E-Mu Mo' Phatt User Manual

Operation Manual
©2000, E-MU Systems, Inc. d.b.a. E-MU / ENSONIQ. All rights reserved.
E-MU World Headquarters Europe, Africa, Middle East E-MU / ENSONIQ E-MU / ENSONIQ
P.O. Box 660015 Suite 6, Adam Ferguson House Scotts Valley, CA USA Eskmills Industrial Park 95067-0015 Musselburgh, East Lothian Telephone: 831-438-1921 Scotland, EH21 7PQ Fax: 831-438-8612 Tel: +44 (0) 131-653-6556 Internet: www.emu.com Fax: +44 (0) 131-665-0473
The following are registered worldwide trademarks owned and/or exclusively licensed by E-MU Systems, Inc.: E-MU® and E-MU Systems®. All other trade­marks are the property of their respective holders.
Important Notice:
In order to obtain warranty service on your Mo’Phatt unit, the serial number sticker must be intact and you must have a sales receipt or other proof of purchase. If there is no serial number sticker on the Mo’Phatt, please contact E-MU Systems at once.
This product is covered under one or more of the following U.S. patents: 4,404,529; 4,506,579; 4,699,038; 4,987,600; 5,013,105; 5,072,645; 5,111,727; 5,144,676; 5,170,367; 5,248,845; 5,303,309; 5,317,104; 5,342,990; 5,430,244 and foreign patents and/or pending patents. All other trademarks belong to their respective companies. Specifications and features are subject to change without notice.
Mo’Phatt Operation Manual
i

