
AM440/AM440D
COMPACT MIXERS
MEZCLADORAS COMPACTAS
小型调音台
INTRODUCTION........................4
FEATURES.................................4
GETTING STARTED..................4
CHANNEL SETUP......................4
MAKING CONNECTIONS..........5
CONTROLS AND SETTINGS.....6
SPECIFICATIONS......................8
DIGITAL EFFECT TABLE..........23
APPLICATION..........................24
DIMENSIONS...........................25
BLOCK DIAGRAMS.................26
CONTENTS
INTRODUCCIÓN..............................11
CARACTERÍSTICAS........................11
COMENZANDO................................11
CONFIGURACIÓN DE CANAL.........11
HACIENDO CONEXIONES..............12
CONTROLES Y CONFIGURACIONES.13
ESPECIFICACIONES......................15
TABLA DE EFECTO DIGITAL..........23
APLICACIÓN...................................24
DIMENSIONES................................25
DIAGRAMAS DE BLOQUE..............26
CONTENIDO
目录
简介
...............................18
功能
...............................18
准备工作
........................18
声道设置
........................18
连接操作
........................19
控制和设置
.....................19
规格
...............................21
数位效果表
....................23
应用
...............................24
尺寸
...............................25
线路图
...........................26
Phonic preserves the right to improve or alter any information within this document without prior notice
Phonic se reserva el derecho de mejorar o alterar cualquier información provista dentro de este documento sin previo aviso
PHONIC
保留不预先通知便可改变或更新本文件权利
V1.1 05/04/2009
1. Read these instructions before operating this
apparatus.
2. Keep these instructions for future reference.
3. Heed all warnings to ensure safe operation.
4. Follow all instructions provided in this document.
5. Do not use this apparatus near water or in locations
where condensation may occur.
6. Clean only with dry cloth. Do not use aerosol or liquid
cleaners. Unplug this apparatus before cleaning.
7. Do not block any of the ventilation openings. Install
in accordance with the manufacturer’s instructions.
8. Do not install near any heat sources such as radiators,
heat registers, stoves, or other apparatus (including
.
9. Do not defeat the safety purpose of the polarized or
grounding-type plug. A polarized plug has two blades
with one wider than the other. A grounding type plug
has two blades and a third grounding prong. The wide
blade or the third prong is provided for your safety. If
the provided plug does not into your outlet, consult
an electrician for replacement of the obsolete outlet.
10. Protect the power cord from being walked on or
pinched particularly at plug, convenience receptacles,
and the point where they exit from the apparatus.
11. Only use attachments/accessories by the
manufacturer.
12. Use only with a cart, stand, tripod, bracket, or
table by the manufacturer, or sold with
the apparatus. When a cart is used, use caution
when moving the cart/apparatus
combination to avoid injury from tip-
over.
13. Unplug this apparatus during lighting
storms or when unused for long
periods of time.
14. Refer all servicing to service personnel.
Servicing is required when the apparatus has been
damaged in any way, such as power-supply cord or
plug is damaged, liquid has been spilled or objects
have fallen into the apparatus, the apparatus has
been exposed to rain or moisture, does not operate
normally, or has been dropped.
IMPORTANT SAFETY INSTRUCTIONS
CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK,
DO NOT REMOVE COVER (OR BACK)
NO USER SERVICEABLE PARTS INSIDE
REFER SERVICING TO QUALIFIED PERSONNEL
The lightning flash with arrowhead symbol, within an
equilateral triangle, is intended to alert the user to the
presence of uninsulated “dangerous voltage” within the
product
’
magnitude to constitute a risk of electric shock to persons.
The exclamation point within an equilateral triangle is in-
tended to alert the user to the presence of important operat-
ing and maintenance (servicing) instructions in the literature
accompanying the appliance.
WARNING: To reduce the risk of or electric shock, do
not expose this apparatus to rain or moisture.
CAUTION: Use of controls or adjustments or performance
of procedures other than those may result in
hazardous radiation exposure.
