Roland BK-3 User Manual

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Owner’s Manual

For EU Countries

This product complies with the requirements of EMC Directive 2004/108/EC.

For the USA

FEDERAL COMMUNICATIONS COMMISSION

RADIO FREQUENCY INTERFERENCE STATEMENT

This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential installation. This equipment generates, uses, and can radiate radio frequency energy and, if not installed and used in accordance with the instructions, may cause harmful interference to radio communications. However, there is no guarantee that interference will not occur in a particular installation. If this equipment does cause harmful interference to radio or television reception, which can be determined by turning the equipment off and on, the user is encouraged to try to correct the interference by one or more of the following measures:

Ð Reorient or relocate the receiving antenna. Ð Increase the separation between the equipment and receiver. Ð Connect the equipment into an outlet on a circuit different from that to which the receiver is connected. Ð Consult the dealer or an experienced radio/TV technician for help.

This device complies with Part 15 of the FCC Rules. Operation is subject to the following two conditions: (1) this device may not cause harmful interference, and (2) this device must accept any interference received, including interference that may cause undesired operation.

This equipment requires shielded interface cables in order to meet FCC class B limit. Any unauthorized changes or modifications not expressly approved by the party responsible for compliance could void the userÕs authority to operate the equipment.

For Canada

NOTICE

This Class B digital apparatus meets all requirements of the Canadian Interference-Causing Equipment Regulations.

AVIS

Cet appareil numŽrique de la classe B respecte toutes les exigences du Règlement sur le matŽriel brouilleur du Canada.

For C.A. US (Proposition 65

WARNING

This product contains chemicals known to cause cancer, birth defects and other reproductive harm, including lead.

For the U.K.

IMPORTANT: THE WIRES IN THIS MAINS LEAD ARE COLOURED IN ACCORDANCE WITH THE FOLLOWING CODE.

BLUE: BROWN:

As the colours of the wires in the mains lead of this apparatus may not correspond with the coloured markings identifying the terminals in your plug, proceed as follows: The wire which is coloured BLUE must be connected to the terminal which is marked with the letter N or coloured BLACK. The wire which is coloured BROWN must be connected to the terminal which is marked with the letter L or coloured RED. Under no circumstances must either of the above wires be connected to the earth terminal of a three pin plug.

NEUTRAL LIVE

For the USA

)

Model Name :

Type of Equipment :

Responsible Party :

Address :

Telephone :

DECLARATION OF CONFORMITY

Compliance Information Statement

BK-3 Backing Keyboard Roland Corporation U.S. 5100 S. Eastern Avenue, Los Angeles, CA 90040-2938 (323) 890-3700

Owner’s Manual

Thank you and congratulations on your choice of the Roland BK-3 Backing Keyboard.

To ensure that you obtain the maximum enjoyment and take full advantage of the BK-3’s functionality, please read this owner’s manual carefully.

About This Manual

You should rst read the chapter “Before you start using the BK-3” (p. 14). It explains how to connect the AC adaptor and turn on the power. This Owner’s Manual explains everything, from the BK-3’s basic operations to more advanced functions.

Conventions Used in This Manual

Text enclosed in square brackets [ ] indicates the name of a button or knob. Example: the [MENU] button.

Reference pages are indicated by (p. **).

The following symbols are used.

NOTE

MEMO

TIPS

This indicates an important note; be sure to read it.

This indicates a memo regarding the setting or function; read it as desired.

This indicates a useful hint for operation; read it as necessary.

* The explanations in this manual include illustrations that depict what should typically be shown by the display. Note,

however, that your unit may incorporate a newer, enhanced version of the system (e.g., include newer sounds), so what you actually see in the display may not always match what appears in the manual.

Before using this instrument, carefully read “Using the Unit Safely” (p. 4) and “Important Notes” (p. 6). Those sections provide information concerning the proper operation of the BK-3. Additionally, in order to feel assured that you have gained a good grasp of every feature provided by your new unit, the manual should be read in its entirety. The manual should be saved and kept on hand as a convenient reference

Roland and GS are either registered trademarks or trademarks of Roland Corporation in the United States and/or other countries.

1. Using the Unit Safely

About WARNING and CAUTION Notices

Used for instructions intended to alert the user to the risk of death or severe injury should the unit be used improperly.

Used for instructions intended to alert the user to the risk of injury or material damage should the unit be used improperly.

* Material damage refers to damage or

other adverse effects caused with respect to the home and all its furnishings, as well to domestic animals or pets.

ALWAYS OBSERVE THE FOLLOWING

WARNING

Do not disassemble or modify by yourself

Do not open (or modify in any way) the unit or its AC adaptor.

Do not repair or replace parts by yourself

Do not attempt to repair the unit, or replace parts within it (except when this manual provides specic instructions directing you to do so). Refer all servicing to your retailer, the nearest Roland Service Center, or an authorized Roland distributor, as listed on the “Information” page.

Do not use or store in the following types of locations

• Subject to temperature extremes (e.g., direct sunlight in an enclosed vehicle, near a heating duct, on top of heatgenerating equipment); or are

• Damp (e.g., baths, washrooms, on wet oors); or are

• Exposed to steam or smoke; or are

• Subject to salt exposure; or are

• Humid; or are

• Exposed to rain; or are

• Dusty or sandy; or are

• Subject to high levels of vibration and shakiness.

Do not place in an unstable location

Make sure you always have the unit placed so it is level and sure to remain stable. Never place it on stands that could wobble, or on inclined surfaces.

Use only the included AC adaptor and the correct voltage

Be sure to use only the AC adaptor included with the unit. Also, make sure the line voltage at the installation matches the input voltage specied on the AC adaptor’s body. Other AC adaptors may use a dierent polarity, or be designed for a dierent voltage, so their use could result in damage, malfunction, or electric shock.

Use only the included power cord

Use only the attached power-supply cord. Also, the included power cord must not be used with any other device.

Do not bend the power cord or place heavy objects on it

Do not excessively twist or bend the power cord, nor place heavy objects on it. Doing so can damage the cord, producing severed elements and short circuits. Damaged cords are re and shock hazards!

Avoid extended use at high volume

This unit, either alone or in combination with an amplier and headphones or speakers, may be capable of producing sound levels that could cause permanent hearing loss. Do not operate for a long period of time at a high volume level, or at a level that is uncomfortable. If you experience any hearing loss or ringing in the ears, you should immediately stop using the unit, and consult an audiologist.

Don’t allow foreign objects or liquids to enter unit; never place containers with liquid on unit

Do not place containers containing liquid (e.g., a glass of water) on this product. Never allow foreign objects (e.g., ammable objects, coins, wires) or liquids (e.g., water or juice) to enter this product. Doing so may cause short circuits, faulty operation, or other malfunctions.

Adults must provide supervision in places where children are present

When using the unit in locations where children are present, be careful so no mishandling of the unit can take place. An adult should always be on hand to provide supervision and guidance.

Do not drop or subject to strong impact

Protect the unit from strong impact.

(Do not drop it!)

About the Symbols

The symbol alerts the user to important instructions or warnings.The specific meaning of the symbol is determined by the design contained within the triangle. In the case of the symbol at left, it is used for general cautions, warnings, or alerts to danger.

The symbol alerts the user to items that must never be carried out (are forbidden). The specific thing that must not be done is indicated by the design contained within the circle. In the case of the symbol at left, it means that the unit must never be disassembled.

The symbol alerts the user to things that must be carried out. The specific thing that must be done is indicated by the design contained within the circle. In the case of the symbol at left, it means that the power-cord plug must be unplugged from the outlet.

WARNING

Turn o the unit if an abnormality or malfunction occurs

Immediately turn the unit o, remove the AC adaptor from the outlet, and request servicing by your retailer, the nearest Roland Service Center, or an authorized Roland distributor, as listed on the “Information” page when:

• The AC adaptor, the power-supply cord, or the plug has been damaged; or

• If smoke or unusual odor occurs; or

• Objects have fallen into, or liquid has been spilled onto the unit; or

• The unit has been exposed to rain (or otherwise has become wet); or

• The unit does not appear to operate normally or exhibits a marked change in performance.

Do not share an outlet with an unreasonable number of other devices

Do not force the unit’s power-supply cord to share an outlet with an unreasonable number of other devices. Be especially careful when using extension cords—the total power used by all devices you have connected to the extension cord’s outlet must never exceed the power rating (watts/amperes) for the extension cord. Excessive loads can cause the insulation on the cord to heat up and eventually melt through.

Do not use overseas

Before using the unit in a foreign country, consult with your retailer, the nearest Roland Service Center, or an authorized Roland distributor, as listed on the “Information” page.

CAUTION

Place in a well ventilated location

The unit and the AC adaptor should be located so their location or position does not interfere with their proper ventilation.

Grasp the plug when connecting or disconnecting the AC adaptor

Always grasp only the plug on the AC adaptor cord when plugging into, or unplugging from, an outlet or this unit.

Periodically clean the AC adaptor’s plug

At regular intervals, you should unplug the AC adaptor and clean it by using a dry cloth to wipe all dust and other accumulations away from its prongs. Also, disconnect the power plug from the power outlet whenever the unit is to remain unused for an extended period of time. Any accumulation of dust between the power plug and the power outlet can result in poor insulation and lead to re.

Manage cables for safety

Try to prevent cords and cables from becoming entangled. Also, all cords and cables should be placed so they are out of the reach of children.

Avoid climbing on top of the unit, or placing heavy objects on it

Never climb on top of, nor place heavy objects on the unit.

Do not connect or disconnect the AC adaptor with wet hands

Never handle the AC adaptor or its plugs with wet hands when plugging into, or unplugging from, an outlet or this unit.

Disconnect everything before moving the unit

Before moving the unit, disconnect the AC adaptor and all cords coming from external devices.

Unplug the AC adaptor from the outlet before cleaning

Before cleaning the unit, turn it o and unplug the AC adaptor from the outlet (p. 16).

If there is a possibility of lightning strike, disconnect the AC adaptor from the outlet

Whenever you suspect the possibility of lightning in your area, disconnect the AC adaptor from the outlet.

2. Important Notes

In addition to the items listed under “Using the unit safely” on p. 4, please read and observe the following:

Power Supply

• Do not connect this unit to same electrical outlet that is being used by an electrical appliance that is controlled by an inverter or a motor (such as a refrigerator, washing machine, microwave oven, or air conditioner). Depending on the way in which the electrical appliance is used, power supply noise may cause this unit to malfunction or may produce audible noise. If it is not practical to use a separate electrical outlet, connect a power supply noise lter between this unit and the electrical outlet.

• The AC adaptor will begin to generate heat after long hours of consecutive use. This is normal, and is not a cause for concern.

• To prevent malfunction and equipment failure, always make sure to turn o the power on all your equipment before you make any connections.

• With the factory settings, the BK-3 will automatically be switched o 30 minutes after you stop playing or operating the unit. If you don’t want the unit to turn o automatically, change the “AUTO OFF” setting to “OFF” as described on p. 52.

NOTE

The settings you were editing will be lost when the unit is turned o. If you want to keep your settings, you must save your settings before turning the unit o.

Placement

• Using the unit near power ampliers (or other equipment containing large power transformers) may induce hum. To alleviate the problem, change the orientation of this unit; or move it farther away from the source of interference.

• This device may interfere with radio and television reception. Do not use this device in the vicinity of such receivers.

• Noise may be produced if wireless communications devices, such as cell phones, are operated in the vicinity of this unit. Such noise could occur when receiving or initiating a call, or while conversing. Should you experience such problems, you should relocate such wireless devices so they are at a greater distance from this unit, or switch them o.

• Do not expose the unit to direct sunlight, place it near devices that radiate heat, leave it inside an enclosed vehicle, or otherwise subject it to temperature extremes. Excessive heat can deform or discolor the unit.

• When moved from one location to another where the temperature and/or humidity is very dierent, water droplets (condensation) may form inside the unit. Damage or malfunction may result if you attempt to use the unit in this condition. Therefore, before using the unit, you must allow it to stand for several hours, until the condensation has completely evaporated.

• Do not allow objects to remain on top of the keyboard. This can be the cause of malfunction, such as keys ceasing to produce sound.

• Depending on the material and temperature of the surface on which you place the unit, its rubber feet may discolor or mar the surface. You can place a piece of felt or cloth under the rubber feet to prevent this from happening. If you do so, please make sure that the unit will not slip or move accidentally.

• Do not put anything that contains water on this unit. Also, avoid the use of insecticides, perfumes, alcohol, nail polish, spray cans, etc., near the unit. Swiftly wipe away any liquid that spills on the unit using a dry, soft cloth.

Maintenance

• For everyday cleaning wipe the unit with a soft, dry cloth or one that has been slightly dampened with water. To remove stubborn dirt, use a cloth impregnated with a mild, non-abrasive detergent. Afterwards, be sure to wipe the unit thoroughly with a soft, dry cloth.

• Never use benzine, thinners, alcohol or solvents of any kind, to avoid the possibility of discoloration and/or deformation.

Additional Precautions

• Unfortunately, it may be impossible to restore the contents of data that was stored on a USB memory once it has been lost. Roland Europe assumes no liability concerning such loss of data.

• Use a reasonable amount of care when using the unit’s buttons, sliders, or other controls; and when using its jacks and connectors. Rough handling can lead to malfunctions.

• Never strike or apply strong pressure to the display.

• When disconnecting all cables, grasp the connector itself—never pull on the cable. This way you will avoid causing shorts, or damage to the cable’s internal elements.

• To avoid disturbing others nearby, try to keep the unit’s volume at reasonable levels. You may prefer to use headphones, so you do not need to be concerned about those around you.

• When you need to transport the unit, package it in the box (including padding) that it came in, if possible. Otherwise, you will need to use equivalent packaging materials.

• Do not apply undue force to the music stand while it is in use.

Storage devices that can be connected to the BK-3’s USB MEMORY port

• The BK-3 allows you to connect commercially available USB Flash memory. You can purchase such devices at a computer store, a digital camera dealer, etc.

• Though external hard disks with a capacity in excess of 2TB can be used, please bear in mind that the BK-3 can manage a maximum of 2TB. (FAT-32 formatted storage devices can be used right away.)

• Use USB memory sold by Roland (M-UF-series). We cannot guarantee operation if any other USB memory is used.

Before using external USB storage devices

• Carefully insert the USB memory all the way in— until it is rmly in place.

• USB memories are constructed using precision components; handle the storage devices carefully, paying particular note to the following.

• To prevent damage to the USB memory from static electricity, be sure to discharge any static electricity from your own body before handling the cards.

• Do not touch or allow metal to come into contact with the contact portion of the USB memory.

• Do not bend, drop, or subject cards to strong shock or vibration.

• Do not keep cards in direct sunlight, in closed vehicles, or other such locations.

• Do not allow USB memories to become wet.

• Do not disassemble or modify the USB memory.

• Never touch the terminals of the USB memory. Also, avoid getting the terminals dirty.

• When connecting a USB memory, position it horizontally with the BK-3’s USB MEMORY port and insert it without using excessive force. The USB MEMORY port may be damaged if you use excessive force when inserting a USB memory.

• Do not connect or disconnect a USB drive while it is being rear from, or written to (i.e., while the USB ash access indicator blinks).

• Do not insert anything other than a USB memory (e.g., wire, coins, other types of device) into the USB MEMORY port. Doing so will damage the BK-3’s USB MEMORY port.

• Never connect your USB memory to the BK-3 via a USB hub.

• Do not connect or disconnect a USB drive while it is being rear from, or written to (i.e., while the USB ash access indicator blinks).

Liability and copyright

• Recording, duplication, distribution, sale, lease, performance, or broadcast of copyrighted material (musical works, visual works, broadcasts, live performances, etc.) belonging to a third party in part or in whole without the permission of the copyright owner is forbidden by law.

• Do not use this unit for purposes that could infringe on a copyright held by a third party. Roland assumes no responsibility whatsoever with regard to any infringements of third-party copyrights arising through your use of this unit.

• Company names and product names mentioned in this document are trademarks or registered trademarks of their respective owners.

• MPEG Layer-3 audio compression technology is licensed from Fraunhofer IIS Corporation and THOMSON Multimedia Corporation.

• MMP (Moore Microprocessor Portfolio) refers to a patent portfolio concerned with microprocessor architecture, which was developed by Technology Properties Limited (TPL). Roland has licensed this technology from the TPL group.

3. Look at What you Can Do!

Play the Keyboard

Play using various sounds

This keyboard contains a wide variety tones (sounds).

You can freely select and perform using these tones.

Play with accompaniment

The BK-3 can supply a wide variety of accompaniments (rhythm) for the music you play.

You can also play back rhythms located in your USB memory.

Select tones that match the atmosphere of the current rhythm (One Touch)

There are four One Touch memories per rhythm.

Favorite tones

Using this function, you can create a list of 10 frequently used sounds and recall them instantly.

p. 19

p. 22

p. 26

Play Songs

Organize your performance

Create your performance list

To prepare sets of Performance memories for any event like weddings, parties, anniversaries, etc.

p. 36

Convenient Functions

Working with the Music Assistant

It is a collection of registrations for given songs that

select the most appropriate rhythm and sounds for the Keyboard parts.

Transpose the key of the keyboard, Rhythm or Song

This function allows you to transpose BK-3’s pitch in semi-tone steps.

Change the octave

This function allows you to transpose the Upper and Lower (UPP, LWR) real-time parts up or down in octave steps.

p. 36

p. 34

Play a song

This unit can play songs in audio (wave or mp3) and SMF format directly by your USB memory.

Mute tracks or cancel the melody

You can mute tracks of songs (SMF) and rhythms and attenuate the vocal part at the center of stereo image (“Center Cancel”) of an audio le (WAV or mp3).

Sing a song with the lyrics

BK-3’s display can show the lyrics of Standard MIDI Files or mp3 songs you load.

Record Songs

Record your performance

You can record your performance as audio data.

p. 28

p. 30

p. 43

p. 41

To practice in keeping a consistent tempo (Metronome)

You can perform while the metronome sounds.

You can set the Volume, Tempo, Time Signature and Count In.

p. 35

Smf/Rhythm edit Functions

Makeup Tools for Rhythm or Song

To edit the selected rhythm or SMF song (Standard MIDI File) without paying too much attention to the underlying parameters.

p. 53

Wireless LAN Functions

Ad-Hoc and WPS connection

By inserting the wireless USB Adapter (WNA1100-RL; sold separately) into the BK-3’s USB MEMORY port, you’ll be able to use wireless compatible applications (such as the “Air Recorder” iPhone app).

p. 62

Energy-Ecient Design

The power will turn o after a specied time has elapsed

When thirty minutes have elapsed since you last played or operated the BK-3, the power will turn o automatically.

* If you don’t want the power to turn o automatically, change the “Auto O ” setting (p. 52).

p. 16

Contents

1. Using the Unit Safely ........................................4

2. Important Notes ............................................6

3. Look at What you Can Do! ...................................7

4. Panel Description ..........................................10

Left Front Panel .............................................10

Right Front Panel ............................................11

Rear Panel ..................................................12

5. Shortcut List ...............................................13

6. Before You Start Using BK-3 ................................14

Connecting the AC Adaptor .................................14

Connecting Headphones and External Audio Equipment .....14

Connecting a MIDI Device ...................................15

Connecting the BK-3 to Your Computer ......................15

Connecting an Optional Footswitch or Hold Pedal ............15

Installing the Music Rest .....................................16

Turning the Power On/O ...................................16

Turning the Power On .................................16

Turning the Power O .................................16

Adjusting the Sound Volume ................................17

Volume balance between the backing and the real-time parts 17

Demo of the BK-3 ...........................................17

7. Basic Operation of the BK-3 ................................18

About the Display and Cursor Operation .....................18

Main page ............................................18

Moving Between Windows and Setting Parameter Values 18

8. Playing the BK-3’s Real-Time Parts ..........................19

Selecting Tones and Playing the Keyboard (Upper Part) .......19

Selecting Tones and Play Two Voices Simultaneously (Dual) ...19

Play Dierent Voices with the Left and Right Hands (Split) ....19

Using the ‘Numeric’ function to Select Tones, Rhythms and

Performances ...............................................20

Setting the volume of the real-time parts (Upper and Lower) .20

Recalling a Favorite Tone ....................................21

Viewing the List of Favorite Tones ...........................21

Creating the List of Favorite Tones ...........................21

9. Favorite Tones .............................................21

10. Playing with Automatic Accompaniments. . . . . . . . . . . . . . . . . .22

About the Rhythms .........................................22

Structure of the Rhythm Accompaniments ...................22

Using Rhythms ..............................................22

[START/STOP] / [ */, ] ..................................22

[SYNC START] / [ + ] .................................22

VARIATION [1], [2], [3], [4] ..............................23

[INTRO] / [ ' ] .........................................23

[ENDING] / [ & ] .......................................23

[BASS INV] ............................................23

[AUTO FILL IN] .........................................24

Selecting Rhythms ..........................................24

Playing Back Rhythms .......................................24

11. One Touch Memories: Why using them? ...................26

Select a ‘One Touch’ .........................................26

Deselect ‘One Touch’ .........................................26

How Can You Tell Whether the ONE TOUCH Function is On

or O? ......................................................26

Programming Your Own ONE TOUCH Settings (One Touch

Edit) ........................................................27

What a One Touch memory saves ......................27

12. Using the BK-3 as a USB player ............................28

Getting Ready to Use the BK-3 as a USB Player ................28

File types the BK-3 can read and play back .............28

Selecting a Song or Rhythm on a USB Memory ...............28

Playing Back a Song or Rhythm from a USB Memory ..........28

Activating the ‘Play All Songs’ parameter for the USB memory 29

Activating the ‘Play All Songs’ function .................29

Deactivating the ‘Play All Songs’ function ...............30

Loop function (MARK A/B) ...................................30

Setting and using the loop positions ...................30

Using ‘Track Mute’ and ‘Center Cancel’ ........................30

Selecting the Track(s) to Mute for Rhythms or SMF Songs .....31

Changing the Name of a File or Folder .......................32

Deleting the Name of a File or Folder ........................32

Using the ‘Search’ Function to Locate Songs or Rhythms ......32

13. Operations on USB Memory ...............................32

14. Other important functions ................................34

Transposing to a Dierent Key ...............................34

Changing the Octave ........................................34

Using the ‘Melody Intell(igent)’ Function .....................34

Using the Metronome .......................................35

Metronome Settings ..................................35

15. Performance Lists ........................................36

Performance/Music Assistant/Factory Songs Info .............36

Loading a Performance/‘Music Assistant’/‘Factory Songs’ List .36 Recalling a Performance/‘Music Assistant’/‘Factory Songs’

memory ....................................................36

Quickly Locating Performance Memories. . . . . . . . . . . . . . . . . . . . .37

Saving your Settings as a Performance .......................37

Other Performance List Functions ............................37

Rename a Performance List ............................38

Delete a Performance List .............................38

Create a New Performance List .........................38

Editing Performance Memories ..............................38

Delete a Performance memory ........................38

Move a Performance ..................................39

Saving the edited Performance List ....................39

Filtering Performance Memories Settings (Lock function) .....39

Why is it Convenient to Use Filters (Lock Function)? .....39

Which Parameter Can you Filter? .......................39

How to Switch Filters On/O Directly by Panel ..........39

16. Recording your performance as audio data ................41

Recording ...................................................41

Listening to your recording ..................................42

17. Menu options ............................................43

General procedure ..........................................43

Internal Lyrics ...............................................43

‘Performance Edit’ parameters ...............................43

‘Tone Part View’ parameters. . . . . . . . . . . . . . . . . . . . . . . . . . . .43

Tone ..........................................43

Volume .......................................44

Reverb Send ..................................44

Chorus Send ..................................44

Panpot .......................................44

Key Touch (velocity sensitivity) ................44

Eq Part Edit ...................................44

Mfx ...........................................45

Hold Pedal ....................................45

Octave Shift ..................................45

Coarse Tune ..................................45

Fine Tune .....................................45

Portamento Mode ............................45

Portamento Time .............................45

Bender Assign ................................45

Bender Range ................................45

Modulation Assign ............................45

Cut O .......................................45

Resonance ....................................46

Attack (only for Tones) ........................46

Decay ........................................46

Release .......................................46

Vibrato Rate ..................................46

Vibrato Depth ................................46

Vibrato Delay .................................46

C1 ............................................46

‘Tone Part Mfx’ parameters. . . . . . . . . . . . . . . . . . . . . . . . . . . . .46

Mfx Switch. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .46

Mfx Type .....................................46

Mfx Edit ......................................47

‘Rhythm Parts’ parameters .............................47

Mute .........................................47

Solo ..........................................47

Volume .......................................47

Split ..................................................47

Split Point ....................................47

Lower Hold ...................................47

Scale Tune Switch .....................................47

Scale Tune ............................................48

Key ...................................................48

Key ...........................................48

Mode .........................................48

‘Arranger Setting’ parameters ..........................48

Arranger ......................................48

Zone .........................................48

Type ..........................................48

Arranger Hold ................................49

Tempo. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .49

Fill In Half Bar .................................49

Fill Ritardando ................................49

TempoCh Acc/Rit, TempoCh CPT, TempoCh Fill

Rit ............................................49

Using the Ritardando/Accelerando functions ..50

‘Melody Intelligent’ parameters ........................50

Switch ........................................50

Type ..........................................50

2nd Tone .....................................50

Intell Threshold ...............................50

Level .........................................50

Hold Pedal ....................................50

Save As Default .......................................50

‘Global’ parameters ..........................................50

Display Contrast .......................................50

Tuning ................................................51

Rhythm/SMF Track Mute ...............................51

One Touch Hold .......................................51

Performance Hold .....................................51

Metronome ...........................................51

Favorite ...............................................51

Utility .................................................51

Pedal Switch ..........................................52

Language .............................................53

Save Global ...........................................53

One Touch Edit ..............................................53

Makeup Tools (rhythms and SMF) ............................53

Using the Makeup Tools ...............................53

Common ..............................................53

Reverb Type ..................................54

Chorus Type ..................................54

Reverb Level & Chorus Level ...................54

Rhythm Volume/Song Volume ................54

Rhythm Tempo/Song Tempo ..................54

Key ...........................................54

Undo Changes ................................54

Instrument ............................................54

Tone (T), Drum (D ) ...........................54

Mute (T)/Drum Mute (D ) .....................55

Solo ..........................................55

Perc Mute (D ) ................................55

Volume .......................................55

Reverb .......................................55

Chorus .......................................55

Panpot .......................................55

Octave (T) ....................................55

Velocity. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .55

Cut O .......................................55

Resonance ....................................55

Attack (T) .....................................56

Decay (T) .....................................56

Release (T) ...................................56

Vibrato Rate (T) ...............................56

Vibrato Depth (T) .............................56

Vibrato Delay (T) ..............................56

Mfx ...........................................56

Mfx Type .....................................56

Mfx Edit ......................................56

Equalizer .....................................56

Edit EQ .......................................56

Drum Instrument (D) ..........................57

Freeze Data ...........................................57

Saving Your New Rhythm or Song (SMF) Version in USB

Memory ....................................................57

Preventing Double Notes when Working with a

Sequencer (Local Control) .............................58

MIDI ........................................................58

MIDI Channels ........................................58

MIDI Parameters. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .58

Local .........................................58

MIDI Tx/Rx ....................................59

Sync Rx .......................................59

Rhythm Pc (Tx/Rx Channel) ....................59

NTA (Note-to-Arranger channel Rx) ............59

Pitch Bender ..................................59

Modulation ...................................59

Program Change ..............................59

Rx Velocity ....................................59

Clock Tx ......................................59

Start Stop Tx ..................................59

SMF Position Tx ...............................59

Visual Control Tx ..............................60

Checking a Tone’s or Rhythm’s MIDI Address ............60

Factory Reset ...............................................60

Formatting a USB memory. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .60

18. Controlling Video Equipment (Visual Control) ..............61

How to Connect a Video Equipment ...................61

How to Enable/Disable the Video Control Function .....61

Selecting clips and banks on an optional MIDI Visual

Control/ V-LINK device .................................61

What is MIDI Visual Control? ...........................61

19. Wireless LAN Function ....................................62

What is Wireless LAN Function? ..............................62

Basic Connection Method (Connect by WPS) .................62

Wireless LAN Function Settings ..............................63

“Status” Indication .....................................63

“Access Point” Indication ...............................63

“Wireless Info” Page ...................................63

“Wireless Option” Page ................................63

Connecting to a Wireless LAN Access Point That You Select ...63

Other Settings (Wireless Option) .......................63

Connecting in Ad-Hoc mode ................................64

Checking the IP Address and MAC Address (WIRELESS

INFO) .................................................64

20. Troubleshooting ..........................................65

21. Specications ............................................67

22. MIDI Implementation Chart ...............................69

23. Chord Intelligence Table ..................................70

24. Index ....................................................72

4. Panel Description

Left Front Panel

Pitch Bend/Modulation lever

You can raise or lower the pitch by moving this lever to the left or right. Push the lever away from yourself to apply modulation (normally vibrato) to the sound.

