JVC DT-3D24G1U, DT-3D24G1 Technical Manual

Multi-format 3D LCD Monitor

DT-3D24G1

PRODUCT PLANNING OBJECTIVES

 Compact and portable 24-inch screen size.
 A variety of helpful camera-assist functions.
 Convenient 3D setup functions.

 Direct operation via easy-to-press hard buttons.

 24V DC input.
 Full compatibility with easily acquired and affordable

RealD 3D eyeglasses.

A monitor designed for 3D video content that delivers

100% performance in any recording application.

2

FEATURES

3D Monitor Features

 Xpol® Circular Polarizing System compatible with

widely available RealD 3D eyeglasses.

 3D Cursor and Grid Modes for easy binocular

disparity adjustment.

 Camera-assist functions: Mirror/Rotation,

Split, R Shift, Anaglyph, LR Sequential,

Individual, and LR Swap.

 Dual Time Code, Waveform and

Vectorscope displays.

 3D Mixing function.
 Supports Line-by-Line and Side-by-Side

3D formats.

Basic Monitor Features

 Supports 3G-SDI, dual HD-SDI, and DVI.
 WUXGA (1920 x 1200p) professional monitor.
 ITU-709 color gamut.
 Gamma 2.2, 2.35, 2.45, and 2.6 presets.
 Supplied with tilt stand.
 DC 24V power supply capability.

3

CAMERA-ASSIST MENU: RIG SETTINGS

Rig Settings

 Features: Depending on the rig setting

of the stereo camera, images from either

camera (left or right) can be rotated 180­degrees and inverted or switched
horizontally or vertically.

 Advantage: Left and right images are

easily reconfigured to synchronize the view

in virtually any camera rig setting.

 Benefit: Convenient operation is assured

when using cameras in a new rig setting as
individual settings are saved even after the
Camera-assist Menu is closed.

NOTE: Rotation (vertical) and mirror (180-degree rotation)

will delay the image by two frames and a frame

synchronizer is used to synchronize the delayed image.

Synchronized L /R image

Right image inverted vertically

Right image inverted horizontally and vertically

Right image inverted horizontally

Left and right images can be configured to match virtually any rig setting.

Photo: © Richard Clark,
President, Inter Video

4

CAMERA-ASSIST MENU: SPLIT AND L/R SEQUENTIAL

Split

 Features: L images are displayed on the left of

the Split line, and R images on the right.

 Advantages: The vertical line can be shifted

freely to the left or right and the horizontal line
position can also be adjusted.

 Benefits: Quick verification of misalignment

while rotating images during rig settings,

simplified checking of left/right camera positions,
and easy confirmation of hue and white balance
of the two images.

L

R

L

R

Left image

Marker for
R image

Horizontal
line

0.5 sec.0.5 sec.0.5 sec.0.5 sec.

Right image

Marker for
L image

L/R Sequential

 Features: Left and right images are

displayed alternatively at 0.5-second intervals.

 Advantage: A horizontal line and square

marker on the upper left or right of the screen
are displayed to help in differentiating
between L and R images.

 Benefit: Experienced creators can use L/R

Sequential to better generalize the overall

content of a 3D recording without wearing 3D

eyeglasses.

Left image Right image

Split line

Horizontal

line

L

The vertical line can be shifted freely
to the left or right and the horizontal
line position can also be adjusted.

Mismatched
iris adjustment

Vertical shift in the
recording position

Mismatched
white balance

Horizontal
line

5

Methods to check the alignment of both cameras vary but the DT-3D24G1

has many convenient features that enable users to answer any requirement.

CAMERA-ASSIST MENU: R-SHIFT AND ANAGLYPH

R-Shift

 Features: Images on the right can be shifted

horizontally while 3D images (left and right
signals) are displayed simultaneously.

 Advantage: Images on the right can be

freely shifted as desired.

 Benefits: 1.) Real-time confirmation of

optimally applied 3D effects and proper

camera setting alignment is possible.

2.) 3D effects can be viewed and verified on­screen prior to actually moving the cameras.

Anaglyph

 Features: Enables binocular disparity to be

checked using traditional red (for L images) and
blue (for R images) colors.

 Advantage: As with the R-Shift function, images on

the right can be freely shifted as desired.

 Benefits: 1.) Enables easy verification of vertical

alignment/tilt of the cameras without having to wear
3D eyeglasses.

