z We recommend that you take test shots to get accustomed to your camera before taking
important photographs.
z The screen and camera illustrations shown in this manual were produced during the
development stages and may differ from the actual product.
z The contents in this manual are based on firmware version 1.0 for this camera. If there are
addition and/or modification of functions due to firmware update for the camera, the contents will
differ. For the latest information, please visit the Olympus website.
Interchangeable lenses
Others
Structure of this manual
Basic camera operation Basic guide
This section explains the preparations and settings for the camera, and basic camera
operation from easy techniques for shooting to playback and erase functions.
Attaching the strap ........................................... 3 Adjusting the viewfinder’s diopter .....................7
Preparing the battery........................................ 3 Setting the date/time.........................................8
Attaching a lens to the camera......................... 5 Shooting .........................................................10
Loading the card .............................................. 6 Playback/Erasing ............................................12
Power on.......................................................... 7
Mastering the E-510 P. 18
Read chapter 1 to master the basic camera operation before proceeding to use the various
functions available on this camera.
Operating the camera g “Mastering the E-510” (P. 18)
Learn how to use the functions in the shooting guides g “Improving your shooting
skills k Shooting guides” (P. 25)
Proceed to the pages on the various functions.
Locating the information you need
g “Shooting tips and information” (P. 97), “Menu directory” (P. 109), “Names of
parts” (P. 115), “Index” (P. 136)
Indications used in this manual
Important information on factors which may lead to a malfunction or
operational problems. Also warns of operations that should be
absolutely avoided.
TIPSUseful information and hints that will help you get the most out of your
camera.
gReference pages describing details or related information.
2
EN
Basic guide
Attaching the strap
Thread the strap as indicated by the arrows (1, 2).
Lastly, pull the strap tight making sure that it is fastened securely (3).
Attach the other end of the strap to the other eyelet in the same way.
1
Basic guide
Preparing the battery
1Charging the battery
Charging indicator
Red light: Charging in progress
Green light: Charging completed
(Charging time: Approx. 5 hours)
Lithium ion charger
(BCM-2)
2
Lithium ion battery
(BLM-1)
Remove the protection
cap from the battery.
3
Align the battery with
the arrow
AC cable
AC wall outlet
EN
3
2Loading the battery
Direction indicating mark
Battery
Basic guide
compartment
cover
2
Battery compartment
lock
3
1
3Close the battery compartment cover and slide the battery
compartment lock in the direction of E
Unloading the battery
Press the battery lock to unlock and remove the battery.
Battery lock
• It is recommended to set aside a backup battery for prolonged shooting in case the battery in use
drains.
4
EN
Attaching a lens to the camera
1Remove the body cap from the camera and the rear cap from the lens
2
1
1
Basic guide
Rear cap
2
Body cap
2Attaching a lens to the camera
• Align the lens attachment mark (red) on the camera
with the alignment mark (red) on the lens, then
insert the lens into the camera’s body (1). Rotate
the lens in the direction indicated by the arrow until
you hear it click (2).
• Do not press the lens release button.
Alignment mark (Red)
3Remove the lens cap (3, 4)
4
Removing the lens from the camera
While pressing the lens release button (1), rotate the lens in
the direction of the arrow (2).
Lens attachment mark (Red)
2
3
Lens cap
3
Lens release button
1
2
1
EN
5
Loading the card
Open the card cover and insert the card.
CompactFlash/MicrodrivexD-Picture Card
Insert the card until it is locked into place.Insert the card’s contact area into the slot as far as
Basic guide
it can go.
W mark
Card access
lamp
Card cover
CF card slot
xD-Picture Card slot
Removing the card
• Never open the card cover while the card access lamp is blinking.
CompactFlash/MicrodrivexD-Picture Card
• Press the eject button all the way in and let it
pop out, then press it all the way in again to
eject the card.
• Pull out the card.
Eject button
• Press the inserted card lightly and it will be
ejected.
• Pull out the card.
6
EN
Power on
Set the camera’s power switch to ON.
To turn off the power, set the power switch to OFF.
Basic guide
Set the mode dial
to AUTO.
INFO button
SSWF indicator
LCD monitor
When the camera is turned on, the
2007.08.16
Control panel screen
control panel screen is displayed
on the monitor.
If the control panel screen does
not appear, press the INFO
button.
Dust reduction function operation
The dust reduction function is automatically activated when the camera is turned on.
Ultrasonic vibrations are used to remove dust and dirt from the image pickup device’s filter
surface. The SSWF (Super Sonic Wave Filter) indicator blinks while dust reduction is
working.
Adjusting the viewfinder’s diopter
Adjust the viewfinder’s diopter in accordance with your vision.
While looking through the viewfinder, rotate the diopter
adjustment dial little by little.
When you can see the AF frame clearly, adjustment is
complete.
Viewfinder
Diopter adjustment dial
AF frame
EN
7
Setting the date/time
Date and time information is recorded on the card together with the images. The file name is
also included with the date and time information. Be sure to set the correct date and time
before using the camera.
1Press the MENU button
Basic guide
CUSTOM RESET
SETTING
MENU
button
2Use ac to select [Z], then press d
a
d
c
3Use ac to select [X], then press d
a
d
c
4Use ac to select the year [Y], then press d
a
d
c
EDIT FILENAME
Y/M/D
Y/M/D
5Repeat this procedure until the date and time are completely set
• The time is displayed in the 24-hour format.
8
EN
a
d
c
Y/M/D
6Use ac to select the date format
a
c
7Press the i button
i
8Press the MENU button to exit
Y/M/D
Basic guide
EDIT FILENAME
EN
9
Shooting
1Holding the camera
Keep your fingers and the strap away from the lens and the flash.
Basic guide
Horizontal gripVertical grip
2Place the AF frame on the subject while viewing through the viewfinder
3Adjust the focus
Press the shutter button gently (halfway).
AF confirmation mark
Aperture value
2007.08.16
Shutter speed
• The focus is locked when a beep tone is output. The AF confirmation mark and the AF
focusing frame light up in the viewfinder.
• The shutter speed and aperture value that have been set automatically by the camera are
displayed.
• The control panel screen is not displayed when the shutter button is pressed.
Halfway down
Shutter button
Card access lamp
4Release the shutter
Press the shutter button all the way (fully).
• The shutter sounds and the picture is taken.
• The card access lamp blinks and the camera starts
recording the picture.
• Never remove the battery or card while the card access lamp mark is blinking. Doing so could
destroy stored pictures and prevent storage of pictures you have just taken.
All the way down
10
EN
Taking a picture while viewing the monitor
It is possible to use the LCD monitor as a viewfinder and check the subject’s composition, or
shoot while viewing an enlarged display on the LCD monitor.
g “Live view” (P. 23)
1Press the u (live view) button
• The subject is displayed on the LCD monitor.
u button
2Press the shutter button all the way down
• The picture is taken with the focus adjusted.
When the camera stops operating
Basic guide
If no operations are performed for approximately 8 seconds while the camera is on, the
monitor backlight turns off to save battery power. If no operations are performed for
approximately one minute thereafter, the camera enters the sleep mode (stand-by) and stops
operating. The camera activates again when you touch any button (the shutter button, arrow
pad, etc.). g “Backlight timer” (P. 83), “Sleep timer” (P. 82)
EN
11
Playback/Erasing
Playing back images
Pressing the q (playback) button displays the last picture taken.
q button
Basic guide
Displays the
previous frame
Arrow pad
Displays the frame
that is stored 10
frames back
Displays the
next frame
Displays the frame
that is stored 10
frames ahead
Close-up playback
Each time you rotate the control dial towards U, the image is enlarged in steps of 2× - 14×.
Control dial
Erasing images
Playback the image you want to erase and press the S (erase) button.
Use ac to select [YES] and press the i button to erase.
S button
12
EN
Table of Contents
1Mastering the E-510 ................................................................................18
Describes the camera’s functions and how to operate them.
How to use the mode dial ......................................................................................................18
The mode dial allows you to change the
camera settings easily according to the
subject.
1
Mastering the E-510
Easy shooting modes
• Select according to the shooting scene. The camera sets the appropriate shooting conditions
automatically.
• When rotating the mode dial or turning off the power in the easy shooting modes, functions with
changes made to their settings are restored to the factory default settings.
Allows you to shoot using an optimum aperture and shutter speed that
AUTOAUTO
the camera sets. The built-in flash pops up automatically in low-light
conditions.
iPORTRAITSuitable for shooting a portrait-style image of a person.
lLANDSCAPESuitable for shooting landscapes and other outdoor scenes.
&MACROSuitable for taking close-up pictures (macro shooting).
jSPORTSuitable for capturing fast-moving action without blurring.
/
gScene mode
NIGHT+PORTRAIT
Suitable for shooting both the main subject and background at night.
18 different scene modes are available to suit a wide range of shooting
situations. (gP. 30)
Advanced shooting modes
• For more advanced shooting and greater creative control, you can set the aperture value and
shutter speed.
• The settings made in the advanced shooting modes are retained even if the camera is turned off.
PProgram shooting
AAperture priority shooting
SShutter priority shooting
Allows you to shoot using an aperture and shutter speed that
the camera sets. (gP. 31)
Allows you to set the aperture manually. The camera sets the
shutter speed automatically. (gP. 32)
Allows you to set the shutter speed manually. The camera sets
the aperture automatically. (gP. 33)
MManual shooting
18
EN
Allows you to set the aperture and shutter speed manually.
(gP. 34)
How to set the functions
How to make function settings
There are three basic ways to make function settings with this camera.
• Setting while looking at the control panel screen (See below)
• Setting using direct buttons (gP. 20)
• Setting on the menu (gP. 21)
Setting functions using the control panel screen
Select an item on the control panel screen and
change the setting.
1When the power switch is set to ON,
the control panel screen (shooting
information and setting screen) is
displayed on the LCD monitor.
• The display changes each time the INFO
button is pressed.
• You can also display the control panel screen
by pressing the i button and change the
setting when using live view.
Control panel screen
2007.08.16
2007.08.16
1
Power switch
Control dial
i button p Arrow padINFO button
Mastering the E-510
Basic
Detailed
Display off
2Press the i button.
• The cursor (function being selected) on the control panel screen lights (1).
e.g.) When setting Sequential/Self-timer/Remote control shooting
123
Cursor
Direct menu
3Use p to move the cursor to the function you want to set (2).
4Turn the control dial to change the setting.
• Pressing the i button while the item is being selected displays the direct menu for that
function. You can also use the direct menu to change the setting (3). After changing the
setting, press the i button to confirm your setting. Or if you do not operate the control dial
within a few seconds, your setting will be confirmed and the control panel screen will be
restored. g “Button timer” (P. 84)
EN
19
Functions on the control panel screen
The functions that can be set on the basic display and detailed display vary.
This camera is equipped with direct buttons where functions have been assigned and can be
set quickly.
1Press the button for the function you want to set.
• The direct menu is displayed.
e.g.) Setting Sequential/Self-timer/
Remote control shooting
Direct menu
20
EN
Control dial
6
2
1
10
3
45
7
8
9
2Turn the control dial to change the setting.
• Press the i button to confirm your setting. Or if you do not operate the control dial within a
few seconds, your setting will be confirmed and the previous screen will be restored.
g “Button timer” (P. 84)
List of direct buttons
The functions assigned to buttons are as shown below.
YCustomizes shooting functions.
ZSets functions that allow you to use the camera efficiently.
Select a function and go to the
setting screen.
3Press i repeatedly until the menu disappears.
• The normal shooting screen is restored.
• For the menu lists, see “Menu directory” (g P. 109).
Descriptions in this manual
The operating instructions of the direct buttons, control panel screen and menu are described
as follows in this manual.
22
NOISE FILTERSTANDARD
NOISE REDUCT.
Control panel setting screenDirect buttons setting screenMenu setting screen
Direct button
e.g.: When setting Sequential shooting/Self-timer/Remote control
j/Y/<Control dial
Control panel screen
e.g.: When setting Sequential shooting/Self-timer/Remote control
ip: j/</Yi
Menu
e.g.: When setting white balance
MENU[W][WB]
EN
Live view
It is possible to use the LCD monitor as a viewfinder. You can view the exposure or white
balance effect and the subject’s composition while you take the picture.
1Press the u button.
• The subject is displayed on the LCD monitor.
AEL/AFL button
INFO button
Control dial
u button
2Press the shutter button all the way down to focus and shoot.
• To focus in advance, hold down the AEL/AFL button and press the shutter button. The focus
is locked when the AEL/AFL button is pressed.
• The image display on the monitor freezes as the mirror goes down during focusing. The
picture you just took is briefly displayed on the monitor so you can check the picture.
TIPS
To check the image stabilizer effect:
J Press and hold the o button. g “Checking the image stabilizer effect on the monitor” (P. 36)
1
Mastering the E-510
To focus using MF:
J Set [AF MODE] to [MF]. g “Focus mode” (P. 49)
• Turn the focus ring and focus on the subject. For MF shooting method, refer to “MF (manual
focus)” (P. 50).
• You can also press the AEL/AFL button to activate auto focus.
Switching the information display
You can press the INFO button to switch the information displayed on the monitor.
Information display on
Information display on
+ Ruled lines display
*1
Information display on
+ Histogram
Information display off
*1
Displayed when [FRAME ASSIST] is set.
*2
For operation in the enlarged display, refer to “Enlarged display operation” on the next page.
Enlarged display
*2
EN
23
Enlarged display operation
It is possible to enlarge the subject 7 or 10 times for display. Enlarging the image during MF
makes focus confirmation and adjustment easier.
1Use p to move the frame and press the i button.
• Area inside the frame is enlarged and displayed.
• Press and hold the i button to return the shifted enlargement frame to the center.
1
Mastering the E-510
2Turn the control dial to change the magnification (7×/10×).
• Pressing i cancels enlarged display operation.
x Notes
• If there is a high-intensity light source within the screen, the image may be displayed darker
but will be recorded normally.
• If the live view function is used over a long period, the temperature of the image pickup device
rises causing images with high ISO sensitivity to appear noisy and unevenly colored. Either
lower the ISO sensitivity or turn off the camera for some time.
• Replacing the lens will cause live view to stop.
• The following functions are not available during live view.
C-AF/AE lock/[AEL/AFL]
Ruled lines display
You can display the ruled lines on the LCD monitor as a guide when confirming the
composition.
MENU[Y][FRAME ASSIST]
[OFF]/[GOLDEN SECTION]/[GRID]/[SCALE]
TIPS
Checking the subject on the monitor even in low light situations:
J Refer to “Live view boost” (g P. 79)
24
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2
Improving your shooting skills k Shooting guides
Basic function guides
To familiarize yourself with the camera, you can start off by taking pictures of surrounding
subjects, such as children, flowers and pets. If the pictures taken are not to your liking, try
adjusting some of the settings below. You can take more satisfying pictures simply by
familiarizing yourself with these basic camera functions.
Focus: Operating the shutter button
A picture can become out of focus when the focus in the
picture is on the foreground, background, or other objects in
the picture instead of on the subject. To prevent out-of-focus
pictures, be sure to focus on the subject you are trying to
capture. The shutter button can be pressed halfway down
(half-press) and all the way down (full press). Once you are
able to operate the shutter button effectively, you can focus
accurately even on moving subjects.
2
Improving your shooting skills k Shooting guides
Halfway
down:
g “Shooting” (P. 10), “If correct focus cannot be obtained
(Focus lock)” (P. 37)
Even when the subject is in focus, the picture can become
blurred if you move the camera while the shutter button is
being pressed. Make sure how to properly hold the camera.
