McIntosh MC-2120 User Manual

THE MCINTOSH MC 2120 SOLID STATE STEREO POWER AMPLIFIER
Reading Time: 29 Minutes
Price $1.25
Your MC 2120 Stereo Power Amplifier will give you many years of pleasant and satisfactory performance. If you
have any questions, please contact:
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Contents
SERVICE . . . . 1
INSTALLATION . . . . 2
HOW TO CONNECT . . . . 4
FRONT PANEL INFORMATION . . . . 8
REAR PANEL INFORMATION . . . . 10
PERFORMANCE LIMITS AND RATINGS . . . . 11
PERFORMANCE CHARTS . . . . 12
TECHNICAL DESCRIPTION . . . . 14
BLOCK DIAGRAM . . . . 16
The terms of the contract are:
1. Mclntosh will provide all parts, materials and labor needed to return the measured perform­ance of the instrument to the original per­formance limits free of any charge. The SERVICE CONTRACT does not cover any ship­ping costs to and from the authorized service agency or the factory.
2. Any Mclntosh authorized service agency will repair all Mclntosh instruments at normal service rates. To receive the free service under
the terms of the SERVICE CONTRACT, the SERVICE CONTRACT CERTIFICATE must ac-
company the instrument when taken to the service agency.
3. Always have service done by a Mclntosh authorized service agency. If the instrument is modified or damaged, as a result of un­authorized repair the SERVICE CONTRACT will be cancelled. Damage by improper use
or mishandling is not covered by the SERV-
ICE CONTRACT.
4. The SERVICE CONTRACT is issued to you as the original purchaser. To protect you from misrepresentation this contract cannot be transferred to a second owner.
5. For your protection Mclntosh selects only dealers who have technical competence to guide purchasers fairly, and provide service when necessary. To receive the SERVICE CONTRACT your purchase must be made from a Mclntosh franchised dealer.
6. Your completely filled in application for a SERVICE CONTRACT must be postmarked within 30 days of the date of purchase of the instrument.
7. To receive the SERVICE CONTRACT all in­formation on the application must be filled in. The SERVICE CONTRACT will be issued when the completely filled in application is
received at Mclntosh Laboratory Incorporated in Binghamton, New York.
Copyright ® 1976 by Mclntosh Laboratory Inc.
1
INPUT
STEREO OR TWIN AMPLIFIER OPERATION
Use shielded cables to connect the signal from the pre­amplifier or signal source to the power amplifier input. To minimize the possibility of hum the shielded cables should be run parallel to each other or loosely twisted together. Locate the cables away from speaker leads and AC power cords. All connections are made on the back panel of the
MC
2120.
For stereo operation, the left output of the preamplifier should be plugged into the Left input jack of the power amplifier. The right output of the preamplifier should be
plugged into the Right (MONO) input jack of the power
amplifier.
available from the MC 2120, be sure to use large diameter speaker leads. In all cases, the leads to and from the speaker should be twin conductor or twisted together. Use lamp cord, bell wire, or wire with similar type of insulation to connect the speakers to the amplifier. When using 8 ohm speakers and for the normally short distances of under 30 feet between the amplifier and speaker, #18 wire or larger can be used. For distances over 30 feet between the amplifier and speaker use larger diameter wire. Select the correct size wire for the wire distance from the chart. It is recommended that the DC resistance of the speaker leads
not be over 5% of the speaker impedance. Up to 10% can be tolerated. Resistance of the leads should be computed for
the length of wire both to and from the speaker or speakers.
For twin amplifier operation a separate signal source can be connected to each input. In stereo or twin amplifier operation the MODE SWITCH must be in the STEREO posi­tion.
MONOPHONIC OR SINGLE CHANNEL OPERATION
A shielded cable from the signal source is plugged into the Right (MONO) input lack of the MC 2120 only. The MODE SWITCH on the back panel of the amplifier must be
placed in the MONO position. In the MONO position the
right channel input jack connects to both left and right
power amplifiers. The Left INPUT is disconnected. Only the
signal fed into the Right (MONO) input will be amplified.
