Panasonic AJ-SDX900p User Manual

Model No. AJ- P

Operating Instructions

Camera/VTR

Before operating this product, please read the instructions carefully and save this manual for future use.

Printed in Japan VQT0D82-1

F0403T1073

indicates safety information.

CAUTION

RISK OF ELECTRIC SHOCK

DO NOT OPEN

CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK,

DO NOT REMOVE COVER (OR BACK).

NO USER SERVICEABLE PARTS INSIDE.

REFER TO SERVICING TO QUALIFIED SERVICE PERSONNEL.

The lightning flash with arrowhead symbol, within an equilateral triangle, is intended to alert the user to the presence of uninsulated “dangerous voltage” within the product’s enclosure that may be of sufficient magnitude to constitute a risk of electric shock to persons.

The exclamation point within an equilateral triangle is intended to alert the user to the presence of important operating and maintenance (service) instructions in the literature accompanying the appliance.

CAUTION:

TO REDUCE THE RISK OF FIRE OR SHOCK HAZARD AND ANNOYING INTERFERENCE, USE THE RECOMMENDED ACCESSORIES ONLY.

CAUTION:

TO REDUCE THE RISK OF FIRE OR SHOCK HAZARD, REFER CHANGE OF SWITCH SETTING INSIDE THE UNIT TO QUALIFIED SERVICE PERSONNEL.

FCC Note:

This device complies with Part 15 of the FCC Rules. To assure continued compliance follow the attached installation instructions and do not make any unauthorized modifications.

This equipment has been tested and found to comply with the limits for a class A digital device, pursuant to Part 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference when the equipment is operated in a commercial environment. This equipment generates, uses, and can radiate radio frequency energy and, if not installed and used in accordance with the instruction manual, may cause harmful interference to radio communications. Operation of this equipment in a residential area is likely to cause harmful interference in which case the user will be required to correct the interference at his own expense.

ATTENTION:

The product you have purchased is powered by a nickel cadmium battery which is recyclable. At the end of it’s useful life, under various state and local laws, it is illegal to dispose of this battery into your municipal waste stream. Please call 1-800-8-BATTERY for information on how to recycle this battery.

Ni-Cd

RBRC

CAUTION:

TO REDUCE THE RISK OF FIRE OR SHOCK HAZARD, REFER MOUNTING OF THE OPTIONAL INTERFACE BOARD TO QUALIFIED SERVICE PERSONNEL.

Replace battery with part No. CR2032 only. Use of another battery may present a risk of fire or explosion. Caution—Battery may explode if mistreated. Do not recharge, disassemble or dispose of in fire.

WARNING:

TO REDUCE THE RISK OF FIRE OR SHOCK HAZARD, KEEP THIS EQUIPMENT AWAY FROM ALL LIQUIDS-USE AND STORE ONLY IN LOCATIONS WHICH ARE NOT EXPOSED TO THE RISK OF DRIPPING OR SPLASHING LIQUIDS, AND DO NOT PLACE ANY LIQUID CONTAINERS ON TOP OF THE EQUIPMENT.

