Page 1
Page 2
See Through Different Eyes
Every photographer is unique. Whatever your ideas, experience or creative vision,
there is a NIKKOR lens to draw out your potential. Each product in the lineup
represents the pride and craftsmanship that only an optical manufacturer can
understand, delivering a level of clarity and reliability that every passionate
photographer can appreciate. How will you see the world? Let NIKKOR help.
Page 3
Capture more. Create more.
Wide-Angle Zoom NIKKOR Lenses ......................................................... p4-p7
Normal Zoom NIKKOR Lenses ..................................................................p 8-p11
Telephoto Zoom NIKKOR Lenses .......................................................... p12-p15
Fixed Focal-Length NIKKOR Lenses .....................................................p16-p21
Special-Purpose NIKKOR Lenses .........................................................p22-p25
Manual-Focus Lenses & Optional Accessories ...............................p26-p27
NIKKOR Technology ..................................................................................p28-p29
Specifications .............................................................................................p30-p31
Page 4
Wide-angle zoom
Drastic viewpo ints turn into dramatic perspectives
© Yves Pa ternoster
Page 5
NIKKOR leN ses
This incredible range of wide-angle
zooms delivers a broader depth of
field, shorter working distances and
more dramatic perspectives to your
photography. With a variety of focal
lengths and aperture combinations
for every budget or camera, NIKKOR
lenses deliver the clarity and detail
your photography deserves. Try
different viewpoints or get closer to
subjects as you change the zoom
range, and you'll soon discover a
new approach to wide-angle
photography.
AF-S DX NIKKOR 10-24mm f/3.5-4.5G ED
Page 6
An optical masterpiece: widest at 14mm with fixed f/2.8
AF-S NIKKOR 14-24mm f/2.8G ED
With a fixed maximum aperture of f/ 2.8, this award-winning
professional lens delivers edge-to -edge sharpness across the
frame. Nano Crystal Coat and ED glass ensure outstanding contrast, even in backlit conditions. Tough and reliable, this is essential
glass for professional photographers every where.
14mm 114°
24mm 84°
Lens construction : 14 element s in 11 groups
Minimum focus distance: 0.2 8 m/ 0.9 ft . (in 18 -24mm )
Maximum reproduction ratio: 1/6.7x
Filter-att achment size: Filte r cannot be a ttache d
Accessories: Hoo d fixed to t he lens / Case C L-M3
Ultra-wide-angle zoom lenses for dynamic perspectives
AF-S DX NIKKOR 10-24mm f/3.5-4.5G ED
Explore the extremes of photography
with the ultra -wide-angle coverage of
this practical zoom lens. With the widest
end of 10mm covering a 109° angle of
view, this lens delivers dramatic perspectives to give your photography a creative
edge. Close-up shooting capability and
minimized distortion also add to its
appeal.
10mm 109°
24mm 61°
Lens construction : 14 element s in 9 groups
Minimum focus distance: 0.2 4 m/ 0.8 ft . (AF )
Maximum reproduction ratio: 1/5x
Filter-att achment size: 77 mm
Accessories: Hoo d HB-23 / C ase CL-1118
0.2 2 m/ 0.7 ft . (MF)
AF-S DX Zoom-Nikkor 12-24mm f/4G IF-ED
A very popular choice for extreme
wide-angle photography. The fixed
aperture ensures consistent exposures
across the zoom range. Perfect for
shooting large building exteriors, narrow
interiors and vast natural landscapes.
DX
DX
Sharp, ultra-wide-angle zoom with VR II
AF-S NIKKOR 16-35mm f/4G ED VR
This versatile ultra-wide-angle zoom
covers a remarkably broad range, with
Vibration Reduction (VR II) to enable
blur- free handheld images at slower
shutter speeds in places such as interiors and night scenes. Ideal for travel and
documentary work.
Lens construction : 11 elements in 7 groups
Minimum focus distance: 0.3 m /1 f t.
Maximum reproduction ratio: 1/8.3 x
Filter-att achment size: 77 mm
Accessories: Hood HB-23
: Aspherical lens elements : ED glas s eleme nts
6
12mm 99°
24mm 61°
16mm 107°
35mm 63°
Lens construction : 17 element s in 12 groups
Minimum focus distance: 0.2 8 m/ 0.9 ft .
Maximum reproduction ratio: 1/4x
Filter-att achment size: 77 mm
Accessories: Hoo d HB-23 / C ase CL-1120
Page 7
AF-S NIKKOR 14-24mm f/2.8G ED © Yves Paternos ter
Legendary professional wide-angle zoom lens
AF-S Zoom-Nikkor 17-35mm f/2.8D IF-ED
With a fixed maximum aperture of f/ 2.8,
this lens covers the optimal range for
wide-angle assignments. The glass
produces clear and high-contrast images
throughout the entire zoom range.
A highly reliable professional lens.
17mm 104°
35mm 62°
Lens construction : 13 element s in 10 groups
Minimum focus distance: 0.2 8 m/ 0.9 ft .
Maximum reproduction ratio: 1/4.6x
Filter-att achment size: 77 mm
Accessories: Hoo d HB-23 / C ase CL-76
Compact and approachable wide-angle zoom
AF Zoom-Nikkor 18-35mm f/3.5-4.5D IF-ED
Weighted at approx. 370 g/13 oz., this
compact and easy-to-handle wide zoom
lens balances well on Nikon’s range of
lighter D-SLR cameras. It also ensures
equally fine resolution from infinity to the
closest subjects, making beautiful
images easy to achieve.
18mm 100°
35mm 62°
Lens construction : 11 elements in 8 groups
Minimum focus distance: 0.3 3 m/ 1.1 ft.
Maximum reproduction ratio: 1/6.7x
Filter-att achment size: 77 mm
Accessories: Hood HB-23
7
Page 8
noR mal zoom
NIKKOR leN ses
Make every photo opportunity come alive with dynamic zoom coverage
© Yves Pa ternoster
Page 9
leN ses
This remarkable line of lenses
is designed to handle a variety
of scenes and subject matter.
Whichever versatile and portable lens
you choose, from the compact and
approachable to the refined and high-
powered, normal zooms will become
a vital part of your photography.
Choose the lens that best suits your
skill level and creative pursuits.
AF-S DX NIKKOR 18-200mm f/ 3.5-5.6G ED VR II
Page 10
Practical standard zoom with VR II and
remarkably wide coverage
AF-S DX NIKKOR 16-85mm f/3.5-5.6G ED VR
DX
Fast f/2.8 standard zoom lens delivering exceptional
image quality
AF-S DX Zoom-Nikkor 17-55mm f/2.8G IF-ED
DX
The most balanced and versatile standard zoom lens for
passionate DX-format camera users, with 5.3x zoom coverage that
starts at an 83° angle of view at 16mm. Incredible sharpness,
compact body and Vibration Reduction (VR II ) to ensure steadier
shots and more photo opportunities – from daily snapshots to
travel documentary work.
16mm 83°
85mm 18°50'
Lens construction : 17 element s in 11 groups
Minimum focus distance: 0.38 m/1.3 ft.
Maximum reproduction ratio: 1/4.6x
Filter-att achment size: 67 mm
Accessories: Hoo d HB-3 9 / Case CL-1015
Approachable standard zooms with NIKKOR quality
AF-S DX NIKKOR 18-55mm f/3.5-5.6G VR
With its significant resolving power and
Vibration Reduction (VR), this lens
achieves clear images easily. Remarkably light, despite featuring VR, and it
captures fantastic close-up shots at a
0.28 m / 0.9 ft. focus distance.
18mm 76°
55mm 28°50'
DX
This is the DX lens for both stunning sharpness and beautiful
bokeh. Its fine resolution delivers exceptional image rendering–
from close subjects all the way to infinity–to satisfy professionals
on assignment as well as aspiring high-end photographers who
value image quality.
17mm 79°
55mm 28°50'
Lens construction : 14 element s in 10 groups
Minimum focus distance: 0.3 6 m/1 .2 ft. ( at 35m m)
Maximum reproduction ratio: 1/5x
Filter-att achment size: 77 mm
Accessories: Hoo d HB-31 / C ase CL-1120
AF-S DX Zoom-Nikkor 18-55mm f/3.5-5.6G ED II
DX
Weighing only 205 g/7.2 oz., this light
and compact standard zoom lens offers
clear, high- contrast pictures and approx.
3.1x zoom capability. It also enables you
to shoot close-up photographs with its
significantly short focus distance of
0.28 m / 0.9 ft.
18mm 76°
55mm 28°50'
Lens construction : 11 elements in 8 groups
Minimum focus distance: 0.2 8 m/ 0.9 ft .
Maximum reproduction ratio: 1/ 3.2 x (at 55 mm)
Filter-att achment size: 52 mm
AF-S DX NIKKOR 18-105mm f/3.5-5.6G ED VR
A great choice when you want a little
more telephoto reach. This powerful,
approx. 5.8x standard zoom lens makes
it possible to shoot most subject matter
with just one lens. Vibration Reduction
(VR) helps you achieve steadier shots
during low-light and telephoto shooting.
Lens construction : 15 element s in 11 groups
Minimum focus distance: 0.4 5 m/1. 48 f t.
Maximum reproduction ratio: 1/5x
Filter-att achment size: 67 mm
Accessories: Hoo d HB-3 2 / Case CL-1018
: Aspherical lens elements : ED glas s eleme nts
10
18mm 76°
105mm 15°20'
Lens construction : 7 elements in 5 groups
Minimum focus distance: 0.2 8 m/ 0.9 ft .
Maximum reproduction ratio: 1/ 3.2 x (at 55 mm)
Filter-att achment size: 52 mm
Versatile, high-power 11x zoom with VR II
AF-S DX NIKKOR 18-200mm f/3.5-5.6G ED VR II
One lens for every opportunity. This
incredibly versatile lens has a dynamic
zoom coverage of approx. 11x from the
widest 76° to the maximum telephoto
8°. Then there is also Vibration Reduction (VR II) for even more potential.
Perfect when you need to travel light.