The apparatus shall not be exposed to dripping or splashing and that no objects with liquids, such as vases,
shall be placed on the apparatus. The MAINS plug is used as the disconnect device, the disconnect device shall
remain readily operable.
Warning: the user shall not place this apparatus in the area during the operation so that the mains switch
can be easily accessible.
CAUTION
RISK OF ELECTRIC SHOCK
DO NOT OPEN

1. Read these instructions before operating this
apparatus.
2. Keep these instructions for future reference.
3. Heed all warnings to ensure safe operation.
4. Follow all instructions provided in this document.
5. Do not use this apparatus near water or in locations
where condensation may occur.
6. Clean only with dry cloth. Do not use aerosol or liquid
cleaners. Unplug this apparatus before cleaning.
7. Do not block any of the ventilation openings. Install
in accordance with the manufacturer’s instructions.
8. Do not install near any heat sources such as radiators,
heat registers, stoves, or other apparatus (including
.
9. Do not defeat the safety purpose of the polarized or
grounding-type plug. A polarized plug has two blades
with one wider than the other. A grounding type plug
has two blades and a third grounding prong. The wide
blade or the third prong is provided for your safety. If
the provided plug does not into your outlet, consult
an electrician for replacement of the obsolete outlet.
10. Protect the power cord from being walked on or
pinched particularly at plug, convenience receptacles,
and the point where they exit from the apparatus.
11. Only use attachments/accessories by the
manufacturer.
12. Use only with a cart, stand, tripod, bracket, or
table by the manufacturer, or sold with
the apparatus. When a cart is used, use caution
when moving the cart/apparatus
combination to avoid injury from tipover.
13. Unplug this apparatus during lighting
storms or when unused for long
periods of time.
14. Refer all servicing to service personnel.
Servicing is required when the apparatus has been
damaged in any way, such as power-supply cord or
plug is damaged, liquid has been spilled or objects
have fallen into the apparatus, the apparatus has
been exposed to rain or moisture, does not operate
normally, or has been dropped.
IMPORTANT SAFETY INSTRUCTIONS
CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK,
DO NOT REMOVE COVER (OR BACK)
NO USER SERVICEABLE PARTS INSIDE
REFER SERVICING TO QUALIFIED PERSONNEL
The lightning flash with arrowhead symbol, within an
equilateral triangle, is intended to alert the user to the
presence of uninsulated “dangerous voltage” within the
product
’
magnitude to constitute a risk of electric shock to persons.
The exclamation point within an equilateral triangle is intended to alert the user to the presence of important operating and maintenance (servicing) instructions in the literature
accompanying the appliance.
WARNING: To reduce the risk of or electric shock, do
not expose this apparatus to rain or moisture.
CAUTION: Use of controls or adjustments or performance
of procedures other than those may result in
hazardous radiation exposure.
The apparatus shall not be exposed to dripping or splashing and that no objects with liquids, such as vases,
shall be placed on the apparatus. The MAINS plug is used as the disconnect device, the disconnect device shall
remain readily operable.
Warning: the user shall not place this apparatus in the area during the operation so that the mains switch
can be easily accessible.
CAUTION
RISK OF ELECTRIC SHOCK
DO NOT OPEN

4 AM440 / AM440D
INTRODUCTION
Thank you for choosing one of Phonic’s many quality compact
mixers. The AM440 and AM440D Compact Mixers – designed
by the ingenious engineers that have created a variety of mixers
fantastic in style and performance in the past – displays similar
prociency that previous Phonic products have shown; with
more than a few renements, of course. The AM series features
full gain ranges, amazingly low distortion levels, and incredibly
wide dynamic ranges, just showing the dominance these small
machines will have in the mixing World.
We know how eager you are to get started – wanting to get the
mixer out and hook it all up is probably your number one priority
right now – but before you do, we strongly urge you to take a
look through this manual. Inside, you will nd important facts and
gures on the set up, use and applications of your brand new
mixer. If you do happen to be one of the many people who atly
refuse to read user manuals, then we just urge you to at least
glance at the Instant Setup section. After glancing at or reading
through the manual (we applaud you if you do read the entire
manual), please store it in a place that is easy for you to nd,
because chances are there’s something you missed the rst time
around.