The camera is particularly subject to shaking when using live
view to take pictures while viewing the subject on the monitor. You can reduce camera shake
by using the image stabilizer.
g “Holding the camera” (P. 10), “Shooting with the image stabilizer function” (P. 36)
In addition to incorrect focusing and camera shake problems, movement of the subject can
also cause blurring of the picture. In this case, use a shutter speed that matches the motion
of the subject. You can confirm the actual shutter speed and aperture on the displays of the
viewfinder and monitor by pressing the shutter button halfway.
g “How to use the mode dial” (P. 18), “Preview function” (P. 35), “Live view” (P. 23)
All the way
down:
Brightness: Exposure compensation
The camera automatically determines the aperture value and
shutter speed according to the brightness level. This is called
auto exposure. However, you may not be able to capture the
intended picture with auto exposure alone. In this case, you
can increase or decrease the auto exposure setting. Increase
the exposure to enhance the brightness of a summer beach or
the whiteness of snow. Decrease the exposure when the area
to be shot is brighter but smaller compared to its surrounding
area. If you are unsure of how much exposure compensation is
required, try taking several pictures at various settings and then compare the pictures.
g “Exposure compensation k Varying the image brightness” (P. 55), “AE
bracketing” (P. 37)
EN
25
Color: White balance
Besides sunlight, there are other sources for illuminating the subject, such as tungsten and
fluorescent lighting. These types of lighting contain particular colors; therefore, the same
white object shot under different lighting has slightly different colors. Even under the same
sunlight, the colors in the picture differ depending on the sky conditions, the shadows of trees
or buildings, and other factors. White balance automatically corrects the effects from these
types of lighting and enables shooting with the right colors. You can usually obtain the right
colors with the white balance set to [AUTO]. Depending on the shooting conditions, however,
you may not be able to obtain the intended colors. In this case, change the setting
accordingly.
g “White balance k Adjusting the color tone” (P. 57)
2
Fluorescent light
Tungsten lightShade of tree
Improving your shooting skills k Shooting guides
A guide to functions for different subjects
This section describes the functions suitable under different shooting conditions depending
on the subject.
Taking landscape pictures
This section describes how to take outdoor scenery pictures of forests, lakes and beaches in
daylight.
Changing shooting mode
The proper shooting method varies depending on whether you
are trying to capture the silence of a still scene or the
dynamism of a motion scene.
• To capture the depth of a forest, focus with a wider range of the
image. Use A (aperture priority shooting) mode and close the
aperture (increase the aperture value) as much as possible.
• To capture the waves crashing against the seashore, use S
(shutter priority shooting) mode and select a fast shutter speed.
To capture a flowing waterfall or river, shoot using a slow shutter
speed.
Exposure compensation can be used even under different shooting modes. Check the image
that you have shot and use + or – to adjust the exposure to obtain better results.
26
EN
Using white balance
The color of water in pictures appears different depending on
whether it is a lake reflecting nearby trees or a seashore
surrounded by a coral reef. To capture the subtle difference in
color, try changing the white balance setting. Change the
setting for different situations, such as by using [55300K] for
sunny days and [27500K] for outdoor shaded areas on
sunny days.
Changing metering mode
Depending on the depth of the water and the direction of the sun, the
brightness of the water can differ significantly in different areas of
the same composition. There is also a difference in the brightness of
forests depending on the way the trees overlap each other. If you
know which areas you want to emphasize the compensation in the
image composition, you can change the metering mode. When set
to [e] (Digital ESP metering), the camera automatically assesses
the brightness in the composition and determines the exposure. To
emphasize a specific partial exposure in the composition, change
the metering mode to [4] (center weighted metering) or [n] (spot
metering), adjust the AF frame to the locations that you want to
adjust the exposure and then measure the exposure.
2
Improving your shooting skills k Shooting guides
Changing saturation
There may be times when you cannot reproduce the desired color even when using white
balance or exposure compensation. In this case, you can change the [SATURATION] setting
to achieve the desired color. The [SATURATION] setting includes two levels of high and low
settings. When the setting is high, a vivid color is used.
g “A: Aperture priority shooting” (P. 32), “S: Shutter priority shooting” (P. 33), “Metering
mode k Changing the metering system” (P. 54), “Exposure compensation k Varying the
image brightness” (P. 55), “White balance k Adjusting the color tone” (P. 57),
“[SATURATION] : Vividness of the color” (P. 61)
Taking flower pictures
The proper method for taking pictures of flowers differs depending on whether you want to
capture, for example, a single flower, a field of blooming flowers, a deep red rose, or the light
color of a sweet pea.
Using white balance
There are many colors of flowers ranging from light to vivid
ones. Depending on the colors of the flowers, subtle color
shades may not be captured as seen. In this case, you can
check the light conditions and change the white balance
setting. At [AUTO], the camera automatically determines the
type of light and shoots using the proper white balance.
However, you can bring out subtle color shades more
effectively by changing the setting according to shooting
conditions, such as by using [55300K] for sunny days and
[27500K] for outdoor shaded areas on sunny days.
EN
27
Using exposure compensation
When shooting flowers against a background, select as
simple a background as possible to bring out the shape and
color of the flower. When shooting bright and whitish
flowers, adjust the exposure compensation to – (minus) so
that the flower stands out from the darker background.
Changing shooting mode
2
The proper shooting method when taking pictures of flowers differs
Improving your shooting skills k Shooting guides
depending on whether you want to emphasize a single flower or
capture a field of flowers. To change the focus area, set the camera
to A (aperture priority shooting) mode and select the aperture value.
• When you open the aperture (decrease the aperture value), the camera
focuses within a shorter range (with a shallow depth of field),
emphasizing the subject against a blurred background.
• When you close the aperture (increase the aperture value), the camera
focuses over a wider range (with more depth of field), producing a
picture with both the foreground and background in focus.
You can use the preview function to confirm the changes in the depth
of field when the aperture is changed.
Using live view
When using a conventional digital single-lens reflex camera with interchangeable lens
system, it was necessary to wait until after taking the picture to check the results of the
exposure compensation and white balance settings. With the live view function of this
camera, however, you can use the monitor to display and check the subject you want to
capture.
Changing lenses
When the blooming flowers are few and sparse, take the picture using a telephoto lens. With
a telephoto lens, you take pictures in which subjects at different distances appear closer
together, giving the impression of a more densely blooming flower field. Using the telescopic
feature of the zoom lens also achieves the same effect, but it is easier to achieve this effect
when the focal distance of the lens is longer, such as 150 mm or 200 mm, rather than 54 mm.
g “A: Aperture priority shooting” (P. 32), “Live view” (P. 23), “Preview function” (P. 35),
“Exposure compensation k Varying the image brightness” (P. 55),
“White balance k Adjusting the color tone” (P. 57)
28
EN
Taking night scene pictures
There are different types of night scenes, from the afterglow of a sunset and city lights at
night to special light displays and firework displays.
Using a tripod
Because a slow shutter speed is needed to capture night
scenes, a tripod is required to prevent camera shake. If a
tripod is not available, you should place the camera on a
stable surface to prevent camera shake. Even if the camera
is secured, camera shake may occur when pressing the
shutter button. Therefore, it is recommended to use the
remote control or self timer.
Changing shooting mode
Night scenes have different levels of brightness, and the balance of the brightness in the
composition is not uniform. Start by using A (aperture priority shooting) mode to take the
picture. Set the aperture to the medium setting (about F8 or F11) and allow the camera to
automatically select the shutter speed. When shooting a night scene, because the camera
sets the exposure to match the dark areas which occupy a majority of the composition and
the image often turns out whitish (overexposed), adjust the exposure compensation to -1 or
-1.5. Use [REC VIEW] to check the image and adjust the aperture and exposure
compensation as necessary.
Image noise can easily occur when shooting at slow shutter speeds. In this case, set [NOISE
REDUCT.] to [ON] to reduce noise.
2
Improving your shooting skills k Shooting guides
Using manual focus
In cases where you cannot use AF (auto focus) to focus on the
subject because the subject is too dark or you cannot focus in time to
take pictures, such as during a fireworks display, set the focus mode
to [MF] (manual focus) and focus manually. To take pictures of night
scenes, turn the focus ring of the lens and check whether you can
see the lights of the night scene clearly. To take pictures of a
fireworks display, adjust the focus of the lens to infinite unless you
are using a long focus lens. If you know the approximate distance to
the subject, it is recommended that you focus on something that is at
the same distance in advance.
g “P: Program shooting” (P. 31), “A: Aperture priority
shooting” (P. 32), “Sequential shooting/Self-timer/Remote
control” (P. 45), “Focus mode” (P. 49), “Noise reduction” (P. 62), “Rec view k Checking the
picture immediately after shooting” (P. 82)
EN
29
Selecting the appropri
a
3 Shooting functions
Scene mode
When you select a mode to suit the shooting situation, the camera optimizes the settings for
the shooting conditions. Unlike the mode dial’s scene mode, most functions cannot be
changed.
1Set the mode dial to g.
• The scene menu is displayed.
2Use ac to select the scene mode.
• The sample image followed by a description of the selected
mode is displayed.
3Press the i button.
• The camera enters the shooting stand-by mode.
3
Shooting functions k Selecting the appropriate mode for shooting conditions
• To change the setting, press the i button again. The scene menu is displayed.
Types of scene modes
IconModeIconMode
B1PORTRAITq10DIS MODE
F2LANDSCAPEz11MACRO
D3LANDSCAPE+PORTRAITr12NATURE MACRO
G4NIGHT SCENEW13CANDLE
U5NIGHT+PORTRAITS14SUNSET
w6CHILDRENX15FIREWORKS
PORTRAIT
1
For taking a
portrait-style
shot.
C7SPORTd16DOCUMENTS
x8HIGH KEYs17PANORAMA
y9LOW KEYg18BEACH & SNOW
30
EN
P: Program shooting
The camera sets the optimum aperture value and shutter speed automatically according to
the subject brightness.
Set the mode dial to P.
• When the shutter button is half-pressed, the shutter speed and aperture
value are displayed on the viewfinder. Releasing the shutter button
displays the shutter speed and aperture value on the control panel
screen.
Aperture value
Shutter speed
2007.08.16
AF confirmation mark
Viewfinder
Control panel screen display
Aperture values and shutter speeds in the P mode
In the P mode, the camera is programmed such that the aperture value and shutter speed
are automatically selected according to the subject’s brightness as shown below. The
program line diagram varies with the type of lens mounted.
When using the
14 - 42 mm f3.5 - 5.6
zoom lens
(focal length: 14 mm)
Program shift
Exposure mode
3
Shooting functions k Selecting the appropriate mode for shooting conditions
Program shift (
By turning the control dial in the P mode, you can change the combination of aperture and
shutter speed as illustrated above while maintaining the optimum exposure.
The program shift setting will not be canceled after shooting. To cancel program shift setting,
turn the control dial so that the viewfinder’s or control panel screen’s exposure mode
indication % changes to P or turn off the power. Program shift is not available when you are
using a flash.
%
)
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31
A: Aperture priority shooting
The camera sets the optimum shutter speed automatically for the aperture value you have
selected. When you open the aperture (decrease the aperture value), the camera will focus
within a shorter range (shallow depth of field) and produce a picture with a blurred
background. When you close the aperture (increase the aperture value), the camera will
focus within a longer range. Use this mode when you wish to add changes to the background
representation. Before shooting, you can use the preview function to check how the
background will look in your picture. g “Preview function” (P. 35)
When the aperture
value (f-number)
is decreased
3
Shooting functions k Selecting the appropriate mode for shooting conditions
Set the mode dial to A and turn the
control dial to set the aperture value.
• The aperture value changes in 1/3 EV
increments as the control dial is turned.
You can also change the step with the
customized settings. g “EV step” (P. 78)
Display in the viewfinder when the shutter button is pressed halfway
Shutter speed
Aperture value
Open the aperture (f-number is decreased)
Close the aperture (f-number is increased)
• Overexposed when the shutter speed indication
is blinking. Increase the aperture value
(f-number).
• Underexposed when the shutter speed
indication is blinking. Decrease the aperture
value (f-number).
When the aperture
value (f-number)
is increased
AF confirmation
mark
Exposure mode
Viewfinder
TIPS
The shutter speed indication continues to blink after the aperture value is changed:
J If the shutter speed indication is blinking when set to a high speed, set the ISO sensitivity to a
lower value or use a commercially available ND filter (for adjusting the amount of light).
g “ISO k Setting the desired sensitivity to light” (P. 56)
J If the shutter speed indication is blinking when set to a lower speed, set the ISO sensitivity to a
higher value. g “ISO k Setting the desired sensitivity to light” (P. 56)
To check the depth of field with the selected aperture value:
J Refer to “Preview function” (P. 35).
32
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S: Shutter priority shooting
The camera sets the optimum aperture value automatically for the shutter speed you have
selected. Set the shutter speed depending on the type of effect you want. A higher speed
shutter allows you to capture a fast-moving subject without blur, and a slower shutter speed
blurs a moving subject, creating a feeling of speed or motion.
A fast shutter
speed can freeze
a fast action
scene without any
blur.
Set the mode dial to S and turn the
Slower shutter speed
control dial to set the shutter speed.
• The shutter speed changes in 1/3 EV
increments as the control dial is turned.
You can also change the step with the
customized settings. g “EV
step” (P. 78)
Faster shutter speed
Display in the viewfinder when the shutter button is pressed halfway
Shutter speed
Aperture value
AF confirmation
mark
• If the aperture value indication at the minimum
value is blinking*, the correct exposure has not
been attained (underexposed). Lower the
shutter speed.
• If the aperture value indication at the maximum
value is blinking*, the correct exposure has not
been attained (overexposed). Raise the shutter
speed.
A slow shutter
speed will blur a
fast action scene.
This blurring will
give the
impression of
dynamic motion.
3
Shooting functions k Selecting the appropriate mode for shooting conditions
Exposure mode
Viewfinder
* The aperture value at the moment when its indication blinks varies with the lens type and focal
length of the lens.
TIPS
The picture looks blurred:
J The possibility of camera shake spoiling your picture increases greatly during macro or ultra-
telephoto shooting. Raise the shutter speed or use a monopod or tripod to stabilize the camera.
The aperture value indication continues to blink after the shutter speed is changed:
J If the aperture value indication at the maximum value is blinking, set the ISO sensitivity to a lower
value or use a commercially available ND filter (for adjusting the amount of light). g “ISO k
Setting the desired sensitivity to light” (P. 56)
J If the aperture value indication at the minimum value is blinking, set the ISO sensitivity to a higher
value. g “ISO k Setting the desired sensitivity to light” (P. 56)
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33
M: Manual shooting
Allows you to set the aperture and shutter speed manually. You can check how much it
differs from the appropriate exposure by using the exposure level indicator. This mode gives
you more creative control, allowing you to make whatever settings you like, regardless of the
correct exposure. Bulb shooting is also possible, allowing you to take astronomical or
fireworks pictures. g “Bulb shooting” (P. 35)
Set the mode dial to M and turn the control dial to set the value.
• To set the shutter speed: Turn the control dial.
To set the aperture value: Turn the control dial while holding down the
F (exposure compensation) button.
Using the [DIAL] setting of the [Y] menu allows you to change to the
opposite settings. g “Customizing the control dial’s function” (P. 79)
• The range of aperture values available varies with the lens type.
• The shutter speed can be set to 1/4000 - 60" (sec.) or [BULB].
3
• The aperture value and shutter speed change in 1/3 EV increments as the control dial is turned.
You can also change the step with the customized settings. g “EV step” (P. 78)
Shooting functions k Selecting the appropriate mode for shooting conditions
Open the aperture (f-number is decreased)Slower shutter speed
F button
Faster shutter speed
• The exposure level indicator appears on the control panel screen, showing the difference (ranging
from -3 EV to +3 EV) between the exposure value calculated by the currently selected aperture
and shutter speed compared to the exposure value considered optimum by the camera.