Contents

Chapter 1 General ................................... 5

1-1 Features of the camera unit ..................... 5

1-2 Features of the VTR unit .......................... 6

1-3 System configuration ............................... 7

Chapter 2 Parts and their functions ...... 8

2-1 Power supply and accessory

mounting section ...................................... 8

2-2 Audio function section ............................. 9

2-3 Shooting and recording/playback

function section ...................................... 11

2-4 Menu operation section .......................... 13

2-5 Time code related section ...................... 14

2-6 Warning and status display section ...... 15

2-7 Display window and its displays ........... 15

2-8 Viewfinder section .................................. 17

Chapter 3 Recording and playback ..... 18

3-1 Cassette tapes ......................................... 18

3-2 Basic procedures .................................... 19

3-3 Scene-to-scene continuity ..................... 21

3-4 NEWS REC function

(when AJ-YA903G is not installed) ........ 21

3-5 PRE-RECORDING function

(when AJ-YA903G is installed) .............. 22

3-6 INTERVAL REC function

(when AJ-YA903G is installed

and when it is not installed) ................... 22

3-7 RETAKE function .................................... 24

3-8 Rec review function ................................ 24

3-9 Normal playback and

playback at different speeds .................. 24

Chapter 4 Adjustments and

settings for recording ......... 25

4-1 Adjusting the white balance and

black balance .......................................... 25

4-1-1 Adjusting the white balance ..................... 25

4-1-2 Adjusting the black balance ..................... 27

4-2 Setting the electronic shutter ................ 28

4-2-1 Shutter modes .......................................... 28

4-2-2 Setting the shutter mode and speed ........ 28

4-2-3 Setting the synchro scan mode ................ 29

4-3 Selecting the recording signals

and recording system ............................. 29

4-3-1 Selecting the recording signals ................ 29

4-3-2 Selecting the recording system ................ 29

4-4 Selecting the audio input signals and

adjusting their recording levels ............. 30

4-4-1 Selecting the audio input signals ............. 30

4-4-2

Adjusting the audio signal recording levels

.... 30

4-4-3 CH3 and CH4 recording levels ................ 31

4-5 Setting the time data ............................... 31

4-5-1 Setting the user’s bit ................................ 31

4-5-2 Setting the internal clock’s date and time 32

4-5-3 Setting the time code ............................... 33

4-5-4 Externally locking the time code .............. 33

4-5-5 Setting the UMID information ................... 34

4-6

Menu displays on the viewfinder screen

...... 35

4-6-1 Menu configuration .................................. 35

4-6-2 Basic menu operations ............................ 35

4-6-3 Selecting the user menus ........................ 36

4-7 Viewfinder screen status displays ........ 37

4-7-1 Viewfinder lamp displays .......................... 37

4-7-2 Viewfinder screen status display

configuration ............................................ 37

4-7-3 Selecting the viewfinder screen display

items ........................................................ 37

4-7-4 Display modes and setting

changes/adjustment result messages ...... 43

4-7-5 Setting the marker displays ...................... 43

4-7-6 Setting the camera ID .............................. 43

4-7-7 Mode check screen displays

(MODE CHECK button function) .............. 44

4-7-8 Marker check screen displays

(MARKER SELECT button function) ........ 44

4-7-9 Checking the return video signal

on the viewfinder ...................................... 44

4-8 Menu-driven function setup ................... 45

4-8-1 Setting the USER SW GAIN switching .... 45

4-8-2 Selecting the video output signals ........... 45

4-8-3 Selecting the F.AUDIO LEVEL

control function ......................................... 46

4-8-4 Allocating functions to the USER MAIN,

USER1 and USER2 buttons .................... 46

4-8-5 Setting the color temperature manually ... 47

4-9 Data handling .......................................... 47

4-9-1 Handling the setup card ........................... 47

4-9-2 Setup card operations .............................. 48

4-9-3 How to use the user data ......................... 51

4-9-4 How to use the scene file data ................. 52

4-9-5 How to return the menus settings

to the user standard settings .................... 55

4-9-6 How to return the menus settings

to the factory standard settings ................ 55

4-9-7 How to use the lens file data .................... 55

Chapter 5 Preparation .......................... 56

5-1 Supplying the power ............................... 56

5-1-1 Attaching the battery and

setting the battery type ............................. 56

5-1-2 Using an AC power supply ...................... 59

5-2 Attaching the viewfinder and

adjusting its position .............................. 59

5-3 Attaching the lens and performing

the flange back and white shading

adjustments ............................................. 60

Contents

5-4 Audio input signal preparations ............ 64

5-4-1 When using the front microphone ............ 64

5-4-2 When using an external microphone ....... 64

5-4-3 When using a wireless receiver ............... 65

5-4-4 When using an audio component ................. 65

5-5 Mounting the unit on a tripod ................ 66

5-6 Attaching the shoulder strap ................. 66

5-7 Adjusting the position

of the shoulder pad ................................. 66

5-8 Attaching the rain cover ......................... 67

5-9 Connecting the extension control unit

(AJ-EC3P) ................................................ 67

5-10 Attacching the FEONT AUDIO LEVEL

control knob ............................................ 67

Chapter 6

Maintenance and inspections

.... 68

6-1 Inspections prior to shooting ................ 68

6-1-1 Preparation for inspections ...................... 68

6-1-2 Inspecting the camera unit ....................... 68

6-1-3 Inspecting the VTR unit ............................ 69

6-1-4 Self-diagnosis function ............................. 70

6-2 Maintenance ............................................ 71

6-2-1 Condensation............................................ 71

6-2-2 Head cleaning........................................... 71

6-2-3 Cleaning inside the viewfinder ................. 71

6-2-4 Phenomena inherent to CCD cameras .... 71

6-2-5 Replacing the backup battery .................. 71

6-2-6 Connectors and signals ........................... 72

6-3 Warning system ...................................... 73

6-3-1 Warning description tables ....................... 73

6-3-2 Error codes .............................................. 75

6-3-3 Emergency eject ...................................... 75

Chapter 7 Menu description tables ..... 76

7-1 Menu configfation ................................... 76

7-2 SYSTEM SETTING ................................... 77

7-2-1 SYSTEM MODE ...................................... 77

7-2-2 OPTION MODE ....................................... 78

7-2-3 REC FUNCTION ...................................... 78

7-2-4 OUTPUT SEL .......................................... 79

7-2-5 GENLOCK ............................................... 79

7-3 PAINT ....................................................... 80

7-3-1 ROP ......................................................... 80

7-3-2 MATRIX ................................................... 80

7-3-3 COLOR CORRECTION ........................... 81

7-3-4 LOW SETTING ........................................ 81

7-3-5 MID SETTING .......................................... 82

7-3-6 HIGH SETTING ....................................... 82

7-3-7 ADDTIONAL DTL ..................................... 83

7-3-8 SKIN TONE DTL ...................................... 83

7-3-9 KNEE/LEVEL ........................................... 84

7-3-10 GAMMA ................................................... 84

7-3-11 FLARE ..................................................... 84

7-3-12 CAMERA SETTING ................................. 85

7-4 VF ............................................................. 85

7-4-1 VF DISPLAYS .......................................... 85

7-4-2 VF MARKER ............................................ 86

7-4-3 USER BOX .............................................. 86

7-4-4 VF INDICATOR1 ...................................... 86

7-4-5 VF INDICATOR2 ...................................... 87

7-4-6 MODE CHECK IND ................................. 87

7-4-7 !LED ......................................................... 87

7-5 OPERATION ............................................. 88

7-5-1 CAMERA ID ............................................. 88

7-5-2 SHUTTER SPEED ................................... 88

7-5-3 SHUTTER SELECT ................................. 88

7-5-4 USER SW ................................................ 89

7-5-5 SW MODE ............................................... 89

7-5-6 WHITE BALANCE MODE ........................ 90

7-5-7 USER SW GAIN ...................................... 90

7-5-8 IRIS .......................................................... 91

7-6 FILE .......................................................... 91

7-6-1 CARD READ/WRITE ............................... 91

7-6-2 CARD R/W SELECT ................................ 91

7-6-3 LENS FILE ............................................... 92

7-6-4 SCENE ..................................................... 92

7-6-5 INITIALIZE ............................................... 92

7-7 MAINTENANCE ....................................... 92

7-7-1 SYSTEM CHECK ..................................... 92

7-7-2 DIAGNOSTIC ........................................... 92

7-7-3 LENS ADJ ................................................ 92

7-7-4 BLACK SHADING .................................... 93

7-7-5 WHITE SHADING .................................... 93

7-8 VTR MENU ............................................... 93

7-8-1 VTR FUNCTION ...................................... 93

7-8-2 BATTERY/TYPE ...................................... 94

7-8-3 BATTERY SETTING1 .............................. 94

7-8-4 BATTERY SETTING2 .............................. 96

7-8-5 MIC/AUDIO1 ............................................ 97

7-8-6 MIC/AUDIO2 ............................................ 98

7-8-7 TC/UB ...................................................... 98

7-8-8 UMID SET/INFO ...................................... 99

7-8-9 VTR DIAG ................................................ 99

7-9 OPTION MENU.......................................... 99

7-9-1 OPTION ................................................... 99

Chapter 8 Specifications .................... 100

UniSlot® is a registered trademark of Ikegami Tsusinki co., Ltd.

Chapter 1 General

≥3 CCDs with a 2/3-inch on-chip lens that

supports progressive drive

Since both 16:9 and 4:3 aspect ratios are supported and switching between interlace drive and progressive drive is possible, the unit can handle a wider range of production applications. While progressive drive is used, the signals transferred to and from the VTR unit are converted into interlace signals.

≥Storage type high-sensitivity function

The unit comes with a storage type gain increase function that employs progressive drive. This is a function that makes it possible to achieve a higher sensitivity of up to 20 dB above the regular gain increase.

≥Digital zoom function

The unit is equipped with a digital zoom employing function that employs progressive drive. This function is particularly useful when zooming further in on a subject.

≥12-bit A/D conversion digital signal

processing circuitry

The analog images are processed into digital data by a 12bit A/D converter with sampling frequencies of 18 MHz and by operating the signal processor using the 36 MHz frequency, it is possible to reproduce images which are more finely detailed and achieve improvements in stability and reliability.

≥

12-axis independent color correction function

Serving as a paint function, this facility enables the colors for 12 axes to be compensated for independently and is very useful for creating finely detailed images.

<Note>

The unit is equipped with progressive drive, but due to the characteristics of the CCD the upper left portion of the screen may appear slightly brighter than normal when the accumulative type gain increase function is used to boost the gain. In addition, when using progressive drive the video signal’s dynamic range is approximately half what it would be during interlace operation.

≥Gamma function resembling what is used

with films

This function enables one of three gamma types to be selected. Two of these types are like the ones used with films. This extends the range of image expressions yielded in production.

≥Data control function

When the unit is used on its own, one set of user data and four sets of scene file data can be registered. Further, by using an SD card or a Multimedia Card (optional accessory) as the setup card, up to eight sets of setup data can be stored.

<Note>

SD card and MultiMedia card used in this unit do not comply with the SD standard. Do not use cards formatted using this unit with other camera-recorders. Further, NTFS and FAT32 formatted cards cannot be used with this unit. The recommended size for SD cards is 8 MB or more and 4 MB or more for MultiMedia cards.

≥MARKER SELECT button

At the front of the unit is a button for checking the information concerning the markers on the viewfinder screen. This is useful for checking the picture angle, for instance, during shooting.

≥ECU supported

The unit supports the AJ-EC3P extension control unit.

≥Single-action shoulder pad slide function

It is now possible to adjust the position where the unit is optimally balanced for operation using a single-touch action. This means that the operator can easily optimize the unit’s balance when the lens, battery and other peripheral camera devices have been installed on the unit.

The AJ-SDX900 is a video camera recorder that integrates a 3-CCD camera unit featuring a 2/3-inch on-chip lens that supports progressive drive with a VTR unit that in turn supports the DVCPRO and DVCPRO50 formats. The camera enables either interlace drive or progressive drive to be selected to make the product useful for a wider range of applications in the field of production. The unit is both compact and lightweight, and it has a minimal power consumption. It features a high picture quality and sensitivity, it has excellent mobility, and it effectively withstands dust, humidity and moisture. With all these features incorporated, it can be used even for electronic news gathering activities. Both the camera and VTR units employ digital signal processing technology to achieve even higher levels of picture quality and stability and also to produce a system that enables the data to be controlled on the setup card.

1-1 Features of the camera unit

Chapter 1 General

≥DVCPRO and DVCPRO50 formats supported

The VTR unit compresses the images using a component digital recording system that uses the latest compression technology, and for the sound it employs non-compression PCM recording with an excellent signal-to-noise ratio, frequency band, waveform characteristics and reproduction characteristics of the finely detailed areas. As a result, both the picture quality and sound quality are taken to new heights of excellence. A choice of recording formats tailored to the application at hand is offered: the DVCPRO50 format when priority is required to be given to the picture quality, and the DVCPRO format when economy is to be given precedence.

<Note>

When the unit is used in the 24P or 24PA camera mode, care should be taken in handling as the images may be disrupted for an instant due to the fact that the correlation between the time code and image phases is synchronized using a 5-frame sequence. This image disruption will occur two or three seconds after the power has been turned on and when the mode is switched from 60i or 30P to 24P or 24PA.

≥Power-saving management function

In order to reduce its power consumption efficiently, the unit has a function that shuts down circuitry that is not required for the particular VTR mode established at the time. This enables the user to perform operations while conserving power.

≥PRE REC function (when AJ-YA903G is

installed)

When the AJ-YA903G expansion board has been installed in the unit, this function makes it possible to start recording the images and sound up to 15 seconds before the VTR START button or the VTR button on the lens is pressed. This comes in handy to ensure that no shooting opportunities are passed up.

≥INTERVAL REC function and ONE SHOT

recording function (when AJ-YA903G is installed)

This unit is capable of interval shooting. Also, when the AJYA903G expansion board is installed, memory control enables one-shot recording in 1-frame increments (in the 60i or 30P mode), which is the shortest recordable time, and also in 5-frame increments (in the 24P or 24PA mode). This is quite useful when it comes to shooting programs on science or the natural world. If the selection is set to the one-shot recording function, single frames can easily be shot.

≥NEWS REC function (when AJ-YA903G is not

installed)

This function especially supports shooting in the context of news gathering or documentary filming to ensure that no opportune shutter opportunities are passed up. By controlling the start key acknowledgment time, the unit can continuously record without the user having to interrupt the recording: this safeguards against the failure to record those precious moments—a failure that occurs when recording is resumed after it has been shut down temporarily.

≥RETAKE function

This function is for not leaving behind superfluous cuts when a cut turns out to be no good during the shooting of news, reports or art programmes. By cutting down on the time taken for copying onto the work tape, for instance, this function is very effective in achieving economical operation. Users should remember to handle this function very carefully.

≥SDI output signals supported (when AJ-

YA903G is installed)

When the AJ-YA903G expansion board has been installed in the unit, SDI signals can be output from the VIDEO OUT connector.

≥Input signals of 4 separate audio channels

supported

The unit enables the audio input signals in four channels to be selected separately. Further, the level of the signal in each channel can be monitored on the LCD display window.

≥Front audio level control

The unit’s front panel is equipped with a control for adjusting the audio recording level. This is useful when the user is filming on his or her own and the audio level needs to be adjusted. It also is possible to cancel the effect of this control.

≥UniSlot® wireless receiver

The unit’s construction supports a slot-in wireless receiver which is available as an optional accessory.

≥Built-in DOLBY NR system

The CUE audio recording circuitry contains a Dolby B noise reduction circuit.

≥

Dolby noise reduction manufactured under license from Dolby Laboratories Licensing Corporation.

≥

“DOLBY” and the double-D symbol Îare trademarks of Dolby Laboratories Licensing Corporation.

1-2 Features of the VTR unit

Chapter 1 General

Microphone kit: AJ-MC700

Stereo Microphone: AJ-MC900G

UniSlot® wireless microphone receiver: Sennheiser EK3041

Microphone holder: AJ-MH700

Lens (Bayonet type): Fujinon, Canon

Rain cover: SHAN-RC700

Soft carry case: AJ-SC900

Hard carry case: AJ-HT901

Battery case: AU-M402H

Battery case/holder

AC adapter: AJ-B75

SDI output board: AJ-YA902G

Pre-recording board

AJ-YA903G Cassette tapes: AJ-P12MP AJ-P24MP AJ-P33MP AJ-P66MP

Cleaning tape: AJ-CL12MP

Anton Bauer battery

Sony batteries: BP-90 BP-L60/L90 NP-1B

Extension control unit: AJ-EC3P

1.5-inch viewfinders: AJ-VF15 AJ-VF20

GPS unit: AJ-GPS900G

Video camera-recorder: AJ-SDX900

1-3 System configuration

5-inch EVF mounting adapter: AJ-QVF901

Battery chargers: AG-B425 AJ-B450

SD memory cards Multimedia cards

Panasonic battery: AU-BP402

≥Frame-to-frame continuity

Simply by pressing the VTR START button or VTR button on the lens, the continuity from one frame to the next is assured with a precision of +1 frame or less.

≥Rec review function

This automatically rewinds the tape for the last 2 to 10 seconds recorded and plays back the recording. This enables what was recorded to be monitored without delay.

≥Built-in time code generator/reader

This enables the time code information to be recorded on the dedicated sub-code track and played back.