18mm 76°
205mm 8°
Minimum focus distance: 0.5 m/ 1.6 ft.
Maximum reproduction ratio: 1/4.5x
Filter-att achment size: 72 mm
Accessories: Hoo d HB-3 5 / Case CL-1018
DXDX
Page 11
Incredibly reliable, highly balanced standard zoom lens
AF-S NIKKOR 24-70mm f/2.8G ED
With a fixed aperture of f/2.8, the NIKKOR glass in this lens
provides both fine resolution and natural representation. Perfectly
suited for FX-format cameras and their larger sensor. In addition,
the Nano Crystal Coat helps effectively reduce ghost and flare
effects under harsh lighting, such as in backlit situations. Praised
for its reliability and overall image quality, this is a long-time favorite
of passionate professionals.
24mm 84°
70mm 34°20'
Lens construction : 15 element s in 11 groups
Minimum focus distance: 0.3 8 m/1 .2 ft. ( in 35 -50 mm )
Maximum reproduction ratio: 1/3.7x
Filter-att achment size: 77 mm
Accessories: Hoo d HB-4 0 / Case CL-M 3
AF-S NIKKOR 24-70mm f/2.8G ED © Cliff Mau tner
Approachable standard zoom lenses with further
telephoto reach
AF Zoom-Nikkor 24-85mm f/2.8-4D IF
Covering the most frequently used zoom
range, this lens offers a great balance of
fine resolution and smooth tonal gradation. AF macro shooting up to 1/ 2x is
another great advantage.
24mm 84°
85mm 28°30'
Lens construction : 15 element s in 11 groups
Minimum focus distance: 0.5 m/ 1.6 ft .
Maxi mum repro duction r atio: 1 /5.9 x (1/2 x in macro )
Filt er-at tachmen t size: 72 m m
Accessories: Hood HB-25
(0 .21 m/ 0.7 f t. in macr o)
AF-S VR Zoom-Nikkor 24-120mm f/3.5-5.6G IF-ED
Even with Vibration Reduction (VR), this
easy-to- use standard zoom lens stays
compact and manageable. The broad 5x
zoom retains superior image integrity
throughout all focal lengths. Exceptional
utility and value for FX-format users.
24mm 84°
120mm 20°30'
Lens construction : 15 element s in 13 groups
Minimum focus distance: 0.5 m /1.6 f t.
Maximum reproduction ratio: 1/4.8x
Filter-att achment size: 72 mm
Accessories: Hood HB-25
11
Page 12
T elePHo T o zoom
cap ture the action from a distance
© Tim Mckenna
Nail the decisive moment and
Page 13
NIKKOR leN ses
One telephoto zoom lens can
drastically broaden your creative
and compositional potential. With
their longer focal lengths, relatively
shallow depths of field and
dramatic telephoto compression
effect, you can capture a wide array
of subjects in ways few lenses can.
In addition, many of these lenses
come with Vibration Reduction (VR)
to control camera shake, so you can
expect sharper shots of your
telephoto subjects.
AF-S NIKKOR 70-200mm f/2.8G ED VR II
Page 14
AF-S VR Zoom-NIKKOR 70-300mm f/4.5 -5.6G IF-ED © Yves Pater noster
Compact design with convenient telephoto range
AF-S DX VR Zoom-Nikkor 55-200mm f/4-5.6G IF-ED
Vibration Reduction (VR) significantly
reduces camera shake throughout the
entire focal length, making sharp telephoto shots substantially easier. An ideal
lens for sports, people and school
events, this lens provides clear images
with less blur.
55mm 28°50'
200mm 8°
Lens construction : 15 element s in 11 groups
Minimum focus distance: 1.1 m/ 3.6 f t.
Maximum reproduction ratio: 1/4.4x
Filter-att achment size: 52 mm
Accessories: Hoo d HB-3 7 / Case CL-0 918
AF-S DX Zoom-Nikkor 55-200mm f/4-5.6G ED
This approachable telephoto zoom lens
is compact and lightweight: approx. 79
mm/ 3.1 in.* long and 255 g /9 oz. In
addition to its telephoto capabilities, it
also delivers close- up shots at 200mm
with a 1/3.5x maximum reproduction
ratio.
* Distan ce from bayonet base level to lens end.
55mm 28°50'
200mm 8°
Lens construction : 13 element s in 9 groups
Minimum focus distance: 0.9 5 m/ 3.1 ft.
Maximum reproduction ratio: 1/3.5x
Filter-att achment size: 52 mm
Accessories: Hoo d HB-3 4 / Case CL-0 815
DX
DX
Significantly refined: a pro's essential telephoto zoom
AF-S NIKKOR 70-200mm f/2.8G ED VR II
The most reliable and essential f/2.8 fixed aperture telephoto zoom
lens has now been reborn with a number of significant improvements. Optimized for FX-format cameras, the resulting images
deliver stunning detail and contrast across the entire frame when
taken at any focus point or aperture. What's more, the lens comes
equipped with enhanced AF performance, Vibration Reduction (VR
II) and Nano Crystal Coat to reduce ghost and flare effects, broadening your shooting potential and giving photographers added
confidence when shooting in difficult situations.
70mm 34°20'
200mm 12°20'
Lens construction : 21 elements in 16 groups
Minimum focus distance: 1.4 m /4.6 f t.
Maximum reproduction ratio: 1/8.6x
Filter-att achment size: 77 mm
Accessories: Hoo d HB-4 8 / Case CL-M 2
: Aspherical lens elements : ED glas s eleme nts
14
Page 15
Compact and accessible telephoto zoom with
a powerful 300mm reach
AF-S VR Zoom-Nikkor 70-300mm f/4.5-5.6G IF-ED
Long-range, VR-enabled 400mm zoom lens
AF VR Zoom-Nikkor 80-400mm f/4.5-5.6D ED
Whether you shoot in DX format or FX format, this small and
portable zoom offers impressive versatility with a fairly long focal
length of 300mm. Its approx. 4.3x zoom range and Vibration
Reduction (VR II) add to its utility for most telephoto shooting
opportunities. The specialized NIKKOR glass produces clear,
high-contrast images with less chromatic aberration.
70mm 34°20'
300mm 8°10'
Lens construction : 17 element s in 12 groups
Minimum focus distance: 1.5 m /4.9 f t.
Maximum reproduction ratio: 1/4x
Filter-att achment size: 67 mm
Accessories: Hoo d HB-3 6 / Case CL-10 22
AF Zoom-Nikkor 70-300mm f/4-5.6G
Light and compact, this easy-to -handle
telephoto zoom reaches up to 300mm.
The approx. 4.3x zoom offers great
coverage, making it ideal for most
daylight telephoto shots.
70mm 34°20'
300mm 8°10'
Lens construction : 13 element s in 9 groups
Minimum focus distance: 1.5 m /4.9 f t.
Maximum reproduction ratio: 1/3.9 x
Filter-att achment size: 62 mm
Accessories: Hood HB-26
The broadest focal length range in the telephoto zoom lens lineup.
Not only does this reduce the number of lenses you need to carry
into the field, it also comes with Vibration Reduction ( VR ) to
expand your handheld shooting capability with action, landscapes
and poorly lit subjects.
80mm 30°10'
400mm 6°10'
Lens construction : 17 element s in 11 groups
Minimum focus distance: 2. 3 m/7. 5 ft.
Maximum reproduction ratio: 1/4.8x
Filter-att achment size: 77 mm
Accessories: Hoo d HB-24 / C ase CL-M1
Top-of-the-line, super-telephoto zoom for
crucial assignments
AF-S VR Zoom-Nikkor 200-400mm f/4G IF-ED
Fixed aperture f/ 2.8 with great optics and beautiful bokeh
AF Zoom-Nikkor 80-200mm f/2.8D ED
This high-per formance zoom has a fixed
2.8 aperture throughout the zoom range,
giving your telephoto shots a beautiful
background bokeh. Expect remarkable
image reproduction in the fine details,
even when shooting wide-open. AF
close-up shooting is also possible,
letting you focus and shoot from 1.5
m/4.9 ft.
80mm 30°10'
200mm 12°20'
Lens construction : 16 element s in 11 groups
Minimum focus distance:
Maximum reproduction ratio: 1/ 7.1x (1/ 5.9x i n macro)
Filter-att achment size: 77 mm
Accessories: Ca se CL- 43 A
1.8 m / 6 f t. (1.5 m / 4 .9 ft . in macro )
An ideal lens for when you need to keep gear to a minimum while
on super-telephoto assignments that require stunning image
quality. The aperture is f/4 fixed throughout the zoom range, with
Vibration Reduction (VR ) for added capability. A great utility lens
when it comes to super-telephoto coverage.
200mm 12°20'
400mm 6°10'
Lens construction : 24 elements in 17 gr oups
Minimum focus distance:
Maximum reproduction ratio: 1/ 3.7x ( AF) 1/ 3.6 x (MF)
Filter-att achment size: 52 mm
Accessories: Hoo d HK-30 / C ase CL-L 2
2 m/ 6.6 f t. (A F) 1.9 5 m/ 6.4 f t. (M F)
15
Page 16
F i X e d Fo C al- leng
Draw out your subject with stu nning sharpness and beautiful bokeh
© Yoshitsugu Enomoto
Page 17
TH NIKKOR leN ses
Fixed focal-length lenses not only
offer stunning sharpness. This
approachable lineup of fast aperture
lenses also gives photographers an
easy way to shoot beautiful
background bokeh and get a broader
range of shooting opportunities in
low light. From the 14mm ultra-
wide-angle to the 600mm super-
telephoto, the NIKKOR fixed focal-
length lineup gives your images a
distinct personality.
AF-S DX NIKKOR 35mm f /1.8G
Page 18
Dynamic perspectives achieved by ultra-wide angle
AF Nikkor 14mm f/2.8D ED
Standard wide-angle lenses for general purpose
AF Nikkor 24mm f/2.8D
At 14mm, this lens covers an extremely
wide 114° angle of view, capturing a
remarkably broad expanse with an
exaggerated perspective, making it ideal
for shooting large buildings, narrow
indoor spaces or vast nature.