Mono output is obtained by strapping both outputs in parallel. Should the MODE SWITCH be left in the STEREO position and the output transformers remain strapped for
a monophonic load, one channel will attempt to drive the other which causes high circulating currents and over-
heating. Be certain that the MC 2120 is never operated in
the stereo mode with the outputs connected for mono­phonic operation.
OUTPUT
Be certain the loudspeakers connected to the MC 2120
are capable of handling the power output of the ampli­fier.
For multiple speaker operation, run separate leads from
each speaker to the amplifier. Because of the high power
Wire Gauge
22
20
18 16
14
12
10
For 4
Feet
10
15 25 40 60
100
MAXIMUM
Ohm Load
Meters
6
1 83
3.05
4.57
7.62
12.19
18.29
30.48
WIRE
For 8
Feel
12 20 30 50 80
120
200
LENGTHS Ohm Load
Meters
3.66
6.10
9 14
15.24
24.38
36.58
60.96
For 16
Feel
24 40 60
100
160 240 400
Ohm Load
Meters
7.32
12.20
18.30
30.50
48.80
73.20
122.00
Wire lengths above represent the wire resistance equal to
5% of the speakers impedance. Use of smaller wire sizes will produce more resistance which causes more power loss and less loudspeaker damping.
STEREO OR TWIN AMPLIFIER OPERATION
Check the impedance of the speaker which is usually identified on the speaker itself or in the speaker owner's manual. Connect a lead from the common terminal of the left speaker to the amplifier LEFT OUTPUT terminal strip COMmon screw Connect another lead from the other termi­nal of the left speaker to the screw with the number cor­responding to the speaker impedance on the LEFT OUTPUT
terminal strip. The right channel speaker is connected in the same manner on the RIGHT OUTPUT terminal strip. For stereo or twin channel operation it is not necessary to use the same impedance loudspeaker on each output. Connect each channel for the impedance desired. Full power will
be delivered to each properly connected speaker.
4
When multiple speakers are to be connected to either or
both outputs, the combined load impedance must be calcu-
lated. The load must be connected to the appropriate im-
pedance tap. Use this table to aid in selecting the correct
impedance match:
Load Load impedance impedance in ohms Connect tor in ohms Connect for
1.6 to 3.2 2 ohm output 6.4 to 13 8 ohm output
3.2 to 6.4 4 ohm output 13 and up 16 ohm output If a load impedance is used that is lower than the output
impedance tap, then reduced power and possible distortion
will result. If a load impedance is used that is higher than the output impedance tap, then neither the signal nor the amplifier will be harmed but the power available is limited.
FOR STEREO OR TWIN AMPLIFIER CONSTANT VOLTAGE OPERATION: For output
voltage of Connect for
25 volts 8 ohms
FOR MONOPHONIC CONSTANT VOLTAGE LINE
OPERATION; For output
voltage of Connected for 25 volts 4 ohm output (mono)
For multiple speaker operation, run separate leads from
each speaker to the amplifier.
Should the MODE SWITCH be left in the STEREO position and the output transformers be strapped for a monophonic load, one channel will attempt to drive the other and cause circulating currents and overheating. Be certain that the MC 2120 is never operated in the stereo mode with the outputs connected for monophonic operations.
AC POWER
The MC 2120 operates on 120 volts 50/60 Hz. The aux-
iliary AC OUTLET on the MC 2120 is not fused or switched.