≥Metadata supported

The unit allows information from the AJ-GPS900G GPS unit to be recorded on tape as the metadata UMID information. This is useful when it comes to managing on-tape information.

Chapter 2 Parts and their functions

POWER switch

This switch turns the power ON and OFF.

DC IN (external power input) socket (XLR, 4P)

When operating this unit using an AC power source, this socket is connected to the model AJ-B75 AC adapter (optional accessory).

Battery mount

This is for attaching the Anton Bauer battery pack.

BREAKER switch

If an excessively high current flows inside the unit due to some problem or other, the circuit breaker is tripped and the power is automatically turned off to protect the unit. Push this button in after an inspection has been conducted or repairs performed inside the unit by a qualified service person. If there are no problems, the power will come back on.

GPS connector

The connector from AJ-GPS900G, a GPS unit available as an optional accessory, is connected here.

Shoulder belt fittings

The shoulder belt is attached here.

Light shoe

Use this to attach the video light, etc.

Lens mount (bayonet type)

The lens is attached to this mount.

Lens lever

This lever is tightened to secure the lens after the lens has been attached to the lens mount.

Lens mount cap

To remove the cap, push the lens lever : up. Keep the cap in place while the lens is not attached.

;

Lens cable/microphone cable clamp

This clamp is for anchoring the lens cable or microphone cable.

Tripod mount

Mount the tripod attachment (SHAN-TM700), available as an optional accessory, when the unit is to be anchored to a tripod.

LENS jack (12-pin)

The connecting cord of the lens is connected to this jack. For further details on the lenses that can be used, refer to the operating instructions of the lenses concerned.

Easy-to-adjust shoulder pad

The position of the shoulder pad can be adjusted backward or forward so that the unit is balanced when it is carried on the user’s shoulder.

;

2-1 Power supply and accessory mounting section

Chapter 2 Parts and their functions

2-2 Audio function section (input system)

;

MIC IN (microphone input) jack (XLR, 3-pin)

Connect the microphone (optional accessory) here. The power for the microphone is supplied from this jack. It is possible to use a stereo microphone; however, this jack will need to be converted to a stereo microphone jack, so please consult your dealer or a service center specified by your dealer.

AUDIO SELECT CH1/CH2 (audio channel 1 & 2 automatic/manual level adjustment selector) switch

This is used to select the method for adjusting the recording levels of audio channels 1 and 2.

AUTO: Set here for automatic adjustment. MAN: Set here for manual adjustment.

AUDIO LEVEL CH1/CH2 (audio channel 1 & 2 recording level adjustment) controls

When the AUDIO SELECT CH1/CH2 switch 3 is set to MAN, the recording level of audio channels 1 and 2 can be adjusted using these controls. The controls come with a locking mechanism. Therefore, to adjust the recording level, simultaneously push in and turn the controls.

AUDIO IN (audio input selector) switch

These are used to select the input signals to be recorded on audio channels 1, 2, 3 and 4.

FRONT: The input signals supplied from the

microphone which has been connected to the MIC IN jack 1 are recorded.

W.L. (wireless): The input signals from the slot-in

wireless microphone receiver are recorded.

REAR: The audio input signals supplied from

the audio component which has been connected to the AUDIO IN CH1/CH2 connectors 5 are recorded.

AUDIO IN CH1/CH2 (audio input channel 1 &

2) connectors (XLR, 3-pin)

An audio component or microphones are connected here.

LINE/MIC/+48V (line input/mic input/mic input + 48V) selector switch

This is used to switch the audio input signals from the audio component which has been connected to the AUDIO IN CH1/CH2 connectors 5.

LINE: The audio input signals from the audio component

serving as the line input are selected.

MIC: The audio input signals from the internal power

supply type of microphone are selected. (The phantom mic power is not supplied from the unit.)

+48V: The audio input signals from the external power

supply type of microphone are selected. (The phantom mic power is supplied from the unit.)

Wireless receiver slot

The UniSlot® wireless receiver (optional accessory) can be attached here.

FRONT AUDIO LEVEL (audio recording level adjustment) control

This enables the recording level of audio channels 1 and 2 to be adjusted. This level can be adjusted regardless of the setting position of the AUDIO SELECT switch. When the <MIC/AUDIO1> screen is opened from the VTR MENU page by performing a menu operation, whether to enable or disable the operation of this level control can be set using the FRONT VR CH1 and FRONT VR CH2 setting items.

Chapter 2 Parts and their functions

AUDIO OUT connector (XLR, 5-pin)

The audio signals recorded on audio channels 1 and 2 or audio channels 3 and 4 are output from this connector. The signals which are to be output are selected using the MONITOR SELECT CH1/2 / CH3/4 selector switch.

MONITOR SELECT (audio channel) CH1/2 / CH3/4 selector switch

This is used to select the audio channels whose signals are to be output to the speaker, earphone and AUDIO OUT connector.

CH1/2: The signals of audio channels 1 and 2 are output. CH3/4: The signals of audio channels 3 and 4 are output.

In addition, the channel indications for the audio level meters appearing in the display window and viewfinder change when this switch is operated.

Speaker

The EE sound during recording or the playback sound during playback can be monitored through this speaker. The warning alarms are output in synchronization with the flashing or lighting of the warning lamps and warning displays. The sound heard from the speaker is automatically cut off when earphones are connected to the PHONES jack ?.

MONITOR (volume) control

This is used to adjust the volume of the monitor speaker or earphone.

* Either STEREO or MIX can be selected as the setting for the

MONITOR SELECT item by opening the <MIC/AUDIO2> screen from the VTR MENU page by performing a menu operation.

;

MONITOR SELECT (audio selection) CH1/3 / ST / CH2/4 selector switch

This is used to select the audio channels whose signals are to be output to the speaker, earphone and AUDIO OUT connector in tandem with what is selected using the MONITOR SELECT switch.

CH1/3: The signals of audio channel 1 or 3 are output. ST: The stereo audio signals of either audio channels

1 and 2 or audio channels 3 and 4 are output. Using a menu setting, the stereo signals can be changed to MIX signals.

CH2/4: The signals of audio channel 2 or 4 are output.

ALARM (warning alarm volume adjustment)

This is used to adjust the volume of the warning alarms from the earphones which have been connected to the speaker > or PHONES jack ?. The warning alarms are not audible when this control is at its lowest setting.

DC OUT (DC power supply) output socket

This normally serves as the DC 12 V output socket. A current of approximately 1 A can be supplied.

PHONES (earphones) jack (mini jack)

This is the earphone (stereo) jack which is used to monitor the audio signals. When earphones are connected, the sound from the speaker is automatically cut off. The sound which is output from the two jacks (front and rear) is the same.

2-2 Audio function section (output system)

MONITOR

switch

CH1/3 Audio channel 1 Audio channel 3

MONITOR SELECT switch

CH1/2 CH3/4

Stereo (*) signals of audio

channels 1 and 2

Stereo (*) signals of audio

channels 3 and 4

CH2/4 Audio channel 2 Audio channel 4

Chapter 2 Parts and their functions

GAIN selector switch

This is used to select the gain of the video amplifier in accordance with the lighting conditions prevailing at the time of the shooting. The gain values for the L, M and H settings are set ahead of time on the setting menu. Their factory settings are 0 dB, 9 dB and 18 dB, respectively.

SHUTTER switch

This is the ON/OFF selector switch of the electronic shutter.

OFF: The electronic shutter does not operate. ON: The electronic shutter operates. SEL: This is used when the electronic shutter speed is to

be changed.

The switch is a non-locking type. The shutter speed changes each time it is operated. For further details, refer to “4-2 Setting the electronic shutter.”

Synchro scan adjustment switches

These switches become effective when the shutter switch 3 is set to ON and SYNCHRO SCAN is selected. They are used to adjust the synchro scan speed. When the “–” switch is pressed, the shutter speed is reduced; conversely, when the “+” switch is pressed, it is increased. During personal computer monitor shooting, etc. adjust these switches to the positions where the horizontal bar noise inside the viewfinder is decreased.

CC FILTER/ND FILTER (filter switching) controls

These are used to select the filter in accordance with the subject’s brightness and color temperature.

CC FILTER knob (outside, large diameter) A: Cross filter B: 3200 K C: 4300 K D: 6300 K

ND FILTER knob (inside, small diameter) 1: CLEAR (transparent) 2: 1/4 ND 3: 1/16 ND 4: 1/64 ND

<Note>

When white balance or black balance are being automatically adjusted and the switch is pressed again to either the AWB side or to the ABB side, the automatic adjustment for the side pressed will be stopped. The adjusted value in this case is the value before automatic adjustment was performed.

AUTO W/B (white/black) BAL switch

AWB: The white balance is automatically adjusted. When

the AWB memory selector switch on the side panel is set to A or B and then the AUTO W/B BAL switch is operated, the adjustment value is recorded in the memory. When VAR has been selected as the setting for AWB A and/or AWB B menus, the value will be the one set in the menu and this switch will not function. Note that this switch will also not function at the PRST position.

ABB: The black balance is automatically adjusted.

If the AUTO W/B BAL switch is held down at the ABB position for 5 or more seconds, the black shading is compensated automatically.

1/;

EJECT

REW FF

STOP PLAY/PAUSE

;

2-3 Shooting and recording/

playback function section

Shooting and recording (camera unit)

∫ Examples of filter selection

Shooting conditions

CC filter

Sunrise, sunset, inside a studio B (3200 K)

ND filter

1 (CLEAR)

Outdoors under a clear sky C (4300 K) or

D (6300 K)

2 (1/4 ND) or 3 (1/16 ND)

Outdoors under cloudy or rainy skies

D (6300 K)

1 (CLEAR) or 2 (1/4 ND)

Snowscapes, high mountains, seashores or other perfectly clear scenery

C (4300 K) or D (6300 K)

3 (1/16 ND) or 4 (1/64 ND)

Chapter 2 Parts and their functions

OUTPUT/AUTO KNEE selector switch

This switch selects the video signals which are to be output from the camera unit to the VTR unit, viewfinder and/or video monitor.

CAM. AUTO KNEE ON:

The images shot by the camera are output. The AUTO KNEE circuit operates.

CAM. AUTO KNEE OFF:

The images shot by the camera are output. The MANUAL KNEE circuit operates.

BARS:

Color bar signals are output. The AUTO KNEE circuit does not operate.

WHITE BAL (white balance memory selector) switch

This is used to select the method used to adjust the white balance.