Lens construction : 14 element s in 12 groups
Minimum focus distance: 0.2 m /0 .66 ft .
Maximum reproduction ratio: 1/6.7x
Filter-att achment size: Rear-attachment type
Accessories: Fi xed hood / C ase CL-S2
AF Nikkor 20mm f/2.8D
With both a dynamic perspective and a
great depth of field, this 20mm lens
gives you edge-to-edge sharpness and
less distortion when shooting interiors,
landscapes and more. Superb optics and
compact design (approx. 270 g / 9.5 oz.)
94°
Lens construction : 12 element s in 9 groups
Minimum focus distance: 0.2 5 m/ 0.85 f t.
Maximum reproduction ratio: 1/8.3 x
Filter-att achment size: 62 mm
Accessories: Hood HB-4
Compact and approachable, this wideangle lens provides sharp images with a
great perspective. Ideal for landscapes,
travel, environmental portraits and more.
114°
84°
Lens construction : 9 elements in 9 groups
Minimum focus distance: 0.3 m /1 f t.
Maximum reproduction ratio: 1/8.9 x
Filter-att achment size: 52 mm
AF Nikkor 28mm f/2.8D
This light, compact and convenient
wide-angle lens allows you to get as
close as 0.25 m/ 0.85 ft. with a natural
perspective. A great lens for nearly any
wide-angle subject matter.
74°
Lens construction : 6 elements in 6 groups
Minimum focus distance: 0.2 5 m/ 0.85 f t.
Maximum reproduction ratio: 1/5.6x
Filter-att achment size: 52 mm
Superb optics with fast f/1.4 for amazing bokeh
AF-S NIKKOR 24mm f/1.4G ED
The greatest advantage of this versatile wide -angle lens is its
amazingly beautiful bokeh at f /1.4 while covering an 84° angle of
view. Its optical design now reveals more refined detail with even
less aberration. In addition, Nano Crystal Coat effectively reduces
ghost and flare effects in harsh lighting. Perfect for landscapes,
architecture and environmental portraits, as well as any low-light
shooting situation.
84°
Lens construction : 12 element s in 10 groups
Minimum focus distance: 0.2 5 m/ 0.82 f t.
Maximum reproduction ratio: 1/5.6x
Filter-att achment size: 77 mm
Accessories: Hoo d HB-51 / C ase CL-1118
AF Nikkor 35mm f/2D
A fast f/ 2 aperture makes it easier to
shoot in low light, giving you sharp and
high- contrast images from infinity to
up- close. A great choice for landscapes
and environmental portraits with either
deep-focus or beautiful background
62°
AF-S NIKKOR 24mm f/1.4G ED © Bo b Krist
bokeh.
Lens construction : 6 elements in 5 groups
Minimum focus distance: 0.2 5 m/ 0.85 f t.
Maximum reproduction ratio: 1/4.2 x
Filter-att achment size: 52 mm
: Aspherical lens elements : ED glas s eleme nts
18
Page 19
Fast 50mm lineup, preferred as "Standard lens"
AF-S NIKKOR 50mm f/1.4G
Strikingly crisp, f/1.8 prime for DX users
AF-S DX NIKKOR 35mm f/1.8G
DX
Expect outstanding image quality, edge-to- edge sharpness and high
contrast at any aperture or focus distance. An ultra-fast f/1.4 maximum aperture not only creates attractive bokeh with its rounded
9- blade diaphragm, but also offers great low-light performance. Ideal
for portraits, landscapes, travel and more.
46°
Lens construction : 8 elements in 7 groups
Minimum focus distance: 0.4 5 m/1. 5 ft.
Maximum reproduction ratio: 1/6.8 x
Filter-att achment size: 58 mm
Accessories: Hoo d HB-4 7 / Case CL-1013
AF Nikkor 50mm f/1.4D
This lens offers quality optics and an
ultra-fast f/1.4 maximum aperture,
delivering superb resolution and color
reproduction. An approachable standard
lens for both fine detail and stunning
bokeh imagery.
46°
Optimized for DX-format cameras, this lens delivers both the
superb sharpness and smooth bokeh you expect from a prime lens,
making it par ticularly suited for portraits. What’s more, the fast
aperture ensures more photo opportunities in low light. A great
value for every DX photographer.
44°
Lens construction : 8 elements in 6 groups
Minimum focus distance: 0.3 m /0 .98 f t.
Maximum reproduction ratio: 1/ 6.1x
Filter-att achment size: 52 mm
Accessories: Hoo d HB-4 6 / Case CL- 0913
Medium-range telephoto lenses optimal for portraits
AF Nikkor 85mm f/1.4D IF
Well-known for achieving great portraits,
this lens delivers incredibly sharp and
natural image reproduction. Its fast f/1.4
ensures a bright viewfinder and beautiful
bokeh from its rounded diaphragm.
Perfect for portraits, but also excellent
for theater work, close-range sports or
any medium-telephoto subjects.
28°30'
Lens construction : 7 elements in 6 groups
Minimum focus distance: 0.4 5 m/1. 5 ft.
Maximum reproduction ratio: 1/6.8 x
Filter-att achment size: 52 mm
AF Nikkor 50mm f/1.8D
Offering natural image rendering and
exceptional sharpness, this extremely
compact and lightweight lens weighs
approx. 155 g /5.5 oz., making it a
convenient carry-around lens for nearly
any shooting opportunity.
46°
Lens construction : 6 elements in 5 groups
Minimum focus distance: 0.4 5 m/1. 5 ft.
Maximum reproduction ratio: 1/6.6x
Filter-att achment size: 52 mm
Lens construction : 9 elements in 8 groups
Minimum focus distance: 0.8 5 m/ 2.8 ft .
Maximum reproduction ratio: 1/8.8x
Filter-att achment size: 77 mm
Accessories: Hood HN-31
AF Nikkor 85mm f/1.8D
This compact, highly approachable lens
is an excellent choice for your first
mid-range telephoto prime. With its fast
f/1.8 maximum aperture, it offers crisp
yet natural image reproduction with high
contrast at any focus distance.
28°30'
Lens construction : 6 elements in 6 groups
Minimum focus distance: 0.8 5 m/ 2.8 ft .
Maximum reproduction ratio: 1/9.2 x
Filter-att achment size: 62 mm
Accessories: Hood HN-23
19
Page 20
DC lenses allowing creative focus control
AF DC-Nikkor 105mm f/2D
DC (Defocus Image Control) allows you
to control the degree of soft focus in
the foreground or background of an
image. With a focal length of 105mm
and a fast f/ 2 maximum aperture, it
performs well as a portrait lens with
sharpness and excellent bokeh.
23° 20'
Lens construction : 6 elements in 6 groups
(plus one protective lens)
Minimum focus distance: 0.9 m /3 f t.
Maximum reproduction ratio: 1/7.7x
Filter-att achment size: 72 mm
Accessories: Hood (fi xed to th e lens)
AF DC-Nikkor 135mm f/2D
Using the same DC (Defocus Image
Control) employed in the 105mm f/ 2D,
the 135mm focal length offers more
telephoto reach, making it ideal for tight
portraits while providing opportunities
to shoot with a shallow depth of field or
under low light.
Crystal-clear, amazingly fast telephoto with VR
AF-S VR Nikkor 200mm f/2G IF-ED
Used and trusted by countless professionals, this lens has
captured a significant number of great moments in sports and
theater. One super ED glass and three ED glass elements reduce
chromatic aberration remarkably well, ensuring crystal-clear
images, while the fast f/ 2 aper ture and Vibration Reduction (VR)
broaden your creative potential.
12°20'
Lens construction : 13 element s in 9 groups
(pl us one Menis cus Prot ective L ens)
Minimum focus distance: 1.9 m /6. 2 ft.
Maximum reproduction ratio: 1/ 8.1x
Filter-att achment size: 52 mm
Accessories: Hoo d HK-31 / C ase CL-L1
The most renowned professional telephoto prime
AF-S NIKKOR 300mm f/2.8G ED VR II
18°
Lens construction : 7 elements in 6 groups
(plus one protective lens)
Minimum focus distance: 1.1 m/ 4 ft.
Maximum reproduction ratio: 1/ 7.1x
Filter-att achment size: 72 mm
Accessories: Hoo d (fixed t o the lens )
High-performance medium telephoto with ED glass
AF Nikkor 180mm f/2.8D IF-ED
Remarkably compact and easy to handle for a fast medium tele photo, this lens utilizes NIKKOR’s renowned ED glass to compensate for chromatic aberration and deliver high-contrast clear
images, even at the maximum aperture of f/ 2.8. A favorite of
astronomical photographers, the lens is also well-suited for close
portraits, short-range sports, theater photography and more.
13°40'
Lens construction : 8 elements in 6 groups
Minimum focus distance: 1.5 m /5 ft .
Maximum reproduction ratio: 1/6.6x
Filter-att achment size: 72 mm
Accessories: Hoo d (fixed t o the lens ) / Case CL- 38
NIKKOR's exclusive protec tive gl ass for lenses comes at tach ed to the
front of fast super-telephoto l ense s. Normal flat protective glass lets
incoming ligh t refle ct of f the surfa ce of th e image s ensor or film,
espe ciall y under a s tron g light source such as a spotlight. This then
refle cts a gain of f the pr otec tive glass, resul ting in a ghost effe ct.
NIKKOR's curved meniscus glass dramatically reduces this re -reflect ed
light, realizing cle arer im ages w ith less ghosting.
: Aspherical lens elements : ED glas s eleme nts : Super ED gl ass
20
Meniscus Protective Glass
This highly regarded professional super-telephoto lens is now reborn
with Vibration Reduction (VR II) to enable handheld shooting at up
to four stops slower. The Nano Crystal Coat reduces ghost and flare
effects, helping to create stunningly crisp, clear images. The best
choice for indoor and action sports.