Underexposure
Overexposure
Optimum
exposure
Close the aperture (f-number is increased)
2007.08.16
Exposure level
indicator
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Noise in images
During shooting at slow shutter speeds, noise may appear on-screen. These phenomena are
caused when current is generated in those sections of the image pickup device that are not normally
exposed to light, resulting in a rise in temperature in the image pickup device or image pickup device
drive circuit. This can also occur when shooting with a high ISO setting in an environment exposed
to heat. To reduce this noise, the camera activates the noise reduction function.
g “Noise reduction” (P. 62)
Bulb shooting
You can take a picture with a bulb exposure time in which the shutter stays open as long as you hold
down the shutter button. Set the shutter speed to [BULB] in the M mode. Bulb shooting can also be
done using an optional remote control (RM-1).
g “Bulb shooting on the remote control” (P. 47)
TIPS
The picture looks blurred:
J The use of a monopod or tripod is recommended when taking a picture at slow shutter speed.
Preview function
The viewfinder shows the focused area (depth of field) with the selected aperture value. For the
preview function to work by pressing the < button, it is necessary to set the function of the <
button on the menu beforehand.
g “; FUNCTION” (P. 79)
3
Shooting functions k Selecting the appropriate mode for shooting conditions
Press the < button to use the preview function.
• When [; FUNCTION] is assigned to [LIVE PREVIEW],
pressing the < button automatically switches the camera to live
view for a preview of the picture on the monitor.
< button
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35
V
arious shooting functio
n
Shooting with the image stabilizer function
You can reduce the amount of camera shake that easily occurs when shooting in low light
situations or shooting with high magnification.
OFFImage stabilizer is off.
I.S. 1Image stabilizer is on.
I.S. 2This is used when panning in the horizontal direction to achieve a blurred
background. The horizontal image stabilizer is turned off, and only the vertical
image stabilizer is activated.
Direct button
oControl dial
Control dial
3
Shooting functions k Various shooting functions
Displayed when [IMAGE STABILIZER] is set to
Viewfinder
• When g (Scene mode) is set to [q] (DIS MODE), the image stabilizer automatically turns on
([I.S. 1]). g “Scene mode” (P. 30)
Checking the image stabilizer effect on the monitor
You can hold down the o button during live view to see the
effect of the image stabilizer on the monitor. While in that
position, you can press the shutter button fully to take a
picture.
• When [IMAGE STABILIZER] is set to [OFF], pressing
and holding the o button activates the image stabilizer
([I.S. 1]).
• Either releasing the o button or holding down the o
button for several seconds turns off the image stabilizer.
[I.S. 1] or [I.S. 2].
o button
Green: Image stabilizer active
Red : Image stabilizer failure
• The image stabilizer cannot correct excessive camera shake or camera shake that occurs
when the shutter speed is set to the slowest speed. In these cases, it is recommended that
you use a tripod.
• When using a tripod, set [IMAGE STABILIZER] to [OFF].
• When using a lens with an image stabilization function, turn off the image stabilization function
36
EN
of either the lens or the camera.
• When you turn off the camera, it may initialize the image stabilizer function. The camera will
vibrate for this operation, but this is not a malfunction.
•A red q displayed on the monitor indicates the failure of the image stabilizer function. If
you take a picture as is, the composition may be off. Consult your Olympus Authorized Service
Center.
x Notes
If correct focus cannot be obtained (Focus lock)
The camera’s auto focus may not be able to focus on the subject in situations such as when
the subject is not in the center of the frame. If this happens, the easiest solution is to use
focus lock.
1Adjust the AF frame with the subject to be
focused and press the shutter button
halfway until the AF confirmation mark
lights up.
• The focus is locked. The AF confirmation mark and the
AF focusing frame light up in the viewfinder.
• If the AF confirmation mark blinks, press the shutter
button halfway again.
• While the shutter button is being pressed, the control
panel screen disappears.
Shutter button
3
Shooting functions k Various shooting functions
Card access lamp
AF frame
AF confirmation mark
2While pressing the shutter button halfway,
move to the desired composition and press
the button all the way.
• The card access lamp blinks while the picture is being
stored on the card.
If the subject has lower contrast than its surroundings
If the contrast of the subject is weak, such as when the lighting is insufficient or the subject
cannot be seen clearly because of fog, the focus may not be achieved. Focus (focus lock) on
a high-contrast object the same distance away as the intended subject, recompose your shot
and then take the picture.
AE bracketing
The camera automatically shoots a number of pictures at different exposure values for each
frame. Even in conditions where correct exposure is difficult to obtain (such as a backlit
subject or a scene at dusk), you can pick the picture you prefer from a selected number of
frames with a variety of different exposure settings (exposure and compensation values). The
pictures are taken in the following order: Picture with optimum exposure, picture adjusted in direction, and picture adjusted in + direction.
EN
37
e.g.) When BKT is set to [3F 1.0EV]
-1.0EV+1.0EV±0
Compensation value: 0.3, 0.7 or 1.0
The exposure compensation value will change if the EV step is changed. The EV step can be
changed using the menu. Exposure compensation value can be adjusted within a range of
±1.0. g “EV step” (P. 78)
• The shooting method varies depending on the setting of
single-frame or sequential shooting. g “Sequential
shooting” (P. 45)
Single-frame shooting
Each time the shutter button is pressed fully, a picture is
taken at a different exposure.
• The setting for the next shot is displayed in the viewfinder.
Viewfinder
Sequential shooting
Hold down the shutter button until the selected number of frames are taken. The camera
shoots each frame at a different exposure.
• Releasing the shutter button stops auto bracketing shooting. When it stops, 0 on the control
panel is displayed in green.
Exposure
compensation
value of the
next shooting
frame
How AE bracketing compensates exposure in each exposure mode
Depending on the selected exposure mode, exposure is compensated in the following way:
P mode: Aperture value and shutter speed
A mode: Shutter speed
S mode: Aperture value
M mode: Shutter speed
TIPS
To apply AE bracketing to the exposure value you have compensated:
J Compensate the exposure value, then use the AE bracketing feature. AE bracketing is applied to
the exposure value you have compensated.
• During sequential shooting, if the battery check blinks due to low battery, the camera stops
shooting and starts saving the pictures you have taken on the card. The camera may not save
38
EN
all of the pictures depending on how much battery power remains.
x Notes
Flash shooting
Flash mode
The camera sets the flash mode according to various factors such as firing pattern and flash
timing. Available flash modes depend on the exposure mode. The flash modes are available
to optional external flashes.
Auto flash AUTO
The flash fires automatically in low light or backlight conditions.
To shoot a subject with backlighting, position the AF frame over the subject.
Red-eye reduction flash !
In the red-eye reduction flash mode, a series of
pre-flashes are emitted just before the regular
flash fires. This helps accustom the subject’s
eyes to the bright light and minimizes the redeye phenomenon.
The subject’s eyes appear red
3
Shooting functions k Various shooting functions
x Notes
• After the pre-flashes, it takes about 1 second before the shutter is released. Hold the camera
firmly to avoid camera shake.
• Effectiveness may be limited if the subject is not looking directly at pre-flashes, or if the
shooting range is too far. Individual physical characteristics may also limit effectiveness.
Slow synchronization (1st curtain) #SLOW
The slow synchronization flash is designed for slow shutter speeds. Normally, when shooting
with a flash, shutter speeds cannot go below a certain level to prevent camera shake. But
when shooting a subject against a night scene, fast shutter speeds can make the background
too dark. Slow synchronization allows you to capture both the background and the subject.
Since the shutter speed is slow, be sure to stabilize the camera by using a tripod so as not to
cause the picture to be blurred.
1st curtain
Usually, the flash fires right after the shutter fully opens. This is called 1st curtain. Unless you
change it, this is how the flash always fires.
Slow synchronization (2nd curtain) #SLOW2
2nd curtain flash fires just before the shutter closes. Changing the flash timing can create
interesting effects in your picture, such as expressing the movement of a car by showing the
tail-lights streaming backwards. The slower the shutter speed, the better the effects turn out.
The slowest possible shutter speed depends on the shooting mode.
While using slow synchronization with flash shooting, you can also use this function to
achieve red-eye reduction. When shooting a subject against a night scene, this function
allows you to reduce the red-eye phenomenon. As the time from emitting pre-flashes to
3
shooting is long in 2nd curtain synchronization, it is difficult to achieve red-eye reduction.
Shooting functions k Various shooting functions
Hence, only 1st curtain synchronization setting is available.
Fill-in flash #
The flash fires regardless of the light conditions.
This mode is useful for eliminating shadows on
the subject’s face (such as shadows from tree
leaves), in a backlight situation, or for correcting
the color shift produced by artificial lighting
(especially fluorescent light).
x Notes
•
When the flash fires, the shutter speed is set to 1/180 sec. or less. When shooting a subject against
a bright background with the fill-in flash, the background may be overexposed. In this case, use the
optional FL-50 or FL-36 external flash and shoot in the Super FP flash mode.
flash” (P. 44)
g
1st curtain
“Super FP
40
Flash off $
The flash does not fire.
Even in this mode, the flash can be used as an AF illuminator when it is raised. g “AF
illuminator” (P. 51)
Flash synchronization speed
Shutter speed can be changed when the built-in flash fires.
g
“Speed synchronization” (P. 78)
Manual flash
This allows the built-in flash to output a fixed amount of light. To shoot with manual flash, set
the f-number on the lens based on the distance to the subject.
Ratio of amount of lightGN: Guide number
(Equivalent to ISO 100)
FULL (1/1)12
1/46
1/163
1/641.5
Calculate the f-number on the lens using the following formula.
Aperture (f-number) =
EN
GN × ISO sensitivity
Distance to the subject (m)
ISO sensitivity
ISO value1002004008001600
ISO sensitivity1.01.42.02.84.0
Flash modes available in different exposure modes
Exposure
mode
AUTO
P
A
i
l
&
j
*2
/
S
M
*1
When the flash is set to the Super FP mode, it detects backlight with longer duration than for
normal flash before emitting light. g “Super FP flash” (P. 44)
If you shoot a subject using a lens that is wider than 14 mm (equivalent to 28 mm on a 35 mm
film camera), the light emitted by the flash may produce a vignette effect. Whether or not
vignetting occurs also depends on lens type and shooting conditions (such as distance to the
subject).
1Press the # button to raise the built-
in flash.
• The built-in flash will pop up automatically and
fire in low light conditions under the following
modes.
AUTO/i/&///B/U/w/z/r/g
3
Shooting functions k Various shooting functions
2Press the shutter button halfway.
• The # (flash stand-by) mark lights when the flash is
ready to fire. If the mark is blinking, the flash is charging.
Wait until charging is complete.
3Press the shutter button all the way.
Flash stand-by
mark
# button
42
Viewfinder
TIPS
When you do not want the flash to pop up automatically:
J Set [AUTO POP UP] on the [Y] menu to [OFF]. g “Auto pop up” (P. 79)
Flash intensity control
This adjusts the amount of light emitted by the flash.
In some situations (e.g., when shooting small subjects, distant backgrounds, etc.), you may
get better results by adjusting light emission. It is useful when you intend to increase the
contrast (distinction between light and dark) of images to make the images more vivid.
MENU[X][w]
Use bd to set the compensation value.
TIPS
To call up the flash compensation screen quickly:
J Hold down the # button and the F (exposure
compensation) button at the same time until the w screen
appears. Use the control dial to set.
x Notes
• This does not work when the flash control mode on the electronic flash is set to MANUAL.
• If light emission is adjusted on the electronic flash, it will be combined with the camera’s light
emission setting.
• When [w+F] on the [Y] menu is set to [ON], it will be added to the exposure compensation
value.
EN
Flash bracketing
The camera shoots multiple frames, changing the amount of light emitted by the flash for
each shot.
MENU[X][FL BKT]
[OFF]/[3F 0.3EV]/[3F 0.7EV]/[3F 1.0EV]
• You can change the EV step interval in the custom
menu. g “EV step” (P. 78)
• In sequential shooting, when the shutter button is
pressed, the camera shoots 3 frames at a time in the
following order: frame with optimum amount of light
emission, frame adjusted in – direction and frame
adjusted in + direction. In single-frame shooting, the
amount of light emitted by the flash changes every time the shutter button is pressed.
External electronic flashes (optional)
In addition to the camera’s built-in flash capabilities, you can use any of the external flash
units specified for use with this camera. This enables you to take advantage of a wider variety
of flash shooting techniques to suit different shooting conditions.
The external flashes communicate with the camera, allowing you to control the camera’s
flash modes with various available flash control modes, such as TTL-AUTO and Super FP
flash. The flash can be mounted on the camera by attaching it to the camera’s hot shoe.
Refer to the external flash’s manual as well.
3
Shooting functions k Various shooting functions
Functions available with external flash units
Optional flashFL-50FL-36FL-20RF-11TF-22
Flash control
mode
GN (Guide number)
(ISO100)
* The focal length of the lens that can be covered (Calculated based on 35 mm film camera)
• The FL-40 optional flash cannot be used.
T T L- A U TO , AU T O , MA N U AL ,
FP TTL AUTO, FP MANUAL
GN50 (85 mm*)
GN28 (24 mm*)
GN36 (85 mm*)
GN26 (24 mm*)
x Notes
TTL-AUTO,
AUTO,
MANUAL
GN20 (35 mm*)GN11GN22
TTL-AUTO, MANUAL
Using the external electronic flash
Be sure to attach the flash to the camera before turning on the flash’s power.
1Remove the hot shoe cover by sliding it in
the direction indicated by the arrow in the
illustration.
• Keep the shoe cover in a safe place to avoid losing it,
and put it back on the camera after flash shooting.
2Attach the electronic flash to the hot shoe
on the camera.
• If the lock pin is protruding, turn the shoe lock ring as
far as it will go in the direction opposite to LOCK. This
will pull the lock pin back inside.
Lock pinLock ring
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43
3Turn on the flash.
• When the charge lamp on the flash lights up, charging
is complete.
• The flash will be synchronized with the camera at a
speed of 1/180 sec. or less.
4Select a flash mode.
5Select the flash control mode.
• TTL-AUTO is recommended for normal use.
6Press the shutter button halfway.
• Shooting information such as ISO sensitivity, aperture
value, and shutter speed is communicated between the
camera and flash.
7Press the shutter button all the way.
3
x Notes
• The built-in flash cannot be used when an external flash is attached to the hot shoe.
Shooting functions k Various shooting functions
Super FP flash
Super FP flash is available with the FL-50 or FL-36.
Use the Super FP flash where normal flashes cannot
be used with high shutter speed.
Fill-in flash shooting with the aperture open (such as in
outdoor portrait shooting) is also possible with Super
FP flash. For details, refer to the external flash’s
manual.
Using commercially available flashes
Use the M shooting mode on the camera when using any commercially available flash
except for the flashes specified for this camera. For details on non-specified commercial
flashes, see “Non-specified commercial flashes” (g P. 45).
1Remove the hot shoe cover to connect the flash unit to the camera.
Super FP flash
2007.08.16
Detailed display on the control panel
2Set the shooting mode to M mode, then set the aperture value and
shutter speed.
• Set the shutter speed to 1/180 sec. or slower. If the shutter speed is faster than this,
commercially available flashes cannot be used.
• A slower shutter speed may produce blurred images.
3Turn on the flash.
• Be sure to turn on the flash after attaching the flash unit to the camera.
4Set the ISO value and aperture value on the camera to match the flash
control mode on the flash.
• Refer to the flash’s manual for instructions on how to set its flash control mode.
• The flash fires each time the shutter is released. When you do not need to use the flash, turn
off the flash’s power.
• Check beforehand that the flash you are using is synchronized with the camera.
44
EN
x Notes
Non-specified commercial flashes
1) Exposures when using a flash require that adjustments be made on the flash. If a flash is
used in the auto mode, match it with the f-number and ISO sensitivity settings on the
camera.
