Contents |
|
Introduction |
1 |
Introduction .......................................................................... |
3 |
About EOS ......................................................................................... |
4 |
Graphic User Interface ..................................................................... |
4 |
Sequencer and Data Filer ................................................................. |
4 |
Sound Libraries ............................................................................... |
4 |
Sound Storage ................................................................................ |
4 |
Advanced DSP ................................................................................. |
4 |
Built-in Digital Effects ...................................................................... |
5 |
More Digital Processing Features ..................................................... |
5 |
Instant Gratification.............................................................. |
6 |
Power Up! .......................................................................................... |
6 |
Loading a Bank from the Hard Disk ................................................ |
7 |
Loading SoundSprints ...................................................................... |
7 |
Selecting Presets ................................................................................ |
8 |
Lock Button ..................................................................................... |
9 |
Saving ............................................................................................... |
10 |
Arpeggiator ...................................................................................... |
11 |
Keyboard Modes ............................................................................. |
14 |
1 - The Basics |
17 |
Definitions........................................................................... |
19 |
How Sounds are Organized ........................................................... |
19 |
The Sample ................................................................................... |
20 |
Voices ............................................................................................ |
21 |
The Preset ..................................................................................... |
22 |
SoundSprint .................................................................................. |
23 |
Preset Diagram .............................................................................. |
23 |
Bookmarks .................................................................................... |
25 |
The Bank ....................................................................................... |
26 |
Folders .......................................................................................... |
26 |
The Internal Drive .......................................................................... |
27 |
External Drives .............................................................................. |
28 |
Sample Memory & Preset Memory ............................................... |
29 |
Sound ROM & Sound RAM ........................................................... |
29 |
Five Types of Memory ................................................................... |
29 |
Flash Sound RAM .......................................................................... |
30 |
Sample Numbers ........................................................................... |
31 |
Using Preset Flash Memory ........................................................... |
31 |
Using Sound Flash Memory ........................................................... |
32 |
Contents
Modules ........................................................................................... |
34 |
More Definitions .............................................................................. |
36 |
Saving ........................................................................................... |
36 |
Default .......................................................................................... |
36 |
Icons ............................................................................................. |
36 |
The Cursor .................................................................................... |
37 |
Data Entry Control & Increment/Decrement Buttons ..................... |
37 |
Selecting ....................................................................................... |
37 |
The Big Re-Cap ................................................................................ |
37 |
Using The Browser .......................................................................... |
38 |
Guided Tours ................................................................................... |
41 |
Banks, Sequences, Presets & Samples ............................................ |
41 |
Loading a Bank Automatically ........................................................ |
42 |
Loading a Sequence from a Different Bank .................................... |
43 |
Loading Standard MIDI Files .......................................................... |
44 |
Saving Banks ................................................................................. |
44 |
Finding Banks, Presets, Samples & Sequences ................................ |
45 |
Naming Banks ............................................................................... |
46 |
Erasing Banks ................................................................................. |
46 |
Assignable Keys ............................................................................. |
46 |
Recording a Sequence ................................................................... |
47 |
Arpeggiator Sequencing! ............................................................... |
50 |
A Practice Sampling Session ........................................................... |
53 |
Exploring the Preset ....................................................................... |
57 |
Which Voices are Assigned to the Keyboard? ................................. |
58 |
Creating a Link .............................................................................. |
59 |
2 - Master Menu |
61 |
Overview ............................................................................. |
63 |
Memory Statistics ............................................................................ |
64 |
Master Utilities .................................................................... |
65 |
Assignable Keys ............................................................................... |
66 |
Channel Volume .............................................................................. |
67 |
Tones ................................................................................................ |
67 |
Recalibration .................................................................................... |
68 |
Test Access ....................................................................................... |
69 |
About… ............................................................................................ |
70 |
Bank..................................................................................... |
71 |
Erase Bank ........................................................................................ |
71 |
Name Bank ...................................................................................... |
72 |
Auto Bank Load ............................................................................... |
72 |
Flash Utilities .................................................................................... |
73 |
Using Sound Flash Memory ........................................................... |
75 |
ii E-MU Systems
Contents
Setup ................................................................................... |
78 |
Tune .................................................................................................. |
79 |
Tuning Offset ................................................................................ |
79 |
Transpose ...................................................................................... |
79 |
Audition Key ................................................................................. |
80 |
Input/Output ................................................................................... |
80 |
Headroom ..................................................................................... |
80 |
Output Boost ................................................................................ |
82 |
Output Format .............................................................................. |
82 |
ADAT Output Dither ...................................................................... |
83 |
Default Clock ................................................................................ |
84 |
Word Clock In ............................................................................... |
85 |
WC Phase In/Out .......................................................................... |
85 |
Miscellaneous .................................................................................. |
86 |
Contrast ........................................................................................ |
86 |
Wrap Field Selection ...................................................................... |
86 |
Screen Saver .................................................................................. |
87 |
Disable Sound ROM ...................................................................... |
87 |
Zero Crossing Threshold ............................................................... |
88 |
Undo/Redo Enable .......................................................................... |
89 |
SCSI/Disk .......................................................................................... |
90 |
SCSI ID .......................................................................................... |
90 |
SCSI Termination On/Off ............................................................... |
91 |
Avoid Host on ID ........................................................................... |
91 |
Disk Button Goes To: ..................................................................... |
92 |
Import Options ................................................................................ |
93 |
Memory Configuration .................................................................. |
95 |
Master Effects ..................................................................... |
96 |
Use Master Effects Settings in MultiMode ...................................... |
97 |
Master Effects A ............................................................................. |
97 |
Master Effects B ............................................................................. |
98 |
Effects Setup .................................................................................... |
98 |
Effects Control ............................................................................... |
99 |
Sequence Manage ............................................................ |
101 |
MIDI .................................................................................. |