Table of Contents

Table of Contents
Introduction ............................................................................. 1
Product Description ............................................................................. 1
Overview ............................................................................................. 2
Important Safety Instructions - English ................................... 3
Foreign Language Warnings - German ................................... 6
Foreign Language Warnings - French ..................................... 9
Setup ...................................................................................... 13
Unpacking ......................................................................................... 13
Connection Instructions..................................................................... 14
Basic Setup ................................................................................................14
Studio Setup .............................................................................................. 15
Power Up! .................................................................................................16
Instant Gratification ........................................................................... 17
Playing Demo Sequences ...........................................................................17
Auditioning Presets ....................................................................................17
Selecting and Quick Editing Presets ...........................................................18
Playing BEATS ............................................................................................20
Exploring the Master Arpeggiator ..............................................................22
Multi-Channel Arpeggiator ........................................................................23
Basic Operations .................................................................... 25
Front Panel ........................................................................................ 25
Volume Control .........................................................................................25
Master Button ............................................................................................25
Edit Button ................................................................................................25
Control Button ..........................................................................................25
Audition Button .........................................................................................26
Left/Right Cursor Buttons ..........................................................................26
Save/Copy Button .....................................................................................26
Home/Enter Button ...................................................................................26
Data Entry Control .....................................................................................27
ii
E-MU Systems
Table of Contents
Front Panel Controller Modes.............................................................27
Real-time Control ...................................................................................... 27
Quick Edit ................................................................................................. 28
Deep Edit Mode ........................................................................................ 28
Main Screen....................................................................................... 30
MIDI Channel Selection .............................................................................30
Preset Selection ......................................................................................... 30
Channel Volume ........................................................................................ 31
Channel Pan .............................................................................................. 32
Channel Arpeggiator ................................................................................. 32
Sound Navigator................................................................................ 33
Preset Category ......................................................................................... 33
Instrument Category ................................................................................. 33
Multitimbral Operation ...................................................................... 34
Arpeggiator/Beats Menu ........................................................35
Base Tempo (Master Clock) ....................................................................... 36
SuperBEATS........................................................................................ 36
BEATS Mode .............................................................................................. 39
Status ..................................................................................................... 39
Beats Channel (BtsCh) ............................................................................ 39
Trigger Channel (TrigCh) ....................................................................... 39
BEATS Controllers ......................................................................................41
Beat Velocity Group 1-4 (BtsVelG1 -> BtsVelG4) ..................................... 41
Beat Xpose Group 1-4 (BtsXpsG1 -> BtsXpsG4) ...................................... 41
Beat Busy (BtsBusy) ................................................................................ 41
Beat Variation ......................................................................................... 42
Beat Variation (BtsVari) ...........................................................................42
Beats Trigger Layout .................................................................................. 43
1-Bar Trigger Option .............................................................................. 43
Beats Trigger Offset ................................................................................... 44
Beats Part Velocity ..................................................................................... 44
Beats Part Transpose .................................................................................. 45
Beats Part Group ....................................................................................... 46
Master Riff .................................................................................................46
Riff Tempo ................................................................................................ 47
Riff Controllers ........................................................................................... 47
MIDI Song Start ........................................................................................ 48
Arp/Riff MIDI Out ...................................................................................... 48
Arpeggiators ......................................................................................49
Arp Controllers .......................................................................................... 50
Master Arpeggiator Parameters .......................................................... 50
Status ........................................................................................................ 51
Mode ........................................................................................................ 51
Note Value ................................................................................................ 52
Arpeggiator Pattern Speed ........................................................................52
Mo’Phatt Operation Manual
iii
Table of Contents
Pattern ......................................................................................................52
Velocity .....................................................................................................53
Gate Time ..................................................................................................53
Extension Count ........................................................................................54
Extension Interval ......................................................................................54
Sync ..........................................................................................................55
Pre-Delay ...................................................................................................55
Duration ....................................................................................................56
Post-Delay .................................................................................................56
Recycle ......................................................................................................57
Keyboard Thru ...........................................................................................57
Latch .........................................................................................................57
Key Range .................................................................................................58
Send MIDI System Exclusive Data ...................................................... 58
User Patterns ..........................................................................................58
Editing a User Arpeggiator Pattern .............................................................59
Pattern Step Number .................................................................................59
Key ............................................................................................................59
Key Offset ...............................................................................................60
Tie ..........................................................................................................60
Rest ........................................................................................................60
Skip ........................................................................................................60
End ........................................................................................................60
Velocity .....................................................................................................61
Duration ....................................................................................................61
Repeat .......................................................................................................61
User Pattern Name ....................................................................................62
Multi-Channel Arpeggiating............................................................... 63
iv E-MU Systems
Using a MIDI Interface to Channelize Data......................................... 64
Master Menu .......................................................................... 65
Defining Master Parameters ............................................................... 66
Transpose/Tune .........................................................................................66
Bend Range ...............................................................................................66
Velocity Curve ...........................................................................................67
Mix Output ...............................................................................................67
Master Effects .................................................................................... 69
Effects Mode ..............................................................................................69
Effects Multi Mode Control ........................................................................69
Master FXA Algorithm ...............................................................................70
A Effect Types .........................................................................................70
FXA Parameters: Decay/HF Damping FxB -> FxA ........................................71
FXA Send Amounts ....................................................................................71
Master FXB Algorithm ................................................................................71
B Effect Types .........................................................................................72
FXB Parameters: Feedback/LFO Rate Delay Time ........................................ 72
FXB Send Amounts ....................................................................................72
Table of Contents
MIDI Parameters ................................................................................73
MIDI Mode ............................................................................................... 73
MIDI SysEx ID ............................................................................................ 73
MIDI Enable ..............................................................................................74
MIDI Program Change -> Preset ................................................................ 74
Receive Program Change .......................................................................... 75
Real-time Controller Assignment ............................................................... 75
MIDI Footswitch Assign .............................................................................. 76
Tempo Controller ......................................................................................77
Knob Preset Quick-Edit .............................................................................. 77
Knobs Deep Edit ........................................................................................ 78
Knobs/Riff MIDI Out .................................................................................. 78
Preset Edit All Layers Enable .......................................................................78
Front Panel Knob Calibration .....................................................................79
MIDI SysEx Packet Delay ............................................................................ 80
Send MIDI System Exclusive Data .............................................................. 80
User Key Tuning ........................................................................................ 82
Screen Viewing Angle ................................................................................82
Programming Basics ...............................................................83
Modulation ........................................................................................ 84
Modulation Sources ........................................................................... 85
Random Sources ....................................................................................... 86
Modulation PatchCords...................................................................... 86
Envelope Generators .......................................................................... 87
Tempo-based Envelopes ......................................................................... 88
Envelope Repeat ..................................................................................... 88
Low Frequency Oscillators (LFOs)....................................................... 89
Clock Modulation............................................................................... 90
Modulation Destinations .................................................................... 92
Modulation Processors ....................................................................... 93
Preset Modulation Processors ............................................................. 95
Using the Modulation Processors ...............................................................97
More Examples .......................................................................................... 99
Dynamic Filters ................................................................................ 101
What is a Filter? ....................................................................................... 102
Parametric Filters ..................................................................................... 105
The Z-Plane Filter ....................................................................................106
Signal Flow ...................................................................................... 107
MIDI Channels & Real-time Controls ................................................ 108
Bank Select Commands ........................................................................... 110
Stereo Mix Outputs.......................................................................... 111
Mo’Phatt Operation Manual v
Table of Contents
Edit Menu ............................................................................. 113
Preset Name ............................................................................................114
Four Layer Architecture .................................................................... 115
Selecting Layers .......................................................................................115
Defining Layer Parameters ............................................................... 116
Selecting an Instrument ...........................................................................116
Sound Navigator ...................................................................................116
Defining Key Range .................................................................................117
Defining the Velocity Crossfade Range ..................................................... 120
Defining the Real-time Crossfade Range ..................................................122
Transposing the Instrument .....................................................................125
Tuning .....................................................................................................126
Background: Transpose vs. Coarse Tuning ............................................126
Amplifier ..................................................................................................126
Volume Envelope .....................................................................................127
Selecting the Mode ..............................................................................127
Defining the Volume Envelope .............................................................128
Chorusing the Layer ................................................................................129
Sound Start Offset and Delay ...................................................................129
Non-Transpose Mode ..............................................................................130
Solo Mode ...............................................................................................130
Assign Group ...........................................................................................131
Glide .......................................................................................................132
Z-Plane Filters ..........................................................................................132
Mo’Phatt Filter Types ...............................................................................133
Filter Types ...........................................................................................133
Filter Parameters ...................................................................................135
Filter Envelope .........................................................................................135
Defining the Filter Envelope .................................................................. 137
Auxiliary Envelope ...................................................................................137
Low Frequency Oscillators (LFOs) ............................................................137
Shape ...................................................................................................138
Sync .....................................................................................................139
Rate ......................................................................................................139
Delay ....................................................................................................140
Variation ...............................................................................................141
PatchCords ..............................................................................................142
Modulator Polarity ................................................................................143
Pitch Bend Range ....................................................................................145
Mix Output .............................................................................................145
Common Preset Parameters............................................................. 146
Preset Effects ............................................................................................146
FXA Algorithm ..........................................................................................148
A Effect Types .......................................................................................148
FXA Parameters .......................................................................................149
FXA Send Amounts ..................................................................................149
FXB Algorithm .........................................................................................149
B Effect Types .......................................................................................149
vi E-MU Systems
Table of Contents
FXB Parameters .......................................................................................150
FXB Send Amounts ..................................................................................150
Preset Patchcords .................................................................................... 151
Initial Controller Amount .........................................................................152
Keyboard Tuning ..................................................................................... 153
Preset Links ............................................................................................. 155
Preset Tempo Offset ................................................................................ 156
Audition Riff Selection .............................................................................156
Play Solo Layers ....................................................................................... 156
Programming Tutorial ..........................................................157
Editing Presets.................................................................................. 157
Changing the Instrument ........................................................................ 157
Changing the Tuning of an Instrument ...................................................158
Chorus .................................................................................................... 159
Volume Envelope ..................................................................................... 159
Working with Filters ................................................................................. 161
Adding the Filter Envelope ...................................................................162
Changing Filter Types .......................................................................... 164
Envelope Repeat ................................................................................... 165
Practice Modulating ................................................................................ 165
Troubleshooting ...................................................................................... 166
Linking Presets.......................................................................................... 167
Effects ....................................................................................169
Effects Overview...............................................................................169
The Effects Sends ..................................................................................... 169
Effect Types...................................................................................... 171
Effect Parameters ............................................................................. 171
Decay ................................................................................................... 172
High Frequency Damping ....................................................................172
Feedback .............................................................................................. 172
LFO Rate .............................................................................................. 172
Delay .................................................................................................... 172
Effects Programmed in the Preset ..................................................... 173
Master Effects................................................................................... 174
Effects Mode ...........................................................................................176
Using the Effects Channel Settings in Multi Mode ................................178
Effect B Into Effect A ................................................................................ 178
General Effect Descriptions............................................................... 180
Reverb ..................................................................................................... 180
Chorus .................................................................................................... 181
Doubling ................................................................................................. 181
Slapback .................................................................................................. 181
Stereo Flanger ......................................................................................... 181
Mo’Phatt Operation Manual vii
Table of Contents
Delay .......................................................................................................182
Stereo Delay ............................................................................................182
Panning Delay .........................................................................................182
Dual Tap ..................................................................................................182
Vibrato ....................................................................................................182
Distortion ................................................................................................182
Save/Copy Menu .................................................................. 183
Saving a Preset................................................................................. 183
Copying Information ....................................................................... 184
Copy Preset .............................................................................................184
Copy Layer .............................................................................................. 185
Copy PatchCords .....................................................................................186
Copy Preset PatchCords ...........................................................................186
Copy Arpeggiator Settings .......................................................................187
Copy Arpeggiator Pattern ........................................................................187
Copy Preset Bank .....................................................................................188
Multisetups...................................................................................... 188
Restoring Multisetups ..............................................................................189
Multisetup Name .....................................................................................189
Saving Multisetups ..................................................................................190
Create Random Preset .............................................................................190
Copy User Bank to Flash ..........................................................................191
Rename Flash SIMM ................................................................................192
Duplicate Flash ........................................................................................ 193
Appendix............................................................................... 195
Front Panel Knob Functions ............................................................. 195
Presets ............................................................................................. 196
Preset Categories .....................................................................................196
Preset Listing.................................................................................... 197
Instrument Listing............................................................................ 201
Riff Listing........................................................................................ 210
Example Percussion Maps ................................................................ 213
Trigger Layouts ................................................................................ 216
Velocity Curves ................................................................................ 219
PatchCord Amount Chart ................................................................ 221
MIDI ................................................................................................ 222
Technical Specifications.................................................................... 225
Props ............................................................................................... 226
Warranty.......................................................................................... 227
Index .................................................................................... 229
viii E-MU Systems

