Review the camera part names
and the basic steps for shooting
and playback.
MANUAL
z Before you start to use your new camera, please read the “Safety Precautions”
section in this manual.
z We recommend that you take test shots to get accustomed to your camera before
taking important photographs.
z The screen and camera illustrations shown in this manual were produced during the
development stages and may differ from the actual product.
z The contents in this manual are based on firmware version 1.0 for this camera. If there
are addition and/or modification of functions due to firmware update for the camera,
the contents will differ. For the latest information, please visit the Olympus website.
Table of Contents P. 20
Camera
Hot shoe gP. 75, 77
Built-in flash gP. 73
LIGHT button gP. 14
Control panel
gP. 6, 27
WB (White balance) button
gP. 63
F (Exposure
compensation) button
gP. 46
ISO button
gP. 49
Shutter button
gP. 16, 34
Sub dial (k)gP. 27-30
White balance sensor
gP. 64, 99
Preview button
gP. 45
Lens attachment mark
gP. 12
Mount
(Attach the lens after removing the body cap
from the camera to prevent dust and dirt
from entering the camera body.)
The following screen allows the display and setting of shooting settings at the same time
and is called the super control panel. Press the INFO button to display the super control
panel on the LCD monitor. g“Using the super control panel” (P. 28)
RC mode m gP. 76
Super FP flash 1 gP. 76
Auto bracket 0gP. 48, 50, 66, 74
Image stabilizer H, I gP. 60
Noise reduction O gP. 69
AF illuminator T gP. 90
Internal temperature warning m gP. 119
Aperture value
gP. 40-43
250F5.6
+2.0
RCFP
BKT
NR
IS
AF1
Exposure
compensation value
gP. 46
Exposure level
gP. 43
You can switch the monitor display using the INFO button.
g“Information display” (P. 82)
Record mode gP. 61
Battery check gP. 14
Focal distance gP. 126
(The focal distance is displayed in 1 mm
units.)
Shooting mode gP. 40-44
Basic guide
Card gP. 124
Print reservation
Number of prints
gP. 101
x
L
[3648x2736,1/8]
N
’07.12.16
100-0015
Single-frame playback information
File number
gP. 82
Date and time
gP. 15
AF target gP. 53
Histogram gP. 82
Metering mode gP. 45
White balance gP. 62
10
21:56
Protect
gP. 86
15
Frame number
gP. 82
Aperture value gP. 40-43
Shutter speed
gP. 40-43
Exposure
compensation
gP. 46
+2.0 45mm
WB : AUTO
Shooting
information
Picture mode
gP. 67
White balance compensation
gP. 64
Flash intensity control gP. 73
ISO sensitivity gP. 49
250 F5.6
ISO 100
0.0
A: 0
G: 0
NATURAL
sRGB
Record mode
gP. 61
Color space
gP. 97
Names of parts and functions
L
N
9
EN
Unpack the box contents
The following items are included with the camera.
If anything is missing or damaged, contact the dealer from whom you purchased the camera.
CameraBody capStrapBLM-1 Lithium ion
BCM-2 Lithium ion chargerUSB cableVideo cable
CD-ROM
battery
Warranty cardInstruction manualOLYMPUS Master 2
Attaching the strap
1
Thread the strap as
indicated by the
arrows (1, 2).
2
Lastly, pull the strap tight
making sure that it is
fastened securely (3).
3
Attach the other end of
the strap to the other
eyelet in the same way.
10
EN
Preparing the battery
1 Charging the battery
Charging indicator
Red light: Charging in progress
Green light: Charging completed
(Charging time: Approx. 5 hours)
2 Loading the battery
W
BCM-2 Lithium ion
charger
Align the battery with the arrow.
Remove the protection cap
from the battery.
AC cable
BLM-1 Lithium ion
battery
AC wall outlet
Basic guide
2
Battery compartment
cover
Battery compartment
lock
1
W
3
Direction
indicating mark
3 Close the battery compartment cover and slide the battery
compartment lock in the direction of E
Unloading the
battery
Press the battery lock to
unlock the battery. Turn
the camera upside-down
to remove the battery.
It is recommended to set aside a backup battery for prolonged shooting in case the battery
in use drains.
Battery lock
Preparations for shooting
11
EN
Attaching a lens to the camera
1 Remove the body cap from the
camera and the rear cap from the lens
Rear cap
1
2 Attach a lens to the camera
• Align the lens attachment mark
(red) on the camera with the
alignment mark (red) on the
lens, then insert the lens into
the camera’s body (1).
• Rotate the lens in the direction
indicated by the arrow until you
hear it click (2).
Do not press the lens release
button.
Alignment mark (Red)
3
3 Remove the lens cap
(
3, 4)
Body cap
1
2
4
2
Lens attachment
mark (Red)
2
3
Lens cap
1
12
EN
Removing the lens from the
camera
While pressing the lens release button
(1), rotate the lens in the direction of
the arrow (2).
2
1
Lens release button
Loading the card
Basic guide
CompactFlash/Microdrive
Slide the card cover lock (1) and open the
card cover.
Insert the card’s contact area into the slot as
far as it can go (2).
1
CF card slot
2
W mark
Removing the card
CompactFlash/Microdrive
• Press the eject button all the way in to
eject the card.
• Pull out the card.
xD-Picture Card
Slide the card cover lock (1) and open the
card cover.
Insert the card until it is locked into place
(2).
Card cover
2
1
xD-Picture Card slot
Never open the card cover while the card
access lamp is blinking.
xD-Picture Card
• Press the inserted card lightly and it will be
ejected.
• Pull out the card.
Preparations for shooting
Eject button
Card access lamp
13
EN
Power on
1 Set the camera’s power switch to ON
• To turn off the power, set the power switch to OFF.
LIGHT button
Turns the control panel
light on and off.
SSWF indicator
Dust reduction function operation
The dust reduction function is automatically activated when the camera is turned on. Ultrasonic
vibrations are used to remove dust and dirt from the image pickup device’s filter surface. The
SSWF (Super Sonic Wave Filter) indicator blinks while dust reduction is working.
Adjusting the viewfinder’s
diopter
Adjust the viewfinder’s diopter in
accordance with your vision.
While looking through the viewfinder,
rotate the diopter adjustment dial little by
little.
When you can see the AF target clearly,
adjustment is complete.
Control panel
When the camera is
turned on, the battery
check is displayed on
the control panel.
Lit up (ready for use)
Blinks (charging required)
Power switch
Viewfinder
Diopter adjustment dialAF target
14
EN
Setting the date/time
Date and time information is recorded on the card together with
the images. The file name is also included with the date and time
information. Be sure to set the correct date and time before using
the camera.
1 Press the MENU button
• The menu screen is displayed on
the LCD monitor.
Arrow pad
acbd
Basic guide
CARD SETUP
CUSTOM RESET
PICTURE MODE
GRADATION
WB
CANCELSELECT
NORM
N
AUTO
GO
2 Use ac to select [Z],
then press d
’--.--.
--
:
--
--
CF/xD
EDIT FILENAME
VIDEO OUT
CANCELSELECT
CF
AUTO
ENG.
NTSC
GO
3 Use ac to select
[X], then press d
Y
MD TIME
CANCEL
Y/M/D
4 Use ac to select [Y],
then press d
Y
MD TIME
2007
CANCEL
Y/M/D
MENU button
5 Repeat this procedure until
the date and time are
completely set
Y
MD TIME
2007 12 01 14 00
CANCEL
• The time is displayed in the 24-hour format.
Y/M/D
GO
6 Use ac to select the
date format
Y
MD TIME
2007 12 01 14 00
CANCEL
Y/M/D
GO
7 Press the i button
’07.12.01
14:01
CF/xD
EDIT FILENAME
VIDEO OUT
CANCELSELECT
CF
AUTO
ENG.
NTSC
GO
8 Press the MENU button
to exit
Preparations for shooting
15
EN
Shooting
Viewfinder
Shutter button
1 Place the AF target on the
subject while viewing
through the viewfinder
2 Adjust the focus
Press the shutter
button halfway.
Viewfinder
AF target
Aperture
value
AF confirmation mark
• The focus is locked when a beep tone is output. The AF confirmation mark and the AF
target in focus light up in the viewfinder.
• The shutter speed and aperture value that have been set automatically by the camera are
displayed.
• The super control panel is not displayed when the shutter button is pressed.
Shutter speed
Control panel
Card access
lamp
3 Release the shutter
16
EN
Press the shutter button all
the way (fully).
• The shutter sounds and the picture is taken.
• The card access lamp blinks and the camera starts recording the picture.
Never remove the battery or card while the card access lamp is blinking. Doing so could
destroy stored pictures and prevent storage of pictures you have just taken.
250
F5.6
3 8
N
Holding the camera
Keep your fingers and the
strap away from the lens,
flash, and the white
balance sensor.
Basic guide
Horizontal gripVertical grip
Taking a picture
while viewing the
monitor
It is possible to use the LCD monitor as a
viewfinder and check the subject’s composition,
or shoot while viewing an enlarged display on
the LCD monitor. g“Using live view” (P. 31)
1 Press the u (live
view) button
• The subject is displayed on the
LCD monitor.
250
F5.6
250 F5.6
u button
L
N
38
When the camera stops operating
If no operations are performed for approximately 8 seconds while the camera is
on, the monitor backlight turns off to save battery power (when the super control
panel is lit). If no operations are performed for approximately one minute
thereafter, the camera enters the sleep mode (stand-by) and stops operating. The
camera activates again when you touch any button (the shutter button, arrow pad,
etc.). g“BACKLIT LCD (Backlight timer)” (P. 95), “SLEEP” (P. 94)
2 Press the shutter button
all the way down
• The picture is taken with the focus
adjusted.
Shutter button
Preparations for shooting
17
EN
Playback/Erasing
Playing back
images
Close-up
playback
Erasing images
Pressing the q button displays the last picture
taken.
Displays the frame
that is stored 10
q button
Displays the
previous frame
Arrow pad
Each time you turn the main dial towards U, the
image is incrementally enlarged from 2× to 14×.
Play back the image you want to erase and press the
S button.
Use ac to select [YES] and press the i button to
erase.
frames back
Displays the frame
that is stored 10
frames ahead
Main dial
Displays the
next frame
18
EN
S button
ERASE
CANCELSELECT
YES
NO
GO
Indications used in this manual
In this manual, j indicates the main dial on the back of the camera.In this manual, k indicates the sub dial on the front of the camera.The operation button icons on the body of the camera are used to indicate the
operation buttons in this manual. See “Names of parts and functions” (gP. 2).
The following symbols are used throughout this manual.
Basic guide
x Notes
TIPS
gReference pages describing details or related information.
To make the most of this manual
You can use the "Table of Contents" (P. 20) or "Index" (P. 151) as well as the following
reference to search for information on camera functions and operations. Use this manual
according to shooting conditions and to find the desired information.
For information on the possible shooting functions:
g“Shooting guides” (P. 34)
For information on how to operate the camera:
g“Using the direct buttons” (P. 27)
“Using the super control panel” (P. 28)
“Using the menu” (P. 29)
To search for a function from a list:
g“Menu directory” (P. 135)
“Index” (P. 151)
Important information on factors which may lead to a
malfunction or operational problems. Also warns of
operations that should be absolutely avoided.
Useful information and hints that will help you get the most
out of your camera.
Preparations for shooting
19
EN
Table of Contents
Basic guide2
Identifies the camera part names and describes the basic steps for shooting and
playback.
Names of parts and functions........................................................................................ 2
Preparations for shooting ............................................................................................11
Camera .........................................................................................................2
Direct buttons ................................................................................................ 4
Taking night scene pictures ........................................................................38
3 Exposure40
Describes functions related to exposure, which is important for shooting. These functions
are for determining the aperture value, shutter speed, and other settings by measuring the
brightness in the picture.
Program shooting ........................................................................................................40
Formatting the card ................................................................................... 125
ZUIKO DIGITAL interchangeable lens ...................................................... 126
ZUIKO DIGITAL lens specifications .......................................................... 127
25
EN
1Basic camera operations
There are three basic ways to make function settings with this camera.
Using the direct buttons to operate the camera P. 27
You can make the function settings by rotating the main dial or sub dial while pressing the
direct buttons assigned to a function. This is useful for operating the camera while composing
the subject in the viewfinder and for quickly operating the camera while checking the settings
on the control panel.
1
Setting while looking at the super control panel P. 28
You can make the function settings with the super control panel on the LCD monitor. You can
Basic camera operations
use the super control panel to view the current settings and directly change the settings.
Setting on the menu P. 29
You can use the menu to set shooting and playback settings and customize camera
functions.
Descriptions in this manual
The operating instructions of the direct buttons, super control panel and menu are described
as follows in this manual.
• “+” indicates operations performed at the same time.
• “” indicates you should proceed to the next step.
e.g.: When setting the metering mode
Direct buttonG + k
Super control panelip: [METERING]
MenuMENU[X][METERING]
26
EN
Using the direct buttons
There are two ways to use the direct buttons.
While holding down a direct button, turn the
main dial or sub dial.
• Release the button to set the function.
• Some functions are set using only the main dial
(or sub dial).
• The three buttons next to the flash have two
functions each. Use the main dial to operate and
set the functions indicated above the buttons,
and use the sub dial to operate and set the
functions indicated to the side of the buttons.
After pressing two direct buttons at the same
time, turn the main dial or sub dial.
• When the buttons are pressed, the
corresponding function is selected. The function
remains selected for approximately 8 seconds.
You can turn the dial and set the function during
that time. If no operations are performed during
that time, the setting for that function is then set.
Sub dial
Main dial
1
Basic camera operations
Setting information is displayed in the viewfinder and on the control panel and super
control panel while you are setting a function. (The setting with the G/AF button is
shown in the screenshots.)
Viewfinder
Control panelSuper control panel
2007. 12.16
arge
Normal
NR AF
27
EN
TIPS
If you find it difficult to turn the dial while holding down a direct button:
j The button may remain selected even after it is released. g“BUTTON TIMER” (P. 94)
For details on the functions that can be set with the direct buttons, refer to “Direct
buttons” (gP. 4).
Using the super control panel
1
Basic camera operations
Select an item on the super control panel and change the setting.
1 Press the INFO button to display the super
control panel on the LCD monitor.
• Press the INFO button again to turn off the super
control panel.
• Press the i button during live view to display the
super control panel.
2007. 12.16
arge
Normal
2 Press the i button.
• The cursor on the super control panel
lights.
ISO
arge
Normal
Cursor
The name of the selected
function is displayed.
NR AF
3 Use p to move the cursor to the
INFO button
p Arrow pad
function you want to set.
METERING
arge
Normal
i button
Sub dial
Main dial
28
EN
4 Use the main dial or sub dial to change the setting.
• Press the i button to display the direct menu indicated
at the position of the cursor. You can also use the direct
menu to change the setting. After changing the setting,
press the i button to confirm your setting. If no
operation is made within a few seconds, your setting is
confirmed and the super control panel is displayed.
g“BUTTON TIMER” (P. 94)
METERING
SELECTGO
Direct menu
For details on the functions that can be set with the super control panel, refer to
“Super control panel” (gP. 7).
