Olympus OM-1 Operating Instructions

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INSTRUCTIONS

DESCRIPTION OF CONTROLS

Refer to pages in parentheses for detailed explanations of each part.

Mirror Lock-up Lever

Rewind Release Lever

(P. 29)

(P. 10)

Shoulder Strap Eyelet

Self-Timer

Preview Button

(P. 29)

(P. 17)

(P. 16)

Standard Lens

DESCRIPTION OF CONTROLS

The design of the OLYMPUS OM-1 lets you see every camera

control from the top.

Shutter Speed Ring

Lens Release Button

FP and X Flash Selector

Flash Synchronization

Socket

Rewind Knob

/Camera Back Release

Rewind Crank

(P. 11)

(P. 16)

(P. 26)

(P7•P10)

(P. 10)

(P.17)

Depth of Field Scale

(P.11)

Aperture Ring

(P.15)

Focusing Ring

(P.

16),

Lens Mount Ring

(P.16)

Body Mount Ring

(P.12)

AS A Film Speed Dia l Film Speed Dial

(P. 12)

Release Button

(P.19)

Shutter Release

Button/Cable

Release Socket

Meter Switc h Lever

Hot Shoe Socket

(P. 13)

(P. 26)

(P.9)

Exposure Counter

(P. 9)

Film Advance Lever

Film Take-Up Spool

Viewfinder Eyepiece

Rewind Shaft

(P.8)

Camera Back

(P.30)

Release Pin

(P.30)

Camera Back

Film Pressure Plate

Film Cartridge Pressure Spring

Film Chamber

(P. 7)

Film Guide Pins (2)

Shutter Curtain

Guide Pin Hole

(P.23)

Battery Chamber

Motor Drive Socket Cap

Tripod Socket

(P. 7)

(P.8)

(P. 11)

(P.23)

(P.23, 26)

(P. 8)

Dual Sprocket

Motor Coupling Terminal

OM-1

Description

Specifications

Short Course of Instructions Inserting

Loading Front

Operating the Film Advance Lever 9 The Unloading

Making Double Exposures Setting the Shutter Speed Ring . .

Setting the Aperture Ring Setting the ASA Film Speed Di al .

The

Metering

Setting

Focusing

Changing

Controls

......

............

the

Battery

the

Film

Lens

Cap

Exposure

the

System

the

Exposure

...............

the

Lens

........

..........

...........

Counter Film

.......

........

.......

........

........ .

...

....

10 11

Infrared

Depth

Preview

Depth Holding Interchangeable Focusing Screens . 20 Motor Drive Photography

Operation

Operation of Basic Motor Drive

Flash Setting

Locking

Changing the Camera Back Questions Care

Photography

Field

Button

Field

the

Package

Photography

the

up the

and

Storage

.......

Scale

........

...........

Camera

Winder 1 .......

........

..............

.........

Self-Timer

Answers

Mirror

.......

......

..........

....

18 19

26 29

31 32

On OM System

Zuiko Interchangeable Lens Group 33

Table of Interchangeable Lenses. . 35

Interchangeable Lens Group Units 37

Motor

Drive

Motor Finder

Flash

Drive

Group

Photo

Group

Units

Group

and

.........

Units

......

.........

Flash Photo Group Units ..... 48

Macrophotography Group ..... 51

Macrophotography Units ..... 54

Photomicrography Group ..... 59

Photomicrography Units ..... 62

Chart of Photographic Ranges . .

Phototechnical Phototechnical

Case

Group

Case

Units

Group Units

.......

........

.............

..............

68 69 69

SPECIFICATIONS

Specifications subject to change witho ut notice.

System:

Camera Type:

Fil m Format:

Standard Lenses:

Lens Mount:

Minimum Focusing Distance:

Lens Accessory Size: Shutter: Self-Timer:

Exposure Measurement:

Exposure Range:

Battery: Film Speed Range:

Viewfinder:

Viewfinder Magnification:

Viewfinder Apparent Field View

Focusing Screens:

Reflex Mirror:

Flash Contacts: Flash Synchronization:

Hot Shoe Socket:

Film Advance: (Manual)

(Motor Drive)

Exposure Counter: Film Rewinding:

Camera Back:

Dimensions & Weights:

OLYMPUS OM SYSTEM.

35mm Single Lens Reflex with focal plane shutter.

24mm x 36mm.

50mm F1.8 F Zuiko Auto-S 6 elements in 5 groups. 50mm F1.4 G Zuiko Auto-S 7 elements in 6 groups. 55mm F1.2 G Zuiko Auto-S 7 elements in 6 groups. OLYMP US OM Mount, bayonet type, rotation angle 70°, flange back 46mm.

45cm (17 3/4") with all standard lenses.

49mm threaded for F1.8 an d F1.4 lenses; 55mm threaded for F1.2 lens.

Focal plane shutter, ring mounted control, with speeds from 1 to 1/1000 second plus B:

4—12 second delay lever type; can be stopped and reset after actuation. Two highly sensitive CdS cells located on either side of the eyepiece provide through-the-lens

open aperture light measurement. Zero-method wit h needle vi s i b l e in viewfinder. On-Off Switch

located atop camera.

EV 2—17 (ASA 100 with F1.4 standard lens).

1.35 volt mercury battery (Eveready or UCAR EPX625, Mallory PX625, or equivalent)

ASA 25-1600.

Pentaprism type wide-vision finder shows 97% of actual picture field; Interchangeable focusing

screens; Visible exposure meter needle.

0.92X

infinity

with

standard

50mm

lens.

23° 30' & 35°.

1-13 Microprism/split image-matte type provided. Interchangeable with any of 12 additional screens.

Oversize, quick return type with mirror lock-up control. FP·X switch type contact.

With electronic flash (X ) 1 to 1 /60 sec. With class "M" bulbs ( X) 1 to 1/15 sec. With class "F" bulbs (X ) 1 t o 1/15 sec. With focal plane bulbs (FP) 1/60 to 1/1000 sec.

Built-in. Easy to attach Accessory Shoe 1 available.

Ratc het t ype film advance. May be advanced in one stroke or several short strokes for a total of

150° rotation, pre-advance angle 30°. Built-in prevention against double advance with double

exposure override capability.

With Motor Drive 1 unit attached, single-frame and continuous advance at speed of 5 frames

per second (at exposures above 1/500 sec., wit h fresh batteries and at normal temperature and

humidity). Progressive type from "S" (Start) to 36 and "E" (End). Counter automatically resets to "S''

when camera back is opened.

Rewind crank with automatic-resetting rewind rel eas e lever. Removable hinge type. Interchangeable with Recorda ta Back 1 and 250 Film Back 1.

With F1.8 lens:

136mm x 83 mm x 81mm (5-3/8" x 3-1/4" x 3-3/16") : 680 gr. (24.0 oz.)

With F1.4 lens: 136mm x 8 3mm x 89mm (5 -3 / 8" x 3-1/4" x 3-1/2") : 740 gr. (26.1 oz .)

With F1.2 lens: 136mm x 83mm x 97mm (5-3/8" x 3-1/4" x 3-13/16") : 820 gr. (28.9 oz.)

Body only:

136mm x 83mm x 50mm (5-3/8" x 3-1/4" x 2") : 510 gr. (18.0 oz.)

SHORT COURSE OF INSTRUCTIONS

(R efe r to each page for detailed operating instructions.)

Load the camera (see page 7). Make sure the battery has been properly inserted and that the

camera back is closed tightly.

Look through the viewfinder.

Compose and focus. Set the prop-

er exposure (see pages 13, 14, 15).

Set ASA Film Speed (see page 12 ).

Take the picture (see page 19).

Hold the camera steady and release the shutter with a slow,

steady pressure.

Advance the film until the figure "1" appears in the exposure coun-

ter window (see page 9).

After the entire film has been exposed, rewind the film back

into the cartridge (see page 10).

INSERTING THE BATTERY

LOADING THE FILM

FRONT LENS CAP

The OLYMPUS OM-1 is supplied with a 1.35V mercury battery (JIS H-D type) to power its through-the-lens exposure metering system. It will last approximately one year depending upon use and must be replaced with an Eveready (UCAR) EPX625, Mallory PX625

or equivalent. Substitutes must not be

used. (NOTE; The exposure meter stops

functioning when the battery runs out. To prolong battery life, make sure the Meter Switch Lever is in the "OFF" position when the camera is not in

use.) To insert the battery:

1) Insert the edge of a coin into the

cap of the battery chamber and turn

counter-clockwise until the cap has

been removed.

1. Open the camera back.

Pull up on the rewind knob. A slight resistance may be felt before the

camera back snaps partially open.

2) Place the battery in the battery

chamber making sure the positive side

(+) is facing out. The exposure meter does not function if the battery is

inserted incorrectly.

3) Replace the cap tightly.

2. Load the cam era.

Insert a film cartridge in the film

chamber and push the rewind knob

back into its original position. It may

be necessary to turn the rewind knob slightly before it will lock securely in

place.

3. Attach the film end to the take-up

spool.

Draw out the film leader and insert it into one of the slots in the film take-up

spool. Make sure the film is evenly

placed between the film guide pins.

Be careful not to permit the film leader to protrude out of the opposite slot

when inserted into the spool.

4. Advance the film.

Advance the film using the film advance lever. Make sure that the film perforations engage on the sprockets

on both sides.

5. Close the camera back.

Close the camera back until it clicks

in t o place.

7. Check the exposure counter window.

Advance the film and depress the shutter

release button.

Advance

the

film once more until "1" appears in the exposure counter window. The

rewind knob will rotate in a counterclockwise direction indicating that the film is advancing properly.

To attach or remove the fro nt lens cap, press the spring-loaded lens cap retain-

ing clips on either side of the cap. The

cap then fits easily over the accessory

thread of the lens.

6. Tighten the film.

After closing the cover, fold out the rewind crank and turn it slowly in a

clockwise direction until a slight resist-

ance

felt.

This

will

take

up any

slack

in t he film.

OPERATING THE FILM ADVANCE LEVER

THE EXPOSURE COUNTER

In one stroke the film advance lever:

1) advances the film one full frame,

2) advances the exposure counter, 3) cocks the shutter, 4) sets the in-

stant return mirror, 5) activates the automatic diaphragm mechanism and

6) activates double advance and

double exposure prevention mecha-

nism.

Refer to page 21 for Motor Drive Photography.

To advance the film:

1) Gently pull the film advance lever

away f rom the camera body.

2) Advance the lever to the right as

far as it will go. This can be ac-

complished in a single stroke or in multiple short strokes.

The exposure counter is designed to indicate the total number of frames exposed on the film. Each time the film is advanced by the film advance lever, the exposure counter automatically adds one frame to the total. The counter is indexed in even numbers up to 36 plus "S" (start) and "E"

(end). For easy reference, "S", "E",

and numbers 12, 20 and 36 are indicated in gold.

Whenever the camera back is opened, the exposure counter automatically

returns to "S".

UNLOADING THE FILM

When the entire roll of film has been

exposed (indicated by numbers 12, 20 or 36 on the exposure counter depending o n film length), rewind th e film.

1) Turn the rewind release lever coun-

ter-clockwise until the red line is

opposite the "R".

MAKING DOUBLE EXPOSURES

Should you wish to make more than one exposure on the same frame:

1) After taking the first exposure, turn the rewind knob slowly in a clockwise direction until it stops to take o ff any

slack

in the film.

2) Turn the rewind release lever counter-clockwise until the red line is opposite the " R".

2) Fold out the rewind crank and wind it in the direction of the arrow. During the rewind procedure you will feel tension on the crank. When it turns fr e e the film has been completely rewound back into the cartridge.

3) Hold both the rewind knob and

rewind

release them from turning and advance the film advance lever. The shutter will

then be cocked for the next exposure

of the frame, without the film being advanced.

4) Depress the shutter release button

with a slow, steady pressure.

5) After completing the multiple ex-

lever

firmly

prevent

3) Open the camera ba ck b y pulling up

on the rewind crank and remove the film cartridge. Keep camera and film

out of direct sunlight.

IMPORTANT: Do not force the film advance lever if the film has been fully exposed. If there is some resistance, rewind the film to prevent tearing.

posure, cover the lens with a lens cap, advance the film and shoot a blank

frame to avoid overlapping.