MONOPHONIC OR SINGLE CHANNEL OPERATION
When the MC 2120 is used as a monophonic or single channel power amplifier the two channels are combined to produce output up to 240 watts. The outputs must be tied together at the appropriate load impedance tap. In connect­ing a load to the MC 2120 for single channel operation connect the common side of the load to the LEFT CHANNEL OUTPUT terminal marked COM., the other lead is con-
nected:
If the speaker
or load
impedance is
1 ohm
2 ohms 4 ohms
8 ohms
Do not connect unequal impedance taps together
If the load impedance is between any of the above fig­ures, select the best impedance match from;
Load Load impedance impedance in ohms Connect for in ohms Connect for
0.8 to 1.6 1 ohm output 3.2 to 6 4 4 ohm output
1.6 to 3.2 2 ohm output 6.4 and up 8 ohm output
The hot side of the line is connected to Left 2 Left 4
Left 8 Left 16
Connect a jumper wire between Left 2 and Right 2 Left 4 and Right 4 Left 8 and Right 8 Left 16 and Right 16
5
Stereophonic Connections
PROGRAM SOURCE
LEFT SPEAKER
MUST BE IN STEREO POSITION FOR STEREO PROGRAMS
RIGHT
SPEAKER
STEREO
MODE SWITCH
MONO
6
Monophonic Connections
PROGRAM SOURCE
CONNECT FOR MONO USE ONLY WHEN THE MODE SWITCH IS IN MONOPOSITION
7
STEREO
MODE SWITCH
MONO
Front Panel Information
LEFT GAIN
Use the LEFT GAIN control to adjust the volume in the left channel to the desired listening level. Turn the control clockwise to increase the volume.
RIGHT/MONO GAIN
Use the RIGHT/MONO GAIN control to adjust the volume in the right channel to the desired listening level. Turn the control clockwise to increase the volume.
MONO
With the output of MC 2120 connected for monophonic operation and the rear panel MODE SWITCH in MONO the volume is controlled by the RIGHT/MONO GAIN control only.
LIMIT/NORMAL
The NORMAL (green) and LIMIT (red) indicators are a new Mclntosh development. As long as the amplifier operates without overload the NORMAL indicator illu-
8
minates. A waveform comparator in the MC 2120 con­stantly compares the amplifier input and output wave­form. Waveform difference of the output wave is con­verted to a voltage which is used as a control signal to "turn
off"
the
NORMAL LIMIT indicator. The LIMIT indicator turns on whenever the waveform difference exceeds 0.5%. Generally, these waveform differences are the result of applying voltages at the input in excess of its rating. Because the limit in­dicator circuit can show an overload condition as short as one cycle of a 20,000 Hz signal a holding circuit keeps the red indicator on long enough for the eye to see.
HEADPHONES
The output of the front panel HEADPHONE jack has been designed to feed low impedance dynamic stereo head­phones. Electrostatic headphones generally require higher power than dynamic headphones. Connect them to the LEFT and RIGHT OUTPUT contacts on the back of the MC 2120.
indicator
and to
"turn
on" the
Plug dynamic headphones into the front panel HEADPHONE jack. Adjust the front panel LEFT GAIN and RIGHT/MONO GAIN control for comfortable headphone listening.
POWER
The power switch turns the MC 2120 ON or OFF. The switch does not control the power outlet on the back panel. If you wish to control the AC power from a preamplifier control center leave the switch in the ON position. Be sure the AC cord of the MC 2120 is plugged into the controlled outlets on the rear of the preamplifier control center.
OFF: In the OFF position the AC power to the amplifier is turned off.
9
Rear Panel Information
LEFT and RIGHT OUTPUT
For stereo operation, output impedances of 2, 4, 8 and
16 ohms have been provided on a secure, screw type bar­rier strip. For monophonic operation proper interconnection provides, 1, 2, 4 and 8 ohms from the same barrier strips.
POWER GUARD
Amplifiers are capable of delivering large quantities of
power when they are driven to clipping. Clipping is
caused when the amplifier is asked to produce more power output than it can deliver with low distortion. A clipped amplifier can have more than 40% harmonic distortion. The extra energy content of the clipped signal will dam­age most speakers. A new Mclntosh advancement helps to protect your speaker from this kind of damage. The
MC 2120 has a built in "waveform comparator" that com­pares the wave shape of the input signal with the output
signal. If the non-linearity between the two signals exceeds
0.5% a front panel signal illuminates in red (LIMIT). With the POWER GUARD switch in the NORMAL position, 1.0% distortion will cause the POWER GUARD circuit to operate. The POWER GUARD circuit limits the input dynamically so
that the amplifier cannot be overdriven. This eliminates amplifier output clipping. Recommended operations is with the POWER GUARD switch in the NORMAL position at all times.