Using the menu
1 Press the MENU button.
• The menu is displayed on the LCD monitor.
CARD SETUP
CUSTOM RESET
PICTURE MODE
GRADATION
WB
CANCELSELECT
Operation guide is displayed at the bottom of the screen.
CANCEL
SELECT
GO
: Press the MENU button to cancel the setting.
MENU
: Press dac on the arrow pad to move the cursor and select an item.
: Press the i button to confirm your settings.
OK
NORM
N
AUTO
GO
The symbols displayed on the LCD monitor correspond to the arrow pad
shown below.
t: a u: c 8: d 7: b
MENU button
p Arrow pad
i button
1
Basic camera operations
29
EN
2 Use ac to select a tab
and d to set an item.
METERING
RC MODE
AF MODE
AF AREA
ANTI-SHOCK
1
CANCELSELECT
TabThe current setting
Basic camera operations
z
is displayed
GO
OFF
0.0
S-AF
OFF
3 Use ac to select a function and d to go to the
setting screen.
METERING
RC MODE
AF MODE
AF AREA
ANTI-SHOCK
CANCELSELECT
OFF
0.0
S-AF
OFF
z
GO
CANCELSELECT
Function
METERING
RC MODE
AF MODE
AF AREA
ANTI-SHOCK
METERING
GO
Types of tabs
W Sets shooting functions.
X Sets shooting functions.
q Sets playback functions.
Y Customizes shooting functions.
Depending on the function being
customized, the function is further
separated into 9 tabs (A to I).
Z Sets the basic functions of the
camera.
Screenshot of menu with the Y
tab selected
AF/MF
BUTTON/DIAL
RELEASE/
DISP/8/PC
e
/ISO
EXP/
CUSTOM
#
CANCELSELECT
Tab
GO
4 Press the i button to confirm your settings.
• Press the i button repeatedly to exit the menu.
Using the dials to select a menu
• In addition to using the arrow pad, you can also use the dials to select a function. Turn the
main dial to move the cursor vertically (the same as pressing ac), and turn the sub dial to
move the cursor horizontally (the same as pressing bd).
CARD SETUP
CUSTOM RESET
PICTURE MODE
GRADATION
WB
CANCELSELECT
GO
k
NORM
NN
AUTO
j
• Selecting a function and rotating
the main dial automatically
changes the tab and allows you to
select a function on the next tab.
• You can change the operations of the main dial and sub dial. g“DIAL” (P. 91)
For details on the functions that can be set with the menu, refer to “Menu
directory” (gP. 135).
CARD SETUP
CUSTOM RESET
PICTURE MODE
GRADATION
WB
CANCELSELECT
j
METERING
RC MODE
AF MODE
AF AREA
ANTI-SHOCK
CANCELSELECT
z
NORM
AUTO
GO
OFF
0.0
S-AF
OFF
GO
30
EN
Using live view
250
F5.6
3 8
N
It is possible to use the LCD monitor as a viewfinder. You can view the exposure or white
balance effect and the subject’s composition while you take the picture.
Close the eyepiece shutter so the light entering through the viewfinder does not affect the
exposure while shooting with live view. g“Eyepiece shutter” (P. 58)
1 Press the u button.
• The mirror is raised and the subject is displayed
on the LCD monitor.
• The screen prompting you to close the eyepiece
shutter is displayed.
2 Press the shutter button all the way to take a
picture.
Focusing during live view
• When you press the shutter button all the way
during live view, the focus is locked and a picture
is taken. The image display on the monitor
freezes as the mirror goes down during focusing.
• To focus in advance, hold down the AEL/AFL
button and press the shutter button. When the
focus is locked, the AF confirmation mark lights
up. When the AF confirmation mark is blinking,
the focus is not locked.
• When the AF mode is set to S-AF, the picture
cannot be taken until the focus is locked.
• In MF mode, you can press the AEL/AFL button
to activate the auto focus.
Shooting while changing the angle of the LCD monitor
You can change the angle of the LCD monitor on
the camera. This enables you to shoot at an
awkward angle while checking the subject’s
composition on the LCD monitor.
• Slowly rotate the LCD monitor within the
moveable range.
Eyepiece shutter
lever
u button
250
250 F5.6
AEL/AFL button
F5.6
L
N
38
AF confirmation mark
1
Basic camera operations
270°
31
EN
Switching the information display
250
F5.6
38
N
250
F5.6
38
250
F5.6
38
250
F5.6
38
250
F5.6
3 8
You can switch the information displayed on the monitor by pressing
Information display on
L
N
+ Ruled lines display
250
Information display on
250250
F5.6
1
38
*1
F5.6
38
Basic camera operations
250
Information display off
*1 Displayed when [FRAME ASSIST] is set. g“FRAME ASSIST (Ruled lines
display)” (P. 95)
Enlarged display
*2 For operation in the enlarged display, refer to “Enlarged display operation”.
INFO
Information display on
F5.6
button repeatedly.
+ Histogram
250
F5.6
38
*2
Enlarged display operation
It is possible to enlarge the subject for display. Enlarging the image during MF makes focus
confirmation and adjustment easier.
250
F5.6
38
1 Use p to move the frame and press the i button.
• Area inside the frame is enlarged and displayed.
• Press and hold the i button to return the shifted enlargement frame to the center.
2 Turn the main dial (or sub dial) to change the magnification (5×/7×/10×).
• Pressing the i button cancels enlarged display operation.
38
TIPS
Checking the image stabilizer effect:
j Press and hold the o button. g“Checking the image stabilizer effect with live view” (P. 60)
Checking the subject on the monitor even in low light situations:
j See “LIVE VIEW BOOST” (gP. 95).
x Notes
• If there is a high-intensity light source within the screen, the image may be displayed darker
but will be recorded normally.
• If the live view function is used over a long period, the temperature of the image pickup device
rises causing images with high ISO sensitivity to appear noisy and unevenly colored. Either
lower the ISO sensitivity or turn off the camera for some time.
• Exchanging the lens will cause live view to stop.
• The following functions are not available during live view.
C-AF/AE lock/[AEL/AFL]
32
EN
Resetting to the factory default settings
Normally, current camera settings (including any changes you have made) are retained when
the power is turned off. To reset the camera to the factory default settings, set [RESET]. You
can register settings in advance to [RESET1] and [RESET2]. The camera settings at that
time are registered in [RESET1] and [RESET2]. For details on the registered functions, refer
to “Functions that can be registered with My Mode and Custom Reset Setting” (gP. 134).
Registering [RESET1]/[RESET2]
MenuMENU[W][CUSTOM RESET]
1 Select either [RESET1]/[RESET2] to register and press d.
• If settings have already been registered, [SET] is displayed next to [RESET1]/[RESET2].
Selecting [SET] again overwrites the registered setting.
• To cancel the registration, select [RESET].
2 Select [SET] and press the i button.
Using reset settings
You can reset the camera to [RESET1] or [RESET2] setting or restore the factory default
settings.
[RESET]: Resets to the factory default settings. For the default settings, see
[RESET1]/[RESET2] : Resets to the registered settings.
Direct buttonF + ISO
• Holding down the F button and ISO button at the same time for 2 seconds performs
[RESET].
• While pressing two buttons at the same time, turn the dial to select the reset setting.
Release the button to reset the settings.
“Menu directory” (gP. 135).
1
Basic camera operations
Viewfinder: RESET
: RESET1
: RESET2
Control panel
MenuMENU[W][CUSTOM RESET]
1 Select [RESET], [RESET1] , or [RESET2] and press
the i button.
2 Use ac to select [YES], then press the i
button.
RESET1
YES
NO
CANCELSELECT
GO
33
EN
2
Shooting guides k Improving your shooting skills
Basic function guides
To familiarize yourself with the camera, you can start off by taking pictures of surrounding
subjects, such as children, flowers and pets. If the pictures taken are not to your liking, try
adjusting some of the settings below. You can take more satisfying pictures simply by
familiarizing yourself with these basic camera functions.
Focus k Operating the shutter button
A picture can become out of focus when the focus in the
picture is on the foreground, background, or other objects in
2
the picture instead of on the subject. To prevent out-of-
Shooting guides k Improving your shooting skills
focus pictures, be sure to focus on the subject you are
trying to capture. The shutter button can be pressed
halfway down (half-press) and all the way down (full press).
Once you are able to operate the shutter button effectively,
you can focus accurately even on moving subjects.
Halfway
down:
g“Shooting” (P. 16), “Focus lock k If correct focus
cannot be obtained” (P. 55)
Even when the subject is in focus, the picture can become
blurred if you move the camera while the shutter button is
being pressed. This is called “camera shake”. Make sure
how to properly hold the camera. The camera is particularly
subject to shaking when using live view to take pictures while viewing the subject on the
monitor. You can reduce camera shake by using the image stabilizer.
g“Holding the camera” (P. 17), “Image stabilizer” (P. 60)
In addition to incorrect focusing and camera shake, movement of the subject can also cause
blurring of the picture. In this case, use a shutter speed that matches the motion of the
subject. You can confirm the actual shutter speed and aperture on the displays of the
viewfinder, control panel, and monitor by pressing the shutter button halfway.
The camera automatically determines the aperture value
and shutter speed according to the brightness level. This is
called auto exposure. However, you may not be able to
capture the intended picture with auto exposure alone. In
this case, you can increase or decrease the auto exposure
setting. Increase the exposure to enhance the brightness of
a summer beach or the whiteness of snow. Decrease the
exposure when the area to be shot is brighter but smaller
compared to its surrounding area. If you are unsure of how
much exposure compensation is required, try taking several
pictures at various settings and then compare the pictures.
Besides sunlight, there are other sources for illuminating the subject, such as tungsten and
fluorescent lighting. These types of lighting contain particular colors; therefore, the same
white object shot under different lighting has slightly different colors. Even under the same
sunlight, the colors in the picture differ depending on the sky conditions, the shadows of trees
or buildings, and other factors. White balance automatically corrects the effects from these
types of lighting and enables shooting with the right colors. You can usually obtain the right
colors with the white balance set to [AUTO]. Depending on the shooting conditions, however,
you may not be able to obtain the intended colors. In this case, change the setting
accordingly.
g“Selecting the white balance” (P. 62)
Fluorescent light
Tungsten lightShade of tree
Convenient settings k Customizing functions
This camera is equipped with various shooting functions that can be customized for ease of
use.
For example, if you want to take several pictures of the same subject using the same
settings, you can register those settings as My Mode for use at a later time. You can then
easily load that registered My Mode and use it as the shooting mode.
To focus on the subject and then recompose the shot, you can set [AEL/AFL] so that auto
focus can be done by pressing the AEL/AFL button, and then you can lock the exposure by
pressing the shutter button halfway.
You can customize other camera operations, such as by changing the functions assigned to
the dials and the < button and by changing the time that the direct buttons remain selected.
This section describes the functions suitable under different shooting conditions depending
on the subject.
Taking landscape pictures
This section describes how to take outdoor scenery pictures of forests, lakes and beaches in
daylight.
Changing shooting mode
The proper shooting method varies depending on whether
2
you are trying to capture the silence of a still scene or the
Shooting guides k Improving your shooting skills
dynamism of a motion scene.
• To capture the depth of a forest, focus with a wider range
of the image. Use A (aperture priority shooting) mode
and close the aperture (increase the aperture value) as
much as possible.
• To capture the waves crashing against the seashore, use
S (shutter priority shooting) mode and select a fast
shutter speed. To capture a flowing waterfall or river,
shoot using a slow shutter speed.
Exposure compensation can be used even under different shooting modes. Check the image
that you have shot and use + or – to adjust the exposure to obtain better results.
Changing white balance
The color of water in pictures appears different depending
on whether it is a lake reflecting nearby trees or a seashore
surrounded by a coral reef. To capture the subtle difference
in color, try changing the white balance setting. Change the
setting for different situations, such as by using [55300K]
for sunny days and [27500K] for outdoor shaded areas
on sunny days.
Changing metering mode
Depending on the depth of the water and the direction of the sun,
the brightness of the water can differ significantly in different
areas of the same composition. There is also a difference in the
brightness of forests depending on the way the trees overlap each
other. If you know which areas you want to emphasize the
compensation in the image composition, you can change the
metering mode. When set to [G] (Digital ESP metering), the
camera automatically assesses the brightness in the composition
and determines the exposure. To emphasize a specific partial
exposure in the composition, change the metering mode to [H]
(center weighted metering) or [I] (spot metering), adjust the
metering area to the locations that you want to adjust the
exposure and then measure the exposure.
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Changing saturation
There may be times when you cannot reproduce the desired color even when using white
balance or exposure compensation. In this case, you can change the [SATURATION] setting
to achieve the desired color. The [SATURATION] setting includes two levels of high and low
settings. When the setting is high, a vivid color is used.
g“Aperture priority shooting” (P. 41), “Shutter priority shooting” (P. 42), “Changing the
metering mode” (P. 45), “Exposure compensation” (P. 46), “Selecting the white
balance” (P. 62), “[SATURATION] : Vividness of the color” (P. 67)
Taking flower pictures
The proper method for taking pictures of flowers differs depending on whether you want to
capture, for example, a single flower, a field of blooming flowers, a deep red rose, or the light
color of a sweet pea.
Changing the AF sensitivity
You can narrow the range of focus, for example, so as to focus on a single flower petal or
focus on a single flower in a field of flowers.
The default setting enables the camera to focus on an area larger than the selected AF
target, but depending on the [AF SENSITIVITY] setting, the camera may focus only on the
selected AF target.
Changing white balance
There are many colors of flowers ranging from light to vivid
ones. Depending on the colors of the flowers, subtle color
shades may not be captured as seen. In this case, you can
check the light conditions and change the white balance
setting. At [AUTO], the camera automatically determines
the type of light and shoots using the proper white balance.
However, you can bring out subtle color shades more
effectively by changing the setting according to shooting
conditions, such as by using [55300K] for sunny days
and [27500K] for outdoor shaded areas on sunny days.
Using exposure compensation
When shooting flowers against a background, select as
simple a background as possible to bring out the shape and
color of the flower. When shooting bright and whitish
flowers, adjust the exposure compensation to – (minus) so
that the flower stands out from the darker background.
2
Shooting guides k Improving your shooting skills
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Changing shooting mode
The proper shooting method when taking pictures of flowers differs
depending on whether you want to emphasize a single flower or
capture a field of flowers. To change the focus area, set the camera
to A (aperture priority shooting) mode and select the aperture
value.
• When you open the aperture (decrease the aperture value), the
camera focuses within a shorter range (with a shallow depth of
field), emphasizing the subject against a blurred background.
• When you close the aperture (increase the aperture value), the
camera focuses over a wider range (with more depth of field),
producing a picture with both the foreground and background in
focus.
2
You can use the preview function to confirm the changes in the
Shooting guides k Improving your shooting skills
depth of field when the aperture is changed.
Using live view
When using a conventional digital single-lens reflex camera with interchangeable lens
system, it was necessary to wait until after taking the picture to check the results of the
exposure compensation and white balance settings. With the live view function of this
camera, however, you can use the monitor to display and check the subject you want to
capture.