FEATURES
Common Features :
●
Audiophile-Quality & ultra low noise
●
4 mono mic/line channels
●
4 stereo channels
●
AUX/EFX sends on each channel
● 75Hz low-cut lter on mono channel
●
3-band EQ on each channel
●
+48V phantom power on mic channels
●
Control room/Phones source matrix for maximum monitor
exibility
●
EFX/AUX send cue for monitoring individual channel
●
Balanced TRS outputs
●
Optional rack-mounting kit
AM440D plus :
●
32/40-bit DSP with 100 EFX + tap-delay and test tones
●
Separate EFX route control
GETTING STARTED
1. Ensure all power is turned off on your mixer. To totally ensure
this, the power supply should not be connected to the unit.
2. All faders and level controls should be set at the lowest
level and all channels switched off to ensure no sound is
inadvertently sent through the outputs when the device is
switched on. All levels can be altered to acceptable degrees
after the device is turned on using the channel setup
instructions.
3. Plug any necessary equipment into the device’s various
outputs. This could include ampliers and speakers,
monitors, signal processors, and/or recording devices.
4. Plug the supplied power cable into the inlet on the back of the
device and then into a power outlet of a suitable voltage.
5. Turn the power switch on and follow the channel setup
instructions to get the most out of your equipment.
CHANNEL SETUP
1. To ensure the correct audio level of the input channel is
selected, each of the level input controls of the Mixer should
be turned counterclockwise or down as far as they will go.
2. No input other than the one being set should have any
device plugged in. This will ensure the purest signal is used
when setting channels.
3. Set the level control of the channel you are setting to the 0
dB mark.
4. Ensure the channel has a signal sent to it similar to the signal
that will be sent when in common use. For example, if the
channel is using a microphone, then you should speak or
sing at the same level the performer normally would during
a performance; if a guitar is plugged into the channel, then
the guitar should also be strummed as it normally would be
(and so on). This ensures levels are completely accurate
and avoids having to reset them later.
5. Set the gain so the Level Meter indicates the audio level is
around 0 dB.
6. This channel is now ready to be used; you can stop making
the audio signal.
7. You can repeat the same process for other channels. Or
not, it’s your call.

5AM440 / AM440D
MAKING CONNECTIONS
Inputs and Outputs
1. XLR Microphone Jacks
These jacks accept typical 3-pin XLR inputs for balanced and
unbalanced signals. They can be used in conjunction with
microphones – such as professional condenser, dynamic or
ribbon microphones - with standard XLR male connectors, and
feature low noise preampliers, serving for crystal clear sound
replication. The AM440 and AM440D mixers feature four standard
XLR microphone inputs for your convenience.
NB. When these inputs are used with condenser microphones, the Phantom
Power should be activated. However, when Phantom Power button is
engaged, single ended (unbalanced) microphones and instruments should
not be used on the Mic inputs.
2. Line Inputs
This input accepts typical 1/4” TRS or TS inputs, for balanced or
unbalanced signals. There are various numbers of these inputs
depending which mixer you are using. They can be used in
conjunction with various line level devices, such as keyboards,
drum machines, electric guitars, and a variety of other electric
instruments.
3. Stereo Channels
The AM440 and AM440D mixer feature a few stereo channels,
thrown in for maximum exibility. Each of these stereo channels
features two 1/4” TRS phone jacks, for the addition of various
line level input devices, such as electronic keyboards, guitars and
external signal processors or mixers. These Stereo Channels
can also be used as Mono channels, where the signal from any
1/4” phone jack plugged into the Left stereo input will cause the
signal to be duplicated to the Right input due to the miracle of jack
normalizing. This does not work in reverse, however.
4. AUX / Effects Send
These 1/4” TS outputs may be used to connect to an external
digital effect processor, or even to an amplier and speakers
(depending on your desired settings), to the mixer. The signal
sent from these outputs is fed from the AUX send control on the
AM440 and the Digital Effect Processor on the AM440D.
