the unit near power ampliers (or other equipment containing large power transformers) may induce hum. To alleviate the problem, change the orientation of this unit; or move it farther away from the source of interference.

• This unit may interfere with radio and television reception. Do not use this unit in the vicinity of such receivers.

• Noise may be produced if wireless communications devices, such as cell phones, are operated in the vicinity of this unit. Such noise could occur when receiving or initiating a call, or while conversing. Should you experience such problems, you should relocate such wireless devices so they are at a greater distance from this unit, or switch them o.

• When moved from one location to another where the temperature and/or humidity is very dierent, water droplets (condensation) may form inside the unit. Damage or malfunction may result if you attempt to use the unit in this condition. Therefore, before using the unit, you must allow it to stand for several hours, until the condensation has completely evaporated.

• Do not allow objects to remain on top of the keyboard. This can be the cause of malfunction, such as keys ceasing to produce sound.

• Depending on the material and temperature of the surface on which you place the unit, its rubber feet may discolor or mar the surface.

• Do not place containers or anything else containing liquid on top of this unit. Also, whenever any liquid has been spilled on the surface of this unit, be sure to promptly wipe it away using a soft, dry cloth.

Maintenance

• Never use benzine, thinners, alcohol or solvents of any kind, to avoid the possibility of discoloration and/or deformation.

Repairs and Data

• Before sending the unit away for repairs, be sure to make a backup of the data stored within it; or you may prefer to write down the needed information. Although we will do our utmost to preserve the data stored in your unit when we carry out repairs, in some cases, such as when the memory section is physically damaged, restoration of the stored content may be impossible. Roland assumes no liability concerning the restoration of any stored content that has been lost.

Additional Precautions

• Any data stored within the unit can be lost as the result of equipment failure, incorrect operation, etc. To protect yourself against the irretrievable loss of data, try to make a habit of creating regular backups of the data you’ve stored in the unit.

• Roland assumes no liability concerning the restoration of any stored content that has been lost.

• Use a reasonable amount of care when using the unit’s buttons, sliders, or other controls; and when using its jacks and connectors. Rough handling can lead to malfunctions.

• Never strike or apply strong pressure to the display.

• When disconnecting all cables, grasp the connector itself—never pull on the cable. This way you will avoid causing shorts, or damage to the cable’s internal elements.

• To avoid disturbing others nearby, try to keep the unit’s volume at reasonable levels.

• The sound of keys being struck and vibrations produced by playing an instrument can be transmitted through a oor or wall to an unexpected extent. Please take care not to cause annoyance to others nearby.

• Do not apply undue force to the music stand while it is in use.

• Use only the specied expression pedal (EV-5; sold separately). By connecting any other expression pedals, you risk causing malfunction and/or damage to the unit.

• Continuous playing may cause dis-coloration of the pad, but this will not aect the pad’s function.

• Do not use connection cables that contain a built-in resistor.

Using External Memories

• Please observe the following precautions when handling external memory devices. Also, make sure to carefully observe all the precautions that were supplied with the external memory device.

• Do not remove the device while reading/writing is in progress.

• To prevent damage from static electricity, discharge all static electricity from your person before handling the device.

Ground Terminal

• Depending on the circumstances of a particular setup, you may experience a discomforting sensation, or perceive that the surface feels gritty to the touch when you touch this device, microphones connected to it, or the metal portions of other objects, such as guitars. This is due to an innitesimal electrical charge, which is absolutely harmless. However, if you are concerned about this, connect the ground terminal (see gure) with an external ground. When the unit is grounded, a slight hum may occur, depending on the particulars of your installation. If you are unsure of the connection method, contact the nearest Roland Service Center, or an authorized Roland distributor, as listed on the “Information” page.

Unsuitable places for connection

• Water pipes (may result in shock or electrocution)

• Gas pipes (may result in re or explosion)

• Telephone -line ground or lightning rod (may be dangerous in the event of lightning)

Intellectual Property Right

• It is forbidden by law to make an audio recording, video recording, copy or revision of a third party’s copyrighted work (musical work, video work, broadcast, live performance, or other work), whether in whole or in part, and distribute, sell, lease, perform, or broadcast it without the permission of the copyright owner.

• Do not use this product for purposes that could infringe on a copyright held by a third party. We assume no responsibility whatsoever with regard to any infringements of third-party copyrights arising through your use of this product.

• The copyright of content in this product (the sound waveform data, style data, accompaniment patterns, phrase data, audio loops and image data) is reserved by Roland Corporation.

• Purchasers of this product are permitted to utilize said content (except song data such as Demo Songs) for the creating, performing, recording and distributing original musical works.

• Purchasers of this product are NOT permitted to extract said content in original or modied form, for the purpose of distributing recorded medium of said content or making them available on a computer network.

• MMP (Moore Microprocessor Portfolio) refers to a patent portfolio concerned with microprocessor architecture, which was developed by Technology Properties Limited (TPL). Roland has licensed this technology from the TPL Group.

• MPEG Layer-3 audio compression technology is licensed from Fraunhofer IIS Corporation and THOMSON Multimedia Corporation.

• Roland and BOSS are either registered trademarks or trademarks of Roland Corporation in the United States and/or other countries.