VOLUME knob

Use this knob to set BK-3’s global output volume (all signals transmitted to the speakers and PHONES/OUTPUT sockets).

RHYTHM FAMILY buttons

These buttons are used to select the family of the next rhythm you want to use. Pressing one of these buttons calls up a list of all rhythms contained in the selected family. Pressing and holding this button locks the currently selected rhythm (p. 39).

TAP TEMPO button

Pressing this button several times allows you to change the current rhythm or song tempo to the value calculated from the speed at which the button is pressed.

TEMPO buttons

These buttons can be used to decrease or increase the tempo of the currently selected rhythm or song. Pressing them together recalls the rhythm or song stored tempo value.

MEMO

You can also use the [TAP TEMPO] button to set the desired tempo

SYNC START button

This button is used to activate or switch o the BK-3’s Sync Start or Sync Stop function. If it is on, rhythm playback can be started or stopped by simply playing a note or chord on the keyboard. (p. 22).

While a song le is selected, this button stops playback.

BALANCE buttons

These buttons allow you to set the balance between the rhythms and songs (BACKING) and the real-time parts (KEYBOARD).

7 8 9

BASS INV button

This button is used to switch the Bass Inversion function on and o (p.

23).Press and hold it while pressing the [AUTO FILL IN] button you will activate/deactivate the Visual Control (p. 61).

AUTO FILL IN button

This button is used to activate the Auto Fill-In function, which causes a transition to be played before selecting the new rhythm variation (which is selected with the VARIATION buttons). Press and hold it while pressing the [BASS INV] button you will activate/deactivate the Visual Control (p.61).

VARIATION 1/2/3/4 buttons

These buttons are used to select a rhythm “Variation”, i.e. a simpler or more complex arrangement of the selected rhythm. When a song is selected the MARK buttons (Variation3/4) allow you to set and use playback loops. See “Loop function (MARK A/B)” (p. 30).

INTRO button

When you activate this button, rhythm playback starts with a musical introduction whose complexity depends on which VARIATION button currently lights (there are four dierent introductions per rhythm).

After selecting a song le, this button allows you to rewind.

ENDING button

When you activate this button, rhythm playback stops with a musical ending whose complexity depends on which VARIATION button currently lights (there are four dierent ending phrases per rhythm). After selecting a song le, this button allows you to fast-forward.

START/STOP button

This button allows you to start and stop rhythm playback. If you select a song, it starts and temporarily stops (pause) song playback.

10 11 12 13

Right Front Panel

15 16 17 18 19 20 21 22 23

24 25 26 27 28 29 30 31 32

Right Front Panel

Display

This display shows information related to your operation.

Cursor and value buttons

These buttons can be used to move the cursor in the display, to select parameters and to set values.

ENTER/SELECT/DESELECT button

Press this button to conrm your selection or deselection of the display item where the cursor is.

PERFORMANCE LIST button

This button calls up the Performance List (p. 36).

PERFORMANCE WRITE button

The main function of this button is to save Performance settings. Depending on the selected display page, it can also be used to save Rhythms, Songs and One Touch.

KEY button

This button calls up BK-3’s transposition function. Its settings can be applied to rhythms, Songs and the 2 real-time parts (UPP, LWR). If the button indicator doesn’t light, the rhythm, Songs and the 2 real-time parts use their normal pitch.

Pressing and holding this button locks the key (p. 39).

TRACK MUTE/CENTER CANCEL button

This button lets you mute the accompaniment parts of the selected rhythm, so that only the bass and drum parts are played back. It also lets you mute the melody part of the selected MIDI File, or attenuate the vocal part at the center of an audio le (WAV or mp3), allowing you to sing or play that part yourself.

Pressing and holding this button calls up a display page where you can select the Standard MIDI File or rhythm part(s) that you don’t want to hear.

METRONOME button

Switches the metronome on/o. If you hold down this button, a screen will appear in which you can make settings, such as the time signature and volume of the metronome (p. 35).

USB MEMORY button

Press this button to call up a list of the les stored in the USB memory connected to BK-3‘s USB MEMORY port.

AUDIO REC button

This button is used to start audio recording of your performance. This function records everything the BK-3 transmits to its PHONES/OUTPUT sockets (audio signals you play back and audio versions of the MIDI parts you control) (p. 41).

MENU button

This button allows you to open BK-3’s menu page where you can view and select all available functions.

Press it together with the [EXIT] button to listen to BK-3’s demo songs.

EXIT button

This button is used to return to a higher menu level.

Press and hold it to return to BK-3’s main display page.

ONE TOUCH button

This button is used to enable the recall of One Touch memories. Pressing and holding it calls up a display page where you can edit and save One Touch memories.

MEMO

Use the TONE buttons [1]~[4] to select or deselect a One Touch memory (p. 26).

Panel Description

KEYBOARD SPLIT button

This button allows you to split the keyboard in two halves: the left half is then used to provide the Rhythm function with chord information, while the right half allows you to play melodies with Upper (UPP) part (p.19). If the dual function is active ([DUAL] button lights) the left half of the keyboard plays the Lower (LWR) part too.

Pressing and holding this button calls up a display page where you can select the split parameters.

Simultaneously pressing this button and [KEYBOARD DUAL] button (without holding them) opens the display page where you can set the volume of the Upper and Lower parts.

KEYBOARD DUAL button

Lets you play the Upper (UPP) and Lower (LWR) part simultaneously. (p. 19)

Pressing and holding this button calls up a display page where you can change the tone of the Lower part.

Simultaneously pressing this button and [KEYBOARD SPLIT] button (without holding them) opens the display page where you can set the volume of the Upper and Lower parts.

OCTAVE buttons

These buttons allow you to transpose the current selected part (UPP, LWR) up or down in octave steps.

MELODY INTELL button

This buttons is used to add an automatic countermelody (second or third voice) to your solos or melodies.

Pressing and holding it calls up a display page where you can view the “Melody Intelligent” parameter.

FAVORITE button

Press this button if you want to use the [TONE] buttons to recall your favorite sounds (p. 21).

NUMERIC button

Press this button if you want to use the [TONE] buttons to enter numeric values (p. 20).

TONE buttons (Tone selection)/[0]~[9] (numeric buttons)

These buttons allow you to select Tones by category (p. 19).

You can also use them to input numeric values. To do so, rst activate the [NUMERIC] button.

Pressing and holding any of these buttons locks the Tone (p. 39).

Rear Panel

POWER switch

Turns the power on/o (p. 16).

With the factory settings BK-3’s power will automatically be switched o 30 minutes after you stop playing or operating the BK-3.

If BK-3’s power has been turned o automatically, you can use the [POWER] switch to turn the BK-3 back on. If you don’t want the power to turn o automatically, set the “Auto O” parameter to “OFF” (p. 52).

DC IN socket

Connect the supplied PSB-1U AC adapter here (p. 14).

PEDAL HOLD/SWITCH

Connect a separately available pedal switch (Roland DP-series), a separately available foot switch (BOSS FS-5U).

MIDI IN & OUT sockets

You can connect MIDI devices to these sockets (p. 15).

7654321

PHONE/OUTPUT

This socket allows you to connect an optional headphone (Roland RH-series) or connect the BK-3 to an external audio equipment.

For more information see “Connecting Headphones and External Audio Equipment” (p. 14).

NOTE

When you use the PHONES/OUTPUT jack to connect keyboard amplier, stereo system, or other stereo audio device, you can activate the internal speakers by “Speaker Mode” parameter (p. 51).

USB COMPUTER port

Use a USB cable to connect the BK-3 to your computer via this connector (p. 15).

USB MEMORY port

Connect an optional USB memory here.

NOTE

* Carefully insert the USB memory all the way in-until it is rmly in place.

* Use USB memory sold by Roland. We cannot guarantee operation if any

another USB memory is used.

* Roland does not recommend using USB hubs, irrespective of whether they

are active or passive. Please connect only one USB memory to this port.

5. Shortcut List

Pressing and holding the following buttons (or button combinations) allows you to directly jump to a related parameter page, which is faster than selecting the page in question via BK-3’s menu. Some of these buttons activate a lock function (p. 39).

Press an hold Function

Pressing and holding one of the RHYTHM FAMILY buttons locks the rhythm so as to keep it from changing when you select another Performance memory or Music Assistant.

Pressing and holding one of the TONE buttons locks the Tone so as to keep it from changing when you select another Performance memory or Music Assistant.

Locks the tempo or Key setting to keep it from changing when you select another Performance memory or Music Assistant.

Open the “Metronome” page allowing you to specify when and how the metronome should sound.

Opens the “Rhythm Track Mute” or “Song Track Mute” page.

After activating record standby mode (the indicator ashes), pressing and holding this button will cancel that mode (use it if you don’t want to record after all).

Takes you back to the main page, no matter where you currently are.

Opens the “One Touch Edit” page.

• [SPLIT] button opens the “Split page.

• [DUAL] button opens the display page that shows which the current Tone for the lower part is.

• [SPLIT] + [DUAL] buttons: simultaneously pressing them (without holding them) opens the display page where you can set the volume of the Upper and Lower parts.

Opens the “Melody Intelligence” page.

Open the list of Favorite Tones.

NOTE

Press these buttons simultaneously, without holding them.

To memorize the sound selected to the associated favorite memory number [0]~[9], press and hold the [Favorite] button and one of the TONE buttons [0]~[9].

6. Before You Start Using BK-3

Connecting the AC Adaptor

1. Turn the [VOLUME] knob all the way to the left to

minimize the volume.

2. Connect the included power cord to the AC adapter.

The indicator will light once you plug the AC adaptor into a wall outlet.

Place the AC adapter so that the side with the indicator (see illustration) faces upwards and the side with textual information faces downwards.

NOTE

Depending on your region, the included power cord may dier from the one shown above.

3. Connect the AC adaptor to BK-3’s DC IN jack.

AC Adapter

Indicator

Power cord

to an AC outlet

Connecting Headphones and External Audio Equipment

You can connect the PHONES/OUTPUT jack to a set of Headphones as well as keyboard amplier, stereo system, or other stereo audio device.

The internal speakers are automatically shut o when a plug is inserted into this jack.

NOTE

When you use the PHONES/OUTPUT jack to connect keyboard amplier, stereo system, or other stereo audio device, you can activate the internal speakers by “Speaker Mode” parameter (p.

51).

1. Turn the [VOLUME] knob all the way to the left to

minimize the volume.

2. Connect the BK-3’s PHONES/OUTPUT jack to the set of

headphones or to the inputs of your external audio device.

4. Plug the power cord into a power outlet.

The indicator will light once you plug the AC adaptor into a wall outlet

NOTE

Be sure to use only the AC adaptor supplied with the unit (PSB-1U). Also, make sure the line voltage at the installation matches the input voltage specied on the AC adapter body. Other AC adapters may use a dierent polarity, or be designed for a dierent voltage, so their use could result in damage, malfunction, or electric shock.

NOTE

If you won’t be using the BK-3 for an extended period of time, disconnect the power cord from the electrical outlet.

3. Use the BK-3s [VOLUME] knob to adjust the volume.

Cautions when using headphones

• To prevent damage to the cord’s internal conductors, avoid rough handling. When using headphones, mainly try to handle either the plug or the headset.

• Your headphones may be damaged if the volume of a device is already turned up when you plug them in. Minimize the volume before you plug in the headphones.

• Excessive input will not only damage your hearing, but may also strain the headphones. Please enjoy music at a reasonable volume.

NOTE

To prevent malfunction and equipment failure, always turn down the volume and turn o all units before making any connections.

Connecting a MIDI Device

The BK-3 can transmit and receive performance data when connected to an external MIDI device, which enables the two devices to control each other’s performance.

What is MIDI?

MIDI, short for “Musical Instrument Digital Interface,” was developed as a universal standard for the exchange of performance data among electronic musical instruments and computers.

The BK-3 is equipped with MIDI connectors to let it exchange performance data with external devices. These connectors can be used to connect the unit to an external device for even greater versatility.

Connecting a MIDI Device

2. Refer to the Roland website for system requirements.

Roland website: http://www.roland.com/ As an alternative, you can connect the BK-3s MIDI OUT and MIDI IN sockets to a MIDI interface and connect the latter to your computer.

Connection example

If you use a MIDI cable to connect this unit’s MIDI OUT connector to the MIDI IN connector of your external MIDI sound module, you’ll be able to produce sound on the external MIDI sound module by playing this unit’s keyboard. As necessary, set the external MIDI sound module’s receive channel to match this unit’s MIDI transmit channel.

Playing the BK-3’s sounds from your MIDI sequencer

BK-3 MIDI sound module/

sequencer

Using the BK-3 to play your MIDI sound module

MIDI channels

MIDI provides sixteen channels, numbered 1~16. Even if two MIDI devices are connected, you won’t be able to select or play sounds on the other device unless both devices are set to the same MIDI channel.

The BK-3 is capable of receiving on all channels, 1~16.

NOTE

Before making connections with other devices, you must turn down the volume of all devices and turn o the power to avoid malfunctions or speaker damage.

If the computer doesn’t ‘see’ the BK-3

Normally, you don’t need to install a driver in order to connect the BK-3 to your computer. However, if some problem occurs, or if the performance is poor, using the Roland original driver may solve the problem.

For details on downloading and installing the Roland original driver, refer to the Roland website:

http://www.roland.com/

Specify the USB driver you want to use, and then install the driver. For details, refer to “USB Driver” (p. 52).

NOTE

• To avoid the risk of malfunction and/or damage to external speakers, always turn the volume all the way down and switch o the power on all devices before you make any connections.

• Only MIDI data can be transmitted and received via USB. Audio data for a song recorded on the BK-3cannot be transmitted or received.

• Switch on the power to the BK-3 before you start up the MIDI application on your computer. Never turn the BK-3’s power on/o while your MIDI application is running.

Connecting an Optional Footswitch or Hold Pedal

The BK-3 provides a PEDAL HOLD/SWITCH jack to which you can connect an optional footswitch (Roland DP-series or BOSS FS-5U).

Connecting the BK-3 to Your Computer

If you use a USB cable (commercially available) to connect the COMPUTER port located on the BK-3’s rear panel to the USB port of your computer, you’ll be able to do the following things:

• Use the BK-3 as a sound module.

• By transferring MIDI data between the BK-3 and your sequencer software, you’ll be able to enjoy a wide range of possibilities for music production and editing.

1. Use a standard USB cable (AgB-type connectors,

commercially available) to connect the BK-3 to your computer as shown below.

You can select the function that the footswitch should perform (p. 52).

By default, the footswitch will control the “Hold” function.

Before You Start Using BK-3

Installing the Music Rest

1. Install the music rest as shown in the illustration.

NOTE

When moving the BK-3, be sure to remove the music rest as a safety precaution.

NOTE

Do not apply excessive force to the music rest.

NOTE

The music rest is not designed to accept the placement of

laptops or other heavy objects.

2. Press the [POWER] switch to turn on the power.

O

The power will turn on, an opening message will appear in the BK-3’s screen, and then the main page will appear.

After a brief interval, the BK-3 will be ready to produce sound.

3. Use the [VOLUME] knob to adjust the volume.

NOTE

This unit is equipped with a protection circuit. A brief interval (a few seconds) after power up is required before the unit will operate normally.

Turning the Power On/O

Once everything is properly connected, be sure to follow the procedure below to turn on their power. See “6. Before You Start Using BK-3” (p. 14). If you turn on equipment in the wrong order, you risk causing malfunction or equipment failure.

Turning the Power On

1. Turn the [VOLUME] knob all the way to the left to

minimize the volume

NOTE

Before turning the BK-3 on/o, always be sure to turn the volume down. Even with the volume turned down, you might hear some sound when switching the BK-3 on/o.

However, this is normal and does not indicate a malfunction.

Turning the Power O

1. Turn the [VOLUME] knob all the way to the left to

minimize the volume.

NOTE

Never switch o the BK-3 while playback or recording is running or while data are being read from, or written to, an external USB memory.

2. Press the BK-3’s [POWER] switch.

The display will go dark and the power will turn o.

NOTE

If you need to turn o the power completely, rst turn o the [POWER] switch, then unplug the power cord from the power outlet. Refer to “Connecting the AC Adaptor” (p. 14).

If you don’t want the power to turn o automatically, turn the “Auto O” setting o !

With the factory settings, the unit’s power will automatically be switched o 30 minutes after you stop playing or operating the unit.

Shortly before the BK-3 shuts down automatically, the display starts counting down the seconds. If you want to keep using the BK-3 at this stage, press any button. When the BK-3 is turned o by the “Auto O” function, the [POWER] button’s position doesn’t change, which means that you need to press it once, wait a few seconds, then press it again to switch the BK-3 back on.

If you don’t want the power to turn o automatically, change the “Auto O” setting to “OFF” as described on p. 52.

NOTE

When the BK-3 has been switched o by “Auto O” , you need to press the [POWER] button, wait a few seconds, then press the button again to switch the BK-3 back on. (Do not switch it on too quickly.)

Adjusting the Sound Volume

Demo of the BK-3

Your BK-3 contains a demo that introduces all of its highlights. It might be a good idea to try it out now. The demo is self-explanatory, so we’ll just show you how to start and stop it.

Adjusting the Sound Volume

Here’s how to adjust the volume of your keyboard playing or the playback volume of an internal song.

If headphones are connected, use the [Volume] knob to adjust the headphone volume.

1. Turn the [Volume] knob to adjust the overall volume.

Adjust the volume while you play the keyboard to produce sound.

Turning the knob toward the right will increase the volume, and turning it toward the left will decrease the volume.

1. Simultaneously press the [MENU] and [EXIT] buttons.

Playback starts automatically with the demo song.

2. Press the [EXIT] button to leave the demo function.

NOTE

No data for the music that is played back will be output from MIDI OUT.

NOTE

Volume balance between the backing and the real-time parts

If the rhythm accompaniment or song is too loud or too soft with respect to the real-time parts you are using, you can change the balance with the [BACKING] and [KEYBOARD] buttons:

When the [BACKING] or [KEYBOARD] button is pressed, the “BALANCE” pop-up window appears, showing the current setting:

After about 3 seconds, the pop-up window disappears again.

Press the [BACKING] and [KEYBOARD] buttons together to center the volume balance.

7. Basic Operation of the BK-3

About the Display and Cursor Operation

This section introduces the information that appear on the main page in BK-3’s display and how to navigate the menu.

Main page

Name of the selected

Current measure or remaining time

Selected or linked le type: stl, SMF, WAV, mp3

Lock status eld

Real-time part eld: UPP, LWR.

rhythm (or loaded le)

Selected sounds Name of the last

Moving Between Windows and Setting Parameter Values

Using the following buttons you can navigate the menu, select the setting you want to change and change it:

Time signature Tempo setting or time

chord you played

stretching

Current “Key” setting

Wireless icon

Octave settings of the Upper and Lower parts.

One Touch memory indication

This page allows you to select the function group that contains the setting you want to change.

NOTE

In some cases, the [MENU] button may recall a special edit menu window instead of a main menu page.

2. Press the [UP] or [DOWN] button to select the entry of the

desired function group.

For this example, we will select “Global”.

3. Press the [ENTER] button to go to the “Global” function

group.

The display changes to:

On this display page, “Display Contrast”, “Tuning” and other entries can be changed directly. Other entries provide access to additional display pages.

4. Press the [UP] or [DOWN] button to move the cursor to the

parameter whose value you want to change. For example “Display Contrast”.

5. Press the [ENTER] button to select the parameter.

The setting eld of the selected parameter is displayed in reverse.

TIPS

You can change value without selecting or deselecting the parameter ([ENTER] button) but using the [INC] or [DEC] buttons directly.

Here is an example of how to do it.

1. Press [MENU] button.

The display changes to:

6. Use the [INC] or [DEC] button to change the value.

7. Press the [ENTER] button again to deselect the eld.

8. Playing the BK-3’s Real-Time Parts

Your BK-3 contains two real-time parts: Upper (UPP) and Lower (LWR). You can assign the desired sounds (or “Tones”) to each part.

Selecting Tones and Playing the Keyboard (Upper Part)

In BK-3 the sounds you can assign to the parts are called “Tones”. The BK-3 allows you to assign any of the available Tones to any of the two real-time parts. Tone selection always applies to the part (UPP or LWR) whose eld is currently displayed in reverse. The BK-3 has ten tone buttons.

1. Press a TONE buttons [0]~[9] to select the instrumental

sound that you want to play.

The following screen appears.

5. If you need select a Tone of another family, press another

Tone button and repeat the step 3.

6. Press [EXIT] to leave the Tone selection page.

Selecting Tones and Play Two Voices Simultaneously (Dual)

1. Press and hold the [DUAL] button.

The following screen appears.

The sound selected for the Lower part is displayed in reverse.

2. Press the [INC] or [DEC] button to select the desired Tone

in the list.

MEMO

Tones can also be selected by simply pressing the [NUMERIC] key and entering their number (p. 20).

3. You can also use the [UP] or [DOWN] button to move the

cursor in the list and then press [ENTER] to select the Tone

The sound selected is displayed in reverse.

MEMO

You can also select one of the favorite sounds. See “9. Favorite Tones” (p. 21).

2. Play the keyboard.

You’ll hear the sound of the selected instrument.

3. Press the [INC] or [DEC] button to select another desired

Tone in the list.

4. If you need select a Tone of another family, press another

Tone button and repeat the step 2.

5. Press the [DUAL] button to activate the Lower part.

The [DUAL] button lights and Lower part plays full keyboard.

6. Play the keyboard.

You’ll hear the sound of Lower and Upper part simultaneously.

7. Press [EXIT] to leave the Tone selection page.

MEMO

If the Split function is active ([SPLIT] button lights) the notes to the left of split point are played back by Lower part (p.19).

Play Dierent Voices with the Left and Right Hands (Split)

1. Press the [SPLIT] button

The [SPLIT] button lights.

MEMO

Tones can also be selected by simply pressing the [NUMERIC] key and entering their number (p. 20).

4. You can also use the [UP] or [DOWN] button to move the

cursor in the list and then press [ENTER] to select the Tone.

In this case the Tone is recalled when you press the [ENTER] button.

Playing the BK-3’s Real-Time Parts

The BK-3 is now in Split mode: note numbers below the split point are used to transpose rhythm playback in real-time and to play the Lower part (if it is active). Note numbers above the split point can be used to play melodies using the Upper part.

Lower (LWR)

C4 (default)

Split Point

Upper (UPP)

2. Press the [DUAL] button to activate the Lower part.

The [DUAL] button lights.

3. Play the keyboard.

The notes you play with your left hand sound the Lower part (LWR) , while the notes you play with your right sound the Upper part.

MEMO

The default setting for the split point is note number 60 (C4). You can change the split point to a dierent note (“Split Point” (p. 47).

For Tones, you can enter up to 4 digits. To select Tone 6, for instance, simply pressing the [6] button is enough (the display will show “0006”).

NOTE

If you make a mistake, the quickest way to correct it is by pressing the [0] button four times (to enter “0000”) and then restarting.

For Rhythms and Performance memories, up to 3 digits can be entered.

NOTE

If you try to enter a higher number than possible for the current item, a warning is displayed (“Tone doesn’t exist” ).

4. Press the [ENTER] button to conrm your entry.

The “Numeric” pop-up disappears and the display jumps to the Tone (and family) you selected.

5. Press the [EXIT] button to return to the main page.

Setting the volume of the real-time parts (Upper and Lower)

The BK-3 provides an easy way to change the volume balance of the Upper and Lower parts.

1. Simultaneously press the [SPLIT] and [DUAL] buttons to

call up the “Parts Volume” page.

Using the ‘Numeric’ function to Select Tones, Rhythms and Performances

The “Numeric” function can be used to enter the number of the Tone, Rhythm or Performance memory you want to use, which is faster than scrolling with the [UP] and [DOWN] buttons.

Below please nd an example that shows you how to use the “NUMERIC” function for selecting Tones.

In the following example, we will assign a dierent sound to the Upper part.

1. Press the TONE button that contains the instrumental

sound that you want to play.

MEMO

By pressing and holding one of these buttons, you activate the lock function for Tone selection, which means that Tones no longer change when you select Performance memories. See “Filtering Performance Memories Settings (Lock function)” (p.

39).

2. Press the [NUMERIC] button to open the following

window:

2. Use the [UP] or [DOWN] button to select the UPP or LWR

volume eld.

3. Use the [INC] or [DEC] button to select the desired

volume.

The TONE buttons ash.

3. Press the TONE buttons that correspond to the gures you

want to enter ([0]~[9]).

9. Favorite Tones

This function allows you to create a list of 10 frequently used sounds and recall them instantly.

Recalling a Favorite Tone

1. Press the [FAVORITE] button, so it’s lit.

2. Press a TONE buttons [0]~[9] to select the favorite tone

that you want to play on the Upper part.

performance, and recall these sounds instantly.

1. While the [FAVORITE] button is dark, select the sound that

you want to memorize. See “Selecting Tones and Playing the Keyboard (Upper Part)” (p. 19).

2. Press and hold [FAVORITE] and press a TONE buttons

[0]~[9] to memorize the previous sound selected to the associated favorite memory number [0]~[9].

The selected sound will be recalled immediately.

NOTE

The list of 10 Favorite Tones available for the Upper part is also available for the Lower part. To assign the Favorite Tones to the Lower part: Press and hold [DUAL] and select one of the TONE buttons [0]~[9]. Make sure that the [FAVORITE] button is lights.

