DELAY MODELER – QUICK REFERENCE CHART FOR MODEL-SPECIFIC FUNCTIONS
Rhythmic Delays
3
DL4 Delay Modeler
DELAY TIME
12
MODELTWEAKTWEEZ
Tube EchoWow & FlutterDrive
Tape EchoBassTreble
Multi-headHeads 1/2Heads 3/4
Sweep EchoSweep SpeedSweep Depth
Analog EchoBassTreble
Analog w/ ModModulation SpeedModulation Depth
3
3
Lo Res DelayToneResolution
Digital DelayBassTreble
Digital w/ ModModulation SpeedModulation Depth
Rhythmic DelaysModulation SpeedModulation Depth
Stereo DelaysRight Delay TimeRight Delay Repeats
Ping PongDelay Time OffsetStereo Spread
ReverseModulation SpeedModulation Depth
Dynamic DelayThresholdDucking
Auto-volume EchoModulation DepthSwell Time
Loop SamplerEcho ModulationEcho Volume
DELAY MODELER DETAILS
The following pages rundown the details of the loop sampler, and the 15 other models of the Delay
Modeler. As the pages describe, these models were created as the result of our in-depth studies
of a dream collection of classic delay stomp boxes and rack units. We’ve included some historical
information, as well as a sample setting for each model, to let you know how each of the units
we studied made its mark on the world of guitar tone, and earned a spot on our modeling “hit
list.” The models of your Delay Modeler are designed to capture the sonic spirit of these classics,
and bring it to you with the powerful new advantages of programmability and versatility – and
2.5 seconds of delay time! We hope you’ll enjoy them.
Alternate Bypass for Delay Trail Remain
The Stomp Box Modelers include mechanically switching relays that route your signal directly
from input jack to output jack and around all circuitry while in bypass.
There’s also an alternate bypass mode available that keeps the DSP engaged while bypassed,
so your delays can trail away when you kick the pedal off. If you want this Alternate Bypass
mode, hold the first and third (from the left) stomp switches while plugging in the left/mono
guitar input. (When the left/mono input is unplugged, your pedal is powered off.) Your pedal
will remember to stay in this Alternate Bypass mode until you re-enable True Bypass.
This is where you select the special Loop Sampler mode of operation. While using the
Loop Sampler, the knobs and switches have special functions; true bypass is also disabled.
The Loop Sampler remembers the knob positions you set here and recalls them
when you come back to it. You can also use the optional expression pedal to control
the knob settings. Your loop can be up to 14 seconds long. (28 seconds at half speed!)
DIGITAL DELAY
LO RES DELAY
ANALOG W/ MOD
ANALOG ECHO
SWEEP ECHO
MULTI-HEAD
TAPE ECHO
TUBE ECHO
Delay Time (for Pre-Loop Echo)
DL4 Delay Modeler
We’ve provided you with a an echo unit in front
LOOP SAMPLER
DIGITAL W/ MOD
RHYTHMIC DELAY
STEREO DELAYS
PING PONG
REVERSE
DYNAMIC DELAY
AUTO-VOLUME ECHO
of your loop sampler. It’s got a maximum delay
DL4 Delay Modeler
DELAY TIMEMIXREPEATSTWEAKTWEEZ
P
ROGRAMMABLE DELAY &
14 S
ECOND LOOP SAMPLER
Repeats (for Pre-Loop Echo)
This sets the number of repeats for the
Pre-Loop Echo.
time of 800 milliseconds, set by this knob. This
echo unit is before the loop sampler, so when you
record, you will record the echoes as well. Then,
when you play back the loop audio, it will play
with the recorded echoes. You can then turn the
Tweak
Turn this up to add some modulation for
the Pre-Loop Echo.
echoes off while you play over the loop, or you
can choose a different echo time to play and
overdub with.
Press to start Recording (light comes on solid). If you press this switch a second time while recording, the
recording will finish, loop playback will immediately begin, and you’ll be in Overdub mode (light flashes).
With each pass of recording in overdub mode, the already-recorded sound gets a little quieter, fading away
entirely after many overdub passes.
PLAY/STOP
Once you’ve recorded the loop you like, you can start and stop it any time you like by jumping on this switch.
From Stop, pressing this starts playback from the beginning of the loop (light comes on solid). From Play
or Overdub, pressing it stops playback/overdub. You can also step on this switch while Recording to stop
LOOP SAMPLER – PLAY ONCE & 1/2 SPEED/REVERSE FOOT SWITCHES
DIGITAL DELAY
LOOP SAMPLER
DIGITAL W/ MOD
RHYTHMIC DELAY
STEREO DELAYS
PING PONG
REVERSE
DYNAMIC DELAY
AUTO-VOLUME ECHO
LO RES DELAY
ANALOG W/ MOD
ANALOG ECHO
SWEEP ECHO
MULTI-HEAD
TAPE ECHO
TUBE ECHO
PLAY ONCE
DL4 Delay Modeler
This switch allows “one shot” playback (the Play Once and Play/Stop lights come on during one shot playback).
DL4 Delay Modeler
DELAY TIMEMIXREPEATSTWEAKTWEEZ
P
ROGRAMMABLE DELAY &
14 S
ECOND LOOP SAMPLER
From Stop, press this switch to play your loop one time and stop . From Record, press Play Once to stop
recording and start one shot playback immediately. From Play, this switch will turn on Once mode,
meaning the loop will continue playing to the end of the loop and stop. If Play Once is already turnedon, pressing this switch will re-trigger the start of the loop. (You can “stutter” with this.) From Overdub,
things are the same as from Play: press the switch, and loop playback (and the Overdub) will stop at the
end of the loop.