5. Phones
This stereo output port is suited for use with headphones, allowing
monitoring of the mix. The audio level of this output is controlled
using the Phones / Submix control.
6. Main L and R Outputs
These two ports will output the nal stereo balanced line level
signal sent from the main mixing bus. The primary purpose of
these jacks is to send the main output to external devices, which
may include power ampliers (and in-turn, a pair of speakers),
other mixers, as well as a wide range of other possible signal
processors (Equalizers, Crossovers, etcetera).
7. Control Room Outputs
These two 1/4” Phone Jack outputs feed the signal altered by the
Control Room/Phones level control on the face of the mixer. This
output has extensive use, as it can be used to feed the signal
from the mixer to an active monitor, for the monitoring of the
audio signal from within a booth, among other possible uses.
8. Record Out
These outputs will accommodate RCA cables, able to be fed to
a variety of recording devices. such as MD players, and even
laptop computers, ensuring total control over recording quality.
9. 2T Return
These RCA stereo inputs are used to connect the mixer with
external devices, such as tape and CD players, or even Laptop
computers, receiving a signal from another source and feeding it
to the Main L-R mixing bus.
Rear Panel
10. Power Connector
This port is for the addition of a power cable and supply, allowing
power to be supplied to the mixer. Please use the power adaptor
that is included with this mixer only.
1
2
4 5 6
3
7
8
9

6 AM440 / AM440D
CONTROLS AND SETTINGS
Channel Controls
11. Line/Mic Gain Control
This controls the sensitivity of the input signal of the Line/Microphone input. The gain should be adjusted to a level that allows
the maximum use of the audio, while still maintaining the quality
of the feed. This can be accomplished by adjusting it to a level
that will allow the peak indicator occasionally illuminate. All 4
mono channels feature this control.
12. High Frequency Control
This control is used to give a shelving boost or cut of ±15 dB to
high frequency (12 kHz) sounds. This will adjust the amount of
treble included in the audio of the channel, adding strength and
crispness to sounds such as guitars, cymbals, and synthesizers.
13. Middle Frequency Control
This control is used to provide a peaking style of boost and cut to
the level of middle frequency (2.5 kHz) sounds at a range of ±15
dB. Changing middle frequencies of an audio feed can be rather
difcult when used in a professional audio mix, as it is usually
more desirable to cut middle frequency sounds rather than boost
them, thereby soothing overly harsh vocal and instrument sounds
in the audio.
14. Low Frequency Control
This control is used to give a shelving boost or cut of ±15 dB to
low frequency (80 Hz) sounds. This will adjust the amount of bass
included in the audio of the channel, and bring more warmth and
punch to drums and bass guitars.
15. Low Cut Filter (75 Hz)
This button, located on channels 1 through to 4, will activate a
low-cut / high-pass lter that reduces all frequencies below 75
Hz at 18 dB per Octave, helping to remove any unwanted ground
noise or stage rumble.
16. AUX / EFX Control
The AUX control on the AM440 allows the user to send the cor-
responding signal to the AUX mixing bus, the nal level of which
is controlled by the AUX Send control on the main mixing panel.
This signal is then sent to the AUX Send output, which can be
used in conjunction with an amplier and studio or stage monitors, or simply as an auxiliary output for any means required.
The EFX control on the AM440D alters the signal level that is
sent to the EFX mixing bus, which makes its way to the builtin Digital Effects Processor and is in-turn sent through the EFX
send output. These controls are pre-fader, therefore any changes made to the corresponding channel level control are not applied to the AUX or EFX signals.
17. Pan / Balance Controls
This alternates the degree or level of audio that the left and right
side of the main mix should receive. On mono channels, this
control will adjust the level that the left and right should receive
(pan), where as on a stereo channel, adjusting the BAL control will increase the left or right audio signals accordingly (balance).
18. Peak Indicator
This LED indicator will illuminate when the device hits high
peaks, 6 dB before overload occurs. It is best to adjust the gain
of the channel so that the PEAK indicator lights up on intervals
only, if at all. This will ensure a greater dynamic range of audio.