Changing lenses
When the blooming flowers are few and sparse, take the picture using a telephoto lens. With
a telephoto lens, you take pictures in which subjects at different distances appear closer
together, giving the impression of a more densely blooming flower field. Using the telescopic
feature of the zoom lens also achieves the same effect, but it is easier to achieve this effect
when the focal distance of the lens is longer, such as 150 mm or 200 mm, rather than 54 mm.
g“AF SENSITIVITY” (P. 90), “Aperture priority shooting” (P. 41), “Using live view” (P. 31),
“Preview function” (P. 45), “Exposure compensation” (P. 46), “Selecting the white
balance” (P. 62)
Taking night scene pictures
There are different types of night scenes, from the afterglow of a sunset and city lights at
night to special light displays and firework displays.
Using a tripod
Because a slow shutter speed is needed to capture night
scenes, a tripod is required to prevent camera shake. If a
tripod is not available, you should place the camera on a
stable surface to prevent camera shake. Even if the
camera is secured, camera shake may occur when
pressing the shutter button. Therefore, it is recommended
to use the remote control or self timer.
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Changing shooting mode
Night scenes have different levels of brightness, and the balance of the brightness in the
composition is not uniform. Start by using A (aperture priority shooting) mode to take the
picture. Set the aperture to the medium setting (about F8 or F11) and allow the camera to
automatically select the shutter speed. When shooting a night scene, because the camera
sets the exposure to match the dark areas which occupy a majority of the composition and the
image often turns out whitish (overexposed), adjust the exposure compensation to -1 or -1.5.
Use [REC VIEW] to check the image and adjust the aperture and exposure compensation as
necessary.
Image noise can easily occur when shooting at slow shutter speeds. In this case, set [NOISE
REDUCT.] to [ON] to reduce noise.
Using manual focus
In cases where you cannot use AF (auto focus) to focus on the
subject because the subject is too dark or you cannot focus in time
to take pictures, such as during a fireworks display, set the AF
mode to [MF] (manual focus) and focus manually. To take pictures
of night scenes, turn the focus ring of the lens and check whether
you can see the lights of the night scene clearly. To take pictures of
a fireworks display, adjust the focus of the lens to infinite unless
you are using a long focus lens. If you know the approximate
distance to the subject, it is recommended that you focus on
something that is at the same distance in advance.
The camera sets the optimum aperture value and shutter speed automatically according to
the subject brightness.
Direct buttonMODE + j[P]
• When the shutter button is half-pressed, the shutter speed
and aperture value are displayed on the viewfinder and
control panel.
Shooting mode
MODE button
j
3
Exposure
Control panel
Program shift (
By turning the main dial (or sub dial) in the P mode, you
can change the combination of aperture and shutter speed
while maintaining the optimum exposure. g“Program line
diagram (P mode)” (P. 128)
• The program shift setting will not be canceled after
shooting. To cancel program shift setting, turn the main
dial (or sub dial) until the shooting mode indication % on the viewfinder or control panel
changes to P or turn off the power.
• Program shift is not available when you are using a flash.
TIPS
The shutter speed and aperture value are blinking:
j The optimum exposure cannot be obtained. For details, see “Exposure warning
display” (gP. 129).
When you want to change the shooting mode using only your right hand:
j You can change the shooting mode using the < button and dials. g“; FUNCTION” (P. 92)
%)
Shutter speed
AF confirmation mark
Aperture value
Viewfinder
Program shift
Viewfinder
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Aperture priority shooting
The camera sets the optimum shutter speed automatically for the aperture value you have
selected. When you open the aperture (decrease the aperture value), the camera will focus
within a shorter range (shallow depth of field) and produce a picture with a blurred
background. When you close the aperture (increase the aperture value), the camera will
focus within a longer range. Use this mode when you wish to add changes to the background
representation. Before shooting, you can use the preview function to check how the
background will look in your picture. g“Preview function” (P. 45)
When the aperture
value (f-number) is
decreased
Direct buttonMODE + j[A]
• Turn the main dial (or sub dial) to set the aperture
value.
Viewfinder
Aperture value
Control panel
TIPS
To check the depth of field with the selected aperture value:
j See “Preview function” (gP. 45).
To change the exposure adjustment interval:
j This can be set in 1/3 EV, 1/2 EV or 1 EV increments. g“EV STEP” (P. 96)
Shutter speed is blinking:
j The optimum exposure cannot be obtained. For details, see “Exposure warning
display” (gP. 129).
Open the aperture (f-number is decreased)
Close the aperture (f-number is increased)
When the aperture
value (f-number) is
increased
3
Exposure
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Shutter priority shooting
The camera sets the optimum aperture value automatically for the shutter speed you have
selected. Set the shutter speed depending on the type of effect you want. A higher shutter
speed allows you to capture a fast-moving subject without blur, and a slower shutter speed
blurs a moving subject, creating a feeling of speed or motion.
A fast shutter
speed can freeze
a fast action
scene without any
blur.
Direct buttonMODE + j[S]
3
• Turn the main dial (or sub dial) to set the shutter speed.
Exposure
Viewfinder
Shutter speed
Control panel
TIPS
The picture looks blurred:
j The possibility of camera shake spoiling your picture increases greatly during macro or ultra-
telephoto shooting. Raise the shutter speed or use a monopod or tripod to stabilize the camera.
To change the exposure adjustment interval:
j This can be set in 1/3 EV, 1/2 EV or 1 EV increments. g“EV STEP” (P. 96)
The aperture value is blinking:
j The optimum exposure cannot be obtained. For details, see “Exposure warning
display” (gP. 129).
A slow shutter
speed will blur a
fast action scene.
This blurring will
give the
impression of
dynamic motion.
Slower shutter speed
Faster shutter speed
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Manual shooting
Allows you to set the aperture and shutter speed manually. You can check how much it
differs from the appropriate exposure by using the exposure level indicator. This mode gives
you more creative control, allowing you to make whatever settings you like, regardless of the
correct exposure.
Direct buttonMODE + j[M]
To set the aperture value: Turn the main
dial.
• The range of aperture values available varies with the lens type.
• The shutter speed can be set from 1/8000 to 60 sec.
• The exposure level indicator is displayed in M mode, showing the difference (ranging from
-3 EV to +3 EV) between the exposure value calculated by the currently selected aperture
and shutter speed compared to the exposure value considered optimum by the camera. If
the exposure value exceeds ± 3 EV, the entire indicator blinks.
Noise in images
During shooting at slow shutter speeds, noise may appear on-screen. These phenomena are
caused when current is generated in those sections of the image pickup device that are not
normally exposed to light, resulting in a rise in temperature in the image pickup device or
image pickup device drive circuit. This can also occur when shooting with a high ISO setting
in a high-temperature environment. To reduce this noise, the camera activates the noise
reduction function.
g“Noise reduction” (P. 69)
TIPS
The picture looks blurred:
j The use of a monopod or tripod is recommended when taking a picture at slow shutter speed.
To change the exposure adjustment interval:
j This can be set in 1/3 EV, 1/2 EV or 1 EV increments. g“EV STEP” (P. 96)
To switch the operations of the main dial and sub dial:
j You can switch the functions that are set with the main dial and sub dial. g“DIAL” (P. 91)
x Notes
• Exposure compensation is not available in M mode.
To set the shutter speed: Turn the sub dial.
Underexposure
Overexposure
Optimum exposure
3
Exposure
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Bulb shooting
You can take a picture with a bulb exposure time in which the shutter stays open as long as
you hold down the shutter button.
Bulb shooting can also be done using an optional remote control (RM-1) or remote control
cable (RM-CB1). g“Bulb shooting with the remote control” (P. 59)
Direct buttonMODE + j[B]
• “buLb” is displayed in the viewfinder and on the control
panel.
TIPS
To automatically end bulb shooting after a specified period of time:
j You can set the maximum time for bulb shooting. g“BULB TIMER” (P. 96)
To fix the focus during manual focus shooting:
3
j You can fix the focus so the focus does not change even if the focus ring is turned during
Exposure
exposure. g“BULB FOCUSING” (P. 91)
x Notes
• The following functions are not available in A mode.
You can take pictures using the camera settings registered in the [MY MODE SETUP]. This
allows you to register two different combinations of camera settings to both [MY MODE1] and
[MY MODE2]. g“MY MODE SETUP” (P. 93)
Direct buttonMODE + j[s]/[T]
Setting display
When P is assigned to sWhen S is assigned to T
Under water wide/macro shooting
This camera has optimal shooting settings for underwater shooting. I (under water wide) is
suitable for shooting underwater landscapes, and H (under water macro) is suitable for
shooting up close underwater.
To shoot using under water wide or under water macro, you must set [; FUNCTION] to
[I/H]. g“; FUNCTION” (P. 92)
Direct buttonMODE + j[I]/[H]
Setting display
When set to IWhen set to H
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x Notes
• To use the camera for underwater shooting, attach a commercially available underwater
case.
• The following functions are not available in L mode.
[CUSTOM RESET]/[PICTURE MODE]/[MY MODE SETUP]
Preview function
The viewfinder shows the focused area (depth of field) with the selected aperture value.
Press the preview button to use the preview function.
• You can also use the < button to use the preview function
(factory default setting).
• When [; FUNCTION] is assigned to [LIVE PREVIEW],
pressing the < button automatically switches the camera to
live view for a preview of the picture on the monitor.
g“; FUNCTION” (P. 92)
Preview button
Changing the metering mode
There are 5 ways to measure the subject brightness: Digital ESP metering, Center weighted
averaging metering, and three types of spot metering. Select the most suitable mode for the
shooting conditions.
Direct buttonG + k
Super control panelip: [METERING]
MenuMENU[X][METERING]
G button
k
j
3
Exposure
Setting display
Viewfinder
Control panel
MENU button
G: Digital ESP metering
H: Center weighted averaging metering
I: Spot metering
IJ : Spot metering - highlight control
IK : Spot metering - shadow control
i button
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G Digital ESP metering
The camera measures the light levels and calculates the light level differences in 49 separate areas
of the image. This mode is recommended for general use. Setting the AF synchronized function to
[ESP+AF] enables metering centered around the AF target that is in focus with AF.
H Center weighted averaging metering
This metering mode provides the average metering between
the subject and the background lighting, placing more weight on
the subject at the center. Use this mode when you do not want
the light level of the background to affect the exposure value.
I Spot metering
The camera meters a very small area around the center of the
subject, defined by the spot metering area mark in the
viewfinder. Use this mode when there is very strong backlight.
3
IJ Spot metering - highlight control
Exposure
When the overall background is bright, white areas of the image
will come out gray if you use the camera’s automatic exposure.
Using this mode enables the camera to shift to over-exposure,
allowing accurate white reproduction. Metering area is the same
as spot metering.
IK Spot metering - shadow control
When the overall background is dark, black areas of the image
will come out gray if you use the camera’s automatic exposure. Using this mode enables the camera
to shift to under-exposure, allowing accurate black reproduction. Metering area is the same as spot
metering.
: Metering area
Exposure compensation
In some situations, you may get better results if you manually compensate (adjust) the
exposure value set automatically by the camera. In many cases, bright subjects (such as
snow) will turn out darker than their natural colors. Adjusting toward + makes these subjects
closer to their real shades. For the same reason, adjust toward – when shooting dark
subjects. The exposure can be adjusted in a range of ±5.0 EV.
-2.0EV
Direct buttonF + j/k
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±0+2.0EV
F button
Adjust toward –
Adjust toward +
• The exposure compensation indicator is displayed. The exposure compensation indicator
will not be displayed when the exposure is compensated by 0.
When set to 1/3 EV increments
When set to 1/2 EV increments
1/3 EV
• If the exposure compensation value exceeds the scale of the exposure compensation
indicator, the indicator will blink in the viewfinder and on the control panel. A red vw is
displayed on the left and right edges of the indicator on the super control panel.
TIPS
To change the exposure adjustment interval:
j The EV step interval can be selected from 1/3 EV, 1/2 EV or 1 EV. g“EV STEP” (P. 96)
To adjust the exposure using only the dials:
j You can set the exposure compensation value without pressing F button. g“DIAL” (P. 91)
x Notes
• Exposure compensation is not available in M and A modes.
1/2 EV
AE lock
The metered exposure value can be locked with the AEL/AFL button (AE lock). Use AE lock
when you want a different exposure setting from the one that would normally apply under the
current shooting conditions.
Normally, pressing the shutter button halfway locks both AF (auto focus) and AE (automatic
exposure), but you can lock the exposure alone by pressing the AEL/AFL button.
Press the AEL/AFL button at the position where you
wish to lock the metering values and the exposure will
be locked. The exposure is locked while the AEL/AFL
button is pressed. Now press the shutter button.
• Releasing the AEL/AFL button cancels AE lock.
TIPS
To lock the exposure:
j You can lock the metering result so that it is not canceled
when the AEL/AFL button is released. g“AEL/AFL
MEMO” (P. 92)
If you find it difficult to press the AEL/AFL button and
shutter button at the same time:
j You can switch the functions of the AEL/AFL button and the
< button. g“A”(P.94)
To activate AE lock with a set metering mode:
j You can set the metering mode for locking the exposure with the AE lock.
g“AELMetering” (P. 96)
AEL/AFL button
AE lock
Viewfinder
3
Exposure
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AE bracketing
The camera automatically shoots a number of pictures at different exposure values for each
frame. Even in conditions where correct exposure is difficult to obtain (such as a backlit
subject or a scene at dusk), you can pick the picture you prefer from a selected number of
frames with a variety of different exposure settings (exposure and compensation values). The
pictures are taken in the following order: Picture with optimum exposure, picture adjusted in –
direction, and picture adjusted in + direction.
e.g.) When BKT is set to [3F 1.0EV]
3
Exposure
Compensation value: 0.3, 0.7 or 1.0
• The compensation value will change if the EV step is changed. g“EV STEP” (P. 96)
Number of frames: 3 or 5
Direct buttonMODE + AFj/k
MenuMENU[X][AE BKT]
Setting display
Start shooting.
• In single-frame shooting, the exposure changes every time the shutter button is pressed.
• In sequential shooting, hold down the shutter button until the selected number of frames are
taken.
• Releasing the shutter button stops auto bracketing shooting. When it stops, 0 blinks in
the viewfinder and on the control panel and 0 is displayed in green on the super
control panel.
-1.0EV+1.0EV±0
ViewfinderControl panel
Number of
frames
EV step
Bracketing
Compensation range
• The exposure value for the next shot is displayed
during shooting.
Number of
frames
EV step
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How AE bracketing compensates exposure in each exposure mode
Depending on the selected exposure mode, exposure is compensated in the following way:
P mode : Aperture value and shutter speed
A mode : Shutter speed
S mode : Aperture value
M mode : Shutter speed
TIPS
To apply AE bracketing to the exposure value you have compensated:
j Compensate the exposure value, then use the AE bracketing feature. AE bracketing is applied to
the exposure value you have compensated.
ISO sensitivity setting
The higher the ISO value, the greater the camera’s light sensitivity and the better its ability to
shoot in low light conditions. However, higher values may give pictures a grainy appearance.
