Nikon Nikorr User Manual

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Page 1

I AM YOUR EYES

www.nikon-asia.com

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See Through Different Eyes

Every photographer is unique. Whatever your ideas, experience or creative vision,

there is a NIKKOR lens to draw out your potential. Each product in the lineup

represents the pride and craftsmanship that only an optical manufacturer can

understand, delivering a level of clarity and reliability that every passionate

photographer can appreciate. How will you see the world? Let NIKKOR help.

Wide-Angle Zoom NIKKOR Lenses ................... p4 -p6 Normal Zoom NIKKOR Lenses .......................p7-p11 Telephoto Zoom NIKKOR Lenses .................................p12-p15

Fixed Focal-Length NIKKOR Lenses ............. p16-p23 Special-Purpose NIKKOR Lenses ............. p24-p27 Manual-Focus Lenses & Optional Accessories .....p28-p29

FT1 Mount Adapter ..................................................... p3 0 NIK KOR Technology ...................................... p31-p33 Speciﬁcations ................................................................. p34-p35

Capture more. Create more.

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WIDE-ANGLE ZOOM

Ultra-wide-angle zoom lenses for dynamic perspectives

AF-S DX NIKKOR 10-24mm f/3.5-4.5G ED

Sharp, ultra-wide-angle zoom with VR

AF-S NIKKOR 16-35mm f/4G ED VR

NIKKOR LENSES

This incredible range of wide-angle zooms delivers a broader depth of ﬁeld, shorter working

distances and more dramatic perspectives to your photography. With a variety of focal lengths and

aperture combinations for every budget or camera, NIKKOR lenses deliver the clarity and detail your

photography deserves. Try different viewpoints or get closer to subjects as you change the zoom

range, and you'll soon discover a new approach to wide-angle photography.

Explore the extremes of photography with the ultra -wide-angle coverage of this practical zoom lens. With the widest end of 10 mm covering a 109° angle of view, this lens delivers dramatic perspectives to give your photography a creative edge. Close-up shooting capability and minimized distortion also add to its appeal.

10 mm 109° 24 mm 61°

Lens construction: 14 ele ments i n 9 groups Minimum focus distance: 0.24 m /0. 8 ft (A F)

0.2 2 m/0 .7 ft (M F)

Maximum reproduction ratio: 1/5x Filter-att achment size: 77 mm Accessories: Hood H B-23 / Ca se CL-1118

AF-S DX Zoom-Nikkor 12-24mm f/4G IF-ED

A very popular choice for extreme wide angle photography. The fixed aperture ensures consistent exposures across the zoom range. Per fect for shooting large building exteriors, narrow interiors and vast natural landscapes.

This versatile ultra-wide-angle zoom covers a remarkably broad range, with Vibration Reduction ( VR) that provides an effect equivalent to 2.5 stops* to enable blur-free handheld images at slower shutter speeds in places such as interiors and night scenes. Ideal for travel and documentary work.

* Based on C IPA Stand ard. This v alue is ach ieved when attached to an FX-fo rmat digi tal SLR c amera, with zoom set at the max imum telep hoto posit ion.

16 mm 107° 35 mm 63°

Lens construction: 17 ele ments i n 12 groups Minimum focus distance: 0.2 8 m/0. 9 ft Maximum reproduction ratio: 1/4x Filter-att achment size: 77 mm Accessories: Hood H B-23 / Ca se CL-1120

An optical masterpiece: widest at 14mm with ﬁxed f/2.8

AF-S NIKKOR 14-24mm f/2.8G ED

12 mm 99° 24 mm 61°

Lens construction: 11 elem ents in 7 gr oups Minimum focus distance: 0.3 m /1 ft Maximum reproduction ratio: 1/8.3 x Filter-att achment size: 77 mm Accessories: Hood H B-23 / CL- S2 (opt ional)

With a fixed maximum aperture of f/2.8, this award-winning professional lens delivers edge-to-edge sharpness across the frame. Nano Crystal Coat and ED glass ensure outstanding contrast, even in backlit conditions. Tough and reliable, this is essential glass for professional photographers everywhere.

14 mm 114° 24 mm 84°

Lens construction: 14 ele ments i n 11 groups Minimum focus distance: 0.2 8 m/0. 92 ft ( in 18-24 m m) Maximum reproduction ratio: 1/6.7x Filter-att achment size: Filte r cannot be a ttache d Accessories: Built-in hood / Ca se CL-M3

AF-S NIKKOR 14-24mm f/2.8 G ED © Fraser Hardin g

AF-S DX NIKKOR 10-24mm f/3.5-4.5G ED

Unique viewpo ints turn into dramatic perspectives

: Aspherical lens elements : ED glass elements

Minimum fo cus dist ance is the d istance f rom a camer a’s focal pla ne mark to the subject.

•

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AF-S NIKKOR 18-35 mm f/3.5-4.5G ED © Tos hiya Hagihara

NORMAL ZOOM

NIKKOR LENSES

This remarkable line of lenses is designed to handle a variety of scenes and subject matter. Whichever

versatile and portable lens you choose, from the compact and approachable to the reﬁned and high-

powered, normal zooms will become a vital part of your photography. Choose the lens that best suits

your skill level and creative pursuits.

Legendary professional wide-angle zoom lens

AF-S Zoom-Nikkor 17-35mm f/2.8D IF-ED

With a fixed maximum aperture of f/2.8, this lens covers the optimal range for wide-angle assignments. The glass produces clear and high-contrast images throughout the entire zoom range. A highly reliable professional lens.

17 mm 104° 35 mm 62°

Lens construction: 13 ele ments i n 10 groups Minimum focus distance: 0.2 8 m/0. 9 ft Maximum reproduction ratio: 1/4.6x Filter-att achment size: 77 mm Accessories: Hood H B-23 / Ca se CL-76

Compact and approachable wide-angle zoom lens

AF-S NIKKOR 18-35mm f/3.5-4.5G ED

While featuring 100° angle-of-view coverage at 18 mm, this compact and lightweight zoom gives you superb mobility. The optical system incorporates two ED glass elements and three aspherical lens elements in order to maximize the performance of high-pixel-count D-SLR cameras.

18 mm 100° 35 mm 63°

Lens construction: 12 ele ments in 8 g roups Minimum focus distance: 0.2 8 m/0. 9 ft Maximum reproduction ratio: 1/5x Filter-att achment size: 77 mm Accessories: Hood H B-66 / C ase CL-1118

AF-S DX NIKKOR 18-300mm f/3.5-5.6G ED VR

Make every photo opportunity

: Aspherical lens elements : ED glass elements

Minimum focus distance is the distance from a camera’s focal plane mark to the subject.

•

come alive with dynamic zoom coverage

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Practical standard zoom with VR and remarkably wide coverage

AF-S DX NIKKOR 16-85mm f/3.5-5.6G ED VR

Fast f/2.8 standard zoom lens delivering exceptional image quality

AF-S DX Zoom-Nikkor 17-55mm f/2.8G IF-ED

The most balanced and versatile standard zoom lens for passionate DX-format camera users, with 5.3x zoom coverage that starts at an 83° angle of view at 16 mm. Incredible sharpness, compact body and Vibration Reduction ( VR) with an effect equivalent to 3.5 stops* to ensure steadier shots and more photo opportunities – from daily snapshots to travel documentary work.

16 mm 83° 85 mm 18°50'

Lens construction: 17 ele ments i n 11 groups Minimum focus distance: 0.3 8 m/1. 3 ft Maximum reproduction ratio: 1/4.6x Filter-att achment size: 67 mm Accessories: Hood H B-39 / C ase CL-1015

Approachable standard zooms with NIKKOR quality

AF-S DX NIKKOR 18-55mm f/3.5-5.6G VR

With its significant resolving power and Vibration Reduction (VR) that provides an effect equivalent to 3.5 stops*, this lens achieves clear images easily. Remarkably light, despite featuring VR, and it captures fantastic close-up shots at a

0.28 m/0.9 ft focus distance.

18 mm 76° 55 mm 28°50'

Lens construction: 11 elem ents in 8 gr oups Minimum focus distance: 0.2 8 m/0. 9 ft Maximum reproduction ratio: 1/3 .2x (a t 55 mm) Filter-att achment size: 52 mm Accessories: Hood HB -45 ( optio nal) / Cas e CL-0 815 (opt ional)

AF-S DX NIKKOR 18-105mm f/3.5-5.6G ED VR

A great choice when you want a little more telephoto reach. This powerful, approx. 5.8x standard zoom lens makes it possible to shoot most subject matter with just one lens. Vibration Reduction (VR) with an effect equivalent to 3.5 stops* helps you achieve steadier shots during low-light and telephoto shooting.

This is the DX lens for both stunning sharpness and beautiful bokeh. Its fine resolution delivers exceptional image rendering – from close subjects all the way to infinity – to satisfy professionals on assignment as well as aspiring high-end photographers who value image quality.

17 mm 79° 55 mm 28°50'

Lens construction: 14 ele ments i n 10 groups Minimum focus distance: 0.3 6 m/1.2 f t (at 35 m m) Maximum reproduction ratio: 1/5x Filter-att achment size: 77 mm Accessories: Hood H B-31 / Ca se CL-1120

AF-S DX Zoom-Nikkor 18-55mm f/3.5-5.6G ED II

Weighing only 205 g/ 7.2 oz, this light and compact standard zoom lens offers clear, high- contrast pictures and approx.

3.1x zoom capability. It also enables you to shoot close -up photographs with its significantly short focus distance of

0.28 m/0.9 ft.

18 mm 76° 55 mm 28°50'

Lens construction: 7 ele ments in 5 g roups Minimum focus distance: 0.2 8 m/0. 9 ft Maximum reproduction ratio: 1/3 .2x (a t 55 mm) Filter-att achment size: 52 mm Accessories: Hood HB -45 ( optio nal) / Cas e CL-0 815 (opt ional)

The powerful, approx. 7.8x zoom of this lens covers a wide focallength range from wide-angle to telephoto. Superb optical performance achieves high-definition images when combined with highpixel-count cameras. Vibration Reduction (VR) that provides an effect equivalent to 4.0 stops* effectively compensates camera shake. This lens is deal for capturing diverse scenes of everyday life or during travel with a single lens.

18 mm 76° 140 mm 11°30'

Lens construction: 17 ele ments i n 12 groups Minimum focus distance: 0.4 5 m/1.4 8 ft Maximum reproduction ratio: 1/4.3x Filter-att achment size: 67 mm Accessories: Hood HB-32 (optional) / Case C L-1018 (op tiona l)

AF-S DX NIKKOR 18-140mm f/3.5-5 .6G ED VR © Deborah Sandidge

Incredibly reliable, highly balanced standard zoom lensHigh-powered zoom with VR for DX photographers

AF-S NIKKOR 24-70mm f/2.8G EDAF-S DX NIKKOR 18-140mm f/3.5-5.6G ED VR

With a fixed aperture of f/2.8, the NIKKOR glass in this lens provides both fine resolution and natural representation. In addition, the Nano Crystal Coat helps effectively reduce ghost and flare effects under harsh lighting. Praised for its reliability and overall image quality, this is a long-time favorite of passionate professionals.

24 mm 84° 70 mm 34°20'

Lens construction: 15 ele ments in 11 g roups Minimum focus distance: 0.3 8 m/1.2 f t (in 35 -50 m m) Maximum reproduction ratio: 1/3.7x Filter-att achment size: 77 mm Accessories: Hood H B-4 0 / Case CL-M 3

18 mm 76° 105 mm 15°20'

Lens construction: 15 ele ments in 11 g roups Minimum focus distance: 0.4 5 m/1.5 f t Maximum reproduction ratio: 1/5x Filter-att achment size: 67 mm Accessories: Hood H B-32 / C ase CL-1018

: Aspherical lens elements : ED glass elements

Minimum fo cus dist ance is the d istance f rom a camer a’s focal pla ne mark to the subject.

•

*Based on CIPA Stand ard. The v alue is achieved when: DX -format lenses are

attac hed to a DX-fo rmat dig ital SLR c amera, F X-format comp atible lenses are attac hed to an FX-forma t digital SLR camera, and zoom lenses are s et at the maximum telephoto position.

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Sharp and approachable standard zoom lenses

AF-S NIKKOR 24-85mm f/3.5-4.5G ED VR

Practical standard zoom lens with VR and Nano Crystal Coat

AF-S NIKKOR 24-120mm f/4G ED VR

High-powered zooms with VR for DX photographers

AF-S DX NIKKOR 18-300mm f/3.5-5.6G ED VR

Versatile, high-powered 11x zoom with VR

AF-S NIKKOR 28-300mm f/3.5-5.6G ED VR

An excellent compact standard-use lens that works well with agile FX-format cameras. Covering the most frequently used zoom range, this versatile lens can handle a wide range of subject matter, including landscapes, interiors, portraits and candids. The Vibration Reduction (VR) with an effect equivalent to 4.0 stops* enhances your handheld capability, opening up many new lowlight opportunities.

24 mm 84° 85 mm 28°30'

Lens construction: 16 ele ments i n 11 groups Minimum focus distance: 0.3 8 m/1.2 5 ft Maximum reproduction ratio: 1/4.5x Filter-att achment size: 72 mm Accessories: Hood H B-63 / C ase CL-1118

AF Zoom-Nikkor 24-85mm f/2.8-4D IF

Covering the most frequently used zoom range, this lens offers a great balance of fine resolution and smooth tonal gradation. AF macro shooting up to 1/2x is another great advantage.