2.) Clearly divided in sections, the amount of
binocular disparity is easily recognizable.

Move the right image at will to check the 3D effect

6

Methods to check the alignment of both cameras vary but the DT-3D24G1

has many convenient features that enable users to answer any requirement.

CAMERA-ASSIST MENU: INDIVIDUAL AND L/R SWAP

Individual

 Features: Each left and right image can be

displayed individually.

 Advantage: Left and right images

can be easily switched without
noise by pressing on the SELECT
button.

 Benefit: Enables quick verification of

disparity between left and right input signals
as switching can be freely performed as
desired.

L/R Swap

 Features: Allows left and right images to

be easily swapped.

 Advantage: The reconnecting or

switching of input signals is not required.

 Benefit: Helps in checking whether the

cables are properly connected.

L

R

L

R

L

R

The horizontal line can freely be
shifted up and down.

L/R Swap is useful for
determining whether the
cables are correctly
connected to the proper

terminals.

L R

L R

L R

LR Swap: Off

L R

L R

R L

LR Swap: On

7

Horizontal
line

Methods to check the alignment of both cameras vary but the DT-3D24G1

has many convenient features that enable users to answer any requirement.

CAMERA-ASSIST MENU: DUAL TIME CODE AND SCOPE BUTTON/LAMP

Dual Time Code

 Features: Dual Display Mode and 3D

Display Mode are useful for checking the
time codes of left and right input signals.

 Advantages: Time codes of both left and

right signals are shown in Dual Display
Mode, whereas only the left signal time
code is displayed in 3D Display mode.

 Benefit: Dual Display Mode makes it easy

to check the time code of both input signals.

Dual Display Mode: Displays time
codes for left and right signals as
well as the time gap between the
two signals.

3D Display Mode

Displays TC1 (left
signal time code)

Scope Button/Lamp

 Features: The two built-in oscilloscopic wave

signals of Waveform (W.F.M.) and
Vectorscope (V.S.) can be displayed.

 Advantages: Parallel Wave Form, Parallel

Vector Scope, Difference Wave Form, and
Difference Vector Scope displays are
available. The SCOPE button can also be
used to select a monitor mode, which cycles
through these modes.

 Benefit: A separate scope monitor is not

required.

Parallel Wave Form: Displays the
two signal forms side by side.

Parallel Vectorscope: Displays the
two signal scopes side by side.

Difference Wave Form: Displays the

differential between the two signals in

wave form.

Difference Vectorscope: Displays

the differential between the two

signals in vectorscope.

8

Methods to check the alignment of both cameras vary but the DT-3D24G1

has many convenient features that enable users to answer any requirement.

3D BASICS: SETUP AND RECORDING METHODS

Setting Up the DT-3D24G1

 Advantages: In addition to a wide variety of

camera- assist functions, a number of
features that are specific to 3D recordings
such as the 3D Cursor and Grid Modes are
also available.

Basics of 3D camera recording

There are two methods of making 3D recordings, either of

which can be used to suit specific requirements.

 Parallel method: The two cameras are positioned in

parallel with wider disparity (two cameras placed further

apart) used to increase field depth, while a longer

convergence point makes images appear to pop up.
When the disparity is widened, however, image
deterioration is likely to occur in the background.

 Convergence method: When the divergence angle is

widened significantly, this will cause the subject matter

to shift behind the screen surface and result in image

deterioration.

Parallel method: Depth and pop-up
effects cannot be mixed into a single
scene.

Convergence method: Excessive
divergence angle can cause too much
disparity, requiring keystone adjustment
of the image.

When compared to conventional video recordings, the setting up of

3D recordings can take up to three times longer as lengthy camera installation

and the proper adjustment of depth and pop-up effects are required.

9

 Benefits: The DT-3D24G1 not only speeds up

the 3D recording process but also helps to create
3D recordings that are more comfortable to view.

3D BASICS: POP-UP AND DEPTH PRINCIPLES

Image in the right cameraImage in the left camera

The three objects will appear as shown above in both left and right cameras.

Left eye

Right eye

Red circle:

Appears to

pop up on

the screen.

Green triangle:

Appears to be
deep into the
screen.

Left eye

Right eye

Screen surface

Blue square: Appears to be on the
surface of the screen without any
3D effect as left and right images
overlap perfectly.

Left eye

Right eye

Screen surfaceScreen surface

The creator selects the position of an

object on the screen and sets the

convergence point. In this case, the

convergence point is where the blue

square is positioned.