Introduction

Congratulations on your purchase of the Mo’Phatt, 64-Voice Urban Dance Module. Mo-Phatt takes over where E-MU’s legendary Planet Phatt left off with 32 MB of fresh new sounds and lighting fast response time. Mo’Phatt was designed for performance , so make sure to try out all the controller knobs on each preset.

Product Description

Mo’Phatt contains two user-upgradable sound SIMM sockets. Need more sounds? New sounds can be added as easily as plugging in a new 16MB or 32MB SIMM module. Many sets are available now, with more coming all the time, or you can create your own custom ROMs using E-MU’s E4 Ultra samplers.
Mo’Phatt contains 512 user presets and can hold literally thousands of factory presets. (ROM presets are automatically added when sound SIMMs are
installed. As an example, a 32 MB SIMM may contain up to 1024 ROM presets.)
Mo’Phatt’s Sound Navigator makes it easy to find the exact sound you want. It’s powerful, yet simple to use.
Mo’Phatt contains E-MU’s new SuperBEATS Mode, which is a whole new way to create dynamic, original music. With SuperBEATS, you trigger, latch and unlatch synced loops and grooves from your keyboard. Simply select a “bts:” preset and you’re ready to groove! Then use Mo’Phatt’s performance controls to alter and mutate the rhythm or the sound itself.
Then there’s Mo’Phatt’s revolutionary Rhythmic Pattern Generator/Arpeg­giator which can play up to 16 synchronized arpeggiator patterns at once using a different sound for each! Patterns can be edited using pattern flow commands such as: delay for 2 bars, play for 4 bars, hold for 2 beats and repeat. You can program or download 100 user patterns in addition to the 200 factory patterns.
The extremely flexible yet easy to use 4-layer synthesizer voices make it easy to build sounds of any kind. Layers can be switched or crossfaded using key position, velocity, real-time controllers or any modulation source. Mo’Phatt also contains 50 different 2nd to 12th order resonant & modeling
Mo’Phatt Operation Manual 1
Introduction Overview
The optional Turbo
upgrade adds the following features to your Mo’Phatt:
• 128 voice polyphony
• 4 submix analog outputs
• 32 MIDI channel operation
• 2 additional sound ROM slots
• S/PDIF stereo digital output
2
filters which are used to shape and modify the waveforms contained in 32 megabytes (MB) of ROM.
Sixty four modulation sources include three multistage envelopes and two LFOs per layer, as well as full MIDI control over virtually every parameter. The digital patch bay, with 24 cords per layer, (and 12 more cords per preset) lets you connect modulation sources to 64 destinations in any imaginable way. The patch bay contains a set of arithmetic modifiers, letting you create complex synthesis models. Synth parameters as well as arpeggiator and BEAT tempos can be controlled from Mo’Phatt’s internal clock (or an external MIDI clock). Up to 8 LFOs and 12 envelopes can be perfectly synchronized at different rates. This is an extremely powerful synthesizer!
Four front panel real-time controllers give you control over 12 user­selectable parameters. The real-time knobs can adjust multiple parameters at once, allowing complex levels of control. For example, one knob can simultaneously turn up filter cutoff, while detuning one sample, and adjusting the release time of the volume envelope. Virtually every synth parameter in Mo’Phatt is controllable using the real-time knobs or by any internal or external control source.
Once you have created your preset, you can add richness to your sound using Mo’Phatt’s 24-bit stereo effects. You can choose a different effects setup for each preset from over 60 algorithms. Mo’Phatt’s effects section is actually two separate effects processors with control over each wet/dry mix level on four effects sends. Effects Processor “A” contains primarily ambiance algorithms like reverb and delays, while effects processor “B” contains primarily spectral algorithms such as chorus, flange, phase, distortion, and delay. Effects can be linked to each preset or used globally to further enhance your sound.

Overview

E-MU Systems
Other features include multiple solo, voice assignment and performance modes for expressive control, 12 user-definable alternate tunings, and, of course, an extensive MIDI implementation.
This is the Getting Started Manual for setting up and playing Mo’Phatt. The first part of the manual describes how to unpack and setup the hardware. The next chapters provide step-by-step instructions for the most common and widely used features of Mo’Phatt. This section also defines each of the parameters and provides information on how to use them.
The complete operation manual is provided to you in pdf format on CD-ROM. The CD-ROM contains pdf files for both Mac and PC as well as the complete MIDI SysEx specification and a software downloading tool which allows you to retrieve the latest software and new features from the world wide web.