2) Even if the flash auto f-number and ISO sensitivity are set the same as on the camera, the
correct exposure may not be obtained depending on the shooting conditions. In such a
case, adjust the auto f-number or ISO on the flash or calculate the distance in the manual
mode.
3) Use a flash with an illumination angle that matches the focal length of the lens. The focal
length of the lens for 35 mm film is approximately twice as long as the focal length of the
lenses designed for this camera.
4) Do not use a flash unit or other accessory TTL flash that has additional communication
functions other than the specified flashes, since it may not only fail to function normally,
but may also cause damage to the camera’s circuitry.
Sequential shooting/Self-timer/Remote control
Setting the functions
Direct button
3
Shooting functions k Various shooting functions
j/Y/<Control dial
• When settings are made with the j/Y/< button, the
information is also displayed on the viewfinder.
Sequential
shooting
:
Single-frame shooting
:
Sequential shooting
Self-timer
:
12-second self-timer
:
2-second self-timer
Remote control
0 second
2 seconds
Control panel screen
ip: j/</Yi
j/Y/< button
ibutton
:
:
Control dial
Sequential shooting
Single-frame shooting oShoots 1 frame at a time when the shutter button is pressed
Sequential shooting jShoots 12 frames or more at 3 frames/sec. for as long as the
• Press the shutter button fully and keep it pressed. The camera will take pictures in sequence until
you release the button.
(normal shooting mode).
shutter button is pressed (during JPEG). Focus, exposure, and
white balance are locked at the first frame (during S-AF, MF).
EN
45
x Notes
• During sequential shooting, if the battery check blinks due to low battery, the camera stops
shooting and starts saving the pictures you have taken on the card. The camera may not save
all of the pictures depending on how much battery power remains.
Using the self-timer
This function lets you take pictures using the self-timer. You can set the camera to release
the shutter after either 12 or 2 seconds. Fix the camera securely on a tripod for self-timer
shooting.
Press the shutter button all the way.
• A picture is taken.
• When Y12s is selected:
First, the self-timer lamp lights up for approximately 10
seconds, then it blinks for approximately 2 seconds and
3
Shooting functions k Various shooting functions
the picture is taken.
• When Y2s is selected:
The self-timer lamp blinks for approximately 2 seconds,
then the picture is taken.
• To cancel the activated self-timer, press the j/Y/< button.
Self-timer lamp
x Notes
•
Do not press the shutter button while standing in front of the camera; this could result in the subject
being out of focus since focusing is performed when the shutter button is pressed halfway.
46
Eyepiece cover
When shooting without looking through the viewfinder, attach the eyepiece cover to the
viewfinder so that light does not enter the viewfinder. Attach the eyepiece cover after removing
the eyecup as illustrated. The same applies when replacing with an optional eyecup.
Eyecup
Eyepiece cover
Using the remote control
By using the optional remote control (RM-1), you can take a picture with yourself in it or a
night scene without touching the camera. The camera can be set to release the shutter either
right away or 2 seconds after the shutter button on the remote control is pressed. Bulb
shooting is also possible when using the optional remote control.
Mount the camera securely on a tripod, point the remote
control at the remote control receiver on the camera and
press the shutter button on the remote control.
• When <0s is selected:
The focus and exposure are locked, the remote control
lamp blinks and the picture is taken.
• When <2s is selected:
The focus and exposure are locked, the remote control
lamp blinks, then after approximately 2 seconds the
picture is taken.
EN
Remote control lamp
Remote control receiver
Transmitted signal effective area
Point the remote control at the remote control receiver of the camera within the effective area
as shown below.
When powerful lighting such as direct sunlight is shining on the remote control receiver, or
when fluorescent light or devices emitting electrical or radio waves are nearby, it could
narrow the effective area.
Remote control receiver
Remote control
TIPS
The remote control lamp does not blink after the shutter button on the remote control
is pressed:
J The transmitted signal may not be effective if the remote control receiver is exposed to powerful
lighting. Move the remote control closer to the camera and press the shutter button on the remote
control again.
J The transmitted signal may not be effective if the remote control is too far from the camera. Move
the remote control closer to the camera and press the shutter button on the remote control again.
J There is signal interference. Change the channel as described in the remote control’s manual.
3
Shooting functions k Various shooting functions
To cancel the remote control shooting mode:
J The remote control shooting mode will not be canceled after shooting. Press the j/Y/< button
to set to [o] (single-frame shooting), etc.
To use the shutter button on the camera in the remote control shooting mode:
J The shutter button on the camera still works even in the remote control shooting mode.
x Notes
• The shutter will not be released if the subject is not in focus.
• Under bright light conditions, the remote control lamp may be difficult to see, making it hard to
determine whether or not the picture has been taken.
• Zoom is not available on the remote control.
Bulb shooting on the remote control
Set the mode dial to M, then set the shutter speed to [BULB].
Press the W button on the remote
control to open the shutter.
If 8 minutes elapse after pressing the W
button, the shutter closes automatically.
Press the T button to close
the shutter.
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47
Panorama shooting
You can enjoy panorama shooting easily using the OLYMPUS xD-Picture Card. Using
OLYMPUS Master (provided CD-ROM) to join a few images shot where the subject’s edges
overlap, you can create a single panorama composite image.
Panorama shooting is possible up to a maximum of 10 images.
• Try your best to include the common parts of the overlapping images when shooting the
3
subject.
Shooting functions k Various shooting functions
1Set the mode. g “Scene mode” (P. 30)
• Live view is activated.
2Use p to specify the direction for joining, then
shoot the subject with the edges overlapping.
d : Joins the next image to the right.
b : Joins the next image to the left.
a : Joins the next image to the top.
c : Joins the next image to the bottom.
• Shoot while changing the composition such that the subject
overlaps.
• The focus, exposure, etc. will be determined in the first image.
• The g (warning) mark will be displayed after you have finished taking 10 shots.
• Pressing the i button before shooting the first frame returns to the scene mode selection
menu.
• Pressing the i button in the midst of shooting ends the sequence of panorama shooting,
and allows you to continue with the next one.
48
x Notes
• Panorama shooting cannot be done if the OLYMPUS xD-Picture Card is not loaded in the
camera.
• During panorama shooting, the image previously taken for position alignment will not be
retained. With the frames or other markers for display in the images as a guide, set the
composition such that the edges of the overlapping images overlap within the frames.
EN
Focusing functions
AF frame selection
Normally, the camera measures the distance to the subject using the 3 AF frames in the
viewfinder and selects the most appropriate point. This function allows you to select only one
AF frame.
[AUTO] or P ([AUTO])
Focuses using the 3 AF frames.
QFocuses using the left AF frame.
RFocuses using the center AF frame.
SFocuses using the right AF frame.
Viewfinder
Center AF frame
Left AF frame
Right AF frame
Direct button
PControl dial
AF AREA
Control panel screen
ip: AF AREAi
Menu
MENU[X]P
MENU button
Control dial
i button
P button
Focus mode
The following three focus modes are available with this camera.
You can take pictures by combining S-AF or C-AF mode with MF mode. g “Simultaneous
use of S-AF mode and MF mode (S-AF+MF)” (P. 51), “Simultaneous use of C-AF mode and
MF mode (C-AF+MF)” (P. 51)
3
Shooting functions k Focusing functions
S-AF (single AF)
Focusing is performed once when the shutter button is pressed halfway.
If focusing fails, release your finger from the shutter button and press it halfway again. This
mode is suitable for taking pictures of still subjects or subjects with limited movement.
Press the shutter button halfway.
• When the focus is locked, the AF confirmation mark lights up.
• A beep sound is output when the subject is in focus.
C-AF (continuous AF)
The camera repeats focusing while the shutter button
remains pressed halfway. When the subject is in motion, the
camera focuses on the subject in anticipation of its movement
(Predictive AF). Even if the subject moves or you change the
composition of the picture, the camera continues trying to
focus.
AF confirmation
mark
Viewfinder
EN
49
Press the shutter button halfway and keep it in this position.
• When the subject is in focus and locked, the AF confirmation mark lights up.
• The AF frame does not light up, even when the subject is in focus.
• The camera repeats focusing. Even if the subject moves or even if you change the composition of
the picture, focusing is tried continuously.
• A beep sound is output when the subject is in focus. The beep sound is not output after the third
continuous AF operation, even when the subject is in focus.
MF (manual focus)
This function allows you to manually focus on any
subject while looking through the viewfinder.
Adjust the focus using the focus ring.
Near
3
Shooting functions k Focusing functions
Rotational direction of the focus ring
You can select the rotational direction of the focus ring to suit your preference for how the
lens adjusts to the focusing point. g “Focus ring” (P. 80)
Focus ring)
Focus aid
When you focus the lens on a subject manually (by turning the focus ring), the AF
confirmation mark lights. When P is selected, the camera performs focusing in the center
AF frame.
Direct button
AFControl dial
Control dial
Control panel screen
ip: AF MODEi
[S-AF]/[C-AF]/[MF]/[S-AF+MF]/[C-AF+MF]
Menu
MENU[X][AF MODE]
• You can check the settings in the viewfinder while using the
AF button to make the settings.
:S-AF
:C-AF
:MF
: S-AF+MF
: C-AF+MF
MENU button
i button
AF button
AF MODE
Viewfinder
50
EN
Simultaneous use of S-AF mode and MF mode (S-AF+MF)
This function allows you to fine-adjust focus manually by turning the focus ring after AF is
performed in the S-AF mode. When the shutter button is not pressed, MF operation is
available.
• You can fine-adjust the focus with the focus ring if you have pressed the shutter button halfway
and AF is confirmed. You can also fine-adjust the focus with the focus ring when the shutter
button is not pressed halfway.
x Notes
• If the shutter button is pressed again after fine-adjusting focus with the focus ring, the AF is
activated and your adjustments are canceled.
Simultaneous use of C-AF mode and MF mode (C-AF+MF)
Focus with the focus ring and press the shutter button halfway to activate C-AF mode.
• While the shutter button is kept pressed, MF mode is not activated.
• When the shutter button is not pressed, MF mode is available.
TIPS
Another way to adjust focus manually in C-AF mode:
J You can set the AEL/AFL button to operate C-AF with the AEL/AFL mode settings.
g “AEL/AFL mode” (P. 77)
3
Shooting functions k Focusing functions
x Notes
• If the shutter button is pressed again after fine-adjusting focus with the focus ring, the AF is
activated and your adjustments are canceled.
AF illuminator
The built-in flash can function as an AF illuminator. This helps with focusing in low-light
conditions in the AF mode. To use this function, raise the flash.
MENU[Y][AF ILLUMINAT.]
[OFF]/[ON]
Shutter release priority
Normally, this camera does not release the shutter while the AF is operating or the flash is
charging. If you want to release the shutter without waiting until these operations have
completed, use the setting below. You can set the release priority individually in focus mode.
• When [RELEASE PRIORITY C] is set to [ON], Predictive AF is not available for the first shot.
x Notes
LOCK
EN
51
Selecting the record mode
You can select a record mode in which to take pictures. Choose the record mode that’s best
for your purpose (printing, editing on a PC, website editing, etc.). For details about record
modes and number of pixels, refer to the table on “List of record modes” (g P. 114).
Types of record modes
Record mode allows you to select a combination of pixel count and compression rate for the
images you record. An image consists of pixels (dots). When you enlarge an image with a low
pixel count, it will be displayed as a mosaic. If an image has a high pixel count, the file size
(amount of data) will be larger and the number of storable still pictures will be lower. The
higher the compression, the smaller the file size. However, the image will have less clarity
when played back.
Exposure, image and color
3
Shooting functions k Exposure, image and color
Application
Select for the
print size
For smallsized print and
website
Number of pixels increases
Image with a high pixel count
Image with a low pixel count
Image becomes clearer
Quality (Compression)
Number of
pixels
3648 × 2736SHQHQ
3200 × 2400
2560 × 1920
1600 × 1200
1280 × 960
1024 × 768
640 × 480
Low
compression
1/2.7
High
compression
1/4
SQ
High
compression
1/8
High
compression
1/12
RAW data
This is unprocessed data that has not undergone changes in white balance, sharpness,
contrast or color. To display as an image on the computer, use OLYMPUS Master. RAW data
cannot be displayed on a different camera or by using common software, and it cannot be
selected for print reservation.
It is possible to edit images taken with the record mode set to RAW data using this camera.
g “Editing still images” (P. 69)
There are 5 ways to measure the subject brightness: Digital ESP metering, Center weighted
averaging metering, and three types of spot metering. Select the most suitable mode for the
shooting conditions.
Control dial
Direct button
dControl dial
Control panel screen
ip: METERINGi
[e]/[4]/[n]/[nHI]/[nSH]
3
Menu
Shooting functions k Exposure, image and color
MENU[X][METERING]
• You can check the settings in the viewfinder while using the
d button to make the settings.
: Digital ESP metering
: Center weighted averaging
metering
: Spot metering
: Spot metering
Highlight control
: Spot metering
Shadow control
Viewfinder
MENU
button
d button
METERING
e Digital ESP metering
The camera measures the light levels and calculates the light level differences in 49 separate areas
of the image. This mode is recommended for general use. Setting the AF synchronized function to
[ESP+AF] operates the metering area with the frame in focused in AF as the center.
4 Center weighted averaging metering
This metering mode provides the average metering between the subject
and the background lighting, placing more weight on the subject at the
center. Use this mode when you do not want the light level of the
background to affect the exposure value.
i button
n Spot metering
The camera meters a very small area around the center of the subject,
defined by the spot metering area mark in the viewfinder. Use this mode
when there is very strong backlight.
nHI Spot metering - highlight control
When the overall background is bright, white areas of the image will come
out gray if you use the camera’s automatic exposure. Using this mode
enables the camera to shift to over-exposure, allowing accurate white
reproduction.
Metering area is the same as spot metering.
nSH Spot metering - shadow control
When the overall background is dark, black areas of the image will come out gray if you use the
camera’s automatic exposure. Using this mode enables the camera to shift to under-exposure,
allowing accurate black reproduction.
54
Metering area is the same as spot metering.
EN
Metering area
Exposure compensation k Varying the image brightness
In some situations, you may get better results if you manually compensate (adjust) the
exposure value set automatically by the camera. In many cases, bright subjects (such as
snow) will turn out darker than their natural colors. Adjusting toward + makes these subjects
closer to their real shades. For the same reason, adjust toward - when shooting dark
subjects. The exposure can be adjusted in range of ±5.0 EV.
-2.0EV
While holding down the F (exposure compensation) button, use the control dial to set
the compensation value.
• The EV step interval can be selected from 1/3 EV, 1/2 EV or 1 EV. g “EV step” (P. 78)
•In P mode, you can change the control dial’s functionality so that exposure compensation can be
set using the control dial only. g “Customizing the control dial’s function” (P. 79)
Exposure
compensation value
Viewfinder
Exposure compensation indicator
±0+2.0EV
Control dial
F button
Adjust toward - Adjust toward +
2007.08.16
3
Shooting functions k Exposure, image and color
• If the exposure compensation value exceeds the scale of the exposure compensation indicator,
red vw will be displayed on the left and right edges of the indicator.
• The exposure compensation indicator will not be displayed when the exposure is compensated by
0.
• Exposure compensation is not possible in M and g modes.
1/3 EV
1/2 EV
x Notes
EN
55
AE lock k Locking the exposure
The metered exposure value can be locked with the AEL/AFL button (AE lock). Use AE lock
when you want a different exposure setting from the one that would normally apply under the
current shooting conditions.
Normally, pressing the shutter button halfway locks both AF (auto focus) and AE (automatic
exposure), but you can lock the exposure alone by pressing the AEL/AFL button.
Press the AEL/AFL button at the position where you
wish to lock the metering values and the exposure will
be locked. As the exposure will be locked while the
AEL/AFL button is being pressed, press the shutter
button.