8°10'
Lens construction : 11 elements in 8 groups
(pl us one Menis cus Prot ective L ens)
Minimum focus distance:
Maximum reproduction ratio: 1/ 6.4 x (AF) 1 /6.1x ( MF)
Filter-att achment size: 52 mm
Accessories: Hoo d HK-30 / C ase CL-L1
2. 3 m/7. 5 ft. ( AF) 2 .2 m/ 7.2 f t. (MF )
Approachable, easy-to-handle telephoto lens
AF-S Nikkor 300mm f/4D IF-ED
Offering an excellent balance between size and image quality, this
lens realizes great sharpness, making it an ideal super-telephoto
lens for sports, wildlife or travel applications. Also handles closer
subjects incredibly well.
8°10'
Lens construction : 10 element s in 6 groups
Minimum focus distance: 1.4 5 m/4 .8 ft .
Maximum reproduction ratio: 1/3.7x
Filter-att achment size: 77 mm
Accessories: Hoo d (fixed t o the lens ) / Case CL-M 2
Page 21
Professional super-telephoto lineup with VR and Nano Crystal Coat
AF-S NIKKOR 400mm f/2.8G ED VR
AF-S NIKKOR 600 mm f/4G ED VR © V incent Munier
With a fast f/2.8, Vibration Reduction (VR II), and Nano Crystal Coat,
this lens delivers incredibly sharp images and beautiful bokeh in
demanding conditions. The light and durable magnesium die-cast
barrel means pro-level reliability, and its versatility makes it ideal for
any super-telephoto oppor tunity.
6°10'
Lens construction : 14 element s in 11 groups
(pl us one Menis cus Prot ective L ens)
Minimum focus distance:
Maximum reproduction ratio: 1/ 6.3 x (AF ) 1/6.1x ( MF)
Filter-att achment size: 52 mm
Accessories: Hoo d HK-33 / C ase CL-4 04
2. 9 m/9 .5 ft . (AF) 2 .8 m /9.2 f t. (M F)
AF-S NIKKOR 500mm f/4G ED VR
AF-S NIKKOR 600mm f/4G ED VR
This powerful super-teleph oto lens offers incredible image
reproduction. Featuring Vibration Reduction ( VR II ) and Nano Crystal
Coat, the light and durable lens design ensures added confidence in
the field. Ideal for motor sports, outdoor athletes, wildlife and more.
5°
Lens construction : 14 element s in 11 groups
(pl us one Menis cus Prot ective L ens)
Minimum focus distance:
Maximum reproduction ratio: 1/ 6.9 x (AF) 1 /6. 6x (MF )
Filter-att achment size: 52 mm
Accessories: Hoo d HK-34 / C ase CL-5 04
4 m/ 13.1 ft . (AF ) 3.8 5 m/12 .6 ft . (MF )
Perfect for dedicated sports and wildlife photographers, this extremely
long 60 0mm telephoto captures distant subjects with amazing clarity.
The lens features Vibration Reduction ( VR II ), Nano Crystal Coat and a
rugged design for durability in the field.
4°10'
Lens construction : 15 element s in 12 groups
(pl us one Menis cus Prot ective L ens)
Minimum focus distance:
Maximum reproduction ratio: 1/ 7.4x (A F) 1/ 7.1x (MF )
Filter-att achment size: 52 mm
Accessories: Hoo d HK-35 / C ase CL-6 07
5 m/ 16.4 f t. (A F) 4.8 m /15. 7 ft. ( MF)
21
Page 22
S P e C ial-PURPo S e
NIKKOR leN ses
Don't let the name fool you: Special-purpose lenses are not only for special occasions. This category
contains Micro lenses, Fisheye lenses and PC (Perspective Control) lenses. Each speciality offers a
new way of seeing the world, and can lead to new levels of fun and creative photography.
© Yoshitsugu Enomoto
Close-up handheld photography made easy
AF-S DX Micro NIKKOR 85mm f/3.5G ED VR
Page 23
MICRO LENSES
These optical wonders take close-up shots with up to life-size reproduction, capturing the finest detail in its actual
size on the sensor. Whether you shoot macro, portraits or other subject matter, expect striking sharpness, beautiful
background bokeh and a wide range of focus distance: from closest 1:1 to infinity.
Compact and versatile standard micro lens
AF-S Micro NIKKOR 60mm f/2.8G ED
Delivers stunningly sharp images up to life-size (1x) at all f-stops
with incredible bokeh. Nano Crystal Coat effectively reduces ghost
and flare effects under harsh lighting, such as in backlit situations.
With its wide focusing range, this lens is not limited to extreme
close-up photography and can be used for most subject matter.
39°40'
Lens construction : 12 element s in 9 groups
Minimum focus distance: 0.18 5 m/0 .6 ft .
Maximum reproduction ratio: 1x
Filt er-at tachmen t size: 6 2 mm
Acce ssories : Hood HB- 42 / Case C L-1018
AF Micro-Nikkor 60mm f/2.8D
Versatile, high-performance micro lens for DX photographers
AF-S DX Micro NIKKOR 85mm f/3.5G ED VR
This medium telephoto micro lens is exclusively designed for
DX-format cameras. Compact and lightweight, even with the
incorporated Vibration Reduction (VR II), which enables steadier
handheld shooting. With a great working distance and continuous
autofocus from infinity to life-size (1x), this lens gives you amazing
sharpness and background bokeh for close-up subjects, portraits,
nature images and more.
18°50'
Lens construction : 14 element s in 10 groups
Minimum focus distance: 0.2 86 m /0.9 f t.
Maximum reproduction ratio: 1x
Filter-att achment size: 52 mm
Accessories: Hoo d HB-3 7 / Case CL-1018
DX
This longtime seller delivers crisp
images at any focus distance from
infinity to life-size (1x). Ideal for general
close-ups, portraits, landscapes, copy
work and more.
39°40'
Lens construction : 8 elements in 7 groups
Minimum focus distance: 0.2 19 m/ 8 3/4 in .
Maximum reproduction ratio: 1x
Filter-att achment size: 62 mm
Powerful telephoto micro lens with great working distance
AF Micro-Nikkor 200mm f/4D IF-ED
By taking advantage of the long working
distance of 0.26 m/0.9 ft. at life-size (1x),
it is ideal for shooting flowers, insects
and other tiny wildlife without disturbing
them. The NIKKOR glass ensures clear
and high-contrast images regardless of
f-stop, and the lens performs superbly
as a regular telephoto as well.
12°20'
Lens construction : 13 element s in 8 groups
Minimum focus distance: 0.5 m /1 5/ 8
Maximum reproduction ratio: 1x
Filter-att achment size: 62 mm
Accessories: Ca se CL- 45
Excellently balanced micro lens with VR
AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED
This frequently used medium telephoto micro has Vibration
Reduction (VR ) for easy handheld macro shooting. The lens
delivers crisp yet natural images in any genre of photography. The
longer focal length gives it a great working distance when shooting
close-ups of flowers, insects and other small wildlife. It also takes
fantastic portraits. Nano Crystal Coat effectively reduces ghost and
flare effects.
23°20'
Lens construction : 14 element s in 12 groups
Minimum focus distance: 0.3 14 m/1 f t.
Maximum reproduction ratio: 1x
Filter-att achment size: 62 mm
Accessories: Hoo d HB-3 8 / Case CL-10 20
: Aspherical lens elements : ED glas s eleme nts
23
Page 24
FISHEYE LENSES
These specialized lenses feature an ultra-wide angle of view that bends and distorts the subject matter as it
reaches the edges of the frame. Try different viewpoints and angles in various scenes with a fisheye lens and
even ordinary scenes can turn into extraordinary photographs.
Fun-to-use, compact fisheye lens for DX photographers
AF DX Fisheye-Nikkor 10.5mm f/2.8G ED
This compact and lightweight fisheye lens is designed exclusively
for DX-format cameras. With its frame -filling 180° angle of view
and unique bending effects, any scene or subject will take on new
dimensions through the viewfinder, making anything you shoot fun.
The lens has edge-to-edge sharpness and enables you to get as
close to the subject as 3 cm/1.2 in. from the lens front.
180°
Lens construction : 10 element s in 7 groups
Minimum focus distance: 0.14 m /0. 46 ft .
Maximum reproduction ratio: 1/5x
Accessories: Ho od fixed to t he lens/ C ase CL-0 715
DX
AF DX Fisheye-Nikkor 10.5mm f/2.8 G ED © Cliff Maut ner
Sharp, full-frame fisheye lens creating
dramatic perspectives
AF Fisheye-Nikkor 16mm f/2.8D
NIKKOR’s supreme optical per formance provides continuous
sharpness from infinity to the closest subject, offering the uniquely
altered reality of ultra-wide-angle photography for beautiful and
dramatic images. Four bayonet type filters attached to the lens rear
give more creative options in filter effects.
180°
Lens construction : 8 elements in 5 groups
Minim um focus di stance : 0 .25 m /0.8 5 ft.
Maximum reproduction ratio: 1/10 x
Accessories: Hood fi xed to the le ns/ Fil ter L3 7C, A 2,
B2, O56
: Aspherical lens elements : ED glas s eleme nts
24
Page 25
PC LENSES/
PC MICRO LENSES
With NIKKOR's exclusive PC (Perspective Control) tilt and shift operation, these lenses enable you to control the
perspectives, distortion and depth of field in your images. PC lenses make you more approachable to professional
creative techniques that usually only large-format NIKKOR lenses can handle.
PC-E lenses lineup: more freedom in controlling perspectives
PC-E NIKKOR 24mm f/3.5D ED
PC-E Micro NIKKOR 85mm f/2.8D
This wide -angle PC lens covers an 84° angle of view and features
tilt and shift operation, as well as +/ -90° revolving mechanism.
Ideal for architecture, cityscapes, general indoor photography and
nature. Auto aperture control is possible with the electromagnetic
diaphragm*. Nano Crystal Coat reduces ghost and flare effects.
84°
Lens construction : 13 element s in 10 groups
Minimum focus distance: 0.2 1 m/0 .75 ft .
