Received Channel Commands ............ ................................................ .................... 339
Special Notes: ............................................................................ ................................ 339
Optimizing Your Computer for Emulator X..................................................................340
SCSI and IDE Drive Tips and Considerations ................................ ............................ 340
Index ............................................................................ 341
E-MU Systems13
14Emulator X3 Reference Manual
1 - Introduction & Installation
Introduction
Congratulations on your purchase of the Emulator X3 Streaming Sampling Synthesizer—the most powerful and complete software instrument in the world, built on
E-MU’s 35 years of synthesis experience. The Emulator X3 features the Xstream™
streaming sound engine with up to 192kHz sampling, and playback, an arsenal of
automated sampling/beat analysis/editing tools and almost unlimited sound manipulation.
Emulator X3 Features
Streaming
1 - Introduction & Installation
Introduction
• Xstream™ 24-bit/192 kHz Streaming Engine, featuring E-MU’s patented pitch
interpolation and precision 32-bit floating point processing for unmatched
sound quality.
• 32-bit and native 64-bit applications included (32-bit: Windows XP and Vista;
64-bit: Windows x64 and Vista)
• Optimized for Multi-core and Multi-Threaded processors to intelligently balance
the processing load across all available resources for exceptional performance.
• Standalone (64 MIDI channels) or VSTi (16 MIDI channels per instantiation)
operation.
Sampling
ASAP™ Automated Sampling and Placement
• Sample, Chop and Place
• Load, Chop and Place
• SynthSwipe™ automated hardware and software instrument sampling
Integrated Sample Editor
• Auto-Correlation Looping
• Crossfade Looping
• Comprehensive DSP Tools including Transform Multiply
• External Editor Link
Beat/Loop Tools
• Beat Analysis and Markup
• TwistaLoop™ non-destructive audio manipulator
• Xplode™ beat slicer with MIDI and Tempo Map Export
E-MU Systems15
1 - Introduction & Installation
Introduction
Synthesizer
• Advanced Modular Synthesis and FX Engine (from your initial sample’s tempo
through Emulator X3’s entire synthesis and FX architecture, all time-based
parameters syncable to BPM clock).
• Over 50 types of Z-Plane™ Morphing Filters (2nd order to 12th order),
including the Morph Filter Designer
• Multi-Function Generators/Arpeggiators (can be programmed to modulate
pitch, filters, volume, retrigger samples, or LFOs, change tempo or tr igger
other events)
• Integrated Modulation FX engine (23 core effects), including SP12ulator,
Tremulator, Reverbs, Delays and many more
• Comprehensive sound format support, including EOS, EIII, GigaSampler, MP3,
REX2, .AIFF, SoundFont 2.1, .WAV and more.
Before you Begin…
You should have a good working knowledge of your computer’s operating system. For
example, you should know how to use the mouse, standard menus and commands.
You should also know how to cut, copy, paste, open and close files.
Notes, Tips and Warnings
Items of special interest are presented in this docume nt as notes, tips and warnings.
Notes
Warnings are especially important, since they help you avoid activities that can
provide additional information related to the topic being discussed. Often,
notes describe the interaction between the topic and some other aspect of the system.
Tips describe applications for the topic under discussion.
cause damage to your files, your computer or yourself.
Tutorial List
Although this document is primarily intended as a reference manual, it does contain
quite a few step-by-step tutorials that you may find helpful. A few are list ed below.
TutorialPage TutorialPage
Adding an Aux Effect 232
Adding an Effect to a Preset233Creating Sequencer Tempo Tracks173
Building a Preset from Scratch58Layering Presets124
Change Loops with a Controller220Looping207
Conserving Polyphony165Morph Designer150
Function Generator140
Tip: Please refer to
the “Index” for a
complete list of all
Emulator X tutorials.