3. Press the [FAVORITE] button again to exit from selection

of Favorite tones.

Viewing the List of Favorite Tones

1. Press the [FAVORITE] and [NUMERIC] buttons

simultaneously (without holding them)

The “Favorite” window appears:

3. If you want to memorize another tone, select the tone and

repeat from steps (2).

4. See “Recalling a Favorite Tone” to recall a favorite tone.

NOTE

The list of Favorite Tone is automatically saved to the BK-3’s global memory.

The Favorite sound list can be also selected using [MENU] button “Global” “Favorite”.

Creating the List of Favorite Tones

You can make a list of 10 sounds that you frequently use in live

10. Playing with Automatic Accompaniments

The BK-3 contains a function that plays back automatic accompaniments called “rhythms”. This section explains how to take advantage of the BK-3’s accompaniments

About the Rhythms

The BK-3 can generate interactive accompaniments based on the rhythm you select. Each rhythm is a typical accompaniment for a given musical genre. The BK-3 comes with 250 internal rhythms divided over 5 families (see the RHYTHM FAMILY section on the front panel).

Unlike a drum machine, a BK-3 Rhythm not only contains the rhythm part (drums & percussion) but also a melodic accompaniment, such as piano, guitar, bass and strings lines. The melodic accompaniment parts of the selected Rhythms follow the chords you play on the keyboard.

You can also record both your playing and the accompaniment “16. Recording your performance as audio data” (p. 41).

Structure of the Rhythm Accompaniments

Each Rhythm comprises several patterns that you can play back using the following buttons:

Button Explanation

If the VARIATION [1] button lights, the rhythm function plays a simple accompaniment

VARIATION [1], [2], [3], [4]

INTRO

ENDING

(usually with fewer instruments).

The other VARIATION’s become gradually more complex up to the VARIATION [4], that plays the most complex accompaniments.

If you switch on this button (indicator lights) and press [START/STOP]/[ */, ] button the rhythm playback begins with an introduction.

Depending on the type of VARIATION button lighted you will have either a simpler or a more complex introduction.

If you press this button while a Rhythm is being played back ([START/STOP]/[ */, ] button ashes), the BK-3 starts playing a closing phrase (“Ending”) on the next downbeat. At the end of this phrase, playback stops.

Depending on the type of VARIATION button lighted you will have either a simpler or a more complex closing phrase.

NOTE

While the four Variation patterns are repeated indenitely until you stop Rhythm playback, the Intro and Ending phrases are played only once.

Using Rhythms

The “interactive” aspect about the rhythms is that you can change the key of the accompaniment simply by playing dierent notes or chords. Additionally, you can select dierent variations (more or less complex

arrangements) for the active rhythm. The BK-3 provides several buttons for this.

[START/STOP] / [ */, ]

This button is used to start and stop rhythm playback. While a rhythm is running, the button’s indicator ashes red on the rst beat of each bar, and green on the remaining beats.

MEMO

You can also start (and stop) rhythm playback simply by playing on the keyboard. See the next function. (The Start/ Stop function can also be assigned to an optional footswitch.)

[SYNC START] / [ + ]

The available Rhythm patterns could be used as follows:

Beginning of the song.

First verse (simple accompaniment).

First chorus (richer accompaniment).

INTRO VARIATION

1 or 2

Last verse (simple accompaniment).

If the [AUTO FILL IN] button lights, the BK-3 plays a transition before switching to the newly selected VARIATION pattern. Example: if the VARIATION [1] pattern is running, pressing the [4] button will not switch to that pattern right away. The BK-3 rst plays a ll-in to announce the new song section.

VARIATION

3 or 4

VARIATION

1 or 2

ENDING

Closing section.

This button activates and switches o the “Sync Start” or “Sync Start/Stop” function. Pressing it several times allows you to select one of the following options:

Function

Sync Start Lights red

Sync Start/Stop Lights green

— Dark

[SYNC START] indicator

Explanation

Rhythm playback can be started by playing a note or chord. Press [START/STOP]/[ */, ] to stop rhythm playback.

Rhythm playback can be started by playing a note or chord. Playback will stop when you release all keys.

Rhythm playback needs to be started and stopped using the [START/STOP]/[ */, ]button (or the assigned optional footswitch).

Using Rhythms

VARIATION [1], [2], [3], [4]

These buttons are used to select the complexity (number of parts) of the rhythm arrangement:

[VARIATION] Explanation

[1]

[2]

[3] This pattern would be a good choice for the rst chorus

[4]

MEMO

The VARIATION patterns are repeated (played back in a loop) until a dierent pattern is selected or rhythm playback is stopped.

The simplest accompaniment pattern. A good choice for the rst of the songs you play.

A slightly more complex pattern you may want to use for subsequent verses.

This is the most complex arrangement. Consider selecting it for the bridge or the nal chorus sections of a song.

arrangement.

[ENDING] / [ & ]

This button allows you to end your songs with a suitable closing section if you don’t want to simply stop playback. The behavior of the Ending pattern depends on when you press the [ENDING] button:

[ENDING] Explanation

Pressed before starting rhythm playback

Pressed during rhythm playback

The indicator lights.

When you start rhythm playback, the BK-3 plays a musical ending. At the end of the phrase, playback stops.

The indicator ashes to signal that the ENDING pattern will begin on the next downbeat.

When the ending is nished, rhythm playback stops.

There are four dierent ENDING patterns, that can be selected using the VARIATION [1], [2], [3] and [4] buttons.

Again, the VARIATION buttons determine the complexity of the arrangement

[BASS INV]

[INTRO] / [ ' ]

Selects an introduction, which is usually used at the beginning of a song. You can, however, also select this pattern for other song sections. The behavior of the Intro pattern depends on when you press the [INTRO] button:

[INTRO] Explanation

Pressed before starting rhythm playback

Pressed during rhythm playback

The indicator lights.

When you start rhythm playback, the BK-3 rst plays a musical introduction. (This pattern is played back only once).

The indicator ashes to signal that the INTRO pattern will begin on the next downbeat.

When the intro is nished, the BK-3 returns to the previously selected VARIATION pattern.

This button is used to switch the “Bass Inversion” function on or o. While the button is dark, the rhythm bass part always plays the fundamental of your notes or chords. Example: if you play a chord consisting of the notes C, E and G (which is recognized as a C major chord), the bass part plays a C.

If the [BASS INV] button lights, the rhythm bass part uses the lowest notes of the chords you play.

Example: if you play a chord consisting of the notes E, G and C (still a C major chord), the bass part plays an E. This function therefore gives you more artistic licence.

There are, in fact, four dierent INTRO patterns, that can be selected using the VARIATION [1], [2], [3] and [4] buttons. Again, the VARIATION buttons determine the complexity of the intro

Playing with Automatic Accompaniments

[AUTO FILL IN]

When this button lights, the BK-3 plays a transition before switching to the newly selected VARIATION pattern. Example: if the VARIATION [1] pattern is running, pressing the [4] button will not switch to that pattern right away—the BK-3 rst plays a ll-in to announce the new song section.

NOTE

The duration of the ll-ins (transitions) can be halved if you like. See “Fill In Half Bar” (p. 49). You can also speed up or slow down playback during a ll-in. See “Fill Ritardando” (p. 49).

Selecting Rhythms

2. Press the [INC] or [DEC] button to select another desired

Rhythm in the list.

The name of selected Rhythm is displayed in reverse.

3. You can also use the [UP] or [DOWN] button to move the

cursor in the list and then press [ENTER] to select the Rhythm.

In this case the Rhythm is recalled when you press the [ENTER] button.

4. If you need select a Rhythm of another family, press

another Rhythm button and repeat the step 2.

5. Press [EXIT] to leave the Rhythm selection page.

MEMO

Rhythms can also be selected by simply pressing the [NUMERIC] key and entering their number (p. 20).

Playing Back Rhythms

1. Set the BK-3’s [VOLUME] knob to a reasonable level (about

1/4).

1. Press a RHYTHM FAMILY button to select the rhythm

family.

NOTE

By pressing and holding one of these buttons, you activate the lock function for rhythm selection, which means that rhythms no longer change when you select Performance memories (p.

39).

The display shows a list of the rhythms that belong to this family. If the currently selected rhythms belongs to the family whose button you pressed, its name is displayed in reverse and the indicator of the button you pressed lights:

If you press a dierent RHYTHM FAMILY button, the display shows the beginning of the associated list (but the indicator of the associated family button doesn’t light):

2. Press the [SPLIT] button if you want to play in Split mode.

MEMO

The default setting for the split point is note number 60 (C4). You can change the split point to a dierent note .See “Split

Point” (p. 47).

3. Select the rhythm you want to use.

4. Press the VARIATION [1], [2], [3] or [4] button to select the

complexity of the verse pattern.

For example press the VARIATION [2].

5. Press the [INTRO] / [ & ] button (it lights) to start rhythm

playback with an introduction.

6. Press the VARIATION [1], [2], [3] or [4] button to select the

complexity of the INTRO pattern.

For example press the VARIATION [3].

The VARIATION button pressed at the step 6. lights and the VARIATION button pressed at the step 4. ashes to indicate the verse complexity that will be played back at the end of the Intro pattern.

7. Play a chord on the keyboard.

Playing Back Rhythms

This means that when you select a dierent VARIATION pattern, the BK-3 will play a transition (ll-in) before switching to the new pattern.

12. Press a VARIATION [1], [2], [3] or [4] button to select a

more complex or a simpler accompaniment.

• If you press it before the last beat of the current measure, the ll-in starts immediately and lasts until the end of the current measure, then the newly selected VARIATION pattern is played back.

• • If you press the desired VARIATION button on the last beat of a bar, the ll-in starts at the next downbeat and lasts an entire bar. Only then will the BK-3 switch to the newly selected VARIATION pattern.

13. If necessary, you can change the rhythm’s tempo:

• Press the TEMPO [] or [] button to decrease or increase the tempo

• Press the [TAP TEMPO] button at least three times at the desired tempo.

The BK-3 calculates the intervals between your presses and sets the corresponding tempo value.

MEMO

Simultaneously press the TEMPO [] and [] buttons (“STANDARD”) to return to the rhythm’s preset tempo.

8. The main page displays the name of the last chord the

BK-3 recognized:

9. Press the [START/STOP]/[*/,] button to start rhythm

playback.

The [START/STOP]/[ */, ] indicator lights and the BK-3 starts playing back the introductory phrase.

TIPS

You can press and hold the [TAP TEMPO] button to lock the tempo setting (p. 39).

14. Press the [ENDING] / [ & ] button to end rhythm playback

with a suitable closing section.

You could also stop playback simply by pressing the [START/STOP]/ [ */, ] button or by releasing all keys on the keyboard. See “[SYNC START] / [ + ]” (p. 22).

While rhythm or SMF song playback is stopped, the [TAP TEMPO] button ashes to indicate the selected tempo.

10. Play dierent chords on the keyboard and listen to the

eect this has on the rhythm.

11. Switch on the [AUTO FILL IN] button (it lights).

11. One Touch Memories: Why using them?

The ONE TOUCH memories help you to select Tones for the real-time parts that match the atmosphere of the current rhythm. There are four such ONE TOUCH memories per rhythm.

Select a ‘One Touch’

1. Select the desired rhythm.

See “Selecting Rhythms” (p. 24).

2. Switch on the [ONE TOUCH] button (its indicator lights).

If you haven’t selected any ONE TOUCH memory since switching on the BK-3, the indicators of TONE buttons [1], [2], [3] and [4] ash. Otherwise, the BK-3 automatically recalls the last ONE TOUCH memory you selected.

The main page displays “OT --” (or the number of the last ONE TOUCH memory).

recalls other settings, like the tempo, INTRO/ENDING, etc.

MEMO

The BK-3 has a function that allows you to exclude certain settings when a new ONE TOUCH memory is selected. See

“One Touch Hold” (p. 51).

8. Press a dierent TONE [1]~[4] button to recall the

associated ONE TOUCH memory.

Tone selection for the real-time part as well as other settings change in accordance with the newly selected ONE TOUCH memory.

Deselect ‘One Touch’

1. To switch o the ONE TOUCH function and return to the

Tones that were selected before you activated the ONE TOUCH function, press the TONE [1]~[4] button whose indicator lights steadily.

Its indicator ashes along with the other three TONE buttons.

2. Press the [ONE TOUCH] button to leave ONE TOUCH

memory selection mode.

The TONE buttons stop ashing. (Only the indicator corresponding to the last Tone family you selected lights steadily.) You can now select dierent Tones for real-time part without actually leaving the ONE TOUCH function (if it is still on).

How Can You Tell Whether the ONE

The indicators of TONE buttons [1]~[4] ash.

3. Press the ashing TONE button assigned to the desired

ONE TOUCH memory ([1]~[4]).

The indicator of the button you press lights, while the indicators of the remaining three buttons still ash.

4. Start playback of the rhythm.

See “Playing Back Rhythms” (p. 24).

TOUCH Function is On or O?

If the “ONE TOUCH” eld on the main page is followed by a number (1~4), the ONE TOUCH function is currently on. If the “ONE TOUCH” eld is followed by a dash (“–”), the ONE TOUCH function is o.

One Touch (1) ON

One Touch OFF

5. Play a melody on the keyboard.

6. Now press another TONE ([1]~[4]) button than the one

that is currently active.

7. Again play a melody on the keyboard.

The newly selected ONE TOUCH memory has recalled a dierent sound for the melody part. Note that the ONE TOUCH function also

Programming Your Own ONE TOUCH Settings (One Touch Edit)

The BK-3 allows you to save your own ONE TOUCH settings, which may come in handy for CUSTOM rhythms for which there are no “presets”. The following operation saves the rhythm and its (new) ONE TOUCH settings to the “My Rhythms” folder on the USB memory connected to the USB MEMORY port.

NOTE

Never remove a USB memory while this unit is turned on. Doing so may corrupt the unit’s data or the data on the USB memory.

NOTE

Carefully insert the optional USB memory all the way into the port until it is rmly in place.

1. Connect an optional USB memory to the

BK-3.

Programming Your Own ONE TOUCH Settings (One Touch Edit)

TONE buttons [1]~[4].

4. Change the required settings.

As soon as you change any setting, the display alerts you to the fact that the contents of the selected memory no longer corresponds to the current settings (“EDITED”):

5. Use the [UP] and [DOWN] button to select the memory

where you want to save your new settings.

6. Press the [WRITE] button.

The display changes to:

NOTE

The above message is only displayed the rst time you press [WRITE] after editing a ONE TOUCH memory.

After a few seconds, the display shows the contents of the USB memory. This page is of no importance here.

2. Press and hold the [ONE TOUCH] button. The display

changes to:

Upper tone Lower tone

This “One Touch Edit” page can also be selected via

the BK-3’s menu.

3. Use the [UP] , [DOWN], [INC] and [DEC] buttons to select

the ONE TOUCH memory you want to change, and conrm with the [ENTER] button.

The display changes to:

(Here, ONE TOUCH memory 2 has been selected for editing.)

TIPS

You can also select the desired ONE TOUCH memory by rst pressing the [ONE TOUCH] button and then one of the ashing

7. To save your ONE TOUCH changes, use the [INC] and

[DEC] button to select “Yes” and press [ENTER].

The display shows the “Executing” message and then “Operation Complete”.

Select “No” and press [ENTER] if you don’t want to save your changes after all.

 If the “My Rhythms” folder on the USB memory already

contains a rhythm le of the same name…

In that case, the display shows the following message when you select “Yes” and press [ENTER] (see above):

What a One Touch memory saves

Group Parameters Parameter

• VARIATION [1], [2], [3], [4]

• [AUTO FILL IN]

• [INTRO/ENDING]

Front Panel (button status)

‘Performance Edit’ ’Tone Part View’ (p. 43).

‘Performance Edit’ ’Tone Part Mfx’ (p. 46).

‘Performance Edit’ ’Split’ (p. 47).

‘Performance Edit’ ’Arranger Setting’ (p. 48).

‘Performance Edit’ ’Melody Intelligent’ (p. 50).

• [SYNC START]

• [SPLIT]

• [DUAL]

• [MELODY INTELL]

All except for “Key Touch“

All

• Arranger

• Zone

• Type

All

12. Using the BK-3 as a USB player

This section explains how to playback MIDI (SMF) and audio songs stored on an optional USB memory. Note that it is also possible to select rhythms on that device and to use them in the same way as the internal rhythms. New song and rhythm les can be copied to the USB memory using your computer as you purchase them.

Getting Ready to Use the BK-3 as a USB Player

1. On your computer, copy the new song and rhythm les to

an optional USB memory (memory stick).

NOTE

Use USB memory sold by Roland (M-UF-series). We cannot guarantee operation if any other USB memory is used.

Selecting a Song or Rhythm on a USB Memory

1. Connect an optional USB memory to the BK-3 or, if it was

already inserted, press the [USB MEMORY] button

After a few seconds, the display shows the contents of the USB memory.

2. Connect the USB memory to your BK-3.

NOTE

Carefully insert the optional USB memory all the way into the port until it is rmly in place.

NOTE

Never remove a USB memory while this unit is turned on. Doing so may corrupt the unit’s data or the data on the USB memory.

NOTE

The BK-3 supports USB memories with a capacity of up to

2 TB.

File types the BK-3 can read and play back

Extension Format

Rhythms .stl

Standard MIDI Files (SMF)

Audio les

.mid 0 or 1

.kar

• MPEG-1 Audio Layer 3

.mp3

.wav

• Sampling frequency: 44.1kHz

• Bit rate: 32/40/48/56/64/80/96/112/ 128/160/192/224/256/320 kbps,

VBR (variable bit rate)

• 16-bit linear

• Sampling frequency: 44.1 kHz

• Stereo/mono

The icons to the left of the le names indicate the le type:

Icon Explanation

Rhythm le

SMF le

Audio mp3 le

Audio WAV le

Folder

2. Use the [UP] or [DOWN] button to select the le you want

to play back or display.

3. Press the [ENTER] button to load the le.

The [USB MEMORY] button now lights to indicate that you selected a le on the USB memory.

If the le you need is located inside a folder, you must rst select that folder, press the [ENTER] button to see its contents and then select the le. If you opened a folder by mistake, press the [EXIT] button to return to a higher level.

MEMO

Press and hold the [EXIT] button to return to the main page.

Playing Back a Song or Rhythm from a USB Memory

If you selected a rhythm, see “Playing Back Rhythms” (p. 24), because operation is the same as for internal rhythms.

In the following, we will therefore only show you how to play back song les located on a USB memory.

NOTE

The BK-3 has no internal memory where you could store SMF or audio les.

1. Select a song (SMF or audio le) on the USB memory.

See “Selecting a Song or Rhythm on a USB Memory” (p. 28).

2. Press the [START/STOP] /[*/,] button to start playback.

The [*/, ] button’s indicator lights and song playback starts.

Activating the ‘Play All Songs’ parameter for the USB memory

You can use the following buttons to control song playback (see the gray legends):

Button Explanation

Starts or pauses song playback.

Stops song playback and allows you to return to the beginning of the current song.

3. If necessary, you can change the song’s playback tempo:

• Press the TEMPO [] or [] button to decrease or increase the

tempo.

NOTE

If you set a tempo value close to the upper or lower limit for an mp3 or WAV le, playback may sound a little strange.

• Press the [TAP TEMPO] button at least three times at the desired tempo. (This function is not available if you selected an audio le (WAV or mp3).)

Rewinds the song.

Fast-forwards the song.

Activating the ‘Play All Songs’ parameter for the USB memory

Activating the ‘Play All Songs’ function

Connect an optional USB memory to the BK-3 or, if it was

already inserted, press the [USB MEMORY] button.

After a few seconds, the display shows the contents of the USB memory.

2. Use the [UP] or [DOWN] button to select the folder that

contains the songs you want to listen to.

3. Press the [ENTER] button to open the folder.

4. Use the [UP] or [DOWN] button to select the song where

you want playback to start.

TheBK-3 calculates the intervals between your presses and sets the corresponding tempo value.

MEMO

Simultaneously press the TEMPO [] and [] buttons (“STANDARD”) to return to the rhythm’s preset tempo.

4. Press the [START/STOP]/[*/, ] button again to pause song

playback.

The [START/STOP]/[ */, ] button goes dark.

5. Press [START/STOP]/[*/, ] button yet again to resume

playback.

6. Press the [SYNC START] /[ + ] button to stop playback

The Playback stops and the playback position return to the beginning of the song.

5. Press [ENTER] to conrm your selection.

6. Press the [USB MEMORY] button to activate the playback

function of the selected and all subsequent songs.

The following message appears:

NOTE

STL les contained in the selected folder will be ignored when you start playback (see below).

7. Press the [START/STOP]/[*/, ] button to start playback of

all songs.

NOTE

While playback of all songs is running, you can navigate the USB memory (to check its contents, for example). The “Play All Songs” function continues to play back the les of the folder you selected in step (2) above.

If you select a dierent le while navigating (by pressing [ENTER]), the “Play All Songs” function is switched o.

Using the BK-3 as a USB player

[3] [4]

8. Press the [SYNC START] /[ + ] button to stop sequential

playback.

Deactivating the ‘Play All Songs’ function

The “Play All Songs” function needs to be deactivated if you no longer need it. To do so, proceed as follows:

1. If the display doesn’t currently show the contents of the

connected USB memory, press the [USB MEMORY] button

2. Press the [USB MEMORY] button (again) to deactivate

‘Play All Song’ function.

Pressing the [START/STOP]/[*/, ] button now will only start playback of the selected song.

Loop function (MARK A/B)

The Loop function can be used to specify a passage, such as the chorus of a song, that will be repeated several times. This function is available for both audio and SMF songs. You can also use it to practise dicult song passages.

Setting and using the loop positions

The VARIATION [4] button lights, while VARIATION [3] keeps ashing. The loop’s start and end positions have been set and can be used.

Here is what you have set so far (this is only an example):

Flashes Lights

[3] [4]

5. Press the VARIATION [3] button (it lights) to activate the

loop.

The passage selected above is now played back over and over.

Lights

[3]

Select the song you want to play back.

See “Selecting a Song or Rhythm on a USB Memory” (p. 28).

2. Press the [START/STOP]/[*/, ] button to start playback.

3. When the BK-3 reaches the beginning of the passage

you want to play back in a loop, press the VARIATION [3] button.

6. Press the VARIATION [3] button again (it ashes) to

deactivate loop playback.

This does not delete the loop positions. The song is once again played back in the usual way (i.e. until the end).

7. Press VARIATION [3] yet again (it lights) to return to the

loop start position and activate the loop.

8. To delete the rst and second marker positions, press the

VARIATION [4] button.

The VARIATION [3] and [4] buttons go dark and your loop setting is deleted.

NOTE

The marker positions are deleted when you start playback of another song or switch o the BK-3.

Using ‘Track Mute’ and ‘Center Cancel’

You can use this function to mute tracks of rhythms or the melody part of the selected Standard MIDI File (SMF). After selecting a WAV or mp3 audio le, you can attenuate the vocal part at the center of the stereo image (“Center Cancel”). The Mute function behavior depends on the selected le type.

The VARIATION [3] button ashes to indicate that the position has been set.

4. Wait until you reach the end of the passage to be played

back in a loop, then press the VARIATION [4] button.

1. Select a song (SMF or audio) or a rhythm. See “Selecting a

Song or Rhythm on a USB Memory” (p. 28).

1. Press the [START/STOP] / [ */, ] button to start playback.

2. Press the [TRACK MUTE] (CENTER CANCEL) button (its

indicator lights).

The “ Track Mute” or “Center Cancel” function will turn on. This depends on the le type you selected:

File Type Function Explanation

Rhythm Track Mute

SMF Track Mute

Audio (mp3, Wav) Center Cancel

The specied rhythm track(s) is muted (Default: AC1~AC6).

The specied Standard MIDI le track is muted (Default: channel

4).

Sounds in the center (the melodic portion of the sound) will be minimized.

Selecting the Track(s) to Mute for Rhythms or SMF Songs

When you start playback, you will notice that active parts are indicated by moving bar graphs that simulate level meters. If [TRACK MUTE] (CENTER CANCEL) button lights the bar graphs of muted parts do not move.

3. Use the [UP] or [DOWN ] button to move the cursor to the

track you want to mute.

The name of the Tone assigned to that track appears in the upper left corner.

4. Press the [ENTER] button to highlight the corresponding

parameter.

5. Use the [INC] or [DEC ] button to change the setting .

The possibilities are:

Display indication Explanation

<no indication> The associated track is played back.

If you want to save your selection of the track(s) that should be muted for any Rhythm or SMF le you play back, see “Save

Global” (p. 53).

When you start playback, you will notice that active parts are indicated by moving bar graphs that simulate level meters. The bar graphs of muted parts do not move.

The associated track is no longer played back (muted).

NOTE

For some audio songs, the vocal sound may not be eliminated completely.

3. Press the [TRACK MUTE] (CENTER CANCEL) button again

to make its indicator go dark.

This switches the “Track Mute” or “Center Cancel” function back o.

Selecting the Track(s) to Mute for Rhythms or SMF Songs

The following procedure allows you to specify the track of the selected Standard MIDI File that should be muted when you switch on the [TRACK MUTE] button.

NOTE

This function is not available for audio les.

1. Select a rhythm or an SMF song.

2. Press and hold the [TRACK MUTE] (CENTER CANCEL)

button.

This function can also be selected using [MENU] button  “Global”  “Rhythm/SMF Track Mute”.

Depending on the le type, the display changes to…

6. If there is no need to save your settings, press and hold

the [EXIT] button to return to the main page.

... or:

13. Operations on USB Memory

Changing the Name of a File or Folder

1. Connect an optional USB memory to the BK-3 or, if it was

already inserted, press the [USB MEMORY] button.

After a few seconds, the display shows the contents of the USB memory.

2. Use the [UP] or [DOWN] button to select the le or folder

you want to rename.

3. Press the [MENU] button to jump to the “USB Memory

Edit” page.

Button Explanation

Press this button to insert a character.

6. Repeat steps (5) above to complete the name.

7. Press the ashing [WRITE] button to conrm.

Deleting the Name of a File or Folder

1. Connect an optional USB memory to the BK-3 or, if it was

already inserted, press the [USB MEMORY] button.

After a few seconds, the display shows the contents of the USB memory.

2. Use the [UP] or [DOWN] button to select the le or folder

you want to delete.

3. Press the [MENU] button to jump to the “USB Memory

Edit” page.

The display changes to:

To return to the BK-3’s menu, press and hold the [EXIT] button.

MEMO

While the contents of the connected USB memory is displayed, pressing [MENU] takes you to the “USB Memory Edit” page where you can select “Rename”, “Delete” or “Search”.

4. Use the [UP] or [DOWN] button to select “Rename” and

press [ENTER] button.

The display shows the following page:

5. Use the [UP] or [DOWN] button to select the desired

character, then use the [INC] or [DEC] button to change the character.

The buttons below allow you the following operations:

4. Use the [UP] or [DOWN] button to select “Delete” and

press [ENTER] button.

The display shows the following page:

5. Use the [INC] or [DEC] button to select “YES” (delete) or

“NO” (don’t delete).