Direct buttonISO + j/k
Super control panelip: [ISO]
MenuMENU[W][ISO]
[AUTO]: The sensitivity is set automatically according
to the shooting conditions. For [ISO-AUTO SET], you can set the default (value normally
used when the optimal exposure can be
obtained) and upper limit (upper limit of ISO
that automatically changes). g“ISO-AUTO
SET” (P. 96)
MENU button
[100 - 3200]: Fixed ISO sensitivity. [ISO STEP] can be changed to [1/3EV] or [1EV].
g“ISO STEP” (P. 96)
Setting display
ViewfinderControl panel
j ISO button
k
i button
3
Exposure
When set to [AUTO], the
default value is displayed.
AUTO :
100 :
...
...
3200 :
...
• 125 and 1250 are displayed in the viewfinder as 120 and 1200, respectively.
TIPS
To automatically set the optimal ISO in M mode:
j Normally, the AUTO setting is effective in P/A/S mode, but you can set it for use in other
shooting modes. g“ISO-AUTO” (P. 96)
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Display after setting
ViewfinderControl panel
When set to AUTO, ISO-A and the
ISO value determined by the camera
are displayed. For all other settings,
ISO and the set value are displayed.
When set to 2000 or a higher value,
ISO blinks.
ISO bracketing
3
Exposure
The camera automatically takes pictures at a different ISO sensitivity with the shutter speed
and aperture value fixed. 3 images with different exposures are recorded in the order of the
set ISO sensitivity (optimum exposure when set to [AUTO]), exposure in the – direction, and
exposure in the + direction.
Compensation value: 0.3, 0.7 or 1.0
• The compensation value is set in 1/3 EV increments regardless of the ISO step setting.
Number of frames: 3
MenuMENU[X][ISO BKT]
x Notes
• Bracketing is performed regardless of the upper limit set with [ISO-AUTO SET].
When set to a setting other than
AUTO, ISO is displayed. When set to
2000 or a higher value, ISO blinks.
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4Focusing and shooting functions
AF mode selection
The three focus modes S-AF, C-AF, and MF are available with this camera.
You can take pictures by combining S-AF or C-AF mode with MF mode.
Direct buttonAF + j
Super control panelip: [AF MODE]
MenuMENU[X][AF MODE]
AF button
j
MENU button
Setting display
ViewfinderControl panel
S-AF:
C-AF:
MF:
S-AF+MF :
C-AF+MF :
i button
S-AF (single AF)
Focusing is performed once when the shutter button is pressed halfway.
If focusing fails, release your finger from the shutter button and press it halfway again. This
mode is suitable for taking pictures of still subjects or subjects with limited movement.
Press the shutter button halfway.
• When the focus is locked, the AF confirmation mark lights
up.
• A beep sound is output when the subject is in focus.
TIPS
When it is difficult to focus in the AF mode in low-light conditions:
j The built-in flash can function as an AF illuminator. This helps with focusing in low-light
conditions in the AF mode. g“AF ILLUMINAT.” (P. 90)
When you want to quickly switch from AF mode to MF:
j By registering [MF] to the < button, you can press the < button to switch to MF mode.
g“; FUNCTION” (P. 92)
Viewfinder
AF confirmation mark
4
Focusing and shooting functions
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When you want to be able to shoot even if the subject is not in focus:
j See “RLS PRIORITY S/RLS PRIORITY C” (gP. 94).
To not light up the AF target in the viewfinder when the subject is in focus:
j The AF target in the viewfinder lights red when the subject is in focus. You can set the AF target
so as not to turn on. g“AF AREA POINTER” (P. 90)
C-AF (continuous AF)
The camera repeats focusing while the shutter button remains pressed halfway. When the
subject is in motion, the camera focuses on the subject in anticipation of its movement
(Predictive AF). Even if the subject moves or you change the composition of the picture, the
camera continues trying to focus.
Press the shutter button halfway and keep it in this position.
• When the subject is in focus and locked, the AF confirmation mark lights up.
• The AF target does not light up, even when the subject is in focus.
• The camera repeats focusing. Even if the subject moves or even if you change the
composition of the picture, focusing is tried continuously.
• A beep sound is output when the subject is in focus. The beep sound is not output after the
third continuous AF operation, even when the subject is in focus.
4
TIPS
Focusing and shooting functions
The camera focuses on something passing in front of the subject:
j You can set the camera so as not to change the focus even if the distance to the subject
changes. g“C-AF LOCK” (P. 90)
MF (manual focus)
This function allows you to manually focus on any subject while looking through the
viewfinder.
Adjust the focus using the focus ring.
Near
Focus ring
TIPS
To change the rotational direction of the focus ring:
j You can select the rotational direction of the focus ring to suit your preference for how the lens
adjusts to the focusing point. g“FOCUS RING” (P. 90)
For information on whether the subject is in focus (Focus aid):
j When you focus the lens on a subject manually (by turning the focus ring), the AF confirmation
mark lights. When B is set with [AF AREA], AF confirmation lights up if the subject is in focus
at the center AF target.
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)
Simultaneous use of S-AF mode and MF mode (S-AF+MF)
This function allows you to fine-adjust the focus manually by turning the focus ring after AF is
performed in the S-AF mode. When the shutter button is not pressed, MF operation is available.
• You can fine-adjust the focus with the focus ring if you have pressed the shutter button
halfway and AF is confirmed. You can also fine-adjust the focus with the focus ring when
the shutter button is not pressed halfway.
x Notes
• If the shutter button is pressed again after fine-adjusting the focus with the focus ring, the AF
is activated and your adjustments are canceled.
Simultaneous use of C-AF mode and MF mode (C-AF+MF)
Focus with the focus ring and press the shutter button halfway to activate C-AF mode.
• While the shutter button is kept pressed, MF cannot be used.
• When the shutter button is not pressed, focusing with MF is possible.
TIPS
Another way to adjust focus manually in C-AF mode:
j You can set the AEL/AFL button to operate C-AF. g“AEL/AFL” (P. 92)
x Notes
• If the shutter button is pressed again after fine-adjusting the focus with the focus ring, the AF
is activated and your adjustments are canceled.
AF target selection
This camera has 11 AF targets for focusing on the subject with auto focus. Select the optimal
AF target mode according to your subject and the composition.
There are two AF target modes: All target AF mode, which uses AF at all AF targets, and
Single target AF mode, which uses AF centering around one selected AF target.
BAll target AF mode
The camera automatically focuses on the subject in front of
the camera from among the 11 AF targets. This is useful
for shooting moving subjects or relying on the camera for
focusing.
4
Focusing and shooting functions
MSingle target AF mode
(o Small-single target AF mode)
The camera focuses using one selected AF target. This is
useful for accurately focusing on the subject after
composing the shot. With M, you can focus using a
range that is somewhat larger than one AF target, but you
can only set the range within the AF target. When
[SMALL] is selected for [AF SENSITIVITY], the setting
display changes to o. g“AF SENSITIVITY” (P. 90)
53
EN
NDynamic-single target AF mode
If the camera cannot focus on the subject using the
selected AF target, the camera focuses using the adjacent
AF target.
Selected AF target
Direct buttonP + k
• When the button is released, the currently selected AF
target lights. When M or N is set, you can select the
AF target to be used at that point. For operation, refer to
Step 2 in “Selecting the AF target position” (gP. 54)
in the next section.
P button
4
Super control panelip: [AF AREA]P
Focusing and shooting functions
• When M or N is set, you can turn the dial to select
the AF target.
MenuMENU[X][AF AREA]
• When M or N is set, you can select the AF target with p.
Selecting the AF target position
Select the AF target to use with Single target AF mode.
1 Press the P button and release your finger to enable selection of the AF target.
2 Use the main dial/sub dial or arrow pad to select
the AF target.
• Use the main dial to perform the same operation as
ac, and use the sub dial to perform the same
operation as bd.
• You can change the operation of the dials and arrow pad
for selecting the AF target. g“P SET UP” (P. 91)
• Press the i button to return the position of the AF target
to the center.
+ k
MENU button
i button
k
54
EN
Registering an AF target mode
You can register a frequently used AF target mode and the position of that AF target. You can
then quickly load that registered setting (“home position”) and use it when shooting.
Registering
1 In the screen of Step 2 of “Selecting the AF
target position” (gP. 54), press the < button
and F button at the same time.
• The home position is registered at the time the buttons
are pressed.
• The home position cannot be registered when
operated from a menu.
AF AREA
SELECT
Indicates that the AF target
is being registered.
HP
Shooting
To use this function, you must assign the [P HOME] function to the < button in advance.
g“; FUNCTION” (P. 92)
1 Press the < button.
• The registered home position is selected. Press this button again to switch to the original AF
target mode.
x Notes
• The AF sensitivity is not recorded when registering the home position.
Focus lock k If correct focus cannot be obtained
The camera’s auto focus may not be able to focus on the subject in situations such as when
the subject is not in the center of the frame. If this happens, the easiest solution is to use
focus lock. Use this when composing the subject outside of the 11 AF targets or when the
subject is difficult to focus on.
1 Adjust the AF target with the subject to
be focused and press the shutter button
halfway until the AF confirmation mark
lights up.
• The focus is locked. The AF confirmation
mark and the AF target in focus light up in the
viewfinder.
• If the AF confirmation mark blinks, press the
shutter button halfway again.
• While the shutter button is being pressed, the
super control panel disappears.
Shutter button
Card access
lamp
4
Focusing and shooting functions
55
EN
AF target
e.g.) The camera focuses using the
center AF target.
2 While pressing the shutter button halfway,
move to the desired composition and press the
button all the way.
• The card access lamp blinks while the picture is
4
Focusing and shooting functions
being stored on the card.
If the subject has lower contrast than its surroundings
If the contrast of the subject is weak, such as when the lighting is insufficient or the subject
cannot be seen clearly because of fog, the focus may not be achieved. Focus (focus lock) on
a high-contrast object the same distance away as the intended subject, recompose your shot
and then take the picture.
AF confirmation mark
Sequential shooting
Single-frame shooting oShoots 1 frame at a time when the shutter button is pressed
Sequential shooting H l Shoots at 5 frames/sec. for as long as the shutter button is
Sequential shooting L O Shoots at the set speed (g“O fps” (P. 94)) for as long as
• Press the shutter button fully and keep it pressed. The
camera will take pictures in sequence until you release
the button.
• Focus, exposure, and white balance are locked at the first
frame (during S-AF, MF).
x Notes
• During sequential shooting, if the battery check blinks due to low battery, the camera stops
shooting and starts saving the pictures you have taken on the card. The camera may not save
all of the pictures depending on how much battery power remains.
(normal shooting mode).
pressed (during JPEG).
the shutter button is pressed.
Number of sequential shots that
can be taken
56
EN
Setting method
Direct button</Y/j + k
Super control panelip: [</Y/j]
Setting display
ViewfinderControl panel
</Y/j button
k
Single-frame shooting
Sequential shooting H :
Sequential shooting L:
12-second self-timer:
2-second self-timer:
Remote control:
2-second remote control :
• Anti-shock display:
A blinking display in the viewfinder or on the control panel and the D symbol on the
super control panel indicates that anti-shock is activated.
Self-timer shooting
This function lets you take pictures using the self-timer. You can set the camera to release
the shutter after either 12 or 2 seconds. Fix the camera securely on a tripod for self-timer
shooting.
For the setting method, see “Sequential shooting” (gP. 56).
Press the shutter button all the way.
• A picture is taken.
• When Y12s is selected:
First, the self-timer lamp lights up for approximately
10 seconds, then it blinks for approximately 2
seconds and the picture is taken.
• When Y2s is selected :
The self-timer lamp blinks for approximately 2
seconds, and then the picture is taken.
• To cancel the activated self-timer, press the </Y/j
button.
Self-timer lamp
4
Focusing and shooting functions
57
EN
x Notes
• Do not press the shutter button while standing in front of the camera; this could result in the
subject being out of focus since focusing is performed when the shutter button is pressed
halfway.
Eyepiece shutter
When shooting without looking through the viewfinder,
close the eyepiece shutter to block the viewfinder so
that light does not enter the viewfinder and change the
exposure. Lift the eyepiece shutter lever.
Eyepiece shutter lever
Remote control shooting
By using the optional remote control (RM-1), you can take a picture with yourself in it or a
night scene without touching the camera.
The camera can be set to release the shutter either right away or 2 seconds after the shutter
4
button on the remote control is pressed. Bulb shooting is also possible when using the
Focusing and shooting functions
optional remote control.
For the setting method, see “Sequential shooting” (gP. 56).
Mount the camera securely on a tripod, point the
remote control at the remote control receiver on the
camera and press the shutter button on the remote
control.
• When <0s is selected :
The focus and exposure are locked, the remote
control lamp blinks and the picture is taken.
• When <2s is selected :
The focus and exposure are locked, the remote
control lamp blinks, and after approximately 2
seconds the picture is taken.
Transmitted signal effective area
Point the remote control at the remote control receiver of the camera within the effective area
as shown below.
When powerful lighting such as direct sunlight is shining on the remote control receiver, or
when fluorescent light or devices emitting electrical or radio waves are nearby, it could
narrow the effective area.
Remote control lamp
Remote control receiver
58
EN
Remote control
Remote control receiver
TIPS
The remote control lamp does not blink after the shutter button on the remote control
is pressed:
j The transmitted signal may not be effective if the remote control receiver is exposed to powerful
lighting. Move the remote control closer to the camera and press the shutter button on the remote
control again.
j The transmitted signal may not be effective if the remote control is too far from the camera. Move
the remote control closer to the camera and press the shutter button on the remote control again.
j There is signal interference. Change the channel as described in the remote control’s manual.
To cancel the remote control shooting mode:
j The remote control shooting mode will not be canceled after shooting. Press the </Y/j button
to set to [o] (single-frame shooting), etc.
To use the shutter button on the camera in the remote control shooting mode:
j The shutter button on the camera still works even in the remote control shooting mode.
x Notes
• The shutter will not be released if the subject is not in focus.
• Under bright light conditions, the remote control lamp may be difficult to see, making it hard to
determine whether or not the picture has been taken.
• Zoom is not available on the remote control.
Bulb shooting with the remote control
Set the shooting mode to [A]. g“Bulb shooting” (P. 44)
Press the W button on the remote
control to open the shutter.
When the time set in “BULB
TIMER” (gP. 96) elapses, the
shutter closes automatically.
Press the T button to close the
shutter.
Anti-shock
You can select the interval from the time the mirror is raised until the shutter is released. This
diminishes camera shake caused by vibrations when the mirror moves. This feature can be
useful in astrophotography and microscope photography or other photographic situations
where a very slow shutter speed is used, and camera vibration needs to be kept to a
minimum.
4
Focusing and shooting functions
1 MENU[X][ANTI-SHOCKz]
2 Select from 1 to 30 seconds for the time after the mirror is raised until the shutter
is released and press the i button.
3 Anti-shock is added to the shooting functions individually (single-frame shooting,
sequential shooting, self-timer shooting, and remote control shooting). For the
setting method, see “Sequential shooting” (gP. 56).