24 mm 84° 85 mm 28°30'

Lens construction: 15 ele ments in 11 g roups Minimum focus distance: 0.5 m /1.6 ft

(0. 21 m/0 .7 ft in mac ro)

Maximum reproduction ratio: 1/5 .9x (1 /2x in m acro) Filter-att achment size: 72 mm Accessories: Hood H B-25 / Ca se CL-S2 (op tional )

This versatile 5x zoom lens delivers stunning image quality at any aperture or focal length, while the Nano Crystal Coat reduces ghost and flare effects. The lens body is impressively slim and compact, despite having built-in Vibration Reduction (VR) that provides an effect equivalent to 3.5 stops*. A standard zoom lens of exceptional utility and value for FX-format users.

24 mm 84° 120 mm 20°20'

Lens construction: 17 ele ments i n 13 groups Minimum focus distance: 0.4 5 m/1.5 f t Maximum reproduction ratio: 1/4.2x Filter-att achment size: 77 mm Accessories: Hood H B-53 / C ase CL-12 18

Despite having an unprecedented approx. 16.7x zoom capability, this lens offers consistent image quality throughout its broad range. You can even shoot handheld at 30 0 mm super-telephoto, thanks to built-in Vibration Reduction (VR) with an effect equivalent to 3.5 stops*. Experience a truly all-around performance lens that is ideal for travel and events.

18 mm 76° 300 mm 5°20’

Lens construction: 19 ele ments in 1 4 groups Minimum focus distance: 0.4 5 m/1.4 8 ft (at 3 00 mm) Maximum reproduction ratio: 1/3.2x Filter-att achment size: 77 mm Accessories: Hood H B-58 / C ase CL-1120

AF-S DX NIKKOR 18-200mm f/3.5-5.6G ED VR II

One lens for every opportunity. This incredibly versatile lens has a dynamic zoom coverage of approx. 11x from the widest 76° to the maximum telephoto 8°. Then there is also Vibration Reduction (VR) with an effect equivalent to 3.5 stops* for even more potential. Perfect when you need to travel light.

18 mm 76° 200 mm 8°

Lens construction: 16 ele ments i n 12 groups Minimum focus distance: 0.5 m /1.6 ft Maximum reproduction ratio: 1/4.5x Filter-att achment size: 72 mm Accessories: Hood H B-35 / C ase CL-1018

A powerful zoom lens optimized for F X-format cameras. This lens offers outstanding sharpness for such a broad zoom range while maintaining an f/ 5.6 aperture at the telephoto end. Built-in Vibra tion Reduction (VR) compensates camera shake for up to 3.5 stops*. A remarkably versatile zoom lens best suited for travel and other outdoor applications.

28 mm 75° 300 mm 8°10'

Lens construction: 19 ele ments in 1 4 groups Minimum focus distance: 0.5 m /1.6 ft Maximum reproduction ratio: 1/ 3.1x Filter-att achment size: 77 mm Accessories: Hood H B-50 / C ase CL-1120

AF-S DX NIKKOR 28-300mm f/3.5-5.6G ED VR © Bob Krist

AF-S NIKKOR 24-85mm f/3.5-4.5G ED VR © Steve Simon

: Aspherical lens elements : ED glass elements

Minimum fo cus dist ance is the d istance f rom a camer a’s focal pla ne mark to the subject.

•

*Based on CIPA Stand ard. The v alue is achieved when: DX -format lenses are

attac hed to a DX-fo rmat dig ital SLR c amera, F X-format comp atible lenses are attac hed to an FX-forma t digital SLR camera, and zoom lenses are s et at the maximum telephoto position.

AF-S DX NIKKOR 18-300mm f/3.5-5.6G ED VR © Deborah Sandidge

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TELEPHOTO ZOOM

NIKKOR LENSES

One telephoto zoom lens can drastically broaden your creative and compositional potential. With

their longer focal lengths, relatively shallow depths of ﬁeld and dramatic telephoto compression

effect, you can capture a wide array of subjects in ways few lenses can. In addition, many of these

lenses come with Vibration Reduction (VR) to control camera shake, so you can expect sharper shots

of your telephoto subjects.

AF-S DX NIKKOR 55-300mm f/4.5-5.6G ED VR © Yoshitsugu Enomoto

Compact design with convenient telephoto range

AF-S DX VR Zoom-Nikkor 55-200mm f/4-5.6G IF-ED

Vibration Reduction ( VR) with an effect equivalent to 3.0 stops* significantly reduces camera shake throughout the entire focal length, making sharp telephoto shots substantially easier. An ideal lens for sports, people and school events, this lens provides clear images with less blur.

55 mm 28°50' 200 mm 8°

Lens construction: 15 ele ments in 11 g roups Minimum focus distance: 1.1 m/3 .6 ft Maximum reproduction ratio: 1/4.4x Filter-att achment size: 52 mm Accessories: Hood H B-37 / C ase CL-0 918

Approachable zoom for sharp super-telephoto shooting

AF-S DX NIKKOR 55-300mm f/4.5-5.6G ED VR

This practical zoom lens allows DX users to reach 300 mm supertelephoto and make sharper shots with ease, thanks to built- in Vibration Reduction ( VR) that provides an effect equivalent to 3.0 stops*. In addition, the new HRI (High Refractive Index) lens – a first for the NIKKOR lineup – achieves clear, high-contrast images at every aperture and focal length, and contributes to making the lens body compact. Ideal for travel and events.

55 mm 28°50' 300 mm 5°20'

Lens construction: 17 ele ments i n 11 groups Minimum focus distance: 1.4 m/ 4.59 f t Maximum reproduction ratio: 1/3.6x Filter-att achment size: 58 mm Accessories: Hood H B-57 / C ase CL-102 0

Nail the decisive moment and capture the action from a distance

AF-S NIKKOR 70-200mm f/4G ED VR

: ED glas s elements

Minimum fo cus dist ance is the d istance f rom a camer a’s focal pla ne mark to the subject.

•

*Based on CIPA Stand ard. The v alue is achieved when: DX -format lenses are

attac hed to a DX-fo rmat dig ital SLR c amera, F X-format comp atible lenses are attac hed to an FX-forma t digital SLR camera, and zoom lenses are s et at the maximum telephoto position.

Page 8

Signiﬁcantly reﬁned: a pro’s essential telephoto zoom lenses

AF-S NIKKOR 70-200mm f/2.8G ED VR II

The most reliable and essential f/2.8 fixed aperture telephoto zoom lens has now been reborn with a number of significant improvements. Optimized for FX-format cameras, the resulting images deliver stunning detail and contrast across the entire frame when taken at any focus point or aperture. What's more, the lens comes equipped with enhanced AF performance, Vibration Reduction (VR) with an effect equivalent to 3.5 stops* and Nano Crystal Coat to reduce ghost and flare effects, broadening your shooting potential and giving photographers added confidence when shooting in difficult situations.

70 mm 34°20' 200 mm 12°20'

Lens construction: 21 el ements i n 16 groups Minimum focus distance: 1.4 m/ 4.6 ft Maximum reproduction ratio: 1/8.6x Filter-att achment size: 77 mm Accessories: Hood H B-48 / C ase CL-M 2

AF-S NIKKOR 70-200mm f/4G ED VR

Compact and accessible telephoto zoom with a powerful 300 mm reach

AF-S VR Zoom-Nikkor 70-300mm f/4.5-5.6G IF-ED

Whether you shoot in DX format or FX format, this small and portable zoom offers impressive versatility with a fairly long focal length of 300 mm. Its approx.

4.3x zoom range and Vibration Reduction (VR) with an effect equivalent to 2.5 stops* add to its utility for most telephoto shooting opportunities. The specialized NIKKOR glass produces clear, high-contrast images with less chromatic aberration.

70 mm 34°20' 300 mm 8°10'

Lens construction: 17 ele ments i n 12 groups Minimum focus distance: 1.5 m/4 .9 ft Maximum reproduction ratio: 1/4x Filter-att achment size: 67 mm Accessories: Hood H B-36 / C ase CL-102 2

Fixed aperture f/2.8 with great optics and beautiful bokeh

AF Zoom-Nikkor 80-200mm f/2.8D ED

This high-per formance zoom has a fixed f/2.8 aperture throughout the zoom range, giving your telephoto shots a beautiful background bokeh. Expect remarkable image reproduction in the fine details, even when shooting wide- open. AF close-up shooting is also possible, letting you focus and shoot from 1.5 m/4.9 ft.

80 mm 30°10' 200 mm 12°20'

Lens construction: 16 ele ments i n 11 groups Minimum focus distance: 1.8 m / 6 ft (1 .5 m / 4.9 f t in macro) Maximum reproduction ratio: 1/ 7.1x (1/5. 9x in macr o) Filter-att achment size: 77 mm Accessories: Hood H B-7 (opt ional) / Ca se CL- 43A

Long-range, VR-enabled 400 mm zoom lens

AF-S NIKKOR 80-400mm f/4.5-5.6G ED VR

AF-S NIKKOR 80-400mm f/4.5-5.6G ED VR © Edwin Giesbers

Top-of-the-line, super-telephoto zoom for crucial assignments

AF-S NIKKOR 200-400mm f/4G ED VR II

This carr y-anywhere telephoto zoom lens is useful across a wide general range of shooting scenarios such as sports and snapshots. Its Nano Cr ystal Coat effectively reduces ghost and flare while its high-performance Vibration Reduction (VR) minimizes the effects of camera shake, allowing you to shoot at a shutter speed approximately 4.0 stops* faster. Close-up capability is an added advantage.

Lens construction: 20 e lement s in 14 group s Minimum focus distance: 1.0 m/ 3.2 8 ft Maximum reproduction ratio: 0.2 74x Filter-att achment size: 67 mm Accessories: Hood H B-60 / C ase CL-122 5 / Tripod Co llar

Ring R T-1 (optio nal)

70 mm 34°20' 200 mm 12°20'

AF-S NIKKOR 70-20 0mm f/4G ED VR © Corey Rich

This 5x telephoto zoom is ideal for shooting sports, wild birds, aircraft and landscapes. Its superior optical performance is due in par t to its one Super ED and four ED glass elements, as well as its Nano Crystal Coat. Vibration Reduction ( VR) is integrated to offer an effect equivalent to a shutter speed 4.0 stops* faster.

80 mm 30°10' 400 mm 6°10'

Lens construction: 20 e lement s in 12 groups Minimum focus distance: 1 .75 m/ 5.74 f t (A F); 1. 5 m/4 .92 f t (MF) Maximum reproduction ratio: 1/5.7 (AF); 1/5.1 (MF) Filter-att achment size: 77 mm Accessories: Hood H B-65 / C ase CL-M2

This zoom range 200 -400 mm lens has a fixed aperture of f/4 and is a NIKKOR-exclusive quality lens. Ideal for photographers who need to keep their gear to a minimum while on super-telephoto assignments that require stunning image quality. Nano Crystal Coat and Vibration Reduction (VR) with an effect equivalent to 3.0 stops* offer added capability, contributing to sharper images under demanding conditions.

200 mm 12°20' 400 mm 6°10'

Lens construction: 24 el ements i n 17 groups Minimum focus distance: 2 m/ 6. 6 ft (A F) ; 1.9 5 m/6 .4 ft (M F) Maximum reproduction ratio: 1/3 .7x (A F) ; 1/ 3.6x (M F) Filter-att achment size: 52 mm Accessories: Hood H K-30 / Ca se CL-L2

: ED glas s elements : Super E D glass e leme nts

Minimum fo cus dist ance is the d istance f rom a camer a’s focal pla ne mark to the subject.

•

*Based on CIPA Stand ard. The v alue is achieved when: DX -format lenses are

attac hed to a DX-fo rmat dig ital SLR c amera, F X-format comp atible lenses are attac hed to an FX-forma t digital SLR camera, and zoom lenses are s et at the maximum telephoto position.

Page 9

FIXED FOCAL-LENGTH

Dynamic perspectives achieved by ultra-wide angle

AF Nikkor 14mm f/2.8D ED

AF Nikkor 20mm f/2.8D

NIKKOR LENSES

Fixed focal-length lenses not only offer stunning sharpness. This approachable lineup of fast aperture

lenses also gives photographers an easy way to shoot beautiful background bokeh and get a broader

range of shooting opportunities in low light. From the 14 mm ultra-wide-angle to the 600 mm

super-telephoto, the NIKKOR ﬁxed focal-length lineup gives your images a distinct personality.

At 14 mm, this lens covers an extremely wide 114° angle of view, capturing a remarkably broad expanse with an exaggerated perspective, making it ideal for shooting large buildings, narrow indoor spaces or vast nature.

114°

Lens construction: 14 ele ments i n 12 groups Minimum focus distance: 0.2 m /0.6 6 ft Maximum reproduction ratio: 1/6.7x Filter-att achment size: Rear-at tachmen t t ype Accessories: Built-in hood / Case CL- S2

Superb optics with fast f/1.4 for amazing bokeh

AF-S NIKKOR 24mm f/1.4G ED

The greatest advantage of this versatile wide -angle lens is its amazingly beautiful bokeh at f/1.4 while covering an 84° angle of view. Its optical design now reveals more refined detail with even less aberration. In addition, Nano Crystal Coat effectively reduces ghost and flare effects in harsh lighting. Perfect for landscapes, architecture and environmental portraits, as well as any low- light shooting situation.

With both a dynamic perspective and a great depth of field, this 20 mm lens gives you edge-to-edge sharpness and less distortion when shooting interiors, landscapes and more. Superb optics and compact design (approx. 270 g/9.5 oz).