You can make as many multiple exposures as you like by repeating the above procedure. With each exposure on the same frame (the exposure

counter adds one), the likelihood of

slippage is increased. Practice is re-

quired in order to obtain good results.

SETTING THE SHUTTER SPEED RING

SETTING THE APERTURE RING

The length of time that light is allowed to strike the film is controlled by the focal plane shutter. The shutter consists of two opaque "curtains" which travel across the opening and allow light

reach

the film. coordinated movement of these curtains determine in frac tion s of a second the exposure time for your picture.

For example, 1000 on the shutter

speed ring indicates 1/1000 of a second

and 60 indicates 1/60 of a second. The

figure 1 indicates one full second. The B (Bulb) setting is used fo r longer time

exposures. A t this setting the shutter will remain open as long as the shutter

release button is held down. For ex-

posures less than 1/30 of a second, it is

advisable to use a cable release, tripod or other steadying devices to avoid

The

speed

and

camera movement which can result in blurred or fuzzy pictures.

To set the shutter speed turn the

shutter speed ring in either direction until the desired number clicks into place opposite the reference dot on the lens barrel. Set the ring only at click-

stop positions as no in-between settings

can be used. Shutter speeds may be set

before

after

advancing

NOTE: Speeds from "B" to "60" are indicated on the ring in blue as an easy reference to "X" flash synchronization.

the

film.

The amount of light allowed to strike the film is represented by "F" numbers or "F" stops engraved on the aperture ring. The higher the F number, the

smaller

opening (more light). When setting the aperture ring you can use either the click-stop positions or any in-between settings to obtain precise exposure.

All lenses in the OLYMPUS OM SYS-

TEM (other than specialized lenses)

control allowing you to focus and compose maximum aperture or "wide open." The diaphragm will au t omatically stop down to the preselected F stop at the moment of exposure and immediately

re-open when exposure is completed.

the

lens

opening

lower the number, the larger the lens

provide fully automatic diaphragm

your

picture with

(less light);

the

lens

the

SETTING THE ASA FILM SPEED DIAL

THE METERING SYSTEM

Setting the correct ASA film speed on

the camera is one of the most impor-

tant factors in determining exposure.

In order to obtain properly exposed

pictures, the correct ASA film speed

must be set on the ASA film speed

dial. To set the dial:

1) Pull the film advance lever slightly

away from the camera body.

Press

the

film

speed

button and turn the film speed dial until the ASA rating for the film being used is opposite the black line engraved

on the outer ring of the shutter release button.

Release

that the dial is securely in place and

the

button

dial

making

release

sure

does not move.

The OLYMPUS OM-1 incorporates a

built-in, wide-open exposure metering

system which uses two highly sensitive

CdS cells with one postioned on each side of the eyepiece. These cells measure the actual amount of light enter in g

the lens, placing the greatest emphasis at the center of the picture area. Measurements are taken with the lens diaphragm at maximum aperture (wide open) allowing you to take full advantage of a brighter viewfinder when focusing and composing your picture. The OM-1 metering system operates as above with all OM System camera lenses (except a few special lenses) regardless of the focal length, filters,

etc.

SETTING THE EXPOSURE

Exposure Meter Needle

Exposure Meter Index

Activating the Meter

The OLYMPUS OM-1 metering sys tem is directly coupled to the shutter speed ring, aperture ring and ASA film speed dial.

To activate the meter, move the meter

switch lever at the top of the camera to

the "ON" position. To prolong battery

life, it's a good idea to return the lever

to the "OFF" position when the cam-

era is not in u se.

Preselecting the Shutter Speed

Should you wish to select a shutter speed to meet a specific photographic situation (for example, to stop fast action, eliminate camera shake, etc.):

1) Turn the shutter speed ring until the desired speed is opposite the red reference dot on the camera lens.

2) Look through the viewfinder and turn the aperture ring until the needle

lines up in the center of the index. For fine exposure adjustment you can use any intermediate F stop position on

the aperture ring.

3) If the needle will not align proper-

ly, select a new shutter speed. To

correct over-exposure (+), try a faster

speed; to correct under-exposure (–),

try a slower speed.

Preselecting the F Stop

Should you wish to preselect the F stop (for example, to control depth of field for greater creative impact):

1) Turn the aperture ring until the desired F stop is opposite the white index mark at the front of the lens barrel.

2) Look through the viewfinder and rotate the shutter speed ring until the needle lines up as close as possible to the center of the index. Make sure that

shutter speed meets the other require-

ments of th e situation.

3) Make the final exposure adjustment

by turning the aperture ring slightly

until the needle aligns exactly in the

center of the index.

Making Intentional Over- or Under-

exposures

You can make intentional over- or under-exposures to meet special lighting requirements (such as backlighting, sidelighting, etc.) by using the central index in the viewfinder as a guide. When the needle swings towards the

(+) position, it indicates over-exposure. When it swings towards (–), it indicates under-exposure. The exact F stop-n e e dle relationship is shown in the above diagrams.

Caution in Low-light Exposure

Metering

The meter's e x po s ur e range is EV2—17

(ASA 100 with F1.4.) The combina-

tions listed below indicate the lowest measurable limit in dealing with dark subjects.

Below

this

limit

with

the

meter switch at OF F, when the aperture ring or shutter speed ring is rotated, the

needle might sometimes swing but the meter will not work.

Lens

50mm F1.8 50mm F1.4 55mm F1.2

F/Stop

Fully open Fully open Fully open

Shutter Speed

1/2 sec 1/2 sec 1/2 sec

Stop-down Exposure Readings

When using the OM-1 in conjunction with the extension tubes, bellows or

the Zuiko Shift Lens it is necessary to

take meter readings with the lens stop-

ped down. After setting the desired

aperture on the aperture ring, stop

the lens diaphragm down and look

through the viewfinder. Rotate the

shutter

speed

ring

until

the

needle aligns within the center of the index. (See the instructions on Preselecting the F Stop, page 13.)

Special Exposure Techniques

1) Backlighting and Sidelighting When the most important area of the picture is much darker than the general picture

area

(strong

light

hitting

the main subject from behind or from the side)

the

meter

will

have a tendency

read the brightest part of the picture leaving the main subject under-exposed.

To compensate for this, move in

towards the subject until most of the subject image appears in the viewfinder and take your meter reading. After

setting the exposure, return to your original position to take the picture. If this procedure cannot be followed, you can obtain approximately the same results by simply opening your lens one full F stop over the indicated meter reading. (NOTE: With backlighting or sidelighting, it's always a good idea to use a lens hood to eliminate unwanted glare.)

2) Strong Frontlighting and Deep Shadows When taking a picture of a bright subject against a dark background

(spotlights, deep shadow areas, etc.) the meter has a tendency to read the darkest part of the picture leaving the

main subject over-exposed. To compensate for this use the same procedure for setting exposure as outlined for

backlighting. You can also approxi-

mate the proper exposure by holding your position and closing the lens down one full F stop from the indicated meter reading.

FOCUSING

The OLYMPUS OM-1 comes equipped

with

the

standard

Focusing

Screen

13 (microprism/split image-matte

type) which is designed to make focus-

ing quick and easy. To focus, look through the camera viewfinder and turn the

focusing until split vertical lines of the subject image in the rangefinder are aligned or

ring

either direction

the "shimmering effect" of the microprisms disappears. If you are focusing on the matte area, the subject is in

focus when the image is sharp.

* You can determine the distance be-

tween the subject and the film plane by reading the distance scale on the focusing ring after you achieve critical

focusing. The actual distance is indi-

cated opposite the red central index mark on the lens mount ring; the white scale indicates this distance in meters

In focus

Microprism

Rangefinder Spot

Matte Field

and the orange scale indicates this dis-

tance in feet.

Out of focus

The OM-1 viewfinder takes in 97% of

the actual picture area for added convenience when composing your pictures.

CHANGING THE LENS

Lens Release Button

Meter Coupling

Lens Mount Ring

Depth of Field Preview Button

Automatic Diaphragm Lever

To mount the lens, grasp the lens firmly and align the red dots on the lens flange and the camera mount ring. Turn the lens clockwise until it locks in

place.

The

lens

release button

will spring up and you will hear a positive "click"

when

the

lens

has

been

fully

engaged. Do not apply pressure to the

lens release button during the mounting

procedure.

This will

assure

proper coupling between the lens and the meter.

The bayonet mount of the OLYMPUS OM-1 allows you to change lenses

quickly and easily.

To detach the lens, press down on the lens release button and turn the lens

counter-clockwise. Grasp the lens firmly and remove it from the camera body. Protect your lens and camera! Always attach the front and rear lens caps when the lens is removed from the

camera to prevent any possibility of

damage. Never leave the camera body in direct sunlight with the lens removed and, if you plan to store the

camera without the lens, the use of a

bo dy cap is recommended.

INFRARED PHOTOGRAPHY/DEPTH OF FIELD SCALE/PREVIEW BUTTON

The OM System lenses are provided with an infrared index mark engraved

in red on the depth of field scale to the right of the reference dot. When shoot-

ing with infrared film, focus normally on your subject without the red filter on and read the subject distance on the distance scale. Then, turn the focusing

ring to the right until the distance

reading is opposite the infrared index mark. Your lens will then be in focus for average infrared photography. Shoot with the red filter on. In the above picture the re d index is set at i nfin ity.

The double series of numbers engraved on the depth of fie ld scale represents F stops: F4, F8 and F16. Onc e you have focused on your subject, all objects within the distance range indicated on the lens distance scale between the marks for the F stop you have selecte d will have acceptable sharpness. For example, in the above picture the

camera-to-subject distance is 3m (10ft)

and the lens is set at F16. If you read

the distance scale at the points op-

posite the engraved "16" on both sides

of the reference dot, you will find that the depth of field is from 1. 9m (6ft) to

7m (23ft). The depth of field can be visually verified by pressing the depth of field preview button.

When you wish to see which objects fall within the acceptable zone of sharpness (depth of field), press the preview button on your lens. The diaphragm of the lens will stop down to the preset F stop enabling you to see the depth of field in the camera

viewfinder.

* If you jerk the preview button while

depressing the shutter button half-

way down, the shutter might get

released. Gently push and release the preview button to avoid accidentally

releasing the shutter.

DEPTH OF FIELD

Depth of fie ld is the are a of acceptable

sharpness in front of and behind t he

subject in focus. This depth is deter-

mined by the F stop you have selected

and the distance from the subject in focus to the film plane. As you get

closer to your subject or as you open

your lens (e.g. from F22 to F2.8) the depth of field becomes shallower. By

stopping your lens down (e.g. from

F2.8 to F22) or getting farther away

from your subject this depth of field or zone of acceptable sharpness can be

increased. Another factor in determining depth of field is the focal length o f your lens. As a rule the shorter the focal length, the greater the zone of acceptable sharpness. The longer the focal length, the shallower this zone becomes.

The table above shows that when the

camera-to-subject distance is 3m (10ft),

the depth of field at F16 ranges fr om

1.93m ( 6f t) to 6.93m (23ft).

Depth of Field Table (F1.8 & F1.4 Standard Lenses) Circle of least confusion 1/30 mm

F1.8 (1/1000 sec.)

F16

(1/30

sec.)

HOLDING THE CAMERA

Proper camera handling is important in assuring the sharpest possible pictures.

Holding th e Camera Horizontally

Keep both elbows close to the body, to steady the camera.

Putting the Camera into Operation

The aperture ring, focusing ring and shutter speed

ring are so arranged as to enable one hand opera-

tion right up to the moment the shutter is released.

Hold your breath at the moment of shutter release.

Transport the film advance lever with your right

thumb and squeeze the release button smoothly using the cushion, not the tip, of your index

finger.

Holding the Camera Vertically

For vertical shooting, keep one elbow close to your body and press the camera tightly against

your forehead.

NOTE: Steady yourself against any nearby sup-

port (such as a tre e, fence, or wall) whenever pos -

sible.

NOTE: For telephotography, or slow shutter speed photography, it is recommended that you use a tripod and hold the camera steady with

you r hands.

INTERCHANGEABLE

FOCUSING SCREENS

(Handle with extreme care.)