• Releasing the AEL/AFL button cancels AE lock.
• Using the custom menu, you can set AE lock so that it is not
3
canceled when the AEL/AFL button is released. g “AEL/
AFL memo” (P. 78)
AEL/AFL button
Shooting functions k Exposure, image and color
AE lock
Viewfinder
ISO k Setting the desired sensitivity to light
The higher the ISO value, the greater the camera’s light sensitivity and the better its ability to
shoot in low light conditions. However, higher values may give pictures a grainy appearance.
For [AUTO], sensitivity is set automatically according to the shooting conditions. You can set
the maximum sensitivity that is set automatically. g “ISO limit” (P. 78)
However, sensitivity is fixed to ISO100, regardless of this setting, when the flash is not fired in
S or M mode.
Direct button
ISOControl dial
Control panel screen
ip : ISOi
[AUTO], [100] - [1600]
56
EN
Control dial
MENU
button
i button
ISO button
Menu
MENU[W][ISO]
100
ISO
200400
• You can check the settings in the viewfinder while using
the ISO button to make the settings.
:Auto
: 100 - 1600
–
Viewfinder
1600800
White balance k Adjusting the color tone
Color reproduction differs depending on the light conditions. For instance, when daylight or
tungsten lighting is reflected on white paper, the shade of white produced will be slightly
different for each. With a digital camera, white color can be adjusted to reproduce more
natural white with a digital processor. This mechanism is called white balance. There are 4
options for setting the WB with this camera.
Auto white balance
This function enables the camera to automatically detect white in images and adjust the color
balance accordingly.
Use this mode for general use.
3
Shooting functions k Exposure, image and color
Preset white balance
Seven different color temperatures are programmed on this camera covering a variety of
indoor and outdoor lighting including fluorescent lights and light bulbs. For example, use
preset WB when you want to reproduce more red in the picture of a sunset, or capture a
warmer artistic effect under artificial lighting.
Custom white balance
You can change the color temperature of one of the preset WB settings to your liking.
g “Setting the auto/preset/custom white balance” (P. 58)
One-touch white balance
You can set the optimum white balance for the shooting conditions by pointing the camera at
a white object like a sheet of white paper. The white balance achieved with this setting is
saved as one of the preset WB settings.
g “Setting the one-touch white balance” (P. 60)
EN
57
Color temperature
The spectral balance of different white light
sources is rated numerically by color
temperature — concept of physics,
expressed using the Kelvin (K) temperature
scale. The higher the color temperature, the
richer the light in bluish tones and the poorer
in reddish; the lower the color temperature,
the richer the light in reddish tones and the
poorer in bluish.
It follows, then, that the color temperatures
of fluorescent lights make them unsuitable
as artificial light sources. There are gaps in
• The color temperatures for each light source
indicated in the above scale are approximate.
the hues from the color temperatures of
fluorescent light. If these differences in hue are small, they can be calculated with color
temperature and this is called correlated color temperature.
The 4000K, 4500K and 6600K preset settings in this camera are correlated color
3
temperatures, and should not be considered strictly as color temperatures. Use these
Shooting functions k Exposure, image and color
settings for shooting conditions under fluorescent lights.
Setting the auto/preset/custom white balance
You can adjust the white balance by selecting the appropriate color temperature for the light
conditions.
• CWB (custom white balance) is set by selecting [CWB]
and turn the control dial while pressing down the F
(exposure compensation) button.
Menu
MENU[W][WB]
• You can check the settings in the viewfinder while using the
WB button to make the settings.
: Auto white balance
: w/x/y
: Custom white balance
: One-touch white balance
MENU button
i button
F button
WB button
WB
Viewfinder
58
EN
WB modeLight conditions
AUTO
5 5300K
2 7500KFor shooting outdoors in the shadows on a clear day
3 6000KFor shooting outdoors on a cloudy day
1 3000KFor shooting under a tungsten light
w 4000KFor shooting under white fluorescent lighting
x 4500KFor shooting under a neutral white fluorescent lamp
y 6600KFor shooting under a daylight fluorescent lamp
V
CWB
TIPS
When subjects that are not white appear white:
J In the auto WB setting, if there is no near-white color in the image framed in the screen, the white
balance will not be correctly determined. In such a case, try preset WB or one-touch WB settings.
Used for most light conditions (when there is a white portion framed in the
viewfinder). Use this mode for general use.
For shooting outdoors on a clear day, or to capture the reds in a sunset or the
colors in a fireworks display
Color temperature set by one-touch WB.
g “Setting the one-touch white balance” (P. 60)
Color temperature set in custom white balance menu. When the value has not
been set, it is set to 3000K. The color temperature display changes according
to your CWB setting.
3
Shooting functions k Exposure, image and color
WB compensation
This function lets you make fine changes to the auto WB and preset WB settings.
1MENU[W][WB]
2Use p to select the white balance to adjust.
3Use p to select the color direction.
R-BRedkBlue
G-MGreenkMagenta
• You can set both color directions.
Adjusting the white balance in the R-B direction
Depending on the original WB conditions, the image will
become redder each time you press a, and bluer each
time you press c.
Adjusting the white balance in the G-M direction
Depending on the original WB conditions, the image will become greener each time you press
a, and more magenta each time you press c.
• The white balance can be adjusted in 7 increments in each direction (R, B, G and M).
4Press the i button.
• Your adjustment is saved.
EN
59
TIPS
Checking the white balance you have adjusted:
J After performing Step 3, point the camera at the subject to take test shots. When the AEL/AFL
button is pressed, sample images that have been taken with the current WB settings are
displayed.
Adjusting all WB mode settings at once:
J Refer to “Compensating all WB” (P. 78).
Setting the one-touch white balance
This function is useful when you need a more precise white balance than preset WB can
provide. Point the camera at a sheet of white paper under the light source you want to use to
determine the white balance. The optimum white balance for the current shooting conditions
can be saved in the camera. This is useful when shooting a subject under natural light, as
well as under various light sources with different color temperatures.
3
Set [; FUNCTION] to [V] beforehand. (gP. 79)
Shooting functions k Exposure, image and color
1Point the camera at a sheet of white paper.
• Position the paper so that it fills the viewfinder. Make sure there are no shadows.
2While holding down the < button, press the
< button
shutter button.
• The one-touch white balance screen appears.
3Select [YES] and press the i button.
• The white balance is registered.
• The registered white balance will be stored in the camera
as a preset WB setting. Turning the power off does not
erase the data.
TIPS
After pressing the shutter button, [WB NG RETRY] is displayed:
J When there is not enough white in the image, or when the image is too bright, too dark or the
colors look unnatural, you cannot register the white balance. Change the aperture and shutter
speed settings, then repeat the procedure from Step 1.
WB bracketing
Three images with different white balances (adjusted in specified color directions) are
automatically created from one shot. One image has the specified white balance, while the
others are the same image adjusted in different color directions.
1MENU[X][WB BKT]
2Use p to select the color direction.
R-BRedkBlue
G-MGreenkMagenta
• You can set both color directions.
3Use p to set the EV steps.
[OFF]/[3F 2STEP]/[3F 4STEP]/[3F 6STEP]
4Start shooting.
• When the shutter button is pressed down all the way, 3
images adjusted in specified color directions are automatically created.
60
EN
TIPS
To apply WB bracketing to the white balance you have adjusted:
J Adjust white balance manually, then use the WB bracketing feature. WB bracketing is applied to
the white balance you have adjusted.
x Notes
• During WB bracketing, the camera cannot shoot in sequence if there is not enough memory in
the camera and card for storing more than the selected number of frames.
Picture mode
You can select image tone to create unique image effects. You can also fine-adjust image
parameters such as contrast and sharpness for each mode.
MENU[W][PICTURE MODE]
The adjustable parameters are classified according to the
condition of the picture.
[CONTRAST]: Distinction between light and dark
[SHARPNESS]: Sharpness of the image
[SATURATION]: Vividness of the color
[B&W FILTER]: Creates a black and white image. The
filter color is brightened and the
complementary color is darkened.
[N: NEUTRAL]: Creates a normal black and white
image.
[Ye: YELLOW]: Reproduces clearly defined white
cloud with natural blue sky.
[Or: ORANGE]: Slightly emphasizes colors in blue
skies and sunsets.
[R: RED]: Strongly emphasizes colors in
blue skies and brightness of
crimson foliage.
[G: GREEN]: Strongly emphasizes colors in red lips and green leaves.
[PICT. TONE]: Colors the black and white image.
[N: NEUTRAL]: Creates a normal black and white image.
[S: SEPIA]: Sepia
[B: BLUE]: Bluish
[P: PURPLE]: Purplish
[G: GREEN]: Greenish
CONTRAST
The adjusted parameters are recorded in each picture effect mode. You can select the picture
effect modes on the control panel.
EN
61
Gradation
In addition to the [NORMAL] gradation setting, you can select from 2 other gradation
settings.
HIGH KEY (H): Extended bright gradations.
LOW KEY (L): Extended dark gradations.
NORMAL: Use [NORMAL] mode for general uses.
3
HIGH KEY
Suitable for a subject that is
mostly highlighted.
Suitable for a subject that is
mostly shadowed.
LOW KEY
Shooting functions k Exposure, image and color
MENU[W][GRADATION]
x Notes
• Contrast adjustment does not work when set to [HIGH KEY] or [LOW KEY].
Shading compensation
In some cases, the edges of the image may be shadowed due to the properties of the lens.
The shading compensation function compensates by increasing brightness at the dark edge
of the image. This function is especially useful when a wide-angle lens is used.
MENU[Z][SHADING COMP.]
[OFF]/[ON]
x Notes
• This function is not available when a teleconverter or an extension tube is attached to the
camera.
• At higher ISO settings, noise in image edges may be conspicuous.
Noise reduction
This function reduces the noise that is generated during long exposures. When shooting night
scenes, shutter speeds are slower and noise tends to appear in images. When the shutter
speed is slow, noise reduction is activated and the camera automatically reduces noise to
produce clearer images. However, shooting time is approximately twice as long as usual.
62
EN
ONOFF
MENU[W][NOISE REDUCT.]
[OFF]/[ON]
• The noise-reduction process is activated after shooting.
• The card access lamp blinks during the noise-reduction process. You cannot take more
pictures until the card access lamp goes out.
• [busy] is displayed on the viewfinder while noise reduction is operating.
x Notes
• When the g mode is set to X, [NOISE REDUCT.] is fixed to [ON].
• When [j] (Sequential shooting) is set, [NOISE REDUCT.] is [OFF] automatically.
• This function may not work effectively with some shooting conditions or subjects.
Noise filter
You can select the noise processing level. Use [STANDARD] for general use. [HIGH] is
recommended during high sensitivity shooting.
MENU[W][NOISE FILTER]
[OFF]/[LOW]/[STANDARD]/[HIGH]
Color space
This function lets you select how colors are reproduced on the monitor or printer. The first
character in image file names indicates the current color space. g “File name” (P. 81)
Pmdd0000.jpg
P : sRGB
_ : Adobe RGB
[sRGB]Standardized color space for Windows.
[Adobe RGB]Color space that can be set by Adobe
Photoshop.
3
Shooting functions k Exposure, image and color
MENU[Z][COLOR SPACE]
Anti-shock
This diminishes camera shake caused by vibrations when the mirror moves. You can select
the interval from the time the mirror is raised until the shutter is released. This feature can be
useful in astrophotography and microscope photography or other photographic situations
where a very slow shutter speed is used, and camera vibration needs to be kept to a
minimum.
MENU[X][ANTI-SHOCK]
[OFF]/[1SEC] - [30SEC]
EN
63
4 Playback functions
Single-frame/Close-up playback
The basic procedure for viewing pictures are as shown below.
However, before using any of these functions, follow Step 1 below.
1Press the q (playback) button (Single-
frame playback).
• The last recorded image appears.
• The LCD monitor turns off after more than 1 minute if no
operations are performed. The camera will turn off
automatically if there is no operation after 4 hours
(factory default setting). Turn on the camera again.
2Use p to select images you want to view.
You can also turn the control dial to switch
to U for close-up playback.
4
Playback functions
(Single-frame playback)
Control dial
< button
q button
INFO button
p
(Close-up playback)
Press p to change the
close-up position.
a: Displays the frame that is
stored 10 frames back
c: Displays the frame that is
stored 10 frames ahead
d : Displays the next frame
b : Displays the previous frame
Press the < button
• To exit the playback mode, press
the q button.
• Pressing the shutter button
halfway resumes the shooting
mode.
Press the INFO button
(Close-up position
playback)
Press p to move the
display of the close-up
position.
Press the INFO button
(Close-up playback)
Press p to view
frame-by-frame closeups.
64
EN
Light box display
You can view the playback image and another image together on the left and right sides of
the monitor. This is useful if you want to compare images you recorded using bracketing.
1Press the P button while viewing an
image.
• The frame being viewed is displayed on the left side of
the monitor, and the next frame is displayed on the right
side. The image is displayed at the same magnification of
the image being viewed.
• The image on the left is the benchmark image.
2Use p to select an image.
• You can protect, erase or copy the image on the right.
3Press the P button.
• The camera returns to single-frame playback of the
image on the left at the magnification being viewed.
MENU button
< button
INFO button
i button
Control dial
P button
4
Playback functions
Benchmark image
Operations during light box display
• Pressing the i button replaces the image on the left with the image on the right and
becomes the new benchmark image.
• You can use the control dial to change the magnification of both images at the same time.
• Pressing the < button or INFO button allows you to move the position of the image on the
right with the p button. Pressing the < button or INFO button again allows you to move
the positions of both images with the p button.
p : Selects the right imagep : Scrolls the right imagep : Scrolls both images in
synchronization
**
*
* You can also use the INFO button
in the same way for this procedure.
EN
65
Index display/Calendar display
This function lets you show several images on the monitor at the same time. This is useful
when you want to quickly search a number of pictures to find a particular image.
During single-frame playback, each time you turn the
control dial toward G, the number of images shown
changes from 4 to 9 to 16 to 25.
b: Moves to the previous frame
d: Moves to the next frame
a : Moves to the upper frame
c : Moves to the lower frame
• To return to single-frame playback, turn the control dial to U.
4
Playback functions
(9-frame index display)(4-frame index display)(Single-frame playback)
Control dial
(16-frame index display)
Calendar display
With the calendar, you can display images recorded on the card by date. If more than one
image was taken on a single date, the image shot first on that date is displayed.
Use p to select a date and press the i button to play back images for the selected date in
single-frame display.
66
EN
(25-frame index display)
(Calendar display)
Information display
This allows you to display detailed information about the
image.
Luminance information can also be displayed with histogram
and highlight graphs.
Press the INFO button repeatedly until the desired
information is displayed.
• This setting is stored and will be shown the next time the
information display is called up.
INFO button
Image onlyInformation 1
Displays the frame
number, print reservation,
protect, record mode and
file number
*
Histogram
If the bars in the histogram are
higher on the right, the image
may be too bright. If the bars are
higher on the left, the image may
be too dark. Compensate the
exposure or shoot again.
Displays the frame number,
print reservation, protect,
record mode, number of pixels,
compression rate, date and
time and file number
Highlight display
Histogram
*
Information 2
4
Playback functions
Shooting
information
Overall
information
Shadow display
The underexposed
(shadowed) parts of the
recorded image blink.
Record mode is also
displayed
Highlight display
The overexposed
(highlighted) parts of the
recorded image blink.
Record mode is also
displayed
Histogram display
Distribution of the brightness of
the recorded image is
displayed in a histogram
(brightness component graph).
Record mode is also displayed
EN
67
Slideshow
This function displays images stored on the card one after another. Images are displayed one
by one for about 5 seconds starting from the currently displayed image. Slideshow can be
performed using index display. You can select the number of frames displayed during
slideshow from 1, 4, 9, 16 or 25.