102 |
MIDI Mode .................................................................................... |
103 |
Basic Channel .............................................................................. |
103 |
MIDI Mode ................................................................................. |
103 |
MIDI Device ID ............................................................................ |
104 |
Local Control ............................................................................... |
105 |
Multimode - MIDI Mix ................................................................ |
106 |
MIDI Controllers ............................................................... |
108 |
About MIDI Controllers ............................................................... |
108 |
MIDI Preferences ........................................................................... |
110 |
Velocity Curve ............................................................................. |
110 |
EOS 4.0 Software Manual iii
Contents
Controller #7 Sensitivity ............................................................... |
110 |
Controller #7 Curve ..................................................................... |
111 |
Global Pedal Override .................................................................. |
111 |
Receive Program Change On/Off ................................................. |
112 |
Send Program Change On/Off .................................................... |
112 |
Magic Load Preset ....................................................................... |
113 |
3 - Effects |
115 |
Effects ................................................................................ |
117 |
Dual Effects Processor ................................................................... |
117 |
The Effects Sends ........................................................................... |
118 |
Effect B Into Effect A .................................................................... |
120 |
Three-way Effects Control ............................................................ |
121 |
Effects Programmed in the Preset ................................................ |
122 |
Master Effects .............................................................................. |
122 |
Using Master Effects Settings in Multimode ................................. |
123 |
Using the Effects Channel Settings in Multimode ......................... |
124 |
Effects Bypass .............................................................................. |
125 |
Effect Descriptions ......................................................................... |
126 |
A EFFECT TYPES ........................................................................... |
126 |
B EFFECT TYPES ........................................................................... |
126 |
Reverb ......................................................................................... |
127 |
Chorus ........................................................................................ |
128 |
Doubling ..................................................................................... |
128 |
Slapback ...................................................................................... |
128 |
Stereo Flanger ............................................................................. |
128 |
Delay ........................................................................................... |
129 |
Stereo Delay ................................................................................ |
129 |
Panning Delay ............................................................................. |
129 |
Dual Tap ...................................................................................... |
129 |
Vibrato ........................................................................................ |
129 |
Distortion .................................................................................... |
129 |
4 - Sequencer |
131 |
Sequence Manage............................................................. |
133 |
Recording MIDI SysEx .................................................................. |
136 |
Standard MIDI files ...................................................................... |
136 |
Name Sequence .......................................................................... |
137 |
Export ......................................................................................... |
138 |
Transport Controls............................................................ |
139 |
Sequencer Utilities ............................................................ |
140 |
Erase ............................................................................................ |
140 |
Copy Sequence ........................................................................... |
141 |
Sequencer Memory ..................................................................... |
141 |
Jukebox ....................................................................................... |
142 |
Sequence Edit .............................................................................. |
142 |
iv E-MU Systems
Contents
Sequence Edit ................................................................... |
143 |
The Sequence Edit Screen ............................................................ |
144 |
Track Mode ................................................................................. |
144 |
Track Numbers ............................................................................ |
144 |
Counter Display .......................................................................... |
144 |
Tempo Display ............................................................................ |
144 |
Track ‘ Preset ............................................................................... |
144 |
MIDI Channel Modes .................................................................. |
145 |
Volume - Pan - Submix ................................................................ |
145 |
The Initial Track State Screen ....................................................... |
145 |
Initial Tempo ............................................................................... |
146 |
Cut/Copy .................................................................................... |
146 |
Editing: Cut, Copy & Paste ............................................... |
147 |
Cut/Copy/Erase ......................................................................... |
147 |
Note Erase ................................................................................... |
148 |
Paste ........................................................................................... |
150 |
Track Delete ................................................................................ |
152 |
Track Copy .................................................................................. |
152 |
UNDO! (REDO!) .......................................................................... |
153 |
Tools.................................................................................. |
154 |
Quantize ........................................................................................ |
154 |
Transpose ....................................................................................... |
156 |
Sequence Velocity ......................................................................... |
157 |
Channelize ..................................................................................... |
158 |
Channel Extract ............................................................................. |
159 |
Setup ................................................................................. |
160 |
Metronome .................................................................................... |
161 |
Sequence Clock ............................................................................. |
162 |
Sequence Input ............................................................................. |
164 |
Sequence Record ........................................................................... |
165 |
Sequence Loop .............................................................................. |
166 |
Transport ........................................................................................ |
167 |
Received MMC Commands ......................................................... |
168 |
Locate ............................................................................................. |
169 |
5 - Sample Manage |
171 |
Overview ........................................................................... |
173 |
Sample Utilities .............................................................................. |
174 |
Erase Sample ............................................................................... |
174 |
Copy Sample ............................................................................... |
175 |
Sample Dump ............................................................................. |
175 |
Defragment Memory .................................................................. |
177 |
EOS 4.0 Software Manual v
Contents
Name Sample ................................................................................ |
178 |
New Sample ................................................................................... |
178 |
Threshold .................................................................................... |
179 |
Input Channels ............................................................................ |
179 |
Sampling Source & Rate .............................................................. |
179 |
Dither .......................................................................................... |
180 |
ADC Gain .................................................................................... |
181 |
Sample Length ............................................................................ |
182 |
Arm Sample Trigger ..................................................................... |
182 |
Force Sample Trigger ................................................................... |
183 |
Keyboard Sample Trigger ............................................................. |
183 |
Monitor On/Off ........................................................................... |
184 |
Automatic Parameters ................................................................... |
184 |
Automatic Digital Signal Processing Operations ........................... |
184 |
Auto-Placement Parameters ......................................................... |
186 |
Place Sample .................................................................................. |
188 |
Export Sample ............................................................................... |
189 |
Get Info .......................................................................................... |
190 |
6 - Sample Edit |
191 |
Sample Edit ....................................................................... |
193 |
Background: The Scrub Wheel ..................................................... |
194 |
Background: Using Cut, Copy, Paste and Undo ......................... |