Maximum reproduction ratio: 1/2.7x
Filter-att achment size: 77 mm
Accessories: Hoo d HB-41 / C ase CL-1120
PC-E Micro NIKKOR 45mm f/2.8D ED
With a fast f/2.8 aperture, this standard PC lens also has micro
capability, shooting up to 1/ 2x life-size and enabling tilt, shift and
+/ -9 0° revolving mechanism. Perfect for commercial work , product
shots, nature photography or any other subjects that require a
natural perspective and fine detail. Auto aperture control is possible
with electromagnetic diaphragm*. Nano Crystal Coat is employed
to reduce ghost and flare effects.
This medium -telephoto PC lens enables tilt, shift and +/ - 90°
revolving mechanism and also has micro capability to shoot up to
1/2x life-size. A great choice for long-range portraits, nature, and
commercial work with uniquely controlled perspectives. Auto
aperture control is possible with electromagnetic diaphragm*.
Nano Crystal Coat is employed to reduce ghost and flare effects.
28°30'
Lens construction : 6 elements in 5 groups
Minimum focus distance: 0.3 9 m/1 .3 ft.
Maximum reproduction ratio: 1/2x
Filter-att achment size: 77 mm
Accessories: Hoo d HB-22 / C ase CL-1120
Approachable PC micro lens convenient for portraits
PC Micro-Nikkor 85mm f/2.8D
This unique medium-telephoto PC lens
has micro capability for shooting small
subjects up to 1/2x life-size. Its focal
length makes it an excellent portrait
lens, with lots of creative depth -of-field
opportunities made possible by utilizing
tilt operation.
28°30'
Lens construction : 6 elements in 5 groups
Minimum focus distance: 0.39 m/1.3 ft.
Maximum reproduction ratio: 1/2x
Filter-att achment size: 77 mm
Accessories: Ca se CL-7 5
51°
Lens construction : 9 elements in 8 groups
Minimum focus distance: 0.2 53 m /0.8 3 ft .
Maximum reproduction ratio: 1/2x
Filter-att achment size: 77 mm
Accessories: Hoo d HB-4 3 / Case CL-112 0
* Available only with cameras compatible with the electromagnetic diaphragm (Nikon
D3 serie s, D700 , D30 0 series , D90 , D50 00 and D 30 00 ).
NOTE : The Nik on D3 series c an be used without any limitation . With o ther
came ras, th ere ar e limit ation s in tilt /s hif t oper ation . The Nik on N90 S seri es, N9 0
series, N70, N 60 ser ies, N 55, N5 0, N40 04 se ries, N8008 ser ies, N600 6, N60 00,
F3AF, N2020, PRON EA S or MF c amer as cannot be us ed.
PC-E NIKKOR 24mm f/ 3.5D ED © Yves Paternoster
25
Page 26
MANUAL-FOCUS LENSES
This great lineup features eight fixed focal-length lenses, including two micro lenses.
Lens name
Lens construction
[groups/elements]
Minimum focus
distance [m/ft.]
Maximum
reproduction
ratio [x ]
Filter-at tachment
size [mm]
Lens hood (optional)
Lens case
(optional)
Nikkor 20mm f/ 2.8
Nikkor 24mm f/ 2.8
Nikkor 28mm f/ 2.8
Nikkor 35mm f/ 1.4
9/12 0.25/ 0.85 1/8.3 62 HK-14 CL- 09 15
9/9 0.3/1 1/8.8 52 HN -1 CL- 09 15
8/8 0.2/0.7 1/3.9 52 HN-2 CL- 0 815
7/9 0.3/1 1/5.6 52 HN -3 CL- 0 9 15
OPTIONAL ACCESSORIES
AF-S Teleconverters
Teleconverters increase the original focal length to 2x, 1.7x or 1.4x when attached between an AF-S/AF-I lens and the camera body.
Their superior optical performance retains the high-quality imaging advantages of your original lenses while also supporting its signal
transmission.
AF-S Teleconverter TC-20E III
This teleconverter expands the focal
length by 2x and slows down the aperture
by 2 stops.
Lens construction: 7 elements in 5 groups
Case: CL-0715 (included)
AF-S Teleconverter TC-17E II
This teleconverter expands the focal length
by 1.7x and slows down the aperture by
1.5 stops.
Lens construction: 7 elements in 4 groups
Case: CL-0715 (included)
The following A F-S and AF -I NIKKOR lenses are compatible with AF-S Teleconverters.
AF- S VR Micro- Nikkor 105mm f/ 2.8G IF- ED*
1
AF- S VR Nikkor 200 mm f/ 2G IF-ED
AF- S NIKKOR 300mm f/ 2.8 G ED VR II
AF- S VR Nikkor 300mm f/ 2.8 G IF- ED
AF- S Nikkor 3 00mm f/2.8D IF-ED II
AF- S Nikkor 3 00mm f/2.8D IF-ED
AF- I Nikkor 3 00mm f/ 2.8D I F-ED
AF- S Nikkor 3 00mm f/4D IF- ED*
*1: Autofocus cannot be used.
*2: Autofocus cannot be used with TC-20E III and TC-17E II
* Other le nses cannot be used . Do not att ach other lenses, a s the rear len s element s will
touch and c ould dam age the Telec onverte r elements.
* Vibration Redu ction function o perates with VR ( Vibration R eduction) le nses when used wit h
the follow ing Nikon digital S LR cameras: D3 -series, D2-series, D1-s eries, D70 0, D3 00 series, D 200 , D100, D 90, D 80, D70 -series, D5 00 0, D30 00, D60, D 50, D 40 -ser ies, F6 , F5,
F100, N8 0, N75, N65 .
2
AF- S NIKKOR 400mm f/ 2.8 G ED VR
AF- S Nikkor 4 00mm f/ 2.8D I F-ED II
AF- S Nikkor 4 00mm f/ 2.8D I F-ED
AF- I Nikkor 4 00mm f/ 2.8D IF- ED
AF- S NIKKOR 500mm f/ 4G ED V R*
AF- S Nikkor 5 00mm f/4D IF- ED II*
AF- S Nikkor 5 00mm f/4D IF- ED*
AF- I Nikkor 5 00mm f/4D IF-ED*
2
2
* Focal l ength may not displ ay correc tly in the sh ooting d ata when the AF- S Teleconve rter
TC-17E II is at tached to the AF -S 30 0mm f /2. 8D IF -ED or A F-S 400 mm f/ 2.8D IF- ED and is
then used w ith the F 6, F5, F10 0, D3 -seri es, D2- series , D1-series, D70 0, D30 0 -series,
D200, D100, D 90, D 80, D70 -series or D5 00 0, D3 000, D60, D50 , D40 -series camera body
(sho oting dat a will disp lay correctly with the AF -S 300m m f/ 2.8D I F-E D II and AF -S 400 mm
f/ 2.8D I F-E D II) .
AF-S Teleconverter TC-14E II
This teleconverter expands the focal length
by 1.4x and slows down the aperture by
1 stop.
Lens construction: 5 elements in 5 groups
Case: CL-0715 (optional)
AF- S NIKKOR 600mm f/ 4G ED V R*
AF- S Nikkor 6 00mm f/4D IF-ED II*
AF- S Nikkor 6 00mm f/4D IF-ED*
2
2
AF- I Nikkor 6 00mm f/ 4D IF-ED*
AF- S NIKKOR 70-200 mm f/ 2.8G ED VR II
AF- S VR Zoom- Nikkor 70 -20 0mm f /2. 8G IF -ED
AF- S Zoom -Nikkor 80 -20 0mm f /2. 8D IF -ED
AF- S VR Zoom- Nikkor 20 0-4 00mm f/4G IF-ED*
2
2
2
2
: Aspherical lens elements
26
Page 27
Values in parentheses apply when Auto Extension Ring PK-13 or PN-11 is in use.
Lens name
Nikkor 50mm f/ 1.2 6/7 0.5/1.7 1/ 7.9 52 HS -12 / HR- 2 CL- 09 15
Nikkor 50mm f/ 1.4
Micro-Nikkor
55mm f/2.8 / Auto
Extension Ring PK-13
Micro-Nikkor 105mm
f/ 2.8 / Auto Extension
Ring P N-11
Lens construction
[groups/elements]
6/7 0.45 /1.5 1/6.8 52 HS -9/HR-1 CL- 08 15
5/6
9/ 10
Minimum focus
distance [m/ft.]
0.25/ 0.9
(0.225 /0.738 )
0.41/1.3 4
(0.37/1.21)
Maximum reproduction
ratio [x ]
1/2 (1) 52 HN-3 CL- 0 915
1/2 (1/ 0.88 ) 52 HS -14
Filter-at tachment
size [mm]
Lens hood
(optional)
Lens case
(optional)
CL- 10 18
( CL- 3 8 )
Extension Rings
n Auto Extension Ring PK-11A, 12, 13
These extension rings are for NIKKOR lenses with the AI
(Automatic maximum aperture Indexing) system. Seven extension
lengths can be achieved when used individually or in combination.
*The exp osure meter c annot be us ed with c ameras th at do not have a n exposure m eter
coupli ng lever, such as t he N80 and N75
n Adapter Ring BR-3
This adapter converts the bayonet mount of reverse-mounted
lenses to the 52 mm thread used for filters and hoods (HB -type
bayonet hoods cannot be used).
n Macro Adapter Ring BR-2A/BR-5
Mounted to the lens in reverse, this extension ring can be
attached directly or using the Bellows Focusing Attachment.
When shooting in a reproduction ratio larger than 1x, even better
lens performance is realized by attaching the ring to the lens in
reverse. BR-2A is compatible with lenses having 52 mm-sized
front attachment and the
BR-5 (with BR-2A together)
with lenses having 62 mmsized front attachment.
Filters/holders
n Neutral Color NC Filter
Ideal as a lens protector, this filter does not affect the color
balance (visible light spectrum) of your lens. Its multilayer
coating prevents light reflection inside the glass.
n Soft Focus Filter
Give your images a moderately soft and beautiful blur effect.