PRST: Set the switch to this position at times when, for

instance, there is no time to adjust the white balance. The factory setting for the white balance is 3200K, but this can be changed to any other value by a menu setting. For details, refer to “48-5 Setting the color temperature manually.”

A or B: When the AUTO W/B BAL switch 2 is set to

AWB, the white balance is automatically adjusted, and the adjusted value is stored in memory A or memory B. For details, refer to “4-1-1 Ajusting the white balance.”

As the factory setting, the settings are to be allocated to the memory.

Using a menu setting, it is also possible to allocate the setting for the auto tracking white balance (ATW) performed with the automatic tracking system to memory B or allocate the color temperatures of the user's choice to memory A and memory B. For details, refer to “4-8-5 Setting the color temperature manually.”

MODE CHECK button

Each time this button is pressed, one of the four screen pages (STATUS screen display, !LED screen display, FUNCTION screen display and AUDIO screen display) is selected and displayed on the viewfinder to indicate the camera’s settings. This does not affect the output signals of the camera.

MARKER SELECT button

This is used to select the marker information displays on the viewfinder screen. Each time it is pressed, the two marker information display screens set by the menu are switched in the following sequence: A (A marker display) > B (B marker display) > OFF (no marker display) > A, and so on repeatedly. Note that when the power is switched ON, the display on the viewfinder screen immediately before the power was switched OFF will appear. For details, refer to “4-7-8 Marker check screen displays.”

USER MAIN, USER 1 and USER 2 buttons

A user setting can be allocated to each of these buttons using the setting menu. When a button is pressed, the user setting mode allocated to it is selected. When the button is pressed again, the selected mode is released.

Shooting and recording (VTR unit)

AUTO KNEE function

When shooting with the level set to people or scenes against a highbrightness background, the background will be whitened out, and the buildings and scene in the background will be blurred. If the AUTO KNEE function is activated at times like this, the background will be reproduced clearly. This function is effective for shooting in the following situations:

≥ When shooting people in the shade under a clear sky ≥ When simultaneously shooting people in a car or indoors and the

outside scenery through a window

≥ When shooting scenes with a strong contrast

;

VTR START/STOP button

When this is pressed, recording starts; when it is pressed again, recording stops. This button functions in the same way as the lens VTR button.

VTR SAVE/STBY (tape protection) switch

This is used to select the power supply mode when the VTR has temporarily stopped recording (REC PAUSE mode).

SAVE:This is the tape protection mode. The cylinder is

stopped in the half-loading status. Less power is consumed than at the STBY position, and the operating time provided by the battery is prolonged. Compared with the STBY position, it takes longer for recording to commence after the VTR START button ; has been pressed. When the switch is set to this position, the VTR SAVE lamp inside the viewfinder lights.

STBY: At this position, recording is commenced as soon

as the VTR START button is pressed.

<Note>

When the prescribed amount of time has elapsed in the STBY mode, the unit is automatically set to the SAVE mode. To return the unit to the STBY mode, set the VTR SAVE/ STBY switch to SAVE, and then again to the STBY position.

OUTPUT SEL (output signal selection) switch

This is used to select the signals output from the VIDEO OUT connector and MON OUT connector.

VTR: In the recording or other EE mode, the camera

images are output from the connectors; in the playback or other VV mode, it is the VTR’s playback signals which are output.

CAM: The camera images are output at all times. OFF: The video output is stopped and the power reduction

mode is established.

Furthermore, the audio output signals are synchronized with the video signals as well. For details on the video output, refer to “4-8-2 Selecting the video output signals.”

Chapter 2 Parts and their functions

VIDEO OUT (video signal output) connector

This is the video signal output connector. The video signals linked to the setting of the OUTPUT SEL switch are output from here.

VIDEO OUT CHARACTER switch

This is used to control the superimposing of the characters onto the images which are output from the VIDEO OUT connector.

ON: The characters are superimposed onto the images. OFF: The characters are not superimposed onto the

images.

For details on the character types, refer to “4-8-2 Selecting the video output signals.”

MON OUT (monitor output) connector

This is the connector for outputting the video signal which is used for monitoring. The video signals linked to the setting of the OUTPUT SEL switch are output from here. Whether characters are to be superimposed onto the images output from the VIDEO OUT connector can be selected separately using the internal menu. For details, refer to “4-8-2 Selecting the video output signals.”

ECU REMOTE (remote control) connector

The AJ-EC3P extension control unit (optional accessory) is connected here.

EJECT button

This is pressed to insert or eject the cassette.

GENLOCK IN connector

The reference signal is input to this connector when genlock is to be established with the camera unit or when the time code is to be externally locked. This signal can also be used as the return signal.

<Note>

A standard VBS signal (a composite signal including a burst signal) should be supplied as the input reference signal.

PLAY/PAUSE button

This is pressed to view the playback picture on the viewfinder screen or using a color video monitor. The button’s lamp comes on during playback. When it is pressed during playback, the unit is set to pause in the playback mode (PLAY PAUSE), and the button’s lamp flashes. If the unit is left in the pause mode for two minutes, it automatically changes to the stop (STOP) mode.

STOP button

This is pressed to stop the tape travel.

FF (fast forward) button and lamp

When this button is pressed during stop, the tape is cued at high speed. Its lamp lights at this time. When it is pressed during playback or pause, the tape is cued at approximately 4 times the normal tape speed. Both the PLAY lamp and FF lamp light at this time.

EMERGENCY screw (inside rubber cap)

If the cassette does not eject even when the EJECT button is pressed, use a screwdriver or similar implement to push and turn the EMERGENCY screw at the same time: this will cause the cassette to be ejected. For details, refer to “6-3-3 Emergency eject.”

REW (rewind) button and lamp

When this button is pressed during stop, the tape is reviewed at high speed. Its lamp lights at this time. When it is pressed during playback or pause, the tape is reviewed at approximately 4 times the normal tape speed. Both the PLAY lamp and REW lamp light at this time.

4 3

2-4 Menu operation section

MENU button

This is used to switch the menu ON and OFF.

Setup card insertion slot

This is where the SD card (optional accessory) or Multimedia card (optional accessory) is inserted into the unit.

JOG dial button

This is used to select the menu items and perform settings when the MENU button 1 is at the ON position.

BUSY (operation mode display) lamp

This lamp shows the operation mode of the setup card. It lights during operation.

<Note>

When this lamp is lighted, refrain from inserting or removing the card.

Chapter 2 Parts and their functions

2-5 Time code related section

GENLOCK IN connector (BNC)

The reference signal is input to this connector when genlock is to be established with the camera unit or when the time code is to be externally locked.

TC OUT connector (BNC)

To lock the time code of an external VTR to the unit’s time code, connect this connector to the time code input (TC IN) connector on the external VTR.

TC IN connector (BNC)

Supply the time code which will serve as the reference to this connector when externally locking the time code.

HOLD button

The time data display of the counter display section which was on the screen at the moment when this button is pressed is held. (However, the time code generator keeps running.) When the button is pressed again, the hold status is released. It is used, for instance, to find out the time code or CTL counter value at which a particular scene was shot.

RESET button

This is used to reset the time data on the counter display section to “00:00:00:00.” If it is pressed while the TCG switch 9 is at the SET position, the time code data and user’s bit data are respectively reset to “00:00:00:00.”

DISPLAY switch

This is used to display the time code, CTL or user’s bit on the counter display section depending on the setting positions of this switch and the TCG switch 9.

UB: The user’s bit is displayed. TC: The time code is displayed. CTL: CTL is displayed.

“+” button, “–” button

These are used to increment or decrement by 1 the figure in the digit which was made to flash by the SHIFT button

8 when the time code or user’s bit is to be set.

SHIFT button

This causes the digit to be set to flash when the time code or user’s bit is to be set.

TCG (time code selector) switch

This is used to set the running mode of the built-in time code generator.

F-RUN: Set here to have the time code run all the time

regardless of the VTR’s operation. This position is used to align the time code with the time or externally lock the time code.

SET: Set here when the time code or user’s bit is to be

set.

R-RUN: Set here to have the time code run only during

recording. The time code on the tape with sceneto-scene continuity is recorded continuously.

Chapter 2 Parts and their functions

2-6 Warning/status display

section

2-7 Display window and its

displays

Remaining tape and remaining battery charge and audio channel level displays

Displays relating to the VTR unit’s operations and modes

CTL

SERVO

HUMID

SLACK

TAPE

Y minM

frm

13 24

VTCG

TIME DATE

P-iREC

SLAVE HOLD W GPS

BATT

OVER OVER

-dB

NDF

Remaining tape display

The remaining tape time is displayed using 7 segments. The remaining tape time indicated by each segment is set to 3 minutes or 5 minutes using TAPE REMAIN/∫ on the VTR MENU “BATTERY/TAPE” screen. Each time the number of minutes set for the segments elapses, one segment is cleared.

Remaining battery charge display

If a battery with a digital display (% display) is used, all 7 segments up to the “F” position light when the 70% or more of the battery charge remains. When there is less than 70% of the battery charge remaining, the segments go out one by one in sequence every time the remaining charge drops by 10%. It is also possible to set all 7 segments to light at a 100% battery charge by selecting 100% as the setting for BATT REMAIN FULL on the <BATTERY/TAPE> screen of the VTR menu.

Audio channel level meter

When the MONITOR SELECT CH1/2 / CH3/4 switch is set to CH1/2, numbers 1 and 2 indicating the audio channels appear, and the CH1 and CH2 audio levels are displayed. Conversely, when it is set to CH3/4, numbers 3 and 4 indicating the audio channels appear, and the CH3 and CH4 audio levels are displayed.

Back tally lamp

When the back tally switch 2 is set to ON, this lamp serves the same function as the front tally lamp in the viewfinder.

WARNING lamp

When a problem of some form or other occurs within the VTR unit, this lamp flashes or lights.

Back tally switch

This is used to control the unit’s back tally lamp 1 and rear tally lamp 6.

ON: The back tally lamp and rear tally lamp operate. OFF: The back tally lamp and rear tally lamp do not

operate.

LIGHT switch

This controls the lighting of the display window. Each time is it pressed, the lighting of the display window

5 is set in turn from on to off or vice versa.

Display window

This displays the alarms, remaining battery charge, audio levels, time data, etc. relating to the VTR unit.