6. Press the [ENTER] button to conrm your selection.

If you selected a folder in step (2) above, the BK-3 asks you for a conrmation:

Choose “YES” to conrm or “NO” to abort the operation.

Button Explanation

Press this button to switch between upper- and lower-case characters.

Press this button to delete the selected character.

Using the ‘Search’ Function to Locate Songs or Rhythms

The BK-3 provides a “Search” function that allows you to search the connected USB storage device for the les you need. This function is available even while the BK-3 is playing back a song or rhythm, allowing you to prepare the next song without keeping your audience waiting.

1. Connect an optional USB memory to the BK-3 or, if it was

already inserted, press the [USB MEMORY] button.

After a few seconds, the display shows the contents of the USB memory.

2. If you know the folder where the le is located, select it

using the [UP] or [DOWN] button and then pressing the [ENTER] button.

If you are not sure about the location, do not select a folder to avoid that the “Finder” function only looks in that folder.

3. Press the [MENU] button to jump to the “USB Memory

Edit” page.

4. Use the [UP] or [DOWN] button to select “Search” and

press [ENTER] button.

The display shows the following page:

The rst character position is already selected (“A”).

5. Use the [UP] or [DOWN] button to select the previous or

next character position you want to change.

Using the ‘Search’ Function to Locate Songs or Rhythms

6. Use the [INC] and [DEC] button to select a character.

The buttons below allow you the following operations:

Button Explanation

Press this button to switch between upper- and lower-case characters.

Press this button to delete the selected character.

Press this button to insert a character.

7. Repeat steps (5) and (6) above to complete the character

string you are looking for.

8. Press the [WRITE] button to start the search.

The BK-3 searches the USB storage device for les whose names match the character string you entered and displays them. The title bar shows the path of the folder that contains the selected les.

NOTE

The “Search” function can nd and display 100 les at a time.

9. Use the [UP] or [DOWN] button to select the song or

rhythm you want to play back, then press the [ENTER] button to conrm your selection.

10. Press the [EXIT] button to close the list.

11. Press the [START/STOP] / [ */, ]button to start playback of

the selected song or rhythm.

14. Other important functions

This section presents other important functions you may need regularly.

Transposing to a Dierent Key

This function allows you to transpose the BK-3’s pitch in semi-tone steps. Depending on the mode setting, this transposition applies to all sections or just a specic setting (p. 48).

1. Press [KEY] button.

The display changes to:

2. Use the [UP] or [DOWN] button to select the desired real-

time part Upper (UPP) or Lower (LWR).

The display changes to:

The current “KEY” setting (transposition interval) is displayed and already selected.

MEMO

Pressing and holding the [KEY] button locks the “Key” setting.

2. Use the [INC] or [DEC] button to select the desired “Key”

setting.

“Key” setting

-6 ~ 0 ~ +5 (semitone units)

If the “Key” setting diers from “0”, the [KEY ] indicator lights.

After a few seconds, the “KEY” pop-up window disappears. Press the [EXIT] button to close it immediately.

NOTE

If you choose to transpose the real-time parts, rhythm playback

is also transposed. MEMO You can also change the key setting using [MENU] button

“Performance Edit” “Key” (p. 48).

3. Use the OCTAVE[-] or [+] button to select the desired

“Octave” setting.

“Octave” setting

-4 ~ 0 ~ +4 (semitone units)

MEMO

You can also change the octave setting using [MENU] button “Performance Edit” “Tone Part View” “Octave Shift” (p. 45).

Using the ‘Melody Intell(igent)’ Function

The automatic accompaniment can add a counter-melody to the notes you play with the Upper part (UPP). Those automatic harmonies are based on the chords you play in the chord recognition area.

The counter-melody is played by the Melody Intelligent part. There are 18 harmony types to choose from. See “Melody Intelligent” settings” (p. 50).

1. Press the [MELODY INTELL] button (so that it lights).

This adds a harmony to the notes you play.

Changing the Octave

This function allows you to transpose the real-time parts (Upper and Lower)1 up or down in octave steps.

1. Press OCTAVE [-]/[+] button

If you want you can change the Melody Intelligent Parameters:

2. Press [MENU] button  “Performance Edit”  “Melody

Intelligent”

For more information about Melody Intelligent Parameters see p.

50.

Using the Metronome

TIPS

You can also select the Melody Intelligent Parameters page by pressing and holding [MELODY INTELL]

3. Press the [MELODY INTELL] button again (its indicator

goes dark) to switch o the counter-melody.

Using the Metronome

You can perform while the metronome sounds. You can adjust the tempo or beat of the metronome.

If an SMF song or Rhythm is playing, the metronome will sound at the tempo and beat of that song.

1. Press the [Metronome] button so it’s lit.

The metronome will begin sounding

To stop the metronome, press the [Metronome] button once again.

Parameter Setting Explanation

• “Always”: The metronome even counts

Mode Always, Play

Count In

The settings can be saved to the BK-3s global memory. If you don’t save them, your changes are lost when you switch o the BK-3. See “Save Global” (p. 53).

O, 1 bar, 2 bar

when playback is stopped.

• “Play”: The metronome only sounds while the rhythm or song is playing.

This parameter allows you to switch the

Count-In function on (“1 bar” or “2 bar”) or o. When on, the metronome will count in the specied number of measures (bars) before the rhythm or SMF song starts playing.

(This setting is not available for audio songs.)

NOTE

The metronome is not available while an audio song le (mp3 or WAV ) is selected.

MEMO

While rhythm or SMF song playback is stopped, the [TAP

TEMPO] button ashes in red to indicate the selected tempo

Metronome Settings

The BK-3 also allows you to specify when and how the metronome should sound:

1. Press and hold the [METRONOME] button.

The metronome settings can be also selected using [MENU] button “Global” “Metronome”.

The display now looks as follows:

The metronome parameters you can set are:

Parameter Setting Explanation

Volume 0~127 Sets the metronome’s level.

1/16 ~ 32/16,

Time Signature

1/8 ~ 32/8,,

1/4 ~ 32/4,

1/2 ~32/2

Species the metronome’s time signature.

15. Performance Lists

Performance/Music Assistant/ Factory Songs Info

The “Performance List” is a list of up to 999 Performance memories. Each Performance memory contains a reference to the desired rhythm or song and all settings you want to load along with that rhythm or song, including settings like INTRO/ENDING status, selected VARIATION, etc. See “‘Performance Edit’ parameters” (p. 43).

The Performance memories you create are saved to the selected “Performance List”. This allows you to prepare one set of Performance memories for weddings, another for corporate events, a third for anniversaries, etc. Performance Lists always reside on a USB memory.

It is perfectly possible to program several Performance memories for one song. Selecting a Performance memory is a lot faster than calling up one of the BK-3’s functions, modifying the settings, etc., while playing. You could program one Performance memory for the rst part of a song, another for the bridge and a third one for the closing section. Doing so allows you to “play” with the eect settings of the various processors, for example.

NOTE

The BK-3 is supplied with one Performance List called “Music Assistant” and a second called “Factory Songs” that contains 5 SMF les. These lists cannot be deleted or edited.

To load a dierent Performance List from the USB memory, press the PERFORMANCE [LIST] button again and proceed with step (3) below.

MEMO

The [LIST] button alternates between the overall list of Performance List les and the contents of the currently selected list.

NOTE

If the USB memory contains no Performance List les, or if the memory is not connected (properly), the BK-3 only displays the “Music Assistant” and “Factory Songs” list.

3. Use the [UP] or [DOWN] button to select the Performance

List you want to use.

4. Press the [ENTER/] button to conrm your selection.

(In our example, we selected the “Music Assistant” list.) The display changes to:

Loading a Performance/‘Music Assistant’/‘Factory Songs’ List

1. Connect an optional USB memory to the BK-3.

This step is unnecessary if you want to use the “Music Assistant” or “Factory Songs” list, because these lists reside in the BK-3s internal memory.

2. Press the PERFORMANCE [LIST] button.

If you have not loaded a Performance List yet:

The display now shows all Performance Lists it can nd in the USB memory. (The internal “Music Assistant” and “Factory Songs” lists are always displayed in the top line.)

You can now select a Performance memory (see below).

If you need to load another Performance List, press the PERFORMANCE [LIST] button again.

Recalling a Performance/‘Music Assistant’/‘Factory Songs’ memory

Here is how to select a Performance/ “Music Assistant”/ “Factory Songs” memory from the last list you loaded.

1. If the display doesn’t yet show a list of Performance/“

Music Assistant”/“Factory Songs” memories, press the PERFORMANCE [LIST] button.

In this example, we loaded the “Music Assistant” List.

2. Use the [UP] or [DOWN] button to select the memory

whose settings you want to use, then press the [ENTER] button to conrm your selection.

The PERFORMANCE [LIST] button lights to signal that the BK-3 is now using the settings of the selected Performance memory. The name of that memory is highlighted.

If you have already loaded a Per formance List:

The display immediately shows the Performance memories it contains.

The selected memory also refers to a rhythm or song, which can be started in the usual ways ([START/STOP] button, [SYNC START], etc.).

Quickly Locating Performance Memories

During playback of that rhythm or song, you can already select a new Performance/“Music Assistant”/ “Factory Songs” memory.

3. If you need to return to the main page, press the [EXIT]

button.

To return to the page that lists the memories, press PERFORMANCE [LIST] again.

Quickly Locating Performance Memories

Performance memories can also be loaded using the BK-3’s “Numeric” function. See “Using the ‘Numeric’ function to Select Tones, Rhythms and Performances” (p. 20) for details.

Saving your Settings as a Performance

1. Select a rhythm or song.

2. Select all settings you would like to use for this rhythm or

song.

You can, for instance, assign the desired Tones to the real-time parts, switch on the [INTRO] button, modify the “Performance Edit” settings, etc.

Button Explanation

Press this button to switch between upper- and lower-case characters.

Press this button to delete the selected character.

Press this button to insert a character.

5. Repeat steps (4) above to enter the remaining characters.

6. Press the [WRITE] button to save your settings, thereby

creating a new Performance memory.

This memory is added at the end of the currently selected Performance List. See “Loading a Performance/‘Music Assistant’/‘Factory Songs’ List” (p. 36).

NOTE

If you haven’t loaded any Performance List since switching on the BK-3, a new Performance List is created, and your Performance memory becomes its rst entry.

Other Performance List Functions

3. Press the [WRITE] button to jump to the “Write

Performance” page.

The [WRITE] indicator ashes and the display changes to:

By default, the BK-3 assigns the name of the selected rhythm, song or of the last Performance you loaded to the Performance settings you are about to save. If you agree with that name, proceed with step (6) below.

4. Use the [UP] or [DOWN] button to select the desired

character, then use the [INC] or [DEC] button to change the character.

The buttons below allow you the following operations:

1. Connect a USB memory with at least one Performance List

to the BK-3.

2. Press the PERFORMANCE [LIST] button.

The display now shows all Performance Lists on the connected USB memory

3. Use the [UP] or [DOWN] button to select the desired

Performance List.

4. Press the [MENU] button.

The display now changes to a page with the following options:

Function Explanation

Rename* Allows you to rename the selected Performance List.

Delete* Deletes the selected Performance List.

Make New Allows you to create a new (empty) Performance List.

[*] Not available if you selected the “Music Assistant” or “Factory Songs” list in step (3) above.

5. Use the [UP] or [DOWN] button to select the desired

option, then press the [ENTER] button.

Performance Lists

Rename a Performance List

If in the step (4) of “Other Performance List Functions”you selected ‘Rename’ , the display changes to:

This page allows you to create a new Performance List whose name is selected automatically by the BK-3. If you are happy with that name, proceed with step (4) below. Otherwise…

1. Use the [UP] or [DOWN] button to select the desired

character, then use the [INC] or [DEC] button to change the character.

The buttons below allow you the following operations:

Button Explanation

Press this button to switch between upper- and lower-case characters.

Press this button to delete the selected character.

Press this button to insert a character.

2. Repeat steps (1) above to enter the remaining characters.

3. Press the [WRITE] button to save the Performance List

under the new name.

The display briey conrms the operation and the returns to the page with all Performance List les on your USB memory.

If you specify a le name that already exists, the BK-3 displays the following message: “Please enter a dierent name”

Delete a Performance List

If in the step (4) of “Other Performance List Functions” (p. 37) you selected ‘Delete’ , the display changes to:

Press the [WRITE] button to create the new Performance List, which is currently empty.

If the USB memory already contains a le of the name you have entered, the display asks you whether it is OK to overwrite the other

Performance List le.

In that case, select “YES” to replace the other Performance List le with the one whose name you changed. (Select “NO” to return to the page where you can change the name.) Then, press the [ENTER] button.

Editing Performance Memories

The “Edit” option allows you to do the following:

Function Explanation

Delete Performance

Move Performance

Save Performance List Allows you to save the edited list.

Delete a Performance memory

Select the Performance memory you want to remove from

the list.

2. Press the [MENU] button to enter in Edit Mode.

Deletes the selected Performance memory from the active list.

Allows you to change the order in which the Performance memories appear in the selected Performance List.

1. Use the [INC] or [DEC] button to select “YES”, then press

the [ENTER] button to delete the Performance List.

Select “NO” if you do not want to delete the Performance List after all.

The display briey conrms that the selected Performance List has been deleted and then returns to the page with all Performance List les on your USB memory.

MEMO

To select “YES or “NO” you can also use the [UP] or [DOWN] button

Create a New Performance List

If in the step (4) of “Other Performance List Functions” (p. 37) you selected ‘Make New List’ , the display changes to:

3. If necessary, use the [UP] or [DOWN] button to select

“Delete Performance”, then press the [ENTER] button.

The display changes to:

4. Use the [INC] or [DEC] button to select “YES”, to delete the

Performance memory (or “NO” if you wish to keep it)..

MEMO

To select “YES or “NO” you can also use the [UP] or [DOWN] button

5. Press the [ENTER] button to conrm your selection.

The display briey conrms that the Performance memory has been deleted.

A “*” is shown in the rst row, to the left of the Performance List name to indicate that the list has been edited.

If you like, you can now select another Performance memory you want to delete, repeat from step (2).

To save your edited Performance List see “Saving the edited Performance List” (p. 39).

Filtering Performance Memories Settings (Lock function)

Move a Performance

Use the [UP] or [DOWN] button to select the Performance

memory you want to move to a dierent position inside the list.

2. Press the [MENU] button.

3. Use the [UP] or [DOWN] button to select “Move

Performance”, then press the [ENTER] button.

The display changes to:

4. Use the [UP] or [DOWN] button to move the selected

Performance memory to the desired position, then press the [ENTER] button.

A “*” is shown in the rst row, to the left of the Performance List name to indicate that the list has been edited.

You can now select another Performance memory you want to move, press the [MENU] button to conrm and repeat from step (3).

The BK-3 allows you to lock (protect) several settings to ensure that they no longer change when you select a dierent Performance memory.

Why is it Convenient to Use Filters (Lock Function)?

The BK-3’s locks are data lters that allow you to use your Performance memories more eciently, because you can ignore settings that may be ne for one song (the one you prepared the Performance memory for), but not for another.

Here is an example:

Suppose you select a Performance memory that assigns some tones which you want to keep for the entire song (or set). In this case lock (i.e. protect) the “Tone” after selecting this memory to ensure that the subsequent Performance memories you recall modify all of the BK-3’s eligible settings except for the tones.

Which Parameter Can you Filter?

Below is a list of parameters that can be ltered:

Parameter Explanation

Rhythm* Lock the Rhythm when changing performances.

Tempo* Lock the Tempo when changing performances.

Tone* Lock the Tone when changing performances.

Tone Part Lock the Tone Part when changing performances.

Split Lock the Split when changing performances.

Lower Octave Lock the Lower Octave when changing performances.

Arr Type Lock the Arr Type when changing performances.

Key* Lock the Key when changing performances.

Bass Inversion Lock the Bass Inversion when changing performances.

Scale Tune Lock the Scale Tune when changing performances.

Saving the edited Performance List

Whenever the display shows all Performance memories to which the selected List refers, you can:

1. Press the [MENU] button

2. Use the [UP] or [DOWN] button to select “Save

Performance List”, then press the [ENTER] button.

A message conrms that the data have been saved.

3. Press the [EXIT] button.

If you did not save the Performance List edited, the BK-3 now signals that you need to save it to preserve your changes.

4. Use the [INC] or [DEC] button to select “YES” to save your

changes to the USB memory (or “NO” if you wish to keep the previous version).

MEMO

To select “YES or “NO” you can also use the [UP] or [DOWN] button

5. Press the [ENTER] button to conrm your selection.

[*] These parameters can also be switched on/o by pressing and holding the assigned buttons on the front panel. (See “How to Switch Filters On/O Directly by Panel”)

For information on how to lter these parameters see “Performance Hold “ (p.51).

NOTE

Unlike the other lock parameters, the protection of the tempo setting also applies to rhythm selection.

See [MENU] button “Performance Edit ” “Arranger Setting”  “Tempo” (p. 49)

Each rhythm has a preset tempo value that is recalled when you select it. While the tempo setting is locked, the tempo no longer changes when you select a dierent rhythm.

MEMO

The “Save Global” parameter (p. 53) also saves the lock (and hence the “Performance Hold”) settings.

How to Switch Filters On/O Directly by Panel

Some useful lters can be also switched on/o by pressing and holding the assigned buttons on the front panel.

MEMO

All lters can be switched on/o by “Performance Hold “ (p.

51).

In the example shown here, you will learn how to exclude rhythm changes from Performance selections.

The same procedure (albeit with dierent buttons) also applies to the tempo (press and hold [TAP TEMPO]) and “Key” (press and hold [KEY]) settings as well as to Tone selection (for each of the real-time parts individually).

Performance Lists

1. Connect the USB memory and load a Performance

memory (p. 36) or a rhythm (p. 24).

2. Press and hold one of the RHYTHM FAMILY buttons.

A “Rhythm” pop-up window appears with a closed lock (see left). (If you repeat step (2), the pop-up window will display an open lock to inform you that the lock function has been cancelled.)

The Main window shows the Lock status:

3. Start playback of the selected rhythm.

4. Select a dierent Performance memory.

5. If the status lock shows “RHYTHM” on the main page,

recalling another Performance does not change the rhythm.

6. Again press and hold any RHYTHM FAMILY button to

unlock the “RHYTHM” function.

The following pop-up windows appears to indicate that the lock function has been cancelled.:

16. Recording your performance as audio data

Your BK-3 allows you to record your performance on the optional USB memory.

The resulting audio le is stored in the “My Recordings” folder.

The recording format is WAV (not mp3), which allows you to burn your recordings onto a CD using your computer.

NOTE

You will need a USB memory to record your performance.

NOTE

Use USB memory sold by Roland (M-UF-series). We cannot guarantee operation if any other USB memory is used.

Recording

The following procedure applies when the “Rec Audio Sync” parameter is “On” (Default). For more information about this parameter see “Rec Audio Sync” (p. 52).

6. At the end of the song recording, press the [AUDIO REC] or

[START/STOP] / [ */, ] button to stop recording in case you selected a rhythm. Otherwise press the [SYNC START]/[+] button if you selected a song.

Rhythm or song playback and recording stop. The following message appears:

1. Connect the USB memory to which you wish to save the

audio data.

2. Prepare everything you want to record:

• Select the rhythm or song you want to use as accompaniment

• Set the levels and eects, etc.

3. Set the desired balance between the rhythm/song and

the real-time parts using the BALANCE buttons.

4. Press the [AUDIO REC] button (its indicator ashes).

NOTE

If you pressed the [AUDIO REC] button by accident, press and hold it until its indicator goes dark again.

MEMO

The name suggestion displayed here depends on the rst recording. It will, however, be followed by an incremental

number

You can now…

X Save the song under a new name.

a. Use the [UP] or [DOWN] button to select the desired

character, then use the [INC] or [DEC] button to change the character.

The buttons below allow you the following operations:

Button Explanation

Press this button to switch between upper- and lower-case characters.

Press this button to delete the selected character.

Press this button to insert a character.

5. Press the [START/STOP] / [ */, ]button.

The indicators of the [AUDIO REC] and [START/STOP] buttons light and the BK-3 starts playing back the selected rhythm or song and recording. Everything you play on the keyboard is recorded.

The Main page shows the recording time is running:

b. Repeat steps (a) above to enter the remaining

characters.

c. Press the [WRITE] button (its indicator ashes) to save

your recording under the new name and to return to the main page.

If the USB memory already contains a le of that name, you will be asked whether you want to overwrite it:

In this case, select “YES” and then pressing the [ENTER] button to replace the old le with the new one (the old le will be lost).

Otherwise, select “NO” and press [ENTER] to return to the page where you can change the name, and enter a dierent name, then press the [WRITE] button.

Recording your performance as audio data

MEMO

The audio les are saved to the “My Recordings” folder in the USB memory.

X Save the song under the name suggested by the BK-3

The name suggestion depends on the rst recording. It will, however, be followed by an incremental number

a. Press the [WRITE] button.

After a few seconds, the display will return to the main page. In this case, your audio le is saved in the “My Recordings” folder.

X Decide to discard your recording

If you are unhappy with your recording you can discard it.

a. Press the [EXIT] button. The display changes to:

b. Use the [INC] or [DEC] button to select “YES”, then press

[ENTER] to erase your recording.

Selecting “NO” here takes you back to the state where you can choose between options (a) and (b).

Listening to your recording

1. Press the [START/STOP] / [ */, ] button to start playback of

your recording.

If your recording seems too loud or too soft, you may want to change the setting of the “Rec Audio Level” parameter.

[MENU] button  “Global“ “Utility” “Rec Audio Level” (p. 52).

NOTE

The BK-3 provides a second recording mode that allows you to start recording before the song you selected.

[MENU] button  “Global“ “Utility” “Rec Audio Sync” (p.

52)

17. Menu options

The BK-3’s [MENU] button provides access to the available parameters and functions.

General procedure

1. Press the [MENU] button (its indicator lights).

The display changes to:

2. Use the [UP] or [DOWN] button to select the desired

function group.

The following function groups are available:

Function group Explanation

Internal Lyrics

Performance Edit

Global

One Touch Edit

Makeup Tools

MIDI

Wireless

Factory Reset

Format USB Device

Allows you to activate the display of lyrics data on the BK-3 itself. (Only for SMF and mp3 les for which there are lyrics data.)

This function group allows you to select dierent Tones and eects settings for the keyboard parts, the selected rhythm, to set the Arranger’s behavior, the split point, etc. All settings of this group can be saved to a Performance memory. See “‘Performance Edit’ parameters” (p. 43).

This function group contains parameters that apply to all sections of the BK-3. See “‘Global’ parameters” (p.

50).

This functions allows you to edit the

ONE TOUCH memories (and to save your changes). See “Programming Your Own ONE TOUCH Settings (One Touch Edit)” (p. 27).

These functions allow you to edit the selected rhythm or SMF song in an intuitive way, without caring too much about the underlying MIDI parameters (p. 53).

This function group allows you to edit the BK-3’s MIDI parameters (p. 58).

This command allows you to load the BK-3’s factory settings (p. 60).

This command allows you to format an optional USB memory (p. 60).

4. At the end of the song, press and hold the [EXIT] button to

return to the main page.

‘Performance Edit’ parameters

The following parameters can be set for each Performance memory:

Function group Explanation

Tone Part View

Tone Part Mfx

Rhythm Parts

Split

Scale Tune Switch

Scale Tune

Key

Arranger Setting

Melody Intelligent

Save As Default

‘Tone Part View’ parameters

This function group can be selected using [MENU] button“Performance Edit” “Tone Par t View”.

This is where you can edit settings related to Tones (p. 43).

Contains the eects parameters for the keyboard parts (LWR, UPP) (p. 46).

This group contains all parameters of the rhythm parts (p. 47).

This parameter allows you to change the split point, i.e. the separation between the lower and upper keyboard zones. (p. 47).

This parameter allows you to specify which parts should be aected by the “Scale Tune” setting “Scale Tune Switch” (p. 47).

Use these parameter to change the tuning system (“Scale Tune” (p. 48).

Allows you to transpose the BK-3 in semi-tone steps up or down (p. 48).

This function group allows you to specify where and how the selected rhythm should scan the note messages generated by your playing for chord information (p. 48).

Allows you to set the “Melody Intelligence” function (p. 50). This page can also be selected by pressing and holding the [MELODY INTELL] button.

This function allows you to save all “Performance Edit” settings as the new defaults that will be loaded each time you switch on the BK-3.

3. Press the [ENTER] button to go to the display page where

you can edit the parameters of the selected group, or to execute the selected command.

Internal Lyrics

The BK-3’s display can show the lyrics of Standard MIDI Files or mp3 songs you load.

1. Load a song with lyrics data. See “Selecting a Song or

Rhythm on a USB Memory” (p. 28).

2. Select the “Internal Lyrics” group (see “General procedure”

above).

3. Press the [ENTER] button.

The internal display now shows the lyrics of the selected song (4 lines at a time).

1. Use the [INC] or [DEC] button to select the keyboard part

you want to edit (UPP (Upper), LWR (Lower).

The display shows the settings for the selected keyboard part.

2. Select and set the desired parameter(s). See “Moving

Between Windows and Setting Parameter Values” (p.

18).

The following parameters are available:

Tone

Allows you to select a dierent Tone. While selecting a Tone, you can press a Tone selection button to select a dierent family.

Parameter Explanation

Tone The number of Tones depends on the selected family

Menu options

Volume

Adjusts the volume of the selected keyboard part.

Selecting “0” means that the part is question is no longer audible.

Parameter Setting

Volume 0~127

Reverb Send

Use this parameter to set the reverb send level (i.e. the amount of eect that should be added).

Parameter Setting

Reverb Send 0~127

Chorus Send

Use this parameter to set the chorus send level (i.e. the amount of eect that should be added).

Parameter Setting

Chorus Send 0~127

Panpot

Use this parameter to change the stereo placement of the selected keyboard part. “L63” means “hard left” and “R63” represents “hard right”. Choose “0” if the sound should be at the center of the stereo image.

Parameter Setting

Panpot L63~0~R63

Parameter Setting Explanation

• “High”: Select this setting for maximum expressive-

ness. Even small variations of the force with which you strike a key produce audible changes. The trade-o is, however, that you have to strike the keys forcefully to reach the maximum volume.

• “Medium”: Medium velocity sensitivity. The keyboard

responds to velocity changes, but the

Curve

Min Value 1~127

Max Value 1~127

Fixed value* 1~127

[*] This parameter can only be edited if the “Curve” parameter is set to “Fixed”.

High, Medium, Low, Fixed*

maximum volume can be obtained more easily than with “high”. (This is the default setting.)

• “Low”: Select this setting if you are used to playing

on an electronic organ or if you do not want velocity changes to bring about major volume changes.

• “Fixed”: Select this setting if all notes you play on

the keyboard should have the same velocity value. When you set this parameter, the “Fixed value” eld can be edited.

This parameter allows you to set the smallest velocity value with which you can trigger the selected part.

This parameter allows you to set the highest velocity value with which you can trigger the selected part.

Allows you to set the value when “Curve” is set to “Fixed”.