19. Level Control
This rotary control will alter the signal level that is sent from the
corresponding channel to the main mixing bus.
20. +4 / -10 Switch
This button, located on all stereo channels, is used adjust the
input sensitivity of the corresponding channels, which will adapt
the AM440 or AM440D to external devices which may use different operating levels. If the input source is -10 dBV (consumer
audio level), it is best to engage the switch, allowing the signal
to be heard. The +4 dBu level is suitable for Professional Audio
signals, which are considerably higher than the consumer level.
However, if you are unsure of the source’s operating level, we
suggest leaving the switch disengaged until you test the source’s
signal. You can then engage if necessary (if the level of the input
signal is obviously too low).
17
18
19
20

7AM440 / AM440D
Digital Effect Section (AM440D only)
21. Digital Effect Display
This 2-digital numeric display shows
the program number that is currently
applied to your EFX audio signal.
When you rotate the Program control, you can scroll through different
program numbers; however the display will revert back to the original
program if a new program is not
selected within a few seconds. For
a list of available effects, please observe the Digital Effect Table.
22. Sig and Clip Indicators
Located within the Digital Effect Display are Clip and Sig LEDs. The Sig
LED will light up when any signal is
received by the effect processor, and the Clip LED will light up
shortly before excessive signals are dynamically clipped. If the
Clip LED lights up too often, it may be advisable to turn down
one or all EFX controls on input channels to ensure the signal
level is not too high.
23. Program Control
This control is used to scroll through the various effects. Turning
the control clockwise will allow users to ascend into higher program numbers, and turning it counter-clockwise will allow users
to descend into lower program numbers. Pushing this control will
apply the new effect. When a tap-delay effect is selected, pressing this control will allow users to select the tap-delay time.
By pushing the button several times, the effect processor interprets the time between last two pushes and remembers this as
the delay time, until the button is pushed again (this is kept, even
after the power is turned off). When the tap delay effect is select-
ed, a small LED will ash within the digital effect display window
at the selected intervals.
24. EFX “to Main” Control
This will adjust the level of the Digital Effect signal that will be
sent to the Main left and right mixing bus to be applied to your
main feed.
25. EFX “to Ctrl” Button
This button is pushed to allow the signal from the Digital Effect
processor to be sent to the Control Room outputs for monitoring
purposes.
21 22
23
24
25
Master Section
26. Phantom Power Switch
When this switch is in the on position, it activates +48V of
phantom power for all microphone inputs, allowing condenser
microphones (well, the ones that don’t use batteries) to be
used on these channels. Activating Phantom Power will be
accompanied by an illuminated LED above the left channel Level
Meter. Before turning Phantom Power on, turn all level controls
to a minimum to avoid the possibility of a ghastly popping sound
from the speakers.
NB. Phantom Power should be used in conjunction with balanced
microphones. When Phantom Power is engaged, single ended
(unbalanced) microphones and instruments should not be used on the
Mic inputs. Phantom Power will not cause damage to most dynamic
microphones, however if unsure, the microphone’s user manual should
be consulted.
26
27
28
34
30
32
33
31
29
27. AUX Send Control (AM440 only)
This control adjusts the nal level of the AUX mixing bus (as
taken from the AUX controls on each channel strip), the audio
of which is sent to the AUX Send output (and sent to the Control
Room/Phones output when the AUX to Ctrl button is engaged).
28. 2T Return Routing Buttons
These two buttons allow users to decide the destination of the
signal received by the RCA 2T Return inputs. The “to Main”
button sends the signal to the main mix, whereas the “to Ctrl Rm”
sends the signal to the Control Room mixing bus for monitoring.
29. AUX “to Ctrl” Button (AM440 only)
When this button is activated, the AUX send signal (the level of
which is decided by the AUX send control) will be sent to the
Control Room mixing bus for monitoring purposes.
30. Ctrl Rm / Phones Control
This control is used to adjust the audio level of the Control
Room feed, which is sent to both the Control Room outputs
(for monitoring, acting as side ll or other purposes) and
Phones outputs (to be used in conjunction with headphones for
monitoring).