Convergence recording method

10

Recording on a stereo rig with

60mm binocular parallax.

600mm

parallax!

The human eye cannot

perceive images in 3D when

the divergence angle

exceeds two degrees.

In this case, the human eye will not

perceive background scenery in 3D.

3 meters from the

camera to the object.

30 meters from the object to

the background = 600mm

binocular parallax.

3D BASICS: FUSION DETERIORATION

The object will be

viewed on the

screen surface.

TIPS:

1) Guidelines for background percentage
gaps of two images:

 Hollywood production concerns

recommend a display ratio of less than

1.7%.

 Japanese production concerns

recommend a display ratio of less than

2.0%.

2) Binocular parallax for pop-up or
background effects should be
maintained at a maximum between 50

- 60mm to prevent eye fatigue and
other adverse effects when viewing 3D
video content.

θ=-11°

When a recording is made in 3D with the
background at a distance and an object in
the near foreground simultaneously, the

human eye will perceive only the object in

the foreground in 3D and not the
background scenery.

This is because as the distance between
the subject in the foreground and
background increases, binocular parallax

widens significantly.

3D CREATION MODES: 3D CURSOR MODE

3D Cursor Mode

 Features: Enables the easy checking and

adjustment of binocular disparity during recording

or editing.

 Advantages: In addition to facilitating binocular

disparity adjustment on-screen, more efficient 3D
scaling is assured via disparity values displayed in
the number of pixels and percentages for negative

and positive depth. This means that the counting,

measuring, and/or calculating of pixels are no
longer necessary.

 Benefits: Warnings are provided when values

exceed established tolerance levels, helping to
drastically reduce the time required for 3D content

production.

 NOTE: When binocular disparity values surpass

2.0%, normal viewing without adverse health
effects may become difficult for certain viewers.

Binocular disparity values

are displayed in the number

of pixels and percentages.

Red cursors

are warnings.

How it works: On the screen, 3D Cursors or the line

markers of V for left (dash dot), V for right (solid line) and
H (dashes) are shown. There are two sets of Cursors,
Group A in green and Group B in purple, either of which
can be used to finely adjust levels of depth or pop-up; the
H line is used as a horizontal guide.

12

3D CREATION MODES: GRID MODE

Grid Mode

 Features: Grids are used to facilitate the

checking of gaps in depth and pop up.

 Advantage: By displaying grid lines over the

screen with pixel values shown on the top
right corner of the screen, variable scaling
helps in determining the ideal positions of
left and right images instantaneously.

 Benefit: As the size of the grids is variable,

gap values can be easily checked by
selecting the optimum grid size. And this
makes counting the number of pixels or
calculating percentages unnecessary.

Tips: Both the 3D Cursor and Grid

Modes can be used to measure the
binocular disparity of 3D effects.

3D Cursor Mode is useful for
obtaining the correct value of
binocular disparity of a specific

position, whereas the Grid Mode is

helpful for checking the overall
picture as it is especially suited for
measuring more than three different
3D effects on a screen.

There are two grid displays, Normal and

Center Window, which can be selected
by pressing the SELECT button.

The variable grid lines
can be adjusted by
turning the POSITION
knob on the front panel
to stretch or
squeeze grids

into desired

sizes.

13

3D RECORDING CHALLENGES AND SOLUTIONS

14

3D recording challenges DT-3D24G1 solutions

 Precise adjustment of vertical position gaps

between the left and right cameras to prevent
eye fatigue and other adverse effects.

 Preventing vertical and horizontal rotation or

inversion of one or both images caused by

different camera rig settings.

 Creating top-quality 3D content that will not

cause eye fatigue and other adverse effects.

 Convenient camera-assist functions help in adjusting

vertical position gaps and correcting left and right images
regardless of the camera rig setting selected in advance.

 The approximate counting, measuring, and/or calculating

of pixels are no longer necessary thanks to handy

functions such as Cursor Mode and Grid Mode. The value
of pixels and percentages are clearly displayed to help in
determining the correct amount of binocular disparity.

Optimum results assured:

Usually with conventional 3D recording methods, only a few scenes can be recorded

in one day and these must be checked after returning to the studio. But the DT-3D24G1

is capable of delivering up to three times the recording volume thanks to user-friendly and

intuitive functions as well as the superb mobility provided by its lightweight and compact design.