195 |
Background: About Looping ........................................................ |
196 |
How Looping Works .................................................................... |
196 |
Auto Correlation .......................................................................... |
196 |
Creating Attack & Decay Characteristics for the Looped Portion |
..197 |
Loop Compression ...................................................................... |
198 |
Crossfade Looping ....................................................................... |
198 |
Zero Crossing .............................................................................. |
198 |
Utilities .............................................................................. |
199 |
Cut Section ................................................................................. |
199 |
Copy Section ............................................................................... |
201 |
Paste Section ............................................................................... |
202 |
Truncation ................................................................................... |
204 |
Taper ........................................................................................... |
205 |
Tools 1 ............................................................................... |
207 |
Loop ............................................................................................... |
207 |
Loop Type ...................................................................................... |
210 |
Digital Tuning ................................................................................ |
211 |
Sample Rate Convert .................................................................... |
212 |
Sample Calculator ......................................................................... |
213 |
vi E-MU Systems
Contents
Tools 2............................................................................... |
214 |
DC Filter ......................................................................................... |
214 |
Swap Left & Right ......................................................................... |
215 |
Stereo <-> Mono ........................................................................... |
216 |
Reverse Section .............................................................................. |
216 |
Sample Integrity ............................................................................ |
217 |
Tools 3............................................................................... |
218 |
Gain Change .............................................................................. |
218 |
Compressor ................................................................................... |
221 |
Using the Digital Compressor ...................................................... |
224 |
Limiter ........................................................................................ |
224 |
Musical Compression (e.g. Guitar) .............................................. |
224 |
Noise Reduction .......................................................................... |
224 |
Parametric Equalizer ..................................................................... |
225 |
FIR (Phase Linear Filter) ................................................................. |
227 |
Aphex Aural Exciter ....................................................................... |
229 |
Tools 4............................................................................... |
230 |
Transform Multiplication .............................................................. |
231 |
Doppler .......................................................................................... |
232 |
Time Compression ........................................................................ |
234 |
Pitch Change ................................................................................. |
235 |
Bit Converter ................................................................................. |
236 |
Beat Munger .................................................................................. |
237 |
Beat Munger Controls ................................................................. |
238 |
Undo.................................................................................. |
240 |
7 - Preset Manage |
243 |
Preset Manage .................................................................. |
245 |
Utilities ........................................................................................... |
246 |
Erase Preset ................................................................................. |
246 |
Dump Preset ............................................................................... |
246 |
Name Preset .................................................................................. |
247 |
New Preset ..................................................................................... |
247 |
Copy Preset .................................................................................... |
248 |
Export Preset ................................................................................. |
249 |
Get Info .......................................................................................... |
250 |
EOS 4.0 Software Manual vii
Contents
8 - Preset Edit |
251 |
Synthesizer Basics ............................................................. |
253 |
Editing Presets ............................................................................... |
253 |
Modulation .................................................................................... |
254 |
Modulation Sources ..................................................................... |
255 |
Modulation Cords ....................................................................... |
256 |
Envelope Generators ..................................................................... |
257 |
Low Frequency Oscillators (LFOs) ................................................ |
258 |
Random Sources ............................................................................ |
259 |
Clock Modulation .......................................................................... |
260 |
Modulation Destinations .............................................................. |
262 |
Modulation Processors .................................................................. |
263 |
Modulation Processors ................................................................. |
264 |
Dynamic Filters.................................................................. |
269 |
Dynamic Filters .............................................................................. |
269 |
What is a Filter? ........................................................................... |
270 |
Parametric Filters ......................................................................... |
273 |
The Z-Plane Filter ......................................................................... |
273 |
Selecting Voices, Samples & Groups ................................ |
275 |
Selecting from the Preset Editor Windows .................................. |
275 |
Selecting All Voices ........................................................................ |
276 |
Selecting Voices from the Dynamic Processing Level .................... |
276 |
Selecting Voices from the Voice Select Screen .............................. |
276 |
Groups............................................................................... |
277 |
Preset Editor...................................................................... |
278 |
PRESET EDIT - Global ........................................................ |
281 |
Global Editor .................................................................................. |
281 |
Edit All ......................................................................................... |
281 |
Preset Effects A.................................................................. |
282 |
Effects Programmed in the Preset ................................................ |
283 |
Effect ........................................................................................... |
284 |
Decay Time ................................................................................. |
285 |
HF Damping ................................................................................ |
285 |
FX Amounts ................................................................................. |
285 |
FX B Through FX A ...................................................................... |
286 |
Preset Effects B.................................................................. |
287 |
Effect B ........................................................................................... |
287 |
Feedback Amount ....................................................................... |
288 |
LFO Rate ...................................................................................... |
289 |
Delay Time .................................................................................. |
289 |
FX Amounts ................................................................................. |
290 |
Preset Edit - Links .............................................................. |
291 |
viii E-MU Systems
Contents
Main Controls ................................................................................ |
291 |
|
Link Type |
........................................................................................ |
292 |
Link Volume ................................................................................... |
292 |
|
Link Pan .......................................................................................... |
|
293 |
Link Transpose ............................................................................... |
293 |
|
Link Fine Tuning ............................................................................ |
294 |
|
Link Utilities ...................................................................... |
295 |
|
New Link |
........................................................................................ |
295 |
Copy Link |
....................................................................................... |
296 |
Delete Link |
..................................................................................... |
296 |
Subsume Link ................................................................................ |
297 |
|
Links - Key Window........................................................... |
298 |
|
Key Window Controls .................................................................. |
298 |
|
Keyboard & Velocity Ranges ........................................................ |
299 |
|
Links - Velocity Window ................................................... |
300 |
|
Velocity Window Controls ............................................................ |
300 |
|
Velocity Range ............................................................................... |
301 |
|
Links - MIDI Filters ............................................................ |
302 |
|
MIDI Filter Window Controls ....................................................... |
302 |
|