59
EN
Image stabilizer
250
F5.6
IS
N
3 8
You can reduce the amount of camera shake that easily occurs when shooting in low light
situations or shooting with high magnification.
OFF Image stabilizer is off.
I.S. 1 Image stabilizer is on.
I.S. 2 This is used when panning in the horizontal direction to achieve a blurred background.
The horizontal image stabilizer is turned off, and only the vertical image stabilizer is
activated.
1 Press and release the o button, and then use the
dial to make the setting.
Setting display
Viewfinder
4
Focusing and shooting functions
Control panel
Checking the image stabilizer effect with live view
You can hold down the o button during live view to see
the effect of the image stabilizer on the monitor. While in
that position, you can press the shutter button fully to
take a picture.
• When [IMAGE STABILIZER] is set to [OFF], pressing
and holding the o button activates the image
stabilizer ([I.S. 1]).
• Either releasing the o button or holding down the o
button for several seconds turns off the image
stabilizer.
x Notes
• The image stabilizer cannot correct excessive camera
shake or camera shake that occurs when the shutter speed is set to the slowest speed. In
these cases, it is recommended that you use a tripod.
• When using a tripod, set [IMAGE STABILIZER] to [OFF].
• When using a lens with an image stabilization function, turn off the image stabilization
function of either the lens or the camera.
• Turning off the camera initializes the image stabilizer function. The camera will vibrate for this
operation, but this is not a malfunction.
•A red H displayed on the monitor indicates the failure of the image stabilizer function. If you
take a picture as is, the composition may be off. Consult your Olympus Authorized Service
Center.
: OFF
: I.S. 1
: I.S. 2
j
o button
250
F5.6
Green: Image stabilizer active
Red : Image stabilizer failure
IS
L
38
k
1
N
60
EN
5Record mode, white balance, and picture mode
Selecting the record mode
You can select a record mode in which to take pictures. Choose the record mode that is best
for your purpose (printing, editing on a PC, website editing, etc.).
Recording formats
JPEG
For JPEG images, select a combination of image size (Y, X, W) and compression rate (SF,
F, N, B). An image consists of pixels (dots). When you enlarge an image with a low pixel
count, it will be displayed as a mosaic. If an image has a high pixel count, the file size
(amount of data) will be larger and the number of storable still pictures will be lower. The
higher the compression, the smaller the file size. However, the image will have less clarity
when played back.
Image with a high pixel count
Image with a low pixel count
Image becomes clearer
5
Record mode, white balance, and picture mode
Compression rate
F (Fine)
1/4
(Normal)
1/8
N
B (Basic)
1/12
Application
Select for the
print size
For
small-sized
prints and
use on a
web site
Number of pixels increases
Number of
pixels
Y (Large)3648 × 2736YSFYFYNYB
X (Middle)
W (Small)
Pixel
count
3200 × 2400
1600 × 1200
1280 × 960
1024 × 768
640 × 480
SF (Super
Fine)
1/2.7
XSFXFXNXB2560 × 1920
WSFWFWNWB
RAW
This is unprocessed data that has not undergone changes in white balance, sharpness,
contrast or color. To display as an image on the computer, use OLYMPUS Master. RAW data
cannot be displayed on a different camera or by using common software, and it cannot be
selected for print reservation.
It is possible to edit images taken with the record mode set to RAW data using this camera.
g“Editing still images” (P. 84)
61
EN
Selecting the record mode
JPEG
For JPEG, you can register 4 combinations of images sizes (Y, X, W) and compression
rates (SF, F, N, B) from the 12 total combinations available. g“K SET” (P. 97)
You can select X or W for the image size and select the pixel size.
g“PIXEL COUNT” (P. 98)
RAW+JPEG
Records both a JPEG and RAW image at the same time each time you take a picture.
RAW
Records the image in RAW data format.
e.g.) The following 9 record modes are available when YF/YN/XN/WN are registered
RAW: RAW
JPEG: YF/YN/XN/WN
RAW+JPEG : RAW+YF/RAW+YN/RAW+XN/RAW+WN
Super control panelip: [K]
MenuMENU[W][K]
5
Record mode, white balance, and picture mode
TIPS
To quickly set the record mode:
j By setting [RAWK] to the < button, you can turn the dial
while pressing the < button to change the record mode.
Each time you press the < button, you can easily switch
between JPEG data only and JPEG and RAW data.
g“; FUNCTION” (P. 92)
To find out the file size/number of storable still
pictures for each record mode:
j “Record mode and file size/number of storable still
pictures” (gP. 133)
CANCELSELECT
arge
Normal
CARD SETUP
CUSTOM RESET
PICTURE MODE
GRADATION
WB
RAW
F
N
N
N
GO
Selecting the white balance
Color reproduction differs depending on the light conditions. For instance, when daylight or
tungsten lighting is reflected on white paper, the shade of white produced will be slightly
different for each. With a digital camera, white color can be adjusted to reproduce more
natural white with a digital processor. This is called white balance. There are 4 options for
setting the WB with this camera.
Auto white balance [AUTO]
This function enables the camera to automatically detect white in images and adjust the color
balance accordingly. Use this mode for general use.
Preset white balance [5][2][3][1][w][x][y][n]
8 different color temperatures are programmed on this camera covering a variety of indoor
and outdoor lighting including fluorescent lights, light bulbs, and flashes. For example, use
preset WB when you want to reproduce more red in the picture of a sunset, or capture a
warmer artistic effect under artificial lighting.
62
EN
Custom white balance [CWB]
You can set the color temperature from 2000K to 14000K. For details on color temperature,
refer to “White balance color temperature” (gP. 132).g“Setting the auto/preset/custom white balance” (P. 63)
One-touch white balance [V1][V2][V3][V4]
You can set the optimum white balance for the shooting conditions by pointing the camera at
a white object like a sheet of white paper. The white balance achieved with this setting is
saved as one of the preset WB settings. 4 one-touch white balance settings are registered.
g“Setting the one-touch white balance” (P. 65)
WB modeLight conditions
AUTO
5 5300K
2 7500KFor shooting outdoors in the shadows on a clear day
3 6000KFor shooting outdoors on a cloudy day
1 3000KFor shooting under a tungsten light
w 4000KFor shooting under white fluorescent lighting
x 4500KFor shooting under a neutral white fluorescent lamp
y 6600KFor shooting under a daylight fluorescent lamp
n 5500KFor flash shooting
V
1 – 4
CWB
Used for most light conditions (when there is a white portion framed in the
viewfinder). Use this mode for general use.
For shooting outdoors on a clear day, or to capture the reds in a sunset or the
colors in a fireworks display
Color temperature set by one-touch WB.
g“Setting the one-touch white balance” (P. 65)
Color temperature set in custom white balance menu. This can be set from 2000K
to 14000K. When the value has not been set, it is set to 5400K.
Setting the auto/preset/custom white balance
You can adjust the white balance by selecting the appropriate color temperature for the light
conditions.
Direct buttonWB + j/k
Super control panelip: [WB]
• Custom white balance is set by selecting [CWB] and
turning the dial while pressing down the F button.
WB button
F button
k
5
Record mode, white balance, and picture mode
MenuMENU[W][WB]
MENU button
j
i button
63
EN
Setting display
Viewfinder
WB mode
• During custom white balance, the
color temperature is displayed.
TIPS
When subjects that are not white appear white:
j In the auto WB setting, if there is no near-white color in the image framed in the screen, the white
balance will not be correctly determined. In such a case, try preset WB or one-touch WB settings.
Color temperature
Control panel
:AWB
: 5
: 2
: 3
: 1
: >
: >
: >
: #
: V
: V
: V
: V
:
White balance sensor
This camera has a white balance sensor for determining
the light source in the shooting environment. The white
5
balance sensor measures and calculates the infrared and
Record mode, white balance, and picture mode
visible light, and determines whether the light source is
sunlight, fluorescent lighting, floodlighting, a blue flat lamp,
or other lighting. When shooting, be careful not to cover or
White balance sensor
shade the sensor.
WB compensation
This function lets you make fine changes to the auto WB and preset WB settings.
Direct buttonWB + Fk: adjust in A direction/
j: adjust in G direction
• Use the sub dial to set in the A direction or the main dial to set in the G direction.
Super control panelip: [>]
MenuMENU[W][WB]
• Select the white balance to adjust and press d.
64
EN
Adjusting the white balance in the A direction (AmberBlue)
Depending on the original WB conditions, the image will
become more amber when adjusted toward +, and bluer
when adjusted toward –.
Adjusting the white balance in the G direction (GreenMagenta)
Depending on the original WB conditions, the image will
become greener when adjusted toward +, and magenta
when adjusted toward –.
• The white balance can be adjusted in 7 increments in
each direction.
Setting display
e.g.) When the A direction and G direction are each adjusted toward –
ViewfinderControl panel
Adjust toward G: -2
>
AUTO
WB PREVIEW
A
Direct buttons setting screen
AEL
AFL
G
GO
G
A
–
+
5
2
Adjust toward A: -3
TIPS
Checking the white balance you have adjusted:
j After setting the compensation value, point the camera at the subject to take test shots. When
the AEL/AFL button is pressed, sample images that have been taken with the current WB
settings are displayed.
Adjusting all WB mode settings at once:
j See “ALL >”(gP. 97).
Setting the one-touch white balance
This function is useful when you need a more precise white balance than preset WB can
provide. Point the camera at a sheet of white paper under the light source you want to use to
determine the white balance. The optimum white balance for the current shooting conditions
can be saved for up to 4 settings in the camera. This is useful when shooting a subject under
natural light, as well as under various light sources with different color temperatures.
Set [; FUNCTION] to [V] beforehand. (gP. 92)
1 Point the camera at a sheet of white paper.
• Position the paper so that it fills the viewfinder. Make sure there are no shadows.
2 While holding down the < button, press the shutter
button.
• The one-touch white balance screen appears.
< button
3 Select the one-touch white balance number to be
registered, and press the i button.
• The white balance is registered.
• The registered white balance will be stored in the camera as
a preset WB setting. Turning the power off does not erase the
data.
5
Record mode, white balance, and picture mode
65
EN
TIPS
After pressing the shutter button, [WB NG RETRY] is displayed:
j When there is not enough white in the image, or when the image is too bright, too dark or the
colors look unnatural, you cannot register the white balance. Change the aperture and shutter
speed settings, then repeat the procedure from Step 1.
WB bracketing
Three images with different white balances (adjusted in specified color directions) are
automatically created from one shot. One image has the specified white balance, while the
others are the same image adjusted in different color directions.
Direct buttonWB + MODEk: EV step in A-B direction/
• Use the sub dial to set in the A-B direction or the main dial to set in the G-M direction.
MenuMENU[X][WB BKT]
Setting display
5
Record mode, white balance, and picture mode
Viewfinder
• Select from [OFF], [3F 2STEP], [3F 4STEP], or [3F
6STEP] for the EV step for both the A-B (amber-blue)
direction and the G-M (green-magenta) direction.
• When the shutter button is pressed down all the way, 3
images adjusted in specified color directions are
automatically created.
TIPS
To apply WB bracketing to the white balance you have adjusted:
j Adjust white balance manually, then use the WB bracketing feature. WB bracketing is applied to
the white balance you have adjusted.
x Notes
• During WB bracketing, the camera cannot shoot in sequence if there is not enough memory
in the camera and card for storing more than the selected number of frames.
j: EV step in G-M direction
EV step in the G-M direction:
2STEP
EV step in the A-B direction:
4STEP
WB BKT
A-B
3F 4STEP
SELECTGO
Direct buttons setting screen
Control panel
G-M
3F 4STEP
66
EN
Picture mode
You can select image tone to create unique image effects. You can also fine-adjust image
parameters such as contrast and sharpness for each mode. The adjusted parameters are
recorded in each picture effect mode.
[hVIVID]: Produces vivid colors.
[iNATURAL] : Produces natural colors.
[jMUTED]: Produces flat tones.
[ZPORTRAIT] : Produces beautiful skin tones.
[MONOTONE] : Produces black and white tone.
[CUSTOM]: Select one picture mode, set the parameters, and register the setting.
You can also register the gradation to [CUSTOM]. This setting is set
separately from [GRADATION] in the menu. g“Gradation” (P. 68)
Super control panelip: [PICTURE MODE]
MenuMENU[W]
[PICTURE MODE]
The adjustable parameters are classified according to the
picture modes.
The individual parameters are as follows.
[CONTRAST] : Distinction between light and dark
[SHARPNESS] : Sharpness of the image
[SATURATION] : Vividness of the color
[B&W FILTER] : Creates a black and white image. The
filter color is brightened and the
complementary color is darkened.
image.
cloud with natural blue sky.
skies and sunsets.
blue skies and brightness of
crimson foliage.
lips and green leaves.
image.
PICTURE MODE
CARD SETUP
CUSTOM RESET
PICTURE MODE
GRADATION
WB
CANCELSELECT
CONTRAST
SHARPNESS
SATURATION
CANCELSELECT
CANCELSELECT
i
CONTRAST
Lo
i
j
Z
MONOTONE
NATURAL
LoHi
LoHi
Lo
00
h
VIVID
NATURAL
MUTED
PORTRAIT
GO
GO
Hi
GO
5
Record mode, white balance, and picture mode
Hi
67
EN
Gradation
In addition to the [NORMAL] gradation setting, you can select from 3 other gradation
settings.
[HIGH KEY] : Gradation for a bright subject.
[LOW KEY] : Gradation for a dark subject.
[AUTO]: Divides the image into detailed regions and adjusts the brightness
[NORMAL] :Use [NORMAL] mode for general uses.
separately for each region. This is effective for images with areas of large
contrast in which the whites appear too bright or the blacks appear too dark.
HIGH KEY
Suitable for a subject that is
mostly highlighted.
Super control panelip: [GRADATION]
5
Record mode, white balance, and picture mode
MenuMENU[W][GRADATION]
x Notes
• Contrast adjustment does not work when set to [HIGH KEY], [LOW KEY], or [AUTO].
LOW KEY
Suitable for a subject that is
mostly shadowed.
68
EN
Noise reduction
This function reduces the noise that is generated during long exposures. When shooting
night scenes, shutter speeds are slower and noise tends to appear in images. When the
shutter speed is slow, noise reduction is activated and the camera automatically reduces
noise to produce clearer images. However, shooting time is approximately twice as long as
usual.
ONOFF
MenuMENU[W][NOISE REDUCT.]
• The noise-reduction process is activated after shooting.
• The card access lamp blinks during the noise-reduction
process. You cannot take more pictures until the card
access lamp turns off.
• [busy] is displayed on the viewfinder while noise reduction
is operating.
x Notes
• During sequential shooting, [NOISE REDUCT.] is [OFF] automatically.
• This function may not work effectively with some shooting conditions or subjects.
Noise reduction [ON]
Noise filter
You can select the noise processing level. Use [STANDARD] for general use. [HIGH] is
recommended during high sensitivity shooting.
5
Record mode, white balance, and picture mode
MenuMENU[W][NOISE FILTER]
69
EN
6Flash shooting
Flash mode setting
The camera sets the flash mode according to various factors such as firing pattern and flash
timing. Available flash modes depend on the exposure mode. The flash modes are available
to optional external flashes.