List of Optional Focusing Screens

The OM System interchangeable fo-

cusing screens provide you with the ultimate in focusing versatility. Optional screens are available to suit virtually every picture-taking situation.

The

focusing

special tool. To remove the focusing

screen: a) Detach the camera lens from the

camera body (see p. 16).

b) Use the special tool provided to

push up on the release catch underneath the top ledge of the mirror box (see the photo above). This

allows the screen and screen frame

to drop down.

c) Remove the screen from inside the

camera by gripping the tip of the

screen with the tool as shown.

d) To install the screen, fit it in the

screens

come

with

frame and push the frame upward gently until it clicks into place. Gently shake the camera body to make sure the screen is held securely in place.

IMPORTANT: Although the above

procedure could be done with fingers,

it is recommended that you use the

special tool supplied. Changing focus-

ing screens is a procedure to be han-

dled with great care. Trying to change

screen with your fingers can result in

fingerprints and costly damage to the surface of the screen, the prism, or the mirror. Should this occur, cleaning or

repair MUST be handled by an authorized service center. Such damage is not covered by the product warranty.

* See page 44 for details. (Specifications subject to change without notice.)

MOTOR DRIVE PHOTOGRAPHY

Motor Drive has many exciting recreational, professional and scientific

applications including sports photo-

graphy, action portraits, copying litera-

ture, wildlife photography and time-

lapse photography.

By automatically advancing the film and cocking the shutter, the motor

drive not only frees the photographer from the burden of manually advancing the film, but also allows him to shoot a series

pictures

that

might otherwise be lost through the timeconsuming manual method.

The Motor Drive package is sp ecifically

tailored to the compact size of the Olympus OM-1. Extremely small and lightweight, the Motor Drive 1 mounts directly to the camera base creating

one of the most compact and ma-

neuverable

able. Although reduced in size and

weight, the OM System Motor Drive

motor

drive

systems avail-

Group excels in performance. The basic Motor Drive package can provide operation up to 5 frames per second in optimum conditions*, has single release capability and offers motor drive

sequence applications over a wide

range of shutter speeds.

The following instructions (pp. 23-25)

are for the basic motor drive system

consisting of the Olympus OM-1, Motor

Drive 1, and M.18V Control Grip 1 or M.15V Ni-Cd Control Pack 1.

*Optimum conditions: Maximum framing types of films and batteries, etc. The word optimum implies such conditions in which sequence filming is made at normal temperatures at shutter speeds of 1/500 of a second and faster, using the M. 18V Control Grip 1 containing

fresh superpower manganese batteries. Cartridges with smooth film moving

must al so be used.

rate

varies

with

temperatures,

OPERATION OF WINDER 1

Attaching the Winder 1

Remove the motor drive socket cap.

Remove the motor drive socket cap from the camera base plate by rotating it counter-clockwise with a coin until the index dot on the cap is

aligned with the index dot on the

camera. To replace the cap, align the index

dot on the cap with the index dot on

the camera, and turn the cap clockwise with a coin until the index dot on the camera is aligned with the groove on the cap.

(The removed motor drive cap can be stored in the socket cap storage positioned on the underside of the battery holder compartment.)

Pull up and rotate the switch dial to

the "OFF" position.

Attach the Winder 1

Remove the M.6V Battery Holder 1

from inside t he winder, insert four 1.5 V

penlight battery holder, and put it back into the compartment.

the guide pin hole on the camera base

plate. To assure proper con n ection, ad-

just the position of the Winder 1 until

it is flush with the camera. Turn the

clamping screw clockwise until the Winder 1 is securely attached to the

camera base plate.

The Winder 1, designed primarily for

single-frame shooting, operates on

four self-contained AA batteries and

is extremely compact and light. The unit advances the f ilm and cocks the

(AA)

size

batteries

Insert the motor drive guide pin into

into

the

Taking the pictures

Pull up and rotate the switch dial

to the "SINGLE" position.

Press the shutter release.

shutter as soon as exposure is made (wind-on time—0.3 sec.), so that the photographer can always be ready to freeze the subject at the right moments.

OPERATION OF BASIC MOTOR DRIVE PACKAGE

Attaching the Motor Drive 1

Remove the motor drive socket cap.

(See page 22, left column.)

IMPORTANT:

* Always store the socket cap in the

same place to avoid loss.

* After removing the motor drive from the camera, be sure to replace the socket cap to keep the camera fr ee of dust and

Attach the Motor Drive 1 in the same

manner as with the Winder 1. (See page

22, middle column.)

dirt, and to prevent the possibility of stray light e nte rin g the socket and fog-

ging the film.

* Do not remove the socket cap when

you do not use the motor drive.

Attaching the M. 18V Control Grip

Remove the M. 18V Battery Holder

1, insert twelve 1.5V penlight (AA) size

batteries into th e battery holder, and

re-insert the battery holder into the

Cont rol Grip.

Align the red index line on the rear of the control grip with the red index line on the rear frame of the motor drive unit until the mounting catch is engaged.

Carefully push the control grip for-

ward

until

snaps

into

the

front

of the

motor drive.

*Voltage Requirement: DC 18V with

"AA" (penlight) size batteries, or DC

12V—16V with external power sources

of large potentiality in conjunction

with relay cords.

Attaching the M. 15V Ni-Cd Control

Pack 1

Prior to use, the Control Pack should be checked to insure that it has been adequately charged. If its charge is inade-

quate, us e the M. 15V Ni-Cd Charger.

Aligning the red index lines of the Motor

Drive 1 and the Contr ol Pack, engage the mount catch. Then push the Control Pack forward and upward until it snaps on the motor drive, then clamp securely.

Photography with the Motor Drive

Units

Using the M. 18V Control Grip 1

Unlock the shutter release lock lever

on the Control Grip by moving it for-

ward and upward.

* The lever is provided to lock the shutter release on the Control Grip for safety sake in general or when a relay cord is used.

Turn th e mode selec tor on the Con-

trol Grip to either "SINGLE" or "SE-

QUENCE". Set the mode selector to

the "OFF" position when the Motor

Drive 1 is not in use.

* At "SINGLE", exposure is possible

at all shutter speeds from 1 sec. to

1/1000 sec.

At "SEQUENCE", exposure is possible at al l sh utter speeds except B. and 1 sec.

You may use either the shutter re-

lease

on the

Control

ter release on the Motor Drive 1 to trig-

ger the shutter. It is generally more convenient to use the shutter release on the Control Grip when the camera is held in

Grip

1 or the

shut-

the horizontal position and the shutter release on the Motor Drive 1 when the

camera is held in the vertical position.

Using the M. 15V Ni-Cd Control Pack 1

Slide the shutter release lock button on the Control Pack to the unlock position.

* The button is provided to lock the shutter release on the Control Pack for

safety sake in general or when a relay

cord is used, etc.

Pu ll an d turn th e mo de selector until

it clicks to either "SINGLE" or "SE-

QUENCE".

In either mode, available shutter speeds are the same as those with the Control Grip. (See page 24, middle column.)

You may use either the shutter re-

lease on the Control Pack 1 or the shutter release on the Motor Drive 1 to trigger the shutter. It is generally conven-

ient to use the shutter release on the

Motor Drive 1 and the shutter release on the Contr ol Pack 1 fo r use with the 250

Film Back 1.

Loading the Film

Always try to load your camera after the motor drive has been attached. This eliminates even the remotest possibility of light leak through the motor drive socket. If this is not possible,

attach the Motor Drive unit in a dimlylit area.

FLASH PHOTOGRAPHY

Electronic flash or bulbs may be used to

soften shadows in daylight conditions a s well as to provide artificial illumination

when available light is inadequate for

proper exposure.

Your choice of a flash unit will depend upon your individual photographic

needs, and may include the Olympus

Quick Auto 310, PS 200 Quick or PS

200.

The Accessory Shoe 1 is screwed into

the hot shoe socket on the OM-1

pentaprism housing to provide direct

contact with the clip-on type electronic

flash.

(For the selection of units, see page

45.)

Use of Electronic Flash Units

Attach the Accessory Shoe 1 to the

OM-1.

* Detach the acessory shoe when a fla sh

is not mounted on the camera (because

the shoe may come in the way during

photography), or whe n a side-mounting bracket is used to support the flash unit

(because you may feel a small electrical shock when touching the terminal contact of the accessory shoe).

Mount the flash unit on the camera. Slide the flash unit into the camera's accessory

* If your electronic flash unit does not have a direct contact "hot shoe", connect its synchro cord to the flash

shoe

as far as it

will

go.

synchro socket on the camera.

Set the camera's synchro terminal

switch (FP and X flash selector) to "X".

Set the shutter speed ring to a shut-

ter speed of 1/60 second or slower (all

shutter speeds indicated in blue on the

shutter speed rin g) .

Set the F stop on the aperture ring.

Auto Flash Exposure Control

Follow your flash equipment instructions for the selection of F stop for automatic flash exposure control (in

case of the Quick Auto 310, one of

F4,

F5.6, F8; ASA 100).

* The TTL AUTO setting on the Quick Auto 310 is exclusively for use with the OM-2 and cannot be used with the

OM-1.

Manual Flash Exposure Control

Determine the correct F stop for proper

flash exposure by using the calculator dial or exposure table provided with

your flash equipment. You may also

determine the correct F stop by using

the following formula:

DAYLIGHT FILL-IN FLASH

Manual Flash Exposure Control

If your electronic flash unit has manual/auto flash exposure control, set it for manual operation.

Focus on your subject to determine the camera-to-subject distance.

Using the calculator dial, exposure

table, or guide number formula, deter-

mine the correct F stop for proper flash exposure at the distance you found in

Step 2. Set this F stop wit h the camer a aperture ring. In case of the Quick Auto

310, after setting the auto/manual switch dial to the "HI" position, read the F number corresponding with the planned flash-to-subject distance, using

the distance scale provided.

Turn the shutter speed ring until the meter needle centers between the overand under-exposure index marks in the camera viewfinder.

If the shutter speed is 1/60 second or slower, you are ready to take the picture. If the shutter speed is faster than 1/60 second, the flash will not fire if you attempt to t ake the picture. Th erefore,

you must readjust the exposure settings

as follows: a. Reset the shutter speed to 1/60 second. b. Turn the aperture ring until the me-

ter needle centers between the over- and under-exposure index marks in the cam-

era viewfinder.

c. Using the flash calculator dial, exposure tables, or guide number formula, determine the correct flash-to-subject

distance for the F stop now set on the

camera's aperture ring,

d. Move to this distance from the sub-

ject and re-focus or remove the flash

unit from the camera and move it only

to this distance from the subject using a

synchro cord extension to maintain

flash synchronization with the camera.

Automatic Flash Exposure Control If your electronic flash unit has

manual/auto flash exposure control, set

it for auto operation.

Set the camera's shutter speed ring

to 1/60 second.

Turn the aperture ring until the me-

ter needle centers between the o ve r - and

under-exposure index marks in the cam-

era's viewfinder.

Focus on your subject to determine

the camera-to-subject distance.

If your electronic flash unit has an

"AUTO F STOP" that corresponds with

the F stop set on your camera and if that "AUTO F STOP" will provide automatic flash control within the distance range you found in Step 5, you may take the picture using this "AUTO F STOP" setting on your electronic

flash unit. If these conditions are not

met, use the procedures for Manual

Flash Exposure Control. (In case of the

Quick Auto 310, determine the F

number and set the auto/manual switch dial to one of F4, F5.6 or F8;

ASA

100).

FLASHBULB PHOTOGRAPHY

Mount the Accessory Shoe 1 to th e camera and insert the shoe mount o f t h e flash unit into the accessory shoe. * If your flash unit does not have a "hot shoe" contact, plug the flash unit's

synchro cord into the synchronizing socket.

Select the proper shutter speed and

synchro setting from the table below according to the type of bulb being used

and make these settings on the camera.

Determine the correct F stop for

flash exposure by using the guide num-

ber formula. (See page 27.)

* The guide number for any flash-

bulb/film combination m a y be found o n

the flashbulb packaging.

Set the correct F stop with the cam-

era's aperture ring.

The table indicates proper synchronization speeds for most flash equipment.