31. Main L-R Control
This 60mm fader is nal level control for the main left and right
audio feed, sent to the Main L and R outputs.
32. Level Meter
The AM’s stereo 4-segment level meter gives an accurate
indication of when audio levels of the MAIN L/R output reach
certain levels. It is suggested for the maximum use of audio to
set the various levels controls to a level slightly below that which
would cause the Peak LED to light up. This will help you get the
most out of your audio without causing any distortion.
33. +48 Indicator
The +48 Indicator illuminates whenever the Phantom Power is
activated.
34. Power Indicator
The Power Indicator will light up when the power of the mixer
is on.

8 AM440 / AM440D
Model Name AM 440 AM 440D
Inputs
Total Channels 8 8
Balanced Mono Mic / Line Channel 4 4
Balanced Stereo Line Channel 4 4
2T Input Stereo RCA Stereo RCA
Outputs
Main L/R Stereo 2 x 1/4” TRS, Bal. 2 x 1/4” TRS, Bal.
Alt 3-4 N/A 2 x 1/4” TRS, Bal.
Rec Out Stereo RCA Stereo RCA
CTRL RM L/R 2 x 1/4” TS 2 x 1/4” TS
Phones 1 1
Channel Strips 6 6
Efx Send 1 2
Pan/Balance Control Yes Yes
Volume Controls Rotary Rotary
Inserts N/A 4
Master Section
Phones Level Control Yes Yes
Main L/R Level Control Main L/R, 60mm fader Main L/R, 60mm fader
Level Meter 2 x 4-segment 2 x 4-segment
Phantom Power Supply +48VDC +48VDC
Frequency Response
(Mic input to any output)
20Hz ~ 60KHz +0/-1 dB +0/-1 dB
20Hz ~ 100KHz +0/-3 dB +0/-3 dB
Crosstalk (1KHz @ 0dBu, 20Hz to
20KHz bandwidth, channel in to
main L/R outputs)
Channel fader down, other channels <-90 dB <-90 dB
at unity
Noise (20Hz~20KHz; measured at
main output, Channels 1-4 unit gain;
EQ at; all channels on main mix;
channels 1/3 as far left as possible,
channels 2/4 as far right as possible.
Reference=+6dBu)
Master @ unity, channel fader down -86.5 dBu -86.5 dBu
Master @ unity, channel fader @ unity -84 dBu -84 dBu
S/N ratio, ref to +4 >90 dB >90 dB
SPECIFICATIONS

9AM440 / AM440D
Model Name AM 440 AM 440D
Microphone Preamp E.I.N. (150 <-129.5 dBm <-129.5 dBm
ohms terminated, max gain)
THD (Any output, 1KHz @ +14dBu, <0.005% <0.005%
20Hz to 20KHz, channel inputs)
CMRR (1 KHz @ -60dBu, Gain at 80 dB 80 dB
maximum)
Maximum Level
Mic Preamp Input +10 dBu +10 dBu
All Other Input +22 dBu +22 dBu
Balanced Output +28 dBu +28 dBu
Impedance
Mic Preamp Input 2 K ohms 2 K ohms
All Other Input (except insert) 10 K ohms 10 K ohms
RCA 2T Output 1.1 K ohms 1.1 K ohms
Equalization 3-band, +/-15 dB 3-band, +/-15 dB
Low EQ 80 Hz 80 Hz
Mid EQ 2.5 KHz 2.5 KHz
Hi EQ 12 KHz 12 KHz
Low Cut Filter 75Hz (-18dB/oct) 75Hz (-18dB/oct)
Effect Processor N/A 100 effects with tap
delay control
Power Requirement (external power 100VAC, 120VAC, 100VAC, 120VAC,
supply, depends on region) 220~240VAC, 50/60Hz 220~240VAC, 50/60Hz
Weight 1.7kg (3.75 lbs) 1.72 kg (3.78 lbs)
Dimensions (WxHxD) 242 x 55 x 225mm 242 x 55 x 225mm
(9.5” x 2.16” x 8.86”) (9.5” x 2.16” x 8.86”)