This is the operation manual for E-mu Operating System (EOS). EOS is the
operating system in several E-mu products, including: E-IV, e-64, E4K,
E-6400, E4X, E-Synth and the E4 Ultra series. The same EOS software is
loaded into each of these machines. For the sake of simplicity, we refer to
all these products as “the Emulator” when we talk about them in this
manual (unless, of course, there is an issue involving a particular product,
then we will be specific).
Your Emulator is a special purpose sound computer and like all computers,
can be thought of as having two main components:
1.
The physical machine with the buttons, keys, gadgets, that generates
sound and;
2.
The EOS software that tells the hardware what to do.
This manual describes how to use EOS to get the most from your Emulator.
The various functions of EOS are organized in this manual by their module.
Screen displays and step-by-step instructions are described for all aspects of
use and operation. Notes in the margin highlight important points or give
useful operational tips which might not be readily apparent.
If you are unfamiliar with samplers and synthesizers in general, you may
need more information than this manual provides. We suggest that you
read some of the many books and magazines on the subject of music
synthesis. This will help you to get the most out of this extremely powerful
instrument.
Important Upgrade Information
The features and functions of EOS are enhanced and upgraded periodically.
Please take a moment now to read the E-mu Systems warranty and fill out
and send in your warranty registration card. We NEED your mailing address
in order to keep you informed about upgrades and manual revisions.
EOS 4.0 Software Manual 3
Introduction
About EOS
About EOS
Graphic User Interface
EOS uses icons, graphics and dialog boxes extensively to make
programming as easy and as intuitive as possible. Similar functions are
logically grouped into menus and navigation controls such as the Cursor
and Page buttons make it easy to select the desired field.
Sequencer and Data Filer
The onboard 48-track sequencer is a full function music production center.
It contains a host of powerful features such as high resolution cut and paste
editing, quantization, data filters, and external sync capability. It is also
capable of reading and playing back standard MIDI files (format 0 & 1)
direct from a DOS floppy disk and saving them to the internal hard disk
drive. Music sequences are stored within banks or as separate objects.
Sound Libraries
The Emulator family has access to the huge library of sounds available from
E-mu and other sources. EOS is fully compatible with the E-IV, e-64, EIII,
EIIIX, ESI-32, E4K, E-6400, E4X, E-Synth and Ultra sound libraries, and can
transparently read Emax II, Roland S-700 and Akai S1000/S1100/S3000
banks via SCSI HD or CD–ROM without awkward conversion routines.
Sound Storage
EOS lets you arrange up to 1000 samples per bank in up to 1000 presets.
E-mu's exclusive SoundSprint™ function automatically loads presets from
the hard disk as you browse through them. You can continue to play while
the new preset is loading in the background. The Sound ROM option
(standard on E-Synth) gives you 16 MB of great samples with hundreds of
user programmable presets which are always on-line and ready to go.
Advanced DSP
EOS’s advanced digital signal processing (DSP) features make sampling a
breeze. Samples can be truncated, normalized and placed on the keyboard
automatically as the sample is taken. Advanced tools such as Auto Correlation, Loop Compression and Crossfade Looping allow even the most
difficult sounds to be looped easily.
You can digitally splice and mix samples with other samples. Control
samples dynamically from the keyboard using velocity and positional crossfading and switching functions. Advanced digital processing features such
as Sample Rate Conversion, Compression, Parametric Equalization and
Digital Tuning let you shape raw samples quickly and with greater precision
than computer based systems. Samples are easily transferred between the
Emulator and an external computer via SCSI.
4
E-MU Systems
Introduction
About EOS
Additional digital processing functions include:
Time Compression and Expansion : Shortens or lengthens the sample
time without changing the pitch.
Pitch Change : Changes the pitch of a sample without altering the
time.
Transform Multiplication : Creates weird and wonderful new timbres.
Aphex Aural Exciter :
Dopplerization : Moves samples forward and backwards in space as well
as from side to side.
FIR Filters : Non-realtime digital filters with “Ultra” high Q values and
phase-linear filter response.
Bit Converter : Removes unwanted bit resolution from your samples.
Beat Munging : Analyzes drum loops and phrases and allows you to
change tempo, time signature, swing and individual beats in real-time.