Preset Edit - Voices ........................................................... |
304 |
|
Voices - Main Controls .................................................................. |
304 |
|
Voice Utilities ................................................................................. |
305 |
|
New Voice ................................................................................... |
305 |
|
Copy Voice .................................................................................. |
305 |
|
Delete Voice ................................................................................ |
306 |
|
Split Voice ................................................................................... |
306 |
|
Solo Voice ................................................................................... |
307 |
|
Sample Zone ..................................................................... |
308 |
|
New Sample Zone ........................................................................ |
308 |
|
Get Multisample ............................................................................ |
309 |
|
Delete Sample Zone ..................................................................... |
309 |
|
Combine |
........................................................................................ |
310 |
Expand... |
........................................................................................ 311 |
|
Voices - Key Window ........................................................ |
312 |
|
Key Window Controls ................................................................... |
312 |
|
Keyboard Ranges .......................................................................... |
313 |
|
Voices -Velocity Window .................................................. |
316 |
|
Velocity Window Controls ............................................................ |
316 |
|
Velocity Range ............................................................................... |
317 |
EOS 4.0 Software Manual ix
Contents
Voices - Realtime Window ................................................ |
319 |
Realtime Window Controls ........................................................... |
319 |
Preset Edit - Dynamic Processing Level ............................ |
322 |
Utilities .............................................................................. |
325 |
Voice Select .................................................................................... |
326 |
Function Keys .............................................................................. |
326 |
The Isolate Key: ........................................................................... |
328 |
Copy Voice(s) ................................................................................. |
328 |
Delete Voice(s) ............................................................................... |
330 |
Automatic Voice Selection ............................................................ |
331 |
Set ................................................................................................... |
331 |
Solo Voice ....................................................................................... |
331 |
Voice Tuning, |
|
Modifiers & Setup ............................................................. |
332 |
Key Transpose ................................................................................ |
333 |
Coarse Tuning ................................................................................ |
333 |
Fine Tuning .................................................................................... |
334 |
Non-transpose Mode .................................................................... |
334 |
Chorus Amount ............................................................................. |
335 |
Delay ............................................................................................... |
336 |
Start Offset ..................................................................................... |
336 |
Glide Rate & Curve ....................................................................... |
337 |
Solo Modes .................................................................................... |
338 |
Latch Mode .................................................................................... |
339 |
Assign Group ................................................................................. |
340 |
Amplifier/Filter.................................................................. |
341 |
Amplifier Parameters ..................................................................... |
341 |
Amplifier Envelope ........................................................................ |
342 |
Filter Parameters ............................................................................ |
343 |
FILTER TYPES ............................................................................... |
343 |
Filter Envelope ............................................................................... |
347 |
LFO/Auxiliary Envelope..................................................... |
348 |
Lag Processors ............................................................................... |
349 |
Auxiliary Envelope ......................................................................... |
350 |
Cords ................................................................................. |
351 |
Sample Retrigger ........................................................................... |
353 |
x E-MU Systems
Contents
9 - Disk Menu |
355 |
Disk Menu ......................................................................... |
357 |
Disk Browser .................................................................................. |
357 |
Disk.................................................................................... |
361 |
Disk Utilities ................................................................................... |
361 |
Mount Drives ................................................................................. |
362 |
Copy System .................................................................................. |
362 |
Format Disk .................................................................................... |
363 |
Low Level Format .......................................................................... |
364 |
Backup ........................................................................................... |
364 |
Load Bank ...................................................................................... |
366 |
Save Bank ....................................................................................... |
367 |
View… ............................................................................................ |
367 |
Info, Lock Drive, & Sleep .............................................................. |
368 |
Lock ............................................................................................ |
368 |
Sleep ........................................................................................... |
368 |
Folder ................................................................................ |
369 |
Folder Utilities ................................................................................ |
369 |
New ................................................................................................ |
369 |
Delete ............................................................................................. |
370 |
Rename .......................................................................................... |
370 |
Find… ............................................................................................. |
370 |
View ................................................................................................ |
371 |
Info… ............................................................................................. |
371 |
Bank................................................................................... |
372 |
Bank Utilities .................................................................................. |
372 |
Delete ............................................................................................. |
372 |
Name ............................................................................................. |
373 |
Find… ............................................................................................. |
373 |
Load Bank ...................................................................................... |
374 |
Save Bank ....................................................................................... |
374 |
View ................................................................................................ |
375 |
Info… ............................................................................................. |
375 |
Preset ................................................................................ |
376 |
Preset Utilities ................................................................................ |
376 |
Soundsprint™ ................................................................................ |
376 |
Bookmarks .................................................................................. |
378 |
EOS 4.0 Software Manual xi
Contents
Find…
.............................................................................................379
Load Preset
.....................................................................................380
View
................................................................................................380
Info…
..............................................................................................380
Sample............................................................................... |
381 |
Sample Utilities .............................................................................. |
|
Find... |
.......................................................................................... |
381 381
View
................................................................................................382
Load Sample
..................................................................................382
Load .WAV & AIFF Files
.................................................................383
Audition
..........................................................................................383
Info…
..............................................................................................383
Sequence ........................................................................... |
384 |
Sequence Utility
.............................................................................384
Find…
.............................................................................................385
View
................................................................................................385
Load Sequence
..............................................................................385
Info…
..............................................................................................386
10 - Appendix |
387 |
SCSI ................................................................................... |
389 |
Why Use SCSI?