Good for various shooting situations, such as portraiture.
n Circular Polarizing Filter II
By dramatically reducing the reflective qualities, polarizing filters
allow direct shooting through glass or into bodies of water, and
enable better capture of other non-metallic objects that reflect
light. Polarizing filters also cut the reflective light of vapor and
minute dust in the air, so blue skies can be rendered even bluer.
The follo wing lens es cannot b e used :
AF Nikko r 20mm f /2. 8D, Nikkor 20mm f /2. 8S, Zo om- Nikkor 2 8- 85m m f/ 3.5 -4 .5S , AF
Zoom -Nik kor 35 -105mm f /3.5- 4.5D IF
Also, sl ight vign etting may occur when shooting at infinity or closer shooting dist ances
when the Circular Polarizing Filter II is used with the following lenses:
Nikkor 24mm f/2, Nikkor 28mm f/2 , PC Nikko r 28mm f/3.5 with maximum s hift, A F ZoomNikkor 24 -5 0mm f/3 .3 -4.5D, AF Z oom- Nikkor 28-105 mm f/3.5- 4.5D IF
n Bayonet Filter: Ultraviolet L37C
This filter absorbs ultraviolet light and produces clear images with
high contrast. The L37C has multilayer coating to reduce
reflection. Can also be used as a lens protector.
BR-5BR-3BR-2APK-11 A PK-12 PK-1 3
n Slip-in Circular Polarizing Filter
Designed for use with telephoto lenses equipped with a slip-in
filter holder, this filter reduces reflected light and draws out
more clarity and color while decreasing the effect of sunlight
reflection from airborne water vapor and dust. Also, polarizing
filters darken the blue in skies without affecting the contrast,
further emphasizing your subject. When shooting in color, the
filter eliminates color casting caused by reflected light.
Hoods
Lens hoods reduce stray light that can degrade your image
quality while minimizing ghost and flare effects. They can also
be used as lens protectors. For every type of NIKKOR lens,
there is a lens hood available. They are
classified according to the attachment
methods and materials: HB (bayonet),
HN (screw-in), HK (slip-on), HS
(snap -on) and HR (rubber type).
27
Page 28
NIKKOR TECHNOLOGY
Known for its reliability, clarity and devotion to the needs of passionate photographers, NIKKOR, Nikon’s exclusive lens brand, is on a quest
to create the finest optics in the world. By adhering to the strictest requirements and testing both in the lab and across a wide range of
actual shooting situations, Nikon creates technologies that make NIKKOR lenses the best choice for any type of still or moving imagery.
VR (Vibration Reduction): Correct blur while retaining a stable viewfinder image
NIKKOR’s Vibration Reduction system helps you achieve sharper,
steadier shots by compensating for camera shake when
shooting telephoto subjects, dimly lit scenes and other handheld
situations – including D-movie shooting. Camera shake
information is detected by the VR sensor of the VR lens unit,
which is continually in motion inside the lens, aligning the optical
axis with your camera’s imaging sensor, thereby reducing image
blur and providing the equivalent of shooting at shutter speeds
up to three (with VR) or four (with VRII) stops faster.*
* Depending on the situation and photographer
l In-lens blur correction for clearer finder image and
dual algorithm
Nikon's Vibration Reduction (VR) function is built into the lens.
Unlike with in-camera systems, your camera’s sensor does not
move with VR, thereby giving you a steadier view through the
viewfinder and eliminating the blur you would see in the image
itself. A clear view makes it easier to confirm your composition
and place your focus point accurately.
Looking through a fully blur-corrected viewfinder for long periods
of time may cause feelings similar to motion sickness in some
photographers. To prevent this, Nikon developed an exclusive
algorithm utilized when the shutter release button is halfpressed. This first algorithm controls the blur correction at a
slightly lower level than usual. When the shutter release button is
fully pressed, a second algorithm engages to maximize camera
shake compensation during exposure for clear images.
l Panning Detection for moving subjects
Sometimes the movement of a subject needs to be
emphasized. To make the most of this effect, Nikon employs a
Panning Detection function, which senses camera movement
and automatically controls blur-correction. So for example, when
panning horizontally, only vertical blur is corrected.
VR len s unit
Image sensor
Direction of movement
VR mechanism
VR off
l Active mode for shooting from a moving vehicle
In Normal mode, Nikon’s VR function interprets both slow and
broad camera movement as if the photographer is recomposing
and then adjusts for blur-correction accordingly. However, when
shooting from a moving vehicle or other unstable position, the
lens can sometimes misinterpret camera movement or a
photographer’s intentions. In this case, choose Active mode* for
further compensation, a more stable viewfinder image and even
steadier shots.
* Active m ode is emp loyed in sel ect VR lenses.
l Optimization in every lens
Consider, for example, the special situation of using a micro
lens to shoot extreme close-ups of a flower where the
photographer is in a crouching position. This shooting scenario
deserves its own VR parameters, so Nikon conducted over
10,000 shooting tests to refine unique algorithms for each VR
lens type. Yet another reason why the vibration reduction
system is built inside the lens.
VR on
AF-S NIKKOR lens with SWM for quiet autofocus
Nikon’s original Silent Wave Motor (SWM)
converts “traveling waves” into rotational
energy to drive the optics used for
focusing. The two SWM lens types – ring
type and compact type – are specifically
chosen to match each lens’s specs and
design. Any AF-S NIKKOR lens featuring
these SWMs delivers extremely smooth,
quiet and comfortable auto focusing for
both general shooting as well as extreme
situations, such as sports and wildlife.
28
SWM
Compact SWM
Nano Crystal Coat minimizes ghost and flare
effects to provide clear images
Originating from Nikon’s work in semiconductor
manufacturing technology, NIKKOR’s Nano
Crystal Coat is an antireflective coating that
employs an extra-low refractive index coating
featuring ultra-fine, nano-sized* crystal
particles. These crystallized particles eliminate
reflections inside the lens throughout the
spectrum of visible light waves (380 to 780 nm)
in ways that far exceed the limits of
conventional antireflection coating systems.
Nano Crystal Coat not only solves ghost effects
caused by red light, which was incredibly
difficult for previous systems. It also effectively
reduces ghost and flare effects caused by
light entering the lens diagonally. The
result: clearer images.
* One nano meter equals one millionth of a mill imeter
Reflected light
Incident light
Without coating
Incident light
Nano Crystal Coat
(From left) Without coating, Nikon Super
Integrated Coating, Nano Crystal Coat
Conventional multilayer
coating
Lens
Reflected light
Nano Crystal Coat
Lens
Page 29
ED glass effectively reduces chromatic aberration
at high magnification
Aspherical lens for effective aberration correction
Nikon was the world’s first camera maker
to develop ED (Extra-low Dispersion)
glass that could minimize prism-caused
color dispersion. This low-dispersion ED
glass also offers anomalous dispersion
characteristics like calcium fluoride
crystals, which consequently minimize
Secondary
spectrum
Normal glass
the secondary spectrum. For lenses
using normal optical glass, the longer the
focal length, the more difficult to correct
ED glass
Secondary
spectrum
the chromatic aberration that causes
color fringing. Nikon's ED glass, which
effectively compensates for this kind of
chromatic aberration, is employed in a
wide range of NIKKOR telephoto lenses for superior
reproduction. Nikon has also developed Super ED glass to
minimize aberration even further. Look for Super ED glass in the
AF-S VR Nikkor 200mm f/2G IF-ED.
M/A mode for quick switching from AF to MF
Simply by rotating a focus ring, M/A mode allows you to switch
from autofocus to manual with virtually no time lag. This makes it
possible to seamlessly switch to fine manual focusing while
looking through the viewfinder.
A-M mode switch/ring/lever
This type of lens utilizes non-spherical surfaces on either one or
both sides of the glass in order to eliminate certain types of lens
aberration. These aspherical elements are particularly useful for
correcting the distortion in wide-angle lenses. Such distortions
are caused by variations in the magnification of the image,
depending on its distance from the optical axis. Aspherical lens
elements correct these distortions by continuously changing the
refractive index from the center of the lens.
Since the 1960s, Nikon engineers have established design
theories and lens-processing techniques to refine the
aspherical lens. In 1968, the OP Fisheye-Nikkor 10mm f/5.6
became the first interchangeable SLR lens incorporating
aspherical lens elements. Since then, aspherical lenses have
been an important part of the NIKKOR lens family, with every
new addition to the lineup providing a new level of contrast,
resolution and compact design.
A/M (auto-priority manual) mode
This mode also enables an easy transition
from autofocus to manual during AF
operation. However, mode switch sensitivity
has been altered to reduce the possibility of
sudden unintentional switching to manual
focus while shooting.
Thanks to a mechanism incorporated in the lens barrel, smooth
focusing operation in Manual focus mode is realized in the
same way as users have become accustomed to with
conventional manual-focus lenses by adding an appropriate
torque to the focus ring.
n Nikon Super Integrated Coating
Nikon’s exclusive multilayer lens coating achieves
high transmittance in a wider wavelength range.
Even for zoom lenses with a large number of glass
elements, this coating system effectively reduces
the ghost and flare effects that are likely to occur in
backlit situations, helping you achieve high-contrast
images with rich gradation. With outstanding color
balance and reproduction capability, superb optical
performance can be achieved. Ghost and flare
effects caused by internal reflections particular to
digital cameras are also effectively minimized. This
coating system is applied to all current lenses in the
NIKKOR lineup.
n G-type NIKKOR lenses
For this type of lens, apertures are always selected
from the camera body, as there is no aperture ring on
the lens itself. These lenses have D Signal to transmit
subject-to-camera distance to the camera body.
n Rounded Diaphragm
When shooting with an ordinary diaphragm, blurry,
polygon-shaped spots are likely to appear in images
of scenes that include point light sources such as
street lamps or holiday lighting at night. A rounded
diaphragm is achieved by using specialized blades
for a beautiful and naturally round shape for out-offocus objects.
n D Signal – Distance information output
capability
The D stands for Distance. Subject-to-camera
distance information is obtained with an internal
encoder, which is linked to the lens focus ring. This
information is then transmitted to the camera body
for high-precision exposure control found in 3D-RGB
Matrix Metering II and i-TTL Balanced Fill-Flash.