Auto flash AUTO
The flash fires automatically in low light or backlight conditions.
To shoot a subject with backlighting, position the AF target over the subject.
Flash synchronization speed/Slow limit
Shutter speed can be changed when the built-in flash fires. g“#X-SYNC.” (P. 96),
“#SLOW LIMIT” (P. 96)
Red-eye reduction flash !/H
In the red-eye reduction flash mode, a series of
pre-flashes are emitted just before the regular
flash fires. This helps accustom the subject’s
eyes to the bright light and minimizes the redeye phenomenon. In S/M/A mode, the flash
always fires.
x Notes
6
• After the pre-flashes, it takes about 1 second before the shutter is released. Hold the camera
Flash shooting
firmly to avoid camera shake.
• Effectiveness may be limited if the subject is not looking directly at pre-flashes, or if the
shooting range is too far. Individual physical characteristics may also limit effectiveness.
Slow synchronization (1st curtain) #SLOW
The slow synchronization flash is designed for slow shutter speeds. Normally, when shooting
with a flash, shutter speeds cannot go below a certain level to prevent camera shake. But
when shooting a subject against a night scene, fast shutter speeds can make the background
too dark. Slow synchronization allows you to capture both the background and the subject.
Since the shutter speed is slow, be sure to stabilize the camera by using a tripod so as not to
cause the picture to be blurred.
The subject’s eyes appear red
1st curtain
Usually, the flash fires right after the shutter fully opens. This is called 1st curtain. This
method is usually used during flash shooting.
2nd curtain flash fires just before the shutter closes. Changing the flash timing can create
interesting effects in your picture, such as expressing the movement of a car by showing the
tail-lights streaming backwards. The slower the shutter speed, the better the effects turn out.
In S/M/A mode, the flash always fires.
While using slow synchronization with flash shooting, you can also use this function to
achieve red-eye reduction. When shooting a subject against a night scene, this function
allows you to reduce the red-eye phenomenon. As the time from emitting pre-flashes to
shooting is long in 2nd curtain synchronization, it is difficult to achieve red-eye reduction.
Hence, only 1st curtain synchronization setting is available.
Fill-in flash #
The flash fires regardless of the light conditions.
This mode is useful for eliminating shadows on
the subject’s face (such as shadows from tree
leaves), in a backlight situation, or for correcting
the color shift produced by artificial lighting
(especially fluorescent light).
x Notes
• When the flash fires, the shutter speed is set to 1/250 sec. or less. When shooting a subject
against a bright background with the fill-in flash, the background may be overexposed. In this
case, use the optional FL-50R external flash or a similar flash and shoot in the Super FP flash
mode. g“Super FP flash” (P. 76)
Flash off $
The flash does not fire.
Even in this mode, the flash can be used as an AF illuminator when it is raised.
g“AF ILLUMINAT.” (P. 90)
2
seconds
2nd curtain flash fires
1st curtain flash fires
0
seconds
1st curtain
6
Flash shooting
71
EN
Manual flash
This allows the built-in flash to output a fixed amount of light. To shoot with manual flash, set
the f-number on the lens based on the distance to the subject.
Ratio of amount of lightGN: Guide number
FULL (1/1)13
1/46.5
1/163.3
1/641.6
(Equivalent to ISO 100)
Calculate the f-number on the lens using the following formula.
Aperture (f-number) =
GN × ISO sensitivity
Distance to the subject (m)
ISO sensitivity
ISO value
ISO sensitivity
10020040080016003200
1.01.42.02.84.05.6
Direct button# + j
6
Super control panelip: [FLASH MODE]
Flash shooting
Setting display
ViewfinderControl panel
Flash mode
• For details on displaying the settings, refer to “Flash modes that can be set by
shooting mode” (gP. 131).
72
EN
# button
j
Built-in flash shooting
#
1 Press the #UP button to raise the built-in
flash.
2 Press the shutter button halfway.
•The # (flash stand-by) mark lights when the
flash is ready to fire. If the mark is blinking, the
flash is charging. Wait until charging is
complete.
3 Press the shutter button all the way.
TIPS
To shoot without having to wait for the flash to finish charging:
j See “RLS PRIORITY S/RLS PRIORITY C” (gP. 94).
x Notes
• Depending on the distance to the subject or the lens being used, the light emitted by the flash
may produce a vignette effect. g“Vignetting of the built-in flash when using an
interchangeable lens” (P. 130)
Flash stand-by mark
Viewfinder
UP button
Flash intensity control
The flash intensity can be adjusted from +3 to -3.
In some situations (e.g., when shooting small subjects, distant backgrounds, etc.), you may
get better results by adjusting the amount of light emitted by the flash (“flash intensity”). It is
useful when you intend to increase the contrast (distinction between light and dark) of images
to make the images more vivid.
Direct buttonw + k
w button
k
6
Flash shooting
Super control panelip: [w]
MenuMENU[X][w]
73
EN
Setting display
ViewfinderControl panel
TIPS
To adjust the flash using only the dials:
j Assign the flash intensity control function to the main dial (or sub dial). g“DIAL” (P. 91)
x Notes
• This does not work during manual flash.
• This does not work when the flash control mode on the electronic flash is set to MANUAL.
• If flash intensity is adjusted on the electronic flash, it will be combined with the camera’s flash
intensity setting.
• When [w+F] is set to [ON], the flash intensity value will be added to the exposure
compensation value. g“w+F” (P. 96)
Flash bracketing
The camera shoots multiple frames, changing the amount of light emitted by the flash for
each shot. The camera shoots 3 frames at a time with the following amount of light: optimum
light, light adjusted in the – direction, and light adjusted in the + direction.
6
MenuMENU[X][FL BKT]
Flash shooting
• The compensation value will change according to the EV step. g“EV STEP” (P. 96)
• In single-frame shooting, the amount of light emitted by the flash changes every time the
shutter button is pressed.
• In sequential shooting, hold down the shutter button until the selected number of frames are
taken.
• Releasing the shutter button stops flash bracketing shooting. When it stops, 0 blinks in
the viewfinder and on the control panel and 0 is displayed in green on the super
control panel.
External flash shooting
In addition to the camera’s built-in flash capabilities, you can use any of the external flash
units specified for use with this camera. This enables you to take advantage of a wider variety
of flash shooting techniques to suit different shooting conditions.
The external flashes communicate with the camera, allowing you to control the camera’s
flash modes with various available flash control modes, such as TTL-AUTO and Super FP
flash. An external flash unit specified for use with this camera can be mounted on the camera
by attaching it to the camera’s hot shoe. You can also attach the flash to the flash bracket on
the camera using the bracket cable (optional).
Refer to the external flash’s manual as well.
74
EN
Functions available with external flash units
Optional flash
Flash control mode
GN (Guide
number)
(ISO100)
RC mode9k9kkkk
* The focal length of the lens that can be used (Calculated based on 35 mm film camera)
x Notes
• The FL-40 optional flash cannot be used.
FL-50RFL-50FL-36RFL-36FL-20RF-11TF-22
TTL-AUTO, AUTO, MANUAL,
FP TTL AUTO, FP MANUAL
*
GN50 (85 mm
GN28 (24 mm*)
)
GN36 (85 mm*)
GN20 (24 mm*)
TTL-AUTO,
AUTO, MANUAL
GN20 (35 mm*)GN11 GN22
TTL-AUTO,
MANUAL
Using the external electronic flash
Be sure to attach the flash to the camera before turning on the flash’s power.
1 Remove the hot shoe cover by sliding it
in the direction indicated by the arrow in
the illustration.
• Keep the shoe cover in a safe place to avoid
losing it, and put it back on the camera after
flash shooting.
2 Attach the electronic flash to the hot
shoe on the camera.
• If the lock pin is protruding, turn the shoe lock
ring as far as it will go in the direction opposite
to LOCK. This will pull the lock pin back
inside.
3 Turn on the flash.
• When the charge lamp on the flash lights up,
charging is complete.
• The flash will be synchronized with the camera
at a speed of 1/250 sec. or less.
4 Select a flash mode.
5 Select the flash control mode.
• TTL-AUTO is recommended for normal use.
6 Press the shutter button halfway.
• Shooting information such as ISO sensitivity,
aperture value, and shutter speed is
communicated between the camera and flash.
7 Press the shutter button all the way.
x Notes
• The built-in flash cannot be used when an
external flash is attached to the hot shoe.
Hot shoe cover
6
Flash shooting
Lock pinLock ring
75
EN
Super FP flash
100
50
30
60
Super FP flash is available with the FL-50R or FL-36R. Use
the Super FP flash where normal flashes cannot be used
with high shutter speed.
Fill-in flash shooting with the aperture open (such as in
outdoor portrait shooting) is also possible with Super FP
flash. For details, refer to the external flash’s manual.
Super FP flash
Viewfinder
Shooting with the Olympus wireless RC flash system
Wireless flash shooting is possible with the Olympus wireless RC flash system. With this
wireless flash system, you can take pictures using multiple wireless flashes and control the
flashes in three groups (A, B, and C). The built-in flash is used to communicate between the
camera and the external flashes.
For details on using the wireless flash, see the manual of the external flash.
Wireless flash setup range
Position the wireless flash so that the wireless sensor faces the camera. The setup range
guidelines are as shown below. The range changes according to the surrounding
environment.
6
Flash shooting
Direction of
the camera
Remote sensor
50
50°
100
100°
Direction of
the emitted
flash
°
°
5050°
50°
60
60°
30°
30
°
°
30°
3030°
5m
1 Position the flash while referring to the “Wireless flash setup range”, and turn on
the flash.
2 Press the MODE button on the flash to set it to RC mode, and set the channel and
group of the flash.
3 Set RC mode on the camera to [ON].
• MENU[X][#RC MODE][ON]
• The super control panel switches to RC mode.
• You can press the INFO button to switch the super control panel display.
76
EN
10m
4 Use the super control panel to set the flash mode and other settings for each
group.
Flash intensity value
Group
• Select the flash
control mode and
adjust the flash
intensity individually
for groups A, B, and
C. For MANUAL,
select the flash
intensity.
2007. 12.16
TTL
OFF
Flash control
mode
+1.0
1 / 8
–
Flash
intensity
Normal flash/Super FP flash
• Switch between normal flash and
Super FP flash.
LOM
Communication light level
2
• Set the communication light level
to [HI], [MID], or [LO].
Channel
• Set the communication channel to
the same channel used on the
flash.
5 Select a flash mode.
• Red-eye reduction flash is not possible in RC mode.
6 Press the #UP button to raise the built-in flash.
7 After shooting preparations are completed, take some test shots to check the
flash operation and images.
8 Begin shooting while checking the charging completed indications of the camera
and flash.
x Notes
• Although there is no limit to the number of wireless flashes you can use, it is recommended
that each group have no more than three flashes to prevent flash malfunction due to mutual
interference.
• In RC mode, the built-in flash is used to control the wireless flash. The built-in flash cannot be
used for flash shooting in this mode.
• For 2nd curtain synchronization, set the shutter speed and anti-shock settings to within 4
seconds. Wireless flash shooting may not operate properly when using a slower shutter
speed or anti-shock setting.
Using commercially available flashes
You cannot use the camera to adjust the amount of light emitted from a commercially
available flash except for a flash specified for use with this camera. To use a commercially
available flash, connect it to the hot shoe or connect the synchronization cord to the external
flash connector. Set the camera’s shooting mode to M. For details on non-specified
commercial flashes, see “Non-specified commercial flashes” (gP. 78).
6
Flash shooting
77
EN
1 Remove the hot shoe cover to connect the flash
unit to the camera.
2 Set the shooting mode to M, then set the aperture
value and shutter speed.
• Set the shutter speed to 1/250 sec. or slower. If the
shutter speed is faster than this, commercially available
flashes cannot be used.
• A slower shutter speed may produce blurred images.
Hot shoe cover
3 Turn on the flash.
• Be sure to turn on the flash after attaching the flash unit
to the camera.
4 Set the ISO sensitivity and aperture value on the
camera to match the flash control mode on the flash.
• Refer to the flash’s manual for instructions on how to set its flash control mode.
x Notes
• The flash fires each time the shutter is released. When you do not need to use the flash, turn
off the flash’s power.
• Check beforehand that the flash you are using is synchronized with the camera.
Non-specified commercial flashes
1) Some commercially available flashes require a voltage of 250V or more for the
synchronization connector. The use of this type of flash can damage the camera or
prevent the camera from operating properly. Contact the manufacturer of the flash for the
specifications of the flash synchronization connector.
2) Some commercially available flashes have a synchronization connector with reversed
6
polarity. This type of flash does not work with this camera. Contact the manufacturer of the
flash.
Flash shooting
3) Exposures when using a flash require that adjustments be made on the flash. If a flash is
used in the auto mode, match it with the f-number and ISO sensitivity settings on the
camera.
4) Even if the flash auto f-number and ISO sensitivity are set the same as on the camera, the
correct exposure may not be obtained depending on the shooting conditions. In such a
case, adjust the auto f-number or ISO on the flash or calculate the distance in the manual
mode.
5) Use a flash with an illumination angle that matches the focal length of the lens. The focal
length of the lens for 35 mm film is approximately twice as long as the focal length of the
lenses designed for this camera.
6) Do not use a flash unit or other accessory TTL flash that has additional communication
functions other than the specified flashes, since it may not only fail to function normally,
but may also cause damage to the camera’s circuitry.
External flash connector
78
EN
7Playback functions
N
Single-frame/Close-up playback
The basic procedure for viewing pictures are as shown below.
However, before using any of these functions, follow Step 1 below. You can set the camera to
automatically switch to single-frame playback mode after shooting. g“REC VIEW” (P. 100)
1 Press the q button (Single-frame playback).
• The last recorded image appears.
• The LCD monitor turns off after more than 1 minute if no
operations are performed. The camera will turn off
automatically if there is no operation after 4 hours (factory
default setting). Turn on the camera again.
2 Use p to select images you want to view. You can
also turn the dial to switch to U for close-up
playback.
< button
j
k
INFO button
(Single-frame playback)(Close-up playback)
L
N
a : Displays the frame that is stored
10 frames back
c : Displays the frame that is stored
10 frames ahead
d : Displays the next frame
b : Displays the previous frame
Press the < button
• Plays back the image at a
10× magnified close-up
position.
• To exit the playback mode, press the
q button.
• Pressing the shutter button halfway
resumes the shooting mode.
(Close-up position playback)
(Close-up frame-by-frame playback)
Press the INFO button
Press the INFO button
Press p to change the
close-up position.
Press p to move the
display of the close-up
position.
Press p to view frame-byframe close-ups.
• Press the INFO button
to return to close-up
playback.
p
q button
7
Playback functions
79
EN
Light box display
You can view the playback image and another image together on the left and right sides of
the monitor. This is useful if you want to compare images you recorded using bracketing.
1 Press the P button while viewing an image.
• The frame being viewed is displayed on the left side
of the monitor, and the next frame is displayed on the
right side. The image is displayed at the same
magnification of the image being viewed.
• The image on the left is the benchmark image.
< button
j
2 Use p to select an image.
• You can protect, erase or copy the image on the
right.
