Case Study
Kris Graves Photography Develops Success
with NEC Display
Quick Facts
Facility: Kris Graves Projects
Location: Long Island City, NY
Challenge: Provide photorealistic colors for
professional printing of photos; Improve
workflow between photo and video
editing
Solution: 27” NEC MultiSync® PA272W-BK-SV with
SpectraViewII™ color calibration software
Date: August 2013
Based out of the vibrant city of New York, Kris Graves’s
modest photography studio o of his apartment may
suit the nature of his minimalist photography style, but it
belies the depth found in his photos. Since 2004, Graves
has worked on numerous photography and video projects
and boasts an extensive portfolio, along with various
published works.
For Graves,
photography isn’t
merely the recording
of an image as it
is for most of us.
It’s an art form he
pursues with passion.
Specializing in
dramatic landscapes
in all sorts of settings
– urban, rural, and
some of the most
remote locations on
the planet – Graves
seeks to share the
wonders of the world
with those who view
his work, whether
it is as an individual
print, on a website
or in one of the
numerous books
he has published.
As an ocial photographer for the Solomon R. Guggenheim Museum,
Graves requires a professional monitor that shows true colors and shadows
of the artwork and maintains consistent uniformity time after time.
In order to make sure that the images he captures stay
true to the moments in time when he experienced them
and the places he has ventured, Graves knows he must
have the best tools at his disposal.
The Challenge
In mid-2013, Graves, ever in the middle of multiple projects,
came to realize a serious disparity in quality between the
professional-grade NEC MultiSync PA271W monitors he
used during his day job at the Solomon R. Guggenheim
Museum and the more consumer-grade monitor he was
using for his personal work. Graves’ Guggenheim work
involves photographing works of art for archival purposes,
something which requires significant care in almost all
aspects of the task. Beyond the considerations necessary
for the handling of any give piece of art, the importance
of capturing the true colors, shadows, and overall style
of each piece for the archive is something which requires
high quality equipment. The NEC monitor functioned on
another level, beyond what he was experiencing at home.
As an artist, this
dierence stood
out starkly to him,
and he began to
consider that it
might be time for a
change. “You always
want your work to
look its best,” said
Graves. “And when
you’re working
with publishers and
having your work
printed, you have to
make sure the colors
are spot-on. This was
something I couldn’t
risk and decided I
needed to take extra
steps to ensure the
quality.”
His workspace
consisted of an
Apple laptop
that he used for video editing and a desktop PC that was
used for photo editing. While both the laptop LCD and
desktop monitor were used for dierent purposes, each
had dierent color presentation and were inconsistent
compared to his work environment.
The Solution
Fate intervened for Graves when he was contacted by NEC
to review the very product he required, NEC’s new 27”
MultiSync PA272W. NEC reached out to Graves after reading
comments he made about his work at the Guggenheim
and the current NEC monitors he used there. “It was really
exciting to be given the chance to use this display before it
was unveiled,” said Graves. “I grew up with NEC products.
My father always used them in his work, so I knew what
an exciting opportunity this was and felt fortunate to find
myself in a situation where I could receive a unit to review
for NEC.”
Graves immediately tested the limits of the PA272W,
putting it through the paces as he designed the layout for
his next book, edited scans for multiple artists, edited his
own photography collection, and continued photographing
and editing artworks overall.
Specifically, Graves found the resolution of the PA272W to
be far more impressive than his previous monitor. “I was able
to get a resolution of 2560 x 1440, which is impressive. The
unit I had been using was the same size, dimension-wise,
but could never oer this many pixels,” said Graves. This
increased resolution meant he could now view drastically
more detail in his images than he could before.
For his work, this meant special attention paid to the finer
details of the scenic views he captured. For example, during
one of his three trips to Iceland, Graves captured an image
of melting icebergs which featured a variety of shades
of blue, not only from the iceberg but from the water in
which it floated. The details captured through his expensive
camera equipment and lens can only be done justice with a
monitor distinguishes between the subtleties of the various
hues and gradients.
his disposal, however, it is dicult for him to add the little
touches that allow him to share what he saw in person with
the rest of the world in his individual prints and books.
In that same vein, Graves also said the color correction
feature provided by NEC’s SpectraViewII was an amazing
addition to the display. “With my work, I have to make
sure the screen is absolutely color correct for proofs when
everything goes to press. Having the color correct option
makes it easy to work for all mediums, books, video, the
Internet, etc.”
Again, the beauty of the melting ice which he captured
during his travels would be lost, if not done an injustice,
without having technology which can complement his
camera. NEC’s SpectraViewII system uses a color sensor
to take color measurements of the display screen during
calibration. The software analyzes these measurements and
sends color adjustment commands directly to the display
monitor. This means that color adjustments are made in
the monitor rather than in the computer’s video graphics
adapter, which is often unable to render the subtleties
required for this type of work. With SpectraViewII, the video
graphics adapter is not used at all to make any gamma
or tone response curve corrections to the display, so the
fidelity of the system is maintained.
Graves also noted that he’s actually able to use two separate
computers via the PA272W at the same time. “Using two
computers on the same monitor with the same keyboard
is an amazing option for me because I often have an Apple
laptop set up for video editing and my PC set up for photo
editing,” said Graves. “It also allows me to have the same
color correction on both devices, which assures me of the
output.”
In the end, Graves says he is very satisfied with his switch
to NEC’s PA272W. The unit will help him stay true to his art
form and allow for photorealistic images to be produced.
The eect is similar to the work of the Impressionist painters,
where many hundreds or thousands of individual dots or
brush strokes were used to create an image, but only when
viewed at a distance. Georges Seurat’s iconic Saturday in
the Park with Friends is perhaps the best-known example
of this style. The closer you get, the more detail you see but
the image itself cannot be taken in, only the dots.
For Graves, the reverse is true. While there is in image
to behold from a distance, the closer you look, the more
impressive it becomes. The subtle changes among shades
of blue and white in the iceberg can be appreciated and
oer a deeper sense of the moment itself. Perhaps there
is an individual drip forming or the last bit of an ice lattice
structure is failing. These minute details, which add drama
and life to an otherwise simple scene, are all in the images
which Graves captures. Without a high-quality monitor at
MultiSync and SpectraViewII are a registered
trademark and trademark of NEC Display
Solutions.
©2013 NEC Display Solutions of America, Inc.
All rights reserved. ver. 10.18.2013
NEC Display Solutions
500 Park Boulevard, Suite 1100
Itasca, IL 60143
866-NEC-MORE