REAR TALLY lamp

When the BACK TALLY switch is set to ON, this lamp operates in exactly the same way as the back tally lamp.

CTL

SERVO

HUMID

SLACK

TAPE

Y minM

frm

13 24

VTCG

TIME DATE

P-iREC

SLAVE HOLD W GPS

BATT

OVER OVER

-dB

NDF

Error code display (for details, refer to “6-3 Warning system”)

Warning displays

RF: Clogged video head SERVO: Servo disturbance HUMID: Formation of condensation on the head drum SLACK: Problem in tape take-up

For details, refer to “6-3 Warning system.”

Chapter 2 Parts and their functions

CTL

SERVO

HUMID

SLACK

TAPE

Y minM

frm

13 24

VTCG

TIME DATE

P-iREC

SLAVE HOLD W GPS

BATT

OVER OVER

-dB

NDF

Mode displays

W: Lights when the 16:9 aspect ratio mode is established. GPS: Lights when signals cannot be received during GPS

operation.

GPS : Lights when signals are being received during GPS

operation.

P-REC: Lights in pre-recording mode and flashes during the time set

for pre-recording after the tally lamp for recording has turned off.

iREC: Lights during recording when the interval recording mode is

established; flashes during recording standby.

i: Flashes when the interval recording mode has been

selected.

Displays relating to the time code

NDF: Lights when the time code is in the non-drop frame mode. DF: Lights when the time code is in the drop frame mode. SLAVE: Lights when the time code is locked externally. HOLD: Lights when the time generator/reader value is being held. CTL: Lights when CTL is selected by the DISPLAY switch and the

CTL count value is displayed.

TCG: Lights when TC (or UB) is selected by the DISPLAY switch

and the TC (or UB) generator value is displayed.

TC: Lights when TC (or UB) is selected by the DISPLAY switch

and the TC (or UB) reader value is displayed.

VTCG: Lights when UB is selected by the DISPLAY switch and the

VIUB generator value is displayed.

VTC: Lights when UB is selected by the DISPLAY switch and the

VIUB reader value is displayed.

TIME: Lights when UB is selected by the DISPLAY switch and the

values of the hour, minutes and seconds in real time are displayed.

DATE: Lights when UB is selected by the DISPLAY switch and the

values of the year, month and day are displayed in real time.

No display: Remains off when UB is selected by the DISPLAY switch and

the real-time values of the hour and minutes in the time zone are displayed.

Time counter display:

The time code, CTL, user’s bit and real time are displayed.

<Note>

When UB has been selected by the DISPLAY switch, each time the HOLD button is pressed, the setting is switched in the following sequence: VTCG (VTC) > DATE > TIME > no display (time zone) > TCG (TC) and so on repeatedly.

Time code-related switch settings and display items

TCG switch position

DISPLAY switch

position

Display item

SET

TC or CTL Time code

F-RUN or R-RUN

UB User’s bit

CTL CTL

TC Time code

UB User’s bit

Chapter 2 Parts and their functions

2-8 Viewfinder section

Viewfinder (optional accessory)

While recording or playback is underway, pictures can be viewed through the viewfinder in black and white. The warning displays concerning the unit’s operation statuses and settings, messages, zebra patterns and markers (safety zone markers and center marker) can also be seen in the viewfinder.

TALLY switch

This is used to control the front tally lamp 7.

HIGH: The brightness of the front tally lamp is increased. OFF: The front tally lamp is turned off. LOW: The brightness of the front tally lamp is reduced.

ZEBRA (zebra pattern) switch

This is used to display the zebra pattern in the viewfinder.

ON: The zebra pattern is displayed. OFF: The zebra pattern is not displayed.

PEAKING control

This is used to adjust the outlines of the images seen inside the viewfinder to make focusing easier. Its adjustment does not affect the output signals of the camera.

CONTRAST control

This is used to adjust the contrast of the picture seen inside the viewfinder. Its adjustment does not affect the output signals of the camera.

BRIGHT control

This is used to adjust the brightness of the picture seen inside the viewfinder. Its adjustment does not affect the output signals of the camera.

OFF

7;=

3645

Front tally lamp

This lamp is activated when the TALLY switch 3 is set to the HIGH or LOW position, and it lights while the VTR unit is recording. It also flashes to provide a warning display like the REC lamp inside the viewfinder. The lamp’s brightness (HIGH or LOW) when it is lighted can be selected using the TALLY switch.

Eyepiece

Back tally lamp

This lamp lights while the VTR unit is recording. It also flashes to provide a warning display like the REC lamp inside the viewfinder. When the lever is set to OFF, the back tally lamp is hidden.

Locking ring

Diopter adjustment ring

This is adjusted in line with the camera operator’s diopter in such a way that the user can see the image on the viewfinder screen most clearly.

;

Connecting plug

Viewfinder stopper

This is used to attach and remove the viewfinder.

Viewfinder left-right position anchoring ring

This is used to adjust the left-right position of the viewfinder.

Viewfinder front-back position anchoring ring

This is used to adjust the front-back position of the viewfinder.

Microphone holder

<Note>

For details, refer to “5-2 Attaching the viewfinder and adjusting its position.”

Chapter 3 Recording and playback

3-1 Cassette tapes

Loading a cassette tape

Set the POWER switch to ON.

<Note>

When condensation has formed inside the unit, the HUMID display lights. Wait until this display is cleared before proceeding with the intended operation.

Ejecting the cassette tape

While the power is still on, press the EJECT button to open the cassette holder, and take out the cassette tape. If another cassette is not going to be loaded immediately after this tape is ejected, close the cassette holder.

Ejecting the cassette when the battery has no charge

First, set the POWER switch to OFF to turn off the unit’s power. Then turn the power back on, and immediately hold down the EJECT button. The cassette can be removed when there is still some power left in the battery. However, do not repeat this operation.

To prevent accidental erasure

Set the cassette’s tab to SAVE to prevent the recordings on the tape from being erased accidentally.

Press the EJECT button. The cassette holder opens.

Insert the cassette tape and press the part marked with the arrow to close the cassette holder securely.

<Note>

Check that there is no slack in the tape of the cassette.

REC

SAVE

HUMID display

POWER: ON

EJECT button

Cassette holder

Checking for tape slack

Gently push in the reel using your finger and turn the reel in the direction of the arrow. If the reel fails to turn, it means there is no tape slack.

Chapter 3 Recording and playback

3-2 Basic procedures

This section describes the basic steps for shooting and recording. Before actually departing to shoot scenes, carry out inspections to ensure that the system is functioning properly.

* For details on how to perform these inspections, refer to “6-1

Inspections prior to shooting.”

From providing the power supply to loading the cassette

Up to performing the switch settings

Provide the power supply, and load the cassette. Next set each switch as shown in the figure below, and then proceed to operate.

Attach a fully charged battery pack.

Set the POWER switch to ON. Now check that the HUMID display is not showing and that at least 5 segments of the remaining battery charge display are lighted.

≥If the HUMID display is showing, wait until it goes off. ≥When five or more segments of the remaining battery

charge display have not lighted, first check the battery setting. If there is nothing wrong with the battery setting, replace the existing battery pack with a fully charged battery pack.

Check that there are no cables around the cassette holder or top panel, and then press the EJECT button to open the cassette holder.

After checking the following points, insert the cassette tape and close the cassette holder.

≥Position of the accidental erasure prevent tab ≥Tape slack

Switch settings for shooting and recording

AUDIO SELECT CH 1/CH 2:

AUTO

TCG:

F-RUN or R-RUN

OUTPUT:

CAM/AUTO KNEE ON

GAIN:

Normally set to 0 dB; change to a more suitable value if the picture is too dark.

Aperture:

Automatic

Chapter 3 Recording and playback

Procedure for shooting

From adjusting the white balance and black balance to stopping the recording

Select the filter to match the lighting conditions.

2-1

If the white balance has been stored in the memory ahead of time:

Set the WHITE BAL switch to “A” or “B.”

2-2

If the white balance and/or black balance have not been stored in the memory and there is no time to adjust the white balance:

Set the WHITE BAL switch to PRST. The white balance for the filter is achieved in accordance with the setting position of the FILTER control (outer).

2-3

When adjusting the white balance on the spot:

Select the filter to match the lighting conditions, set the WHITE BAL switch to “A” or “B” and adjust the white balance as follows:

1 Press the AUTO W/B BAL switch to the AWB

position and adjust the white balance.

2 Press the AUTO W/B BAL switch to the ABB

position and adjust the black balance.

3 Press the AUTO W/B BAL switch to the AWB

position and adjust the white balance again.

* For details on how to perform the adjustments, refer to “4-1-1

Adjusting the white balance” and “4-1-2 Adjusting the black balance.”

Point the camera at the subject, and adjust the focus and zoom.

When the electronic shutter is to be used, set the shutter speed and operating mode.

* For further details, refer to “4-2 Setting the electronic shutter.”

Press the VTR START button or lens VTR button to start recording. During recording, the REC lamp inside the viewfinder lights.

To stop the recording, press the VTR START button again. The REC lamp inside the viewfinder goes off.

From adjusting the white balance and black balance to stopping the recording

132-1, 2, 32-34 5, 6

Tape function buttons

During recording, the tape function buttons (EJECT, REW, FF, PLAY/PAUSE and STOP) will not work.

Chapter 3 Recording and playback

3-3

Scene-to-scene continuity

Maintaining continuity from one scene to the next at an accuracy of +1 frame or less can be assured simply by pressing the VTR START button or VTR button on the lens while the unit is in the rec pause mode. If the unit is in a mode other than rec-pause, the point at which the scene-to-scene continuity is to be maintained must be located before recording is started.

Scene-to-scene continuity during rec pause

The scene-to-scene continuity timing is located automatically. However, the time taken until the start of recording differs depending on the setting of the VTR SAVE/STBY switch. ≥ When the VTR SAVE/STBY switch is set to SAVE,

recording commences about two seconds after the VTR START button is pressed.

≥ When the VTR SAVE/STBY switch is set to STBY,

recording commences as soon as the VTR START button is pressed.

<Notes>

In the 24P or 24PA mode, the start of the recording will be delayed by about one second from normal since the scene-toscene continuous shooting is performed in 5-frame periods. When the 24P or 24PA mode is selected after recording in any other mode, an unrecorded section or image disruption will occur in the section where one scene runs on from the previous scene when recording is next initiated. To ensure trouble-free scene-to-scene continuity, make a preliminary recording lasting at least 2 seconds before starting the actual recording.