Important Safety Instructions

Use in countries other than the U.S.A. may require the use of a different line cord or attachment plug, or both. To reduce the risk of fire or electric shock, refer all servicing to qualified service personnel. Do not expose this product to rain or moisture. There are no user serviceable parts or adjust­ments inside the unit.

Grounding Instructions

Danger!

Caution!

This product must be grounded. If it should malfunction or break down, grounding provides a path of least resistance for electric current, reducing the risk of electric shock. This product is equipped with a cord having an equipment-grounding conductor and a grounding plug. The plug must be plugged into an appropriate outlet properly installed and grounded in accordance with all local codes and ordinances.
Improper connection of the equipment’s grounding conductor can result in the risk of electric shock. Check with a qualified electrician or service personnel if you are in doubt as to whether the product is properly grounded. Do not modify the plug provided with this product. If it will not fit the outlet, have a proper outlet installed by a qualified technician.
If your Mo’Phatt (Model Number 9111) is rack mounted, you must use a standard 19 inch open frame rack. Screw-on rack mount ears are provided for this purpose.
Mo’Phatt Operation Manual 3
Important Safety Instructions User Maintenance Instructions

User Maintenance Instructions

4
1.
The Mo’Phatt should be kept clean and dust free. Periodically wipe the unit with a clean, lint free cloth. Do not use solvents or cleaners.
2.
There are no user lubrication or adjustment requirements.
Caution -.
These servicing instructions are for use by qualified personnel only. To reduce the risk of electric shock, do not perform any servicing other than that contained in these operating instructions unless you are qualified to do so. Refer all servicing to qualified service personnel.
INSTRUCTIONS PERTAINING TO A RISK OF FIRE, ELECTRIC SHOCK, OR INJURY TO PERSONS.
READ THESE INSTRUCTIONS: When using electric products, basic precau-
tions should always be adhered to, including the following:
This symbol is intended to
alert you to the presence of
important operating and
maintenance (servicing)
instructions in the literature
accompanying the unit.
This symbol is intended to
alert you to the presence of
uninsulated dangerous
voltage within the product’s
enclosure that may be of
sufficient magnitude to
constitute a risk of electric
shock to persons.
1.
Read all instructions before using Mo’Phatt.
2.
To reduce the risk of injury, close supervision is necessary when using Mo’Phatt near children.
3.
Do not use Mo’Phatt near water — for example near a bathtub, washbowl, kitchen sink, in a wet basement, on a wet bar, or near or in a swimming pool. Do not expose the unit to drips or splashes.
4.
The Mo’Phatt should be situated so that its location or position does not interfere with its proper ventilation.
5.
The Mo’Phatt should be located away from heat sources such as radiators, heat registers, fireplaces, stoves, or ovens.
6.
The Mo’Phatt should be connected only to a power supply of the type described in the operating instructions and marked on the product.
7.
Care should be taken so that objects do not fall and liquids are not spilled into the enclosure of Mo’Phatt through openings.
8.
This Mo’Phatt may be equipped with a polarized line plug (one blade wider that the other). This is a safety feature. If you are unable to insert this plug into the outlet, do not defeat the safety purpose of the plug.Contact an electrician to replace your obsolete outlet.
9.
Protect the power cord from being walked on or pinched, particularly at plugs, convenience receptacles, and the point where they exit from the unit.
10.
Unplug the Mo’Phatt from the power outlet during lightning storms or when left unused for a long period of time.
11.
This product, in combination with an amplifier and headphones and speakers, may be capable of producing sound levels that could cause permanent hearing loss. Do not operate for a long period of time at a high volume level or at a level that is uncomfortable. If you experience any hearing loss or ringing in the ears, consult an audiologist.
12.
Only use attachments and accessories specified by E-mu Systems.
13.
The Mo’Phatt should be serviced by qualified service personnel when:
E-MU Systems
Important Safety Instructions

Radio and Television Interference

A. The power supply cord has been damaged; or B. Objects have fallen, or liquid has been spilled into the unit; or C. The unit has been exposed to rain; or D. The unit has been dropped or the enclosure damaged; or E. The Mo’Phatt does not operate normally or exhibits a marked
change in performance.
14.
All servicing should be referred to qualified service personnel.
Save These Instructions.
Radio and Television Interference
The equipment described in this manual generates and uses radio­frequency energy. If it is not installed and used properly —that is, in strict accordance with our instructions— it may cause interference with radio and television reception.
This equipment has been tested and complies with the limits for a Class B computing device in accordance with the specifications in Subpart J of Part 15 of the FCC rules. These rules are designed to provide reasonable protection against such interference in a residential installation. However, there is no guarantee that the interference will not occur in a particular installation, especially if a “rabbit ear” TV antenna is used.
If Mo’Phatt does cause interference to radio or television reception, you can try to correct the interference by using one or more of the following measures:
Turn the television or radio antenna until the interference stops. Move Mo’Phatt to one side or the other of the television or radio. Move Mo’Phatt farther away from the television or radio. Plug Mo’Phatt into an outlet on a different circuit than the television or
radio.
Consider installing a rooftop antenna with a coaxial lead-in between the
antenna and television set.
Mo’Phatt Operation Manual 5
Foreign Language Warnings - German Wichtige Sicherheitsvorschriften
Foreign Language Warnings
- German
6
Wichtige Sicherheits­vorschriften
Erdungsin­struktionen

Gefahr

In Ländern ausserhalb den U.S.A. können andere Kabel oder Stecker notwendig werden. Zur Verminderung des Risikos von Feuer oder eines elektrischen Schlages übergebe man den Service an qualifizierte Fachleute. Das Gerät niemals Regen oder Nässe aussetzen.
Das Gerät muss geerdet sein. Bei einem Defekt oder Ausfall bietet Erdung dem elektrischen Strom den Weg des geringsten Widerstandes und reduziert das Risiko eines Schlages. Dieses Gerät ist mit einem geerdeten Kabel und Stecker ausgerüstet. Der Stecker muss in eine passende, einwandfrei montierte und geerdete Steckdose in Übereinstimmung mit den örtlichen Vorschriften eingeführt werden.
Unvorschriftsgemässer Anschluss des Gerätes kann zum Risiko eines elektrischen Schlages führen. Im Zweifelsfalle über die ordnungsgemässe Erdung soll ein qualifizierter Elektriker oder eine Serviecestelle beigezogen werden. Ändern Sie den mitgelieferten Stecker nicht. Sollte er nicht in die Steckdose passen, soll die einwandfreie Installation durch einen qualifi­zierten Techniker erfolgen.