Recommended;

Not recommended due to bulb quality.

SETTING THE SELF-TIMER

LOCKING UP THE MIRROR

The self-timer provides a method of

taking delayed action pictures allowing you to get into your own photographs.

It is also ideal for macrophotography

when a cable release is not available.

To set the self-timer:

1) Rotate the self-timer lever counterclockwise until it stops (approximately

180°).

Make

advanced properly.

2) Turn the start lever clockwise to

the vertical position to activate the

sure

the

film

has

been

self-timer lever. The shutter will then

be released in approximately 12 sec-

onds. You can adjust the delay time between four and twelve seconds by adjusting the lever as shown above. If the film has not been advanced properly, the timer lever will stop halfway and the shutter will not fire. To re-activate the timer, move the start

lever counter-clockwise to stop the

timer lever, return the timer lever to the starting position, and advance the film. Then, turn the start lever again.

NOTE: If you do not reset the selftimer,

the

timer

lever

will

begin

moving

immediately after advancing the film and the shutter will be released earlier

th a n expected.

You may set the self-timer lever either

before or after advancing the film.

Even after setting the lever, you can

release the shutter by pressing the

shutter

release button. To stop

self-timer during its operation, turn the

the

start lever counter-clockwise.

To minimize camera vibration in close-

ups, reproduction work, macro-

photography and photomicrography,

you can lock the instant return mirror

in the up position to eliminate mirror shock. This is also handy in rapid sequence shooting. To lock up the mirror, compose and focus on your

subject and the n turn the mirror lock-

up lever counter-clockwise until it

stops (approximately 90°). After

shooting, always return the lock-up

lever to its original position.

NOTE: Yo u can lock up the mirror at any photographing stage — before or after advancing the film. However, do not carry the camera in direct sunlight with the mirror locked up. This can

result in damage to the shutter curtains.

CHANGING THE CAMERA BACK

The camera back of the OM-1 is fully

interchangeable with the Recordata Back 1 and 250 F ilm B ac k 1. To remove

the camera back, push down on the re-

lease pin as shown. Do not remove the

back unless necessary.

Recordata Back 1

The Recordata Back 1 registers data such as date, number, alphabetical code,

etc. directly on the picture.

250 Film Back 1

The 250 Film Back 1 is designed for winder or motor drive shooting; it accepts a bulk loaded magazine of 250

frames. (See page 42.)

SOME QUESTIONS & ANSWERS

Q: My camera is loaded with film but the rewind knob doesn't rotate when I advance the film advance lever. Why?

A: The film leader may not be inserted

in the film take-up spool and the film

is not advancing properly. See pages 7

& 8.

Q: The film is not advancing. Why?

A: The shutter may be cocked and

ready to fire. Try pressing the shutter r

elease button.

this

is not the

case,

your film may be fully exposed. Check

the exposure counter. If you feel ten-

sion on the film advance lever, DO

NOT FORCE IT. Rewind the film. See

pages 9 & 10.

Q: The shutter release button will not

move and I can't take the picture.

Why?

A: The film advance lever may not

have been fully advanced. See page 9.

Q: The rewind crank will not turn

when I try to rewind the film. Why?

A: The rewind release lever may not be set properly. Make sure the lever is rotated until the red line is opposite the "R." See page 10.

Q: Why can't I turn the ASA film

speed dial?

A: The film speed dial release button

must be pressed before the dial can be

turned. Once the dial had been set,

release

the

button

and

make

sure

the

dial has locked into plac e. S e e page 12.

Q: Why isn't the needle in the viewfinder moving?

A: First, make sure the meter switch

lever is set to the "ON" position. If the

meter is on, turn the camera towards a

bright light source. If the needle still

will not move, the battery may not be

inserted, may be inserted improperly or may be drained. Replace the battery or insert it properly. See page 7.

Q: I cannot center the exposure needle on the index. Wh y?

A: If the exposure needle will not center on the index, adjust the shutter speed or F stop until the needle is centered. To obtain proper exposure, you may use an ND (neutral density) filter w h e n the subject is too bright, or an electronic flash or flash bulb when the subject is too dark.

Q: How do I take meter readings when

a bellows or extension tubes are

mounted to my camera?

A: Since lens extension devices disconnect the automatic diaphragm mechanism between camera and lens,

readings must be taken with the lens

stopped-down. Take an exposure read-

ing using the procedure outlined on

page 14.

Q: How can I remove dust from inside the viewfinder?

A: After detaching the focusing screen,

blow away any dust with an air blower.

(See page 20.) Never wipe the surfaces

of the screens, prisms, or mirror with

cloth or paper.

Q: The microprism in the center of the

viewfinder "shimmers" and darkens.

Is that normal?

A: Yes, this is a natural phenomenon

that occurs when a lens with a maxi-

mum aperture smaller than F5 is

mounted on the camera. It also

happens with a standard lens when the

depth of field preview button is pressed. The microprism is not faulty.

Q: The viewfinder is totally dark and I

can't see anything. Why?

A: Make sure you have removed the lens cap. If the cap has been removed,

the mirror lock-up lever may be in the

up position. Return the mirror to its

operational position. See page 29.

CARE AND STORAGE

Q: When I touch the terminal contact of the Accessory Shoe 1 I fe el current. Why?

A: This is normal when a side-

mounting type flash unit connected to

the camera is being turned on. At this

point you are not using the accessory

shoe so it should be detached. See

page 26.

Q: The self-timer lever stopped halfway and plays idly. Why?

A: The self-timer lever stopped half

way because the film advance lever has

not been transported fully and hence

the shutter cannot be released. Turn the

start lever counter-clockwise, reset the self-timer lever to the desired time,

advance the film fully and turn the

start lever clockwise to activate. The self-timer lever plays because you for-

got to

turn

the

start

lever

release

the

shutter after you have set the self-timer

lever. See page 29.

Q: Can I take the pictures without the

motor drive socket cap in place?

A: No, you must replace the cap whenever the motor drive or winder is not attached to the camera's baseplate because dust and dirt may get into the socket causing malfunction and light may enter and fog the film. See page

23.

1. When you do not use the camera for

a long period of time, store it with the

shutter uncocked and turn off the selftimer and exposure meter. Keep it free from dust and moisture, and remove it

from th e case.

2. When storing the camera for a long period of time, remove the battery.

Wipe battery surfaces with a dry cotton cloth before re-inserting into

the camera.

3. Avoid dropping or hitting the camera.

4. Never store the camera where temperatures exceed 50°C (122°F). When

you use the camera in temperatures un-

der -20°C (- 4°F), it may sometimes fail to operate properly. To avoid this, warm the camera before use. Protect against excess moisture by using silica

gel or other desiccant.

5. After use near the ocean, wipe th e camera

surfaces

clean

with a soft

cloth; never leave salt on the camera. (Salt may be airborne near the ocean and collect on the camera even though it has not been in direct contact with water.)

6. Avoid excessive force when mounting on a tripod.

7. Never expose the camera to direct sunlight. Avoid areas exposed to salt

water, radios, TV sets, or magnets.

8. Have all repairs performed by an authorized OLYMPUS Service Center. You may send it directly or through the

store where you bought your camera.

9. Avoid touching the surfaces of the lens. Clean only with an air brush, anti-

static brush, or wipe it lightly with a camel hair brush or lens tissue. In EXTREME cases, use a clean, soft cotton cloth moistened with denatured alco-

hol. NEVER rub the lens surfaces with

your finger, clothing, or other abrasive material.

10. If dust or fingerprints collect on the mirror, focusing screen, or prism, take, the camera to an authorized OLYMPUS Service Center. It needs pr ofessional attention.

11. Do not press the release lever at ran-

dom.

12. Do not touch any part that moves at

high speed such as the shutter, instant return mirror, diaphragm, etc.

ZUIKO INTERCHANGEABLE LENS GROUP

One of many advantages of the single lens reflex type of camera is the large

variety of interchangeable lenses available. The Zuiko Interchangeable Lens

Group (designed and manufactured by

Olympus) comprises 32 lenses including those now in the course of development. Zuiko lenses have always

enjoyed a high reputation in photo-

graphic circles — new design tech-

nology has made possible a new series

of innovative, high performance lenses.

These lenses have a host of special

features including a new construction that compensates for close focus aberrations, increased aperture ratio in the

wide angle lenses, and reduction in tele-

photo lens size and weight. The OM

System adopts 49mm filters for most

lenses from 21mm to 200mm. As p art

of the OM System design all the lenses now offer higher performance in small configurations. Olympus has produced

lenses for microscopes for many years

and the new Zuiko lenses benefit from this scientific experience. See the

"OM System Zuiko Interchangeable

Lenses" instructions for further infor-

mation.

TABLE OF INTERCHANGEABLE LENSES

TYPE

FISHEYE

SUPER WIDE

WIDE

STANDARD

ZOOM

TELEPHOTO

SUPER

TELEPHOTO

SPECIAL USE

INTERCHANGEABLE LENSES

ZUIKO FISHEYE

ZUIKO MC ZUIKO ZUIKO MC ZUIKO

ZUIKO MC

ZUIKO ZUIKO MC ZUIKO

ZUIKO SHIFT

ZUIKO

ZUIKO ZUIKO

ZUIKO MC MACRO

ZUIKO MC ZOOM

ZUIKO ZOOM

ZUIKO MC ZUIKO ZUIKO MC ZUIKO ZUIKO MC ZUIKO MC ZUIKO

ZUIKO ZUIKO MC

ZUIKO MC

ZUIKO MC MACRO

ZUIKO MC 1:1 MACRO 80mm F4

8mm

16mm

18mm F 3 . 5 21mm F3.5 24mm F2 24mm F2.8

28mm F2

28mm F3.5

35mm F2

35mm F2.8 35mm F2.8

55mm F1.2

50mm F1.4 50mm F1.8 50mm F3.5

35-70mm F3.6

75-150mm F4

85mm F2

100mm F2 . 8

135mm F2.8

135mm F3.5 180mm F2 .8 200mm F4 200mm F5

300mm F4 .5 400mm F6.3 600mm F6.5

1000mm F11

20mm F3.5 38mm F3.5

ANGLE OF VIEW

F2.8

F3.5

(83 ° at max. shif t)

at highest mag. at highest mag. at highest mag.

180° (circle)

180°

100°

92° 84° 84°

75° 75° 63°

63°

43°

47° 47°

47°

64°-

34°

3 2°-16°

29°

24°

18° 18° 14° 12° 12°

8°

6°

4°

2.5°

9° 9° 9°

OPTICAL

CONSTRUCTION

ELEMENT GROUP

11–7

11–8

11–9

7–7

10–8

8–7

9–8

7–7

8–7 7–6 8–7

7–6 7–6 6–5

5–4

10–8 15–11

6–4 5–5 5–5 5–4 5–5 5–4 6–5

6–4

5–5 6–4 5–5

4–3 5–4 6–4

DIAPHRAGM

AUTO. AUTO.

AUTO. AUTO. AUTO. AUTO.

AUTO. AUTO. AUTO.

AUTO.

MANUAL

AUTO.

AUTO. AUTO.

AUTO.

AUTO. AUTO. AUTO. AUTO. AUTO. AUTO. AUTO.

AUTO. AUTO. AUTO.

AUTO.

MANUAL

(Specifications subject

to change without

notice.)

2-16

4-22

2-16

4-32

5-32

4-22

MIN.

FOCUS (ft.)

0.2 m (0.7)

0.25m(0.8)

0.2 m (0.7)

0.25m(0.8)

0.25m (0.8)

0.3 m(1.0)

0.3 m (1.0)

0.45m (1.5)

0.23m(0.8)

0.8 m (2.7)

1.6 m (5.2)

0.85m(2.8) 1 m (3.3)

1.5 m (4.9)

2 m (6.0)

2.5 m (8.2)

3.5 m (11.5)

5 m (16.4)

11 m (36.1)

30 m (98.4)

W/Auto Bellows & PM-MT ob

W/Auto Bellows

MIN. PHOTO-

GRAPHIC

RANGE

30×20cm 21×14cm 23×15cm 23×15cm

27×18cm

27×18cm 21×14cm 21×14cm

21×14cm

23×15cm 24×16cm 24×16cm 72×48cm

48 72 cm 25 37.5cm

64 42cm

32 21cm

25×17cm

29×19cm 32×21cm

32×21cm

36×24cm

33×22pm

36×24cm

55×37cm

98×65cm

max. 8× 5mm min. 3 × 2mm

max. 20 × 13m m min. 6 × 4mm

max. 72 ×48mm

min. 18×12mm

F-STOP RANGE

2.8-22

3.5-22

3.5-16

2.8-16

3.5-16

2.8-16

2.8-22

1.2-16

1.4-16

1.8-16

3.5-22

3.6-22

2.8-22

3.5-22

2.8-32

4.5-32

6.3-32

6.5-32 11-45

3.5-16

Automatic correction mechanism against close distance abberations.