Ensuring scene-to-scene continuity after the power was turned off while the unit was in the rec-pause mode

3-4 NEWS REC function

(when AJ-YA903G is not installed)

The NEWS REC function is set using the NEWS REC MODE item after opening the <REC FUNCTION> screen from the SYSTEM SETTING page by performing menu operations. By controlling the VTR START button acknowledgment time during recording (by up to 2 seconds), the time taken for the unit to transfer from the recording mode to the rec-pause mode can be delayed. In other words, by controlling the VTR START button operation acknowledgment time, the unit can continuously record without the user having to interrupt the recording: this safeguards against the failure to record those precious moments—a failure that occurs when recording is resumed immediately after it was shut down temporarily.

Ensuring scene-to-scene continuity at other times

Proceed as follows either after the tape has been allowed to run or after the cassette has been ejected or when ensuring continuity on a tape which has been recorded only in part.

Switch the power back on.

Press the VTR START button or lens VTR button to start the recording.

While monitoring the viewfinder screen, press the PLAY/PAUSE button to play back the tape.

At the place on the tape where continuity is to be maintained, press the PLAY/PAUSE (or STOP) button again to stop the tape.

Press the lens RET button. It takes about two seconds to complete the preparations for the scene-to-scene continuity.

Press the VTR START button or lens VTR button to start the recording.

1,2

It is also possible for the function of the VTR START button or VTR button on the lens to be allocated to the USER MAIN, USER1 or USER2 button. For details, refer to “4-8-4 Allocating functions to the USER MAIN, USER1 and USER2 buttons.”

Real-time video signals Real-time audio signals

Recording on tape

REC start

REC/

pause

When the NEWS REC function is ON

When the NEWS REC function is OFF

t = When this is inside the NEWS REC time setting

<Note>

The NEWS REC function will operate instead of pre-recording when the AJ-YA903G board is not installed in the unit.

Chapter 3 Recording and playback

3-6 INTERVAL REC function

(when AJ-YA903G is installed and when it is not installed)

When the AJ-YA903G expansion board is installed in the unit, the board's memory can be used to perform interval recording either in 1-frame increments as the minimum recording time (in the 60i or 30P mode) or in 5-frame increments (in the 24P or 24PA mode).

When the expansion board is not installed, interval recording can be performed for a recording time of two seconds or more. In order for this function to be used, it is necessary by performing menu operations to open the <REC FUNCTION> screen from the SYSTEM SETTING page, select the interval recording mode using the INTERVAL REC MODE item, and set the recording time (REC TIME), interval pause time (PAUSE TIME) and time required for shooting (TOTAL TAKE TIME). Upon completion of the settings, the total shooting time (TOTAL REC TIME) is automatically calculated and displayed. The INTERVAL REC MODE item settings are described below.

OFF: Interval recording is not performed. ON:

Interval recording with the use of the memory (when the AJ-YA903G is installed) without the use of the memory (when the AJ-YA903G is not installed).

ONE SHOT:

Interval recording is performed once for the time which has been set for REC TIME.

<Note>

When the unit is used in the 24P or 24PA mode, the recording time and standby time for interval recording is rounded off to the nearest 5-frame increment.

Procedure for shooting in the ON modes of INTERVAL REC

After performing the basic operations for shooting and recording as set forth in “3-2 Basic procedures,” secure the unit in such a way that it will not move.

Press the unit’s VTR START button or the VTR button on the lens. Interval recording now starts. When the set TOTAL TAKE TIME has elapsed, recording is ended automatically. As mentioned in “2-7 Display window and its displays,” “i” flashes when the INTERVAL REC mode is selected. As soon as recording starts, “iREC” lights. During rec pause, “iREC” flashes. Exactly what mode is established in the unit can be ascertained by observing these displays. The same displays as the ones in the display window also appear inside the viewfinder, and the TALLY lamp lights while recording is underway. Further, when the pause time has been set to 2 minutes or more, the tally lamp blinks at 5 second intervals to inform the operator. Further, when pause time has been set to 2 minutes or more, the tally lamp blinks at 5 second intervals to indicate when recording is paused. Under these conditions, the tally lamp will also flash 3 seconds before recording starts.

Real-time video signals Real-time audio signals

What is recorded on the tape

Previous cut

PRE-REC time set

REC start

(recording start)

REC pause

3-5

PRE-RECORDING function

(when AJ-YA903G is installed)

When the AJ-YA903G (memory) enpansion board is installed in the unit, the last several seconds’ (up to 15 seconds) worth of video and audio data shot by the camera can be kept stored on the memory board of the AJ-YA903G at all times. This makes it possible to record video and audio signals a number of seconds before recording is actually started by pressing the VTR START button or VTR button on the lens. In order for this function to be used, it is necessary to open the <REC FUNCTION> screen from the SYSTEM SETTING page and set the data storage time in the memory using the PRE REC MODE item by performing menu operations. The PRE REC MODE item settings are described below.

OFF: The PRE-RECORDING function is not activated. 0-15SEC: A value from 1 to 15 seconds is set as the length of

time for which the video and audio signals can be recorded before the VTR START button or VTR button on the lens is pressed.

<Notes>

≥ The data contained in the storage memory becomes

unstable immediately after the power is turned on, immediately after the PRE REC MODE item setting is selected or its set time has been changed, and immediately after playback or rec review has been performed. Immediately after any of these operations, therefore, the video and audio signals will not be pre-recorded for the duration set when recording is started by pressing the VTR START button or VTR button on the lens.

≥ The video data and audio data are not stored in the storage

memory while playback or rec review is being performed. This means that the pre-recording will not include the video and audio signals supplied during a playback or rec review operation.

≥ Bear in mind that when the ZOOM UP function is activated

during the time set for pre-recording as a focus assist function in the progressive mode, the zoomed-in image will remain in the memory and end up being recorded on the tape.

≥ When recording has been started, the time code (TCG)

display may remain in the hold status until it is possible for the time code (TCR) on the tape to be read.

Chapter 3 Recording and playback

When the recording is to be continued

Press the unit’s VTR START button or VTR button on the lens once more. Interval recording is now started again.

When recording is to be suspended at any time

Press the STOP button. Recording is now suspended. If the operation was undertaken with ON (MEMORY) selected as the INTERVAL REC MODE item setting, the tape may continue to run since the video signals which were stored in the memory until the moment when the STOP button was pressed will be recorded.

When the INTERVAL REC mode is to be exited

There are two ways to do this.

1) Set the unit’s POWER switch to OFF.

2) Perform a menu operation and select OFF as the INTERVAL REC MODE item setting.

Procedure for shooting in the ONE SHOT mode of INTERVAL REC

Follow the procedure below for shooting after the settings for the interval recording mode have been completed.

After performing the basic operations for shooting and recording as set forth in “3-2 Basic procedures,” secure the unit in such a way that it will not move.

Press the unit’s VTR START button or the VTR button on the lens. When the set REC TIME has elapsed, the recording is ended automatically. As mentioned in “2-7 Display window and its displays,” “i” flashes when the INTERVAL REC mode is selected. As soon as recording starts, “iREC” lights. Upon completion of the recording, “iREC” flashes when AJ-YA903G has been installed and “i” flashes when it has not been installed. The same displays as the ones in the display window also appear inside the viewfinder, and the TALLY lamp lights while recording is underway.

When the recording is to be continued

Press the unit’s VTR START button or VTR button on the lens once more. One-shot recording is now started again.

When the ONE SHOT mode of INTERVAL REC is to be exited

There are two ways to do this.

1) Set the unit’s POWER switch to OFF.

2) Perform a menu operation and select OFF as the INTERVAL REC MODE item setting.

Checkpoints common to all INTERVAL REC modes

≥ Sound-related

Whether the sound is to be recorded or not during interval recording is set by setting ON or OFF for the AUDIO REC item on the <REC FUNCTION> screen.

≥ Tape function button-related

During interval recording, all the tape function buttons (EJECT, REW, FF and PLAY/STILL) except STOP do not work.

≥ When the unit’s power was turned off during recording

(When AJ-YA903G is installed)

If the unit’s POWER switch was set to the OFF position during interval recording with the use of the memory, the tape will continue to run in order to record the video signals which were stored in the memory until the moment when the POWER switch was set to OFF, and then the power will automatically go off. If the battery was removed, the DC cable was disconnected or the power supplied through the AC adapter was cut off during recording, those shots (up to 5 seconds, 150 frames) taken prior to the moment concerned may not be recorded. Bear this in mind when the battery is to be replaced.

≥ When the tape has run out during recording

(When AJ-YA903G is installed)

Bear in mind that if the tape has run out and stops during interval recording with the use of the memory, those shots (up to 5 seconds, 150 frames) taken prior to the moment when the tape stopped may not be recorded.

≥ Starting recording quickly when unit is in pause mode

Selecting REC as the setting for one of either USER MAIN or USER1/USER2 buttons in advance enables quick start recording during pause mode when the set button is pressed. Measurement of pause mode time is continued even after quick start recording.

<Notes>

However, this does not work when the 24P or 24PA mode is established for the unit's recording signals.

Real-time video signals

Real-time audio signals

What is recorded on the tape Previous cut

iREC

start

REC TIME

(recording time = t1)

Time base

Real-time video signals Real-time audio signals

122

N-1

What is recorded on the tape

iREC start Time base

REC TIME (recording

time = t1)

TOTAL TAKE TIME

(time required for shooting)

TOTAL REC TIME

(time during which signals are recorded on tape)

PAUSE TIME

(pause time

= t2)

Chapter 3 Recording and playback

3-7 RETAKE function

The RETAKE function ensures continuity with the previous cut on the tape when shooting is resumed. It is set by opening the <REC FUNCTION> screen from the SYSTEM SETTING page and selecting ON as the setting for the RETAKE MODE item by performing menu operations.

The RETAKE MODE item settings are described below. ON: The retake operation is performed when the RET button

on the lens is pressed while the MODE CHECK button is held down.

OFF: The RETAKE function does not operate.