Every AF, AF-S, PC and PC-E series lens has a
distance signal built in.
Ordinary diaphragm
n Internal Focusing
With this focusing method, all the lens elements are
divided into front, middle and rear groups, with only
the middle group moving to focus.
n Rear Focusing
With Nikon’s Rear Focusing (RF) system, all the lens
elements are divided into specific lens groups, with
only the rear lens group moving for focusing.
n Close-Range Correction system
The Close-Range Correction (CRC) system is one of
Nikon’s most important focusing innovations,
because it provides superior picture quality when
shooting at close distances, increasing your focusing
range. With CRC, the lens elements are configured
in a “floating element” design wherein each lens
group moves independently to achieve focusing.
Rounded diaphragm
29
Page 30
SPECIFICATIONS
Lens name
Lens construction
[groups/elements]
Angl e of view wi th
at c
FX f orm
ameras
Angl e of view wi th
DX for mat cameras
Numbers of
diaphragm
Minimum
f-stop
Minimum focus
distance
[m/ft.]
n WIDE-ANGLE ZOOM NIKKOR LENSES [p 4- p7]
AF-S DX NIKKOR 10-24mm f /3.5 -4.5G ED
AF-S DX Zoom-N ikkor 12-24mm f/4G IF- ED
AF-S N IKKOR 14 -24mm f/2.8G ED
AF-S N IKKOR 16 -35mm f/4G ED VR
AF-S Zoom-Nikkor 17-35mm f/2.8 D IF-ED
AF Zoom -Nik kor 18- 35mm f /3.5 -4.5D IF-ED
9/14 — 10 9˚-61˚ 7 22-29 0.24/0.8 (0.2 2/0.7)*
7/11 — 9 9˚-61˚ 7 22 0.3/1
11/1 4 114˚-84˚ 9 0˚-61˚ 9 22 0.28/ 0.9*
12/17 107˚-6 3˚ 83˚-4 4˚ 9 22 0.28/0.9
10/13 104˚-62˚ 79˚-4 4˚ 9 22 0.28/0.9
8/ 11 10 0˚-62 ˚ 76˚-44˚ 7 22-32 0 .33 /1.1
n NORMAL ZOOM NIKKOR LENSES [p 8 -p11]
AF-S DX NIKKOR 16 -85mm f/3.5- 5.6G ED V R
AF-S DX Zoom-N ikkor 17-55mm f/2.8G IF-E D
AF-S DX NIKKOR 18-55m m f/3. 5-5.6G VR
AF-S DX Zoom-N ikkor 18 -55mm f/3 .5- 5.6G ED II 5/7 — 76˚-28˚50' 7 22-38 0.28/0.9
AF-S DX NIKKOR 18-105mm f/3.5- 5.6G ED VR
AF-S DX NIKKOR 18-200mm f/3. 5-5.6G ED VR II
AF-S N IKKOR 24-70mm f /2.8 G ED
AF Zoom -Nik kor 24 -85 mm f/2 .8- 4D IF
AF-S VR Zoom-Nikkor 24-120mm f/3.5- 5.6G IF-ED
11/1 7 — 83˚-18˚ 50' 7 22-36 0.38/1.3
10/14 — 79˚-28 ˚50' 9 22 0.36/1.2*
8/ 11 — 76˚-28˚50' 7 2 2-36 0.28/0.9
11/15 — 76 ˚-15˚ 20' 7 22-38 0.45/1.48
12/16 — 76˚-8˚ 7 22-36 0.5/1.6
11/15 84˚-34˚20' 61˚-22˚5 0' 9 22 0.38/1.2*
11/15 84˚-28˚30' 61˚-18˚ 50' 9 2 2-32 0.5/1.6 (0.21/0.7)*
13/15 84˚-20˚3 0' 61˚-13 ˚20' 7 22-32 0.5/1.6
n TELEPHOTO ZOOM NIKKOR LENSES [p12 -p15 ]
AF-S DX VR Zoom- Nikkor 55-200mm f/4- 5.6G IF-ED
AF-S DX Zoom-N ikkor 5 5-20 0mm f/4-5.6G ED (black, silver) 9/13 — 28˚50'-8˚ 9 22-32 0.95/3.1
AF-S N IKKOR 70 -200mm f/2.8G ED VR II*
7
AF-S VR Zoom-Nikkor 70- 300mm f/4.5-5.6G IF- ED
AF Zoom -Nik kor 70-300 mm f/4 -5.6 G (black, silver) 9/13 34˚20'-8˚10' 22˚50'-5˚20' 9 32-45 1. 5/4.9
AF Zoom -Nik kor 80 -200 mm f/2 .8D ED*
AF VR Zoo m-Nikkor 80-400m m f/4.5-5.6D ED*
AF-S VR Zoom-Nikkor 200 -400mm f /4G IF -ED*
7
7
7
11/15 — 28˚50'-8˚ 7 22-32 1.1/3 .6
16/21 34˚20'-12˚20' 22˚50'-8˚ 9 22 1.4/4 .6
12/17 34˚20'-8˚10' 22˚50'-5˚20' 9 3 2-40 1. 5/4.9
11/1 6 30˚10'-12˚20' 20˚-8˚ 9 22 1.8 /6 (1.5 /4.9 )*
11/1 7 30˚10'- 6˚10' 2 0˚-4˚ 9 32-40 2 .3/7.5
17/24 12˚20'-6˚10' 8˚-4˚ 9 32 2/6.6 (1.95/6.4)*
1
4
5
6
3
2
1
n FIXED FOCAL-LENGTH NIKKOR LENSES
AF Nikkor 14mm f/ 2.8D ED
AF Nikkor 20mm f/2.8D*
AF-S N IKKOR 24mm f/1.4G ED
AF Nikkor 24mm f /2.8D
AF Nikkor 28mm f/2.8D
AF-S DX NIKKOR 35mm f/1.8G
AF Nikkor 35mm f/2D
AF-S N IKKOR 50mm f/1.4 G
AF Nikkor 50mm f/1.4D
AF Nikkor 50mm f/1.8D
AF Nikkor 85mm f/1.4D IF
AF Nikkor 85mm f/1.8D
AF DC- Nikkor 105mm f /2D
AF DC- Nikkor 135mm f /2D
AF Nikkor 180mm f/2. 8D IF- ED
AF-S VR Nikko r 200m m f/2G I F-ED*
AF-S N IKKOR 300mm f /2.8G ED VR II*
AF-S Nikkor 300mm f /4D IF-ED (black, light gray)*
AF-S N IKKOR 4 00mm f /2.8G ED VR*
AF-S N IKKOR 500mm f /4G ED VR*
AF-S N IKKOR 6 00mm f /4G ED V R*
10
7
7
7
7
n SPECIAL-PURPOSE NIKKOR LENSES [p22-p25]
AF DX Fisheye-Nikkor 10.5mm f /2.8 G ED*
AF Fisheye- Nikkor 16mm f/2.8D*
AF-S Micro N IKKOR 6 0mm f/2.8G ED
AF Mic ro-Nikkor 60mm f /2.8D*
AF-S DX Micro NIKKOR 8 5mm f/ 3.5G ED VR
AF-S VR Micro-N ikkor 10 5mm f/2.8G IF-ED
AF Mic ro-Nikkor 200mm f/4D IF-ED*
PC-E NIKKOR 24mm f/3.5D E D*
PC-E Micr o NIKKOR 45mm f /2.8 D ED*
PC-E Micr o NIKKOR 85mm f /2.8D*
PC Mic ro- Nikko r 85mm f /2.8D*
30
10
10
7*10
11
10*11
10*12
7
10*11
[p16 -p 21]
12/14 11 4˚ 90˚ 7 22 0.2/0.66
9/12 94˚ 70˚ 7 22 0.25/ 0.85
10/12 84˚ 61˚ 9 16 0.25/0.82
9/9 84˚ 61˚ 7 22 0.3/1
6/6 74˚ 53˚ 7 22 0.25/ 0.85
6/8 — 44˚ 7 22 0.3/0.98
5/6 62˚ 44˚ 7 22 0.25/0.85
7/8 46˚ 31˚3 0' 9 16 0 .45/ 1.5
6/7 46˚ 31˚3 0' 7 16 0.4 5/1.5
5/6 46˚ 31˚3 0' 7 22 0.45 /1.5
8/9 28˚30' 18˚50' 9 16 0.85/2.8
6/6 28˚30' 18˚ 50' 9 16 0.85/2.8
6/6 23˚20' 15˚2 0' 9 16 0.9 /3
6/7 18 ˚ 12˚ 9 16 1.1/4
6/8 13˚4 0' 9˚ 9 22 1.5/ 5
9/13 12˚20 ' 8˚ 9 22 1.9/6.2
7
6/10 8˚10 ' 5˚20' 9 32 1.45/4.8
11/1 4 6˚10' 4˚ 9 22 2.9/9.5 (2.8/9. 2)*
11/1 4 5˚ 3˚10' 9 22 4.0/13.1 (3.85/12.6)*
12/15 4˚10' 2 ˚40 ' 9 22 5.0/16.4 (4.8/15.7)*
8/ 11 8˚10 ' 5˚20' 9 22 2. 3/ 7.5 ( 2. 2/ 7.2) *
10
7/10 — 18 0˚ 7 22 0.14/0.46
1
1
1
1
5/8 18 0˚ 107˚ 7 22 0.25/0.85
9/12 3 9˚40' 26˚30' 9 32 0.185/0.6
7/8 3 9˚40 ' 26˚30' 7 32 0.219/ 8 3/4 in.
10/14 — 18˚50' 9 32 0.286/0.9
12/14 23˚20' 15 ˚20' 9 32 0.3 14/1
8/13 12˚20 ' 8˚ 9 32 0.5/ 1 5/8
10/13 84˚ 61˚ 9 32 0.21/0.75
8/9 51˚ 34˚50' 9 32 0.253/0.83
5/6 28˚30' 18˚ 50' 9 32 0.39/1.3
5/6 28˚30' 18˚ 50' 9 45 0.39/1.3
Page 31
Maximum
reproduction
ratio[x]
Weight
[g/oz.]