3 Press the P button.
• The camera returns to single-frame playback of the
image on the left at the magnification being viewed.
7
Operations during light box display
Playback functions
• Pressing the i button replaces the image on the left with the image on the right and
becomes the new benchmark image.
• You can use the dial to change the magnification of both images at the same time.
• Pressing the < button or INFO button allows you to move the position of the image on the
right with the p button. Pressing the < button or INFO button again allows you to move
the positions of both images with the p button.
p : Selects the right imagep :Scrolls the right imagep : Scrolls both images in
**
INFO button
Benchmark image
synchronization
P button
i buttonMENU button
80
EN
*
* You can also use the INFO button
in the same way for this procedure.
Index display/Calendar display
N
This function lets you show several images on the monitor at the same time. This is useful
when you want to quickly search a number of pictures to find a particular image.
During single-frame playback, each time you turn the dial
toward G, the number of images shown changes from 4 to
9 to 16 to 25.
b : Moves to the previous frame
: Moves to the next frame
d
a : Moves to the upper frame
c : Moves to the lower frame
• To return to single-frame playback, turn the dial to U.
(Single-frame playback)
L
N
(Calendar display)(16-frame index display)
(4-frame index display)
(25-frame index display)
(9-frame index display)
j
7
Playback functions
Calendar display
With the calendar, you can display images recorded on the card by date. If more than one
image was taken on a single date, the image shot first on that date is displayed.
Use p to select a date and press the i button to play back images for the selected date in
single-frame display.
81
EN
Information display
x
1 0
1 00 -0 01 5
1 5
N
x
1 0
N
x
1 0
N
x
1 0
N
[ 36 48 x2 73 6, 1/ 8 ]
x
1 0
’ 07 .1 2. 16
2 1: 56
1 00 -0 01 5
1 5
N
1 /2 50 F 5. 6
+ 2. 0 45 mm
I SO 1 00
0 .0
A : 0
WB : AUTO
G : 0
NATURAL
s RG B
N
This allows you to display detailed information about the image.
Luminance information can also be displayed with histogram
and highlight graphs.
Press the INFO button repeatedly until the desired
information is displayed.
• This setting is stored and will be shown the next time the
information display is called up.
Image onlyInformation 1Information 2
L
N
100-0015
Displays the frame
number, print reservation,
protect, record mode and
file number
x
10
15
Displays the frame
number, print reservation,
protect, record mode,
number of pixels,
compression rate, date
and time and file number
L
[3648x2736,1/8]
N
’07.12.16
100-0015
INFO button
x
10
21:56
15
7
Playback functions
L
N
Shadow displayHighlight displayHistogram display
The underexposed
(shadowed) parts of the
recorded image blink.
82
EN
*Histogram
If the bars in the histogram are
higher on the right, the image may
be too bright. If the bars are higher
on the left, the image may be too
dark. Compensate the exposure or
shoot again.
x
10
L
N
The overexposed
(highlighted) parts of the
recorded image blink.
Highlight display
x
10
Histogram
*
L
N
Distribution of the
brightness of the
recorded image is
displayed in a histogram
(brightness component
graph).
WB : AUTO
Shooting
information
250 F5.6
+2.0 45mm
ISO 100
0.0
A: 0
G: 0
NATURAL
sRGB
Overall
information
x
10
L
N
Slideshow
N
N
N
N
This function displays images stored on the card one after another. Images are displayed one
by one for about 5 seconds starting from the currently displayed image. Slideshow can be
performed using index display. You can select the number of frames displayed during
slideshow from 1, 4, 9, 16 or 25.
3 Press the i button to start the slideshow.
4 Press the i button to stop the slideshow.
When selecting [L]
x Notes
• If the slideshow is left running for about 30 minutes while using the battery, the camera will
turn off automatically.
Rotating images
This function lets you rotate images and display them vertically on the monitor during singleframe playback. This is useful when taking pictures with the camera held vertically. The
images will automatically be displayed in the correct direction even if the camera is rotated.
1 MENU[q][y]
• When set to [ON], images shot vertically will be automatically
rotated and displayed during playback. You can also press
the F button to rotate and display the image.
• The rotated image will be recorded on the card in that
position.
Original image
before rotating
L
L
N
L
N
N
FFF
F
F button
L
N
7
Playback functions
83
EN
Playback on TV
Use the video cable provided with the camera to play back recorded images on your TV.
1 Turn the camera and TV off, and
connect the video cable as illustrated.
2 Turn on the TV and set it to the video
input mode. For details on switching to
the video input mode, refer to the TV’s
manual.
3 Turn the camera on and press the q
(playback) button.
x Notes
• To connect the camera to a TV, use the provided video cable.
• Make sure that the camera’s video output signal type is the same as the TV’s video signal
type. g“VIDEO OUT” (P. 100)
• The camera’s monitor turns off automatically when the video cable is connected to the
camera.
7
• The image may appear off-center depending on the TV screen.
Playback functions
Editing still images
Recorded images can be edited and saved as new images. Available editing functions
depend on the image format (image record mode).
A JPEG file can be printed as is without modification. A RAW file, on the other hand cannot
be printed as is. To print a RAW file, use the RAW edit function to convert the RAW data
format to JPEG.
Editing images recorded in RAW data format
The camera performs image processing (such as white balance and sharpness adjustment)
on images in the RAW data format, then saves the data to a new file in the JPEG format.
While checking recorded images, you can edit them to your liking.
Image processing is performed based on the current camera settings. Change the
camera settings to suit your preferences before editing.
Editing images recorded in JPEG data format
[Q]Converts the image file size to 1280 × 960, 640 × 480 or 320 × 240.
[SHADOW ADJ] Brightens a dark backlit subject.
VIDEO OUT jack
Video cable
Video input terminal
q button
84
EN
1 MENU[q][EDIT]
2 Use bd to select an image, then press the i
button.
• The camera recognizes the image data format.
• For images recorded in RAW+JPEG, a selection screen
will appear, asking you which data to edit.
3 The setting screen varies with the image data
format. Select the item you want to edit and do
the following steps.
Confirm the data format from here.
CANCELSELECTGO
JPEG EDIT
SHADOW ADJ
CANCELSELECT
• The edited image is saved as another image, apart from the original image.
• To exit the edit mode, press the MENU button.
x Notes
• Editing of a JPEG image is not possible in the following cases:
When an image is recorded in RAW, when an image is processed on a PC, when there is not
enough space in the card memory, when an image is recorded on another camera
• When resizing ([Q]) an image, you cannot select a larger number of pixels than was
originally recorded.
GO
RAW DATA EDIT
YES
NO
CANCELSELECT
GO
Copying images
This function lets you copy images to and from the xD-Picture Card and CompactFlash or
Microdrive. This menu can be selected if both cards are inserted. The selected card is the
copying source. g“CF/xD” (P. 99)
Single-frame copy
1 Play back the image you want to copy and press
the COPY/< button.
COPY/< button
2 Use ac to select [YES], then press the i
button.
7
Playback functions
85
EN
Copying selected frames
This function lets you select multiple images and copy them all at the same time during
single-frame playback or index display.
1 Display the images you want to copy and press the
i button.
• The selected images will be shown with red frames.
• To cancel your selection, press the i button again.
2 Press p to display the next images you want to
copy and press the i button.
COPY SELECT
YES
NO
3 After you have selected the images to copy, press
the COPY/< button.
4 Use ac to select [YES], then press the i
button.
Copying all the frames
1 MENU[q][COPY ALL]
2 Press d.
CANCELSELECT
COPY ALL
3 Use ac to select [YES], then press the i
button.
CANCELSELECT
Protecting images
7
Protect images you do not want to erase. Protected images cannot be erased by the single-
Playback functions
frame or all-frame erase function.
Single-frame protect
Play back the image you want to protect and press the 0
button.
• 9 (protect mark) is displayed on the top right corner of the
screen.
To cancel the protection
Display the images that are protected and press the 0
button.
YES
NO
GO
GO
0 button
86
i button
EN
Protecting selected frames
This function lets you select multiple images and protect them all at the same time during
single-frame playback or index display.
1 Display the images you want to protect and press the i button.
• The selected images will be shown with red frames.
• To cancel your selection, press the i button again.
• During index display, press p to select the images you want to protect and press the i
button.
2 Press p to display the next images you want to protect and press the i button.
3 After you have selected the images to protect, press the 0 button.
Canceling all protections
This function lets you cancel the protection of several images at one time.
1 MENU[q][RESET PROTECT]
2 Use ac to select [YES], then press the i button.
x Notes
• Formatting the card erases all images even if they have been protected.
g“Formatting the card” (P. 125)
• Protected images cannot be rotated even when the F button is pressed.
Erasing images
Lets you erase recorded images. You can select single-frame erase, which erases only the
currently displayed image; all-frame erase, which erases all the images stored on the card; or
selected frame erase, which erases only the frames selected.
x Notes
• When you perform all-frame or selected frame erase on images recorded using RAW+JPEG,
both the RAW and JPEG images are erased. When using single-frame erase, you can select
whether to erase the JPEG, RAW, or both RAW and JPEG images. g“RAW+JPEG
ERASE” (P. 98)
• Protected images cannot be erased. Cancel protected images, then erase them.
• Once erased, images cannot be restored. g“Protecting images” (P. 86)
7
Playback functions
87
EN
Single-frame erase
1 Play back the image you want to erase and press
the S button.
2 Use ac to select [YES], then press the i
button.
S button
ERASE
CANCELSELECT
Erasing selected frames
This function lets you erase selected images at one time during single-frame playback or
index display.
1 Display the images you want to erase and press the i button.
• The selected images will be shown with red frames.
7
• To cancel your selection, press the i button again.
• During index display, press p to select the images you want to erase and press the i
Playback functions
button.
2 Press p to display the next images you want to erase and press the i button.
3 After you have selected the images to erase, press
the S button.
4 Use ac to select [YES], then press the i
button.
ERASE SELECTED
BOTH RAW&JPEG ARE ERASED
YES
NO
YES
NO
GO
88
EN
CANCELSELECT
GO
All-frame erase
1 MENU[W][CARD SETUP]
2 Use ac to select [ALL ERASE], then press the
i button.
CARD SETUP
ALL ERASE
FORMAT
CANCELSELECT
3 Use ac to select [YES], then press the i
button.
• All frames will be erased.
TIPS
To erase immediately:
j If you have set “QUICK ERASE” (gP. 98) to [ON], pressing the S button will erase an image
immediately.
j You can set the initial position of the cursor to [YES]. g“PRIORITY SET” (P. 99)
ALL ERASE
CANCELSELECT
GO
YES
NO
GO
7
Playback functions
89
EN
8Customizing your camera
Use the custom menus to customize the camera for ease of use. Use Custom Menu 1 to
customize the shooting functions and Custom Menu 2 to set the basic camera functions.
Custom Menu 1 has 9 tabs (a to i) that are divided according to the functions to be set.
AF/MF
BUTTON/DIAL
RELEASE/
DISP/8/PC
e
/ISO
EXP/
CUSTOM
#
CANCELSELECT
Use ac to select [Y], then
press d.
GO
For details on using the menu lists, see “Using the menu” (gP. 29).
Custom Menu 1a AF/MF
AF ILLUMINAT.
The built-in flash can function as an AF illuminator. This helps with focusing in low-light
conditions in the AF mode. To use this function, raise the flash.
FOCUS RING
You can customize how the lens adjusts to the focal point
by selecting the rotational direction of the focus ring.
DIAL
A
AEL/AFL
B
AEL/AFL MEMO
C
FUNCTION
D
MY MODE SETUP
E
BUTTON TIMER
F
CANCELSELECT
Use ac to select tab a to i,
then press d.
S1/C2/M1
OFF
---
OFF
GO
DIAL
A
AEL/AFL
B
AEL/AFL MEMO
C
FUNCTION
D
MY MODE SETUP
E
BUTTON TIMER
F
CANCELSELECT
Use ac to select a function,
then press d.
Near
AEL/AFL
S-AF
S-AF
C-AF
OFF
MF
GO
)
)
8
C-AF LOCK
Customizing your camera
When set to [ON], during focusing with C-AF mode, this prevents the focus from changing
even if the distance to the subject suddenly changes. This is effective when shooting at a
location where something passes in front of or behind the subject.
AF AREA POINTER
When set to [OFF], the AF target does not light in the viewfinder when the subject is in focus.
AF SENSITIVITY
You can set the range of the AF target for focusing when [AF AREA] is set to M.
[NORMAL] The camera focuses using a range that is somewhat larger than the selected
[SMALL]The camera focuses only within the selected AF target. When [SMALL] is
90
EN
AF target.
selected, the setting display for [AF AREA] becomes o.
Near
P SET UP
Selects the operation of the dials or arrow pad when selecting the AF target.
[OFF]Stops after moving to the AF target on the end.
[LOOP]After moving to the AF target on the end, moves to the AF target on the
[SPIRAL] After moving to the AF target on the end, moves to the AF target on the
e.g.) When moving from the top left AF target to the right
RESET LENS
When set to [ON], this resets the focus of the lens (infinity) each time the power is turned off.
BULB FOCUSING
You can set the camera to enable focus adjustments during bulb shooting with MF.
[ON]During exposure, you can turn the focus ring and adjust the focus.
[OFF]The focus is locked during exposure.
opposite end of the same row or column. Selects all AF targets before moving
to the AF target on the opposite end, and [AF AREA] is set to B.
opposite end of the next row or column. Selects all AF targets before moving
to the AF target on the opposite end, and [AF AREA] is set to B.
[OFF][SPIRAL][LOOP]
Set to B.
Set to B.
Custom Menu 1b BUTTON/DIAL
DIAL
In P, A, S, or M mode, you can assign functions other
than the default functions to the main dial and sub dial. You
can also switch the operations of the main dial and sub dial
for menu operations with the default operations.
• [F] on [MENU] means the horizontal operation of the
dial (the same as pressing bd). [G] means the
vertical operation of the dial (the same as pressing
ac).
CANCELSELECT
DIAL P
Ps
GO
Sub dialMain dial
DIAL MENU
FG
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Customizing your camera
CANCELSELECT
bd
ac
GO
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AEL/AFL
You can use the AEL/AFL button to perform AF or metering operations instead of using the
shutter button.
Select the function of the button to match the operation when the shutter button is pressed.
Select [mode1] to [mode4] in each focus mode. (You can only select [mode4] in C-AF
mode.)
Mode
[S-AF]
mode1
mode2
mode3
[C-AF]
mode1
mode2
mode3
mode4
[MF]
mode1
mode2
mode3
FocusExposureFocusExposureFocusExposure
S-AFLocked
S-AF
k
C-AF startLockedLocked
C-AF start
k
kk
k
kkk
k
Shutter button functionAEL/AFL button function
Half-pressFull pressWhen holding down AEL/AFL
kkk
kk
Locked
k
LockedLocked
Locked
Locked
kk
LockedLocked
LockedLockedC-AF start
kkk
kk
Locked
kk
k
Locked
k
S-AF
k
C-AF start
k
S-AF
Basic operations
[mode1] For determining the metered exposure while focusing. AE lock is activated while
pressing the AEL/AFL button, allowing you to adjust the focus and determine
[mode2] For determining the exposure when you press the shutter button fully. This is
8
Customizing your camera
[mode3] For focusing with the AEL/AFL button instead of the shutter button.
the exposure separately.
useful for shooting scenes with significant changes in lighting, such as on a
stage.