MODE SWITCH
The MC 2120 can be used in these different manners: stereo (or as a twin amplifier) and mono. Because of the excellent channel separation of the MC 2120, it can
all of these functions. When the instrument is properly con-
nected the MODE switch is used to select the method of
operation desired.
INPUT
In the stereo or twin amplifier mode of operation both
input jacks accept signal. In the mono mode of operation
the Left channel input jack is disconnected and only the
Right (MONO) channel input jack accepts signal.
INPUT LEVEL
The input sensitivity of the MC 2120 is 0.75 volts or
2.5 V depending on the position of the INPUT LEVEL switch. With indicated voltage applied and the GAIN control clock­wise, the amplifier will deliver its rated power. All Mclntosh
preamplifiers have been designed to deliver 2.5 volts out­put with rated input. For the best signal to noise ratio when using Mclntosh source equipment, always have the INPUT
LEVEL switch in the 2.5 V position and the front panel LEFT and RIGHT/MONO GAIN controls in the fully clockwise posi­tion. If more gain is desired the 0.75 V position may be
used. For source equipment other than Mclntosh set the switch in the position nearest to the stated output rating of the source equipment.
AC POWER
The MC 2120 is rated for 120 volts, 50/60 hertz. It uses 50 watts when there is no signal output and 460 watts with both channels delivering rated power. An 8 ampere fuse protects the MC 2120 electrically. An auxiliary AC power outlet has been provided. The auxiliary outlet is neither fused nor switched.
10
Performance Limits and Ratings
PERFORMANCE GUARANTEE
Performance Limits are the maximum deviation from per­fection permitted for a Mclntosh instrument. We promise you that the MC 2120 you buy must be capable of per-
formance at or exceeding these limits or you get your
money back. Mclntosh is the only manufacturer that makes this guarantee.
PERFORMANCE
Mclntosh audio power ratings are in accordance with the Federal Trade Commission Regulation of November 4, 1974 concerning power output claims for amplifiers used in home
entertainment products.
POWER OUTPUT
STEREO
120 watts minimum sine wave continuous average power output per channel, both channels operating into 2 ohms, 4 ohms, 8
ohms, or 16 ohms load impedance, which is:
15.5 volts RMS across 2 ohms
21.9 volts RMS across 4 ohms
31.0 volts RMS across 8 ohms
43.8 volts RMS across 16 ohms
MONO
240 watts minimum sine wave continuous
average power output into 1 ohm, 2 ohms, 4 ohms, or 8 ohms load impedance, which is:
15.5 volts RMS across 1 ohm
21.9 volts RMS across 2 ohms
31.0 volts RMS across 4 ohms
43.8 volts RMS across 8 ohms
OUTPUT LOAD IMPEDANCE
STEREO
2 ohms, 4 ohms, 8 ohms, and 16 ohms; separate terminals are provided for each output
MONO
1 ohm, 2 ohms, 4 ohms, and 8 ohms; ob-
tained by connecting together the appro-
priate terminals of both channels
RATED POWER BAND
20 Hz to 20,000 Hz
TOTAL HARMONIC DISTORTION
STEREO
0.1% maximum harmonic distortion at any power level from 250 milliwatts to 120
watts per channel from 20 Hz to 20,000 Hz, both channels operating
MONO
0.1% maximum harmonic distortion at any power level from 250 milliwatts to 240 watts from 20 Hz to 20,000 Hz
INTERMODULATION DISTORTION
STEREO
0.1% maximum if instantaneous peak power output is 240
watts or less per channel with both channels operating for
any combination of frequencies, 20 Hz to 20,000 Hz
MONO
0.1% maximum if instantaneous peak power output is 480 watts or less for any combination of frequencies, 20 Hz to
20,000 Hz FREQUENCY RESPONSE (at one watt output)
20 Hz to 20,000 Hz, +0 -0.25 dB
10 Hz to 100,000 Hz +0 -3.0 dB
NOISE AND HUM
95 dB below rated output
RATINGS
OUTPUT VOLTAGES
25 volts for distribution lines
DAMPING FACTOR
STEREO
16 at 2 ohms output, 50 at 4 ohms output, 20 at 8 ohms output, 14 at 16 ohms output MONO 16 at 1 ohm, 50 at 2 ohms, 20 at 4 ohms, and 14 at 8
ohms output
INPUT IMPEDANCE
100,000 ohms
INPUT SENSITIVITY
Switchable: 0.75 volt or 2.5 volts—Level control provided for higher input voltages.