™
Adds brilliance and sheen to your samples.
Built-in Digital Effects
A high quality internal effects processor adds reverb and chorus effects
while keeping the sound in the digital domain. 76 different effects are
currently implemented with several controllable parameters for each effect.
A sound with effects applied can be resampled and saved as an entirely new
sound, with ambience and effects included.
More Digital Processing Features
The digital hardware implements up to 128 “analog-sounding” Z-plane
filters with many different filter types.
12, 24, or 36 dB/octave Low-pass filters with resonance
2nd & 4th order High-pass filters with resonance
2nd & 4th order Band-pass filters with resonance
Contrary Band-pass filter
Three types of swept EQ filters
Three Phasers and one Flanger with resonance
Six powerful Morphing filters
Modulation sources include three multi-stage envelope generators and two
multi-wave LFOs per channel with full MIDI modulation control over
virtually every parameter. The digital patchbay, containing a set of arithmetic modifiers, let you create complex synthesis models.
EOS Emulators have 32 part multi-timbral capability, allowing complex
sequencing and sound effects creation. Emulators can be operated by
remote control using an external computer. A MIDI expander card is
available for older units which increases the number of MIDI channels from
16 to 32.
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EOS 4.0 Software Manual 5
Introduction
Power Up!
Instant Gratification
This section is designed to get you playing sounds in the shortest amount
of time and provides only a partial explanation of disk operations. For more
complete instructions, see “Disk Menu” on page 355.
Power Up!
Turn on the Emulator and wait for the following screen to appear.
E-MU Systems
If you have an E-Synth or an Emulator with the ROM bank added, you can
select presets immediately. Use the Data Entry Control, INC/DEC buttons,
Left/Right cursor buttons or the numeric keypad to change presets. That's
it! If you have an Emulator without the ROM bank installed, you must load
a bank into the unit. Go to the next section for instructions.
6
•
Introduction
Loading a Bank from the Hard Disk
Loading a Bank from the Hard Disk
Loading a bank of sounds makes an entire collection of different presets
immediately available.
To Load a Bank from the Hard Disk:
v
1.
Press the Load function key (F4) from the main screen shown above.
The following screen appears.
The display shows the hard disk drive information, the folders contained
on the drive, and the individual banks contained in the displayed folder.
OO
The Disk button can be
OO
set to call up either SoundSprint
mode or the Last screen you
used in the Disk Browser. This
preference is located under
Master, Setup, SCSI.
2.
Select the Folder containing the desired bank. Using the Arrow cursor
buttons, move the cursor to the Folder field and select the Combos
folder.
3.
Select the Bank . Move the cursor down to the Bank field and choose
the General MIDI bank using the Data Entry Control, the INC/DEC
buttons or the numeric keypad.
4.
Press OK to load the bank. The bank is loaded and the first preset in the
bank appears.
Loading SoundSprints
SoundSprint is a proprietary method of loading presets from a hard disk. As
a preset is selected in SoundSprint, it is immediately loaded into the bank.
If you have an EOS machine with a hard disk, try it out. See “SoundSprint”
on page 23 for more information.
EOS 4.0 Software Manual 7
Introduction
Selecting Presets
Turn Sprint Off before
continuing.
v
To Load SoundSprints:
1.
From the main screen, press the Sprint function key (F2). The screen
shown above appears.
Select a preset . Use the bank function keys (F5 & F6), the left/right
cursor buttons, the previous/next buttons or the Data Entry Control to
select new presets. The previous and next presets in the folder are
shown in the upper right of the SoundSprint display window.
As you explore the SoundSprint presets be sure to try out the controllers
such as sliders and wheels. EOS machines containing a hard disk have a
special folder of Sprint presets.
To Turn Off SoundSprint Mode:
v
1. Press the Utils function key (F1).
2. Press the SprntOff function key (F5).
OO
OO
Press Assignable Key 3
(default setting) to jump
between the RAM and ROM
preset locations if you have an
E-Synth.
Selecting Presets
The currently selected preset is displayed on the main screen showing the
preset number (as it appears in the currently loaded Bank) and its name.
EOS provides several methods for selecting presets.
v To Select a Preset:
• Use the Data Entry Control to quickly scroll through the presets.