...............................................................................389
The SCSI Bus
ID Numbers
..................................................................................389 .................................................................................389
Types of SCSI
Terminating
Cables .....................................................................
SCSI Cables ..............................................................
390 390
SCSI Problems
................................................................................391
Sample Transfers Via SMDI
...........................................................392
Using Multiple Samplers on the SCSI Bus
...................................393
Menu Maps ....................................................................... |
394 |
Menu Maps
Menu Maps
....................................................................................394 ....................................................................................395
Menu Maps
....................................................................................396
MIDI................................................................................... |
397 |
MIDI Implementation Chart
........................................................397
Notes: |
................................................................................ 398 |
Index |
399 |
xii E-MU Systems
Introduction
2 E-MU Systems
This is the operation manual for E-mu Operating System (EOS). EOS is the operating system in several E-mu products, including: E-IV, e-64, E4K, E-6400, E4X, E-Synth and the E4 Ultra series. The same EOS software is loaded into each of these machines. For the sake of simplicity, we refer to all these products as “the Emulator” when we talk about them in this manual (unless, of course, there is an issue involving a particular product, then we will be specific).
Your Emulator is a special purpose sound computer and like all computers, can be thought of as having two main components:
1.The physical machine with the buttons, keys, gadgets, that generates sound and;
2.The EOS software that tells the hardware what to do.
This manual describes how to use EOS to get the most from your Emulator. The various functions of EOS are organized in this manual by their module. Screen displays and step-by-step instructions are described for all aspects of use and operation. Notes in the margin highlight important points or give useful operational tips which might not be readily apparent.
If you are unfamiliar with samplers and synthesizers in general, you may need more information than this manual provides. We suggest that you read some of the many books and magazines on the subject of music synthesis. This will help you to get the most out of this extremely powerful instrument.
The features and functions of EOS are enhanced and upgraded periodically. Please take a moment now to read the E-mu Systems warranty and fill out and send in your warranty registration card. We NEED your mailing address in order to keep you informed about upgrades and manual revisions.
EOS 4.0 Software Manual 3
Introduction
About EOS
EOS uses icons, graphics and dialog boxes extensively to make programming as easy and as intuitive as possible. Similar functions are logically grouped into menus and navigation controls such as the Cursor and Page buttons make it easy to select the desired field.
The onboard 48-track sequencer is a full function music production center. It contains a host of powerful features such as high resolution cut and paste editing, quantization, data filters, and external sync capability. It is also capable of reading and playing back standard MIDI files (format 0 & 1) direct from a DOS floppy disk and saving them to the internal hard disk drive. Music sequences are stored within banks or as separate objects.
The Emulator family has access to the huge library of sounds available from E-mu and other sources. EOS is fully compatible with the E-IV, e-64, EIII, EIIIX, ESI-32, E4K, E-6400, E4X, E-Synth and Ultra sound libraries, and can transparently read Emax II, Roland S-700 and Akai S1000/S1100/S3000 banks via SCSI HD or CD–ROM without awkward conversion routines.
EOS lets you arrange up to 1000 samples per bank in up to 1000 presets. E-mu's exclusive SoundSprint™ function automatically loads presets from the hard disk as you browse through them. You can continue to play while the new preset is loading in the background. The Sound ROM option (standard on E-Synth) gives you 16 MB of great samples with hundreds of user programmable presets which are always on-line and ready to go.
EOS’s advanced digital signal processing (DSP) features make sampling a breeze. Samples can be truncated, normalized and placed on the keyboard automatically as the sample is taken. Advanced tools such as Auto Correlation, Loop Compression and Crossfade Looping allow even the most difficult sounds to be looped easily.
You can digitally splice and mix samples with other samples. Control samples dynamically from the keyboard using velocity and positional crossfading and switching functions. Advanced digital processing features such as Sample Rate Conversion, Compression, Parametric Equalization and Digital Tuning let you shape raw samples quickly and with greater precision than computer based systems. Samples are easily transferred between the Emulator and an external computer via SCSI.