GENERAL INFORMATION
POWER REQUIREMENTS
120 volts 50/60 Hz, 50 watts at zero signal output, 460 watts at rated output
SEMICONDUCTOR COMPLEMENT
39 silicon transistors 24 silicon rectifiers and diodes
2 integrated circuits
MECHANICAL INFORMATION
SIZE
Front panel measures 16 inches wide (40.7 cm) by 5 7/32 inches high (13.2 cm). Chassis measures 14 5/8 inches wide (37.2 cm) by 5 inches high (12.7 cm) by 13 inches deep (33 cm), including connectors. Knob clearance re­quired is 1 1/2 inches (3.8 cm) in front of mounting panel
FINISH
Front panel is anodized gold. Chassis is chrome and black
WEIGHT
57 pounds (25.9 kg) net, 70 pounds (31.8 kg) in shipping
carton
11
Performance Charts
Per Channel Both Channels Operating
HARMONIC DISTORTION AT RATED OUTPUT
FREQUENCY RESPONSE AT 1 WATT OUTPUT
POWER BANDWIDTH AT 0.1% THD
12
OUTPUT SIGNAL WAVEFORM SHOWING ACTION OF POWER GUARD TO ELIMINATE OUTPUT SIGNAL CLIPPING. AMPLIFIER INPUT IS OVERDRIVEN BY 20 dB FOR BOTH OSCILLOGRAM TRACES.
INTERMODULATION DISTORTION VS. POWER OUTPUT
HARMONIC DISTORTION VS. POWER OUTPUT
13
Technical Description
INPUT AMPLIFIER
Separate input amplifiers are used for the right and left channels. Each input amplifier is a two transistor feed­back amplifier which has unity gain. They are used to pro-
vide high input impedance and low output impedance for driving the power amplifier sections. In addition, impe-
dance matching is provided for the POWER GUARD system input attenuator.
When the MODE selector is switched to MONO, only the right channel input, GAIN control, POWER GUARD attenua-
tor, and input amplifier is used to drive both power ampli-
fiers. POWER AMPLIFIER
There are two identical power amplifier sections. At the
input to each power amplifier is a monolithic differential
transistor selected for low noise. The monolithic design
yields closely matched transistors for low distortion. The input and the feedback signals are applied to this differen-
tial amplifier. The second stage is a class A voltage ampli-
fier using a single transistor with feedback.
The predriver, driver, and output sections follow and are
fully complimentary with high efficiency and negligible dis-
tortion. The predriver is a complimentary transistor pair
biased to nearly class A operation for low crossover distor-
tion. Bias is supplied by a transistor which serves as a tem-
perature tracking circuit so the predriver is properly biased regardless of temperature. The predriver has a generous amount of emitter degeneration for low distortion.
Another complimentary pair of power transistors biased
for class AB operation make up the output driver stages. Their bias is developed across a thermistor which holds the
bias current stable regardless of temperature.
The output stage consists of 4 rugged complimentary
power transistors connected in single ended push-pull parallel. This stage is connected as a balanced emitter fol­lower which allows great stability and low distortion. Due
to a unique arrangement of the output bias network, the
output transistors are operated class B free of crossover distortion. Heat is not produced by these transistors when
there is no output. The bias network for the output stage
is temperature compensated assuring class B operation at any temperature or power level.