94°

Lens construction: 12 ele ments in 9 g roups Minimum focus distance: 0.2 5 m/0. 85 ft Maximum reproduction ratio: 1/8.3 x Filter-att achment size: 62 mm Accessories: Hood H B-4 (op tional) / C ase CL-S2 ( optiona l)

Standard wide-angle lenses for general purpose

AF Nikkor 24mm f/2.8D

Compact and approachable, this wideangle lens provides sharp images with a great perspective. Ideal for landscapes, travel, environmental portraits and more.

84°

Lens construction: 9 ele ments in 9 g roups Minimum focus distance: 0.3 m /1 ft Maximum reproduction ratio: 1/8.9x Filter-att achment size: 52 mm Accessories: Hood HN -1 (opti onal) / Cas e CL-07 15 (opti onal)

AF-S NIKKOR 85mm f/1.8G

Achieve both supreme sharpness and beautiful bokeh

84°

Lens construction: 12 ele ments in 1 0 groups Minimum focus distance: 0.2 5 m/0. 82 ft Maximum reproduction ratio: 1/5.6x Filter-att achment size: 77 mm Accessories: Hood H B-51 / Ca se CL-1118

Fast f/1.8 wide-angle lens with exquisite sharpness and quality bokeh

AF-S NIKKOR 28mm f/1.8G

Shooting with f/1.8 at 28 mm offers a unique look by rendering a shallow depth -of-field across wide expanses. This lens is designed to take full advantage of the latest high-megapixel cameras by delivering stunning sharpness and clarity. Its Nano Crystal Coat reduces ghost and flare effects to enhance its image quality even further. This compact, high-performance lens is an excellent choice for a wide range of subject matter, such as environmental portraits, landscapes, interiors and candid shots.

75°

Lens construction: 11 elem ents in 9 gr oups Minimum focus distance: 0.2 5 m/0. 82 ft Maximum reproduction ratio: 1/4.6x Filter-att achment size: 67 mm Accessories: Hood H B-64 / C ase CL-0 915

: Aspherical lens elements : ED glass elements

Minimum fo cus dist ance is the d istance f rom a camer a’s focal plane mark to the subject.

•

AF Nikkor 28mm f/2.8D

This light, compact and convenient wide angle lens allows you to get as close as

0.25 m/0.85 ft with a natural perspective. A great lens for nearly any wide angle subject matter.

74°

Lens construction: 6 ele ments in 6 g roups Minimum focus distance: 0.2 5 m/0. 85 ft Maximum reproduction ratio: 1/5.6x Filter-att achment size: 52 mm Accessories: Hood HN -2 (opt ional) / Ca se CL-0 715 (opt ional)

AF-S NIKKOR 28mm f/1.8G © Steve Simon

Page 10

Ultra-fast f/1.4 for exquisite sharpness and bokeh

AF-S NIKKOR 50mm f/1.4G

Strikingly crisp, compact and approachable primes

AF-S NIKKOR 50mm f/1.8G

Wide-angle f/1.4 prime with stunning clarity

AF-S NIKKOR 35mm f/1.4G

The legendary manual-focus Nikkor 35mm f/1.4 has now been upgraded to an AF-S lens with the latest digital technology. This lens achieves a remarkable level of coma aberration correction in order to deliver stunning images, even at a wide- open aperture. Nano Crystal Coat drastically reduces ghost and flare effects when shooting wide-angle, where the possibility of these effects can increase. A great choice for nature, landscape, night scenes and astrophotography.

63°

Lens construction: 10 ele ments in 7 g roups Minimum focus distance: 0.3 m /0.9 8 ft Maximum reproduction ratio: 1/5x Filter-att achment size: 67 mm Accessories: Hood H B-59 / C ase CL-1118

AF-S NIKKOR 35mm f/1.4G

Strikingly crisp, f/1.8 prime for DX users

AF-S DX NIKKOR 35mm f/1.8G

Optimized for DX-format cameras, this lens delivers both the superb sharpness and smooth bokeh you expect from a prime lens, making it particularly suited for portraits. The fast aperture ensures more photo opportunities in low light.

44°

Lens construction: 8 ele ments in 6 g roups Minimum focus distance: 0.3 m /0.9 8 ft Maximum reproduction ratio: 1/ 6.1x Filter-att achment size: 52 mm Accessories: Hood H B-46 / C ase CL-0 913

Fast and highly practical wide-angle lens

AF Nikkor 35mm f/2D

A fast f/2 aperture makes it easier to shoot in low light, giving you sharp and high- contrast images from infinit y to upclose. A great choice for landscapes and environmental portraits with either deepfocus or beautiful background bokeh.

©Tosh iya H agih ara

Expect outstanding image quality, edge-to-edge sharpness and high contrast at any aperture or focus distance. An ultra-fast f/1.4 maximum aperture not only creates attractive bokeh with its rounded 9- blade diaphragm, but also offers great low-light performance. Ideal for portraits, landscapes, travel and more.

46°

Lens construction: 8 ele ments in 7 g roups Minimum focus distance: 0.4 5 m/1.5 f t Maximum reproduction ratio: 1/6.8x Filter-att achment size: 58 mm Accessories: Hood H B-47 / C ase CL-1013

AF Nikkor 50mm f/1.4D

This lens offers quality optics and an ultra-fast f/1.4 maximum aperture, delivering superb resolution and color reproduction. An approachable standard lens for both fine detail and stunning bokeh imagery.

46°

Lens construction: 7 ele ments in 6 g roups Minimum focus distance: 0.4 5 m/1.5 f t Maximum reproduction ratio: 1/6.8x Filter-att achment size: 52 mm Accessories: Hood HR -2 (opt ional) / C ase CL-0 715 (opt ional)

Remarkably light and compact body considering the fast f/1.8 maximum aperture and built-in SWM that enables smooth AF. This lens features a newly designed optical system including an aspherical lens element, offering stunning sharpness and quality bokeh. A great choice for portraits, still-life shots, low- light scenes and more.

47°

Lens construction: 7 ele ments in 6 g roups Minimum focus distance: 0.4 5 m/1.4 8 ft Maximum reproduction ratio: 1/6.7x Filter-att achment size: 58 mm Accessories: Hood H B-47 / C ase CL-1013

AF Nikkor 50mm f/1.8D

Offering natural image rendering and exceptional sharpness, this extremely compact and lightweight lens weighs approx. 155 g/5.5 oz, making it a convenient carry-around lens for nearly any shooting opportunity.

46°

Lens construction: 6 ele ments in 5 g roups Minimum focus distance: 0.4 5 m/1.5 f t Maximum reproduction ratio: 1/6.6x Filter-att achment size: 52 mm Accessories: Hood HR -2 (opt ional) / C ase CL-0 715 (opt ional)

AF-S NIKKOR 50mm f/1.8G ©Deborah Sandidge

62°

Lens construction: 6 ele ments in 5 g roups Minimum focus distance: 0.2 5 m/0. 85 ft Maximum reproduction ratio: 1/4.2x Filter-att achment size: 52 mm Accessories: Hood HN -3 (opt ional) / C ase CL-0 715 (opt ional)

: Aspherical lens elements

Minimum fo cus dist ance is the d istance f rom a camer a’s focal plane mark to the subject.

•

Page 11

Fast normal lens with overwhelming rendering performance

AF-S NIKKOR 58mm f/1.4G

Medium-range telephoto lenses optimal for portraits

AF-S NIKKOR 85mm f/1.4G

Employing a re-designed optical system incorporating Nano Crystal Coat, this lens inherits an ultra-fast f/1.4 and a rounded nine -blade diaphragm for stunning bokeh. In addition, the newly developed MF driving mechanism reduces focus time lag and enables smooth operation in M/A mode. Expect incredibly crisp yet natural image rendering for portraits, whether for studio work or other commercial shoots outdoors.

28°30'

Lens construction: 10 ele ments in 9 g roups Minimum focus distance: 0.8 5 m/2. 79 ft Maximum reproduction ratio: 1/8.3 x Filter-att achment size: 77 mm Accessories: Hood H B-55 / C ase CL-1118

AF Nikkor 85mm f/1.4D IF

Well-known for achieving great portraits, this lens delivers incredibly sharp and natural image reproduction. Its fast f/1.4 ensures a bright viewfinder and beautiful bokeh from its rounded diaphragm. Perfect for portraits, but also excellent for theater work, close-range sports or any mediumtelephoto subjects.

28°30'

Lens construction: 9 ele ments in 8 g roups Minimum focus distance: 0.8 5 m/2.8 ft Maximum reproduction ratio: 1/8.8x Filter-att achment size: 77 mm Accessories: Hood HN-31 / Cas e CL-09 15 (optio nal)

DC lenses allowing creative focus control

AF DC-Nikkor 105mm f/2D

DC (Defocus Image Control) allows you to control the degree of soft focus in the foreground or background of an image. With a focal length of 105 mm and a fast f/2 maximum aperture, it performs well as a portrait lens with sharpness and excellent bokeh.

23° 20'

Lens construction: 6 ele ments in 6 g roups (plus one protective lens)

Minimum focus distance: 0.9 m /3 ft Maximum reproduction ratio: 1/ 7.7x Filter-att achment size: 72 mm Accessories: Buil t-in hoo d / Case CL-3 8 (optio nal)

AF DC-Nikkor 135mm f/2D

Using the same DC (Defocus Image Control) employed in the 105mm f/ 2D, the 135 mm focal length offers more telephoto reach, making it ideal for tight portraits while providing opportunities to shoot with a shallow depth of field or under low light.

18°

Lens construction: 7 ele ments in 6 g roups (plus one protective lens)

Minimum focus distance: 1.1 m/4 f t Maximum reproduction ratio: 1/ 7.1x Filter-att achment size: 72 mm Accessories: Buil t-in hoo d / Case CL-3 8 (optio nal)

High-performance medium telephoto with ED glass

AF Nikkor 180mm f/2.8D IF-ED

This prime lens achieves impressive scene description with high resolution and smooth, beautiful bokeh. Despite the fast aperture, sharp, high-contrast images of distant subjects can be captured even at the maximum aperture. Point light sources located at infinity can be finely reproduced as point images even with the aperture set at the maximum. In addition, elaborately designed bokeh characteristics depict subjects attractively, resulting in images with natural depth. Superior rendering capability that realizes two contradictory factors enables new photographic creativity. With all these advantages, this lens is a very individual addition to the NIKKOR lineup.

40°50'

Lens construction: 9 ele ments in 6 g roups Minimum focus distance: 0.5 8 m/1.9 0 ft Maximum reproduction ratio: 1/8x Filter-att achment size: 72 mm Accessories: Hood H B-68 / C ase CL-1015

AF-S NIKKOR 85mm f/1.8G

An approachable portrait prime lens for FX and DX photographers alike. With its fast f/1.8 aperture and a new optical design, this lens delivers both stunning details and quality bokeh from a surprisingly light and compact body. Moreover, its Silent Wave Motor (SWM) offers quieter and smoother AF. Not just for portraits a variety of subjects and situations.

28°30'

Lens construction: 9 ele ments in 9 g roups Minimum focus distance: 0.8 m /2.6 2 ft Maximum reproduction ratio: 1/8.1 x Filter-att achment size: 67 mm Accessories: Hood HB-62 / Cas e CL-1015

– try this with

Remarkably compact and easy to handle for a fast medium telephoto, this lens utilizes NIKKOR’s renowned ED glass to compensate for chromatic aberration and deliver high-contrast clear images, even at the maximum aperture of f/2.8. A favorite of astronomical photographers, the lens is also well-suited for close portraits, short-range sports, theater photography and more.

13°40'

Lens construction: 8 ele ments in 6 g roups Minimum focus distance: 1.5 m/ 5 ft Maximum reproduction ratio: 1/6.6x Filter-att achment size: 72 mm Accessories: Built-in hood / Case CL- 38

: Aspherical lens elements : ED glass elements

Minimum fo cus dist ance is the d istance f rom a camer a’s focal plane mark to the subject.

•

Page 12

Crystal-clear, amazingly fast telephoto with VR

AF-S NIKKOR 200mm f/2G ED VR II

Professional super-telephoto lineup with VR and Nano Crystal Coat

AF-S NIKKOR 400mm f/2.8G ED VR

Trusted by countless professionals, this telephoto prime lens has captured many significant moments in sports, theater and studio portraiture. ED glass elements – including one Super ED glass – compensate for chromatic aberration, plus Nano Crystal Coat ensures clarity in demanding light. Vibration Reduction (VR) with an effect equivalent to

3.0 stops* and a fast f/2 aperture broaden creative potential.

12°20'

Lens construction: 13 ele ments i n 9 groups Minimum focus distance: 1.9 m/ 6.2 f t Maximum reproduction ratio: 1/8.1 x Filter-att achment size: 52 mm Accessories: Hood H K-31 / Cas e CL-L1

The most renowned professional telephoto prime

AF-S NIKKOR 300mm f/2.8G ED VR II

This highly regarded professional super-telephoto lens is now reborn with Vibration Reduction (VR) to enable handheld shooting at up to

3.0 stops* slower. The Nano Crystal Coat reduces ghost and flare effects, helping to create stunningly crisp, clear images. The best choice for indoor and action sports.

8°10'

Lens construction: 11 elem ents in 8 gr oups (plus o ne Menisc us Prote ctive L ens)

Minimum focus distance: 2.3 m /7.5 f t (AF) ; 2 .2 m/ 7.2 ft ( MF) Maximum reproduction ratio: 1/6 .4x (A F) ; 1/ 6.1x (MF ) Filter-att achment size: 52 mm Accessories: Hood H K-30 / Ca se CL-L1

Approachable, easy-to-handle telephoto lens

AF-S Nikkor 300mm f/4D IF-ED

Offering an excellent balance between size and image quality, this lens realizes great sharpness, making it an ideal supertelephoto lens for sports, wildlife or travel applications. Also handles closer subjects incredibly well.