Compatible: The meter needle indicates proper expo-

sures. In the combination marked with *, microprism,

split-prism and edges of the finder darken.

Compatible: The meter needle does not give correct light readings.

WEIGHT (oz.)

640g(22.6)

180g (6.3)

250g (8.8)

180g (6.3)

280g (9.9)

180g (6.3)

250g (8.8)

180g (6.3)

240g (8.5)

180g (6.3)

310g(10.9)

310g(10.9) 230g (8.1)

170g (6.0)

200g (7.1)

400g(14.1) 440g(15.5)

260g (9.5) 230g (8.1)

360g(12.7) 290g(10.2) 700g(24.7)

510g(18.0)

380g(13.4)

1100g(38.8)

1300g(46.0) 2800g(98.8) 4000g(141.0)

70g (2.5) 90g (3.2)

200g

(7.1)

LENGTH

82mm

31mm

42mm

31mm

48mm

31mm

43mm

31mm

42mm 33mm 58mm

47mm

39mm

31mm

40mm

74mm

115mm

46mm 48mm 80mm

73mm 124mm 127mm 105mm

181mm

255mm

377mm

662mm

20mm

28mm

46mm

MAX.

DIAMETER

102mm

59mm

62mm 59mm 60mm 59mm

60mm 59mm 60mm 59mm 68mm

65mm

61mm

59mm 60mm

67mm 63mm

60mm 60mm

61mm

60mm 80mm 67mm 62mm

80mm 80mm

110mm 110mm

32mm

43mm

59mm

HOOD

— —

49 72mm Screw-in

49mm Screw-in 55mm Screw-in 49mm Screw-in

49mm Screw-in 49mm Screw-in 55mm Screw-in 51mm Slide-on 49mm Slide-on

57mm Slide-on 51mm Slide-on 51mm Slide-on

60mm Slide-on

Built-in

49mm Screw-in 49mm Screw-in

Built-in Built-in Built-in Built-in Built-in

Built-in Built-in Built-in Built-in

FILTER

Built-in Built-in

72mm 49mm 55mm 49mm

49mm 49mm 55mm 49mm 49mm

55mm 49mm 49mm 49mm

55mm

49mm

49mm 49mm

55mm

49mm 72mm

55mm

49mm

72mm

72mm 100mm 100mm

21mm Slide-on

32 mm

Slide-on

49mm

LENS

PHOTOGRAPHY

SHIFT

ASTROPHOTOGRAPHY &

MACROPHOTOGRAPHY

FOR

& ENDOSCOPIC FOR

CLOSE-UP

FOR

TELEPHOTOGRAPHY FOR

PHOTOMICROGAPHY &

MACROPHOTOGRAPHY FOR

INTERCHANGEABLE LENS GROUP UNITS

Filters

In general or many specialized photographic fields, filters are essential to the effective rendition of photographic subjects. Whether in black and white or

color, filters are necessary additions to

most camera systems. In controlling contrast and eliminating unwanted haze

in black and white photography, the u se

of the correct filter often means the

difference between a good photograph and a great one. In color, where the

OM System filters are ideal f or use with OM System lenses. The use of two filters or other brand may cause vignetting.

Application

B. & W.

and

Color

B. & W.

Color

Name

Skylight

(1A)

L39

(UV)

ND2 ND4

Polariz-

in g filter

POL

Y48

(Y2)

056

(02)

R60

(R1)

(81C)

(82C)

Color

Colorless

Grey Grey

Yellow

Orange

Red

Amber

Blue

Similar to UV filter. Eliminates ultraviolet rays. Reduces haze and bluish tones in daylight photography. Effective with color film only. May be used at all times to protect the lens.

Eliminates clear, detailed brilliance. May be used at all times to protect the lens.

Reduces the quantity of light entering the lens to 1/2 or 1/4 of th e original intensity. For use in extremely bright conditions when you wish to maintain a wide aperture.

Enables

sky in black-and-white photographs without altering other color values in the picture, and

renders blue skies darker when used with color film. Reflections are reduced to provide

better texture surface detail.

Accentuates contrast, darkens blue skies. Very effective in daylight scenes where the sky is part of subject matter. Heightens the effect of white clouds. Useful in copying documents

where line copy is blue or black on light background.

Absorbs a wider range of wavelengths from UV to dark green than the Y2 . Makes a superb rendition of the tex ture of outdoors subjects, and indoors. It brings out detail in objects yellow, brown. Used with infrared film.

Used as contrast filter to create darkened sky or in copying. Also used to penetrate haze in landscape photography for stronger contrast than an O2 filter. Used with infrared film.

For use when taking color pictures in cloudy or rainy weather. Reduces bluish tone. Designed for use when taking color pictures in early morning or late evening hours when

red rays are predominant.

balancing of the light with the film

emulsion is absolutely necessary for cor-

rect

color,

conversion

and light

ing filters are the only effective way of

achieving the desired results.

* Be careful not to use two filters simul-

taneously in order to avoid uninten-

tional cut in the periphery of a photograph.

Lens Hoods

Lens hoods protect against extraneous

light striking the lens and causing un-

Description

undesirable

you to

take

ultraviolet

pictures

rays

through

which

glass

cause

water

dull,

without

flat

balanc-

pictures.

reflections.

wanted glare. Hoods f or standard lenses are cover types and can be reversed to

provide easy storage even when the camera is in the case.

Camera Body Cap

Rear Lens Cap

Front Lens Caps

(49mm, 55mm, 72mm and 100mm

in diameter)

Adapter Ring 49 72 mm

A lens hood/filter mount for the 18 mm

F3.5 lens.

Diameter

Renders

Will

subject

darken

49mm

the

55mm

72mm

100mm

MOTOR DRIVE GROUP

Designed specifically to match the OM camera body, the Motor Drive Group has been reduced in size to enhance its maneuverability and ease of operation.

The Winder 1, which operates on

self-contained batteries, and the basic combination (Motor Drive 1 + M. 18V Control Grip 1, or Motor Drive 1 + M.

15V Ni-Cd Control Pack 1) are designed to be the smallest in the world.

Each of the handgrip type winder and motor drive, the pistol type control

grip and the flat type rechargeable

power unit provides a built-in shutter release button so that the photographer can hand-hold even a 300mm

telephoto lens for shooting sports or other action subjects. A 250 exposure

roll film back and other units attach to

the OM camera body without cords. This Motor Drive Group is also a con-

venient accessory when used with

other groups for macrophotography,

photomicrography, etc. A remote

control mechanism is also available for a series of exposures taken intermittently in conjunction with the

M. AC Control Box, or a series of ex-

posures with bulk films.

CHART OF MOTOR DRIVE GROUP

M.REMOTE CORDS

1.2m/5m

M.6V POWER PACK 1

WINDER 1

EYECOUPLER

250 FILM MAGAZINE

EYECUP 1

DIOPTRIC CORRECTION LENS 1

LARGE SPOOL

M.15V Ni-Cd CONTROL PACK 1

M. 6V BATTERY HOLDER 1

MOTOR DRIVE 1

M.15V Ni-Cd CHARGER 1

250 FILM BACK 1

M.18V BATTERY HOLDER 1

M.18V CONTROL GRIP 1

RELAY CORD 1.2m

RELAY CORD 10m

M.AC CONTROL BOX

250 FILM LOADER

COMPARTMENT CASE L

PARTITIONED INSERT

MOTOR DRIVE UNITS

Winder 1 (with M. 6V Battery

Holder 1)

Fixed directly to the camera base tripod socket, the Winder 1 functions integrally with the OM camera b od y to perform

single frame shooting. The unit winds the film in approx. 0.3 sec. as soon as the exposure is made, whenever the shutter release is pressed.

Operating on self-contained 4 A A Alk a-

line batteries, it is capable of powering

approx. 50 rolls of 36-exposure film.

Size: 130 X 64 X 100mm (5.12 X 2.52

X 3.94 in.) Weight: 290g (10.2 oz.) (less batteries)

M. 6V Power Pack 1

This pocketable power unit (4 AA batteries) connects to the Winder 1 via

Motor Drive 1

The basic motor drive unit that forms

the foundation of the group. Fixed directly to the camera-base tripod socket together with the power supply, it

functions inte gral ly wit h the OM camera

body. Operating on various power

sources such as penlight batteries, Ni-

Cd batteries, or AC, it is capable of

single frame shooting and max. sequential filming of 5 frames per second.

Size: 116 X 82 X 66mm (4.57 X 3.23

X 2. 59 in.) Weight: 210g (7.4 oz.)

a 1.2m cord. Warmed by photographer's

body heat, permits operation in

temperatures as low as -10°C (14°F).

M. 18V Control Grip 1

(with M. 18V Battery Holder 1)

A power supply that accepts 12 AA Alkaline or Ni-Cd batteries. Can be attached quickly to the Motor Drive 1. Complete with a built-in release but-

ton, single and sequence selector switch and release lock lever. Size: 136 X 87 X 32mm, Weight: 160g

(less batteries)

M.15V Ni-Cd Control Pack 1

This is a flat-type rechargeable power unit

equipped Ni-Cd battery to power the Motor Drive 1, and provides maximum con-

tinuous filming rate of 5 f.p.s. as well as the single release capability. Size: 129 X 35 X 67mm, Weight: 260g

with a special

built-in

* Specifications subject to change without notice.

M.AC Control Box

AC transformer for use with household

current. Incorporates a selector switch between single-frame operation and

sequential exposure operation, a terminal for the relay cord and a timer for exposures in intervals from 4 frames per second to o ne frame every 120 sec.

M.15V Ni-Cd Charger 1

This

unit

necessary M.15V Ni-Cd Control Pack 1. By charging for about 4 to 5 hours, the Control Pack is capable of powering

charge

the

sequential filming of 40 rolls of 36 ex-

posure films.

250 Film Back 1, 250 Film Magazines

Can be quickly attached to the OM

Body in place of the standard camera back, and used w ith the Motor Drive 1 or Winder 1 fo r roll films up to 250 ex -

posures (10m or 32.8 ft long). Two

Magazines are necessary, one magazine holds

the

zine

used

bulk film

as a film

and a

take-up.

second

maga-

Relay Cords 1.2m and 10m

Extension cords for remote control; one

is 1.2m (3.9ft), the other is 10m

(32.8ft).

250 Film Loader

This unit is used in the darkroom for

loading the 250 Film Magazine from

33m (100ft.) bulk film rolls. A built-in

mechanism automatically stops loading

at preset film lengths.

Compartment Case L Partitioned Insert

The Compartment Case L is a hard dualpurpose shoulder or hand-carried case with two adjustable partitions. Capable of holding the Motor Drive set by use of the optional partitioned insert. (p. 70)

M.REMOTE CORDS 1.2m/5m

The M. Remote Cord remote-controls

the Olympus Motor Drive 1 and Wi n de r

1 units equipped with a remote control

jack by a flick of a switch.

FINDER GROUP AND UNITS

The viewfinder is one of the most im-

portant features of a single lens reflex

camera. Since every photographic sub-

ject is turned into a visual image by

means of the finder, a finder th at is dar k

or difficult to look through is an ob-

stacle to good photography. However

enriched an SLR camera is with a wide

range of interchangeable lenses, the

SLR cannot be expected to fulfill its essential function without the provision for changing of focusing screens. The

OM-1 is provided with a viewfinder

that offers a far brighter, larger image than conventional 35mm SLR cameras. The Finder Group supplements this basic advantage with a comprehensive set of 13 focusing screens for a wide

variety of applications from photo-

micrography to astrophotography.