If, when the rec pause mode is established upon completion of the recording or the stop mode is established afterwards, the RET button on the lens is pressed while the MODE CHECK button is held down, the tape will be rewound to the approximate start point (a position advanced by 10 or so frames from the recording start) of the final image that was last recorded, and the rec pause mode will be established. If there is some leeway in the shooting time and a “NG” condition has been clearly identified, recording can be started from this point, and the cut in the NG area will be deleted. This function is particularly useful for cutting the amount of time taken for copying onto work tapes and other such economical operations.

3-9 Normal playback and

playback at different speeds

Black-and-white playback images can be viewed in the viewfinder by pressing the PLAY button. At the same time, color playback images can be viewed if a color video monitor is connected to the unit’s VIDEO OUT connector and MON OUT connector. Furthermore, playback images using SDI can be viewed from the VIDEO OUT connector when the AJYA902G expansion board has been installed. (In order to view these images, the OUTPUT SEL switch on the side panel must be set to the VTR position.) In addition, when the FF and REW buttons are used, the images can be played back at different speeds by establishing the cue mode (PLAY + FF), review mode (PLAY + REW), high-speed fast forward playback mode (FF) or high-speed rewind playback mode (REW).

3-8 Rec review function

When recording is temporarily stopped and the lens RET button is pressed, the last two seconds of the tape are automatically rewound, and the playback pictures on this part of the tape appear on the viewfinder screen. This makes it possible to check whether recording was performed properly. After the two seconds of the tape have been played back, the unit is again set to the recording start standby mode. If the RET button is held down, a maximum of 10 seconds of the tape is rewound and played back. The RET button function can be allocated by opening the <USER SW> screen from the OPERATION page and selecting settings for the USER MAIN SW, USER1 SW and USER2 SW items by performing menu operations.

<Note>

≥The rec review function cannot be used unless recording

lasts for one or more seconds.

≥If the OUTPUT SEL switch on the side panel is at the VTR

position during the rec review operation, the rec review images are output not only to the viewfinder but to the video output connectors (VIDEO OUT connector and MON OUT connector) as well. Bear in mind that if back-up images are being recorded by a backup VTR that has been connected, these rec review images will end up being recorded.

When the RETAKE function is to be exited

There are two ways to do this.

1) Set the unit’s POWER switch to OFF.

2) Perform a menu operation and select OFF as the RETAKE MODE item setting.

Direction of tape travel

Approx. 10 frames

Cut 1 Cut 2

Cut 3

Cut 4

Direction of tape travel

Playback of recorded section

Recording section

2 to 10 sec.

No recorded or already recorded section

Rec pause

Rec review operation

≥ When the AJ-YA903G board has been installed in the unit

and, play, FF or REW operations are performed following one shot recording, these operations will be performed after the images remaining in the memory have been recorded onto the tape. While the images are being recorded, the LED of the button pressed (for play, FF or REW operation) will flash.

≥ Concerning the time code display (when AJ-YA903G is

installed)

When recording has been started, the time code (TCG) display may remain in the hold status until it is possible for the time code (TCR) on the tape to be read.

Chapter 4

Adjustments and settings for recording

In order to achieve images with a consistently high picture quality with this unit, it is necessary to adjust the black balance and white balance as the individual conditions demand. To achieve a higher picture quality, it is recommended that the adjustments be performed in the following sequence: AWB (white balance adjustment) > ABB (black balance adjustment) > AWB (white balance adjustment).

4-1

Adjusting the white balance and black balance

4-1-1 Adjusting the white balance

The white balance must always be re-adjusted when the lighting conditions have changed. The white balance is adjusted automatically by following the steps below.

White balance detection area

The white balance detection area setting can be changed to 90%, 50% or 25% by opening the <WHITE BALANCE MODE> screen from the OPERATION page and selecting the desired setting for the AWB AREA item by performing menu operations. The factory setting is 25%.

Set the switches as shown in the figure.

Select the FILTER control setting in accordance with the lighting conditions.

<Note>

For examples of the FILTER control settings, refer to “2-3 Shooting and recording/playback function section.”

Erect a white pattern at a place with the same conditions as the source of light illuminating the subject, zoom in, and shoot the white of the pattern on the screen. A white object (such as a white cloth or white wall) near the subject may be used as a substitute for the white pattern. The size of the white object required is shown in the figure below.

<Notes>

≥Take care to keep high-brightness spots off the screen. ≥Shoot white objects in the center of the screen.

Adjust the lens aperture.

Set the AUTO W/B BAL switch to AWB, and then release it. The switch returns to the center, and the white balance is automatically adjusted.

<Note>

When the AUTO W/B BAL switch is pressed again to the AWB side when the white balance is being adjusted automatically (AWB ACTIVE), the adjustment operation will stop. The adjusted value in this case is the value before automatic adjustment was performed.

While the adjustment is in progress, the following message appears on the viewfinder screen.

FILTER control

WHITE BAL: A or B

OUTPUT: CAM

GAIN: Normally 0 dB

Set to a more suitable gain level if it is too dark.

AUTO W/B BAL switch: Use this to execute AWB.

At least one-fourth of the screen width

At least one-fourth of the screen height

AWB ACTIVE

Adjustment is completed in several seconds. (A message similar to the one shown in the figure below now appears.) The adjustment value is automatically saved in the memory (A or B) which was set in step 1.

AWB A OK 3.2K

If the CC filter is set to 3200 K, the message shown in the figure below appears when the color temperature of the subject falls below 2300 K or rises above 5600 K. The downward pointing arrow indicates that the color temperature is lower than the display temperature; conversely, an upward pointing arrow indicates that the it is higher than the display temperature.

AWB A OK 2.3K

90%

50%

25%

Chapter 4

Adjustments and settings for recording

When there is no time to adjust the white balance

Set the WHITE BAL switch to PRST. The white balance for the filter is achieved in accordance with the setting position of the FILTER control (outer).

When the white balance cannot automatically be adjusted

When the white balance adjustment was not completed correctly, one of the following error messages will appear on the viewfinder screen. When an error message is displayed, take the recommended action, and try adjusting the white balance again. If the error message persists even after repeated attempts, the inside of the unit must be inspected. For details, contact your nearest service center or your dealer.

Auto tracking white balance setting

This unit comes with an auto tracking white balance (ATW) function for automatically tracking the white balance of the images in accordance with the lighting conditions. This function can be set in WHITE BAL switch B. Open the <WHITE BALANCE MODE> screen from the OPERATION page and select ATW for the <AWB B> item by performing menu operations. The ATW function can also be allocated to the USER MAIN, USER1 or USER2 button. For details, refer to “4-8-4 Allocating functions to the USER MAIN, USER1 and USER2 buttons.”

To release the auto tracking white balance

Either press again the USER button to which ATW has been allocated or select a different position for the WHITE BAL switch. However, auto white balance will not be released if ATW has been set in WHITE BAL switch B.

< WHITE BALANCE MODE >

FILTER INH :ON SHOCKLESS AWB :NORMAL AWB AREA :25%

AWB&ABB OFFSET :OFF AWB A :MEM COLOR TEMP A :3200K AWB B :MEM COLOR TEMP B :3200K ATW SPEED :NORMAL

<Note>

This function is not meant to give a 100% guarantee for the accuracy of the white balance. Some leeway has been given to both the function’s ability to track changes in the lighting conditions and the accuracy with which the white balance is tracked. For this reason, handle the function carefully.

Viewfinder screen displays relating to the white balance

For details, refer to “4-7 Viewfinder screen status displays.”

Messages relating to white balance adjustment

Error

message

Meaning Recommended action

Select a suitable filter.

COLOR TEMP. HIGH

Color temperature is too high.

Select a suitable filter.COLOR TEMP.

LOW

Color temperature is too low.

Increase the amount of light or increase the gain.

LOW LIGHT There is not enough light.

Reduce the amount of light or reduce the gain.

LEVEL OVER There is too much light.

Check the filter selector control.

CHECK FILTER The setting position of the

filter selector control is not correct.

The shooting conditions may be unstable. If flicker occurs, engage the shutter and shoot again under stable conditions.

TIME OVER AWB was not completed

within the allotted time.

White balance memories

The values stored in the memories are retained even after the unit’s power has been turned off until the white balance is next adjusted. There are two sets of white balance memories, A and B. When ON has been selected (initial setting) as the setting for the FILTER INH item on the <WHITE BALANCE MODE> screen opened from the OPERATION page by performing menu operations, the number of memories is limited to one in A and one in B. In this case, the memory contents are not coupled with the CC filter. When FILTER INH is set to OFF, the adjustment values for each CC filter can be automatically saved in the memories corresponding to the WHITE BAL switch settings (A or B). This unit contains four filters so that a total of 8 (4a2) adjustment values are saved. Note that when VAR has been selected for AWB A and AWB B items of the <WHITE BALANCE MODE> screen, the values will be the fixed color temperature settings established with the COLOR TEMP A and COLOR TEMP B settings and they cannot be adjusted using the AWB switch.

Chapter 4

Adjustments and settings for recording

<Notes>

≥Check that the lens connector has been connected and

that the lens aperture is set to CLOSE.

≥While the black balance is being adjusted, the aperture

is automatically set to the light-shielding status.

≥While the black balance is being adjusted, the gain

selector circuit is switched automatically. Flicker or noise may appear on the viewfinder screen, but this is not indicative of malfunctioning.

≥If the black shading is still unsatisfactory although the

“ABB OK” message is displayed, perform menu operations to open the <BLACK SHADING> screen from the MAINTENANCE page, move the arrow mark (>) to the DETECTION item, press the JOG dial button, and proceed with the black shading adjustment. If the ABB switch is held down for 5 or more seconds, the black shading can be automatically adjusted after the ABB operation. (See the SHD.ABB SW CTL item under “7-5-5 SW MODE.”)

≥If the AUTO W/B BAL switch is pushed down to the

ABB position again while the black balance is being automatically adjusted (ABB ACTIVE), the adjustment will be aborted. The adjusted value in this case is the value before automatic adjustment was performed.

Black balance memory

The values stored in the memory are retained even after the unit’s power has been turned off.

4-1-2 Adjusting the black balance

The black balance needs to be adjusted in the following cases:

≥When the unit is used for the first time ≥When the unit is used after it has not been used for a

prolonged period of time

≥When the unit is used in an ambient temperature which has

fluctuated significantly

≥When the value selected for the gain switch has been

changed

≥When the super gain setting has been performed using the

USER MAIN, USER1 or USER2 button

≥When the gamma ON/OFF setting has been changed

Set the switches as shown in the figure.