8°10'

Lens construction: 10 ele ments i n 6 groups Minimum focus distance: 1.45 m /4.8 f t Maximum reproduction ratio: 1/3.7x Filter-att achment size: 77 mm Accessories: Hood ( ﬁxed to t he lens) / Cas e CL-M2

With a fast f/2.8, Vibration Reduction (VR) providing an effect equivalent to 3.0 stops*, and Nano Crystal Coat, this lens delivers incredibly sharp images and beautiful bokeh in demanding conditions. The light and durable magnesium die -cast barrel means pro-level reliability, and its versatility makes it ideal for any super-telephoto opportunity.

6°10'

Lens construction: 14 ele ments i n 11 groups (plus o ne Menisc us Prote ctive L ens)

Minimum focus distance: 2.9 m/ 9.5 f t (AF ) ; 2.8 m /9. 2 ft (MF ) Maximum reproduction ratio: 1/6.3x (AF) ; 1/6.1x (MF) Filter-att achment size: 52 mm Accessories: Hood H K-33 / C ase CT-4 04

AF-S NIKKOR 500mm f/4G ED VR

This powerful super-telephoto lens offers incredible image reproduction. Featuring Vibration Reduction (VR) with an effect equivalent to

3.0 stops* and Nano Crystal Coat, the light and durable lens design ensures added confidence in the field. Ideal for motor sports, outdoor athletes, wildlife and more.

5°

Lens construction: 14 ele ments i n 11 groups (plus o ne Menisc us Prote ctive L ens)

Minimum focus distance: 4 m/13 .1 ft (A F) ; 3. 85 m/1 2.6 f t (MF) Maximum reproduction ratio: 1/6.9x (AF) ; 1/6.6x (MF) Filter-att achment size: 52 mm Accessories: Hood HK-34 / Ca se CT-5 04

AF-S NIKKOR 600mm f/4G ED VR

Perfect for dedicated sports and wildlife photographers, this extremely long 600 mm telephoto captures distant subjects with amazing clarity. The lens features Vibration Reduction (VR) with an effect equivalent to 2.5 stops*, Nano Crystal Coat and a rugged design for durability in the field.

4°10'

Lens construction: 15 ele ments in 1 2 groups

(plus on e Meniscus Pr otectiv e Lens)

Minimum focus distance: 5 m/16 .4 ft ( AF) ; 4 .8 m/1 5.7 ft ( MF) Maximum reproduction ratio: 1/7.4x (AF) ; 1/7.1x (MF) Filter-att achment size: 52 mm Accessories: Hood H K-35 / Ca se CT-6 07

Overwhelming super-telephoto with ﬂuorite

AF-S NIKKOR 800mm f/5.6E FL ED VR

AF-S TELECONVERTER TC800-1.25E ED

AF-S NIKKOR 800mm f/5.6E FL ED VR © Junichi Noguchi

With the longest focal length of all NIKKOR lenses, this is what sports and press photographers have been waiting for. Employing fluorite, ED glass and Nano Crystal Coat, this lens delivers outstandingly clear images with minimized chromatic aberration, ghosting and flare. An electromagnetic diaphragm mechanism that ensures stable aperture control even when a super-telephoto lens is used with a teleconverter is incorporated. Super-telephoto shooting is also reliably supported by Vibration Reduction (VR) offering an effect equivalent to a shutter speed 4.5 stops* faster (4.0 stops* with the AF-S TELECONVERTER TC8 00 -1.25E ED). Thanks to the use of fluorite that significantly reduces lens weight as well as the magnesium alloy adopted for the lens barrel, a light yet durable lens is realized. With the dedicated 1.25x Teleconver ter employing ED glass, which has been fine-tuned to the particular lens, focal length is extended to 1000 mm while retaining superior reproduction.

• Compatible cameras: D4/D3 series/ D800 series/ D700/D 610/ D600/D300 series/D710 0/D7000/D5300/ D5200/D5100/D5000/D3200/D3100

[Note]: Fi rmware up date (avail able from A pril 2, 2 013) is required for the D4, D3 seri es, D8 00 series, D6 00

or D700 0. Wit h the D700 o r D30 0 series, n ormal op eration m ay not be at tained wh en stoppi ng down the aper ture beyond f/22. Use the aperture wit hin the range from the ma ximum to f/ 22.

• Compa tible AF teleconverters: [A F is poss ible when a ttach ed to f/8 -co mpatib le camera s] AF- S TELE CON VERT ER TC8 00 -1.25E ED/AF- S TELEC ONV ERTER TC -14E II, [MF on ly] AF -S TEL ECON VERT ER TC-2 0E III/A F-S TELECONVE RTER TC -17E II

3°10'

Lens construction: 20 e lement s in 13 group s Minimum focus distance: 5.9 m /19. 36 f t (AF ) ; 5.8 m /19. 03 f t (MF ) Maximum reproduction ratio: 1/6.6x (AF) ; 1/6.4x (MF) Filter-att achment size: 52 mm Accessories: Hood H K-38 / Ca se CL-80 1 /

AF -S TEL ECON VERT ER TC 800 -1.25E E D

AF- S TELEC ONVER TER TC 800-1 .25E E D* Lens construction: 5 ele ments in 3 g roups

With AF-S TELECONVERTER TC800-1. 25E ED att ached

[Note] S upplied AF-S T ELECONVER TER TC800 -1.25E ED is a dedic ated telec onvert er to the AF-S N IKKOR 800m m f/5.6E FL ED V R and can not be att ached to ot her lenses. I t is not sold sep arately.

: ED glas s elements : Super E D glass e leme nts : Fluorites

Minimum fo cus dist ance is the d istance f rom a camer a’s focal pla ne mark to the subject.

•

*Based on CIPA Stand ard. The v alue is achieved when: DX -format lenses are at tache d to a DX-form at

digita l SLR cam era, FX -forma t compatible lense s are atta ched to an F X-form at digital SLR camera.

Weigh t: 135 g/ 4.8 oz Diame ter x lengt h*

*1 Foc al lengt h is exten ded by 1.2 5x. *2 Di stance f rom camera ’s lens-m ount ﬂang e.

: 62. 5 x 16 mm/ 2.5 x 0. 6 in.

Page 13

SPECIAL-PURPOSE

MICRO LENSES

These optical wonders take close-up shots with up to life-size reproduction, capturing the finest detail in its actual size on the sensor. Whether you shoot macro, portraits or other subject matter, expect striking sharpness, beautiful background bokeh and a wide range of focus distance: from closest 1:1 to infinity.

NIKKOR LENSES

Don't let the name fool you: Special-purpose lenses are not only for special occasions. This category

contains Micro lenses, Fisheye lenses and PC (Perspective Control) lenses. Each speciality offers a

new way of seeing the world, and can lead to new levels of fun and creative photography.

Compact and approachable DX Micro with amazing clarity

AF-S DX Micro NIKKOR 40mm f/2.8G

This remarkably light, compact and agile micro lens serves as an exceptional complement to DX cameras. In addition to life-size (1x) close-up capability, the 40 mm focal length can make a wide variety of subject matter approachable, includ ing portraits. An excellent Micro NIKKOR for any DX photographer.

38°50'

Lens construction: 9 ele ments in 7 g roups Minimum focus distance: 0.16 3 m/0 .53 f t Maximum reproduction ratio: 1x Filter-att achment size: 52 mm Accessories: Hood H B-61 / Ca se CL-0 915

Compact and versatile standard micro lens

AF-S Micro NIKKOR 60mm f/2.8G ED

Delivers stunningly sharp images up to life-size (1x) at all f-stops with incredible bokeh. Nano Cr ystal Coat effectively reduces ghost and flare effects under harsh lighting, such as in backlit situations. With its wide focusing range, this lens is not limited to extreme close-up photography and can be used for most subject matter.

39°40'

Lens construction: 12 ele ments in 9 g roups Minimum focus distance: 0.185 m /0.6 f t Maximum reproduction ratio: 1x Filter-att achment size: 62 mm Accessories: Hood H B-42 / C ase CL-1018

Versatile, high-performance micro lens for DX photographers

AF-S DX Micro NIKKOR 85mm f/3.5G ED VR

Compact and lightweight, even with the incorporated Vibration Reduction (VR) with an effect equivalent to 3.0 stops*, which enables steadier handheld shooting. With a great working distance and continuous autofocus from infinity to life-size (1x), this lens gives you amazing sharpness and background bokeh for close-up subjects, portraits, nature images and more.

18°50'

Lens construction: 14 ele ments i n 10 groups Minimum focus distance: 0.2 86 m/ 0.9 ft Maximum reproduction ratio: 1x Filter-att achment size: 52 mm Accessories: Hood H B-37 / C ase CL-1018

DXDX

Excellently balanced micro lens with VR

AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED

This medium telephoto micro has Vibration Reduction ( VR) with an effect equivalent to 3.0 stops* for easy handheld macro shooting. The lens delivers crisp yet natural images in any genre of photography. The longer focal length gives it a great working distance when shooting close-ups of flowers, insects and other small wildlife. It also takes fantastic portraits. Nano Crystal Coat effectively reduces ghost and flare effects.

23°20'

Lens construction: 14 ele ments i n 12 groups Minimum focus distance: 0.31 4 m/1 f t Maximum reproduction ratio: 1x Filter-att achment size: 62 mm Accessories: Hood H B-38 / C ase CL-102 0

AF-S DX Micro NIKKOR 40mm f/2.8G

Micro NIKKORs: Much more than miniatures and portraits

AF Micro-Nikkor 60mm f/2.8D

This longtime seller delivers crisp images at any focus distance from infinity to life -size (1x). Ideal for general close-ups, portraits, landscapes, copy work and more.

39°40'

Lens construction: 8 ele ments in 7 g roups Minimum focus distance: 0.21 9 m/8 3/ 4 in. Maximum reproduction ratio: 1x Filter-att achment size: 62 mm Accessories: Hood HN -22 (op tional ) / Case C L-08 15 (optional)

: Aspherical lens elements : ED glass elements

Minimum fo cus dist ance is the d istance f rom a camer a’s focal pla ne mark to the subject.

•

Powerful telephoto micro lens with great working distance

AF Micro-Nikkor 200mm f/4D IF-ED

By taking advantage of the long working distance of 0.26 m/0.9 ft at life-size (1x), it is ideal for shooting flowers, insects and other tiny wildlife without disturbing them. The NIKKOR glass ensures clear and high-contrast images regardless of f-stop, and the lens performs superbly as a regular telephoto as well.

12°20'

Lens construction: 13 ele ments i n 8 groups Minimum focus distance: 0.5 m /1 5/8 f t Maximum reproduction ratio: 1x Filter-att achment size: 62 mm Accessories: Hood H N-30 (o ptiona l) / Case C L-45

*Based on CIPA Stand ard. The v alue is achieved when: DX -format lenses are

attac hed to a DX-fo rmat dig ital SLR c amera, F X-format comp atible lenses are attac hed to an FX-forma t digital SLR camera.

Page 14

FISHEYE LENSES

These specialized lenses feature an ultra-wide angle of view that bends and distorts the subject matter as it reaches the edges of the frame. Try different viewpoints and angles in various scenes with a fisheye lens and even ordinary scenes can turn into extraordinary photographs.

PC LEN SES/ PC MI CRO LEN S ES

With NIKKOR’s exclusive PC (Perspective Control) tilt and shift operation, these lenses enable you to control the perspectives, distortion and depth of field in your images. PC lenses make you more approachable to professional creative techniques that usually only large-format NIKKOR lenses can handle.

PC-E lenses lineup: more freedom in controlling perspectives

PC-E NIKKOR 24mm f/3.5D ED

PC-E Micro NIKKOR 85mm f/2.8D

Fun-to-use, compact ﬁsheye lens for DX photographers

AF DX Fisheye-Nikkor 10.5mm f/2.8G ED

AF DX Fisheye-Nikkor 10.5 mm f/2.8G ED © Cliff M autner

Sharp, full-frame ﬁsheye lens creating dramatic perspectives

AF Fisheye-Nikkor 16mm f/2.8D

This wide -angle PC lens covers an 84° angle of view and features tilt and shift operation, as well as +/-90° revolving mechanism. Ideal for architecture, cityscapes, general indoor photography and nature. Auto aperture control is possible with the electromagnetic diaphragm*. Nano Crystal Coat reduces ghost and flare effects.

84°

Lens construction: 13 ele ments i n 10 groups Minimum focus distance: 0.21 m /0.7 5 ft Maximum reproduction ratio: 1/2.7x Filter-att achment size: 77 mm Accessories: Hood H B-41 / Cas e CL-1120

PC-E Micro NIKKOR 45mm f/2.8D ED

With a fast f/2.8 aperture, this standard PC lens also has micro capability, shooting up to 1/2x life-size and enabling tilt, shift and +/-90° revolving mechanism. Perfect for commercial work, product shots, nature photography or any other subjects that require a natural perspective and fine detail. Auto aperture control is possible with electromagnetic diaphragm*. Nano Crystal Coat is employed to reduce ghost and flare effects.

This medium -telephoto PC lens enables tilt, shift and +/-90° revolving mechanism and also has micro capability to shoot up to 1/2x life-size. A great choice for long-range portraits, nature, and commercial work with uniquely controlled perspectives. Auto aperture control is possible with electromagnetic diaphragm*. Nano Crystal Coat is employed to reduce ghost and flare effects.