Control FX Parameters via MIDI 242Sampling 282
Create a Custom Bank47Program Change Commands 317
Creating ADSR Envelopes133Setting up your Controller Knobs 28
Crossfade between two Loops227SynthSwipe290
Examine a voice or sample 52VSTi 320
16Emulator X3 Reference Manual
What’s New in X2
• Support for 64 MIDI channels (page 70)
• Three 64-stage Function Generators per voice (page 139
• Morph Designer allows you to design custom morphing filters (page 149
• TwistaLoop loop analysis and manipulation tools (page 209
• User interface changes
• New Region Page (page 115)
• New Detail Page with Voices and Zones info (page 119
• Improved Keyboard Display (page 99)
• Floating Keyboard (page 270
• Tabs in Voice Editor (page 89
• Envelope Mode Settings (page 132)
• Sample Display/Overview (page 169
• Sample Root Note shown with Red Bar (page 99
)
)
)
)
• Key CC Window Controls (page 108)
• Cycle Groups in CC Window provide more natural sound by cycling through
different samples on repeated key presses. (page 111
• Poly Key Groups allow you to limit polyphony per key (page 164
• New modulation sources for patch cords: (page 156
• Function Generator (+,~,<,)
• Function Generator (gate, trigger)
• New modulation destinations for patch cords: (page 159)
• Function Generator Rates/Retrigger/Length/Direction
• Capture MIDI Controllers to preset initial settings (page 82
• Voices and Zones can be sorted according to different criteria (page 121
• New Preference Settings: Select edited preset for multisetup, Expand tree items
when selected, Knob tracking (page 29
)
• New MIDI Setting: Preset Tempo Channel (page 27
• More Undo Levels and greater control over undo behavior (page 30
• Effects Overhead dialog box (page 236
)
)
)
)
)
)
)
)
)
)
1 - Introduction & Installation
Introduction
)
)
New in X3
• Xstream™ 24-bit/129kHz Streaming Engine—32-bit and native 64-bit applications
optimized for Multi-core and Multi-threaded processors. Vista compatible.
• Xplode Region can now create companion MIDI files (page 117
• Export Tempo Map from Beat Analyzed samples (page 171
• Xtractor tool selectively processes audio based on stereo position (page 196
• Librarian improvements - Faster operation with large libraries (page 66
E-MU Systems17
)
)
)
)
1 - Introduction & Installation
Minimum System Requirements
Minimum System Requirements
To use Emulator X you will need at least:
• Pentium IV 1.5 GHz or equivalent CPU (2.4 GHz or faster recommended)
• CD-ROM Drive
• 512 MB RAM (2 GB DDR or greater recommended)
• Windows XP, Windows x64, Windows Vista, or Windows Vista x64
1. Insert the CD labeled “Emulator X3 - Software/Manual/Sounds Installation CD”
into your CD-ROM drive.
If Windows AutoPlay mode is enabled for your CD-ROM drive, the CD starts
running automatically. If not, navigate to the CD and double-click on Setup.exe.
2. Follow the instructions on the screen.
3. You will be asked to choose the Destination Folder for the program. The default
location is: “Program Files\Creative Professional\Emulator X.”
4. You will be asked to choose the Destination Folder for the VST plugins. The default
location is: “Program File\Steinberg\VstPlugins”
5. The program will be installed. Click Finish to complete the installation (when
prompted) then remove the Emulator X application disk from the CD drive.
6. The included CDs contain the following Emulator X sound banks:
• X Producer.........E-MU General MIDI, Hip Hop Producer, Proteus X Composer,
Saint Thomas Strings
• Studio Grand..... A stunning 1.4 GB grand piano bank
• Beat Shop 1.......ATC, Buju, Head Nod, Homage, IDA, Modern Kit, Rock Kit,
Seattle, Studio Kit
• Xperience...........Breakdown, Filters and Functions, Guitar Wah Bazaar, Jam
Session, Jazz Drummer, Transform Tool Kit, Transformed,
Twista Mania
• Xtreme Lead-1...The complete set of presents and samples from the Prote us
Xtreme Lead-1 sound module
7. Follow the onscreen instructions to install the banks on your hard disk. The
Factory Sound Banks are installed inside “Program Files\Creative Professional\Emulator X\Production Sound Banks” by default.
8. You may install the sound bank disks now or at a later time.
No Hardware
Requirement: As of
software version 3.0
Emulator X3 no longer
requires that a piece of
E-MU hardware be
connected to your
computer system.
18Emulator X3 Reference Manual
Running the Application for the First Time
Running the Application for the First Time
1. Launch the Emulator X program by double clicking the Emulator X icon on the
desktop or by selecting the Emulator X item from the Start menu.