3Press the i button to start the slideshow.
4Press the i button to stop the slideshow.
When selecting [L]
4
x Notes
• If the slideshow is left running for about 30 minutes, the camera will turn off automatically.
Playback functions
Rotating images
This function lets you rotate images and display them vertically on the monitor during singleframe playback. This is useful when taking pictures with the camera held vertically. The
images will automatically be displayed in the correct direction even if the camera is rotated.
MENU[q][y]
[OFF]/[ON]
• When set to [ON], images shot vertically will be automatically
rotated and displayed during playback. You can also press
the F button to rotate and display the image.
• The rotated image will be recorded on the card in that
position.
F button
Original image
before rotating
68
EN
Playback on TV
Use the video cable provided with the camera to play back recorded images on your TV.
1Turn the camera and TV off, and
connect the video cable as
illustrated.
2Turn on the TV and set it to the video
input mode. For details on switching
to the video input mode, refer to the
TV’s manual.
3Turn the camera on and press the
q button
Multi-connector
q (playback) button.
Video cable
Video input
terminal
x Notes
• To connect the camera to a TV, use the provided video cable.
• Make sure that the camera’s video output signal type is the same as the TV’s video signal
type. g “Video output” (P. 83)
• The camera’s monitor turns off automatically when the video cable is connected to the
camera.
• The image may appear off-center depending on the TV screen.
Editing still images
4
Playback functions
Recorded images can be edited and saved as new images. Available editing functions
depend on the image format (image record mode). A JPEG file can be printed as is without
modification. A RAW file, on the other hand cannot be printed as is. To print a RAW file, use
the RAW edit function to convert the RAW data format to JPEG.
Editing images recorded in RAW data format
The camera performs image processing (such as white balance and sharpness adjustment)
on images in the RAW data format, then saves the data to a new file in the JPEG format.
While checking recorded images, you can edit them to your liking.
Image processing is performed based on the current camera settings. Change the
camera settings to suit your preferences before editing.
Editing images recorded in JPEG data format
[BLACK & WHITE]Creates black and white images.
[SEPIA]Creates sepia-toned images.
[REDEYE FIX]Reduces red-eye phenomenon during flash shooting.
[SATURATION]Sets the color depth.
[Q]Converts the image file size to 1280 × 960, 640 × 480 or 320 × 240.
EN
69
1MENU[q][EDIT]
2Use bd to select images you want to view.
Press the i button.
• The camera recognizes the image data format.
• When editing other images, use bd to select the image.
• For images recorded in RAW+JPEG, a selection screen
will appear, asking you to edit the appropriate data.
• To exit the edit mode, press the MENU button.
3The setting screen varies with the image
data format. Select the data you want to edit
and do the following steps depending on the
image data format.
Confirm the data format from here.
RAW or SHQ, HQ, SQ (=JPEG)
RAW editing is based on the camera’s current
settings. Set the camera to suit your preferences
before editing.
• The edited image is saved as another image, apart from the original image.
x Notes
• Red-eye correction may not work depending on the image. Red-eye correction may affect
other parts of the image, as well as the eyes.
• Resizing is not possible in the following cases:
When an image is recorded in RAW, when an image is processed on a PC, when there is not
enough space in the card memory, when an image is recorded on another camera
• When resizing ([Q]) an image, you cannot select a larger number of pixels than was
originally recorded.
70
EN
Copying images
This function lets you copy images to and from the xD-Picture Card and CompactFlash or
Microdrive. This menu can be selected if both cards are inserted. The selected card is the
copying source.
g [CF/xD] (P. 108)
Single-frame copy
1Select the desired frame and press the COPY/
< (copy) button.
COPY/< button
2Use ac to select [YES], then press i.
Copying selected frames
This function lets you copy all selected images during single-frame playback or index display.
1Display the images you want to copy and
press the i button.
• The selected images will be shown with red frames.
• To cancel your selection, press the i button again.
2Press p to display the next images you
want to copy and press the i button.
4
Playback functions
3After you have selected the images to copy,
press the COPY/< (copy) button.
4Use ac to select [YES], then press i.
• It is possible to copy selected frames during index display.
Copying all the frames
1MENU[q][COPY ALL]
2Press d.
3Use ac to select [YES].
4Press i.
EN
71
Protecting images k Preventing accidental erasure
Protect images you do not want to erase. Protected images cannot be erased by the singleframe or all-frame erase function.
Single-frame protect
Play back the image you want to protect and press the
0 (protect) button.
• 9 (protect mark) is displayed on the top right corner of the
screen.
To cancel the protection
Display the images that are protected and press the 0
button.
4
Protecting selected frames
Playback functions
This function lets you protect selected images at one time during single-frame playback or
index display.
0 button
1Display the images you want to protect and press the i button.
• The selected images will be shown with red frames.
• To cancel your selection, press the i button again.
• During index display, press p to select the images you want to protect and press the i
button.
2Press p to display the next images you want to protect and press the
i button.
i button
72
3After you have selected the images to protect, press the 0 (protect)
button.
Canceling all protections
This function lets you cancel the protection of several images at one time.
1MENU[q][RESET PROTECT]
2Use ac to select [YES], then press i.
x Notes
• Formatting the card erases all images even if they have been protected. g “Formatting the
card” (P. 107)
• Protected images cannot be rotated even when the F button is pressed.
EN
Erasing images
Lets you erase recorded images. You can select single-frame erase, which erases only the
currently displayed image; all-frame erase, which erases all the images stored on the card; or
selected frame erase, which erases only the frames selected.
x Notes
• When you perform all-frame or selected frame erase on images recorded using RAW+JPEG,
both the RAW and JPEG images are erased. When using single-frame erase, you can select
whether to erase the JPEG, RAW, or both RAW and JPEG images. g “Erasing RAW and
JPEG files” (P. 81)
• Protected images cannot be erased. Cancel protected images, then erase them.
• Once erased, images cannot be restored. g “Protecting images k Preventing accidental
erasure” (P. 72)
Single-frame erase
1Play back the image you want to erase.
2Press the S (erase) button.
3Use ac to select [YES], then press i.
TIPS
To erase immediately:
J If you have set [QUICK ERASE] (gP. 81) to [ON],
pressing the S button will erase an image immediately.
4
Playback functions
S button
EN
73
Erasing selected frames
This function lets you erase selected images at one time during single-frame playback or
index display.
1Display the images you want to erase and press the i button.
• The selected images will be shown with red frames.
• To cancel your selection, press the i button again.
• During index display, press p to select the images you want to erase and press the i
button.
2Press p to display the next images you want to erase and press the i
button.
3After you have selected the images to erase,
press the S (erase) button.
4Use ac to select [YES], then press i.
Priority setting
In the [Z] menu, [PRIORITY SET] (gP. 80) allows you to set
the initial position of the cursor to [YES].
4
Playback functions
All-frame erase
1MENU[W][CARD SETUP]
2Use ac to select [ALL ERASE], then
press i.
3Use ac to select [YES], then press i.
• All frames will be erased.
74
EN
5
Customizing the settings/functions of your camera
Custom reset setting
Normally, current camera settings (including any changes you have made) are retained when
the power is turned off. However, this camera features [RESET] that restores the factory
default settings and [RESET1] and [RESET2] that restores settings registered in advance.
The camera settings at that time are registered in [RESET1] and [RESET2].
• If settings have already been registered, [SET] is displayed next to the [RESET1]/[RESET2]
option.
Registering reset settings
1Select either [RESET1]/[RESET2] to register
and press the d button.
2Select [SET] and press the i button.
• To cancel the registration, select [RESET].
Using reset settings
You can reset the camera to [RESET1] or [RESET2] setting or restore the factory default
settings.
[RESET]:Resets to the factory default settings. For the
factory default settings, see “Menu
directory” (g P. 109).
[RESET1]/[RESET2]:
Resets to the registered settings.
1Select either [RESET]/[RESET1]/[RESET2]
and press the i button.
2Use ac to select [YES], then press i.
5
Customizing the settings/functions of your camera
EN
75
Functions that can be registered
Function
PICTURE MODE33RAW+JPEG ERASE3k
GRADATION33; FUNCTION3k
D33MY MODE SETUP3kF33 FOCUS RING3k
NOISE FILTER33AF ILLUMINAT.33
NOISE REDUCT.3kRESET LENSkk
WB33LIVE VIEW BOOST33
ISO33RELEASE PRIORITY S33
METERING33RELEASE PRIORITY C33
FLASH MODE3383k
w33FRAME ASSIST3k
j/</Y33 nLOCK3k
IMAGE STABILIZER3kXkk
AF MODE33CF/xDkk
P33 FILE NAMEkk
AE BKT33EDIT FILENAMEkk
WB BKT33s3k
5
Customizing the settings/functions of your camera
FL BKT33Wkk
ANTI-SHOCK3kVIDEO OUTkk
ISO LIMIT3kREC VIEW3k
EV STEP3kSLEEP3k
ALL>kk BACKLIT LCD3k
HQ3k4 h TIMERkk
SQ3kBUTTON TIMERkk
w+F3kPRIORITY SETkk
#X-SYNC33 USB MODEkk
AUTO POP UP3kCOLOR SPACE33
DIAL3kAkk
AEL/AFL3kSHADING COMP.33
AEL/AFL MEMO3kPIXEL MAPPINGkk
AELMetering3kCLEANING MODEkk
QUICK ERASE3kFIRMWAREkk
3 : Can be registered. k : Cannot be registered.
Custom
reset setting
registration
My Mode
registration
Function
Custom
reset setting
registration
My Mode
registration
76
EN
AEL/AFL mode
You can use the AEL/AFL button to perform AF or metering operations instead of using the
shutter button. You can use the button in the following ways.
• When you want to focus on a subject and then change the composition of the photo.
• When you want to set the exposure by metering an area different from where the camera is
focused.
Select the function of the button to match the operation when the shutter button is pressed.
Select [mode1] to [mode4] in each focus mode. (You can only select [mode4] in C-AF
mode.)
MENU[Y][AEL/AFL]
[S-AF]/[C-AF]/[MF]
Modes available in the S-AF mode
Shutter button functionAEL/AFL button function
Mode
mode1
mode2
mode3
Half-pressFull pressWhen holding down AEL/AFL
FocusExposureFocusExposureFocusExposure
LockedLockedkkkLocked
LockedkkLockedkLocked
kLockedkkLockedk
Modes available in the C-AF mode
Shutter button functionAEL/AFL button function
Mode
mode1
mode2
mode3
mode4
Focusing
Focusing
Half-pressFull pressWhen holding down AEL/AFL
FocusExposureFocusExposureFocusExposure
starts
starts
kLockedLockedk
kkLockedLocked
LockedLockedkkLocked
kLockedLockedkLocked
Focusing
starts
Focusing
starts
5
Customizing the settings/functions of your camera
k
k
Modes available in the MF mode
Mode
mode1
mode2
mode3
Half-pressFull pressWhen holding down AEL/AFL
FocusExposureFocusExposureFocusExposure
kLockedkkkLocked
kkkLockedkLocked
kLockedkkS-AFk
Shutter button functionAEL/AFL button function
EN
77
Other function settings
AEL/AFL memo
You can lock and maintain the exposure by pressing the AEL/AFL (AE lock) button.
MENU[Y][AEL/AFL MEMO]
[ON]: Press the AEL/AFL button to lock and maintain the exposure. Press again to
cancel the maintaining of the exposure.
[OFF]: The exposure will be locked only while the AEL/AFL button is pressed.
AEL metering
Sets the metering mode for when pressing the AEL/AFL (AE lock) button to lock the
exposure.
MENU[Y][AELMetering]
[AUTO]/[4]/[n]/[nHI]/[nSH]
• [AUTO] performs metering in the mode selected under [METERING] mode.
EV step
This allows you to change the EV step for exposure parameter setting, such as shutter
speed, aperture value, exposure compensation value, etc.
MENU[Y][EV STEP]
5
[1/3EV]/[1/2EV]/[1EV]
Customizing the settings/functions of your camera
ISO limit
When [ISO] is set to [AUTO], you can set the maximum ISO that is set automatically.MENU[Y][ISO LIMIT]
[100]/[200]/[400]
Compensating all WB
This lets you apply the same compensation value to all the white balance modes at once.
MENU[Y][ALL>]
[ALL SET]: The same compensation value applies to all WB modes.
[ALL RESET]: The WB compensation value settings applied to each WB mode are all
cleared at once.
If you select [ALL SET]
1) Use bd to select the color direction.
R-B RedkBlue/G-M GreenkMagenta
2) Use ac to set compensate value. g “WB compensation” (P. 59)
• You can check the white balance you have adjusted.
If you select [ALL RESET]
1) Use ac to select [YES].
Speed synchronization
You can set the shutter speed that will be used when the built-in flash fires. The speed can be
set from 1/60 to 1/180.
MENU[Y][#X-SYNC]
[1/60] - [1/180]
• For details on the synchronization speed of commercially available flashes, refer to their
manuals.
78
EN
Auto pop up
The built-in flash pops up automatically in low light or backlight conditions while in the AUTO
or scene mode.
This allows you to stop the built-in flash from popping up automatically.
MENU[Y][AUTO POP UP]
[ON]: The built-in flash pops up automatically.
[OFF]: The built-in flash will not pop up automatically.
; FUNCTION
This lets you assign a function to the < button.
MENU[Y][; FUNCTION]
[OFF]
Does not allow function allocation.
[V]
Press the < button to acquire the WB value.
g “Setting the one-touch white balance” (P. 60)
[TEST PICTURE]
Pressing the shutter button while pressing the < button enables you to check the
picture you have just taken on the monitor without having to record the picture to the
card. This is useful when you want to see how a picture turned out without saving it.
[MY MODE]
While holding down the < button, you can take pictures using the camera settings
registered in the [MY MODE SETUP]. g “My Mode setting” (P. 80)
[PREVIEW]/[LIVE PREVIEW] (electronic)
While holding down the < button, you can use the preview function.g “Preview function” (P. 35)
5
Customizing the settings/functions of your camera
Live view boost
During live view shooting, you can brighten the monitor for easier confirmation on the subject.
MENU[Y][LIVE VIEW BOOST]
[OFF]
The subject is displayed on the monitor with the brightness level that is adjusted
according to the exposure being set. You can shoot while confirming through the
monitor in advance to get a picture that is to your liking.
[ON]
The camera automatically adjusts the brightness level and displays the subject on the
monitor for easier confirmation. The effect of the exposure compensation adjustments
will not be reflected on the monitor.
Customizing the control dial’s function
You can set the control dial’s operation to settings the opposite from the factory default
setting. The control dial can be used to operate the exposure compensation setting instead of
the program shift setting in P mode, and the aperture value setting instead of the shutter
speed setting in M mode.
MENU[Y][DIAL]
[P]/[M]
If you select [
SettingSet using the control dial
P]: P mode
Set using the control dial while
pressing the F button
%
(factory default setting)
F
Program shift (%)Exposure compensation
Exposure compensationProgram shift (%)
EN
79
If you select [M]: M mode
SettingSet using the control dial
SHUTTER
(factory default setting)
FNo.
My Mode setting
This allows you to register 2 different combinations of camera settings. It is useful when you
want to temporarily change the settings during memo shooting. You can set either of the [MY MODE SETUP] in the menu in advance. For My Mode, set [; FUNCTION] to [MY MODE]
and when using it, shoot while pressing the < button. g “; FUNCTION” (P. 79)
MENU[Y][MY MODE SETUP]
[MY MODE1]/[MY MODE2]
• If menu settings have already been registered, [SET] is displayed next to the corresponding
reset option.
Registering
Select [SET] and press the i button.