Unless the most suitable focusing screen

for given photographic purpose is available, the potentialities of a system camera cannot be utilized. For fast,

accurate focusing, the OM System

Finder Group offers the unique Varimagni Finder with a magnification selector, the Eyecup 1 that accepts a

variety of Dioptric Correction Lenses,

Eyecoupler, etc.

Varimagni Finder

This unique and exclusive unit for the

OM System combines the two functions

of angle finder and magnifier, incorpo-

rating 9 lens elements and a reflector. It fits over the camera's eyepiece, and can be adjusted for individual eyesight. Its

eyepiece tube is rotatable thr o ugh 360°,

for use in low level and 90° angled shots.

The two-stage, one-touch switching

system offers both a 1.2x magnification

image covering the whole screen, and a

2.5x enlargement of the central portion

for critical focusing. For photomicro-

graphic use, insert the Eyecoupler

between the camera and Varimagni

Finder.

Eyecup 1

Attached by sliding over the OM Body

eyepiece. With its attached rubber hood

it prevents stray light from entering

through the eyepiece, an essential

requirement in light measuring. The Eye-

cup 1 is provided with a slot to accept a dioptric correction lens.

Eyecoupler

Connects the Varimagni Finder to the OM Body for photomicrography. It also

ensures full coverage of the bright

viewfinder field for use of the Eyecup 1 in conjunction with the Motor Drive

250 Film Back 1.

Focusing Screens

Interchangeable Focusing Screens are often thought of as a luxury feature in

35mm photography. Yet the Standard

Focusing Screen 1-13 is often inconvenient

or difficult to use, and in some circumstances it is quite unsatisfactory. With super-telephoto lenses for instance, the microprism becomes excessively dark.

With the high magnifications of macro-

photography and photomicrography, it

is impossible to focus.

The featu re of each Focusing Screen is

listed at right. The 1-3 and 1-13, suita-

ble for general photography, are particu-

larly advantageous when taking a subject with vertical lines. The 1-5 is ideal for the snap-shooters using a wi de angle

lens. The 1-4 and 1-7 are designed fo r

super-telephoto lenses and 1-4, 1-10,

1-11 and 1-12 ar e f or close-ups, macrophotography and photomicrography.

The 1-5, 1-6, 1-7 and 1-9 are not used with

the

exposure

meter

built

in the

camera.

Dioptric Correction Lens 1

Available in 8 diopter corrections: + 2, + 1, 0 (for hypermetropia); –1, –2, –3, –4, –5 (for myopia). Used to correct the photographer's vision, and especially necessary in fine focusing for high

magnification. Fits into the Eyecup 1.

TYPE

1-1

Microprism-matte

type

(for most lenses)

1-2

Microprism

-matte

type

(for standard &

telephoto lenses)

1-3

Split image-matte

type

(for most lenses)

1-4

All matte type

(for most lenses)

1-5

Microprism-clear

field type

(for wide angle &

standard lenses)

1-6

Microprism-clear

field type

(for standard &

telephoto lenses)

1-7

Microprism-clear

field type

(for super

telephoto lenses)

FEATURES

Standard type, suitable for general photography. Fast and accurate focusing is done on the central microprism spot as well as on the surrounding matte area. When a lens with a maximum speed

of F5.6 or slower is used, the microprism darkens

and focusing must be made on the matte area.

The meter needle indicates proper exposures.

Suitable for general photography in conjunction with a standard or telephoto lens. Focusing is done on the microprism spot as well as on the matte area. When a lens with a maximum speed of F8 or slower is used, t h e microprism spot darkens. The meter needle indicates proper exposures.

Suitable for general photography ensuring critical focusing, and ideal fo r photographers who prefer

the split-field and coincidence type focusing. When

a lens with a maximum speed of F5.6 or slower is

used, the split prism darkens. The meter needle

indicates proper exposures.

Suitable for general photography and ideal for photographers who prefer a view field free from microprism or split prism and for those w ho are accustomed to focus using matte area. Also suitable for super telephoto photography and close-up

photography in conjunction with macro lenses and

Auto Bellows. The meter needle i ndic ates proper

exposures.

This transparent screen provides an exceptionally

bright finder image. Highly suitable for snapshots using wide angle lenses. The lack of matte surface

means depth-of-field effects cannot be ascertained. The meter needle does not indicate proper exposures,

because its movement varies depending on the lenses used.

This screen provi des an extremely bright finder image. Focusing is done on the microprism spot. The lack of matte surface means depth-of-field

effects can not be ascertained and the meter needle does not indicate proper exposures.

Developed primarily for use with super telephoto lenses, this clear field screen provides an extremely brig ht fi nde r image. The m icroprism spot remains

bright even with a lens whose maximum speed is

F11. The lack of matte surface means depth-of-field effects cannot be ascertained; the meter needle does not indicate proper exposures.

TYPE

1-8

All matte type

(for telephoto

lenses &

astronomical

telescopes)

1-9

Clear field

type

(for endoscopic

photography)

1-10

Checker-matte

type

(for Shift lens)

1-11

Cross hairs-matte

type

(for close-up &

macro-

photography)

1-12

Cross hairs-clear

field type

(for photo-

micrography &

macrophoto-

graphy greater

than life size)

1-13

Microprism/split

image-matte

type

(for most lenses)

FEATURES

This screen is i deal for use wi th super telephoto lenses of 300mm or more in focal length, or fo r astrophotography. The extreme fineness of the matte surface permits outstanding field definition. More accurate focusing may be achieved by the

use of the Varimagni Finder.

Designed for use with OLYMPUS fib er op tic endo-

scopes. This condenser type sc r e e n wi t h o u t fresnel

lens requires no focusing when a special adapter

couples the camera with the fiberscope. Exposure

is made automatically by the light supply.

The reticule engraved on the all-matte surface is used fo r vertical and horizontal picture alignment. Though originally designed f or architectural photography with the Shift lens, it is also suitable f or general and super-telephotography, and close-up/ macrophotography with macro lenses and Auto Bellows.

Highly advantageous for close-up and macrophoto-

graphy with Auto Bellows and extension tubes.

For focusing in low magnification close-up photography, use this matte area, and in macrophotography greater than life size, use the double cross hairs the same way as with the 1-12. The meter needle indicates proper exposures, but depending on the conditions of th e specimen, the reading

must be compensated for.

The transparent screen offers the photographer focusing with an unusually bright finder image. To focus, first correct your diopter using a dioptric correction lens or Varimagni Finder so that each line

of the

double

cross

hairs

can be

seen and separately. The n bring the spe cime n into focus. The mete r needle indicates proper exposures, but depending on the specimen's conditions, the reading

must be compensated for.

Most suitable for normal photography, this screen

assures pinpoint rangefinder is encircled by a microprism collar. Since the outer area has a matte surface, the screen can be used in the same way as the standard 1-1 and 1-3 Screens. When a lens with a maximum speed of F 5.6 or slowe r i s used, the prism darkens and the focusing must be made on the matte area.

focusing.

The

central

clearly

split-image

FLASHPHOTO GROUP

Flash is your own private "sun" when you take pictures at night, indoors, or daylight fill-in. At the moment of flash, you can even catch the movement of subjects that your own eyes are unable

to follow.

At present the OM System Flashphoto Group renders a choice of 3 different

flash units, including the Quick Auto

310.

The Quick Auto 310 is the heart of the

Group. Small and lightweight, it never-

theless offers high performance — a

maximum ASA 100 (in meters) guide

number 34 with an angle that virtually covers the picture area of a 24mm super

wide-angle lens.

Beside the 3 automatic settings, 2 man-

ual settings are also available in a single dial operation. During manual operation, flash intensity is freely controllable for

fill-in lighting in daylight scenes, while

the use of the Remote Sensor and

Bounce Grip units allows automatic

bounce flash.

(The Quick Auto 310 is regulated by the SBC light sensors and electronic

brain built into t he OM-2 to automatically control the light emission level of

the flash unit.) Except at TTL Auto

setting, it functions in the same wa y as normal autoflash unit.

CHART OF FLASH PHOTO GROUP

REMOTE SENSOR

QUICK AUTO 310

TTL

AUTO CORD 0.6m

OLYMPUS PS200

OLYMPUS PS200 QUICK

ACCESSORY SHOE 1

ACCESSORY SHOE 2

BOUNCE GRIP (BRACKET UNIT)

SYNCHRO CORD 0.6m

SYNCHRO CORD 5m

BOUNCE GRIP

(GRIP UNIT)

LENS POUCH 200

F.AC ADAPTER

315V POWER PACK

FLASHPHOTO GROUP UNITS

Quick Au to 310

With a guide number o f 34 (A SA 100,

meters), this is the most powerful flash

unit

generally

available,

offering a

wide

coverage to give enough illumination

over the picture area of a 24mm super

wide-angle lens without the aid of a

wide adapter.

(The Quick Auto 310 employs the

world's first "TTL Centralized Control Flash" System: the SBC sensors of the

OM-2 TTL Direct Light Measuring system work also as a flash-light sensor. The System features: 1) the light acceptance angle accords with the picture

angle of individual lens attached to the camera, 2) the ASA film speed and

f/stop needn't be set on the electronic

flash unit, 3) al l f/stops of the lens can be used continuously, 4) the closedistance autoflash range is expanded, and 5) automatic bounce and diffuse

flash, and extreme close-up with the Auto Bellows ca n be readily performed.)

With cameras other than the OM-2, the

flash unit provides ordinary automatic

flash capability at F4, F5.6 & F8 (ASA

100). HI and LOW (1/4 power) manual

settings are possible. Also incorporates

an auto check lamp. Operates off 4 pen-

light batteries with any direct contact

camera. Can be used together with the Bounce Grip, permitting a choice of

various power sources. (Nickel-

cadmium batteries cannot be used.)

Bounce Grip

This unit bracket. The bracket can be connected to the grip instantly and slid to a desired position; capable of tilting through an angle of 90°. Four 1.5V C batteries are inserted into the grip to make it a higher-output power source. It also

consists

of the

grip

and

allows automatic flash photography in

bounce light in conjunction with the

Remote Sensor. (Nickel-cadmium bat-

teries cannot be used.)

FLASHPHOTO GROUP UNITS

Accessory Shoe 1, 2

The Accessory Shoe 1 is screwed into the hot shoe socket on the OM Body to provide direct contact with the clip-on type

electronic works as a holder for the Remote Sensor. The Accessory Shoe 2 is for use

with the OM-2 and Quick Auto 310.

flash.

This

unit

also

Remote Sensor

Designed for use with th e OM-1, correct flash e xposures can always be made no matter what bounce angle is, even when the Bounce Grip is detached from the

OM-1, thus easily permitting auto

bounce flash.

315V Power Pack

A layer-built battery pack to be hung

from the photographer's shoulder. The

unit

generates

power flash with short recycling time

(approx. 1.5 sec.).

over

500

flashes

full

Synchro Cord 0.6m, 5m

Convenient to use with the Quick Auto 310 for direct flash on a cold shoe, or with the Bounce Grip for off-camera flash. The Synchro Cord 5m is for greater off-camera distance than with the 0.6m.

TTL Auto Cord 0.6m

Designed f or use with the OM-2, Ac -

cessory Shoe 2 and Quick Auto 310 to

perform off-camera TTL auto flash,

TTL auto bounce flash (with Bounce Grip), etc.

F.AC Adapter

Plugged into an AC wall outlet, through

which the AC household current supplies an almost unlimited number of

flashes economically to the Quick Auto

310 and Bounce Grip.

Lens Pouch 200

Accommodates the Quick Au to 310.

OLYMPUS PS200

The PS200 operates on two 1.5V pen-

light batteries for use with all the current OLYMPUS cameras and any other cameras with hot shoe contact. Guide number 14 (in meters) (or 45 in feet) at AS A 80-100. Suitable to daylight type

color films. Recycling time approxi-

OLYMPUS PS200 Quick

The PS200 Quick is a compact electronic flash unit that operates on four

1.5V penlight batteries (alkaline or carbon/zinc) for use with the hot shoe

cameras. This unit features a short re-

cycling tim e from 2 se c . to 3 sec. G uid e

number 14 in meters (45 in feet), for

Compartment Case S

hard

shoulder

able partitions, to accommodate the OM

Body, Quick Auto 310, Bounce Grip, and Bracket.

case

with

two

adjust-

mates 7 sec. and number of flash 200

times with fresh alkaline batteries.