Vorsicht

E-MU Systems
Wird der Mo’Phatt (Modell Nummer 9111) in einem Rackgestell montiert, muss ein offener 19-Zollrahmen verwendet werden.
Unterhaltsin­struktionen für anwender
Foreign Language Warnings - German

Unterhaltsinstruktionen für anwender

1.
Mo’Phatt soll sauber und staubfrei gehalten werden. Das Gerät mit einem sauberen und säurefreien Tuch periodisch abreiben. Keine Lösungs- oder Reinigungsmittel anwenden.
2.
Schmieren und Justieren sind nicht notwendig.
3.
Bei weiteren Servicefragen wende man sich an eine qualifizierte Service­stelle.

Vorsicht

Dieses Symbol weist den
Anwender auf wichtige
Gebrauchs- und Service-
Vorschriften in den beilieg-
enden Drucksachen.
Dieses Symbol verweist auf
nicht-isolierte Stromspan-
nungen im Geräte-Innern,
welche zu einem elektrischen
Schlag führen könnten.
Diese Gebrauchsanweisungen sind nur für qualifizierte Techniker beabsichtigt. Um die Gefahr eines elektrischen Schlages zu vermeiden, sollen Sie keine Arbeit unternehmen, die nicht in diesen Instruktionen vorgeschrieben ist. Wenden Sie Sich bei weiteren Servicefragen an eine qualifizierte Servicestelle.
INSTRUKTIONEN BETR. FEUERRISIKO, ELEKTROSCHOCK ODER VERLETZUNG VON PERSONEN
WARNUNG; Beim Einsatz elektrischer Geräte sollten folgende Vorsichtsmassregeln stets beachtet werden:
1.
Lesen Sie vor dem Einschalten des Mo’Phatt alle Instruktionen.
2.
Zur Vermeidung von Verletzungsrisiken müssen Kinder bei einge­schaltetem Mo’Phatt sorgfältig überwacht werden.
3.
Mo’Phatt nicht in der Nähe von Wasser in Betrieb nehmen -- z.B. in der Nähe von Badewannen, Waschschüsseln, auf nassen Gestellen oder am Swimmingpool.
4.
Mo’Phatt stets so aufstellen, dass seine Belüftung nicht beeinträchtigt wird.
5.
Mo’Phatt nicht in der Nähe von Hitze aufstellen, wie Heizkörper, offenem Feuer, Öfen oder von Backöfen.
6.
Mo’Phatt ausschliesslich mit einem Netzgerät gemäss Bedienungsanle­itung und Gerätemarkierung verwenden.
7.
Dieses Gerät kann bei Verwendung von Kopfhörern und Verstärkern hohe Lautpegel erzeugen, welche zu bleibenden Gehörschäden führen. Arbeiten Sie nicht während längerer Zeit mit voller Lautstärke oder hohem Lautpegel. Stellen Sie Gehörverlust oder Ohrenläuten fest, wenden Sie sich an einen Ohrenartz.
8.
Mo’Phatt kann mit einem polarisierten Kabelstecker (mit ungleichen Stiften) ausgerüstet sein. Das geschieht für Ihre Sicherheit. Können Sie den Stecker nicht in die Steckdose einführen, ändern Sie nicht den Stecker ab, sondern wenden Sie sich an einen Elektriker.
9.
Das Netzkabel des Mo’Phatt bei längerem Nichtgebrauch aus der Steckdose ziehen.
Mo’Phatt Operation Manual 7
Foreign Language Warnings - German
10.
11.
12.
DIESE INSTRUKTIONEN AUFBEWAHREN
Vermeiden Sie sorgfältig das Eindringen von Gegenständen oder Flüssigkeiten durch die Gehäuseöffnungen.
Das Gerät soll durch qualifizierte Serviceleute gewartet werden, falls: A. das Netzkabel beschädigt wurde, oder B. Gegenstände oder Flüssigkeit in das Gerät gelangten, C. das Gerät Regen ausgesetzt war, oder D. das Gerät nicht normal oder einwandfrei arbeitet, oder E. das Gerät stürzte oder sein Gehäuse beschädigt wurde.
Servicearbeiten sollten nur qualifizierten Fachleuten anvertraut werden.
8
E-MU Systems

Foreign Language Warnings - French

Instructions de Sécurité Importantes

Foreign Language Warnings
- French
Instructions de Sécurité Importantes

Instructions de Mise à la Terre

Danger

Une utilisation dans des pays autres que les U.S.A. peut nécessiter l’usage d’un cordon d’alimentation différent. Afin de réduire les risques d’incendie ou d’électrocution, référez-vous à un personnel de service qualifié, et n’exposez pas cet appareil à la pluie ou à l’humidité.
Cet appareil doit être relié à la terre. Dans le cas d’une malfonction éventuelle, la terre fournit un passage de moindre résistance pour le courant électrique, réduisant ainsi les risques d’électrocution. Le Mo’Phatt est équipé d’un cordon muni d’un conducteur et d’une fiche devant être branchée dans une prise appropriée et reliée à la terre en conformité avec les normes locales.
Une connexion incorrecte peut résulter en des risques d’électrocution. Vérifiez avec un technicien qualifié si vous avez des doutes quant à la connexion. Ne modifiez pas vous-même le cordon d’alimentation livré avec cet appareil; s’il ne rentre pas dans la prise, faites-en installer un autre par un technicien qualifié.

Attention Si le Mo’Phatt (Model 9111) est installé dans un rack, utilisez un rack

standard ouvert de 48.25cm.