2. You will be asked to activate your copy of the softwar e by ent er ing the serial
number included with your master CD-ROM.
1 - Introduction & Installation
3. Activation can be verified via the internet or by email. If your computer is
connected to the internet, activation will be automatic.
4. If you are NOT connected to the internet, you can register via email using another
computer (such as a friend’s house, or public library). Click the “Activate by email
via another computer” button. The following dialog box appears.
5. Contact E-MU by email at: emu.support@customercare.creative.com. Be sure to
include your Serial Number (from your Activation Card) and the Request Code in
the email message. You will receive a return email with your author izati o n code.
6. When you receive the response code enter it in the box above and click “Activate”.
7. Continue on to “Setting Up Your Audio” on the following page.
E-MU Systems19
1 - Introduction & Installation
Setting up your Audio
Setting up your Audio
Before you can start making music, you have to establish a connection between
Emulator X and your audio output hardware. This is done by selecting a software driver
that makes this connection between hardware and software.
1. In the Options menu of Emulator X, select Preferences. The following screen
appears.
2. In the Audio section of the menu, select E-MU ASIO if using an E-MU Digital
Audio System. Select ASIO E-MU USB|0202, ASIO USB|0404 or ASIO E-MU Tracker Pre|USB if using an E-MU USB interface. If you’re using another brand of
audio interface, select the appropriate driver.
3. You can verify that the Emulator X is producing audio by clicking on the icon
in the toolbar. This calls up the Floating Keyboard. Play the floating keyboard
with your mouse and you should be hearing sound and seeing activity on the
Emulator X main mix meters.
4. After running Emulator X, you may want to adjust the Audio Preferences for
optimum performance on your computer system.
5. If for some reason you want to use hardware that doesn’t support ASIO, select the
DirectSound driver. For Emulator X to communicate with your sound card, you
need to have Microsoft DirectSound installed on your computer and there must be
a DirectSound driver installed for your audio hardware.
Please go to page 22
for complete explanations of the Audio Preferences.
20Emulator X3 Reference Manual
Setting up the Preferences
The preferences dialog box contains a variety of important controls used to configure
Emulator X for your audio hardware and to customize the controls to suit the way you
work.
To get the best possible performance from your computer, you’ll need to spend a little
time adjusting the Audio Preferences such as Pre-roll, Sample Buffers, CPU Cap and
ASIO Buffer latency. These parameters interact with each other and you may have to
experiment to find the settings that work best on your unique computer system.
To Access the Preferences Dialog Box
1. In the Options menu, select Preferences. The following screen appears.
1 - Introduction & Installation
Setting up the Preferences
2. The preferences dialog box is divided into four main groups. Click on the tab
heading to select one of the four sets of controls.
Disk Streaming Controls, Sample Rate, Audio Hardware Setup &
Audio
MIDI
Controllers
Other
Pitch Shift Algorithm Selection, Multiple Processor Support, ASIO
Control Panel.
MIDI Input Channels 1-64, IntelliEdit, and Receive/Ignore Program
Changes, Internal/External Tempo Source select, Velocity Curve,
Volume Curve, Volume Sensitivity, Preset Tempo Channel.
This section allows you to set up the MIDI Continuous Controllers
you want the Emulator X to receive.
This group contains several miscellaneous controls: Load last bank at
startup, Select preset on active channel when editing in multimode,
Clear clip indicators after 10 seconds, Expand tree items when
selected, Knob tracking, Recording Directory, External Audio Editor,
Undo settings.
E-MU Systems21
1 - Introduction & Installation
Setting up the Preferences
Audio Preferences
Streaming
When you load an Emulator X bank (with Streaming on), you are not actually loading
the sample files themselves into your computer’s RAM. Only the prese t in formation
and the first few seconds of each sample are loaded. The rest of the sample data is taken
directly from the hard disk when needed.
This streaming technique makes fast loading times possible even when using huge
banks that would clog a RAM-based sampler. Multi-layer, minute-long, stereo samples
on each key are no problem for Emulator X. Sample streaming technology is not new.
It was originally developed in the 1980’s for hard disk audio recorders so that fast
punch-ins and punch-outs could be achieved.
You have the option to enable or disable streaming audio. If streaming is turned off,
Emulator X loads (or attempts to load) the entire bank into RAM.