[mode4] Press the AEL/AFL button to focus, and press the shutter button fully to
determine the exposure.
AEL/AFL MEMO
You can lock and maintain the exposure by pressing the AEL/AFL button.
[ON]Press the AEL/AFL button to lock and maintain the exposure. Press again to
cancel the maintaining of the exposure.
[OFF]The exposure will be locked only while the AEL/AFL button is pressed.
; FUNCTION
You can assign a function to the < button.
[PREVIEW]/[LIVE PREVIEW] (electronic)
While holding down the < button, you can use the preview function.
g“Preview function” (P. 45)
Locked
Locked
k
Locked
Locked
k
k
Locked
Locked
k
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EN
[V]
Press the < button to acquire the WB value. g“Setting the one-touch white
balance” (P. 65)
[P HOME]
Press the < button to switch to the registered AF home position. Press the button
again to switch to the original AF target mode. g“Registering an AF target
mode” (P. 55)
[MF]
Press the < button to switch AF mode to [MF]. Press the button again to switch to
the original AF mode.
[RAWK]
Press the < button to switch from JPEG to RAW+JPEG or from RAW+JPEG to
JPEG for the record mode.
You can change the record mode by turning the main dial/sub dial while holding down
the < button.
[P/A/S/M]
You can change the shooting mode by turning the main dial/sub dial while holding
down the < button.
[TEST PICTURE]
Pressing the shutter button while pressing the < button enables you to check the
picture you have just taken on the monitor without having to record the picture to the
card. This is useful when you want to see how a picture turned out without saving it.
[MY MODE]
While holding down the < button, you can take pictures using the camera settings
registered in the [MY MODE SETUP]. g“MY MODE SETUP” (P. 93)
[L]
Press the < button to switch to under water wide and to switch between under water
wide and under water macro. Alternatively, turn the main dial while holding down the
MODE button to select under water wide or under water macro. g“Under water
wide/macro shooting” (P. 44)
[OFF]
Does not allow function allocation.
MY MODE SETUP
You can store two frequently used settings as My Mode. There are two basic ways to shoot
with the registered My Mode settings.
•Use the MODE button to make the settings. g“My Mode shooting” (P. 44)
•Assign [MY MODE SETUP] to the < button. g“; FUNCTION” (P. 92)
To shoot with My Mode using the < button, follow the steps under “Executing” below and
set the My Mode you will use in advance.
Registering
1) Select [MY MODE1] or [MY MODE2] and press d.
2) Select [SET] and press the i button.
• The current settings are registered in the camera. For details on the functions that can
be registered to My Mode, refer to “Functions that can be registered with My Mode and
Custom Reset Setting” (gP. 134).
• To cancel the registration, select [RESET].
Executing
1) Select [MY MODE1] or [MY MODE2] and press the i button.
2) Select [YES] and press the i button.
• The selected My Mode is set.
• When shooting, press the shutter button while holding down the < button.
8
Customizing your camera
93
EN
BUTTON TIMER
The direct button may remain selected even after it is released.
[OFF]Available only when the button is pressed.
[3SEC]/[5SEC]/[8SEC] The button remains selected during the number of seconds
[HOLD]The button remains selected until you press it again.
• Buttons that can be set with [BUTTON TIMER]
ISO, F, WB, #, w, MODE, G, AF, BKT, </Y/j
A
You can switch the functions of the AEL/AFL button and the < button. When you select
[ON], the AEL/AFL button will function as the < button, and the < button will function as
the AEL/AFL button.
• The setting also applies to the < button on the optional power battery holder when
attached to the camera.
indicated.
Custom Menu 1c RELEASE/j
RLS PRIORITY S/RLS PRIORITY C
Normally, this camera does not release the shutter while the AF is operating or the flash is
charging. If you want to release the shutter without waiting until these operations have
completed, use the setting below. You can set the release priority individually in AF mode.
RLS PRIORITY S Sets release priority for S-AF mode gP. 51.
RLS PRIORITY C Sets release priority for C-AF mode gP. 52.
O fps
You can set the number of pictures shot in one second when using sequential shooting with
[O] from [1fps] to [4fps].
Custom Menu 1d DISP/8/PC
8
Customizing your camera
8
You can turn off the beep sound that is emitted when the focus locks by pressing the shutter
button.
SLEEP
After a specified period of time elapses with no operations being performed, the camera
enters the sleep mode (stand-by) to save battery power. After the super control panel is
displayed for a specified period of time, the backlight turns off. After a specific period of time
has further passed, the camera enters sleep mode. [SLEEP] lets you select sleep timer from
[1MIN], [3MIN], [5MIN], or [10MIN]. [OFF] cancels the sleep mode.
The camera activates again as soon as you touch any button (the shutter button, arrow pad,
etc.).
94
EN
BACKLIT LCD (Backlight timer)
To save battery power, after the super control panel is displayed for a specified period of
time, the monitor backlight turns off and the monitor darkens. Select from [8SEC], [30SEC],
or [1MIN] for the time until the backlight turns off. [HOLD] sets the backlight to stay on.
The monitor backlight turns on again as soon as you touch any button (the shutter button,
arrow pad, etc.).
4 h TIMER (Auto power off)
You can set the camera to turn off automatically if not operated for 4 hours. It will not turn off
if this is set to [OFF].
USB MODE
You can connect the camera directly to a computer or printer with the provided USB cable. If
you specify the device you are connecting to beforehand, you can skip the USB connection
setting procedure normally required every time you connect the cable to the camera. For
details on how to connect the camera to either device, refer to “Connecting the camera to a
printer” (gP. 104) and “Connecting the camera to a computer” (gP. 108).
[AUTO]
The selection screen for the USB connection will be displayed every time you connect
the cable to a computer or printer.
[STORAGE]
Allows you to transfer images to a computer. Also, select to use the OLYMPUS
Master software via PC connection.
[MTP]
Allows you to transfer images to a computer running Windows Vista without using the
OLYMPUS Master software.
[CONTROL]
Allows you to control the camera from a PC using the optional OLYMPUS Studio.
[<EASY]
Can be set when connecting the camera to a PictBridge-compatible printer. Pictures
can be printed directly without using a PC. g“Connecting the camera to a
printer” (P. 104)
[<CUSTOM]
Can be set when connecting the camera to a PictBridge-compatible printer. You can
print out pictures with set number of prints, print paper and other settings.
g“Connecting the camera to a printer” (P. 104)
LIVE VIEW BOOST
During live view shooting, you can brighten the monitor for easier confirmation on the subject.
[OFF]
The subject is displayed on the monitor with the brightness level that is adjusted
according to the exposure being set. You can shoot while confirming through the
monitor in advance to get a picture that is to your liking.
[ON]
The camera automatically adjusts the brightness level and displays the subject on the
monitor for easier confirmation. The effect of the exposure compensation adjustments
will not be reflected on the monitor.
FRAME ASSIST (Ruled lines display)
You can display the ruled lines on the LCD monitor as a guide when confirming the
composition. Press the INFO button repeatedly to display the ruled lines. g“Switching the
information display” (P. 32)
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Customizing your camera
95
EN
Custom Menu 1e EXP/e/ISO
EV STEP
You can select the EV step for exposure parameter setting, such as shutter speed, aperture
value, or exposure compensation value, from [1/3EV], [1/2EV], or [1EV].
ISO STEP
You can select the EV step of the ISO sensitivity from [1/3EV] or [1EV].
ISO-AUTO SET
You can set the upper limit and default ISO values when ISO is set to [AUTO].
[HIGH LIMIT]
This sets the upper limit of the ISO value that automatically changes. The upper limit
can be set from 100 to 3200 in 1/3 EV increments.
[DEFAULT]
This sets the value to be normally used when the optimum exposure can be obtained.
The value can be set from 100 to 3200 in 1/3 EV increments.
ISO-AUTO
You can set the shooting mode in which the ISO [AUTO] setting is activated.
[P/A/S]
In P/A/S mode, the [AUTO] setting is activated. When [AUTO] is set in other
shooting modes, ISO 100 is set.
[ALL]
The [AUTO] setting is activated for all shooting modes. The ISO is automatically
selected to obtain the optimal ISO even in M mode.
AELMetering
You can set the metering mode when pressing the AEL/AFL button to lock the exposure.
• [AUTO] performs metering in the mode selected under [METERING].
8
BULB TIMER
Customizing your camera
You can select the maximum time (in minutes) for bulb shooting.
Custom Menu 1f # CUSTOM
#X-SYNC.
You can set the shutter speed that will be used when the flash fires. The speed can be set
from 1/60 to 1/250 in 1/3 EV increments.
• For details on the synchronization speed of commercially available flashes, refer to their
manuals.
#SLOW LIMIT
You can set the slow limit of the shutter speed that will be used when the flash fires. The
speed can be set from 1/30 to 1/250 in 1/3 EV increments.
w+F
When set to [ON], it will be added to the exposure compensation value and flash intensity
96
control will be performed.
EN
Custom Menu 1g K/COLOR/WB
ALL >
You can apply the same compensation value to all the white balance modes at once.
[ALL SET]The same compensation value applies to all WB modes.
[ALL RESET] The WB compensation value settings applied to each WB mode are all
If you select [ALL SET]
1) Use bd to select the color direction.
Toward A: Amber-Blue/Toward G: Green-Magenta
2) Use ac to set the compensation value. g“WB compensation” (P. 64)
Releasing the AEL/AFL button takes a sample image. You can check the white balance
you have adjusted.
If you select [ALL RESET]
1) Use ac to select [YES].
COLOR SPACE
You can select how colors are reproduced on the monitor or printer. The first character in
image file names indicates the current color space. g“FILE NAME” (P. 98)
Pmdd0000.jpg
P : sRGB
_ : Adobe RGB
SHADING COMP.
In some cases, the edges of the image may be shadowed due to the properties of the lens.
The shading compensation function compensates by increasing brightness at the dark edge
of the image. This function is especially useful when a wide-angle lens is used.
x Notes
• This function is not available when a teleconverter or an extension tube is attached to the
camera.
• At higher ISO settings, noise in image edges may be conspicuous.
K SET
You can combine 3 image sizes and 4 compression rates
and register 4 combinations. Select the registered setting
with [K]. g“Selecting the record mode” (P. 61)
cleared at once.
[sRGB]Standardized color space for Windows.
[Adobe RGB]Color space that can be set with Adobe
Photoshop.
Set the number
of pixels.
Y
CANCELSELECT
Register 4 different
combinations of image settings.
D
SET
1234
XW
SFFNSF
PIXEL COUNT
Set the compression rate.
W
Y
arge
GO
8
Customizing your camera
97
EN
PIXEL COUNT
You can set the pixel size for the image size [X], [W].
You can erase the picture you have just taken immediately using the S button.
[OFF]When the S button is pressed, the confirmation screen appears, asking you if
you want to erase the picture.
[ON]Pressing the S button erases the picture immediately.
RAW+JPEG ERASE
You can select the method to erase images recorded in RAW+JPEG. This function can only
be used to erase one frame.
[JPEG]Erases all JPEG image files, leaving only the RAW image files.
[RAW]Erases all RAW image files, leaving only the JPEG image files.
[RAW+JPEG] Erases both image file types.
x Notes
• This function is effective only if deleting one frame. For all-frame erase or erasing selected
frames, both RAW and JPEG will be erased regardless of this setting.
FILE NAME
When you take a picture, the camera assigns it a unique file name and saves it in a folder.
File names are assigned as shown in the illustration below.
8
Customizing your camera
98
EN
[AUTO]
Even when a new card is inserted, the folder numbers are retained from the previous
card. If the new card contains an image file whose file number coincides with one
saved on the previous card, the new card’s file numbers start at the number following
the highest number on the previous card.
[RESET]
When a new card is inserted, folder numbers start at 100 and file numbers start at
0001. If a card containing images is inserted, the file numbers start at the number
following the highest file number on the card.
• When both the Folder and File No. reach their respective maximum number (999/9999), it is not
possible to store additional pictures even if the card is not full. No more pictures can be taken.
Replace the card with a new one.
PRIORITY SET
You can customize the initial position of the cursor ([YES] or [NO]) on the [ALL ERASE] or
[FORMAT] screen.
dpi SETTING
You can set the resolution for printing images in advance. The set value is recorded on the
card with the images.
[AUTO]Automatically set according to the image size.
[CUSTOM] You can make the desired setting. Press d to display the setting screen.
Custom Menu 1i K UTILITY
EXT. WB DETECT
You can disable the white balance sensor used to determine the light source during auto
white balance. This is useful when the light source near the sensor and the light source
illuminating the subject are different.
Custom Menu 2
CF/xD
You can select which card to use when both a CompactFlash and xD-Picture Card are
loaded.
EDIT FILENAME
You can rename image files to make them easier to identify and organize.
The portion of the filename that can be changed depends on the color space.
g“COLOR SPACE” (P. 97)
sRGB : Pmdd0000.jpgAdobeRGB : _mdd0000.jpg
8
Customizing your camera
You can change the character to OFF, A - Z
s (Monitor brightness adjustment)
You can adjust the brightness of the monitor for optimal viewing.
[AUTO]This allows the illumination sensor to measure the surrounding brightness
[+7] – [-7]Use ac to adjust the monitor brightness.
and automatically adjust the monitor for optimal viewing.
or 0 - 9.
99
EN
W (Changing the display language)
You can change the language used for the on-screen display and error messages from
ENGLISH to another language.
• You can add another language to your camera with the provided OLYMPUS Master
software.
For details, refer to Help in OLYMPUS Master software. g“Using the OLYMPUS Master
software” (P. 107)
VIDEO OUT
You can select NTSC or PAL according to your TV’s video signal type.
You will need to set this when you want to connect the camera to a TV and play back images
in a foreign country. Make sure the correct video signal type is selected before connecting the
video cable. If you use the wrong video signal type, recorded pictures will not play back
properly on your TV.
TV video signal types in major countries and regions
Check the video signal type before connecting the camera to your TV.
NTSCNorth America, Japan, Taiwan, Korea
PALEuropean countries, China
REC VIEW
You can display the picture you have just taken on the monitor while it is being recorded to
the card, and to select how long the picture is displayed. This is useful for making a brief
check of the picture you have just taken. Pressing the shutter button halfway while checking
the picture lets you resume shooting immediately.
[1SEC] – [20SEC] Selects the number of seconds to display each picture. Can be set in
[OFF]The picture being recorded to the card is not displayed.
[AUTOq]Displays the image being recorded, and then switches to playback
FIRMWARE
8
Customizing your camera
Your product’s firmware version will be displayed.
When you make inquiries about your camera or accessories or when you want to download
software, you will need to state which version of each of the products you are using.
Press d. Your product’s firmware version will be displayed. Press the i button to return to
the previous screen.
units of 1 second.
mode. This is useful for erasing a picture after checking it.
100
EN
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