28°30'

Lens construction: 6 ele ments in 5 g roups Minimum focus distance: 0.3 9 m/1. 3 ft Maximum reproduction ratio: 1/2x Filter-att achment size: 77 mm Accessories: Hood H B-22 / Ca se CL-1120

This compact and lightweight fisheye lens is designed exclusively for DX-format cameras. With its frame-filling 180 ° angle of view and unique bending effects, any scene or subject will take on new dimensions through the viewfinder, making anything you shoot fun. The lens has edge-to-edge sharpness and enables you to get as close to the subject as 3 cm/1.2 in. from the lens front.

180° 180°

Lens construction: 10 ele ments i n 7 groups Minimum focus distance: 0.14 m/ 0.5 f t Maximum reproduction ratio: 1/5x Accessories: Built-in hood / Case CL- 0715

51°

NIKKOR’s supreme optical performance provides continuous sharpness from infinity to the closest subject, offering the uniquely altered reality of ultra-wide-angle photography for beautiful and dramatic images. Four bayonet type filters attached to the lens rear give more creative options in filter effects.

Lens construction: 8 ele ments in 5 g roups Minimum focus distance : 0.25 m /0. 85 ft Maximum reproduction ratio: 1/10x Accessories: Built-in hood / Case CL-0 715 (op tional ) /

Fil ter L3 7C, A2 , B2, O 56

: Aspherical lens elements : ED glass elements

Minimum fo cus dist ance is the d istance f rom a camer a’s focal plane mark to the subject.

•

*Available only with cameras co mpatibl e with the el ectroma gnetic di aphragm ( Nikon D4 ,

D3 serie s, D80 0 series, D700, D 610, D6 00, D 300 s eries, D710 0, D7000, D9 0, D5300, D5200, D5100, D5000, D3200, D3100 and D3000).

•The Nikon D4 a nd D3 seri es can be us ed withou t any limitations. However, operat ions may be limite d with other m odels, w hile some o lder cam eras may be i ncompatible.

Lens construction: 9 ele ments in 8 g roups Minimum focus distance: 0.2 53 m/ 0.83 f t Maximum reproduction ratio: 1/2x Filter-att achment size: 77 mm Accessories: Hood H B-4 3 / Case CL-1120

PC-E NIKKOR 24mm f/3.5D ED © Yves Patern oster

Page 15

MANUAL-FOCUS LENSES

This great lineup features eight ﬁxed focal-length lenses, including two micro lenses.

Lens name

Nikkor 2 0mm f/2.8

Nikkor 2 4mm f/2 .8

Nikkor 2 8mm f/2.8

Nikkor 3 5mm f/1.4

Lens construction [groups/elements]

9/ 12 0.25/0.85 1/8. 3 62 HK-14 C L- 0 9 15

9/9 0.3/1 1/8 .8 52 HN-1 CL- 09 15

8/8 0.2/0.7 1/3 .9 52 HN-2 CL- 0 8 15

7/9 0.3/1 1/ 5.6 52 HN-3 CL- 0 9 15

Minimum focus

distance [m/ft]

Maximum

reproduction ratio [x]

Filter-at tachment

size [mm]

Lens hood

(optional)

OPTIONAL ACCESSORIES

AF-S Teleconverters

Teleconverters increase the original focal length to 2x, 1.7x or 1.4x when attached between an AF-S/AF-I lens and the camera body. Their superior optical performance retains the high-quality imaging advantages of your original lenses while also supporting its signal transmission.

AF-S Teleconverter TC-20E III

This teleconverter expands the focal length by 2x and slows down the aperture by 2 stops.

Lens construction: 7 elements in 5 groups Case: CL-0715

The following AF-S and AF-I NIKKOR lenses are compatible with AF-S Teleconverters.

AF- S VR Micro- Nikkor 105mm f/2.8G IF- ED* AF- S NIKKOR 200mm f/2G ED VR II AF- S VR Nikkor 200mm f/2G IF -ED AF- S NIKKOR 300 mm f/2.8G ED VR II AF- S VR Nikkor 300 mm f/2.8G IF-ED AF- S Nikkor 300mm f/2.8D IF- ED II AF- S Nikkor 300mm f/2.8D IF- ED AF- I Nikkor 3 00mm f/2.8 D IF- ED AF- S Nikkor 300mm f/4D IF-ED* AF- S NIKKOR 400 mm f/2. 8G ED VR

*1: Autofocus ca nnot be use d. *2: Au tofocus with TC-2 0E III or TC -17E II c an be used with the D 4, D800 series, D610 , D600

or D7100. ( With t hese came ras, if the effectiv e apertu re is f/5. 6 or slower, the fo cus point tha t is used for au tofocus or manual focus with elec tronic ran geﬁnde r is limited to that loc ated at the center. Also, focus may not be a chieved when shooti ng low- contra st or dark subjects.)

*3: Autofocus with TC -20E I II or TC-17E II c annot be us ed. Autofo cus with TC -14E II can be

used whe n attach ed to an f/8 -compatible camera.

: Aspherical lens elements

AF-S Teleconverter TC-17E II

This teleconverter expands the focal length by 1.7x and slows down the aperture by

1.5 stops.

Lens construction: 7 elements in 4 groups Case: CL-0715

AF- S Nikkor 4 00mm f/2.8 D IF- ED II AF- S Nikkor 4 00mm f/2.8 D IF- ED AF- I Nikkor 4 00mm f/2.8 D IF- ED AF- S NIKKOR 500 mm f/4G ED V R* AF- S Nikkor 500mm f/4D IF-ED II* AF- S Nikkor 500mm f/4D IF-ED* AF- I Nikkor 5 00mm f/4D IF-ED*2 AF- S NIKKOR 600mm f/4G ED V R* AF- S Nikkor 6 00mm f/4D IF-ED II* AF- S Nikkor 6 00mm f/4D IF-ED*2

• O ther lenses cannot b e used. Do n ot attac h other lens es, as the rear lens elem ents will touch and c ould dam age the tele conver ter elements.

• Vibration Reduction function operates with VR (Vibration Reduction) lenses when used with the fo llowing N ikon SLR ca meras: F X/ DX-for mat digital SLR c ameras, F 6, F5, F10 0, F80 ser ies, F7 5 series and F65 ser ies.

• AF-S T ELECO NVER TER TC 800 -1.25E E D is a suppli ed acces sory of the AF- S NIKKO R 800 mm f/5 .6E FL ED V R and not so ld separately. For det ails, see p age 21.

AF-S Teleconverter TC-14E II

This teleconverter expands the focal length by 1.4x and slows down the aperture by 1 stop.

Lens construction: 5 elements in 5 groups Case: CL-0715 (optional)

AF- I Nikkor 6 00mm f/4D IF-ED* AF- S NIKKOR 800 mm f/5.6E FL ED V R* AF- S NIKKOR 70-200mm f/2.8 G ED VR II AF- S VR Zoom-Nikkor 70 -200mm f/2.8G IF -ED AF- S NIKKOR 70-200mm f/4G ED VR* AF- S Zoom -Nikkor 80 -200mm f/2.8D IF -ED AF- S NIKKOR 80 -4 00mm f/4.5 -5 .6G ED VR* AF- S NIKKOR 200 -400 mm f/4G ED V R II* AF- S VR Zoom-Nikkor 20 0- 40 0mm f/4 G IF- ED*2

Lens case

(optional)

Lens name

Nikkor 50m m f/1.2 6/7 0.5/ 1.7 1/7. 9 52 HS-12/HR-2 CL- 09 15

Nikkor 5 0mm f/1.4

Micro-Nikkor 55mm f/2.8 / Auto

Lens construction [groups/elements]

6/7 0.45/1.5 1/ 6. 8 52 HS -9/ HR -1 CL- 08 15

5/6

Extension Ring PK-13

Micro-Nikkor 105 mm f/2.8 / Auto Extension

9/10

Ring PN -11

* Minimum fo cus dist ance is the distance f rom a camer a’s focal pla ne mark to the subject. *

Minimum focus

distance [m/ft]

0.25/0.9

(0.225/0.738)

0.41/1. 34

(0.3 7/1. 21)

Maximum

reproduction ratio [x]

1/ 2 (1) 52 HN-3 CL- 0 915

1/2 (1/0.88) 52 HS-14

Values in parentheses apply when Auto Extension Ring PK-13 or PN-11 is in use.

Filter-at tachment

size [mm]

Lens hood

(optional)

Lens case

(optional)

CL- 10 18

(C L- 3 8 )

Extension Rings

Auto Extension Ring PK-11A, 12, 13

These extension rings are for NIKKOR lenses with the AI (Automatic maximum aperture Indexing) system. Seven extension lengths can be achieved when used individually or in combination.

*The exp osure meter c annot be used with cameras that d o not have an ex posure meter

coupli ng lever, such as t he F80 and F75

Adapter Ring BR-3

This adapter converts the bayonet mount of reverse-mounted lenses to the 52 mm thread used for ﬁlters and hoods (HB-type bayonet hoods cannot be used).

Macro Adapter Ring BR-2A/BR-5

Mounted to the lens in reverse, this extension ring can be attached directly or using the Bellows Focusing Attachment. When shooting in a reproduction ratio larger than 1x, even better lens performance is realized by attaching the ring to the lens in reverse. BR-2A is compatible with lenses having 52 mmsized front attachment and the BR-5 (with BR-2A together) with lenses having 62 mm-sized front attachment.

Filters/holders

Neutral Color NC Filter

Ideal as a lens protector, this ﬁlter does not affect the color balance (visible light spectrum) of your lens. Its multilayer coating prevents light reﬂection inside the glass.

Soft Focus Filter

Give your images a moderately soft and beautiful blur effect. Good for various shooting situations, such as portraiture.

Circular Polarizing Filter II

By dramatically reducing the reﬂective qualities, polarizing ﬁlters allow direct shooting through glass or into bodies of water, and enable better capture of other non-metallic objects that reﬂect light. Polarizing ﬁlters also cut the reﬂective light of vapor and minute dust in the air, so blue skies can be rendered even bluer.

The following lens es cannot b e used: AF Nikko r 20mm f/ 2.8D, N ikkor 20m m f/2.8 S, Zoo m-N ikkor 28 -8 5mm f/ 3.5 -4.5S, A F Zoom -Nik kor 35 -105mm f/ 3.5 -4.5D IF

Also, slight vigne tting may occur whe n shooting a t inﬁnit y or closer shooting d istance s when the Circular Po larizing F ilter II is us ed with the fo llowing l enses: Nikkor 24mm f/2, Nik kor 28mm f/ 2, PC Nik kor 28mm f/ 3.5 with maximu m shift, A F Zoom -Nik kor 24- 50m m f/3. 3- 4.5D, A F Zoom -Nik kor 28-105mm f/3 .5 -4. 5D IF

Bayonet Filter: Ultraviolet L37C

This filter absorbs ultraviolet light and produces clear images with high contrast. The L37C has multilayer coating to reduce reﬂection. Can also be used as a lens protector.

Slip-in Circular Polarizing Filter

Designed for use with telephoto lenses equipped with a slipin ﬁlter holder, this ﬁlter reduces reﬂected light and draws out more clarity and color while decreasing the effect of sunlight reﬂection from airborne water vapor and dust. Also, polarizing ﬁlters darken the blue in skies without affecting the contrast, further emphasizing your subject. When shooting in color, the ﬁlter eliminates color casting caused by reﬂected light.

Hoods

Lens hoods reduce stray light that can degrade your image quality while minimizing ghost and ﬂare effects. They can also be used as lens protectors. For every type of NIKKOR lens, there is a lens hood available. They are classiﬁed according to the attachment methods and materials: HB (bayonet), HN (screw-on), HK (slip-on), HS (snap- on) and HR (rubber screw- on).

NAL-1 Zoom/Focus Assist Lever

When attached to a zoom ring or a focus ring, this lens attachment enables smoother zoom or focus operation. It is especially helpful for zooming during movie recording as well as for ﬁne manual focusing.

NIK KOR lense s recommen ded for use w ith the N AL-1 Zoom /Focu s Assis t Lever

AF- S 16- 35mm f/4G ED VR , AF- S DX 17-5 5mm f/2. 8G IF -ED, A F-S DX 18 -105mm f/3.5 -

5.6G E D VR, AF -S DX 18 -140mm f/ 3.5 -5 .6G ED V R, AF -S DX 18 -200 mm f/3 .5- 5.6 G ED VR II, A F-S 2 4-70m m f/2.8 G ED, AF -S 70 -20 0mm f/2 .8G ED V R II

BR-5BR-3BR-2APK-11 A P K-12 PK-1 3

Page 16

FT1 MOUNT ADAPTER

NIKKOR TECHNOLOGY

The FT1 mount adapter allows NIKKOR F mount lenses to be used with Nikon 1 cameras equipped with a Nikon 1 mount. The angle of view of an F-mount lens mounted on the FT1 is equivalent to that of a 35mm-format lens with a focal length about 2.7x longer. The FT1 can be used with more than 70 lenses, representing almost all the NIKKOR lenses currently on the market*1. It also supports auto exposure/autofocus*2 and Vibration Reduction (VR)*3. Electronic rangeﬁnding is available in manual focus mode. You can also explore the new forms of expression offered by the Nikon 1’s unique Motion Snapshot mode

*1 The adapter can be us ed with F -moun t NIKKOR l enses, inc luding DX lenses but exc lud-

ing IX- NIK KOR lenses, lenses for th e F3AF, non -AI le nses, tele converte rs, and auto extension rings. A I Nikkor 20 mm f/2. 8, Nikko r 24mm f/2.8, and P C-E NIKKOR 24 mm f/3. 5D ED lens es cannot b e used.