4 E-MU Systems
Introduction
About EOS
Additional digital processing functions include:
•Time Compression and Expansion: Shortens or lengthens the sample time without changing the pitch.
•Pitch Change: Changes the pitch of a sample without altering the time.
•Transform Multiplication: Creates weird and wonderful new timbres.
•Aphex Aural Exciter:™ Adds brilliance and sheen to your samples.
•Dopplerization: Moves samples forward and backwards in space as well as from side to side.
•FIR Filters: Non-realtime digital filters with “Ultra” high Q values and phase-linear filter response.
•Bit Converter: Removes unwanted bit resolution from your samples.
•Beat Munging: Analyzes drum loops and phrases and allows you to change tempo, time signature, swing and individual beats in real-time.
A high quality internal effects processor adds reverb and chorus effects while keeping the sound in the digital domain. 76 different effects are currently implemented with several controllable parameters for each effect. A sound with effects applied can be resampled and saved as an entirely new sound, with ambience and effects included.
The digital hardware implements up to 128 “analog-sounding” Z-plane filters with many different filter types.
•12, 24, or 36 dB/octave Low-pass filters with resonance
•2nd & 4th order High-pass filters with resonance
•2nd & 4th order Band-pass filters with resonance
•Contrary Band-pass filter
•Three types of swept EQ filters
•Three Phasers and one Flanger with resonance
•Six powerful Morphing filters
Modulation sources include three multi-stage envelope generators and two multi-wave LFOs per channel with full MIDI modulation control over virtually every parameter. The digital patchbay, containing a set of arithmetic modifiers, let you create complex synthesis models.
EOS Emulators have 32 part multi-timbral capability, allowing complex sequencing and sound effects creation. Emulators can be operated by remote control using an external computer. A MIDI expander card is available for older units which increases the number of MIDI channels from 16 to 32.
EOS 4.0 Software Manual 5
Introduction
Instant Gratification
This section is designed to get you playing sounds in the shortest amount of time and provides only a partial explanation of disk operations. For more complete instructions, see “Disk Menu” on page 355.
Power Up!
• Turn on the Emulator and wait for the following screen to appear.
If you have an E-Synth or an Emulator with the ROM bank added, you can select presets immediately. Use the Data Entry Control, INC/DEC buttons, Left/Right cursor buttons or the numeric keypad to change presets. That's it! If you have an Emulator without the ROM bank installed, you must load a bank into the unit. Go to the next section for instructions.
6 E-MU Systems
Introduction
O The Disk button can be set to call up either SoundSprint mode or the Last screen you used in the Disk Browser. This preference is located under Master, Setup, SCSI.
Loading a Bank from the Hard Disk
Loading a bank of sounds makes an entire collection of different presets immediately available.
v To Load a Bank from the Hard Disk:
1.Press the Load function key (F4) from the main screen shown above. The following screen appears.
The display shows the hard disk drive information, the folders contained on the drive, and the individual banks contained in the displayed folder.
2.Select the Folder containing the desired bank. Using the Arrow cursor buttons, move the cursor to the Folder field and select the Combos folder.
3.Select the Bank. Move the cursor down to the Bank field and choose the General MIDI bank using the Data Entry Control, the INC/DEC buttons or the numeric keypad.
4.Press OK to load the bank. The bank is loaded and the first preset in the bank appears.
SoundSprint is a proprietary method of loading presets from a hard disk. As a preset is selected in SoundSprint, it is immediately loaded into the bank. If you have an EOS machine with a hard disk, try it out. See “SoundSprint” on page 23 for more information.
EOS 4.0 Software Manual 7
Introduction
Turn Sprint Off before continuing.
O Press Assignable Key 3 (default setting) to jump between the RAM and ROM preset locations if you have an E-Synth.
v To Load SoundSprints:
1.From the main screen, press the Sprint function key (F2). The screen shown above appears.
Select a preset. Use the bank function keys (F5 & F6), the left/right cursor buttons, the previous/next buttons or the Data Entry Control to select new presets. The previous and next presets in the folder are shown in the upper right of the SoundSprint display window.
As you explore the SoundSprint presets be sure to try out the controllers such as sliders and wheels. EOS machines containing a hard disk have a special folder of Sprint presets.
v To Turn Off SoundSprint Mode:
1.Press the Utils function key (F1).
2.Press the SprntOff function key (F5).
Selecting Presets
The currently selected preset is displayed on the main screen showing the preset number (as it appears in the currently loaded Bank) and its name. EOS provides several methods for selecting presets.
v To Select a Preset:
•Use the Data Entry Control to quickly scroll through the presets.
•Use the Left and Right cursor buttons or the INC and DEC buttons to scroll through them one at a time.
•The Page buttons to scroll through them ten at a time.
•The numeric keypad to punch in the preset number and then press the “Go” button to confirm the selection.
When using the numeric keypad to select presets, you select a preset by entering a 1, 2 or 3 digit number. If fewer than three digits are entered, you must press the Enter or Go button after selecting the number. For example, you could select preset number 3 in any one of three ways:
1.Type “3.” A window pops up asking you to confirm the preset number. Press the “Enter” button or “Go” button.
8 E-MU Systems
Introduction
Selecting Presets
O The more sound RAM you have in the unit, the larger the bank size can be and the more presets you can have in the bank at once.
Lock 1
2-Key Preset Selection
Lock 2
1-Key Preset Selection
2.Type “03.” A window pops up asking you to confirm the preset number. Press the “Enter” button or “Go” button.