If streaming is so great, why would you ever want to turn it off? Well, if you’re using
your computer as an audio workstation, performing multiple simultaneous functions,
sooner or later, you’ll exceed your computer’s CPU, memory or disk access resources.
Sample streaming makes very heavy demands on your hard disk. If you’re recording
other audio tracks, using multiple software plug-ins and playing Emulator X with a lot
of voices, you may run into a disk access bottleneck. By disabling streaming and
loading the bank into your unneeded RAM, your hard disk can be reserved for more
critical operations.
Pre-roll (seconds)
This important control allows you to set ho w many seconds of each sample should be
loaded into RAM when the bank is loaded. This setting greatly influences the performance of Emulator X when streaming is on. The setting you choose depends on: the
number of samples you want to use and the amount of RAM you want to dedicate to
Emulator X.
The smaller the pre-roll, the more disk access will be required for sustained sounds.
Frequent disk access may overtax your computer system, depending on its speed and
the number of other disk dependent applications you have running. Large pre-roll
times improve polyphony and performance at the expense of system RAM and slower
bank loading. If you set the pre-roll high enough, the entire bank will be loaded into
RAM and no disk streaming will occur.
Tip: If you get an
error message when
trying to open a file, the
file may be too large to fit
into RAM. Turn streaming
on.
Tip: Decrease Pre-roll
time for fast load times
when auditioning sounds
and creating new banks.
Increase pre-roll time
when you’re playing
many notes or dense
sequences.
22Emulator X3 Reference Manual
Sample Buffers
This control allocates the amount of RAM that will be set aside for Emulator X (in other
words, the number of the largest complete samples in the bank th at can be kept in the
RAM cache). As samples are played, they are streamed from the hard disk into RAM. If
you play those samples again and they are already in RAM, they don’t have to be
reloaded. This control sets the size of the RAM cache that will be kept and lowers disk
access at the expense of RAM.
Optimize the Performance and Polyphony of your System
The polyphony of the Emulator X is dependent on a variety of factors including:
• The Pre-roll setting (if str eam ing is enabled)
• The Sample Buffers setting (if streaming is enabled)
• The CPU Cap setting — the amount of CPU resources available to the Emulator X
• The bit depth of your samples —16 or 24 bits (24 bits = fewer voices)
• The sample rate of the audio hardware — 44.1kHz, 48kHz, 96kHz .
Lower sample rates use fewer CPU resources.
• Ultra-High Precision Interpolation and the use of high-order filters can reduce
polyphony.
1 - Introduction & Installation
Setting up the Preferences
Tip: Adding RAM is a
relatively cheap and easy
way to improve EX3
performance. With more
RAM available, you can
turn up the Pre-roll and
Sample Buffers to reduce
disk access.
• The speed of your computer — CPU speed, number of CPUs, speed and size of
RAM, as well as hard disk access time
Cost of Filters on Voice Count
No Filter
2nd Order
No additional CPU load.
Additional CPU load comparable to playing another 1/2 sample.
4th OrderAdditional CPU load comparable to playing another 3/4 sample.
6th OrderAdditional CPU load is comparable to playing 1 more sample.
(maximum polyphony is divided by 2)
12th OrderAdditional CPU load comparable to playing 2 more samples.
(maximum polyphony is divided by 3)
Synthesizer parameters also use CPU resources. When creating presets, feel free to use
modulation cords as needed, but don’t leave cords half connected if you aren’t using
them, since these patch settings waste CPU cycle s. Turn off both the source and
destination of unused cords.
Audio Setup
These controls let you set audio quality parameters related to Emulator X and your
sound card.
Type
You have a choice to use either Direct Sound or ASIO audio drivers. If you have
another high quality sound card installed in your system, it will be shown in this field.
ASIO (Audio Stream Input/Output) is a cross-platform, multi-cha nnel audio transfer
protocol. ASIO is fast and supports 16-bit and 24-bit data width. Select E-MU ASIO if
using an E-MU Digital Audio System. Select ASIO E-MU USB|0202, ASIO USB|0404
or ASIO E-MU Tracker Pre|USB if using an E-MU USB interface. If you’re using
another brand of audio interface, select the appropriate driver.