1/2 SPEED/REVERSE
This is a dual function switch. One tap gets you half speed, and a double-tap will give you reverse. You
can even use them both at the same time. Flip to the next page for all the details.
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LOOP SAMPLER – DETAILS FOR THE 1/2 SPEED/REVERSE FOOT SWITCH
•One tap puts you in 1/2 Speed, or returns you to normal speed. Once you’ve turned 1/2 Speed on, it stays
on until you turn it off again. The light will turn on to show 1/2 Speed is on.
From Play: When a loop is playing forward and at normal speed, press this switch once and the loop drops
down one octave and plays at half the tempo. Press this switch a second time to return the loop to normal
You can “arm” 1/2 Speed before hitting play.
speed.
For Recording, you can “arm” 1/2 Speed with a tap on this switch before you start. Hit the
RECORD/OVERDUB switch to start recording your loop at half speed. Then, when you first play back,
remember you’re still in half speed – so your loop sounds just like what you recorded. Once you turn off half
speed (by tapping the 1/2 SPEED / REVERSE switch) the loop will be playing at double speed. Now that’s
easy, isn’t it? Just give it a try and you’ll get the hang of it.
Overdub works just like Record. Play with it; you’ll like it.
•A double-tap activates/deactivates Reverse. The light will flash slowly.
From Play: Double-tapping this switch while the loop is playing reverses playback. Double-tap again to
switch back to forward play. You can “arm” reverse before hitting play.
From Recording: Reverse doesn’t work in Record. Double-tapping the switch will be ignored.
Overdub: Once you’ve got a loop recorded, you can start overdubbing, and then double-tap the 1/2 SPEED
/ REVERSE switch to reverse your recorded loop and dub over it.
DL4 Delay Modeler
You can use both 1/2 Speed and Reverse at the same time. The light will flash quickly.
LOOP SAMPLER WACKINESS – A QUICK GLIMPSE INTO A STRANGE WORLD
DIGITAL DELAY
LOOP SAMPLER
DIGITAL W/ MOD
RHYTHMIC DELAY
STEREO DELAYS
PING PONG
REVERSE
DYNAMIC DELAY
AUTO-VOLUME ECHO
LO RES DELAY
ANALOG W/ MOD
ANALOG ECHO
SWEEP ECHO
MULTI-HEAD
TAPE ECHO
TUBE ECHO
The Basic Run Down...
DL4 Delay Modeler
Get set up comfortably with your guitar and the Delay Modeler. Turn TWEEZ to minimum to turn off the
DL4 Delay Modeler
DELAY TIMEMIXREPEATSTWEAKTWEEZ
P
ROGRAMMABLE DELAY &
14 S
ECOND LOOP SAMPLER
Pre-Loop Echo unit, and set MIX straight up. Start chunking along on an up-tempo rhythm guitar part.
Once you’ve got a groove, tap the RECORD/OVERDUB switch at the downbeat of your measure, record
two bars worth of rhythm, and then stomp on PLAY/STOP again at the downbeat of what would be the
third measure. You may need to try it a couple times to get the foot timing coordination down.
Once you’re happy with the loop you can now overdub a lead part. Turn up TWEEZ if you want some echo
on your lead; DELAY TIME and REPEATS control the echoes, and TWEAK lets you add some modulation
to the echo, too. MIX lets you to turn down the volume of the loop playback.
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If the loop’s not already playing, start loop playback with the PLAY/STOP switch, and get a feel for
what you want to record. Once you’re ready for your big moment, hit the RECORD/OVERDUB switch
as the loop plays and go wild for two bars. If you’re really feeling fancy, you can keep the overdub running
after the first loop through and record a second layer, for a doubled solo. Hit the RECORD/OVERDUB
switch at the end of your two bars to turn off overdub, and your loop will keep playing – rhythm plus solo.
Once the novelty of listening to this loop wears off, hit the 1/2 SPEED/REVERSE switch once and
you’ll hear the whole thing at half speed. Then, double-tap this switch and you’ll be playing backwards,
and still at half speed. As the loop plays, tap RECORD/OVERDUB and lay down some more guitar. Hit
RECORD/OVERDUB to stop the overdubbing and play the whole shebang, and then double-tap the 1/2
SPEED/REVERSE switch. Now the loop is playing forward again, and the last part you recorded is backward
in relation to everything else. One more tap on 1/2 SPEED/REVERSE and half speed turns off. You can
imagine where a half hour of this kind of thing could get you.
And If That’s Not Exciting Enough For You...
You might want to turn the lights down low for this next bit. We’re going to record a new loop that highlights
the opportunities for sonic experimentation that your new Loop Sampler provides:
From Stop, tap the 1/2 SPEED/REVERSE switch once to light it and “arm” half speed. Set DELAY
TIME, REPEATS, and TWEEZ to 12 o’clock. Mute the strings of your guitar with your left hand, and begin
tapping a rhythm quickly on your low strings with your right index finger. Hit RECORD/OVERDUB to
record some of this, then hit PLAY/STOP to finish the recording and start playback. Tap 1/2 SPEED/REVERSE
to turn off half speed – the loop now plays back at twice the speed. Double-tap to put it in Reverse. Tap
RECORD/OVERDUB while the loop plays and start overdubbing. Drag your pick on the low E string,
immediately followed by a note with a strong attack and some sustain. Tap RECORD/OVERDUB (stops
the overdub and keeps the loop playing) and then double-tap 1/2 SPEED/REVERSE. Freak out.
DL4 Delay Modeler
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