• Company names and product names appearing in this document are registered trademarks or trademarks of their respective owners.

MEMO

For the U.K.

IMPORTANT: THE WIRES IN THIS MAINS LEAD ARE COLOURED IN ACCORDANCE WITH THE FOLLOWING CODE.

BLUE: BROWN:

As the colours of the wires in the mains lead of this apparatus may not correspond with the coloured markings identifying the terminals in your plug, proceed as follows: The wire which is coloured BLUE must be connected to the terminal which is marked with the letter N or coloured BLACK. The wire which is coloured BROWN must be connected to the terminal which is marked with the letter L or coloured RED. Under no circumstances must either of the above wires be connected to the earth terminal of a three pin plug.

NEUTRAL LIVE

For the USA

FEDERAL COMMUNICATIONS COMMISSION

RADIO FREQUENCY INTERFERENCE STATEMENT

This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential installation. This equipment generates, uses, and can radiate radio frequency energy and, if not installed and used in accordance with the instructions, may cause harmful interference to radio communications. However, there is no guarantee that interference will not occur in a particular installation. If this equipment does cause harmful interference to radio or television reception, which can be determined by turning the equipment off and on, the user is encouraged to try to correct the interference by one or more of the following measures:

– Reorient or relocate the receiving antenna. – Increase the separation between the equipment and receiver. – Connect the equipment into an outlet on a circuit different from that to which the receiver is connected. – Consult the dealer or an experienced radio/TV technician for help.

This device complies with Part 15 of the FCC Rules. Operation is subject to the following two conditions: (1) this device may not cause harmful interference, and (2) this device must accept any interference received, including interference that may cause undesired operation.

This equipment requires shielded interface cables in order to meet FCC class B limit.

Any unauthorized changes or modifications not expressly approved by the party responsible for compliance could void the user’s

authority to operate the equipment.

For Canada

CAN ICES-3 (B)/NMB-3 (B)

For Korea

For C.A. US (Proposition 65

)

WARNING

This product contains chemicals known to cause cancer, birth defects and other reproductive harm, including lead.

For EU Countries

For the USA

Model Name :

Type of Equipment :

Responsible Party :

Address :

Telephone :

DECLARATION OF CONFORMITY

Compliance Information Statement

E-A7 Arranger Keyboard Roland Corporation U.S. 5100 S. Eastern Avenue Los Angeles, CA 90040-2938 (323) 890-3700

For China

* 5 1 0 0 0 4 6 3 7 1 - 0 2 *

Roland E-A7 User Manual

Specifications and Main Features

Frequently Asked Questions

User Manual

Contents

An Overview of the E-A7

Basic Structure

Units of Sound

About the Memory

Panel Descriptions

Top Panel

Shortcut

Rear Panel

Connecting Your Equipment

Connecting External Audio Equipment

Connecting a Microphone or External Audio Device to the INPUT Jacks

Connecting MIDI Equipment

Connecting an External Audio Device to the EXT IN Jack

Connecting the E-A7 to a Computer

Connecting a Separately Sold Footswitch or Hold Pedal

Installing the Music Rest

Placing the E-A7 on a Stand

Before You Start Using E-A7

Turning On the Power

Adjusting the Overall Volume

Optimizing the Acoustic Character for the Internal Speakers

Demo of the E-A7

Basic Operation of the E-A7

Basic Screens

Basic Buttons

[Balance/Value] knob

Adjusting the Volume Balance Between the Keyboard Parts and the Style/Song

Using the Knob for the Value [-] [+] Button and Tempo [-] [+] Button Functions

Adjusting the Volume of Keyboard Parts and Style Parts

Assigning Names

Performing

Selecting a Tone and Playing it on the Keyboard

Changing the Tone of a Keyboard Part

Changing the Split Point

Specifying Lower Hold

Transposing Your Performance (Transpose)

Changing the Pitch (Octave Shift)

Making Metronome Settings

Using the Metronome

Using Favorite Tones

Recalling a Favorite Tone

Registering Favorite Tones

Playing with Automatic Accompaniments

About the Styles

Using Styles

Selecting Styles

Performing Along with a Style Accompaniment

Adjusting the Volume and the ON/OFF Status of Style Parts

Changing the Style’s Tempo

Selecting the Track to Mute

Selecting Tones Appropriate for a Style (One Touch Memories)

Selecting a One Touch Memory

Canceling the One Touch Memories

Locking One Touch Memories Settings (One Touch Lock)

Creating Your Own One Touch Memories (One Touch Settings)

Editing and Saving the One Touch Settings of a Style

Copying a User Program or One Touch Memory to another One Touch Memory

Creating Sounds

Obtaining Waveforms

Connecting an External Device

Sampling

Importing Samples

Sample Editing

Deleting a Sample

Creating a Multisample (Create Multisample)

Multisample Editing

Deleting a Multisample

Creating a User Tone

Deleting a User Tone

Exporting User Tones to a USB Flash Drive (UST Export)

Loading Exported User Tones

Creating a User Drum Kit

Deleting a User Drum Kit

Exporting User Drum Kits to a USB Flash Drive (UDK Export)

Loading Exported User Drum Kits