Instructions de Maintenance

1. le Mo’Phatt doit être maintenu propre et sans poussière. Nettoyez-le
périodiquement à l’aide d’un chiffon propre et non-pelucheux. N’utilisez pas de solvants, ou d’autres produits de nettoyage.
2. Aucune lubrification et aucun réglage ne sont nécessaires de votre part.
3. Pour tout autre service, référez-vous à un personnel qualifié.
Mo’Phatt Operation Manual
9
Foreign Language Warnings - French Instructions de Maintenance
Instructions Concernant les Risques d’Incendie, d’Electrocution, ou de Blessures Corporelles.
ATTENTION: Lorsque vous utilisez des appareils électriques, certaines précautions élémentaires doivent toujours être prises, incluant les suivantes:
Ces instructions de dépanage sont destinées uniquement aux personnes qualifiées. Afin d’éviter les risques d’électrocution, n’effectuez que les opéra­tions décrites dans ce manuel, à moins que vous ne soyez qualifiê pour cela. Faites effectuer toute r’eparation par une personne qualifié.
1. Lisez bien toutes les instructions avant d’utiliser le Mo’Phatt.
2. Afin de réduire les risques de blessures, une attention particulière est
3. N’utilisez pas le Mo’Phatt dans ou près d’endroits humides - par
Ce symbole vous alerte de la
présence d’instructions
importantes d’opération et
de maintenance dans la
notice accompagnant
l’appareil.
Ce symbole vous alerte de
la présence d’un voltage
non-isolé dangereux à
l’intérieur de l’appareil,
pouvant être d’une
magnitude suffisante pour
constituer un risque
d’électrocution.
4. Le Mo’Phatt doit être placé de façon à ce que sa position n’interfére pas
5. Le Mo’Phatt doit être placé loin de sources de chaleur telles que des
6. Le Mo’Phatt doit uniquement être connecté à une alimentation du type
7. Une attention particulière doit être observée quant aux objets pouvant
8. Le Mo’Phatt peut être équipé d’une fiche secteur polarisée (avec une
9. Evitez de marcher sur le cordon d’alimentation ou de le coincer, parti-
10. Le cordon d’alimentation de le Mo’Phatt doit être débranché lorsque ce
11. Cet appareil, combiné avec un amplificateur, des haut-parleurs, et/ou
12. N’utilisez que les accessoires sp’ecifi’es par E-mu Systems.
13. Cet appareil doit être examiné par un personnel qualifié lorsque:
nécessaire en la présence d’enfants en bas âge.
exemple près d’une baignoire, d’un lavabo, dans les toilettes, dans une cave humide, sur un bar fréquenté, en présence d’un bull-dog en rut, ou dans une piscine pleine. Protégez cet appareil de tout liquide, éclaboussure ou fuite.
avec sa propre ventilation.
radiateurs, cheminées, fours, ou groupies en chaleur.
décrit dans les instructions d’opération et tel qu’indiqué sur l’appareil.
tomber et aux liquides pouvant être versés sur et à l’intérieur de le Mo’Phatt.
broche plus large que l’autre). C’est une mesure de sécurité. Si vous ne pouvez pas brancher cette fiche dans une prise, ne neutralisez pas cette sécurité. Contactez plutôt un électricien pour remplacer la prise obsolète.
culiêrement prês des prises de courant, des boitiers ‘electriques dt du point de sortie de l’appareil.
dernier n’est pas utilisé pendant une longue période.
un casque, est capable de générer des niveaux sonores pouvant occasionner une perte de l’ouïe permanente. Ne travaillez pas trop longtemps à un volume trop élevé ou même inconfortable. Si vous observez une perte de l’audition ou un bourdonnement dans les oreilles, consultez un O.R.L.
10 E-MU Systems
Foreign Language Warnings - French

Interférences Radio et Télévision

A. Le cordon d’alimentation a été endommagé, ou
B. Des objets sont tombés, ou du liquide a été versé sur/à l’intérieur
de l’appareil, ou
C. Le Mo’Phatt a été exposé à la pluie, ou
D. Le Mo’Phatt est tombé, ou
E. Le Mo’Phatt ne fonctionne pas normalement, ou affiche un
changement radical de performance.
14. Tout service doit être effectué par un personnel qualifié.
SAUVEGARDEZ CES INSTRUCTIONS
Interférences Radio et Télévision
L’appareil décrit dans cette notice génére et utilise une énergie de fréquence-radio. S’il n’est pas installé et utilisé correctement - c’est à dire en suivant strictement nos instructions - il peut occasionner des interférences avec la réception d’une radio ou d’une télévision.
Cet appareil a été testé et est conforme aux normes de Classe A en accord avec les spécifications du paragraphe J de la section 15 des lois FCC. Ces lois sont désignées pour fournir une protection raisonnable contre de telles interférences dans une installation résidentielle. Toutefois, il n’est pas garanti qu’aucune interférence n’apparaisse dans des installations particu­lières, et plus spécialement lorsqu’une antenne de télévision en «oreilles de lapin» est utilisée.
Si le Mo’Phatt occasionne des interférences , vous pouvez essayer de les corriger en utilisant une ou plusieurs des mesures suivantes:
Tournez l’antenne de la télé ou de la radio jusqu’à ce que les inter­férences disparaissent.
Déplacez le Mo’Phatt d’un côté ou de l’autre de la télé ou de la radio.
Eloignez le Mo’Phatt de la télé ou de la radio.
Branchez le Mo’Phatt sur une prise différente que la télé ou la radio.
Installez une antenne sur le toit munie d’une connexion coaxiale entre
elle et le poste de télévision.
Mo’Phatt Operation Manual 11
Declaration of Conformity Interférences Radio et Télévision

Declaration of Conformity

Manufacturer:

E-MU/Ensoniq 1600 Green Hills Road Scotts Valley, CA 95067-0015 USA
We hereby declare that the equipment listed herein conforms to the harmonized standards of the following European Commission Directives: 89/336/EEC and 72/23/EEC.
Trade Name: Audio Sampler/Emulator System
Model Number: Proteus 1000 CR

Under 89/336/EEC as amended by 92/31/EEC, and 72/23/EEC

In accordance with EN 55103-1:1996, Emission Environments E1, E2, E3
In accordance with EN 55103-2:1996, Immunity Environments E1, E2, E3
Test information is contained in a report by Atlas Compliance and Engineering dated November 15, 1999.
Report No.: 9949EMU2KCR103

Under 73/23/EEC as amended by 93/68/EEC

In accordance with EN 60950 with amendments A1, A2, A3, A4, A11

This Declaration is made November 15, 1999

12 E-MU Systems

Setup

This section thoroughly describes how to set up your new Mo’Phatt for use. Setup includes unpacking instructions and how to connect the cables.