• The current settings are registered in the camera. For details on the functions that can be
registered to My Mode, refer to “Functions that can be registered” (g P. 76).
• To cancel the registration, select [RESET].
Shutter speedAperture value
Aperture valueShutter speed
Set using the control dial while
pressing the F button
5
Executing
Customizing the settings/functions of your camera
Select [MY MODE1] or [MY MODE2] and press the i button.
• Select [YES] and press the i button to set to the available My Mode.
Reset lens
This allows you to reset the focus of the lens (infinity) when the power is turned off.
MENU[Y][RESET LENS]
[OFF]/[ON]
Focus ring
This allows you to customize how the lens adjusts to the focal point by selecting the rotational
direction of the focus ring.
MENU[Y][FOCUS RING]
[b]/[c]
Priority setting
This allows you to customize the initial position of the cursor ([YES] or [NO]) on the [ALL
ERASE] or [FORMAT] screen.
MENU[Z][PRIORITY SET]
[YES]/[NO]
Near)
Near)
80
EN
Quick erase
This lets you erase the picture you have just taken immediately using the S (erase) button.
MENU[Y][QUICK ERASE]
[OFF]When the S (erase) button is pressed, the confirmation screen appears, asking
you if you want to erase the picture.
[ON]Pressing the S (erase) button erases the picture immediately.
Erasing RAW and JPEG files
This lets you select the method to erase images recorded in RAW+JPEG. It is a function
effective only when deleting one frame.
MENU[Y][RAW+JPEG ERASE]
[JPEG]Erases all JPEG image files, leaving only the RAW image files.
[RAW]Erases all RAW image files, leaving only the JPEG image files.
[RAW+JPEG]Erases both image file types.
x Notes
• This function is effective only if deleting one frame. For all-frame erase or erasing selected
frames, both RAW and JPEG will be erased regardless of this setting.
File name
When you take a picture, the camera assigns it a unique file name and saves it in a folder.
The folder and file name can later be used for file handling on a computer.
File names are assigned as shown in the illustration below.
MENU[Z][FILE NAME]
[AUTO]
Even when a new card is inserted, the folder numbers are retained from the previous
card. If the new card contains an image file whose file number coincides with one
saved on the previous card, the new card’s file numbers start at the number following
the highest number on the previous card.
[RESET]
When a new card is inserted, folder numbers start at 100 and file numbers start at
0001. If a card containing images is inserted, the file numbers start at the number
following the highest file number on the card.
• When both the Folder and File No. reach their respective maximum number (999/9999), it is not
possible to store additional pictures even if the card is not full. No more pictures can be taken.
Replace the card with a new one.
5
Customizing the settings/functions of your camera
EN
81
Rename file
You can rename image files to make them easier to identify and organize.
Select [sRGB] or [Adobe RGB].
g “Color space” (P. 63)
MENU[Z][EDIT FILENAME]
Use ac to enter the first character. Press d to move to the next setting, then use ac
to enter the second character.
sRGB : Pmdd0000.jpgAdobeRGB : _mdd0000.jpg
You can change the character to OFF,
A - Z or 0 - 9.
Rec view k Checking the picture immediately after shooting
This allows you to display the picture you have just taken on the monitor while it is being
recorded to the card, and to select how long the picture is displayed. This is useful for making
a brief check of the picture you have just taken. Pressing the shutter button halfway while
checking the picture lets you resume shooting immediately.
MENU[Z][REC VIEW]
[OFF]The picture being recorded to the card is not displayed.
5
[1SEC] - [20SEC]Selects the number of seconds to display each picture. Can be set
in units of 1 second.
Customizing the settings/functions of your camera
Setting the beep sound
You can turn off the beep sound that is emitted when the focus locks by pressing the shutter
button.
MENU[Y][8]
[OFF]/[ON]
Monitor brightness adjustment
This allows you to adjust the brightness of the monitor for optimal viewing.
MENU[Z][s]
Use bd to adjust the brightness.
Sleep timer
After a specified period of time elapses with no operations being performed, the camera
enters the sleep mode (stand-by) to save battery power. After the control panel is displayed
for a specified period of time, the backlight turns off. After a specific period of time has further
passed, the camera enters sleep mode. [SLEEP] lets you select sleep timer. [OFF] cancels
the sleep mode. The camera activates again as soon as you touch any button (the shutter
button, arrow pad, etc.).
MENU[Z][SLEEP]
[OFF]/[1MIN]/[3MIN]/[5MIN]/[10MIN]
82
EN
Backlight timer
To save battery power, after the control panel is displayed for a specified period of time, the
monitor backlight turns off and the monitor darkens. [HOLD] sets the backlight to stay on.
The monitor backlight turns on again as soon as you touch any button (the shutter button,
arrow pad, etc.).
MENU[Z][BACKLIT LCD]
[8SEC]/[30SEC]/[1MIN]/[HOLD]
USB mode
You can connect the camera directly to a computer or printer with the provided USB cable. If
you specify the device you are connecting to beforehand, you can skip the USB connection
setting procedure normally required every time you connect the cable to the camera. For
details on how to connect the camera to either device, refer to “Connecting the camera to a
printer” (g P. 88) and “Connecting the camera to a computer” (g P. 92).
MENU[Z][USB MODE]
[AUTO]
The selection screen for the USB connection will be displayed every time you connect
the cable to a computer or printer.
[STORAGE]
Allows you to transfer images to a computer. Also, select to use the OLYMPUS
Master software via PC connection.
[MTP]
Allows you to transfer images to a computer running Windows Vista without using the
OLYMPUS Master software.
[CONTROL]
Allows you to control the camera from a PC using the optional OLYMPUS Studio.
[<EASY]
Can be set when connecting the camera to a PictBridge-compatible printer. Pictures
can be printed directly without using a PC.
g “Connecting the camera to a printer” (P. 88)
[<CUSTOM]
Can be set when connecting the camera to a PictBridge-compatible printer. You can
print out pictures with set number of prints, print paper and other settings.
g “Connecting the camera to a printer” (P. 88)
5
Customizing the settings/functions of your camera
Changing the display language
You can change the language used for the on-screen display and error messages from
ENGLISH to another language.
MENU[Z][W]
Use ac to select the language you want to use.
• You can add another language to your camera with the provided OLYMPUS Master software.
For details, refer to Help in OLYMPUS Master software. g “Using the OLYMPUS Master
software” (P. 91)
Video output
This lets you select NTSC or PAL according to your TV’s video signal type.
You will need to set this when you want to connect the camera to a TV and play back images
in a foreign country. Make sure the correct video signal type is selected before connecting the
video cable. If you use the wrong video signal type, recorded pictures will not play back
properly on your TV.
MENU[Z][VIDEO OUT]
[NTSC]/[PAL]
EN
83
TV video signal types in major countries and regions
Check the video signal type before connecting the camera to your TV.
NTSCNorth America, Japan, Taiwan, Korea
PALEuropean countries, China
Button timer
When functions are set with the direct buttons, this function allows you to set the duration
from when you stop operating the buttons to when the menu disappears.
MENU[Z][BUTTON TIMER]
[HOLD]You can take as long as you like to complete function setting. The
current screen will remain until you press the button again.
[3SEC]/[5SEC]/[8SEC] You can change the setting during the number of seconds
indicated.
Auto power off
You can set the camera to turn off automatically if not operated for a long time. It will not turn
off if this is set to [OFF].
MENU[Z][4 h TIMER]
[OFF]/[4 h]
n (arrow pad) lock
5
Customizing the settings/functions of your camera
To prevent any unwanted operations, you can lock the arrow pad so that the functions
assigned to the arrow pad buttons are not activated when pressed. g “Setting functions
using direct buttons” (P. 20)
MENU[Y][n LOCK]
[OFF]/[ON]
A
You can switch the functions of the AEL/AFL button and the < button. When you select
[ON], the AEL/AFL button will function as the < button, and the < button will function as
the AEL/AFL button.
MENU[Z][A]
[OFF]/[ON]
Firmware
Your product’s firmware version will be displayed.
When you make inquiries about your camera or accessories or when you want to download
software, you will need to state which version of each of the products you are using.
MENU[Z][FIRMWARE]
Press d. Your product’s firmware version will be displayed. Press the i button to return
to the previous screen.
84
EN
6Printing
Print reservation (DPOF)
Print reservation
Print reservation allows you to save printing data (the number of prints and the date/time
information) with the pictures stored on the card.
Insert the card that contains the recorded pictures into the camera.
Pictures set with print reservation can be printed using the following methods.
Printing using a DPOF-compatible photo lab
You can print the pictures using the print reservation data.
Printing using a DPOF-compatible printer
Pictures can be printed directly from a dedicated printer without using a PC. For more
details, refer to the printer’s manual. A PC card adapter may also be necessary.
x Notes
• DPOF reservations set by another device cannot be changed by this camera. Make changes
using the original device. Moreover, setting new DPOF reservations using this camera will
erase the previous reservations set by another device.
• Not all functions may be available on all printers or at all photo labs.
• RAW data are not printable.
Single-frame reservation
Follow the operation guide to set print reservation for a picture.
1MENU[q][<]
Operation guide
2Select [<] and press the
i button.
3Press bd to select the frame that you want
to set as print reservation, then press ca
to set the number of prints.
• To set print reservation for several pictures, repeat this
step.
6
Printing
EN
85
4Press the i button when you have finished.
• The menu screen for single-frame reservation appears.
5Use i to select the date and time format.
[NO]The pictures are printed without the date and
time.
[DATE] The pictures are printed with the shooting date.
[TIME]The pictures are printed with the shooting time.
6Select [SET] and press the i button.
All-frame reservation
Applies print reservation to all the pictures stored in the card. The number of prints is fixed at
1.
1MENU[q][<]
2Select [U] and press the i button.
6
3Use i to select the date and time format.
Printing
[NO]The pictures are printed without the date and time.
[DATE] The pictures are printed with the shooting date.
[TIME]The pictures are printed with the shooting time.
4Select [SET] and press the i button.
Resetting the print reservation data
You can reset all print reservation data or just the data for selected pictures.
1MENU[q][<]
Resetting the print reservation data for all pictures
2Select [<] or [U] and press the i button.
3Select [RESET] and press the i button.
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Resetting the print reservation data for a selected picture
2Select [<] and press the i button.
3Select [KEEP] and press the i button.
4Use bd to select the frame with print reservation data you want to reset,
then press c to set the number of prints to 0.
5Press the i button when you have finished.
6Use i to select the date and time format.
• This setting is applied to all frames with print reservation data.
7Select [SET] and press the i button.
Direct printing (PictBridge)
By connecting the camera to a PictBridge-compatible printer with the USB cable, you can
print out recorded pictures directly. To find out if your printer is compatible with PictBridge,
refer to the printer’s manual.
PictBridge
The standard that enables digital cameras and printers made by different manufacturers to
be connected, and also allows pictures to be printed directly from the camera.
STANDARD
All printers that support PictBridge have standard print settings. By selecting [STANDARD]
on the settings screens (gP. 89), you can print pictures according to these settings. For
details on your printer’s standard settings, refer to the printer’s manual or contact the printer
manufacturer.
• The available print modes and settings such as paper size vary with the type of printer. For
details, refer to the printer’s manual.
• For details on printing paper types, ink cassettes, etc., refer to the printer’s manual.
x Notes
• Use a fully charged battery for printing.
• Images recorded in RAW data cannot be printed.
• The camera will not enter sleep mode while it is connected to the USB cable.
6
Printing
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87
Connecting the camera to a printer
Use the provided USB cable to connect the camera to a PictBridge-compatible printer.
1Turn the printer on and connect the camera’s multi-connector to the
printer’s USB port with the USB cable
• For details on how to turn the printer on and the position of the USB port, refer to the printer’s
manual.
USB cable
2Turn on the camera.
• The selection screen for the USB connection is displayed.
3Use p to select [EASY PRINT] or [CUSTOM
6
Printing
PRINT].
If you select [EASY PRINT]
• Go to “Easy printing” (P. 88).
If you select [CUSTOM PRINT]
• [ONE MOMENT] is displayed and the camera and printer
are connected.
Go to “Custom printing” (P. 89).
x Notes
• If the screen is not displayed after a few minutes, disconnect the USB Cable and start again
from Step 1.
Easy printing
Multi-connector
STORAGE
CONTROL
EASY PRINT
1Use bd to display the pictures you want to print on the camera.
• Display the image you want to print on the camera and
connect the camera with a printer using a USB cable.
The screen on the right appears shortly.
2Press the < (print) button.
• The picture selection screen appears when printing is
completed. To print another picture, use bd to select the
image and press the < button.
• To exit, unplug the USB cable from the camera while the
picture selection screen is displayed.
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Custom printing
1Follow the operation guide to set a print option.
Follow the operation guide displayed here.
Selecting the print mode
Select the type of printing (print mode). The available print modes are as shown below.
[PRINT]Prints selected pictures.
[ALL PRINT]Prints all the pictures stored in the card and makes one print for each
picture.
[MULTI PRINT]Prints multiple copies of one image in separate frames on a single sheet.
[ALL INDEX]Prints an index of all the pictures stored in the card.
[PRINT ORDER]Prints according to the print reservation you made. If there is no picture
with print reservation, this is not available. (gP. 85)
Setting the print paper items
This setting varies with the type of printer. If only the printer’s STANDARD setting is
available, you cannot change the setting.
[SIZE]Sets the paper size that the printer
supports.
[BORDERLESS]Selects whether the picture is printed
on the entire page or inside a blank
frame.
[PICS/SHEET]Selects the number of pictures per
sheet. Displayed when you have
selected [MULTI PRINT].
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Printing
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89
Selecting pictures you want to print
Select pictures you want to print. The selected pictures can be printed later (single-frame
reservation) or the picture you are displaying can be printed right away.
[PRINT] (f)Prints the currently displayed picture.
If there is a picture that [SINGLE PRINT] reservation has already been
applied to, only that reserved picture
will be printed.
[SINGLE PRINT] ()Applies print reservation to the
currently displayed picture. If you
want to apply reservation to other
pictures after applying [SINGLE
PRINT], use bd to select them.
[MORE] ()Sets the number of prints and other items for the currently displayed
picture, and whether or not to print it.
g “Setting printing data” (P. 90)
Setting printing data
Select whether to print printing data such as the date and time or file name on the picture
when printing.
[<×]Sets the number of prints.
[DATE]Prints the date and time recorded on the
picture.
[FILE NAME]Prints the file name recorded on the picture.
6
Printing
2Once you have set the pictures for printing
and printing data, select [PRINT], then press the i.
[PRINT]Transfers images you print to the printer.
[CANCEL]Resets the settings. All print reservation data
will be lost. If you want to keep the print
reservation data and make other settings,
press b. This returns you to the previous
setting.
• To stop and cancel printing, press the i button.
[CONTINUE]Continues printing.
[CANCEL]Cancels printing. All print reservation data will
be lost.
PRINT
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7 Using the OLYMPUS Master software
Flowchart
Just connect the camera to a computer with the USB cable and you can easily transfer
images stored on the card to the computer with the provided OLYMPUS Master software.
Things to prepare
• OLYMPUS Master 2 CD-ROM
• USB cable
Installing OLYMPUS Master
(Refer to the installation guide included with the OLYMPUS Master)
Connecting the camera with your computer using the provided USB cable(gP. 92)
Starting OLYMPUS Master(gP. 93)
Saving pictures to your computer(gP. 93)
Disconnecting the camera from your computer(gP. 94)
• Computer equipped with USB port
Using the provided OLYMPUS Master software
What is OLYMPUS Master?
OLYMPUS Master is an image management program with viewing and editing features for
pictures taken with your digital camera. Once installed on your computer, you can take
advantage of the following.
z Transferring images from the camera or
removable media to your computer
z Viewing images
You can also enjoy slideshows and sound
playback.
z Grouping and organizing images
You can organize images into albums or folders.