Key Touch (velocity sensitivity)

The BK-3’s keyboard is velocity sensitive, allowing you to control the timbre and volume of the keyboard parts by varying the strength with which you strike the keys.

1. If you want to edit this setting, you have to press the

[ENTER] button to select the “Key Touch” page.

2. Select and set the desired parameter(s). See “Moving

Between Windows and Setting Parameter Values” (p.

18).

The following parameters are available:

Eq Part Edit

If you want to edit the parameters of the equalizer, you

have to press the [ENTER] button to select the “Eq Edit Part” page.

2. Use the [UP] or [DOWN] button to select the desired

parameter .

3. Use the [INC] or [DEC] button to set the desired value.

The following parameters are available:

Parameter Setting Explanation

Switch O, On

1500 Hz, 2000 Hz,

High Freq

High Gain –15~+15 dB

Mid Freq 200~8000 Hz

Mid Gain –15~+15d B

3000 Hz, 4000 Hz,

6000 Hz, 8000 Hz, 12000 Hz

This parameter allows you to switch the equalizer on and o.

Allows you to set the cuto frequency of the high band (this is a shelving lter).

Use this parameter to set the level of the selected “High” frequency.

Positive values boost (increase the volume of) that frequency band, negative values cut (attenuate) it.

Allows you to set the cuto frequency of the middle band (this is a peaking lter).

Use this parameter to set the level of the selected “Mid” frequency.

‘Performance Edit’ parameters

Parameter Setting Explanation

Use this parameter to specify the width

Mid Q 0.5, 1.0, 2.0, 4.0, 8.0

Low Freq

Low Gain –15~+15 dB

90 Hz, 150 Hz, 180 Hz, 300 Hz, 360 Hz, 600 Hz

of the “Mid Frequency” band that you want to boost or cut. Smaller values mean that neighboring frequencies above/below that value are also aected.

Allows you to set the cuto frequency of the low band (this is a shelving lter).

Use this parameter to set the level of the selected “Low” frequency.

4. Press the [EXIT] button to leave the “Eq Part Edit” page.

Mfx

The BK-3 contains one multi-eects processor (“Mfx”) that can be used to process the desired keyboard part(s). Select “O” for parts that don’t need to be processed by this Mfx.

Parameter Setting

Mfx O, On

Hold Pedal

This parameter allows you to specify whether and how a hold damper pedal you connect to the “PEDAL HOLD/SWITCH” socket should respond to Hold messages (CC64).

Parameter Setting

Hold Pedal Auto, On, O

• “Auto” means that the part in question only responds to Hold messages if it is assigned to the right half (Split) or the entire keyboard.

• “On” means that the part in question always responds to Hold messages, even if it is assigned to the left half of the keyboard.

• “O”, nally, means that the part does not respond to Hold messages.

• “Poly”, on the other hand, means that you can play chords using the selected part

• “Mono” means that you can only play one note at a time. You could select this mode to play a trumpet or woodwind part in a more natural way.

Portamento Time

“Portamento” means that the pitch doesn’t change in clearly dened steps: it produces glides from one note to the next. Use the this parameter to specify the speed at which those glides are carried out. The higher the value, the slower the transitions.

Parameter Setting

Portamento Time 0~127

Bender Assign

This parameter allows you to specify for each keyboard part how it should respond to Pitch Bend messages.

Parameter Setting

Bender Assign Auto, On, O

• “Auto”: The keyboard part only responds to left/right movements of the BENDER/MODULATION lever when no split setting causes it to be to the left of other keyboard parts. In other words: parts you can play with your left hand after selecting a split no longer respond to pitch bend messages. But they will while the keyboard is not split.

• “On”: The keyboard part always responds to left/right movements of the BENDER/MODULATION lever.

• “O”: The part in question does not respond to left/ right movements of the BENDER/MODULATION lever.

Bender Range

This parameter sets the pitch interval, i.e. the value that will be used when the BENDER/MODULATION lever is pushed all the way to the left or right.

Parameter Setting

Bender Range 0~+24

Octave Shift

Allows you to transpose the selected keyboard part in octave steps

Parameter Setting

Octave Shift –4~0~+4

Coarse Tune

Changes the pitch of the selected keyboard part in semi-tone steps.

Parameter Setting

Coarse Tune –24~0~+24

Fine Tune

Changes the pitch of the selected part in steps of 1 cent (1/100 semi-tone).

Parameter Setting

Fine Tune –100~0~+100

Portamento Mode

You can set the selected part to mono(phonic) mode.

Parameter Setting

Portamento Mode Poly, Mono

Modulation Assign

This parameter allows you to specify for each keyboard part how it should respond to Modulation messages (CC01).

Parameter Setting

Modulation Assign Auto, On, O

• “Auto”: The keyboard part only responds to backward movements of the BENDER/MODULATION lever when no split setting causes it to be to the left of other keyboard parts. In other words: parts you can play with your left hand after selecting a split no longer respond to modulation messages. But they will while the keyboard is not split.

• “On”: The keyboard part always responds to backward movements of the BENDER/MODULATION lever.

• “O”: The part in question does not respond to backward movements of the BENDER/MODULATION lever.

Cut O

This lter parameter allows you to make the selected sound darker or brighter. Positive settings mean that more overtones will be allowed to pass, so that the sound becomes brighter. The further this value is set in the negative direction, the fewer overtones will be allowed to pass and the sound will become softer (darker).

Menu options

Characteristics of a low-pass lter

Setting

Frequency

Cuto frequency

NOTE

For some sounds, positive (+) Cuto settings will cause no noticeable change because the pre-programmed Cuto parameter is already set to its maximum value

Parameter Setting

Cut O –64~+63

Resonance

When the Resonance value is increased, the overtones in the area of the cuto frequency will be emphasized, creating a sound with a strong character.

Parameter Setting

Resonance –64~+63

NOTE

For some sounds, negative (–) “Resonance” settings may produce no noticeable change because the Resonance is already set to the minimum value.

Attack (only for Tones)

This parameter adjusts the onset of the sound. Negative values speed up the attack, so that the sound becomes more aggressive.

Vibrato Depth

This parameter adjusts the intensity of the pitch modulation. Positive (+) settings mean that the “wobble” becomes more prominent, while negative (–) settings make it shallower.

Parameter Setting

Vibrato Depth –64~+63

Vibrato Delay

This parameter adjusts the time required for the vibrato eect to begin. Positive (+) settings increase the time before vibrato will begin and negative settings shorten the time

Parameter Setting

Vibrato Delay –64~+63

The function of this parameter depends on the sound you assigned to the selected part. It may inuence the lter and resonance setting, switch between the organ samples with the fast and slow Rotary modulation, etc.

Parameter Setting

C1 0~127

‘Tone Part Mfx’ parameters

This function group can be selected using [MENU] button  “Performance Edit”  “Tone Part Mfx”. Your BK-3 contains a multi-eects processor that can be used for processing any keyboard part you like. See “Mfx” (p. 45). (There are also 2 Mfx processors for the rhythm/ song parts).

Parameter Setting

Attack –64~+63

Decay

This parameter adjusts the time over which the sound’s volume and cuto frequency fall from the highest point of the attack down to the sustain level.

Parameter Setting

Decay –64~+63

NOTE

Percussive sounds usually have a sustain level of “0”. Piano and guitar sounds are in this category. Holding the keys for a long time will have little eect on the duration of the notes you are playing, even if you select a high value here

Release

This parameter adjusts the time over which the sound will decay after the note is released until it is no longer heard. The cuto frequency will also fall according to this setting.

Parameter Setting

Release –64~+63

Vibrato Rate

This parameter adjusts the speed of the pitch modulation. Positive (+) settings make the preset pitch modulation faster and negative (–) settings make it slower.

Parameter Setting

Vibrato Rate –64~+63

Mfx Switch

Select “O” if you don’t need the Mfx processor.

Parameter Setting

Mfx Switch O, On

Mfx Type

The BK-3 provides 84 dierent multi-eect types, some of which are combinations of two eects for added exibility. This parameter allows you to select the desired type. The available types are:

N. Mfx Type N. Mfx Type N. Mfx Type

1 Thru 29

2 Stereo EQ 30

3 Overdrive 31

4 Distortion 32

5 Phaser 33

6 Spectrum 34

7 Enhancer 35

8 Auto Wah 36.

9 Rotary 37

10 Compressor 38

11 Limiter 39 CHO/DLY 67 Gate

12 Hexa-Chorus 40 Flanger/DLY 68 Long Delay

13 Trem Chorus 41 CHO/Flange 69 Serial Delay

14 Space-D 42 Isolator 70 MLT Tap DLY

15 St. Chorus 43 Low Boost 71 Reverse DLY

16. St. Flanger 44 Super Filter 72 Shue DLY

17 Step Flanger 45 Step Filter 73 3D Delay

18 St. Delay 46 Humanizer 74 Long DLY

0OD Delay

DST Chorus

DST Flanger

DST Delay

EH Chorus

EH Flanger

EH Delay

ChorusDLY

Flanger DLY

CHO Flanger

57 VK Rotary

58 3D Chorus

59 3D Flanger

60 3D Step Flgr

61 Band Chorus

62 Band Flanger

63 Band Step Flg

64 VS Overdrive

65 VS Distortion

66 GT Amp Simul

‘Performance Edit’ parameters

N. Mfx Type N. Mfx Type N. Mfx Type

19 Mod. Delay 47 Speaker Sim 75 Tape Echo

20 3 Tap Delay 48 Step Phaser 76 LoFi Noise

21 4 Tap Delay 49 MLT Phaser 77 LoFi Comp

22 Time Delay 50 Inf Phaser 78 LoFi Radio

23 2 Pitch Shifter 51 Ring Modul 79 Telephone

24 FBK Pitch 52 Step Ring 80 Phonograph

25 Reverb 53 Tremolo 81 Step Pitch

26 Gate Reverb 54 Auto Pan 82 Sympa Reso

ODChorus

ODFlanger

NOTE

Some of the names shown above may be abbreviated in the display.

55 Step Pan 83 Vib-Od-Rotary

56 Slicer 84 Center Canc

Mfx Edit

If you want to edit the parameters of the selected eect

type, you have to press the [ENTER] button to select the “Mfx Edit” page.

Parameter Setting

Mute O, On

Solo

Allows you to solo the selected part, which means that all other rhythm parts are switched o.

Parameter Setting

Solo O, On

Volume

Adjusts the volume of the selected rhythm part.

Selecting “0” means that the part is question is no longer audible.

Parameter Setting

Volume 0~127

Split

This page allows you to set two keyboard-related parameters. It can be selected using [MENU] button  “Performance Edit ”  “Split”.

2. Use the [UP] or [DOWN] button to select the desired

parameter .

3. Use the [INC] or [DEC] button to set the desired value.

The rst two parameters for each Mfx type are “Chorus Send” (0~127) and “Reverb Send” (0~127).

They allow you to specify whether—and to what extent—the Mfx signal should be processed by the Chorus and/or Reverb eect.

The other parameters in the page depend on the Mfx type that you selected.

‘Rhythm Parts’ parameters

This function group can be selected using [MENU] button  “Performance Edit”  “Rhythm Parts”.

The parameters of this function group apply to the eight Automatic Accompaniment parts (i.e. the parts used to play back the selected rhythm).

1. Use the [INC] or [DEC] button to select the rhythm part

you want to edit (ADrum, ABass, Acc1, Acc2, Acc3, Acc4, Acc4, Acc5, Acc6).

The display shows the settings for the selected part.

MEMO

This page can also be selected by pressing and holding the [SPLIT] button.

Split Point

The “Split Point” parameter allows you to set the split point.

Parameter Setting

Split Point C#2~B6

TIPS

Selecting the “Split Point” eld and after pressing the [ENTER] button, you can set the split point by simply pressing the corresponding key on the keyboard.

Lower Hold

This parameter allows you to set the Hold function for the LWR part.

Parameter Setting

Lower Hold O, On

If you set this parameter to “On”, the notes of the LWR part go on sounding until you play other notes in the left keyboard area. (This function is only available while the [SPLIT] button lights.)

If you select “O”, the LWR part stops sounding as soon as you release all keys in the left area.

2. Use the [UP] or [DOWN] button to select the desired

parameter .

3. Use the [INC] or [DEC] button to set the desired value.

The following parameters are available:

Mute

Allows you to mute the selected part, so that it is no longer audible.

Scale Tune Switch

This parameter can be selected using [MENU] button  “Performance Edit”  “Scale Tune Switch”.

Menu options

Parameter Setting Explanation

Upper O, On

Lower O, On

Rhythm O, On

Select “On” if the “Scale Tune” settings (see below) should apply to the Upper and Melody Intell parts.

Select “On” if the “Scale Tune” settings (see below) should apply to the Lower part.

Select “On” if the “Scale Tune” settings (see below) should apply to the rhythm parts.

Scale Tune

This parameter can be selected using [MENU] button  “Performance Edit”  “Scale Tune”.

is required.

Parameter Setting

Key –6~+5

Mode

Allows you to specify which sections should be transposed by the “Key” parameter.

Parameter Setting

Mode Song, Keyboard, Song+Keyboard

• “Song”: Only song playback is transposed.

• “Keyboard”: Only the notes you play on the keyboard are transposed. (This also aects the chord information transmitted to the Arranger.)

• “Song+Keyboard”: Both song playback and the keyboard parts are transposed. Rhythm playback is also transposed.

‘Arranger Setting’ parameters

This function group can be selected using [MENU] button  “Performance Edit”  “Arranger Setting”.

This parameter allows you to change the tuning of all notes of one octave, which may come in handy to create oriental tunings.

Parameter Setting Explanation

Changes the pitch of the notes C~B in steps of 1 cent. The value that you specify is applied to

C ~ B

(each note can be set individually)

C note send ~ B note send O, On

-64~0~+63

all notes of the same name. If you change the tuning of the “C”, that value is added to, or subtracted from, all Cs (C1, C2, C3, etc.). (“–50” means that the note in question is tuned a quarter tone down.)

• “O ”: The note is not detuned.

• “O n” :

The corresponding note is detuned at the value you specied (-64~0~+63)

Key

This function allows you to transpose the BK-3’s pitch in semi-tone steps. Depending on the mode setting, this transposition applies to all sections or just a specic section.

It can be selected using [MENU] button  “Performance Edit”  “Key” or by pressing the [KEY] button. See “Transposing to a Dierent Key” (p. 34) .

The parameters of this function group apply to the Arranger as a whole and allow you to ne-tune its behavior.

Arranger

Select “O” if you only need the drum part of the selected rhythm and no melodic accompaniment parts (ABass, ACC1~6).

Parameter Setting

Arranger O, On

Zone

When you press the [SPLIT] button, the selected rhythm pattern is controlled by the chords you play in the left half of the keyboard.

You can also tell the Arranger to scan another part of the keyboard for usable chords. Though “Left” is probably the most popular setting, you could select “Right” to have the Arranger scan the right half of the keyboard.

Switch o the [SPLIT] button if the Arranger should scan the entire keyboard (“Whole”).

The range of the left and right keyboard areas depends on the “Split Point” setting (p. 47).

Parameter Setting

Zone O, Right, Left, Whole

TIPS

Pressing and holding the [KEY] button locks this parameter and keeps it from changing when you select Performance memories.

Key

Allows you to set the desired transposition interval.

Each value represents a semi-tone step. Select “0” if no transposition

Type

Another important choice is how you want to transmit note information to the Arranger.

Parameter Setting

Type Standard, Pianist1, Pianist2, Intelligent, Easy

• “Standard”: This is the normal chord recognition mode.

• “Pianist1”: In this mode, the BK-3 only recognizes chords that consist of at least three notes. Playing only two notes will not cause the rhythm’s key to change.

‘Performance Edit’ parameters

• “Pianist2”: Same as “Pianist1” while the Hold pedal is not pressed. If you press the Hold pedal, the BK-3 even recognizes “chords” when you press only one note. If the hold pedal is still pressed, chord recognition continues up to a maximum of 5 played keys.

• “Intelligent”: Select this option when you want the chord recognition function to supply the missing notes of the chords you play.

• “Easy”: This is another “intelligent” chord ngering system. It works as follows:

Chord Type Action

Major chords

Minor chords

Seventh chords

Minor seventh chords

Press the key that corresponds to the chord’s fundamental.

Fundamental + any black key to the left of the fundamental.

Fundamental + any white key to the left of the fundamental.

Fundamental + any black key to the left + any white key to the left.

Arranger Hold

This function sustains the notes you play in the chord recognition area (“Zone”). Select “O ” if you want the accompaniment to stop as soon as the keys in that zone are released. This parameter is switched “On” by default.

Parameter Setting

Arranger Hold O, On

verse. Another favorite position for “halved” bars is at the end of a chorus or the bridge. Your BK-3 allows you to faithfully reproduce these “anomalies” using this function. This does not change rhythm playback right away. Only when another VARIATION pattern starts will the “Fillin Half Bar” function be activated and play half the number of beats of the accompaniment pattern you selected.

Fill Ritardando

This function is suitable for ballads. It causes the next Fill-In to slow down (“ritardando”). See “Tempo Change Fill Rit” below for how to set how strongly the tempo should be decreased.

Parameter Setting

Fill Ritardando O, On

As the name implies, it is only available while the [AUTO FILL-IN] button lights.

Tempo

Each rhythm has a preset tempo that is recalled when a rhythm is selected. This parameter allows you to specify if and when the BK-3 should ignore the preset tempo and go on using the tempo of the previously selected rhythm.

Parameter Setting

Tempo Preset, Auto, Lock

Here is what these three options mean:

Setting

Preset The rhythm’s preset tempo is loaded.

Auto

Lock

NOTE

The setting of this parameter is neither saved to the Performance memories, nor to the Global area. See “Save Global” (p. 53). The “Lock” setting can also be activated by pressing and holding the [TAP TEMPO] button.

Selecting a new rhythm

Playback is stopped Playback is running

The BK-3 loads the preset tempo of the new rhythm

The BK-3 doesn’t load the preset tempo of the new rhythm. It is played at the current tempo.

The BK-3 doesn’t load the preset tempo of the new rhythm.

The new rhythm is played at the current tempo.

Fill In Half Bar

When this parameter is “On”, the length of the Fill-Ins, which are played when the [AUTO FILL IN] button lights, is halved.

Parameter Setting

Fill In Half Bar O, On

Certain pop songs in 4/4 contain bars that only last two beats. The usual place for such a bar is between the rst and the second

a. Set “Fill R itardando” to “On”.

b. Press the [START/STOP] / [ */, ] button to start rhythm playback.

c. Press a VARIATION [1]~[4] button.

The BK-3 plays a Fill-In. The tempo slows down while the ll is being played. At the end of the ll, the rhythm returns to the previously set tempo (this is called “a tempo”).

d. Press and hold the [EXIT] button to return to the main

page.

TempoCh Acc/Rit, TempoCh CPT, TempoCh Fill Rit

The “ TermpoCh Acc/Rit” parameter allows you to speed up or slow down the rhythm tempo by the amount you set here. To use these functions, you must assign them to an optional footswitch (p. 52).

There are three Ritardando functions: one for all rhythm patterns, one for Ending patterns and one for ll-ins (see “Fill Ritardando” above). They all use the “Tempo Change” settings on the following page.

Parameter Setting

TempoCh Acc/Rit 5%~92%

TempoCh CPT 0~3825

TempoCh Fill Rit 5%~92%

“TempoCh Acc/Rit”: Allows you to set the degree (ratio) by which the tempo changes when the “Acceler” or “Ritard” function is triggered. Example: if the tempo is currently� = 100, the value “20%” means that the tempo drops to q = 80 or rises to q = 120

“TempoCh CPT”: Use this parameter to specify how long a ritardando/accelerando should take. In most cases, 480 CPT (i.e. one measure) is probably the most musical choice.

Menu options

“TempoCh Fill Rit”: This parameter allows you to specify to what extent ll-in playback should be slowed down when the “Fill Ritardando” function is on.

Using the Ritardando/Accelerando functions

For general applications (any rhythm division) proceed as follows:

a. Assign the “Arr Rit” or “Arr Acc” function to an optional

footswitch (p. 52).

b. Press the [START/STOP] / [ */, ] button to start rhythm

playback.

c. Press the assigned footswitch.

For Ritardandos that apply to Ending patterns proceed as follows:

a. Press the [START/STOP] / [ */, ] button to start playback.

b. Press the [ENDING] button twice in succession (“double-

click”).

‘Melody Intelligent’ parameters

This function group can be selected using [MENU] button  “Performance Edit ”  “Melody Intelligent” or by pressing and

holding the [MELODY INTELL] button.

Intell Threshold

This value represents the lowest velocity value (between “0” and “127”) of the UPP part that triggers the “Melody Intelligent” part. If you don’t need this switching function, select “0”.

Parameter Setting

Intell Threshold 0~127

Level

Allows you to set the level of the “Melody Intelligent” part to ensure that the harmonies blend in with the rest.

Parameter Setting

Level 0~127

Hold Pedal

This parameter allows you to specify whether or not the “Melody Intelligent” part’s notes can be held with the footswitch connected to the PEDAL HOLD/SWITCH socket.

Parameter Setting

Hold Pedal Auto, On, O

See “Using the ‘Melody Intell(igent)’ Function” (p. 34).

The following parameters are available:

Switch

Select “On” if you want to add a MELODY INTELL part.

This part is triggered by the chord recognition of the BK-3’s Automatic Accompaniment and plays automatic harmonies that are added to the melody that you are playing using the UPP part. You can choose from among 18 harmony types (see below).

Parameter Setting

Switch O, On

MEMO

This “Switch” parameter can also be assigned to an optional footswitch. See “Pedal Switch” (p. 52).

Type

Allows you to select one of the 18 harmony types:

Parameter Setting

1:Duet, 2:Organ 3:Combo, 4:Strings, 5:Choir, 6:Block,

Type

7:Big Band, 8:Country, 9:Traditional, 10:Brodway, 11:Gospel, 12:Romance, 13:Latin, 14:Country Guitar, 15:Country Ballad, 16:Waltz Organ, 17:Octave Type1, 18:Octave Type2

Save As Default

This function allows you to save the current “Performance Edit” settings as default settings. These settings are loaded each time you switch on the BK-3.

1. Use the [INC] or [DEC] button to select “YES”, then press

the [ENTER] button to dene the current settings as the default state.

The display shows a conrmation message.

If you don’t want to dene the current settings as the default state, use the [INC] or [DEC] button to select “NO”, then press the [ENTER] button.

The BK-3 then returns to the “Performance Edit” page.

‘Global’ parameters

The settings of the “Global” parameters can be saved to the BK-3s global memory. If you don’t save them, your changes are lost when you switch o the BK-3.

See “Save Global” (p. 53) for how to save these settings.

2nd Tone

Depending on the selected “Type” setting, a second harmony is added to the “Melody Intelligent” part. If you like, you can select the desired Tone for the second harmony voice using this parameter.

Parameter Setting

2nd The Tone of the selected family

Display Contrast

This parameter can be selected using [MENU] button  “Global”  “Display Contrast”.

It is used to change the contrast of the BK-3’s display in case you

‘Global’ parameters

nd it dicult to read.

Parameter Setting

Display Contrast 1~10

Tuning

This parameter can be selected using [MENU] button  “Global”  “Tuning”.

This parameter allows you to tune your BK-3 to acoustic instruments that cannot be tuned. The default is 440.0Hz.

Parameter Setting

Tuning 415.3~466.2Hz

Rhythm/SMF Track Mute

See “Using ‘Track Mute’ and ‘Center Cancel’” (p. 30).

One Touch Hold

This parameter can be selected using [MENU] button  “Global”  “One Touch Hold”.

Parameter Setting

Split O, On

Lower Octave O, On

Arr Type O, On

Key* O, On

Bass Inversion O, On

Scale Tune O, On

[*] These parameters can also be switched by pressing and holding the assigned buttons on the front panel. (See the “Hold to LOCK” legends on the frontal panel.

Metronome

These parameters can be selected using [MENU] button  “Global”  “Metronome”.

The BK-3 is equipped with a metronome that can be used in various situations.

For more information on these parameters see “Using the Metronome” (p. 35).

The parameters on this page allow you to lter certain “One Touch” settings. Select “On” for the settings you do not want to load along with the remaining One Touch settings when you press a ONE TOUCH button.

Parameter Setting

Tempo O, On

Tone Part O, On

Intro/Ending O, On

Variation O, On

Scale Tune O, On

Performance Hold

This page can be selected using [MENU] button  “Global”  “Performance Hold”.

The parameters on this page allow you to lter certain Performance settings. Select “On” for the settings you do not want to load along with the remaining settings when you select a Performance memory.

Parameter Setting

Rhythm* O, On

Tempo* O, On

Tone* O, On

Tone Part O, On

Favorite

The Favorite sound list is displayed.

For more information see “9. Favorite Tones” (p. 21).

Utility

The “Utility” parameters are found on the display page that can be selected using [MENU] button  “Global”  “Utility”.

The following table shows the utility parameters.

Parameter Setting Explanation

• “O”: Playback starts at the very beginning of the song le (which may contain a few silent bars).

SMF Quick Start

Speaker Mode Auto, On

O, 2nd Bar,

1st Note

• “2nd Bar”: Causes playback to start from measure 2 of the selected Standard MIDI File.

• “1st Note”: This is basically the same as the above, except that playback starts on the rst note of the selected song.

• “Auto”: The internal speakers are automatically shut o when a plug is inserted into PHONES/OUTPUT jack (default).

• “On”: The internal speakers are always active.

Menu options

Parameter Setting Explanation

At the end of the current song, the next song in the Performance List starts automatically.

Perform Next Song

UPP EQ/MFX Link O, On

Rec Audio Level

Rec Audio Sync O, On

USB Driver

Recall MIDI Set

Auto O*

Visual Ctrl Mode MVC, V-LINK

Version Info n.nn

O, On

–24, –18, –12, –6, +0 dB

Generic, Original

Kbd, Rhythm, kbd/Rhythm, Song, PK Series, O

O,

10 (5)

30 (15)

240 (30)

If the Performance List step refers to a rhythm, the rhythm in question is loaded, but you will need to start manually by pressing the [START/

STOP] button.

If you select “on”, theBK-3 selects suitable Mfx and equalizer settings for each Tone you assign to the Upper part.

Allows you to set the recording level for your own performances. See “16. Recording your performance as audio data” (p. 41). The setting of the [VOLUME] knob does not aect the recording level. (Default setting: +0 dB)

• “O”: Choose this setting when you want to start recording before starting rhythm or song playback.

• “On”: Choose this setting when you want to be able to start recording simultaneously with rhythm/song playback. When you choose this setting, pressing the [AUDIO REC] button will stop both playback and the recorder.

• “Generic”: Choose this if you want to use the standard USB driver that was included with your computer. Normally, you should use this mode.

• “Original”: Choose this if you want to use a USB driver downloaded from the Roland website (www.roland. com).

This parameter selects the MIDI Set whose settings are loaded when the BK-3 is switched on. See “MIDI Tx/Rx” (p. 59).

This parameter allows you to cause the BK-3 to switch itself o after the selected number of minutes has elapsed if you are not using it.

The default setting is “30”.

Select “O” if you prefer not to use this function.

The values in parentheses indicate when the pop-up countdown appears.