E-MU Systems23
1 - Introduction & Installation
Setting up the Preferences
Selecting Direct Sound uses the audio output device specified in the control panel of
your computer. In general, using Direct Sound is NOT RECOMMENDED because of
low transfer rate and high latency issues.
Buffer Size
This control sets the number of sample periods between updates of the synthesizer
parameters. The buffer size can be adjusted according to the speed of your computer’s
CPU. A faster CPU can handle a lower buffer size.
An asterisk (*) next to a buffer size in the drop-down menu indicates the optimal
buffer size for your ASIO Buffer Latency settings.
Use Optimal Buffer Size
When this box is checked, the Emulator X will choose the best buffer size based on the
ASIO Buffer Latency setting (located in the ASIO control panel). You should normally
leave this feature enabled for best audio performance. In certain rare cases you may
want to manually set the buffer length to improve MIDI or synth performance.
Sample Rate
This control sets the output sample rate of the Emulator X, and will always match the
sample rate of your sound card. The default setting is 44.1kHz.
CPU Cap
This control sets the maximum percentage of CPU resources that can be used by
Emulator X and consequently the maximum number of samples that can be played at
the same time. (Depending on the design of each preset, playing a single note on
Emulator X may cause multiple samples to play simultaneously.) The maximum
setting is 80% CPU usage. If you hear notes being “stolen” in your seque nce or as you
play the keyboard, or if the disk meter readout at the bottom of the window frequently
goes into the red, increase the value of this control. If you have other applications
running, you may want to reduce the setting of this control to free up more CPU for
them.
Headroom/Boost
Headroom is the amount of dynamic range remaining before clipping occurs.
The amount of headroom is adjustable from 12 dB to -30 dB in 1 dB increments. A
headroom setting of 12dB provides the hottest output leve l, (and the highest signal to
noise ratio) but may produce “clipping” if too many notes are played at once. The
default headroom setting is -7 dB, which maintains an excell ent signal to noise ratio
while keeping a reasonable amount of headroom in reserve. If you hear the signal
clipping or breaking up, make the headroom value more negative. In practice, you can
think of this control as adjusting the control range of the Master Volume control.
Ultra-High Precision Interpolation
This button allows you to select between E-MU’s ultra-high precision pitch shifting
algorithm or a lower quality pitch shifting scheme which uses fewer CPU resources.
If you are using presets with a sample placed on every key, as is the case on many
banks, you can switch high precision off to free up CPU with no penalty in audio
quality. No pitch shifting is occurring anyway. High quality pitch interpolation is only
needed when you are playing presets which have a few samples mapped across the
entire keyboard. In this case, Emulator X shifts the pitch of the available samples to fill
in the keyboard.
Warning: Sounds
with long release times
will exhibit “voice
stealing” more than short
percussive sounds.
24Emulator X3 Reference Manual
ASIO Control Panel
This button brings up the E-MU ASIO control panel which allows you to set the ASIO
buffer latency in milliseconds. This important setting determines how fast notes will
sound after you play them. If this time is too long, (>10mS) the keyboard response will
feel slow and sluggish. If set too fast, however, you will hear the sound break up and
crackle when you play too many notes. Experiment to find the setting that gives the
best performance on your computer.
Use Multiple Processors
This option allows the processing load of the Emulator X to be divided among several
CPUs or multi core processors. You can also set the Number of Processors (up to 4) to
utilize the latest quad-core processors for significant performance gains. You can even
use the 2 processor option if you have a hyper-threaded CPU since it can run 2 simulataneous threads.
If your computer is also serving as your DAW, recording audio tracks and running VST
plug-ins, simply assigning all your available processors to the Emulator X may not
always be the best approach. Since your computer is running many other processes
besides the Emulator X, you want to balance the workload between your available
cores for most efficient results.
For example, if you have a screaming fast quad-core system you might assign the
Emulator X to use 3 of the 4 available CPUs for a significant performance gain without
crowding out your DAW. On the other hand, if you have a computer dedicated to the
Emulator X you might want to give it all the available CPUs.
1 - Introduction & Installation
Setting up the Preferences
Tip: To find out how
many logical processors
your computer supports
check the “Performance”
tab in the Windows Task
Manager (Ctrl-Alt-Delete
or “Processors” in the
Device Manager.