• Use the Left and Right cursor buttons or the INC and DEC buttons to
scroll through them one at a time.
• The Page buttons to scroll through them ten at a time.
• The numeric keypad to punch in the preset number and then press the
“Go” button to confirm the selection.
When using the numeric keypad to select presets, you select a preset by
entering a 1, 2 or 3 digit number. If fewer than three digits are entered, you
must press the Enter or Go button after selecting the number. For example,
you could select preset number 3 in any one of three ways:
E-MU Systems
1. Type “3.” A window pops up asking you to confirm the preset number.
Press the “Enter” button or “Go” button.
8
OO
OO
The more sound RAM
you have in the unit, the larger
the bank size can be and the
more presets you can have in
the bank at once.
Introduction
Selecting Presets
2. Type “03.” A window pops up asking you to confirm the preset number.
Press the “Enter” button or “Go” button.
3. Type “003.” (You do not need to press the “Enter” button or “Go”
button when entering all three digits of the preset number. Because
there are only three possible digits, EOS knows that you’re done.)
Presets are contained in the bank you loaded earlier so they are instantly
accessible when selected, unlike SoundSprint presets, which take a second
or two to load from the hard disk.
The next and previous presets are displayed in the upper corners of the
screen. The next preset is displayed in the upper right hand corner, the
previous preset is shown in the upper left hand corner.
Lock 1
2-Key Preset Selection
Lock 2
1-Key Preset Selection
Lock Button
The +/- button has an alternate function as a digit “Lock” button. When
used as a lock, it sets the number of digits that you must enter to change a
preset using the numeric keypad. Locking 1 digit (Lock 1 mode) requires
you to enter the remaining two digits, but gives you a selection of 100
presets. Locking 2 digits requires only a single button press, but reduces the
selection range to 10 presets. Press the Lock button repeatedly from the
preset selection screen to rotate through the modes.
After entering the first digit in Lock 1 mode (meaning you need to enter 2
digits to select the preset by number), a popup window appears listing the
ten presets in that rank. Use the Page buttons to select the next or previous
ten presets. Use the cursor buttons to select a preset in that rank.
• The Lock button can be used to set the current rank of ten Bookmarks
in SoundSprint mode. Press and Hold the Lock button and select a
number to change the rank.
If you are in the Lock 1 mode and you only enter one digit, a message pops
up asking you to confirm the preset number. You must press the Enter or
Go button to confirm the selection.
For example, to select preset number 3, type “3.” A window pops up asking
you to confirm the preset number. Press the “Enter” button or “Go” button.
EOS 4.0 Software Manual 9
Introduction
Saving
OO
OO
Save to an Empty Bank if
you have edited presets and
want to save the old bank as
well as the edited bank.
Saving
When presets are loaded into the bank, you are free to edit any parameter
in any preset. When you have everything the way you want it, SAVE the
entire bank to the hard disk. Since nothing is made permanent until you
Save it, you can play around with the presets to your heart’s content
without worrying about ruining something.
When you get something you want to keep, then it's time to Save. If you
don't save the bank, all changes will be lost as soon as you switch off
power or load another bank.
OO
OO
To save a single preset to
a bank see “Export Preset” in
the Preset Manage module.
v To Save a Bank:
1. From the Main screen shown above, press the button directly under
“Save…” on the screen (F5). The following screen appears.
2. Select the Bank location. The bank field defaults to the bank currently
loaded. Press OK to overwrite the bank or select an empty bank if you
want to save the bank as a new bank.
You can also save the bank to another folder or disk drive (if
connected). Use the up/down cursor buttons to advance the cursor to
the Folder or Drive field, then select the new destination.
3. Remember that Saving is permanent, so think twice before pressing OK.
Press OK to Save the bank or Cancel to abort the operation and return
to the main screen.
10 E-MU Systems
OO
OO
The arpeggiated notes
can be recorded into the
sequencer and are transmitted
on the MIDI Out port.
OO
OO
The arpeggiator
continues playing on the current
MIDI channel if you switch to
Multi mode.