This parameter allows you to select the visual control mode. The option to select depends on the messages supported by the external device: MIDI

Visual Control (MVC) or V-LINK.

Shows the version number of the BK-3’s operating system

[*] When the BK-3 has been switched o by this function, you need to press the [POWER] button, wait a few seconds, then press the button again to switch the BK-3 back on. (Do not switch it on too quickly.)

Pedal Switch

The “Pedal Switch” setting is found on the display page that can be selected using [MENU] button  “Global”  “Pedal Switch”.

If you do not change the factory setting, the footswitch is assigned to the “Hold” function.

The following table shows the functions you can assign to the footswitch.

Function Expanation

Start/Stop

Intro

Ending

Variat1

Variat2

Variat3

Variat4

Bass Invers.

Arr. Hold

ArrChordO

HBarOnFillIn

Break Mute

Reset/Start

Split

Scale Upper

Scale Lower

Perf. Next

Perf. Prev

Portamento

Hold

Soft

Sostenuto

Lower Hold

Track Mute Same function as the [ TRACK MUTE] button.

Audio XFade

Fade Out

Melody Int.

MFX On/O

Arr. Rit

Arr. Ac c

Starts and stops rhythm or song playback. Same function as the [START/STOP] button.

Same functions as the [INTRO], [ENDING], [VARIATION1],

[VARIATION2], [VARIATION3], [VARIATION4], [BASS INV] buttons.

See “Using Rhythms” (p. 22).

Allows you to switch the Arranger Hold function on and o. See “Arranger Hold” (p. 49).

Allows you to switch the Arranger’s chord recognition o, in which case only the drum/percussion part is played.

Allows you to switch the “Fill In Half Bar” function on and o. See “Fill In Half Bar” (p. 49).

When you press the footswitch, rhythm playback is muted for the remainder of the current measure.

This function allows you to have theBK-3 start on the rst beat of the currently selected rhythm pattern when you press the assigned footswitch.

Use it when you are accompanying a singer or soloist whose timing is a little shaky and suddenly notice that the playback lags one or two beats behind the singer/ soloist.

You can alternate between “Intelligent” and “Pianist2” modes. When the former is selected, the chord recognition area is automatically set to “Left”. See “Zone” (p.

48). When you switch to “Pianist1” or “Pianist2”, the chord recognition area is automatically set to “Whole”.

Allows you to assign the selected Scale Tune setting to the Upper part. See “One Touch Hold” (p. 51).

Allows you to select the next or previous Performance.

Pressing the footswitch activates the “Portamento Time” setting. When the footswitch is released, the “Portamento Time” setting is not used. To hear this eect, you need to set a “Portamento Time” value (p.

45).

The assigned footswitch can be used as a Soft, Sostenuto or Sustain (Hold pedal).

The footswitch is assigned to the “Lower Hold” function. See “Lower Hold” (p. 47).

The footswitch can be used to activate a crossfade between two les.

To make this work, select a dierent song while the current song is being played back and press the footswitch.

The BK-3 creates a brief blend between the current and the next song. (This function is only available between two audio songs.)

This function gradually decreases the volume until it reaches zero. At that time, song or rhythm playback stops automatically.

Allows you to control the “Switch” parameter of the “Melody Intelligent” function. See “‘Melody Intelligent’ parameters” (p. 50).

Allows you to switch the Mfx for the keyboard parts on and o.

Allows you to activate the Arranger’s “Tempo Change Ritard” function. See “TempoCh Acc/Rit, TempoCh CPT, TempoCh Fill Rit” (p. 49).

Allows you to activate the Arranger’s “Tempo Change Accel” function. See “TempoCh Acc/Rit, TempoCh CPT, TempoCh Fill Rit” (p. 49).

Language

This parameter allows you to choose the character set to be used for the following:

• Lyrics display (for les that contain lyrics)

• “Search” functions. See”Using the ‘Search’ Function to Locate Songs or Rhythms” (p. 32).

• “Rename” functions. See “Rename a Performance List” (p. 38).

Parameter Setting

Language Latin, Cyrillic, East Europe

Save Global

One Touch Edit

Press the [START/STOP] / [ */, ] button again to halt playback.

NOTE

If you selected a rhythm or SMF song on the connected USB memory, press and hold the [EXIT] button to return to the main page.

3. Press the [MENU] button.

4. Use the [UP] or [DOWN] button to select “Makeup Tools”,

then press the [ENTER] button.

If you selected a rhythm in step (1), the display changes to:

This function allows you to save all “Global” parameter settings to ensure that they are loaded automatically each time you switch the BK-3 on.

You can select this function using [MENU] button  “Global”  “Save Global”.

1. Use the [INC] or [DEC] button to select “YES”, then press

the [ENTER] button to dene the current settings as the default state.

The display shows a conrmation message.

If you don’t want to dene the current “Global” settings as the default state, use the [INC] or [DEC] button to select “NO”, then press the [ENTER] button. The BK-3 then returns to the “Performance

Edit” page.

One Touch Edit

See “Programming Your Own ONE TOUCH Settings (One Touch Edit)” (p.

27).

If you selected an SMF song in step (1), the display changes to:

This menu allows you to select the following entries:

Menu Option Explanation

Common

Instrument

Freeze Data

Save

Select this entry to change common parameters that aect the rhythm or song as a whole, like the reverb or chorus eect, the tempo, etc.

Select this entry to change the instruments used in the rhythm or song and their parameters (p. 54).

Select this entry to “burn” your new settings into the le. Doing so will allow you to use your new version with any sequencer (software) or compatible Roland backing instrument (p. 57).

Select this entry to save your song or rhythm with the “Makeup Tools” settings you have made (p. 57).

Common

To edit the Common parameters, use [MENU] button  “Makeup Tools”  “Common”.

Makeup Tools (rhythms and SMF)

These functions allow you to actually edit the selected rhythm or SMF song (Standard MIDI File) without paying too much attention to the underlying parameters.

NOTE

The “Rhythm Makeup Tools” and “SMF Makeup Tools” functions cannot be used to edit Standard MIDI Files that use the XG format.

Using the Makeup Tools

1. Select the rhythm or SMF song you wish to modify on

the connected USB memory. See “Selecting Rhythms” (p.

24) and “Selecting a Song or Rhythm on a USB Memory” (p. 28).

2. Press the [START/STOP] / [ */, ] button to start playback of

the song or rhythm.

This allows you to listen to the song or rhythm before you start editing it.

The “Common” parameters on this page apply to the entire song or rhythm.

1. Use the [UP] or [DOWN] button to select the desired

“Common” parameter.

2. Use the [INC] or [DEC] button to change the parameter

value.

3. If you are satised with your changes and wish to

preserve them, save your rhythm/ song to the USB memory.

See “Saving Your New Rhythm or Song (SMF) Version in USB Memory” (p. 57).

NOTE

The changes you make using the procedure described above can be “burned” into the rhythm/song le using the “Freeze Data” command (p. 57). Doing so will allow you to hear those

Menu options

changes on any sequencer (software) you use. Changes you don’t “freeze” are nevertheless stored when you save the edited rhythm/song le—but only the BK-3 can read them.

The following parameters are available:

Reverb Type

This parameter allows you to specify what kind of reverb eect you need. The available reverb types are:

Setting Meaning

Original

Room1,

Room2,

Room3

Hall1,

Hall2

Plate This algorithm simulates the acoustics of a concert hall.

Delay

Pan Delay

Original This setting means that the song uses its own (programmed) reverb settings.

These types simulate the reverb characteristics of a room. The higher the number (1, 2 or 3), the bigger the “room” becomes.

These types simulate the reverb of a small (1) or large (2) concert hall and thus sound much “bigger” than the Room types above.

A delay eect (no reverb). Works a lot like an echo eect and thus repeats the sounds

This is a stereo version of the above delay eect. It creates repetitions that alternate between the left and right channels.

Instrument

To edit the Instrument parameters, use [MENU] button  “Makeup Tools”  “Instrument”.

The display now shows all instruments used by the selected rhythm or SMF song.

1. Use the [UP] or [DOWN] button to select the instrument

you want to change, then press the [ENTER] button.

The display changes to:

The [MENU] button’s indicator ashes.

Chorus Type

Chorus broadens the spatial image of the sound and creates a stereo impression. You can choose from 8 types of chorus.

Setting Meaning

Original The song uses its own (programmed) chorus settings.

Chorus

1~4

Fbk Chorus

Flanger

ShortDly

ShortDlyFb This is a short delay with many repeats

These are conventional chorus eects that add spaciousness and depth to the sound.

This is a chorus with a anger-like eect and a soft sound.

This is an eect that sounds somewhat like a jet airplane taking o and landing

This is a full-edged delay eect that can be used instead of a chorus or anger. As you will see, there are a lot of parameters you can program

Reverb Level & Chorus Level

These parameters allow you to modify the output level of the Reverb (or Chorus) processor.

Rhythm Volume/Song Volume

This parameter allows you to set the overall volume of the selected rhythm or song if you think it is too loud/soft.

Rhythm Tempo/Song Tempo

Allows you to change the rhythm’s or song’s tempo (q= 20~250).

Key

This parameter allows you to transpose all song parts (except the drums) up to 12 semitones (1 octave) up or down. This value is written to the song data and used every time you play back this song.

2. Press the [MENU] button to jump to the location where

the instrument is used.

Playback starts automatically from that point.

3. Use the [UP] or [DOWN] button to select the parameter

you wish to edit.

4. Use the [INC] or [DEC] button change the parameter.

5. If you are satised with your changes and wish to

preserve them, save your rhythm/ song to the USB memory. See “Saving Your New Rhythm or Song (SMF) Version in USB Memory” (p. 57).

MEMO

If you select a Drum Set in step (1) above, the parameter list looks slightly dierent than for instruments that do not use a Drum Set. “Drum Sets” are special “Tones” that assign dierent sounds to most keys/note numbers, allowing you (and the BK-3) to play realistic drum and percussion parts.

NOTE

The changes you make using the procedure described above can be “burned” into the rhythm/song le using the “Freeze Data” (p. 57). Doing so will allow you to hear those changes on any sequencer (software) you use. Changes you don’t “freeze” are nevertheless stored when you save the edited rhythm/song le—but only the BK-3 can read them.

Icon legend

The following icons refer to parameters that are respectively available for:

T Tones of regular instruments only

NOTE

This parameter is not available for rhythms.

Undo Changes

Select this entry to cancel all “Rhythm/SMF Makeup Tools” settings you have made and to revert to the previously saved version.

D Drum Sets only

The following parameters are available:

Tone (T), Drum (D )

Allows you to select a dierent Tone within the active Tone family.

Makeup Tools (rhythms and SMF)

While selecting a Tone, you can press a TONE button to select a dierent family.

Parameter Setting

Tone

Drum

The number of Tones depends on the selected family.

Mute (T)/Drum Mute (D )

Switches the selected instrument o. The corresponding part is no longer played back. (This setting only applies to the selected instrument and thus not necessarily to the entire track.)

NOTE

In the case of the drums, you can mute two instrument groups (“Drum Mute” and “Perc Mute”, see below) separately.

Parameter Setting

Mute

Drum Mute

O, On

Solo

Switches o all instruments except the selected instrument.

Parameter Setting

Solo O, On

Perc Mute (D )

Suppresses (or adds) the percussion sounds used by the drum part.

Parameter Setting

Perc Mute O, On

Volume

Adjusts the volume of the selected instrument. Negative values decrease the current volume, positive values increase it. (This is a relative setting that is added to, or subtracted from, the original setting.)

Panpot

Use this parameter to change the stereo placement of the selected instrument. “0” means “no change”, negative (–) values shift the instrument towards the left and positive (+) values shift it towards the right.

Parameter Setting

Panpot -127~0~+127

NOTE

In the case of Drum Sets, this setting applies to all drum/ percussion instruments. There is also a parameter that can be set for specic drum instruments (p. 57).

Octave (T)

Use this parameter to transpose the selected instrument up or down by up to 4 octaves.

Parameter Setting

Octave -4~0~+4

Velocity

This parameter allows you to modify the velocity range of the instrument in question. “0” means that the recorded velocity values are left untouched, negative values reduce all velocity values by the same amount (leaving dierences between notes intact), while positive settings increase all velocity values.

Parameter Setting

Velocity -127~0~+127

Cut O

This lter parameter allows you to make the selected sound darker or brighter. Positive settings mean that more overtones are allowed to pass, so that the sound becomes brighter. The further this value is set in the negative direction, the fewer overtones will be allowed to pass and the sound will become softer (darker).

Characteristics of a low-pass lter

Setting

Parameter Setting

Volume -127~0~+127

Reverb

Use this parameter to set the reverb send level. Negative values decrease the current reverb send level, positive values increase it. (This is a relative setting that is added to, or subtracted from, the original setting.)

Parameter Setting

Reverb -127~0~+127

Chorus

Use this parameter to set the chorus send level. Negative values decrease the current chorus send level, positive values increase it. (This is a relative setting that is added to, or subtracted from, the original setting.)

Parameter Setting

Chorus -127~0~+127

Frequency

Cuto frequency

Parameter Setting

Cut O -127~0~+127

NOTE

For some sounds, positive (+) “Cut O” settings will cause no noticeable change because the preprogrammed “Cut O” parameter is already set to its maximum value.

Resonance

This is a parameter one invariably associates with a synthesizer. When the “Resonance” value is increased, the overtones in the area of the cuto frequency will be emphasized, creating a sound with a strong character.

Parameter Setting

Resonance -127~0~+127

NOTE

Menu options

For some sounds, negative (–) “Resonance” settings may produce no noticeable change because the resonance is already set to the minimum value.

The following parameters allow you to set the sound’s “envelope”. The envelope parameters aect both the volume (TVA) and the lter (TVF). The cuto frequency will rise as the envelope rises and fall as the envelope falls.

Attack (T)

This parameter adjusts the onset of the sound. Negative values speed up the attack, so that the sound becomes more aggressive.

Parameter Setting

Attack -127~0~+127

Decay (T)

This parameter adjusts the time over which the sound’s volume and cuto frequency fall from the highest point of the attack down to the sustain level.

Parameter Setting

Decay -127~0~+127

NOTE

Release (T)

This parameter adjusts the time over which the sound will decay after the note is released until it is no longer heard. The cuto frequency will also fall according to this setting.

Parameter Setting

Release -127~0~+127

NOTE

Some sounds already contain natural (sampled) vibrato whose depth or speed cannot be changed.

Parameter Setting

Vibrato Delay -127~0~+127

Mfx

The BK-3 contains 2 multi-eects processors (“Mfx”), one reverb processor and one chorus processor that can be used to process rhythms or Standard MIDI Files.

Select “O” for instruments that don’t need to be processed by any Mfx.

Parameter Setting

Mfx O, A, B

MEMO

If you select “A” or “B”, additional parameters can be edited (see below).

Mfx Type

Allows you to select the desired Mfx type, i.e. the kind of eect you need. Each Mfx (“A” and “B”) can be assigned to as many instruments as you like. Be aware, however, that selecting a dierent type will aect all instruments that use this Mfx processor. For a list of the available Mfx types see p.. 45.

NOTE

Each Mfx can be assigned to as many instruments as you like. Be aware, however, that selecting a dierent type will aect all instruments that use this Mfx processor.

NOTE

While the “Mfx” parameter is set to “O”, you cannot select a dierent type. In that case, the display will show the message “---”.

Mfx Edit

If you also want to edit the parameters of the selected eect type, press the [ENTER] button to jump to the “Mfx Edit” page. You can then edit the available parameters.

Equalizer

Activate this setting if you want to change the timbre of the selected instrument.

Use the following three parameters if you think the instrument in question has too much (or could use a little more) vibrato.

Vibrato Rate (T)

This parameter adjusts the speed of the pitch modulation. Positive (+) settings make the preset pitch modulation faster, and negative (–) settings make it slower.

Parameter Setting

Vibrato Rate -127~0~+127

Vibrato Depth (T)

This parameter adjusts the intensity of the pitch modulation. Positive (+) settings mean that the “wobble” becomes more prominent, while negative (–) settings make it shallower.

Parameter Setting

Vibrato Depth -127~0~+127

Vibrato Delay (T)

This parameter adjusts the time required for the vibrato eect to begin. Positive (+) settings increase the time before vibrato will begin and negative settings (–) shorten the time.

Parameter Setting

Equalizer O, On

Edit EQ

To edit the equalizer parameters, press the [ENTER/] button to jump to the “Edit EQ” page. You can then edit the available parameters:

Parameter Setting Explanation

Activate this setting if you want to change the timbre of the selected

Equalizer O, On

1500 Hz, 2000 Hz,

High Freq

High Gain –15~+15 dB

Mid Freq 200~8000 Hz

3000 Hz, 4000 Hz, 6000 Hz, 8000 Hz, 12000 Hz

instrument.

This parameter duplicates the “Equalizer” above and was added for your convenience.

Allows you to set the cuto frequency of the high band (this is a shelving lter).

Use this parameter to set the level of the selected “High” frequency. Positive values boost (increase the volume of) that frequency, negative values cut (attenuate) it.

Allows you to set the cuto frequency of the middle band (this is a peaking lter).

Parameter Setting Explanation

Use this parameter to specify the width

Mid Q 0.5, 1, 2, 4, 8

Mid Gain –15~+15 dB

Low Freq

Low Gain –15~+15 dB

90 Hz, 150 Hz, 180 Hz, 300 Hz, 360 Hz, 600 Hz

of the “Mid Freq” band that you want to boost or cut. Smaller values mean that neighboring frequencies above/ below that value are also aected.

Use this parameter to set the level of the selected “Mid Freq”.

Positive values boost (increase the volume of) that frequency, negative values cut (attenuate) it.

Allows you to set the cuto frequency of the low band (this is a shelving lter).

Use this parameter to set the level of the selected “Low” frequency.

Drum Instrument (D)

If you want to edit the settings for specic instruments of the selected Drum Set, press the [ENTER] button to jump to the “Drum Instrument” page.

Saving Your New Rhythm or Song (SMF) Version in USB Memory

Pitch -127~0~+127

Instr Equalizer

Edit EQ

Undo Changes

Global, Instr, O

(Press the [ENTER] button)

Use this parameter to tune the selected drum instrument higher or lower. “0” means that the pitch is left unchanged.

• Global: The drum instrument uses the equalizer settings of the Drum Set it belongs to.

• Instr: The drum instrument uses its own equalizer settings (see below).

• O: The drum instrument is not equalized.

Provides access to the EQ parameters of the currently selected drum instrument (if “Instr. Equalizer” is set to “Int”). See “Edit EQ” (p. 56) for a description of the available parameters.

This function allows you to cancel the

“Drum Instrument” settings of the currently selected instrument and to revert to the previously saved version.

All instruments of the Drum Set being used are displayed.

Use the [UP] or [DOWN][ button to select the instrument you want to change, then press the [ENTER] button.

You can then use the [UP] or [DOWN][ button and the

[INC] or [DEC] button to edit the available parameters.

Parameter Setting Explanation

Instr.

All Drum Set Instruments

Select the drum instrument you want to edit.

Parameters for the selected instrument

Mute O, On

Solo O, On

Volume -127~0~+127

Reverb -127~0~+127

Chorus -127~0~+127

Panpot -127~0~+127

Velocity -127~0~+127

Suppress (or add) the selected instrument.

Switch o all instruments except the selected instrument.

Use this parameter to set the volume of the selected drum instrument.

Use this parameter to set the reverb send level of the selected drum instrument. The eect itself can be changed on the “Common” page.

Use this parameter to set the chorus send level of the selected drum instrument. The eect itself can be changed on the “Common” page.

Use this parameter to set the stereo placement of the selected drum instrument. “0” means “no change”, negative values shift the instrument towards the left and positive values shift it towards the right.

This parameter allows you to modify the velocity range of the drum instrument in question. “0” means that the recorded values are left untouched, a negative setting reduces all velocity values by the same amount (leaving variations intact). A positive setting shifts all velocity values in a positive direction.

Freeze Data

To commit your settings, use [MENU] button  “Makeup Tools”  “Freeze Data”.

Before saving your “made-up” song to a USB memory, you can (but you don’t have to) “commit” your changes, thereby turning them into “regular” rhythm or song data.

This may come in handy if you also want to play back your new rhythm/song version on another backing instrument, sequencer or your computer. This operation is unnecessary for les you only want to use with the BK-3 or one of the models mentioned above.

Saving Your New Rhythm or Song (SMF) Version in USB Memory

MEMO

You will need an optional USB memory to save your new rhythm or song (SMF).

NOTE

Use USB memory sold by Roland (M-UF-series). We cannot guarantee operation if any other USB memory is used.

1. If you are happy with your changes and wish to preserve

them, select the “Save” parameter and press the [ENTER] button.

The BK-3 displays the contents of the USB memory.

NOTE

Even rhythms or songs for which you did not perform the “Freeze Data” command need to be saved using this procedure if you want to keep the changes.

2. Use the [UP] or [DOWN] button and the [ENTER] button to

select a dierent location if you do not want to overwrite the original version.

3. Press the [WRITE] button (it ashes).

Menu options

The BK-3 automatically adopts the name of the selected rhythm or song. If you want to save the new version under that name (and overwrite the previous version), skip to step (6) below.

4. Use the [UP] or [DOWN] button to select the desired

character, then use the [INC] or [DEC] button to change the character.

The buttons below allow you the following operations:

Button Explanation

Press this button to switch between upper- and lower-case characters.

controller, you should check whether the external controller’s MIDI OUT is connected to the MIDI IN of your BK-3.

The MIDI channels are xed and you cannot change them.

Ch Part Ch Part

1 Rhythm Accomp. 1 / (Song 1) 2 Rhythm Bass / (Song 2)

3 Rhythm Accomp. 2 / (Song 3) 4 Upper (UPP) / (Song 4)

5 Rhythm Accomp. 3 / (Song 5) 6 (Song 6)

7 Rhythm Accomp. 4 / (Song 7) 8 Rhythm Accomp. 5 / (Song 8)

9 Rhythm Accomp. 6 / (Song 9) 10 Rhythm Drum / (Song 10)

11 Lower (LWR) / (Song 11) 12 (Song 12)

13 (Song 13) 14 (Song 14)

15 Melody Intell. / (Song 15) 16 (Song 16)

MIDI Parameters

The MIDI parameters can be selected using [MENU] button  “MIDI”

Press this button to delete the selected character.

Press this button to insert a character.

5. Repeat steps (4) above to enter the remaining characters.

6. Press the [WRITE] button to conrm your desire to save

the rhythm or song.

If the USB memory already contains a rhythm or song le of that name, you will be asked whether you want to overwrite it:

In this case, select “YES” using the [INC] or [DEC] button and press [ENTER] to replace the old le with the new one (the old le will be lost).

Otherwise, select “NO” and press the [ENTER] button to return to the “Save” page and enter a dierent name.

MIDI

This section discusses the BK-3’s MIDI parameters.

MIDI Channels

The BK-3’s MIDI environment contains the following options:

Local

The Local parameter allows you to establish or remove the connection between the BK-3’s keyboard and the internal tone generator.

Parameter Setting

Local O, On

When set to “On” (default), the keyboard and internal sound generator are connected.

If you select “O”, the keyboard and internal sound generator are disconnected but the note are still transmitted to the MIDI OUT or USB port and hence to external MIDI instruments.

Preventing Double Notes

when Working with a Sequencer (Local Control)

When you have a MIDI sequencer connected, set this parameter to “OFF”.

Since most sequencers have their Thru function turned on, notes you play on the keyboard may be sounded in duplicate, or get dropped. To prevent this, select “OFF” so that the keyboard and internal sound generator will be disconnected.

Local Control

MIDI

Sound Generator

MIDI

Out

MIDI

Sequencer

MIDI can simultaneously transmit and receive messages on 16 channels, so that up to 16 instruments can be controlled.

NOTE

All BK-3 parts are set to receive MIDI messages. If they do not seem to respond to the messages you send from the external

NOTE

The setting of this parameter is not memorized when you switch o the BK-3.

MIDI

MIDI Tx/Rx

The BK-3 has 6 MIDI preset settings. All you need to do is to select the MIDI preset to your need.

Parameter Setting

MIDI Tx/Rx Kbd, Rhythm, Kbd/Rhythm, Song, PK Series, O

NOTE

This parameter applies to both reception (RX) and transmission (TX).

• “Kbd”: This option recalls the MIDI settings for the keyboard parts (UPP, LWR, MELODY INT)

• “Rhythm”: This option recalls the MIDI settings for the rhythm parts (Drum, Bass, Accomp. 1~6).

• “Kbd/Rhythm” (Default): This option recalls the MIDI settings for the keyboard parts (UPP, LWR, MELODY INT ) and the rhythm parts (Drum, Bass, Accomp. 1~6). The most important (and practical) use for this eld is resetting the MIDI transmit/receive channels of the real-time and rhythm parts and to switch o MIDI transmission/reception of the song parts.

• “PK Series”: This option prepares the BK-3 for MIDI control using a PK-series MIDI pedalboard.

• “Song”: This option recall the settings for the BK-3’s SMF song parts and switches o the MIDI transmission and reception of the real-time and rhythm parts.

• “O”: The MIDI transmission and reception are disabled.

Sync Rx

This parameter is used to specify whether rhythm and song playback should be synchronized by an external MIDI device.

Parameter Setting

Sync Rx O, On (Default setting: On)

• “O”: In this case, the BK-3 is not synchronized with other MIDI devices. It is thus impossible to start/stop it via MIDI.

• “On”: Rhythm playback and Song playback are synchronized if the BK-3 receives MIDI Start and Stop messages followed by MIDI Clock signals. If the BK-3 receives only a Start message, it will wait a moment to see if there are also MIDI Clock messages coming. If there are, it will synchronize to them. If there are no MIDI Clock messages, it will follow its own tempo. In either case, you can stop playback or recording with a MIDI Stop message

Rhythm Pc (Tx/Rx Channel)

The Rhythm Pc channel is used to receive and transmit program changes that cause the BK-3 or the external instrument to select another rhythm.

14, or 16) on which the BK-3 should receive NTA messages.

Pitch Bender

This lter allows you to enable (On) or disable (O) the transmission and reception of Pitch Bend messages. These messages are used to temporarily increase or decrease the pitch of the Keyboard-part notes.

Parameter Setting

Pitch Bender O, On (Default setting: On)

Modulation

This lter allows you to enable (On) or disable (O) the transmission and reception of Modulation messages. These messages are used to add vibrato to the notes you play (control change CC01).

Parameter Setting

Modulation O, On (Default setting: On)

Program Change

This lter allows you to enable (On) or disable (O) the transmission and reception of Program Change messages. These messages are used to select Tones, Styles, or Performance.

Parameter Setting

Program Change O, On (Default setting: On)

Rx Velocity

This lter allows you to enable (On) or disable the reception of velocity messages. This only applies to note messages received via MIDI. Choose the velocity value to be substituted for the actual values the BK-3 receives (1~127), or select “On” to use the velocity values as is.

Parameter Setting

Program Change On, 1~127 (Default setting: On)

Clock Tx

This parameter allows you to determine whether (On) or not (O) the Rhythm and Song send MIDI Clock messages when you start them. These messages are necessary for synchronizing external MIDI instruments/sequencers/software to the BK-3.