Emulator
X2
DAW
Software
CPUCPUCPUCPU
When running multiple audio software applications, it’s usually best to balance the workload
between the available CPU cores.
Balancing the workload between the available CPUs is the key to maximizing the
performance of your system. If you have a multi core machine and Multiple Processor
mode is OFF, you can probably turn up the CPU Cap (try 80%) for a performance gain,
since the multiple CPUs are sharing the overall task load.
VST Output Buses
This control is only active in the Emulator X VSTi application. This setting allows you to
add additional VST buses (stereo pairs). Emulator X channel outputs can be assigned to
VST buses in the Multisetup, Output field. These outputs are sent to the VST Mixer in
your recording application. You must restart the VSTi for the change s to take effect.
E-MU Systems25
1 - Introduction & Installation
Setting up the Preferences
MIDI
This group of preferences allows you to set up the MIDI inputs, adjust the master MIDI
volume and velocity curves and turn the “IntelliEdit” feature on or off.
MIDI Inputs
Channels 1-16, 17-32, 33-48, 49-64
Emulator X can respond to 64 MIDI channels. Since there can be only 16 MIDI
channels per MIDI cable (or input), four inputs are provided. Set the MIDI inputs to
match up to four outputs from your MIDI interface or sequencer. If you don’t need 64
channels you can turn any input off.
IntelliEdit
This control allows you to set the MIDI device for IntelliEdit. Selecting “None” disables
the feature.
When editing sample key ranges or editing voices it is convenient to select the key
position by simply playing your MIDI keyboard. IntelliEdit lets you selectively edit key
ranges using the keyboard when you need to, but blocks keyboard editing when you
may not want it, such as when your keyboard is playing in the background.
To Use IntelliEdit:
1. Make sure IntelliEdit is set to the same MIDI port your keyboar d is using.
2. In one of the Voices and Sample Zones screens such as “Key Window”, position the cursor inside one of the Key Range fields (Low or High).
3. Press and hold, Ctrl+Alt on your computer keyboard.
4. Play your MIDI keyboard. The key range will be edited.
5. In the Voice Edit window, holding Ctrl+Alt lets you select voices for editing. If
more than one voice is assigned to the key, the voices will cycle around with
repeated pressing of the same key.
6. To select multiple voices, you must use the Group feature. See
26Emulator X3 Reference Manual
Groups on page 93.
Receive Program Changes
This check box selects whether or not MIDI Program Change messages from your MIDI
controller or sequencer will be received or ignored by Emulator X. Place an X in the
check box to receive program changes.
External Tempo Source
This check box selects between internal tempo clock or MIDI clock as the tempo
source. Emulator X uses a global master tempo for Tempo-based Envelopes, Tempobased LFOs, clock modulation and TwistaLoop. When this check box is selected, MIDI
clock will be used for the global tempo and the tempo control in the Multisetup
window will be disabled.
Preset Tempo Channel
The tempo of Emulator X can be specified in the preset so that selecting a preset on a
specific MIDI channel changes the tempo. See
Initial Tempo on page 82. This option
selects the MIDI channel whose preset will be used for Tempo Control. This allows the
proper tempo to be set when a Tempo-based or Twistaloop preset is selected.
For example, suppose you have this field set to channel 1 and the preset on MIDI
channel 1 has its Tempo Control set to 122.22 BPM. When the bank is loaded, the
Tempo will be set to 122.22 BPM. If you change the preset on channel 1, the tempo will
change to follow the “Set Global Tempo” setting in the new preset.
If the preset on the Preset Tempo channel has its Tempo Control set to “Off”, (or if this
option is set to “Off”) no tempo change occurs when the preset is selected.
1 - Introduction & Installation
Setting up the Preferences
Important!
If External Tempo Source
is set to external, the
tempo control in the
Voice Processing window
will be “greyed-out” and
non-functional.
MIDI Response
These controls allow you to customize the MIDI response of Emulator X to match your
MIDI Controller or other instruments.
Vel oc ity Curve
Incoming velocity values can be scaled by one of 24 curves to better adapt to your
playing style or MIDI controller. Selecting “linear” leaves incoming velocity data
unaltered. The shape of the selected curve is displayed in the window. Select the curve
that works best for you.