Measures 31 X 55 X 64mm (1.2" X

2.2" X 2.5"), weighing 75g (2.6 oz.)

without batteries.

color and B&W films, ASA 80-100. Suitable to daylight type color films.

Flash duration 1/1000 sec. Number of

flash about 200 with alkal in e batteries.

Measures 32 X 73 X 71mm (1.3" X

2.9" X 2.8"), weighing 95g (3.4 oz.)

without batteries.

MACROPHOTOGRAPHY GROUP

Due to recent advances in macro-

photography, it has become possible to

pry out patterns and colors of unsuspected beauty in the minutiae of nature. A f as t g row in g number of scientists and amateurs are taking the opportunity to explore the living world around them in

a new depth.

The Macrophotography Group of the

OM System provides them with all the

tools necessary to capture this world of perfection on film, offering a com-

plete range of convenient, high per-

formance system units designed for

specialists in the various fields of macrophotogrophy. Starting from close-up photography with relatively simple units such as Close-up Lenses, and Extension Tubes, yo u can exten d your photographic techniques into the macrophoto world with the four Macro Lenses, Au to Bellows, Stands, Adapters, and a large variety of lighting equipment. This Group has no equal in its wide variety of accessories for macrophotography with a magnification

range from 1/10X to about 10X and

heightens the value of the OM System in pursuit of perfection on film.

CHART OF MACROPHOTOGRAPHY GROUP

EYECUP 1

MOTOR DRIVE GROUP

DIOPTRIC CORRECTION LENS 1

VARIMAGNI FINDER

FOCUSING SCREENS

1-1

1-2 1-3

RECORDATA BACK 1

1-4 1-10 1-11 1-12

EXTENSION

TUBE 25

EXTENSION TUBE 14

EXTENSION TUBE 7

OM-MOUNT

PHOTOMICRO

ADAPTER H

LIGHTING SET

COPY STAND

FOCUSING RAIL

MACROPHOGRAPHIC

EQUIPMENT PMT-35

TABLE CLAMP

FOCUSING STAGE

AUTO BELLOWS

CABLE RELEASE SR-II

DOUBLE CABLE RELEASE

SPARE BULB

6V5A

TP-1

OBJECTIVE

LENS MOUNT PM-MTob

ZUIKO MACRO 50mm F3.5

ZUIKO AUTO-S 55mm F1.2

ZUIKO AUTO-S 50mm F1.4

ZUIKO AUTO-S

50mm F1.8

ZUIKO 1:1 MACRO 80mm

INCIDENT ILLUMINATOR

MIRROR HOUSING PM-EL80

ZUIKO MACRO

38mm F3.5

LIEBERKUHN REFLECTOR

ZUIKO MACRO 20mm F3.5

CLOSE-UP LENS 55mm f = 40cm

ILLUMINATOR MIRROR

ADAPTER RING

49mm

CLOSE-UP LENS

49mm f = 40cm

INCIDENT

ILLUMINATOR

MIRROR

HOUSING

PM-EL38

PM-LM38

INCIDENT

HOUSING PM-EL20

LIEBERKUHN REFLECTOR PM-LM20

SHADE

STAGE PLATE

CENTERING

MIRROR

PM-ELCS

HANDY COPY STAND

SLIDE COPIER

STAGE INSERT PLATES

STAGE PLATE 28

MACROPHOTO STAND B ADAPTER

MACROPHOTO STAND

VST-1

SPARE BULB 6V5A TB-1

EPI-ILLUMINATOR PM-LSD2

ROLL FILM STAGE

MECHANICAL STAGE FM

STAGE

PLATE 45

TRANS-ILLUMINATOR BASE

X-DE

TRANS-ILLUMINATOR LSD

STAGE GLASS

MACRO PHOTO STAND EXTENSION BAR VST-E

SPARE BULB 6V5A TB-1

MACROPHOTOGRAPHY UNITS

Close-up Lens 49mm f=40cm Close-up Lens 55mm f=40cm

Available in both 49mm and 55mm

diameters to fit all suitable OM System

lenses. The use of them reduces the

minimum focusing distance of a stand-

ard lens from 45cm (17.7") to 19cm

(7.5") from the front lens surface.

Extension Tubes 7, 14 and 25

Bayonet mount tubes fitting between

the OM Body and the lens. They have

extension of 7mm, 14mm and 25mm

respectively, and can be used in total

of 7 different combinations to give a variety of magnifications. When used with the standard F1.8 the lens-to-sub-

Copy Stand

A standard type stand, 48 x 44cm, fo r

general close-up and copy photo-

graphy. Two additional lights can be

constructed to the top of the 80cm

high stanchion. Fine adjustment for

the camera height an d a locking device

are provided.

Handy Co py Stand

A four-legged stand for close-up and copy photography. The leg length is adjustabl e to three positions.

Adapter Ring 55 49mm

Connects the standard F1.2 to the

Handy Copy Stand or the reversed

55mm dia. lenses to the Auto Bellows.

ject distance can be changed from

39.1cm to 6.8cm (15.4" to 2.7"). With the Macro 50mm, th e Extension

Tube 25 provides an extended magnifi-

cation range between 0.5x to life-size.

(In this range, however, the 1:1 Macro

80mm is recommended for the best re-

sult.)

Lighting Set

Complete with two units each consisting of a stable base and a light arm. Maximum light intensity is 500W.

Table Clamp

Convenient for setting up the column

of the Copy Stand at the edge of a

desk or table without the baseboard.

MACROPHOTOGRAPHY UNITS

Auto Bellows

A convenient, high performance bel-

lows system, consisting of the bellows section, focusing rail and focusing tripod mount. Magnification and focus-

ing adjustable independently. A Must for three Macro Lenses. Can also be used with the Focusing Stage.

Focusing Rail

This is used with the Focusing Stage and connects to a tripod, the Copy Stan d , or Macrophoto Stand B Adapter, so that the camera can be smoothly moved alon g the Rail, allowing you to focus and

compose as desired.

Focusing Stage

Allows you to mount the camera body

on the Focusing Rail or Auto Bellows. When used with the Rail, you can change the camera position f or fast and smooth focusing and composing.

Double Cable Release

Attached to the Auto Bellows and cam-

era shutter release button, to activate

them simultaneously.

Slide Copier

For use in conjunction with the Auto Bellows to produce duplicates from

frame-mounted slides or strip slides. The 1:1 Macro 80mm is recommended f or best results with the Slide Copier.

Roll Film Stage

Attached to the Slide Copier to hold

long roll films for duplication.

Macrophoto Stand VST-1

A rugged stand specially designed for

close-up and high magnification photography. Usable with various st a g e plates.

Complete with a round frosted plate (black at back) for incident light an d a

pair of stage clips.

Trans-llluminator Base X-DE

Indispensable for holding the Macrophoto Stand VST-1 for magnified photographs. Supplied with a built-in 100V 20W illuminator with a mirror, and a pair of wooden handrests for ease of

operation. Can be used with various

stage plates and filters. When used wi th

Epi-llluminators PM-LSD 2

This pair of illuminators offer vertical illumination essential to macrophoto-

graphy. The height of the illuminator is

adjustable on the tall pillar, suitable to overstage or substage illumination.

When used with the Trans-llluminator

Base X-DE, the Illuminator supplies

Macrophoto Stand B Adapter

Fo r use with the Macrophoto Stand, to support the Auto Bellows or Focusing Rail on the Stand.

Macrophoto Stand Extension Bar

VST-E

Extends the height of the Macro-

photo Stand. Length: 7.5cm (2.95")

the Lieberkuhn Reflector, it is convenient to replace the reflector mirror with the Centering Mirror PM- E LCS.

Cable Release SR- II

For use with the OM Body or Auto

Bellows to eliminate shutter vibration at

shutter release.

transmitted light. Focusing is adjustable by shifting the bulb filament. A 6V to 8V variable transformer is provided.

Eig h t filters ar e available in various sizes, including color, black and white, neutral density, etc. for transparent or translucen t subjects.

MACROPHOTOGRAPHY UNITS

Trans-llluminator LSD

This unit is a universal type trans-il-

luminator for use with the X-DE Trans-

llluminator Reflector is added, vertical light is also

available. A 6V, 30W bulb is built-in. The

condenser travels 18mm by rack and

pinion for converging, diverging and

Base.

When

the

Lieberkuhn

Stage Glasses (Clear, frosted-&-black)

Stage Plate 45 (metal disc, black)

Stage Plate 28 (metal disc, black)

Glass Shade Stage Plate

Supplied with two stage inserts; compatible with the Lieberkuhn Reflector. The center port accepts the stage insert

on which a subject is placed.

Spare Bulb 6V 5A TB-1

(for PM-LSD2 & LSD)

Spare Bulb 6V 5A TP-1 (for PMT-35)

Adapter PM-EA

Accepts the photosensitive probe of the

EMM-7 Exposure Meter in conj unct ion with the PMT-35 or Auto Bellows.

parallel adjustments of light. Complete with transformer and square filter 60 x 45C. Provided with a filter holder fo r attachment of various OLYMPUS fil-

ters, round and square.

Mechanical Stage FM

This

stage

used

mount

the 28mm stage plate. The subject trav-

els vertically and horizontally by precise

adjustments with vernier.

subjects

Filters

Round filters are used with the PM-

LSD2 and LSD, while square filters

used with the LSD only. They are

color temperature compensation,

monochromatic, neutral density, diffu-

sion, heat absorbing and interference filters.

Lieberkuhn Reflecto r PM-LM20 Lieberkuhn Reflector PM-L M 38

These Reflectors are available for use

with the 20mm and 38mm Macro

Lenses. When used with the LSD

Trans-llluminator, they make it pos-

sible to take photographs wi th excellent

penetration and lack of shadows.

Incident Illuminator Mirror Housings

PM-EL80, PM-EL38 and PM-EL20

These units are used with OLYMPUS

Macro Lenses in conjunction with the Epi-Illuminator PM-LSD2 or Macro-

photographic Equipment PMT-35 to il-

luminate macrophotographic objects

with incident light. They are effective

Macrophotographic Unit PMT-35

The PMT-35 is a complete macrophoto-

graphic system for OM System photo

work providing image magnification

from 0.45x to 16.5x with transmitted o r

reflected light as desired. T he stan dard

set consists of 26 out of the 46 high

precision units of OLYMPUS macro-

Objective Lens Mount PM-MTob

This objective mount enables you to

mount the Zuiko Macro 20mm and 38mm to the Auto Bellows. It also connects to the Light Shield Tube PM-

SDM.

when shadowless pictures are desired.

Centering Mirror PM-ELCS

For use with these PM-EL units for ac-

curate centration or for use with the

Trans-llluminator Base X-DE.

photo equipment. The OM Mount Pho-

tomicro Adapter H connects the OM

Body to the PMT-35.

PHOTOMICROGRAPHY GROUP

When the photographic magnification

desired exceeds 10x magnification, it becomes more difficult for the macro-

photographic equipment alone to obtain excellent pictures. A sophisticated array of photomicrography accessories with a microscope as the central figure

is required. The exciting vision of look-

ing at the microscopic world through a

microscope can be recorded by the

OM-1.

OLYMPUS also has an outstanding re-

putation for manufacturing precision microscopes used by scientists through-

out the world. Naturally, the OM

System includes a variety of micro-

scope adapters, rugged stands, a special

shutter to prevent vibration at high

magnification, and an automatic exposure mechanism, which solves the difficult problem of microscopic exposures.

The Photomicrography Group is de-

signed to expand the photomicrographic world not only into the scientific realm, but also into the creative

sphere, so that the photographer's

achievements under the microscope

can be easily and accurately recorded

with his OM-1.