Parameter Setting

Clock Tx O, On (Default setting: On)

Parameter Setting

Rhythm Pc O, 1~16 (Default setting: 10)

NTA (Note-to-Arranger channel Rx)

NTA is short for “Note-to-Arranger”.

These parameters allow you to specify on which MIDI channels the BK-3 should receive chord information used to change the rhythm’s key in real-time.

If you want to use the Rhythm without playing on theBK-3’s keyboard, you must transmit these notes on NTA MIDI channel (from your computer or external MIDI instrument to the BK-3) .

Parameter Setting

NTA O, Ch 13, Ch 14, Ch 16 (Default setting: Ch 14)

• “O”: The NTA MIDI channel is disabled.

• “CH13, CH14,Ch16”: Allows you to select the MIDI channel (13,

Start Stop Tx

This option allows you to specify whether or not the Rhythm and Song send Start/Stop/Continue messages when you start or stop them. Select “O” when you wish to control the tone generator of a MIDI organ, etc., without starting or stopping its automatic accompaniment.

Parameter Setting

Start Stop Tx O, On (Default setting: On)

SMF Position Tx

The BK-3’s Song player also sends and receives Song Position Pointer messages that indicate the exact location of the notes that are being played back.

Select “OFF” if you don’t want to send or receive these messages.

Menu options

Parameter Setting

SMF Position Tx O, On (Default setting: O )

Visual Control Tx

Allows you to set the MIDI transmit channel for the Visual Control function. (The BK-3 does not receive Visual Control messages.)

Parameter Setting

Visual Control Tx 1~16 (Default setting: 16)

See “18. Controlling Video Equipment (Visual Control)” (p. 61).

3. Use the [INC] or [DEC] button to select “YES”, then press

the [ENTER] button to load the factory settings.

Select “NO” to return to the previous display page without loading the factory settings.

A conrmation message informs you that the BK-3 has been initialized.

Checking a Tone’s or Rhythm’s MIDI Address

Tones and rhythms can also be selected via MIDI. To this eect, they use an “internal” address, which is not usually displayed. For MIDI applications involving sequencers or external controllers, knowing the “ocial” address may come in handy. The BK-3 has a handy system that provides this information instantly—there is thus no need to look up the MIDI address in the tables at the end of this manual.

1. Select the Tone or Rhythm whose MIDI address you need

to know.

(Tone selection window) (Rhythm selection window)

2. Press and hold the [NUMERIC] button to call up a pop-up

window.

(Tone selection window) (Rhythm selection window)

3. Press the [EXIT] button (or press [NUMERIC] again) to

return to the previous page.

Formatting a USB memory

This function allows you to format the connected USB memory.

USB memories using the FAT-32 le system may not need to be formatted. We nevertheless recommend formatting all new USB storage devices with the BK-3.

IMPORTANT NOTE

Formatting a USB memory means that all les (songs, rhythms, etc.) it contains are lost.

Always check the contents of the memory before deciding to format it.

1. Connect the a USB storage you want to format device to

the USB MEMORY port on the BK-3’s rear panel.

2. Press the [MENU] button.

3. Use the [UP] or [DOWN] button to select the “Format USB

Device” entry, then press the [ENTER] button.

4. Use the [INC] or [DEC] button to select “YES”, then press

the [ENTER] button to format the USB memory.

A conrmation message informs you that the USB memory has been formatted.

The following folders are created on the USB memory

Factory Reset

The following function allows you to recall the BK-3’s original factory settings. This has no eect on the data stored on a USB memory

1. Press the [MENU] button.

The display changes to:

2. Use the [UP] or [DOWN] button to select the “Factory

Reset” entry, then press the [ENTER] button.

Folder Name Description

This folder is used to save Performance Lists. (The contents of this folder cannot be viewed by pressing

My Performances

My Recordings

My Rhythms

My Songs

NOTE

We recommend copying the contents of your USB memory to your computer before formatting it.

the [USB MEMORY] button. You need to press the PERFORMANCE [LIST] button gain access to the les it contains. The contents can be viewed on a computer, however.)

This folder is used to store your audio recordings. See “16. Recording your performance as audio data” (p.

41).

This folder can be used to save rhythms you edited with the “Makeup Tools” functions. See “Makeup Tools (rhythms and SMF)” (p. 53).

This folder can be used to save SMF songs you edited with the “Makeup Tools” functions. See “Makeup Tools (rhythms and SMF)” (p. 53).

18. Controlling Video Equipment (Visual Control)

The BK-3 has a powerful interface for realtime audio-and-video integration.

What is MIDI Visual Control?

MIDI Visual Control is an internationallyused recommended practice that was added to the MIDI specication so that visual expression could be linked with musical performance. Video equipment that is compatible with MIDI Visual Control can be connected to electronic musical

instruments via MIDI in order to control video equipment in tandem with a performance.

How to Connect a Video Equipment

When MIDI Visual Control- or V-LINK compatible devices are connected via MIDI, you’ll be able to easily enjoy a variety of visual eects that are linked to the expressive elements of your performance.

For example, if you use the BK-3 with the EDIROL P-10, you’ll be able to use the various controls on the BK-3’s keyboard to switch and control images on the EDIROL P-10.

In order to enjoy the Visual Control function with the BK-3 and the EDIROL P-10, you’ll need to make connections using a MIDI cable (sold separately)

[AUTO FILL IN] button.

The following conrmation appears:

Repeat this step to switch the Visual Control function back o. The following message briey conrms this operation:

Selecting clips and banks on an optional MIDI Visual Control/ V-LINK device

Switch on the “Visual Control” function.

2. Press a key in the highest octave (C#6~C7) to select the

desired clips on the external MIDI Visual Control/V-LINKcompatible device.

MIDI OUT

MIDI IN

Image output

Projector

NOTE

To prevent malfunction and speaker damage, you must minimize the volume on all equipment and turn o their power before you make any connections.

Edirol P-10 Visual Sampler

1. Connect the BK-3’s MIDI OUT socket to the MIDI IN socket

of the optional MIDI Visual Control/V-LINK device.

Clip selection via MIDI

Visual Control/V-LINK

Key Description MIDI message

C#6 Control the image bank (Bank Select) BF 00 00

D6 Switch images (Clip 1) CF 00

D#6 Control the image bank (Bank Select) BF 00 01

E6 Switch images (Clip 2) CF 01

F6 Switch images (Clip 3) CF 02

F#6 Control the image bank (Bank Select) BF 00 02

G6 Switch images (Clip 4) CF 03

G#6 Control the image bank (Bank Select) BF 00 03

A6 Switch images (Clip 5) CF 04

A#6 Control the image bank (Bank Select) BF 00 04

B6 Switch images (Clip 6) CF 05

C7 Switch images (Clip 7) CF 06

Using the black keys (Bank Select) and white keys (PC), 5 x 7= 35 clips can be selected.

NOTE

While the Visual Control function is active, the C#6~C7 keys are temporarily unavailable for playing notes.

How to Enable/Disable the Video Control Function

Press and hold the [BASS INV] button while pressing the

19. Wireless LAN Function

What is Wireless LAN Function?

iPhone etc. Wireless LAN access point

Items required to use the wireless LAN function

*1 The wireless LAN access point you use must support WPS. If your wireless LAN access point does not support WPS, you can connect using the procedure described in “Connecting to a Wireless LAN Access Point That You Select” (p. 63).

*2 The ability to connect with all kinds of wireless LAN access points is not guaranteed.

*3 If you’re unable to connect to the wireless LAN access point, try connecting using Ad-Hoc mode (p. 64).

(e.g., wireless LAN router)

Wireless LAN Wireless LAN

 Wireless USB Adapter (sold separately: WNA1100-RL)

 Wireless LAN access point (e.g., wireless LAN router) *1*2*3

 Phone or iPod touch etc.

BK-3

Wireless USB Adapter (sold separately: WNA1100-RL)

WPS button

NOTE

If you apply excessive force to the USB adapter when pressing

the button, you may damage it.

The Indicator ashes

4. Perform the WPS operation on your wireless LAN access

point (e.g., press and hold the WPS button on your wireless LAN access point).

For details on WPS operation of your wireless LAN access point, refer to the documentation for your wireless LAN access point.

Once successfully connected the indicator of the wireless USB

adapter lights steadily.

NOTE

The device (e.g., iPhone) running the application must be

connected to the same network.

MEMO

• The connection data is stored in memory when you perform the WPS procedure; the device will automatically connect to the wireless network next time.

• All connection data will be erased if you perform a factory reset.

• Connection data is not included in a backup.

Icons in the display

The wireless LAN status is shown in the main page and in the wireless menu when the wireless USB adapter is inserted.

Basic Connection Method (Connect by WPS)

The rst time you connect the BK-3 to a wireless network, you’ll need to perform the following procedure (WPS) to join the wireless network.

This procedure is required only the rst time. (Once you’ve joined the network, this procedure will no longer be necessary.)

What is WPS?

This is a standard that makes it easy to make security settings when connecting to a wireless LAN access point. We recommend that you use WPS when connecting to a wireless LAN access point.

1. Turn on the power of the BK-3.

2. Insert the wireless USB Adapter (WNA1100-RL; sold

separately) into the BK-3’s USB MEMORY port.

3. Press and hold the WPS button for three seconds while

taking care to hold it rmly with two ngers at least, to prevent it from bending.

The indicator of the wireless USB Adapter ashes.

wireless icon

Icon Explanation

Currently connected to the wireless LAN access point. Three bars are used to indicate the signal level (the strength of the connected wireless LAN access point’s radio signal).

The wireless USB adapter is inserted, but not connected with a wireless LAN access point.

Ad-Hoc mode (p. 64).

Wireless LAN Function Settings

You can view or edit the wireless settings.

1. Select the MENU] button g “Wireless”.

The Wireless page will appear.

2. Use the [UP] or [Down] to move the cursor to select the

desired parameter.

3. Press the [ENTER] button to enter to move in the new

page.

“Status” Indication

The rst row of the Wireless page shows the wireless LAN status.

Status Indication Explanation

Connected

Now Connecting

Not Connected

Not Available The wireless USB adapter is not inserted.

Ad-Hoc

“Access Point” Indication

The second row of the Wireless page shows the Access Point connected. To select an Access Point see “Connecting to a Wireless LAN Access Point That You Select” (p. 63).

Currently connected to the wireless LAN access point.

The identier (name) of the connected wireless LAN access point is shown

A connection with the wireless LAN access point is being established.

The wireless USB adapter is inserted, but not connected to a wireless LAN access point.

Ad-Hoc mode (p. 64).

The Ad-Hoc SSID and Ad-Hoc Key are shown.

For details, refer to “Connecting in Ad-Hoc mode” (p.

64).

Wireless LAN Function Settings

methods WPA/WPA2 are supported.

1. Select the [MENU] button g “Wireless” g“Select Access

Point”

After a short scan the Select Access Point list will appear.

MEMO

* The currently-connected wireless LAN access point is shown in

reverse.

* To refresh the list, exit and then reenter this screen.

2. Choose the wireless LAN access point to which you want

to connect, and press the [ENTER] button.

• You will be connected to the selected wireless LAN access point.

• If you’re using this wireless LAN access point for the rst time, you’ll proceed to the authorization (AUTHORIZATION) screen.

• If this is a wireless LAN access point to which you have connected in the past, just press the [ENTER] button and you’ll be connected. Once successfully connected, you’ll be returned to the status (WIRELESS) screen.

Authorization screen (Enter Passphrase)

Use the [UP] or [DOWN] button to select the desired

character, then use the [INC] or [DEC] button to change the character.

The buttons below allow you the following operations:

Button Explanation

Press this button to switch between upper- and lower-case characters.

Press this button to delete the selected character.

“Device Name” Indication

The third row of the Wireless page shows the Device Name.

The Device Name is BK-3 (Default). See “Wireless ID” (p. 64).

“Select Access Point” Page

Move to a screen where you can choose a wireless LAN access point and connect to it.

“Wireless Info” Page

Move to the screen to view the IP address and MAC address.

“Wireless Option” Page

Make settings for Wireless ID or Ad-Hoc mode (Ad-Hoc Mode).

See “Other Settings (Wireless Option)” (p. 63).

Connecting to a Wireless LAN Access Point That You Select

This method lets you connect by choosing a wireless LAN access point from the list that is displayed.

* Wireless standards 802.11g/n (2.4 GHz) and authentication

Press this button to insert a character.

4. Repeat steps (3) above to enter the security code

(passphrase) of your wireless LAN access point.

5. Press the [WRITE] button.

* You cannot enter a space at the end of the passphrase.

Once successfully connected, you’ll be returned to the status “Wireless” screen.

Other Settings (Wireless Option)

1. Select the MENU] button g “Wireless” g “Wireless

Option”.

The Wireless Option screen will appear.

Wireless LAN Function

Parameter Explanation

Species the nal digits of the BK-3’s device name and Ad-Hoc SSID (BK-3) that will be shown as the instrument in the wirelessly connected app.

Normally, you should specify “0,” but if you have more than one of the same instrument, you can set the Wireless

Wireless ID

Ad-Hoc Mode

Ad-Hoc Channel

NOTE

* The Wireless Options settings are conrmed and saved when exiting from the Wireless Options screen.

* The Ad-Hoc Mode ON g OFF setting will take eect after you’ve turned the unit o, then back on again.

ID in the range of 1–99 to change the device name and Ad-Hoc SSID for each instrument, as follows.

If Wireless ID=0 “BK-3” (default value)

If Wireless ID=1, “BK-3_1”

If Wireless ID=99, “BK-3_99”

Turns Ad-Hoc mode on/o (default = “O ”).

The Ad-Hoc Mode ON g OFF setting will take eect after you’ve turned the unit o, then back on again.

Species the channel (1–11) for Ad-Hoc mode (default = 1).

2. Turn the Ad-Hoc Mode “On”.

You can use Channel to specify a channel (1–11) for Ad-Hoc mode. Normally, you won’t need to change the channel. Try changing the channel only if you have problems connecting.

3. Press the [EXIT] button to return to the Wireless screen.

The Ad-Hoc SSID (BK-3) and the Ad-Hoc Key (a ve-character text string) will be displayed in the Wireless screen.

4. On the iPhone or other wireless device that you want to

connect, select the Ad-Hoc SSID to make the connection. (For example, on an iPhone, choose [Settings] g [Wi-Fi] g [Choose a Network] to select the above Ad-Hoc SSID. A password entry screen will appear; enter the above AdHoc key.)

For details on how to connect to a wireless LAN from an iPhone or other device, refer to the owner’s manual of that device.

5. When you want to end the Ad-Hoc mode connection,

restore the iPhone settings in [Settings] g [Wi-Fi] g [Choose a Network] to their previous state.

NOTE

The Ad-Hoc Mode ON g OFF setting will take eect after you’ve turned the unit o, then back on again.

Connecting in Ad-Hoc mode

Here’s how to connect in Ad-Hoc mode.

What is Ad-Hoc mode?

Ad-Hoc mode lets you connect the BK-3 directly to an iPhone or other wireless device without using a wireless LAN access point. This is a convenient way to use the BK-3 with an iPhone or other wireless device if you’re in a location where the wireless LAN access point you normally use is unavailable, such as when you’re away from home.

iPhone etc.

Wireless USB Adapter (sold separately: WNA1100-RL)

Limitations

The iPod touch or other wireless device connected in Ad-Hoc

mode will be unable to communicate with the Internet or with another wireless device. However, an iPhone or other wireless device that has cellular capability will be able to connect to the Internet via the cellular connection.

Please be aware that if you use a cellular connection for Internet

connectivity, you may incur costs depending on your rate plan.

BK-3

Checking the IP Address and MAC Address (WIRELESS INFO)

Here’s how to check the IP address and MAC address.

1. Select the [MENU] button g “Wireless” g“Wireless Info”.

MEMO

The MAC address shows the value indicated on the bottom of

the wireless USB adapter (WNA1100-RL; sold separately).

1. Select the [MENU] button g “Wireless” g“Wireless

Options”

The Wireless Options screen will appear.

20. Troubleshooting

Symptom Action Page

Power does not turn on.

No sound from the BK-3

The volume level of the instrument is too low when it is connected to an amplier

The pitch of the selected rhythm/song is incorrect

Can’t hear the vocal of an audio le (mp3 or WAV ).

Can’t hear the melody of SMF les.

A “buzz” is heard from the external amplier

Can’t play an audio/mp3-format song Is the song in a format that the BK-3 is able to read? 28

After connecting theBK-3’s USB COMPUTER port to your computer, the BK-3 doesn’t receive MIDI messages.

Unable to read from/write to USB memory.

Can’t save to USB memory.

Audio recording won’t start or stops unexpectedly.

The songs won’t play.

No Performance Lists are displayed.

Can’t connect to a wireless LAN access point

The display indicates “Access Point Not Supported,” and can’t connect to the wireless LAN access point

Communication is unstable

Is the included AC adaptor/power cord correctly connected to an AC outlet and to the BK-3?

Do not use any AC adaptor or power cord other than the ones included. Doing so will cause malfunctions.

Did you switch the BK-3 on? 16

Could the [VOLUME] knob be turned down? Select a higher setting. -

Can you hear sound through headphones?

If you can hear sound through headphones, it may be that the

connection cables are broken, or that your amp or speaker has

malfunctioned. Check the cables and your equipment once again.

Could the part volume settings have been minimized?

Check the “Volume” setting of each part.

Could a MIDI message received from an external MIDI device (volume message or exclusive message) have lowered the volume?

Could you be using a connection cable that contains a resistor?

Use a connection cable that doesn’t contain a resistor

Is the “Tuning” setting appropriate?

Did you transpose the rhythm/song? Also check the “Rhythm Scale Tune” parameter.

If the [TRACK MUTE] (CENTER CANCEL) button is lit, the vocal sound will be attenuated.

If the [TRACK MUTE] button is lit, the melody of the MIDI les will be muted. Switch it o.

Is the external amplier or other device used with the BK-3 connected to a dierent AC power outlet?

Connect the amplier or other device to the same AC outlet as the BK-3.

The BK-3 may be receiving on a MIDI channel on which the MIDI controller doesn’t transmit. Correct the MIDI controller’s transmit channel.

Are you using an (optional) Roland USB memory (M-UF series)?

Reliable performance cannot be guaranteed if you use non Roland USB memory products.

Check the format of your USB memory. The BK-3 can use USB memor y that has been formatted as FAT. If your USB memory was formatted using any other method, please re-format it using the BK-3.

Could the USB memory be write protected? -

Is there sucient free space on the USB memory? -

Are you using an (optional) Roland USB memory (M-UF-series)?

Reliable performance cannot be guaranteed if you use non Roland USB memory products.

Is there sucient free space on the USB memory? -

The le type of the song is not one of the le types that the BK-3 can play. 28

It may be that the song data is damaged. -

The USB memory doesn’t contain any Performance List les. -

For some reason the USB memory is not recognized. -

• Make sure that your wireless LAN access point supports WPS.

If your wireless LAN access point does not support WPS, you can connect using the procedure described in “Connecting to a Wireless LAN Access Point That You Select” (p. 63).

• Have you entered the correct password in the iPhone or other wireless device?

Disconnect and reconnect the wireless device and then enter the right BK-3 Ad-Hoc Key. (For example, on an iPhone, to disconnect, choose [Settings] g [Wi-Fi], press the arrow icon on the right of the network name and then press “Forget this Network”.

• The 802.11a/b wireless standard is not supported. Please use the 802.11g/n (2.4 GHz) wireless standard.

• The WEP authentication method is not supported. Please use the WPA or WPA2 authentication method.

• Make sure that DHCP is enabled for your wireless LAN access point.

• If you don’t get connected to the previously-connected wireless LAN access point when you turn on the power, check and make sure the setting described in “Connecting in Ad-Hoc mode” (p.

64) is OFF.

• There is a limit to the connection data that can be remembered. Making a new connection may cause older connection data to be deleted.

• All connection data will be deleted if you execute a factory reset.

• If the connection data has been deleted, please re-connect to the wireless LAN access point.

• This Access Point is not supported. Please use the WPA or WPA2 authentication method.

Communication may be unstable depending on the usage of the radio frequency spectrum.

If communication is unstable, the response may be sluggish, or if using audio communication, there may be dropouts in the audio.

The following actions may improve the situation.

• Move the wireless LAN access point and the BK-3 closer to each other.

• Change the channel setting of the wireless LAN access point.

44, 47

Troubleshooting

Symptom Action Page

• Is the BK-3 powered up?

• Is the wireless USB adapter (WNA1100-RL) inserted to the BK-3?

The BK-3 is not found in the instrument connections of the app (such as the iPhone app Air Recorder)

Your iPhone or iPod touch won’t connect to the Internet

• Is the BK-3 connected to the wireless LAN?

• Are the BK-3 and the iPhone connected to the same network (the same wireless LAN access point)?

• Is the wireless LAN access point set to allow communication between wireless LAN devices?

For details on settings, refer to the owner’s manual of your wireless LAN access point.

• Is the wireless LAN access point connected to the Internet?

• Could you be connected in Ad-Hoc mode?

The iPod touch or other wireless device connected in Ad-Hoc mode will be unable to communicate with the Internet or with another wireless device. However, an iPhone or other wireless device that has cellular capability will be able to connect to the Internet via the cellular connection. Please be aware that if you use a cellular connection for Internet connectivity, you may incur costs depending on your rate plan.

A wireless device such as an iPod touch that does not have cellular capability will become unable to connect to the Internet in this case.

21. Specications

DISPLAY TYPE

Display

KEYBOARD

Keyboard type

Keyboard Modes

SOUND GENERATOR

Max. Polyphony

Tones

Drum Sets 53

Multitimbral parts

Master Tuning

Key Control (Transpose)

EFFECTS

Real Time Parts (UPP, LWR)

Rhythms/SMF section

BACKING SECTION

Rhythms

Real-time player

Tempo Change

Time Stretch

One Touch memories

Rhythm and SMF Makeup Tools

Track Mute

Center Cancel

AUDIO RECORDING

Media

Save format

METRONOME

Time Signature

Mode

Count In

PERFORMANCE MEMORIES

Performance Lists

Performance memories per List

SEARCH FUNCTION

DEMO

Demo

LYRICS ON INTERNAL DISPLAY

Lyrics

PANEL CONTROLS

Volume

Balance (Backing/Keyboard)

Pitch Bend/Modulation Lever

CONNECTORS

PHONE/OUTPUT jack

Foot pedal jack

132 x 64 pixels, graphic monochrome LCD (backlit)

61 velocity sensitive keys Key Touch: High, Medium, Low, Fixed

Whole, Split, Dual

128 voices (GM2/GS/XG Lite compatible)

851 (Possibility to create a list of 10 frequently used sounds and recall them instantly)

2 keyboard parts (UPP, LWR) + 16 song parts

415.3~466.2 Hz

–6~+5 in semitones (for rhythm, smf, mp3/wav)

Reverb and Chorus: depending on Rhythm/SMF Reverb Chorus Macro

1 Mfx (84 Mfx Editable Macro) (selectable via Tone Part Mfx)

Reverb: 8 types (selectable via Makeup Tools)

Chorus: 8 types (selectable via Makeup Tools)

2 Mfx (84 Mfx Editable Macro) (selectable via Makeup Tools)

250 in 5 “Rhythm” families (localized rhythms for specic areas are included in the WORLD 1 and WORLD 2 families)

Rhythms (STL), SMF (Format 0/1), KAR, mp3, WAV

20~250 BPM for SMF and rhythms

75~125% for mp3 and WAV

4 suitable tones for each rhythm (Programmable).

Instrument-oriented editing

For Rhythms/SMF

For mp3/WAV

USB Flash memory

Audio les: WAV (44.1 kHz, 16-bit linear)

1~32/16, 1~32/8,, 1~32/4, 1~32/2

Always, Play

O, 1 bar, 2 bars

Unlimited number (storage on USB memory)

Over 500 “Music Assistant” memories (internal memory)

5 “Factory Song” memories (internal memory)

Max. 999

Quick location of Rhythms, and Songs on the connected USB memory

Yes

SMF, mp3/WAV

1 Knob

2 Buttons

1/4” phone type (TRS connector)

PEDAL HOLD/SWITCH (assignable)

Specications

MIDI connectors MIDI IN, MIDI OUT (Visual Control function)

USB ports

GENERAL SPECIFICATION

Speakers

Rated power output

Power supply

Current Draw

Auto O function

Dimensions

Weight

SUPPLIED ACCESSORIES

OPTIONS

USB

Pedals

USB COMPUTER connector (Type B, reception and transmission of MIDI data)

USB MEMORY (Type A, data storage devices)

2 x 10 cm

2 x 7.5 W

AC adaptor (PSB-1U adaptor)

1200 mA

O, 10min, 30min, 240min

Without music rest:

1044 (W) x 317 (D) x 129 (H) mm

41-1/8 (W) x 12-1/2 (D) x 5-1/8 (H) inches

Including music rest:

1044 (W) x 408 (D) x 318 (H) mm

41-1/8 (W) x 16-1/16 (D) x 12-9/16 (H) inches

7.5 kg (excluding AC adaptor and music rest)

16 lbs 9 oz (excluding AC adaptor and music rest)

Owner’s Manual

PSB-1U AC adaptor,

Power cord (for connecting the AC adaptor)

Music rest

USB ash memory (M-UF-series)

Wireless USB Adaptor (WNA1100-RL)

DP-series/BOSS FS-5U foot switch

NOTE

In the interest of product improvement, the specications and/or appearance of this unit are subject to change without prior notice.