3.Type “003.” (You do not need to press the “Enter” button or “Go” button when entering all three digits of the preset number. Because there are only three possible digits, EOS knows that you’re done.)
Presets are contained in the bank you loaded earlier so they are instantly accessible when selected, unlike SoundSprint presets, which take a second or two to load from the hard disk.
The next and previous presets are displayed in the upper corners of the screen. The next preset is displayed in the upper right hand corner, the previous preset is shown in the upper left hand corner.
The +/- button has an alternate function as a digit “Lock” button. When used as a lock, it sets the number of digits that you must enter to change a preset using the numeric keypad. Locking 1 digit (Lock 1 mode) requires you to enter the remaining two digits, but gives you a selection of 100 presets. Locking 2 digits requires only a single button press, but reduces the selection range to 10 presets. Press the Lock button repeatedly from the preset selection screen to rotate through the modes.
After entering the first digit in Lock 1 mode (meaning you need to enter 2 digits to select the preset by number), a popup window appears listing the ten presets in that rank. Use the Page buttons to select the next or previous ten presets. Use the cursor buttons to select a preset in that rank.
•The Lock button can be used to set the current rank of ten Bookmarks in SoundSprint mode. Press and Hold the Lock button and select a number to change the rank.
If you are in the Lock 1 mode and you only enter one digit, a message pops up asking you to confirm the preset number. You must press the Enter or Go button to confirm the selection.
For example, to select preset number 3, type “3.” A window pops up asking you to confirm the preset number. Press the “Enter” button or “Go” button.
EOS 4.0 Software Manual 9
Introduction
O Save to an Empty Bank if you have edited presets and want to save the old bank as well as the edited bank.
O To save a single preset to a bank see “Export Preset” in the Preset Manage module.
Saving
When presets are loaded into the bank, you are free to edit any parameter in any preset. When you have everything the way you want it, SAVE the entire bank to the hard disk. Since nothing is made permanent until you Save it, you can play around with the presets to your heart’s content without worrying about ruining something.
When you get something you want to keep, then it's time to Save. If you don't save the bank, all changes will be lost as soon as you switch off power or load another bank.
v To Save a Bank:
1.From the Main screen shown above, press the button directly under “Save…” on the screen (F5). The following screen appears.
2.Select the Bank location. The bank field defaults to the bank currently loaded. Press OK to overwrite the bank or select an empty bank if you want to save the bank as a new bank.
You can also save the bank to another folder or disk drive (if connected). Use the up/down cursor buttons to advance the cursor to the Folder or Drive field, then select the new destination.
3.Remember that Saving is permanent, so think twice before pressing OK. Press OK to Save the bank or Cancel to abort the operation and return to the main screen.
10 E-MU Systems
O The arpeggiated notes can be recorded into the sequencer and are transmitted on the MIDI Out port.
O The arpeggiator continues playing on the current MIDI channel if you switch to Multi mode.
None 1 Oct |
2 Oct |
3 Oct |
Introduction
Arpeggiator
An arpeggiator moves a pattern of notes sequentially over a range of the keyboard. EOS provides a performance-oriented arpeggiator which is powerful, yet quick and easy to use. It has several features including tap tempo, octave extension, note value divisor and control over how the extensions are played (up, down, or up and down or random). The arpeggiator plays on the Basic Channel and remembers the order of played notes.
v To Access the Arpeggiator:
1.From the main preset selection screen, press the Mode function key (F6). A new set of function keys appears.
2.Press the Arp function key (F5). The arpeggiator will be enabled and the function keys now control the arpeggiator functions.
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Octave Extension. The extension control shifts the arpeggio up the specified number of octaves each time the pattern is repeated. For example, suppose you played C2 with an Octave Extension value of 2. The arpeggiator advances the pattern 2 octaves in the direction specified. The extension can be set from 0-3 octaves.
v To Set the Octave Extension:
• Press the Octave Extension button (F2) to toggle between values.
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EOS 4.0 Software Manual 11
Introduction
Arpeggiator
Arpeggiator
Direction
Up
Down
Up/Down
Random
Direction. The Direction parameter determines the direction or pattern of the arpeggiated notes. The held notes can be played forward, backward in an alternating forward/backward order or randomly. This setting also affects the order of the octave extensions.
v To Set the Arpeggiator Direction:
•Press the Direction button (F3) repeatedly until the desired direction is displayed on the screen. See the illustration at left for a description of the direction display.
Division. The speed of the arpeggiator is determined by both the tempo and the tempo divisor. The following divisors are available: 1/2 note, 1/2 note triplet, 1/4 note, 1/4 note triplet, 1/8 note, 1/8 note triplet, 1/16 note, 1/16th note triplet, 1/32 note, 1/32 note triplet. The division is particularly useful if you are synced to an external MIDI clock.
Triplets. Access the arpeggiator from Multimode and turn Triplets On. Triplets will remain on even if you switch back to Omni or Poly modes.
Tempo. The Tempo parameter, used with the Division parameter, determines the speed of the arpeggiator. There are two ways of defining the arpeggiator tempo; by entering it numerically or by using the Tap Tempo feature.
v To Enter the Tempo Numerically:
1.Press the Tempo function key (F5) to access the Arpeggiator Tempo screen.
2.Place the cursor over the tempo field and enter the desired tempo using the Data Entry Control, INC/DEC buttons or the Numeric Keypad.