What’s more:

One of the most important topics in the field of 3D content creation today is how to prevent

adverse health effects that some viewers can experience when watching 3D videos. And the

DT-3D24G1 helps to alleviate this phenomenon by making it easier for creators to determine

whether 3D effects are too extreme for a given production.

Therefore, 3D creators will be pleased to know that:

When properly used, the user-friendly and intuitive features of the DT-3D24G1 ensure

the creation of high-quality 3D video content, faster and more precisely.

SPECIFICATIONS

General

Model name DT-3D24G1
Type Multi-format 3D LCD Monitor

Screen size Type 24 wide format

Aspect ratio 16:10

Format 3G SDI: SMPTE424M/SMPTE425M

DUAL LINK HD SDI: SMPTE372M
HD SDI: BTA S-004C, SMPTE292M

SD SDI: ITU-R BT.656: 525/625

SMPTE259M: 525

EMBEDDED AUDIO: SMPTE299M, SMPTE272M

Audio output Internal speaker: 1.0 W + 1.0 W
Operation environment Operating temperature: 5˚C – 35˚C (41˚F – 95˚F)

Operating humidity: 20% – 80% (non-condensing)

(Slightly variable depending on ambient conditions for installation.)

Power requirements AC 120 V/AC 220 – 240 V, 50 Hz/60 Hz, or DC 24 V (Voltage range: DC 23.3 V − DC 25.5 V)
Rated current 1.15 A (AC 120 V)

0.67 A (AC 220 – 240 V)

4.8 A (DC 24 V)

External dimensions: W x H x D
(excluding protrusions)

With stand / Without stand

564 x 448.6 x 243 mm (22-1/4˝ x 17-3/4˝ x 9-5/8˝) / 564 x 408 x 99 mm (22 1/4˝ x 16 1/8˝ x 4˝)

Mass

With stand / Without stand 12.0 kg (26.4 lbs) / 9.1 kg (20.0 lbs)

Accessories AC power cord, Power cord holder × 1, Screw × 2 (for power cord holder),

Circular polarizing glasses × 2 (for 3D viewing, not under warranty)

SPECIFICATIONS (CONTINUED)

LCD Panel

Input / Output Terminals

Type 24˝ wide, active matrix TFT
Effective screen size: W x H x Diagonal 518.4 x 324 x 611.3 mm (20-1/2˝ x 12-7/8˝ x 24-1/4˝)
Number of pixels displayed 1920 x 1200
Number of colors displayed 16.77 million
Contrast ratio (TYP.) 1000:1

DVI-D DVI-D signal input (compatible with HDCP): DVI-D connector x 1 (compatible with DDC2B)
E. AUDIO 3G SDI/HD SDI/SD SDI (IN 1/L)

Digital signal input (compatible with EMBEDDED AUDIO/DUAL LINK signals):

Auto detection, 2 line, BNC connector x 2

E. AUDIO 3G SDI/HD SDI/SD SDI (IN 2/R)
E. AUDIO 3G SDI/HD SDI/SD SDI

(ACTIVE OUT)

Digital signal output (compatible with EMBEDDED AUDIO signals):
2 line reclocked out, BNC connector x 2

AUDIO (IN)

Analog audio signal input: 1 line, RCA connector x 2,
500 mV (rms), high impedance

AUDIO (MONITOR OUT)

Analog audio signal input: 1 line, RCA connector x 2,
500 mV (rms)

REMOTE (MAKE/TRIGGER: 8 pins) Female: PIN1, 2, 3, 4, 5, Tally on/off, External control valid/invalid, and GND
REMOTE (RS-485: 8 pins for IN/OUT) Female: TXD+, TXD-, RXD+, NC, NC, RXD-, NC, and GND

REMOTE (RS-232C: 9 pins)

Female: NC, RXD, TXD, NC, GND, NC, RTS, CTS, and NC (Note: the 7thand 8

th

terminals are connected

VideoAudio

External

controls

SPECIFICATIONS (CONTINUED)

Video Signal Compatibility

No. Signal name

Signal format

shown in the

status display

Input terminals

E. AUDIO SDI (IN 1, IN 2)*

1

DVI-D (HDCP)

(Digital
component/
Digital RGB)

SD/HD

(1.5G)