Transferred images are automatically organized
by shooting date, allowing you to quickly find the
particular images you want.
For information about OLYMPUS Master’s other features, as well as for details on how to use the software,
refer to “Help” in OLYMPUS Master software.
z Correcting images using filter and
correction functions
z Editing images
You can rotate, trim or change the image size.
z A variety of printing formats
You can easily make prints of your pictures.
z Creating panorama images
You can make a panorama from the photos you
have taken using the panorama function.
z Updating the camera firmware
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Using the OLYMPUS Master software
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91
Connecting the camera to a computer
Connect the camera to your computer with the provided USB cable.
1Use the provided USB cable to connect the computer’s USB port to the
camera’s multi-connector.
• The location of the USB port varies with the computer. For details, refer to your computer’s
manual.
Look for this mark.
Terminal
USB port
USB cable
2Set the camera’s power switch to ON.
• The selection screen for the USB connection is
displayed.
3Press ac to select [STORAGE]. Press the
i button.
7
4The computer recognizes the camera as a
Using the OLYMPUS Master software
new device.
• Windows
When you connect the camera to the computer for the first time, the computer automatically
recognizes the camera. Click “OK” when the message saying that the installation is
completed appears.
The computer recognizes the camera as a “Removable Disk ”.
Smaller terminal
Multi-connector
STORAGE
CONTROL
EASY PRINT
•Macintosh
iPhoto is the default image management application for Mac OS. When you connect your
Olympus digital camera for the first time, iPhoto will start up automatically. Close iPhoto and
start OLYMPUS Master.
• When the camera is connected to the computer, none of the camera buttons are functional.
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x Notes
Start up the OLYMPUS Master software
Windows
1Double-click the “OLYMPUS Master 2” icon on the desktop.
Macintosh
1Double-click the “OLYMPUS Master 2” icon in the “OLYMPUS
Master 2” folder.
• The browse window is displayed.
• When OLYMPUS Master is started up for the first time after installation, the OLYMPUS
Master initial setting screen and user registration screen are displayed before the browse
window. Follow the on-screen instructions.
To exit OLYMPUS Master
1Click “Exit” on any window.
• OLYMPUS Master is exited.
Displaying camera images on a computer
Downloading and saving images
1Click “Transfer Images” on the browse
window, and then click “From Camera” .
• The window for selecting the pictures you want to transfer from
the camera is displayed. All the images in the camera are
displayed.
2Select “New Album” and enter an album name.
3Select the image files and click “Transfer
Images”.
• A window indicating that the download is complete is displayed.
4Click “Browse images now”.
• The downloaded images are displayed in the browse window.
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Using the OLYMPUS Master software
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93
Disconnecting the camera from your computer
1Make sure that the card access lamp has
stopped blinking.
2Prepare to remove the USB cable.
Windows
In the system tray, click the “Unplug or Eject Hardware” icon .
1)
2) Click on the pop-up message.
3) Click “OK” on the “Safe to Remove Hardware” window.
Card access lamp
Macintosh
1) The trash icon changes to the eject icon when the
“Untitled” or “NO_NAME” icon on the desktop is
dragged. Drag and drop it on the eject icon.
7
3Unplug the USB cable from the camera.
Using the OLYMPUS Master software
• For Windows users:
When you click “Unplug or Eject Hardware”, a warning message may be displayed. In such
case, make sure that no image data is being downloaded from the camera, and that there are
no applications open that were accessing the camera image files. Close any such applications
and click “Unplug or Eject Hardware” again and then remove the cable.
x Notes
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Viewing still images
1Click the “Album” tab on the browse window and
select the album that you want to view.
• The selected album image is displayed in the thumbnail area.
Thumbnail
2Double-click the still picture thumbnail that you
want to view.
• OLYMPUS Master switches to the image edit window and the
picture is enlarged.
• Click “Back” to return to the browse window.
To increase the number of languages
Please take care that your battery is fully charged!
1Make sure that your computer is connected to the Internet.
2Plug the USB cable into the USB port on the computer.
3Plug the other end of the USB cable into the camera’s USB connector.
• The camera turns on automatically.
• The monitor turns on and the selection screen for the USB connection is displayed.
4Select [STORAGE], and press i.
5In the browse window, select “Camera”, then “Update Camera/Add
Display Language”.
• The confirmation window for updating is displayed.
6Click “OK”.
• The updating the camera window is displayed.
7Click “Add Language” in the updating
camera display.
• The “Add Display Language of Camera” window
is displayed.
7
Using the OLYMPUS Master software
8Click and select a language.
9Click “Add”.
• The new language is downloaded to your camera.
Please do not remove any cable or the battery while the
camera is processing.
EN
95
10After the download procedure the camera display will show “OK”. You
can remove the cables and turn power off. After restarting the camera
you will be able to choose the new language from [W].
Transferring images to your computer without using OLYMPUS Master
Your camera supports the USB Mass Storage Class. You can transfer images to a computer
by connecting the camera to the computer with the provided USB cable. This can be done
even without using OLYMPUS Master. The following operating systems are compatible with
the USB connection:
Windows: Windows 98SE/Me/2000 Professional/XP Home Edition/XP Professional/Vista
Macintosh : Mac OS 9.0 - 9.2/X
x Notes
• If your computer is running Windows 98SE, you will need to install the USB driver. Before
connecting the camera to your computer with the USB cable, double-click the files from the
following folders on the provided OLYMPUS Master CD-ROM.
(Drive name): \win98usb\INSTALL.EXE
• If your computer is running Windows Vista, select [MTP] in Step 3 on page 92 to use Windows
Photo Gallery.
• Data transfer is not guaranteed in the following environments, even if your computer is
equipped with a USB port.
• Windows 95/98/NT 4.0
• Windows 98SE upgrades from Windows 95/98
• Mac OS 8.6 or earlier
• Computers with a USB port added by means of an extension card, etc.
• Computers without a factory-installed OS and home-built computers
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Using the OLYMPUS Master software
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8 Getting to know your camera better
Shooting tips and information
Tips before you start taking pictures
The camera does not turn on even when a battery is loaded
The battery is not fully charged
• Charge the battery with the charger.
The battery is temporarily unable to function because of the cold
• Battery performance declines in low temperatures, and the charge may not be sufficient to turn
on the camera. Remove the battery and warm it by putting it in your pocket for a while.
No picture is taken when the shutter button is pressed
The camera has turned off automatically
• To save battery power, if there is no operation even while the camera is on (monitor is lit), the
camera goes into sleep mode after a fixed period of time and the camera stops operating.
When this happens, the LCD monitor’s light will go off. The camera will turn off automatically if
there is no further operation for 4 hours. The camera will not work until it is turned back on.
g “Sleep timer” (P. 82), “Auto power off” (P. 84)
The flash is charging
• When the flash is activated and the # symbol in the control panel or the viewfinder is blinking,
this indicates that the flash is charging. Wait for the blinking to stop, then press the shutter
button.
Unable to focus
• When the AF confirmation mark in the viewfinder is blinking, it indicates that the camera is
unable to focus using AF. Press the shutter button again.
Noise reduction is activated
• When shooting night scenes, shutter speeds are slower and noise tends to appear in images.
The camera activates the noise-reduction process after shooting at slow shutter speeds. During
which, shooting is not allowed. You can set [NOISE REDUCT.] to [OFF]. g “Noise
reduction” (P. 62)
The date and time has not been set
The camera is used with the settings at the time of purchase
• The date and time of the camera is not set when purchased. Set the date and time before using
the camera. g “Setting the date/time” (P. 8)
The battery has been removed from the camera
• The date and time settings will be returned to the factory default settings if the camera is left
without the battery for approximately 1 day. The settings will be canceled more quickly if the
battery was only loaded in the camera for a short time before being removed. Before taking
important pictures, check that the date and time settings are correct.
8
Getting to know your camera better
Shooting tips
Focusing on the subject
There are several ways to focus, depending on the subject.
AF frame is not focused on the subject
• Use focus lock to focus the AF frame on the subject.
g “If correct focus cannot be obtained (Focus lock)” (P. 37)
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97
Other things instead of the subject are focused on the respective AF frames
•Set P (AF frame selection) to R and focus on the center of the image.
g “AF frame selection” (P. 49)
The subject is moving quickly
• Focus the camera on a point roughly the same distance away as the subject you want to shoot
(by pressing the shutter button halfway), and then recompose your picture and wait for the
subject to enter the frame.
Close up on the subject using macro lens
• When using macro lens to close up on the subject, it is difficult to focus with AF when the
enlargement ratio of the subject is bigger. Set to manual focus (MF), rotate the focus ring and
focus manually. g “MF (manual focus)” (P. 50)
Taking pictures in low light conditions
• The built-in flash can be set to function as an AF illuminator. The flash helps to focus in low-light
conditions in the AF mode when raised. g “Using the built-in flash” (P. 42), “AF
illuminator” (P. 51)
Subjects that are difficult to focus on
It may be difficult to focus with auto focus in the following situations.
AF confirmation mark is
blinking.
These subjects are not
focused.
Subject with low contrastExcessively bright light
in center of frame
AF confirmation mark
lights up but the subject
is not focused.
Subjects at different
distances
In any situation, focus on something with high contrast that is at the same distance as the
8
subject, determine the composition and shoot the picture.
Getting to know your camera better
Fast-moving subjectSubject not inside
Subject with
repeated patterns
AF frame
Taking pictures without blurring
There are several factors that can cause the picture to blur.
The subject is too dark
• Change the shutter speed to match the brightness of the subject. If the shutter speed is set low
to shoot a dark subject, blurring is likely to occur if the subject moves. In addition, when the
flash is turned off in g (Scene mode), the shutter speed becomes slower.
Mount the camera on a tripod. Using the remote control (optional) to close the shutter is also
effective for reducing blurring.
There are also ways to shoot with [q] (DIS MODE) under g (Scene mode). As the ISO
sensitivity increases automatically, you can hand hold the camera and take pictures in low light
situations with the flash off.
The camera or your hand moves when pressing the shutter button.
• Press the shutter button gently or hold the camera securely with both hands.
• Use the image stabilizer function. g “Shooting with the image stabilizer function” (P. 36)
Taking pictures with less flash
The flash will light up automatically when it is not bright enough. If the subject is too far away,
the flash may have no effect. Here is how to take pictures without the flash in this type of
98
situation.
EN
Setting the image stabilizer function
• This function reduces camera shake, enabling you to hold the camera and take pictures in low
light situations with the flash off. g “Shooting with the image stabilizer function” (P. 36)
Set g (Scene mode) to [q] (DIS MODE)
• As the image stabilizer ([I.S. 1]) is automatically activated, the ISO sensitivity also increases
automatically. You can hand-hold the camera and take pictures in low light situations with the
flash off.
Increase the [ISO] setting
• Increase the value of the [ISO] setting. The image may become grainy.
g “ISO k Setting the desired sensitivity to light” (P. 56)
The picture is too grainy
There are several factors that can cause the picture to appear grainy.
Increasing the ISO sensitivity
• When you increase the [ISO] setting, “noise”, which appears as spots of unwanted color or
unevenness in the color, can be introduced and give the picture a grainy appearance. This
camera is equipped with a function to allow shooting at high sensitivity while suppressing noise;
however, increasing the ISO sensitivity creates grainier pictures than when using a lower
sensitivity.
g “ISO k Setting the desired sensitivity to light” (P. 56)
Image taken appears whitish
This may occur when the picture is taken in backlight or semi-backlight conditions. This is
due to a phenomenon called flare or ghost. As far as possible, consider a composition where
strong light source is not taken in the picture. Flare may occur even when a light source is not
present in the picture. Use a lens hood to shade the lens from the light source. If a lens hood
does not have effect, use your hand to shade the lens from the light.
Taking pictures with the correct color
The reason why there are differences between the colors in a picture and the actual colors
taken and the actual color is the light source illuminating the subject. [WB] is the function that
allows the camera to determine the correct colors. Normally, the [AUTO] setting provides the
optimal white balance, but depending on the subject, it may be better to experiment with
changing the [WB] setting.
• When the subject is in the shade on a sunny day
• When the subject is illuminated by both natural light and indoor lighting, such as when near a
window
• When there is no white in the frame
g “White balance k Adjusting the color tone” (P. 57)
Taking pictures of a white beach or snow scene
In normal cases, white subjects such as snow will appear darker than usual when the picture
is taken. There are several ways to capture the whiteness.
• Adjust the exposure compensation toward [+]. g “Exposure compensation k Varying the
image brightness” (P. 55)
• Use [g] (BEACH & SNOW) in g (Scene mode) to take the picture. It is most suitable for
taking pictures of the sea in a sunny day or snow-capped mountains. g “Scene mode” (P. 30)
• Use [nHI] (Highlight control).
Press the shutter button halfway at the center of the viewfinder where you wish to highlight the
whiteness. The metered part at the center will be set to appear whiter. g “Metering mode k
Changing the metering system” (P. 54)
• Use the auto bracketing function to take the picture.
If you do not know the amount of exposure compensation, try using auto bracketing. The
compensation value changes a little every time you press the shutter button. If you set a larger
exposure compensation, you can change the compensation value either upwards or downwards
based on that value and shoot the picture. g “AE bracketing” (P. 37)
8
Getting to know your camera better
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99
Taking pictures of a subject against backlight
If the background is too bright compared to the subject, the exposure will be affected at the
bright parts and the subject will appear darker. This is because the camera determines the
exposure from the brightness of the whole screen.
•Set [METERING] to [n] (spot metering) to measure the exposure of the subject in the center of
the picture. To change the composition, place the subject in the center of the picture. While
holding down the AEL/AFL button, change the composition and press the shutter button.
g “Metering mode k Changing the metering system” (P. 54)
• Activate the flash, set the flash mode to [#] (fill-in flash) and shoot the picture. You can shoot a
subject against backlight without the face of the subject appearing dark. [#] (fill-in flash) is used
for shooting against backlight and under fluorescent and other artificial lighting.
g “Setting the flash mode” (P. 41)
Image turns out too bright or too dark
When taking pictures in S mode or A mode, the shutter speed or aperture setting displayed
in the control panel screen or viewfinder may blink. A red display means that the correct
exposure cannot be obtained. If you take the picture as is, the picture will appear too bright or
too dark. If that happens, change the aperture setting or shutter speed.
g “A: Aperture priority shooting” (P. 32), “S: Shutter priority shooting” (P. 33)
Unknown bright dot(s) appear on the subject in the picture taken
This may be due to stuck pixel(s) on the image pickup device. Perform [PIXEL MAPPING]. If
the problem persists, repeat pixel mapping a few times. g “Pixel mapping k Checking the
image processing functions” (P. 106)
Additional shooting tips and information
Increasing the number of pictures that can be taken
The captured image will be recorded on the card. The following ways describe how to record
more images.
• Change the record mode.
8
Getting to know your camera better
The size of an image varies with the record mode. When you are not sure of the available card
capacity, change the image mode and shoot the picture. The smaller the [PIXEL COUNT] and
the bigger the [COMPRESSION], the smaller the size of the image becomes. You can select
both in [SQ] of the record mode. g “Selecting the record mode” (P. 52)
• Use a card with large capacity.
The number of recordable images varies with the capacity of the card. Use a card with large
capacity.
Using a new card
If you use a non-Olympus card or a card used for another application, such as for a
computer, the message [CARD ERROR] is displayed. To use this card with this camera, use
the [FORMAT] function to format the card. g “Formatting the card” (P. 107)
Extending the useful life of the battery
Performing any of the following operations when not actually taking pictures can deplete the
battery power.
• Repeatedly pressing the shutter button halfway
• Repeatedly playing back the captured images over a long period of time
• Using the live view function over a long period
To save battery power, turn off the camera whenever it is not in use.
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