Introduction
Arpeggiator
Arpeggiator
An arpeggiator moves a pattern of notes sequentially over a range of the
keyboard. EOS provides a performance-oriented arpeggiator which is
powerful, yet quick and easy to use. It has several features including tap
tempo, octave extension, note value divisor and control over how the
extensions are played (up, down, or up and down or random). The arpeggiator plays on the Basic Channel and remembers the order of played notes.
v To Access the Arpeggiator:
1. From the main preset selection screen, press the Mode function key
(F6). A new set of function keys appears.
2. Press the Arp function key (F5). The arpeggiator will be enabled and the
function keys now control the arpeggiator functions.
None 1 Oct2 Oct3 Oct
Arp Off
Octave Extension. The extension control shifts the arpeggio up the
specified number of octaves each time the pattern is repeated. For example,
suppose you played C2 with an Octave Extension value of 2. The arpeggiator advances the pattern 2 octaves in the direction specified. The
extension can be set from 0-3 octaves.
Octave
Extend
DirectionNote
Division
TempoGo
Back
v To Set the Octave Extension:
• Press the Octave Extension button (F2) to toggle between values.
2-oct Extension, Direction Up
Back
123 456 789
Played
Extend 1
Extend 2
EOS 4.0 Software Manual 11
Introduction
Arpeggiator
Arpeggiator
Direction
Direction. The Direction parameter determines the direction or pattern of
the arpeggiated notes. The held notes can be played forward, backward in
an alternating forward/backward order or randomly. This setting also
affects the order of the octave extensions.
Up
Down
Up/Down
Random
v To Set the Arpeggiator Direction:
• Press the Direction button (F3) repeatedly until the desired direction is
displayed on the screen. See the illustration at left for a description of
the direction display.
Division. The speed of the arpeggiator is determined by both the tempo
and the tempo divisor. The following divisors are available: 1/2 note, 1/2
note triplet, 1/4 note, 1/4 note triplet, 1/8 note, 1/8 note triplet, 1/16 note,
1/16th note triplet, 1/32 note, 1/32 note triplet. The division is particularly
useful if you are synced to an external MIDI clock.
Triplets. Access the arpeggiator from Multimode and turn Triplets On.
Triplets will remain on even if you switch back to Omni or Poly modes.
Tempo. The Tempo parameter, used with the Division parameter, deter-
mines the speed of the arpeggiator. There are two ways of defining the
arpeggiator tempo; by entering it numerically or by using the Tap Tempo
feature.
12 E-MU Systems
v To Enter the Tempo Numerically:
1. Press the Tempo function key (F5) to access the Arpeggiator Tempo
screen.
2. Place the cursor over the tempo field and enter the desired tempo
using the Data Entry Control, INC/DEC buttons or the Numeric
Keypad.
3. Press Done (F1) or OK (F6) to return to the main Arpeggiator menu
from the Tempo submenu. If you changed the status of the Sync
function, it will be saved to EEPROM.
You can control the
arpeggiator using an external
MIDI Clock by setting the
sequencer to an external clock
(Sequencer, Global, Setup).
Introduction
Arpeggiator
v To use the Tap Tempo function:
1. Press the Tempo function key (F5) to access the Arpeggiator Tempo
screen.
2. Tap the F4 button at the desired tempo at least four times to define a
new tempo. After the first four taps, the tempo updates the average
tempo with each subsequent tap.
3. Press Done (F1) or OK (F6) to return to the main Arpeggiator menu
from the Tempo submenu. If you changed the status of the Sync
function, it will be saved to EEPROM.
ReSync! Resets the Arpeggiator clock at the exact moment the Resync
button is pressed. This lets you synchronize with another beat as you play,
even if the two clocks are not locked together.
Key Sync/Free Run. The Sync parameter defines when a note is played in
relation to when the key is pressed. When set to Key Sync, the note sounds
the instant a key is pressed. When set to Free Run, the note will not sound
until the next arpeggiator clock cycle. The new Sync value is saved to the
internal EEPROM.
OO
OO
The arpeggiated notes
can be recorded into the
sequencer and are transmitted
on the MIDI Out port.
The arpeggiator and sequencer use the SAME CLOCK and tempo. Changes
in either menu will affect both functions.
v To Arpeggiate:
1. Press the Mode function key (F6) from the preset selection screen.
A new row of function keys appears.
2. Press the Arp function key (F5). The arpeggiator is enabled and the
function keys now control the arpeggiator functions.