3G SDI

DUAL

LINK

MIX

1 480/60i 480/60i — — — — √

2 480/59.94i 480/59.94i √ — — — √

3 576/50i 576/50i √ — — — √

4 480/60p 480/60p — — — — √

5 480/59.94p 480/59.94p — — — — √

6 576/50p 576/50p — — — — √

7 640*480/60p 640*480/60p — — — — √

8 640*480/59.94p 640*480/59.94p — — — — √

9 720/60p 720/60p √ √ — √ √

10 720/59.94p 720/59.94p √ √ — √ √

11 720/50p 720/50p √ √ — √ √

12 720/30p 720/30p √ √ — √ —

13 720/29.97p 720/29.97p √ √ — √ —

14 720/25p 720/25p √ √ — √ —

15 720/24p 720/24p √ √ — √ —

16 720/23.98p 720/23.98p √ √ — √ —

17 1080/60i 1080/60i √ √ √ √ √

*1Compatible with EMBEDDED AUDIO signals. *2If there is no payload ID, signal is regarded as 1080/60i.

*3If there is no payload ID, signal is regarded as 1080/59.94i. *4If there is no payload ID, signal is regarded as 1080/50i.

No. Signal name

Signal format
shown in the

status display

Input terminals

E. AUDIO SDI (IN 1, IN 2)*

1

DVI-D (HDCP)

(Digital
component/
Digital RGB)

SD/HD

(1.5G)

3G SDI

DUAL

LINK

MIX

18 1080/59.94i 1080/59.94i √ √ √ √ √

19 1035/60i 1035/60i √ — — — —

20 1035/59.94i 1035/59.94i √ — — — —

21 1080/50i 1080/50i √ √ √ √ √

22 1080/60p 1080/60p — √ √ √ √

23 1080/59.94p 1080/59.94p — √ √ √ √

24 1080/50p 1080/50p — √ √ √ √

25 1080/30p 1080/30p √ √ √ √ √

26 1080/29.97p 1080/29.97p √ √ √ √ √

27 1080/25p 1080/25p √ √ √ √ √

28 1080/24p 1080/24p √ √ √ √ √

29 1080/23.98p 1080/23.98p √ √ √ √ √

30 1080/30psf 1080/30psf √ *2 √ *2 √ *2 √ *2 —

31 1080/29.97psf 1080/29.97psf √ *3 √ *3 √ *3 √ *3 —

32 1080/24psf 1080/24psf √ √ √ √ —

33 1080/23.98psf 1080/23.98psf √ √ √ √ —

34 1080/25psf 1080/25psf √ *4 √ *4 √ *4 √ *4 —

External Dimensions

Unit: mm (inch)

Tilt stand

 Advantage: ±6 degrees tilt adjustment.
 Benefit: Facilitates the viewing of 3D

recordings at a proper angle, which helps to
ensure a more comfortable and fatigue-free
working environment.

18

MONITOR PERFORMANCE: 3G-SDI AND DUAL LINK

3G-SDI and Dual Link

 Features: 3G SDI connection enables the

transfer of digital video/audio signals up to
3G/bps and allows the transfer of uncompressed

4:4:4:4 RGBA format video signals.

 Advantage: Compliant with the SMPTE 424M

standard and compatible with dual link HD-SDI.
Transfer speed is double that of normal HD-SDI.

 Benefit: The monitor is compatible with 3G-SDI

in six formats for serial transmission of 1080p

video signals.

Benefits of the 3G-SDI Terminal

 Uncompressed 1080p: Ideal for higher

quality (progressive) full HD video
production.

 Signal loss is eliminated.
 Over 100m of wiring is enabled.

Target Users of the 3G Terminal

 Production companies involved with digital

cinema or high-end HD video content.

 Studios using PCs for editing workflow

because the progressive signal is used for
PC data.

 1080p uncompressed signal users.
 Although demand from broadcasting

stations is low as they can only transmit
up to 1080i signals currently, the terminal
is attractive as a future investment.

19

Resolution Frame rate Color range Rate Level 3G-SDI mapping structure

1080

60P/50p YCbCr=4:2:2 10-bit

A

1

B

30p/25p
24p
30psF
25psF

24pSF

60i
50i

YCbCr=4:2:2

10-bit B Dual stream

12-bit

A

4

B

YCbCr=4:4:4

10-bit

A

2

B

12-bit

A

3

B

RGB

10-bit

A

2

B

12-bit

A

3

B

720p

60p/50p
30p/25p
24p

YCbCr=4:2:2 10-bit B Dual stream

YCbCr=4:4:4 10-bit A 2

RGB 10-bit A 2

(R=G=B=0 ---Black)

(R=G=B=255---White)

Gamma

characteristics

of a monitor (γ2.2)

Gamma
correction of
a camera

(γ0.45)

Linear gamma

(γ=1)

Input level

Output level

Gamma Preset Mode: Basics

What is Gamma?