*2 Autofoc us is availa ble only w ith AF -S lense s; other lens es suppo rt manua l focus onl y.

The only AF- area mod e availab le is Singl e-p oint AF an d the camera focuses o n the sub -

ject in the center focu s point only. *3 Availa ble with V R lenses. *4 Motion Sna pshots ca n be record ed only wh en autofocus is used wit h AF- S lenses an d

then only when the ca mera is in foc us.

Focus

Lens

Type AF MF

AF-S E, G, D

PC-E D – MF MF √*

AI-S – – MF MF –

*1 CPU lenses only. *2 Not available if lens is shifted or tilted.

Before Using the FT1 Mount Adapter

•

For compatible F-mount N IKKOR lenses, refer to Nikon’s website.

• I

n some cases, focus may not be achieved even when the in -focus indicator

lights up; if this occurs, focus manually.

•

Autofocus may be less precise when S: Shutter-priorit y auto, A: A perture-

priorit y auto, or M: Manual is selected for exposure mode instead of P:

Programmed auto mode. Focus manually if you have trouble focusing using

autofocus.

Lens focus

mode

M/A, A/M M/A, A/M MF

A AF MF

M MF MF

A MF MF

M MF MF

A MF MF

M MF MF

FT 1 + AF-S NIK KOR 70-2 00mm f/ 2.8G ED V R II

Angle of view is equivalent to that of a telephoto zoom lens with 189-540 mm focal length.

Camera focus mode

Electronic

rangeﬁnder

√ √ √ √ √ √ √

Known for its reliability, clarity and devotion to the needs of passionate photographers, NIKKOR, Nikon’s exclusive lens brand, is on a quest to create the ﬁnest optics in the world. By adhering to the strictest requirements and testing both in the lab and across a wide range of actual shooting situations, Nikon creates technologies that make NIKKOR lenses the best choice for any type of still or moving imagery.

ED glass effectively reduces chromatic aberration at high magniﬁcation

Nikon was the world’s ﬁrst camera maker to develop ED (Extra-low Dispersion) glass that could minimize prism-caused color dispersion. This low-dispersion ED glass also offers anomalous dispersion characteristics

Secondary spectrum

Normal glass

like calcium ﬂuoride crystals, which consequently minimize the secondary spectrum. For lenses using normal

NIKKOR lens + FT-1 + Nikon 1 series

optical glass, the longer the focal length, the more difﬁcult it is to correct the chromatic aberration that causes

Exposure / Metering

Lens Exposure mode Metering

*1 Uses special exposure program. *2 Not available if lens is shifted or tilted. *3 Camera uses aperture-priority auto exposure control.

Type P

AF-S G, D, E

AF G, D

PC-E D

AI-S –

, S A, M ,

√ √

√

–

– √*

– –

√ √

√*

√

color fringing. Nikon’s ED glass, which effectively compensates for this kind of chromatic aberration, is employed in a wide range of NIKKOR telephoto lenses for superior reproduction. Nikon has also developed Super ED glass featuring even lower dispersion properties and extremely high performance in eliminating the secondary spectrum, to minimize chromatic aberration even further, as well as other lens aberrations. Super ED glass is employed in the AF-S NIKKOR

Secondary spectrum

ED glass

Secondary

Super ED glass

spectrum

80-400mm f/4.5-5.6G ED VR and AF-S VR Nikkor 200mm f/2G IF-ED.

This type of lens utilizes non-spherical surfaces on either one or both sides of the glass in order to eliminate certain types of lens aberration. These aspherical elements are particularly useful for correcting the distortion in wide-angle lenses. Such distortions are caused by variations in the magniﬁcation of the image, depending on its distance from the optical axis. Aspherical lens elements correct these distortions by continuously changing the refractive index from the center of the lens. Since the 1960s, Nikon engineers have established design theories and lens-processing techniques to reﬁne the aspherical lens. In 1968, the OP Fisheye-Nikkor 10mm f/5.6 became the ﬁrst interchangeable SLR lens incorporating aspherical lens elements. Since then, aspherical lenses have been an important part of the NIKKOR lens family, with every new addition to the lineup providing a new level of contrast, resolution and com-

Aspherical lens for effective aberration correction

Conceptual image of distortion correction

Distortion is suppressed

Conceptual image of spherical aberration

correction

Normal lens

Aspherical lens

Refractive index is continuously

changed from the center

pact design.

Hybrid aspherical lenses: made of a special plastic molded onto

optical glass.

•

Lines may appear in photographs t aken with non -C PU lenses stopped down to minimum aperture.

•

Nikon 1 V1/J1 are supported from ﬁrmware version A 1.10/B 1.10.

•

The tops and bottoms may be missing from circular bokeh shapes created at wide apertures using lenses with a maximum aperture of f/1.4 or f/1.2.

•

Auto mode and Best Moment Capture mode are not supported.

FT 1 + AF-S DX Micr o NIKKOR 40mm f/2.8G

Angle of v iew is equi valent to that of a micro len s with 108 mm fo cal leng th.

Nano Crystal Coat minimizes ghost and ﬂare effects to provide clear images

Originating from Nikon’s work in semiconductor manufacturing technology, NIKKOR’s Nano Crystal Coat is an antireﬂective coating that employs an extra-low refractive index coating featuring ultraﬁne, nano-sized* crystal particles. These crystallized particles eliminate reﬂections inside the lens throughout the spectrum of visible light waves (380 to 780 nm) in ways that far exceed the limits of conventional antireﬂection coating systems. Nano Crystal Coat not only solves ghost effects caused by red light, which was incredibly difﬁcult for previous systems. It also effectively reduces ghost and ﬂare effects caused by light entering the lens diagonally. The result: clearer images.

*One nano meter equals one milli onth of a milli meter

Reﬂected light

Incident light

Without coating

Incident light

Nano Crystal Coat

(From left) Without coating, Nikon Super Integrated Coating, Nano Crystal Coat

Conventional multilayer coating

Lens

Reﬂected light

Nano Crystal Coat

Lens

Molded glass aspherical lenses: manufactured by directly press-

ing optical glass into a high-precision aspherical mold.

Flourite

Fluorite is a monocrystal optical material that features a high transmission rate within both the infrared and ultraviolet zones. With its superb anomalous dispersion properties, ﬂuorite intensely blocks the secondary spectrum in order to effectively correct chromatic aberration within the visible light spectrum – something that is more difﬁcult to achieve at longer focal lengths. It is also signiﬁcantly lighter than optical glass, giving you a more effective lens with less weight.

High Refractive Index lens

With a refractive index of more than 2.0, one HRI lens can offer effects equivalent to those obtained with several normal glass elements and can compensate for both ﬁeld curvature and spherical aberrations. Therefore, HRI lenses achieve great optical performance in an even more compact body.

Page 17

NIKKOR TECHNOLOGY

VR (Vibration Reduction): Correct blur while retaining a stable viewﬁnder image

With NIKKOR’s Vibration Reduction system, camera shake information is detected by the VR sensor of the VR lens unit, which is continually in motion inside the lens, aligning the optical axis with your camera’s imaging sensor, thereby reducing image blur. By providing the equivalent of shooting at shutter speeds up to 4.5 stops* faster, the system helps you achieve sharper shots when shooting sports scenes, dimly lit landscapes and handheld situations.

In-lens blur correction for clearer viewﬁnder image

Nikon’s Vibration Reduction (VR) function is built into the lens. Unlike with in-camera systems, your camera’s sensor does not move with VR, thereby giving you a steadier view through the viewﬁnder and eliminating the blur you would see in the image itself. A clear view makes it easier to conﬁrm your composition and place your focus point accurately.

Optimization in every lens

Consider, for example, the special situation of using a micro lens to shoot extreme close-ups of a ﬂower where the photographer is in a crouching position. This shooting scenario deserves its own VR parameters, so Nikon conducted over 10,000 shooting tests to reﬁne unique algorithms for each VR lens type. Yet another reason why the vibration reduction system is built inside the lens.

Dual algorithm

Looking through a fully blur-corrected viewﬁnder for long periods of time may cause feelings similar to motion sickness in some photographers. To prevent this, Nikon developed an exclusive algorithm utilized when the shutter release button is half-pressed. This ﬁrst algorithm controls the blur correction at a slightly lower level than usual. When the shutter release button is fully pressed, a second algorithm engages to maximize camera shake compensation during exposure for clear images.

Centering prior to exposure

The instant the shutter is released, the VR lens unit will reset to a central position (optical axis) from an off-centered position which is the result of VR operation. Although the shift range of the VR lens unit is limited, centering of the lens ensures uniform shift in any direction, maximizing the VR effect as well as optical performance.

High blur-correction performance

It is said that a shutter speed of 1/[focal length (mm)] second or slower may cause image blur, however, this cannot be applied to every situation because there are differences in photographers’ skill and lens/camera performance. For this reason, Nikon’s engineers compared an image with VR on and another without VR based on CIPA Standard. As a result, the VR effect providing the equivalent of a shutter speed up to 4.5 stops* faster is conﬁrmed. This allows photographers to use slower shutter speeds than would otherwise be possible for taking sharp images with minimal blur, expanding photographic expression.

Degree

of blur

1/250 1/125 1/60 1/30 1/15

1/500

VR lens u nit

Direction of movement

VR OFF VR ON (4.5 stops)

Effect: 4.5 stops

VR mechanism

1/8

1/6

Image sensor

Shutter speed [s]

VR off

VR on

Panning detection for moving subjects

For a panning shot in which subject movement needs to be emphasized, Nikon’s VR detects camera movement for panning, automatically suppressing the blur-correction function. For a horizontally moving subject, only vertical blur is corrected. With VR lenses employing Active mode, choose Normal mode for panning shots.

• Refer to pag e 34 for VR l enses wit h Active mode.

Tripod vibration reduction function

This function automatically differentiates the frequency of the vibration from that of camera shake, and changes the algorithm to correct image blur caused by slight tripod vibration.

• Refer to pag e 34 for VR l enses wit h this func tion.

Three VR modes selectable according to shooting situations

Normal mode

Normal mode is recommended for most general scenes. In this mode, slow and wide camera movement is regarded as the photographer recomposing a shot and blur-correction operation is limited accordingly. Normal mode also includes automatic panning detection.

Active mode

When shooting from a moving vehicle or other unstable position, the lens can sometimes misinterpret camera movement or a photographer’s intentions. In this case, choose Active mode for further compensation, a more stable viewﬁnder image and even steadier shots.

• Refer to pag e 34 for VR l enses wit h Active mode.

Tripod mode

Tripod mode is most recommended when a tripod is used. This mode is employed in three super-telephoto lenses that are likely to be used with a tripod – AF-S NIKKOR 400mm f/2.8G ED VR, AF-S NIKKOR 500mm f/4G ED VR and AF-S NIKKOR 600mm f/4G ED VR.

*Based on CIPA Stand ard. The v alue is achieved when: DX -format lenses are

attac hed to a DX-fo rmat dig ital SLR c amera, F X-format comp atible lenses are attac hed to an FX-forma t digital SLR camera, and zoom lenses are s et at the maximu m telephoto p osition . For VR ef fect in stops with eac h lens, refer to p age 34 .

AF-S NIKKOR lens with SWM for quiet autofocus

Nikon’s original Silent Wave Motor (SWM) converts “traveling waves” into rotational energy to drive the optics used for focusing. The two SWM lens types – ring type and compact type – are speciﬁcally chosen to match each lens’s specs and design. Any AF-S NIKKOR lens featuring these SWMs delivers extremely smooth, quiet and comfortable auto focusing for both general shooting as well as extreme situations, such as sports and wildlife.

Nikon Super Integrated Coating

Nikon’s exclusive multilayer lens coating achieves high transmittance in a wider wavelength range. Even for zoom lenses with a large number of glass elements, this coating system effectively reduces the ghost and ﬂare effects that are likely to occur in backlit situations, helping you achieve high-contrast images with rich gradation. With outstanding color balance and reproduction capability, superb optical performance can be achieved. Ghost and ﬂare effects caused by internal reﬂections particular to digital cameras are also effectively minimized. This coating system is applied to all current lenses in the NIKKOR lineup.

Meniscus Protective Glass

NIKKOR’s exclusive protective glass for lenses comes attached to the front of fast super-telephoto lenses. Normal ﬂat protective glass lets incoming light reﬂect off the surface of the image sensor or ﬁlm, especially under a strong light source such as a spotlight. This then reﬂects again off the protective glass, resulting in a ghost effect. NIKKOR’s curved meniscus glass dramatically reduces this re-reﬂected light, realizing clearer images with less ghosting.

A/M (auto-priority manual) mode

This mode also enables an easy transition from autofocus to manual during AF operation. However, mode switch sensitivity has been altered to reduce the possibility of sudden unintentional switching to manual focus while shooting.

SWM

M/A mode for quick switching from AF to MF

Simply by rotating a focus ring, M/A mode allows you to switch from autofocus to manual with virtually no time lag. This makes it possible to seamlessly switch to ﬁne manual focusing while looking through the viewﬁnder.

A-M mode ring/lever/switch

Compact SWM

D Signal – Distance information output

capability

The D stands for Distance. Subject-tocamera distance information is obtained with an internal encoder, which is linked to the lens focus ring. This information is then transmitted to the camera body for highprecision exposure control found in 3D Color Matrix Metering II/III and i-TTL Balanced FillFlash. Every AF, AF-S, PC and PC-E series lens has a distance signal built in.