3. Play a chord. The notes you are holding should now be arpeggiating.
Change the note division or go to the tempo submenu to change the
speed. Explore all the arpeggiator controls. Have fun!
4. Press ArpOff (F1) to turn off the Arpeggiator.
Note: You can leave the Arpeggiator menu with the Arpeggiator on.
Simply return to the Arp menu to turn it off again.
5. Press Run to start and Stop to stop arpeggiating. Press Done, OK, Exit
or Enter to leave the Arpeggiator.
EOS 4.0 Software Manual 13
Introduction
Keyboard Modes
From Multi mode, the Arpeggiator window appears as shown below. The
functions are identical.
Keyboard Modes
The keyboard modes are receiver functions, processing MIDI (or keyboard
action on an E4K or E-Synth Keyboard) and are designed as easy to use
performance features.
OO
OO
On a split keyboard, the
Arpeggiator will play on the
preset that was selected when
the arpeggiator was turned on.
v To Access the Keyboard Modes:
1. Press the Mode function key (F6). A new set of function keys appears.
Whole
Normal mode where the keyboard is not split or layered. This button puts
EOS in Omni or Poly Mode.
Layer
This mode places both presets across the entire keyboard at once. Selection
and Transpose operate exactly the same as in Split mode. See Split.
Split
The preset assigned to the MIDI Basic channel is placed on the lower half of
the keyboard and the preset assigned to the Basic channel + 1 is placed on
the upper split (for details about the Basic Channel and how to set it, see
“Basic Channel” on page 103).
14 E-MU Systems
Introduction
Keyboard Modes
Split Point
Basic ChannelBasic Channel + 1
Rock Bass 1Piano
v To Set the Keyboard Split Point:
1. Press the Mode button (F6) from the main preset screen. The Keyboard
submenu appears.
2. Press the SetSplit function key (F4). The display asks you to play a key.
3. Play a key on the keyboard you want to be the first key of the upper
preset.
Xpose
Down
Select
Upper
Select
Lower
Xpose
Up
v To Change and Transpose Presets in Split Mode:
When in Split mode, the display appears as shown below, with both split
presets shown (upper is always on top). The currently selected preset is
ALWAYS shown in large bold type.
1. Use the Data Entry Control or INC/DEC buttons to change the Preset
shown in Bold.
Upper Preset
Lower Preset
2. Use the left and right cursor buttons to transpose the selected Preset up
or down.
The Upper Preset is ALWAYS on top of the lower preset in the display.
EOS 4.0 Software Manual 15
Introduction
Keyboard Modes
Pan ADDS to the pan
setting made in the voice and is
not an absolute pan setting.
The optional MIDI
channel expander card allows
32 channel operation on older
EOS machines having a single
MIDI input port. This option is
standard on E4X, E4XT Ultra
and E-Synth Ultra.
Multi
Multimode allows the Emulator to respond to multiple MIDI channels at
once allowing you to play multiple MIDI channels simultaneously. For
detailed information and instructions on operating in Multimode, see
Multimode on page 106.
v Selecting Multi Mode:
• Press the Mode function key (F6) to turn on Multimode and display
the Multi mode screen. See the following illustration.
v To Change Channel Settings in Multimode:
1. Press the View function key to select MIDI Mix view. The MIDI Mix
screen displays and defines the preset, volume, pan settings and output
assignments for up to 32 MIDI channels.
This is useful for fine tuning multi-timbral sequences. This screen also
lets you override the output channel programmed in the voice. Any
volume, pan and preset changes made over MIDI are reflected in this
display.
• Volume = MIDI continuous controller channel #7
• Pan = MIDI continuous controller channel #10
OO
OO
Omni mode plays only
the currently selected preset
from any MIDI channel.
16 E-MU Systems
2. Select the desired MIDI channel using the up/down cursor buttons.
3. Select preset, volume, pan or the output assignment using the left/right
cursor buttons. Change the parameter values using the Data Entry
Control, the INC/DEC buttons, or the numeric keypad.
v To Return to Omni or Poly Mode:
1. Press the Arrow function key (F6).
2. Press the Mode function key (F6).
3. Press the Whole function key (F1).
The Basics
1
1 - The Basics
18 E-MU Systems
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