3.Press Done (F1) or OK (F6) to return to the main Arpeggiator menu from the Tempo submenu. If you changed the status of the Sync function, it will be saved to EEPROM.
12 E-MU Systems
Introduction
Arpeggiator
v To use the Tap Tempo function:
1.Press the Tempo function key (F5) to access the Arpeggiator Tempo screen.
2.Tap the F4 button at the desired tempo at least four times to define a new tempo. After the first four taps, the tempo updates the average tempo with each subsequent tap.
3.Press Done (F1) or OK (F6) to return to the main Arpeggiator menu from the Tempo submenu. If you changed the status of the Sync function, it will be saved to EEPROM.
You can control the ReSync! Resets the Arpeggiator clock at the exact moment the Resync arpeggiator using an external button is pressed. This lets you synchronize with another beat as you play,
MIDI Clock by setting the |
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Key Sync/Free Run. The Sync parameter defines when a note is played in |
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relation to when the key is pressed. When set to Key Sync, the note sounds |
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the instant a key is pressed. When set to Free Run, the note will not sound |
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until the next arpeggiator clock cycle. The new Sync value is saved to the |
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internal EEPROM. |
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The arpeggiator and sequencer use the SAME CLOCK and tempo. Changes |
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v To Arpeggiate: |
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Press the Mode function key (F6) from the preset selection screen. |
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A new row of function keys appears. |
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Press the Arp function key (F5). The arpeggiator is enabled and the |
O The arpeggiated notes |
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function keys now control the arpeggiator functions. |
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Play a chord. The notes you are holding should now be arpeggiating. |
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can be recorded into the |
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sequencer and are transmitted |
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speed. Explore all the arpeggiator controls. Have fun! |
on the MIDI Out port. |
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Press ArpOff (F1) to turn off the Arpeggiator. |
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Note: You can leave the Arpeggiator menu with the Arpeggiator on. |
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Simply return to the Arp menu to turn it off again. |
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Press Run to start and Stop to stop arpeggiating. Press Done, OK, Exit |
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or Enter to leave the Arpeggiator. |
EOS 4.0 Software Manual 13
Introduction
O On a split keyboard, the Arpeggiator will play on the preset that was selected when the arpeggiator was turned on.
From Multi mode, the Arpeggiator window appears as shown below. The functions are identical.
Keyboard Modes
The keyboard modes are receiver functions, processing MIDI (or keyboard action on an E4K or E-Synth Keyboard) and are designed as easy to use performance features.
v To Access the Keyboard Modes:
1. Press the Mode function key (F6). A new set of function keys appears.
Normal mode where the keyboard is not split or layered. This button puts EOS in Omni or Poly Mode.
This mode places both presets across the entire keyboard at once. Selection and Transpose operate exactly the same as in Split mode. See Split.
The preset assigned to the MIDI Basic channel is placed on the lower half of the keyboard and the preset assigned to the Basic channel + 1 is placed on the upper split (for details about the Basic Channel and how to set it, see “Basic Channel” on page 103).
14 E-MU Systems
Introduction
Keyboard Modes
Split Point
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Rock Bass 1 |
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v To Set the Keyboard Split Point:
1.Press the Mode button (F6) from the main preset screen. The Keyboard submenu appears.
2.Press the SetSplit function key (F4). The display asks you to play a key.
3.Play a key on the keyboard you want to be the first key of the upper preset.
v To Change and Transpose Presets in Split Mode:
When in Split mode, the display appears as shown below, with both split presets shown (upper is always on top). The currently selected preset is ALWAYS shown in large bold type.
1.Use the Data Entry Control or INC/DEC buttons to change the Preset shown in Bold.
Select |
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Upper |
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Up |
Lower Preset |
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2.Use the left and right cursor buttons to transpose the selected Preset up or down.
The Upper Preset is ALWAYS on top of the lower preset in the display.
EOS 4.0 Software Manual 15
Introduction
Keyboard Modes
Pan ADDS to the pan setting made in the voice and is not an absolute pan setting.
The optional MIDI channel expander card allows 32 channel operation on older EOS machines having a single MIDI input port. This option is standard on E4X, E4XT Ultra and E-Synth Ultra.
O Omni mode plays only the currently selected preset from any MIDI channel.
Multimode allows the Emulator to respond to multiple MIDI channels at once allowing you to play multiple MIDI channels simultaneously. For detailed information and instructions on operating in Multimode, see Multimode on page 106.
v Selecting Multi Mode:
• Press the Mode function key (F6) to turn on Multimode and display the Multi mode screen. See the following illustration.
v To Change Channel Settings in Multimode:
1.Press the View function key to select MIDI Mix view. The MIDI Mix screen displays and defines the preset, volume, pan settings and output assignments for up to 32 MIDI channels.
This is useful for fine tuning multi-timbral sequences. This screen also lets you override the output channel programmed in the voice. Any volume, pan and preset changes made over MIDI are reflected in this display.
•Volume = MIDI continuous controller channel #7
•Pan = MIDI continuous controller channel #10
2.Select the desired MIDI channel using the up/down cursor buttons.
3.Select preset, volume, pan or the output assignment using the left/right cursor buttons. Change the parameter values using the Data Entry Control, the INC/DEC buttons, or the numeric keypad.
v To Return to Omni or Poly Mode:
1.Press the Arrow function key (F6).
2.Press the Mode function key (F6).
3.Press the Whole function key (F1).
16 E-MU Systems
1 - The Basics
18 E-MU Systems