22. MIDI Implementation Chart

Backing Keyboard

Model: BK-3

Function... Transmitted Recognized Remarks

Basic Channel

Mode

Note Number :

Velocity

After Touch

Pitch Bend O O

Control Change

Program Change : True Number

System Exclusive O O

System Common

System Real Time

Aux Messages

Notes

Default Changed

Default Messages Altered

True Voice

Note On Note O

Key’s Channel’s

: Song Position : Song Select : Tune Request

: Clock : Commands

: All Sound O : Reset All Controllers : Local On/O : All Notes O : Active Sensing : System Reset

1-16 1–16, O

Mode 3 Mode 3, 4 (M=1) **************

0~127 *************

O X

O O

0, 32

6, 38

98, 99

100, 101

0–127 **************

O X X

O O

X X O X O X

*1 O X is selectable *2 Recognized as M = 1 even if M

1–16 1–16, O

Mode 3 Mode 3, 4 (M = 1)

0–127 0–127

O O

O O O O O O O O O O O O O O O O O O O O O (Reverb) O (Chorus) O O

*1 *1

0–127 Program No. 1–128

O X X

O (120, 126, 127) O (121) O (Song parts)

O (123–125) O X

*1 *1

Bank Select Modulation Portamento Time Data Entry Volume Panpot Expression C1 Hold 1 Portamento Sostenuto Soft Hold 2 Resonance Realease Time Attack Time Cuto Decay Time Vibrato Rate Vibrato Depth Vibrato Delay Portamento Control Eect 1 Depth Eect 3 Depth NRPN LSB, MSB RPN LSB, MSB

Mode 1 : OMNI ON, POLY Mode 2 : OMNI ON, MONO Mode 3 : OMNI OFF, POLY Mode 4 : OMNI OFF, MONO

O : Yes X : No

23. Chord Intelligence Table

Cm7 ( 5 )

C C# D E E F

CM7 C#M7 DM7 E M7 EM7 FM7

C7 C#7 D7 E 7 E7 F7

Cm C#m Dm E m Em Fm

Cm7 C#m7 Dm7 E m7 Em7 Fm7

Cdim C#dim Ddim E dim Edim Fdim

Dm7 ( 5 ) Em7 ( 5 )

Caug C#aug Daug E aug Eaug Faug

C7sus4 C#7sus4 D7sus4 E 7sus4 E7sus4 F7sus4

Fm7 ( 5 )E m7 ( 5 )C#m7 ( 5 )

Csus4 C#sus4 Dsus4 E sus4 Esus4 Fsus4

C7/13 C#7/13 D7/13 E 7/13 E7/13 F7/13

CmM7 C#mM7 DmM7 E mM7 EmM7 FmM7

F# G A A B B

F#M7 GM7 A M7 AM7 B M7 BM7

F#7 G7 A 7 A7 B 7 B7

F#m Gm A m Am B m Bm

F#m7 Gm7 A m7 Am7 B m7 Bm7

F#dim Gdim A dim Adim B dim Bdim

Gm7 ( 5 ) Am7 ( 5 ) Bm7 ( 5 )

F#aug Gaug A aug Aaug B aug Baug

F#7sus4 G7sus4 A 7sus4 A7sus4 B 7sus4 B7sus4

B m7 ( 5 )A m7 ( 5 )F#m7 ( 5 )

F#sus4 Gsus4 A sus4 Asus4 B sus4 Bsus4

F#7/13 G7/13 A 7/13 A7/13 B 7/13 B7/13

F#mM7 GmM7 A mM7 AmM7 B mM7 BmM7

Chord Intelligence Table

24. Index

Symbols

1st Note .................... 51

2nd Bar ..................... 51

2nd Tone ................... 50

AC Adaptor ................. 14

Access Point ................ 63

Acc/Rit ..................... 49

Ad-Hoc ..................... 64

Arranger Hold .............. 49

Arranger Setting ............ 48

Attack ................... 46,56

AUDIO REC button .......... 11

[AUTO FILL IN] .............. 24

AUTO FILL IN button ........ 10

Automatic Accompaniments 22

Auto O .............. 12,16,52

backing ..................... 17

BACKING ................... 67

balance ..................... 17

BALANCE buttons ........... 10

[BASS INV] .................. 23

BASS INV button ............ 10

beat .................. 22,23,25

Bender Assign .............. 45

Bender Range ............... 45

C1 .......................... 46

Center Cancel ............... 30

Chord Intelligence .......... 70

Chorus ..................... 55

Chorus Send ................ 44

Chorus Type ................ 54

Clock Tx .................... 59

Coarse Tune ................ 45

Common ................... 53

Create ...................... 38

Cursor ...................... 18

Cursor and value buttons . . . . 11

Cut O .................. 45,55

DC IN jack .................. 14

DC IN socket ................ 12

Decay ................... 46,56

Delete ...................... 38

Deleting .................... 32

Demo ...................... 17

Device Name ............... 63

Display .................. 11,18

Display Contrast ............ 50

Drum Instrument ........... 57

Dual ........................ 19

Edit EQ ..................... 56

[ENDING] ................... 23

ENDING button ............. 10

ENTER/SELECT/DESELECT button 11

Eq Part Edit ................. 44

Equalizer ................... 56

EXIT button ................. 11

Factory Reset ............... 60

Favorite ..................... 51

FAVORITE button ............ 12

Favorite Tones .............. 21

Fill Ritardando .............. 49

Filter ........................ 39

Filtering Performance ....... 39

Filters On/O ............... 39

Fine Tune ................... 45

Folder ...................... 32

Formatting a USB memory .. 60

Freeze Data ................. 57

Global ...................... 50

Headphones ................ 14

Hold Pedal ............... 45,50

Instrument ................. 54

Intell Threshold ............. 50

[INTRO] ..................... 23

INTRO button ............... 10

IP Address .................. 64

Key ................... 34,48,54

KEYBOARD DUAL button .... 12

KEYBOARD SPLIT button .... 12

KEY button ................. 11

Key Touch .................. 44

LAN ........................ 62

Language ................... 53

Level ....................... 50

Listening ................... 42

Local ....................... 58

Lower Hold ................. 47

Lyrics ....................... 43

MAC Address ............... 64

Main page .................. 18

Makeup Tools ............... 53

MARK A/B . . . . . . . . . . . . . . . . . . . 30

Master Tuning .............. 67

Tuning ...................... 51

Melody Intell ................ 34

Melody Intelligent .......... 50

Menu ....................... 43

MENU button ............... 11

Metronome .............. 35,51

METRONOME button ........ 11

Metronome Settings ........ 35

Mfx ...................... 45,56

Mfx Edit ................. 47,56

Mfx Switch .................. 46

Mfx Type ................. 46,56

MIDI ........................ 58

MIDI Channels .............. 58

MIDI Implementation Chart . 69

MIDI IN & OUT sockets . . . . . . . 12

MIDI Parameters ............ 58

MIDI Tx/Rx .................. 58

MIDI Visual Control .......... 61

Mode ....................... 48

Modulation ................. 59

Modulation Assign .......... 45

Move ....................... 39

Music Assistant ............. 36

Music Rest .................. 16

Mute ....................... 47

Name of a File . . . . . . . . . . . . . . . 32

Index

Note-to-Arranger channel Rx 59

NTA ........................ 59

Numeric .................... 20

NUMERIC button ............ 12

Octave . . . . . . . . . . . . . . . . . . . . . . 55

OCTAVE buttons ............ 12

Octave Shift ................ 45

One Touch .................. 26

ONE TOUCH button ......... 11

One Touch Edit ........... 27,53

One Touch Hold ............. 51

One Touch memory ......... 27

Panpot .................. 44,55

PEDAL HOLD/SWITCH ....... 12

Pedal Switch ................ 52

Perc Mute ................... 55

Performance ................ 36

Performance Edit ........... 43

Performance Hold .......... 51

PERFORMANCE LIST button . 11

Performance Lists ........... 36

PERFORMANCE WRITE button 11

PHONE/OUTPUT ............ 12

Pitch Bender ................ 59

Pitch Bend/Modulation lever 10

Play All Songs ............... 29

Playing Back Rhythms ....... 24

Portamento Mode .......... 45

Portamento Time ........... 45

Power On/O ............... 16

POWER switch .............. 12

Program Change ............ 59

Recording .................. 41

Release .................. 46,56

Rename .................... 38

Resonance ............... 46,55

Reverb ...................... 55

Reverb Level & Chorus Level . 54

Reverb Send ................ 44

Reverb Type ................ 54

RHYTHM FAMILY buttons .... 10

Rhythm Parts ............... 47

Rhythm Pc .................. 59

Rhythms ................. 22,24

Rhythm/SMF Track Mute .... 51

Rhythm’s MIDI Address ...... 60

Rhythm Tempo/Song Tempo 54

Rhythm Volume/Song Volume 54

Ritardando/Accelerando .... 50

Rx Velocity .................. 59

Save ..................... 50,53

Scale Tune .................. 48

Scale Tune Switch ........... 51

Search ...................... 32

Select Access Point .......... 63

SMF Position Tx ............. 59

Solo ..................... 47,55

Specications ............... 67

Split ..................... 19,47

Split Point .................. 47

START/STOP] ................ 22

START/STOP button ......... 10

Start Stop Tx ................ 59

Switch ...................... 50

Sync Rx ..................... 59

SYNC START] ................ 22

SYNC START button ......... 10

TAP TEMPO button .......... 10

Tempo ...................... 49

TEMPO buttons ............. 10

TempoCh ................... 49

TempoCh Acc/Rit ........... 49

TempoCh CPT ............... 49

TempoCh Fill Rit ............ 49

TONE buttons ............... 12

Tone Part MFX .............. 46

Tone Part View .............. 43

Tones ....................... 19

Track Mute .................. 30

TRACK MUTE/CENTER CANCEL butto 11

Troubleshooting ............ 65

Tuning ...................... 51

Type ........................ 48

Undo Changes .............. 54

USB COMPUTER port ........ 12

USB Memory ................ 28

USB MEMORY button ....... 11

USB MEMORY port .......... 12

USB Player .................. 28

Utility ....................... 51

VARIATION [1], [2], [3], [4] .... 23

VARIATION 1/2/3/4 buttons .. 10

Velocity ..................... 55

Vibrato Delay ............ 46,56

Vibrato Depth ............ 46,56

Vibrato Rate ............. 46,56

Video Equipment ........... 61

Visual Control ............... 61

Visual Control Tx ............ 60

V-LINK ...................... 61

Volume ............... 44,47,55

VOLUME knob .............. 10

volume of the real-time parts 20

Wireless .................... 62

Wireless Info ................ 63

Wireless Option ............. 63

WPS ........................ 62

Zone ....................... 48

Information

AFRICA

EGYPT

Al Fanny Trading Oce

9, EBN Hagar Al Askalany Street, ARD E1 Golf, Heliopolis, Cairo 11341, EGYPT TEL: (022)-417-1828

REUNION

MARCEL FO-YAM Sarl

25 Rue Jules Hermann, Chaudron - BP79 97 491 Ste Clotilde Cedex, REUNION ISLAND TEL: (0262) 218-429

SOUTH AFRICA

T.O.M.S. Sound & Music (Pty)Ltd.

2 ASTRON ROAD DENVER JOHANNESBURG ZA 2195, SOUTH AFRICA TEL: (011) 417 3400

Paul Bothner(PTY)Ltd.

Royal Cape Park, Unit 24 Londonderry Road, Ottery 7800 Cape Town, SOUTH AFRICA TEL: (021) 799 4900

ASIA

CHINA

Roland Shanghai Electronics Co.,Ltd.

5F. No.1500 Pingliang Road Shanghai 200090, CHINA TEL: (021) 5580-0800

Roland Shanghai Electronics Co.,Ltd. (BEIJING OFFICE)

3F, Soluxe For tune Building 63 West Dawang Road, Chaoyang District, Beijing, CHINA TEL: (010) 5960-2565

HONG KONG

Tom Lee Music

11/F Silvercord Tower 1 30 Canton Rd Tsimshatsui, Kowloon, HONG KONG TEL: 852-2737-7688

Parsons Music Ltd.

8th Floor, Railway Plaza, 39 Chatham Road South, T.S.T, Kowloon, HONG KONG TEL: 852-2333-1863

INDIA

Rivera Digitec (India) Pvt. Ltd.

411, Nirman Kendra Mahalaxmi Flats Compound O. Dr. Edwin Moses Road, Mumbai-400011, INDIA TEL: (022) 2493 9051

INDONESIA

PT. Citra Intirama

Ruko Garden Shopping Arcade Unit 8 CR, Podomoro City Jl.Letjend. S.Parman Kav.28 Jakarta Barat 11470, INDONESIA TEL: (021) 5698-5519/5520

KOREA

Cosmos Corporation

1461-9, Seocho-Dong, Seocho Ku, Seoul, KOREA TEL: (02) 3486-8855

MALAYSIA/ SINGAPORE

Roland Asia Pacic Sdn. Bhd.

45-1, Block C2, Jalan PJU 1/39, Dataran Prima, 47301 Petaling Jaya, Selangor, MALAYSIA TEL: (03) 7805-3263

PHILIPPINES

G.A. Yupangco & Co. Inc.

339 Gil J. Puyat Avenue Makati, Metro Manila 1200, PHILIPPINES TEL: (02) 899 9801

When you need repair service, call your nearest Roland Service Center or authorized Roland distributor in your country as shown below.

TAIWAN

ROLAND TAIWAN ENTERPRISE CO., LTD.

9F-5, No. 112 Chung Shan North Road Sec. 2 Taipei 104, TAIWAN R.O.C. TEL: (02) 2561 3339

THAILAND

Theera Music Co. , Ltd.

100-108 Soi Verng Nakornkasem, New Road,Sumpantawong, Bangkok 10100, THAILAND TEL: (02) 224-8821

VIET NAM

VIET THUONG CORPORATION

386 CACH MANG THANG TAM ST. DIST.3, HO CHI MINH CITY, VIET NAM TEL: (08) 9316540

OCEANIA

AUSTRALIA/ NEW ZEALAND

Roland Corporation Australia Pty.,Ltd.

38 Campbell Avenue Dee Why West. NSW 2099, AUSTRALIA

For Australia TEL: (02) 9982 8266 For New Zealand TEL: (09) 3098 715

CENTRAL/LATIN AMERICA

ARGENTINA

Instrumentos Musicales S.A.

Av.Santa Fe 2055 (1123) Buenos Aires, ARGENTINA TEL: (011) 4508-2700

BARBADOS

A&B Music Supplies LTD

12 Webster Industrial Park Wildey, St.Michael, BARBADOS TEL: (246) 430-1100

BRAZIL

Roland Brasil Ltda.

Rua San Jose, 211 Parque Industrial San Jose Cotia - Sao Paulo - SP, BRAZIL TEL: (011) 4615 5666

CHILE

Comercial Fancy II S.A.

Rut.: 96.919.420-1 Nataniel Cox #739, 4th Floor Santiago - Centro, CHILE TEL: (02) 688-9540

COLOMBIA

Centro Musical Ltda.

Cra 43 B No 25 A 41 Bododega 9 Medellin, COLOMBIA TEL: (574) 3812529

COSTA RICA

JUAN Bansbach Instrumentos Musicales

Ave.1. Calle 11, Apartado 10237, San Jose, COSTA RICA TEL: 258-0211

CURAC AO

Zeelandia Music Center Inc.

Orionweg 30 Curacao, Netherland Antilles TEL: (305) 5926866

DOMINICAN REPUBLIC

Instrumentos Fernando Giraldez

Calle Proyecto Central No.3 Ens.La Esperilla Santo Domingo, DOMINICAN REPUBLIC TEL: (809) 683 0305

ECUADOR

Mas Musika

Rumichaca 822 y Zaruma Guayaquil - ECUADOR TEL: (593-4) 2302364

EL SALVADOR

OMNI MUSIC

75 Avenida Norte y Final Alameda Juan Pablo II, Edicio No.4010 San Salvador, EL SALVADOR TEL: 262-0788

GUATEMALA

Casa Instrumental

Calzada Roosevelt 34-01,zona 11 Ciudad de Guatemala, GUATEMALA TEL: (502) 599-2888

HONDURAS

Almacen Pajaro Azul S.A. de C.V.

BO.Paz Barahona 3 Ave.11 Calle S.O San Pedro Sula, HONDURAS TEL: (504) 553-2029

MARTINIQUE

Musique & Son

Z.I.Les Mangle 97232 Le Lamentin, MARTINIQUE F.W.I. TEL: 596 596 426860

Gigamusic SARL

10 Rte De La Folie 97200 Fort De France MARTINIQUE F.W.I. TEL: 596 596 715222

MEXICO

Casa Veerkamp, s.a. de c.v.

Av. Toluca No. 323, Col. Olivar de los Padres 01780 Mexico D.F., MEXICO TEL: (55) 5668-6699

NICARAGUA

Bansbach Instrumentos Musicales Nicaragua

Altamira D'Este Calle Principal de la Farmacia 5ta.Avenida 1 Cuadra al Lago.#503 Managua, NICARAGUA TEL: (505) 277-2557

PANAMA

SUPRO MUNDIAL, S.A.

Boulevard Andrews, Albrook, Panama City, REP. DE PANAMA TEL: 315-0101

PARAGUAY

Distribuidora De Instrumentos Musicales

J.E. Olear y ESQ. Manduvira Asuncion, PARAGUAY TEL: (595) 21 492147

PERU

Audionet

Distribuciones Musicales SAC Juan Fanning 530 Miraores Lima - PERU TEL: (511) 4461388

TRINIDAD

AMR Ltd

Ground Floor Maritime Plaza Barataria TRINIDAD W.I. TEL: (868) 638 6385

URUGUAY

Todo Musica S.A.

Francisco Acuna de Figueroa 1771 C.P.: 11.800 Montevideo, URUGUAY TEL: (02) 924-2335

VENEZUELA

Instrumentos Musicales Allegro,C.A.

Av.las industrias edf.Guitar import #7 zona Industrial de Turumo Caracas, VENEZUELA TEL: (212) 244-1122

EUROPE

BELGIUM/FRANCE/ HOLLAND/ LUXEMBOURG

Roland Central Europe N.V.

Houtstraat 3, B-2260, Oevel (Westerlo) BELGIUM TEL: (014) 575811

CROATIA

ART-CENTAR

Degenova 3. HR - 10000 Zagreb, CROATIA TEL: (1) 466 8493

CZECH REP.

CZECH REPUBLIC DISTRIBUTOR s.r.o

Voctárova 247/16 180 00 Praha 8, CZECH REP. TEL: (2) 830 20270

DENMARK

Roland Scandinavia A/S

Skagerrakvej 7 Postbox 880 DK-2100 Copenhagen, DENMARK TEL: 3916 6200

FINLAND

Roland Scandinavia As, Filial Finland

Vanha Nurmijarventie 62 01670 Vantaa, FINLAND TEL: (0) 9 68 24 020

GERMANY/AUSTRIA

Roland Elektronische Musikinstrumente HmbH.

Oststrasse 96, 22844 Norderstedt, GERMANY TEL: (040) 52 60090

GREECE/CYPRUS

STOLLAS S.A. Music Sound Light

155, New National Road Patras 26442, GREECE TEL: 2610 435400

HUNGARY

Roland East Europe Ltd.

2045. Törökbálint, FSD Park 3. ép., HUNGARY TEL: (23) 511011

IRELAND

Roland Ireland

E2 Calmount Park, Calmount Avenue, Dublin 12, Republic of IRELAND TEL: (01) 4294444

ITALY

Roland Italy S. p. A.

Viale delle Industrie 8, 20020 Arese, Milano, ITALY TEL: (02) 937-78300

NORWAY

Roland Scandinavia Avd. Kontor Norge

Lilleakerveien 2 Postboks 95 Lilleaker N-0216 Oslo, NORWAY TEL: 2273 0074

POLAND

ROLAND POLSKA SP. Z O.O.

ul. Kty Grodziskie 16B 03-289 Warszawa, POLAND TEL: (022) 678 9512

PORTUGAL

Roland Systems Group EMEA, S.L. Branch Oce Porto

Edifício Tower Plaza Rotunda Eng. Edgar Cardoso 23, 9ºG 4400-676 Vila Nova de Gaia, PORTUGAL TEL: (+351) 22 608 00 60

ROMANIA

FBS LINES

Piata Libertatii 1, 535500 Gheorgheni, ROMANIA TEL: (266) 364 609

RUSSIA

Roland Music LLC

Dorozhnaya ul.3,korp.6 117 545 Moscow, RUSSIA TEL: (495) 981-4967

SERBIA

Music AP Ltd.

Sutjeska br. 5 XS - 24413 Palic, SERBIA TEL: (024) 539 395

SLOVAKIA

DAN Acoustic s.r.o.

Povazská 18. SK - 940 01 Nové Zámky, SLOVAKIA TEL: (035) 6424 330

SPAIN

Roland Systems Group EMEA, S.L.

Paseo García Faria, 33-35 08005 Barcelona, SPAIN TEL: 93 493 91 00

SWEDEN

Roland Scandinavia A/S SWEDISH SALES OFFICE

Mårbackagatan 31, 4 tr. SE-123 43 Farsta, SWEDEN TEL: (0) 8 683 04 30

SWITZERLAND

Roland (Switzerland) AG

Landstrasse 5, Postfach, CH-4452 Itingen, SWITZERLAND TEL: (061) 975-9987

UKRAINE

EURHYTHMICS Ltd.

P.O.Box: 37-a. Nedecey Str. 30 UA - 89600 Mukachevo, UKRAINE TEL: (03131) 414-40

UNITED KINGDOM

Roland (U.K.) Ltd.

Atlantic Close, SWANSEA SA7 9FJ, UNITED KINGDOM TEL: (01792) 702701

MIDDLE EAST

BAHRAIN

Moon Stores

No.1231&1249 Rumaytha Building Road 3931, Manama 339, BAHRAIN TEL: 17 813 942

IRAN

MOCO INC.

Jadeh Makhsous Karaj (K-9), Nakhe Zarin Ave. Jalal Street, Reza Alley No.4 Tehran 1389716791, IRAN TEL: (021)-44545370-5

ISRAEL

Halilit P. Greenspoon & Sons Ltd.

8 Retzif Ha'alia Hashnia St. Tel-Aviv-Yafo ISRAEL TEL: (03) 6823666

JORDAN

MUSIC HOUSE CO. LTD. FREDDY FOR MUSIC

P. O. Box 922846 Amman 11192, JORDAN TEL: (06) 5692696

KUWAIT

EASA HUSAIN AL-YOUSIFI & SONS CO.

Al-Yousi Service Center P.O.Box 126 (Safat) 13002, KUWAIT TEL: 00 965 802929

LEBANON

Chahine S.A.L.

George Zeidan St., Chahine Bldg., Achraeh, P.O.Box: 16-5857 Beirut, LEBANON TEL: (01) 20-1441

OMAN

TALENTZ CENTRE L.L.C.

Malatan House No.1 Al Noor Street, Ruwi SULTANATE OF OMAN TEL: 2478 3443

QATA R

AL-EMADI TRADING & CONTRACTING CO.

P.O. Box 62, Doha, QATAR TEL: 4423-554

SAUDI ARABIA

aDawliah Universal Electronics APL

Behind Pizza Inn Prince Turkey Street aDawliah Building, PO BOX 2154, Alkhobar 31952, SAUDI ARABIA TEL: (03) 8643601

SYRIA

Technical Light & Sound Center

PO Box 13520 Bldg No.49 Khaled Abn Alwalid St. Damascus, SYRIA TEL: (011) 223-5384

TURKEY

ZUHAL DIS TICARET A.S.

Galip Dede Cad. No.33 Beyoglu, Istanbul, TURKEY TEL: (0212) 249 85 10

U.A.E.

Zak Electronics & Musical Instruments Co. L.L.C.

Zabeel Road, Al Sherooq Bldg., No. 14, Ground Floor, Dubai, U.A.E. TEL: (04) 3360715

NORTH AMERICA

CANADA

Roland Canada Ltd. (Head Oce)

5480 Parkwood Way Richmond B. C., V6V 2M4, CANADA TEL: (604) 270 6626

Roland Canada Ltd. (Toronto Oce)

170 Admiral Boulevard Mississauga On L5T 2N6, CANADA TEL: (905) 362 9707

U. S. A.

Roland Corporation U.S.

5100 S. Eastern Avenue Los Angeles, CA 90040-2938, U. S. A. TEL: (323) 890 3700

As of Feb. 1, 2011 (ROLAND)

For EU Countries

For China

Shortcut List

Press an hold Function

Pressing and holding one of the RHYTHM FAMILY buttons locks the rhythm so as to keep it from changing when you select another Performance memory or Music Assistant.

Pressing and holding one of the TONE buttons locks the Tone so as to keep it from changing when you select another Performance memory or Music Assistant.

Locks the tempo or Key setting to keep it from changing when you select another Performance memory or Music Assistant.

Open the “Metronome” page allowing you to specify when and how the metronome should sound.

Opens the “Rhythm Track Mute” or “Song Track Mute” page.

After activating record standby mode (the indicator ashes), pressing and holding this button will cancel that mode (use it if you don’t want to record after all).

Takes you back to the main page, no matter where you currently are.

Opens the “One Touch Edit” page.

• [SPLIT] button opens the “Split page.

• [DUAL] button opens the display page that shows which the current Tone for the lower part is.

• [SPLIT] + [DUAL] buttons: simultaneously pressing them (without holding them) opens the display page where you can set the volume of the Upper and Lower parts.

602.00.0578.02 RES 929-12 BK-3 Owner’s Manual - E

Opens the “Melody Intelligence” page.

Open the list of Favorite Tones.

NOTE

Press these buttons simultaneously, without holding them.

To memorize the sound selected to the associated favorite memory number [0]~[9], press and hold the [Favorite] button and one of the TONE buttons [0]~[9].

Roland BK-3 User Manual

Specifications and Main Features

Frequently Asked Questions

User Manual

2. Important Notes

3. Look at What you Can Do!

4. Panel Description

Left Front Panel

Right Front Panel

Rear Panel

5. Shortcut List

6. Before You Start Using BK-3

Connecting the AC Adaptor

Connecting Headphones and External Audio Equipment

Connecting a MIDI Device

Connecting an Optional Footswitch or Hold Pedal

Connecting the BK-3 to Your Computer

Installing the Music Rest

Turning the Power On

Adjusting the Sound Volume

Demo of the BK-3

Volume balance between the backing and the real-time parts

7. Basic Operation of the BK-3

About the Display and Cursor Operation

Main page

Moving Between Windows and Setting Parameter Values

8. Playing the BK-3’s Real-Time Parts

Selecting Tones and Playing the Keyboard (Upper Part)

Selecting Tones and Play Two Voices Simultaneously (Dual)

Setting the volume of the real-time parts (Upper and Lower)

Using the ‘Numeric’ function to Select Tones, Rhythms and Performances

9. Favorite Tones

Recalling a Favorite Tone

Viewing the List of Favorite Tones

Creating the List of Favorite Tones

10. Playing with Automatic Accompaniments

About the Rhythms

Structure of the Rhythm Accompaniments

Using Rhythms

[START/STOP] / [ */, ]

[SYNC START] / [ + ]

VARIATION [1], [2], [3], [4]

[ENDING] / [ & ]

[BASS INV]

[INTRO] / [ ' ]

[AUTO FILL IN]

Selecting Rhythms

Playing Back Rhythms

11. One Touch Memories: Why using them?

Select a ‘One Touch’

Deselect ‘One Touch’

Programming Your Own ONE TOUCH Settings (One Touch Edit)

What a One Touch memory saves

12. Using the BK-3 as a USB player

Getting Ready to Use the BK-3 as a USB Player

Selecting a Song or Rhythm on a USB Memory

File types the BK-3 can read and play back

Playing Back a Song or Rhythm from a USB Memory

Activating the ‘Play All Songs’ parameter for the USB memory

Activating the ‘Play All Songs’ function

Deactivating the ‘Play All Songs’ function

Loop function (MARK A/B)

Setting and using the loop positions

Using ‘Track Mute’ and ‘Center Cancel’

Selecting the Track(s) to Mute for Rhythms or SMF Songs

13. Operations on USB Memory

Changing the Name of a File or Folder

Deleting the Name of a File or Folder

Using the ‘Search’ Function to Locate Songs or Rhythms

14. Other important functions

Using the ‘Melody Intell(igent)’ Function

Changing the Octave

Using the Metronome

Metronome Settings

15. Performance Lists

Performance/Music Assistant/ Factory Songs Info

Loading a Performance/‘Music Assistant’/‘Factory Songs’ List

Recalling a Performance/‘Music Assistant’/‘Factory Songs’ memory

Quickly Locating Performance Memories

Saving your Settings as a Performance