E-type lenses

An electromagnetic diaphragm mechanism is incorporated inside the body of these lenses and controlled via electronic signals from the camera body. This gives you incredibly accurate aperture control, even when a teleconverter is being used with a super-telephoto lens*.

*Some limitations apply

G-type lenses

For this type of lens, apertures are always selected from the camera body, as there is no aperture ring on the lens itself. Through the powerful control of diaphragm blades, stable high-speed continuous shooting is enabled, even at smaller apertures*.

*Some limitations apply

Thanks to a mechanism incorporated in the lens barrel, smooth focusing operation in Manual focus mode is realized in the same way as users have become accustomed to with conventional manual-focus lenses by adding an appropriate torque to the focus ring. The AF-S DX NIKKOR 18-55 mm f/3.5-5.6G VR, AF-S DX Zoom Nikkor ED 18-55 mm f/3.5-5.6G and AF-S DX ZoomNikkor ED 18-55 mm f/3.5-5.6G II are equipped with A-M mode switch, and the focus ring on these lenses rotate during autofocus.

Rounded Diaphragm

When shooting with an ordinary diaphragm, blurry, polygon-shaped spots are likely to appear in images of scenes that include point light sources such as street lamps or holiday lighting at night. A rounded diaphragm is achieved by using specialized blades for a beautiful and naturally round shape for out-of-focus objects.

Internal Focusing

With this focusing method, all the lens elements are divided into front, middle and rear groups, with only the middle group moving to focus.

Rear Focusing

With Nikon’s Rear Focusing (RF) system, all the lens elements are divided into speciﬁc lens groups, with only the rear lens group moving for focusing.

Close-Range Correction system

The Close-Range Correction (CRC) system is one of Nikon’s most important focusing innovations, because it provides superior picture quality when shooting at close distances, increasing your focusing range. With CRC, the lens elements are conﬁgured in a “ﬂoating element” design wherein each lens group moves independently to achieve focusing.

Page 18

SPECIF I CATIONS

Lens

Lens name

WIDE-ANGLE ZOOM NIKKOR LENSES

AF-S DX N IKKOR 10 -24mm f/3. 5-4 .5G ED 9/14 — 10 9˚-61˚ IF 7 22-29 0.24/0.8 (0.22/0.7)*

AF-S DX Zo om-N ikkor 12- 24mm f/4G IF- ED 7/11 — 99˚- 61˚ IF 7 22 0.3/1 1/8 .3 465 /16.4 8 2.5 x 90/3.2 x 3 .5 77 Snap-o n HB-23 (provided) CL-S2 (optional)

AF-S N IKKOR 14 -24mm f/2. 8G ED 11/14 114˚- 84˚ 90˚- 61˚ IF 9 22 0.28/0.92*

AF-S N IKKOR 16 -35m m f/4G ED VR 12/17 107 ˚-63˚ 83˚-44˚ IF 2.5 Normal 9 22 0.28/0.9*

AF-S Z oom- Nikko r 17-35mm f/2. 8D IF- ED 10/13 104˚- 62˚ 79˚- 44˚ IF 9 22 0.28/0.9 1/4.6 745/26.3 8 2.5 x 106/3.2 x 4 .2 77 Snap-on HB-23 (provided) CL-76 (provided)

AF-S N IKKOR 18 -35m m f/3.5- 4.5G ED 8/12 100 ˚-63˚ 76˚- 44˚ IF 7 22-29 0.28/0.92 1/5 38 5/13.6 83 x 95/3 .3 x 3.7 77 Snap-on HB-66 (provided) C L-1118 ( pro vid ed)

NORMAL ZOOM NIKKOR LENSES

AF-S DX N IKKOR 16 -85m m f/3.5- 5.6G ED V R 11/17 — 83˚-18˚50' IF 3.5 Nor mal / Activ e 7 22-36 0.38/1.3 1/4 .6 485/17.1 72 x 85/2 .8 x 3.4 67 Snap-on HB-39 (provided) CL-1015 (provided)

AF-S DX Zo om-N ikkor 17- 55mm f/2. 8G IF- ED 10/14 — 79˚-28˚50' IF 9 22 0 .36/1. 2*

AF-S DX N IKKOR 18 -55m m f/3.5- 5.6G VR 8/11 — 76˚-28˚50' 3.0 Normal 7 22- 36 0.28/0.9 1/ 3.2 265/9.4 73 x 7 9.5/2.9 x 3.1 52 Snap- on HB-45 (optional) CL-0815 (optional)

AF-S DX Zo om-N ikkor 18 -55 mm f/3.5-5.6G E D II 5/7 — 76˚-28˚50' 7 2 2-38 0.28/0.9 1/3. 2 20 5/ 7.2 70.5 x 74/2. 8 x 2.9 52 Snap-on HB- 45 (optional) CL-0815 (optional)*

AF-S DX N IKKOR 18 -105mm f/3.5 -5.6 G ED VR 11/1 5 — 7 6˚-15˚ 20' IF 3.5 Normal 7 2 2-38 0 .45/1. 5 1/ 5 420/14.8 76 x 89/2 .9 x 3.5 67 Snap-on HB-32 (provided) CL-1018 (provided)

AF-S DX N IKKOR 18 -140mm f/3.5 -5.6G E D VR 12/17 — 76 ˚-11˚ 30' IF 4.0 Normal 7 2 2-38 0.45/1.48 1/ 4.3 4 90 /17.3 78 x 97/3.1 x 3.8 67 Snap -on HB -32 (optional) CL-1018 (optional)

AF-S DX N IKKOR 18 -200m m f/3.5- 5.6G ED V R II 12/16 — 76 ˚-8˚ IF 3.5 N ormal / Acti ve 7 22-3 6 0.5/1.6 1/4.5 565/19.9 77 x 96 .5/3.0 x 3.8 72 Snap- on HB-35 (provided) CL-1018 (provided)

AF-S DX N IKKOR 18 -300 mm f/3.5- 5.6G ED VR 14/19 — 76˚-5˚2 0' IF 3.5 No rmal / Acti ve 9 22-3 2 0.45/1.48*

AF-S N IKKOR 24 -70mm f/2.8G ED 11/1 5 84˚-34˚20' 61˚-22˚ 50' IF 9 22 0.38/ 1.2*

AF Zoom -Nikkor 24 -85m m f/2.8- 4D IF 11/1 5 84˚-28˚30' 61˚-18˚50' IF 9 22- 32 0.5/1.6 (0.21/0.7)*

AF-S N IKKOR 24 -85 mm f/3.5 -4.5 G ED VR 11/1 6 84˚-28˚30' 61˚-18˚50' IF 4.0 Normal 7 2 2-29 0.38/1.25 1/4 .5 46 5/16.4 78 x 82 /3.1 x 3.2 72 Snap- on HB-63 (provided) C L-1118 ( pro vi ded )

AF-S N IKKOR 24 -120mm f/4G ED VR 13/17 84˚-20˚20' 61˚-13˚ 20' IF 3.5 N ormal / Acti ve 9 22 0.4 5/1.5 1/4. 2 710/ 25 8 4 x 103.5/3.3 x 4.1 77 Snap-on HB -53 (provided) C L-1218 (provided)

AF-S N IKKOR 28 -300mm f/3.5 -5.6 G ED VR 14/19 75˚-8 ˚10' 53˚-5˚20' IF 3.5 No rmal / Activ e 9 22-38 0 .5/1.6 1/ 3.1 800/28. 2 8 3 x 114. 5/3.3 x 4.5 77 Snap-on HB-50 (provided) CL- 1120 ( provided)

TELEPHOTO ZOOM NIKKOR LENSES

AF-S DX VR Z oom- Nikko r 55-2 00mm f/4- 5.6G IF-ED 11/ 15 — 28˚50'-8˚ IF 3.0 Normal 7 22- 32 1.1/3.6 1/4.4 3 35/ 11.8 73 x 9 9.5/2.9 x 3. 9 52 Snap-on HB-37 (provided) CL-0 918 (provided)

AF-S DX N IKKOR 55 -30 0mm f/4.5- 5.6G ED VR 11/17 — 28˚50'-5˚20' 3.0 Normal 9 22-29 1. 4/4.59 1/3.6 53 0/18.7 76.5 x 123/13. 0 x 4.8 58 Snap-on HB-57 (provided) CL-10 20 (provided)

AF-S N IKKOR 70 -200 mm f/2.8G E D VR II*

AF-S N IKKOR 70 -200 mm f/4G ED VR 14/2 0 34˚20'-12˚20' 22˚50'-8˚ IF 4.0 Norma l / Active 9 32 1.0/3. 28 1/3.6 850/30.0 78 x 178. 5/3.1 x 7.0 67 Snap-on HB- 60 (provided) C L-1225 (provided)

AF-S V R Zoom- Nikk or 70-3 00mm f/4.5-5. 6G IF- ED 12/17 34˚20'-8˚10' 22˚50'-5˚20' IF 2.5 N ormal / Acti ve 9 32-4 0 1.5/4.9 1/ 4 745/26.3 80 x 143.5 /3.1 x 5.6 67 Snap-on HB -36 (provided) CL-1022 (provided)

AF Zoom -Nikkor 80 -200 mm f/2.8D E D*

AF-S N IKKOR 8 0-4 00mm f/4.5 -5.6 G ED VR*

AF-S N IKKOR 20 0-4 00m m f/4G ED VR II 17/2 4 12˚20'-6˚10' 8˚- 4˚ IF 3.0 N ormal / Act ive

FIXED FOCAL-LENGTH NIKKOR LENSES

AF Nik kor 14mm f/2. 8D ED 12/14 11 4˚ 90˚ RF 7 22 0.2/0.66 1/6 .7 670/23.6 87 x 86 .5/3.4 x 3.4 Gelatin filter Slip-on Built-in C L-S2 (provided)

AF Nik kor 20m m f/2.8D*

AF-S N IKKOR 24 mm f/1.4G ED 10/12 84˚ 61˚ RF 9 16 0.25/0 .82 1/5 .6 620/21.9 83 x 8 8.5/3.3 x 3. 5 77 Snap-on HB-51 (provided) C L-1118 (p ro vid ed)

AF Nik kor 24mm f/2 .8D*

AF-S N IKKOR 28 mm f/1.8G 9 /11 75˚ 53˚ RF 7 16 0. 25/0.82 1/4 .6 330/11.6 73 x 8 0.5/2.9 x 3. 2 67 Snap-on HB-64 (provided) CL- 0915 (provided)

AF Nik kor 28m m f/2.8D 6/6 74˚ 53˚ 7 22 0.25/0.85 1/ 5.6 20 5/7. 2 65 x 4 4.5/2.6 x 1.8 52 Snap-on HN-2 (optional) CL-0715 (op tional)

AF-S N IKKOR 3 5mm f/1.4G 7/10 63˚ 44˚ RF 9 16 0.3/0.98 1/ 5 60 0/21.2 83 x 8 9.5/3.3 x 3. 5 67 Snap-on HB-59 (provided) C L-1118 (p ro vid ed)

AF-S DX N IKKOR 35 mm f/1.8G 6/8 — 44˚ RF 7 22 0.3/0.98 1/6 .1 2 00/ 7.0 70 x 52 .5/2.8 x 2.1 52 Snap-on HB-46 (provided) CL- 0913 (provided)

AF Nik kor 35m m f/2D 5/6 62˚ 44˚ 7 22 0.25/0.85 1/ 4.2 20 5/7. 2 64. 5 x 43.5/2.5 x 1.7 52 Snap-on HN-3 (optional) CL-0715 (optional)

AF-S N IKKOR 50mm f/1.4G 7/8 46˚ 31˚30' 9 16 0.4 5/1.5 1/6 .8 280/9.9 73. 5 x 54/2.9 x 2.1 58 Snap-on HB-47 (provided) CL-1013 (provided)

AF Nik kor 50m m f/1.4D 6/7 46˚ 31˚30 ' 7 16 0.45 /1.5 1/ 6.8 23 0/8.1 64 .5 x 42.5/2.5 x 1.7 52 Snap -on HR-2 (optional) CL-0715 (optional)

AF-S NIKKOR 50mm f/1.8G 6/ 7 47˚ 31˚30' 7 16 0.45/1.48 1/6.7 185/6.6 72 x 5 2.5/2.8 x 2.1 58 Snap-on HB-47 (provided) CL-1013 (provided)

AF Nik kor 50m m f/1.8D 5/6 46˚ 31˚30 ' 7 22 0. 45/1.5 1/6.6 155 /5.5 6 3.5 x 39/2.5 x 1.5 52 Snap-on HR-2 (optional) CL-0715 (optional)

AF-S N IKKOR 5 8mm f/1.4G 6/9 40˚50' 27 ˚20' 9 16 0.58/1.9 1/8 385 /13.6 8 5 x 70/3.4 x 2.8 72 Snap-on HB- 68 (provided) CL-1015 (provided)

AF-S N IKKOR 8 5mm f/1.4G 9/ 10 28˚30' 18˚50' IF 9 16 0.8 5/2.79 1/ 8.3 595/21.0 8 6.5 x 84/3.4 x 3 .3 77 Snap-on HB-55 (provided) C L-1118 ( pro vid ed )

AF NIK KOR 85m m f/1.4D IF 8/9 28˚30' 18˚50' IF 9 16 0.85/2.8 1/ 8.8 550/19.4 80 x 72.5/3.1 x 2.9 77 Snap-on HB-31 (provided) CL-0915 (optional)