CHART OF PHOTOMICROGRAPHY GROUP

EYECUP 1

CABLE RELEASE

SR-II

DIOPTRIC CORRECTION LENS 1

EYECOUPLER

VARIMAGNI FINDER

FOCUSING SCREEN 1-12

RECORDATA BACK 1

FOCUSING MAGNIFIER FT

5X MAGNIFIER

OM-MOUNT PHOTOMICRO

ADAPTER H

35mm SLR CAMERA

ADAPTER PM-D35S

FOCUSING TELESCOPE PM-VS

SCREEN VIEWER PM-VSC

MANUAL EXPOSURE BODY PM PBM

AUTOMATIC EXPOSURE BODY PM-PBA

OBJECTIVE LENS MOUNT PM MT ob

AUTO BELLOWS

G EYEPIECES

EYEPIECES

LIGHT SHIELD TUBE PM-SDM

EYEPIECE ADAPTER PM-ADG-3

EYEPIECE ADAPTER PM-ADP

COPY STAND

PHOTOMICROGRAPHS SUPPORTING STAND PM-PSS

MOTOR DRIVE GROUP

PHOTOMICROGRAPHS EXPOSURE METER EMM-7

OM-MOUNT PHOTOMICRO ADAPTER L

AUTOMATIC EXPOSURE CONTROL BOX PM-CBA

EYEPIECE ADAPTER PM-ADF

PHOTOMICROGRAPHY UNITS

OM-Mount Photomicro Adapter L

Connects the OM Body to the micro-

scope for low power magnification.

35mm SLR Camera Adapter

PM-D35S

Used with OM-Mount Photomicro

Adapter H to attach the OM Body to

the PM-PBA or PM-PBM.

Eyepiece Adapter PM-ADG-3,

PM-ADP, PM-ADF

Used to connect a microscope to the

OM-Mount Photomicro Adapter L, PM-

PBA or PM-PBM. Each Adapter design-

ates OLYMPUS microscope eyepieces as follows: PM-ADG-3 for G eyepieces, PM-ADP for P eyepieces and PM-ADF

for FK photo eyepieces.

OM-Mount Photomicro Adapter H

Connects the OM Body to the Photo-

micrographic System PM-10, automatic or manual, or Macrophotographic Unit PMT-35 for high power magnification.

Photomicrographic Supporting

Sta nd PM-PSS

This

unit

is a

massive

ly end the major cause of lost photomi-

crographs at high magnification . . .

vibration. Supports the entire camera

weight, isolating it from the microscope.

stand

virtual-

Light Shield Tube PM-SDM

Designed for use with the Auto Bellows and Objective Lens Mount PM-MTob. Assures excellent images when used with FK photo eyepieces at the bellows length of 111mm, free of shutter vibra-

tion.

PHOTOMICROGRAPHY UNITS

Auto-Photomicrographic System

PM-10-A

Consists of 17 units, including the PM-PBA, PM-CBA, etc.

Automatic Exposure Body PM-PBA

Automatically determines accurate exposure time, compensating for recipro-

city failure.

Manual Photomicrographic System

PM-10-M

This is a popular manual version of the

PM-10, consisting of 8 units.

Manual Exposure Body PM-PBM

A special shutter release button is integrated to eliminate shutter vibration.

Screen Viewer PM-VSC

For use with objectives lower than 4x

power. A hood is provided to reduce

extraneous light on the viewing screen.

5X Magnifier

For use with the Screen Viewer for magnifying any part of the subject area

and focusing accurately.

Automatic Exposure Control Box

PM-CBA

Used with the Automatic Exposure Body PM-PBA, to regulate color temperatures control. Eight filters provi-

ded.

Photomicrographic Exposure Meter

EMM-7

The EMM-7 assures accurate control of both exposure and color temperature in photomicrography. Provided with exposure and color temperature probes, color-compensating filters.

Focusing Telescope PM-VS

For use with objectives 4x and up in

conjunction with the Automatic or

Manual Exposure Body.

Focusing Magnifier FT

Used to magnify the image obtained by the Focusing Telescope.

CHART OF PHOTOGRAPHIC RANGES

METHODS

BASIC

GROUPS

ZUIKO INTERCHAGEABLE

LENS GROUP

MACROPHOTOGRAPHY

GROUP

PHOTOMICROGRAPHY

GROUP

METHODS

VARIED

MACROPHOTOGRAPHY

GROUP

PHOTOTECHNICAL GROUP

As a leading manufacturer of optical

instruments, OLYMPUS has produced

a wide variety of microscopes, medical

and measuring instruments that have been making a major contribution in

many fields of modern life. They are also vital elements in the OM System

which many scientists can use to suc-

cessfully document their achievements

in photographs.

OLYMPUS products include fiberscopes that are capable of visualizing the internal view of the human organs and taking photographs for diagnosis

and treatment of diseases; operation

microscopes for microsurgery; astronomy telescope adapter to explore the

mysteries of space and stars — all capa-

ble of attachment to the OM Body.

For OLYMPUS Pen F and FT enthusi-

asts, a mount adapter is available for

connection of these cameras to the OM System Interchangeable Lenses and other units. Another outstanding ad-

vantage the OM System features is the

Recordata Back that is interchangeable with the OM Body camera back. Once

in place, the Back imprints numbers

directly on the picture when the expo-

sure is made.

CHART OF PHOTOTECHNICAL GROUP

FOCUSING SCREENS 1-8 1-11

FOCUSING SCREEN 1-9

RECOROATA BACK 1

OM-MOUNT ASTROSCOPE ADAPTER

OM-MOUNT ENDOSCOPE ADAPTER

OM MOUNT MTX ADAPTER

BODY CAP

DOUBLE CABLE REL EASE

CABLE RELEASE S R-II

MEMO HOLDER BACK 1

INTERCHANGEABLE LENS GROUP

OM-MOUNT LENS ADAPTER FOR PEN F

PEN F, FV, FT

PHOTOTECHNICAL UNITS

Recordata Back 1

Used as a replacement camera back of

the OM Body, the Recordata Back

makes

provision as date, numbers, etc. directly on the pictures. Provided with a built-in light emitting diode powered by three 1.5V silver oxide batteries. It measures only

imprint

data

such

OM-Mount Ast roscope Adapter

Permits astrophotography by the OM

Body attached to a telescope by means

of the 36.5mm diam., pitch 1mm and

pitch 0.75mm threads. It enables direct objective photography and high magnification photography through the tele-

scope eyepiece.

OM-Mount MTX Adapter

Its bayonet mount facilitates mounting

the OM Body on the OLYMPUS Opera-

tion Microscope MTX.

28mm (1.1") in thickness, weighing

95g (3.4 oz. ) without batteries.

OM-Mount Endoscope Adapter

Used for mounting the OM Body to the OLYMPUS fiberscopes except the gastrocameras. The clear field type

Focusing Screen 1-9 is recommended for use with this adapter.

OM-Mount Lens Adapter for Pen F

Connects the OLYMPUS PEN F, FT

and FV cameras to the OM System

Interchangeable Lenses and other units.

Double Cable Release

Used with the Auto Bellows.

Cable Release SR-II

CASE GROUP

CASE UNITS

However ruggedly constructed, the

camera is essentially a precision instrument and should be kept away from abrupt motions as much as possible. On the other hand, various units re-

quire rapid changing in actual use. Re-

placement of interchangeable lenses, for example, may have to be carried

out quickly to meet changing photo-

graphic conditions.

The outstanding versatility of a true

system camera can be enhanced if it is easy to operate and carry. With a properly designed case, both carrying and

using your equipment becomes more convenient. The OM System Case Group includes a

large

variety

cases

that

the OM

Body and other units may fit properly. They are compartment cases, specially

made of tough synthetic leather, and designed to perfectly accommodate t he

photographic units. The adjustable

partitions can be rearranged in the case

to suit the photographer's individual

requirements. Soft, hard and semi-hard

cases to fit the OM Body and standard

lenses, with a choice of carrying straps,

are also available.

Hard Case for OM Body with F1.8

or F1.4

Hard Case for OM Body with F1.2

Accommodates the OM Body with re-

spective standard lens.

Semi-Hard Case for OM Body with

F1.8

F1.4

Semi-Hard Case for OM Body with

F1.2

Soft Case for OM Body with F1.8 or

F1.4

Accommodates the OM Body with

F1.8 or F1.4 standard lens, and the Recordata Back 1.

Sof t Case fo r OM Body w ith F1.2

Lens Pouch 100

Made of fine leather to contain a single lens 100mm or smaller.

Lens Pouch 200

A fine leather container for a telephoto

lens 200mm, zoom lens, or smaller. The

main body of the Quick Aut o 310 can

also be contained.

Leatherette Shoulder Strap with

Shoulder Pad 1

Leather Shoulder Strap with Shoul-

der Pa d 2

Flat Braid Shoulder Strap Round Braid Shoulder Strap

Compartment Case S

A hard shoulder case with two adjust-

able partitions. Holds OM Body, two

interchangeable lenses and filters; or

Quick Auto 310, Bounce Grip and OM

Body can be contained.

Compartment Case M

soft

shoulder

and two pockets. Holds OM Body,

three interchangeable lenses and vari-

ous auxiliary equipment including electronic flash. Straps for carrying tripod.

case

with

partitions

Compartment Case L

A hard shoulder or hand-carried case

with two adjustable partitions. Holds

two OM Bodies, two interchangeable

lenses (including 300mm telephoto

lens), electronic flash, large format camera, and other equipment.

Partitioned Insert

When inserted into the Compartment

Case L, this unit supports the assembly

of the Motor Drive Units. The 250

Film

Back

1 and

interchangeable

can be contained together with the OM

Body.

lenses

COMPARTMENT CASE S

COMPARTMENT CASE M

COMPARTMENT CASE L

MOTOR DRIVE PARTITIONED INSERT

43-2 Hatagaya 2-chome, Shibuya-ku, Tokyo, Japan Tel. 03-377-2111

145 Crossways Park, Wes t, Woodbury, New Yor k 11797, U.S.A. Tel. 516-364-3000

OLYMPUS OPTICAL CO. (EUROPA) GMBH.

2 Hamburg 1, Steindamm 105, West Germany Tel. 040-248021

2-8 Honduras Street, London EC1Y OTX, England Tel. 01-253 2772

OLYMPUS OPTICAL CO., LT D.

OLYMPUS CAMERA CORPORATION

OLYMPUS OPTICAL CO. (U.K.) LTD.

PRINTED IN JAPAN IEOM1 · 1078·10MS

Olympus OM-1 Operating Instructions

Specifications and Main Features

Frequently Asked Questions

User Manual

DESCRIPTION OF CONTROLS

TABLE OF CONTENTS

SPECIFICATIONS

SHORT COURSE OF INSTRUCTIONS

INSERTING THE BATTERY

LOADING THE FILM

FRONT LENS CAP

OPERATING THE FILM ADVANCE LEVER

THE EXPOSURE COUNTER

UNLOADING THE FILM

MAKING DOUBLE EXPOSURES

SETTING THE SHUTTER SPEED RING

SETTING THE APERTURE RING

SETTING THE ASA FILM SPEED DIAL

THE METERING SYSTEM

SETTING THE EXPOSURE

FOCUSING

CHANGING THE LENS

DEPTH OF FIELD

HOLDING THE CAMERA

MOTOR DRIVE PHOTOGRAPHY

OPERATION OF WINDER 1

OPERATION OF BASIC MOTOR DRIVE PACKAGE

FLASH PHOTOGRAPHY

SETTING THE SELF-TIMER

LOCKING UP THE MIRROR

CHANGING THE CAMERA BACK

CARE AND STORAGE

ZUIKO INTERCHANGEABLE LENS GROUP

TABLE OF INTERCHANGEABLE LENSES

INTERCHANGEABLE LENS GROUP UNITS

MOTOR DRIVE GROUP

MOTOR DRIVE UNITS

FINDER GROUP AND UNITS

FLASHPHOTO GROUP

FLASHPHOTO GROUP UNITS

MACROPHOTOGRAPHY GROUP

MACROPHOTOGRAPHY UNITS

PHOTOMICROGRAPHY GROUP

PHOTOMICROGRAPHY UNITS

CHART OF PHOTOGRAPHIC RANGES

PHOTOTECHNICAL GROUP

PHOTOTECHNICAL UNITS

CASE GROUP

CASE UNITS