Unpacking Carefully remove Mo’Phatt from the packaging material. Take care to save

the packing materials in case you need to transport the unit. Check to make sure all components are included and in good condition. If there are missing or damaged components, contact E-MU Systems immediately for replacement or repair.
The Mo’Phatt box should include the following components:
Mo’Phatt rack unit
Power cable
Rack mounting ears
This operation manual
Manuals CD-ROM
Mo’Phatt Operation Manual 13
Connection
SCOTTS V
ALLEY CA. U.S.A.
IN
THRU
Instructions

Basic Setup

If Mo’Phatt does not seem to be responding correctly, make sure that both Mo’Phatt and your MIDI controller are set to the same MIDI channel.
Footswitch
Setup

Connection Instructions

REAL TIME CONTROLLERS
ASSIGNABLE KEYS
PRESET
SAMPLE
SEQUENCER
MIDI Out
Control Pedal
~
EMULATOR
A
To
Main Outs
LEVEL
EXIT
ENTER
PAGE
PRESET SELECT
RETURN
0.987654321
The Headphone
Output is located
on the Front Panel
B
SCOTTS V
IN
THRU
ALLEY CA. U.S.A.
The Right Main output jack carries a mono mix of the left and right channels when the Left Main plug is not plugged in.
The Left Main output jack is a stereo jack carrying both channels when the right output jack is empty.
Male RCA plug
to
Male Phono Plug
Aux. or
Tape In
Amp
Main Outs to Mixer In
Mixer
Speakers
Home Stereo
System
Home Studio
System
MIDI In
Mo’Phatt is controlled by MIDI messages received at the MIDI In jack. Normally you will connect MIDI Out of a controller such as a MIDI keyboard to Mo’Phatt’s MIDI In jack. Be sure to connect a Footswitch and/ or Control Pedal to your MIDI keyboard. Many of the factory presets use MIDI controllers.
Outputs
In order to reproduce Mo’Phatt’s wide dynamic range and frequency response, use a high quality amplification and speaker system such as a keyboard amplifier or home stereo system. A stereo setup is highly desirable because of the added realism of stereophonic sound. Headphones can be used if an amplifier and speaker system is not available. Plug stereo headphones into the headphone jack on the left side of the front panel.
14 E-MU Systems

Studio Setup

SCOTTS V
ALLEY CA. U.S.A.
MIDI Controller
(MIDI Keyboard, Sequencer, etc.)
REAL TIME CONTROLLERS
ASSIGNABLE KEYS
PRESET
SAMPLE
SEQUENCER
Setup
Connection Instructions
LEVEL
EXIT
ENTER
PAGE
PRESET SELECT
RETURN
EMULATOR
0.987654321
Computer
MIDI OutMIDI In
In
Additional
MIDI
Devices
MIDI In
MIDI
Interface
Out
A MIDI channels
1-16
~
In
A
Out
B
IN THRU
SCOTTS V
ALLEY CA. U.S.A.
Mixer
Amp
MIDI In
In this setup, Mo’Phatt is controlled by MIDI messages, received at the MIDI input, which are routed by the MIDI interface. The MIDI interface allows any MIDI controller, such as a MIDI keyboard or a computer, to control the module.
MIDI Out
The MIDI Out jack transmits program data to a computer or other device.
Outputs
A stereo connection is highly desirable because of the added realism of stereophonic sound. Plug stereo headphones into the headphone jack located on the left side of the front panel. The Right Main output jack serves as a mono output when the Left Main plug is not plugged in. The Left Main output jack is a stereo jack carrying both channels when the Right output jack is empty.
MoPhatt Operation Manual 15
Setup
Connection Instructions

Power Up! The power switch is located on the right side of the front panel. You can

turn on the Mo’Phatt and its MIDI controller in any order. When power is applied the liquid crystal display will light, indicating that Mo’Phatt is operating. You may have noticed that there is no 110/220 Volt power selector switch on Mo’Phatt.
MoPhatt automatically switches itself to the
proper line voltage.
16 E-MU Systems
Setup
Instant Gratication
Instant Gratication

Playing Demo Sequences

This section presents step-by-step instructions for the most fundamental operations to get you up and making sounds quickly.
Mo’Phatt has several factory demonstration sequences that let you hear what this incredible machine can do. The actual number of demo sequences depends on which ROM sounds sets are installed. You can play these demo sequences by accessing the Demo Sequence page.
DEMO SEQUENCES PHATT
Ph
Phatling
To Play a Demo Sequence
1. Press and hold the Master and Edit buttons at the same time to enter
the Demo Sequence page. The screen shown above appears.
2. Select a sequence using the data entry control. The Enter LED will be
flashing.
3. Press the Enter button to begin playing the selected sequence. The
screen shown below appears.
PLAYING: Phatling
Press ENTER to stop
4. Press the Enter button again to stop playing the sequence.
5. When a demo sequence plays to the end, the next demo will automati-
cally begin playing. The screen will display the new demo name.
6. With the sequence stopped, press either the Master, Edit or Arp/Beats
button to Exit the demo sequence mode.

Auditioning Presets The front panel audition button allows you to hear any preset in Mo’Phatt

without even hooking up a MIDI keyboard! When the Audition button is pressed, the LED next to the button will illuminate and a short “Riff” (programmed as part of the preset) will play. The Riff is latched on and plays continuously until the button is pressed again. Presets can be changed while Audition is latched on.
The top line of the display changes to show the MIDI Bank Select controller values needed to select the preset being auditioned. This is an extremely handy feature when sequencing.
MoPhatt Operation Manual 17
Instant Gratication
Bank MSB:007 LSB:2 PHATT
1
252 key: SynhissOrgan
To Audition a Preset
1. Select a preset by turning the data entry control while the cursor is
anywhere on the lower line. The preset number field (shown above) is the normal position of the cursor and pressing the Enter button will return the cursor to this position.
2. Press the Audition button on the front panel. The Audition LED will
illuminate and a short riff will play the selected preset.
3. Continue to select and audition presets.
4. Press the Audition button again to turn Audition mode off. The LED
will extinguish.
Setup