 The correlation between input and output signal

levels for a camera or monitor is known as
gamma. In the case of display monitors, for
example, the relationship between the input

luminance signal and display brightness is

referred to as gamma characteristics.

 Generally speaking, when the gamma curve is

linear (γ=1), reproduced images become closer

to what humans perceive with their eyes.
Therefore, as gamma characteristics of display
monitors tend to be darker with halftones it
becomes necessary to alter the gamma curve
closer to linear by sending an image signal with
brighter halftones. This helps to convert colors
more precisely, a process that is referred to as
gamma correction.

 In light of the fact that many studios are

gradually replacing CRT master monitors with
next-generation master monitors, a number of
organizations (e.g. EBU, ITU-R, ARIB, and
others) are announcing guidelines for next­generation master (reference) monitors with

varying specifications.

 Gamma Benefits of the DT-3D24G1:

Compatible with γ2.2, γ2.35 and γ2.45
as well as γ2.6 gamma preset modes for

digital cinema environments, the DT­3D24G1 enables users to calibrate
optimal gamma settings according to
specific operating conditions and

applications (refer to the following page

for applications of each mode).

20

Preset Value APPLICATION

Gamma 2.2 Equivalent to CRT gamma characteristics (also the standard gamma

value for NTSC CRT monitors), this gamma value is commonly used as
current TV broadcasting is based on this setting.

Gamma 2.35 Recommended by EBU-TECH 3320 (the guideline of reference monitors),

this is the gamma value for next-generation (non-CRT), high-definition

reference monitors.

Gamma 2.45 Recommended by ARIB, this is the gamma value for next-generation,

(non-CRT) high-definition reference monitors.

Gamma 2.6 The standard gamma value for digital cinema environments as the

gamma 2.6 mode is required for checking gradation in these applications.

Gamma Preset Mode: Preset Values and Applications

21

IPS

WUXGA

Panel

IPS

WXGA

Panel

Glossary

 High-Definition Serial Digital Interface or

HD-SDI (SMPTE 292M):

A video signal interface that is commonly
used for HD professional digital video
systems to transfer uncompressed (up to

1.485Gbps in 1080/60i) HD digital video

streams and 16-channel PCM digital audio
signals along with other data such as time
codes.

 3G-SDI (SMPTE 424M): Also known as 3rd

generation SDI with 3Gbps data transmission

capability, it transmits up to 1080/60p signals

or 4:4:4 sampling via a single BNC cable at

2.97Gbps. As the need for enhanced quality
HD video production (for Cinema or Blu-ray)
increases, the importance of a higher speed
video signal interface has grown
exponentially.

 Dual Link SDI (HD-SDI Dual Link, SMPTE

372M): A serial digital interface standard
capable of transferring HD-SDI (SMPTE
292M)1920 x 1080 / 50P, 60P / 4:2:2 / 10-bit
or 1920 x 1080 / 24P, 30P, 50I, 60I / 4:4:4 /
10-bit, 12-bit parallel signals as HD-SDI 2-ch

video signals via two coaxial cable at

2.970Gbps.

 LTC (Longitudinal Time Code ) and VITC

(Vertical Interval Time Code): Generally speaking,
both LTC and VITC are used simultaneously for
time code signals recorded onto recording media.
LTC is used as the address signal recorded onto

longitudinal audio tracks. However, for slow-speed

playback, the LTC signal is switched to the VITC
signal, as LTC cannot be read at certain playback
speeds.

 ITU-709 (ITU-R BT.709): ITU-R Recommendation

BT.709, a.k.a. Rec. 709 or BT.709 is the

specification for the high-definition television

format proposed by ITU (International
Telecommunications Union-Radio Communications
Sector).

 EBU-TECH 3320: The guideline issued by the

EBU (Europe Broadcast Union) that defines the

specifications for reference monitors.

 ARIB (Association of Radio Industries and

Businesses): An organization concerned with
Japanese integration of telecommunications and
broadcasting, as well as the promotion of
businesses using radio waves in general.ARIB

specifies technical specifications related to

communications, transmission and reception
equipment.

22