Dia. x le ngth
(extension from
lens mount)
[mm/in.]
Filter-at tachment
size [mm]
Lens cap ty pe Lens hood Lens case
When using D5000, D3000, D60 and
D40 series, autofocusing is possible
only with AF- S or AF-I lenses tha t have
motor built-in.
1/5 460/16 .2 82.5 x 87/3 .2 x 3.4 77
1/8. 3 46 5/16.4 82 .5 x 90/3. 2 x 3.5 77
1/6.7 970/34.2 98 x 131.5/3. 8 x 5.2 —
1/4 680/24.0 82. 5 x 125/ 3.2 x 4.9 77
1/4.6 745 /26. 3 82.5 x 106 /3.2 x 4.2 77
1/6.7 37 0/13.0 82. 5 x 82.5/3. 2 x 3.2 77
1/4.6 4 85 /17.1 7 2 x 85/2.8 x 3.4 67
1/5 755/26.6 85.5 x 110.5 /3.4 x 4.4 77
1/3. 2 265/9.4 73 x 7 9.5/2.9 x 3.1 52
1/3. 2 205/7.2 70.5 x 74/2. 8 x 2.9 52
1/5 420 /14.8 76 x 89/2 .9 x 3.5 67
1/4.5 565/19.9 77 x 96. 5/3.0 x 3.8 72
1/3.7 900/31.7 8 3 x 133/ 3.3 x 5.2 77
3
1/5. 9 (1/2)*
1/4.8 575/20.3 77 x 94/3 .0 x 3.7 72
1/4.4 3 35/ 11.8 73 x 9 9.5/2.9 x 3. 9 52
1/3.5 255/9.0 6 8 x 79/2.7 x 3.1 52
1/8. 6 1540(1495)/54.3 (52.7)*887 x 20 5.5/3.4 x 8.2 77
1/4 74 5/26.3 8 0 x 143.5/3 .1 x 5 .6 67
1/3.9 42 5/15.0 74 x 116.5/ 2.9 x 4.6 62
1/7.1 (1/5.9) *
2
1/4.8 1360(1210)/48.0 (42.7)*891 x 171/3.6 x 6.7 77
1/3.7 ( 1/3.6) 32 75/ 115.5 124 x 365 /4.9 x 14.4 52
54 5/19.2 7 8.5 x 82.5/ 3.1 x 3.2 72
1300/45.9 8 7 x 187/3.4 x 7.4 77
Snap-on HB-23 (provided) CL-1118 ( pro vide d)
Snap-on HB-23 (provided) CL-S2 (optional)
Slip-on Built-in CL-M3 (provided)
Snap-on HB-23 (provided) CL-1120 (provided)
Snap-on HB-23 (provided) CL-76 (provided)
Snap-on HB-23 (provided) CL-S2 (optional)
Snap-on HB-39 (provided) CL-1015 (provided)
Snap-on HB-31 (provided) CL-1120 (provided)
Snap-on HB- 45 (optional) CL-0815 (optional)
Snap-on HB- 45 (optional) CL-0815 (optional)*
Snap-on HB-32 (provided) CL-1018 (provided)
Snap-on HB-35 (provided) CL-1018 (provided)
Snap-on HB-40 (provided) CL-M3 (provided)
Snap-on HB-25 (provided) CL-S2 (optional)
Snap-on HB-25 (provided) CL-S2 (optional)
Snap-on HB-37 (provided) CL-0918 (provided)
Snap-on HB-34 (provided) CL-0815 (provided)
Snap-on HB-48 (provided) CL-M2 (provided)
Snap-on HB-36 (provided) CL-10 22 (provided)
Snap-on HB-26 (provided) CL-S4 (optional)
Snap-on HB-7 (optional) CL-43A (provided)
Snap-on HB-24 (provided) CL-M1 (provided)
Slip-on HK-30 (provided) CL-L2 (provided)
*1 Number in ( ) is for MF.
*2 Number in ( ) is for macro setting.
*3 Number in ( ) is for macro setting at
85mm telephoto end.
*4 When in between 18-24mm.
*5 When in 35mm.
*6 W hen in between 35 -50mm.
*7 Tripod mounting collar is provided.
*8 Number in ( ) is the weight without
tripod mounting collar.
*9 Use CL-0715 instead if you are using the
lens hood HB- 33.
9
*10 Close-Range Correction ( CRC) system
*11 Using shifting and/ or tilting under some
conditions may cause vignetting.
*12 The camera's exposure metering
and flash control system do not work
properly when shifting and/ or tilting the
lens, or when using an aperture other
than the maximum aperture. Shifting
and/or tilting the lens to a large degree
can cause some vignetting.
NOTE: Lens hood names indicate type: HN
for Screw-in, HR for Rubber Screw-in, HK for
Slip-on, HS for Snap- on and HB for Bayonet.
1/6.7 670/23.6 87 x 86.5/3 .4 x 3.4 Gelatin filter
1/8. 3 270/9.5 69 x 42.5/ 2.7 x 1.7 62
1/5. 6 62 0/21.9 83 x 8 8.5/3.3 x 3 .5 77
1/8. 9 270/9.5 64.5 x 46/ 2.5 x 1.8 52
1/5. 6 205/7.2 65 x 4 4.5/2.6 x 1.8 52
1/ 6.1 200/7.0 70 x 5 2.5/2.8 x 2.1 52
1/4.2 205/7.2 6 4.5 x 43.5/ 2.5 x 1.7 52
1/6. 8 280/9.9 73. 5 x 54/2.9 x 2.1 58
1/6. 8 230/8.1 64 .5 x 42.5/2. 5 x 1.7 52
1/6. 6 155/ 5.5 6 3.5 x 39/2 .5 x 1.5 52
1/8.8 5 50/19 .4 80 x 72.5 /3.1 x 2.9 77
1/9. 2 38 0/13.4 71.5 x 5 8.5/2.8 x 2 .3 62
1/ 7.7 64 0/22.6 79 x 111/3.1 x 4.4 72
1/ 7.1 815/28.7 79 x 120/ 3.1 x 4.7 72
1/6. 6 760/26.8 78.5 x 14 4/3.1 x 5.7 72
1/ 8.1 2900/102.3 124 x 203/4.9 x 8.0 52
1/6. 4 (1/6.1)*
1/6. 3 (1/6.1)*
1/6.9 (1/6.6)*
1/ 7.4 ( 1/ 7.1)*
1
2900/102.3 124 x 267.5/4 .9 x 10.5 52
1/3.7 1440(1300 )/50.8 (45.9)*890 x 22 2.5/3.5 x 8 .8 77
1
4620/163.0 159.5 x 3 68/6. 3 x 14.5 52
1
3880/136.9 139. 5 x 391/5.5 x 15.4 52
1
5060/178.5 166 x 44 5/6.5 x 17.5 52
1/5 305/10.8 6 3 x 62.5/2.5 x 2.5 Gelat in filter
1/10 290/10.2 63 x 57/2. 5 x 2.2 Rear-attachment type
1 42 5/15.0 73 x 89 /2.9 x 3.5 62
1 44 0/15. 5 70 x 74.5/2.8 x 2.9 62
1 35 5/12.5 7 3 x 98.5/2. 9 x 3.9 52
1 750/26.5 83 x 116/ 3.3 x 4.6 62
1 1190/41.8 76 x 193/3.0 x 7.6 62
1/2.7 730/25.7 82. 5 x 108/3.2 x 4 .3 77
1/2 74 0/2 6.1 82.5 x 112/3. 2 x 4.4 77
1/2 635/22.4 8 3.5 x 107/3.3 x 4. 2 77
1/2 775 /2 7.3 83. 5 x 109.5 /3.3 x 4.3 77
Slip-on Built-in CL-S2 (provided)
Snap-on HB-4 (optional) C L-S2 (optional)
Snap-on HB-51 (provided) CL-1118 ( pro vide d)
Snap-on HN-1 (optional) CL-0715 (optional)
Snap-on HN-2 (optional) CL-0715 (optional)
Snap-on HB-46 (provided) CL-0913 (provided)
Snap-on HN-3 (optional) CL-0715 (optional)
Snap-on HB-47 (provided) CL-1013 (provided)
Snap-on HR-2 (opt ional) CL-0715 (optional)
Snap-on HR-2 (opt ional) CL-0715 (optional)
Snap-on HN-31 (provided) CL-0915 (optional)
Snap-on HN-23 (provided) CL-0815 (optional)
Snap-on Built-in CL-38 (optional)
Snap-on Built-in CL-38 (optional)
Snap-on Built-in CL-38 (provided)
Slip-on HK-31 (provide d) CL-L1 (provided)
Slip-on HK-30 (provided) CL-L1 (provided)
Snap-on Built-in CL-M2 (provided)
Slip-on HK-33 (provided) CT-404 (provided)
Slip-on HK-34 (provided) CT-504 (provided)
Slip-on HK-35 (provided) CT-607 (provided)
Slip-on Built-in CL-0715 (provided)
Slip-on Built-in CL-0715 (optional)
Snap-on HB-42 (provided) CL-1018 (provided)
Snap-on HN-22 (optional) CL-0815 (optional)
Snap-on HB-37 (provided) CL-1018 (provided)
Snap-on HB-38 (provided) CL-1020 (provided)
Snap-on HN-30 (optional) CL-45 (provided)
Snap-on HB-41 (provided) CL-1120 (provided)
Snap-on HB-43 (provided) CL-1120 (provided)
Snap-on HB-22 (provided) CL-1120 (provided)
Snap-on HB -22 (optional) CL-75 (provided)
31
Page 32
NIKON CORPORATION Shin-Yurakucho Bldg., 12-1, Yurakucho 1-chome, Chiyoda-ku, Tokyo 100-8331, Japan www.nikon.com
en
Printed in Holland Code No.6CE10020 (1003-366/A)K
Loading...