Selecting and Quick Editing Presets

The first thing you’ll do with the Mo’Phatt is select and play the factory provided presets. Mo’Phatt comes standard with 8 banks containing 128 presets each. See “Main Screen” on page 30.
Preset
Location
Channel
Number
Initial Volume Setting
Initial
Pan
Setting
Arpeggiator
Setting
C01 V127 P01R A:off USER
252 key: SynhissOrgan
1
Blinking
Cursor
The first four banks are USER locations that can be overwritten and used to store your own presets. The presets that come stored in the USER presets are duplicated in banks 0-3 of the “Mo’Phatt” ROM bank, so feel free to overwrite them with your own presets. You won’t be losing anything.
Preset
Number
Bank
Number
Preset Category
Preset Name
18 E-MU Systems
The ROM Card identifier is shown in the top right of the display. The preset is identified in the bottom line of the main screen (the screen that appears when you first power up the unit).
Setup
Instant Gratication
Each bank of 128 presets is identified by a superscripted Bank Number to the right of the preset number. The bank numbers reset to 0 at the start of each ROM card you have installed. So with the Mo’Phatt ROM installed, the USER banks will go from 0-3, then start over from 0-3 for the Mo’Phatt ROM banks.
Bank Organization
OO
OO
You can select presets from the Preset Number, Bank Number, Preset Category or Preset Name fields.
USER USER USER USER
PHATT PHATT PHATT
The User Banks
are duplicated
in the PHATT
ROM bankS.
The four User Banks can hold 512 custom presets. Feel free to overwrite these since the factory user presets are duplicated in nonvolatile ROM.
To the right of the preset number and bank is the preset Category name followed by the Preset Name.
To Change the Preset
1. Place the cursor under the first character in the Preset Number field.
This is the “Home” position which is selected instantly when you press the Home/Enter button. Pressing either of the two cursor buttons repeatedly also gets you there.
2. Turn the Data Entry Control knob on the front panel to select a new
preset number. If you turn the knob slowly, the presets advance one number for each “click” of the knob. If you spin the knob quickly, the numbers advance much faster (more than one number per click).
3. Play the keyboard (or press the Audition button) and listen to the
sounds made by your Mo’Phatt!
4. TURN THE FOUR KNOBS on the front panel and note how they
change the sound of each preset! Press the button to the left of the controller knobs to change the function of the knobs. Don’t worry about ruining the sound, the values are automatically reset as soon as you select a new preset.
}
PHATT
Bank 0 Bank 1 Bank 2 Bank 3
Bank 0 Bank 1 Bank 2 Bank 3
128 Presets 128 Presets 128 Presets 128 Presets
128 Presets 128 Presets 128 Presets 128 Presets
MoPhatt Operation Manual 19
Setup
Instant Gratication

Playing BEATS This function controls the BEATS for the currently selected MIDI channel

(the default channel is 1). Unlike the Arpeggiators, BEATS is only active on one MIDI channel at a time.
To Play BEATS (Quick Start)
1. Select any preset with the bts: prefix.
2. Play the keyboard keys in the range shown in the default template
below. Be sure to try out each key.
Default Assignment
of BEATS
Perc 1
Snare 1
HiHat 2
Perc 3/Fill 1
Perc 5/Fill 3
Inst 2/Wild 2
Inst 4/Combo
Start/Stop
Group 3
Main Groove
Alt. Groove
C1 D1 E1 F1 G1 B1 C2 D2 E2 F2 G2 A2
Kick 2
Kick 1
HiHat 1
3. Now try out the “Wild 1-4” knobs and other “bts:” presets.
If BEATS are not playing: Go into the Arp/Beats menu, locate the screen shown below and set the parameters exactly as shown.
Perc 2
Snare 2
Perc 4/Fill 2
Group 1
Group 2
Perc 6/Fill 4
Inst 3/Bass
Inst 1/Wild 1
Group 4
Mute
B2A1
TrigHold
Clear Parts
20 E-MU Systems
BEATS MODE Status: P
BtsCh: Basic TrigCh:Basic
Setup
Instant Gratication
To Latch BEATS Triggers
The Trigger Keys can be Latched so that pressing once turns a key on and pressing the key again turns it off.
1. Press the Arp/Beats button and turn the Data Entry control until the
following screen appears (this is the 3rd screen from the beginning).
BEATS TRIGGER LAYOUT
Part 1 Key: C1 unlatch
2. Press either cursor button repeatedly until it is underneath the Part
field.
3. Rotate the Data Entry Control to select the desired part.
4. Press either cursor button repeatedly until it is underneath the unlatch/
latch field.
5. Rotate the Data Entry Control to change the status to “Latch”.
6. Repeat steps 2-5 until Parts 1-16 are latched.
7. Now play the Trigger Keys and hear the results.
8. Press the Clear Trigger Key to kill all latched Parts.
9. Start up a few more triggers and play with the Mute key.
To play BEATS on a different MIDI channel
You can have your cake and eat it too.
BEATS MODE Status: P
BtsCh: 01 TrigCh:Basic
1. Press the Arp/Beats button and locate the screen shown above (the 2nd
screen from the beginning).
1. Set your MIDI keyboard to transmit on channel 2.
2. Select any “bts:” preset on channel 1 (main screen).
3. From the main screen, change to channel 2 and select another preset.
4. The Trigger Keys now play BEATS and the other keys play the preset on
channel 2
Want more?
5. On channel 2, select a preset with the arp: prefix.
6. Set the arpeggiator to P (A:P) on the main screen (channel 2).
7. Now you can play BEATS and arpeggiate. Yeow!
MoPhatt Operation Manual 21
Setup
Instant Gratication

Exploring the Master Arpeggiator

Mo’Phatt’s multi-channel Pattern Generator/Arpeggiator is one of the greatest features ever put in a synth. Let’s explore the Master Arpeggiator.
To Arpeggiate a Single Preset:
1. Select a preset. Note that the factory presets all have prefixes which
describe the type of sound. For this investigation it might be best to choose a preset with the prefix “arp,” for arpeggiator. These presets are optimized for use with the arpeggiator.
2. Set the Arp parameter in the main screen to “M” for Master
Arpeggiator.
C01 V127 P01R A:M PHATT
3
123
3. Press the Arp/Beats menu button on the front panel to access the
master Arpeggiator menu, then use the Data Entry Control to scroll to the screen shown below.
arp: OrbisTabula1
MASTER ARPEGGIATOR
OO
OO
Try using the control knobs to change the arpeggiator parameters.
S
tatus on
4. Make sure the arpeggiator Status is “on.” Play the keyboard to start
arpeggiating.
5. Press either cursor key repeatedly to move the cursor below the Status
field.
6. Turn the Data Entry Control clockwise one click. The Mode screen
appears.
MASTER ARPEGGIATOR
Mode u
7. Use the cursor keys to move the cursor to the Mode field (up, down, up/
down, forw asgn, backw asgn, forw/backw, random, pattern). Try out the different modes as you play the keyboard.
8. Move the cursor back to the lower left position and explore the other
parameters. The Note Value parameter changes the rate of the arpeggios. By the way, note value is a divisor based on the Master Clock Tempo. Try changing the tempo (page 36), but come right back.
p
22 E-MU Systems
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