AF-S N IKKOR 8 5mm f/1.8G 9/9 28˚30' 18˚50' IF 7 16 0.8/2. 62 1/8 .1 350/12.4 8 0 x 73/3.1 x 2.9 67 Sn ap-on HB-62 (provided) CL-1015 (provided)

AF DC- Nikko r 105mm f/2 D 6/6 23˚20' 15˚ 20' RF 9 16 0.9/3 1/ 7.7 620/21.9 79 x 111/3.1 x 4.4 72 Snap-on Built-in

AF DC- Nikko r 135mm f/2D 6/7 18˚ 12˚ RF 9 16 1.1/4 1/ 7.1 815/28 .7 79 x 120/3.1 x 4.7 72 Snap -on Built-in CL-38 (optional)

AF Nik kor 180m m f/2.8D I F-ED 6/8 13˚40' 9˚ IF 9 22 1.5/ 5 1/6.6 760/26.8 78 .5 x 144/3.1 x 5.7 72 Snap- on Built-in CL-38 (provided)

AF-S N IKKOR 20 0mm f/2G ED V R II*

AF-S N IKKOR 30 0mm f/2. 8G ED VR I I*

AF-S N ikkor 3 00mm f/4D IF -ED (black, light gray)*

AF-S N IKKOR 4 00mm f/2 .8G ED VR*

AF-S N IKKOR 500mm f/4G ED V R*

AF-S N IKKOR 6 00mm f/4G ED V R*

AF-S N IKKOR 8 00mm f/5. 6E FL ED V R*

SPECIAL-PURPOSE NIKKOR LENSES

AF DX Fish eye- Nikko r 10.5mm f/2 .8G ED*

AF Fis heye- Nikkor 16mm f/2. 8D*

AF-S DX Mi cro N IKKOR 40 mm f/2.8 G*

AF-S M icro N IKKOR 6 0mm f/2.8 G ED 9/12 39˚40' 26˚30' IF 9 32 0.185/0.6 1 425/15.0 73 x 8 9/2.9 x 3.5 62 Snap -on HB- 42 (provided) CL-1018 (provided)

AF Mic ro-Nikkor 60mm f/2. 8D*

AF-S DX Mi cro N IKKOR 85 mm f/3.5G E D VR 10/14 — 18˚50' IF 3.0 Normal 9 32 0.286/0.9 1 35 5/12.5 73 x 98.5/2. 9 x 3.9 52 Sn ap-on HB -37 (provided) CL-1018 (provided)

AF-S V R Micr o-Nikkor 10 5mm f/2.8 G IF-E D 12/14 23˚20' 15˚20' IF 3.0 Normal 9 32 0. 314/1 1 720/25.4 83 x 116/3. 3 x 4.6 62 Snap-on HB-38 (provided) CL-1020 (provided)

AF Mic ro-Nikkor 200mm f/4D I F-ED*

PC- E NIKKOR 2 4mm f/3.5 D ED*

PC- E Micr o NIKKOR 4 5mm f/2. 8D ED*

PC- E Micr o NIKKOR 8 5mm f/2. 8D*

13*16

16*17

[p4-p6]

[p7-p11]

[p12- p15]

[p24-p27]

[p16 -p 23]

construction

[groups/

elements]

16/21 34˚20'-12˚20' 22˚50'-8˚ IF 3.5 No rmal / Activ e 9 22 1.4/4 .6 1/8.6 1540 (1460)/54.3 (51.5)*1487 x 205. 5/3.4 x 8.2 77 Snap-on HB-48 (provided) CL-M2 (provided)

11/1 6 30˚10'-12˚20' 20 ˚-8˚ 9 22 1.8/ 6 (1.5/4. 9)*61/7.1 (1/ 5.9) *

12/20 30 ˚10'-6˚10 ' 20˚-4˚ IF 4.0 No rmal / Acti ve

9/12 94˚ 70˚ 7 22 0.25/0.8 5 1/8 .3 270/9.5 6 9 x 42.5/2.7 x 1.7 62 Snap-on HB-4 (optional) CL-S2 (optional)

9/9 84˚ 61˚ 7 22 0.3/1 1/8.9 270/9.5 6 4.5 x 46/2.5 x 1.8 52 Snap -on HN-1 (optional) CL-0715 (optional)

9/13 12 ˚20' 8˚ IF 3.0 No rmal / Activ e

8/ 11 8˚10' 5˚20' IF 3.0 No rmal / Activ e

6/10 8˚ 10' 5˚ 20' IF 9 32 1.45 /4.8 1/3 .7 14 40 (1300)/50 .8 (45.9)*1490 x 222.5/3.5 x 8.8 77 Snap-on Built-in CL-M2 (provided)

11/14 6˚10 ' 4˚ IF 3.0 Nor mal / Tripod

11/14 5˚ 3˚10' IF 3.0 No rmal / Tripod

12/15 4˚10' 2˚4 0' IF 2.5 N ormal / Tripod

13/2 0 3˚10' 2˚ IF 4.5 N ormal / Acti ve

7/10 — 18 0˚ 7 22 0.14/0.5 1/5 305/10.8 6 3 x 62.5/2.5 x 2.5 Gelatin filter Slip-on Built-in CL-0715 (provided)

5/8 180˚ 107˚ 7 22 0 .25/0.85 1/ 10 290/10 .2 63 x 57/2.5 x 2. 2 Rear-attachment type Slip-o n Built-in CL-0715 (optional)

7/9 — 38˚50' 7 22 0.163 /0.53 1 235/8.3 68. 5 x 64.5/2.7 x 2.5 52 Snap -on HB- 61 (provided) CL-0915 (provided)

7/8 39˚40' 26˚3 0' 7 32 0. 219/8 3/4 in. 1 44 0/15.5 70 x 74.5 /2.8 x 2.9 62 Snap-on HN -22 (optional) CL-0815 (optional)

8/13 12 ˚20' 8˚ IF 9 32 0.5/1 5/ 8 1 1190/ 41.9 76 x 193/3.0 x 7.6 62 Sn ap-on HN-30 (optional) CL-45 (provided)

10/13 84˚ 61˚ RF 9 32 0.21/0.75 1/2. 7 730/25.7 82.5 x 108 /3.2 x 4.3 77 Snap-on HB-41 (provided) CL-1120 (provided)

8/9 51˚ 3 4˚50' 9 32 0.253/0.83 1/2 740/26.1 82.5 x 112/3. 2 x 4.4 77 Snap-on HB- 43 (provided) CL-1120 (provided)

5/6 28˚30' 18˚50' 9 32 0.39/1.3 1/2 635/2 2.4 8 3.5 x 107/3.3 x 4.2 77 Snap-on HB-22 (provided) CL-1120 (provided)

Angl e of view

with

FX-form

ameras

Angl e of view

wit h

DX-format

cameras

Focusing System

Vibration Reduction (V R)

Ef fect in

stops

VR mode

Tripod

vibration

reduction

√ √

√ √ √ √

Numbe r of diaphragm

blades

Minimum

f-stop

9 3 2-40 1.75/5.74 (1.5/4.92)*51/5 .7 (1/5.1) *

9 32 2/6.6 (1.95/6.4)*

9 22 1.9/6.2 1/ 8.1 2930/103 .4 124 x 203.5/4.9 x 8 .0 52 Slip -on HK-31 (provided) CL-L1 (provided)

9 22 2.3/ 7. 5 (2.2/7.2)*51/6. 4 (1/6.1)*

9 22 2.9/9.5 (2.8/9.2)*51/6. 3 (1/6.1) *

9 22 4.0/13.1 (3.85/12.6)*51/6.9 (1/6.6)*

9 22 5 .0/16.4 (4.8/15.7)*51/ 7.4 (1/ 7.1)*

9 32 5.9/19.36 (5.8/19.03)*51/6.6 (1/6.4)*

Minimum

focus distance

[m/ft]

Maximum

reproduction

ratio[x]

1/5 460/ 16.2 82.5 x 87/3. 2 x 3.4 77 Snap-on HB -23 (provided) CL- 1118 (p rov id ed)

1/6. 7 1000/35.3 98 x 131.5/3. 8 x 5.2 — Slip-on Built-in CL-M3 (provided)

1/4 6 80/24. 0 82.5 x 125/3 .2 x 4.9 77 Snap-on HB-23 (provided) CL-1120 (provided)

1/5 755/26.6 85.5 x 110.5/ 3.4 x 4.4 77 Snap-on HB-31 (provided) CL-1120 (provided)

1/3. 2 8 30/29. 3 83 x 120/3.3 x 4 .7 77 Snap-on HB-58 (provided) CL-1120 (provided)

1/3. 7 900 /31.7 83 x 133/3.3 x 5 .2 77 Snap-o n HB-40 (provided) CL-M3 (provided)

1/5 .9 (1/2) *

1/3.7(1/3.6)*

Weight

[g/oz]

545 /19.2 78.5 x 82.5 /3.1 x 3.2 72 Snap-on HB-25 (provided) CL-S2 (optional)

1300/45.9 87 x 187/3.4 x 7.4 77 Snap -on HB-7 (optional) CL-43A (provided)

1570/ 55.4 95 .5 x 203/3.8 x 8 .0 77 Snap-on HB-65 (provided) CL-M2 (provided)

3360/118.5 124 x 365. 5/4.9 x 14.4 52 Slip -on HK-30 (provided) C L-L2 (provided)

290 0/102.3 124 x 267.5/4.9 x 10.5 52 Slip-o n HK-30 (provided) CL-L1 (provided)

4620 /163.0 159.5 x 3 68/6.3 x 14.5 52 Slip-on HK-33 (provided) CT-404 (provided)

3880/136.9 139 .5 x 391/5.5 x 15.4 52 Slip-on HK-34 (provided) CT-504 (provided)

50 60/178 .5 16 6 x 445/6.5 x 17.5 52 Slip- on HK-35 (provided) CT-607 (provided)

4590/162.0 160 x 461/6.3 x 18 .2 52 Snap-on HB-38 (provided) CT-801 (provided)

Dia. x le ngth

(extension from

lens mount)

[mm/in.]

Filter-

at tachment size

[mm]

Lens cap

type

Lens hood

Lens case

CL-38 (op tional)

When using the D5300, D5200, D5100, D5000, D3200, D3100, D3000, D60 and D40 series, autofocusing is pos sible only wi th AF- S or AF-I lenses that have the motor built-in.

*1 With the IF (Internal Focusing) system,

the shorter the shooting distance, the shorter the focal length becomes because of its optical characteristics.

*2 Based on CIPA Standard. T his value is

achieved when: DX-format lenses are attached to a DX-format digital SLR camera, FX-format compatible lenses are attached to an FX-format digital SLR camera, and zoom lenses are set

at the maximum telephoto position.

*3 Minimum focus distance is the

distance from a camera's focal plane mark to the subject.

*4 Lens hoo d names indicate type: HB

(bayonet), HN (screw-on), HK (slip- on),

HS (snap -on) and HR (rubber screw- on). *5 Number in ( ) is for MF. *6 Number in ( ) is for macro set ting. *7 Number in ( ) is for macro set ting at

85 mm telephoto end. *8 When in between 18 -24 mm. *9 When in between 20 -28 mm. *10 When in 35 mm. *11 When in 300 mm. *12 When in between 35 - 50 mm. *13 Tripod mounting collar is provided. *14 Number in ( ) is the weight without

tripod mounting collar. *15 Use CL-0715 instead if you are using

the lens hood HB- 33. *16 Close-Range Correction (CRC) system *17 Using shif ting and /or tilting under

some conditions may c ause

vignetting.

Page 19

Specifications and equipment are subject to change without any notice or obligation on the part of the manufacturer. October 2013

2013 Nikon Corporation

WARNING

Nikon Singapore Pte Ltd 23 Church Street, Unit #13-07, Capital Square, Singapore, 049481 www.nikon.com.sg Nikon Hong Kong Ltd. Suite 1001, 10F, Cityplaza One, 1111 King's Road, Taikoo Shing, Hong Kong www.nikon.com.hk Nikon (Malaysia) Sdn. Bhd. 11th Floor, Block A, Menara PKNS, No. 17, Jalan Yong Shook Lin, 46050 Petaling Jaya, Selangor Darul Ehsan, Malaysia www.nikon.com.my Nikon Australia Pty Ltd. Suite 501, Level 5, 5 Rider Boulevard, Rhodes, NSW 2138, Australia www.nikon.com.au Nikon India Private Limited Plot no 17, Sector 32, Institutional Area, Gurgaon 122001, Haryana, India www.nikon.co.in Nikon Sales (Thailand) Co., Ltd. 195 Empire Tower, 45th Floor, River Wing East, South Sathorn Rd, Yannawa, Sathorn, Bangkok 10120, Thailand www.nikon.co.th Nikon Middle East FZE Level 4, The Galleries bldg 2, Downtown Jebel Ali, P.O. Box 261908, Dubai, UAE www.nikon-me.com PT Nikon Indonesia Wisma 46 – Kota BNI 35th floor, Jl. Jend. Sudirman Kav.1, Jakarta, 10220, Indonesia www.nikon.co.id NIKON CORPORATION Shin-Yurakucho Bldg., 12-1, Yurakucho 1-chome, Chiyoda-ku, Tokyo 100-8331, Japan www.nikon.com

Printed in Singapore Code No.6CE10021 (1310/G)K

TO ENSURE CORRECT USAGE, READ MANUALS CAREFULLY BEFORE USING YOUR EQUIPMENT. SOME DOCUMENTATION IS SUPPLIED ON CD-ROM ONLY.

Nikon Nikorr User Manual

Specifications and Main Features

Frequently Asked Questions

User Manual