The output transistors and drivers are mounted on gener-
ous sized black anodized aluminum heat sinks. The free flow of room temperature air that passes through the over­sized heat sinks provides the cooling necessary fur the long life of components.
The MC 2120 has transient free turn on and turn off char­acteristics. This is because the output of the amplifier is switched by a heavy duty relay to the output autotrans­former. The relay is driven by a transistor switch. The con-
trol signal to this transistor is derived from a long time con-
stant capacitor charging network. The switch turns on the relay approximately two seconds after the MC 2120 is turned on. The same circuit has a short turn-off time con­stant which turns off the relay before the amplifier's main
power supply has had a chance to drop. The output signal is fed through a matching network to the front panel HEADPHONE jack. The HEADPHONE output is designed to feed low impedance dynamic stereo headphones.
The amplifier output signal is fed to the output terminals
through the autotransformer. The Mclntosh designed inter-
leaved multifilar wound autotransformer is used to properly
match the amplifier to any output impedance tap. The MC 2120 will deliver full power over the entire audio frequency
range at any of these impedances. The MC 2120 will not overheat when driving low impedance loads (2 ohms or 4 ohms). The autotransformer also protects speakers from damage in the event of amplifier failure. Should a direct
current component appear in the output it is shunted by the autotransformer and cannot damage the speaker.
The Mclntosh patented Sentry Monitoring circuit con­stantly monitors the output signal and instantly reacts to prevent overload of the output transistors. At signal levels up to rated output this circuit has high impedance and has no effect upon the output. If the power output exceeds design maximum, the Sentry Monitoring circuit operates to limit the signal to the output transistors. In the event of a short circuit across the amplifier output or severe im-
pedance mismatch the Sentry Monitoring circuit will protect the output transistors from failure. The positive and
negative halves of the output signal are monitored inde-
pendently. LIMIT INDICATOR AND POWER GUARD
The front panel NORMAL (green) and LIMIT (red) indi-
cators are activated by a newly designed Mclntosh circuit. The MC 2120 has a built in "waveform comparator." The waveform comparator electrically compares the amplifier's output waveform with the input waveform. Should the waveform differences reach 0.5%, the red LIMIT indicator on the front panel is turned on and the NORMAL indicator is turned off. If the differences increase to 1% the POWER GUARD circuit is activated. POWER GUARD provides an unusual margin of safety for loudspeakers by the preven­tion of amplifier clipping yet permits the amplifier to de­liver designed maximum power.
14
The input waveform and the output waveform are com­pared in an integrated circuit differential amplifier. Any differences, due to distortion of the output waveform, are converted to a control voltage. This control voltage is applied differentially to a high gam operational amplifier where it is amplified about 100 times. The amplified control volt­age is detected by a full wave bridge rectifier then enters a
Schmidt trigger which is programmed to sequence the
front panel indicators from NORMAL (green) to LIMIT (red]
at a preset distortion level. Also built into the trigger circuit
is a timing capacitor which holds the LIMIT indicator on long enough to be visible even when the duration of the overload is much shorter. The LIMIT indicator will be illumi­nated for an overload condition as short as one cycle of a
signal at 20,000 Hz.
The same control voltage used to activate the LIMIT indicator also actuates the POWER GUARD system. If the control voltage is greater than is needed to illuminate the LIMIT indication then the POWER GUARD begins operating.
The control voltage is used to operate a light emitting
diode/light dependent resistor (LDR) network. The LDR is part of an attenuator between the volume control and the input amplifier. The input to the power amplifier can be attenuated to as little as one tenth, if necessary, in order to maintain low distortion in the event of excessive input
signal.
The POWER GUARD circuit is activated when the rear panel switch is in the NORMAL position. POWER GUARD protection is disabled m the OUT position. The LIMIT indi-
cator operates regardless of the position of the POWER GUARD switch.
15
16
MCINTOSH LABORATORY INC.
2 CHAMBERS ST., BINGHAMTON, N. Y. 13903
607-723-3512
Design subject to change without notice.
Printed in U.S.A.
038-921
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