Set the AUTO W/B BAL switch to the ABB position, and then release it. The switch returns to the center, and the adjustment is performed.

While the adjustment is in progress, the following message appears on the viewfinder screen.

<Note>

While the adjustment is in progress, the lens aperture is automatically set to CLOSE.

AUTO W/B BAL switch: Use this to execute ABB.

OUTPUT: CAM

ABB ACTIVE

Adjustment is completed in several seconds. (A message similar to the one shown in the figure below now appears.) The adjustment value is automatically saved in the memory.

ABB OK

Chapter 4

Adjustments and settings for recording

4-2

Setting the electronic shutter

This section describes the unit’s electronic shutter, its settings and operations.

4-2-1 Shutter modes

The table below lists the shutter modes in which the unit’s electronic shutter can be used as well as the shutter speeds which can be selected.

Mode Shutter speed Applications

For shooting fast-moving subjects clearly.

For improving the vertical resolution.

Standard

SUPER V

POSITION1 - 6

For shooting monitor screens with a vertical scanning frequency exceeding 60 Hz in a way that minimizes the pattern of horizontal lines.

SYNCHRO SCAN

Within the

60.3

Hz to

249.7

Hz range

<Notes>

≥No matter in which mode the electronic shutter is used, the

higher the shutter speed, the lower the camera’s sensitivity.

≥When the aperture is in the automatic mode, it will

increasingly open and the depth of focus will become shallower as the shutter speed is increased.

4-2-2 Setting the shutter mode

and speed

The shutter speeds used in the shutter mode are set by switching the SHUTTER switch. The shutter speeds in the SYNCHRO SCAN mode can easily be changed using the SYNCHRO SCAN (+ and -) buttons on the side panel. Open the <SHUTTER SPEED> screen and <SHUTTER SELECT> screen from the OPERATION page by performing menu operations. It is now possible to restrict the shutter speed selection range to the required range beforehand and/or select whether to use the SYNCHRO SCAN mode and SUPER V mode beforehand. Once selected, the shutter speed is retained even after the unit’s power has been turned off.

< SHUTTER SPEED >

SYNCHRO SCAN :ON SUPER V :OFF POSITION1 :ON POSITION2 :ON POSITION3 :ON POSITION4 :ON POSITION5 :ON POSITION6 :ON

< SHUTTER SELECT >

SUPER V MODE :FRM1 POSITION1 SEL :1/100 POSITION2 SEL :1/120 POSITION3 SEL :1/250 POSITION4 SEL :1/500 POSITION5 SEL :1/1000 POSITION6 SEL :1/2000

Press the SHUTTER switch from ON to SEL.

SHUTTER switch

Press the SHUTTER switch to the SEL position again, and repeat this until the desired mode or speed is displayed. When all the modes and speeds are displayed, the display will change in the sequence shown below.

<Note>

Since the factory setting for the SUPER V mode is OFF, there is no display at this setting. To designate the mode, open the <SHUTTER SPEED> screen from the OPERATION page and select ON for the SUPER V item setting by performing menu operations.

Viewfinder screen displays relating to the shutter

For details, refer to “4-7 Viewfinder screen status displays.”

POSITION

POSITION2POSITION3POSITION4POSITION5POSITION

Standard mode

SUPER V

mode

SYNCHRO SCAN

mode

Chapter 4

Adjustments and settings for recording

4-3 Selecting the recording

signals and recording system

With this unit, both the signals to be recorded and the recording format can be selected.

4-3-1

Selecting the recording signals

Open the <SYSTEM MODE> screen from the SYSTEM SETTING page and select the signals to be recorded using the CAMERA MODE item by performing menu operations.

Using the CAMERA MODE item, the operation mode of the camera to be used for recording is selected.

60i: The unit’s camera is operated in the 59.94i mode. 30P: The unit’s camera is operated in the 29.97P mode. 24P: The unit’s camera is operated in the 23.98P mode

using the 2:3 pulldown system.

24PA: The unit’s camera is operated in the 23.98P mode

using the 2:3:3:2 pulldown system.

To operate the unit’s camera in the 30P, 24P or 24PA mode, select the vertical resolution mode using V.RES (24/30P).

INTRLCE: This produces natural images with line mixing. PROG: This produces true progressive segment frame

images without line mixing.

Even when the camera is to be operated in the progressive mode (30P/24P/24PA), the recording signals supplied to the VTR are converted from the progressive mode (30P/24P/ 24PA) to the interlace (60i) mode.

<Note>

≥If VIDEO has been selected as the REC SIGNAL setting,

the images may be disrupted when the signals from the GENLOCK IN connector are non-standard signals.

≥If the PROG setting is selected, segment frame images are

produced, enabling true progressive editing. However, when vertical detail (V.DTL) is added, the images produced will not be natural, so it is recommended that V.DTL be set to 0 for use.

≥In the progressive mode, the shutter is forcibly set to 50%

(1/50 sec) to produce more film-like moving images. To release the shutter mode, it is necessary by performing menu operations to open the <OPTION> screen and select OFF as the P.HALF SHUT item setting.

≥When the mode is switched from 60i or 30P to 24P or 24PA,

the images may be disrupted for an instant to adjust the 5frame period. However, this does not mean that the unit is malfunctioning.

4-3-2

Selecting the recording system

Open the <SYSTEM MODE> screen from the SYSTEM SETTING page and select the format of the VTR to be used for recording using the REC MODE item by performing menu operations.

Concerning what is set

16:9/50M: Signals are recorded in the DVCPRO50 format

(50 Mbps) with an aspect ratio of 16:9.

4:3/50M: Signals are recorded in the DVCPRO50 format

(50 Mbps) with an aspect ratio of 4:3.

16:9/25M: Signals are recorded in the DVCPRO format (25

Mbps) with an aspect ratio of 16:9.

4:3/25M: Signals are recorded in the DVCPRO format (25

Mbps) with an aspect ratio of 4:3.

Press the SHUTTER switch from ON to SEL to establish the SYNCHRO SCAN mode.

In the SYNCHRO SCAN mode, it is possible to change the shutter speed continuously within a range from 1/60.3 sec. to 1/249.7 sec. by operating the SYNCHRO SCAN (+ and –) buttons.

4-2-3

Setting the synchro scan mode

Proceed with operation by following the steps below.

SYNCHRO SCAN (+ and –) buttonsSHUTTER switch

Items to be set and what is set

The signals to be recorded are selected using REC SIGNAL.

CAM: The signals from the camera are recorded. VIDEO: The signals from the GENLOCK IN connector are

recorded.

< SYSTEM MODE >

REC SIGNAL :CAM CAMERA MODE :60i V.RES(24/30P) :INTRLCE REC MODE :16:9/50M SET UP 50 :7.5%A SET UP 25 :7.5%A PB MODE :AUTO REC TALLY :RED

Chapter 4

Adjustments and settings for recording

4-4 Selecting the audio input

signals and adjusting their recording levels

When the AUDIO SELECT CH1/CH2 switch is set to AUTO, the recording levels on audio tracks CH1 and CH2 are adjusted automatically. On the other hand, when it is set to MAN, the levels can be adjusted manually. The recording levels on audio tracks CH3 and CH4 can be selected using the menu.

4-4-1

Selecting the audio input signals

Use the AUDIO IN switch to select the input signals to be recorded on audio tracks CH1, CH2, CH3 and CH4. For details, refer to “2-2 Audio function section.”

< MIC/AUDIO1 >

FRONT VR CH1 :OFF FRONT VR CH2 :OFF MIC LOWCUT CH1 :OFF MIC LOWCUT CH2 :OFF MIC LOWCUT CH3 :OFF MIC LOWCUT CH4 :OFF LIMITER CH1 :OFF LIMITER CH2 :OFF AUTO LEVEL CH3 :ON AUTO LEVEL CH4 :ON REC CH3/CH4 :SW CUE REC SELECT :CH1 TEST TONE :NORMAL

< MIC/AUDIO2 >

FRONT MIC POWER :ON REAR MIC POWER :ON AUDIO OUT :ON MONITOR SELECT :STEREO FRONT MIC LEVEL :–40dB REAR MIC CH1 LVL :–60dB REAR MIC CH2 LVL :–60dB REAR LINE IN LVL :+4dB AUDIO OUT LVL :+4dB HEADROOM :20dB WIRELESS WARN :OFF

AUDIO LEVEL CH1, CH2 controls

AUDIO SELECT CH1, CH2 buttons

MONITOR SELECT CH1&2 /ST/ CH3&4 switch

MONITOR CH1/3 / ST / CH2/4 selector switch

Display window

For the detailed audio-related settings, open the <MIC/AUDIO1> and <MIC/AUDIO2> screens from the VTR MENU page and select the settings for the items by performing menu operations. For details, refer to “Chapter 7 Menu description tables.”

4-4-2 Adjusting the audio signal

recording levels

The procedure for manually adjusting the levels at which the signals are to be recorded on audio tracks CH1 and CH2 is set forth below.

Set the MONITOR SELECT switch to the CH1/2 position so that the audio level meter display in the display window indicates CH1 and CH2, and check that 1 and 2 are actually indicated as the display in the display window. Before proceeding any further, on the menu, set whether to activate the F.AUDIO LEVEL controls which are used for attenuation. (At the factory, the mode in which these controls are inactive is established.)

Set the AUDIO SELECT CH1 and CH2 buttons to MAN (manual).

While monitoring the audio level meter in the display window or the audio level meter display inside the viewfinder, adjust the AUDIO LEVEL CH1 and CH2 controls. If the uppermost bar (0 dB) is exceeded, the “OVER” display lights up to indicate that the input volume is too high. The level must be adjusted so that 0 dB will not be indicated even under maximum volume conditions.

For the audio levels to be adjusted by one person only, it is recommended that the F.AUDIO LEVEL controls be used. Select in advance the audio channels whose levels are to be adjusted, and while monitoring the level meter on the viewfinder screen, adjust the F.AUDIO LEVEL controls in such a way that the input will not be too high.

CTL

TAPE

Y minM

frm

VTCG

TIME DATE

P-iREC

SLAVE HOLD W GPS

BATT

OVER

-dB

NDF

F:1---- R:2---- ---+

∫ ∫

Audio level meter in display window

Audio level meter display inside viewfinder

+ 72 hidden pages