Vol um e Curve
This is an adjustment to help match MIDI controller #7 volume response to other
manufacturers’ equipment. Three curves are provided: Linear, Inverse Square or
Logarithmic. The action of this control is displayed in the window.
Volume Sensitivity
This control allows you to modify the response curve for MIDI continuous controller
#7 (Volume). This allows you to match Emulator X's response to other manufacturers’
equipment. Low numbers compress the volume control range, raising the volume level
at lower controller #7 values.
E-MU Systems27
1 - Introduction & Installation
Setting up the Preferences
Controllers
This is where you set up which MIDI Continuous Controllers Emulator X will receive.
Match these controls to the MIDI continuous controller numbers that your keyboard
or sequencer transmits. What the controllers actually do is programmable in each
preset. See
Modulation Cords on page 156.
As you can see, MIDI Continuous Controller numbers are assigned to letters (A-P) or
labels (Pitch, Mod, Pressure, Pedal, etc.) in this scree n. When programming a preset,
these letter or name labels can be assigned to control various parameters such as filter
frequency or attack time.
The name labels such as pitch and mod wheels are so commonly used that they have
their own assigned name, but these can also be freely assigned in any way you choose.
If you’re just getting started, it’s probably best to use the default settings. Press the
“Use Default” button to restore the default settings shown above.
Controller Knob Assignment
Preferences
(Options, Preferences Controllers)
MIDI Keyboard
Controller
Knob data
1. Select the CC
numbers you
wish to receive.
Continuous controller numbers
are assigned Letters (A-P)
& Labels (mod wheel, etc.)
For more information
on MIDI Controllers...
MIDI Channels &
See
Real-time Controls on
page 314.
Voice Processing Cords
2. Assign the controller
letters to Synth
destinations.
The Controllers screen determines which CC numbers (knob controller data) the Emulator X will receive. What the knobs actually
do to change the sound can be programmed differently for each preset (Voice Processing).
28Emulator X3 Reference Manual
Appearance Settings in Windows
Adjust the “Performance Options” in Windows to make the Preference buttons much
easier to read and increase smoothness when dragging windows around the screen.
To Improve the Appearance Settings:
1. Open the Windows Control Panel. (Start, Settings, Control Panel)
2. Select System.
3. Select the Advanced Settings tab.
4. Under Visual Effects, select Adjust for Best Performance.
5. Click OK.
Other Settings
1 - Introduction & Installation
Setting up the Preferences
Startup
• Load last bank - This feature automatically loads the las t bank you had loade d
whenever you start the Emulator X application.
Interface
• Select preset on active channel when editing in Multimode - When checked,
selecting a preset for editing in the Tree selects that preset on the active channel
in the multisetup. This is what you want if you’re editing a preset and playing a
MIDI keyboard.
If you’re playing back a multi-timbral se quence and want to make a quick edit to
a preset, you might want this feature Off so as not to alter your multisetup.
• Clear clip indicators after 10 seconds - This feature automatically clears the
main output meter clip indicators. If this function is set to Off, the clip indicators
will stay on until you manually click on them.
• Expand tree items when selected - If this option is checked, selecting presets
from the Tree will automatically open the selected preset for editing. When
unchecked, selecting presets from the Tree will select the preset for playing, but
not open it for editing.
• Knob Tracking - This control allows the rotary knobs to be manipulated with
either Rotary, Horizontal, or Vertical motion. The setting affects all rotary
controls.
E-MU Systems29
1 - Introduction & Installation
Setting up the Preferences
Paths
• Recording and temp file directory - This option allows you to choose the
location where new samples will be stored when sampling.
• External audio editor - This option allows you to set the location of an external
audio editor. The External Audio Editor is selected from the Sample Edit menu
or the toolbar. When the External Editor is selected, the current sample
opens in the editing application you have selected. When y ou Save the edited
sample in the external editing application, it is automatically transferred back to
the Emulator X. You even have the option to Undo the external edit.
Undo
•History size - The maximum number of stored undo steps.
• Clear history when saving - Clears all undo history when you save a bank. If
you have this box unchecked, you can undo even when you save and re-open a
bank.
• Clear now - Clears the undo history immediately.
30Emulator X3 Reference Manual
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